diff --git a/locale/ca/LC_MESSAGES/KritaFAQ.po b/locale/ca/LC_MESSAGES/KritaFAQ.po index cbd2af342..9a3bb6b11 100644 --- a/locale/ca/LC_MESSAGES/KritaFAQ.po +++ b/locale/ca/LC_MESSAGES/KritaFAQ.po @@ -1,1548 +1,1548 @@ # Translation of docs_krita_org_KritaFAQ.po to Catalan # Copyright (C) 2019 This_file_is_part_of_KDE # This file is distributed under the license LGPL version 2.1 or # version 3 or later versions approved by the membership of KDE e.V. # # Antoni Bella Pérez , 2019. # Josep Ma. Ferrer , 2019. msgid "" msgstr "" "Project-Id-Version: KritaFAQ\n" "Report-Msgid-Bugs-To: \n" "POT-Creation-Date: 2019-03-27 03:36+0100\n" "PO-Revision-Date: 2019-04-13 23:32+0200\n" "Last-Translator: Antoni Bella Pérez \n" "Language-Team: Catalan \n" "Language: ca\n" "MIME-Version: 1.0\n" "Content-Type: text/plain; charset=UTF-8\n" "Content-Transfer-Encoding: 8bit\n" "Plural-Forms: nplurals=2; plural=n != 1;\n" "X-Generator: Lokalize 18.12.3\n" #: ../../KritaFAQ.rst:27 msgid "Krita FAQ" msgstr "PMF del Krita" #: ../../KritaFAQ.rst:29 msgid "" "This page contains common problems people have with Krita. Note that we " "assume that you are using the latest version of Krita. Please verify that to " "make sure." msgstr "" "Aquesta pàgina conté els problemes comuns que tenen les persones amb el " "Krita. Tingueu en compte que assumim que esteu utilitzant la versió més " "recent del Krita. Verifiqueu-ho per estar-ne segur." #: ../../KritaFAQ.rst:31 msgid "Contents" msgstr "Contingut" #: ../../KritaFAQ.rst:34 msgid "General" msgstr "General" #: ../../KritaFAQ.rst:36 msgid "General questions" msgstr "Preguntes generals" #: ../../KritaFAQ.rst:39 msgid "What is Krita?" msgstr "Què és el Krita?" #: ../../KritaFAQ.rst:41 msgid "This is our vision for the development of Krita:" msgstr "Aquesta és la nostra visió per al desenvolupament del Krita:" #: ../../KritaFAQ.rst:43 msgid "" "Krita is a free and open source cross-platform application that offers an " "end-to-end solution for creating digital art files from scratch. Krita is " "optimized for frequent, prolonged and focused use. Explicitly supported " "fields of painting are illustrations, concept art, matte painting, textures, " "comics and animations. Developed together with users, Krita is an " "application that supports their actual needs and workflow. Krita supports " "open standards and interoperates with other applications." msgstr "" "El Krita és una aplicació multiplataforma lliure i de codi obert que ofereix " "una solució integral per a fitxers amb art digital des de zero. El Krita " "està optimitzat per al seu ús freqüent, prolongat i enfocat. Els camps de la " "pintura que es recolzen explícitament són les il·lustracions, art " "conceptual, pintura mat, textures, còmics i animacions. Desenvolupada " "juntament amb els usuaris, el Krita és una aplicació que dóna suport a les " "seves necessitats i el flux de treball real. El Krita admet els estàndards " "oberts i interactua amb altres aplicacions." #: ../../KritaFAQ.rst:48 msgid "Is it possible to use Krita in my own language, not English?" msgstr "És possible utilitzar el Krita en el meu propi idioma, no en anglès?" #: ../../KritaFAQ.rst:50 msgid "" "Krita should automatically use the system language. If that is not the case, " "please follow these steps:" msgstr "" "El Krita hauria d'utilitzar automàticament l'idioma del sistema. Si no és " "així, seguiu aquests passos:" #: ../../KritaFAQ.rst:52 msgid "" ":menuselection:`Settings --> Switch Application Language`. A small window " "will appear." msgstr "" ":menuselection:`Arranjament --> Canvia l'idioma de l'aplicació`. Apareixerà " "una petita finestra." #: ../../KritaFAQ.rst:53 msgid "Click :guilabel:`Primary language` and select your language." msgstr "Feu clic a :guilabel:`Idioma primari` i seleccioneu el vostre idioma." #: ../../KritaFAQ.rst:54 msgid "Click :guilabel:`OK` to close the window." msgstr "Feu clic a :guilabel:`D'acord` per tancar la finestra." #: ../../KritaFAQ.rst:55 msgid "Restart krita and it will be displayed in your selected language!" msgstr "Reinicieu el Krita i es mostrarà en l'idioma seleccionat." #: ../../KritaFAQ.rst:57 msgid "" "If this doesn't work, you might have to add a fall-back language as well. " "This is a bug, but we haven't found the solution yet." msgstr "" "Si això no funciona, és possible que també hàgiu d'afegir un idioma " "alternatiu. Això és un error, però encara no hem trobat la solució." #: ../../KritaFAQ.rst:60 msgid "Does Krita have layer clip or clipping mask?" msgstr "Té el Krita un escurça la capa o màscara de retallat?" #: ../../KritaFAQ.rst:62 msgid "" "Krita has no clipping mask, but it has a clipping feature called inherit " "alpha. Let's see :ref:`this page ` and " "learn how to do clipping in Krita!" msgstr "" "El Krita no té màscara de retallat, però té una característica de retallat " "anomenada hereta l'alfa. Vegeu :ref:`aquesta pàgina " "` i aprengueu a fer el retallat en el " "Krita!" #: ../../KritaFAQ.rst:67 msgid "Windows: OBS can't record the Krita OpenGL canvas" msgstr "Windows: OBS no pot enregistrar el llenç en OpenGL del Krita" #: ../../KritaFAQ.rst:69 msgid "The possible workarounds for this is to do either of the following:" msgstr "Les possibles solucions per això són fer el següent:" #: ../../KritaFAQ.rst:71 msgid "" "Turn off OpenGL in :menuselection:`Settings --> Configure Krita --> Display`." msgstr "" "Desactiveu l'OpenGL a :menuselection:`Arranjament --> Configura el Krita --> " "Pantalla`." #: ../../KritaFAQ.rst:72 msgid "" "Or don't use the hardware accelerated mode (game recording mode) in OBS, " "thus capturing the whole desktop instead of attempting to capture only Krita." msgstr "" "O no utilitzeu el mode accelerat per maquinari (mode de enregistrament de " "jocs) en l'OBS, capturant així tot l'escriptori en lloc d'intentar capturar " "només el Krita." #: ../../KritaFAQ.rst:76 msgid "" "You might also be able to work around the problem by using the ANGLE " "renderer instead of native OpenGL." msgstr "" "També podeu solucionar el problema utilitzant el renderitzador ANGLE en lloc " "d'OpenGL natiu." #: ../../KritaFAQ.rst:79 msgid "Where are the configuration files stored?" msgstr "On s'emmagatzemen els fitxers de configuració?" #: ../../KritaFAQ.rst:81 msgid "" "These are stored at the following places for the following operating systems:" msgstr "" "Estan emmagatzemats als llocs següents per als següents sistemes operatius:" #: ../../KritaFAQ.rst:84 ../../KritaFAQ.rst:100 ../../KritaFAQ.rst:124 #: ../../KritaFAQ.rst:251 ../../KritaFAQ.rst:371 msgid "Linux" msgstr "Linux" # skip-rule: t-acc_obe #: ../../KritaFAQ.rst:85 ../../KritaFAQ.rst:101 msgid ":file:`$HOME/.config/kritarc`" msgstr ":file:`$HOME/.config/kritarc`" #: ../../KritaFAQ.rst:86 ../../KritaFAQ.rst:102 ../../KritaFAQ.rst:126 #: ../../KritaFAQ.rst:271 ../../KritaFAQ.rst:373 msgid "Windows" msgstr "Windows" # skip-rule: t-acc_obe #: ../../KritaFAQ.rst:87 msgid ":file:`%APPDATA%\\\\Local\\\\kritarc`" msgstr ":file:`%APPDATA%\\\\Local\\\\kritarc`" #: ../../KritaFAQ.rst:89 ../../KritaFAQ.rst:105 msgid "MacOS X" msgstr "MacOS X" # skip-rule: t-acc_obe #: ../../KritaFAQ.rst:89 ../../KritaFAQ.rst:105 msgid ":file:`$HOME/Library/Preferences/kritarc`" msgstr ":file:`$HOME/Library/Preferences/kritarc`" #: ../../KritaFAQ.rst:91 msgid "" "The kritarc file is the configuration file. Krita does not store settings in " "the Windows registry." msgstr "" "El fitxer «kritarc» és el fitxer de configuració. El Krita no emmagatzema " "els ajustaments al registre de Windows." #: ../../KritaFAQ.rst:94 msgid "Resetting Krita configuration" msgstr "Restablir la configuració del Krita" #: ../../KritaFAQ.rst:96 msgid "You can reset the Krita configuration in following way:" msgstr "Podeu restablir la configuració del Krita de la següent manera:" #: ../../KritaFAQ.rst:98 msgid "For Krita 3.0 and later: Delete/rename the kritarc file, found here:" msgstr "" "Per al Krita 3.0 i posteriors: Suprimiu/canvieu el nom del fitxer «kritarc», " "el qual es troba aquí:" # skip-rule: t-acc_obe #: ../../KritaFAQ.rst:103 msgid ":file:`%LOCALAPPDATA%\\\\kritarc`" msgstr ":file:`%LOCALAPPDATA%\\\\kritarc`" #: ../../KritaFAQ.rst:107 msgid "" "There can be two other files you might want to remove: kritaopenglrc and " "kritadisplayrc." msgstr "" "Hi poden haver dos fitxers més que voldreu eliminar: «kritaopenglrc» i " "«kritadisplayrc»." #: ../../KritaFAQ.rst:110 msgid "" "If the configuration was causing a crash, don't delete the mentioned file, " "but instead rename and send it to us in order for us to figure what caused " "the crash." msgstr "" "Si la configuració ha provocat un bloqueig, no suprimiu el fitxer esmentat, " "reanomeneu-lo i envieu-nos-lo perquè puguem determinar què va causar el " "bloqueig." #: ../../KritaFAQ.rst:113 msgid "" "If you have installed Krita through the Windows store, the kritarc file will " "be in another location" msgstr "" "Si heu instal·lat el Krita a través de la Windows Store, el fitxer «kritarc» " "es trobarà en un altre lloc" # skip-rule: t-acc_obe #: ../../KritaFAQ.rst:115 msgid "" ":file:`%LOCALAPPDATA%\\\\Packages\\\\49800Krita_{RANDOM STRING}\\\\LocalCache" "\\\\Local\\\\kritarc`" msgstr "" ":file:`%LOCALAPPDATA%\\\\Packages\\\\49800Krita_{RANDOM STRING}\\\\LocalCache" "\\\\Local\\\\kritarc`" #: ../../KritaFAQ.rst:117 msgid "The random string depends on your installation." msgstr "La cadena aleatòria dependrà de la vostra instal·lació." #: ../../KritaFAQ.rst:119 msgid "" "Windows users have a habit of uninstalling and reinstalling applications to " "solve problems. Unless the problem is that the installation was corrupted by " "a virus scanner or drive failure, that will NOT work. Uninstalling Krita " "then reinstalling replaces the bytes on your drive with exactly the same " "bytes that were there before. It doesn't reset anything, least of all " "Krita's settings." msgstr "" "Els usuaris de Windows tenen l'hàbit de desinstal·lar i reinstal·lar les " "aplicacions per a resoldre els problemes. Llevat que el problema sigui que " "la instal·lació s'ha malmès per un escàner de virus o una fallada de la " "unitat, això NO funcionarà. En desinstal·lar el Krita, la reinstal·lació " "substituirà els bytes a la vostra unitat amb exactament els mateixos bytes " "que hi havia abans. No restablirà res, menys tots els ajustaments del Krita." #: ../../KritaFAQ.rst:122 msgid "Where are my resources stored?" msgstr "A on s'emmagatzemen els meus recursos?" # skip-rule: t-acc_obe #: ../../KritaFAQ.rst:125 ../../KritaFAQ.rst:372 msgid ":file:`$HOME/.local/share/krita/`" msgstr ":file:`$HOME/.local/share/krita/`" # skip-rule: t-acc_obe #: ../../KritaFAQ.rst:127 msgid ":file:`%APPDATA%\\\\krita\\\\`" msgstr ":file:`%APPDATA%\\\\krita\\\\`" #: ../../KritaFAQ.rst:129 msgid "Mac OS X" msgstr "Mac OS X" # skip-rule: t-acc_obe #: ../../KritaFAQ.rst:129 ../../KritaFAQ.rst:376 msgid ":file:`~/Library/Application Support/Krita/`" msgstr ":file:`~/Library/Application Support/Krita/`" #: ../../KritaFAQ.rst:132 msgid "" "If you installed Krita in the Windows Store, your custom resources will be " "in a location like:" msgstr "" "Si heu instal·lat el Krita a la Windows Store, els vostres recursos " "personalitzats estaran en una ubicació com:" # skip-rule: t-acc_obe #: ../../KritaFAQ.rst:132 msgid "" ":file:`%LOCALAPPDATA%\\\\Packages\\\\49800Krita_{RANDOM STRING}\\\\LocalCache" "\\Roaming\\krita`" msgstr "" ":file:`%LOCALAPPDATA%\\\\Packages\\\\49800Krita_{RANDOM STRING}\\\\LocalCache" "\\Roaming\\krita`" #: ../../KritaFAQ.rst:135 msgid "" "Krita tells me it can't find some files and then closes, what should I do?" msgstr "" "El Krita em diu que no pot trobar alguns fitxers i després es tanca. Què " "haig de fer?" #: ../../KritaFAQ.rst:137 msgid "Causes for this could be the following:" msgstr "Les causes per a això podrien ser les següents:" #: ../../KritaFAQ.rst:139 msgid "" "It might be that your download got corrupted and is missing files (common " "with bad wifi and bad internet connection in general), in that case, try to " "find a better internet connection before trying to download again. Krita " "should be around 80 to 100 MB in size when downloading." msgstr "" "És possible que la baixada s'hagi corromput i faltin fitxers (el que sol " "passar amb connexió dolentes de WiFi i Internet en general), en aquest cas, " "intenteu trobar una millor connexió a Internet abans de tornar a intentar la " "baixada. El Krita haurà de tenir al voltant de 80 a 100 MB de grandària en " "baixar-se." #: ../../KritaFAQ.rst:140 msgid "" "It might be that something went wrong during installation. Check whether " "your harddrive is full and reinstall Krita with at least 120 MB of empty " "space. If not, and the problem still occurs, there might be something odd " "going on with your device and it's recommended to find a computer expert to " "diagnose what is the problem." msgstr "" "Pot ser que alguna cosa hagi sortit malament durant la instal·lació. " "Comproveu si el vostre disc dur és ple i torneu a instal·lar el Krita amb " "almenys 120 MB d'espai buit. Si no és així i el problema persisteix, és " "possible que passi alguna cosa estranya amb el dispositiu i es recomana " "cercar a un expert en ordinadors per a que diagnostiqui quin és el problema." #: ../../KritaFAQ.rst:141 msgid "" "Some unzippers don't unpack our zipfiles correctly. The native ones on " "Windows, OSX and most Linux distributions should be just fine, and we " "recommend using them." msgstr "" "Alguns descomprimidors no descomprimeixen els nostres fitxers ZIP " "correctament. Els nadius al Windows, OSX i la majoria de les distribucions " "de Linux haurien d'anar bé, i recomanem el seu ús." #: ../../KritaFAQ.rst:142 msgid "" "You manually, using a file manager deleted or moved resources around, and " "thus Krita cannot find them anymore." msgstr "" "La utilització manual d'un gestor de fitxers ha eliminat o mogut recursos i, " "per tant, el Krita ja no els pot trobar." #: ../../KritaFAQ.rst:145 msgid "What Graphics Cards does Krita support?" msgstr "Quines targetes gràfiques admet el Krita?" #: ../../KritaFAQ.rst:147 msgid "" "Krita can use OpenGL to accelerate painting and canvas zooming, rotation and " "panning. Nvidia and recent Intel GPUs give the best results. Make sure your " "OpenGL drivers support OpenGL 3.2 as the minimum. AMD/ATI GPU’s are known to " "be troublesome, especially with the proprietary drivers on Linux. However, " "it works perfectly with the Radeon free driver on Linux for supported AMD " "GPU. Try to get a graphics card that can support OpenGL 3.2 or above for the " "best results, some examples:" msgstr "" "El Krita pot utilitzar OpenGL per accelerar el zoom, la rotació i el " "desplaçament de la pintura i el llenç. Nvidia i les GPU recents d'Intel " "donen els millors resultats. Assegureu-vos que els seus controladors " "d'OpenGL siguin compatibles amb OpenGL 3.2 com a mínim. Se sap que les GPU " "d'AMD/ATI són problemàtiques, especialment amb els controladors propietaris " "al Linux. No obstant això, funciona perfectament amb el controlador gratuït " "Radeon a Linux per a una GPU d'AMD compatible. Proveu d'obtenir una targeta " "gràfica que admeti OpenGL 3.2 o superior per obtenir els millors resultats, " "alguns exemples:" #: ../../KritaFAQ.rst:151 msgid "Intel" msgstr "Intel" #: ../../KritaFAQ.rst:152 msgid "" "Intel 3rd Generation HD Graphics, IvyBridge or Bay-Trail microarchitecture, " "released in 2012. Commonly available products: Celeron J1x00, N2x00, Celeron " "(G)1xx0, Pentium J2x00, N3500, Pentium (G)2xx0, Core i3/5/7-3xx0." msgstr "" "Gràfics HD Intel de tercera generació, microarquitectura IvyBridge o Bay-" "Trail, alliberada el 2012. Productes habitualment disponibles: Celeron " "J1x00, N2x00, Celeron (G)1xx0, Pentium J2x00, N3500, Pentium (G)2xx0, Core " "i3/5/7-3xx0." #: ../../KritaFAQ.rst:153 msgid "AMD/ATI" msgstr "AMD/ATI" #: ../../KritaFAQ.rst:154 msgid "" "Radeon HD 2000 family, TeraScale 1 microarchitecture, Released in 2007. " "Commonly available products: Radeon HD 2400 PRO, Radeon HD 2600 PRO, etc." msgstr "" "Família HD 2000 de Radeon, microarquitectura TeraScale 1, alliberada el " "2007. Productes habitualment disponibles: Radeon HD 2400 PRO, Radeon HD 2600 " "PRO, etc." #: ../../KritaFAQ.rst:156 msgid "Nvidia" msgstr "Nvidia" #: ../../KritaFAQ.rst:156 msgid "" "GeForce 8 family, Tesla microarchitecture, released in 2006. Commonly " "available products: GeForce 8400 GS, GeForce 8800 GTS, 9800 GTX, GTS 250, " "etc." msgstr "" "Família GeForce 8, microarquitectura Tesla, alliberada el 2006. Productes " "habitualment disponibles: GeForce 8400 GS, GeForce 8800 GTS, 9800 GTX, GTS " "250, etc." #: ../../KritaFAQ.rst:158 msgid "" "*For Krita 3.3 or later:* Krita on Windows can use Direct3D 11 for graphics " "acceleration (through ANGLE). This is enabled automatically on systems with " "an Intel GPU." msgstr "" "*Per al Krita 3.3 o posterior:* el Krita a Windows pot utilitzar Direct3D 11 " "per a l'acceleració dels gràfics (mitjançant ANGLE). Aquest s'habilita " "automàticament en sistemes amb una GPU d'Intel." #: ../../KritaFAQ.rst:161 msgid "I can't edit text from PSD files created by Photoshop" msgstr "No puc editar el text dels fitxers PSD creats per Photoshop" #: ../../KritaFAQ.rst:163 msgid "" "There is no text support for psd file yet. The text will appear rasterized " "and converted into a paint layer." msgstr "" "Encara no hi ha suport de text per als fitxers PSD. El text apareixerà " "rasteritzat i convertit en una capa de pintura." #: ../../KritaFAQ.rst:166 msgid "How much memory does my image take?" msgstr "Quanta memòria pren la meva imatge?" #: ../../KritaFAQ.rst:168 msgid "" "For simple images, its easy to calculate: you multiply width \\* height \\* " "channels \\* size of the channels (so, for a 1000×1000 16 bit integer rgba " "image: 1000 x 1000 x 4 x 2). You multiply this by the number of layers plus " "two (one for the image, one for the display). If you add masks, filter " "layers or clone layers, it gets more complicated." msgstr "" "Per a imatges senzilles, és fàcil de calcular: multipliqueu l'amplada \\* " "alçada \\* canals \\* mida dels canals (així, per a una imatge RGBA de " "1000×1000 amb enter de 16 bits: 1000 x 1000 x 4 x 2). Multipliqueu-ho pel " "nombre de capes més dos (una per la imatge i una altra per la pantalla). Si " "afegiu màscares, capes de filtratge o capes clonades, es tornarà més " "complicat." #: ../../KritaFAQ.rst:171 msgid "Why do I get a checkerboard pattern when I use the eraser?" msgstr "Per què obtinc un patró de tauler d'escacs quan empro l'esborrador?" #: ../../KritaFAQ.rst:173 msgid "" "You’re probably used to Gimp or Photoshop. The default background or first " "layer in these applications doesn’t have an alpha channel by default. Thus, " "on their background layer, the eraser paints in the background color." msgstr "" "Probablement estigueu acostumat al Gimp o el Photoshop. El fons " "predeterminat o la primera capa en aquestes aplicacions no té un canal alfa " "predeterminat. Per tant, en la seva capa de fons, l'esborrador pinta sobre " "el color de fons." #: ../../KritaFAQ.rst:175 msgid "" "In Krita, all layers have an alpha channel, if you want to paint in the " "background color, you should simply do it in a layer above the first one " "(Layer 1), that would prevent you from erasing the white background color, " "making the checkerboard visible. You get the same effect in, say, gimp, if " "you create new image, add an alpha channel and then use the eraser tool. " "Most Krita users will actually start a sketch in Krita by adding a new blank " "layer first before doing anything else. (The :kbd:`Ins` key is a useful " "shortcut here). That doesn’t use extra memory, since a blank layer or a " "layer with a default color just takes one pixel worth of memory." msgstr "" "En el Krita, totes les capes tenen un canal alfa, si voleu pintar en el " "color de fons, simplement ho haureu de fer en una capa sobre la primera " "(Capa 1), això evitarà que s'esborri el color de fons blanc, fent visible el " "tauler d'escacs. Obtindreu el mateix efecte en, diguem, el Gimp, si creeu " "una imatge nova, afegiu un canal alfa i després utilitzeu l'eina esborrador. " "La majoria dels usuaris del Krita iniciaran un esbós en el Krita afegint una " "capa en blanc nova abans de fer qualsevol altra cosa. (La tecla :kbd:`Inser." "` és una drecera útil). Això no utilitzarà memòria addicional, ja que una " "capa en blanc o una capa amb un color predeterminat només pren el valor d'un " "píxel de la memòria." #: ../../KritaFAQ.rst:178 msgid "Windows: Can I use Krita with Sandboxie?" msgstr "Windows: Puc utilitzar el Krita amb el Sandboxie?" #: ../../KritaFAQ.rst:180 msgid "" "No, this is not recommended. Sandboxie causes stuttering and freezes due to " "the way it intercepts calls for resources on disk." msgstr "" "No, això no és recomanable. El Sandboxie causa parpelleig i es congela a " "causa de la manera en què intercepta les crides per als recursos al disc." #: ../../KritaFAQ.rst:183 msgid "Windows: Krita cannot save" msgstr "Windows: El Krita no pot desar" # skip-rule: t-com_pu #: ../../KritaFAQ.rst:185 msgid "" "If the message is \"File not found. Check the file name and try again.\", " "you probably have Controlled Folder Access enabled." msgstr "" "Si el missatge és «No s'ha trobat el fitxer. Comproveu el nom del fitxer i " "torneu-ho a provar.», és probable que tingueu habilitat l'Accés controlat a " "les carpetes." #: ../../KritaFAQ.rst:187 msgid "Select :menuselection:`Start --> Settings`." msgstr "Seleccioneu :menuselection:`Inici --> Arranjament`." #: ../../KritaFAQ.rst:188 msgid "Choose :menuselection:`Update & security --> Windows Defender`." msgstr "" "Escolliu :menuselection:`Actualització i seguretat --> Windows Defender`." #: ../../KritaFAQ.rst:189 msgid "Select :guilabel:`Open Windows Defender Security Center`." msgstr "" "Seleccioneu :guilabel:`Obre el Centre de seguretat de defensa de Windows`." #: ../../KritaFAQ.rst:190 msgid "" "Select :guilabel:`Virus & threat protection`, and then choose :guilabel:" "`Virus & threat protection settings`." msgstr "" "Seleccioneu :guilabel:`Protecció contra virus i amenaces` i després " "escolliu :guilabel:`Ajustaments per a la protecció contra virus i amenaces`." #: ../../KritaFAQ.rst:191 msgid "Under :guilabel:`Controlled folder access`, turn it on or off." msgstr "" "Sota :guilabel:`Accés controlat a les carpetes`, activeu-lo o desactiveu-lo." # skip-rule: t-acc_obe #: ../../KritaFAQ.rst:193 msgid "" "You can also whitelist Krita, following `these instructions `_." msgstr "" "També podeu crear una llista blanca del Krita, seguint `aquestes " "instruccions `_." #: ../../KritaFAQ.rst:196 msgid "Can krita work with 8 bit (indexed) images?" msgstr "Pot el Krita treballar amb imatges de 8 bits (indexat)?" #: ../../KritaFAQ.rst:198 msgid "" "No. Krita has been designed from the ground up to use real colors, not " "indexed palettes. There are no plans to support indexed color images, " "although Krita can export to some indexed color image formats, such as GIF. " "However, it does not offer detailed control over pixel values." msgstr "" "No. el Krita ha estat dissenyat des de zero per utilitzar colors reals, no " "paletes indexades. No hi ha plans per admetre imatges amb color indexat, tot " "i que el Krita pot exportar a alguns formats d'imatge de color indexat, com " "el GIF. No obstant això, no ofereix un control detallat sobre els valors " "dels píxels." #: ../../KritaFAQ.rst:202 msgid "How can I produce a backtrace on Windows?" msgstr "Com puc produir una traça inversa al Windows?" #: ../../KritaFAQ.rst:206 msgid ":ref:`Dr. Mingw debugger `" msgstr "El :ref:`depurador Dr. Mingw `" #: ../../KritaFAQ.rst:208 msgid "" "If you experience a crash on Windows, and can reproduce the crash, the bug " "report will be much more valuable if you can create a backtrace. A backtrace " "is somewhat akin to an airplane's blackbox, in that they tell what set of " "instructions your computer was running when it was crashing (where the crash " "happened), making it very useful to figure out why the crash happened." msgstr "" "Si experimenteu un bloqueig al Windows i podeu reproduir-lo, l'informe " "d'error serà molt més valuós si podeu crear una traça inversa. Aquesta és " "quelcom semblant a la caixa negra d'un avió, ja que indica el conjunt " "d'instruccions que estava executant el vostre ordinador quan es va bloquejar " "(on va ocórrer), serà molt útil per esbrinar perquè ha succeït." #: ../../KritaFAQ.rst:210 msgid "" "The :ref:`Dr. Mingw debugger ` is bundled with Krita. Please visit " "the page :ref:`Dr. Mingw debugger ` for instructions on getting a " "backtrace with it." msgstr "" "El :ref:`depurador Dr. Mingw` ve inclòs amb el Krita. Visiteu la pàgina del :" "ref:`depurador Dr. Mingw` per a les instruccions sobre com aconseguir una " "traça inversa." #: ../../KritaFAQ.rst:213 msgid "Where can I find older versions of Krita?" msgstr "A on puc trobar les versions antigues del Krita?" #: ../../KritaFAQ.rst:215 msgid "" "All the older versions of Krita that are still available can be found here:" msgstr "" "Totes les versions antigues del Krita que encara estan disponibles es poden " "trobar aquí:" # skip-rule: t-acc_obe #: ../../KritaFAQ.rst:217 msgid "`Very old builds `_" msgstr "`Construccions molt antigues `_." #: ../../KritaFAQ.rst:220 msgid "On Windows, the Krita User Interface is too small on my HiDPI screen" msgstr "" "Al Windows, la interfície d'usuari del Krita és massa petita a la meva " "pantalla HiDPI" #: ../../KritaFAQ.rst:222 msgid "" "If you're using Windows, you can set the display scaling to 150% or 200%, " "and enable the experimental HiDPI support in the configurations:" msgstr "" "Si utilitzeu el Windows, podeu establir l'escala de visualització al 150% o " "200% i habilitar el suport experimental de HiDPI a les configuracions:" #: ../../KritaFAQ.rst:224 msgid "On the menu, select :menuselection:`Settings --> Configure Krita`" msgstr "" "Sobre el menú, seleccioneu :menuselection:`Arranjament --> Configura el " "Krita`." #: ../../KritaFAQ.rst:225 msgid "On :guilabel:`General` page, switch to :guilabel:`Window` tab." msgstr "" "Sobre la pàgina :guilabel:`General`, aneu a la pestanya :guilabel:`Finestra`." #: ../../KritaFAQ.rst:226 msgid "Check :guilabel:`Enable Hi-DPI support`" msgstr "Marqueu :guilabel:`Activa el funcionament amb Hi-DPI`." #: ../../KritaFAQ.rst:227 msgid "Restart Krita" msgstr "Reinicieu el Krita." #: ../../KritaFAQ.rst:229 msgid "" "You can also change the toolbox icon size by right-clicking on the toolbox " "and selecting a size." msgstr "" "També podeu canviar la mida de la icona del quadre d'eines fent clic dret " "sobre el quadre d'eines i seleccionant una mida." #: ../../KritaFAQ.rst:233 msgid "Tablets" msgstr "Tauletes" #: ../../KritaFAQ.rst:236 msgid "What tablets does Krita support?" msgstr "A quines tauletes dóna suport el Krita?" #: ../../KritaFAQ.rst:238 msgid "" "Krita isn’t much fun without a pressure sensitive tablet. If the tablet has " "been properly configured, Krita should work out of the box." msgstr "" "El Krita no és gaire sense una tauleta sensible a la pressió. Si s'ha " "configurat correctament la tauleta, el Krita hauria de funcionar " "immediatament." #: ../../KritaFAQ.rst:240 msgid "" "On Windows, you need to either install the Wintab drivers for your tablet, " "or enable the :guilabel:`Windows 8+ Pointer Input` option in Krita's " "settings." msgstr "" "Al Windows, necessitareu instal·lar els controladors de Wintab per a la " "vostra tauleta o habilitar l'opció :guilabel:`Entrada de l'apuntador de " "Windows 8+` als ajustaments del Krita." #: ../../KritaFAQ.rst:242 msgid "" "You can find a community curated list of tablets supported by krita :ref:" "`here `." msgstr "" ":ref:`Aquí ` trobareu una llista creada per la " "comunitat de les tauletes admeses pel Krita." #: ../../KritaFAQ.rst:244 msgid "" "If you're looking for information about tablets like the iPad or Android " "tablets, look :ref:`here `." msgstr "" "Si esteu cercant informació sobre tauletes com les tauletes iPad o Android, " "mireu :ref:`aquí `." #: ../../KritaFAQ.rst:248 msgid "What if your tablet is not recognized by Krita?" msgstr "Què passa si la vostra tauleta no és reconeguda pel Krita?" #: ../../KritaFAQ.rst:253 msgid "We would like to see the full output of the following commands:" msgstr "Ens agradaria veure la sortida completa de les següents ordres:" # skip-rule: t-acc_obe #: ../../KritaFAQ.rst:255 msgid "``lsmod``" msgstr "``lsmod``" # skip-rule: t-acc_obe #: ../../KritaFAQ.rst:256 msgid "``xinput``" msgstr "``xinput``" # skip-rule: t-acc_obe,t-acc_tan #: ../../KritaFAQ.rst:257 msgid "``xinput list-props`` (id can be fetched from the item 2)" msgstr "``xinput list-props`` (es pot obtenir l'ID des de l'element 2)" #: ../../KritaFAQ.rst:258 msgid "Get the log of the tablet events (if applicable):" msgstr "Obteniu el registre dels esdeveniments de la tauleta (si correspon):" #: ../../KritaFAQ.rst:260 msgid "Open a console application (e.g. Konsole on KDE)" msgstr "Obriu una aplicació de consola (p. ex., el Konsole al KDE)" #: ../../KritaFAQ.rst:261 msgid "" "Set the amount of scrollback to 'unlimited' (for :program:`Konsole`: :" "menuselection:`Settings --> Edit Current Profile --> Scrolling --> Unlimited " "Scrollback`)" msgstr "" "Establiu la quantitat de desplaçament a «sense limit» (per al :program:" "`Konsole`: :menuselection:`Arranjament --> Edita el perfil actual --> " "Desplaçament --> Desplaçament sense limit`)" #: ../../KritaFAQ.rst:262 msgid "Start Krita by typing 'krita' and create any document" msgstr "Inicieu el Krita escrivint «krita» i creeu qualsevol document" #: ../../KritaFAQ.rst:263 ../../KritaFAQ.rst:282 msgid "" "Press :kbd:`Ctrl + Shift + T`, you will see a message box telling the " "logging has started" msgstr "" "Premeu :kbd:`Ctrl + Majús. + T`, veureu un quadre de missatge indicant que " "el registre ha començat" #: ../../KritaFAQ.rst:264 ../../KritaFAQ.rst:283 msgid "Try to reproduce your problem" msgstr "Intenteu reproduir el problema" #: ../../KritaFAQ.rst:265 msgid "The console is now filled with the log. Attach it to a bug report" msgstr "" "La consola ara estarà plena amb el registre. Adjunteu-lo a un informe d'error" #: ../../KritaFAQ.rst:267 msgid "" "Attach all this data to a bug report using public paste services like paste." "kde.org" msgstr "" "Adjunteu totes aquestes dades a un informe d'error utilitzant els serveis " "públics d'enganxament com «paste.kde.org»" #: ../../KritaFAQ.rst:273 msgid "" "First check whether your tablet's driver is correctly installed. Often, a " "driver update, a Windows update or the installation of Razer gaming mouse " "driver breaks tablets." msgstr "" "Primer comproveu si el controlador de la vostra tauleta està correctament " "instal·lat. Sovint, una actualització del controlador, una actualització de " "Windows o la instal·lació del controlador del ratolí per a jocs de Razer " "trenca les tauletes." #: ../../KritaFAQ.rst:275 msgid "" "Then check whether switching to the Windows 8 Pointer API makes a " "difference: :menuselection:`Settings --> Configure Krita --> Tablet`." msgstr "" "Després, comproveu si el canvi a l'API de l'apuntador de Windows 8 fa la " "diferència: :menuselection:`Arranjament --> Configura el Krita --> Tauleta`." #: ../../KritaFAQ.rst:277 msgid "" "If you still have problems with Windows and your tablet, then we cannot help " "you without a tablet log." msgstr "" "Si encara teniu problemes amb Windows i la vostra tauleta, no us podrem " "ajudar sense un registre de la tauleta." # skip-rule: t-acc_obe #: ../../KritaFAQ.rst:279 msgid "" "Install `DebugView `_ from the official Microsoft site" msgstr "" "Instal·leu el `DebugView `_ des del lloc oficial de Microsoft" # skip-rule: t-sp_2p,t-2p_sp,t-acc_obe #: ../../KritaFAQ.rst:280 msgid "Start :program:`DebugView`" msgstr "Inicieu el :program:`DebugView`" # skip-rule: t-sp_2p,t-2p_sp,t-acc_obe #: ../../KritaFAQ.rst:281 msgid "Start :program:`Krita`" msgstr "Inicieu el :program:`Krita`" #: ../../KritaFAQ.rst:284 msgid "" "Go back to DebugView and save its output to a file. Attach this file to a " "bug report or paste it using services like paste.kde.org." msgstr "" "Torneu al DebugView i deseu la seva sortida en un fitxer. Adjunteu aquest " "fitxer a un informe d'error o enganxeu-lo utilitzant serveis com «paste.kde." "org»." #: ../../KritaFAQ.rst:287 msgid "" "However, in 100\\% of the cases where Windows users have reported that their " "tablet didn't work over the past five years, the problem has been either a " "buggy driver or a broken driver installation, but not a bug in Krita." msgstr "" "No obstant això, en el 100\\% dels casos en què els usuaris de Windows van " "informar en els últims cinc anys que la seva tauleta no funcionava, el " "problema ha estat un controlador defectuós o una instal·lació malmesa " "d'aquest controlador, però no un error en el Krita." #: ../../KritaFAQ.rst:291 msgid "How to fix a tablet offset on multiple screen setup on Windows" msgstr "" "Com arreglar un desplaçament a la tauleta en una configuració de múltiples " "pantalles al Windows" #: ../../KritaFAQ.rst:293 msgid "" "If you see that your tablet pointer has an offset when working with Krita " "canvas, it might be highly probable that Krita got incorrect screen " "resolution from the system. That problem happens mostly when an external " "monitor is present and when either a monitor or a tablet was connected after " "the system boot." msgstr "" "Si veieu que l'apuntador de la tauleta té un desplaçament quan treballeu amb " "el llenç del Krita, és molt probable que el Krita hagi obtingut una " "resolució de pantalla incorrecta des del sistema. Aquest problema passa quan " "hi ha un monitor extern i quan s'ha connectat un monitor o una tauleta " "després de l'arrencada del sistema." #: ../../KritaFAQ.rst:295 msgid "You can fix this issue manually by:" msgstr "Podeu solucionar aquest problema manualment:" #: ../../KritaFAQ.rst:297 msgid "Put your stylus away from the tablet." msgstr "Poseu el llapis lluny de la tauleta." #: ../../KritaFAQ.rst:298 msgid "" "Start Krita without using a stylus, that is using a mouse or a keyboard." msgstr "" "Inicieu el Krita sense utilitzar un llapis, això serà utilitzant un ratolí o " "un teclat." #: ../../KritaFAQ.rst:299 msgid "Press :kbd:`Shift` key and hold it." msgstr "Premeu la tecla :kbd:`Majús.` i manteniu-la premuda." #: ../../KritaFAQ.rst:300 msgid "Touch a tablet with your stylus so Krita would recognize it." msgstr "Toqueu la tauleta amb el llapis perquè el Krita ho reconegui." #: ../../KritaFAQ.rst:302 msgid "" "You will see a special dialog asking for the real screen resolution. Choose " "the correct value or enter it manually and press :guilabel:`OK`." msgstr "" "Veureu un diàleg especial que demana per la resolució real de la pantalla. " "Trieu el valor correcte o introduïu-lo manualment i premeu :guilabel:" "`D'acord`." #: ../../KritaFAQ.rst:304 msgid "" "If you have a dual monitor setup and only the top half of the screen is " "reachable, you might have to enter the total width of both screens plus the " "double height of your monitor in this field." msgstr "" "Si teniu una configuració dual del monitor i només s'accedeix a la meitat " "superior de la pantalla, és possible que hàgiu d'introduir en aquest camp " "l'amplada total d'ambdues pantalles més el doble de l'alçada del monitor." #: ../../KritaFAQ.rst:306 msgid "" "If this didn't work, and if you have a Wacom tablet, an offset in the canvas " "can be caused by a faulty Wacom preference file which is not removed or " "replaced by reinstalling the drivers." msgstr "" "Si això no funciona, i si teniu una tauleta Wacom, es podria causar un " "desplaçament al llenç per culpa d'un fitxer defectuós de preferències de " "Wacom, el qual no s'ha eliminat o substituït en reinstal·lar els " "controladors." #: ../../KritaFAQ.rst:308 msgid "" "To fix it, use the “Wacom Tablet Preference File Utility” to clear all the " "preferences. This should allow Krita to detect the correct settings " "automatically." msgstr "" "Per a solucionar-ho, utilitzeu la «Utilitat de fitxer de preferències de la " "tauleta Wacom» per esborrar totes les preferències. Això hauria de permetre " "al Krita detectar automàticament els ajustaments correctes." #: ../../KritaFAQ.rst:311 msgid "" "This will reset your tablet's configuration, thus you will need to " "recalibrate/reconfigure it." msgstr "" "Això restablirà la configuració de la tauleta, pel que haureu de tornar-la a " "calibrar/configurar." #: ../../KritaFAQ.rst:313 msgid "" "*For Krita 3.3 or later:* You can try to :ref:`enable “Windows 8+ Pointer " "Input” `, but some features might not work with it." msgstr "" "*Per al Krita 3.3 o posterior:* podeu intentar :ref:`habilitar l'«Entrada de " "l'apuntador de Windows 8+» `, però és possible que algunes " "característiques no funcionin." #: ../../KritaFAQ.rst:316 msgid "Microsoft Surface Pro and N-Trig" msgstr "Microsoft Surface Pro i N-Trig" #: ../../KritaFAQ.rst:318 msgid "" "Krita 3.3.0 and later supports the Windows Pointer API (Windows Ink) " "natively. Your Surface Pro or other N-Trig enabled pen tablet should work " "out of the box with Krita after you enable Windows Ink in :menuselection:" "`Settings --> Configure Krita --> Tablet`." msgstr "" "El Krita 3.3.0 i versions posteriors admeten l'API Pointer de Windows " "(Windows Ink) de forma nativa. La vostra Surface Pro o una altra tauleta " "compatible de llapis N-Trig hauria de funcionar immediatament amb al Krita " "després d'habilitar Windows Ink a :menuselection:`Arranjament --> Configura " "el Krita --> Tauleta`." #: ../../KritaFAQ.rst:321 msgid "Tablet Pro and the Surface Pro" msgstr "«Tablet Pro» i la tauleta Surface Pro" #: ../../KritaFAQ.rst:323 msgid "" "Unlike Wacom's Companion, the Surface line of tablets doesn't have working " "hardware buttons. Tablet Pro is a (non-free) utility that puts virtual " "buttons on screen. Krita 3.1 and above will have predefined shortcut " "profiles to work with Tablet Pro." msgstr "" "A diferència de l'empresa Wacom, la línia Surface de tauletes no té botons " "de maquinari que funcionin. El «Tablet Pro» és una utilitat (no gratuïta) " "que posa botons virtuals a la pantalla. El Krita 3.1 i superior tindrà " "perfils de drecera predefinits per a treballar amb el «Tablet Pro»." #: ../../KritaFAQ.rst:325 msgid "http://tabletpro.net/" msgstr "http://tabletpro.net/" #: ../../KritaFAQ.rst:327 msgid "See http://www.youtube.com/watch?v=WKXZgYqC3tI for instructions." msgstr "" "Vegeu http://www.youtube.com/watch?v=WKXZgYqC3tI per a les instruccions." #: ../../KritaFAQ.rst:330 msgid "" "Weird stuff happens on Windows, like ripples, rings, squiggles or " "poltergeists" msgstr "" "Succeeixen coses estranyes en el Windows, com ondulacions, anells, gargots o " "poltergeists" #: ../../KritaFAQ.rst:332 msgid "" "Windows comes with a lot of settings to make it work with a pen. All these " "settings can be annoying. This tool can help you set the settings correctly " "when you're using a tablet:" msgstr "" -"El Windows ve amb un munt d'ajustaments perquè funcioni amb un llapis. " -"Tots aquests ajustaments poden ser molestos. Aquesta eina pot ajudar-vos a " +"El Windows ve amb un munt d'ajustaments perquè funcioni amb un llapis. Tots " +"aquests ajustaments poden ser molestos. Aquesta eina pot ajudar-vos a " "establir correctament els ajustaments quan utilitzeu una tauleta:" #: ../../KritaFAQ.rst:334 msgid "https://github.com/saveenr/Fix_My_Pen/releases" msgstr "https://github.com/saveenr/Fix_My_Pen/releases" #: ../../KritaFAQ.rst:337 msgid "Touch doesn't seem to work on Windows" msgstr "Sembla que el tàctil no funciona al Windows" #: ../../KritaFAQ.rst:339 msgid "" "You might have to disable and enable the touch driver: go to the device " "manager. (Click the :guilabel:`Start` button and type device manager). " "Choose HID (User interface devices or something like that). Choose Intel(R) " "Precise Touch Device. Right click, Disable it. Right click, Enable it." msgstr "" "Possiblement haureu d'inhabilitar i habilitar el controlador tàctil: aneu al " "gestor de dispositius. (Feu clic al botó :guilabel:`Inici` i escriviu " "«gestor de dispositius»). Trieu HID (dispositius amb interfície d'usuari o " "quelcom així). Trieu «Intel (R) Precise Touch Device». Feu-hi clic dret per " "inhabilitar-lo. Feu-hi clic dret per habilitar-lo." #: ../../KritaFAQ.rst:342 msgid "Toolbox" msgstr "Quadre d'eines" #: ../../KritaFAQ.rst:345 msgid "Toolbox missing" msgstr "Falta el quadre d'eines" #: ../../KritaFAQ.rst:347 msgid "" "You can reset the Workspace by pressing the right most button on the " "toolbar, the Workspace switcher, and click on a desired Workspace from the " "list." msgstr "" "Podeu restablir l'espai de treball prement el botó que es troba més a la " "dreta a la barra d'eines, l'alternador de l'espai de treball, i feu clic " "sobre l'espai de treball desitjat de la llista." #: ../../KritaFAQ.rst:349 msgid "" "Or you can right-click on any docker title bar or open space in any toolbar, " "and select Toolbox. It's the first option." msgstr "" "O podeu fer clic dret sobre qualsevol barra de títol de l'acoblador o espai " "obert en qualsevol barra d'eines i seleccionar Quadre d'eines. Aquesta és la " "primera opció." #: ../../KritaFAQ.rst:351 msgid "" "Also, you can check the :guilabel:`Settings` menu, it has got a lot of " "interesting stuff, then go to the Dockers menu and select :guilabel:" "`Toolbox`." msgstr "" "A més, podeu marcar el menú :guilabel:`Arranjament`, té un munt de coses " "interessants, després aneu al menú Acobladors i seleccioneu :guilabel:" "`Quadre d'eines`." #: ../../KritaFAQ.rst:354 msgid "Tool icons size is too big" msgstr "La mida de les icones d'eina és massa gran" #: ../../KritaFAQ.rst:356 msgid "Right click the toolbox to set the size." msgstr "Feu clic dret al quadre d'eines per establir la mida." #: ../../KritaFAQ.rst:359 msgid "Krita can't get maximized" msgstr "El Krita no es pot maximitzar" #: ../../KritaFAQ.rst:361 msgid "" "This happens when your dockers are placed in such a way that the window " "cannot be made less high. Rearrange your Workspace." msgstr "" "Això succeeix quan els acobladors es col·loquen de tal manera que la " "finestra no pot ser menys alta. Reorganitzeu el vostre espai de treball." #: ../../KritaFAQ.rst:364 msgid "Resources" msgstr "Recursos" #: ../../KritaFAQ.rst:367 msgid "" "Is there a way to restore a default brush that I have mistakenly overwritten " "with new settings to default?" msgstr "" "Hi ha alguna manera de restaurar un pinzell predefinit que he sobreescrit " "per error amb ajustaments nous?" #: ../../KritaFAQ.rst:369 msgid "Yes. First go to the resource folder, which is in" msgstr "Sí. Primer aneu a la carpeta de recursos, la qual es troba a" # skip-rule: t-sp_2p,t-2p_sp,t-acc_obe #: ../../KritaFAQ.rst:374 msgid "" ":file:`user\\\\Appdata\\\\Roaming\\\\krita\\\\` or :file:`%APPDATA%\\" "\\Roaming\\\\krita\\\\`" msgstr "" ":file:`user\\\\Appdata\\\\Roaming\\\\krita\\\\` o :file:`%APPDATA%\\\\Roaming" "\\\\krita\\\\`" #: ../../KritaFAQ.rst:376 msgid "OSX" msgstr "OSX" #: ../../KritaFAQ.rst:378 msgid "" "You can easily do this by going into :menuselection:`Settings --> Manage " "Resources --> Open Resource Folder`." msgstr "" "Podeu fer-ho amb facilitat anant a :menuselection:`Arranjament --> Gestiona " "els recursos --> Obre la carpeta de recursos`." #: ../../KritaFAQ.rst:380 msgid "" "Then go into the *paintoppresets* folder and remove the latest created file " "that you made of your preset." msgstr "" "Després aneu a la carpeta «*paintoppresets*» i elimineu l'últim fitxer creat " "on vàreu fer el vostre predefinit." #: ../../KritaFAQ.rst:383 msgid "" "After that go back to the resources folder and edit the blacklist file to " "remove the previous paintoppreset so Krita will load it. (Yes, it is a bit " "of a convoluted system, but at the least you don't lose your brushes)" msgstr "" "Després d'això, torneu a la carpeta de recursos i editeu el fitxer de llista " "negra per a eliminar el pintat predefinit anterior, de manera que el Krita " "el carregui. (Sí, és un sistema un xic complicat, però almenys no perdreu " "els pinzells)." #: ../../KritaFAQ.rst:389 msgid "How do I set favorite presets?" msgstr "Com puc establir els valors predefinits com a preferits?" #: ../../KritaFAQ.rst:391 msgid "" "Right-click a brush in the brush docker and assign it a tag. Then right-" "click on canvas to call popup palette, click the second right-most icon on " "the bottom-right of the palette, now you can pick the tag which contains the " "brush you assigned to it." msgstr "" "Feu clic dret sobre un pinzell a l'acoblador i assigneu-li una etiqueta. " "Després feu clic dret sobre el llenç per a cridar a la paleta emergent, feu " "clic a la segona icona situada més a la dreta a la part inferior dreta de la " "paleta, ara podreu triar l'etiqueta que contindrà el pinzell." #: ../../KritaFAQ.rst:394 msgid "Can Krita load Photoshop Brushes?" msgstr "Pot el Krita carregar els pinzells del Photoshop?" #: ../../KritaFAQ.rst:396 msgid "" "Yes, but there are limitations. You can load ABR files by using the :" "guilabel:`Import` button in the :guilabel:`Predefined brush` tab in the " "brush editor. Since Adobe hasn’t disclosed the file format specification, we " "depend on reverse-engineering to figure out what to load, and currently " "that’s limited to basic features." msgstr "" "Sí, però hi ha limitacions. Podeu carregar fitxers ABR utilitzant el botó :" "guilabel:`Importa` a la pestanya :guilabel:`Pinzell predefinit` a l'editor " "de pinzells. Com Adobe no ha divulgat l'especificació del format de fitxer, " "depenem de l'enginyeria inversa per esbrinar què carregar, i actualment això " "està limitat a les característiques bàsiques." #: ../../KritaFAQ.rst:399 msgid "Krita is slow" msgstr "El Krita és lent" #: ../../KritaFAQ.rst:401 msgid "" "There is a myriad of reasons why this might be. Below is a short checklist." msgstr "" "Hi ha una gran quantitat de raons pel que podria passar. A continuació es " "mostra una breu llista de comprovació." #: ../../KritaFAQ.rst:403 msgid "" "Something else is hogging the CPU or the memory: spotify and other electron " "apps have been known to do this." msgstr "" "Quelcom està acaparant la CPU o la memòria: es coneix que «Spotify» i altres " "aplicacions electròniques ho fan." #: ../../KritaFAQ.rst:404 msgid "" "You are running Windows, and have 3rdparty security software like Sandboxie " "or Total Defender installed" msgstr "" "Esteu executant el Windows i teniu instal·lat un programari de seguretat de " "tercers com el «Sandboxie» o el «Total Defender»." #: ../../KritaFAQ.rst:405 msgid "" "You are working on images that are too big for your hardware (dimensions, " "channel depth or number of layers)" msgstr "" "Esteu treballant en imatges que són massa grans per al vostre maquinari " "(dimensions, profunditat del canal o el nombre de capes)." #: ../../KritaFAQ.rst:406 msgid "You do not have canvas acceleration enabled" msgstr "No teniu habilitada l'acceleració del llenç." # skip-rule: t-acc_obe #: ../../KritaFAQ.rst:408 msgid "Please also check `this page `__" msgstr "" "Si us plau, reviseu també `aquesta pàgina `__." #: ../../KritaFAQ.rst:411 msgid "Slow start-up" msgstr "Inici lent" #: ../../KritaFAQ.rst:413 msgid "" "You probably have too many resources installed. Deactivate some bundles " "under :menuselection:`Settings --> Manage Resources`." msgstr "" "Probablement teniu masses recursos instal·lats. Desactiveu alguns paquets " "sota :menuselection:`Arranjament --> Gestiona els recursos`." #: ../../KritaFAQ.rst:415 msgid "" "If you're using Windows with the portable zip file, Windows will scan all " "files every time you start Krita. That takes ages. Either use the installer " "or tell Microsoft Security Essentials to make an exception for Krita." msgstr "" "Si utilitzeu el Windows amb l'arxiu zip portable, el Windows escanejarà tots " "els fitxers cada vegada que inicieu el Krita. Això comporta temps. Utilitzeu " "l'instal·lador o digueu-li al «Microsoft Security Essentials» que faci una " "excepció per al Krita." #: ../../KritaFAQ.rst:418 msgid "Slow Brushes" msgstr "Pinzells lents" #: ../../KritaFAQ.rst:420 msgid "" "Check if you accidentally turned on the stabilizer in the tool options " "docker." msgstr "" "Comproveu si vàreu activar accidentalment l'estabilitzador a l'acoblador " "opcions de l'eina." #: ../../KritaFAQ.rst:421 msgid "" "Try another scaling mode like trilinear. :menuselection:`Settings --> " "Configure Krita --> Display`." msgstr "" "Proveu amb un altre mode d'escalat com el trilineal. :menuselection:" "`Arranjament --> Configura el Krita --> Pantalla`." #: ../../KritaFAQ.rst:422 msgid "Try a lower channel depth than 16-bit." msgstr "Proveu amb una profunditat de canal inferior a 16 bits." #: ../../KritaFAQ.rst:423 msgid "For NVidia, try a 16-bit floating point color space." msgstr "Per a NVidia, proveu amb un espai de color de coma flotant de 16 bits." #: ../../KritaFAQ.rst:424 msgid "" "For older AMD CPU's (Krita 2.9.10 and above), turn off the vector " "optimizations that are broken on AMD CPUs. :menuselection:`Settings --> " "Configure Krita --> Performance`. This isn't needed if you've got an AMD " "Threadripper™ CPU." msgstr "" "Per a les CPU d'AMD més antigues (amb el Krita 2.9.10 i superiors), " "desactiveu les optimitzacions dels vectors que es malmeten. :menuselection:" "`Arranjament --> Configura el Krita --> Rendiment`. Això no és necessari si " "teniu una CPU Threadripper™ d'AMD." #: ../../KritaFAQ.rst:425 msgid "" "It's a fairly memory hungry program, so 2GB of RAM is the minimum, and 4GB " "is the preferable minimum." msgstr "" "És un programa força afamat de memòria, de manera que 2GB de RAM és el " "mínim, i 4GB és el mínim preferible." #: ../../KritaFAQ.rst:426 msgid "Check that nothing else is hogging your CPU" msgstr "Comproveu que res més està acaparant la CPU." #: ../../KritaFAQ.rst:427 msgid "" "Check that Instant Preview is enabled if you're using bigger brushes (but " "for very small brushes, make sure is disabled)." msgstr "" "Comproveu que la vista prèvia instantània estigui habilitada si esteu " "utilitzant pinzells més grans (però per a pinzells molt petits, assegureu-" "vos que estigui inhabilitada)." #: ../../KritaFAQ.rst:428 msgid "Set brush precision to 3 or auto." msgstr "Establiu la precisió del pinzell a 3 o automàtica." #: ../../KritaFAQ.rst:429 msgid "Use a larger value for brush spacing." msgstr "Utilitzeu un valor més gran per a l'espai entre pinzells." #: ../../KritaFAQ.rst:430 msgid "" "If all of this fails, record a video and post a link and description on the " "Krita forum." msgstr "" "Si tot això falla, enregistreu un vídeo i publiqueu un enllaç i una " "descripció en el fòrum del Krita." #: ../../KritaFAQ.rst:431 msgid "" "Check whether OpenGL is enabled, and if it isn't, enable it. If it is " "enabled, and you are on Windows, try the Angle renderer. Or disable it." msgstr "" "Comproveu si l'OpenGL està habilitat, i si no ho està, habiliteu-lo. Si està " "habilitat i us trobeu a Windows, proveu amb el renderitzador Angle. O " "inhabiliteu-lo." #: ../../KritaFAQ.rst:434 msgid "Slowdown after a been working for a while" msgstr "Desacceleració després d'estar treballant durant un temps" #: ../../KritaFAQ.rst:436 msgid "" "Once you have the slowdown, click on the image-dimensions in the status bar. " "It will tell you how much RAM Krita is using, if it has hit the limit, or " "whether it has started swapping. Swapping can slow down a program a lot, so " "either work on smaller images or turn up the maximum amount of RAM in :" "menuselection:`Settings --> Configure Krita --> Performance --> Advanced " "Tab`." msgstr "" "Una vegada percebeu la desacceleració, feu clic sobre les dimensions de la " "imatge a la barra d'estat. Us indicarà la quantitat de RAM que està fent " "servir el Krita, si heu arribat al límit o si ha començat amb la " "d'intercanvi. La memòria d'intercanvi pot alentir molt un programa, de " "manera que treballeu amb imatges més petites o augmenteu la quantitat màxima " "de RAM a :menuselection:`Arranjament --> Configura el Krita --> Rendiment --" "> pestanya Avançat`." #: ../../KritaFAQ.rst:439 msgid "Animation" msgstr "Animació" #: ../../KritaFAQ.rst:442 msgid "Why is my animation black in my video player" msgstr "Perquè la meva animació es veu en negre al meu reproductor de vídeo?" # skip-rule: t-acc_obe #: ../../KritaFAQ.rst:444 msgid "" "You did not render the animation using the \"baseline\" option and you are " "using the default Windows media player. Re-render using the baseline option " "or use a better video player application, like VLC. Check `this useful " "diagram `__" msgstr "" "No heu renderitzat l'animació amb l'opció «línia base» i esteu utilitzant el " "reproductor de suports predeterminat de Windows. Torneu-lo a renderitzar " "utilitzant l'opció línia base o utilitzeu una millor aplicació de " "reproductor de vídeo, com el VLC. Vegeu `aquest útil diagrama `__." #: ../../KritaFAQ.rst:448 msgid "Tools" msgstr "Eines" #: ../../KritaFAQ.rst:451 msgid "" "Why does the Transform Tool give a good result and then get blurry upon " "finalizing?" msgstr "" "Per què l'eina de transformació dóna un bon resultat i després es torna " "borrosa en acabar?" # skip-rule: t-acc_obe #: ../../KritaFAQ.rst:453 msgid "" "The transform tool makes a preview that you edit before computing the " "finalized version. As this preview is using the screen resolution rather " "than the image resolution, it may feel that the result is blurry compared to " "the preview. See `this page `__ for more info." msgstr "" "L'eina de transformació crea una vista prèvia del que editeu abans de " "calcular la versió finalitzada. Com aquesta vista prèvia està emprant la " "resolució de la pantalla en lloc de la resolució de la imatge, pot semblar " "que el resultat és borrós en comparació amb la vista prèvia. Per a més " "informació vegeu `aquesta pàgina `__." #: ../../KritaFAQ.rst:457 msgid "License, rights and the Krita Foundation" msgstr "Llicència, drets i la Krita Foundation" #: ../../KritaFAQ.rst:460 msgid "Who owns Krita?" msgstr "Qui és el propietari del Krita?" #: ../../KritaFAQ.rst:462 msgid "" "The Stichting Krita Foundation owns the Krita trademark. The copyright on " "the source code is owned by everyone who has worked on the source code." msgstr "" "La Stichting Krita Foundation posseeix la marca registrada Krita. Els drets " "d'autor del codi font són propietat de tots els que han treballat en el codi " "font." #: ../../KritaFAQ.rst:465 msgid "Who and what is Kiki?" msgstr "Qui i què és la Kiki?" #: ../../KritaFAQ.rst:467 msgid "" "Kiki is a cybersquirrel. She’s our mascot and has been designed by Tyson " "Tan. We choose a squirrel when we discovered that ‘krita’ is the Albanian " "word for Squirrel." msgstr "" "La Kiki és una esquirol cibernètica. Ella és la nostra mascota i ha estat " "dissenyada per en Tyson Tan. Vam triar una esquirol en descobrir que «krita» " "és la paraula albanesa per a esquirol." #: ../../KritaFAQ.rst:470 msgid "Why is Krita Free?" msgstr "Per què és lliure el Krita?" # skip-rule: t-acc_obe #: ../../KritaFAQ.rst:472 msgid "" "Krita is developed as `free software `_ within the KDE " "community. We believe that good tools should be available for all artists. " "You can also buy Krita on the Windows Store if you want to support Krita's " "development or want to have automatic updates to newer versions." msgstr "" "El Krita és desenvolupat com a `programari lliure `_ " "dins de la comunitat KDE. Creiem que les bones eines haurien d'estar " "disponibles per a tots els artistes. També podeu comprar el Krita a la " "Windows Store si voleu donar suport al desenvolupament del Krita o si voleu " "tenir actualitzacions automàtiques a les versions més noves." #: ../../KritaFAQ.rst:475 msgid "Can I use Krita commercially?" msgstr "Puc utilitzar comercialment el Krita?" #: ../../KritaFAQ.rst:477 msgid "" "Yes. What you create with Krita is your sole property. You own your work and " "can license your art however you want. Krita’s GPL license applies to " "Krita’s source code. Krita can be used commercially by artists for any " "purpose, by studios to make concept art, textures, or vfx, by game artists " "to work on commercial games, by scientists for research, and by students in " "educational institutions." msgstr "" "Sí. El que creeu amb el Krita és de la vostra única propietat. Sou l'amo de " "la vostra feina i la podeu llicenciar com vulgueu. La llicència GPL del " "Krita s'aplica al seu codi font. El Krita pot ser emprat comercialment per " "artistes per a qualsevol propòsit, per estudis per crear art conceptual, " "textures o efectes especials, per artistes de jocs per a treballar en jocs " "comercials, per científics per a la investigació i per estudiants en " "institucions educatives." #: ../../KritaFAQ.rst:479 msgid "" "If you modify Krita itself, and distribute the result, you have to share " "your modifications with us. Krita’s GNU GPL license guarantees you this " "freedom. Nobody is ever permitted to take it away." msgstr "" "Si modifiqueu el Krita i en distribuïu el resultat, haureu de compartir les " "vostres modificacions amb nosaltres. La llicència GPL de GNU del Krita " "garanteix aquesta llibertat. Mai, ningú estarà autoritzat a retirar-la." #: ../../KritaFAQ.rst:485 msgid "Can I get Krita for iPad? for Android?" msgstr "Puc obtenir el Krita per a iPad? I per Android?" #: ../../KritaFAQ.rst:487 msgid "Not at this point in time." msgstr "No en aquest moment." #: ../../KritaFAQ.rst:490 msgid "Who translates Krita" msgstr "Qui tradueix el Krita" # skip-rule: t-acc_obe #: ../../KritaFAQ.rst:492 msgid "" "Krita is a `KDE application `_ — and proud of it! That " "means that Krita’s translations are done by `KDE localization teams `_. If you want to help out, join the team for your language! " "There is another way you can help out making Krita look good in any " "language, and that is join the development team and fix issues within the " "code that make Krita harder to translate." msgstr "" "El Krita és una `aplicació KDE `_, i n'estem " "orgullosos! Això vol dir que les traduccions del Krita són realitzades pels " "`equips de localització del KDE `_. Si voleu ajudar, " "uniu-vos a l'equip per al vostre idioma! Hi ha una altra manera en que podeu " "ajudar a fer que el Krita es vegi bé en qualsevol idioma, i aquesta és unir-" "vos a l'equip de desenvolupament i solucionar els problemes dins del codi " "que fan que el Krita sigui més difícil de traduir." #: ../../KritaFAQ.rst:495 msgid "Reference" msgstr "Referència" #: ../../KritaFAQ.rst:497 msgid "https://answers.launchpad.net/krita-ru/+faqs" msgstr "https://answers.launchpad.net/krita-ru/+faqs" diff --git a/locale/ca/LC_MESSAGES/user_manual/getting_started/basic_concepts.po b/locale/ca/LC_MESSAGES/user_manual/getting_started/basic_concepts.po index 2658629be..c59bdb7e0 100644 --- a/locale/ca/LC_MESSAGES/user_manual/getting_started/basic_concepts.po +++ b/locale/ca/LC_MESSAGES/user_manual/getting_started/basic_concepts.po @@ -1,1487 +1,1487 @@ # Translation of docs_krita_org_user_manual___getting_started___basic_concepts.po to Catalan # Copyright (C) 2019 This_file_is_part_of_KDE # This file is distributed under the license LGPL version 2.1 or # version 3 or later versions approved by the membership of KDE e.V. # # Antoni Bella Pérez , 2019. msgid "" msgstr "" "Project-Id-Version: user_manual\n" "Report-Msgid-Bugs-To: \n" "POT-Creation-Date: 2019-04-10 03:45+0200\n" "PO-Revision-Date: 2019-04-13 22:36+0200\n" "Last-Translator: Antoni Bella Pérez \n" "Language-Team: Catalan \n" "Language: ca\n" "MIME-Version: 1.0\n" "Content-Type: text/plain; charset=UTF-8\n" "Content-Transfer-Encoding: 8bit\n" "Plural-Forms: nplurals=2; plural=n != 1;\n" "X-Generator: Lokalize 18.12.3\n" #: ../../user_manual/getting_started/basic_concepts.rst:None msgid ".. image:: images/en/Pixels-brushstroke.png" msgstr ".. image:: images/ca/Pixels-brushstroke.png" #: ../../user_manual/getting_started/basic_concepts.rst:None msgid ".. image:: images/en/Dockers.png" msgstr ".. image:: images/en/Dockers.png" #: ../../user_manual/getting_started/basic_concepts.rst:None msgid ".. image:: images/en/Multi-window.png" msgstr ".. image:: images/en/Multi-window.png" #: ../../user_manual/getting_started/basic_concepts.rst:None msgid ".. image:: images/en/Canvas-krita.png" msgstr ".. image:: images/en/Canvas-krita.png" #: ../../user_manual/getting_started/basic_concepts.rst:None msgid ".. image:: images/en/Krita_ghostlady_1.png" msgstr ".. image:: images/en/Krita_ghostlady_1.png" #: ../../user_manual/getting_started/basic_concepts.rst:None msgid ".. image:: images/en/Krita_ghostlady_2.png" msgstr ".. image:: images/en/Krita_ghostlady_2.png" #: ../../user_manual/getting_started/basic_concepts.rst:None msgid ".. image:: images/en/Krita_ghostlady_3.png" msgstr ".. image:: images/en/Krita_ghostlady_3.png" #: ../../user_manual/getting_started/basic_concepts.rst:None msgid ".. image:: images/en/Krita_transforms_free.png" msgstr ".. image:: images/en/Krita_transforms_free.png" #: ../../user_manual/getting_started/basic_concepts.rst:None msgid ".. image:: images/en/Introduction_to_animation_walkcycle_02.gif" msgstr ".. image:: images/en/Introduction_to_animation_walkcycle_02.gif" #: ../../user_manual/getting_started/basic_concepts.rst:1 msgid "An overview of the basic concepts of Krita." msgstr "Una visió general dels conceptes bàsics del Krita." #: ../../user_manual/getting_started/basic_concepts.rst:20 msgid "Basic Concepts" msgstr "Conceptes bàsics" #: ../../user_manual/getting_started/basic_concepts.rst:22 msgid "" "If this is your first foray into digital painting, this page should give you " "a brief introduction to the basic but important concepts required for " "getting started with digital painting in Krita." msgstr "" "Si aquesta és la vostra primera incursió en la pintura digital, aquesta " "pàgina us hauria d'oferir una breu introducció als conceptes bàsics però " "importants necessaris per a començar amb la pintura digital al Krita." #: ../../user_manual/getting_started/basic_concepts.rst:24 msgid "" "This page is very, very long because it tries to cover all the important " "things you should know Krita is capable of, and Krita is really powerful. So " "this page can also be considered a guide through Krita's most important " "functionality. Hopefully, it will help you grasp what buttons are for, even " "if you don't know the exact purpose of them." msgstr "" "Aquesta pàgina és molt, molt llarga perquè tracta de cobrir totes les coses " "importants que heu de saber que el Krita és capaç de fer, i el Krita és " "realment poderós. De manera que aquesta pàgina també es pot considerar una " "guia a través de la funcionalitat més important del Krita. Amb sort, us " "ajudarà a comprendre els botons, fins i tot si no coneixeu el seu propòsit " "exacte." #: ../../user_manual/getting_started/basic_concepts.rst:26 msgid "Contents" msgstr "Contingut" #: ../../user_manual/getting_started/basic_concepts.rst:29 msgid "Raster and Vector" msgstr "Rasteritzat i vectors" #: ../../user_manual/getting_started/basic_concepts.rst:31 msgid "" "Even though Krita is primarily a raster based application, it has some " "vector editing capabilities as well. If you are new to Digital painting " "medium, it is necessary that you know the concepts of raster and Vector." msgstr "" "Tot i que el Krita és principalment una aplicació basada en rasteritzat, " "també té algunes capacitats d'edició vectorial. Si sou nou al mitjà de la " "pintura digital, és necessari que conegueu els conceptes del rasteritzat i " "dels vectors." #: ../../user_manual/getting_started/basic_concepts.rst:33 msgid "" "In digital imaging, a pixel (Picture Element) is a basic and lowest element " "of an Image. It is basically a grid of points each displaying specific " "color. Raster editing is manipulating and editing these pixels. For example " "when you take a 1-pixel brush which is colored black and painting on the " "white canvas in Krita you are actually changing the color of the pixel " "beneath your brush from white to black. When you zoom in and see a brush " "stroke you can notice many small squares with colors, these are pixels:" msgstr "" "A les imatges digitals, un píxel (element de la imatge) és un element bàsic " "i el més baix d'una imatge. Bàsicament es tracta d'una quadrícula de punts " "on cadascun mostra un color específic. L'edició rasteritzada és la " "manipulació i edició d'aquests píxels. Per exemple, quan agafeu un pinzell " "de píxels d'1 píxel que és de color negre i pinteu sobre el llenç blanc del " "Krita, en realitat estareu canviant el color blanc del píxel sota el pinzell " "a negre. En fer apropament i veure un traç del pinzell, podreu observar " "molts quadrats petits amb colors, aquests són els píxels:" # skip-rule: barb-uns #: ../../user_manual/getting_started/basic_concepts.rst:38 msgid "" "In contrast, vector graphic work is based on mathematical expressions. They " "are independent of the pixel. For example, when you draw a rectangle on a " "vector layer in Krita you are actually drawing paths passing through points " "called nodes which are located on specific coordinates on the 'x' and 'y' " "axes. When you re-size or move these points the computer calculates and " "redraws the path and displays the newly formed shape to you. Hence you can " "re-size the vector shape to any extent without any loss in quality." msgstr "" "En canvi, el treball gràfic vectorial es basa en expressions matemàtiques. " "Aquestes són independents del píxel. Per exemple, quan dibuixeu un rectangle " "en una capa vectorial en el Krita, en realitat, dibuixeu trajectes que " "passen per punts anomenats nodes que es troben en unes coordenades " "específiques dels eixos «X» i «Y». Quan torneu a reamidar o moure aquests " "punts, l'ordinador calcularà i tornarà a dibuixar el trajecte i us mostrarà " "la forma que ha pres. Per tant, podeu tornar a reamidar la forma vectorial " "en qualsevol mesura sense cap pèrdua de qualitat." #: ../../user_manual/getting_started/basic_concepts.rst:40 msgid "In Krita, everything which is not on a vector layer is raster based." msgstr "" "Al Krita, tot el que no es troba en una capa vectorial està basat en " "rasteritzat." #: ../../user_manual/getting_started/basic_concepts.rst:43 msgid "Images, Views and Windows" msgstr "Imatges, vistes i finestres" #: ../../user_manual/getting_started/basic_concepts.rst:45 msgid "" "In a painting program, there are three major containers that make up your " "work-space." msgstr "" "En un programa de pintura, hi ha tres contenidors principals que conformen " "el vostre espai de treball." #: ../../user_manual/getting_started/basic_concepts.rst:48 msgid "Image" msgstr "Imatge" #: ../../user_manual/getting_started/basic_concepts.rst:50 msgid "The most important one is the **Image**." msgstr "El més important és la **imatge**." # skip-rule: t-sp_2p,t-2p_sp,t-acc_obe #: ../../user_manual/getting_started/basic_concepts.rst:52 msgid "" "This is an individual copy of the image you opened or made via the file " "dialog, and where you edit your file. Krita can allow you to open the file " "as a new copy via the :guilabel:`File` menu, or to save it as a new file, or " "make an incremental save. An image contains layers, a color space, a canvas " "size and metadata such as creator, data created, and DPI. Krita can open " "multiple images at once, you can switch between them via the :guilabel:" "`Window` menu." msgstr "" "Aquesta és una còpia individual de la imatge que heu obert o fet mitjançant " "el diàleg de fitxer i on editareu el vostre fitxer. El Krita permet obrir el " "fitxer com a una còpia nova a través del menú :guilabel:`Fitxer`, desar-lo " "com a fitxer nou o fer un desament incremental. Una imatge conté capes, un " "espai de color, una mida del llenç i metadades com ara el creador, dades " "creades i PPP. El Krita pot obrir múltiples imatges alhora, podreu canviar " "entre elles mitjançant el menú :guilabel:`Finestra`." #: ../../user_manual/getting_started/basic_concepts.rst:54 msgid "" "Because the image is a working copy of the image on the hard drive, you can " "do a lot of little saving tricks with it:" msgstr "" "A causa que la imatge és una còpia de treball de la imatge en el disc dur, " "podreu fer molts petits trucs de desament amb ella:" #: ../../user_manual/getting_started/basic_concepts.rst:56 msgid "New" msgstr "Nova" # skip-rule: t-sp_2p,t-2p_sp,t-acc_obe #: ../../user_manual/getting_started/basic_concepts.rst:57 msgid "" "Makes a new image. When you press :menuselection:`Save`, you make a new file " "on the hard drive." msgstr "" "Crea una imatge nova. Quan premeu :menuselection:`Desa`, creareu un fitxer " "nou al disc dur." #: ../../user_manual/getting_started/basic_concepts.rst:58 msgid "Open" msgstr "Obre" # skip-rule: t-sp_2p,t-2p_sp,t-acc_obe #: ../../user_manual/getting_started/basic_concepts.rst:59 msgid "" "Makes an internal copy of an existing image. When you press :menuselection:" "`Save`, you will overwrite the original existing image with your working " "copy." msgstr "" "Crea una còpia interna d'una imatge existent. Quan premeu :menuselection:" "`Desa`, sobreescriureu la imatge original existent amb la vostra còpia de " "treball." #: ../../user_manual/getting_started/basic_concepts.rst:60 msgid "Open existing Document as Untitled Document" msgstr "Obre un document existent com a un document sense títol" # skip-rule: t-sp_2p,t-2p_sp,t-acc_obe #: ../../user_manual/getting_started/basic_concepts.rst:61 msgid "" "Similar to :menuselection:`Open`, however, :menuselection:`Save` will " "request you to specify a saving location: you're making a new copy. This is " "similar to :menuselection:`Import` in other programs." msgstr "" "Similar a :menuselection:`Obre`, malgrat això, :menuselection:`Desa` us " "demanarà que especifiqueu una ubicació de desament: creareu una còpia nova. " "Això és similar a :menuselection:`Importa` en altres programes." #: ../../user_manual/getting_started/basic_concepts.rst:62 msgid "Create Copy From Current Image" msgstr "Crea una còpia des de la imatge actual" # skip-rule: t-sp_2p,t-2p_sp,t-acc_obe #: ../../user_manual/getting_started/basic_concepts.rst:63 msgid "" "Similar to :menuselection:`Open existing Document as Untitled Document` but " "with the currently selected image." msgstr "" "Similar a :menuselection:`Obre un document existent com a un document sense " "títol` però amb la imatge actualment seleccionada." #: ../../user_manual/getting_started/basic_concepts.rst:65 msgid "Save incremental" msgstr "Desament incremental" # skip-rule: kct-snapshot #: ../../user_manual/getting_started/basic_concepts.rst:65 msgid "" "Allows you to quickly make a snapshot of the current image by making a new " "file with a version number added to it." msgstr "" "Permet fer una instantània ràpida de la imatge actual creant un fitxer nou " "amb un número de versió afegit." #: ../../user_manual/getting_started/basic_concepts.rst:67 msgid "" "These options are great for people doing production work, who need to switch " "between files quickly or have backup files in case they do something " "extreme. Krita also has a file backup system in the form of auto-saves and " "back files and crash recovery. You can configure these in the general " "settings." msgstr "" "Aquestes opcions són excel·lents per a les persones que realitzen treballs " "de producció, les quals necessiten canviar entre fitxers amb rapidesa o " "tenir fitxers de còpia de seguretat en cas de fer quelcom extrem. El Krita " "també té un sistema de còpia de seguretat dels fitxers en forma de desament " "automàtic i fitxers de resguard i per a la recuperació de bloqueigs. Podeu " "configurar-los als ajustaments generals." #: ../../user_manual/getting_started/basic_concepts.rst:69 msgid "You view the image via a **View**." msgstr "Veureu la imatge a través d'una **vista**." #: ../../user_manual/getting_started/basic_concepts.rst:72 msgid "View" msgstr "Vista" # skip-rule: t-sp_2p,t-2p_sp,t-acc_obe #: ../../user_manual/getting_started/basic_concepts.rst:74 msgid "" "A view is a window onto your image. Krita allows you to have multiple views, " "and you can manipulate the view to zoom, rotate and mirror and modify the " "color of the way you see an image without editing the image itself. This is " "very useful for artists, as changing the way they view the image is a common " "way to diagnose mistakes, like skewing to one side. Mirroring with :kbd:`M` " "makes such skewing easy to identify." msgstr "" "Una vista és una finestra amb la vostra imatge. El Krita permet tenir " "múltiples vistes i podreu manipular la vista per fer zoom, girar, emmirallar " "i modificar el color de manera que veureu la imatge sense editar-la. Això és " "molt útil per als artistes, ja que canviar la manera de veure la imatge és " "una manera comuna de diagnosticar els errors, com ara inclinar-se cap a un " "costat. Emmirallar amb :kbd:`M` fa que aquesta inclinació sigui fàcil " "d'identificar." #: ../../user_manual/getting_started/basic_concepts.rst:77 msgid "" "If you have trouble drawing certain curves you will enjoy using rotation for " "drawing, and of course, there is zooming in and out for precision and rough " "work." msgstr "" "Si teniu problemes per a dibuixar determinades corbes, gaudireu utilitzant " "la rotació per a dibuixar i, per descomptat, hi ha un zoom per a més " "precisió i el treball rude." #: ../../user_manual/getting_started/basic_concepts.rst:82 msgid ".. image:: images/en/Krita_multiple_views.png" msgstr ".. image:: images/en/Krita_multiple_views.png" #: ../../user_manual/getting_started/basic_concepts.rst:82 msgid "Multiple views of the same image in Krita" msgstr "Múltiples vistes de la mateixa imatge en el Krita" # skip-rule: t-sp_2p,t-2p_sp,t-acc_obe,kct-tab #: ../../user_manual/getting_started/basic_concepts.rst:84 msgid "" "Multiple views are possible in Krita via :menuselection:`Window --> New view " "--> image name`. You can switch between them via the :guilabel:`Window` " "menu, or :kbd:`Ctrl + Tab`, or keep them in the same area when **subwindow** " "mode is active in the :ref:`settings `, via :menuselection:" "`Window --> Tile`." msgstr "" "Múltiples visites són possibles en el Krita mitjançant :menuselection:" "`Finestra --> Vista