Index: trunk/l10n-kf5/sk/messages/www/docs_krita_org_tutorials___inking.po
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+# translation of docs_krita_org_tutorials___inking.po to Slovak
+# Roman Paholik <wizzardsk@gmail.com>, 2019.
+msgid ""
+msgstr ""
+"Project-Id-Version: docs_krita_org_tutorials___inking\n"
+"Report-Msgid-Bugs-To: \n"
+"POT-Creation-Date: 2019-03-12 03:34+0100\n"
+"PO-Revision-Date: 2019-03-22 09:21+0100\n"
+"Last-Translator: Roman Paholik <wizzardsk@gmail.com>\n"
+"Language-Team: Slovak <kde-sk@linux.sk>\n"
+"Language: sk\n"
+"MIME-Version: 1.0\n"
+"Content-Type: text/plain; charset=UTF-8\n"
+"Content-Transfer-Encoding: 8bit\n"
+"X-Generator: Lokalize 2.0\n"
+"Plural-Forms: nplurals=3; plural=(n==1) ? 0 : (n>=2 && n<=4) ? 1 : 2;\n"
+
+#: ../../tutorials/inking.rst:None
+msgid ""
+".. image:: images/en/inking/Stroke_fingers.gif\n"
+"   :alt: finger movement"
+msgstr ""
+
+#: ../../tutorials/inking.rst:None
+msgid ""
+".. image:: images/en/inking/Stroke_wrist.gif\n"
+"   :alt: wrist movement"
+msgstr ""
+
+#: ../../tutorials/inking.rst:None
+msgid ""
+".. image:: images/en/inking/Stroke_arm.gif\n"
+"   :alt: arm movement"
+msgstr ""
+
+#: ../../tutorials/inking.rst:None
+msgid ""
+".. image:: images/en/inking/Stroke_shoulder.gif\n"
+"   :alt: stroke shoulder movement"
+msgstr ""
+
+#: ../../tutorials/inking.rst:None
+msgid ""
+".. image:: images/en/inking/Inking_aliasresize.png\n"
+"   :alt: aliased resize"
+msgstr ""
+
+#: ../../tutorials/inking.rst:1
+msgid "tips and tricks for inking in Krita"
+msgstr ""
+
+#: ../../tutorials/inking.rst:13
+msgid "Inking"
+msgstr ""
+
+#: ../../tutorials/inking.rst:15
+msgid ""
+"The first thing to realise about inking is that unlike anatomy, perspective,"
+" composition or color theory, you cannot compensate for lack of practice with"
+" study or reasoning. This is because all the magic in drawing lines happens"
+" from your shoulder to your fingers, very little of it happens in your head,"
+" and your lines improve with practice."
+msgstr ""
+
+#: ../../tutorials/inking.rst:17
+msgid ""
+"On the other hand, this can be a blessing. You don’t need to worry about"
+" whether you are smart enough, or are creative enough to be a good inker."
+" Just dedicated. Doubtlessly, inking is the Hufflepuff of drawing disciplines."
+msgstr ""
+
+#: ../../tutorials/inking.rst:19
+msgid "That said, there are a few tips to make life easy:"
+msgstr ""
+
+#: ../../tutorials/inking.rst:22
+msgid "Pose"
+msgstr "Pose"
+
+#: ../../tutorials/inking.rst:24
+msgid ""
+"Notice how I mentioned up there that the magic happens between your shoulders"
+" and fingers? A bit weird, not? But perhaps, you have heard of people talking"
+" about adopting a different pose for drawing."
+msgstr ""
+
+#: ../../tutorials/inking.rst:26
+msgid ""
+"You can in fact, make different strokes depending on which muscles and joints"
+" you use to make the movement: The Fingers, the wrist and lower-arm muscles,"
+" the elbow and upper-arm muscles or the shoulder and back muscles."
