#. i18nc("Who made the profile?","Manufacturer: ") + currentColorSpace()->profile()->manufacturer() + "</p>"); //This would work if people actually wrote the manufacturer into the manufacturer fiedl...
"Language-Team: LANGUAGE <kde-i18n-doc@kde.org>\n"
"MIME-Version: 1.0\n"
"Content-Type: text/plain; charset=UTF-8\n"
"Content-Transfer-Encoding: 8bit\n"
#. (itstool) path: component/name
#: org.kde.umbrello.appdata.xml:6
msgid "Umbrello"
msgstr ""
#. (itstool) path: component/summary
#: org.kde.umbrello.appdata.xml:7
msgid "UML Modeller"
msgstr ""
#. (itstool) path: description/p
#: org.kde.umbrello.appdata.xml:9
msgid "Umbrello is a Unified Modelling Language (UML) modelling tool and code generator. It can create diagrams of software and other systems in the industry-standard UML format, and can also generate code from UML diagrams in a variety of programming languages."
msgstr ""
#. (itstool) path: description/p
#: org.kde.umbrello.appdata.xml:14
msgid "Features:"
msgstr ""
#. (itstool) path: ul/li
#: org.kde.umbrello.appdata.xml:16
msgid "Supported formats: XMI"
msgstr ""
#. (itstool) path: ul/li
#: org.kde.umbrello.appdata.xml:17
msgid "Several type of diagrams supported: use case, class, sequence, communication, state, activity, component, deployment, entity relationship"
msgid "It's recommended to look over the `official specification <http://docutils.sourceforge.net/rst.html>`_ for reStructuredText, and given it lives on sourceforge, to save a copy to your harddrive (sourceforge has, at this time of writing, some issues with server uptime):"
msgid "`Sphinx' page on restructured text <https://www.sphinx-doc.org/en/master/usage/restructuredtext/index.html>`_ -- This is useful for the specific sphinx directives and roles it uses to generate for example table of contents."
msgid "There are differences between the official reStructuredText and the sphinx docs multiple ways to do things. This document specifies the suggested conventions to go with."
msgid "This is just to keep track of who edited the page and to give credit. It should be in a comment so that it will not end up being easily readable by machines. The license of the whole manual is GDL 1.3 and should also be mentioned here::"
msgid "These are comma-separated terms under which the page will be indexed in :ref:`genindex`. The generated index is quite useful for both pdf as well as people who are not sure what the exact name is of the term they are looking for. They are defined as follows::"
msgid "These conventions were more or less decided by `Pandoc <https://pandoc.org/>`_'s mediawiki to reStructuredText conversion. If you need more than 4 headings, ask yourself first if the page hasn't gotten too complicated and needs splitting up."
msgid "`Pandoc <https://pandoc.org/>`_ likes to turn these into ```link name`__`` and then add ``.. __ :url`` at the end of the document. This is a so-called 'anonymous hyperlink', meaning that depending on the order of the links appearing in the text the order of the links at the end of the text are associated with one another. If this sounds confusing and difficult, it is because it is. That is also the exact reason why we'd like to avoid links like these."
msgid "We don't actually use footnotes in the manual due to the fact that it is a little bit too academical for our readers. However, we do collect documents and links that give a little bit more information on a topic at the end of a page. Sphinx has the ``.. seealso::`` directive for linking to external links, while reStructuredText suggests to use ``.. rubic:: Footnotes`` for specifically collecting footnotes as that plays nice with LaTeX."
msgid "However, use these super-sparingly! It is preferred to use the existing semantic markup in sphinx in any case, because that makes it easier for translators to make decisions about the nature of the text::"
msgid "which means that if you use ``|shorthand|``, in the text, it'll be replaced with 'something or the other'. This is useful for images and text that needs to be formatted in a complicated way, like in the case of \"LaTeX\"."
msgid "The krita documentation has ``|mouseleft|``, ``|mousemiddle|``, ``|mousescroll|`` and ``|mouseright|``, which'll turn into |mouseleft|, |mousemiddle|, |mousescroll| and |mouseright| respectively. These are defined in the sphinx conf.py, and are appended to each rst file."
msgid "Then, when typing a link, you can just use ```bugzilla`_`` to link to bugzilla with \"bugzilla\" used as the text of the link. ```Krita Manual`_`` will in turn link to docs.krita.org with the text \"Krita Manual\"."