nova --> nom_imatge`. Podreu canviar entre elles " "mitjançant el menú :guilabel:`Finestra`, la drecera :kbd:`Ctrl + Tab` o " "manteniu-les a la mateixa àrea quan estigui activat el mode **subfinestra** " "als :ref:`ajustaments `, mitjançant :menuselection:" "`Finestra --> Mosaic`." #: ../../user_manual/getting_started/basic_concepts.rst:87 msgid "Dockers" msgstr "Acobladors" # skip-rule: t-sp_2p,t-2p_sp,t-acc_obe #: ../../user_manual/getting_started/basic_concepts.rst:89 msgid "" "Dockers are little subwindows in :ref:`Krita's interface `. They " "contain useful tools, like the color selector, layer stack, tool options etc." msgstr "" "Els acobladors són petites subfinestres a la :ref:`interfície del Krita " "`. Contenen eines útils, com ara el selector de color, la pila " "de capes, les opcions de les eines, etc." #: ../../user_manual/getting_started/basic_concepts.rst:94 msgid "The image above shows some of the dockers in Krita." msgstr "La imatge de dalt mostra alguns dels acobladors al Krita." #: ../../user_manual/getting_started/basic_concepts.rst:96 msgid "All the views and the dockers are held inside **Windows**." msgstr "Totes les vistes i els acobladors es troben dins de les **finestres**." #: ../../user_manual/getting_started/basic_concepts.rst:99 msgid "Window" msgstr "Finestra" #: ../../user_manual/getting_started/basic_concepts.rst:101 msgid "" "If you've used a computer before, you know what windows are: They are big " "containers for your computer programs." msgstr "" "Si heu utilitzat un ordinador abans, ja sabeu què són les finestres: són " "contenidors grans per als vostres programes d'ordinador." # skip-rule: t-sp_2p,t-2p_sp,t-acc_obe #: ../../user_manual/getting_started/basic_concepts.rst:103 msgid "" "Krita allows you to have multiple windows via :menuselection:`Window --> New " "Window`. You can then drag this to another monitor for multi-monitor use." msgstr "" "El Krita permet tenir múltiples finestres mitjançant :menuselection:" "`Finestra -> Finestra nova`. A continuació, podreu arrossegar-la a un altre " "monitor per utilitzar-ho amb múltiples monitors." #: ../../user_manual/getting_started/basic_concepts.rst:105 msgid "The image below shows an example of multiple windows in Krita." msgstr "La imatge següent mostra un exemple de múltiples finestres al Krita." #: ../../user_manual/getting_started/basic_concepts.rst:111 msgid "Canvas in Krita" msgstr "Llenç en el Krita" #: ../../user_manual/getting_started/basic_concepts.rst:113 msgid "" "When you create a new document in Krita for the first time you will see a " "rectangular white area. This is called a canvas. You can see it in the image " "below. The area marked by a red rectangle is a canvas." msgstr "" "Quan creeu un document nou en el Krita per primera vegada, veureu una àrea " "blanca rectangular. Això s'anomena un llenç. Podeu veure-ho a la imatge de " "sota. L'àrea marcada per un rectangle vermell és un llenç." #: ../../user_manual/getting_started/basic_concepts.rst:118 msgid "" "When you save the painting as jpg, png etc or take a print out of the " "painting, only the content inside this area is taken into consideration. " "Anything beyond it is ignored. Krita does store information beyond this " "area, you just won't be able to see it. This data is stored in the " "**Layers**." msgstr "" "Quan deseu la pintura com a JPG, PNG, etc. o quan feu una impressió de la " "pintura, només es tindrà en compte el contingut d'aquesta àrea. Qualsevol " "cosa més enllà serà ignorada. El Krita emmagatzema informació més enllà " "d'aquesta àrea, simplement no la podeu veure. Aquestes dades s'emmagatzemen " "a les **capes**." #: ../../user_manual/getting_started/basic_concepts.rst:122 msgid "Layers and Compositing" msgstr "Capes i composició" #: ../../user_manual/getting_started/basic_concepts.rst:124 msgid "" "Like a landscape painter will first paint the sky and then the furthest away " "elements before slowly working his way to the foreground elements, computers " "will do the same with all the things you tell them to draw. So, if you tell " "them to draw a circle after a square on the same spot, the circle will " "always be drawn later. This is called the **Drawing Order**." msgstr "" "Així com un pintor de paisatges, primer pintaria el cel i després els " "elements més allunyats abans de treballar lentament amb els elements en " "primer pla, els ordinadors faran el mateix amb totes les coses que els hi " "digueu que dibuixin. Per tant, si indiqueu que es dibuixi un cercle després " "d'un quadrat en el mateix lloc, el cercle sempre es dibuixarà després. Això " "s'anomena **ordre del dibuix**." #: ../../user_manual/getting_started/basic_concepts.rst:126 msgid "" "The layer stack is a way for you to separate elements of a drawing and " "manipulate the drawing order by showing you which layers are drawn when, and " "allowing you to change the order they are drawn in, and all sorts of other " "effects. This is called **Compositing**." msgstr "" "La pila de capes és una manera per a que separeu els elements d'un dibuix i " "en manipuleu l'ordre per a mostrar quines capes es dibuixaran quan, el qual " "us permetrà canviar l'ordre en què estan dibuixades i tot tipus d'altres " "efectes. Això s'anomena **composició**." #: ../../user_manual/getting_started/basic_concepts.rst:128 msgid "" "This allows you to have line art above the colors, or trees before the " "mountains, and edit each without affecting the other." msgstr "" "Això us permet tenir la línia artística sobre els colors o arbres al davant " "de les muntanyes, i editar-ne cadascun sense afectar a l'altre." #: ../../user_manual/getting_started/basic_concepts.rst:130 msgid "Krita has many layer-types, each doing a slightly different thing:" msgstr "" "El Krita disposa de molts tipus de capes, cadascuna fa quelcom una mica " "diferent:" # skip-rule: t-acc_obe #: ../../user_manual/getting_started/basic_concepts.rst:132 msgid ":ref:`paint_layers`" msgstr ":ref:`paint_layers`" #: ../../user_manual/getting_started/basic_concepts.rst:133 msgid "" "Also known as raster layers, and the most common layer type, you will be " "painting on these." msgstr "" "També conegudes com a capes ràster i el tipus de capa més comú, pintareu " "sobre aquestes." # skip-rule: t-acc_obe #: ../../user_manual/getting_started/basic_concepts.rst:134 msgid ":ref:`vector_layers`" msgstr ":ref:`vector_layers`" #: ../../user_manual/getting_started/basic_concepts.rst:135 msgid "" "This is a layer type on which you draw vector graphics. Vector graphics are " "typically more simple than raster graphics and with the benefit that you can " "deform them with less blurriness." msgstr "" "Aquestes són un tipus de capa on dibuixareu els gràfics vectorials. Els " -"gràfics vectorials solen ser més senzills que els gràfics rasteritzats i " -"amb el benefici que els podreu deformar amb menys borrositat." +"gràfics vectorials solen ser més senzills que els gràfics rasteritzats i amb " +"el benefici que els podreu deformar amb menys borrositat." # skip-rule: t-acc_obe #: ../../user_manual/getting_started/basic_concepts.rst:136 msgid ":ref:`group_layers`" msgstr ":ref:`group_layers`" #: ../../user_manual/getting_started/basic_concepts.rst:137 msgid "" "These allow you to group several layers via drag and drop, so you can " "organize, move, apply masks and perform other actions on them together." msgstr "" "Aquestes us permeten agrupar diverses capes mitjançant l'acció arrossega i " "deixa anar, de manera que podreu organitzar, moure, aplicar màscares i " "realitzar altres accions." # skip-rule: t-acc_obe #: ../../user_manual/getting_started/basic_concepts.rst:138 msgid ":ref:`clone_layers`" msgstr ":ref:`clone_layers`" #: ../../user_manual/getting_started/basic_concepts.rst:139 msgid "" "These are copies of the layer you selected when making them. They get " "updated automatically when changing the original." msgstr "" "Aquestes són còpies de la capa que heu seleccionat al crear-les. " "S'actualitzen automàticament quan es canvia l'original." # skip-rule: t-acc_obe #: ../../user_manual/getting_started/basic_concepts.rst:140 msgid ":ref:`file_layers`" msgstr ":ref:`file_layers`" #: ../../user_manual/getting_started/basic_concepts.rst:141 msgid "" "These refer to an outside existing image, and update as soon as the outside " "image updates. Useful for logos and emblems that change a lot." msgstr "" "Aquestes es refereixen a una imatge existent a l'exterior i s'actualitzen " "tan aviat com s'actualitza la imatge externa. Útil per a logotips i emblemes " "que canvien molt." # skip-rule: t-acc_obe #: ../../user_manual/getting_started/basic_concepts.rst:142 msgid ":ref:`fill_layers`" msgstr ":ref:`fill_layers`" #: ../../user_manual/getting_started/basic_concepts.rst:143 msgid "" "These layers are filled with something that Krita can make up on the fly, " "like colors or patterns." msgstr "" "Aquestes capes estan emplenades d'alguna cosa que el Krita pot fer sobre la " "marxa, com ara colors o patrons." # skip-rule: t-acc_obe #: ../../user_manual/getting_started/basic_concepts.rst:145 msgid ":ref:`filter_layers`" msgstr ":ref:`filter_layers`" #: ../../user_manual/getting_started/basic_concepts.rst:145 msgid "Adding a filter in the layer-stack. We discuss these later on." msgstr "Afegeixen un filtre a la pila de capes. Parlarem d'això més endavant." #: ../../user_manual/getting_started/basic_concepts.rst:147 msgid "You can manipulate the content of the layers with **Tools**." msgstr "Podeu manipular el contingut de les capes amb les **eines**." #: ../../user_manual/getting_started/basic_concepts.rst:150 msgid "Tools" msgstr "Eines" #: ../../user_manual/getting_started/basic_concepts.rst:152 msgid "" "Tools help you manipulate the image data. The most common one is of course, " "the freehand brush, which is the default when you open Krita. There are " "roughly five types of tools in Krita:" msgstr "" "Les eines us permeten manipular les dades de la imatge. La més comuna és, " "per descomptat, el pinzell a mà alçada, la qual és la predeterminada quan " "obriu el Krita. Aproximadament hi ha cinc tipus d'eines al Krita:" #: ../../user_manual/getting_started/basic_concepts.rst:154 msgid "Paint Tools" msgstr "Eines de pintura" #: ../../user_manual/getting_started/basic_concepts.rst:155 msgid "" "These are tools for painting on paint layers. They describe shapes, like " "rectangles, circles and straight lines, but also freehand paths. These " "shapes then get used by the Brush engines to make shapes and drawing effects." msgstr "" "Són eines per a pintar sobre capes de pintura. Descriuen formes, com ara " "rectangles, cercles i línies rectes, però també traçats a mà alçada. " "Aquestes formes són utilitzades pels motors de pinzells per a crear formes i " "efectes de dibuix." #: ../../user_manual/getting_started/basic_concepts.rst:156 msgid "Vector Tools" msgstr "Eines vectorials" #: ../../user_manual/getting_started/basic_concepts.rst:157 msgid "" "This is the upper row of tools, which are used to edit vectors. " "Interestingly enough, all paint tools except the freehand brush allow you to " "draw shapes on the vector layers. These don't get a brush engine effect " "applied to them, though." msgstr "" "Aquesta és la fila superior d'eines, les quals s'utilitzen per editar els " "vectors. Curiosament, totes les eines de pintura, excepte el pinzell a mà " "alçada, permeten dibuixar formes a les capes vectorials. No obstant això, a " "aquests no se'ls aplica un efecte del motor de pinzells." #: ../../user_manual/getting_started/basic_concepts.rst:158 msgid "Selection Tools" msgstr "Eines de selecció" #: ../../user_manual/getting_started/basic_concepts.rst:159 msgid "" "Selections allow you to edit a very specific area of the layer you are " "working on without affecting the others. The selection tools allow you " "modify the current selection. This is not unlike using masking-fluids in " "traditional painting, but whereas using masking fluids and film is often " "messy and delicate, selections are far easier to use." msgstr "" "Les seleccions permeten editar una àrea molt específica de la capa en la " "qual esteu treballant sense afectar a les altres. Les eines de selecció " "permeten modificar la selecció actual. Això no és diferent de l'ús de fluids " "d'emmascarament en la pintura tradicional, però mentre que emprar fluids i " "pel·lícula per a l'emmascarament sovint és desordenat i delicat, les " "seleccions són molt més fàcils d'emprar." #: ../../user_manual/getting_started/basic_concepts.rst:160 msgid "Guide Tools" msgstr "Eines de guia" #: ../../user_manual/getting_started/basic_concepts.rst:161 msgid "These are tools like grids and assistants." msgstr "Aquestes són les eines com quadrícules i assistents." #: ../../user_manual/getting_started/basic_concepts.rst:163 msgid "Transform Tools" msgstr "Eines de transformació" #: ../../user_manual/getting_started/basic_concepts.rst:163 msgid "" "These are tools that allow you to transform your image. More on that later." msgstr "" "Aquestes són les eines que permeten transformar la imatge. Més sobre això " "més endavant." #: ../../user_manual/getting_started/basic_concepts.rst:165 msgid "" "All tools can be found in the toolbox, and information can be found in the " "tools section of the manual." msgstr "" "Totes les eines es troben al quadre d'eines i trobareu la informació a la " "secció d'eines del manual." #: ../../user_manual/getting_started/basic_concepts.rst:168 msgid "Brush Engines" msgstr "Motors de pinzells" #: ../../user_manual/getting_started/basic_concepts.rst:170 msgid "" "Brush engines, like mentioned before, take a path and tablet information and " "add effects to it, making a stroke." msgstr "" "Els motors de pinzells, com s'ha mencionat anteriorment, prenen informació " "d'un traç i de la tauleta i li afegeixen els efectes, fent-ho en un traç." #: ../../user_manual/getting_started/basic_concepts.rst:172 msgid "" "Engine is a term programmers use to describe a complex interacting set of " "code that is the core for a certain functionality, and is highly " "configurable. In short, like the engine of your car drives your car, and the " "type of engine and its configuration affects how you use your car, the brush " "engine drives the look and feel of the brush, and different brush engines " "have different results." msgstr "" "El motor és un terme que els programadors utilitzen per a descriure un " "conjunt complex de codi interactiu que és el nucli d'una determinada " "funcionalitat i és altament configurable. En resum, com el motor del cotxe " "que conduïu; el cotxe, el tipus de motor i la seva configuració afectarà a " "la forma en què l'utilitzeu, el motor del pinzell impulsa l'aspecte i el " "comportament del pinzell i diferents motors de pinzell tenen resultats " "diferents." # skip-rule: t-2p_sp,t-acc_obe #: ../../user_manual/getting_started/basic_concepts.rst:174 msgid "" "Krita has :ref:`a LOT of different brush engines `, " "all with different effects." msgstr "" "El Krita disposa d':ref:`un munt de motors diferents de pinzell " "`, tots amb efectes diferents." #: ../../user_manual/getting_started/basic_concepts.rst:179 msgid ".. image:: images/en/Krita_example_differentbrushengines.png" msgstr ".. image:: images/en/Krita_example_differentbrushengines.png" #: ../../user_manual/getting_started/basic_concepts.rst:179 msgid "" "**Left:** pixel brush, **Center:** color smudge brush, **Right:** sketch " "brush" msgstr "" "**Esquerra:** pinzell de píxels, **Centre:** pinzell d'esborronat del color, " "**Dreta** pinzell d'esbós" #: ../../user_manual/getting_started/basic_concepts.rst:181 msgid "" "For example, the pixel-brush engine is simple and allows you to do most of " "your basic work, but if you do a lot of painting, the color smudge brush " "engine might be more useful. Even though it's slower to use than the Pixel " "Brush engine, its mixing of colors allows you to work faster." msgstr "" "Per exemple, el motor del pinzell de píxels és senzill i permet fer la major " "part del vostre treball bàsic, però si feu una gran quantitat de pintura, el " "motor del pinzell d'esborronat del color pot ser més útil. Encara que sigui " "més lent que utilitzar el motor del pinzell de píxels, la seva barreja de " "colors us permetrà treballar més ràpidament." #: ../../user_manual/getting_started/basic_concepts.rst:183 msgid "" "If you want something totally different from that, the sketch brush engine " "helps with making messy lines, and the shape brush engine allows you to make " "big flats quickly. There are a lot of cool effects inside Krita's brush " "engines, so try them all out, and be sure to check the chapters on each." msgstr "" "Si voleu alguna cosa totalment diferent d'això, el motor del pinzell d'esbós " "ajuda a fer línies desordenades i el motor de pinzell de formes permet fer " "plans grans ràpidament. Hi ha molts efectes interessants als motors de " "pinzells del Krita, de manera que proveu-los tots i assegureu-vos de " "comprovar els capítols de cadascun." # skip-rule: t-sp_2p,t-2p_sp,t-acc_obe #: ../../user_manual/getting_started/basic_concepts.rst:185 msgid "" "You can configure these effects via the Brush Settings drop-down, which can " "be quickly accessed via :kbd:`F5`. These configurations can then be saved " "into presets, which you can quickly access with :kbd:`F6` or the Brush " "Presets docker." msgstr "" "Podeu configurar aquests efectes mitjançant el menú desplegable Ajustaments " "del pinzell, al qual es pot accedir ràpidament amb la drecera :kbd:`F5`. " "Aquestes configuracions es poden desar en valors predefinits, als quals " "accedireu ràpidament amb la drecera :kbd:`F6` o l'acoblador Pinzells " "predefinits." #: ../../user_manual/getting_started/basic_concepts.rst:187 msgid "Brushes draw with colors, but how do computers understand colors?" msgstr "" "Els pinzells dibuixen amb colors, però com poden entendre'ls els ordinadors?" #: ../../user_manual/getting_started/basic_concepts.rst:190 msgid "Colors" msgstr "Colors" #: ../../user_manual/getting_started/basic_concepts.rst:192 msgid "" "Humans can see a few million colors, which are combinations of " "electromagnetic waves (light) bouncing off a surface, where the surface " "absorbs some of it." msgstr "" "Els humans poden veure alguns milions de colors, els quals són combinacions " "d'ones electromagnètiques (llum) que reboten sobre una superfície, on la " "superfície n'absorbeix una part." #: ../../user_manual/getting_started/basic_concepts.rst:197 msgid ".. image:: images/en/Krita_basics_primaries.png" msgstr ".. image:: images/en/Krita_basics_primaries.png" #: ../../user_manual/getting_started/basic_concepts.rst:197 msgid "" "Subtractive CMY colors on the left and additive RGB colors on the right. " "This difference means that printers benefit from color conversion before " "printing" msgstr "" "Els colors CMY subtractius a l'esquerra i els colors RGB additius a la " "dreta. Aquesta diferència significa que les impressores es beneficien de la " "conversió del color abans d'imprimir." #: ../../user_manual/getting_started/basic_concepts.rst:199 msgid "" "When painting traditionally, we use pigments which also absorb the right " "light-waves for the color we want it to have, but the more pigments you " "combine, the more light is absorbed, leading to a kind of murky black. This " "is why we call the mixing of paints **subtractive**, as it subtracts light " "the more pigments you put together. Because of that, in traditional pigment " "mixing, our most efficient primaries are three fairly light colors: Cyan " "blue and Magenta red and Yellow (CMY)." msgstr "" "Quan pintem de la manera tradicional, utilitzem pigments que també " "absorbeixen les ones de llum adequades per al color que volem que tingui, " "però com més pigments es combinin, més llum s'absorbirà, donant lloc a una " "mena de negre tou. Per aquesta raó, anomenem la barreja **substractiva** de " "pintures, ja que resta llum quan més pigments agrupeu. Per això, en la " "barreja tradicional de pigments, els primaris més eficients són tres colors " "força lleugers: blau cian, vermell magenta i groc (Cyan blue, Magenta red " "and Yellow -CMY-)." #: ../../user_manual/getting_started/basic_concepts.rst:201 msgid "" "A computer also uses three primaries and uses a specific amount of each " "primary in a color as the way it stores color. However, a computer is a " "screen that emits light. So it makes more light, which means it needs to do " "**additive** mixing, where adding more and more colored lights result in " "white. This is why the three most efficient primaries, as used by computers " "are Red, Green and Blue (RGB)." msgstr "" "Un ordinador també utilitza els tres primaris i utilitza una quantitat " "específica de cadascun en un color a mesura que emmagatzema el color. No " "obstant això, un ordinador és una pantalla que emet llum. De manera que fa " "més llum, el qual vol dir que haurà de fer una barreja **additiva**, on " "l'addició de més i més llums de color resultarà en blanc. Per aquest motiu, " "els tres primaris més eficients, tal com els utilitzen els ordinadors són " "vermell, verd i blau (Red, Green and Blue -RGB-)." #: ../../user_manual/getting_started/basic_concepts.rst:203 msgid "" "Per pixel, a computer then stores the value of each of these primaries, with " "the maximum depending on the bit-depth. These are called the **components** " "or **channels** depending on who you talk to." msgstr "" "Per píxel, un ordinador emmagatzemarà el valor de cadascun d'aquests " "primaris, amb el màxim depenent de la profunditat de bits. Aquests són els " "anomenats **components** o **canals** segons amb qui parleu." #: ../../user_manual/getting_started/basic_concepts.rst:208 msgid ".. image:: images/en/Krita_basic_channel_rose.png" msgstr ".. image:: images/en/Krita_basic_channel_rose.png" #: ../../user_manual/getting_started/basic_concepts.rst:208 msgid "" "This is the red-channel of an image of a red rose. As you can see, the " "petals are white here, indicating that those areas contain full red. The " "leaves are much darker, indicating a lack of red, which is to be expected, " "as they are green." msgstr "" "Aquest és el canal vermell d'una imatge d'una rosa vermella. Com podeu " "veure, els pètals són blancs, indicant que aquestes àrees contenen vermell " "complet. Les fulles són molt més fosques, indicant una falta de vermell, el " "qual és d'esperar, ja que són verdes." #: ../../user_manual/getting_started/basic_concepts.rst:210 msgid "" "Though by default computers use RGB, they can also convert to CMYK (the " "subtractive model), or a perceptual model like LAB. In all cases this is " "just a different way of indicating how the colors relate to each other, and " "each time it usually has 3 components. The exception here is grayscale, " "because the computer only needs to remember how white a color is. This is " "why grayscale is more efficient memory-wise." msgstr "" "Tot i que, de manera predeterminada, els ordinadors empren RGB, també poden " "convertir-se a CMYK (el model subtractiu) o un model perceptiu com LAB. En " "tots els casos, això només és una manera diferent d'indicar com es " "relacionen els colors entre si, i cada vegada se solen tenir 3 components. " "L'excepció aquí és l'escala de grisos, perquè l'ordinador només necessita " "recordar com és un color blanc. Per això, amb l'escala de grisos és més " "eficient en memòria." #: ../../user_manual/getting_started/basic_concepts.rst:212 msgid "" "In fact, if you look at each channel separately, they also look like " "grayscale images, but instead white just means how much Red, Green or Blue " "there is." msgstr "" "De fet, si observeu cada canal per separat, també les veureu com a imatges " "en escala de grisos, però en blanc voldrà dir només la quantitat de vermell, " "verd o blau que hi ha." # skip-rule: t-sp_2p,t-2p_sp,t-acc_obe #: ../../user_manual/getting_started/basic_concepts.rst:214 msgid "" "Krita has a very complex color management system, which you can read more " "about :ref:`here `." msgstr "" "El Krita té un sistema per a la gestió del color molt complex, del qual " "podeu llegir més :ref:`aquí `." #: ../../user_manual/getting_started/basic_concepts.rst:217 msgid "Transparency" msgstr "Transparència" #: ../../user_manual/getting_started/basic_concepts.rst:219 msgid "" "Just like Red, Green and Blue, the computer can also store how transparent a " "pixel is. This is important for **compositing** as mentioned before. After " "all, there's no point in having multiple layers if you can't have " "transparency." msgstr "" "Igual que el vermell, el verd i el blau, l'ordinador també pot emmagatzemar " "la transparència d'un píxel. Això és important per a la **composició** tal " "com s'ha esmentat anteriorment. Després de tot, no té sentit tenir múltiples " "capes si no es pot tenir transparència." #: ../../user_manual/getting_started/basic_concepts.rst:221 msgid "" "Transparency is stored in the same way as colors, meaning that it's also a " "channel. We usually call this channel the **alpha channel** or **alpha** for " "short. The reason behind this is that the letter 'α' is used to represent it " "in programming." msgstr "" "La transparència s'emmagatzema de la mateixa manera que els colors, el qual " "significa que també és un canal. Normalment l'anomenem **canal alfa** o " "**alfa** per escurçar. La raó d'això és que la lletra «α» s'utilitza per a " "representar-la en la programació." # skip-rule: t-sp_2p,t-2p_sp,t-acc_obe #: ../../user_manual/getting_started/basic_concepts.rst:223 msgid "" "Some older programs don't always have transparency by default. Krita is the " "opposite: it doesn't understand images that don't track transparency, and " "will always add a transparency channel to images. When a given pixel is " "completely transparent on all layers, Krita will instead show a checkerboard " "pattern, like the rose image to the left." msgstr "" "Alguns programes antics no sempre tenen transparència de manera " "predeterminada. El Krita fa el contrari: no entén les imatges que no " "segueixen la transparència, i sempre afegirà un canal de transparència a les " "imatges. Quan un píxel donat és completament transparent a totes les capes, " "el Krita mostrarà un patró de tauler d'escacs, com la imatge de la rosa que " "hi ha a l'esquerra." #: ../../user_manual/getting_started/basic_concepts.rst:226 msgid "Blending modes" msgstr "Modes de barreja" #: ../../user_manual/getting_started/basic_concepts.rst:228 msgid "" "Because colors are stored as numbers you can do maths with them. We call " "this **Blending Modes** or **Compositing Modes**." msgstr "" "Com que els colors s'emmagatzemen com a números, podreu fer matemàtiques amb " "ells. Això ho anomenem **Modes de barreja** o **Modes de composició**." #: ../../user_manual/getting_started/basic_concepts.rst:230 msgid "" "Blending modes can be done per layer or per brush stroke, and thus are also " "part of the compositing of layers." msgstr "" "Els modes de barreja es poden fer per capa o pel traç del pinzell i, per " "tant, també formen part de la composició de les capes." #: ../../user_manual/getting_started/basic_concepts.rst:233 msgid "Multiply" msgstr "Multiplicar" # skip-rule: t-sp_2p,t-2p_sp,t-acc_obe #: ../../user_manual/getting_started/basic_concepts.rst:233 msgid "" "A commonly used blending mode is for example :menuselection:`Multiply` which " "multiplies the components, leading to darker colors. This allows you to " "simulate the subtractive mixing, and thus makes painting shadows much easier." msgstr "" "Un mode de barreja que s'utilitza habitualment és, per exemple :" "menuselection:`Multiplica`, el qual multiplicarà els components, donant lloc " "a colors més foscos. Això permet simular la barreja substractiva i, per " "tant, facilitarà molt les ombres en la pintura." #: ../../user_manual/getting_started/basic_concepts.rst:235 msgid "Addition" msgstr "Sumar" # skip-rule: t-sp_2p,t-2p_sp,t-acc_obe #: ../../user_manual/getting_started/basic_concepts.rst:236 msgid "" "Another common one is :menuselection:`Addition`, which adds one layer's " "components to the other, making it perfect for special glow effects." msgstr "" "Un altre ús habitual és :menuselection:`Suma`, el qual afegirà els " "components d'una capa a l'altra, el qual es perfecte per a efectes especials " "de lluïssor." #: ../../user_manual/getting_started/basic_concepts.rst:237 msgid "Erasing" msgstr "Esborrar" # skip-rule: t-sp_2p,t-2p_sp,t-acc_obe #: ../../user_manual/getting_started/basic_concepts.rst:238 msgid "" ":menuselection:`Erasing` is a blending mode in Krita. There is no eraser " "tool, but you can toggle on the brush quickly with :kbd:`E` to become an " "eraser. You can also use it on layers. Unlike the other blending modes, this " "one only affects the alpha channel, making things more transparent." msgstr "" ":menuselection:`Esborra` és un mode de barreja al Krita. No hi ha cap eina " "d'esborrador, però podeu alternar ràpidament el pinzell amb la drecera :kbd:" "`E` per a convertir-la en un goma d'esborrar. També podeu utilitzar-la en " "les capes. A diferència dels altres modes de barreja, aquest només afectarà " "el canal alfa, fent que les coses siguin més transparents." #: ../../user_manual/getting_started/basic_concepts.rst:240 msgid "Normal" msgstr "Normal" # skip-rule: t-sp_2p,t-2p_sp,t-acc_obe #: ../../user_manual/getting_started/basic_concepts.rst:240 msgid "" "The :menuselection:`Normal` blend mode just averages between colors " "depending on how transparent the topmost color is." msgstr "" "El mode de barreja :menuselection:`Normal` només fa la mitjana entre els " "colors depenent de quina sigui la transparència al color de sobre." # skip-rule: t-sp_2p,t-2p_sp,t-acc_obe #: ../../user_manual/getting_started/basic_concepts.rst:242 msgid "" "Krita has 76 blending modes, each doing slightly different things. Head over " "to the :ref:`blending_modes` to learn more." msgstr "" "El Krita disposa de 76 modes de barreja, cadascun fa les coses una mica " "diferents. Aneu cap als :ref:`blending_modes` per obtenir més informació." #: ../../user_manual/getting_started/basic_concepts.rst:244 msgid "" "Because we can see channels as grayscale images, we can convert grayscale " "images into channels. Like for example, we can use a grayscale image for the " "transparency. We call these **Masks**." msgstr "" "Com que podem veure els canals com a imatges en escala de grisos, podrem " "convertir les imatges en escala de grisos a canals. Com, per exemple, podrem " "utilitzar una imatge en escala de grisos per a la transparència. Ho anomenem " "**màscares**." #: ../../user_manual/getting_started/basic_concepts.rst:247 msgid "Masks" msgstr "Màscares" #: ../../user_manual/getting_started/basic_concepts.rst:249 msgid "" "Masks are a type of sub-effect applied to a layer, usually driven by a " "grayscale image." msgstr "" "Les màscares són un tipus de subefecte aplicat a una capa, generalment " "provinent d'una imatge en escala de grisos." # skip-rule: t-sp_2p,t-2p_sp,t-acc_obe #: ../../user_manual/getting_started/basic_concepts.rst:251 msgid "" "The primary types of mask are :ref:`transparency_masks`, which allow you to " "use a grayscale image to determine the transparency, where black makes " "everything transparent and white makes the pixel fully opaque." msgstr "" "Els tipus principals de màscara són :ref:`transparency_masks`, els quals " "permeten utilitzar una imatge en escala de grisos per a determinar la " "transparència, on el negre farà que tot sigui transparent i el blanc farà " "que el píxel sigui completament opac." #: ../../user_manual/getting_started/basic_concepts.rst:253 msgid "" "You can paint on masks with any of the brushes, or convert a normal paint-" "layer to a mask. The big benefit of masks is that you can make things " "transparent without removing the underlying pixels. Furthermore, you can use " "masks to reveal or hide a whole group layer at once!" msgstr "" "Podeu pintar sobre les màscares amb qualsevol dels pinzells, o convertir una " "capa de pintura normal en una màscara. El gran benefici de les màscares és " "que podreu fer les coses transparents sense eliminar els píxels subjacents. " "A més, podreu fer servir les màscares per a revelar o ocultar tota una capa " "de grup alhora." #: ../../user_manual/getting_started/basic_concepts.rst:255 msgid "For example, we have a white ghost lady here:" msgstr "Per exemple, aquí tenim una dama fantasma de blanc:" #: ../../user_manual/getting_started/basic_concepts.rst:260 msgid "" "But you can't really tell whether she's a ghost lady or just really really " "white. If only we could give the idea that she floats... We right-click the " "layer and add a transparency mask. Then, we select that mask and draw with a " "black and white linear gradient so that the black is below." msgstr "" "Però en realitat no es pot saber si és una dama fantasma o simplement que en " "realitat és blanca. Si només poguéssim donar-nos la idea que flota... Fem " "clic dret a la capa i afegim una màscara de transparència. Després, " "seleccionem aquesta màscara i dibuixem amb un degradat lineal en blanc i " "negre, de manera que el negre estarà a sota." #: ../../user_manual/getting_started/basic_concepts.rst:266 msgid "" "Wherever the black is, there the lady now becomes transparent, turning her " "into a real ghost!" msgstr "" "On se vulga que es trobi el negre, allà la dama es tornarà transparent. " "Convertint-la en un veritable fantasma!" #: ../../user_manual/getting_started/basic_concepts.rst:268 msgid "" "The name mask comes from traditional masking fluid and film. You may recall " "the earlier comparison of selections to traditional masking fluid. " "Selections too are stored internally as grayscale images, and you can save " "them as a local selection which is kind of like a mask, or convert them to a " "transparency mask." msgstr "" "El nom de màscara prové del fluid i pel·lícula de l'emmascarament " "tradicional. Pot recordar la comparació anterior de seleccions amb el fluid " "per a l'emmascarament tradicional. Les seleccions també s'emmagatzemen " "internament com a imatges en escala de grisos, i podeu desar-les com una " "selecció local, el qual serà com una màscara, o convertir-ho en una màscara " "de transparència." #: ../../user_manual/getting_started/basic_concepts.rst:271 msgid "Filters" msgstr "Filtres" #: ../../user_manual/getting_started/basic_concepts.rst:273 msgid "" "We mentioned earlier that you can do maths with colors. But you can also do " "maths with pixels, or groups of pixels or whole layers. In fact, you can " "make Krita do all sorts of little operations on layers. We call these " "operations **Filters**." msgstr "" "Anteriorment hem esmentat que podeu fer matemàtiques amb els colors. Però " "també podeu fer matemàtiques amb els píxels, grups de píxels o capes " "senceres. De fet, podeu fer que el Krita faci tot tipus de petites " "operacions sobre les capes. A aquestes operacions les anomenem **filtres**." #: ../../user_manual/getting_started/basic_concepts.rst:275 msgid "Examples of such operations are:" msgstr "Exemples d'aquestes operacions són:" #: ../../user_manual/getting_started/basic_concepts.rst:277 msgid "Desaturate" msgstr "Dessatura" #: ../../user_manual/getting_started/basic_concepts.rst:278 msgid "This makes all the pixels turn gray." msgstr "Això fa que tots els píxels es tornin grisos." #: ../../user_manual/getting_started/basic_concepts.rst:279 msgid "Blur" msgstr "Difuminat" #: ../../user_manual/getting_started/basic_concepts.rst:280 msgid "" "This averages the pixels with their neighbors, which removes sharp contrasts " "and makes the whole image look blurry." msgstr "" "Això fa la mitjana dels píxels amb els seus veïns, el qual eliminarà els " "contrastos més definits i farà que la imatge sencera quedi borrosa." #: ../../user_manual/getting_started/basic_concepts.rst:281 msgid "Sharpen" msgstr "Aguditza" #: ../../user_manual/getting_started/basic_concepts.rst:282 msgid "" "This increases the contrast between pixels that had a pretty high contrast " "to begin with." msgstr "" "Això farà augmentar el contrast entre els píxels que tenien un contrast " "força alt en començar." #: ../../user_manual/getting_started/basic_concepts.rst:284 msgid "Color to Alpha" msgstr "Color a alfa" #: ../../user_manual/getting_started/basic_concepts.rst:284 msgid "A popular filter which makes all of the chosen color transparent." msgstr "Un filtre popular que fa que tot el color escollit sigui transparent." #: ../../user_manual/getting_started/basic_concepts.rst:289 msgid ".. image:: images/en/Krita_basic_filter_brush.png" msgstr ".. image:: images/en/Krita_basic_filter_brush.png" #: ../../user_manual/getting_started/basic_concepts.rst:289 msgid "Different filter brushes being used on different parts of the image." msgstr "" "Diferents pinzells de filtratge que s'utilitzen en diferents parts de la " "imatge." # skip-rule: t-sp_2p,t-2p_sp,t-acc_obe #: ../../user_manual/getting_started/basic_concepts.rst:291 msgid "" "Krita has many more filters available: read about them :ref:`here `." msgstr "" "El Krita disposa de molts més filtres disponibles: llegiu sobre seu :ref:" "`aquí `." # skip-rule: t-acc_obe #: ../../user_manual/getting_started/basic_concepts.rst:294 msgid ":ref:`filter_brush_engine`" msgstr ":ref:`filter_brush_engine`" # skip-rule: t-sp_2p,t-2p_sp,t-acc_obe #: ../../user_manual/getting_started/basic_concepts.rst:296 msgid "" "Because many of these operations are per pixel, Krita allows you to use the " "filter as part of the :ref:`filter_brush_engine`." msgstr "" "Com que moltes d'aquestes operacions són per píxel, el Krita permet " "utilitzar el filtre com a part del :ref:`filter_brush_engine`." #: ../../user_manual/getting_started/basic_concepts.rst:298 msgid "" "In most image manipulation software, these are separate tools, but Krita has " "it as a brush engine, allowing much more customization than usual." msgstr "" "En la majoria del programari per a la manipulació d'imatges, aquestes són " "eines separades, però el Krita les té com a motor de pinzells, permetent una " "major personalització del que és habitual." #: ../../user_manual/getting_started/basic_concepts.rst:300 msgid "" "This means you can make a brush that desaturates pixels, or a brush that " "changes the hue of the pixels underneath." msgstr "" "Això vol dir que podeu crear un pinzell que dessatura els píxels o un " "pinzell que canvia el to dels píxels per sota." #: ../../user_manual/getting_started/basic_concepts.rst:303 msgid "Filter Layers, Filter Masks and Layer Styles" msgstr "Capes de filtratge, màscares de filtratge i estils de la capa" # skip-rule: t-sp_2p,t-2p_sp,t-acc_obe #: ../../user_manual/getting_started/basic_concepts.rst:305 msgid "" "Krita also allows you to let the Filters be part of the layer stack, via :" "ref:`filter_layers` and :ref:`filter_masks`. Filter Layers affect all the " "layers underneath it in the same hierarchy. Transparency and transparency " "masks on Filter Layers affect where the layer is applied." msgstr "" "El Krita també permet deixar que els filtres formin part de la pila de " "capes, mitjançant les :ref:`filter_layers` i :ref:`filter_masks`. Les capes " "del filtratge afectaran a totes les capes situades sota seu en la mateixa " "jerarquia. La transparència i les màscares de transparència a sobre de les " "capes de filtratge afectaran on s'apliqui la capa." #: ../../user_manual/getting_started/basic_concepts.rst:307 msgid "" "Masks, on the other hand, can affect one single layer and are driven by a " "grayscale image. They will also affect all layers in a group, much like a " "transparency mask." msgstr "" "Les màscares, d'altra banda, poden afectar una sola capa i provenen d'una " "imatge en escala de grisos. També afectaran a totes les capes d'un grup, " "igual que una màscara de transparència." # skip-rule: t-apo_ini #: ../../user_manual/getting_started/basic_concepts.rst:309 msgid "" "We can use these filters to make our ghost lady look even more ethereal, by " "selecting the ghost lady's layer, and then creating a clone layer. We then " "right click and add a filter mask and use gaussian blur set to 10 or so " "pixels. The clone layer is then put behind the original layer, and set to " "the blending mode '**Color Dodge**', giving her a definite spooky glow. You " "can keep on painting on the original layer and everything will get updated " "automatically!" msgstr "" "Podem utilitzar aquests filtres per a fer que la nostra dama fantasma es " "vegi encara més etèria, seleccionant la capa de la dama fantasma i després " "creant una capa clonada. Després fem clic dret, afegim una màscara de " "filtratge i fem servir el conjunt de difuminat gaussià establert a 10 píxels " "o així. La capa clonada es col·locarà al darrere de la capa original i " "s'establirà en el mode barreja «**Esvaïment del color**», el qual li donarà " "una lluïssor esgarrifosament definida. Podeu continuar pintant a la capa " "original i tot s'actualitzarà automàticament!" # skip-rule: t-sp_2p,t-2p_sp,t-acc_obe #: ../../user_manual/getting_started/basic_concepts.rst:314 msgid "" "Layer Effects or Layer Styles are :program:`Photoshop's` unique brand of " "Filter Masks that are a little faster than regular masks, but not as " "versatile. They are available by right clicking a layer and selecting 'layer " "style'." msgstr "" "Els efectes de capa o els estils de la capa són marca exclusiva de :program:" "`Photoshop`. Les màscares de filtratge són una mica més ràpides que les " "màscares estàndard, però no tan versàtils. Estan disponibles fent clic dret " "sobre una capa i seleccionant «estil de capa»." #: ../../user_manual/getting_started/basic_concepts.rst:317 msgid "Transformations" msgstr "Transformacions" #: ../../user_manual/getting_started/basic_concepts.rst:319 msgid "" "**Transformations** are kind of like filters, in that these are operations " "done on the pixels of an image. We have a regular image and layer wide " "transformations in the image and layer top menus, so that you may resize, " "flip and rotate the whole image." msgstr "" "Les **transformacions** són tipus de filtres, en aquests es tracta " "d'operacions realitzades sobre els píxels d'una imatge. Tenim una imatge " "estàndard i una capa àmplia de transformacions en els menús de la imatge i " "la capa de a sobre, de manera que podreu reamidar, invertir i girar tota la " "imatge." # skip-rule: t-sp_2p,t-2p_sp,t-acc_obe #: ../../user_manual/getting_started/basic_concepts.rst:321 msgid "" "We also have the :ref:`crop_tool`, which only affects the canvas size, and " "the :ref:`move_tool` which only moves a given layer. However, if you want " "more control, Krita offers a :ref:`transform_tool`." msgstr "" "També tenim l':ref:`crop_tool`, la qual només afectarà a la mida del llenç, " "i l':ref:`move_tool`, la qual només mourà una capa determinada. Tanmateix, " "si voleu més control, el Krita ofereix una :ref:`transform_tool`." #: ../../user_manual/getting_started/basic_concepts.rst:327 msgid "" "With this tool you can rotate and resize on the canvas, or put it in " "perspective. Or you can use advanced transform tools, like the warp, cage " "and liquify, which allow you to transform by drawing custom points or even " "by pretending it's a transforming brush." msgstr "" "Amb aquesta eina podeu girar i reamidar la mida del llenç o posar-lo en " "perspectiva. O podeu utilitzar les eines de transformació avançada, com ara " "la deformació, gàbia i liqüescent, les quals permeten transformar dibuixant " "punts personalitzats o fins i tot fingint que es tracta d'un pinzell de " "transformació." # skip-rule: t-acc_obe #: ../../user_manual/getting_started/basic_concepts.rst:330 msgid ":ref:`deform_brush_engine`" msgstr ":ref:`deform_brush_engine`" #: ../../user_manual/getting_started/basic_concepts.rst:332 msgid "" "Like the filter brush engine, Krita also has a Deform Brush Engine, which " "allows you to transform with a brush. The deform is like a much faster " "version of the Liquify transform tool mode, but in exchange, its results are " "of much lower quality." msgstr "" "Igual que el motor del pinzell de filtratge, el Krita també disposa d'un " "motor del pinzell de deformació, el qual permet transformar amb un pinzell. " "La deformació és com una versió molt més ràpida del mode d'eina de " "transformació liqüescent, però en canvi, els seus resultats són de molta " "menor qualitat." #: ../../user_manual/getting_started/basic_concepts.rst:337 msgid ".. image:: images/en/Krita_transforms_deformvsliquefy.png" msgstr ".. image:: images/en/Krita_transforms_deformvsliquefy.png" #: ../../user_manual/getting_started/basic_concepts.rst:337 msgid "" "Apple transformed into a pear with liquify on the left and deform brush on " "the right." msgstr "" "Una poma transformada en una pera amb liqüescent a l'esquerra i el pinzell " "de deformació a la dreta." #: ../../user_manual/getting_started/basic_concepts.rst:339 msgid "" "Furthermore, you can't apply the deform brush as a non-destructive mask." msgstr "" "A més, no podreu aplicar el pinzell de deformació com a una màscara no " "destructiva." # skip-rule: t-acc_obe #: ../../user_manual/getting_started/basic_concepts.rst:342 msgid ":ref:`transformation_masks`" msgstr ":ref:`transformation_masks`" #: ../../user_manual/getting_started/basic_concepts.rst:344 msgid "" "Like filters, transforms can be applied as a non-destructive operation that " "is part of the layer stack. Unlike filter and transparency masks however, " "transform masks can't be driven by a grayscale image, for technical reasons. " "You can use transform masks to deform clone and file layers as well." msgstr "" "Igual que els filtres, les transformacions es poden aplicar com a una " "operació no destructiva que formi part de la pila de capes. A diferència de " "les màscares de filtratge i de transparència, per raons tècniques, les " "màscares de transformació no poden provenir d'una imatge en escala de " "grisos. També podeu utilitzar màscares de transformació per a deformar capes " "clonades i de fitxer." # skip-rule: t-acc_obe #: ../../user_manual/getting_started/basic_concepts.rst:348 msgid ":ref:`animation`" msgstr ":ref:`animation`" #: ../../user_manual/getting_started/basic_concepts.rst:353 msgid "" "In 3.0, Krita got raster animation support. You can use the timeline, " "animation and onionskin dockers, plus Krita's amazing variety of brushes to " "do raster based animations, export those, and then turn them into movies or " "gifs." msgstr "" "En el 3.0, el Krita va aconseguir una implementació de l'animació " "rasteritzada. Podeu utilitzar els acobladors de la línia de temps, animació " "i pell de ceba, a més de l'increïble varietat de pinzells del Krita per a " "crear animacions basades en el rasteritzat; exportar-les i després convertir-" "les en pel·lícules o GIF." #: ../../user_manual/getting_started/basic_concepts.rst:356 msgid "Assistants, Grids and Guides" msgstr "Assistents, quadrícules i guies" #: ../../user_manual/getting_started/basic_concepts.rst:358 msgid "" "With all this technical stuff, you might forget that Krita is a painting " "program. Like how an illustrator in real life can have all sorts of " "equipment to make drawing easier, Krita also offers a variety of tools:" msgstr "" "Amb tot aquest material tècnic, podríeu oblidar que el Krita és un programa " "de pintura. Igual que un il·lustrador a la vida real pot tenir tot tipus " "d'equipament per a facilitar el dibuix, el Krita també ofereix una varietat " "d'eines:" #: ../../user_manual/getting_started/basic_concepts.rst:363 msgid ".. image:: images/en/Krita_basic_assistants.png" msgstr ".. image:: images/en/Krita_basic_assistants.png" #: ../../user_manual/getting_started/basic_concepts.rst:363 msgid "Krita's vanishing point assistants in action" msgstr "Assistents del punt de fuga del Krita en acció." # skip-rule: t-acc_obe #: ../../user_manual/getting_started/basic_concepts.rst:365 msgid ":ref:`grids_and_guides_docker`" msgstr ":ref:`grids_and_guides_docker`" #: ../../user_manual/getting_started/basic_concepts.rst:366 msgid "" "Very straightforward guiding tool which shows grids or guiding lines that " "can be configured." msgstr "" "Eina de guia molt senzilla que mostra les quadrícules o línies guia que es " "poden configurar." # skip-rule: t-acc_obe #: ../../user_manual/getting_started/basic_concepts.rst:367 msgid ":ref:`snapping`" msgstr ":ref:`snapping`" #: ../../user_manual/getting_started/basic_concepts.rst:368 msgid "" "You can snap to all sorts of things. Grids, guides, extensions, orthogonals, " "image centers and bounding boxes." msgstr "" "Podeu ajustar-vos a tot tipus de coses. Quadrícules, guies, extensions, " "ortogonals, centres d'imatge i contenidors." # skip-rule: t-acc_obe #: ../../user_manual/getting_started/basic_concepts.rst:370 msgid ":ref:`painting_with_assistants`" msgstr ":ref:`painting_with_assistants`" #: ../../user_manual/getting_started/basic_concepts.rst:370 msgid "" "Because you can hardly put a ruler against your tablet to help you draw, the " "assistants are there to help you draw concentric circles, perspectives, " "parallel lines and other easily forgotten but tricky to draw details. Krita " "allows you to snap to these via the tool options as well." msgstr "" "Com que difícilment podreu posar una regla a la vostra tauleta per ajudar-" "vos a dibuixar, els assistents us ajudaran a dibuixar cercles concèntrics, " "perspectives, línies paral·leles i altres fàcilment oblidats, però difícils " "de dibuixar. El Krita també permet ajustar-les mitjançant les opcions de " "l'eina." #: ../../user_manual/getting_started/basic_concepts.rst:372 msgid "" "These guides are saved into Krita's native format, which means you can pick " "up your work easily afterwards." msgstr "" "Aquestes guies es desen en el format natiu del Krita, el qual vol dir que " "després podreu reprendre el vostre treball amb facilitat." #: ../../user_manual/getting_started/basic_concepts.rst:375 msgid "Customization" msgstr "Personalitzar" #: ../../user_manual/getting_started/basic_concepts.rst:377 msgid "This leads to the final concept: customization." msgstr "Això ens porta al concepte final: la personalització." # skip-rule: t-sp_2p,t-2p_sp,t-acc_obe #: ../../user_manual/getting_started/basic_concepts.rst:379 msgid "" "In addition to rearranging the dockers according to your preferences, Krita " "provides and saves your configurations as :ref:`resource_workspaces`. This " "is the button at the top right." msgstr "" "A més de tornar a ordenar els acobladors segons les vostres preferències, el " "Krita proporciona i desa les configuracions com a :ref:" "`resource_workspaces`. Aquest és el botó situat a la part superior dreta." # skip-rule: t-sp_2p,t-2p_sp,t-acc_obe #: ../../user_manual/getting_started/basic_concepts.rst:381 msgid "" "You can also configure the toolbar via :menuselection:`Settings --> " "Configure Toolbars`, as well as the shortcuts under both :menuselection:" "`Settings --> Configure Krita --> Configure Shortcuts` and :menuselection:" "`Settings --> Configure Krita --> Canvas Input Settings`." msgstr "" "També podeu configurar la barra d'eines mitjançant :menuselection:" "`Arranjament --> Configura les barres d'eines`, així com les dreceres sota :" "menuselection:`Arranjament --> Configura el Krita --> Configura les " "dreceres` i :menuselection:`Arranjament --> Configura el Krita --> " "Arranjament de l'entrada del llenç`." diff --git a/locale/ca/LC_MESSAGES/user_manual/loading_saving_brushes.po b/locale/ca/LC_MESSAGES/user_manual/loading_saving_brushes.po index ece9b33e7..fa1c4ecdd 100644 --- a/locale/ca/LC_MESSAGES/user_manual/loading_saving_brushes.po +++ b/locale/ca/LC_MESSAGES/user_manual/loading_saving_brushes.po @@ -1,1260 +1,1260 @@ # Translation of docs_krita_org_user_manual___loading_saving_brushes.po to Catalan # Copyright (C) 2019 This_file_is_part_of_KDE # This file is distributed under the license LGPL version 2.1 or # version 3 or later versions approved by the membership of KDE e.V. # # Antoni Bella Pérez , 2019. msgid "" msgstr "" "Project-Id-Version: user_manual\n" "Report-Msgid-Bugs-To: \n" -"POT-Creation-Date: 2019-04-13 03:33+0200\n" +"POT-Creation-Date: 2019-04-14 03:33+0200\n" "PO-Revision-Date: 2019-04-13 23:31+0200\n" "Last-Translator: Antoni Bella Pérez \n" "Language-Team: Catalan \n" "Language: ca\n" "MIME-Version: 1.0\n" "Content-Type: text/plain; charset=UTF-8\n" "Content-Transfer-Encoding: 8bit\n" "Plural-Forms: nplurals=2; plural=n != 1;\n" "X-Generator: Lokalize 18.12.3\n" -#: ../../user_manual/loading_saving_brushes.rst:None -msgid ".. image:: images/en/Krita_4_0_Brush_Settings_Layout.svg" -msgstr ".. image:: images/en/Krita_4_0_Brush_Settings_Layout.svg" - #: ../../user_manual/loading_saving_brushes.rst:0 msgid ".. image:: images/en/Krita_4_0_dirty_preset_icon.png" msgstr ".. image:: images/en/Krita_4_0_dirty_preset_icon.png" +#: ../../user_manual/loading_saving_brushes.rst:None +msgid ".. image:: images/en/Krita_4_0_Brush_Settings_Layout.svg" +msgstr ".. image:: images/en/Krita_4_0_Brush_Settings_Layout.svg" + #: ../../user_manual/loading_saving_brushes.rst:1 msgid "" "Detailed guide on the brush settings dialog in Krita as well as how to make " "your own brushes and how to share them." msgstr "" "Guia detallada sobre el diàleg de configuració del pinzell al Krita, així " "sobre com crear els vostres propis pinzells i com compartir-los." #: ../../user_manual/loading_saving_brushes.rst:17 msgid "Loading and Saving Brushes" msgstr "Carregar i desar els pinzells" #: ../../user_manual/loading_saving_brushes.rst:19 msgid "" "In the real world, when painting or drawing, you don't just use one tool. " "You use pencils, erasers, paintbrushes, different types of paint, inks, " "crayons, etc. All these have different ways of making marks." msgstr "" "Al món real, quan es pinta o dibuixa, no només feu servir una eina. " "Utilitzeu llapis, gomes d'esborrar, pinzells de pintura, diferents tipus de " "pintura, tintes, llapis de colors, etc. Totes elles tenen diferents maneres " "de fer les marques." #: ../../user_manual/loading_saving_brushes.rst:23 msgid "" "In a digital program like Krita you have something similar. We call this a " "brush engine. And much like how cars have different engines that give " "different feels when driving, or how pencils make distinctly different marks " "than rollerball pens, different brush engines have totally different feels." msgstr "" "En un programa digital com el Krita teniu quelcom similar. D'això en diem un " "motor de pinzell. I de la mateixa manera en què els automòbils tenen " "diferents motors que donen diferents sensacions en conduir, o com els llapis " "fan marques distintives diferents dels bolígrafs, els diferents motors de " "pinzell tenen comportaments diferents." #: ../../user_manual/loading_saving_brushes.rst:29 msgid "" "The brush engines have a lot of different settings as well. So, you can save " "those settings into presets." msgstr "" "Els motors de pinzells també tenen un munt d'ajustaments diferents. Per " "tant, podeu desar aquests ajustaments en valors predefinits." #: ../../user_manual/loading_saving_brushes.rst:32 msgid "" "Unlike Photoshop, Krita makes a difference between brush-tips and brush-" "presets. Tips are only a stamp of sorts, while the preset uses a tip and " "many other settings to create the full brush." msgstr "" "A diferència del Photoshop, el Krita diferencia entre els pinzells " "aconsellats i els pinzells predefinits. Els aconsellats només són una " "espècie de segell, mentre que el predefinit utilitza una punta i molts " "altres ajustaments per a crear el pinzell complet." #: ../../user_manual/loading_saving_brushes.rst:37 msgid "The Brush settings drop-down" msgstr "La llista desplegable d'ajustaments del pinzell" #: ../../user_manual/loading_saving_brushes.rst:39 msgid "" "To start, the Brush Settings Editor panel can be accessed in the toolbar, " "between the :guilabel:`Blending Modes` button on the right and the :guilabel:" "`Patterns` button on the left. Alternately, you can use the function key :" "kbd:`F5` to open it." msgstr "" "Per a començar, des del plafó de l'Editor d'ajustaments del pinzell es pot " "accedir a la barra d'eines, entre el botó :guilabel:`Modes de barreja` a la " "dreta i el botó :guilabel:`Patrons` a l'esquerra. De manera alternativa, " "podeu utilitzar la tecla de funció :kbd:`F5` per obrir-la." #: ../../user_manual/loading_saving_brushes.rst:44 msgid "" "When you open Brush Settings Editor panel you will see something like this:" msgstr "" "Quan obriu el plafó Editor d'ajustaments del pinzell, veureu quelcom així:" #: ../../user_manual/loading_saving_brushes.rst:48 msgid "Tour of the brush settings drop-down" msgstr "Recorregut per la llista desplegable d'ajustaments del pinzell" #: ../../user_manual/loading_saving_brushes.rst:53 msgid "The brush settings drop-down is divided into six areas," msgstr "" "La llista desplegable d'ajustaments del pinzell es divideix en sis àrees," #: ../../user_manual/loading_saving_brushes.rst:56 msgid "Section A - General Information" msgstr "Secció A - Informació general" #: ../../user_manual/loading_saving_brushes.rst:58 msgid "" "This contains the **Preset Icon**, **Live Brush Preview**, the **Preset " "Name**, the **Engine** name, and several buttons for saving, renaming, and " "reloading." msgstr "" "Això conté la **Icona predefinida**, **Vista prèvia del pinzell**, el **Nom " "predefinit**, el nom del **Motor** i diversos botons per a desar, canviar el " "nom i tornar a carregar." #: ../../user_manual/loading_saving_brushes.rst:62 msgid "" "Krita's brush settings are stored into the metadata of a 200x200 png (the " "KPP file), where the image in the png file becomes the preset icon. This " "icon is used everywhere in Krita, and is useful for differentiating brushes " "in ways that the live preview cannot." msgstr "" "Els ajustaments del pinzell del Krita s'emmagatzemen a les metadades d'un " "fitxer PNG de 200x200 (el fitxer KPP), on la imatge del fitxer PNG " "esdevindrà la icona predefinida. Aquesta icona s'utilitza a tot arreu al " "Krita, i és útil per a diferenciar els pinzells de manera que no sigui " "possible la vista prèvia en directe." #: ../../user_manual/loading_saving_brushes.rst:67 msgid "" "The live preview shows a stroke of the current brush as a little s-curve " "wiggle, with the pressure being non-existent on the left, and increasing to " "full pressure as it goes to the right. It can thus show the effect of the " "Pressure, Drawing Angle, Distance, Fade and Fuzzy Dab sensors, but none of " "the others. For some brush engines it cannot show anything. For the color " "smudge, filter brush and clone tool, it shows an alternating line pattern " "because these brush engines use the pixels already on canvas to change their " "effect." msgstr "" "La vista prèvia en directe mostra un traç del pinzell actual com una petita " "corba en forma de S, amb la pressió que al començament és inexistent a " "l'esquerra i que augmenta fins a aconseguir la pressió màxima a mesura que " "va cap a la dreta. D'aquesta manera, es pot mostrar l'efecte dels sensors de " "Pressió, Angle de dibuix, Distància, Esvaïment i Toc difús, però cap dels " "altres. Per a alguns motors de pinzells no es pot mostrar res. Per a les " "eines d'esborronar el color, pinzell de filtratge i de clonatge, es mostra " "un patró de línia altern perquè aquests motors de pinzell utilitzen els " "píxels que ja estan en el llenç per a canviar el seu efecte." #: ../../user_manual/loading_saving_brushes.rst:75 msgid "" "After the preset name, there's a button for **renaming** the brush. This " "will save the brush as a new brush and blacklist the previous name." msgstr "" "Després del nom predefinit, hi ha un botó per a **reanomenar** el pinzell. " "Aquest desarà el pinzell com a un pinzell nou i posarà a la llista negra el " "nom anterior." #: ../../user_manual/loading_saving_brushes.rst:79 msgid "Engine" msgstr "Motor" #: ../../user_manual/loading_saving_brushes.rst:81 msgid "" "The engine of a brush is the underlying programming that generates the " "stroke from a brush. What that means is that different brush engines have " "different options and different results. You can see this as the difference " "between using crayons, pencils and inks, but because computers are maths " "devices, most of our brush engines produce different things in a more " "mathematical way." msgstr "" "El motor d'un pinzell és la programació subjacent que genera el traç des " "d'un pinzell. El que això vol dir és que els diferents motors de pinzell " "tenen opcions diferents i resultats diferents. Ho podeu veure com la " "diferència entre utilitzar llapis de colors, llapis i tintes, però com els " "ordinadors són dispositius matemàtics, la majoria dels nostres motors de " "pinzell produeixen coses diferents d'una manera més matemàtica." #: ../../user_manual/loading_saving_brushes.rst:88 msgid "" "For most artists the mathematical nature doesn't matter as much as the " "different textures and marks each brush engine, and each brush engine has " "its own distinct flavor and use, and can be further customized by modifying " "the options." msgstr "" "Per a la majoria dels artistes, la naturalesa matemàtica no importa tant com " "les diferents textures i marques de cada motor de pinzells, i cada motor de " "pinzells té el seu propi gust i ús, i es pot personalitzar encara més " "modificant les opcions." #: ../../user_manual/loading_saving_brushes.rst:94 msgid "Reloading" msgstr "Tornar a carregar" #: ../../user_manual/loading_saving_brushes.rst:96 msgid "" "If you change a preset, an icon will appear behind the engine name. This is " "the :guilabel:`reload` button. You can use it to revert to the original " "brush settings." msgstr "" -"Si canvieu un predefinit, apareixerà una icona al darrere del nom del " -"motor. Aquest és el botó :guilabel:`Actualitza`. Podeu usar-lo per tornar " -"als ajustaments originals del pinzell." +"Si canvieu un predefinit, apareixerà una icona al darrere del nom del motor. " +"Aquest és el botó :guilabel:`Actualitza`. Podeu usar-lo per tornar als " +"ajustaments originals del pinzell." #: ../../user_manual/loading_saving_brushes.rst:101 msgid "Saving a preset" msgstr "Desar un predefinit" #: ../../user_manual/loading_saving_brushes.rst:103 msgid "" "On the right, there's :guilabel:`Save New Brush Preset` and :guilabel:" "`Overwrite Brush`." msgstr "" -"A la dreta, hi ha :guilabel:`Desa el pinzell predefinit nou` i " -":guilabel:`Sobreescriu el pinzell`." +"A la dreta, hi ha :guilabel:`Desa el pinzell predefinit nou` i :guilabel:" +"`Sobreescriu el pinzell`." #: ../../user_manual/loading_saving_brushes.rst:106 msgid "" "This will only enable if there are any changes. Pressing this will override " "the current preset with the new settings, keeping the name and the icon " "intact. It will always make a timestamped back up in the resources folder." msgstr "" "Això només s'habilitarà si hi ha algun canvi. En prémer-lo, se solaparà el " "predefinit actual amb els nous ajustaments, mantenint el nom i la icona " "intactes. Sempre es realitzarà una còpia de seguretat amb marca de temps en " "la carpeta de recursos." #: ../../user_manual/loading_saving_brushes.rst:108 msgid "Overwrite Brush" msgstr "Sobreescriu el pinzell" #: ../../user_manual/loading_saving_brushes.rst:111 msgid "" "Will take the current preset and all its changes and save it as a new " "preset. If no change was made, you will be making a copy of the current " "preset." msgstr "" "Prendrà el predefinit actual i tots els seus canvis i els desarà com a un " "predefinit nou. Si no s'ha produït cap canvi, fareu una còpia del predefinit " "actual." #: ../../user_manual/loading_saving_brushes.rst:113 msgid "Save New Brush Preset" msgstr "Desa el pinzell predefinit nou" #: ../../user_manual/loading_saving_brushes.rst:115 msgid "" "Save new preset will call up the following window, with a mini scratch pad, " "and all sorts of options to change the preset icon:" msgstr "" "Desar un predefinit nou obrirà la següent finestra, amb un mini bloc des de " "zero i tot tipus d'opcions per a canviar la icona predefinida:" #: ../../user_manual/loading_saving_brushes.rst:119 msgid ".. image:: images/en/Krita_4_0_Save_New_Brush_Preset_Dialog.png" msgstr ".. image:: images/en/Krita_4_0_Save_New_Brush_Preset_Dialog.png" #: ../../user_manual/loading_saving_brushes.rst:120 msgid "" "The image on the left is a mini scratchpad, you can draw on it with the " "current brush, allowing small modifications on the fly." msgstr "" "La imatge de l'esquerra és un mini bloc des de zero, podeu dibuixar-hi amb " "el pinzell actual, el qual us permetrà realitzar petites modificacions sobre " "la marxa." #: ../../user_manual/loading_saving_brushes.rst:124 msgid "" "The Name of your brush. This is also used for the KPP file. If there's " "already a brush with that name, it will effectively overwrite it." msgstr "" "El nom del pinzell. També s'utilitza per al fitxer KPP. Si ja hi ha un " "pinzell amb aquest nom, el sobreescriurà de manera efectiva." #: ../../user_manual/loading_saving_brushes.rst:125 msgid "Brush Name" msgstr "Nom del pinzell" #: ../../user_manual/loading_saving_brushes.rst:127 msgid "Load Existing Thumbnail" msgstr "Carrega les miniatures existents" #: ../../user_manual/loading_saving_brushes.rst:128 msgid "This will load the existing thumbnail inside the preset." msgstr "Això carregarà la miniatura existent dins del predefinit." #: ../../user_manual/loading_saving_brushes.rst:130 msgid "Load scratch pad thumbnail" msgstr "Carrega la miniatura del bloc des de zero" #: ../../user_manual/loading_saving_brushes.rst:130 msgid "" "This will load the dashed area from the big scratch pad (Section C) into the " "thumbnail area." msgstr "" "Això carregarà l'àrea discontínua des del bloc des de zero (Secció C) a dins " "de l'àrea de miniatures." #: ../../user_manual/loading_saving_brushes.rst:132 msgid "Load Image" msgstr "Carrega una imatge" #: ../../user_manual/loading_saving_brushes.rst:133 msgid "With this you can choose an image from disk to load as a thumbnail." msgstr "" "Amb això podreu triar una imatge del disc per carregar-la com a miniatura." #: ../../user_manual/loading_saving_brushes.rst:134 msgid "Load from Icon Library" msgstr "Carrega des de la biblioteca d'icones" #: ../../user_manual/loading_saving_brushes.rst:135 msgid "This opens up the icon library." msgstr "Això obre la biblioteca d'icones." #: ../../user_manual/loading_saving_brushes.rst:137 msgid "Clear Thumbnail" msgstr "Neteja les miniatures" #: ../../user_manual/loading_saving_brushes.rst:137 msgid "This will make the mini scratch pad white." msgstr "Això farà que el mini bloc des de zero estigui en blanc." #: ../../user_manual/loading_saving_brushes.rst:140 msgid "The Icon Library" msgstr "La biblioteca d'icones" #: ../../user_manual/loading_saving_brushes.rst:142 msgid "To make making presets icons faster, Krita got an icon library." msgstr "" "Per a fer que les icones dels valors predefinits siguin més ràpides, el " "Krita té una biblioteca d'icones." #: ../../user_manual/loading_saving_brushes.rst:145 msgid ".. image:: images/en/Krita_4_0_Preset_Icon_Library_Dialog.png" msgstr ".. image:: images/en/Krita_4_0_Preset_Icon_Library_Dialog.png" #: ../../user_manual/loading_saving_brushes.rst:146 msgid "" "It allows you to select tool icons, and an optional small emblem. When you " "press :guilabel:`OK` it will load the resulting combination into the mini " "scratch pad and you can draw in the stroke." msgstr "" "Permet seleccionar les icones de les eines i un petit emblema opcional. Quan " "premeu :guilabel:`D'acord` es carregarà la combinació resultant en el mini " "bloc des de zero i podreu dibuixar el traç." #: ../../user_manual/loading_saving_brushes.rst:150 msgid "" "If you go to your resources folder, there's a folder there called \"preset" "\\_icons\", and in this folder there are \"tool\\_icons\" and \"emblem" "\\_icons\". You can add semi-transparent pngs here and Krita will load those " "into the icon library as well so you can customize your icons even more!" msgstr "" "Si aneu a la vostra carpeta de recursos, hi ha una carpeta que s'anomena " "«preset\\_icons», i en aquesta carpeta hi ha «tool\\_icons» i «emblem" "\\_icons». Aquí podeu afegir PNG semitransparents i el Krita també els " "carregarà a la biblioteca d'icones perquè pugueu personalitzar les vostres " "icones encara més!" #: ../../user_manual/loading_saving_brushes.rst:156 msgid "" "At the top right of the icon library, there are three sliders. They allow " "you to adjust the tool icon. The top two are the same Hue and Saturation as " "in HSL adjustment, and the lowest slider is a super simple levels filter. " "This is done this way because the levels filter allows maintaining the " "darkest shadows and brightest highlights on a tool icon, making it much " "better for quick adjustments." msgstr "" "A la part superior dreta de la biblioteca d'icones, hi ha tres controls " "lliscants. Permeten ajustar la icona de l'eina. Els dos primers són el " "mateix to i saturació que en l'ajust HSL, i el control lliscant inferior és " "un filtre de nivells súper senzill. Això es fa d'aquesta manera perquè el " "filtre de nivells permet mantenir les ombres més fosques i els reflexos més " "brillants en una icona d'eina, el qual ho fa molt millor per a ajustos " "ràpids." #: ../../user_manual/loading_saving_brushes.rst:163 msgid "" "If you're done with everything, you can press :guilabel:`Save` in the :" "guilabel:`Save New Preset` dialog and Krita will save the new brush." msgstr "" "Si heu acabat amb tot, podeu prémer :guilabel:`Desa` al diàleg :guilabel:" "`Desa el predefinit nou` i el Krita desarà el pinzell nou." #: ../../user_manual/loading_saving_brushes.rst:167 msgid "Section B - The Preset Chooser" msgstr "Secció B - El triador dels valors predefinits" #: ../../user_manual/loading_saving_brushes.rst:169 msgid "" "The preset chooser is much the same as the preset docker and the preset drop-" "down on :kbd:`F6`. It's unique in that it allows you to filter by engine and " "this is also where you can create brushes for an engine from scratch." msgstr "" "El selector predefinit és gairebé el mateix que l'acoblador predefinit i la " "llista desplegable predefinida sobre la tecla :kbd:`F6`. És únic, ja que " "permet filtrar per motor i també podeu crear pinzells per a un motor des de " "zero." #: ../../user_manual/loading_saving_brushes.rst:174 msgid "" "It is by default collapsed, so you will need to press the arrow at the top " "left of the brush engine to show it." msgstr "" "De manera predeterminada està col·lapsada, pel que haureu de prémer la " "fletxa a la part superior esquerra del motor de pinzells per a mostrar-lo." #: ../../user_manual/loading_saving_brushes.rst:177 msgid "" "The top drop-down is set to “all” by default, which means it shows all " "engines. It then shows a tag section where you can select the tags, the " "preset list and the search bar." msgstr "" "La llista desplegable superior està establerta a «Tots» de manera " "predeterminada, el qual vol dir que mostra tots els motors. A continuació, " "mostra una secció d'etiquetes on podreu seleccionar les etiquetes, la llista " "de valors predefinits i la barra de cerca." #: ../../user_manual/loading_saving_brushes.rst:181 msgid "" "Underneath that there's a plus icon, which when pressed gives you the full " "list of Krita's engines. Selecting an engine from the list will show the " "brushes for that engine." msgstr "" "A sota d'això hi ha una icona més, que quan es prem dóna la llista completa " "dels motors del Krita. En seleccionar un motor de la llista, es mostraran " "els pinzells per a aquest motor." #: ../../user_manual/loading_saving_brushes.rst:185 msgid "" "The trashcan icon does the same as it does in the preset docker: delete, or " "rather, blacklist a preset so it won't show up in the list." msgstr "" "La icona de la paperera fa el mateix que a l'acoblador Predefinits: elimina, " "o més aviat, inclou a la llista negra un predefinit de manera que no " "aparegui a la llista." #: ../../user_manual/loading_saving_brushes.rst:189 msgid "Section C - The Scratch pad" msgstr "Secció C - El bloc des de zero" #: ../../user_manual/loading_saving_brushes.rst:191 msgid "" "When you tweak your brushes, you want to be able to check what each setting " "does. That's why, to the right of the settings drop-down, there is a scratch " "pad." msgstr "" "Quan ajusteu els pinzells, voldreu poder comprovar què fa cada ajustament. " "Per això, a la dreta de la llista desplegable d'ajustaments, hi ha un bloc " "des de zero." #: ../../user_manual/loading_saving_brushes.rst:195 msgid "" "It is by default collapsed, so you will have to press the arrow at the top " "right of the brush settings to show it." msgstr "" "De manera predeterminada està col·lapsat, de manera que haureu de prémer la " "fletxa a la part superior dreta dels ajustaments del pinzell per a mostrar-" "lo." #: ../../user_manual/loading_saving_brushes.rst:198 msgid "" "When saving a new preset, you can choose to get the icon from the scratch " "pad, this will load the dash area into the mini scratch pad of the Save New " "Preset dialog." msgstr "" -"En desar un predefinit nou, podreu triar obtenir la icona des del bloc des de" -" zero. Això carregarà l'àrea del tauler en el mini bloc des de zero del" -" diàleg Desa el predefinit nou." +"En desar un predefinit nou, podreu triar obtenir la icona des del bloc des " +"de zero. Això carregarà l'àrea del tauler en el mini bloc des de zero del " +"diàleg Desa el predefinit nou." #: ../../user_manual/loading_saving_brushes.rst:202 msgid "The scratch pad has five buttons underneath it. These are in order for:" msgstr "El bloc des de zero té cinc botons per sota. Aquests són:" #: ../../user_manual/loading_saving_brushes.rst:204 msgid "Showing the current brush image" msgstr "Mostra la imatge del pinzell actual" #: ../../user_manual/loading_saving_brushes.rst:206 msgid "Adding a gradient to the scratch pad (useful for smudge brushes)" msgstr "" "Afegeix un degradat al bloc des de zero (útil per als pinzells d'esborronar)" #: ../../user_manual/loading_saving_brushes.rst:207 msgid "Filling with the background color" msgstr "Omple amb el color de fons" #: ../../user_manual/loading_saving_brushes.rst:208 msgid "Clearing everything on the scratch pad" msgstr "Netejar-ho tot al bloc des de zero" #: ../../user_manual/loading_saving_brushes.rst:211 