+msgstr ""
+
+#: ../../tutorials/inking.rst:34
+msgid ""
+"Generally, the lower down the arm the easier it is to make precise strokes,"
+" but also the less durable the joints are for long term use. We tend to start"
+" off using our fingers and wrist a lot during drawing, because it’s easier to"
+" be precise this way. But it’s difficult to make long strokes, and"
+" furthermore, your fingers and wrist get tired far quicker."
+msgstr ""
+
+#: ../../tutorials/inking.rst:42
+msgid ""
+"Your shoulders and elbows on the other hand are actually quite good at"
+" handling stress, and if you use your whole hand you will be able to make"
+" long strokes far more easily. People who do calligraphy need shoulder based"
+" strokes to make those lovely flourishes (personally, I can recommend"
+" improving your handwriting as a way to improve inking), and train their arms"
+" so they can do both big and small strokes with the full arm."
+msgstr ""
+
+#: ../../tutorials/inking.rst:44
+msgid ""
+"To control pressure in this state effectively, you should press your pinky"
+" against the tablet surface as you make your stroke. This will allow you to"
+" precisely judge how far the pen is removed from the tablet surface while"
+" leaving the position up to your shoulders. The pressure should then be put"
+" by your elbow."
+msgstr ""
+
+#: ../../tutorials/inking.rst:46
+msgid ""
+"So, there’s not any secret rules to inking, but if there is one, it would be"
+" the following: *The longer your stroke, the more of your arms you need to"
+" use to make the stroke*."
+msgstr ""
+
+#: ../../tutorials/inking.rst:49
+msgid "Stroke smoothing"
+msgstr ""
+
+#: ../../tutorials/inking.rst:51
+msgid ""
+"So, if the above is the secret to drawing long strokes, that would be why"
+" people having been inking lovely drawings for years without any smoothing?"
+" Then, surely, it is decadence to use something like stroke smoothing, a"
+" short-cut for the lazy?"
+msgstr ""
+
+#: ../../tutorials/inking.rst:56
+msgid ""
+".. image:: images/en/inking/Stroke_rigger.gif\n"
+"   :alt: rigger brush demonstration"
+msgstr ""
+
+#: ../../tutorials/inking.rst:56
+msgid ""
+"Example of how a rigger brush can smooth the original movement (here in red)"
+msgstr ""
+
+#: ../../tutorials/inking.rst:58
+msgid ""
+"Not really. To both, actually. Inkers have had a real-life tool that made it"
+" easier to ink, it’s called a rigger-brush, which is a brush with a very long"
+" hairs. Due this length it sorta smooths out shakiness, and thus a favoured"
+" brush when inking at three in the morning."
+msgstr ""
+
+#: ../../tutorials/inking.rst:60
+msgid ""
+"With some tablet brands, the position events being sent aren’t very precise,"
+" which is why we having basic smoothing to apply the tiniest bit of smoothing"
+" on tablet strokes."
+msgstr ""
+
+#: ../../tutorials/inking.rst:62
+msgid ""
+"On the other hand, doing too much smoothing during the whole drawing can make"
+" your strokes very mechanical in the worst way. Having no jitter or tiny"
+" bumps removes a certain humanity from your drawings, and it can make it"
+" impossible to represent fabric properly."
+msgstr ""
+
+#: ../../tutorials/inking.rst:64
+msgid ""
+"Therefore, it’s wise to train your inking hand, yet not to be too hard on"
+" yourself and refuse to use smoothing at all, as we all get tired, cold or"
+" have a bad day once in a while. Stabilizer set to 50 or so should provide a"
+" little comfort while keeping the little irregularities."
+msgstr ""
+
+#: ../../tutorials/inking.rst:67
+msgid "Bezier curves and other tools"
+msgstr ""
+
+#: ../../tutorials/inking.rst:69
+msgid ""
+"So, you may have heard of a French curve. If not, it’s a piece of plastic"
+" representing a stencil. These curves are used to make perfectly smooth"
+" curves on the basis of a sketch."