msgid "A favourite! Definition lists are especially useful when dealing with enumerating all the options in a docker and trying to add a simple explanation behind them."
msgid "Full grid tables are best for when you need all features like complex column and row spans, but they're tricky to make. For that reason, small tables are best off being done with the simple syntax, while really long tables are best done with a list directive because that is just much easier to write and maintain."
msgid "Hints are useful to give a little bit more information on a topic than is useful in the main text. Like, \"These packages are named differently in openSuse versus Debian\"."
msgid "Extra information on how to do something, like, \"You can make a template of your favourite document setup\", or \"Use m to mirror the canvas and see errors more easily in your drawing\"."
msgid "This one is probably not relevant for a manual. Sphinx can create these manually given some situations, but our configuration does not do so by default."
msgid "Horizontal rulers are usually used when the topic switches rather directly. This is very common in more narrative based writing, such as history or fiction. The Krita manual is more instruction and reference style writing, that is to say, we don't usually tell a long story to indicate how different elements come together, but rather long stories are there to motivate why certain steps are taken in a certain manner. Topic changes then usually happen because we go into a new section, rather than switching to a related section. It is therefore better to use headings or the ``.. Topic::`` directive. Headings also make it easier to read."
msgid "The rubric directive is a heading directive that at first glance looks like \"topic\", but where the topic is over several paragraphs, rubric itself only deals with the header, like so::"
msgid "Only when they fit semantically. This is especially necessary for the danger and warning admonishments, as seeing them too often can make users blind to them."
msgid "Masked brush is new feature that is only available in the :ref:`pixel_brush_engine`. They are additional settings you will see in the brush editor. Masked brushes allow you to combine two brush tips in one stroke. One brush tip will be a mask for your primary brush tip. A masked brush is a good alternative to texture for creating expressive and textured brushes."
msgid "Due to technological constraints, the masked brush only works in the wash painting mode. However, do remember that flow works as opacity does in the build-up painting mode."
msgid "Like with normal brush tip you can choose any brush tip and change it size, spacing, and rotation. Masking brush size is relative to main brush size. This means when you change your brush size masking tip will be changed to keep the ratio."
msgid "The opacity and flow of the second tip. This is mapped to a sensor by default. Flow can be quite aggressive on subtract mode, so it might be an idea to turn it off there."
msgid "This feature is technically already in 3.1, but disabled by default because we had not optimized the filling algorithm for production use yet. To enable it, find your krita configuration file, open it in notepad, and add \"disableColorizeMaskFeature=false\" to the top. Then restart Krita. Its official incarnation is in 4.0."
msgid "This image has the line art for the lady separated from the background, and what's more, the background is made up of two layers: one main and one for the details."
msgid "First, select the colorize mask editing tool while having the line art layer selected. |mouseleft| the canvas will add a colorize mask to the layer. You can also |mouseright| the line art layer, and then :menuselection:`Add --> Colorize Mask`. The line art will suddenly become really weird, this is the prefiltering which are filters through which we put the line art to make the algorithm easier to use. The tool options overview below shows which options control that."
msgid "Now, you make strokes with brush colors, press :guilabel:`Update` in the tool options, or tick the last icon of the colorize mask properties. In the layer docker, you will be able to see a little progress bar appear on the colorize mask indicating how long it takes. The bigger your file, the longer it will take."
msgid "We want to have the blue transparent. In the tool options of the colorize editing tool you will see a small palette. These are the colors already used. You can remove colors here, or mark a single color as standing for transparent, by selecting it and pressing \"transparent\". Updating the mask will still show the blue stroke, but the result will be transparent:"
msgid "Because the colorize mask algorithm is slow, and we only need a part of our layer to be filled to fill the whole ghost lady figure, we can make use of :guilabel:`Limit to layer bounds`. This will limit Colorize Mask to use the combined size of the line art and the coloring key strokes. Therefore, make sure that the colorizing keystrokes only take up as much as they really need."
msgid "Now, the colorize mask, being a mask, can also be added to a group of line art layers. It will then use the composition of the whole group as the line art. This is perfect for our background which has two separate line art layers. It also means that the colorize mask will be disabled when added to a group with pass-through enabled, because those have no final composition. You can recognize a disabled colorize mask because its name is stricken through."
msgid "To add a colorize mask to a group, select the group and |mouseleft| the canvas with the Colorize Mask editing tool, or |mouseright| the layer to :menuselection:`Add --> Colorize Mask`."
msgid "Now, we add strokes to the background quickly. We do not need to use the :menuselection:`Limit to Layer Bounds` because the background covers the whole image."
msgid "For the record, you can use other brushes and tools also work on the colorize mask as long as they can draw. The Colorize Mask Editing tool is just the most convenient because you can get to the algorithm options."
msgid "Now we are done, |mouseright| the colorize mask and :menuselection:`Convert --> to Paint Layer`. Then, :menuselection:`Layer --> Split --> Split Layer`. This will give separate color islands that you can easily edit:"
msgid "This way we can very quickly paint the image. Due to the colorize mask going from the first image to the following took only 30 minutes, and would've taken quite a bit longer."
msgid "The colorize masks are saved to the .kra file, so as long as you don't save and open to a different file format, nor convert the colorize mask to a paintlayer, you can keep working adjust the results."
msgid "Put the mask into edit mode. In edit mode, it will also show the 'prefiltering' on the line art, which is for example a blur filter for gap closing."
msgid "Show the output of the colorize mask. If :guilabel:`Edit key strokes` is active, this will be shown semi-transparently, so it will be easy to recognize the difference between the strokes and the output."
msgid "On the **Left**: :guilabel:`Show Output` is on, :guilabel:`Edit Key Strokes` is off. In the **Middle**: :guilabel:`Show Output` and :guilabel:`Edit Key Strokes` are on. On the **Right**: :guilabel:`Show Output` is off and :guilabel:`Edit Key Strokes` is on."
msgid "Limit the colorize mask to the combined layer bounds of the strokes and the line art it is filling. This can speed up the use of the mask on complicated compositions, such as comic pages."
msgid "Activate this for line art with large solid areas, for example shadows on an object. For the best use, set the value to the thinnest lines on the image. In the image below, note how edge detection affects the big black areas:"
msgid "From left to right: an example with big black shadows on an object but no edge detection, the same example without the edit key strokes enabled. Then the same example with edge detection enabled and set to 2px, and that same example without edit key strokes enabled."
msgid "While the algorithm is pretty good against gaps in contours, this will improve the gap recognition. The higher this value is, the bigger the gaps it will try to close, but a too high value can lead to other errors. Note how the prefiltered line art (that's the blurry haze) affects the color patches."
msgid "On the **Left**: :guilabel:`Gap close hint` is 0px. In the **Middle**: :guilabel:`Gap close hint` is 15px (the lines are 10px). On the **Right**: :guilabel:`Gap close hint` is 275px."
msgid "This will attempt to handle messy strokes that overlap the line art where they shouldn't. At 0 no clean up is done, at 100% the clean-up is most aggressive."
msgid "This palette keeps track of the colors used by the strokes. This is useful so you can switch back to colors easily. You can increase the swatch size by hovering over it with the mouse, and doing :kbd:`Ctrl +` |mousescroll|."
msgid "This button is under the keystrokes palette, you can mark the selected color to be interpreted a 'transparent' with this. In the clean-up screenshot above, cyan had been marked as transparent."
msgid "In the real world, when painting or drawing, you don't just use one tool. You use pencils, erasers, paintbrushes, different types of paint, inks, crayons, etc. All these have different ways of making marks."
msgid "In a digital program like Krita you have something similar. We call this a brush engine. And much like how cars have different engines that give different feels when driving, or how pencils make distinctly different marks than rollerball pens, different brush engines have totally different feels."
msgid "Unlike Photoshop, Krita makes a difference between brush-tips and brush-presets. Tips are only a stamp of sorts, while the preset uses a tip and many other settings to create the full brush."
msgid "To start, the Brush Settings Editor panel can be accessed in the toolbar, between the :guilabel:`Blending Modes` button on the right and the :guilabel:`Patterns` button on the left. Alternately, you can use the :kbd:`F5` key to open it."
msgid "This contains the **Preset Icon**, **Live Brush Preview**, the **Preset Name**, the **Engine** name, and several buttons for saving, renaming, and reloading."
msgid "Krita's brush settings are stored into the metadata of a 200x200 png (the KPP file), where the image in the png file becomes the preset icon. This icon is used everywhere in Krita, and is useful for differentiating brushes in ways that the live preview cannot."