+msgstr ""
+
+#: ../../tutorials/inking.rst:71
+msgid ""
+"In digital painting, we don’t have the luxury of being able to use two hands,"
+" so you can’t hold a ruler with one hand and adjust it while inking with the"
+" other. For this purpose, we have instead Bezier curves, which can be made"
+" with the :ref:`path_selection_tool`."
+msgstr ""
+
+#: ../../tutorials/inking.rst:73
+msgid ""
+"You can even make these on a vector layer, so they can be modified on the fly."
+msgstr ""
+
+#: ../../tutorials/inking.rst:75
+msgid ""
+"The downside of these is that they cannot have line-variation, making them a"
+" bit robotic."
+msgstr ""
+
+#: ../../tutorials/inking.rst:77
+msgid ""
+"You can also make small bezier curves with the :ref:`assistant_tool`, amongst"
+" the other tools there."
+msgstr ""
+
+#: ../../tutorials/inking.rst:79
+msgid ""
+"Then, in the freehand brush tool options, you can tick **Assistants** and"
+" start a line that snaps to this assistant."
+msgstr ""
+
+#: ../../tutorials/inking.rst:82
+msgid "Presets"
+msgstr "Prednastavenia"
+
+#: ../../tutorials/inking.rst:84
+msgid ""
+"So here are some things to consider with the brush-presets that you use:"
+msgstr ""
+
+#: ../../tutorials/inking.rst:87
+msgid "Anti-aliasing versus jagged pixels"
+msgstr ""
+
+#: ../../tutorials/inking.rst:89
+msgid ""
+"A starting inker might be inclined to always want to use anti-aliased"
+" brushes, after all, they look so smooth on the screen. However, while these"
+" look good on screen, they might become fuzzy when printing them. Therefore,"
+" Krita comes with two default types. Anti-aliased brushes like ink_brush_25"
+" and slightly aliased brushes like ink_tilt, with the latter giving better"
+" print results. If you are trying to prepare for both, it might be an idea to"
+" consider making the inking page 600dpi and the color page 300dpi, so that"
+" the inking page has a higher resolution and the ‘jaggies’ aren’t as visible."
+" You can turn any pixel brush into an aliased brush, by going :kbd:`F5` and"
+" ticking **Sharpness**."
+msgstr ""
+
+#: ../../tutorials/inking.rst:92
+msgid "Texture"
+msgstr "Textúra"
+
+#: ../../tutorials/inking.rst:94
+msgid ""
+"Do you make smooth ‘wet’ strokes? Or do you make textured ones? For the"
+" longest time, smooth strokes were preferred, as that would be less of a"
+" headache when entering the coloring phase. Within Krita there’s several"
+" methods to color these easily, the colorize mask being the prime example, so"
+" textured becomes a viable option even for the lazy amongst us."
+msgstr ""
+
+#: ../../tutorials/inking.rst:99
+msgid ""
+".. image:: images/en/inking/Inking_patterned.png\n"
+"   :alt: type of strokes"
+msgstr ""
+
+#: ../../tutorials/inking.rst:99
+msgid "Left: No texture, Center: Textured, Right: Predefined Brush tip"
+msgstr ""
+
+#: ../../tutorials/inking.rst:102
+msgid "Pressure curve"
+msgstr ""
+
+#: ../../tutorials/inking.rst:104
+msgid ""
+"Of course, the nicest lines are made with pressure sensitivity, so they"
+" dynamically change from thick to thin. However, different types of curves on"
+" the pressure give different results. The typical example being a slightly"
+" concave line to create a brush that more easily makes thin lines."
+msgstr ""
+
+#: ../../tutorials/inking.rst:109
+msgid ""
+".. image:: images/en/inking/Ink_gpen.png\n"
+"   :alt: pressure curve for ink gpen"
+msgstr ""
+
+#: ../../tutorials/inking.rst:109
+msgid ""
+"Ink_Gpen_25 is a good example of a brush with a concave pressure curve. This"
+" curve makes it easier to make thin lines."