msgid "The live preview shows a stroke of the current brush as a little s-curve wiggle, with the pressure being non-existent on the left, and increasing to full pressure as it goes to the right. It can thus show the effect of the Pressure, Drawing Angle, Distance, Fade and Fuzzy Dab sensors, but none of the others. For some brush engines it cannot show anything. For the color smudge, filter brush and clone tool, it shows an alternating line pattern because these brush engines use the pixels already on canvas to change their effect."
msgid "The engine of a brush is the underlying programming that generates the stroke from a brush. What that means is that different brush engines have different options and different results. You can see this as the difference between using crayons, pencils and inks, but because computers are maths devices, most of our brush engines produce different things in a more mathematical way."
msgid "For most artists the mathematical nature doesn't matter as much as the different textures and marks each brush engine, and each brush engine has its own distinct flavor and use, and can be further customized by modifying the options."
msgid "If you change a preset, an icon will appear behind the engine name. This is the :guilabel:`reload` button. You can use it to revert to the original brush settings."
msgid "This will only enable if there are any changes. Pressing this will override the current preset with the new settings, keeping the name and the icon intact. It will always make a timestamped back up in the resources folder."
msgid "Will take the current preset and all its changes and save it as a new preset. If no change was made, you will be making a copy of the current preset."
msgid "It allows you to select tool icons, and an optional small emblem. When you press :guilabel:`OK` it will load the resulting combination into the mini scratch pad and you can draw in the stroke."
msgid "If you go to your resources folder, there's a folder there called \"preset\\_icons\", and in this folder there are \"tool\\_icons\" and \"emblem\\_icons\". You can add semi-transparent pngs here and Krita will load those into the icon library as well so you can customize your icons even more!"
msgid "At the top right of the icon library, there are three sliders. They allow you to adjust the tool icon. The top two are the same Hue and Saturation as in HSL adjustment, and the lowest slider is a super simple levels filter. This is done this way because the levels filter allows maintaining the darkest shadows and brightest highlights on a tool icon, making it much better for quick adjustments."
msgid "If you're done with everything, you can press :guilabel:`Save` in the :guilabel:`Save New Brush Preset` dialog and Krita will save the new brush."
msgid "The preset chooser is much the same as the preset docker and the preset drop-down on the :kbd:`F6` key. It's unique in that it allows you to filter by engine and this is also where you can create brushes for an engine from scratch."
msgid "The top drop-down is set to “all” by default, which means it shows all engines. It then shows a tag section where you can select the tags, the preset list and the search bar."
msgid "Underneath that there's a plus icon, which when pressed gives you the full list of Krita's engines. Selecting an engine from the list will show the brushes for that engine."
msgid "When you tweak your brushes, you want to be able to check what each setting does. That's why, to the right of the settings drop-down, there is a scratch pad."
msgid "When saving a new preset, you can choose to get the icon from the scratch pad, this will load the dash area into the mini scratch pad of the Save New Brush Preset dialog."
msgid "The options, as stated above, are different per brush engine. These represent the different parameters, toggles and knobs that you can turn to make a brush preset unique. For a couple of options, the main things to change are sliders and check boxes, but for a lot of them, they use curves instead."
msgid "Some options can be toggled, as noted by the little check boxes next to them, but others, like flow and opacity are so fundamental to how the brush works, that they are always on."
msgid "One of the big important things that make art unique to the artist who created it is the style of the strokes. Strokes are different because they differ in speed, rotation, direction, and the amount of pressure put onto the stylus. Because these are so important, we would want to customize how these values are understood in detail. The best way to do this is to use curves."
msgid "Curves show up with the size widget for example. With an inking brush, we want to have size mapped to pressure. Just toggling the size option in the option list will do that."
msgid "However, different people have different wrists and thus will press differently on their stylus. Someone who presses softly tends to find it easy to make thin strokes, but very difficult to make thick strokes. Conversely, someone who presses hard on their stylus naturally will have a hard time making thin strokes, but easily makes thick ones."
msgid "The brush settings curves even have quick curve buttons for these at the top. Someone who has a hard time making small strokes should try the second to last concave button, while someone who has a hard time making thick strokes should try the third button, the S shape."
msgid "This is for the list of sensors. Toggling this will make all the sensors use the same curve. Unchecked, all checked sensors will have separate curves."
msgid "This indicates how the multiple values of the sensor curves are used. The curves always go from 0 to 1.0, so if one curve outputs 0.5 and the other 0.7, then..."
msgid "This enables dirty presets. Dirty presets store the tweaks you make as long as this session of Krita is active. After that, they revert to default. Dirtied presets can be recognized by the icon in the top-left of the preset."
msgid "This allows you to toggle instant preview on the brush. The Instant Preview has a super-secret feature: when you press the instant preview label, and then right click it, it will show a threshold slider. This slider determines at what brush size instant preview is activated for the brush. This is useful because small brushes can be slower with instant preview, so the threshold ensures it only activates when necessary."
msgid "There are on-canvas brush settings. If you open up the pop-up palette, there should be an icon on the bottom-right. Press that to show the on-canvas brush settings. You will see several sliders here, to quickly make small changes."
msgid "At the top it shows the currently active preset. Next to that is a settings button, click that to get a list of settings that can be shown and organized for the given brush engine. You can use the up and down arrows to order their position, and then left and right arrows to add or remove from the list. You can also drag and drop."
msgid "Then, press the arrow on the upper left to open the preset chooser. There, press the “+” icon to get a list of engines. For this brush we're gonna make a pixel brush."
msgid "Draw on the scratch pad to see what the current brush looks like. If done correctly, you should have a 5px wide brush that has pressure set to opacity."
msgid "Let us turn off the opacity first. Click on the :ref:`opacity <option_opacity_n_flow>` option in the right-hand list. The settings should now be changed to a big curve. This is the sensor curve."
msgid "Now you should be getting somewhere towards an inking brush. It is still too small however, and kinda grainy looking. Click :ref:`Brush Tip <option_brush_tip>` in the brush engine options."
msgid "Here, the diameter is the size of the brush-tip. You can touch the slider change the size, or right-click it and type in a value. Set it to 25 and test again. It should be much better."
msgid "If you test again, you'll notice the fade doesn't seem to have much effect. This has to do with the spacing of the dabs: The closer they are together, the harder the line is. By default, this is 0.1, which is a bit low. If you set it to 10 and test, you'll see what kind of effect spacing has. The :ref:`Auto <option_spacing>` checkbox changes the way the spacing is calculated, and Auto Spacing with a value of 0.8 is the best value for inking brushes. Don't forget that you can use right-click to type in a value."
msgid "Now, when you test, the fade seems to have a normal effect... except on the really small sizes, which look pixelly. To get rid of that, check the anti-aliasing check box. If you test again, the lines should be much nicer now."
msgid "You will get the save preset dialog. Name the brush something like “My Preset”. Then, select :guilabel:`Load from Icon Library` to get the icon library. Choose a nice tool icon and press :guilabel:`OK`."
msgid "The icon will be loaded into the mini scratch pad on the left. Now doodle a nice stroke next to it. If you feel you messed up, just go back to the icon library to load a new icon."
msgid "To do this, select the :ref:`size <option_size>` option, and press the pressure sensor from the list next to the curve. The curve should look like a straight line. Now if you want a brush that gets big with little pressure, tick on the curve to make a point, and drag the point to the upper-left. The more the point is to the upper-left, the more extreme the effect. If you want instead a brush that you have to press really hard on to get to full size, drag the dot to the lower-right. Such a brush is useful for fine details. Don't forget to save the changes to your brush when done."
msgid "To do this, select the flow option, and turn back on the :guilabel:`Enable Pen Settings` check box. Now if you test this, it is indeed a bit softer, but maybe a bit too much. Click on the curve to make a dot, and drag that dot to the top-left, half-way the horizontal of the first square of the grid. Now, if you test, the thin lines are much softer, but the hard your press, the harder the brush becomes."
msgid "The recommended way to share brushes and presets is by using the resource bundle system. We have detailed instructions on how to use them on the :ref:`resource management page <resource_management>`."
msgid "So when you have a brush that uses unique predefined tips for either brush tip or masked brush, or unique textures you will need to share those resources as well with the other person."
msgid "Now, if you want to use the single preset, you should go to the preset chooser on the :kbd:`F6` key and press the folder icon there. This will give a file dialog. Navigate to the kpp file and open it to import it."
msgid "If there are brush tips and patterns coming with the file, do the same with pattern via the pattern docker, and for the brush-tip go to the settings drop-down (:kbd:`F5`) and then go to the “brush-tip” option. There, select predefined brush, and then the “import” button to call up the file dialog."
msgid "Copy the brushes, paintoppresets and patterns folders from the zip file to the resource folder. You should get a prompt to merge the folders, agree to this."