+msgstr ""
+
+#: ../../tutorials/inking.rst:114
+msgid ""
+".. image:: images/en/inking/Ink_convex.png\n"
+"   :alt: convex inking brush"
+msgstr ""
+
+#: ../../tutorials/inking.rst:114
+msgid "conversely, here's a convex brush. The stroke are much rounder"
+msgstr ""
+
+#: ../../tutorials/inking.rst:119
+msgid ""
+".. image:: images/en/inking/Ink_fill_circle.png\n"
+"   :alt: ink fill circle"
+msgstr ""
+
+#: ../../tutorials/inking.rst:119
+msgid ""
+"Fill_circle combines both into a s-curve, this allows for very dynamic brush"
+" strokes"
+msgstr ""
+
+#: ../../tutorials/inking.rst:124
+msgid ""
+".. image:: images/en/inking/Ink_speed.png\n"
+"   :alt: inverse convex to speed parameter"
+msgstr ""
+
+#: ../../tutorials/inking.rst:124
+msgid ""
+"Pressure isn't the only thing you can do interesting things with, adding an"
+" inverse convex curve to speed can add a nice touch to your strokes"
+msgstr ""
+
+#: ../../tutorials/inking.rst:127
+msgid "Preparing sketches for inking"
+msgstr ""
+
+#: ../../tutorials/inking.rst:129
+msgid ""
+"So, you have a sketch and you wish to start inking it. Assuming you’ve"
+" scanned it in, or drew it, you can try the following things to make it"
+" easier to ink."
+msgstr ""
+
+#: ../../tutorials/inking.rst:132
+msgid "Opacity down to 10%"
+msgstr ""
+
+#: ../../tutorials/inking.rst:134
+msgid ""
+"Put a white (just press :kbd:`Backspace`) layer underneath the sketch. Turn"
+" down the opacity of the sketch to a really low number and put a layer above"
+" it for inking."
+msgstr ""
+
+#: ../../tutorials/inking.rst:137
+msgid "Make the sketch coloured."
+msgstr ""
+
+#: ../../tutorials/inking.rst:139
+msgid ""
+"Put a layer filled with a color you like between the inking and sketch layer."
+" Then set that layer to ‘screen’ or ‘addition’, this will turn all the black"
+" lines into the color! If you have a transparent background, or put this"
+" layer into a group, be sure to tick the alpha-inherit symbol!"
+msgstr ""
+
+#: ../../tutorials/inking.rst:142
+msgid "Make the sketch coloured, alternative version"
+msgstr ""
+
+#: ../../tutorials/inking.rst:144
+msgid ""
+"Or, right-click the layer, go to layer properties, and untick ‘blue’. This"
+" works easier with a single layer sketch, while the above works best with"
+" multi-layer sketches."
+msgstr ""
+
+#: ../../tutorials/inking.rst:147
+msgid "Super-thin lines"
+msgstr ""
+
+#: ../../tutorials/inking.rst:149
+msgid ""
+"If you are interested in super-thin lines, it might be better to make your"
+" ink at double or even triple the size you usually work at, and, only use a"
+" aliased pixel brush. Then, when the ink is finished, use the fill tool to"
+" fill in flats on a separate layer, split the layer via :menuselection:`Layer"
+" --> Split --> Layer Split`, and then resize to the original size."
+msgstr ""
+
+#: ../../tutorials/inking.rst:154
+msgid ""
+"This might be a little of an odd way of working, but it does make drawing"
+" thin lines trivial, and it's cheaper to buy RAM so you can make HUGE images"
+" than to spent hours on trying to color the thin lines precisely, especially"
+" as colorize mask will not be able to deal with thin anti-aliased lines very"
+" well."
+msgstr ""
+
+#: ../../tutorials/inking.rst:157
+msgid ""
+"David Revoy made a set of his own inking tips for krita and explains them in"
+" this `youtube video <https://www.youtube.com/watch?v=xvQ5l0edsq4>`_."
+msgstr ""
+