msgid "Section D - The Options List" msgstr "Secció D - La llista d'opcions" #: ../../user_manual/loading_saving_brushes.rst:213 msgid "" "The options, as stated above, are different per brush engine. These " "represent the different parameters, toggles and knobs that you can turn to " "make a brush preset unique. For a couple of options, the main things to " "change are sliders and check boxes, but for a lot of them, they use curves " "instead." msgstr "" "Les opcions, com es va indicar anteriorment, són diferents per a cada motor " "de pinzells. Aquests representen els diferents paràmetres, commutadors i " "ordres que podeu alternar per a fer que un pinzell predefinit sigui únic. " "Per a un parell d'opcions, les coses principals que s'han de canviar són els " "controls lliscants i les caselles de selecció, però per a moltes d'elles, al " "seu lloc es fan servir corbes." #: ../../user_manual/loading_saving_brushes.rst:219 msgid "" "Some options can be toggled, as noted by the little check boxes next to " "them, but others, like flow and opacity are so fundamental to how the brush " "works, that they are always on." msgstr "" "Algunes opcions es poden alternar, com ho indiquen les caselles de selecció " "que hi ha al seu costat, però d'altres, com el flux i l'opacitat, són tan " "fonamentals per al funcionament del pinzell que sempre estaran activades." #: ../../user_manual/loading_saving_brushes.rst:223 msgid "" "The little padlock icon next to the options is for locking the brush. This " "has its own page." msgstr "" "La petita icona de cadenat que hi ha al costat de les opcions és per a " "bloquejar el pinzell. Això disposa la seva pròpia pàgina." #: ../../user_manual/loading_saving_brushes.rst:227 msgid "Section E - Option Configuration Widget" msgstr "Secció E - Estri de configuració de l'opció" #: ../../user_manual/loading_saving_brushes.rst:229 msgid "" "Where section D is the list of options, section E is the widget where you " "can change things." msgstr "" "On la secció D és la llista d'opcions, la secció E és l'estri on podreu " "canviar les coses." #: ../../user_manual/loading_saving_brushes.rst:233 msgid "Using sensor curves" msgstr "Ús de les corbes del sensor" #: ../../user_manual/loading_saving_brushes.rst:235 msgid "" "One of the big important things that make art unique to the artist who " "created it is the style of the strokes. Strokes are different because they " "differ in speed, rotation, direction, and the amount of pressure put onto " "the stylus. Because these are so important, we would want to customize how " "these values are understood in detail. The best way to do this is to use " "curves." msgstr "" "Una de les grans coses importants que fan que l'art sigui únic per a " "l'artista que el va crear, és l'estil dels traços. Els traços són diferents " "perquè difereixen en velocitat, rotació, direcció i la quantitat de pressió " "aplicada al llapis. Com que són tan importants, ens agradaria personalitzar " "com s'entenen en detall aquests valors. La millor manera de fer-ho és " "emprant corbes." #: ../../user_manual/loading_saving_brushes.rst:242 msgid "" "Curves show up with the size widget for example. With an inking brush, we " "want to have size mapped to pressure. Just toggling the size option in the " "option list will do that." msgstr "" "Les corbes es mostren amb l'estri de mida, per exemple. Amb un pinzell de " "tinta, volem que la mida estigui assignada a la pressió. Simplement ho farà " "canviant l'opció de mida a la llista d'opcions." #: ../../user_manual/loading_saving_brushes.rst:246 msgid "" "However, different people have different wrists and thus will press " "differently on their stylus. Someone who presses softly tends to find it " "easy to make thin strokes, but very difficult to make thick strokes. " "Conversely, someone who presses hard on their stylus naturally will have a " "hard time making thin strokes, but easily makes thick ones." msgstr "" "No obstant això, diferents persones tenen canells diferents i, per tant, " "pressionaran de manera diferent en el seu llapis. Algú que pressiona amb " "suavitat a trobar que és fàcil fer traços fins, però molt difícil fer traços " "gruixuts. Al revés, algú que pressiona amb força el seu llapis naturalment " "tindrà dificultats per a fer traços fins, però facilitat per als que siguin " "gruixuts." #: ../../user_manual/loading_saving_brushes.rst:252 msgid "" "Such a situation can be improved by using the curves to map pressure to " "output thinner lines or thicker ones." msgstr "" "Aquesta situació es pot millorar utilitzant les corbes per assignar la " "pressió a línies més fines o més gruixudes." #: ../../user_manual/loading_saving_brushes.rst:255 msgid "" "The brush settings curves even have quick curve buttons for these at the " "top. Someone who has a hard time making small strokes should try the second " "to last concave button, while someone who has a hard time making thick " "strokes should try the third button, the S shape." msgstr "" "Els ajustaments del pinzell per a les corbes tenen fins i tot botons de " "corba ràpida a la part superior. Algú que té dificultats per a fer traços " "fins hauria de provar el segon botó còncau, mentre que algú que té " "dificultats per a fer traços gruixuts hauria de provar el tercer botó, la " "forma S." #: ../../user_manual/loading_saving_brushes.rst:260 msgid "Underneath the curve widget there are two more options:" msgstr "Sota l'estri de corbes hi ha dues opcions més:" #: ../../user_manual/loading_saving_brushes.rst:263 msgid "" "This is for the list of sensors. Toggling this will make all the sensors use " "the same curve. Unchecked, all checked sensors will have separate curves." msgstr "" "Això és per a la llista de sensors. A l'alternar-ho, tots els sensors " "utilitzaran la mateixa corba. Sense marcar, tots els sensors marcats tindran " "corbes separades." #: ../../user_manual/loading_saving_brushes.rst:264 msgid "Share Curves across all settings" msgstr "Comparteix la corba amb tots els ajustaments" #: ../../user_manual/loading_saving_brushes.rst:267 msgid "" "This indicates how the multiple values of the sensor curves are used. The " "curves always go from 0 to 1.0, so if one curve outputs 0.5 and the other " "0.7, then..." msgstr "" "Això indica com s'utilitzen els múltiples valors de les corbes del sensor. " "Les corbes sempre van de 0 a 1,0, de manera que si una corba genera 0,5 i " "l'altra 0,7, llavors..." #: ../../user_manual/loading_saving_brushes.rst:271 msgid "Multiply" msgstr "Multiplica" #: ../../user_manual/loading_saving_brushes.rst:272 msgid "Will multiply the two values, 0.5\\*0.7 = 0.35." msgstr "Multiplicarà els dos valors, 0,5\\*0,7 = 0,35." #: ../../user_manual/loading_saving_brushes.rst:274 msgid "Addition" msgstr "Addició" #: ../../user_manual/loading_saving_brushes.rst:274 msgid "" "Will add the two to a maximum of 1.0, so 0.5+0.7 = 1.2, which is then capped " "at 1.0." msgstr "" "S'afegiran els dos a un màxim d'1,0, de manera que 0,5+0,7 = 1,2, el qual es " "limitarà a 1,0." #: ../../user_manual/loading_saving_brushes.rst:277 msgid "Maximum" msgstr "Màxim" #: ../../user_manual/loading_saving_brushes.rst:277 msgid "" "Will compare the two and pick the largest. So in the case of 0.5 and 0.7, " "the result is 0.7." msgstr "" "Compararà els dos i triarà el més gran. Així que en el cas de 0,5 i 0,7, el " "resultat serà 0,7." #: ../../user_manual/loading_saving_brushes.rst:280 msgid "Minimum" msgstr "Mínim" #: ../../user_manual/loading_saving_brushes.rst:280 msgid "" "Will compare the two and pick the smallest. So in the case of 0.5 and 0.7, " "the result is 0.5." msgstr "" "Compararà el dos i triarà el més petit. Així que en el cas de 0,5 i 0,7, el " "resultat serà 0,5." #: ../../user_manual/loading_saving_brushes.rst:283 msgid "Will subtract the smallest value from the largest, so 0.7-0.5 = 0.2." msgstr "Restarà el valor més petit del més gran, de manera que 0,7-0,5 = 0,2." #: ../../user_manual/loading_saving_brushes.rst:284 msgid "Curves Calculation Mode" msgstr "Mode de càlcul de les corbes" #: ../../user_manual/loading_saving_brushes.rst:284 msgid "Difference" msgstr "Diferència" #: ../../user_manual/loading_saving_brushes.rst:286 msgid "It's maybe better to see with the following example:" msgstr "Potser serà millor veure-ho amb el següent exemple:" #: ../../user_manual/loading_saving_brushes.rst:289 msgid ".. image:: images/en/Krita_4_0_brush_curve_calculation_mode.png" msgstr ".. image:: images/en/Krita_4_0_brush_curve_calculation_mode.png" #: ../../user_manual/loading_saving_brushes.rst:290 msgid "" "The first two are regular, the rest with different multiplication types." msgstr "" "Els dos primers són regulars, la resta amb diferents tipus de multiplicació." #: ../../user_manual/loading_saving_brushes.rst:292 msgid "Is a brush with size set to the distance sensor." msgstr "És un pinzell amb la mida establerta al sensor de la distància." #: ../../user_manual/loading_saving_brushes.rst:293 msgid "Is a brush with the size set to the fade sensor." msgstr "És un pinzell amb la mida establerta al sensor de l'esvaïment." #: ../../user_manual/loading_saving_brushes.rst:294 msgid "The size is calculated from the fade and distance sensors multiplied." msgstr "" "La mida es calcula a partir dels sensors d'esvaïment i de la distància " "multiplicats." #: ../../user_manual/loading_saving_brushes.rst:295 msgid "" "The size is calculated from the fade and distance sensors added to each " "other. Notice how thick it is." msgstr "" "La mida es calcula a partir dels sensors d'esvaïment i de la distància " "multiplicats afegit l'un a l'altre. Fixeu-vos en com és el gruix." #: ../../user_manual/loading_saving_brushes.rst:297 msgid "" "The size takes the maximum value from the values of the fade and distance " "sensors." msgstr "" "La mida prendrà el valor màxim des dels valors dels sensors d'esvaniment i " "distància." #: ../../user_manual/loading_saving_brushes.rst:299 msgid "" "The size takes the minimum value from the values of the fade and distance " "sensors." msgstr "" "La mida prendrà el valor mínim des dels valors dels sensors d'esvaniment i " "distància." #: ../../user_manual/loading_saving_brushes.rst:301 msgid "" "The size is calculated by having the largest of the values subtracted with " "the smallest of the values." msgstr "" "La mida es calcularà en tenir el més gran dels valors restat amb el menor." #: ../../user_manual/loading_saving_brushes.rst:305 msgid "Section F - Miscellaneous options" msgstr "Secció F - Opcions diverses" #: ../../user_manual/loading_saving_brushes.rst:308 msgid "" "This enables dirty presets. Dirty presets store the tweaks you make as long " "as this session of Krita is active. After that, they revert to default. " "Dirtied presets can be recognized by the icon in the top-left of the preset." msgstr "" "Això permet valors predefinits en brut. Els valors predefinits en brut " "emmagatzemen els ajustos que realitzeu mentre aquesta sessió del Krita " "estigui activa. Després d'això, tornaran als predeterminats. Els valors " "predefinits en brut es poden reconèixer per la icona a la part superior " "esquerra del predefinit." #: ../../user_manual/loading_saving_brushes.rst:316 msgid "Temporarily Save Tweaks to Preset (Dirty Presets)" msgstr "" "Desa temporalment les deformacions als valors predefinits (predefinits en " "brut)" #: ../../user_manual/loading_saving_brushes.rst:316 msgid "" "The icon in the top left of the first two presets indicate it is “Dirty”, " "meaning there are tweaks made to the preset." msgstr "" "La icona a la part superior esquerra dels primers dos valors predefinits " "indica que són «en brut», el qual vol dir que s'han realitzat ajustos al " "predefinit." #: ../../user_manual/loading_saving_brushes.rst:319 msgid "Eraser Switch Size" msgstr "Canvia la mida de l'esborrador" #: ../../user_manual/loading_saving_brushes.rst:319 msgid "" "This switches the brush to a separately stored size when using the :kbd:`E` " "key." msgstr "" "Això canvia el pinzell a una mida emmagatzemada per separat quan s'utilitza " "la tecla :kbd:`E`." #: ../../user_manual/loading_saving_brushes.rst:321 msgid "Eraser Switch Opacity" msgstr "Canvia l'opacitat de l'esborrador" #: ../../user_manual/loading_saving_brushes.rst:322 msgid "Same as above, but then with Eraser opacity." msgstr "Igual que l'anterior, però després amb l'opacitat de l'esborrador." #: ../../user_manual/loading_saving_brushes.rst:324 msgid "" "This allows you to toggle instant preview on the brush. The Instant Preview " "has a super-secret feature: when you press the instant preview label, and " "then right click it, it will show a threshold slider. This slider determines " "at what brush size instant preview is activated for the brush. This is " "useful because small brushes can be slower with instant preview, so the " "threshold ensures it only activates when necessary." msgstr "" "Això permet alternar la vista prèvia instantània del pinzell. La vista " "prèvia instantània té una característica súper secreta: quan premeu " "l'etiqueta de vista prèvia instantània, i després feu clic dret, es mostrarà " "un control lliscant del llindar. Aquest control lliscant determina en quina " "mida del pinzell s'activarà la vista prèvia per al pinzell. Això és útil " "perquè els pinzells petits poden ser més lents amb la vista prèvia " "instantània, de manera que el llindar garanteix que només s'activi quan " "sigui necessari." #: ../../user_manual/loading_saving_brushes.rst:330 msgid "Instant Preview" msgstr "Vista prèvia instantània" #: ../../user_manual/loading_saving_brushes.rst:333 msgid "The On-canvas brush settings" msgstr "Els ajustaments del pinzell al llenç" #: ../../user_manual/loading_saving_brushes.rst:335 msgid "" "There are on-canvas brush settings. If you open up the pop-up palette, there " "should be an icon on the bottom-right. Press that to show the on-canvas " "brush settings. You will see several sliders here, to quickly make small " "changes." msgstr "" "Hi ha ajustaments del pinzell en el llenç. Si obriu la paleta emergent, hi " "hauria d'haver una icona a la part inferior dreta. Premeu-la per a mostrar " "els ajustaments del pinzell en el llenç. Hi veureu diversos controls " "lliscants, per a fer petits canvis ràpidament." #: ../../user_manual/loading_saving_brushes.rst:340 msgid "" "At the top it shows the currently active preset. Next to that is a settings " "button, click that to get a list of settings that can be shown and organized " "for the given brush engine. You can use the up and down arrows to order " "their position, and then left and right arrows to add or remove from the " "list. You can also drag and drop." msgstr "" "A la part superior es mostra el predefinit actualment actiu. Al costat " "d'aquest hi ha un botó d'ajustaments, feu-hi clic per obtenir una llista " "dels ajustaments que es poden mostrar i organitzar per al motor de pinzells " "indicat. Feu servir les fletxes cap amunt i cap avall per ordenar la seva " "posició, i després les fletxes cap a l'esquerra i cap a la dreta per afegir " "o eliminar de la llista. També podeu arrossegar i deixar anar." #: ../../user_manual/loading_saving_brushes.rst:347 msgid "Making a Brush Preset" msgstr "Crear un pinzell predefinit" #: ../../user_manual/loading_saving_brushes.rst:349 msgid "Now, let's make a simple brush to test the waters with:" msgstr "Ara, creem un pinzell senzill per a provar les aigües amb:" #: ../../user_manual/loading_saving_brushes.rst:352 msgid "Getting a default for the brush engine." msgstr "Obtenir un valor predeterminat per al motor de pinzells." #: ../../user_manual/loading_saving_brushes.rst:354 msgid "First, open the settings with :kbd:`F5`." msgstr "Primer, obriu els ajustaments amb :kbd:`F5`." #: ../../user_manual/loading_saving_brushes.rst:356 msgid "" "Then, press the arrow on the upper left to open the preset chooser. There, " "press the “+” icon to get a list of engines. For this brush we're gonna make " "a pixel brush." msgstr "" "Després, premeu la fletxa a la part superior esquerra per obrir el selector " "de valors predefinits. Allà, premeu la icona «+» per obtenir una llista dels " "motors. Per a aquest pinzell farem un pinzell de píxels." #: ../../user_manual/loading_saving_brushes.rst:361 msgid "Example: Making an inking brush" msgstr "Exemple: crear un pinzell de tinta" #: ../../user_manual/loading_saving_brushes.rst:363 msgid "" "Draw on the scratch pad to see what the current brush looks like. If done " "correctly, you should have a 5px wide brush that has pressure set to opacity." msgstr "" "Dibuixeu al bloc des de zero per a veure com es veurà el pinzell actual. Si " "es fa correctament, hauríeu de tenir una amplada del pinzell de 5 px que " "tindrà la pressió establerta a l'opacitat." #: ../../user_manual/loading_saving_brushes.rst:366 msgid "" "Let us turn off the opacity first. Click on the :ref:`opacity " "` option in the right-hand list. The settings should " "now be changed to a big curve. This is the sensor curve." msgstr "" "Desactivem primer l'opacitat. Feu clic a l'opció de l':ref:`opacitat " "` a la llista de la dreta. Els ajustaments ara " "s'hauran de canviar a una gran corba. Aquesta serà la corba del sensor." #: ../../user_manual/loading_saving_brushes.rst:370 msgid "Uncheck the :guilabel:`Enable Pen Settings` checkbox." msgstr "" "Desmarqueu la casella de selecció :guilabel:`Activa els ajustaments per al " "llapis`." #: ../../user_manual/loading_saving_brushes.rst:371 msgid "" "Test on the scratch pad... there still seems to be something affecting " "opacity. This is due to the :ref:`flow ` option." msgstr "" "Prova al bloc des de zero... encara sembla haver-hi quelcom que afecta " "l'opacitat. Això es deu a l'opció :ref:`flux `." #: ../../user_manual/loading_saving_brushes.rst:375 msgid "" "Select the Flow option from the list on the right hand. Flow is like " "Opacity, except that Flow is per dab, and opacity is per stroke." msgstr "" "Seleccioneu l'opció Flux des de la llista al costat dret. El flux és com " "l'opacitat, excepte que el flux és per al toc i l'opacitat és per al traç." #: ../../user_manual/loading_saving_brushes.rst:377 msgid "" "Uncheck the :guilabel:`Enable Pen Settings` checkbox here as well. Test " "again." msgstr "" "Desmarqueu també la casella de selecció :guilabel:`Activa els ajustaments " "per al llapis`. Intenteu-ho de nou." #: ../../user_manual/loading_saving_brushes.rst:378 msgid "" "Now you should be getting somewhere towards an inking brush. It is still too " "small however, and kinda grainy looking. Click :ref:`Brush Tip " "` in the brush engine options." msgstr "" "Ara hauríeu d'estar arribant a algun lloc amb a un pinzell de tinta. Encara " "és massa petit i sembla granulat. Feu clic a :ref:`Punta del pinzell " "` a les opcions del motor de pinzells." #: ../../user_manual/loading_saving_brushes.rst:381 msgid "" "Here, the diameter is the size of the brush-tip. You can touch the slider " "change the size, or right-click it and type in a value. Set it to 25 and " "test again. It should be much better." msgstr "" "Aquí, el diàmetre és la mida de la punta del pinzell. Podeu tocar el control " "lliscant per a canviar la mida, o fer-hi clic dret i escriure un valor. " "Establiu-ho a 25 i torneu-lo a provar. Hauria de ser molt millor." #: ../../user_manual/loading_saving_brushes.rst:384 msgid "" "Now to make the brush feel a bit softer, turn down the fade parameter to " "about 0.9. This'll give the *brush mask* a softer edge." msgstr "" "Ara, per fer que el pinzell se senti una mica més suau, baixeu el paràmetre " "de l'esvaïment a aproximadament 0,9. Això li donarà a la *màscara del " "pinzell* una vora més suau." #: ../../user_manual/loading_saving_brushes.rst:386 msgid "" "If you test again, you'll notice the fade doesn't seem to have much effect. " "This has to do with the spacing of the dabs: The closer they are together, " "the harder the line is. By default, this is 0.1, which is a bit low. If you " "set it to 10 and test, you'll see what kind of effect spacing has. The :ref:" "`Auto ` checkbox changes the way the spacing is calculated, " "and Auto Spacing with a value of 0.8 is the best value for inking brushes. " "Don't forget that you can use right-click to type in a value." msgstr "" "Si tornes a realitzar la prova, notareu que l'esvaïment no sembla tenir " "gaire efecte. Això té a veure amb l'espaiat dels tocs: com més a prop estan, " "més dura és la línia. De manera predeterminada, això és 0,1, el qual és una " "mica baix. Si l'establiu a 10 i ho proveu, veureu quin tipus d'efecte té " "l'espaiat. La casella de selecció :ref:`Automàtic `canvia la " "manera en què es calcula l'espaiat, i l'Espaiat automàtic amb un valor de " "0,8 és el millor valor per als pinzells de tinta. Recordeu que podeu fer " "servir el clic dret per a escriure un valor." #: ../../user_manual/loading_saving_brushes.rst:395 msgid "" "Now, when you test, the fade seems to have a normal effect... except on the " "really small sizes, which look pixelly. To get rid of that, check the anti-" "aliasing check box. If you test again, the lines should be much nicer now." msgstr "" "Ara, quan realitzeu la prova, l'esvaïment sembla tenir un efecte normal... " "excepte en les mides realment petites, les quals semblen pixelades. Per " "desfer això, marqueu la casella de selecció antialiàsing. Si torneu a " "provar, ara les línies haurien de ser molt més agradables." #: ../../user_manual/loading_saving_brushes.rst:401 msgid "Saving the new Brush" msgstr "Desar el pinzell nou" # skip-rule: t-sp_2p,t-2p_sp,t-acc_obe #: ../../user_manual/loading_saving_brushes.rst:403 msgid "" "When you're satisfied, go to the upper left and select :guilabel::`Save new " "preset`." msgstr "" "Quan estigueu satisfet, aneu a la part superior esquerra i seleccioneu :" "guilabel::`Desa el predefinit nou`." #: ../../user_manual/loading_saving_brushes.rst:406 msgid "" "You will get the save preset dialog. Name the brush something like “My " "Preset”. Then, select :guilabel:`Load from Icon Library` to get the icon " "library. Choose a nice tool icon and press :guilabel:`OK`." msgstr "" "Obtindreu el diàleg per a desar el predefinit. El nom del pinzell serà " "quelcom com «My Preset». Després, seleccioneu guilabel:`Carrega des de la " "biblioteca d'icones` per obtenir la biblioteca d'icones. Trieu un bon icona " "d'eina i premeu :guilabel:`D'acord`." #: ../../user_manual/loading_saving_brushes.rst:410 msgid "" "The icon will be loaded into the mini scratch pad on the left. Now doodle a " "nice stroke next to it. If you feel you messed up, just go back to the icon " "library to load a new icon." msgstr "" "La icona es carregarà a dins del mini bloc des de zero de l'esquerra. Ara " "gargotegeu-hi un bon traç. Si sentiu que heu comès un error, torneu a la " "biblioteca d'icones per a carregar una icona nova." #: ../../user_manual/loading_saving_brushes.rst:414 msgid "Finally press :guilabel:`Save`, and your brush should be done." msgstr "Finalment, premeu :guilabel:`Desa` i es crearà el vostre pinzell." #: ../../user_manual/loading_saving_brushes.rst:416 msgid "You can further modify your inking brush by..." msgstr "" "Encara podreu modificar una mica més el vostre pinzell de tinta per a..." #: ../../user_manual/loading_saving_brushes.rst:419 msgid "" "Changing the amount of pressure you need to put on a brush to make it full " "size." msgstr "" "Canviar la quantitat de pressió que necessitareu aplicar al pinzell perquè " "sigui de mida completa." #: ../../user_manual/loading_saving_brushes.rst:419 msgid "" "To do this, select the :ref:`size ` option, and press the " "pressure sensor from the list next to the curve. The curve should look like " "a straight line. Now if you want a brush that gets big with little pressure, " "tick on the curve to make a point, and drag the point to the upper-left. The " "more the point is to the upper-left, the more extreme the effect. If you " "want instead a brush that you have to press really hard on to get to full " "size, drag the dot to the lower-right. Such a brush is useful for fine " "details. Don't forget to save the changes to your brush when done." msgstr "" "Per a fer això, seleccioneu l'opció :ref:`Mida ` i premeu el " "sensor de pressió des de la llista al costat de la corba. La corba s'haurà " "de veure com una línia recta. Ara, si voleu un pinzell que es faci gran amb " "poca pressió, marqueu la corba per a fer un punt i arrossegueu-la cap a la " "part superior esquerra. Com més gran sigui el punt a la part superior " "esquerra, més extrem serà l'efecte. Si, en canvi, voleu un pinzell en el " "qual s'hagi de prémer molt fort per arribar a la mida completa, arrossegueu " "el punt cap a la part inferior dreta. Aquest pinzell serà útil per a detalls " "fins. No oblideu desar els canvis per al vostre pinzell quan acabeu." #: ../../user_manual/loading_saving_brushes.rst:422 msgid "Making the fine lines look even softer by using the flow option." msgstr "" "Fer que les línies fines resultin encara més suaus mitjançant l'opció del " "flux." #: ../../user_manual/loading_saving_brushes.rst:422 msgid "" "To do this, select the flow option, and turn back on the :guilabel:`Enable " "Pen Settings` check box. Now if you test this, it is indeed a bit softer, " "but maybe a bit too much. Click on the curve to make a dot, and drag that " "dot to the top-left, half-way the horizontal of the first square of the " "grid. Now, if you test, the thin lines are much softer, but the hard your " "press, the harder the brush becomes." msgstr "" "Per a fer-ho, seleccioneu l'opció flux i torneu a activar la casella de " "selecció :guilabel:`Activa els ajustaments per al llapis`. Ara, si ho " "proveu, serà una mica més suau, però potser massa. Feu clic a la corba per a " "fer un punt i arrossegueu-lo a la part superior esquerra, a la meitat de " "l'horitzontal del primer quadrat de la quadrícula. Ara, si ho proveu, les " "línies fines seran molt més suaus, però com més forta sigui la vostra " "pressió, més dur es tornarà el pinzell." #: ../../user_manual/loading_saving_brushes.rst:425 msgid "Sharing Brushes" msgstr "Compartir els pinzells" #: ../../user_manual/loading_saving_brushes.rst:427 msgid "" "Okay, so you've made a new brush and want to share it. There are several " "ways to share a brush preset." msgstr "" "Bé, així que heu creat un pinzell nou i voleu compartir-lo. Hi ha diverses " "maneres de compartir un pinzell predefinit." #: ../../user_manual/loading_saving_brushes.rst:430 msgid "" "The recommended way to share brushes and presets is by using the resource " "bundle system. We have detailed instructions on how to use them on the :ref:" "`resource management page `." msgstr "" "La manera recomanada de compartir pinzells i valors predefinits és " "utilitzant el sistema de paquets de recursos. Tenim instruccions detallades " "sobre com emprar-lo a la :ref:`pàgina de gestió dels recursos " "`." #: ../../user_manual/loading_saving_brushes.rst:434 msgid "" "However, there are various old-fashioned ways of sharing brushes that can be " "useful when importing and loading very old packs:" msgstr "" "No obstant això, hi ha diverses maneres antigues de compartir els pinzells " "que poden ser útils en importar i carregar paquets molt antics:" #: ../../user_manual/loading_saving_brushes.rst:438 msgid "Sharing a single preset" msgstr "Compartir un sol predefinit" #: ../../user_manual/loading_saving_brushes.rst:440 msgid "There are three types of resources a single preset can take:" msgstr "Hi ha tres tipus de recursos que pot tenir un sol predefinit:" #: ../../user_manual/loading_saving_brushes.rst:442 msgid "" "A Paintoppreset file: This is the preset proper, with the icon and the " "curves stored inside." msgstr "" "Un fitxers de predefinits per a la pintura: aquest és el predefinit " "pròpiament dit, amb la icona i les corbes a dins." #: ../../user_manual/loading_saving_brushes.rst:444 msgid "" "A Brush file: This is the brush tip. When using masked brushes, there's two " "of these." msgstr "" "Un fitxer de pinzell: és la punta del pinzell. Quan utilitzeu pinzells " "emmascarats, n'hi haurà dos." #: ../../user_manual/loading_saving_brushes.rst:446 msgid "A Pattern file: this is when you are using textures." msgstr "Un fitxer de patró: això és quan empreu textures." #: ../../user_manual/loading_saving_brushes.rst:448 msgid "" "So when you have a brush that uses unique predefined tips for either brush " "tip or masked brush, or unique textures you will need to share those " "resources as well with the other person." msgstr "" "Per tant, quan tingueu un pinzell que faci servir puntes predefinides " "úniques per a la punta del pinzell o un pinzell emmascarat, o textures " "úniques, i necessiteu compartir aquests recursos amb alguna altra persona." #: ../../user_manual/loading_saving_brushes.rst:452 msgid "" "To find those resources, go to :menuselection:`Settings --> Manage Resources " "--> Open Resource Folder`." msgstr "" "Per a trobar aquests recursos, aneu a :menuselection:`Arranjament --> Gestió " "de recursos --> Obre la carpeta de recursos`." #: ../../user_manual/loading_saving_brushes.rst:454 msgid "" "There, the preset file will be inside paintoppresets, the brush tips inside " "brushes and the texture inside patterns." msgstr "" "Allà, el fitxer de valors predefinits estarà dins dels valors predefinits de " "pintura (paintoppresets), les puntes del pinzell dins dels pinzells " "(brushes) i la textura dins dels patrons (patterns)." #: ../../user_manual/loading_saving_brushes.rst:458 msgid "Importing a single KPP file." msgstr "Importar un únic fitxer KPP." #: ../../user_manual/loading_saving_brushes.rst:460 msgid "" "Now, if you want to use the single preset, you should go to the preset " "chooser on :kbd:`F6` and press the folder icon there. This will give a file " "dialog. Navigate to the kpp file and open it to import it." msgstr "" "Ara, si voleu utilitzar el predefinit únic, haureu d'anar al selector de " "predefinits en la drecera :kbd:`F6` i prémer la icona de carpeta. Això " "oferirà un diàleg de fitxers. Aneu al fitxer KPP i obriu-lo per importar." # skip-rule: t-acc_obe #: ../../user_manual/loading_saving_brushes.rst:464 msgid "" "If there are brush tips and patterns coming with the file, do the same with " "pattern via the pattern docker, and for the brush-tip go to the settings " "drop-down (:kbd:`F5`) and then go to the “brush-tip” option. There, select " "predefined brush, and then the “import” button to call up the file dialog." msgstr "" "Si hi ha puntes del pinzell i patrons que vénen amb el fitxer, feu el mateix " "amb el patró a través de l'acoblador del patró, i per a la punta del pinzell " "aneu a la llista desplegable d'ajustaments (:kbd:`F5`) i després aneu a " "l'opció «punta del pinzell». Allà, seleccioneu el pinzell predefinit i " "després el botó «importa» per obrir el diàleg de fitxers." #: ../../user_manual/loading_saving_brushes.rst:471 msgid "Sharing via ZIP (old-fashioned)" msgstr "Compartir mitjançant ZIP (antiquat)" #: ../../user_manual/loading_saving_brushes.rst:473 msgid "" "Sharing via ZIP should be replaced with resource bundles, but older brush " "packs are stored in zip files." msgstr "" "El compartir mitjançant ZIP s'hauria de substituir amb paquets de recursos, " "però els paquets de pinzells més antics estan emmagatzemant en fitxers ZIP." #: ../../user_manual/loading_saving_brushes.rst:477 msgid "Using a ZIP with the relevant files." msgstr "Utilitzar un ZIP amb els fitxers pertinents." #: ../../user_manual/loading_saving_brushes.rst:479 msgid "" "Go to :menuselection:`Settings --> Manage Resources --> Open Resource " "Folder` to open the resource folder." msgstr "" "Aneu a :menuselection:`Arranjament --> Gestió de recursos --> Obre la " "carpeta de recursos` per obrir la carpeta de recursos." #: ../../user_manual/loading_saving_brushes.rst:480 msgid "Then, open up the zip file." msgstr "A continuació, obriu el fitxer ZIP." #: ../../user_manual/loading_saving_brushes.rst:481 msgid "" "Copy the brushes, paintoppresets and patterns folders from the zip file to " "the resource folder. You should get a prompt to merge the folders, agree to " "this." msgstr "" "Copieu les carpetes «brushes» (pinzells), «paintoppresets» (valors " "predefinits de pintura) i «patterns» (patrons) des del fitxer ZIP a la " "carpeta «resource» (recursos). Hauríeu d'obtenir un avís per a fusionar les " "carpetes, accepteu-ho." #: ../../user_manual/loading_saving_brushes.rst:484 msgid "Restart Krita." msgstr "Torneu a iniciar el Krita." #: ../../user_manual/loading_saving_brushes.rst:485 msgid "Enjoy your brushes!" msgstr "Gaudiu dels vostres pinzells!" diff --git a/locale/ca/LC_MESSAGES/user_manual/selections.po b/locale/ca/LC_MESSAGES/user_manual/selections.po index 1b85f0533..caa1aa739 100644 --- a/locale/ca/LC_MESSAGES/user_manual/selections.po +++ b/locale/ca/LC_MESSAGES/user_manual/selections.po @@ -1,535 +1,536 @@ # Translation of docs_krita_org_user_manual___selections.po to Catalan # Copyright (C) 2019 This_file_is_part_of_KDE # This file is distributed under the license LGPL version 2.1 or # version 3 or later versions approved by the membership of KDE e.V. # # Antoni Bella Pérez , 2019. # Josep Ma. Ferrer , 2019. msgid "" msgstr "" "Project-Id-Version: user_manual\n" "Report-Msgid-Bugs-To: \n" "POT-Creation-Date: 2019-04-10 03:45+0200\n" "PO-Revision-Date: 2019-04-13 22:25+0200\n" "Last-Translator: Antoni Bella Pérez \n" "Language-Team: Catalan \n" "Language: ca\n" "MIME-Version: 1.0\n" "Content-Type: text/plain; charset=UTF-8\n" "Content-Transfer-Encoding: 8bit\n" "Plural-Forms: nplurals=2; plural=n != 1;\n" "X-Generator: Lokalize 18.12.3\n" # skip-rule: t-sp_2p #: ../../:66 msgid "" ".. image:: images/icons/rectangular_select_tool.svg\n" " :alt: toolselectrect" msgstr "" ".. image:: images/icons/rectangular_select_tool.svg\n" " :alt: toolselectrect" # skip-rule: t-sp_2p #: ../../:68 msgid "" ".. image:: images/icons/elliptical_select_tool.svg\n" " :alt: toolselectellipse" msgstr "" ".. image:: images/icons/elliptical_select_tool.svg\n" " :alt: toolselectellipse" # skip-rule: t-sp_2p #: ../../:70 msgid "" ".. image:: images/icons/polygonal_select_tool.svg\n" " :alt: toolselectpolygon" msgstr "" ".. image:: images/icons/polygonal_select_tool.svg\n" " :alt: toolselectpolygon" # skip-rule: t-sp_2p #: ../../:72 msgid "" ".. image:: images/icons/path_select_tool.svg\n" " :alt: toolselectpath" msgstr "" ".. image:: images/icons/path_select_tool.svg\n" " :alt: toolselectpath" # skip-rule: t-sp_2p #: ../../:74 msgid "" ".. image:: images/icons/outline_select_tool.svg\n" " :alt: toolselectoutline" msgstr "" ".. image:: images/icons/outline_select_tool.svg\n" " :alt: toolselectoutline" # skip-rule: t-sp_2p #: ../../:76 msgid "" ".. image:: images/icons/contiguous_select_tool.svg\n" " :alt: toolselectcontiguous" msgstr "" ".. image:: images/icons/contiguous_select_tool.svg\n" " :alt: toolselectcontiguous" # skip-rule: t-sp_2p #: ../../:78 msgid "" ".. image:: images/icons/similar_select_tool.svg\n" " :alt: toolselectsimilar" msgstr "" ".. image:: images/icons/similar_select_tool.svg\n" " :alt: toolselectsimilar" #: ../../user_manual/selections.rst:1 msgid "How selections work in Krita." msgstr "Com treballen les seleccions al Krita." # skip-rule: t-acc_obe #: ../../user_manual/selections.rst:1 msgid ":ref:`rectangle_selection_tool`" msgstr ":ref:`rectangle_selection_tool`" #: ../../user_manual/selections.rst:1 msgid "|toolselectrect|" msgstr "|toolselectrect|" #: ../../user_manual/selections.rst:1 msgid "Select the shape of a square." msgstr "Selecciona la forma d'un quadrat." # skip-rule: t-acc_obe #: ../../user_manual/selections.rst:1 msgid ":ref:`ellipse_selection_tool`" msgstr ":ref:`ellipse_selection_tool`" #: ../../user_manual/selections.rst:1 msgid "|toolselectellipse|" msgstr "|toolselectellipse|" #: ../../user_manual/selections.rst:1 msgid "Select the shape of a circle." msgstr "Selecciona la forma d'un cercle." # skip-rule: t-acc_obe #: ../../user_manual/selections.rst:1 msgid ":ref:`polygonal_selection_tool`" msgstr ":ref:`polygonal_selection_tool`" #: ../../user_manual/selections.rst:1 msgid "|toolselectpolygon|" msgstr "|toolselectpolygon|" #: ../../user_manual/selections.rst:1 msgid "" "Click where you want each point of the Polygon to be. Double click to end " "your polygon and finalize your selection area. Use :kbd:`Shift + Z` to undo " "last point." msgstr "" "Feu clic on vulgueu que estigui cada punt del Polígon. Feu doble clic per a " "acabar el polígon i finalitzar la vostra àrea de selecció. Utilitzeu :kbd:" "`Majús. + Z` per a desfer l'últim punt." # skip-rule: t-acc_obe #: ../../user_manual/selections.rst:1 msgid ":ref:`outline_selection_tool`" msgstr ":ref:`outline_selection_tool`" #: ../../user_manual/selections.rst:1 msgid "|toolselectoutline|" msgstr "|toolselectoutline|" #: ../../user_manual/selections.rst:1 msgid "" "Outline/Lasso tool is used for a rough selection by drawing the outline." msgstr "" "L'eina Contorn/Llaç s'utilitza per a una selecció aproximada en dibuixar el " "contorn." # skip-rule: t-acc_obe #: ../../user_manual/selections.rst:1 msgid ":ref:`similar_selection_tool`" msgstr ":ref:`similar_selection_tool`" #: ../../user_manual/selections.rst:1 msgid "|toolselectsimilar|" msgstr "|toolselectsimilar|" #: ../../user_manual/selections.rst:1 msgid "Similar Color Selection Tool." msgstr "Eina de selecció de colors similars." # skip-rule: t-acc_obe #: ../../user_manual/selections.rst:1 msgid ":ref:`contiguous_selection_tool`" msgstr ":ref:`contiguous_selection_tool`" #: ../../user_manual/selections.rst:1 msgid "|toolselectcontiguous|" msgstr "|toolselectcontiguous|" #: ../../user_manual/selections.rst:1 msgid "" "Contiguous or “Magic Wand” selects a field of color. Adjust the :guilabel:" "`Fuzziness` to allow more changes in the field of color, by default limited " "to the current layer." msgstr "" "Contigu o «Vareta màgica» selecciona un camp de color. Ajusta el :guilabel:" "`Difuminat` per a permetre més canvis en el camp de color, de manera " "predeterminada limitat a la capa actual." # skip-rule: t-acc_obe #: ../../user_manual/selections.rst:1 msgid ":ref:`path_selection_tool`" msgstr ":ref:`path_selection_tool`" #: ../../user_manual/selections.rst:1 msgid "|toolselectpath|" msgstr "|toolselectpath|" #: ../../user_manual/selections.rst:1 msgid "" "Path select an area based on a vector path, click to get sharp corners or " "drag to get flowing lines and close the path with :kbd:`Enter` or connecting " "back to the first point." msgstr "" -"El traç selecciona una àrea basada en un traç vectorial, feu clic per obtenir " -"cantonades més definides o arrossegueu per obtenir línies fluides i tanqueu " -"el traç amb la tecla :kbd:`Retorn` o torneu a connectar amb el primer punt." +"El traç selecciona una àrea basada en un traç vectorial, feu clic per " +"obtenir cantonades més definides o arrossegueu per obtenir línies fluides i " +"tanqueu el traç amb la tecla :kbd:`Retorn` o torneu a connectar amb el " +"primer punt." #: ../../user_manual/selections.rst:17 msgid "Selections" msgstr "Seleccions" #: ../../user_manual/selections.rst:19 msgid "" "Selections allow you to pick a specific area of your artwork to change. " "There are many selection tools available that select in different ways. Once " "an area is selected, most tools will stay inside that area. On that area you " "can draw or use gradients to quickly get colored and/or shaded shapes with " "hard edges." msgstr "" "Les seleccions permeten seleccionar una àrea específica de la vostra obra " "d'art per a canviar-la. Hi ha moltes eines de selecció disponibles que " "seleccionen de diferents maneres. Una vegada se selecciona una àrea, la " "majoria de les eines romandran dins d'aquesta àrea. En aquesta àrea podreu " "dibuixar o utilitzar degradats per obtenir ràpidament formes amb color i/o " "ombres amb vores sòlides." #: ../../user_manual/selections.rst:22 msgid "Creating Selections" msgstr "Crear les seleccions" #: ../../user_manual/selections.rst:24 msgid "" "The most common selection tools all exist at the bottom of the toolbox. Each " "tool selects things slightly differently. The links for each tool go into a " "more detailed description of how to use it." msgstr "" "Les eines de selecció més comunes estan a la part inferior del quadre " "d'eines. Cada eina selecciona les coses de manera lleugerament diferent. Els " "enllaços per a cada eina s'inclouen en una descripció més detallada de com " "emprar-la." #: ../../user_manual/selections.rst:38 msgid "" "You can also use the transform tools on your selection, a great way to try " "different proportions on parts of your image." msgstr "" "També podeu utilitzar les eines de transformació sobre la vostra selecció, " "una excel·lent manera de provar diferents proporcions sobre parts de la " "vostra imatge." #: ../../user_manual/selections.rst:41 msgid "Editing Selections" msgstr "Editar les seleccions" #: ../../user_manual/selections.rst:43 msgid "" "The tool options for each selection tool gives you the ability to modify " "your selection." msgstr "" "Les opcions de les eines per a cada eina de selecció permeten modificar la " "vostra selecció." #: ../../user_manual/selections.rst:47 msgid "Action" msgstr "Acció" #: ../../user_manual/selections.rst:47 msgid "Modifier" msgstr "Modificador" #: ../../user_manual/selections.rst:47 msgid "Shortcut" msgstr "Drecera" #: ../../user_manual/selections.rst:49 msgid "Replace" msgstr "Substitueix" #: ../../user_manual/selections.rst:49 msgid "Ctrl" msgstr "Ctrl" #: ../../user_manual/selections.rst:49 msgid "R" msgstr "R" #: ../../user_manual/selections.rst:51 msgid "Intersect" msgstr "Interseca" #: ../../user_manual/selections.rst:51 msgid "Shift + Alt" msgstr "Majús. + Alt" #: ../../user_manual/selections.rst:51 msgid "--" msgstr "--" #: ../../user_manual/selections.rst:53 msgid "Add" msgstr "Afegeix" #: ../../user_manual/selections.rst:53 msgid "Shift" msgstr "Majús." #: ../../user_manual/selections.rst:53 msgid "A" msgstr "A" #: ../../user_manual/selections.rst:55 msgid "Subtract" msgstr "Sostreu" #: ../../user_manual/selections.rst:55 msgid "Alt" msgstr "Alt" #: ../../user_manual/selections.rst:55 msgid "S" msgstr "S" #: ../../user_manual/selections.rst:59 msgid "Removing Selections" msgstr "Eliminar les seleccions" #: ../../user_manual/selections.rst:61 msgid "" "If you want to delete the entire selection, the easiest way is to deselect " "everything. :menuselection:`Select --> Deselect`. Shortcut :kbd:`Ctrl + " "Shift + A`." msgstr "" "Si voleu suprimir tota la selecció, la forma més senzilla és desseleccionar-" "ho tot. :menuselection:`Selecciona --> Desselecciona`. Drecera :kbd:`Ctrl + " "Majús. + A`." #: ../../user_manual/selections.rst:64 msgid "Display Modes" msgstr "Modes de visualització" #: ../../user_manual/selections.rst:66 msgid "" "In the bottom left-hand corner of the status bar there is a button to toggle " "how the selection is displayed. The two display modes are the following: " "(Marching) Ants and Mask. The red color with Mask can be changed in the " "preferences. You can edit the color under :menuselection:`Settings --> " "Configure Krita --> Display --> Selection Overlay`. If there is no " "selection, this button will not do anything." msgstr "" "A la cantonada inferior esquerra de la barra d'estat hi ha un botó per " "alternar com es mostra la selecció. Els dos modes de visualització són els " "següents: (Marxant) Formigues i màscares. El color vermell amb màscara es " "pot canviar a les preferències. Podeu editar el color sota :menuselection:" "`Arranjament --> Configura el Krita --> Visualització --> Superposició de la " "selecció`. Si no hi ha cap selecció, aquest botó no farà res." #: ../../user_manual/selections.rst:70 msgid ".. image:: images/en/Ants-displayMode.jpg" msgstr ".. image:: images/en/Ants-displayMode.jpg" #: ../../user_manual/selections.rst:71 msgid "" "Ants display mode (default) is best if you want to see the areas that are " "not selected." msgstr "" "El mode de visualització Formigues (predeterminat) és millor si voleu veure " "les àrees que no estan seleccionades." #: ../../user_manual/selections.rst:74 msgid ".. image:: images/en/Mask-displayMode.jpg" msgstr ".. image:: images/en/Mask-displayMode.jpg" #: ../../user_manual/selections.rst:75 msgid "" "Mask display mode is good if you are interested in seeing the various " "transparency levels for your selection. For example, you can create a " "selection with a gradient." msgstr "" "El mode de visualització Màscara és bo si esteu interessat en veure els " "diferents nivells de transparència per a la vostra selecció. Per exemple, " "podreu crear una selecció amb un degradat." #: ../../user_manual/selections.rst:78 msgid "Global Selection Mask (Painting a Selection)" msgstr "Màscara de selecció global (pintar una selecció)" #: ../../user_manual/selections.rst:80 msgid "" "The global Selection Mask is your selection that appears on the layers " "docker. By default, this is hidden, so you will need to make it visible via :" "menuselection:`Select --> Show Global Selection Mask`." msgstr "" "La màscara de selecció global és la vostra selecció que apareix sobre " "l'acoblador de capes. De manera predeterminada, aquest resta ocult, per la " "qual cosa l'haureu de fer visible mitjançant :menuselection:`Selecciona --> " "Mostra la màscara de selecció global`." #: ../../user_manual/selections.rst:83 msgid ".. image:: images/en/Global-selection-mask.jpg" msgstr ".. image:: images/en/Global-selection-mask.jpg" #: ../../user_manual/selections.rst:84 msgid "" "Once the global Selection Mask is shown, you will need to create a " "selection. The benefit of using this is that you can paint your selection " "using any of the normal painting tools. The information is saved as " "grayscale. You might want to switch to the Mask display mode if it is " "difficult to see the results." msgstr "" "Una vegada que es mostra la màscara de selecció global, haureu de crear una " "selecció. L'avantatge d'utilitzar-ho, és que podreu pintar la vostra " "selecció utilitzant qualsevol de les eines de pintura normals. La informació " "es desarà com a escala de grisos. És possible que vulgueu canviar al mode de " "visualització Màscara si us resulta difícil veure els resultats." #: ../../user_manual/selections.rst:90 msgid "Selection from layer transparency" msgstr "Seleccionar des de la transparència de la capa" #: ../../user_manual/selections.rst:92 msgid "" "You can create a selection based on a layer's transparency by right-clicking " "on the layer in the layer docker and selecting :guilabel:`Select Opaque` " "from the context menu." msgstr "" "Podeu crear una selecció basada en la transparència d'una capa fent clic " "dret sobre la capa a l'acoblador de capes i seleccionant :guilabel:" "`Selecciona l'opac` des del menú contextual." #: ../../user_manual/selections.rst:95 msgid "Pixel and Vector Selection Types" msgstr "Tipus de selecció amb píxels i vectors" #: ../../user_manual/selections.rst:97 msgid "" "Vector selections allow you to modify your selection with vector anchor " "tools. Pixel selections allow you to modify selections with pixel " "information. They both have their benefits and disadvantages. You can " "convert one type of selection to another." msgstr "" "Les seleccions amb vectors permeten modificar la vostra selecció amb les " "eines d'ancoratge vectorial. Les seleccions amb píxels permeten modificar " "les seleccions amb la informació dels píxels. Tots dos tenen els seus " "avantatges i desavantatges. Podeu convertir un tipus de selecció a una altra." #: ../../user_manual/selections.rst:100 msgid ".. image:: images/en/Vector-pixel-selections.jpg" msgstr ".. image:: images/en/Vector-pixel-selections.jpg" #: ../../user_manual/selections.rst:101 msgid "" "When creating a selection, you can select what type of selection you want " "from the Mode in the selection tool options: Pixel or Vector." msgstr "" "Quan creeu una selecció, podreu seleccionar quin tipus de selecció voleu des " "del mode a les opcions de l'eina de selecció: Píxel o Vector." #: ../../user_manual/selections.rst:104 msgid "" "Vector selections can modify as any other vector shape with the “Shape " "Handle” tool, if you try to paint on a vector selection it will be converted " "into a pixel selection. Pixel selections can be painted with any tool. You " "can also convert vector shapes to selection. In turn, vector selections can " "be made from vector shapes, and vector shapes can be converted to vector " "selections using the options in the :guilabel:`Selection` menu. Krita will " "add a new vector layer for this shape." msgstr "" "Les seleccions amb vectors poden modificar-se com qualsevol altra forma " "vectorial amb l'eina «Maneta de formes», si intenteu pintar sobre una " "selecció amb vectors es convertirà en una selecció amb píxels. Les " "seleccions amb píxels es poden pintar amb qualsevol eina. També podeu " "convertir les formes vectorials a la selecció. Al seu torn, les seleccions " "amb vectors es poden crear a partir de formes vectorials i les formes " "vectorials es poden convertir en seleccions amb vectors utilitzant les " "opcions en el menú :guilabel:`Selecció`. El Krita afegirà una capa vectorial " "nova per a aquesta forma." #: ../../user_manual/selections.rst:107 msgid "" "One of the most common reasons to use vector selections is that they give " "you the ability to move and transform a selection. Moving the selection with " "a pixel selection will move the content on the layer. Moving the selection " "on a vector selection will only move the selection. You can also use the " "path editing tool to change the anchor points in the selection" msgstr "" "Una de les raons més habituals per a utilitzar les seleccions amb vectors és " "que us donen la capacitat de moure i transformar una selecció. Si moveu la " "selecció amb una selecció amb píxels, també es mourà el contingut de la " "capa. Si moveu la selecció sobre una selecció amb vectors, només es mourà la " "selecció. També podeu utilitzar l'eina d'edició de traços per a canviar els " "punts d'ancoratge a la selecció" #: ../../user_manual/selections.rst:115 msgid "" "If you started with a pixel selection, you can still convert it to a vector " "selection to get these benefits. Go to :menuselection:`Select --> Convert to " "Vector Selection`." msgstr "" "Si heu començat amb una selecció amb píxels, encara podeu convertir-la en " "una selecció amb vectors per obtenir aquests avantatges. Aneu a :" "menuselection:`Selecciona --> Converteix a selecció amb vectors`." #: ../../user_manual/selections.rst:119 msgid "" "If you have multiple levels of transparency when you convert a selection to " "vector, you will lose the gray values." msgstr "" "Si teniu múltiples nivells de transparència quan convertiu una selecció en " "vectorial, perdreu els valors dels grisos." #: ../../user_manual/selections.rst:122 msgid "Common Shortcuts while Using Selections" msgstr "Dreceres comuns mentre s'empren les seleccions" #: ../../user_manual/selections.rst:124 msgid "Copy -- :kbd:`Ctrl + C` or :kbd:`Ctrl + Ins`" msgstr "Copia -- :kbd:`Ctrl + C` o :kbd:`Ctrl + Inser.`" #: ../../user_manual/selections.rst:125 msgid "Paste -- :kbd:`Ctrl + V` or :kbd:`Shift + Ins`" msgstr "Enganxa -- :kbd:`Ctrl + V` o :kbd:`Majús. + Inser.`" #: ../../user_manual/selections.rst:126 msgid "Cut -- :kbd:`Ctrl + X`, :kbd:`Shift + Del`" msgstr "Retalla -- :kbd:`Ctrl + X`, :kbd:`Majús. + Supr.`" #: ../../user_manual/selections.rst:127 msgid "Copy From All Layers -- :kbd:`Ctrl + Shift + C`" msgstr "Copia des de totes les capes -- :kbd:`Ctrl + Majús. + C`" #: ../../user_manual/selections.rst:128 msgid "Copy Selection to New Layer -- :kbd:`Ctrl + Alt + J`" msgstr "Copia la selecció a una capa nova -- :kbd:`Ctrl + Alt + J`" #: ../../user_manual/selections.rst:129 msgid "Cut Selection to New Layer -- :kbd:`Ctrl + Shift + J`" msgstr "Retalla la selecció a una capa nova -- :kbd:`Ctrl + Majús. + J`" #: ../../user_manual/selections.rst:130 msgid "Display or hide selection with :kbd:`Ctrl + H`" msgstr "Mostra o oculta la selecció -- :kbd:`Ctrl + H`" diff --git a/locale/ca/LC_MESSAGES/user_manual/vector_graphics.po b/locale/ca/LC_MESSAGES/user_manual/vector_graphics.po index 50becbb2d..6264d596f 100644 --- a/locale/ca/LC_MESSAGES/user_manual/vector_graphics.po +++ b/locale/ca/LC_MESSAGES/user_manual/vector_graphics.po @@ -1,310 +1,310 @@ # Translation of docs_krita_org_user_manual___vector_graphics.po to Catalan # Copyright (C) 2019 This_file_is_part_of_KDE # This file is distributed under the license LGPL version 2.1 or # version 3 or later versions approved by the membership of KDE e.V. # # Antoni Bella Pérez , 2019. # Josep Ma. Ferrer , 2019. msgid "" msgstr "" "Project-Id-Version: user_manual\n" "Report-Msgid-Bugs-To: \n" "POT-Creation-Date: 2019-03-08 03:41+0100\n" "PO-Revision-Date: 2019-04-13 22:30+0200\n" "Last-Translator: Antoni Bella Pérez \n" "Language-Team: Catalan \n" "Language: ca\n" "MIME-Version: 1.0\n" "Content-Type: text/plain; charset=UTF-8\n" "Content-Transfer-Encoding: 8bit\n" "Plural-Forms: nplurals=2; plural=n != 1;\n" "X-Generator: Lokalize 18.12.3\n" # skip-rule: t-sp_2p #: ../../:4 msgid "" ".. image:: images/icons/Krita_mouse_right.png\n" " :alt: mouseright" msgstr "" ".. image:: images/icons/Krita_mouse_right.png\n" " :alt: mouseright" #: ../../user_manual/vector_graphics.rst:1 msgid "Overview of vector graphics in Krita." msgstr "Resum dels gràfics vectorials en el Krita." #: ../../user_manual/vector_graphics.rst:16 msgid "Vector Graphics" msgstr "Gràfics vectorials" #: ../../user_manual/vector_graphics.rst:18 msgid "" "Krita 4.0 has had a massive rewrite of the vector tools. So here's a page " "explaining the vector tools:" msgstr "" "El Krita 4.0 ha tingut una reescriptura massiva de les eines vectorials. De " "manera que aquí hi ha una pàgina explicant-les:" #: ../../user_manual/vector_graphics.rst:21 msgid "What are vector graphics?" msgstr "Què són els gràfics vectorials?" #: ../../user_manual/vector_graphics.rst:23 msgid "" "Krita is primarily a raster graphics editing tool, which means that most of " "the editing changes the values of the pixels on the raster that makes up the " "image." msgstr "" -"El Krita principalment és una eina per a l'edició de gràfics rasteritzats, el " -"qual vol dir que la majoria de l'edició canvia els valors dels píxels en el " -"ràster que crea la imatge." +"El Krita principalment és una eina per a l'edició de gràfics rasteritzats, " +"el qual vol dir que la majoria de l'edició canvia els valors dels píxels en " +"el ràster que crea la imatge." #: ../../user_manual/vector_graphics.rst:26 msgid ".. image:: images/en/Pixels-brushstroke.png" msgstr ".. image:: images/ca/Pixels-brushstroke.png" #: ../../user_manual/vector_graphics.rst:27 msgid "" "Vector graphics on the other hand use mathematics to describe a shape. " "Because it uses a formula, vector graphics can be resized to any size." msgstr "" "D'altra banda, els gràfics vectorials utilitzen les matemàtiques per a " "descriure una forma. A causa que utilitzen una fórmula, els gràfics " "vectorials es poden redimensionar fins a qualsevol mida." #: ../../user_manual/vector_graphics.rst:29 msgid "" "On one hand, this makes vector graphics great for logos and banners. On the " "other hand, raster graphics are much easier to edit, so vectors tend to be " "the domain of deliberate design, using a lot of precision." msgstr "" "D'una banda, això fa que els gràfics vectorials siguin excel·lents per a " "logotips i bàners. D'altra banda, els gràfics rasteritzats són molt més " "fàcils d'editar, de manera que els vectors tendeixen a ser el domini del " "disseny deliberat, utilitzant molta precisió." #: ../../user_manual/vector_graphics.rst:32 msgid "Tools for making shapes" msgstr "Eines per a la creació de formes" #: ../../user_manual/vector_graphics.rst:34 msgid "" "You can start making vector graphics by first making a vector layer (press " "the arrow button next to the :guilabel:`+` in the layer docker to get extra " "layer types). Then, all the usual drawing tools outside of the freehand, " "dynamic and the multibrush tool can be used to draw shapes." msgstr "" "Podeu començar a crear gràfics vectorials fent primer una capa vectorial " "(premeu el botó de fletxa al costat de la icona :guilabel:`+` que hi ha a " "l'acoblador de capes per obtenir tipus de capes addicionals). Després, " "podreu utilitzar totes les eines de dibuix habituals fora de l'eina a mà " "alçada, dinàmica i múltiples pinzells per a dibuixar les formes." #: ../../user_manual/vector_graphics.rst:36 msgid "" "The path and polyline tool are the tools you used most often on a vector " "layer, as they allow you to make the most dynamic of shapes." msgstr "" "L'eina de traç i polilínia són les eines que utilitzareu més sovint en una " "capa vectorial, ja que permeten crear formes més dinàmiques." #: ../../user_manual/vector_graphics.rst:38 msgid "" "On the other hand, the :guilabel:`Ellipse` and :guilabel:`Rectangle` tools " "allow you to draw special shapes, which then can be edited to make special " "pie shapes, or for easy rounded rectangles." msgstr "" "D'altra banda, les eines :guilabel:`El·lipse` i :guilabel:`Rectangle` " "permeten dibuixar formes especials, les quals després es podran editar per a " "crear formes especials de sector o per a rectangles arrodonits amb facilitat." #: ../../user_manual/vector_graphics.rst:40 msgid "" "The calligraphy and text tool also make special vectors. The calligraphy " "tool is for producing strokes that are similar to brush strokes, while the " "text tool makes a text object that can be edited afterwards." msgstr "" "L'eina de cal·ligrafia i de text també creen vectors especials. L'eina de " "cal·ligrafia és per a produir traços similars a les pinzellades, mentre que " "l'eina de text crea un objecte de text que després es pot editar." #: ../../user_manual/vector_graphics.rst:42 msgid "" "All of these will use the current brush size to determine stroke thickness, " "as well as the current foreground and background color." msgstr "" "Totes aquestes utilitzaran la mida del pinzell actual per a determinar el " "gruix del traç, així com el color de fons i de primer pla actual." #: ../../user_manual/vector_graphics.rst:44 msgid "" "There is one last way to make vectors: the :guilabel:`Vector Image` tool. " "It allows you to add shapes that have been defined in an SVG file as " "symbols. Unlike the other tools, these have their own fill and stroke." msgstr "" "Hi ha una última manera de crear vectors: l'eina :guilabel:`Imatge " "vectorial`. Permet afegir formes que s'han definit en un fitxer SVG com a " "símbols. A diferència de les altres eines, aquesta disposa del seu propi " "emplenament i traç." #: ../../user_manual/vector_graphics.rst:47 msgid "Arranging Shapes" msgstr "Organitzar les formes" #: ../../user_manual/vector_graphics.rst:49 msgid "" "A vector layer has its own hierarchy of shapes, much like how the whole " "image has a hierarchy of layers. So shapes can be in front of one another. " "This can be modified with the arrange docker, or with the :guilabel:`Select " "Shapes` tool." msgstr "" "Una capa vectorial té la seva pròpia jerarquia de formes, de manera molt " "similar a com tota la imatge té una jerarquia de capes. De manera que les " "formes poden estar una al davant de l'altra. Això es pot modificar amb " "l'acoblador Organitza o amb l'eina :guilabel:`Selecció de formes`." #: ../../user_manual/vector_graphics.rst:51 msgid "" "The arrange docker also allows you to group and ungroup shapes. It also " "allows you to precisely align shapes, for example, have them aligned to the " "center, or have an even spacing between all the shapes." msgstr "" "L'acoblador Organitza també permet agrupar i desagrupar les formes. També " "permet alinear amb precisió les formes, per exemple, alinear-les amb el " "centre o tenir un espaiat uniforme entre totes les formes." #: ../../user_manual/vector_graphics.rst:54 msgid "Editing shapes" msgstr "Editar les formes" #: ../../user_manual/vector_graphics.rst:56 msgid "" "Editing of vector shapes is done with the :guilabel:`Select Shapes` tool and " "the :guilabel:`Edit Shapes` tool." msgstr "" "L'edició de les formes vectorials es fa amb l'eina :guilabel:`Selecció de " "formes` i l'eina :guilabel:`Edició de formes`." #: ../../user_manual/vector_graphics.rst:58 msgid "" "The :guilabel:`Select Shapes` tool can be used to select vector shapes, to " "group them (via |mouseright|), ungroup them, to use booleans to combine or " "subtract shapes from one another (via |mouseright|), to move them up and " "down, or to do quick transforms." msgstr "" "L'eina :guilabel:`Selecció de formes` es pot utilitzar per a seleccionar les " "formes vectorials, agrupar-les (mitjançant el |mouseright|), desagrupar-les, " "utilitzar nombres booleans per a combinar o sostreure formes entre si " "(mitjançant el |mouseright|), moure amunt i avall o fer transformacions " "ràpides." #: ../../user_manual/vector_graphics.rst:61 msgid "Fill" msgstr "Omple" #: ../../user_manual/vector_graphics.rst:63 msgid "" "You can change the fill of a shape by selecting it and changing the active " "foreground color." msgstr "" "Podeu canviar l'emplenament d'una forma seleccionant-la i canviant el color " "de primer pla actiu." #: ../../user_manual/vector_graphics.rst:65 msgid "" "You can also change it by going into the tool options of the :guilabel:" "`Select Shapes` tool and going to the :guilabel:`Fill` tab." msgstr "" "També el podreu canviar anant a les opcions de l'eina de l'eina :guilabel:" "`Selecció de formes` i anant a la pestanya :guilabel:`Emplenat`." #: ../../user_manual/vector_graphics.rst:67 msgid "" "Vector shapes can be filled with a solid color, a gradient or a pattern." msgstr "" "Les formes vectorials es poden omplir amb un color sòlid, un degradat o un " "patró." #: ../../user_manual/vector_graphics.rst:70 msgid "Stroke" msgstr "Traç" #: ../../user_manual/vector_graphics.rst:72 msgid "Strokes can be filled with the same things as fills." msgstr "Els traços es poden omplir amb les mateixes coses que els emplenats." #: ../../user_manual/vector_graphics.rst:74 msgid "" "However, they can also be further changed. For example, you can add dashes " "and markers to the line." msgstr "" "No obstant això, també es poden canviar més. Per exemple, podeu afegir " "guions i marcadors a la línia." #: ../../user_manual/vector_graphics.rst:77 msgid "Coordinates" msgstr "Coordenades" #: ../../user_manual/vector_graphics.rst:79 msgid "" "Shapes can be moved with the :guilabel:`Select Shapes` tool, and in the tool " "options you can specify the exact coordinates." msgstr "" "Les formes es poden moure amb l'eina :guilabel:`Selecció de formes`, i en " "les opcions de l'eina podreu especificar les coordenades exactes." #: ../../user_manual/vector_graphics.rst:82 msgid "Editing nodes and special parameters" msgstr "Editar els nodes i els paràmetres especials" #: ../../user_manual/vector_graphics.rst:84 msgid "" "If you have a shape selected, you can double click it to get to the " "appropriate tool to edit it. Usually this is the :guilabel:`Edit Shape` " "tool, but for text this is the :guilabel:`Text` tool." msgstr "" "Si teniu seleccionada una forma, hi podreu fer doble clic per accedir a " "l'eina adequada per a editar-la. Normalment, aquesta serà l'eina :guilabel:" "`Edita la forma`, però per al text serà l'eina :guilabel:`Text`." #: ../../user_manual/vector_graphics.rst:86 msgid "" "In the :guilabel:`Edit Shape` tool, you can move around nodes on the canvas " "for regular paths. For special paths, like the ellipse and the rectangle, " "you can move nodes and edit the specific parameters in the :guilabel:`Tool " "Options` docker." msgstr "" "A l'eina :guilabel:`Edita la forma`, us podreu moure pels nodes en el llenç " "per obtenir traços normals. Per a traços especials, com l'el·lipse i el " "rectangle, podreu moure els nodes i editar els paràmetres específics a " "l'acoblador :guilabel:`Opcions de l'eina`." #: ../../user_manual/vector_graphics.rst:89 msgid "Working together with other programs" msgstr "Treballar conjuntament amb altres programes" #: ../../user_manual/vector_graphics.rst:91 msgid "" "One of the big things Krita 4.0 brought was moving from ODG to SVG. What " "this means is that Krita saves as SVG inside KRA files, and that means we " "can open SVGs just fine. This is important as SVG is the most popular vector " "format." msgstr "" "Una de les grans coses que va portar el Krita 4.0 va ser passar de l'ODG al " "SVG. Això vol dir que el Krita ara desa com a SVG dins dels fitxers KRA, i " "això vol dir que podrem obrir els SVG molt bé. Això és important ja que el " "SVG és el format vectorial més popular." #: ../../user_manual/vector_graphics.rst:94 msgid "Inkscape" msgstr "Inkscape" #: ../../user_manual/vector_graphics.rst:96 msgid "" "You can copy and paste vectors from Krita to Inkscape, or from Inkscape to " "Krita. Only the SVG 1.1 features are supported, so don't be surprised if a " "mesh gradient doesn't cross over very well." msgstr "" "Podeu copiar i enganxar vectors des del Krita a l'Inkscape, o des de " "l'Inkscape al Krita. Només s'admeten les característiques del SVG 1.1, pel " "que no us sorprengueu si un degradat de malla no es creua gaire bé." diff --git a/locale/es/LC_MESSAGES/general_concepts/colors/color_managed_workflow.po b/locale/es/LC_MESSAGES/general_concepts/colors/color_managed_workflow.po index b4bd7cbb7..7ed411f1b 100644 --- a/locale/es/LC_MESSAGES/general_concepts/colors/color_managed_workflow.po +++ b/locale/es/LC_MESSAGES/general_concepts/colors/color_managed_workflow.po @@ -1,1068 +1,1068 @@ # Spanish translations for docs_krita_org_general_concepts___colors___color_managed_workflow.po package. # Copyright (C) licensed under the GNU Free Documentation License 1.3+ unless stated otherwise # This file is distributed under the same license as the Krita Manual package. # # Automatically generated, 2019. # Eloy Cuadra , 2019. # Sofia Priego , %Y. msgid "" msgstr "" "Project-Id-Version: " "docs_krita_org_general_concepts___colors___color_managed_workflow\n" "Report-Msgid-Bugs-To: \n" -"POT-Creation-Date: 2019-04-13 03:33+0200\n" +"POT-Creation-Date: 2019-04-14 03:33+0200\n" "PO-Revision-Date: 2019-02-19 19:58+0100\n" "Last-Translator: Sofia Priego \n" "Language-Team: Spanish \n" "Language: es\n" "MIME-Version: 1.0\n" "Content-Type: text/plain; charset=UTF-8\n" "Content-Transfer-Encoding: 8bit\n" "Plural-Forms: nplurals=2; plural=n != 1;\n" "X-Generator: Lokalize 18.12.2\n" +#: ../../general_concepts/colors/color_managed_workflow.rst:0 +msgid ".. image:: images/en/color_category/Kiki_matrix_profile.png" +msgstr "" + +#: ../../general_concepts/colors/color_managed_workflow.rst:0 +msgid ".. image:: images/en/color_category/Kiki_cLUTprofiles.png" +msgstr "" + #: ../../general_concepts/colors/color_managed_workflow.rst:None msgid "" ".. image:: images/en/color_category/Krita_2_9_colormanagement_group1.png" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:None msgid "" ".. image:: images/en/color_category/Krita_2_9_colormanagement_group2.png" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:None msgid "" ".. image:: images/en/color_category/Krita_2_9_colormanagement_group3.png" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:None msgid "" ".. image:: images/en/color_category/Krita_2_9_colormanagement_group4.png" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:None msgid ".. image:: images/en/LUT_Management_Docker.png" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:None msgid ".. image:: images/en/color_category/Krita_HDR_1.svg" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:None msgid ".. image:: images/en/color_category/Krita_HDR2.svg" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:None msgid "" ".. image:: images/en/color_category/Krita-colormanaged-workflow_webcomic.svg" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:None msgid "" ".. image:: images/en/color_category/Krita-colormanaged-workflow_print.svg" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:None msgid "" ".. image:: images/en/color_category/Krita-colormanaged-workflow_games.svg" msgstr "" -#: ../../general_concepts/colors/color_managed_workflow.rst:0 -msgid ".. image:: images/en/color_category/Kiki_matrix_profile.png" -msgstr "" - -#: ../../general_concepts/colors/color_managed_workflow.rst:0 -msgid ".. image:: images/en/color_category/Kiki_cLUTprofiles.png" -msgstr "" - #: ../../general_concepts/colors/color_managed_workflow.rst:1 msgid "How a color managed workflow works." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:17 msgid "Color Managed Workflow" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:19 msgid "" "You may have heard that Krita has something called color-management. Or " "maybe you just wondered what all these 'color model' and 'color profile' " "things you can find in the menus mean. Color management is pretty useful for " "people who work in digital imaging professionally, and hopefully this page " "will explain why." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:22 msgid "Basic Info" msgstr "Información básica" #: ../../general_concepts/colors/color_managed_workflow.rst:24 msgid "" "If you've never worked with color management before, and have no clue what " "it is, then know that you've probably been working in the 8bit RGB color " "space with the sRGB profile. This means you can choose for *sRGB built-in* " "or *sRGB-elle-v2-srgbtrc.icc*. With the new color space browser this profile " "is marked with *(default)* when using 8bit." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:26 msgid "" "We'll go into what these terms mean in the theory, but if you're here only " "for trying to figure out which is the default, you now know it. Maybe, after " "reading this, you may feel like changing the default, to get new and " "interesting results from filters, blending modes, or just the color smudge " "brush." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:29 msgid "What is the problem?" msgstr "¿Cuál es el problema?" #: ../../general_concepts/colors/color_managed_workflow.rst:31 msgid "" "To explain the point of color management, you'd first need to learn which " "problem color management tries to solve." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:33 msgid "Let us imagine a kinder garden:" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:35 msgid "" "The class of 28 children is subdivided in groups of 7. Each group has its " "own table." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:37 msgid "" "The teacher gives them a painting assignment: They need to paint a red " "triangle, a blue square, a green circle and put a yellow border around the " "three. The kids are very experienced with painting already, so the teacher " "can confidently leave the smarter ones to their own devices, and spent more " "time on those who need help." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:40 msgid "The following results come from painting:" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:42 msgid "" "Even though all groups had the same assignment, each group's result looks " "different." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:49 msgid "" "Group 1 had vermillion red, citron yellow and ultramarine blue to their " "disposal. This means their triangle looks nice and red, but their circle's " "green is muddy. This is because ultramarine is too dark of a blue to create " "nice greens with." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:56 msgid "" "Group 2 had magenta red, citron yellow and cerulean blue. Magenta is a type " "of red that is closer to pink, opposed to vermillion, which is closer to " "orange. However, their green looks nice because cerulean is a much lighter " "blue." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:64 msgid "" "Group 3 had vermillion red, citron yellow, emerald green and cerulean blue. " "They didn't mix their green, and thus ended up with a purer color." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:71 msgid "" "Finally, group 4 has vermillion red, citron yellow and cerulean blue. Their " "colors probably look like what you imagined." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:73 msgid "" "Now, these are kindergarteners, so this isn't the largest problem in the " "world. However, imagine that something like this happened at a printing " "company? Imagine four printers printing the same magazine with wildly " "different results? That would be disastrous!" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:75 msgid "For this purpose, we invented color management." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:78 #, fuzzy #| msgid "What is colour management?" msgid "What is color management?" msgstr "¿Qué es la gestión de colores?" #: ../../general_concepts/colors/color_managed_workflow.rst:80 msgid "" "Color management is, dryly put, a set of systems that tries to have the same " "color translate properly between color devices." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:82 msgid "" "It usually works by attempting to covert a color to the reference color " "space XYZ. XYZ is a coordinate system that has a spot for all colors that " "the average human eye can see." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:84 msgid "" "From XYZ it can then be translated back into another device space, such as " "RGB (for screens), or CMYK (for printers)." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:86 msgid "" "Krita has two systems dedicated to color management. On the one hand, we " "have **lcms2**, which deal with ICC profiles, and on the other, we have " "**OCIO**, which deal with LUT color management." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:88 msgid "" "To give a crude estimate, ICC profiles deal with keeping colors consistent " "over many interpretations of devices (screens, printers) by using a " "reference space, and OCIO deals with manipulating the interpretation of said " "colors." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:90 msgid "Within both we can identify the following color spaces:" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:93 msgid "" "Device spaces are those describing your monitor, and have to be made using a " "little device that is called \"colorimeter\". This device, in combination " "with the right software, measures the strongest red, green and blue your " "screen can produce, as well as the white, black and grey it produces. Using " "these and several other measurements it creates an ICC profile unique to " "your screen. You set these in Krita's color management tab. By default we " "assume sRGB for screens, but it's very likely that your screen isn't exactly " "fitting sRGB, especially if you have a high quality screen, where it may be " "a bigger space instead. Device spaces are also why you should first consult " "with your printer what profile they expect. Many printing houses have their " "own device profiles for their printers, or may prefer doing color conversion " "themselves. You can read more about colorimeter usage :ref:`here " "`." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:94 msgid "Device spaces" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:96 msgid "Working spaces" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:97 msgid "" "These are delivered alongside Krita for ICC, and downloadable from the OCIO " "website for OCIO. Working spaces are particularly nice to do color " "calculations in, which programs like Krita do often. It's therefore " "recommended to have a working space profile for your image." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:99 msgid "Aesthetic or Look spaces" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:99 msgid "" "These are special spaces that have been deformed to give a certain look to " "an image. Krita doesn't deliver Look profiles for ICC, nor does it yet " "support Look spaces for OCIO." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:102 msgid "Color managed workflow" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:104 msgid "" "Knowing this about these spaces of course doesn't give you an idea of how to " "use them, but it does make it easier to explain how to use them. So let us " "look at a typical color management workflow:" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:110 msgid "" ".. image:: images/en/color_category/Krita-colormanaged-workflow_text.svg" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:110 msgid "" "A typical example of a color managed workflow. We have input from scanners " "and cameras, which we convert to a working space that can be used between " "different editing software, and is converted to an output space for viewing " "on screen or printing." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:112 msgid "" "In a traditional color managed workflow, we usually think in terms of real " "world colors being converted to computer colors and the other way around. " "So, for example photos from a camera or scanned in images. If you have a " "device space of such a device, we first assign said device space to the " "image, and then convert it to a working space." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:114 msgid "" "We then do all our editing in the working space, and use the working space " "to communicate between editing programs. In Krita's case, due to it having " "two color management systems, we use ICC profiles between programs like GIMP " "2.9+, Inkscape, digiKam and Scribus, and OCIO configuration between Blender " "and Natron." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:116 msgid "" "You also store your working files in the working space, just like how you " "have the layers unmerged in the working file, or have it at a very high " "resolution." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:118 msgid "" "Sometimes, we apply aesthetic or 'look' spaces to an image as part of the " "editing process. This is rather advanced, and probably not something to " "worry about in Krita's case." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:120 msgid "" "Then, when we're done editing, we try to convert to an output space, which " "is another device space. This can be CMYK for printers or a special screen " "RGB profile. When you are dealing with professional printing houses, it is " "best to ask them about this step. They have a lot of experience with doing " "the best conversion, and may prefer to do the conversion from your working " "space to the device space of their printers." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:122 msgid "" "Another form of output is the way your screen displays the color. Unlike " "regular output, this one is done all the time during editing: After all, you " "need to be able to see what you are doing, but your screen is still a device " "with a device space, so it does distort how the image looks. In this manner, " "you can see your screen as a set of binoculars you have to look through to " "see your image at all." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:124 msgid "" "Therefore, without a profiled monitor, you actually don't know what the " "actual colors you are working with are like, because the computer doesn't " "know the relevant properties of your screen. So if you profiled your " "monitor, give Krita the profile in the settings, and select the sRGB space " "to draw in, you are for the first time seeing the actual colors of the sRGB " "space." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:127 msgid "So what does this mean?" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:133 msgid "" ".. image:: images/en/color_category/Krita-colormanaged-workflow_krita_text." "svg" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:133 msgid "" "When we paint from scratch, we can see our screen profile as the input " "space, because we use it to determine what colors to pick. This somewhat " "simplifies the workflow, but makes the screen profile and viewing conditions " "more important." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:135 msgid "" "Now, photographers and people who do a tricky discipline of VFX called " "'color grading' will go completely mad over trying to get the colors they " "put in to come out 100% correctly, and will even count in factors like the " "time of day and the color they painted their walls. For example, if the wall " "behind your computer is pure red, your eyes will adjust to be less sensitive " "to red, which means that the colors they pick in the program could come out " "redder. We call these the *viewing conditions*." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:137 msgid "" "Thankfully, artists have to worry a slight bit less about this. As " "illustrations are fully handmade, we are able to identify the important bits " "and make appropriate contrasts between colors. This means that even if our " "images turn out to be slightly redder than intended, it is less likely the " "whole image is ruined. If we look back at the kindergarten example above, we " "still understand what the image was supposed to look like, despite there " "being different colors on each image. Furthermore, because the colors in " "illustrations are deliberately picked, we can correct them more easily on a " "later date. Yet, at the same time, it is of course a big drag to do this, " "and we might have had much more flexibility had we taken viewing conditions " "under consideration." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:139 msgid "" "That said, for artists it is also very useful to understand the working " "spaces. Different working spaces give different results with filters and " "mixing, and only some working spaces can be used for advanced technology " "like HDR." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:141 msgid "" "Similarly, Krita, as a program intended to make images from scratch, doesn't " "really worry about assigning workspaces after having made the image. But " "because you are using the screen as a binocular to look at your image, and " "to pick colors, you can see your screen's device space as an input space to " "the image. Hence why profiling your monitor and giving the profile to Krita " "in the settings can help with preparing your work for print and future " "ventures in the long run." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:143 msgid "" "Overall, it is kinda useful to keep things like viewing conditions in the " "back of your mind. Many professional artists use a mid-grey color as their " "default canvas background because they find they create much more dynamic " "images due to having improved their viewing conditions. It is also why a lot " "of graphics programs, including Krita, come with a dark theme nowadays. " "(Though, of course this might also be because dark themes can be considered " "cool, who knows.)" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:148 #, fuzzy #| msgid "Icc profiles" msgid "ICC profiles" msgstr "Perfiles Icc" #: ../../general_concepts/colors/color_managed_workflow.rst:150 msgid "" "An ICC profile is a set of coordinates describing the extremities of the " "device space within XYZ, and it is the color management data you use to " "communicate your working space to printers and applications that are " "designed for the print industry, such as GIMP, Scribus, Photoshop, " "Illustrator, Inkscape, Digikam, RawTheraphee, etc. You have two types of ICC " "profiles:" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:153 msgid "" "These are delivered alongside Krita. Matrix shaper profiles are made by " "setting parameters and interpolating between these to get the exact size of " "the color space. Due to this, Krita's color space browser can give you a lot " "of information on these profiles. Such profiles are also preferable as " "working space." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:159 msgid "Matrix Shaper profiles." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:159 msgid "" "Matrix shaper profiles have a few parameters that describe the color space " "which are then interpolated between, this requires a lot of maths." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:162 msgid "" "These are fairly rare, and primarily used to describe printer profiles, such " "as CMYK. cLUT, or Color Look-up Table profiles store far more data than " "Matrix shaper profiles, so they can hold data of little particularities " "caused by, for example, unexpected results from mixing pigments. This is a " "far more organic approach to describing a color space, hence why a lot of " "programs that don't care for color management much don't support these." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:168 msgid "" "cLUT profiles work by holding tables of each color in a color space and " "their respective coordinates in a reference space. For CMYK this is " "typically L\\*A\\*B\\* and for the rest XYZ. These tables are tricky to " "make, which means these profiles are a lot rarer." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:169 msgid "cLUT profiles" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:171 msgid "" "The interesting thing about ICC profiles is that your working space can be " "larger than your device space. This is generally not bad. However, when " "converting, you do end up with the question of how to translate the working " "space values." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:174 msgid "Perceptual" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:174 msgid "" "This just squishes the values of the working space into the space it's " "converted to. It's a nice method to see all possible values in this, but not " "so good if you want accurate color reproduction. Use this if you want to see " "all colors in an image, or want to express all possible contrasts. Doesn't " "work with Matrix Shaper profiles, defaults to relative colorimetric." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:177 msgid "Absolute Colorimetric." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:177 msgid "" "The opposite to Perceptual, Absolute colorimetric will attempt to retain all " "the correct colors at whatever cost, which may result in awful looking " "colors. Recommended only for reproduction work. Doesn't work with Matrix " "Shaper profiles in Krita due to ICC v4 workflow standards." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:180 msgid "Relative Colorimetric" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:180 msgid "" "An in between solution between perceptual and absolute, relative will try to " "fit whatever colors it can match between color spaces. It does this by " "aligning the white and black points. It cuts off the rest to their " "respective borders. This is what all matrix shaper profiles default to " "during conversion, because the ICC v4 workflow specifies to only use " "Relative Colorimetric for matrix shaper profiles." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:183 msgid "Saturation" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:183 msgid "" "Does anything to retain colorfulness, even hue will be sacrificed. Used in " "infographics. Doesn't work with Matrix Shaper profiles, defaults to relative " "colorimetric." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:185 msgid "" "*ICC profile version* is the last thing to keep in mind when dealing with " "ICC profiles. Krita delivers both Version 2 and Version 4 profiles, with the " "later giving better results in doing color maths, but the former being more " "widely supported (as seen below in 'interoperability with other programs'. " "This is also why Krita defaults to V2, and we recommend using V2 when you " "aren't certain if the other programs you are using support V4." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:188 msgid "LUT docker and HDR imaging" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:196 msgid "" "The :ref:`lut_docker` is the second important bit of color management in " "Krita that is shared between Krita and programs like Blender, Natron and " "Nuke, and only uses Look Up Tables that are configured via a config file." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:198 msgid "" "You can set the workingspace of the image under input color space, and the " "display to sRGB or your own LUT if you have added it to the configuration. " "View in this case is for proofing transforms to a certain display device." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:200 msgid "" "Component, exposure, gamma, whitepoint and blackpoint are knobs which allows " "you to modify the display filter." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:208 msgid "" "As explained before, we can see our monitor as a telescope or binocular into " "the world of our picture. Which means it distorts our view of the image a " "little. But we can modify this binocular, or display filter to see our image " "in a different way. For example, to allow us to see the white in an image " "that are whiter than the white of our screen. To explain what that means, we " "need to think about what white is." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:210 msgid "" "For example, white, on our monitor is full red, full green and full blue. " "But it's certainly different from white on our paper, or the color of milk, " "white from the sun, or even the white of our cell-phone displays." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:212 msgid "" "Black similarly, is brighter on a LCD display than a LED one, and " "incomparable with the black of a carefully sealed room." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:214 msgid "" "This means that there's potentially blacker blacks than screen black, and " "white whites than screen white. However, for simplicity's sake we still " "assign the black-point and the white-point to certain values. From there, we " "can determine whether a white is whiter than the white point, or a black " "blacker than the black-point." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:216 msgid "" "The LUT docker allows us to control this display-filter and modify the " "distortion. This is useful when we start modifying images that are made with " "scene referred values, such as HDR photos, or images coming out of a render " "engine." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:224 msgid "" "So, for example, we can choose to scale whiter-than-screen-white to our " "screen-white so we can see the contrasts there." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:226 msgid "" "The point of this is that you can take advantage of more lightness detail in " "an image. While you can't see the difference between screen white and whiter-" "than-screen-white (because your screen can't show the difference), graphics " "programs can certainly use it." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:228 msgid "" "A common example is matching the lighting between a 3d model and a real " "world scene. Others are advanced photo retouching, with much more contrast " "information available to the user. In painting itself, this allows you to " "create an image where you can be flippant with the contrast, and allow " "yourself to go as bright as you'd like." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:230 msgid "" "LUT docker manipulations are per view, so you can create a new view and set " "it to luminosity. This way you can see the image in both color as well as " "grayscale and keep a good eye on your values." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:232 msgid "" "Another example is to carefully watch the gradients in a certain section." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:234 msgid "" "Like ICC, the LUT Docker allows you to create a profile of sorts for your " "device. In this case it's the 'lut', which stands for 'Look Up Table', and " "which can be added to OCIO by modifying the configuration file. When OCIO is " "turned on, the configuration in :menuselection:`Settings --> Configure Krita " "--> Color Management` is turned off, unless you are using the :guilabel:" "`Internal` color engine." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:237 msgid "In summary" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:239 #, fuzzy #| msgid "What is colour management?" msgid "Krita has two modes of color management:" msgstr "¿Qué es la gestión de colores?" #: ../../general_concepts/colors/color_managed_workflow.rst:241 msgid "" "ICC works in terms of spaces relative to the CIEXYZ space, and requires an " "ICC profile." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:242 msgid "OCIO works in terms of interpretation, and makes use of luts." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:243 msgid "both can be made with a colorimeter." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:244 msgid "" "If you want to have a properly color managed workflow, you have one made " "customary for the input device (your screen) and the output devices (your " "printer, or target screen). For web the output is always sRGB." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:245 msgid "" "Set up your screen profiles under :menuselection:`Settings --> Configure " "Krita --> Color management`." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:246 msgid "" "Do NOT use screen profiles or other device profiles to draw in. Use a " "working space profile such as any of the elle profiles for this, as the " "color maths will be much more predictable and pleasant. Krita will convert " "between your screen and working space on the fly, allowing you to pick the " "correct colors. This turns your screen into binoculars to view the image." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:247 msgid "" "Use the appropriate color management for the appropriate workflow. If you " "are working with Blender, you will be better off using OCIO, than ICC. If " "you are working with Scribus or Photoshop, use ICC." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:249 msgid "" "Krita does a lot of color maths, often concerning the blending of colors. " "This color maths works best in linear color space, and linear color space " "requires a bit depth of at the least 16bit to work correctly. The " "disadvantage is that linear space can be confusing to work in." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:251 msgid "" "If you like painting, have a decent amount of RAM, and are looking to start " "your baby-steps in taking advantage of Krita's color management, try " "upgrading from having all your images in sRGB built-in to sRGB-v2-elle-g10." "icc or rec2020-v2-elle-g10.icc at 16bit float. This'll give you better color " "blending while opening up the possibility for you to start working in hdr!" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:256 msgid "" "Some graphics cards, such as those of the NVidia-brand actually have the " "best performance under 16bit float, because NVidia cards convert to floating " "point internally. When it does not need to do that, it speeds up!" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:260 msgid "" "No amount of color management in the world can make the image on your screen " "and the image out of the printer have 100% the same color." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:263 msgid "Exporting" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:265 msgid "" "When you have finished your image and are ready to export it, you can modify " "the color space to optimize it:" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:267 msgid "If you are preparing an image for the web:" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:269 msgid "" "If you use 16bit color depth or higher, convert the image to 8bit color " "depth. This will make the image much smaller." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:271 msgid "" "Krita doesn't have built-in dithering currently, which means that 16 to " "18bit conversions can come out a bit banded. But you can simulate it by " "adding a fill layer with a pattern, set this fill layer to overlay, and to " "5% opacity. Then flatten the whole image and convert it to 8bit. The pattern " "will function as dithering giving a smoother look to gradients." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:273 msgid "If it's a gray-scale image, convert it to gray-scale." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:274 msgid "" "If it's a color image, keep it in the working space profile: Many web " "browsers these days support color profiles embedded into images. Firefox, " "for example, will try to convert your image to fit the color profile of the " "other monitor (if they have one). That way, the image will look almost " "exactly the same on your screen and on other profiled monitors." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:279 msgid "" "In some versions of Firefox, the colors actually look strange: This is a bug " "in Firefox, which is because its `color management system is incomplete " "`_, save your png, jpg or tiff without an embedded profile to work " "around this." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:281 msgid "If you are preparing for print:" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:283 msgid "" "You hopefully made the picture in a working space profile instead of the " "actual custom profile of your screen, if not, convert it to something like " "adobe rgb, sRGB or rec2020." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:284 msgid "" "Check with the printer what kind of image they expect. Maybe they expect " "sRGB color space, or perhaps they have their own profile." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:287 msgid "Interaction with other applications" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:290 msgid "Blender" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:292 msgid "" "If you wish to use krita's OCIO functionality, and in particular in " "combination with Blender's color management, you can try to have it use " "Blender's OCIO config." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:294 msgid "" "Blender's OCIO config is under ``/version number/datafiles/" "colormanagement``. Set the LUT docker to use the OCIO engine, and select the " "config from the above path. This will give you blender's input and screen " "spaces, but not the looks, as those aren't supported in Krita yet." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:298 msgid "Windows Photo Viewer" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:300 msgid "" "You might encounter some issues when using different applications together. " "One important thing to note is that the standard Windows Photo Viewer " "application does not handle modern ICC profiles. Krita uses version 4 " "profiles; Photo Viewer can only handle version 2 profiles. If you export to " "JPEG with an embedded profile, Photo Viewer will display your image much too " "dark." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:303 msgid "Example workflows" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:305 msgid "" "Here are some example workflows to get a feeling of how your color " "management workflow may look like." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:307 msgid "" "As mentioned before, input for your screen is set via :menuselection:" "`Settings --> Configure Krita --> Color management`, or via the LUT docker's " "'screen space'. Working space is set via new file per document, or in the " "LUT docker via 'input space'." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:310 msgid "Webcomic" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:317 #: ../../general_concepts/colors/color_managed_workflow.rst:339 #: ../../general_concepts/colors/color_managed_workflow.rst:357 msgid "Input" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:318 #: ../../general_concepts/colors/color_managed_workflow.rst:340 #: ../../general_concepts/colors/color_managed_workflow.rst:358 msgid "Your screen profile. (You pick colors via your screen)" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:319 #: ../../general_concepts/colors/color_managed_workflow.rst:341 #: ../../general_concepts/colors/color_managed_workflow.rst:359 msgid "Workingspace" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:320 msgid "" "sRGB (the default screen profile) or any larger profile if you can spare the " "bit depth and like working in them." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:322 #: ../../general_concepts/colors/color_managed_workflow.rst:344 #: ../../general_concepts/colors/color_managed_workflow.rst:362 msgid "Output" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:322 msgid "" "sRGB, ICC version 2, sRGB TRC for the internet, and a specialized CMYK " "profile from the printing house for the printed images." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:324 msgid "" "Use the sRGB-elle-V2-srgbtrc.icc for going between Inkscape, Photoshop, " "Painttool Sai, Illustrator, GIMP, Manga Studio, Paintstorm Studio, MyPaint, " "Artrage, Scribus, etc. and Krita." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:326 msgid "" "If you are using a larger space via ICC, you will only be able to " "interchange it between Krita, Photoshop, Illustrator, GIMP 2.9, Manga Studio " "and Scribus. All others assume sRGB for your space, no matter what, because " "they don't have color management." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:328 msgid "" "If you are going between Krita and Blender, Nuke or Natron, use OCIO and set " "the input space to 'sRGB', but make sure to select the sRGB profile for ICC " "when creating a new file." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:330 msgid "" "For the final for the web, convert the image to sRGB 8bit, srgbtrc, do not " "embed the ICC profile. Then, if using png, put it through something like " "pngcrush or other png optimizers. sRGB in this case is chosen because you " "can assume the vast majority of your audience hasn't profiled their screen, " "nor do they have screens that are advanced enough for the wide gamut stuff. " "So hence why we convert to the screen default for the internet, sRGB." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:333 msgid "Print" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:342 msgid "sRGB or rec2020 if you can afford the bit-depth being 16bit." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:344 msgid "" "Specialized CMYK profile from the printing house for the printed images." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:346 msgid "" "The CMYK profiles are different per printer, and even per paper or ink-type " "so don't be presumptuous and ask ahead for them, instead of doing something " "like trying to paint in any random CMYK profile. As mentioned in the viewing " "conditions section, you want to keep your options open." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:348 msgid "" "You can set the advanced color selector to transform to a given profile via :" "menuselection:`Settings --> Configure Krita --> Advanced color selector " "settings`. There, tick :guilabel:`Color selector uses a different color " "space than the image` and select the CMYK profile you are aiming for. This " "will limit your colors a little bit, but keep all the nice filter and " "blending options from RGB." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:351 msgid "Games" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:360 msgid "sRGB or grayscale linear for roughness and specular maps." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:362 msgid "" "This one is tricky, but in the end it'll be sRGB for the regular player." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:364 msgid "" "So this one is tricky. You can use OCIO and ICC between programs, but " "recommended is to have your images to the engine in sRGB or grayscale. Many " "physically based renderers these days allow you to set whether an image " "should be read as a linear or srgbtrc image, and this is even vital to have " "the images being considered properly in the physically based calculations of " "the game renderer." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:366 msgid "" "While game engines need to have optimized content, and it's recommended to " "stay within 8bit, future screens may have higher bit depths, and when " "renderers will start supporting those, it may be beneficial to develop a " "workflow where the working-space files are rather unnecessarily big and you " "run some scripts to optimize them for your current render needs, making " "updating the game in the future for fancier screens less of a drag." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:368 msgid "" "Normal maps and heightmaps are officially supposed to be defined with a 'non-" "color data' working space, but you'll find that most engines will not care " "much for this. Instead, tell the game engine not to do any conversion on the " "file when importing." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:370 msgid "" "Specular, glossiness, metalness and roughness maps are all based on linear " "calculations, and when you find that certain material has a metalness of " "0.3, this is 30% gray in a linear space. Therefore, make sure to tell the " "game engine renderer that this is a linear space image (or at the very " "least, should NOT be converted)." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:374 msgid "" "`Visualizing the XYZ color space `_" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:375 msgid "" "`Basics of gamma correction `_" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:376 msgid "" "`Panda3d example of how an image that has gamma encoded without the 3d " "renderer being notified of it having gamma-encoding can result in too dark " "images `_" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:377 msgid "" "`2d examples of the effect of gamma-encoding on color maths `_" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:378 msgid "" "`Basic overview of color management from argylcms manual `_" msgstr "" diff --git a/locale/fr/LC_MESSAGES/general_concepts/colors/color_managed_workflow.po b/locale/fr/LC_MESSAGES/general_concepts/colors/color_managed_workflow.po index bb6d2c565..13435b563 100644 --- a/locale/fr/LC_MESSAGES/general_concepts/colors/color_managed_workflow.po +++ b/locale/fr/LC_MESSAGES/general_concepts/colors/color_managed_workflow.po @@ -1,1061 +1,1061 @@ msgid "" msgstr "" "Project-Id-Version: Krita Manual 4.1\n" "Report-Msgid-Bugs-To: \n" -"POT-Creation-Date: 2019-04-13 03:33+0200\n" +"POT-Creation-Date: 2019-04-14 03:33+0200\n" "PO-Revision-Date: 2019-02-27 00:50+0100\n" "Last-Translator: KDE Francophone \n" "Language-Team: KDE Francophone \n" "Language: fr\n" "MIME-Version: 1.0\n" "Content-Type: text/plain; charset=UTF-8\n" "Content-Transfer-Encoding: 8bit\n" "Plural-Forms: nplurals=2; plural=(n > 1);\n" "X-Generator: Lokalize 1.5\n" "X-Accelerator-Marker: &\n" "X-Text-Markup: kde4\n" "X-Environment: kde\n" "X-Language: fr_FR\n" "X-Qt-Contexts: true\n" "Generated-By: Babel 0.9.6\n" "X-Source-Language: C\n" +#: ../../general_concepts/colors/color_managed_workflow.rst:0 +msgid ".. image:: images/en/color_category/Kiki_matrix_profile.png" +msgstr "" + +#: ../../general_concepts/colors/color_managed_workflow.rst:0 +msgid ".. image:: images/en/color_category/Kiki_cLUTprofiles.png" +msgstr "" + #: ../../general_concepts/colors/color_managed_workflow.rst:None msgid "" ".. image:: images/en/color_category/Krita_2_9_colormanagement_group1.png" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:None msgid "" ".. image:: images/en/color_category/Krita_2_9_colormanagement_group2.png" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:None msgid "" ".. image:: images/en/color_category/Krita_2_9_colormanagement_group3.png" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:None msgid "" ".. image:: images/en/color_category/Krita_2_9_colormanagement_group4.png" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:None msgid ".. image:: images/en/LUT_Management_Docker.png" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:None msgid ".. image:: images/en/color_category/Krita_HDR_1.svg" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:None msgid ".. image:: images/en/color_category/Krita_HDR2.svg" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:None msgid "" ".. image:: images/en/color_category/Krita-colormanaged-workflow_webcomic.svg" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:None msgid "" ".. image:: images/en/color_category/Krita-colormanaged-workflow_print.svg" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:None msgid "" ".. image:: images/en/color_category/Krita-colormanaged-workflow_games.svg" msgstr "" -#: ../../general_concepts/colors/color_managed_workflow.rst:0 -msgid ".. image:: images/en/color_category/Kiki_matrix_profile.png" -msgstr "" - -#: ../../general_concepts/colors/color_managed_workflow.rst:0 -msgid ".. image:: images/en/color_category/Kiki_cLUTprofiles.png" -msgstr "" - #: ../../general_concepts/colors/color_managed_workflow.rst:1 msgid "How a color managed workflow works." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:17 msgid "Color Managed Workflow" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:19 msgid "" "You may have heard that Krita has something called color-management. Or " "maybe you just wondered what all these 'color model' and 'color profile' " "things you can find in the menus mean. Color management is pretty useful for " "people who work in digital imaging professionally, and hopefully this page " "will explain why." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:22 msgid "Basic Info" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:24 msgid "" "If you've never worked with color management before, and have no clue what " "it is, then know that you've probably been working in the 8bit RGB color " "space with the sRGB profile. This means you can choose for *sRGB built-in* " "or *sRGB-elle-v2-srgbtrc.icc*. With the new color space browser this profile " "is marked with *(default)* when using 8bit." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:26 msgid "" "We'll go into what these terms mean in the theory, but if you're here only " "for trying to figure out which is the default, you now know it. Maybe, after " "reading this, you may feel like changing the default, to get new and " "interesting results from filters, blending modes, or just the color smudge " "brush." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:29 msgid "What is the problem?" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:31 msgid "" "To explain the point of color management, you'd first need to learn which " "problem color management tries to solve." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:33 msgid "Let us imagine a kinder garden:" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:35 msgid "" "The class of 28 children is subdivided in groups of 7. Each group has its " "own table." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:37 msgid "" "The teacher gives them a painting assignment: They need to paint a red " "triangle, a blue square, a green circle and put a yellow border around the " "three. The kids are very experienced with painting already, so the teacher " "can confidently leave the smarter ones to their own devices, and spent more " "time on those who need help." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:40 msgid "The following results come from painting:" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:42 msgid "" "Even though all groups had the same assignment, each group's result looks " "different." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:49 msgid "" "Group 1 had vermillion red, citron yellow and ultramarine blue to their " "disposal. This means their triangle looks nice and red, but their circle's " "green is muddy. This is because ultramarine is too dark of a blue to create " "nice greens with." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:56 msgid "" "Group 2 had magenta red, citron yellow and cerulean blue. Magenta is a type " "of red that is closer to pink, opposed to vermillion, which is closer to " "orange. However, their green looks nice because cerulean is a much lighter " "blue." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:64 msgid "" "Group 3 had vermillion red, citron yellow, emerald green and cerulean blue. " "They didn't mix their green, and thus ended up with a purer color." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:71 msgid "" "Finally, group 4 has vermillion red, citron yellow and cerulean blue. Their " "colors probably look like what you imagined." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:73 msgid "" "Now, these are kindergarteners, so this isn't the largest problem in the " "world. However, imagine that something like this happened at a printing " "company? Imagine four printers printing the same magazine with wildly " "different results? That would be disastrous!" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:75 msgid "For this purpose, we invented color management." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:78 msgid "What is color management?" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:80 msgid "" "Color management is, dryly put, a set of systems that tries to have the same " "color translate properly between color devices." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:82 msgid "" "It usually works by attempting to covert a color to the reference color " "space XYZ. XYZ is a coordinate system that has a spot for all colors that " "the average human eye can see." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:84 msgid "" "From XYZ it can then be translated back into another device space, such as " "RGB (for screens), or CMYK (for printers)." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:86 msgid "" "Krita has two systems dedicated to color management. On the one hand, we " "have **lcms2**, which deal with ICC profiles, and on the other, we have " "**OCIO**, which deal with LUT color management." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:88 msgid "" "To give a crude estimate, ICC profiles deal with keeping colors consistent " "over many interpretations of devices (screens, printers) by using a " "reference space, and OCIO deals with manipulating the interpretation of said " "colors." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:90 msgid "Within both we can identify the following color spaces:" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:93 msgid "" "Device spaces are those describing your monitor, and have to be made using a " "little device that is called \"colorimeter\". This device, in combination " "with the right software, measures the strongest red, green and blue your " "screen can produce, as well as the white, black and grey it produces. Using " "these and several other measurements it creates an ICC profile unique to " "your screen. You set these in Krita's color management tab. By default we " "assume sRGB for screens, but it's very likely that your screen isn't exactly " "fitting sRGB, especially if you have a high quality screen, where it may be " "a bigger space instead. Device spaces are also why you should first consult " "with your printer what profile they expect. Many printing houses have their " "own device profiles for their printers, or may prefer doing color conversion " "themselves. You can read more about colorimeter usage :ref:`here " "`." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:94 msgid "Device spaces" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:96 msgid "Working spaces" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:97 msgid "" "These are delivered alongside Krita for ICC, and downloadable from the OCIO " "website for OCIO. Working spaces are particularly nice to do color " "calculations in, which programs like Krita do often. It's therefore " "recommended to have a working space profile for your image." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:99 msgid "Aesthetic or Look spaces" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:99 msgid "" "These are special spaces that have been deformed to give a certain look to " "an image. Krita doesn't deliver Look profiles for ICC, nor does it yet " "support Look spaces for OCIO." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:102 msgid "Color managed workflow" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:104 msgid "" "Knowing this about these spaces of course doesn't give you an idea of how to " "use them, but it does make it easier to explain how to use them. So let us " "look at a typical color management workflow:" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:110 msgid "" ".. image:: images/en/color_category/Krita-colormanaged-workflow_text.svg" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:110 msgid "" "A typical example of a color managed workflow. We have input from scanners " "and cameras, which we convert to a working space that can be used between " "different editing software, and is converted to an output space for viewing " "on screen or printing." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:112 msgid "" "In a traditional color managed workflow, we usually think in terms of real " "world colors being converted to computer colors and the other way around. " "So, for example photos from a camera or scanned in images. If you have a " "device space of such a device, we first assign said device space to the " "image, and then convert it to a working space." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:114 msgid "" "We then do all our editing in the working space, and use the working space " "to communicate between editing programs. In Krita's case, due to it having " "two color management systems, we use ICC profiles between programs like GIMP " "2.9+, Inkscape, digiKam and Scribus, and OCIO configuration between Blender " "and Natron." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:116 msgid "" "You also store your working files in the working space, just like how you " "have the layers unmerged in the working file, or have it at a very high " "resolution." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:118 msgid "" "Sometimes, we apply aesthetic or 'look' spaces to an image as part of the " "editing process. This is rather advanced, and probably not something to " "worry about in Krita's case." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:120 msgid "" "Then, when we're done editing, we try to convert to an output space, which " "is another device space. This can be CMYK for printers or a special screen " "RGB profile. When you are dealing with professional printing houses, it is " "best to ask them about this step. They have a lot of experience with doing " "the best conversion, and may prefer to do the conversion from your working " "space to the device space of their printers." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:122 msgid "" "Another form of output is the way your screen displays the color. Unlike " "regular output, this one is done all the time during editing: After all, you " "need to be able to see what you are doing, but your screen is still a device " "with a device space, so it does distort how the image looks. In this manner, " "you can see your screen as a set of binoculars you have to look through to " "see your image at all." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:124 msgid "" "Therefore, without a profiled monitor, you actually don't know what the " "actual colors you are working with are like, because the computer doesn't " "know the relevant properties of your screen. So if you profiled your " "monitor, give Krita the profile in the settings, and select the sRGB space " "to draw in, you are for the first time seeing the actual colors of the sRGB " "space." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:127 msgid "So what does this mean?" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:133 msgid "" ".. image:: images/en/color_category/Krita-colormanaged-workflow_krita_text." "svg" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:133 msgid "" "When we paint from scratch, we can see our screen profile as the input " "space, because we use it to determine what colors to pick. This somewhat " "simplifies the workflow, but makes the screen profile and viewing conditions " "more important." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:135 msgid "" "Now, photographers and people who do a tricky discipline of VFX called " "'color grading' will go completely mad over trying to get the colors they " "put in to come out 100% correctly, and will even count in factors like the " "time of day and the color they painted their walls. For example, if the wall " "behind your computer is pure red, your eyes will adjust to be less sensitive " "to red, which means that the colors they pick in the program could come out " "redder. We call these the *viewing conditions*." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:137 msgid "" "Thankfully, artists have to worry a slight bit less about this. As " "illustrations are fully handmade, we are able to identify the important bits " "and make appropriate contrasts between colors. This means that even if our " "images turn out to be slightly redder than intended, it is less likely the " "whole image is ruined. If we look back at the kindergarten example above, we " "still understand what the image was supposed to look like, despite there " "being different colors on each image. Furthermore, because the colors in " "illustrations are deliberately picked, we can correct them more easily on a " "later date. Yet, at the same time, it is of course a big drag to do this, " "and we might have had much more flexibility had we taken viewing conditions " "under consideration." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:139 msgid "" "That said, for artists it is also very useful to understand the working " "spaces. Different working spaces give different results with filters and " "mixing, and only some working spaces can be used for advanced technology " "like HDR." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:141 msgid "" "Similarly, Krita, as a program intended to make images from scratch, doesn't " "really worry about assigning workspaces after having made the image. But " "because you are using the screen as a binocular to look at your image, and " "to pick colors, you can see your screen's device space as an input space to " "the image. Hence why profiling your monitor and giving the profile to Krita " "in the settings can help with preparing your work for print and future " "ventures in the long run." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:143 msgid "" "Overall, it is kinda useful to keep things like viewing conditions in the " "back of your mind. Many professional artists use a mid-grey color as their " "default canvas background because they find they create much more dynamic " "images due to having improved their viewing conditions. It is also why a lot " "of graphics programs, including Krita, come with a dark theme nowadays. " "(Though, of course this might also be because dark themes can be considered " "cool, who knows.)" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:148 msgid "ICC profiles" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:150 msgid "" "An ICC profile is a set of coordinates describing the extremities of the " "device space within XYZ, and it is the color management data you use to " "communicate your working space to printers and applications that are " "designed for the print industry, such as GIMP, Scribus, Photoshop, " "Illustrator, Inkscape, Digikam, RawTheraphee, etc. You have two types of ICC " "profiles:" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:153 msgid "" "These are delivered alongside Krita. Matrix shaper profiles are made by " "setting parameters and interpolating between these to get the exact size of " "the color space. Due to this, Krita's color space browser can give you a lot " "of information on these profiles. Such profiles are also preferable as " "working space." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:159 msgid "Matrix Shaper profiles." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:159 msgid "" "Matrix shaper profiles have a few parameters that describe the color space " "which are then interpolated between, this requires a lot of maths." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:162 msgid "" "These are fairly rare, and primarily used to describe printer profiles, such " "as CMYK. cLUT, or Color Look-up Table profiles store far more data than " "Matrix shaper profiles, so they can hold data of little particularities " "caused by, for example, unexpected results from mixing pigments. This is a " "far more organic approach to describing a color space, hence why a lot of " "programs that don't care for color management much don't support these." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:168 msgid "" "cLUT profiles work by holding tables of each color in a color space and " "their respective coordinates in a reference space. For CMYK this is " "typically L\\*A\\*B\\* and for the rest XYZ. These tables are tricky to " "make, which means these profiles are a lot rarer." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:169 msgid "cLUT profiles" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:171 msgid "" "The interesting thing about ICC profiles is that your working space can be " "larger than your device space. This is generally not bad. However, when " "converting, you do end up with the question of how to translate the working " "space values." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:174 msgid "Perceptual" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:174 msgid "" "This just squishes the values of the working space into the space it's " "converted to. It's a nice method to see all possible values in this, but not " "so good if you want accurate color reproduction. Use this if you want to see " "all colors in an image, or want to express all possible contrasts. Doesn't " "work with Matrix Shaper profiles, defaults to relative colorimetric." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:177 msgid "Absolute Colorimetric." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:177 msgid "" "The opposite to Perceptual, Absolute colorimetric will attempt to retain all " "the correct colors at whatever cost, which may result in awful looking " "colors. Recommended only for reproduction work. Doesn't work with Matrix " "Shaper profiles in Krita due to ICC v4 workflow standards." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:180 msgid "Relative Colorimetric" msgstr "Colorimétrie relative" #: ../../general_concepts/colors/color_managed_workflow.rst:180 msgid "" "An in between solution between perceptual and absolute, relative will try to " "fit whatever colors it can match between color spaces. It does this by " "aligning the white and black points. It cuts off the rest to their " "respective borders. This is what all matrix shaper profiles default to " "during conversion, because the ICC v4 workflow specifies to only use " "Relative Colorimetric for matrix shaper profiles." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:183 msgid "Saturation" msgstr "Saturation" #: ../../general_concepts/colors/color_managed_workflow.rst:183 msgid "" "Does anything to retain colorfulness, even hue will be sacrificed. Used in " "infographics. Doesn't work with Matrix Shaper profiles, defaults to relative " "colorimetric." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:185 msgid "" "*ICC profile version* is the last thing to keep in mind when dealing with " "ICC profiles. Krita delivers both Version 2 and Version 4 profiles, with the " "later giving better results in doing color maths, but the former being more " "widely supported (as seen below in 'interoperability with other programs'. " "This is also why Krita defaults to V2, and we recommend using V2 when you " "aren't certain if the other programs you are using support V4." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:188 msgid "LUT docker and HDR imaging" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:196 msgid "" "The :ref:`lut_docker` is the second important bit of color management in " "Krita that is shared between Krita and programs like Blender, Natron and " "Nuke, and only uses Look Up Tables that are configured via a config file." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:198 msgid "" "You can set the workingspace of the image under input color space, and the " "display to sRGB or your own LUT if you have added it to the configuration. " "View in this case is for proofing transforms to a certain display device." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:200 msgid "" "Component, exposure, gamma, whitepoint and blackpoint are knobs which allows " "you to modify the display filter." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:208 msgid "" "As explained before, we can see our monitor as a telescope or binocular into " "the world of our picture. Which means it distorts our view of the image a " "little. But we can modify this binocular, or display filter to see our image " "in a different way. For example, to allow us to see the white in an image " "that are whiter than the white of our screen. To explain what that means, we " "need to think about what white is." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:210 msgid "" "For example, white, on our monitor is full red, full green and full blue. " "But it's certainly different from white on our paper, or the color of milk, " "white from the sun, or even the white of our cell-phone displays." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:212 msgid "" "Black similarly, is brighter on a LCD display than a LED one, and " "incomparable with the black of a carefully sealed room." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:214 msgid "" "This means that there's potentially blacker blacks than screen black, and " "white whites than screen white. However, for simplicity's sake we still " "assign the black-point and the white-point to certain values. From there, we " "can determine whether a white is whiter than the white point, or a black " "blacker than the black-point." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:216 msgid "" "The LUT docker allows us to control this display-filter and modify the " "distortion. This is useful when we start modifying images that are made with " "scene referred values, such as HDR photos, or images coming out of a render " "engine." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:224 msgid "" "So, for example, we can choose to scale whiter-than-screen-white to our " "screen-white so we can see the contrasts there." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:226 msgid "" "The point of this is that you can take advantage of more lightness detail in " "an image. While you can't see the difference between screen white and whiter-" "than-screen-white (because your screen can't show the difference), graphics " "programs can certainly use it." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:228 msgid "" "A common example is matching the lighting between a 3d model and a real " "world scene. Others are advanced photo retouching, with much more contrast " "information available to the user. In painting itself, this allows you to " "create an image where you can be flippant with the contrast, and allow " "yourself to go as bright as you'd like." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:230 msgid "" "LUT docker manipulations are per view, so you can create a new view and set " "it to luminosity. This way you can see the image in both color as well as " "grayscale and keep a good eye on your values." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:232 msgid "" "Another example is to carefully watch the gradients in a certain section." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:234 msgid "" "Like ICC, the LUT Docker allows you to create a profile of sorts for your " "device. In this case it's the 'lut', which stands for 'Look Up Table', and " "which can be added to OCIO by modifying the configuration file. When OCIO is " "turned on, the configuration in :menuselection:`Settings --> Configure Krita " "--> Color Management` is turned off, unless you are using the :guilabel:" "`Internal` color engine." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:237 msgid "In summary" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:239 msgid "Krita has two modes of color management:" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:241 msgid "" "ICC works in terms of spaces relative to the CIEXYZ space, and requires an " "ICC profile." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:242 msgid "OCIO works in terms of interpretation, and makes use of luts." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:243 msgid "both can be made with a colorimeter." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:244 msgid "" "If you want to have a properly color managed workflow, you have one made " "customary for the input device (your screen) and the output devices (your " "printer, or target screen). For web the output is always sRGB." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:245 msgid "" "Set up your screen profiles under :menuselection:`Settings --> Configure " "Krita --> Color management`." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:246 msgid "" "Do NOT use screen profiles or other device profiles to draw in. Use a " "working space profile such as any of the elle profiles for this, as the " "color maths will be much more predictable and pleasant. Krita will convert " "between your screen and working space on the fly, allowing you to pick the " "correct colors. This turns your screen into binoculars to view the image." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:247 msgid "" "Use the appropriate color management for the appropriate workflow. If you " "are working with Blender, you will be better off using OCIO, than ICC. If " "you are working with Scribus or Photoshop, use ICC." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:249 msgid "" "Krita does a lot of color maths, often concerning the blending of colors. " "This color maths works best in linear color space, and linear color space " "requires a bit depth of at the least 16bit to work correctly. The " "disadvantage is that linear space can be confusing to work in." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:251 msgid "" "If you like painting, have a decent amount of RAM, and are looking to start " "your baby-steps in taking advantage of Krita's color management, try " "upgrading from having all your images in sRGB built-in to sRGB-v2-elle-g10." "icc or rec2020-v2-elle-g10.icc at 16bit float. This'll give you better color " "blending while opening up the possibility for you to start working in hdr!" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:256 msgid "" "Some graphics cards, such as those of the NVidia-brand actually have the " "best performance under 16bit float, because NVidia cards convert to floating " "point internally. When it does not need to do that, it speeds up!" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:260 msgid "" "No amount of color management in the world can make the image on your screen " "and the image out of the printer have 100% the same color." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:263 msgid "Exporting" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:265 msgid "" "When you have finished your image and are ready to export it, you can modify " "the color space to optimize it:" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:267 msgid "If you are preparing an image for the web:" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:269 msgid "" "If you use 16bit color depth or higher, convert the image to 8bit color " "depth. This will make the image much smaller." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:271 msgid "" "Krita doesn't have built-in dithering currently, which means that 16 to " "18bit conversions can come out a bit banded. But you can simulate it by " "adding a fill layer with a pattern, set this fill layer to overlay, and to " "5% opacity. Then flatten the whole image and convert it to 8bit. The pattern " "will function as dithering giving a smoother look to gradients." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:273 msgid "If it's a gray-scale image, convert it to gray-scale." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:274 msgid "" "If it's a color image, keep it in the working space profile: Many web " "browsers these days support color profiles embedded into images. Firefox, " "for example, will try to convert your image to fit the color profile of the " "other monitor (if they have one). That way, the image will look almost " "exactly the same on your screen and on other profiled monitors." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:279 msgid "" "In some versions of Firefox, the colors actually look strange: This is a bug " "in Firefox, which is because its `color management system is incomplete " "`_, save your png, jpg or tiff without an embedded profile to work " "around this." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:281 msgid "If you are preparing for print:" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:283 msgid "" "You hopefully made the picture in a working space profile instead of the " "actual custom profile of your screen, if not, convert it to something like " "adobe rgb, sRGB or rec2020." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:284 msgid "" "Check with the printer what kind of image they expect. Maybe they expect " "sRGB color space, or perhaps they have their own profile." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:287 msgid "Interaction with other applications" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:290 msgid "Blender" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:292 msgid "" "If you wish to use krita's OCIO functionality, and in particular in " "combination with Blender's color management, you can try to have it use " "Blender's OCIO config." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:294 msgid "" "Blender's OCIO config is under ``/version number/datafiles/" "colormanagement``. Set the LUT docker to use the OCIO engine, and select the " "config from the above path. This will give you blender's input and screen " "spaces, but not the looks, as those aren't supported in Krita yet." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:298 msgid "Windows Photo Viewer" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:300 msgid "" "You might encounter some issues when using different applications together. " "One important thing to note is that the standard Windows Photo Viewer " "application does not handle modern ICC profiles. Krita uses version 4 " "profiles; Photo Viewer can only handle version 2 profiles. If you export to " "JPEG with an embedded profile, Photo Viewer will display your image much too " "dark." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:303 msgid "Example workflows" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:305 msgid "" "Here are some example workflows to get a feeling of how your color " "management workflow may look like." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:307 msgid "" "As mentioned before, input for your screen is set via :menuselection:" "`Settings --> Configure Krita --> Color management`, or via the LUT docker's " "'screen space'. Working space is set via new file per document, or in the " "LUT docker via 'input space'." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:310 msgid "Webcomic" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:317 #: ../../general_concepts/colors/color_managed_workflow.rst:339 #: ../../general_concepts/colors/color_managed_workflow.rst:357 msgid "Input" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:318 #: ../../general_concepts/colors/color_managed_workflow.rst:340 #: ../../general_concepts/colors/color_managed_workflow.rst:358 msgid "Your screen profile. (You pick colors via your screen)" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:319 #: ../../general_concepts/colors/color_managed_workflow.rst:341 #: ../../general_concepts/colors/color_managed_workflow.rst:359 msgid "Workingspace" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:320 msgid "" "sRGB (the default screen profile) or any larger profile if you can spare the " "bit depth and like working in them." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:322 #: ../../general_concepts/colors/color_managed_workflow.rst:344 #: ../../general_concepts/colors/color_managed_workflow.rst:362 msgid "Output" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:322 msgid "" "sRGB, ICC version 2, sRGB TRC for the internet, and a specialized CMYK " "profile from the printing house for the printed images." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:324 msgid "" "Use the sRGB-elle-V2-srgbtrc.icc for going between Inkscape, Photoshop, " "Painttool Sai, Illustrator, GIMP, Manga Studio, Paintstorm Studio, MyPaint, " "Artrage, Scribus, etc. and Krita." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:326 msgid "" "If you are using a larger space via ICC, you will only be able to " "interchange it between Krita, Photoshop, Illustrator, GIMP 2.9, Manga Studio " "and Scribus. All others assume sRGB for your space, no matter what, because " "they don't have color management." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:328 msgid "" "If you are going between Krita and Blender, Nuke or Natron, use OCIO and set " "the input space to 'sRGB', but make sure to select the sRGB profile for ICC " "when creating a new file." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:330 msgid "" "For the final for the web, convert the image to sRGB 8bit, srgbtrc, do not " "embed the ICC profile. Then, if using png, put it through something like " "pngcrush or other png optimizers. sRGB in this case is chosen because you " "can assume the vast majority of your audience hasn't profiled their screen, " "nor do they have screens that are advanced enough for the wide gamut stuff. " "So hence why we convert to the screen default for the internet, sRGB." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:333 msgid "Print" msgstr "Imprimer" #: ../../general_concepts/colors/color_managed_workflow.rst:342 msgid "sRGB or rec2020 if you can afford the bit-depth being 16bit." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:344 msgid "" "Specialized CMYK profile from the printing house for the printed images." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:346 msgid "" "The CMYK profiles are different per printer, and even per paper or ink-type " "so don't be presumptuous and ask ahead for them, instead of doing something " "like trying to paint in any random CMYK profile. As mentioned in the viewing " "conditions section, you want to keep your options open." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:348 msgid "" "You can set the advanced color selector to transform to a given profile via :" "menuselection:`Settings --> Configure Krita --> Advanced color selector " "settings`. There, tick :guilabel:`Color selector uses a different color " "space than the image` and select the CMYK profile you are aiming for. This " "will limit your colors a little bit, but keep all the nice filter and " "blending options from RGB." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:351 msgid "Games" msgstr "Jeux" #: ../../general_concepts/colors/color_managed_workflow.rst:360 msgid "sRGB or grayscale linear for roughness and specular maps." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:362 msgid "" "This one is tricky, but in the end it'll be sRGB for the regular player." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:364 msgid "" "So this one is tricky. You can use OCIO and ICC between programs, but " "recommended is to have your images to the engine in sRGB or grayscale. Many " "physically based renderers these days allow you to set whether an image " "should be read as a linear or srgbtrc image, and this is even vital to have " "the images being considered properly in the physically based calculations of " "the game renderer." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:366 msgid "" "While game engines need to have optimized content, and it's recommended to " "stay within 8bit, future screens may have higher bit depths, and when " "renderers will start supporting those, it may be beneficial to develop a " "workflow where the working-space files are rather unnecessarily big and you " "run some scripts to optimize them for your current render needs, making " "updating the game in the future for fancier screens less of a drag." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:368 msgid "" "Normal maps and heightmaps are officially supposed to be defined with a 'non-" "color data' working space, but you'll find that most engines will not care " "much for this. Instead, tell the game engine not to do any conversion on the " "file when importing." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:370 msgid "" "Specular, glossiness, metalness and roughness maps are all based on linear " "calculations, and when you find that certain material has a metalness of " "0.3, this is 30% gray in a linear space. Therefore, make sure to tell the " "game engine renderer that this is a linear space image (or at the very " "least, should NOT be converted)." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:374 msgid "" "`Visualizing the XYZ color space `_" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:375 msgid "" "`Basics of gamma correction `_" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:376 msgid "" "`Panda3d example of how an image that has gamma encoded without the 3d " "renderer being notified of it having gamma-encoding can result in too dark " "images `_" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:377 msgid "" "`2d examples of the effect of gamma-encoding on color maths `_" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:378 msgid "" "`Basic overview of color management from argylcms manual `_" msgstr "" diff --git a/locale/fr/LC_MESSAGES/reference_manual/tools/colorize_mask.po b/locale/fr/LC_MESSAGES/reference_manual/tools/colorize_mask.po index 2ee1ca819..73b11fc06 100644 --- a/locale/fr/LC_MESSAGES/reference_manual/tools/colorize_mask.po +++ b/locale/fr/LC_MESSAGES/reference_manual/tools/colorize_mask.po @@ -1,445 +1,445 @@ msgid "" msgstr "" "Project-Id-Version: Krita Manual 4.1\n" "Report-Msgid-Bugs-To: \n" -"POT-Creation-Date: 2019-04-12 03:34+0200\n" +"POT-Creation-Date: 2019-04-14 03:33+0200\n" "PO-Revision-Date: 2019-02-27 08:00+0100\n" "Last-Translator: KDE Francophone \n" "Language-Team: KDE Francophone \n" "Language: fr\n" "MIME-Version: 1.0\n" "Content-Type: text/plain; charset=UTF-8\n" "Content-Transfer-Encoding: 8bit\n" "Plural-Forms: nplurals=2; plural=(n > 1);\n" "X-Generator: Lokalize 1.5\n" "X-Accelerator-Marker: &\n" "X-Text-Markup: kde4\n" "X-Environment: kde\n" "X-Language: fr_FR\n" "X-Qt-Contexts: true\n" "Generated-By: Babel 0.9.6\n" "X-Source-Language: C\n" #: ../../:2 msgid "" ".. image:: images/icons/Krita_mouse_left.png\n" " :alt: mouseleft" msgstr "" #: ../../:4 msgid "" ".. image:: images/icons/Krita_mouse_right.png\n" " :alt: mouseright" msgstr "" #: ../../:8 msgid "" ".. image:: images/icons/Krita_mouse_scroll.png\n" " :alt: mousescroll" msgstr "" #: ../../:60 msgid "" ".. image:: images/icons/colorizemask_tool.svg\n" " :alt: toolcolorizemask" msgstr "" +#: ../../reference_manual/tools/colorize_mask.rst:0 +msgid "" +".. image:: images/en/Krita_4_0_colorize_mask_show_output_edit_strokes.png" +msgstr "" + +#: ../../reference_manual/tools/colorize_mask.rst:0 +msgid ".. image:: images/en/Krita_4_0_colorize_mask_edge_detection.png" +msgstr "" + +#: ../../reference_manual/tools/colorize_mask.rst:0 +msgid ".. image:: images/en/Krita_4_0_colorize_mask_gap_close_hint.png" +msgstr "" + +#: ../../reference_manual/tools/colorize_mask.rst:0 +msgid ".. image:: images/en/Krita_4_0_colorize_mask_clean_up.png" +msgstr "" + #: ../../reference_manual/tools/colorize_mask.rst:None msgid ".. image:: images/en/Krita_4_0_colorize_mask_usage_01.png" msgstr "" #: ../../reference_manual/tools/colorize_mask.rst:None msgid ".. image:: images/en/Krita_4_0_colorize_mask_usage_02.png" msgstr "" #: ../../reference_manual/tools/colorize_mask.rst:None msgid ".. image:: images/en/Krita_4_0_colorize_mask_usage_03.png" msgstr "" #: ../../reference_manual/tools/colorize_mask.rst:None msgid ".. image:: images/en/Krita_4_0_colorize_mask_usage_04.png" msgstr "" #: ../../reference_manual/tools/colorize_mask.rst:None msgid ".. image:: images/en/Krita_4_0_colorize_mask_usage_05.png" msgstr "" #: ../../reference_manual/tools/colorize_mask.rst:None msgid ".. image:: images/en/Krita_4_0_colorize_mask_usage_06.png" msgstr "" #: ../../reference_manual/tools/colorize_mask.rst:None msgid ".. image:: images/en/Krita_4_0_colorize_mask_usage_07.png" msgstr "" #: ../../reference_manual/tools/colorize_mask.rst:None msgid ".. image:: images/en/Krita_4_0_colorize_mask_usage_08.png" msgstr "" #: ../../reference_manual/tools/colorize_mask.rst:None msgid ".. image:: images/en/Krita_4_0_colorize_mask_usage_09.png" msgstr "" #: ../../reference_manual/tools/colorize_mask.rst:None msgid ".. image:: images/en/Krita_4_0_colorize_mask_usage_10.png" msgstr "" #: ../../reference_manual/tools/colorize_mask.rst:None msgid ".. image:: images/en/Krita_4_0_colorize_mask_usage_11.png" msgstr "" #: ../../reference_manual/tools/colorize_mask.rst:None msgid ".. image:: images/en/Krita_4_0_colorize_mask_usage_12.png" msgstr "" -#: ../../reference_manual/tools/colorize_mask.rst:0 -msgid "" -".. image:: images/en/Krita_4_0_colorize_mask_show_output_edit_strokes.png" -msgstr "" - -#: ../../reference_manual/tools/colorize_mask.rst:0 -msgid ".. image:: images/en/Krita_4_0_colorize_mask_edge_detection.png" -msgstr "" - -#: ../../reference_manual/tools/colorize_mask.rst:0 -msgid ".. image:: images/en/Krita_4_0_colorize_mask_gap_close_hint.png" -msgstr "" - -#: ../../reference_manual/tools/colorize_mask.rst:0 -msgid ".. image:: images/en/Krita_4_0_colorize_mask_clean_up.png" -msgstr "" - #: ../../reference_manual/tools/colorize_mask.rst:1 msgid "How to use the colorize mask in Krita." msgstr "" #: ../../reference_manual/tools/colorize_mask.rst:16 msgid "Colorize Mask" msgstr "Masque de colorisation" #: ../../reference_manual/tools/colorize_mask.rst:18 msgid "|toolcolorizemask|" msgstr "" #: ../../reference_manual/tools/colorize_mask.rst:20 msgid "" "A tool for quickly coloring line art, the Colorize Mask Editing tool can be " "found next to the gradient tool on your toolbox." msgstr "" #: ../../reference_manual/tools/colorize_mask.rst:22 msgid "" "This feature is technically already in 3.1, but disabled by default because " "we had not optimized the filling algorithm for production use yet. To enable " "it, find your krita configuration file, open it in notepad, and add " "\"disableColorizeMaskFeature=false\" to the top. Then restart Krita. Its " "official incarnation is in 4.0." msgstr "" #: ../../reference_manual/tools/colorize_mask.rst:26 msgid "Usage" msgstr "Utilisation" #: ../../reference_manual/tools/colorize_mask.rst:28 msgid "" "This tool works in conjunction with the colorize mask, and the usage is as " "follows:" msgstr "" #: ../../reference_manual/tools/colorize_mask.rst:30 msgid "" "For this example, we'll be using the ghost lady also used to explain masks " "on :ref:`the basic concepts page `." msgstr "" #: ../../reference_manual/tools/colorize_mask.rst:36 msgid "" "This image has the line art for the lady separated from the background, and " "what's more, the background is made up of two layers: one main and one for " "the details." msgstr "" #: ../../reference_manual/tools/colorize_mask.rst:38 msgid "" "First, select the colorize mask editing tool while having the line art layer " "selected. |mouseleft| the canvas will add a colorize mask to the layer. You " "can also |mouseright| the line art layer, and then :menuselection:`Add --> " "Colorize Mask`. The line art will suddenly become really weird, this is the " "prefiltering which are filters through which we put the line art to make the " "algorithm easier to use. The tool options overview below shows which options " "control that." msgstr "" #: ../../reference_manual/tools/colorize_mask.rst:45 msgid "" "Now, you make strokes with brush colors, press :guilabel:`Update` in the " "tool options, or tick the last icon of the colorize mask properties. In the " "layer docker, you will be able to see a little progress bar appear on the " "colorize mask indicating how long it takes. The bigger your file, the longer " "it will take." msgstr "" #: ../../reference_manual/tools/colorize_mask.rst:51 msgid "" "We want to have the blue transparent. In the tool options of the colorize " "editing tool you will see a small palette. These are the colors already " "used. You can remove colors here, or mark a single color as standing for " "transparent, by selecting it and pressing \"transparent\". Updating the mask " "will still show the blue stroke, but the result will be transparent:" msgstr "" #: ../../reference_manual/tools/colorize_mask.rst:57 msgid "" "Because the colorize mask algorithm is slow, and we only need a part of our " "layer to be filled to fill the whole ghost lady figure, we can make use of :" "guilabel:`Limit to layer bounds`. This will limit Colorize Mask to use the " "combined size of the line art and the coloring key strokes. Therefore, make " "sure that the colorizing keystrokes only take up as much as they really need." msgstr "" #: ../../reference_manual/tools/colorize_mask.rst:63 msgid "" "Now the algorithm will be possibly a lot faster, allowing us to add strokes " "and press :guilabel:`Update` in rapid succession:" msgstr "" #: ../../reference_manual/tools/colorize_mask.rst:69 msgid "" "To see the final result, disable :guilabel:`Edit Key Strokes` or toggle the " "second to last icon on the colorize mask." msgstr "" #: ../../reference_manual/tools/colorize_mask.rst:75 msgid "" "If you want to edit the strokes again, re-enable :guilabel:`Edit Key " "Strokes`." msgstr "" #: ../../reference_manual/tools/colorize_mask.rst:77 msgid "" "Now, the colorize mask, being a mask, can also be added to a group of line " "art layers. It will then use the composition of the whole group as the line " "art. This is perfect for our background which has two separate line art " "layers. It also means that the colorize mask will be disabled when added to " "a group with pass-through enabled, because those have no final composition. " "You can recognize a disabled colorize mask because its name is stricken " "through." msgstr "" #: ../../reference_manual/tools/colorize_mask.rst:79 msgid "" "To add a colorize mask to a group, select the group and |mouseleft| the " "canvas with the Colorize Mask editing tool, or |mouseright| the layer to :" "menuselection:`Add --> Colorize Mask`." msgstr "" #: ../../reference_manual/tools/colorize_mask.rst:85 msgid "" "Now, we add strokes to the background quickly. We do not need to use the :" "menuselection:`Limit to Layer Bounds` because the background covers the " "whole image." msgstr "" #: ../../reference_manual/tools/colorize_mask.rst:91 msgid "" "For the record, you can use other brushes and tools also work on the " "colorize mask as long as they can draw. The Colorize Mask Editing tool is " "just the most convenient because you can get to the algorithm options." msgstr "" #: ../../reference_manual/tools/colorize_mask.rst:93 msgid "Out final result looks like this:" msgstr "" #: ../../reference_manual/tools/colorize_mask.rst:99 msgid "" "Now we are done, |mouseright| the colorize mask and :menuselection:`Convert " "--> to Paint Layer`. Then, :menuselection:`Layer --> Split --> Split Layer`. " "This will give separate color islands that you can easily edit:" msgstr "" #: ../../reference_manual/tools/colorize_mask.rst:105 msgid "" "This way we can very quickly paint the image. Due to the colorize mask going " "from the first image to the following took only 30 minutes, and would've " "taken quite a bit longer." msgstr "" #: ../../reference_manual/tools/colorize_mask.rst:111 msgid "" "The colorize masks are saved to the .kra file, so as long as you don't save " "and open to a different file format, nor convert the colorize mask to a " "paintlayer, you can keep working adjust the results." msgstr "" #: ../../reference_manual/tools/colorize_mask.rst:114 msgid "Tool Options" msgstr "" #: ../../reference_manual/tools/colorize_mask.rst:116 #: ../../reference_manual/tools/colorize_mask.rst:172 msgid "Update" msgstr "" #: ../../reference_manual/tools/colorize_mask.rst:117 msgid "" "Run the colorize mask algorithm. The progress bar for updates on a colorize " "mask shows only in the layer docker." msgstr "" #: ../../reference_manual/tools/colorize_mask.rst:118 #: ../../reference_manual/tools/colorize_mask.rst:169 msgid "Edit key strokes" msgstr "Édition des marques de couleur" #: ../../reference_manual/tools/colorize_mask.rst:119 msgid "" "Put the mask into edit mode. In edit mode, it will also show the " "'prefiltering' on the line art, which is for example a blur filter for gap " "closing." msgstr "" #: ../../reference_manual/tools/colorize_mask.rst:121 msgid "" "Show the output of the colorize mask. If :guilabel:`Edit key strokes` is " "active, this will be shown semi-transparently, so it will be easy to " "recognize the difference between the strokes and the output." msgstr "" #: ../../reference_manual/tools/colorize_mask.rst:127 #: ../../reference_manual/tools/colorize_mask.rst:165 msgid "Show output" msgstr "" #: ../../reference_manual/tools/colorize_mask.rst:127 msgid "" "On the **Left**: :guilabel:`Show Output` is on, :guilabel:`Edit Key Strokes` " "is off. In the **Middle**: :guilabel:`Show Output` and :guilabel:`Edit Key " "Strokes` are on. On the **Right**: :guilabel:`Show Output` is off and :" "guilabel:`Edit Key Strokes` is on." msgstr "" #: ../../reference_manual/tools/colorize_mask.rst:129 msgid "Limit to layer bounds" msgstr "" #: ../../reference_manual/tools/colorize_mask.rst:130 msgid "" "Limit the colorize mask to the combined layer bounds of the strokes and the " "line art it is filling. This can speed up the use of the mask on complicated " "compositions, such as comic pages." msgstr "" #: ../../reference_manual/tools/colorize_mask.rst:132 msgid "" "Activate this for line art with large solid areas, for example shadows on an " "object. For the best use, set the value to the thinnest lines on the image. " "In the image below, note how edge detection affects the big black areas:" msgstr "" #: ../../reference_manual/tools/colorize_mask.rst:138 msgid "Edge detection" msgstr "" #: ../../reference_manual/tools/colorize_mask.rst:138 msgid "" "From left to right: an example with big black shadows on an object but no " "edge detection, the same example without the edit key strokes enabled. Then " "the same example with edge detection enabled and set to 2px, and that same " "example without edit key strokes enabled." msgstr "" #: ../../reference_manual/tools/colorize_mask.rst:141 msgid "" "While the algorithm is pretty good against gaps in contours, this will " "improve the gap recognition. The higher this value is, the bigger the gaps " "it will try to close, but a too high value can lead to other errors. Note " "how the prefiltered line art (that's the blurry haze) affects the color " "patches." msgstr "" #: ../../reference_manual/tools/colorize_mask.rst:146 msgid "Gap close hint" msgstr "" #: ../../reference_manual/tools/colorize_mask.rst:147 msgid "" "On the **Left**: :guilabel:`Gap close hint` is 0px. In the **Middle**: :" "guilabel:`Gap close hint` is 15px (the lines are 10px). On the **Right**: :" "guilabel:`Gap close hint` is 275px." msgstr "" #: ../../reference_manual/tools/colorize_mask.rst:149 msgid "" "This will attempt to handle messy strokes that overlap the line art where " "they shouldn't. At 0 no clean up is done, at 100% the clean-up is most " "aggressive." msgstr "" #: ../../reference_manual/tools/colorize_mask.rst:153 msgid "Clean up" msgstr "" #: ../../reference_manual/tools/colorize_mask.rst:155 #, fuzzy #| msgid "Edit key strokes" msgid "Key strokes" msgstr "Édition des marques de couleur" #: ../../reference_manual/tools/colorize_mask.rst:156 msgid "" "This palette keeps track of the colors used by the strokes. This is useful " "so you can switch back to colors easily. You can increase the swatch size by " "hovering over it with the mouse, and doing :kbd:`Ctrl +` |mousescroll|." msgstr "" #: ../../reference_manual/tools/colorize_mask.rst:158 msgid "Transparent" msgstr "Transparent" #: ../../reference_manual/tools/colorize_mask.rst:158 msgid "" "This button is under the keystrokes palette, you can mark the selected color " "to be interpreted a 'transparent' with this. In the clean-up screenshot " "above, cyan had been marked as transparent." msgstr "" #: ../../reference_manual/tools/colorize_mask.rst:161 msgid "Layer properties" msgstr "" #: ../../reference_manual/tools/colorize_mask.rst:163 msgid "" "The colorize mask layer has four properties. They are all the buttons on the " "right side of the layer:" msgstr "" #: ../../reference_manual/tools/colorize_mask.rst:166 msgid "" "The first button, it allows you to toggle whether you'll see the output from " "the colorize algorithm." msgstr "" #: ../../reference_manual/tools/colorize_mask.rst:167 msgid "Lock" msgstr "" #: ../../reference_manual/tools/colorize_mask.rst:168 msgid "Stops the mask from being edited." msgstr "" #: ../../reference_manual/tools/colorize_mask.rst:170 msgid "" "Whether the colorize mask is in edit mode. In edit mode it'll show the " "strokes, and the output will be semi-transparent." msgstr "" #: ../../reference_manual/tools/colorize_mask.rst:172 msgid "" "The last button will force the colorize mask to update, even when you're in " "a different tool." msgstr "" #: ../../reference_manual/tools/colorize_mask.rst:174 msgid "Colorize masks cannot be animated." msgstr "" diff --git a/locale/fr/LC_MESSAGES/tutorials/flat-coloring.po b/locale/fr/LC_MESSAGES/tutorials/flat-coloring.po index 1bb0da31a..3c9719b04 100644 --- a/locale/fr/LC_MESSAGES/tutorials/flat-coloring.po +++ b/locale/fr/LC_MESSAGES/tutorials/flat-coloring.po @@ -1,762 +1,762 @@ msgid "" msgstr "" "Project-Id-Version: Krita Manual 4.1\n" "Report-Msgid-Bugs-To: \n" -"POT-Creation-Date: 2019-04-13 03:33+0200\n" +"POT-Creation-Date: 2019-04-14 03:33+0200\n" "PO-Revision-Date: 2019-02-27 08:22+0100\n" "Last-Translator: KDE Francophone \n" "Language-Team: KDE Francophone \n" "Language: fr\n" "MIME-Version: 1.0\n" "Content-Type: text/plain; charset=UTF-8\n" "Content-Transfer-Encoding: 8bit\n" "Plural-Forms: nplurals=2; plural=(n > 1);\n" "X-Generator: Lokalize 1.5\n" "X-Accelerator-Marker: &\n" "X-Text-Markup: kde4\n" "X-Environment: kde\n" "X-Language: fr_FR\n" "X-Qt-Contexts: true\n" "Generated-By: Babel 0.9.6\n" "X-Source-Language: C\n" #: ../../:2 msgid "" ".. image:: images/icons/Krita_mouse_left.png\n" " :alt: mouseleft" msgstr "" #: ../../:4 msgid "" ".. image:: images/icons/Krita_mouse_right.png\n" " :alt: mouseright" msgstr "" +#: ../../tutorials/flat-coloring.rst:0 +msgid "" +".. image:: images/en/flat-coloring/Krita_filling_lineart_selection_1.png" +msgstr "" + +#: ../../tutorials/flat-coloring.rst:0 +msgid "" +".. image:: images/en/flat-coloring/Krita_filling_lineart_selection_2.png" +msgstr "" + +#: ../../tutorials/flat-coloring.rst:0 +msgid ".. image:: images/en/flat-coloring/Krita_filling_lineart_mask_1.png" +msgstr "" + +#: ../../tutorials/flat-coloring.rst:0 +msgid ".. image:: images/en/flat-coloring/Krita_filling_lineart_mask_2.png" +msgstr "" + +#: ../../tutorials/flat-coloring.rst:0 +msgid ".. image:: images/en/flat-coloring/Krita_filling_lineart_mask_3.png" +msgstr "" + #: ../../tutorials/flat-coloring.rst:None msgid "" ".. image:: images/en/flat-coloring/Krita_filling_lineart14.png\n" " :alt: layer structure for flatting in krita" msgstr "" #: ../../tutorials/flat-coloring.rst:None msgid "" ".. image:: images/en/flat-coloring/Krita_filling_lineart1.png\n" " :alt: blend mode setup of line art flat coloring" msgstr "" #: ../../tutorials/flat-coloring.rst:None msgid "" ".. image:: images/en/flat-coloring/Krita_filling_lineart2.png\n" " :alt: effects of multiply blend mode" msgstr "" #: ../../tutorials/flat-coloring.rst:None msgid "" ".. image:: images/icons/fill_tool.svg\n" " :alt: fill-tool icon" msgstr "" #: ../../tutorials/flat-coloring.rst:None msgid "" ".. image:: images/en/flat-coloring/Krita_filling_lineart7.png\n" " :alt: colors filled with fill tool" msgstr "" #: ../../tutorials/flat-coloring.rst:None msgid "" ".. image:: images/en/flat-coloring/Krita_filling_lineart15.png\n" " :alt: selecting with selection tools for filling color" msgstr "" #: ../../tutorials/flat-coloring.rst:None msgid "" ".. image:: images/en/flat-coloring/Krita_filling_lineart16.png\n" " :alt: selection mask in Krita" msgstr "" #: ../../tutorials/flat-coloring.rst:None msgid "" ".. image:: images/en/flat-coloring/Krita_filling_lineart17.png\n" " :alt: filling color in selection" msgstr "" #: ../../tutorials/flat-coloring.rst:None msgid "" ".. image:: images/en/flat-coloring/Krita_filling_lineart18.png\n" " :alt: result of coloring made with the help of selection tools" msgstr "" #: ../../tutorials/flat-coloring.rst:None msgid "" ".. image:: images/en/flat-coloring/Krita_filling_lineart8.png\n" " :alt: filling color in line art using path tool" msgstr "" #: ../../tutorials/flat-coloring.rst:None msgid "" ".. image:: images/en/flat-coloring/Krita_filling_lineart9.png\n" " :alt: erasing with path tool" msgstr "" #: ../../tutorials/flat-coloring.rst:None msgid "" ".. image:: images/en/flat-coloring/Krita_filling_lineart10.png\n" " :alt: coloring with colorize mask" msgstr "" #: ../../tutorials/flat-coloring.rst:None msgid "" ".. image:: images/en/flat-coloring/Krita_filling_lineart11.png\n" " :alt: result from the colorize mask" msgstr "" #: ../../tutorials/flat-coloring.rst:None msgid "" ".. image:: images/en/flat-coloring/Krita_filling_lineart12.png\n" " :alt: slitting colors into islands" msgstr "" #: ../../tutorials/flat-coloring.rst:None msgid "" ".. image:: images/en/flat-coloring/Krita_filling_lineart13.png\n" " :alt: resulting color islands from split layers" msgstr "" -#: ../../tutorials/flat-coloring.rst:0 -msgid "" -".. image:: images/en/flat-coloring/Krita_filling_lineart_selection_1.png" -msgstr "" - -#: ../../tutorials/flat-coloring.rst:0 -msgid "" -".. image:: images/en/flat-coloring/Krita_filling_lineart_selection_2.png" -msgstr "" - -#: ../../tutorials/flat-coloring.rst:0 -msgid ".. image:: images/en/flat-coloring/Krita_filling_lineart_mask_1.png" -msgstr "" - -#: ../../tutorials/flat-coloring.rst:0 -msgid ".. image:: images/en/flat-coloring/Krita_filling_lineart_mask_2.png" -msgstr "" - -#: ../../tutorials/flat-coloring.rst:0 -msgid ".. image:: images/en/flat-coloring/Krita_filling_lineart_mask_3.png" -msgstr "" - #: ../../tutorials/flat-coloring.rst:1 msgid "Common workflows used in Krita" msgstr "" #: ../../tutorials/flat-coloring.rst:13 msgid "Flat Coloring" msgstr "" #: ../../tutorials/flat-coloring.rst:15 msgid "" "So you've got a cool black on white drawing, and now you want to color it! " "The thing we’ll aim for in this tutorial is to get your line art colored in " "with flat colors. So no shading just yet. We’ll be going through some " "techniques for preparing the line art, and we’ll be using the layer docker " "to put each color on a separate layer, so we can easily access each color " "when we add shading." msgstr "" #: ../../tutorials/flat-coloring.rst:17 msgid "" "This tutorial is adapted from this `tutorial `_ by " "the original author." msgstr "" #: ../../tutorials/flat-coloring.rst:20 msgid "Understanding Layers" msgstr "" #: ../../tutorials/flat-coloring.rst:22 msgid "" "To fill line art comfortably, it's best to take advantage of the layerstack. " "The layer stack is pretty awesome, and it's one of those features that make " "digital art super-convenient." msgstr "" #: ../../tutorials/flat-coloring.rst:24 msgid "" "In traditional art, it is not uncommon to first draw the full background " "before drawing the subject. Or to first draw a line art and then color it " "in. Computers have a similar way of working." msgstr "" #: ../../tutorials/flat-coloring.rst:26 msgid "" "In programming, if you tell a computer to draw a red circle, and then " "afterwards tell it to draw a smaller yellow circle, you will see the small " "yellow circle overlap the red circle. Switch the commands around, and you " "will not see the yellow circle at all: it was drawn before the red circle " "and thus ‘behind’ it." msgstr "" #: ../../tutorials/flat-coloring.rst:28 msgid "" "This is referred to as the “drawing order”. So like the traditional artist, " "the computer will first draw the images that are behind everything, and " "layer the subject and foreground on top of it. The layer docker is a way for " "you to control the drawing order of multiple images, so for example, you can " "have your line art drawn later than your colors, meaning that the lines will " "be drawn over the colors, making it easier to make it neat!" msgstr "" #: ../../tutorials/flat-coloring.rst:30 msgid "" "Other things that a layer stack can do are blending the colors of different " "layers differently with blending modes, using a filter in the layer stack, " "or using a mask that allows you to make parts transparent." msgstr "" #: ../../tutorials/flat-coloring.rst:32 msgid "" "Programmers talk about transparency as ''Alpha'', which is because the 'a' " "symbol is used to present transparency in the algorithms for painting one " "color on top of another. Usually when you see the word ''Alpha'' in a " "graphics program, just think of it as affecting the transparency." msgstr "" #: ../../tutorials/flat-coloring.rst:35 msgid "Preparing your line art" msgstr "" #: ../../tutorials/flat-coloring.rst:37 msgid "" "Put the new layer underneath the layer containing the line art (drag and " "drop or use the up/down arrows for that), and draw on it." msgstr "" #: ../../tutorials/flat-coloring.rst:42 msgid "" "…And notice nothing happening. This is because the white isn’t transparent. " "You wouldn’t really want it to either, how else would you make convincing " "highlights? So what we first need to do to color in our drawing is prepare " "our line art. There’s several methods of doing so, each with varying " "qualities." msgstr "" #: ../../tutorials/flat-coloring.rst:45 msgid "The Multiply Blending Mode" msgstr "" #: ../../tutorials/flat-coloring.rst:47 msgid "" "So, typically, to get a black and white line art usable for coloring, you " "can set the blending mode of the line art layer to Multiply. You do this by " "selecting the layer and going to the drop-down that says **Normal** and " "setting that to **Multiply**." msgstr "" #: ../../tutorials/flat-coloring.rst:52 msgid "And then you should be able to see your colors!" msgstr "" #: ../../tutorials/flat-coloring.rst:54 msgid "" "Multiply is not a perfect solution however. For example, if through some " "image editing magic I make the line art blue, it results into this:" msgstr "" #: ../../tutorials/flat-coloring.rst:59 msgid "" "This is because multiply literally multiplies the colors. So it uses maths!" msgstr "" #: ../../tutorials/flat-coloring.rst:61 msgid "" "What it first does is take the values of the RGB channels, then divides them " "by the max (because we're in 8bit, this is 255), a process we call " "normalising. Then it multiplies the normalised values. Finally, it takes the " "result and multiplies it with 255 again to get the result values." msgstr "" #: ../../tutorials/flat-coloring.rst:67 msgid "Pink" msgstr "Rose" #: ../../tutorials/flat-coloring.rst:68 msgid "Pink (normalised)" msgstr "" #: ../../tutorials/flat-coloring.rst:69 ../../tutorials/flat-coloring.rst:87 msgid "Blue" msgstr "" #: ../../tutorials/flat-coloring.rst:70 msgid "Blue (normalised)" msgstr "" #: ../../tutorials/flat-coloring.rst:71 msgid "Normalised, multiplied" msgstr "" #: ../../tutorials/flat-coloring.rst:72 msgid "Result" msgstr "Résultat" #: ../../tutorials/flat-coloring.rst:73 msgid "Red" msgstr "Rouge" #: ../../tutorials/flat-coloring.rst:74 msgid "222" msgstr "" #: ../../tutorials/flat-coloring.rst:75 msgid "0.8705" msgstr "" #: ../../tutorials/flat-coloring.rst:76 msgid "92" msgstr "" #: ../../tutorials/flat-coloring.rst:77 msgid "0.3607" msgstr "" #: ../../tutorials/flat-coloring.rst:78 msgid "0.3139" msgstr "" #: ../../tutorials/flat-coloring.rst:79 msgid "80" msgstr "" #: ../../tutorials/flat-coloring.rst:80 msgid "Green" msgstr "Vert" #: ../../tutorials/flat-coloring.rst:81 msgid "144" msgstr "" #: ../../tutorials/flat-coloring.rst:82 msgid "0.5647" msgstr "" #: ../../tutorials/flat-coloring.rst:83 msgid "176" msgstr "" #: ../../tutorials/flat-coloring.rst:84 msgid "0.6902" msgstr "" #: ../../tutorials/flat-coloring.rst:85 msgid "0.3897" msgstr "" #: ../../tutorials/flat-coloring.rst:86 msgid "99" msgstr "" #: ../../tutorials/flat-coloring.rst:88 msgid "123" msgstr "" #: ../../tutorials/flat-coloring.rst:89 msgid "0.4823" msgstr "" #: ../../tutorials/flat-coloring.rst:90 msgid "215" msgstr "" #: ../../tutorials/flat-coloring.rst:91 msgid "0.8431" msgstr "" #: ../../tutorials/flat-coloring.rst:92 msgid "0.4066" msgstr "" #: ../../tutorials/flat-coloring.rst:93 msgid "103" msgstr "" #: ../../tutorials/flat-coloring.rst:95 msgid "" "This isn't completely undesirable, and a lot of artists use this effect to " "add a little richness to their colors." msgstr "" #: ../../tutorials/flat-coloring.rst:98 ../../tutorials/flat-coloring.rst:127 #: ../../tutorials/flat-coloring.rst:154 ../../tutorials/flat-coloring.rst:173 #: ../../tutorials/flat-coloring.rst:210 ../../tutorials/flat-coloring.rst:247 #: ../../tutorials/flat-coloring.rst:275 ../../tutorials/flat-coloring.rst:317 msgid "Advantages" msgstr "" #: ../../tutorials/flat-coloring.rst:100 msgid "" "Easy, can work to your benefit even with colored lines by softening the look " "of the lines while keeping nice contrast." msgstr "" #: ../../tutorials/flat-coloring.rst:103 ../../tutorials/flat-coloring.rst:132 #: ../../tutorials/flat-coloring.rst:159 ../../tutorials/flat-coloring.rst:178 #: ../../tutorials/flat-coloring.rst:215 ../../tutorials/flat-coloring.rst:252 #: ../../tutorials/flat-coloring.rst:280 ../../tutorials/flat-coloring.rst:322 msgid "Disadvantages" msgstr "" #: ../../tutorials/flat-coloring.rst:105 msgid "Not actually transparent. Is a little funny with colored lines." msgstr "" #: ../../tutorials/flat-coloring.rst:108 msgid "Using Selections" msgstr "" #: ../../tutorials/flat-coloring.rst:110 msgid "" "The second method is one where we'll make it actually transparent. In other " "programs this would be done via the channel docker, but Krita doesn't do " "custom channels, instead it uses Selection Masks to store custom selections." msgstr "" #: ../../tutorials/flat-coloring.rst:112 msgid "Duplicate your line art layer." msgstr "" #: ../../tutorials/flat-coloring.rst:114 msgid "" "Convert the duplicate to a selection mask. |mouseright| the layer, then :" "menuselection:`Convert --> to Selection Mask`." msgstr "" #: ../../tutorials/flat-coloring.rst:118 msgid "" "Invert the selection mask. :menuselection:`Select --> Invert Selection`." msgstr "" #: ../../tutorials/flat-coloring.rst:120 msgid "" "Make a new layer, and do :menuselection:`Edit --> Fill with Foreground " "Color`." msgstr "" #: ../../tutorials/flat-coloring.rst:124 msgid "And you should now have the line art on a separate layer." msgstr "" #: ../../tutorials/flat-coloring.rst:129 msgid "Actual transparency." msgstr "" #: ../../tutorials/flat-coloring.rst:134 msgid "Doesn't work when the line art is colored." msgstr "" #: ../../tutorials/flat-coloring.rst:137 msgid "Using Masks" msgstr "" #: ../../tutorials/flat-coloring.rst:139 msgid "This is a simpler variation of the above." msgstr "" #: ../../tutorials/flat-coloring.rst:141 msgid "Make a filled layer underneath the line art layer." msgstr "" #: ../../tutorials/flat-coloring.rst:145 msgid "" "Convert the line art layer to a transparency mask |mouseright| the layer, " "then :menuselection:`Convert --> to Transparency Mask`." msgstr "" #: ../../tutorials/flat-coloring.rst:149 msgid "" "Invert the transparency mask by going to :menuselection:`Filter --> Adjust --" "> Invert`" msgstr "" #: ../../tutorials/flat-coloring.rst:156 msgid "" "Actual transparency. You can also very easily doodle a pattern on the filled " "layer where the mask is on without affecting the transparency." msgstr "" #: ../../tutorials/flat-coloring.rst:161 msgid "" "Doesn't work when the line art is colored already. We can still get faster." msgstr "" #: ../../tutorials/flat-coloring.rst:164 msgid "Using Color to Alpha" msgstr "" #: ../../tutorials/flat-coloring.rst:166 msgid "By far the fastest way to get transparent line art." msgstr "" #: ../../tutorials/flat-coloring.rst:168 msgid "" "Select the line art layer and apply the color to alpha filter. :" "menuselection:`Filter --> Colors --> Color to Alpha`. The default values " "should be sufficient for line art." msgstr "" #: ../../tutorials/flat-coloring.rst:171 msgid "" ".. image:: images/en/flat-coloring/Krita_filling_lineart_color_to_alpha.png" msgstr "" #: ../../tutorials/flat-coloring.rst:175 msgid "" "Actual transparency. Works with colored line art as well, because it removes " "the white specifically." msgstr "" #: ../../tutorials/flat-coloring.rst:180 msgid "" "You'll have to lock the layer transparency or separate out the alpha via the " "right-click menu if you want to easily color it." msgstr "" #: ../../tutorials/flat-coloring.rst:184 msgid "Coloring the image" msgstr "" #: ../../tutorials/flat-coloring.rst:186 msgid "" "Much like preparing the line art, there are many different ways of coloring " "a layer." msgstr "" #: ../../tutorials/flat-coloring.rst:188 msgid "" "You could for example fill in everything by hand, but while that is very " "precise it also takes a lot of work. Let's take a look at the other options, " "shall we?" msgstr "" #: ../../tutorials/flat-coloring.rst:191 msgid "Fill Tool" msgstr "Remplir" #: ../../tutorials/flat-coloring.rst:196 msgid "" "In most cases the fill-tool can’t deal with the anti-aliasing (the soft edge " "in your line art to make it more smooth when zoomed out) In Krita you have " "the grow-shrink option. Setting that to say… 2 expands the color two pixels." msgstr "" #: ../../tutorials/flat-coloring.rst:198 msgid "" "Threshold decides when the fill-tool should consider a different color pixel " "to be a border. And the feathering adds an extra soft border to the fill." msgstr "" #: ../../tutorials/flat-coloring.rst:200 msgid "" "Now, if you click on a gapless-part of the image with your preferred color… " "(Remember to set the opacity to 1.0!)" msgstr "" #: ../../tutorials/flat-coloring.rst:202 msgid "" "Depending on your line art, you can do flats pretty quickly. But setting the " "threshold low can result in little artifacts around where lines meet:" msgstr "" #: ../../tutorials/flat-coloring.rst:207 msgid "" "However, setting the threshold high can end with the fill not recognizing " "some of the lighter lines. Besides these little artifacts can be removed " "with the brush easily." msgstr "" #: ../../tutorials/flat-coloring.rst:212 msgid "Pretty darn quick depending on the available settings." msgstr "" #: ../../tutorials/flat-coloring.rst:217 msgid "" "Again, not great with gaps or details. And it works best with aliased line " "art." msgstr "" #: ../../tutorials/flat-coloring.rst:220 msgid "Selections" msgstr "Sélections" #: ../../tutorials/flat-coloring.rst:222 msgid "Selections work using the selection tools." msgstr "" #: ../../tutorials/flat-coloring.rst:227 msgid "" "For example with the :ref:`bezier_curve_selection_tool` you can easily " "select a curved area, and the with :kbd:`Shift` + |mouseleft| (not |" "mouseleft| + :kbd:`Shift`, there's a difference!) you can easily add to an " "existing selection." msgstr "" #: ../../tutorials/flat-coloring.rst:232 msgid "" "You can also edit the selection if you have :menuselection:`Select --> Show " "Global Selection Mask` turned on. Then you can select the global selection " "mask, and paint on it. (Above with the alternative selection mode, activated " "in the lower-left corner of the stats bar)" msgstr "" #: ../../tutorials/flat-coloring.rst:234 msgid "" "When done, select the color you want to fill it with and press :kbd:`Shift` " "+ `backspace`." msgstr "" #: ../../tutorials/flat-coloring.rst:239 msgid "" "You can save selections in selection masks by |mouseright| a layer, and then " "going to :menuselection:`Add --> Local Selection`. You first need to " "deactivate a selection by pressing the circle before adding a new selection." msgstr "" #: ../../tutorials/flat-coloring.rst:241 msgid "" "This can serve as an alternative way to split out different parts of the " "image, which is good for more painterly pieces:" msgstr "" #: ../../tutorials/flat-coloring.rst:249 msgid "A bit more precise than filling." msgstr "" #: ../../tutorials/flat-coloring.rst:254 msgid "Previewing your color isn't as easy." msgstr "" #: ../../tutorials/flat-coloring.rst:257 msgid "Geometric tools" msgstr "" #: ../../tutorials/flat-coloring.rst:259 msgid "" "So you have a tool for making rectangles or circles. And in the case of " "Krita, a tool for bezier curves. Select the path tool (|path tool|), and set " "the tool options to fill=foreground and outline=none. Make sure that your " "opacity is set to 1.00 (fully opaque)." msgstr "" #: ../../tutorials/flat-coloring.rst:262 msgid "" ".. image:: images/icons/bezier_curve.svg\n" " :alt: path tool" msgstr "" #: ../../tutorials/flat-coloring.rst:264 msgid "" "By clicking and holding, you can influence how curvy a line draw with the " "path tool is going to be. Letting go of the mouse button confirms the " "action, and then you’re free to draw the next point." msgstr "" #: ../../tutorials/flat-coloring.rst:269 msgid "" "You can also erase with a geometric tool. Just press :kbd:`E` or the eraser " "button." msgstr "" #: ../../tutorials/flat-coloring.rst:277 msgid "" "Quicker than using the brush or selections. Also decent with line art that " "contains gaps." msgstr "" #: ../../tutorials/flat-coloring.rst:282 msgid "" "Fiddly details aren’t easy to fill in with this. So I recommend skipping " "those and filling them in later with a brush." msgstr "" #: ../../tutorials/flat-coloring.rst:285 msgid "Colorize Mask" msgstr "Masque de colorisation" #: ../../tutorials/flat-coloring.rst:287 msgid "" "So, this is a bit of an odd one. In the original tutorial, you'll see I'm " "suggesting using G'Mic, but that was a few years ago, and g'mic is a little " "unstable on windows. Therefore, the Krita developers have been attempting to " "make an internal tool doing the same." msgstr "" #: ../../tutorials/flat-coloring.rst:289 msgid "" "It is disabled in 3.1, but if you use 4.0 or later, it is in the toolbox. " "Check the Colorize Mask for more information." msgstr "" #: ../../tutorials/flat-coloring.rst:291 msgid "So it works like this:" msgstr "" #: ../../tutorials/flat-coloring.rst:293 msgid "Select the colorize mask tool." msgstr "" #: ../../tutorials/flat-coloring.rst:294 msgid "Tick the layer you're using." msgstr "" #: ../../tutorials/flat-coloring.rst:295 msgid "Paint the colors you want to use on the colorize mask" msgstr "" #: ../../tutorials/flat-coloring.rst:296 msgid "Click update to see the results:" msgstr "" #: ../../tutorials/flat-coloring.rst:301 msgid "" "When you are satisfied, |mouseright| the colorize mask, and go to :" "menuselection:`Convert --> Paint Layer`. This will turn the colorize mask to " "a generic paint layer. Then, you can fix the last issues by making the line " "art semi-transparent and painting the flaws away with a pixel art brush." msgstr "" #: ../../tutorials/flat-coloring.rst:306 msgid "" "Then, when you are done, split the layers via :menuselection:`Layer --> " "Split --> Split Layer`. There are a few options you can choose, but the " "following should be fine:" msgstr "" #: ../../tutorials/flat-coloring.rst:311 msgid "" "Finally, press **Ok** and you should get the following. Each color patch it " "on a different layer, named by the palette in the menu and alpha locked, so " "you can start painting right away!" msgstr "" #: ../../tutorials/flat-coloring.rst:319 msgid "" "Works with anti-aliased line art. Really quick to get the base work done. " "Can auto-close gaps." msgstr "" #: ../../tutorials/flat-coloring.rst:324 msgid "" "No anti-aliasing of its own. You have to choose between getting details " "right or the gaps auto-closed." msgstr "" #: ../../tutorials/flat-coloring.rst:327 msgid "Conclusion" msgstr "Conclusion" #: ../../tutorials/flat-coloring.rst:329 msgid "" "I hope this has given you a good idea of how to fill in flats using the " "various techniques, as well as getting a hand of different Krita features. " "Remember that a good flat filled line art is better than a badly shaded one, " "so keep practicing to get the best out of these techniques!" msgstr "" diff --git a/locale/fr/LC_MESSAGES/user_manual/loading_saving_brushes.po b/locale/fr/LC_MESSAGES/user_manual/loading_saving_brushes.po index ad4ca41ad..e9cd9c30c 100644 --- a/locale/fr/LC_MESSAGES/user_manual/loading_saving_brushes.po +++ b/locale/fr/LC_MESSAGES/user_manual/loading_saving_brushes.po @@ -1,950 +1,950 @@ msgid "" msgstr "" "Project-Id-Version: Krita Manual 4.1\n" "Report-Msgid-Bugs-To: \n" -"POT-Creation-Date: 2019-04-13 03:33+0200\n" +"POT-Creation-Date: 2019-04-14 03:33+0200\n" "PO-Revision-Date: 2019-02-27 08:36+0100\n" "Last-Translator: KDE Francophone \n" "Language-Team: KDE Francophone \n" "Language: fr\n" "MIME-Version: 1.0\n" "Content-Type: text/plain; charset=UTF-8\n" "Content-Transfer-Encoding: 8bit\n" "Plural-Forms: nplurals=2; plural=(n > 1);\n" "X-Generator: Lokalize 1.5\n" "X-Accelerator-Marker: &\n" "X-Text-Markup: kde4\n" "X-Environment: kde\n" "X-Language: fr_FR\n" "X-Qt-Contexts: true\n" "Generated-By: Babel 0.9.6\n" "X-Source-Language: C\n" -#: ../../user_manual/loading_saving_brushes.rst:None -msgid ".. image:: images/en/Krita_4_0_Brush_Settings_Layout.svg" -msgstr "" - #: ../../user_manual/loading_saving_brushes.rst:0 msgid ".. image:: images/en/Krita_4_0_dirty_preset_icon.png" msgstr "" +#: ../../user_manual/loading_saving_brushes.rst:None +msgid ".. image:: images/en/Krita_4_0_Brush_Settings_Layout.svg" +msgstr "" + #: ../../user_manual/loading_saving_brushes.rst:1 msgid "" "Detailed guide on the brush settings dialog in Krita as well as how to make " "your own brushes and how to share them." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:17 msgid "Loading and Saving Brushes" msgstr "" #: ../../user_manual/loading_saving_brushes.rst:19 msgid "" "In the real world, when painting or drawing, you don't just use one tool. " "You use pencils, erasers, paintbrushes, different types of paint, inks, " "crayons, etc. All these have different ways of making marks." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:23 msgid "" "In a digital program like Krita you have something similar. We call this a " "brush engine. And much like how cars have different engines that give " "different feels when driving, or how pencils make distinctly different marks " "than rollerball pens, different brush engines have totally different feels." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:29 msgid "" "The brush engines have a lot of different settings as well. So, you can save " "those settings into presets." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:32 msgid "" "Unlike Photoshop, Krita makes a difference between brush-tips and brush-" "presets. Tips are only a stamp of sorts, while the preset uses a tip and " "many other settings to create the full brush." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:37 msgid "The Brush settings drop-down" msgstr "" #: ../../user_manual/loading_saving_brushes.rst:39 msgid "" "To start, the Brush Settings Editor panel can be accessed in the toolbar, " "between the :guilabel:`Blending Modes` button on the right and the :guilabel:" "`Patterns` button on the left. Alternately, you can use the function key :" "kbd:`F5` to open it." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:44 msgid "" "When you open Brush Settings Editor panel you will see something like this:" msgstr "" #: ../../user_manual/loading_saving_brushes.rst:48 msgid "Tour of the brush settings drop-down" msgstr "" #: ../../user_manual/loading_saving_brushes.rst:53 msgid "The brush settings drop-down is divided into six areas," msgstr "" #: ../../user_manual/loading_saving_brushes.rst:56 msgid "Section A - General Information" msgstr "" #: ../../user_manual/loading_saving_brushes.rst:58 msgid "" "This contains the **Preset Icon**, **Live Brush Preview**, the **Preset " "Name**, the **Engine** name, and several buttons for saving, renaming, and " "reloading." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:62 msgid "" "Krita's brush settings are stored into the metadata of a 200x200 png (the " "KPP file), where the image in the png file becomes the preset icon. This " "icon is used everywhere in Krita, and is useful for differentiating brushes " "in ways that the live preview cannot." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:67 msgid "" "The live preview shows a stroke of the current brush as a little s-curve " "wiggle, with the pressure being non-existent on the left, and increasing to " "full pressure as it goes to the right. It can thus show the effect of the " "Pressure, Drawing Angle, Distance, Fade and Fuzzy Dab sensors, but none of " "the others. For some brush engines it cannot show anything. For the color " "smudge, filter brush and clone tool, it shows an alternating line pattern " "because these brush engines use the pixels already on canvas to change their " "effect." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:75 msgid "" "After the preset name, there's a button for **renaming** the brush. This " "will save the brush as a new brush and blacklist the previous name." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:79 msgid "Engine" msgstr "" #: ../../user_manual/loading_saving_brushes.rst:81 msgid "" "The engine of a brush is the underlying programming that generates the " "stroke from a brush. What that means is that different brush engines have " "different options and different results. You can see this as the difference " "between using crayons, pencils and inks, but because computers are maths " "devices, most of our brush engines produce different things in a more " "mathematical way." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:88 msgid "" "For most artists the mathematical nature doesn't matter as much as the " "different textures and marks each brush engine, and each brush engine has " "its own distinct flavor and use, and can be further customized by modifying " "the options." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:94 msgid "Reloading" msgstr "Rechargement" #: ../../user_manual/loading_saving_brushes.rst:96 msgid "" "If you change a preset, an icon will appear behind the engine name. This is " "the :guilabel:`reload` button. You can use it to revert to the original " "brush settings." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:101 msgid "Saving a preset" msgstr "" #: ../../user_manual/loading_saving_brushes.rst:103 msgid "" "On the right, there's :guilabel:`Save New Brush Preset` and :guilabel:" "`Overwrite Brush`." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:106 msgid "" "This will only enable if there are any changes. Pressing this will override " "the current preset with the new settings, keeping the name and the icon " "intact. It will always make a timestamped back up in the resources folder." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:108 msgid "Overwrite Brush" msgstr "Écraser la brosse" #: ../../user_manual/loading_saving_brushes.rst:111 msgid "" "Will take the current preset and all its changes and save it as a new " "preset. If no change was made, you will be making a copy of the current " "preset." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:113 msgid "Save New Brush Preset" msgstr "Enregistrer le nouveau préréglage" #: ../../user_manual/loading_saving_brushes.rst:115 msgid "" "Save new preset will call up the following window, with a mini scratch pad, " "and all sorts of options to change the preset icon:" msgstr "" #: ../../user_manual/loading_saving_brushes.rst:119 msgid ".. image:: images/en/Krita_4_0_Save_New_Brush_Preset_Dialog.png" msgstr "" #: ../../user_manual/loading_saving_brushes.rst:120 msgid "" "The image on the left is a mini scratchpad, you can draw on it with the " "current brush, allowing small modifications on the fly." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:124 msgid "" "The Name of your brush. This is also used for the KPP file. If there's " "already a brush with that name, it will effectively overwrite it." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:125 msgid "Brush Name" msgstr "" #: ../../user_manual/loading_saving_brushes.rst:127 msgid "Load Existing Thumbnail" msgstr "Charger des vignettes existantes" #: ../../user_manual/loading_saving_brushes.rst:128 msgid "This will load the existing thumbnail inside the preset." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:130 msgid "Load scratch pad thumbnail" msgstr "" #: ../../user_manual/loading_saving_brushes.rst:130 msgid "" "This will load the dashed area from the big scratch pad (Section C) into the " "thumbnail area." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:132 msgid "Load Image" msgstr "Charger l'image" #: ../../user_manual/loading_saving_brushes.rst:133 msgid "With this you can choose an image from disk to load as a thumbnail." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:134 msgid "Load from Icon Library" msgstr "Charger depuis la bibliothèque d'icônes" #: ../../user_manual/loading_saving_brushes.rst:135 msgid "This opens up the icon library." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:137 msgid "Clear Thumbnail" msgstr "Effacer les vignettes" #: ../../user_manual/loading_saving_brushes.rst:137 msgid "This will make the mini scratch pad white." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:140 msgid "The Icon Library" msgstr "" #: ../../user_manual/loading_saving_brushes.rst:142 msgid "To make making presets icons faster, Krita got an icon library." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:145 msgid ".. image:: images/en/Krita_4_0_Preset_Icon_Library_Dialog.png" msgstr "" #: ../../user_manual/loading_saving_brushes.rst:146 msgid "" "It allows you to select tool icons, and an optional small emblem. When you " "press :guilabel:`OK` it will load the resulting combination into the mini " "scratch pad and you can draw in the stroke." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:150 msgid "" "If you go to your resources folder, there's a folder there called \"preset" "\\_icons\", and in this folder there are \"tool\\_icons\" and \"emblem" "\\_icons\". You can add semi-transparent pngs here and Krita will load those " "into the icon library as well so you can customize your icons even more!" msgstr "" #: ../../user_manual/loading_saving_brushes.rst:156 msgid "" "At the top right of the icon library, there are three sliders. They allow " "you to adjust the tool icon. The top two are the same Hue and Saturation as " "in HSL adjustment, and the lowest slider is a super simple levels filter. " "This is done this way because the levels filter allows maintaining the " "darkest shadows and brightest highlights on a tool icon, making it much " "better for quick adjustments." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:163 msgid "" "If you're done with everything, you can press :guilabel:`Save` in the :" "guilabel:`Save New Preset` dialog and Krita will save the new brush." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:167 msgid "Section B - The Preset Chooser" msgstr "" #: ../../user_manual/loading_saving_brushes.rst:169 msgid "" "The preset chooser is much the same as the preset docker and the preset drop-" "down on :kbd:`F6`. It's unique in that it allows you to filter by engine and " "this is also where you can create brushes for an engine from scratch." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:174 msgid "" "It is by default collapsed, so you will need to press the arrow at the top " "left of the brush engine to show it." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:177 msgid "" "The top drop-down is set to “all” by default, which means it shows all " "engines. It then shows a tag section where you can select the tags, the " "preset list and the search bar." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:181 msgid "" "Underneath that there's a plus icon, which when pressed gives you the full " "list of Krita's engines. Selecting an engine from the list will show the " "brushes for that engine." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:185 msgid "" "The trashcan icon does the same as it does in the preset docker: delete, or " "rather, blacklist a preset so it won't show up in the list." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:189 msgid "Section C - The Scratch pad" msgstr "" #: ../../user_manual/loading_saving_brushes.rst:191 msgid "" "When you tweak your brushes, you want to be able to check what each setting " "does. That's why, to the right of the settings drop-down, there is a scratch " "pad." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:195 msgid "" "It is by default collapsed, so you will have to press the arrow at the top " "right of the brush settings to show it." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:198 msgid "" "When saving a new preset, you can choose to get the icon from the scratch " "pad, this will load the dash area into the mini scratch pad of the Save New " "Preset dialog." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:202 msgid "The scratch pad has five buttons underneath it. These are in order for:" msgstr "" #: ../../user_manual/loading_saving_brushes.rst:204 msgid "Showing the current brush image" msgstr "" #: ../../user_manual/loading_saving_brushes.rst:206 msgid "Adding a gradient to the scratch pad (useful for smudge brushes)" msgstr "" #: ../../user_manual/loading_saving_brushes.rst:207 msgid "Filling with the background color" msgstr "" #: ../../user_manual/loading_saving_brushes.rst:208 msgid "Clearing everything on the scratch pad" msgstr "" #: ../../user_manual/loading_saving_brushes.rst:211 msgid "Section D - The Options List" msgstr "" #: ../../user_manual/loading_saving_brushes.rst:213 msgid "" "The options, as stated above, are different per brush engine. These " "represent the different parameters, toggles and knobs that you can turn to " "make a brush preset unique. For a couple of options, the main things to " "change are sliders and check boxes, but for a lot of them, they use curves " "instead." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:219 msgid "" "Some options can be toggled, as noted by the little check boxes next to " "them, but others, like flow and opacity are so fundamental to how the brush " "works, that they are always on." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:223 msgid "" "The little padlock icon next to the options is for locking the brush. This " "has its own page." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:227 msgid "Section E - Option Configuration Widget" msgstr "" #: ../../user_manual/loading_saving_brushes.rst:229 msgid "" "Where section D is the list of options, section E is the widget where you " "can change things." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:233 msgid "Using sensor curves" msgstr "" #: ../../user_manual/loading_saving_brushes.rst:235 msgid "" "One of the big important things that make art unique to the artist who " "created it is the style of the strokes. Strokes are different because they " "differ in speed, rotation, direction, and the amount of pressure put onto " "the stylus. Because these are so important, we would want to customize how " "these values are understood in detail. The best way to do this is to use " "curves." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:242 msgid "" "Curves show up with the size widget for example. With an inking brush, we " "want to have size mapped to pressure. Just toggling the size option in the " "option list will do that." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:246 msgid "" "However, different people have different wrists and thus will press " "differently on their stylus. Someone who presses softly tends to find it " "easy to make thin strokes, but very difficult to make thick strokes. " "Conversely, someone who presses hard on their stylus naturally will have a " "hard time making thin strokes, but easily makes thick ones." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:252 msgid "" "Such a situation can be improved by using the curves to map pressure to " "output thinner lines or thicker ones." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:255 msgid "" "The brush settings curves even have quick curve buttons for these at the " "top. Someone who has a hard time making small strokes should try the second " "to last concave button, while someone who has a hard time making thick " "strokes should try the third button, the S shape." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:260 msgid "Underneath the curve widget there are two more options:" msgstr "" #: ../../user_manual/loading_saving_brushes.rst:263 msgid "" "This is for the list of sensors. Toggling this will make all the sensors use " "the same curve. Unchecked, all checked sensors will have separate curves." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:264 msgid "Share Curves across all settings" msgstr "" #: ../../user_manual/loading_saving_brushes.rst:267 msgid "" "This indicates how the multiple values of the sensor curves are used. The " "curves always go from 0 to 1.0, so if one curve outputs 0.5 and the other " "0.7, then..." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:271 msgid "Multiply" msgstr "Multiplier" #: ../../user_manual/loading_saving_brushes.rst:272 msgid "Will multiply the two values, 0.5\\*0.7 = 0.35." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:274 msgid "Addition" msgstr "" #: ../../user_manual/loading_saving_brushes.rst:274 msgid "" "Will add the two to a maximum of 1.0, so 0.5+0.7 = 1.2, which is then capped " "at 1.0." msgstr "" # #-#-#-#-# ktorrent.po (ktorrent) #-#-#-#-# # unreviewed-context #: ../../user_manual/loading_saving_brushes.rst:277 msgid "Maximum" msgstr "Maximum" #: ../../user_manual/loading_saving_brushes.rst:277 msgid "" "Will compare the two and pick the largest. So in the case of 0.5 and 0.7, " "the result is 0.7." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:280 msgid "Minimum" msgstr "Minimum" #: ../../user_manual/loading_saving_brushes.rst:280 msgid "" "Will compare the two and pick the smallest. So in the case of 0.5 and 0.7, " "the result is 0.5." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:283 msgid "Will subtract the smallest value from the largest, so 0.7-0.5 = 0.2." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:284 msgid "Curves Calculation Mode" msgstr "" #: ../../user_manual/loading_saving_brushes.rst:284 msgid "Difference" msgstr "" #: ../../user_manual/loading_saving_brushes.rst:286 msgid "It's maybe better to see with the following example:" msgstr "" #: ../../user_manual/loading_saving_brushes.rst:289 msgid ".. image:: images/en/Krita_4_0_brush_curve_calculation_mode.png" msgstr "" #: ../../user_manual/loading_saving_brushes.rst:290 msgid "" "The first two are regular, the rest with different multiplication types." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:292 msgid "Is a brush with size set to the distance sensor." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:293 msgid "Is a brush with the size set to the fade sensor." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:294 msgid "The size is calculated from the fade and distance sensors multiplied." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:295 msgid "" "The size is calculated from the fade and distance sensors added to each " "other. Notice how thick it is." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:297 msgid "" "The size takes the maximum value from the values of the fade and distance " "sensors." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:299 msgid "" "The size takes the minimum value from the values of the fade and distance " "sensors." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:301 msgid "" "The size is calculated by having the largest of the values subtracted with " "the smallest of the values." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:305 msgid "Section F - Miscellaneous options" msgstr "" #: ../../user_manual/loading_saving_brushes.rst:308 msgid "" "This enables dirty presets. Dirty presets store the tweaks you make as long " "as this session of Krita is active. After that, they revert to default. " "Dirtied presets can be recognized by the icon in the top-left of the preset." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:316 msgid "Temporarily Save Tweaks to Preset (Dirty Presets)" msgstr "" #: ../../user_manual/loading_saving_brushes.rst:316 msgid "" "The icon in the top left of the first two presets indicate it is “Dirty”, " "meaning there are tweaks made to the preset." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:319 msgid "Eraser Switch Size" msgstr "" #: ../../user_manual/loading_saving_brushes.rst:319 msgid "" "This switches the brush to a separately stored size when using the :kbd:`E` " "key." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:321 msgid "Eraser Switch Opacity" msgstr "" #: ../../user_manual/loading_saving_brushes.rst:322 msgid "Same as above, but then with Eraser opacity." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:324 msgid "" "This allows you to toggle instant preview on the brush. The Instant Preview " "has a super-secret feature: when you press the instant preview label, and " "then right click it, it will show a threshold slider. This slider determines " "at what brush size instant preview is activated for the brush. This is " "useful because small brushes can be slower with instant preview, so the " "threshold ensures it only activates when necessary." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:330 msgid "Instant Preview" msgstr "Aperçu instantané" #: ../../user_manual/loading_saving_brushes.rst:333 msgid "The On-canvas brush settings" msgstr "" #: ../../user_manual/loading_saving_brushes.rst:335 msgid "" "There are on-canvas brush settings. If you open up the pop-up palette, there " "should be an icon on the bottom-right. Press that to show the on-canvas " "brush settings. You will see several sliders here, to quickly make small " "changes." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:340 msgid "" "At the top it shows the currently active preset. Next to that is a settings " "button, click that to get a list of settings that can be shown and organized " "for the given brush engine. You can use the up and down arrows to order " "their position, and then left and right arrows to add or remove from the " "list. You can also drag and drop." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:347 msgid "Making a Brush Preset" msgstr "" #: ../../user_manual/loading_saving_brushes.rst:349 msgid "Now, let's make a simple brush to test the waters with:" msgstr "" #: ../../user_manual/loading_saving_brushes.rst:352 msgid "Getting a default for the brush engine." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:354 msgid "First, open the settings with :kbd:`F5`." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:356 msgid "" "Then, press the arrow on the upper left to open the preset chooser. There, " "press the “+” icon to get a list of engines. For this brush we're gonna make " "a pixel brush." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:361 msgid "Example: Making an inking brush" msgstr "" #: ../../user_manual/loading_saving_brushes.rst:363 msgid "" "Draw on the scratch pad to see what the current brush looks like. If done " "correctly, you should have a 5px wide brush that has pressure set to opacity." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:366 msgid "" "Let us turn off the opacity first. Click on the :ref:`opacity " "` option in the right-hand list. The settings should " "now be changed to a big curve. This is the sensor curve." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:370 msgid "Uncheck the :guilabel:`Enable Pen Settings` checkbox." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:371 msgid "" "Test on the scratch pad... there still seems to be something affecting " "opacity. This is due to the :ref:`flow ` option." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:375 msgid "" "Select the Flow option from the list on the right hand. Flow is like " "Opacity, except that Flow is per dab, and opacity is per stroke." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:377 msgid "" "Uncheck the :guilabel:`Enable Pen Settings` checkbox here as well. Test " "again." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:378 msgid "" "Now you should be getting somewhere towards an inking brush. It is still too " "small however, and kinda grainy looking. Click :ref:`Brush Tip " "` in the brush engine options." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:381 msgid "" "Here, the diameter is the size of the brush-tip. You can touch the slider " "change the size, or right-click it and type in a value. Set it to 25 and " "test again. It should be much better." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:384 msgid "" "Now to make the brush feel a bit softer, turn down the fade parameter to " "about 0.9. This'll give the *brush mask* a softer edge." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:386 msgid "" "If you test again, you'll notice the fade doesn't seem to have much effect. " "This has to do with the spacing of the dabs: The closer they are together, " "the harder the line is. By default, this is 0.1, which is a bit low. If you " "set it to 10 and test, you'll see what kind of effect spacing has. The :ref:" "`Auto ` checkbox changes the way the spacing is calculated, " "and Auto Spacing with a value of 0.8 is the best value for inking brushes. " "Don't forget that you can use right-click to type in a value." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:395 msgid "" "Now, when you test, the fade seems to have a normal effect... except on the " "really small sizes, which look pixelly. To get rid of that, check the anti-" "aliasing check box. If you test again, the lines should be much nicer now." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:401 msgid "Saving the new Brush" msgstr "" #: ../../user_manual/loading_saving_brushes.rst:403 msgid "" "When you're satisfied, go to the upper left and select :guilabel::`Save new " "preset`." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:406 msgid "" "You will get the save preset dialog. Name the brush something like “My " "Preset”. Then, select :guilabel:`Load from Icon Library` to get the icon " "library. Choose a nice tool icon and press :guilabel:`OK`." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:410 msgid "" "The icon will be loaded into the mini scratch pad on the left. Now doodle a " "nice stroke next to it. If you feel you messed up, just go back to the icon " "library to load a new icon." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:414 msgid "Finally press :guilabel:`Save`, and your brush should be done." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:416 msgid "You can further modify your inking brush by..." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:419 msgid "" "Changing the amount of pressure you need to put on a brush to make it full " "size." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:419 msgid "" "To do this, select the :ref:`size ` option, and press the " "pressure sensor from the list next to the curve. The curve should look like " "a straight line. Now if you want a brush that gets big with little pressure, " "tick on the curve to make a point, and drag the point to the upper-left. The " "more the point is to the upper-left, the more extreme the effect. If you " "want instead a brush that you have to press really hard on to get to full " "size, drag the dot to the lower-right. Such a brush is useful for fine " "details. Don't forget to save the changes to your brush when done." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:422 msgid "Making the fine lines look even softer by using the flow option." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:422 msgid "" "To do this, select the flow option, and turn back on the :guilabel:`Enable " "Pen Settings` check box. Now if you test this, it is indeed a bit softer, " "but maybe a bit too much. Click on the curve to make a dot, and drag that " "dot to the top-left, half-way the horizontal of the first square of the " "grid. Now, if you test, the thin lines are much softer, but the hard your " "press, the harder the brush becomes." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:425 msgid "Sharing Brushes" msgstr "" #: ../../user_manual/loading_saving_brushes.rst:427 msgid "" "Okay, so you've made a new brush and want to share it. There are several " "ways to share a brush preset." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:430 msgid "" "The recommended way to share brushes and presets is by using the resource " "bundle system. We have detailed instructions on how to use them on the :ref:" "`resource management page `." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:434 msgid "" "However, there are various old-fashioned ways of sharing brushes that can be " "useful when importing and loading very old packs:" msgstr "" #: ../../user_manual/loading_saving_brushes.rst:438 msgid "Sharing a single preset" msgstr "" #: ../../user_manual/loading_saving_brushes.rst:440 msgid "There are three types of resources a single preset can take:" msgstr "" #: ../../user_manual/loading_saving_brushes.rst:442 msgid "" "A Paintoppreset file: This is the preset proper, with the icon and the " "curves stored inside." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:444 msgid "" "A Brush file: This is the brush tip. When using masked brushes, there's two " "of these." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:446 msgid "A Pattern file: this is when you are using textures." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:448 msgid "" "So when you have a brush that uses unique predefined tips for either brush " "tip or masked brush, or unique textures you will need to share those " "resources as well with the other person." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:452 msgid "" "To find those resources, go to :menuselection:`Settings --> Manage Resources " "--> Open Resource Folder`." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:454 msgid "" "There, the preset file will be inside paintoppresets, the brush tips inside " "brushes and the texture inside patterns." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:458 msgid "Importing a single KPP file." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:460 msgid "" "Now, if you want to use the single preset, you should go to the preset " "chooser on :kbd:`F6` and press the folder icon there. This will give a file " "dialog. Navigate to the kpp file and open it to import it." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:464 msgid "" "If there are brush tips and patterns coming with the file, do the same with " "pattern via the pattern docker, and for the brush-tip go to the settings " "drop-down (:kbd:`F5`) and then go to the “brush-tip” option. There, select " "predefined brush, and then the “import” button to call up the file dialog." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:471 msgid "Sharing via ZIP (old-fashioned)" msgstr "" #: ../../user_manual/loading_saving_brushes.rst:473 msgid "" "Sharing via ZIP should be replaced with resource bundles, but older brush " "packs are stored in zip files." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:477 msgid "Using a ZIP with the relevant files." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:479 msgid "" "Go to :menuselection:`Settings --> Manage Resources --> Open Resource " "Folder` to open the resource folder." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:480 msgid "Then, open up the zip file." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:481 msgid "" "Copy the brushes, paintoppresets and patterns folders from the zip file to " "the resource folder. You should get a prompt to merge the folders, agree to " "this." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:484 msgid "Restart Krita." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:485 msgid "Enjoy your brushes!" msgstr "" diff --git a/locale/ja/LC_MESSAGES/general_concepts/colors/color_managed_workflow.po b/locale/ja/LC_MESSAGES/general_concepts/colors/color_managed_workflow.po index c04f5a8fb..e223bd860 100644 --- a/locale/ja/LC_MESSAGES/general_concepts/colors/color_managed_workflow.po +++ b/locale/ja/LC_MESSAGES/general_concepts/colors/color_managed_workflow.po @@ -1,1055 +1,1055 @@ msgid "" msgstr "" "Project-Id-Version: Krita Manual 4.1\n" "Report-Msgid-Bugs-To: \n" -"POT-Creation-Date: 2019-04-13 03:33+0200\n" +"POT-Creation-Date: 2019-04-14 03:33+0200\n" "PO-Revision-Date: 2019-03-02 16:12-0800\n" "Last-Translator: Japanese KDE translation team \n" "Language-Team: Japanese \n" "Language: ja\n" "MIME-Version: 1.0\n" "Content-Type: text/plain; charset=UTF-8\n" "Content-Transfer-Encoding: 8bit\n" "Plural-Forms: nplurals=2; plural=n != 1;\n" "X-Accelerator-Marker: &\n" "X-Text-Markup: kde4\n" +#: ../../general_concepts/colors/color_managed_workflow.rst:0 +msgid ".. image:: images/en/color_category/Kiki_matrix_profile.png" +msgstr "" + +#: ../../general_concepts/colors/color_managed_workflow.rst:0 +msgid ".. image:: images/en/color_category/Kiki_cLUTprofiles.png" +msgstr "" + #: ../../general_concepts/colors/color_managed_workflow.rst:None msgid "" ".. image:: images/en/color_category/Krita_2_9_colormanagement_group1.png" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:None msgid "" ".. image:: images/en/color_category/Krita_2_9_colormanagement_group2.png" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:None msgid "" ".. image:: images/en/color_category/Krita_2_9_colormanagement_group3.png" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:None msgid "" ".. image:: images/en/color_category/Krita_2_9_colormanagement_group4.png" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:None msgid ".. image:: images/en/LUT_Management_Docker.png" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:None msgid ".. image:: images/en/color_category/Krita_HDR_1.svg" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:None msgid ".. image:: images/en/color_category/Krita_HDR2.svg" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:None msgid "" ".. image:: images/en/color_category/Krita-colormanaged-workflow_webcomic.svg" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:None msgid "" ".. image:: images/en/color_category/Krita-colormanaged-workflow_print.svg" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:None msgid "" ".. image:: images/en/color_category/Krita-colormanaged-workflow_games.svg" msgstr "" -#: ../../general_concepts/colors/color_managed_workflow.rst:0 -msgid ".. image:: images/en/color_category/Kiki_matrix_profile.png" -msgstr "" - -#: ../../general_concepts/colors/color_managed_workflow.rst:0 -msgid ".. image:: images/en/color_category/Kiki_cLUTprofiles.png" -msgstr "" - #: ../../general_concepts/colors/color_managed_workflow.rst:1 msgid "How a color managed workflow works." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:17 msgid "Color Managed Workflow" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:19 msgid "" "You may have heard that Krita has something called color-management. Or " "maybe you just wondered what all these 'color model' and 'color profile' " "things you can find in the menus mean. Color management is pretty useful for " "people who work in digital imaging professionally, and hopefully this page " "will explain why." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:22 msgid "Basic Info" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:24 msgid "" "If you've never worked with color management before, and have no clue what " "it is, then know that you've probably been working in the 8bit RGB color " "space with the sRGB profile. This means you can choose for *sRGB built-in* " "or *sRGB-elle-v2-srgbtrc.icc*. With the new color space browser this profile " "is marked with *(default)* when using 8bit." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:26 msgid "" "We'll go into what these terms mean in the theory, but if you're here only " "for trying to figure out which is the default, you now know it. Maybe, after " "reading this, you may feel like changing the default, to get new and " "interesting results from filters, blending modes, or just the color smudge " "brush." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:29 msgid "What is the problem?" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:31 msgid "" "To explain the point of color management, you'd first need to learn which " "problem color management tries to solve." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:33 msgid "Let us imagine a kinder garden:" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:35 msgid "" "The class of 28 children is subdivided in groups of 7. Each group has its " "own table." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:37 msgid "" "The teacher gives them a painting assignment: They need to paint a red " "triangle, a blue square, a green circle and put a yellow border around the " "three. The kids are very experienced with painting already, so the teacher " "can confidently leave the smarter ones to their own devices, and spent more " "time on those who need help." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:40 msgid "The following results come from painting:" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:42 msgid "" "Even though all groups had the same assignment, each group's result looks " "different." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:49 msgid "" "Group 1 had vermillion red, citron yellow and ultramarine blue to their " "disposal. This means their triangle looks nice and red, but their circle's " "green is muddy. This is because ultramarine is too dark of a blue to create " "nice greens with." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:56 msgid "" "Group 2 had magenta red, citron yellow and cerulean blue. Magenta is a type " "of red that is closer to pink, opposed to vermillion, which is closer to " "orange. However, their green looks nice because cerulean is a much lighter " "blue." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:64 msgid "" "Group 3 had vermillion red, citron yellow, emerald green and cerulean blue. " "They didn't mix their green, and thus ended up with a purer color." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:71 msgid "" "Finally, group 4 has vermillion red, citron yellow and cerulean blue. Their " "colors probably look like what you imagined." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:73 msgid "" "Now, these are kindergarteners, so this isn't the largest problem in the " "world. However, imagine that something like this happened at a printing " "company? Imagine four printers printing the same magazine with wildly " "different results? That would be disastrous!" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:75 msgid "For this purpose, we invented color management." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:78 msgid "What is color management?" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:80 msgid "" "Color management is, dryly put, a set of systems that tries to have the same " "color translate properly between color devices." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:82 msgid "" "It usually works by attempting to covert a color to the reference color " "space XYZ. XYZ is a coordinate system that has a spot for all colors that " "the average human eye can see." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:84 msgid "" "From XYZ it can then be translated back into another device space, such as " "RGB (for screens), or CMYK (for printers)." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:86 msgid "" "Krita has two systems dedicated to color management. On the one hand, we " "have **lcms2**, which deal with ICC profiles, and on the other, we have " "**OCIO**, which deal with LUT color management." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:88 msgid "" "To give a crude estimate, ICC profiles deal with keeping colors consistent " "over many interpretations of devices (screens, printers) by using a " "reference space, and OCIO deals with manipulating the interpretation of said " "colors." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:90 msgid "Within both we can identify the following color spaces:" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:93 msgid "" "Device spaces are those describing your monitor, and have to be made using a " "little device that is called \"colorimeter\". This device, in combination " "with the right software, measures the strongest red, green and blue your " "screen can produce, as well as the white, black and grey it produces. Using " "these and several other measurements it creates an ICC profile unique to " "your screen. You set these in Krita's color management tab. By default we " "assume sRGB for screens, but it's very likely that your screen isn't exactly " "fitting sRGB, especially if you have a high quality screen, where it may be " "a bigger space instead. Device spaces are also why you should first consult " "with your printer what profile they expect. Many printing houses have their " "own device profiles for their printers, or may prefer doing color conversion " "themselves. You can read more about colorimeter usage :ref:`here " "`." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:94 msgid "Device spaces" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:96 msgid "Working spaces" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:97 msgid "" "These are delivered alongside Krita for ICC, and downloadable from the OCIO " "website for OCIO. Working spaces are particularly nice to do color " "calculations in, which programs like Krita do often. It's therefore " "recommended to have a working space profile for your image." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:99 msgid "Aesthetic or Look spaces" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:99 msgid "" "These are special spaces that have been deformed to give a certain look to " "an image. Krita doesn't deliver Look profiles for ICC, nor does it yet " "support Look spaces for OCIO." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:102 msgid "Color managed workflow" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:104 msgid "" "Knowing this about these spaces of course doesn't give you an idea of how to " "use them, but it does make it easier to explain how to use them. So let us " "look at a typical color management workflow:" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:110 msgid "" ".. image:: images/en/color_category/Krita-colormanaged-workflow_text.svg" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:110 msgid "" "A typical example of a color managed workflow. We have input from scanners " "and cameras, which we convert to a working space that can be used between " "different editing software, and is converted to an output space for viewing " "on screen or printing." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:112 msgid "" "In a traditional color managed workflow, we usually think in terms of real " "world colors being converted to computer colors and the other way around. " "So, for example photos from a camera or scanned in images. If you have a " "device space of such a device, we first assign said device space to the " "image, and then convert it to a working space." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:114 msgid "" "We then do all our editing in the working space, and use the working space " "to communicate between editing programs. In Krita's case, due to it having " "two color management systems, we use ICC profiles between programs like GIMP " "2.9+, Inkscape, digiKam and Scribus, and OCIO configuration between Blender " "and Natron." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:116 msgid "" "You also store your working files in the working space, just like how you " "have the layers unmerged in the working file, or have it at a very high " "resolution." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:118 msgid "" "Sometimes, we apply aesthetic or 'look' spaces to an image as part of the " "editing process. This is rather advanced, and probably not something to " "worry about in Krita's case." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:120 msgid "" "Then, when we're done editing, we try to convert to an output space, which " "is another device space. This can be CMYK for printers or a special screen " "RGB profile. When you are dealing with professional printing houses, it is " "best to ask them about this step. They have a lot of experience with doing " "the best conversion, and may prefer to do the conversion from your working " "space to the device space of their printers." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:122 msgid "" "Another form of output is the way your screen displays the color. Unlike " "regular output, this one is done all the time during editing: After all, you " "need to be able to see what you are doing, but your screen is still a device " "with a device space, so it does distort how the image looks. In this manner, " "you can see your screen as a set of binoculars you have to look through to " "see your image at all." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:124 msgid "" "Therefore, without a profiled monitor, you actually don't know what the " "actual colors you are working with are like, because the computer doesn't " "know the relevant properties of your screen. So if you profiled your " "monitor, give Krita the profile in the settings, and select the sRGB space " "to draw in, you are for the first time seeing the actual colors of the sRGB " "space." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:127 msgid "So what does this mean?" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:133 msgid "" ".. image:: images/en/color_category/Krita-colormanaged-workflow_krita_text." "svg" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:133 msgid "" "When we paint from scratch, we can see our screen profile as the input " "space, because we use it to determine what colors to pick. This somewhat " "simplifies the workflow, but makes the screen profile and viewing conditions " "more important." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:135 msgid "" "Now, photographers and people who do a tricky discipline of VFX called " "'color grading' will go completely mad over trying to get the colors they " "put in to come out 100% correctly, and will even count in factors like the " "time of day and the color they painted their walls. For example, if the wall " "behind your computer is pure red, your eyes will adjust to be less sensitive " "to red, which means that the colors they pick in the program could come out " "redder. We call these the *viewing conditions*." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:137 msgid "" "Thankfully, artists have to worry a slight bit less about this. As " "illustrations are fully handmade, we are able to identify the important bits " "and make appropriate contrasts between colors. This means that even if our " "images turn out to be slightly redder than intended, it is less likely the " "whole image is ruined. If we look back at the kindergarten example above, we " "still understand what the image was supposed to look like, despite there " "being different colors on each image. Furthermore, because the colors in " "illustrations are deliberately picked, we can correct them more easily on a " "later date. Yet, at the same time, it is of course a big drag to do this, " "and we might have had much more flexibility had we taken viewing conditions " "under consideration." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:139 msgid "" "That said, for artists it is also very useful to understand the working " "spaces. Different working spaces give different results with filters and " "mixing, and only some working spaces can be used for advanced technology " "like HDR." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:141 msgid "" "Similarly, Krita, as a program intended to make images from scratch, doesn't " "really worry about assigning workspaces after having made the image. But " "because you are using the screen as a binocular to look at your image, and " "to pick colors, you can see your screen's device space as an input space to " "the image. Hence why profiling your monitor and giving the profile to Krita " "in the settings can help with preparing your work for print and future " "ventures in the long run." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:143 msgid "" "Overall, it is kinda useful to keep things like viewing conditions in the " "back of your mind. Many professional artists use a mid-grey color as their " "default canvas background because they find they create much more dynamic " "images due to having improved their viewing conditions. It is also why a lot " "of graphics programs, including Krita, come with a dark theme nowadays. " "(Though, of course this might also be because dark themes can be considered " "cool, who knows.)" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:148 msgid "ICC profiles" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:150 msgid "" "An ICC profile is a set of coordinates describing the extremities of the " "device space within XYZ, and it is the color management data you use to " "communicate your working space to printers and applications that are " "designed for the print industry, such as GIMP, Scribus, Photoshop, " "Illustrator, Inkscape, Digikam, RawTheraphee, etc. You have two types of ICC " "profiles:" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:153 msgid "" "These are delivered alongside Krita. Matrix shaper profiles are made by " "setting parameters and interpolating between these to get the exact size of " "the color space. Due to this, Krita's color space browser can give you a lot " "of information on these profiles. Such profiles are also preferable as " "working space." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:159 msgid "Matrix Shaper profiles." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:159 msgid "" "Matrix shaper profiles have a few parameters that describe the color space " "which are then interpolated between, this requires a lot of maths." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:162 msgid "" "These are fairly rare, and primarily used to describe printer profiles, such " "as CMYK. cLUT, or Color Look-up Table profiles store far more data than " "Matrix shaper profiles, so they can hold data of little particularities " "caused by, for example, unexpected results from mixing pigments. This is a " "far more organic approach to describing a color space, hence why a lot of " "programs that don't care for color management much don't support these." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:168 msgid "" "cLUT profiles work by holding tables of each color in a color space and " "their respective coordinates in a reference space. For CMYK this is " "typically L\\*A\\*B\\* and for the rest XYZ. These tables are tricky to " "make, which means these profiles are a lot rarer." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:169 msgid "cLUT profiles" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:171 msgid "" "The interesting thing about ICC profiles is that your working space can be " "larger than your device space. This is generally not bad. However, when " "converting, you do end up with the question of how to translate the working " "space values." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:174 msgid "Perceptual" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:174 msgid "" "This just squishes the values of the working space into the space it's " "converted to. It's a nice method to see all possible values in this, but not " "so good if you want accurate color reproduction. Use this if you want to see " "all colors in an image, or want to express all possible contrasts. Doesn't " "work with Matrix Shaper profiles, defaults to relative colorimetric." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:177 msgid "Absolute Colorimetric." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:177 msgid "" "The opposite to Perceptual, Absolute colorimetric will attempt to retain all " "the correct colors at whatever cost, which may result in awful looking " "colors. Recommended only for reproduction work. Doesn't work with Matrix " "Shaper profiles in Krita due to ICC v4 workflow standards." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:180 msgid "Relative Colorimetric" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:180 msgid "" "An in between solution between perceptual and absolute, relative will try to " "fit whatever colors it can match between color spaces. It does this by " "aligning the white and black points. It cuts off the rest to their " "respective borders. This is what all matrix shaper profiles default to " "during conversion, because the ICC v4 workflow specifies to only use " "Relative Colorimetric for matrix shaper profiles." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:183 msgid "Saturation" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:183 msgid "" "Does anything to retain colorfulness, even hue will be sacrificed. Used in " "infographics. Doesn't work with Matrix Shaper profiles, defaults to relative " "colorimetric." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:185 msgid "" "*ICC profile version* is the last thing to keep in mind when dealing with " "ICC profiles. Krita delivers both Version 2 and Version 4 profiles, with the " "later giving better results in doing color maths, but the former being more " "widely supported (as seen below in 'interoperability with other programs'. " "This is also why Krita defaults to V2, and we recommend using V2 when you " "aren't certain if the other programs you are using support V4." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:188 msgid "LUT docker and HDR imaging" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:196 msgid "" "The :ref:`lut_docker` is the second important bit of color management in " "Krita that is shared between Krita and programs like Blender, Natron and " "Nuke, and only uses Look Up Tables that are configured via a config file." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:198 msgid "" "You can set the workingspace of the image under input color space, and the " "display to sRGB or your own LUT if you have added it to the configuration. " "View in this case is for proofing transforms to a certain display device." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:200 msgid "" "Component, exposure, gamma, whitepoint and blackpoint are knobs which allows " "you to modify the display filter." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:208 msgid "" "As explained before, we can see our monitor as a telescope or binocular into " "the world of our picture. Which means it distorts our view of the image a " "little. But we can modify this binocular, or display filter to see our image " "in a different way. For example, to allow us to see the white in an image " "that are whiter than the white of our screen. To explain what that means, we " "need to think about what white is." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:210 msgid "" "For example, white, on our monitor is full red, full green and full blue. " "But it's certainly different from white on our paper, or the color of milk, " "white from the sun, or even the white of our cell-phone displays." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:212 msgid "" "Black similarly, is brighter on a LCD display than a LED one, and " "incomparable with the black of a carefully sealed room." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:214 msgid "" "This means that there's potentially blacker blacks than screen black, and " "white whites than screen white. However, for simplicity's sake we still " "assign the black-point and the white-point to certain values. From there, we " "can determine whether a white is whiter than the white point, or a black " "blacker than the black-point." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:216 msgid "" "The LUT docker allows us to control this display-filter and modify the " "distortion. This is useful when we start modifying images that are made with " "scene referred values, such as HDR photos, or images coming out of a render " "engine." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:224 msgid "" "So, for example, we can choose to scale whiter-than-screen-white to our " "screen-white so we can see the contrasts there." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:226 msgid "" "The point of this is that you can take advantage of more lightness detail in " "an image. While you can't see the difference between screen white and whiter-" "than-screen-white (because your screen can't show the difference), graphics " "programs can certainly use it." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:228 msgid "" "A common example is matching the lighting between a 3d model and a real " "world scene. Others are advanced photo retouching, with much more contrast " "information available to the user. In painting itself, this allows you to " "create an image where you can be flippant with the contrast, and allow " "yourself to go as bright as you'd like." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:230 msgid "" "LUT docker manipulations are per view, so you can create a new view and set " "it to luminosity. This way you can see the image in both color as well as " "grayscale and keep a good eye on your values." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:232 msgid "" "Another example is to carefully watch the gradients in a certain section." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:234 msgid "" "Like ICC, the LUT Docker allows you to create a profile of sorts for your " "device. In this case it's the 'lut', which stands for 'Look Up Table', and " "which can be added to OCIO by modifying the configuration file. When OCIO is " "turned on, the configuration in :menuselection:`Settings --> Configure Krita " "--> Color Management` is turned off, unless you are using the :guilabel:" "`Internal` color engine." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:237 msgid "In summary" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:239 msgid "Krita has two modes of color management:" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:241 msgid "" "ICC works in terms of spaces relative to the CIEXYZ space, and requires an " "ICC profile." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:242 msgid "OCIO works in terms of interpretation, and makes use of luts." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:243 msgid "both can be made with a colorimeter." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:244 msgid "" "If you want to have a properly color managed workflow, you have one made " "customary for the input device (your screen) and the output devices (your " "printer, or target screen). For web the output is always sRGB." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:245 msgid "" "Set up your screen profiles under :menuselection:`Settings --> Configure " "Krita --> Color management`." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:246 msgid "" "Do NOT use screen profiles or other device profiles to draw in. Use a " "working space profile such as any of the elle profiles for this, as the " "color maths will be much more predictable and pleasant. Krita will convert " "between your screen and working space on the fly, allowing you to pick the " "correct colors. This turns your screen into binoculars to view the image." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:247 msgid "" "Use the appropriate color management for the appropriate workflow. If you " "are working with Blender, you will be better off using OCIO, than ICC. If " "you are working with Scribus or Photoshop, use ICC." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:249 msgid "" "Krita does a lot of color maths, often concerning the blending of colors. " "This color maths works best in linear color space, and linear color space " "requires a bit depth of at the least 16bit to work correctly. The " "disadvantage is that linear space can be confusing to work in." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:251 msgid "" "If you like painting, have a decent amount of RAM, and are looking to start " "your baby-steps in taking advantage of Krita's color management, try " "upgrading from having all your images in sRGB built-in to sRGB-v2-elle-g10." "icc or rec2020-v2-elle-g10.icc at 16bit float. This'll give you better color " "blending while opening up the possibility for you to start working in hdr!" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:256 msgid "" "Some graphics cards, such as those of the NVidia-brand actually have the " "best performance under 16bit float, because NVidia cards convert to floating " "point internally. When it does not need to do that, it speeds up!" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:260 msgid "" "No amount of color management in the world can make the image on your screen " "and the image out of the printer have 100% the same color." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:263 msgid "Exporting" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:265 msgid "" "When you have finished your image and are ready to export it, you can modify " "the color space to optimize it:" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:267 msgid "If you are preparing an image for the web:" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:269 msgid "" "If you use 16bit color depth or higher, convert the image to 8bit color " "depth. This will make the image much smaller." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:271 msgid "" "Krita doesn't have built-in dithering currently, which means that 16 to " "18bit conversions can come out a bit banded. But you can simulate it by " "adding a fill layer with a pattern, set this fill layer to overlay, and to " "5% opacity. Then flatten the whole image and convert it to 8bit. The pattern " "will function as dithering giving a smoother look to gradients." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:273 msgid "If it's a gray-scale image, convert it to gray-scale." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:274 msgid "" "If it's a color image, keep it in the working space profile: Many web " "browsers these days support color profiles embedded into images. Firefox, " "for example, will try to convert your image to fit the color profile of the " "other monitor (if they have one). That way, the image will look almost " "exactly the same on your screen and on other profiled monitors." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:279 msgid "" "In some versions of Firefox, the colors actually look strange: This is a bug " "in Firefox, which is because its `color management system is incomplete " "`_, save your png, jpg or tiff without an embedded profile to work " "around this." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:281 msgid "If you are preparing for print:" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:283 msgid "" "You hopefully made the picture in a working space profile instead of the " "actual custom profile of your screen, if not, convert it to something like " "adobe rgb, sRGB or rec2020." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:284 msgid "" "Check with the printer what kind of image they expect. Maybe they expect " "sRGB color space, or perhaps they have their own profile." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:287 msgid "Interaction with other applications" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:290 msgid "Blender" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:292 msgid "" "If you wish to use krita's OCIO functionality, and in particular in " "combination with Blender's color management, you can try to have it use " "Blender's OCIO config." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:294 msgid "" "Blender's OCIO config is under ``/version number/datafiles/" "colormanagement``. Set the LUT docker to use the OCIO engine, and select the " "config from the above path. This will give you blender's input and screen " "spaces, but not the looks, as those aren't supported in Krita yet." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:298 msgid "Windows Photo Viewer" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:300 msgid "" "You might encounter some issues when using different applications together. " "One important thing to note is that the standard Windows Photo Viewer " "application does not handle modern ICC profiles. Krita uses version 4 " "profiles; Photo Viewer can only handle version 2 profiles. If you export to " "JPEG with an embedded profile, Photo Viewer will display your image much too " "dark." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:303 msgid "Example workflows" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:305 msgid "" "Here are some example workflows to get a feeling of how your color " "management workflow may look like." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:307 msgid "" "As mentioned before, input for your screen is set via :menuselection:" "`Settings --> Configure Krita --> Color management`, or via the LUT docker's " "'screen space'. Working space is set via new file per document, or in the " "LUT docker via 'input space'." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:310 msgid "Webcomic" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:317 #: ../../general_concepts/colors/color_managed_workflow.rst:339 #: ../../general_concepts/colors/color_managed_workflow.rst:357 msgid "Input" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:318 #: ../../general_concepts/colors/color_managed_workflow.rst:340 #: ../../general_concepts/colors/color_managed_workflow.rst:358 msgid "Your screen profile. (You pick colors via your screen)" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:319 #: ../../general_concepts/colors/color_managed_workflow.rst:341 #: ../../general_concepts/colors/color_managed_workflow.rst:359 msgid "Workingspace" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:320 msgid "" "sRGB (the default screen profile) or any larger profile if you can spare the " "bit depth and like working in them." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:322 #: ../../general_concepts/colors/color_managed_workflow.rst:344 #: ../../general_concepts/colors/color_managed_workflow.rst:362 msgid "Output" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:322 msgid "" "sRGB, ICC version 2, sRGB TRC for the internet, and a specialized CMYK " "profile from the printing house for the printed images." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:324 msgid "" "Use the sRGB-elle-V2-srgbtrc.icc for going between Inkscape, Photoshop, " "Painttool Sai, Illustrator, GIMP, Manga Studio, Paintstorm Studio, MyPaint, " "Artrage, Scribus, etc. and Krita." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:326 msgid "" "If you are using a larger space via ICC, you will only be able to " "interchange it between Krita, Photoshop, Illustrator, GIMP 2.9, Manga Studio " "and Scribus. All others assume sRGB for your space, no matter what, because " "they don't have color management." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:328 msgid "" "If you are going between Krita and Blender, Nuke or Natron, use OCIO and set " "the input space to 'sRGB', but make sure to select the sRGB profile for ICC " "when creating a new file." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:330 msgid "" "For the final for the web, convert the image to sRGB 8bit, srgbtrc, do not " "embed the ICC profile. Then, if using png, put it through something like " "pngcrush or other png optimizers. sRGB in this case is chosen because you " "can assume the vast majority of your audience hasn't profiled their screen, " "nor do they have screens that are advanced enough for the wide gamut stuff. " "So hence why we convert to the screen default for the internet, sRGB." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:333 msgid "Print" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:342 msgid "sRGB or rec2020 if you can afford the bit-depth being 16bit." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:344 msgid "" "Specialized CMYK profile from the printing house for the printed images." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:346 msgid "" "The CMYK profiles are different per printer, and even per paper or ink-type " "so don't be presumptuous and ask ahead for them, instead of doing something " "like trying to paint in any random CMYK profile. As mentioned in the viewing " "conditions section, you want to keep your options open." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:348 msgid "" "You can set the advanced color selector to transform to a given profile via :" "menuselection:`Settings --> Configure Krita --> Advanced color selector " "settings`. There, tick :guilabel:`Color selector uses a different color " "space than the image` and select the CMYK profile you are aiming for. This " "will limit your colors a little bit, but keep all the nice filter and " "blending options from RGB." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:351 msgid "Games" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:360 msgid "sRGB or grayscale linear for roughness and specular maps." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:362 msgid "" "This one is tricky, but in the end it'll be sRGB for the regular player." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:364 msgid "" "So this one is tricky. You can use OCIO and ICC between programs, but " "recommended is to have your images to the engine in sRGB or grayscale. Many " "physically based renderers these days allow you to set whether an image " "should be read as a linear or srgbtrc image, and this is even vital to have " "the images being considered properly in the physically based calculations of " "the game renderer." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:366 msgid "" "While game engines need to have optimized content, and it's recommended to " "stay within 8bit, future screens may have higher bit depths, and when " "renderers will start supporting those, it may be beneficial to develop a " "workflow where the working-space files are rather unnecessarily big and you " "run some scripts to optimize them for your current render needs, making " "updating the game in the future for fancier screens less of a drag." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:368 msgid "" "Normal maps and heightmaps are officially supposed to be defined with a 'non-" "color data' working space, but you'll find that most engines will not care " "much for this. Instead, tell the game engine not to do any conversion on the " "file when importing." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:370 msgid "" "Specular, glossiness, metalness and roughness maps are all based on linear " "calculations, and when you find that certain material has a metalness of " "0.3, this is 30% gray in a linear space. Therefore, make sure to tell the " "game engine renderer that this is a linear space image (or at the very " "least, should NOT be converted)." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:374 msgid "" "`Visualizing the XYZ color space `_" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:375 msgid "" "`Basics of gamma correction `_" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:376 msgid "" "`Panda3d example of how an image that has gamma encoded without the 3d " "renderer being notified of it having gamma-encoding can result in too dark " "images `_" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:377 msgid "" "`2d examples of the effect of gamma-encoding on color maths `_" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:378 msgid "" "`Basic overview of color management from argylcms manual `_" msgstr "" diff --git a/locale/ja/LC_MESSAGES/reference_manual/tools/colorize_mask.po b/locale/ja/LC_MESSAGES/reference_manual/tools/colorize_mask.po index 00e1282f0..10151b67e 100644 --- a/locale/ja/LC_MESSAGES/reference_manual/tools/colorize_mask.po +++ b/locale/ja/LC_MESSAGES/reference_manual/tools/colorize_mask.po @@ -1,437 +1,437 @@ msgid "" msgstr "" "Project-Id-Version: Krita Manual 4.1\n" "Report-Msgid-Bugs-To: \n" -"POT-Creation-Date: 2019-04-12 03:34+0200\n" +"POT-Creation-Date: 2019-04-14 03:33+0200\n" "PO-Revision-Date: 2019-03-02 16:12-0800\n" "Last-Translator: Japanese KDE translation team \n" "Language-Team: Japanese \n" "Language: ja\n" "MIME-Version: 1.0\n" "Content-Type: text/plain; charset=UTF-8\n" "Content-Transfer-Encoding: 8bit\n" "Plural-Forms: nplurals=2; plural=n != 1;\n" "X-Accelerator-Marker: &\n" "X-Text-Markup: kde4\n" #: ../../:2 msgid "" ".. image:: images/icons/Krita_mouse_left.png\n" " :alt: mouseleft" msgstr "" #: ../../:4 msgid "" ".. image:: images/icons/Krita_mouse_right.png\n" " :alt: mouseright" msgstr "" #: ../../:8 msgid "" ".. image:: images/icons/Krita_mouse_scroll.png\n" " :alt: mousescroll" msgstr "" #: ../../:60 msgid "" ".. image:: images/icons/colorizemask_tool.svg\n" " :alt: toolcolorizemask" msgstr "" +#: ../../reference_manual/tools/colorize_mask.rst:0 +msgid "" +".. image:: images/en/Krita_4_0_colorize_mask_show_output_edit_strokes.png" +msgstr "" + +#: ../../reference_manual/tools/colorize_mask.rst:0 +msgid ".. image:: images/en/Krita_4_0_colorize_mask_edge_detection.png" +msgstr "" + +#: ../../reference_manual/tools/colorize_mask.rst:0 +msgid ".. image:: images/en/Krita_4_0_colorize_mask_gap_close_hint.png" +msgstr "" + +#: ../../reference_manual/tools/colorize_mask.rst:0 +msgid ".. image:: images/en/Krita_4_0_colorize_mask_clean_up.png" +msgstr "" + #: ../../reference_manual/tools/colorize_mask.rst:None msgid ".. image:: images/en/Krita_4_0_colorize_mask_usage_01.png" msgstr "" #: ../../reference_manual/tools/colorize_mask.rst:None msgid ".. image:: images/en/Krita_4_0_colorize_mask_usage_02.png" msgstr "" #: ../../reference_manual/tools/colorize_mask.rst:None msgid ".. image:: images/en/Krita_4_0_colorize_mask_usage_03.png" msgstr "" #: ../../reference_manual/tools/colorize_mask.rst:None msgid ".. image:: images/en/Krita_4_0_colorize_mask_usage_04.png" msgstr "" #: ../../reference_manual/tools/colorize_mask.rst:None msgid ".. image:: images/en/Krita_4_0_colorize_mask_usage_05.png" msgstr "" #: ../../reference_manual/tools/colorize_mask.rst:None msgid ".. image:: images/en/Krita_4_0_colorize_mask_usage_06.png" msgstr "" #: ../../reference_manual/tools/colorize_mask.rst:None msgid ".. image:: images/en/Krita_4_0_colorize_mask_usage_07.png" msgstr "" #: ../../reference_manual/tools/colorize_mask.rst:None msgid ".. image:: images/en/Krita_4_0_colorize_mask_usage_08.png" msgstr "" #: ../../reference_manual/tools/colorize_mask.rst:None msgid ".. image:: images/en/Krita_4_0_colorize_mask_usage_09.png" msgstr "" #: ../../reference_manual/tools/colorize_mask.rst:None msgid ".. image:: images/en/Krita_4_0_colorize_mask_usage_10.png" msgstr "" #: ../../reference_manual/tools/colorize_mask.rst:None msgid ".. image:: images/en/Krita_4_0_colorize_mask_usage_11.png" msgstr "" #: ../../reference_manual/tools/colorize_mask.rst:None msgid ".. image:: images/en/Krita_4_0_colorize_mask_usage_12.png" msgstr "" -#: ../../reference_manual/tools/colorize_mask.rst:0 -msgid "" -".. image:: images/en/Krita_4_0_colorize_mask_show_output_edit_strokes.png" -msgstr "" - -#: ../../reference_manual/tools/colorize_mask.rst:0 -msgid ".. image:: images/en/Krita_4_0_colorize_mask_edge_detection.png" -msgstr "" - -#: ../../reference_manual/tools/colorize_mask.rst:0 -msgid ".. image:: images/en/Krita_4_0_colorize_mask_gap_close_hint.png" -msgstr "" - -#: ../../reference_manual/tools/colorize_mask.rst:0 -msgid ".. image:: images/en/Krita_4_0_colorize_mask_clean_up.png" -msgstr "" - #: ../../reference_manual/tools/colorize_mask.rst:1 msgid "How to use the colorize mask in Krita." msgstr "" #: ../../reference_manual/tools/colorize_mask.rst:16 msgid "Colorize Mask" msgstr "" #: ../../reference_manual/tools/colorize_mask.rst:18 msgid "|toolcolorizemask|" msgstr "" #: ../../reference_manual/tools/colorize_mask.rst:20 msgid "" "A tool for quickly coloring line art, the Colorize Mask Editing tool can be " "found next to the gradient tool on your toolbox." msgstr "" #: ../../reference_manual/tools/colorize_mask.rst:22 msgid "" "This feature is technically already in 3.1, but disabled by default because " "we had not optimized the filling algorithm for production use yet. To enable " "it, find your krita configuration file, open it in notepad, and add " "\"disableColorizeMaskFeature=false\" to the top. Then restart Krita. Its " "official incarnation is in 4.0." msgstr "" #: ../../reference_manual/tools/colorize_mask.rst:26 msgid "Usage" msgstr "" #: ../../reference_manual/tools/colorize_mask.rst:28 msgid "" "This tool works in conjunction with the colorize mask, and the usage is as " "follows:" msgstr "" #: ../../reference_manual/tools/colorize_mask.rst:30 msgid "" "For this example, we'll be using the ghost lady also used to explain masks " "on :ref:`the basic concepts page `." msgstr "" #: ../../reference_manual/tools/colorize_mask.rst:36 msgid "" "This image has the line art for the lady separated from the background, and " "what's more, the background is made up of two layers: one main and one for " "the details." msgstr "" #: ../../reference_manual/tools/colorize_mask.rst:38 msgid "" "First, select the colorize mask editing tool while having the line art layer " "selected. |mouseleft| the canvas will add a colorize mask to the layer. You " "can also |mouseright| the line art layer, and then :menuselection:`Add --> " "Colorize Mask`. The line art will suddenly become really weird, this is the " "prefiltering which are filters through which we put the line art to make the " "algorithm easier to use. The tool options overview below shows which options " "control that." msgstr "" #: ../../reference_manual/tools/colorize_mask.rst:45 msgid "" "Now, you make strokes with brush colors, press :guilabel:`Update` in the " "tool options, or tick the last icon of the colorize mask properties. In the " "layer docker, you will be able to see a little progress bar appear on the " "colorize mask indicating how long it takes. The bigger your file, the longer " "it will take." msgstr "" #: ../../reference_manual/tools/colorize_mask.rst:51 msgid "" "We want to have the blue transparent. In the tool options of the colorize " "editing tool you will see a small palette. These are the colors already " "used. You can remove colors here, or mark a single color as standing for " "transparent, by selecting it and pressing \"transparent\". Updating the mask " "will still show the blue stroke, but the result will be transparent:" msgstr "" #: ../../reference_manual/tools/colorize_mask.rst:57 msgid "" "Because the colorize mask algorithm is slow, and we only need a part of our " "layer to be filled to fill the whole ghost lady figure, we can make use of :" "guilabel:`Limit to layer bounds`. This will limit Colorize Mask to use the " "combined size of the line art and the coloring key strokes. Therefore, make " "sure that the colorizing keystrokes only take up as much as they really need." msgstr "" #: ../../reference_manual/tools/colorize_mask.rst:63 msgid "" "Now the algorithm will be possibly a lot faster, allowing us to add strokes " "and press :guilabel:`Update` in rapid succession:" msgstr "" #: ../../reference_manual/tools/colorize_mask.rst:69 msgid "" "To see the final result, disable :guilabel:`Edit Key Strokes` or toggle the " "second to last icon on the colorize mask." msgstr "" #: ../../reference_manual/tools/colorize_mask.rst:75 msgid "" "If you want to edit the strokes again, re-enable :guilabel:`Edit Key " "Strokes`." msgstr "" #: ../../reference_manual/tools/colorize_mask.rst:77 msgid "" "Now, the colorize mask, being a mask, can also be added to a group of line " "art layers. It will then use the composition of the whole group as the line " "art. This is perfect for our background which has two separate line art " "layers. It also means that the colorize mask will be disabled when added to " "a group with pass-through enabled, because those have no final composition. " "You can recognize a disabled colorize mask because its name is stricken " "through." msgstr "" #: ../../reference_manual/tools/colorize_mask.rst:79 msgid "" "To add a colorize mask to a group, select the group and |mouseleft| the " "canvas with the Colorize Mask editing tool, or |mouseright| the layer to :" "menuselection:`Add --> Colorize Mask`." msgstr "" #: ../../reference_manual/tools/colorize_mask.rst:85 msgid "" "Now, we add strokes to the background quickly. We do not need to use the :" "menuselection:`Limit to Layer Bounds` because the background covers the " "whole image." msgstr "" #: ../../reference_manual/tools/colorize_mask.rst:91 msgid "" "For the record, you can use other brushes and tools also work on the " "colorize mask as long as they can draw. The Colorize Mask Editing tool is " "just the most convenient because you can get to the algorithm options." msgstr "" #: ../../reference_manual/tools/colorize_mask.rst:93 msgid "Out final result looks like this:" msgstr "" #: ../../reference_manual/tools/colorize_mask.rst:99 msgid "" "Now we are done, |mouseright| the colorize mask and :menuselection:`Convert " "--> to Paint Layer`. Then, :menuselection:`Layer --> Split --> Split Layer`. " "This will give separate color islands that you can easily edit:" msgstr "" #: ../../reference_manual/tools/colorize_mask.rst:105 msgid "" "This way we can very quickly paint the image. Due to the colorize mask going " "from the first image to the following took only 30 minutes, and would've " "taken quite a bit longer." msgstr "" #: ../../reference_manual/tools/colorize_mask.rst:111 msgid "" "The colorize masks are saved to the .kra file, so as long as you don't save " "and open to a different file format, nor convert the colorize mask to a " "paintlayer, you can keep working adjust the results." msgstr "" #: ../../reference_manual/tools/colorize_mask.rst:114 msgid "Tool Options" msgstr "" #: ../../reference_manual/tools/colorize_mask.rst:116 #: ../../reference_manual/tools/colorize_mask.rst:172 msgid "Update" msgstr "" #: ../../reference_manual/tools/colorize_mask.rst:117 msgid "" "Run the colorize mask algorithm. The progress bar for updates on a colorize " "mask shows only in the layer docker." msgstr "" #: ../../reference_manual/tools/colorize_mask.rst:118 #: ../../reference_manual/tools/colorize_mask.rst:169 msgid "Edit key strokes" msgstr "" #: ../../reference_manual/tools/colorize_mask.rst:119 msgid "" "Put the mask into edit mode. In edit mode, it will also show the " "'prefiltering' on the line art, which is for example a blur filter for gap " "closing." msgstr "" #: ../../reference_manual/tools/colorize_mask.rst:121 msgid "" "Show the output of the colorize mask. If :guilabel:`Edit key strokes` is " "active, this will be shown semi-transparently, so it will be easy to " "recognize the difference between the strokes and the output." msgstr "" #: ../../reference_manual/tools/colorize_mask.rst:127 #: ../../reference_manual/tools/colorize_mask.rst:165 msgid "Show output" msgstr "" #: ../../reference_manual/tools/colorize_mask.rst:127 msgid "" "On the **Left**: :guilabel:`Show Output` is on, :guilabel:`Edit Key Strokes` " "is off. In the **Middle**: :guilabel:`Show Output` and :guilabel:`Edit Key " "Strokes` are on. On the **Right**: :guilabel:`Show Output` is off and :" "guilabel:`Edit Key Strokes` is on." msgstr "" #: ../../reference_manual/tools/colorize_mask.rst:129 msgid "Limit to layer bounds" msgstr "" #: ../../reference_manual/tools/colorize_mask.rst:130 msgid "" "Limit the colorize mask to the combined layer bounds of the strokes and the " "line art it is filling. This can speed up the use of the mask on complicated " "compositions, such as comic pages." msgstr "" #: ../../reference_manual/tools/colorize_mask.rst:132 msgid "" "Activate this for line art with large solid areas, for example shadows on an " "object. For the best use, set the value to the thinnest lines on the image. " "In the image below, note how edge detection affects the big black areas:" msgstr "" #: ../../reference_manual/tools/colorize_mask.rst:138 msgid "Edge detection" msgstr "" #: ../../reference_manual/tools/colorize_mask.rst:138 msgid "" "From left to right: an example with big black shadows on an object but no " "edge detection, the same example without the edit key strokes enabled. Then " "the same example with edge detection enabled and set to 2px, and that same " "example without edit key strokes enabled." msgstr "" #: ../../reference_manual/tools/colorize_mask.rst:141 msgid "" "While the algorithm is pretty good against gaps in contours, this will " "improve the gap recognition. The higher this value is, the bigger the gaps " "it will try to close, but a too high value can lead to other errors. Note " "how the prefiltered line art (that's the blurry haze) affects the color " "patches." msgstr "" #: ../../reference_manual/tools/colorize_mask.rst:146 msgid "Gap close hint" msgstr "" #: ../../reference_manual/tools/colorize_mask.rst:147 msgid "" "On the **Left**: :guilabel:`Gap close hint` is 0px. In the **Middle**: :" "guilabel:`Gap close hint` is 15px (the lines are 10px). On the **Right**: :" "guilabel:`Gap close hint` is 275px." msgstr "" #: ../../reference_manual/tools/colorize_mask.rst:149 msgid "" "This will attempt to handle messy strokes that overlap the line art where " "they shouldn't. At 0 no clean up is done, at 100% the clean-up is most " "aggressive." msgstr "" #: ../../reference_manual/tools/colorize_mask.rst:153 msgid "Clean up" msgstr "" #: ../../reference_manual/tools/colorize_mask.rst:155 msgid "Key strokes" msgstr "" #: ../../reference_manual/tools/colorize_mask.rst:156 msgid "" "This palette keeps track of the colors used by the strokes. This is useful " "so you can switch back to colors easily. You can increase the swatch size by " "hovering over it with the mouse, and doing :kbd:`Ctrl +` |mousescroll|." msgstr "" #: ../../reference_manual/tools/colorize_mask.rst:158 msgid "Transparent" msgstr "" #: ../../reference_manual/tools/colorize_mask.rst:158 msgid "" "This button is under the keystrokes palette, you can mark the selected color " "to be interpreted a 'transparent' with this. In the clean-up screenshot " "above, cyan had been marked as transparent." msgstr "" #: ../../reference_manual/tools/colorize_mask.rst:161 msgid "Layer properties" msgstr "" #: ../../reference_manual/tools/colorize_mask.rst:163 msgid "" "The colorize mask layer has four properties. They are all the buttons on the " "right side of the layer:" msgstr "" #: ../../reference_manual/tools/colorize_mask.rst:166 msgid "" "The first button, it allows you to toggle whether you'll see the output from " "the colorize algorithm." msgstr "" #: ../../reference_manual/tools/colorize_mask.rst:167 msgid "Lock" msgstr "" #: ../../reference_manual/tools/colorize_mask.rst:168 msgid "Stops the mask from being edited." msgstr "" #: ../../reference_manual/tools/colorize_mask.rst:170 msgid "" "Whether the colorize mask is in edit mode. In edit mode it'll show the " "strokes, and the output will be semi-transparent." msgstr "" #: ../../reference_manual/tools/colorize_mask.rst:172 msgid "" "The last button will force the colorize mask to update, even when you're in " "a different tool." msgstr "" #: ../../reference_manual/tools/colorize_mask.rst:174 msgid "Colorize masks cannot be animated." msgstr "" diff --git a/locale/ja/LC_MESSAGES/tutorials/flat-coloring.po b/locale/ja/LC_MESSAGES/tutorials/flat-coloring.po index 7c646dce7..1c6c88fd0 100644 --- a/locale/ja/LC_MESSAGES/tutorials/flat-coloring.po +++ b/locale/ja/LC_MESSAGES/tutorials/flat-coloring.po @@ -1,756 +1,756 @@ msgid "" msgstr "" "Project-Id-Version: Krita Manual 4.1\n" "Report-Msgid-Bugs-To: \n" -"POT-Creation-Date: 2019-04-13 03:33+0200\n" +"POT-Creation-Date: 2019-04-14 03:33+0200\n" "PO-Revision-Date: 2019-03-02 16:12-0800\n" "Last-Translator: Japanese KDE translation team \n" "Language-Team: Japanese \n" "Language: ja\n" "MIME-Version: 1.0\n" "Content-Type: text/plain; charset=UTF-8\n" "Content-Transfer-Encoding: 8bit\n" "Plural-Forms: nplurals=2; plural=n != 1;\n" "X-Accelerator-Marker: &\n" "X-Text-Markup: kde4\n" #: ../../:2 msgid "" ".. image:: images/icons/Krita_mouse_left.png\n" " :alt: mouseleft" msgstr "" #: ../../:4 msgid "" ".. image:: images/icons/Krita_mouse_right.png\n" " :alt: mouseright" msgstr "" +#: ../../tutorials/flat-coloring.rst:0 +msgid "" +".. image:: images/en/flat-coloring/Krita_filling_lineart_selection_1.png" +msgstr "" + +#: ../../tutorials/flat-coloring.rst:0 +msgid "" +".. image:: images/en/flat-coloring/Krita_filling_lineart_selection_2.png" +msgstr "" + +#: ../../tutorials/flat-coloring.rst:0 +msgid ".. image:: images/en/flat-coloring/Krita_filling_lineart_mask_1.png" +msgstr "" + +#: ../../tutorials/flat-coloring.rst:0 +msgid ".. image:: images/en/flat-coloring/Krita_filling_lineart_mask_2.png" +msgstr "" + +#: ../../tutorials/flat-coloring.rst:0 +msgid ".. image:: images/en/flat-coloring/Krita_filling_lineart_mask_3.png" +msgstr "" + #: ../../tutorials/flat-coloring.rst:None msgid "" ".. image:: images/en/flat-coloring/Krita_filling_lineart14.png\n" " :alt: layer structure for flatting in krita" msgstr "" #: ../../tutorials/flat-coloring.rst:None msgid "" ".. image:: images/en/flat-coloring/Krita_filling_lineart1.png\n" " :alt: blend mode setup of line art flat coloring" msgstr "" #: ../../tutorials/flat-coloring.rst:None msgid "" ".. image:: images/en/flat-coloring/Krita_filling_lineart2.png\n" " :alt: effects of multiply blend mode" msgstr "" #: ../../tutorials/flat-coloring.rst:None msgid "" ".. image:: images/icons/fill_tool.svg\n" " :alt: fill-tool icon" msgstr "" #: ../../tutorials/flat-coloring.rst:None msgid "" ".. image:: images/en/flat-coloring/Krita_filling_lineart7.png\n" " :alt: colors filled with fill tool" msgstr "" #: ../../tutorials/flat-coloring.rst:None msgid "" ".. image:: images/en/flat-coloring/Krita_filling_lineart15.png\n" " :alt: selecting with selection tools for filling color" msgstr "" #: ../../tutorials/flat-coloring.rst:None msgid "" ".. image:: images/en/flat-coloring/Krita_filling_lineart16.png\n" " :alt: selection mask in Krita" msgstr "" #: ../../tutorials/flat-coloring.rst:None msgid "" ".. image:: images/en/flat-coloring/Krita_filling_lineart17.png\n" " :alt: filling color in selection" msgstr "" #: ../../tutorials/flat-coloring.rst:None msgid "" ".. image:: images/en/flat-coloring/Krita_filling_lineart18.png\n" " :alt: result of coloring made with the help of selection tools" msgstr "" #: ../../tutorials/flat-coloring.rst:None msgid "" ".. image:: images/en/flat-coloring/Krita_filling_lineart8.png\n" " :alt: filling color in line art using path tool" msgstr "" #: ../../tutorials/flat-coloring.rst:None msgid "" ".. image:: images/en/flat-coloring/Krita_filling_lineart9.png\n" " :alt: erasing with path tool" msgstr "" #: ../../tutorials/flat-coloring.rst:None msgid "" ".. image:: images/en/flat-coloring/Krita_filling_lineart10.png\n" " :alt: coloring with colorize mask" msgstr "" #: ../../tutorials/flat-coloring.rst:None msgid "" ".. image:: images/en/flat-coloring/Krita_filling_lineart11.png\n" " :alt: result from the colorize mask" msgstr "" #: ../../tutorials/flat-coloring.rst:None msgid "" ".. image:: images/en/flat-coloring/Krita_filling_lineart12.png\n" " :alt: slitting colors into islands" msgstr "" #: ../../tutorials/flat-coloring.rst:None msgid "" ".. image:: images/en/flat-coloring/Krita_filling_lineart13.png\n" " :alt: resulting color islands from split layers" msgstr "" -#: ../../tutorials/flat-coloring.rst:0 -msgid "" -".. image:: images/en/flat-coloring/Krita_filling_lineart_selection_1.png" -msgstr "" - -#: ../../tutorials/flat-coloring.rst:0 -msgid "" -".. image:: images/en/flat-coloring/Krita_filling_lineart_selection_2.png" -msgstr "" - -#: ../../tutorials/flat-coloring.rst:0 -msgid ".. image:: images/en/flat-coloring/Krita_filling_lineart_mask_1.png" -msgstr "" - -#: ../../tutorials/flat-coloring.rst:0 -msgid ".. image:: images/en/flat-coloring/Krita_filling_lineart_mask_2.png" -msgstr "" - -#: ../../tutorials/flat-coloring.rst:0 -msgid ".. image:: images/en/flat-coloring/Krita_filling_lineart_mask_3.png" -msgstr "" - #: ../../tutorials/flat-coloring.rst:1 msgid "Common workflows used in Krita" msgstr "" #: ../../tutorials/flat-coloring.rst:13 msgid "Flat Coloring" msgstr "" #: ../../tutorials/flat-coloring.rst:15 msgid "" "So you've got a cool black on white drawing, and now you want to color it! " "The thing we’ll aim for in this tutorial is to get your line art colored in " "with flat colors. So no shading just yet. We’ll be going through some " "techniques for preparing the line art, and we’ll be using the layer docker " "to put each color on a separate layer, so we can easily access each color " "when we add shading." msgstr "" #: ../../tutorials/flat-coloring.rst:17 msgid "" "This tutorial is adapted from this `tutorial `_ by " "the original author." msgstr "" #: ../../tutorials/flat-coloring.rst:20 msgid "Understanding Layers" msgstr "" #: ../../tutorials/flat-coloring.rst:22 msgid "" "To fill line art comfortably, it's best to take advantage of the layerstack. " "The layer stack is pretty awesome, and it's one of those features that make " "digital art super-convenient." msgstr "" #: ../../tutorials/flat-coloring.rst:24 msgid "" "In traditional art, it is not uncommon to first draw the full background " "before drawing the subject. Or to first draw a line art and then color it " "in. Computers have a similar way of working." msgstr "" #: ../../tutorials/flat-coloring.rst:26 msgid "" "In programming, if you tell a computer to draw a red circle, and then " "afterwards tell it to draw a smaller yellow circle, you will see the small " "yellow circle overlap the red circle. Switch the commands around, and you " "will not see the yellow circle at all: it was drawn before the red circle " "and thus ‘behind’ it." msgstr "" #: ../../tutorials/flat-coloring.rst:28 msgid "" "This is referred to as the “drawing order”. So like the traditional artist, " "the computer will first draw the images that are behind everything, and " "layer the subject and foreground on top of it. The layer docker is a way for " "you to control the drawing order of multiple images, so for example, you can " "have your line art drawn later than your colors, meaning that the lines will " "be drawn over the colors, making it easier to make it neat!" msgstr "" #: ../../tutorials/flat-coloring.rst:30 msgid "" "Other things that a layer stack can do are blending the colors of different " "layers differently with blending modes, using a filter in the layer stack, " "or using a mask that allows you to make parts transparent." msgstr "" #: ../../tutorials/flat-coloring.rst:32 msgid "" "Programmers talk about transparency as ''Alpha'', which is because the 'a' " "symbol is used to present transparency in the algorithms for painting one " "color on top of another. Usually when you see the word ''Alpha'' in a " "graphics program, just think of it as affecting the transparency." msgstr "" #: ../../tutorials/flat-coloring.rst:35 msgid "Preparing your line art" msgstr "" #: ../../tutorials/flat-coloring.rst:37 msgid "" "Put the new layer underneath the layer containing the line art (drag and " "drop or use the up/down arrows for that), and draw on it." msgstr "" #: ../../tutorials/flat-coloring.rst:42 msgid "" "…And notice nothing happening. This is because the white isn’t transparent. " "You wouldn’t really want it to either, how else would you make convincing " "highlights? So what we first need to do to color in our drawing is prepare " "our line art. There’s several methods of doing so, each with varying " "qualities." msgstr "" #: ../../tutorials/flat-coloring.rst:45 msgid "The Multiply Blending Mode" msgstr "" #: ../../tutorials/flat-coloring.rst:47 msgid "" "So, typically, to get a black and white line art usable for coloring, you " "can set the blending mode of the line art layer to Multiply. You do this by " "selecting the layer and going to the drop-down that says **Normal** and " "setting that to **Multiply**." msgstr "" #: ../../tutorials/flat-coloring.rst:52 msgid "And then you should be able to see your colors!" msgstr "" #: ../../tutorials/flat-coloring.rst:54 msgid "" "Multiply is not a perfect solution however. For example, if through some " "image editing magic I make the line art blue, it results into this:" msgstr "" #: ../../tutorials/flat-coloring.rst:59 msgid "" "This is because multiply literally multiplies the colors. So it uses maths!" msgstr "" #: ../../tutorials/flat-coloring.rst:61 msgid "" "What it first does is take the values of the RGB channels, then divides them " "by the max (because we're in 8bit, this is 255), a process we call " "normalising. Then it multiplies the normalised values. Finally, it takes the " "result and multiplies it with 255 again to get the result values." msgstr "" #: ../../tutorials/flat-coloring.rst:67 msgid "Pink" msgstr "" #: ../../tutorials/flat-coloring.rst:68 msgid "Pink (normalised)" msgstr "" #: ../../tutorials/flat-coloring.rst:69 ../../tutorials/flat-coloring.rst:87 msgid "Blue" msgstr "" #: ../../tutorials/flat-coloring.rst:70 msgid "Blue (normalised)" msgstr "" #: ../../tutorials/flat-coloring.rst:71 msgid "Normalised, multiplied" msgstr "" #: ../../tutorials/flat-coloring.rst:72 msgid "Result" msgstr "" #: ../../tutorials/flat-coloring.rst:73 msgid "Red" msgstr "" #: ../../tutorials/flat-coloring.rst:74 msgid "222" msgstr "" #: ../../tutorials/flat-coloring.rst:75 msgid "0.8705" msgstr "" #: ../../tutorials/flat-coloring.rst:76 msgid "92" msgstr "" #: ../../tutorials/flat-coloring.rst:77 msgid "0.3607" msgstr "" #: ../../tutorials/flat-coloring.rst:78 msgid "0.3139" msgstr "" #: ../../tutorials/flat-coloring.rst:79 msgid "80" msgstr "" #: ../../tutorials/flat-coloring.rst:80 msgid "Green" msgstr "" #: ../../tutorials/flat-coloring.rst:81 msgid "144" msgstr "" #: ../../tutorials/flat-coloring.rst:82 msgid "0.5647" msgstr "" #: ../../tutorials/flat-coloring.rst:83 msgid "176" msgstr "" #: ../../tutorials/flat-coloring.rst:84 msgid "0.6902" msgstr "" #: ../../tutorials/flat-coloring.rst:85 msgid "0.3897" msgstr "" #: ../../tutorials/flat-coloring.rst:86 msgid "99" msgstr "" #: ../../tutorials/flat-coloring.rst:88 msgid "123" msgstr "" #: ../../tutorials/flat-coloring.rst:89 msgid "0.4823" msgstr "" #: ../../tutorials/flat-coloring.rst:90 msgid "215" msgstr "" #: ../../tutorials/flat-coloring.rst:91 msgid "0.8431" msgstr "" #: ../../tutorials/flat-coloring.rst:92 msgid "0.4066" msgstr "" #: ../../tutorials/flat-coloring.rst:93 msgid "103" msgstr "" #: ../../tutorials/flat-coloring.rst:95 msgid "" "This isn't completely undesirable, and a lot of artists use this effect to " "add a little richness to their colors." msgstr "" #: ../../tutorials/flat-coloring.rst:98 ../../tutorials/flat-coloring.rst:127 #: ../../tutorials/flat-coloring.rst:154 ../../tutorials/flat-coloring.rst:173 #: ../../tutorials/flat-coloring.rst:210 ../../tutorials/flat-coloring.rst:247 #: ../../tutorials/flat-coloring.rst:275 ../../tutorials/flat-coloring.rst:317 msgid "Advantages" msgstr "" #: ../../tutorials/flat-coloring.rst:100 msgid "" "Easy, can work to your benefit even with colored lines by softening the look " "of the lines while keeping nice contrast." msgstr "" #: ../../tutorials/flat-coloring.rst:103 ../../tutorials/flat-coloring.rst:132 #: ../../tutorials/flat-coloring.rst:159 ../../tutorials/flat-coloring.rst:178 #: ../../tutorials/flat-coloring.rst:215 ../../tutorials/flat-coloring.rst:252 #: ../../tutorials/flat-coloring.rst:280 ../../tutorials/flat-coloring.rst:322 msgid "Disadvantages" msgstr "" #: ../../tutorials/flat-coloring.rst:105 msgid "Not actually transparent. Is a little funny with colored lines." msgstr "" #: ../../tutorials/flat-coloring.rst:108 msgid "Using Selections" msgstr "" #: ../../tutorials/flat-coloring.rst:110 msgid "" "The second method is one where we'll make it actually transparent. In other " "programs this would be done via the channel docker, but Krita doesn't do " "custom channels, instead it uses Selection Masks to store custom selections." msgstr "" #: ../../tutorials/flat-coloring.rst:112 msgid "Duplicate your line art layer." msgstr "" #: ../../tutorials/flat-coloring.rst:114 msgid "" "Convert the duplicate to a selection mask. |mouseright| the layer, then :" "menuselection:`Convert --> to Selection Mask`." msgstr "" #: ../../tutorials/flat-coloring.rst:118 msgid "" "Invert the selection mask. :menuselection:`Select --> Invert Selection`." msgstr "" #: ../../tutorials/flat-coloring.rst:120 msgid "" "Make a new layer, and do :menuselection:`Edit --> Fill with Foreground " "Color`." msgstr "" #: ../../tutorials/flat-coloring.rst:124 msgid "And you should now have the line art on a separate layer." msgstr "" #: ../../tutorials/flat-coloring.rst:129 msgid "Actual transparency." msgstr "" #: ../../tutorials/flat-coloring.rst:134 msgid "Doesn't work when the line art is colored." msgstr "" #: ../../tutorials/flat-coloring.rst:137 msgid "Using Masks" msgstr "" #: ../../tutorials/flat-coloring.rst:139 msgid "This is a simpler variation of the above." msgstr "" #: ../../tutorials/flat-coloring.rst:141 msgid "Make a filled layer underneath the line art layer." msgstr "" #: ../../tutorials/flat-coloring.rst:145 msgid "" "Convert the line art layer to a transparency mask |mouseright| the layer, " "then :menuselection:`Convert --> to Transparency Mask`." msgstr "" #: ../../tutorials/flat-coloring.rst:149 msgid "" "Invert the transparency mask by going to :menuselection:`Filter --> Adjust --" "> Invert`" msgstr "" #: ../../tutorials/flat-coloring.rst:156 msgid "" "Actual transparency. You can also very easily doodle a pattern on the filled " "layer where the mask is on without affecting the transparency." msgstr "" #: ../../tutorials/flat-coloring.rst:161 msgid "" "Doesn't work when the line art is colored already. We can still get faster." msgstr "" #: ../../tutorials/flat-coloring.rst:164 msgid "Using Color to Alpha" msgstr "" #: ../../tutorials/flat-coloring.rst:166 msgid "By far the fastest way to get transparent line art." msgstr "" #: ../../tutorials/flat-coloring.rst:168 msgid "" "Select the line art layer and apply the color to alpha filter. :" "menuselection:`Filter --> Colors --> Color to Alpha`. The default values " "should be sufficient for line art." msgstr "" #: ../../tutorials/flat-coloring.rst:171 msgid "" ".. image:: images/en/flat-coloring/Krita_filling_lineart_color_to_alpha.png" msgstr "" #: ../../tutorials/flat-coloring.rst:175 msgid "" "Actual transparency. Works with colored line art as well, because it removes " "the white specifically." msgstr "" #: ../../tutorials/flat-coloring.rst:180 msgid "" "You'll have to lock the layer transparency or separate out the alpha via the " "right-click menu if you want to easily color it." msgstr "" #: ../../tutorials/flat-coloring.rst:184 msgid "Coloring the image" msgstr "" #: ../../tutorials/flat-coloring.rst:186 msgid "" "Much like preparing the line art, there are many different ways of coloring " "a layer." msgstr "" #: ../../tutorials/flat-coloring.rst:188 msgid "" "You could for example fill in everything by hand, but while that is very " "precise it also takes a lot of work. Let's take a look at the other options, " "shall we?" msgstr "" #: ../../tutorials/flat-coloring.rst:191 msgid "Fill Tool" msgstr "" #: ../../tutorials/flat-coloring.rst:196 msgid "" "In most cases the fill-tool can’t deal with the anti-aliasing (the soft edge " "in your line art to make it more smooth when zoomed out) In Krita you have " "the grow-shrink option. Setting that to say… 2 expands the color two pixels." msgstr "" #: ../../tutorials/flat-coloring.rst:198 msgid "" "Threshold decides when the fill-tool should consider a different color pixel " "to be a border. And the feathering adds an extra soft border to the fill." msgstr "" #: ../../tutorials/flat-coloring.rst:200 msgid "" "Now, if you click on a gapless-part of the image with your preferred color… " "(Remember to set the opacity to 1.0!)" msgstr "" #: ../../tutorials/flat-coloring.rst:202 msgid "" "Depending on your line art, you can do flats pretty quickly. But setting the " "threshold low can result in little artifacts around where lines meet:" msgstr "" #: ../../tutorials/flat-coloring.rst:207 msgid "" "However, setting the threshold high can end with the fill not recognizing " "some of the lighter lines. Besides these little artifacts can be removed " "with the brush easily." msgstr "" #: ../../tutorials/flat-coloring.rst:212 msgid "Pretty darn quick depending on the available settings." msgstr "" #: ../../tutorials/flat-coloring.rst:217 msgid "" "Again, not great with gaps or details. And it works best with aliased line " "art." msgstr "" #: ../../tutorials/flat-coloring.rst:220 msgid "Selections" msgstr "" #: ../../tutorials/flat-coloring.rst:222 msgid "Selections work using the selection tools." msgstr "" #: ../../tutorials/flat-coloring.rst:227 msgid "" "For example with the :ref:`bezier_curve_selection_tool` you can easily " "select a curved area, and the with :kbd:`Shift` + |mouseleft| (not |" "mouseleft| + :kbd:`Shift`, there's a difference!) you can easily add to an " "existing selection." msgstr "" #: ../../tutorials/flat-coloring.rst:232 msgid "" "You can also edit the selection if you have :menuselection:`Select --> Show " "Global Selection Mask` turned on. Then you can select the global selection " "mask, and paint on it. (Above with the alternative selection mode, activated " "in the lower-left corner of the stats bar)" msgstr "" #: ../../tutorials/flat-coloring.rst:234 msgid "" "When done, select the color you want to fill it with and press :kbd:`Shift` " "+ `backspace`." msgstr "" #: ../../tutorials/flat-coloring.rst:239 msgid "" "You can save selections in selection masks by |mouseright| a layer, and then " "going to :menuselection:`Add --> Local Selection`. You first need to " "deactivate a selection by pressing the circle before adding a new selection." msgstr "" #: ../../tutorials/flat-coloring.rst:241 msgid "" "This can serve as an alternative way to split out different parts of the " "image, which is good for more painterly pieces:" msgstr "" #: ../../tutorials/flat-coloring.rst:249 msgid "A bit more precise than filling." msgstr "" #: ../../tutorials/flat-coloring.rst:254 msgid "Previewing your color isn't as easy." msgstr "" #: ../../tutorials/flat-coloring.rst:257 msgid "Geometric tools" msgstr "" #: ../../tutorials/flat-coloring.rst:259 msgid "" "So you have a tool for making rectangles or circles. And in the case of " "Krita, a tool for bezier curves. Select the path tool (|path tool|), and set " "the tool options to fill=foreground and outline=none. Make sure that your " "opacity is set to 1.00 (fully opaque)." msgstr "" #: ../../tutorials/flat-coloring.rst:262 msgid "" ".. image:: images/icons/bezier_curve.svg\n" " :alt: path tool" msgstr "" #: ../../tutorials/flat-coloring.rst:264 msgid "" "By clicking and holding, you can influence how curvy a line draw with the " "path tool is going to be. Letting go of the mouse button confirms the " "action, and then you’re free to draw the next point." msgstr "" #: ../../tutorials/flat-coloring.rst:269 msgid "" "You can also erase with a geometric tool. Just press :kbd:`E` or the eraser " "button." msgstr "" #: ../../tutorials/flat-coloring.rst:277 msgid "" "Quicker than using the brush or selections. Also decent with line art that " "contains gaps." msgstr "" #: ../../tutorials/flat-coloring.rst:282 msgid "" "Fiddly details aren’t easy to fill in with this. So I recommend skipping " "those and filling them in later with a brush." msgstr "" #: ../../tutorials/flat-coloring.rst:285 msgid "Colorize Mask" msgstr "" #: ../../tutorials/flat-coloring.rst:287 msgid "" "So, this is a bit of an odd one. In the original tutorial, you'll see I'm " "suggesting using G'Mic, but that was a few years ago, and g'mic is a little " "unstable on windows. Therefore, the Krita developers have been attempting to " "make an internal tool doing the same." msgstr "" #: ../../tutorials/flat-coloring.rst:289 msgid "" "It is disabled in 3.1, but if you use 4.0 or later, it is in the toolbox. " "Check the Colorize Mask for more information." msgstr "" #: ../../tutorials/flat-coloring.rst:291 msgid "So it works like this:" msgstr "" #: ../../tutorials/flat-coloring.rst:293 msgid "Select the colorize mask tool." msgstr "" #: ../../tutorials/flat-coloring.rst:294 msgid "Tick the layer you're using." msgstr "" #: ../../tutorials/flat-coloring.rst:295 msgid "Paint the colors you want to use on the colorize mask" msgstr "" #: ../../tutorials/flat-coloring.rst:296 msgid "Click update to see the results:" msgstr "" #: ../../tutorials/flat-coloring.rst:301 msgid "" "When you are satisfied, |mouseright| the colorize mask, and go to :" "menuselection:`Convert --> Paint Layer`. This will turn the colorize mask to " "a generic paint layer. Then, you can fix the last issues by making the line " "art semi-transparent and painting the flaws away with a pixel art brush." msgstr "" #: ../../tutorials/flat-coloring.rst:306 msgid "" "Then, when you are done, split the layers via :menuselection:`Layer --> " "Split --> Split Layer`. There are a few options you can choose, but the " "following should be fine:" msgstr "" #: ../../tutorials/flat-coloring.rst:311 msgid "" "Finally, press **Ok** and you should get the following. Each color patch it " "on a different layer, named by the palette in the menu and alpha locked, so " "you can start painting right away!" msgstr "" #: ../../tutorials/flat-coloring.rst:319 msgid "" "Works with anti-aliased line art. Really quick to get the base work done. " "Can auto-close gaps." msgstr "" #: ../../tutorials/flat-coloring.rst:324 msgid "" "No anti-aliasing of its own. You have to choose between getting details " "right or the gaps auto-closed." msgstr "" #: ../../tutorials/flat-coloring.rst:327 msgid "Conclusion" msgstr "" #: ../../tutorials/flat-coloring.rst:329 msgid "" "I hope this has given you a good idea of how to fill in flats using the " "various techniques, as well as getting a hand of different Krita features. " "Remember that a good flat filled line art is better than a badly shaded one, " "so keep practicing to get the best out of these techniques!" msgstr "" diff --git a/locale/ja/LC_MESSAGES/user_manual/loading_saving_brushes.po b/locale/ja/LC_MESSAGES/user_manual/loading_saving_brushes.po index 72a6c44b6..4d44b0c10 100644 --- a/locale/ja/LC_MESSAGES/user_manual/loading_saving_brushes.po +++ b/locale/ja/LC_MESSAGES/user_manual/loading_saving_brushes.po @@ -1,942 +1,942 @@ msgid "" msgstr "" "Project-Id-Version: Krita Manual 4.1\n" "Report-Msgid-Bugs-To: \n" -"POT-Creation-Date: 2019-04-13 03:33+0200\n" +"POT-Creation-Date: 2019-04-14 03:33+0200\n" "PO-Revision-Date: 2019-03-02 16:12-0800\n" "Last-Translator: Japanese KDE translation team \n" "Language-Team: Japanese \n" "Language: ja\n" "MIME-Version: 1.0\n" "Content-Type: text/plain; charset=UTF-8\n" "Content-Transfer-Encoding: 8bit\n" "Plural-Forms: nplurals=2; plural=n != 1;\n" "X-Accelerator-Marker: &\n" "X-Text-Markup: kde4\n" -#: ../../user_manual/loading_saving_brushes.rst:None -msgid ".. image:: images/en/Krita_4_0_Brush_Settings_Layout.svg" -msgstr "" - #: ../../user_manual/loading_saving_brushes.rst:0 msgid ".. image:: images/en/Krita_4_0_dirty_preset_icon.png" msgstr "" +#: ../../user_manual/loading_saving_brushes.rst:None +msgid ".. image:: images/en/Krita_4_0_Brush_Settings_Layout.svg" +msgstr "" + #: ../../user_manual/loading_saving_brushes.rst:1 msgid "" "Detailed guide on the brush settings dialog in Krita as well as how to make " "your own brushes and how to share them." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:17 msgid "Loading and Saving Brushes" msgstr "" #: ../../user_manual/loading_saving_brushes.rst:19 msgid "" "In the real world, when painting or drawing, you don't just use one tool. " "You use pencils, erasers, paintbrushes, different types of paint, inks, " "crayons, etc. All these have different ways of making marks." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:23 msgid "" "In a digital program like Krita you have something similar. We call this a " "brush engine. And much like how cars have different engines that give " "different feels when driving, or how pencils make distinctly different marks " "than rollerball pens, different brush engines have totally different feels." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:29 msgid "" "The brush engines have a lot of different settings as well. So, you can save " "those settings into presets." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:32 msgid "" "Unlike Photoshop, Krita makes a difference between brush-tips and brush-" "presets. Tips are only a stamp of sorts, while the preset uses a tip and " "many other settings to create the full brush." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:37 msgid "The Brush settings drop-down" msgstr "" #: ../../user_manual/loading_saving_brushes.rst:39 msgid "" "To start, the Brush Settings Editor panel can be accessed in the toolbar, " "between the :guilabel:`Blending Modes` button on the right and the :guilabel:" "`Patterns` button on the left. Alternately, you can use the function key :" "kbd:`F5` to open it." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:44 msgid "" "When you open Brush Settings Editor panel you will see something like this:" msgstr "" #: ../../user_manual/loading_saving_brushes.rst:48 msgid "Tour of the brush settings drop-down" msgstr "" #: ../../user_manual/loading_saving_brushes.rst:53 msgid "The brush settings drop-down is divided into six areas," msgstr "" #: ../../user_manual/loading_saving_brushes.rst:56 msgid "Section A - General Information" msgstr "" #: ../../user_manual/loading_saving_brushes.rst:58 msgid "" "This contains the **Preset Icon**, **Live Brush Preview**, the **Preset " "Name**, the **Engine** name, and several buttons for saving, renaming, and " "reloading." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:62 msgid "" "Krita's brush settings are stored into the metadata of a 200x200 png (the " "KPP file), where the image in the png file becomes the preset icon. This " "icon is used everywhere in Krita, and is useful for differentiating brushes " "in ways that the live preview cannot." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:67 msgid "" "The live preview shows a stroke of the current brush as a little s-curve " "wiggle, with the pressure being non-existent on the left, and increasing to " "full pressure as it goes to the right. It can thus show the effect of the " "Pressure, Drawing Angle, Distance, Fade and Fuzzy Dab sensors, but none of " "the others. For some brush engines it cannot show anything. For the color " "smudge, filter brush and clone tool, it shows an alternating line pattern " "because these brush engines use the pixels already on canvas to change their " "effect." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:75 msgid "" "After the preset name, there's a button for **renaming** the brush. This " "will save the brush as a new brush and blacklist the previous name." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:79 msgid "Engine" msgstr "" #: ../../user_manual/loading_saving_brushes.rst:81 msgid "" "The engine of a brush is the underlying programming that generates the " "stroke from a brush. What that means is that different brush engines have " "different options and different results. You can see this as the difference " "between using crayons, pencils and inks, but because computers are maths " "devices, most of our brush engines produce different things in a more " "mathematical way." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:88 msgid "" "For most artists the mathematical nature doesn't matter as much as the " "different textures and marks each brush engine, and each brush engine has " "its own distinct flavor and use, and can be further customized by modifying " "the options." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:94 msgid "Reloading" msgstr "" #: ../../user_manual/loading_saving_brushes.rst:96 msgid "" "If you change a preset, an icon will appear behind the engine name. This is " "the :guilabel:`reload` button. You can use it to revert to the original " "brush settings." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:101 msgid "Saving a preset" msgstr "" #: ../../user_manual/loading_saving_brushes.rst:103 msgid "" "On the right, there's :guilabel:`Save New Brush Preset` and :guilabel:" "`Overwrite Brush`." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:106 msgid "" "This will only enable if there are any changes. Pressing this will override " "the current preset with the new settings, keeping the name and the icon " "intact. It will always make a timestamped back up in the resources folder." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:108 msgid "Overwrite Brush" msgstr "" #: ../../user_manual/loading_saving_brushes.rst:111 msgid "" "Will take the current preset and all its changes and save it as a new " "preset. If no change was made, you will be making a copy of the current " "preset." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:113 msgid "Save New Brush Preset" msgstr "" #: ../../user_manual/loading_saving_brushes.rst:115 msgid "" "Save new preset will call up the following window, with a mini scratch pad, " "and all sorts of options to change the preset icon:" msgstr "" #: ../../user_manual/loading_saving_brushes.rst:119 msgid ".. image:: images/en/Krita_4_0_Save_New_Brush_Preset_Dialog.png" msgstr "" #: ../../user_manual/loading_saving_brushes.rst:120 msgid "" "The image on the left is a mini scratchpad, you can draw on it with the " "current brush, allowing small modifications on the fly." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:124 msgid "" "The Name of your brush. This is also used for the KPP file. If there's " "already a brush with that name, it will effectively overwrite it." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:125 msgid "Brush Name" msgstr "" #: ../../user_manual/loading_saving_brushes.rst:127 msgid "Load Existing Thumbnail" msgstr "" #: ../../user_manual/loading_saving_brushes.rst:128 msgid "This will load the existing thumbnail inside the preset." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:130 msgid "Load scratch pad thumbnail" msgstr "" #: ../../user_manual/loading_saving_brushes.rst:130 msgid "" "This will load the dashed area from the big scratch pad (Section C) into the " "thumbnail area." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:132 msgid "Load Image" msgstr "" #: ../../user_manual/loading_saving_brushes.rst:133 msgid "With this you can choose an image from disk to load as a thumbnail." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:134 msgid "Load from Icon Library" msgstr "" #: ../../user_manual/loading_saving_brushes.rst:135 msgid "This opens up the icon library." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:137 msgid "Clear Thumbnail" msgstr "" #: ../../user_manual/loading_saving_brushes.rst:137 msgid "This will make the mini scratch pad white." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:140 msgid "The Icon Library" msgstr "" #: ../../user_manual/loading_saving_brushes.rst:142 msgid "To make making presets icons faster, Krita got an icon library." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:145 msgid ".. image:: images/en/Krita_4_0_Preset_Icon_Library_Dialog.png" msgstr "" #: ../../user_manual/loading_saving_brushes.rst:146 msgid "" "It allows you to select tool icons, and an optional small emblem. When you " "press :guilabel:`OK` it will load the resulting combination into the mini " "scratch pad and you can draw in the stroke." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:150 msgid "" "If you go to your resources folder, there's a folder there called \"preset" "\\_icons\", and in this folder there are \"tool\\_icons\" and \"emblem" "\\_icons\". You can add semi-transparent pngs here and Krita will load those " "into the icon library as well so you can customize your icons even more!" msgstr "" #: ../../user_manual/loading_saving_brushes.rst:156 msgid "" "At the top right of the icon library, there are three sliders. They allow " "you to adjust the tool icon. The top two are the same Hue and Saturation as " "in HSL adjustment, and the lowest slider is a super simple levels filter. " "This is done this way because the levels filter allows maintaining the " "darkest shadows and brightest highlights on a tool icon, making it much " "better for quick adjustments." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:163 msgid "" "If you're done with everything, you can press :guilabel:`Save` in the :" "guilabel:`Save New Preset` dialog and Krita will save the new brush." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:167 msgid "Section B - The Preset Chooser" msgstr "" #: ../../user_manual/loading_saving_brushes.rst:169 msgid "" "The preset chooser is much the same as the preset docker and the preset drop-" "down on :kbd:`F6`. It's unique in that it allows you to filter by engine and " "this is also where you can create brushes for an engine from scratch." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:174 msgid "" "It is by default collapsed, so you will need to press the arrow at the top " "left of the brush engine to show it." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:177 msgid "" "The top drop-down is set to “all” by default, which means it shows all " "engines. It then shows a tag section where you can select the tags, the " "preset list and the search bar." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:181 msgid "" "Underneath that there's a plus icon, which when pressed gives you the full " "list of Krita's engines. Selecting an engine from the list will show the " "brushes for that engine." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:185 msgid "" "The trashcan icon does the same as it does in the preset docker: delete, or " "rather, blacklist a preset so it won't show up in the list." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:189 msgid "Section C - The Scratch pad" msgstr "" #: ../../user_manual/loading_saving_brushes.rst:191 msgid "" "When you tweak your brushes, you want to be able to check what each setting " "does. That's why, to the right of the settings drop-down, there is a scratch " "pad." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:195 msgid "" "It is by default collapsed, so you will have to press the arrow at the top " "right of the brush settings to show it." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:198 msgid "" "When saving a new preset, you can choose to get the icon from the scratch " "pad, this will load the dash area into the mini scratch pad of the Save New " "Preset dialog." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:202 msgid "The scratch pad has five buttons underneath it. These are in order for:" msgstr "" #: ../../user_manual/loading_saving_brushes.rst:204 msgid "Showing the current brush image" msgstr "" #: ../../user_manual/loading_saving_brushes.rst:206 msgid "Adding a gradient to the scratch pad (useful for smudge brushes)" msgstr "" #: ../../user_manual/loading_saving_brushes.rst:207 msgid "Filling with the background color" msgstr "" #: ../../user_manual/loading_saving_brushes.rst:208 msgid "Clearing everything on the scratch pad" msgstr "" #: ../../user_manual/loading_saving_brushes.rst:211 msgid "Section D - The Options List" msgstr "" #: ../../user_manual/loading_saving_brushes.rst:213 msgid "" "The options, as stated above, are different per brush engine. These " "represent the different parameters, toggles and knobs that you can turn to " "make a brush preset unique. For a couple of options, the main things to " "change are sliders and check boxes, but for a lot of them, they use curves " "instead." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:219 msgid "" "Some options can be toggled, as noted by the little check boxes next to " "them, but others, like flow and opacity are so fundamental to how the brush " "works, that they are always on." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:223 msgid "" "The little padlock icon next to the options is for locking the brush. This " "has its own page." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:227 msgid "Section E - Option Configuration Widget" msgstr "" #: ../../user_manual/loading_saving_brushes.rst:229 msgid "" "Where section D is the list of options, section E is the widget where you " "can change things." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:233 msgid "Using sensor curves" msgstr "" #: ../../user_manual/loading_saving_brushes.rst:235 msgid "" "One of the big important things that make art unique to the artist who " "created it is the style of the strokes. Strokes are different because they " "differ in speed, rotation, direction, and the amount of pressure put onto " "the stylus. Because these are so important, we would want to customize how " "these values are understood in detail. The best way to do this is to use " "curves." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:242 msgid "" "Curves show up with the size widget for example. With an inking brush, we " "want to have size mapped to pressure. Just toggling the size option in the " "option list will do that." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:246 msgid "" "However, different people have different wrists and thus will press " "differently on their stylus. Someone who presses softly tends to find it " "easy to make thin strokes, but very difficult to make thick strokes. " "Conversely, someone who presses hard on their stylus naturally will have a " "hard time making thin strokes, but easily makes thick ones." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:252 msgid "" "Such a situation can be improved by using the curves to map pressure to " "output thinner lines or thicker ones." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:255 msgid "" "The brush settings curves even have quick curve buttons for these at the " "top. Someone who has a hard time making small strokes should try the second " "to last concave button, while someone who has a hard time making thick " "strokes should try the third button, the S shape." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:260 msgid "Underneath the curve widget there are two more options:" msgstr "" #: ../../user_manual/loading_saving_brushes.rst:263 msgid "" "This is for the list of sensors. Toggling this will make all the sensors use " "the same curve. Unchecked, all checked sensors will have separate curves." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:264 msgid "Share Curves across all settings" msgstr "" #: ../../user_manual/loading_saving_brushes.rst:267 msgid "" "This indicates how the multiple values of the sensor curves are used. The " "curves always go from 0 to 1.0, so if one curve outputs 0.5 and the other " "0.7, then..." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:271 msgid "Multiply" msgstr "" #: ../../user_manual/loading_saving_brushes.rst:272 msgid "Will multiply the two values, 0.5\\*0.7 = 0.35." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:274 msgid "Addition" msgstr "" #: ../../user_manual/loading_saving_brushes.rst:274 msgid "" "Will add the two to a maximum of 1.0, so 0.5+0.7 = 1.2, which is then capped " "at 1.0." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:277 msgid "Maximum" msgstr "" #: ../../user_manual/loading_saving_brushes.rst:277 msgid "" "Will compare the two and pick the largest. So in the case of 0.5 and 0.7, " "the result is 0.7." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:280 msgid "Minimum" msgstr "" #: ../../user_manual/loading_saving_brushes.rst:280 msgid "" "Will compare the two and pick the smallest. So in the case of 0.5 and 0.7, " "the result is 0.5." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:283 msgid "Will subtract the smallest value from the largest, so 0.7-0.5 = 0.2." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:284 msgid "Curves Calculation Mode" msgstr "" #: ../../user_manual/loading_saving_brushes.rst:284 msgid "Difference" msgstr "" #: ../../user_manual/loading_saving_brushes.rst:286 msgid "It's maybe better to see with the following example:" msgstr "" #: ../../user_manual/loading_saving_brushes.rst:289 msgid ".. image:: images/en/Krita_4_0_brush_curve_calculation_mode.png" msgstr "" #: ../../user_manual/loading_saving_brushes.rst:290 msgid "" "The first two are regular, the rest with different multiplication types." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:292 msgid "Is a brush with size set to the distance sensor." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:293 msgid "Is a brush with the size set to the fade sensor." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:294 msgid "The size is calculated from the fade and distance sensors multiplied." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:295 msgid "" "The size is calculated from the fade and distance sensors added to each " "other. Notice how thick it is." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:297 msgid "" "The size takes the maximum value from the values of the fade and distance " "sensors." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:299 msgid "" "The size takes the minimum value from the values of the fade and distance " "sensors." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:301 msgid "" "The size is calculated by having the largest of the values subtracted with " "the smallest of the values." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:305 msgid "Section F - Miscellaneous options" msgstr "" #: ../../user_manual/loading_saving_brushes.rst:308 msgid "" "This enables dirty presets. Dirty presets store the tweaks you make as long " "as this session of Krita is active. After that, they revert to default. " "Dirtied presets can be recognized by the icon in the top-left of the preset." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:316 msgid "Temporarily Save Tweaks to Preset (Dirty Presets)" msgstr "" #: ../../user_manual/loading_saving_brushes.rst:316 msgid "" "The icon in the top left of the first two presets indicate it is “Dirty”, " "meaning there are tweaks made to the preset." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:319 msgid "Eraser Switch Size" msgstr "" #: ../../user_manual/loading_saving_brushes.rst:319 msgid "" "This switches the brush to a separately stored size when using the :kbd:`E` " "key." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:321 msgid "Eraser Switch Opacity" msgstr "" #: ../../user_manual/loading_saving_brushes.rst:322 msgid "Same as above, but then with Eraser opacity." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:324 msgid "" "This allows you to toggle instant preview on the brush. The Instant Preview " "has a super-secret feature: when you press the instant preview label, and " "then right click it, it will show a threshold slider. This slider determines " "at what brush size instant preview is activated for the brush. This is " "useful because small brushes can be slower with instant preview, so the " "threshold ensures it only activates when necessary." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:330 msgid "Instant Preview" msgstr "" #: ../../user_manual/loading_saving_brushes.rst:333 msgid "The On-canvas brush settings" msgstr "" #: ../../user_manual/loading_saving_brushes.rst:335 msgid "" "There are on-canvas brush settings. If you open up the pop-up palette, there " "should be an icon on the bottom-right. Press that to show the on-canvas " "brush settings. You will see several sliders here, to quickly make small " "changes." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:340 msgid "" "At the top it shows the currently active preset. Next to that is a settings " "button, click that to get a list of settings that can be shown and organized " "for the given brush engine. You can use the up and down arrows to order " "their position, and then left and right arrows to add or remove from the " "list. You can also drag and drop." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:347 msgid "Making a Brush Preset" msgstr "" #: ../../user_manual/loading_saving_brushes.rst:349 msgid "Now, let's make a simple brush to test the waters with:" msgstr "" #: ../../user_manual/loading_saving_brushes.rst:352 msgid "Getting a default for the brush engine." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:354 msgid "First, open the settings with :kbd:`F5`." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:356 msgid "" "Then, press the arrow on the upper left to open the preset chooser. There, " "press the “+” icon to get a list of engines. For this brush we're gonna make " "a pixel brush." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:361 msgid "Example: Making an inking brush" msgstr "" #: ../../user_manual/loading_saving_brushes.rst:363 msgid "" "Draw on the scratch pad to see what the current brush looks like. If done " "correctly, you should have a 5px wide brush that has pressure set to opacity." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:366 msgid "" "Let us turn off the opacity first. Click on the :ref:`opacity " "` option in the right-hand list. The settings should " "now be changed to a big curve. This is the sensor curve." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:370 msgid "Uncheck the :guilabel:`Enable Pen Settings` checkbox." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:371 msgid "" "Test on the scratch pad... there still seems to be something affecting " "opacity. This is due to the :ref:`flow ` option." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:375 msgid "" "Select the Flow option from the list on the right hand. Flow is like " "Opacity, except that Flow is per dab, and opacity is per stroke." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:377 msgid "" "Uncheck the :guilabel:`Enable Pen Settings` checkbox here as well. Test " "again." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:378 msgid "" "Now you should be getting somewhere towards an inking brush. It is still too " "small however, and kinda grainy looking. Click :ref:`Brush Tip " "` in the brush engine options." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:381 msgid "" "Here, the diameter is the size of the brush-tip. You can touch the slider " "change the size, or right-click it and type in a value. Set it to 25 and " "test again. It should be much better." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:384 msgid "" "Now to make the brush feel a bit softer, turn down the fade parameter to " "about 0.9. This'll give the *brush mask* a softer edge." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:386 msgid "" "If you test again, you'll notice the fade doesn't seem to have much effect. " "This has to do with the spacing of the dabs: The closer they are together, " "the harder the line is. By default, this is 0.1, which is a bit low. If you " "set it to 10 and test, you'll see what kind of effect spacing has. The :ref:" "`Auto ` checkbox changes the way the spacing is calculated, " "and Auto Spacing with a value of 0.8 is the best value for inking brushes. " "Don't forget that you can use right-click to type in a value." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:395 msgid "" "Now, when you test, the fade seems to have a normal effect... except on the " "really small sizes, which look pixelly. To get rid of that, check the anti-" "aliasing check box. If you test again, the lines should be much nicer now." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:401 msgid "Saving the new Brush" msgstr "" #: ../../user_manual/loading_saving_brushes.rst:403 msgid "" "When you're satisfied, go to the upper left and select :guilabel::`Save new " "preset`." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:406 msgid "" "You will get the save preset dialog. Name the brush something like “My " "Preset”. Then, select :guilabel:`Load from Icon Library` to get the icon " "library. Choose a nice tool icon and press :guilabel:`OK`." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:410 msgid "" "The icon will be loaded into the mini scratch pad on the left. Now doodle a " "nice stroke next to it. If you feel you messed up, just go back to the icon " "library to load a new icon." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:414 msgid "Finally press :guilabel:`Save`, and your brush should be done." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:416 msgid "You can further modify your inking brush by..." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:419 msgid "" "Changing the amount of pressure you need to put on a brush to make it full " "size." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:419 msgid "" "To do this, select the :ref:`size ` option, and press the " "pressure sensor from the list next to the curve. The curve should look like " "a straight line. Now if you want a brush that gets big with little pressure, " "tick on the curve to make a point, and drag the point to the upper-left. The " "more the point is to the upper-left, the more extreme the effect. If you " "want instead a brush that you have to press really hard on to get to full " "size, drag the dot to the lower-right. Such a brush is useful for fine " "details. Don't forget to save the changes to your brush when done." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:422 msgid "Making the fine lines look even softer by using the flow option." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:422 msgid "" "To do this, select the flow option, and turn back on the :guilabel:`Enable " "Pen Settings` check box. Now if you test this, it is indeed a bit softer, " "but maybe a bit too much. Click on the curve to make a dot, and drag that " "dot to the top-left, half-way the horizontal of the first square of the " "grid. Now, if you test, the thin lines are much softer, but the hard your " "press, the harder the brush becomes." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:425 msgid "Sharing Brushes" msgstr "" #: ../../user_manual/loading_saving_brushes.rst:427 msgid "" "Okay, so you've made a new brush and want to share it. There are several " "ways to share a brush preset." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:430 msgid "" "The recommended way to share brushes and presets is by using the resource " "bundle system. We have detailed instructions on how to use them on the :ref:" "`resource management page `." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:434 msgid "" "However, there are various old-fashioned ways of sharing brushes that can be " "useful when importing and loading very old packs:" msgstr "" #: ../../user_manual/loading_saving_brushes.rst:438 msgid "Sharing a single preset" msgstr "" #: ../../user_manual/loading_saving_brushes.rst:440 msgid "There are three types of resources a single preset can take:" msgstr "" #: ../../user_manual/loading_saving_brushes.rst:442 msgid "" "A Paintoppreset file: This is the preset proper, with the icon and the " "curves stored inside." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:444 msgid "" "A Brush file: This is the brush tip. When using masked brushes, there's two " "of these." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:446 msgid "A Pattern file: this is when you are using textures." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:448 msgid "" "So when you have a brush that uses unique predefined tips for either brush " "tip or masked brush, or unique textures you will need to share those " "resources as well with the other person." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:452 msgid "" "To find those resources, go to :menuselection:`Settings --> Manage Resources " "--> Open Resource Folder`." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:454 msgid "" "There, the preset file will be inside paintoppresets, the brush tips inside " "brushes and the texture inside patterns." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:458 msgid "Importing a single KPP file." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:460 msgid "" "Now, if you want to use the single preset, you should go to the preset " "chooser on :kbd:`F6` and press the folder icon there. This will give a file " "dialog. Navigate to the kpp file and open it to import it." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:464 msgid "" "If there are brush tips and patterns coming with the file, do the same with " "pattern via the pattern docker, and for the brush-tip go to the settings " "drop-down (:kbd:`F5`) and then go to the “brush-tip” option. There, select " "predefined brush, and then the “import” button to call up the file dialog." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:471 msgid "Sharing via ZIP (old-fashioned)" msgstr "" #: ../../user_manual/loading_saving_brushes.rst:473 msgid "" "Sharing via ZIP should be replaced with resource bundles, but older brush " "packs are stored in zip files." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:477 msgid "Using a ZIP with the relevant files." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:479 msgid "" "Go to :menuselection:`Settings --> Manage Resources --> Open Resource " "Folder` to open the resource folder." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:480 msgid "Then, open up the zip file." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:481 msgid "" "Copy the brushes, paintoppresets and patterns folders from the zip file to " "the resource folder. You should get a prompt to merge the folders, agree to " "this." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:484 msgid "Restart Krita." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:485 msgid "Enjoy your brushes!" msgstr "" diff --git a/locale/nl/LC_MESSAGES/general_concepts/colors/color_managed_workflow.po b/locale/nl/LC_MESSAGES/general_concepts/colors/color_managed_workflow.po index 35f1f69d4..87ac962b4 100644 --- a/locale/nl/LC_MESSAGES/general_concepts/colors/color_managed_workflow.po +++ b/locale/nl/LC_MESSAGES/general_concepts/colors/color_managed_workflow.po @@ -1,1067 +1,1067 @@ # Dutch translations for Krita Manual package # Nederlandse vertalingen voor het pakket Krita Manual. # Copyright (C) licensed under the GNU Free Documentation License 1.3+ unless stated otherwise # This file is distributed under the same license as the Krita Manual package. # # Automatically generated, 2019. # Freek de Kruijf , 2019. msgid "" msgstr "" "Project-Id-Version: Krita Manual 4.1\n" "Report-Msgid-Bugs-To: \n" -"POT-Creation-Date: 2019-04-13 03:33+0200\n" +"POT-Creation-Date: 2019-04-14 03:33+0200\n" "PO-Revision-Date: 2019-02-19 17:04+0100\n" "Last-Translator: Freek de Kruijf \n" "Language-Team: Dutch \n" "Language: nl\n" "MIME-Version: 1.0\n" "Content-Type: text/plain; charset=UTF-8\n" "Content-Transfer-Encoding: 8bit\n" "Plural-Forms: nplurals=2; plural=n != 1;\n" "X-Generator: Lokalize 18.12.2\n" +#: ../../general_concepts/colors/color_managed_workflow.rst:0 +msgid ".. image:: images/en/color_category/Kiki_matrix_profile.png" +msgstr "" + +#: ../../general_concepts/colors/color_managed_workflow.rst:0 +msgid ".. image:: images/en/color_category/Kiki_cLUTprofiles.png" +msgstr "" + #: ../../general_concepts/colors/color_managed_workflow.rst:None msgid "" ".. image:: images/en/color_category/Krita_2_9_colormanagement_group1.png" msgstr "" ".. image:: images/en/color_category/Krita_2_9_colormanagement_group1.png" #: ../../general_concepts/colors/color_managed_workflow.rst:None msgid "" ".. image:: images/en/color_category/Krita_2_9_colormanagement_group2.png" msgstr "" ".. image:: images/en/color_category/Krita_2_9_colormanagement_group2.png" #: ../../general_concepts/colors/color_managed_workflow.rst:None msgid "" ".. image:: images/en/color_category/Krita_2_9_colormanagement_group3.png" msgstr "" ".. image:: images/en/color_category/Krita_2_9_colormanagement_group3.png" #: ../../general_concepts/colors/color_managed_workflow.rst:None msgid "" ".. image:: images/en/color_category/Krita_2_9_colormanagement_group4.png" msgstr "" ".. image:: images/en/color_category/Krita_2_9_colormanagement_group4.png" #: ../../general_concepts/colors/color_managed_workflow.rst:None msgid ".. image:: images/en/LUT_Management_Docker.png" msgstr ".. image:: images/en/LUT_Management_Docker.png" #: ../../general_concepts/colors/color_managed_workflow.rst:None msgid ".. image:: images/en/color_category/Krita_HDR_1.svg" msgstr ".. image:: images/en/color_category/Krita_HDR_1.svg" #: ../../general_concepts/colors/color_managed_workflow.rst:None msgid ".. image:: images/en/color_category/Krita_HDR2.svg" msgstr ".. image:: images/en/color_category/Krita_HDR2.svg" #: ../../general_concepts/colors/color_managed_workflow.rst:None msgid "" ".. image:: images/en/color_category/Krita-colormanaged-workflow_webcomic.svg" msgstr "" ".. image:: images/en/color_category/Krita-colormanaged-workflow_webcomic.svg" #: ../../general_concepts/colors/color_managed_workflow.rst:None msgid "" ".. image:: images/en/color_category/Krita-colormanaged-workflow_print.svg" msgstr "" ".. image:: images/en/color_category/Krita-colormanaged-workflow_print.svg" #: ../../general_concepts/colors/color_managed_workflow.rst:None msgid "" ".. image:: images/en/color_category/Krita-colormanaged-workflow_games.svg" msgstr "" -#: ../../general_concepts/colors/color_managed_workflow.rst:0 -msgid ".. image:: images/en/color_category/Kiki_matrix_profile.png" -msgstr "" - -#: ../../general_concepts/colors/color_managed_workflow.rst:0 -msgid ".. image:: images/en/color_category/Kiki_cLUTprofiles.png" -msgstr "" - #: ../../general_concepts/colors/color_managed_workflow.rst:1 msgid "How a color managed workflow works." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:17 msgid "Color Managed Workflow" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:19 msgid "" "You may have heard that Krita has something called color-management. Or " "maybe you just wondered what all these 'color model' and 'color profile' " "things you can find in the menus mean. Color management is pretty useful for " "people who work in digital imaging professionally, and hopefully this page " "will explain why." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:22 msgid "Basic Info" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:24 msgid "" "If you've never worked with color management before, and have no clue what " "it is, then know that you've probably been working in the 8bit RGB color " "space with the sRGB profile. This means you can choose for *sRGB built-in* " "or *sRGB-elle-v2-srgbtrc.icc*. With the new color space browser this profile " "is marked with *(default)* when using 8bit." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:26 msgid "" "We'll go into what these terms mean in the theory, but if you're here only " "for trying to figure out which is the default, you now know it. Maybe, after " "reading this, you may feel like changing the default, to get new and " "interesting results from filters, blending modes, or just the color smudge " "brush." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:29 msgid "What is the problem?" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:31 msgid "" "To explain the point of color management, you'd first need to learn which " "problem color management tries to solve." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:33 msgid "Let us imagine a kinder garden:" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:35 msgid "" "The class of 28 children is subdivided in groups of 7. Each group has its " "own table." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:37 msgid "" "The teacher gives them a painting assignment: They need to paint a red " "triangle, a blue square, a green circle and put a yellow border around the " "three. The kids are very experienced with painting already, so the teacher " "can confidently leave the smarter ones to their own devices, and spent more " "time on those who need help." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:40 msgid "The following results come from painting:" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:42 msgid "" "Even though all groups had the same assignment, each group's result looks " "different." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:49 msgid "" "Group 1 had vermillion red, citron yellow and ultramarine blue to their " "disposal. This means their triangle looks nice and red, but their circle's " "green is muddy. This is because ultramarine is too dark of a blue to create " "nice greens with." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:56 msgid "" "Group 2 had magenta red, citron yellow and cerulean blue. Magenta is a type " "of red that is closer to pink, opposed to vermillion, which is closer to " "orange. However, their green looks nice because cerulean is a much lighter " "blue." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:64 msgid "" "Group 3 had vermillion red, citron yellow, emerald green and cerulean blue. " "They didn't mix their green, and thus ended up with a purer color." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:71 msgid "" "Finally, group 4 has vermillion red, citron yellow and cerulean blue. Their " "colors probably look like what you imagined." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:73 msgid "" "Now, these are kindergarteners, so this isn't the largest problem in the " "world. However, imagine that something like this happened at a printing " "company? Imagine four printers printing the same magazine with wildly " "different results? That would be disastrous!" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:75 msgid "For this purpose, we invented color management." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:78 msgid "What is color management?" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:80 msgid "" "Color management is, dryly put, a set of systems that tries to have the same " "color translate properly between color devices." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:82 msgid "" "It usually works by attempting to covert a color to the reference color " "space XYZ. XYZ is a coordinate system that has a spot for all colors that " "the average human eye can see." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:84 msgid "" "From XYZ it can then be translated back into another device space, such as " "RGB (for screens), or CMYK (for printers)." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:86 msgid "" "Krita has two systems dedicated to color management. On the one hand, we " "have **lcms2**, which deal with ICC profiles, and on the other, we have " "**OCIO**, which deal with LUT color management." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:88 msgid "" "To give a crude estimate, ICC profiles deal with keeping colors consistent " "over many interpretations of devices (screens, printers) by using a " "reference space, and OCIO deals with manipulating the interpretation of said " "colors." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:90 msgid "Within both we can identify the following color spaces:" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:93 msgid "" "Device spaces are those describing your monitor, and have to be made using a " "little device that is called \"colorimeter\". This device, in combination " "with the right software, measures the strongest red, green and blue your " "screen can produce, as well as the white, black and grey it produces. Using " "these and several other measurements it creates an ICC profile unique to " "your screen. You set these in Krita's color management tab. By default we " "assume sRGB for screens, but it's very likely that your screen isn't exactly " "fitting sRGB, especially if you have a high quality screen, where it may be " "a bigger space instead. Device spaces are also why you should first consult " "with your printer what profile they expect. Many printing houses have their " "own device profiles for their printers, or may prefer doing color conversion " "themselves. You can read more about colorimeter usage :ref:`here " "`." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:94 msgid "Device spaces" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:96 msgid "Working spaces" msgstr "Werkruimten" #: ../../general_concepts/colors/color_managed_workflow.rst:97 msgid "" "These are delivered alongside Krita for ICC, and downloadable from the OCIO " "website for OCIO. Working spaces are particularly nice to do color " "calculations in, which programs like Krita do often. It's therefore " "recommended to have a working space profile for your image." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:99 msgid "Aesthetic or Look spaces" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:99 msgid "" "These are special spaces that have been deformed to give a certain look to " "an image. Krita doesn't deliver Look profiles for ICC, nor does it yet " "support Look spaces for OCIO." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:102 msgid "Color managed workflow" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:104 msgid "" "Knowing this about these spaces of course doesn't give you an idea of how to " "use them, but it does make it easier to explain how to use them. So let us " "look at a typical color management workflow:" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:110 msgid "" ".. image:: images/en/color_category/Krita-colormanaged-workflow_text.svg" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:110 msgid "" "A typical example of a color managed workflow. We have input from scanners " "and cameras, which we convert to a working space that can be used between " "different editing software, and is converted to an output space for viewing " "on screen or printing." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:112 msgid "" "In a traditional color managed workflow, we usually think in terms of real " "world colors being converted to computer colors and the other way around. " "So, for example photos from a camera or scanned in images. If you have a " "device space of such a device, we first assign said device space to the " "image, and then convert it to a working space." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:114 msgid "" "We then do all our editing in the working space, and use the working space " "to communicate between editing programs. In Krita's case, due to it having " "two color management systems, we use ICC profiles between programs like GIMP " "2.9+, Inkscape, digiKam and Scribus, and OCIO configuration between Blender " "and Natron." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:116 msgid "" "You also store your working files in the working space, just like how you " "have the layers unmerged in the working file, or have it at a very high " "resolution." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:118 msgid "" "Sometimes, we apply aesthetic or 'look' spaces to an image as part of the " "editing process. This is rather advanced, and probably not something to " "worry about in Krita's case." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:120 msgid "" "Then, when we're done editing, we try to convert to an output space, which " "is another device space. This can be CMYK for printers or a special screen " "RGB profile. When you are dealing with professional printing houses, it is " "best to ask them about this step. They have a lot of experience with doing " "the best conversion, and may prefer to do the conversion from your working " "space to the device space of their printers." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:122 msgid "" "Another form of output is the way your screen displays the color. Unlike " "regular output, this one is done all the time during editing: After all, you " "need to be able to see what you are doing, but your screen is still a device " "with a device space, so it does distort how the image looks. In this manner, " "you can see your screen as a set of binoculars you have to look through to " "see your image at all." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:124 msgid "" "Therefore, without a profiled monitor, you actually don't know what the " "actual colors you are working with are like, because the computer doesn't " "know the relevant properties of your screen. So if you profiled your " "monitor, give Krita the profile in the settings, and select the sRGB space " "to draw in, you are for the first time seeing the actual colors of the sRGB " "space." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:127 msgid "So what does this mean?" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:133 msgid "" ".. image:: images/en/color_category/Krita-colormanaged-workflow_krita_text." "svg" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:133 msgid "" "When we paint from scratch, we can see our screen profile as the input " "space, because we use it to determine what colors to pick. This somewhat " "simplifies the workflow, but makes the screen profile and viewing conditions " "more important." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:135 msgid "" "Now, photographers and people who do a tricky discipline of VFX called " "'color grading' will go completely mad over trying to get the colors they " "put in to come out 100% correctly, and will even count in factors like the " "time of day and the color they painted their walls. For example, if the wall " "behind your computer is pure red, your eyes will adjust to be less sensitive " "to red, which means that the colors they pick in the program could come out " "redder. We call these the *viewing conditions*." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:137 msgid "" "Thankfully, artists have to worry a slight bit less about this. As " "illustrations are fully handmade, we are able to identify the important bits " "and make appropriate contrasts between colors. This means that even if our " "images turn out to be slightly redder than intended, it is less likely the " "whole image is ruined. If we look back at the kindergarten example above, we " "still understand what the image was supposed to look like, despite there " "being different colors on each image. Furthermore, because the colors in " "illustrations are deliberately picked, we can correct them more easily on a " "later date. Yet, at the same time, it is of course a big drag to do this, " "and we might have had much more flexibility had we taken viewing conditions " "under consideration." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:139 msgid "" "That said, for artists it is also very useful to understand the working " "spaces. Different working spaces give different results with filters and " "mixing, and only some working spaces can be used for advanced technology " "like HDR." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:141 msgid "" "Similarly, Krita, as a program intended to make images from scratch, doesn't " "really worry about assigning workspaces after having made the image. But " "because you are using the screen as a binocular to look at your image, and " "to pick colors, you can see your screen's device space as an input space to " "the image. Hence why profiling your monitor and giving the profile to Krita " "in the settings can help with preparing your work for print and future " "ventures in the long run." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:143 msgid "" "Overall, it is kinda useful to keep things like viewing conditions in the " "back of your mind. Many professional artists use a mid-grey color as their " "default canvas background because they find they create much more dynamic " "images due to having improved their viewing conditions. It is also why a lot " "of graphics programs, including Krita, come with a dark theme nowadays. " "(Though, of course this might also be because dark themes can be considered " "cool, who knows.)" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:148 msgid "ICC profiles" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:150 msgid "" "An ICC profile is a set of coordinates describing the extremities of the " "device space within XYZ, and it is the color management data you use to " "communicate your working space to printers and applications that are " "designed for the print industry, such as GIMP, Scribus, Photoshop, " "Illustrator, Inkscape, Digikam, RawTheraphee, etc. You have two types of ICC " "profiles:" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:153 msgid "" "These are delivered alongside Krita. Matrix shaper profiles are made by " "setting parameters and interpolating between these to get the exact size of " "the color space. Due to this, Krita's color space browser can give you a lot " "of information on these profiles. Such profiles are also preferable as " "working space." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:159 msgid "Matrix Shaper profiles." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:159 msgid "" "Matrix shaper profiles have a few parameters that describe the color space " "which are then interpolated between, this requires a lot of maths." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:162 msgid "" "These are fairly rare, and primarily used to describe printer profiles, such " "as CMYK. cLUT, or Color Look-up Table profiles store far more data than " "Matrix shaper profiles, so they can hold data of little particularities " "caused by, for example, unexpected results from mixing pigments. This is a " "far more organic approach to describing a color space, hence why a lot of " "programs that don't care for color management much don't support these." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:168 msgid "" "cLUT profiles work by holding tables of each color in a color space and " "their respective coordinates in a reference space. For CMYK this is " "typically L\\*A\\*B\\* and for the rest XYZ. These tables are tricky to " "make, which means these profiles are a lot rarer." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:169 msgid "cLUT profiles" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:171 msgid "" "The interesting thing about ICC profiles is that your working space can be " "larger than your device space. This is generally not bad. However, when " "converting, you do end up with the question of how to translate the working " "space values." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:174 msgid "Perceptual" msgstr "Op waarneming" #: ../../general_concepts/colors/color_managed_workflow.rst:174 msgid "" "This just squishes the values of the working space into the space it's " "converted to. It's a nice method to see all possible values in this, but not " "so good if you want accurate color reproduction. Use this if you want to see " "all colors in an image, or want to express all possible contrasts. Doesn't " "work with Matrix Shaper profiles, defaults to relative colorimetric." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:177 msgid "Absolute Colorimetric." msgstr "Absoluut colorimetrisch." #: ../../general_concepts/colors/color_managed_workflow.rst:177 msgid "" "The opposite to Perceptual, Absolute colorimetric will attempt to retain all " "the correct colors at whatever cost, which may result in awful looking " "colors. Recommended only for reproduction work. Doesn't work with Matrix " "Shaper profiles in Krita due to ICC v4 workflow standards." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:180 msgid "Relative Colorimetric" msgstr "Relatief colorimetrisch" #: ../../general_concepts/colors/color_managed_workflow.rst:180 msgid "" "An in between solution between perceptual and absolute, relative will try to " "fit whatever colors it can match between color spaces. It does this by " "aligning the white and black points. It cuts off the rest to their " "respective borders. This is what all matrix shaper profiles default to " "during conversion, because the ICC v4 workflow specifies to only use " "Relative Colorimetric for matrix shaper profiles." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:183 msgid "Saturation" msgstr "Verzadiging" #: ../../general_concepts/colors/color_managed_workflow.rst:183 msgid "" "Does anything to retain colorfulness, even hue will be sacrificed. Used in " "infographics. Doesn't work with Matrix Shaper profiles, defaults to relative " "colorimetric." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:185 msgid "" "*ICC profile version* is the last thing to keep in mind when dealing with " "ICC profiles. Krita delivers both Version 2 and Version 4 profiles, with the " "later giving better results in doing color maths, but the former being more " "widely supported (as seen below in 'interoperability with other programs'. " "This is also why Krita defaults to V2, and we recommend using V2 when you " "aren't certain if the other programs you are using support V4." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:188 msgid "LUT docker and HDR imaging" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:196 msgid "" "The :ref:`lut_docker` is the second important bit of color management in " "Krita that is shared between Krita and programs like Blender, Natron and " "Nuke, and only uses Look Up Tables that are configured via a config file." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:198 msgid "" "You can set the workingspace of the image under input color space, and the " "display to sRGB or your own LUT if you have added it to the configuration. " "View in this case is for proofing transforms to a certain display device." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:200 msgid "" "Component, exposure, gamma, whitepoint and blackpoint are knobs which allows " "you to modify the display filter." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:208 msgid "" "As explained before, we can see our monitor as a telescope or binocular into " "the world of our picture. Which means it distorts our view of the image a " "little. But we can modify this binocular, or display filter to see our image " "in a different way. For example, to allow us to see the white in an image " "that are whiter than the white of our screen. To explain what that means, we " "need to think about what white is." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:210 msgid "" "For example, white, on our monitor is full red, full green and full blue. " "But it's certainly different from white on our paper, or the color of milk, " "white from the sun, or even the white of our cell-phone displays." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:212 msgid "" "Black similarly, is brighter on a LCD display than a LED one, and " "incomparable with the black of a carefully sealed room." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:214 msgid "" "This means that there's potentially blacker blacks than screen black, and " "white whites than screen white. However, for simplicity's sake we still " "assign the black-point and the white-point to certain values. From there, we " "can determine whether a white is whiter than the white point, or a black " "blacker than the black-point." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:216 msgid "" "The LUT docker allows us to control this display-filter and modify the " "distortion. This is useful when we start modifying images that are made with " "scene referred values, such as HDR photos, or images coming out of a render " "engine." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:224 msgid "" "So, for example, we can choose to scale whiter-than-screen-white to our " "screen-white so we can see the contrasts there." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:226 msgid "" "The point of this is that you can take advantage of more lightness detail in " "an image. While you can't see the difference between screen white and whiter-" "than-screen-white (because your screen can't show the difference), graphics " "programs can certainly use it." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:228 msgid "" "A common example is matching the lighting between a 3d model and a real " "world scene. Others are advanced photo retouching, with much more contrast " "information available to the user. In painting itself, this allows you to " "create an image where you can be flippant with the contrast, and allow " "yourself to go as bright as you'd like." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:230 msgid "" "LUT docker manipulations are per view, so you can create a new view and set " "it to luminosity. This way you can see the image in both color as well as " "grayscale and keep a good eye on your values." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:232 msgid "" "Another example is to carefully watch the gradients in a certain section." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:234 msgid "" "Like ICC, the LUT Docker allows you to create a profile of sorts for your " "device. In this case it's the 'lut', which stands for 'Look Up Table', and " "which can be added to OCIO by modifying the configuration file. When OCIO is " "turned on, the configuration in :menuselection:`Settings --> Configure Krita " "--> Color Management` is turned off, unless you are using the :guilabel:" "`Internal` color engine." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:237 msgid "In summary" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:239 msgid "Krita has two modes of color management:" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:241 msgid "" "ICC works in terms of spaces relative to the CIEXYZ space, and requires an " "ICC profile." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:242 msgid "OCIO works in terms of interpretation, and makes use of luts." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:243 msgid "both can be made with a colorimeter." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:244 msgid "" "If you want to have a properly color managed workflow, you have one made " "customary for the input device (your screen) and the output devices (your " "printer, or target screen). For web the output is always sRGB." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:245 msgid "" "Set up your screen profiles under :menuselection:`Settings --> Configure " "Krita --> Color management`." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:246 msgid "" "Do NOT use screen profiles or other device profiles to draw in. Use a " "working space profile such as any of the elle profiles for this, as the " "color maths will be much more predictable and pleasant. Krita will convert " "between your screen and working space on the fly, allowing you to pick the " "correct colors. This turns your screen into binoculars to view the image." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:247 msgid "" "Use the appropriate color management for the appropriate workflow. If you " "are working with Blender, you will be better off using OCIO, than ICC. If " "you are working with Scribus or Photoshop, use ICC." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:249 msgid "" "Krita does a lot of color maths, often concerning the blending of colors. " "This color maths works best in linear color space, and linear color space " "requires a bit depth of at the least 16bit to work correctly. The " "disadvantage is that linear space can be confusing to work in." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:251 msgid "" "If you like painting, have a decent amount of RAM, and are looking to start " "your baby-steps in taking advantage of Krita's color management, try " "upgrading from having all your images in sRGB built-in to sRGB-v2-elle-g10." "icc or rec2020-v2-elle-g10.icc at 16bit float. This'll give you better color " "blending while opening up the possibility for you to start working in hdr!" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:256 msgid "" "Some graphics cards, such as those of the NVidia-brand actually have the " "best performance under 16bit float, because NVidia cards convert to floating " "point internally. When it does not need to do that, it speeds up!" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:260 msgid "" "No amount of color management in the world can make the image on your screen " "and the image out of the printer have 100% the same color." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:263 msgid "Exporting" msgstr "Exporteren" #: ../../general_concepts/colors/color_managed_workflow.rst:265 msgid "" "When you have finished your image and are ready to export it, you can modify " "the color space to optimize it:" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:267 msgid "If you are preparing an image for the web:" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:269 msgid "" "If you use 16bit color depth or higher, convert the image to 8bit color " "depth. This will make the image much smaller." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:271 msgid "" "Krita doesn't have built-in dithering currently, which means that 16 to " "18bit conversions can come out a bit banded. But you can simulate it by " "adding a fill layer with a pattern, set this fill layer to overlay, and to " "5% opacity. Then flatten the whole image and convert it to 8bit. The pattern " "will function as dithering giving a smoother look to gradients." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:273 msgid "If it's a gray-scale image, convert it to gray-scale." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:274 msgid "" "If it's a color image, keep it in the working space profile: Many web " "browsers these days support color profiles embedded into images. Firefox, " "for example, will try to convert your image to fit the color profile of the " "other monitor (if they have one). That way, the image will look almost " "exactly the same on your screen and on other profiled monitors." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:279 msgid "" "In some versions of Firefox, the colors actually look strange: This is a bug " "in Firefox, which is because its `color management system is incomplete " "`_, save your png, jpg or tiff without an embedded profile to work " "around this." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:281 msgid "If you are preparing for print:" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:283 msgid "" "You hopefully made the picture in a working space profile instead of the " "actual custom profile of your screen, if not, convert it to something like " "adobe rgb, sRGB or rec2020." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:284 msgid "" "Check with the printer what kind of image they expect. Maybe they expect " "sRGB color space, or perhaps they have their own profile." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:287 msgid "Interaction with other applications" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:290 msgid "Blender" msgstr "Blender" #: ../../general_concepts/colors/color_managed_workflow.rst:292 msgid "" "If you wish to use krita's OCIO functionality, and in particular in " "combination with Blender's color management, you can try to have it use " "Blender's OCIO config." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:294 msgid "" "Blender's OCIO config is under ``/version number/datafiles/" "colormanagement``. Set the LUT docker to use the OCIO engine, and select the " "config from the above path. This will give you blender's input and screen " "spaces, but not the looks, as those aren't supported in Krita yet." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:298 msgid "Windows Photo Viewer" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:300 msgid "" "You might encounter some issues when using different applications together. " "One important thing to note is that the standard Windows Photo Viewer " "application does not handle modern ICC profiles. Krita uses version 4 " "profiles; Photo Viewer can only handle version 2 profiles. If you export to " "JPEG with an embedded profile, Photo Viewer will display your image much too " "dark." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:303 msgid "Example workflows" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:305 msgid "" "Here are some example workflows to get a feeling of how your color " "management workflow may look like." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:307 msgid "" "As mentioned before, input for your screen is set via :menuselection:" "`Settings --> Configure Krita --> Color management`, or via the LUT docker's " "'screen space'. Working space is set via new file per document, or in the " "LUT docker via 'input space'." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:310 msgid "Webcomic" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:317 #: ../../general_concepts/colors/color_managed_workflow.rst:339 #: ../../general_concepts/colors/color_managed_workflow.rst:357 msgid "Input" msgstr "Invoer" #: ../../general_concepts/colors/color_managed_workflow.rst:318 #: ../../general_concepts/colors/color_managed_workflow.rst:340 #: ../../general_concepts/colors/color_managed_workflow.rst:358 msgid "Your screen profile. (You pick colors via your screen)" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:319 #: ../../general_concepts/colors/color_managed_workflow.rst:341 #: ../../general_concepts/colors/color_managed_workflow.rst:359 msgid "Workingspace" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:320 msgid "" "sRGB (the default screen profile) or any larger profile if you can spare the " "bit depth and like working in them." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:322 #: ../../general_concepts/colors/color_managed_workflow.rst:344 #: ../../general_concepts/colors/color_managed_workflow.rst:362 msgid "Output" msgstr "Uitvoer" #: ../../general_concepts/colors/color_managed_workflow.rst:322 msgid "" "sRGB, ICC version 2, sRGB TRC for the internet, and a specialized CMYK " "profile from the printing house for the printed images." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:324 msgid "" "Use the sRGB-elle-V2-srgbtrc.icc for going between Inkscape, Photoshop, " "Painttool Sai, Illustrator, GIMP, Manga Studio, Paintstorm Studio, MyPaint, " "Artrage, Scribus, etc. and Krita." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:326 msgid "" "If you are using a larger space via ICC, you will only be able to " "interchange it between Krita, Photoshop, Illustrator, GIMP 2.9, Manga Studio " "and Scribus. All others assume sRGB for your space, no matter what, because " "they don't have color management." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:328 msgid "" "If you are going between Krita and Blender, Nuke or Natron, use OCIO and set " "the input space to 'sRGB', but make sure to select the sRGB profile for ICC " "when creating a new file." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:330 msgid "" "For the final for the web, convert the image to sRGB 8bit, srgbtrc, do not " "embed the ICC profile. Then, if using png, put it through something like " "pngcrush or other png optimizers. sRGB in this case is chosen because you " "can assume the vast majority of your audience hasn't profiled their screen, " "nor do they have screens that are advanced enough for the wide gamut stuff. " "So hence why we convert to the screen default for the internet, sRGB." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:333 msgid "Print" msgstr "Afdrukken" #: ../../general_concepts/colors/color_managed_workflow.rst:342 msgid "sRGB or rec2020 if you can afford the bit-depth being 16bit." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:344 msgid "" "Specialized CMYK profile from the printing house for the printed images." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:346 msgid "" "The CMYK profiles are different per printer, and even per paper or ink-type " "so don't be presumptuous and ask ahead for them, instead of doing something " "like trying to paint in any random CMYK profile. As mentioned in the viewing " "conditions section, you want to keep your options open." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:348 msgid "" "You can set the advanced color selector to transform to a given profile via :" "menuselection:`Settings --> Configure Krita --> Advanced color selector " "settings`. There, tick :guilabel:`Color selector uses a different color " "space than the image` and select the CMYK profile you are aiming for. This " "will limit your colors a little bit, but keep all the nice filter and " "blending options from RGB." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:351 msgid "Games" msgstr "Spellen" #: ../../general_concepts/colors/color_managed_workflow.rst:360 msgid "sRGB or grayscale linear for roughness and specular maps." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:362 msgid "" "This one is tricky, but in the end it'll be sRGB for the regular player." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:364 msgid "" "So this one is tricky. You can use OCIO and ICC between programs, but " "recommended is to have your images to the engine in sRGB or grayscale. Many " "physically based renderers these days allow you to set whether an image " "should be read as a linear or srgbtrc image, and this is even vital to have " "the images being considered properly in the physically based calculations of " "the game renderer." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:366 msgid "" "While game engines need to have optimized content, and it's recommended to " "stay within 8bit, future screens may have higher bit depths, and when " "renderers will start supporting those, it may be beneficial to develop a " "workflow where the working-space files are rather unnecessarily big and you " "run some scripts to optimize them for your current render needs, making " "updating the game in the future for fancier screens less of a drag." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:368 msgid "" "Normal maps and heightmaps are officially supposed to be defined with a 'non-" "color data' working space, but you'll find that most engines will not care " "much for this. Instead, tell the game engine not to do any conversion on the " "file when importing." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:370 msgid "" "Specular, glossiness, metalness and roughness maps are all based on linear " "calculations, and when you find that certain material has a metalness of " "0.3, this is 30% gray in a linear space. Therefore, make sure to tell the " "game engine renderer that this is a linear space image (or at the very " "least, should NOT be converted)." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:374 msgid "" "`Visualizing the XYZ color space `_" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:375 msgid "" "`Basics of gamma correction `_" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:376 msgid "" "`Panda3d example of how an image that has gamma encoded without the 3d " "renderer being notified of it having gamma-encoding can result in too dark " "images `_" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:377 msgid "" "`2d examples of the effect of gamma-encoding on color maths `_" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:378 msgid "" "`Basic overview of color management from argylcms manual `_" msgstr "" diff --git a/locale/nl/LC_MESSAGES/reference_manual/tools/colorize_mask.po b/locale/nl/LC_MESSAGES/reference_manual/tools/colorize_mask.po index 7d649e2c7..d3606a752 100644 --- a/locale/nl/LC_MESSAGES/reference_manual/tools/colorize_mask.po +++ b/locale/nl/LC_MESSAGES/reference_manual/tools/colorize_mask.po @@ -1,452 +1,452 @@ # Dutch translations for Krita Manual package # Nederlandse vertalingen voor het pakket Krita Manual. # Copyright (C) licensed under the GNU Free Documentation License 1.3+ unless stated otherwise # This file is distributed under the same license as the Krita Manual package. # # Automatically generated, 2019. # Freek de Kruijf , 2019. msgid "" msgstr "" "Project-Id-Version: Krita Manual 4.1\n" "Report-Msgid-Bugs-To: \n" -"POT-Creation-Date: 2019-04-12 03:34+0200\n" +"POT-Creation-Date: 2019-04-14 03:33+0200\n" "PO-Revision-Date: 2019-03-30 13:55+0100\n" "Last-Translator: Freek de Kruijf \n" "Language-Team: Dutch \n" "Language: nl\n" "MIME-Version: 1.0\n" "Content-Type: text/plain; charset=UTF-8\n" "Content-Transfer-Encoding: 8bit\n" "Plural-Forms: nplurals=2; plural=n != 1;\n" "X-Generator: Lokalize 18.12.3\n" #: ../../:2 msgid "" ".. image:: images/icons/Krita_mouse_left.png\n" " :alt: mouseleft" msgstr "" ".. image:: images/icons/Krita_mouse_left.png\n" " :alt: muislinks" #: ../../:4 msgid "" ".. image:: images/icons/Krita_mouse_right.png\n" " :alt: mouseright" msgstr "" ".. image:: images/icons/Krita_mouse_right.png\n" " :alt: muisrechts" #: ../../:8 msgid "" ".. image:: images/icons/Krita_mouse_scroll.png\n" " :alt: mousescroll" msgstr "" ".. image:: images/icons/Krita_mouse_scroll.png\n" " :alt: mousescroll" #: ../../:60 msgid "" ".. image:: images/icons/colorizemask_tool.svg\n" " :alt: toolcolorizemask" msgstr "" ".. image:: images/icons/colorizemask_tool.svg\n" " :alt: toolcolorizemask" +#: ../../reference_manual/tools/colorize_mask.rst:0 +msgid "" +".. image:: images/en/Krita_4_0_colorize_mask_show_output_edit_strokes.png" +msgstr "" +".. image:: images/en/Krita_4_0_colorize_mask_show_output_edit_strokes.png" + +#: ../../reference_manual/tools/colorize_mask.rst:0 +msgid ".. image:: images/en/Krita_4_0_colorize_mask_edge_detection.png" +msgstr ".. image:: images/en/Krita_4_0_colorize_mask_edge_detection.png" + +#: ../../reference_manual/tools/colorize_mask.rst:0 +msgid ".. image:: images/en/Krita_4_0_colorize_mask_gap_close_hint.png" +msgstr ".. image:: images/en/Krita_4_0_colorize_mask_gap_close_hint.png" + +#: ../../reference_manual/tools/colorize_mask.rst:0 +msgid ".. image:: images/en/Krita_4_0_colorize_mask_clean_up.png" +msgstr ".. image:: images/en/Krita_4_0_colorize_mask_clean_up.png" + #: ../../reference_manual/tools/colorize_mask.rst:None msgid ".. image:: images/en/Krita_4_0_colorize_mask_usage_01.png" msgstr ".. image:: images/en/Krita_4_0_colorize_mask_usage_01.png" #: ../../reference_manual/tools/colorize_mask.rst:None msgid ".. image:: images/en/Krita_4_0_colorize_mask_usage_02.png" msgstr ".. image:: images/en/Krita_4_0_colorize_mask_usage_02.png" #: ../../reference_manual/tools/colorize_mask.rst:None msgid ".. image:: images/en/Krita_4_0_colorize_mask_usage_03.png" msgstr ".. image:: images/en/Krita_4_0_colorize_mask_usage_03.png" #: ../../reference_manual/tools/colorize_mask.rst:None msgid ".. image:: images/en/Krita_4_0_colorize_mask_usage_04.png" msgstr ".. image:: images/en/Krita_4_0_colorize_mask_usage_04.png" #: ../../reference_manual/tools/colorize_mask.rst:None msgid ".. image:: images/en/Krita_4_0_colorize_mask_usage_05.png" msgstr ".. image:: images/en/Krita_4_0_colorize_mask_usage_05.png" #: ../../reference_manual/tools/colorize_mask.rst:None msgid ".. image:: images/en/Krita_4_0_colorize_mask_usage_06.png" msgstr ".. image:: images/en/Krita_4_0_colorize_mask_usage_06.png" #: ../../reference_manual/tools/colorize_mask.rst:None msgid ".. image:: images/en/Krita_4_0_colorize_mask_usage_07.png" msgstr ".. image:: images/en/Krita_4_0_colorize_mask_usage_07.png" #: ../../reference_manual/tools/colorize_mask.rst:None msgid ".. image:: images/en/Krita_4_0_colorize_mask_usage_08.png" msgstr ".. image:: images/en/Krita_4_0_colorize_mask_usage_08.png" #: ../../reference_manual/tools/colorize_mask.rst:None msgid ".. image:: images/en/Krita_4_0_colorize_mask_usage_09.png" msgstr ".. image:: images/en/Krita_4_0_colorize_mask_usage_09.png" #: ../../reference_manual/tools/colorize_mask.rst:None msgid ".. image:: images/en/Krita_4_0_colorize_mask_usage_10.png" msgstr ".. image:: images/en/Krita_4_0_colorize_mask_usage_10.png" #: ../../reference_manual/tools/colorize_mask.rst:None msgid ".. image:: images/en/Krita_4_0_colorize_mask_usage_11.png" msgstr ".. image:: images/en/Krita_4_0_colorize_mask_usage_11.png" #: ../../reference_manual/tools/colorize_mask.rst:None msgid ".. image:: images/en/Krita_4_0_colorize_mask_usage_12.png" msgstr ".. image:: images/en/Krita_4_0_colorize_mask_usage_12.png" -#: ../../reference_manual/tools/colorize_mask.rst:0 -msgid "" -".. image:: images/en/Krita_4_0_colorize_mask_show_output_edit_strokes.png" -msgstr "" -".. image:: images/en/Krita_4_0_colorize_mask_show_output_edit_strokes.png" - -#: ../../reference_manual/tools/colorize_mask.rst:0 -msgid ".. image:: images/en/Krita_4_0_colorize_mask_edge_detection.png" -msgstr ".. image:: images/en/Krita_4_0_colorize_mask_edge_detection.png" - -#: ../../reference_manual/tools/colorize_mask.rst:0 -msgid ".. image:: images/en/Krita_4_0_colorize_mask_gap_close_hint.png" -msgstr ".. image:: images/en/Krita_4_0_colorize_mask_gap_close_hint.png" - -#: ../../reference_manual/tools/colorize_mask.rst:0 -msgid ".. image:: images/en/Krita_4_0_colorize_mask_clean_up.png" -msgstr ".. image:: images/en/Krita_4_0_colorize_mask_clean_up.png" - #: ../../reference_manual/tools/colorize_mask.rst:1 msgid "How to use the colorize mask in Krita." msgstr "Hoe het inkleurmasker gebruiken in Krita." #: ../../reference_manual/tools/colorize_mask.rst:16 msgid "Colorize Mask" msgstr "Inkleurmasker" #: ../../reference_manual/tools/colorize_mask.rst:18 msgid "|toolcolorizemask|" msgstr "" #: ../../reference_manual/tools/colorize_mask.rst:20 msgid "" "A tool for quickly coloring line art, the Colorize Mask Editing tool can be " "found next to the gradient tool on your toolbox." msgstr "" #: ../../reference_manual/tools/colorize_mask.rst:22 msgid "" "This feature is technically already in 3.1, but disabled by default because " "we had not optimized the filling algorithm for production use yet. To enable " "it, find your krita configuration file, open it in notepad, and add " "\"disableColorizeMaskFeature=false\" to the top. Then restart Krita. Its " "official incarnation is in 4.0." msgstr "" #: ../../reference_manual/tools/colorize_mask.rst:26 msgid "Usage" msgstr "Gebruik" #: ../../reference_manual/tools/colorize_mask.rst:28 msgid "" "This tool works in conjunction with the colorize mask, and the usage is as " "follows:" msgstr "" #: ../../reference_manual/tools/colorize_mask.rst:30 msgid "" "For this example, we'll be using the ghost lady also used to explain masks " "on :ref:`the basic concepts page `." msgstr "" #: ../../reference_manual/tools/colorize_mask.rst:36 msgid "" "This image has the line art for the lady separated from the background, and " "what's more, the background is made up of two layers: one main and one for " "the details." msgstr "" #: ../../reference_manual/tools/colorize_mask.rst:38 msgid "" "First, select the colorize mask editing tool while having the line art layer " "selected. |mouseleft| the canvas will add a colorize mask to the layer. You " "can also |mouseright| the line art layer, and then :menuselection:`Add --> " "Colorize Mask`. The line art will suddenly become really weird, this is the " "prefiltering which are filters through which we put the line art to make the " "algorithm easier to use. The tool options overview below shows which options " "control that." msgstr "" #: ../../reference_manual/tools/colorize_mask.rst:45 msgid "" "Now, you make strokes with brush colors, press :guilabel:`Update` in the " "tool options, or tick the last icon of the colorize mask properties. In the " "layer docker, you will be able to see a little progress bar appear on the " "colorize mask indicating how long it takes. The bigger your file, the longer " "it will take." msgstr "" #: ../../reference_manual/tools/colorize_mask.rst:51 msgid "" "We want to have the blue transparent. In the tool options of the colorize " "editing tool you will see a small palette. These are the colors already " "used. You can remove colors here, or mark a single color as standing for " "transparent, by selecting it and pressing \"transparent\". Updating the mask " "will still show the blue stroke, but the result will be transparent:" msgstr "" #: ../../reference_manual/tools/colorize_mask.rst:57 msgid "" "Because the colorize mask algorithm is slow, and we only need a part of our " "layer to be filled to fill the whole ghost lady figure, we can make use of :" "guilabel:`Limit to layer bounds`. This will limit Colorize Mask to use the " "combined size of the line art and the coloring key strokes. Therefore, make " "sure that the colorizing keystrokes only take up as much as they really need." msgstr "" #: ../../reference_manual/tools/colorize_mask.rst:63 msgid "" "Now the algorithm will be possibly a lot faster, allowing us to add strokes " "and press :guilabel:`Update` in rapid succession:" msgstr "" #: ../../reference_manual/tools/colorize_mask.rst:69 msgid "" "To see the final result, disable :guilabel:`Edit Key Strokes` or toggle the " "second to last icon on the colorize mask." msgstr "" #: ../../reference_manual/tools/colorize_mask.rst:75 msgid "" "If you want to edit the strokes again, re-enable :guilabel:`Edit Key " "Strokes`." msgstr "" #: ../../reference_manual/tools/colorize_mask.rst:77 msgid "" "Now, the colorize mask, being a mask, can also be added to a group of line " "art layers. It will then use the composition of the whole group as the line " "art. This is perfect for our background which has two separate line art " "layers. It also means that the colorize mask will be disabled when added to " "a group with pass-through enabled, because those have no final composition. " "You can recognize a disabled colorize mask because its name is stricken " "through." msgstr "" #: ../../reference_manual/tools/colorize_mask.rst:79 msgid "" "To add a colorize mask to a group, select the group and |mouseleft| the " "canvas with the Colorize Mask editing tool, or |mouseright| the layer to :" "menuselection:`Add --> Colorize Mask`." msgstr "" #: ../../reference_manual/tools/colorize_mask.rst:85 msgid "" "Now, we add strokes to the background quickly. We do not need to use the :" "menuselection:`Limit to Layer Bounds` because the background covers the " "whole image." msgstr "" #: ../../reference_manual/tools/colorize_mask.rst:91 msgid "" "For the record, you can use other brushes and tools also work on the " "colorize mask as long as they can draw. The Colorize Mask Editing tool is " "just the most convenient because you can get to the algorithm options." msgstr "" #: ../../reference_manual/tools/colorize_mask.rst:93 msgid "Out final result looks like this:" msgstr "" #: ../../reference_manual/tools/colorize_mask.rst:99 msgid "" "Now we are done, |mouseright| the colorize mask and :menuselection:`Convert " "--> to Paint Layer`. Then, :menuselection:`Layer --> Split --> Split Layer`. " "This will give separate color islands that you can easily edit:" msgstr "" #: ../../reference_manual/tools/colorize_mask.rst:105 msgid "" "This way we can very quickly paint the image. Due to the colorize mask going " "from the first image to the following took only 30 minutes, and would've " "taken quite a bit longer." msgstr "" #: ../../reference_manual/tools/colorize_mask.rst:111 msgid "" "The colorize masks are saved to the .kra file, so as long as you don't save " "and open to a different file format, nor convert the colorize mask to a " "paintlayer, you can keep working adjust the results." msgstr "" #: ../../reference_manual/tools/colorize_mask.rst:114 msgid "Tool Options" msgstr "Hulpmiddelopties" #: ../../reference_manual/tools/colorize_mask.rst:116 #: ../../reference_manual/tools/colorize_mask.rst:172 msgid "Update" msgstr "Bijwerken" #: ../../reference_manual/tools/colorize_mask.rst:117 msgid "" "Run the colorize mask algorithm. The progress bar for updates on a colorize " "mask shows only in the layer docker." msgstr "" #: ../../reference_manual/tools/colorize_mask.rst:118 #: ../../reference_manual/tools/colorize_mask.rst:169 msgid "Edit key strokes" msgstr "Toetsaanslagen bewerken" #: ../../reference_manual/tools/colorize_mask.rst:119 msgid "" "Put the mask into edit mode. In edit mode, it will also show the " "'prefiltering' on the line art, which is for example a blur filter for gap " "closing." msgstr "" #: ../../reference_manual/tools/colorize_mask.rst:121 msgid "" "Show the output of the colorize mask. If :guilabel:`Edit key strokes` is " "active, this will be shown semi-transparently, so it will be easy to " "recognize the difference between the strokes and the output." msgstr "" #: ../../reference_manual/tools/colorize_mask.rst:127 #: ../../reference_manual/tools/colorize_mask.rst:165 msgid "Show output" msgstr "Uitvoer tonen" #: ../../reference_manual/tools/colorize_mask.rst:127 msgid "" "On the **Left**: :guilabel:`Show Output` is on, :guilabel:`Edit Key Strokes` " "is off. In the **Middle**: :guilabel:`Show Output` and :guilabel:`Edit Key " "Strokes` are on. On the **Right**: :guilabel:`Show Output` is off and :" "guilabel:`Edit Key Strokes` is on." msgstr "" #: ../../reference_manual/tools/colorize_mask.rst:129 msgid "Limit to layer bounds" msgstr "Beperken tot grenzen van de laag" #: ../../reference_manual/tools/colorize_mask.rst:130 msgid "" "Limit the colorize mask to the combined layer bounds of the strokes and the " "line art it is filling. This can speed up the use of the mask on complicated " "compositions, such as comic pages." msgstr "" #: ../../reference_manual/tools/colorize_mask.rst:132 msgid "" "Activate this for line art with large solid areas, for example shadows on an " "object. For the best use, set the value to the thinnest lines on the image. " "In the image below, note how edge detection affects the big black areas:" msgstr "" #: ../../reference_manual/tools/colorize_mask.rst:138 msgid "Edge detection" msgstr "Randdetectie" #: ../../reference_manual/tools/colorize_mask.rst:138 msgid "" "From left to right: an example with big black shadows on an object but no " "edge detection, the same example without the edit key strokes enabled. Then " "the same example with edge detection enabled and set to 2px, and that same " "example without edit key strokes enabled." msgstr "" #: ../../reference_manual/tools/colorize_mask.rst:141 msgid "" "While the algorithm is pretty good against gaps in contours, this will " "improve the gap recognition. The higher this value is, the bigger the gaps " "it will try to close, but a too high value can lead to other errors. Note " "how the prefiltered line art (that's the blurry haze) affects the color " "patches." msgstr "" #: ../../reference_manual/tools/colorize_mask.rst:146 msgid "Gap close hint" msgstr "Tip voor gat sluiten" #: ../../reference_manual/tools/colorize_mask.rst:147 msgid "" "On the **Left**: :guilabel:`Gap close hint` is 0px. In the **Middle**: :" "guilabel:`Gap close hint` is 15px (the lines are 10px). On the **Right**: :" "guilabel:`Gap close hint` is 275px." msgstr "" #: ../../reference_manual/tools/colorize_mask.rst:149 msgid "" "This will attempt to handle messy strokes that overlap the line art where " "they shouldn't. At 0 no clean up is done, at 100% the clean-up is most " "aggressive." msgstr "" #: ../../reference_manual/tools/colorize_mask.rst:153 msgid "Clean up" msgstr "" #: ../../reference_manual/tools/colorize_mask.rst:155 msgid "Key strokes" msgstr "Toetsaanslagen" #: ../../reference_manual/tools/colorize_mask.rst:156 msgid "" "This palette keeps track of the colors used by the strokes. This is useful " "so you can switch back to colors easily. You can increase the swatch size by " "hovering over it with the mouse, and doing :kbd:`Ctrl +` |mousescroll|." msgstr "" #: ../../reference_manual/tools/colorize_mask.rst:158 msgid "Transparent" msgstr "Transparant" #: ../../reference_manual/tools/colorize_mask.rst:158 msgid "" "This button is under the keystrokes palette, you can mark the selected color " "to be interpreted a 'transparent' with this. In the clean-up screenshot " "above, cyan had been marked as transparent." msgstr "" #: ../../reference_manual/tools/colorize_mask.rst:161 msgid "Layer properties" msgstr "Laageigenschappen" #: ../../reference_manual/tools/colorize_mask.rst:163 msgid "" "The colorize mask layer has four properties. They are all the buttons on the " "right side of the layer:" msgstr "" #: ../../reference_manual/tools/colorize_mask.rst:166 msgid "" "The first button, it allows you to toggle whether you'll see the output from " "the colorize algorithm." msgstr "" #: ../../reference_manual/tools/colorize_mask.rst:167 msgid "Lock" msgstr "Vergrendelen" #: ../../reference_manual/tools/colorize_mask.rst:168 msgid "Stops the mask from being edited." msgstr "Stopt het masker van bewerkt worden." #: ../../reference_manual/tools/colorize_mask.rst:170 msgid "" "Whether the colorize mask is in edit mode. In edit mode it'll show the " "strokes, and the output will be semi-transparent." msgstr "" #: ../../reference_manual/tools/colorize_mask.rst:172 msgid "" "The last button will force the colorize mask to update, even when you're in " "a different tool." msgstr "" #: ../../reference_manual/tools/colorize_mask.rst:174 msgid "Colorize masks cannot be animated." msgstr "" diff --git a/locale/nl/LC_MESSAGES/tutorials/flat-coloring.po b/locale/nl/LC_MESSAGES/tutorials/flat-coloring.po index f2e169ac3..e78ddf6c9 100644 --- a/locale/nl/LC_MESSAGES/tutorials/flat-coloring.po +++ b/locale/nl/LC_MESSAGES/tutorials/flat-coloring.po @@ -1,772 +1,772 @@ # Dutch translations for Krita Manual package # Nederlandse vertalingen voor het pakket Krita Manual. # Copyright (C) licensed under the GNU Free Documentation License 1.3+ unless stated otherwise # This file is distributed under the same license as the Krita Manual package. # # Automatically generated, 2019. # Freek de Kruijf , 2019. msgid "" msgstr "" "Project-Id-Version: Krita Manual 4.1\n" "Report-Msgid-Bugs-To: \n" -"POT-Creation-Date: 2019-04-13 03:33+0200\n" +"POT-Creation-Date: 2019-04-14 03:33+0200\n" "PO-Revision-Date: 2019-04-07 18:50+0200\n" "Last-Translator: Freek de Kruijf \n" "Language-Team: Dutch \n" "Language: nl\n" "MIME-Version: 1.0\n" "Content-Type: text/plain; charset=UTF-8\n" "Content-Transfer-Encoding: 8bit\n" "Plural-Forms: nplurals=2; plural=n != 1;\n" "X-Generator: Lokalize 18.12.3\n" #: ../../:2 msgid "" ".. image:: images/icons/Krita_mouse_left.png\n" " :alt: mouseleft" msgstr "" ".. image:: images/icons/Krita_mouse_left.png\n" " :alt: muislinks" #: ../../:4 msgid "" ".. image:: images/icons/Krita_mouse_right.png\n" " :alt: mouseright" msgstr "" ".. image:: images/icons/Krita_mouse_right.png\n" " :alt: muisrechts" +#: ../../tutorials/flat-coloring.rst:0 +msgid "" +".. image:: images/en/flat-coloring/Krita_filling_lineart_selection_1.png" +msgstr "" + +#: ../../tutorials/flat-coloring.rst:0 +msgid "" +".. image:: images/en/flat-coloring/Krita_filling_lineart_selection_2.png" +msgstr "" + +#: ../../tutorials/flat-coloring.rst:0 +msgid ".. image:: images/en/flat-coloring/Krita_filling_lineart_mask_1.png" +msgstr "" + +#: ../../tutorials/flat-coloring.rst:0 +msgid ".. image:: images/en/flat-coloring/Krita_filling_lineart_mask_2.png" +msgstr "" + +#: ../../tutorials/flat-coloring.rst:0 +msgid ".. image:: images/en/flat-coloring/Krita_filling_lineart_mask_3.png" +msgstr "" + #: ../../tutorials/flat-coloring.rst:None msgid "" ".. image:: images/en/flat-coloring/Krita_filling_lineart14.png\n" " :alt: layer structure for flatting in krita" msgstr "" #: ../../tutorials/flat-coloring.rst:None msgid "" ".. image:: images/en/flat-coloring/Krita_filling_lineart1.png\n" " :alt: blend mode setup of line art flat coloring" msgstr "" ".. image:: images/en/flat-coloring/Krita_filling_lineart1.png\n" " :alt: modusopzet van lijntekeningen mengen met vlakke kleuring" #: ../../tutorials/flat-coloring.rst:None msgid "" ".. image:: images/en/flat-coloring/Krita_filling_lineart2.png\n" " :alt: effects of multiply blend mode" msgstr "" #: ../../tutorials/flat-coloring.rst:None msgid "" ".. image:: images/icons/fill_tool.svg\n" " :alt: fill-tool icon" msgstr "" #: ../../tutorials/flat-coloring.rst:None msgid "" ".. image:: images/en/flat-coloring/Krita_filling_lineart7.png\n" " :alt: colors filled with fill tool" msgstr "" #: ../../tutorials/flat-coloring.rst:None msgid "" ".. image:: images/en/flat-coloring/Krita_filling_lineart15.png\n" " :alt: selecting with selection tools for filling color" msgstr "" #: ../../tutorials/flat-coloring.rst:None msgid "" ".. image:: images/en/flat-coloring/Krita_filling_lineart16.png\n" " :alt: selection mask in Krita" msgstr "" #: ../../tutorials/flat-coloring.rst:None msgid "" ".. image:: images/en/flat-coloring/Krita_filling_lineart17.png\n" " :alt: filling color in selection" msgstr "" #: ../../tutorials/flat-coloring.rst:None msgid "" ".. image:: images/en/flat-coloring/Krita_filling_lineart18.png\n" " :alt: result of coloring made with the help of selection tools" msgstr "" #: ../../tutorials/flat-coloring.rst:None msgid "" ".. image:: images/en/flat-coloring/Krita_filling_lineart8.png\n" " :alt: filling color in line art using path tool" msgstr "" #: ../../tutorials/flat-coloring.rst:None msgid "" ".. image:: images/en/flat-coloring/Krita_filling_lineart9.png\n" " :alt: erasing with path tool" msgstr "" #: ../../tutorials/flat-coloring.rst:None msgid "" ".. image:: images/en/flat-coloring/Krita_filling_lineart10.png\n" " :alt: coloring with colorize mask" msgstr "" ".. image:: images/en/flat-coloring/Krita_filling_lineart10.png\n" " :alt: kleuren met kleurmasker" #: ../../tutorials/flat-coloring.rst:None msgid "" ".. image:: images/en/flat-coloring/Krita_filling_lineart11.png\n" " :alt: result from the colorize mask" msgstr "" ".. image:: images/en/flat-coloring/Krita_filling_lineart11.png\n" " :alt: resultaat van het kleurmasker" #: ../../tutorials/flat-coloring.rst:None msgid "" ".. image:: images/en/flat-coloring/Krita_filling_lineart12.png\n" " :alt: slitting colors into islands" msgstr "" #: ../../tutorials/flat-coloring.rst:None msgid "" ".. image:: images/en/flat-coloring/Krita_filling_lineart13.png\n" " :alt: resulting color islands from split layers" msgstr "" -#: ../../tutorials/flat-coloring.rst:0 -msgid "" -".. image:: images/en/flat-coloring/Krita_filling_lineart_selection_1.png" -msgstr "" - -#: ../../tutorials/flat-coloring.rst:0 -msgid "" -".. image:: images/en/flat-coloring/Krita_filling_lineart_selection_2.png" -msgstr "" - -#: ../../tutorials/flat-coloring.rst:0 -msgid ".. image:: images/en/flat-coloring/Krita_filling_lineart_mask_1.png" -msgstr "" - -#: ../../tutorials/flat-coloring.rst:0 -msgid ".. image:: images/en/flat-coloring/Krita_filling_lineart_mask_2.png" -msgstr "" - -#: ../../tutorials/flat-coloring.rst:0 -msgid ".. image:: images/en/flat-coloring/Krita_filling_lineart_mask_3.png" -msgstr "" - #: ../../tutorials/flat-coloring.rst:1 msgid "Common workflows used in Krita" msgstr "" #: ../../tutorials/flat-coloring.rst:13 msgid "Flat Coloring" msgstr "" #: ../../tutorials/flat-coloring.rst:15 msgid "" "So you've got a cool black on white drawing, and now you want to color it! " "The thing we’ll aim for in this tutorial is to get your line art colored in " "with flat colors. So no shading just yet. We’ll be going through some " "techniques for preparing the line art, and we’ll be using the layer docker " "to put each color on a separate layer, so we can easily access each color " "when we add shading." msgstr "" #: ../../tutorials/flat-coloring.rst:17 msgid "" "This tutorial is adapted from this `tutorial `_ by " "the original author." msgstr "" #: ../../tutorials/flat-coloring.rst:20 msgid "Understanding Layers" msgstr "" #: ../../tutorials/flat-coloring.rst:22 msgid "" "To fill line art comfortably, it's best to take advantage of the layerstack. " "The layer stack is pretty awesome, and it's one of those features that make " "digital art super-convenient." msgstr "" #: ../../tutorials/flat-coloring.rst:24 msgid "" "In traditional art, it is not uncommon to first draw the full background " "before drawing the subject. Or to first draw a line art and then color it " "in. Computers have a similar way of working." msgstr "" #: ../../tutorials/flat-coloring.rst:26 msgid "" "In programming, if you tell a computer to draw a red circle, and then " "afterwards tell it to draw a smaller yellow circle, you will see the small " "yellow circle overlap the red circle. Switch the commands around, and you " "will not see the yellow circle at all: it was drawn before the red circle " "and thus ‘behind’ it." msgstr "" #: ../../tutorials/flat-coloring.rst:28 msgid "" "This is referred to as the “drawing order”. So like the traditional artist, " "the computer will first draw the images that are behind everything, and " "layer the subject and foreground on top of it. The layer docker is a way for " "you to control the drawing order of multiple images, so for example, you can " "have your line art drawn later than your colors, meaning that the lines will " "be drawn over the colors, making it easier to make it neat!" msgstr "" #: ../../tutorials/flat-coloring.rst:30 msgid "" "Other things that a layer stack can do are blending the colors of different " "layers differently with blending modes, using a filter in the layer stack, " "or using a mask that allows you to make parts transparent." msgstr "" #: ../../tutorials/flat-coloring.rst:32 msgid "" "Programmers talk about transparency as ''Alpha'', which is because the 'a' " "symbol is used to present transparency in the algorithms for painting one " "color on top of another. Usually when you see the word ''Alpha'' in a " "graphics program, just think of it as affecting the transparency." msgstr "" #: ../../tutorials/flat-coloring.rst:35 msgid "Preparing your line art" msgstr "" #: ../../tutorials/flat-coloring.rst:37 msgid "" "Put the new layer underneath the layer containing the line art (drag and " "drop or use the up/down arrows for that), and draw on it." msgstr "" #: ../../tutorials/flat-coloring.rst:42 msgid "" "…And notice nothing happening. This is because the white isn’t transparent. " "You wouldn’t really want it to either, how else would you make convincing " "highlights? So what we first need to do to color in our drawing is prepare " "our line art. There’s several methods of doing so, each with varying " "qualities." msgstr "" #: ../../tutorials/flat-coloring.rst:45 msgid "The Multiply Blending Mode" msgstr "" #: ../../tutorials/flat-coloring.rst:47 msgid "" "So, typically, to get a black and white line art usable for coloring, you " "can set the blending mode of the line art layer to Multiply. You do this by " "selecting the layer and going to the drop-down that says **Normal** and " "setting that to **Multiply**." msgstr "" #: ../../tutorials/flat-coloring.rst:52 msgid "And then you should be able to see your colors!" msgstr "" #: ../../tutorials/flat-coloring.rst:54 msgid "" "Multiply is not a perfect solution however. For example, if through some " "image editing magic I make the line art blue, it results into this:" msgstr "" #: ../../tutorials/flat-coloring.rst:59 msgid "" "This is because multiply literally multiplies the colors. So it uses maths!" msgstr "" #: ../../tutorials/flat-coloring.rst:61 msgid "" "What it first does is take the values of the RGB channels, then divides them " "by the max (because we're in 8bit, this is 255), a process we call " "normalising. Then it multiplies the normalised values. Finally, it takes the " "result and multiplies it with 255 again to get the result values." msgstr "" #: ../../tutorials/flat-coloring.rst:67 msgid "Pink" msgstr "Roze" #: ../../tutorials/flat-coloring.rst:68 msgid "Pink (normalised)" msgstr "" #: ../../tutorials/flat-coloring.rst:69 ../../tutorials/flat-coloring.rst:87 msgid "Blue" msgstr "Blauw" #: ../../tutorials/flat-coloring.rst:70 msgid "Blue (normalised)" msgstr "" #: ../../tutorials/flat-coloring.rst:71 msgid "Normalised, multiplied" msgstr "" #: ../../tutorials/flat-coloring.rst:72 msgid "Result" msgstr "Resultaat" #: ../../tutorials/flat-coloring.rst:73 msgid "Red" msgstr "Rood" #: ../../tutorials/flat-coloring.rst:74 msgid "222" msgstr "" #: ../../tutorials/flat-coloring.rst:75 msgid "0.8705" msgstr "" #: ../../tutorials/flat-coloring.rst:76 msgid "92" msgstr "" #: ../../tutorials/flat-coloring.rst:77 msgid "0.3607" msgstr "" #: ../../tutorials/flat-coloring.rst:78 msgid "0.3139" msgstr "" #: ../../tutorials/flat-coloring.rst:79 msgid "80" msgstr "" #: ../../tutorials/flat-coloring.rst:80 msgid "Green" msgstr "Groen" #: ../../tutorials/flat-coloring.rst:81 msgid "144" msgstr "" #: ../../tutorials/flat-coloring.rst:82 msgid "0.5647" msgstr "" #: ../../tutorials/flat-coloring.rst:83 msgid "176" msgstr "" #: ../../tutorials/flat-coloring.rst:84 msgid "0.6902" msgstr "" #: ../../tutorials/flat-coloring.rst:85 msgid "0.3897" msgstr "" #: ../../tutorials/flat-coloring.rst:86 msgid "99" msgstr "" #: ../../tutorials/flat-coloring.rst:88 msgid "123" msgstr "" #: ../../tutorials/flat-coloring.rst:89 msgid "0.4823" msgstr "" #: ../../tutorials/flat-coloring.rst:90 msgid "215" msgstr "" #: ../../tutorials/flat-coloring.rst:91 msgid "0.8431" msgstr "" #: ../../tutorials/flat-coloring.rst:92 msgid "0.4066" msgstr "" #: ../../tutorials/flat-coloring.rst:93 msgid "103" msgstr "" #: ../../tutorials/flat-coloring.rst:95 msgid "" "This isn't completely undesirable, and a lot of artists use this effect to " "add a little richness to their colors." msgstr "" #: ../../tutorials/flat-coloring.rst:98 ../../tutorials/flat-coloring.rst:127 #: ../../tutorials/flat-coloring.rst:154 ../../tutorials/flat-coloring.rst:173 #: ../../tutorials/flat-coloring.rst:210 ../../tutorials/flat-coloring.rst:247 #: ../../tutorials/flat-coloring.rst:275 ../../tutorials/flat-coloring.rst:317 msgid "Advantages" msgstr "" #: ../../tutorials/flat-coloring.rst:100 msgid "" "Easy, can work to your benefit even with colored lines by softening the look " "of the lines while keeping nice contrast." msgstr "" #: ../../tutorials/flat-coloring.rst:103 ../../tutorials/flat-coloring.rst:132 #: ../../tutorials/flat-coloring.rst:159 ../../tutorials/flat-coloring.rst:178 #: ../../tutorials/flat-coloring.rst:215 ../../tutorials/flat-coloring.rst:252 #: ../../tutorials/flat-coloring.rst:280 ../../tutorials/flat-coloring.rst:322 msgid "Disadvantages" msgstr "Nadelen" #: ../../tutorials/flat-coloring.rst:105 msgid "Not actually transparent. Is a little funny with colored lines." msgstr "" #: ../../tutorials/flat-coloring.rst:108 msgid "Using Selections" msgstr "" #: ../../tutorials/flat-coloring.rst:110 msgid "" "The second method is one where we'll make it actually transparent. In other " "programs this would be done via the channel docker, but Krita doesn't do " "custom channels, instead it uses Selection Masks to store custom selections." msgstr "" #: ../../tutorials/flat-coloring.rst:112 msgid "Duplicate your line art layer." msgstr "" #: ../../tutorials/flat-coloring.rst:114 msgid "" "Convert the duplicate to a selection mask. |mouseright| the layer, then :" "menuselection:`Convert --> to Selection Mask`." msgstr "" #: ../../tutorials/flat-coloring.rst:118 msgid "" "Invert the selection mask. :menuselection:`Select --> Invert Selection`." msgstr "" #: ../../tutorials/flat-coloring.rst:120 msgid "" "Make a new layer, and do :menuselection:`Edit --> Fill with Foreground " "Color`." msgstr "" #: ../../tutorials/flat-coloring.rst:124 msgid "And you should now have the line art on a separate layer." msgstr "" #: ../../tutorials/flat-coloring.rst:129 msgid "Actual transparency." msgstr "" #: ../../tutorials/flat-coloring.rst:134 msgid "Doesn't work when the line art is colored." msgstr "" #: ../../tutorials/flat-coloring.rst:137 msgid "Using Masks" msgstr "" #: ../../tutorials/flat-coloring.rst:139 msgid "This is a simpler variation of the above." msgstr "" #: ../../tutorials/flat-coloring.rst:141 msgid "Make a filled layer underneath the line art layer." msgstr "" #: ../../tutorials/flat-coloring.rst:145 msgid "" "Convert the line art layer to a transparency mask |mouseright| the layer, " "then :menuselection:`Convert --> to Transparency Mask`." msgstr "" #: ../../tutorials/flat-coloring.rst:149 msgid "" "Invert the transparency mask by going to :menuselection:`Filter --> Adjust --" "> Invert`" msgstr "" #: ../../tutorials/flat-coloring.rst:156 msgid "" "Actual transparency. You can also very easily doodle a pattern on the filled " "layer where the mask is on without affecting the transparency." msgstr "" #: ../../tutorials/flat-coloring.rst:161 msgid "" "Doesn't work when the line art is colored already. We can still get faster." msgstr "" #: ../../tutorials/flat-coloring.rst:164 msgid "Using Color to Alpha" msgstr "" #: ../../tutorials/flat-coloring.rst:166 msgid "By far the fastest way to get transparent line art." msgstr "" #: ../../tutorials/flat-coloring.rst:168 msgid "" "Select the line art layer and apply the color to alpha filter. :" "menuselection:`Filter --> Colors --> Color to Alpha`. The default values " "should be sufficient for line art." msgstr "" #: ../../tutorials/flat-coloring.rst:171 msgid "" ".. image:: images/en/flat-coloring/Krita_filling_lineart_color_to_alpha.png" msgstr "" #: ../../tutorials/flat-coloring.rst:175 msgid "" "Actual transparency. Works with colored line art as well, because it removes " "the white specifically." msgstr "" #: ../../tutorials/flat-coloring.rst:180 msgid "" "You'll have to lock the layer transparency or separate out the alpha via the " "right-click menu if you want to easily color it." msgstr "" #: ../../tutorials/flat-coloring.rst:184 msgid "Coloring the image" msgstr "" #: ../../tutorials/flat-coloring.rst:186 msgid "" "Much like preparing the line art, there are many different ways of coloring " "a layer." msgstr "" #: ../../tutorials/flat-coloring.rst:188 msgid "" "You could for example fill in everything by hand, but while that is very " "precise it also takes a lot of work. Let's take a look at the other options, " "shall we?" msgstr "" #: ../../tutorials/flat-coloring.rst:191 msgid "Fill Tool" msgstr "Hulpmiddel voor vullen" #: ../../tutorials/flat-coloring.rst:196 msgid "" "In most cases the fill-tool can’t deal with the anti-aliasing (the soft edge " "in your line art to make it more smooth when zoomed out) In Krita you have " "the grow-shrink option. Setting that to say… 2 expands the color two pixels." msgstr "" #: ../../tutorials/flat-coloring.rst:198 msgid "" "Threshold decides when the fill-tool should consider a different color pixel " "to be a border. And the feathering adds an extra soft border to the fill." msgstr "" #: ../../tutorials/flat-coloring.rst:200 msgid "" "Now, if you click on a gapless-part of the image with your preferred color… " "(Remember to set the opacity to 1.0!)" msgstr "" #: ../../tutorials/flat-coloring.rst:202 msgid "" "Depending on your line art, you can do flats pretty quickly. But setting the " "threshold low can result in little artifacts around where lines meet:" msgstr "" #: ../../tutorials/flat-coloring.rst:207 msgid "" "However, setting the threshold high can end with the fill not recognizing " "some of the lighter lines. Besides these little artifacts can be removed " "with the brush easily." msgstr "" #: ../../tutorials/flat-coloring.rst:212 msgid "Pretty darn quick depending on the available settings." msgstr "" #: ../../tutorials/flat-coloring.rst:217 msgid "" "Again, not great with gaps or details. And it works best with aliased line " "art." msgstr "" #: ../../tutorials/flat-coloring.rst:220 msgid "Selections" msgstr "Selecties" #: ../../tutorials/flat-coloring.rst:222 msgid "Selections work using the selection tools." msgstr "" #: ../../tutorials/flat-coloring.rst:227 msgid "" "For example with the :ref:`bezier_curve_selection_tool` you can easily " "select a curved area, and the with :kbd:`Shift` + |mouseleft| (not |" "mouseleft| + :kbd:`Shift`, there's a difference!) you can easily add to an " "existing selection." msgstr "" #: ../../tutorials/flat-coloring.rst:232 msgid "" "You can also edit the selection if you have :menuselection:`Select --> Show " "Global Selection Mask` turned on. Then you can select the global selection " "mask, and paint on it. (Above with the alternative selection mode, activated " "in the lower-left corner of the stats bar)" msgstr "" #: ../../tutorials/flat-coloring.rst:234 msgid "" "When done, select the color you want to fill it with and press :kbd:`Shift` " "+ `backspace`." msgstr "" #: ../../tutorials/flat-coloring.rst:239 msgid "" "You can save selections in selection masks by |mouseright| a layer, and then " "going to :menuselection:`Add --> Local Selection`. You first need to " "deactivate a selection by pressing the circle before adding a new selection." msgstr "" #: ../../tutorials/flat-coloring.rst:241 msgid "" "This can serve as an alternative way to split out different parts of the " "image, which is good for more painterly pieces:" msgstr "" #: ../../tutorials/flat-coloring.rst:249 msgid "A bit more precise than filling." msgstr "" #: ../../tutorials/flat-coloring.rst:254 msgid "Previewing your color isn't as easy." msgstr "" #: ../../tutorials/flat-coloring.rst:257 msgid "Geometric tools" msgstr "" #: ../../tutorials/flat-coloring.rst:259 msgid "" "So you have a tool for making rectangles or circles. And in the case of " "Krita, a tool for bezier curves. Select the path tool (|path tool|), and set " "the tool options to fill=foreground and outline=none. Make sure that your " "opacity is set to 1.00 (fully opaque)." msgstr "" #: ../../tutorials/flat-coloring.rst:262 msgid "" ".. image:: images/icons/bezier_curve.svg\n" " :alt: path tool" msgstr "" #: ../../tutorials/flat-coloring.rst:264 msgid "" "By clicking and holding, you can influence how curvy a line draw with the " "path tool is going to be. Letting go of the mouse button confirms the " "action, and then you’re free to draw the next point." msgstr "" #: ../../tutorials/flat-coloring.rst:269 msgid "" "You can also erase with a geometric tool. Just press :kbd:`E` or the eraser " "button." msgstr "" #: ../../tutorials/flat-coloring.rst:277 msgid "" "Quicker than using the brush or selections. Also decent with line art that " "contains gaps." msgstr "" #: ../../tutorials/flat-coloring.rst:282 msgid "" "Fiddly details aren’t easy to fill in with this. So I recommend skipping " "those and filling them in later with a brush." msgstr "" #: ../../tutorials/flat-coloring.rst:285 msgid "Colorize Mask" msgstr "Inkleurmasker" #: ../../tutorials/flat-coloring.rst:287 msgid "" "So, this is a bit of an odd one. In the original tutorial, you'll see I'm " "suggesting using G'Mic, but that was a few years ago, and g'mic is a little " "unstable on windows. Therefore, the Krita developers have been attempting to " "make an internal tool doing the same." msgstr "" #: ../../tutorials/flat-coloring.rst:289 msgid "" "It is disabled in 3.1, but if you use 4.0 or later, it is in the toolbox. " "Check the Colorize Mask for more information." msgstr "" #: ../../tutorials/flat-coloring.rst:291 msgid "So it works like this:" msgstr "" #: ../../tutorials/flat-coloring.rst:293 msgid "Select the colorize mask tool." msgstr "" #: ../../tutorials/flat-coloring.rst:294 msgid "Tick the layer you're using." msgstr "" #: ../../tutorials/flat-coloring.rst:295 msgid "Paint the colors you want to use on the colorize mask" msgstr "" #: ../../tutorials/flat-coloring.rst:296 msgid "Click update to see the results:" msgstr "" #: ../../tutorials/flat-coloring.rst:301 msgid "" "When you are satisfied, |mouseright| the colorize mask, and go to :" "menuselection:`Convert --> Paint Layer`. This will turn the colorize mask to " "a generic paint layer. Then, you can fix the last issues by making the line " "art semi-transparent and painting the flaws away with a pixel art brush." msgstr "" #: ../../tutorials/flat-coloring.rst:306 msgid "" "Then, when you are done, split the layers via :menuselection:`Layer --> " "Split --> Split Layer`. There are a few options you can choose, but the " "following should be fine:" msgstr "" #: ../../tutorials/flat-coloring.rst:311 msgid "" "Finally, press **Ok** and you should get the following. Each color patch it " "on a different layer, named by the palette in the menu and alpha locked, so " "you can start painting right away!" msgstr "" #: ../../tutorials/flat-coloring.rst:319 msgid "" "Works with anti-aliased line art. Really quick to get the base work done. " "Can auto-close gaps." msgstr "" #: ../../tutorials/flat-coloring.rst:324 msgid "" "No anti-aliasing of its own. You have to choose between getting details " "right or the gaps auto-closed." msgstr "" #: ../../tutorials/flat-coloring.rst:327 msgid "Conclusion" msgstr "Conclusie" #: ../../tutorials/flat-coloring.rst:329 msgid "" "I hope this has given you a good idea of how to fill in flats using the " "various techniques, as well as getting a hand of different Krita features. " "Remember that a good flat filled line art is better than a badly shaded one, " "so keep practicing to get the best out of these techniques!" msgstr "" diff --git a/locale/nl/LC_MESSAGES/user_manual/loading_saving_brushes.po b/locale/nl/LC_MESSAGES/user_manual/loading_saving_brushes.po index 72687d9dd..370ffc7a9 100644 --- a/locale/nl/LC_MESSAGES/user_manual/loading_saving_brushes.po +++ b/locale/nl/LC_MESSAGES/user_manual/loading_saving_brushes.po @@ -1,950 +1,950 @@ # Dutch translations for Krita Manual package # Nederlandse vertalingen voor het pakket Krita Manual. # Copyright (C) licensed under the GNU Free Documentation License 1.3+ unless stated otherwise # This file is distributed under the same license as the Krita Manual package. # # Automatically generated, 2019. # Freek de Kruijf , 2019. msgid "" msgstr "" "Project-Id-Version: Krita Manual 4.1\n" "Report-Msgid-Bugs-To: \n" -"POT-Creation-Date: 2019-04-13 03:33+0200\n" +"POT-Creation-Date: 2019-04-14 03:33+0200\n" "PO-Revision-Date: 2019-03-01 11:12+0100\n" "Last-Translator: Freek de Kruijf \n" "Language-Team: Dutch \n" "Language: nl\n" "MIME-Version: 1.0\n" "Content-Type: text/plain; charset=UTF-8\n" "Content-Transfer-Encoding: 8bit\n" "Plural-Forms: nplurals=2; plural=n != 1;\n" "X-Generator: Lokalize 18.12.2\n" -#: ../../user_manual/loading_saving_brushes.rst:None -msgid ".. image:: images/en/Krita_4_0_Brush_Settings_Layout.svg" -msgstr ".. image:: images/en/Krita_4_0_Brush_Settings_Layout.svg" - #: ../../user_manual/loading_saving_brushes.rst:0 msgid ".. image:: images/en/Krita_4_0_dirty_preset_icon.png" msgstr ".. image:: images/en/Krita_4_0_dirty_preset_icon.png" +#: ../../user_manual/loading_saving_brushes.rst:None +msgid ".. image:: images/en/Krita_4_0_Brush_Settings_Layout.svg" +msgstr ".. image:: images/en/Krita_4_0_Brush_Settings_Layout.svg" + #: ../../user_manual/loading_saving_brushes.rst:1 msgid "" "Detailed guide on the brush settings dialog in Krita as well as how to make " "your own brushes and how to share them." msgstr "" "Gedetailleerde gids over de penseelinstellingendialoog in Krita evenals hoe " "uw eigenn penselen te maken en hoe ze te delen." #: ../../user_manual/loading_saving_brushes.rst:17 msgid "Loading and Saving Brushes" msgstr "Penselen laden en opslaan" #: ../../user_manual/loading_saving_brushes.rst:19 msgid "" "In the real world, when painting or drawing, you don't just use one tool. " "You use pencils, erasers, paintbrushes, different types of paint, inks, " "crayons, etc. All these have different ways of making marks." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:23 msgid "" "In a digital program like Krita you have something similar. We call this a " "brush engine. And much like how cars have different engines that give " "different feels when driving, or how pencils make distinctly different marks " "than rollerball pens, different brush engines have totally different feels." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:29 msgid "" "The brush engines have a lot of different settings as well. So, you can save " "those settings into presets." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:32 msgid "" "Unlike Photoshop, Krita makes a difference between brush-tips and brush-" "presets. Tips are only a stamp of sorts, while the preset uses a tip and " "many other settings to create the full brush." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:37 msgid "The Brush settings drop-down" msgstr "" #: ../../user_manual/loading_saving_brushes.rst:39 msgid "" "To start, the Brush Settings Editor panel can be accessed in the toolbar, " "between the :guilabel:`Blending Modes` button on the right and the :guilabel:" "`Patterns` button on the left. Alternately, you can use the function key :" "kbd:`F5` to open it." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:44 msgid "" "When you open Brush Settings Editor panel you will see something like this:" msgstr "" #: ../../user_manual/loading_saving_brushes.rst:48 msgid "Tour of the brush settings drop-down" msgstr "" #: ../../user_manual/loading_saving_brushes.rst:53 msgid "The brush settings drop-down is divided into six areas," msgstr "" #: ../../user_manual/loading_saving_brushes.rst:56 msgid "Section A - General Information" msgstr "" #: ../../user_manual/loading_saving_brushes.rst:58 msgid "" "This contains the **Preset Icon**, **Live Brush Preview**, the **Preset " "Name**, the **Engine** name, and several buttons for saving, renaming, and " "reloading." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:62 msgid "" "Krita's brush settings are stored into the metadata of a 200x200 png (the " "KPP file), where the image in the png file becomes the preset icon. This " "icon is used everywhere in Krita, and is useful for differentiating brushes " "in ways that the live preview cannot." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:67 msgid "" "The live preview shows a stroke of the current brush as a little s-curve " "wiggle, with the pressure being non-existent on the left, and increasing to " "full pressure as it goes to the right. It can thus show the effect of the " "Pressure, Drawing Angle, Distance, Fade and Fuzzy Dab sensors, but none of " "the others. For some brush engines it cannot show anything. For the color " "smudge, filter brush and clone tool, it shows an alternating line pattern " "because these brush engines use the pixels already on canvas to change their " "effect." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:75 msgid "" "After the preset name, there's a button for **renaming** the brush. This " "will save the brush as a new brush and blacklist the previous name." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:79 msgid "Engine" msgstr "Engine" #: ../../user_manual/loading_saving_brushes.rst:81 msgid "" "The engine of a brush is the underlying programming that generates the " "stroke from a brush. What that means is that different brush engines have " "different options and different results. You can see this as the difference " "between using crayons, pencils and inks, but because computers are maths " "devices, most of our brush engines produce different things in a more " "mathematical way." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:88 msgid "" "For most artists the mathematical nature doesn't matter as much as the " "different textures and marks each brush engine, and each brush engine has " "its own distinct flavor and use, and can be further customized by modifying " "the options." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:94 msgid "Reloading" msgstr "Opnieuw inlezen" #: ../../user_manual/loading_saving_brushes.rst:96 msgid "" "If you change a preset, an icon will appear behind the engine name. This is " "the :guilabel:`reload` button. You can use it to revert to the original " "brush settings." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:101 msgid "Saving a preset" msgstr "" #: ../../user_manual/loading_saving_brushes.rst:103 msgid "" "On the right, there's :guilabel:`Save New Brush Preset` and :guilabel:" "`Overwrite Brush`." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:106 msgid "" "This will only enable if there are any changes. Pressing this will override " "the current preset with the new settings, keeping the name and the icon " "intact. It will always make a timestamped back up in the resources folder." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:108 msgid "Overwrite Brush" msgstr "Penseel overschrijven" #: ../../user_manual/loading_saving_brushes.rst:111 msgid "" "Will take the current preset and all its changes and save it as a new " "preset. If no change was made, you will be making a copy of the current " "preset." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:113 msgid "Save New Brush Preset" msgstr "Nieuw voorinstellingen van penseel opslaan" #: ../../user_manual/loading_saving_brushes.rst:115 msgid "" "Save new preset will call up the following window, with a mini scratch pad, " "and all sorts of options to change the preset icon:" msgstr "" #: ../../user_manual/loading_saving_brushes.rst:119 msgid ".. image:: images/en/Krita_4_0_Save_New_Brush_Preset_Dialog.png" msgstr "" #: ../../user_manual/loading_saving_brushes.rst:120 msgid "" "The image on the left is a mini scratchpad, you can draw on it with the " "current brush, allowing small modifications on the fly." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:124 msgid "" "The Name of your brush. This is also used for the KPP file. If there's " "already a brush with that name, it will effectively overwrite it." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:125 msgid "Brush Name" msgstr "Penseelnaam" #: ../../user_manual/loading_saving_brushes.rst:127 msgid "Load Existing Thumbnail" msgstr "Bestande miniatuur laden" #: ../../user_manual/loading_saving_brushes.rst:128 msgid "This will load the existing thumbnail inside the preset." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:130 msgid "Load scratch pad thumbnail" msgstr "" #: ../../user_manual/loading_saving_brushes.rst:130 msgid "" "This will load the dashed area from the big scratch pad (Section C) into the " "thumbnail area." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:132 msgid "Load Image" msgstr "Afbeelding Inlezen" #: ../../user_manual/loading_saving_brushes.rst:133 msgid "With this you can choose an image from disk to load as a thumbnail." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:134 msgid "Load from Icon Library" msgstr "Uit pictogrambiblioteek laden" #: ../../user_manual/loading_saving_brushes.rst:135 msgid "This opens up the icon library." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:137 msgid "Clear Thumbnail" msgstr "Miniatuur wissen" #: ../../user_manual/loading_saving_brushes.rst:137 msgid "This will make the mini scratch pad white." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:140 msgid "The Icon Library" msgstr "" #: ../../user_manual/loading_saving_brushes.rst:142 msgid "To make making presets icons faster, Krita got an icon library." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:145 msgid ".. image:: images/en/Krita_4_0_Preset_Icon_Library_Dialog.png" msgstr "" #: ../../user_manual/loading_saving_brushes.rst:146 msgid "" "It allows you to select tool icons, and an optional small emblem. When you " "press :guilabel:`OK` it will load the resulting combination into the mini " "scratch pad and you can draw in the stroke." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:150 msgid "" "If you go to your resources folder, there's a folder there called \"preset" "\\_icons\", and in this folder there are \"tool\\_icons\" and \"emblem" "\\_icons\". You can add semi-transparent pngs here and Krita will load those " "into the icon library as well so you can customize your icons even more!" msgstr "" #: ../../user_manual/loading_saving_brushes.rst:156 msgid "" "At the top right of the icon library, there are three sliders. They allow " "you to adjust the tool icon. The top two are the same Hue and Saturation as " "in HSL adjustment, and the lowest slider is a super simple levels filter. " "This is done this way because the levels filter allows maintaining the " "darkest shadows and brightest highlights on a tool icon, making it much " "better for quick adjustments." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:163 msgid "" "If you're done with everything, you can press :guilabel:`Save` in the :" "guilabel:`Save New Preset` dialog and Krita will save the new brush." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:167 msgid "Section B - The Preset Chooser" msgstr "" #: ../../user_manual/loading_saving_brushes.rst:169 msgid "" "The preset chooser is much the same as the preset docker and the preset drop-" "down on :kbd:`F6`. It's unique in that it allows you to filter by engine and " "this is also where you can create brushes for an engine from scratch." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:174 msgid "" "It is by default collapsed, so you will need to press the arrow at the top " "left of the brush engine to show it." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:177 msgid "" "The top drop-down is set to “all” by default, which means it shows all " "engines. It then shows a tag section where you can select the tags, the " "preset list and the search bar." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:181 msgid "" "Underneath that there's a plus icon, which when pressed gives you the full " "list of Krita's engines. Selecting an engine from the list will show the " "brushes for that engine." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:185 msgid "" "The trashcan icon does the same as it does in the preset docker: delete, or " "rather, blacklist a preset so it won't show up in the list." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:189 msgid "Section C - The Scratch pad" msgstr "" #: ../../user_manual/loading_saving_brushes.rst:191 msgid "" "When you tweak your brushes, you want to be able to check what each setting " "does. That's why, to the right of the settings drop-down, there is a scratch " "pad." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:195 msgid "" "It is by default collapsed, so you will have to press the arrow at the top " "right of the brush settings to show it." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:198 msgid "" "When saving a new preset, you can choose to get the icon from the scratch " "pad, this will load the dash area into the mini scratch pad of the Save New " "Preset dialog." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:202 msgid "The scratch pad has five buttons underneath it. These are in order for:" msgstr "" #: ../../user_manual/loading_saving_brushes.rst:204 msgid "Showing the current brush image" msgstr "" #: ../../user_manual/loading_saving_brushes.rst:206 msgid "Adding a gradient to the scratch pad (useful for smudge brushes)" msgstr "" #: ../../user_manual/loading_saving_brushes.rst:207 msgid "Filling with the background color" msgstr "" #: ../../user_manual/loading_saving_brushes.rst:208 msgid "Clearing everything on the scratch pad" msgstr "" #: ../../user_manual/loading_saving_brushes.rst:211 msgid "Section D - The Options List" msgstr "" #: ../../user_manual/loading_saving_brushes.rst:213 msgid "" "The options, as stated above, are different per brush engine. These " "represent the different parameters, toggles and knobs that you can turn to " "make a brush preset unique. For a couple of options, the main things to " "change are sliders and check boxes, but for a lot of them, they use curves " "instead." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:219 msgid "" "Some options can be toggled, as noted by the little check boxes next to " "them, but others, like flow and opacity are so fundamental to how the brush " "works, that they are always on." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:223 msgid "" "The little padlock icon next to the options is for locking the brush. This " "has its own page." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:227 msgid "Section E - Option Configuration Widget" msgstr "" #: ../../user_manual/loading_saving_brushes.rst:229 msgid "" "Where section D is the list of options, section E is the widget where you " "can change things." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:233 msgid "Using sensor curves" msgstr "" #: ../../user_manual/loading_saving_brushes.rst:235 msgid "" "One of the big important things that make art unique to the artist who " "created it is the style of the strokes. Strokes are different because they " "differ in speed, rotation, direction, and the amount of pressure put onto " "the stylus. Because these are so important, we would want to customize how " "these values are understood in detail. The best way to do this is to use " "curves." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:242 msgid "" "Curves show up with the size widget for example. With an inking brush, we " "want to have size mapped to pressure. Just toggling the size option in the " "option list will do that." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:246 msgid "" "However, different people have different wrists and thus will press " "differently on their stylus. Someone who presses softly tends to find it " "easy to make thin strokes, but very difficult to make thick strokes. " "Conversely, someone who presses hard on their stylus naturally will have a " "hard time making thin strokes, but easily makes thick ones." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:252 msgid "" "Such a situation can be improved by using the curves to map pressure to " "output thinner lines or thicker ones." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:255 msgid "" "The brush settings curves even have quick curve buttons for these at the " "top. Someone who has a hard time making small strokes should try the second " "to last concave button, while someone who has a hard time making thick " "strokes should try the third button, the S shape." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:260 msgid "Underneath the curve widget there are two more options:" msgstr "" #: ../../user_manual/loading_saving_brushes.rst:263 msgid "" "This is for the list of sensors. Toggling this will make all the sensors use " "the same curve. Unchecked, all checked sensors will have separate curves." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:264 msgid "Share Curves across all settings" msgstr "" #: ../../user_manual/loading_saving_brushes.rst:267 msgid "" "This indicates how the multiple values of the sensor curves are used. The " "curves always go from 0 to 1.0, so if one curve outputs 0.5 and the other " "0.7, then..." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:271 msgid "Multiply" msgstr "Vermenigvuldigen" #: ../../user_manual/loading_saving_brushes.rst:272 msgid "Will multiply the two values, 0.5\\*0.7 = 0.35." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:274 msgid "Addition" msgstr "Optelling" #: ../../user_manual/loading_saving_brushes.rst:274 msgid "" "Will add the two to a maximum of 1.0, so 0.5+0.7 = 1.2, which is then capped " "at 1.0." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:277 msgid "Maximum" msgstr "Maximum" #: ../../user_manual/loading_saving_brushes.rst:277 msgid "" "Will compare the two and pick the largest. So in the case of 0.5 and 0.7, " "the result is 0.7." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:280 msgid "Minimum" msgstr "Minimum" #: ../../user_manual/loading_saving_brushes.rst:280 msgid "" "Will compare the two and pick the smallest. So in the case of 0.5 and 0.7, " "the result is 0.5." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:283 msgid "Will subtract the smallest value from the largest, so 0.7-0.5 = 0.2." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:284 msgid "Curves Calculation Mode" msgstr "Rekenmodus van krommen" #: ../../user_manual/loading_saving_brushes.rst:284 msgid "Difference" msgstr "Verschil" #: ../../user_manual/loading_saving_brushes.rst:286 msgid "It's maybe better to see with the following example:" msgstr "" #: ../../user_manual/loading_saving_brushes.rst:289 msgid ".. image:: images/en/Krita_4_0_brush_curve_calculation_mode.png" msgstr "" #: ../../user_manual/loading_saving_brushes.rst:290 msgid "" "The first two are regular, the rest with different multiplication types." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:292 msgid "Is a brush with size set to the distance sensor." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:293 msgid "Is a brush with the size set to the fade sensor." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:294 msgid "The size is calculated from the fade and distance sensors multiplied." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:295 msgid "" "The size is calculated from the fade and distance sensors added to each " "other. Notice how thick it is." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:297 msgid "" "The size takes the maximum value from the values of the fade and distance " "sensors." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:299 msgid "" "The size takes the minimum value from the values of the fade and distance " "sensors." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:301 msgid "" "The size is calculated by having the largest of the values subtracted with " "the smallest of the values." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:305 msgid "Section F - Miscellaneous options" msgstr "" #: ../../user_manual/loading_saving_brushes.rst:308 msgid "" "This enables dirty presets. Dirty presets store the tweaks you make as long " "as this session of Krita is active. After that, they revert to default. " "Dirtied presets can be recognized by the icon in the top-left of the preset." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:316 msgid "Temporarily Save Tweaks to Preset (Dirty Presets)" msgstr "" #: ../../user_manual/loading_saving_brushes.rst:316 msgid "" "The icon in the top left of the first two presets indicate it is “Dirty”, " "meaning there are tweaks made to the preset." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:319 msgid "Eraser Switch Size" msgstr "Gom schakelt grootte om" #: ../../user_manual/loading_saving_brushes.rst:319 msgid "" "This switches the brush to a separately stored size when using the :kbd:`E` " "key." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:321 msgid "Eraser Switch Opacity" msgstr "Gom schakelt dekking om" #: ../../user_manual/loading_saving_brushes.rst:322 msgid "Same as above, but then with Eraser opacity." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:324 msgid "" "This allows you to toggle instant preview on the brush. The Instant Preview " "has a super-secret feature: when you press the instant preview label, and " "then right click it, it will show a threshold slider. This slider determines " "at what brush size instant preview is activated for the brush. This is " "useful because small brushes can be slower with instant preview, so the " "threshold ensures it only activates when necessary." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:330 msgid "Instant Preview" msgstr "Instant vooruitblik" #: ../../user_manual/loading_saving_brushes.rst:333 msgid "The On-canvas brush settings" msgstr "" #: ../../user_manual/loading_saving_brushes.rst:335 msgid "" "There are on-canvas brush settings. If you open up the pop-up palette, there " "should be an icon on the bottom-right. Press that to show the on-canvas " "brush settings. You will see several sliders here, to quickly make small " "changes." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:340 msgid "" "At the top it shows the currently active preset. Next to that is a settings " "button, click that to get a list of settings that can be shown and organized " "for the given brush engine. You can use the up and down arrows to order " "their position, and then left and right arrows to add or remove from the " "list. You can also drag and drop." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:347 msgid "Making a Brush Preset" msgstr "" #: ../../user_manual/loading_saving_brushes.rst:349 msgid "Now, let's make a simple brush to test the waters with:" msgstr "" #: ../../user_manual/loading_saving_brushes.rst:352 msgid "Getting a default for the brush engine." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:354 msgid "First, open the settings with :kbd:`F5`." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:356 msgid "" "Then, press the arrow on the upper left to open the preset chooser. There, " "press the “+” icon to get a list of engines. For this brush we're gonna make " "a pixel brush." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:361 msgid "Example: Making an inking brush" msgstr "" #: ../../user_manual/loading_saving_brushes.rst:363 msgid "" "Draw on the scratch pad to see what the current brush looks like. If done " "correctly, you should have a 5px wide brush that has pressure set to opacity." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:366 msgid "" "Let us turn off the opacity first. Click on the :ref:`opacity " "` option in the right-hand list. The settings should " "now be changed to a big curve. This is the sensor curve." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:370 msgid "Uncheck the :guilabel:`Enable Pen Settings` checkbox." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:371 msgid "" "Test on the scratch pad... there still seems to be something affecting " "opacity. This is due to the :ref:`flow ` option." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:375 msgid "" "Select the Flow option from the list on the right hand. Flow is like " "Opacity, except that Flow is per dab, and opacity is per stroke." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:377 msgid "" "Uncheck the :guilabel:`Enable Pen Settings` checkbox here as well. Test " "again." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:378 msgid "" "Now you should be getting somewhere towards an inking brush. It is still too " "small however, and kinda grainy looking. Click :ref:`Brush Tip " "` in the brush engine options." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:381 msgid "" "Here, the diameter is the size of the brush-tip. You can touch the slider " "change the size, or right-click it and type in a value. Set it to 25 and " "test again. It should be much better." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:384 msgid "" "Now to make the brush feel a bit softer, turn down the fade parameter to " "about 0.9. This'll give the *brush mask* a softer edge." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:386 msgid "" "If you test again, you'll notice the fade doesn't seem to have much effect. " "This has to do with the spacing of the dabs: The closer they are together, " "the harder the line is. By default, this is 0.1, which is a bit low. If you " "set it to 10 and test, you'll see what kind of effect spacing has. The :ref:" "`Auto ` checkbox changes the way the spacing is calculated, " "and Auto Spacing with a value of 0.8 is the best value for inking brushes. " "Don't forget that you can use right-click to type in a value." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:395 msgid "" "Now, when you test, the fade seems to have a normal effect... except on the " "really small sizes, which look pixelly. To get rid of that, check the anti-" "aliasing check box. If you test again, the lines should be much nicer now." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:401 msgid "Saving the new Brush" msgstr "" #: ../../user_manual/loading_saving_brushes.rst:403 msgid "" "When you're satisfied, go to the upper left and select :guilabel::`Save new " "preset`." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:406 msgid "" "You will get the save preset dialog. Name the brush something like “My " "Preset”. Then, select :guilabel:`Load from Icon Library` to get the icon " "library. Choose a nice tool icon and press :guilabel:`OK`." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:410 msgid "" "The icon will be loaded into the mini scratch pad on the left. Now doodle a " "nice stroke next to it. If you feel you messed up, just go back to the icon " "library to load a new icon." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:414 msgid "Finally press :guilabel:`Save`, and your brush should be done." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:416 msgid "You can further modify your inking brush by..." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:419 msgid "" "Changing the amount of pressure you need to put on a brush to make it full " "size." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:419 msgid "" "To do this, select the :ref:`size ` option, and press the " "pressure sensor from the list next to the curve. The curve should look like " "a straight line. Now if you want a brush that gets big with little pressure, " "tick on the curve to make a point, and drag the point to the upper-left. The " "more the point is to the upper-left, the more extreme the effect. If you " "want instead a brush that you have to press really hard on to get to full " "size, drag the dot to the lower-right. Such a brush is useful for fine " "details. Don't forget to save the changes to your brush when done." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:422 msgid "Making the fine lines look even softer by using the flow option." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:422 msgid "" "To do this, select the flow option, and turn back on the :guilabel:`Enable " "Pen Settings` check box. Now if you test this, it is indeed a bit softer, " "but maybe a bit too much. Click on the curve to make a dot, and drag that " "dot to the top-left, half-way the horizontal of the first square of the " "grid. Now, if you test, the thin lines are much softer, but the hard your " "press, the harder the brush becomes." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:425 msgid "Sharing Brushes" msgstr "" #: ../../user_manual/loading_saving_brushes.rst:427 msgid "" "Okay, so you've made a new brush and want to share it. There are several " "ways to share a brush preset." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:430 msgid "" "The recommended way to share brushes and presets is by using the resource " "bundle system. We have detailed instructions on how to use them on the :ref:" "`resource management page `." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:434 msgid "" "However, there are various old-fashioned ways of sharing brushes that can be " "useful when importing and loading very old packs:" msgstr "" #: ../../user_manual/loading_saving_brushes.rst:438 msgid "Sharing a single preset" msgstr "" #: ../../user_manual/loading_saving_brushes.rst:440 msgid "There are three types of resources a single preset can take:" msgstr "" #: ../../user_manual/loading_saving_brushes.rst:442 msgid "" "A Paintoppreset file: This is the preset proper, with the icon and the " "curves stored inside." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:444 msgid "" "A Brush file: This is the brush tip. When using masked brushes, there's two " "of these." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:446 msgid "A Pattern file: this is when you are using textures." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:448 msgid "" "So when you have a brush that uses unique predefined tips for either brush " "tip or masked brush, or unique textures you will need to share those " "resources as well with the other person." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:452 msgid "" "To find those resources, go to :menuselection:`Settings --> Manage Resources " "--> Open Resource Folder`." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:454 msgid "" "There, the preset file will be inside paintoppresets, the brush tips inside " "brushes and the texture inside patterns." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:458 msgid "Importing a single KPP file." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:460 msgid "" "Now, if you want to use the single preset, you should go to the preset " "chooser on :kbd:`F6` and press the folder icon there. This will give a file " "dialog. Navigate to the kpp file and open it to import it." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:464 msgid "" "If there are brush tips and patterns coming with the file, do the same with " "pattern via the pattern docker, and for the brush-tip go to the settings " "drop-down (:kbd:`F5`) and then go to the “brush-tip” option. There, select " "predefined brush, and then the “import” button to call up the file dialog." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:471 msgid "Sharing via ZIP (old-fashioned)" msgstr "" #: ../../user_manual/loading_saving_brushes.rst:473 msgid "" "Sharing via ZIP should be replaced with resource bundles, but older brush " "packs are stored in zip files." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:477 msgid "Using a ZIP with the relevant files." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:479 msgid "" "Go to :menuselection:`Settings --> Manage Resources --> Open Resource " "Folder` to open the resource folder." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:480 msgid "Then, open up the zip file." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:481 msgid "" "Copy the brushes, paintoppresets and patterns folders from the zip file to " "the resource folder. You should get a prompt to merge the folders, agree to " "this." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:484 msgid "Restart Krita." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:485 msgid "Enjoy your brushes!" msgstr "" diff --git a/locale/pt_PT/LC_MESSAGES/general_concepts/colors/color_managed_workflow.po b/locale/pt_PT/LC_MESSAGES/general_concepts/colors/color_managed_workflow.po index 2ba484db6..f9632077e 100644 --- a/locale/pt_PT/LC_MESSAGES/general_concepts/colors/color_managed_workflow.po +++ b/locale/pt_PT/LC_MESSAGES/general_concepts/colors/color_managed_workflow.po @@ -1,1523 +1,1523 @@ # SOME DESCRIPTIVE TITLE. # Copyright (C) licensed under the GNU Free Documentation License 1.3+ unless stated otherwise # This file is distributed under the same license as the Krita Manual package. # FIRST AUTHOR , YEAR. # msgid "" msgstr "" "Project-Id-Version: Krita Manual 4.1\n" "Report-Msgid-Bugs-To: \n" -"POT-Creation-Date: 2019-04-13 03:33+0200\n" +"POT-Creation-Date: 2019-04-14 03:33+0200\n" "PO-Revision-Date: 2019-04-13 10:46+0100\n" "Last-Translator: José Nuno Coelho Pires \n" "Language-Team: Portuguese \n" "Language: pt\n" "MIME-Version: 1.0\n" "Content-Type: text/plain; charset=UTF-8\n" "Content-Transfer-Encoding: 8bit\n" "Plural-Forms: nplurals=2; plural=n != 1;\n" "X-POFile-IgnoreConsistency: Blender\n" "X-POFile-SpellExtra: OCIO en LUT HDR workflowwebcomic menuselection\n" "X-POFile-SpellExtra: Argylcms colormanagementgroup Nuke lutdocker images\n" "X-POFile-SpellExtra: srgbtrc MyPaint KritaHDR TRC workflowtext CMYK CIEXYZ\n" "X-POFile-SpellExtra: Studio rec Kikimatrixprofile ref image cLUT\n" "X-POFile-SpellExtra: workflowgames Artrage Illustrator Photoshop ICC\n" "X-POFile-SpellExtra: Scribus NVidia workflowprint elle colormanaged icc\n" "X-POFile-SpellExtra: infogramas Viewer LED workflowkritatext Painttool\n" "X-POFile-SpellExtra: colorcategory LUTManagementDocker Krita Photo XYZ\n" "X-POFile-SpellExtra: Paintstorm Natron KikicLUTprofiles sRGB cerúleo\n" "X-POFile-SpellExtra: Blender Inkscape lcms guilabel númeroversão\n" "X-POFile-SpellExtra: RawTheraphee VFX digiKam datafiles Look pngcrush Up\n" "X-POFile-SpellExtra: lut colormanagement Color up JPG optimizadores\n" "X-POFile-SpellExtra: Digikam Table\n" +#: ../../general_concepts/colors/color_managed_workflow.rst:0 +msgid ".. image:: images/en/color_category/Kiki_matrix_profile.png" +msgstr ".. image:: images/en/color_category/Kiki_matrix_profile.png" + +#: ../../general_concepts/colors/color_managed_workflow.rst:0 +msgid ".. image:: images/en/color_category/Kiki_cLUTprofiles.png" +msgstr ".. image:: images/en/color_category/Kiki_cLUTprofiles.png" + #: ../../general_concepts/colors/color_managed_workflow.rst:None msgid "" ".. image:: images/en/color_category/Krita_2_9_colormanagement_group1.png" msgstr "" ".. image:: images/en/color_category/Krita_2_9_colormanagement_group1.png" #: ../../general_concepts/colors/color_managed_workflow.rst:None msgid "" ".. image:: images/en/color_category/Krita_2_9_colormanagement_group2.png" msgstr "" ".. image:: images/en/color_category/Krita_2_9_colormanagement_group2.png" #: ../../general_concepts/colors/color_managed_workflow.rst:None msgid "" ".. image:: images/en/color_category/Krita_2_9_colormanagement_group3.png" msgstr "" ".. image:: images/en/color_category/Krita_2_9_colormanagement_group3.png" #: ../../general_concepts/colors/color_managed_workflow.rst:None msgid "" ".. image:: images/en/color_category/Krita_2_9_colormanagement_group4.png" msgstr "" ".. image:: images/en/color_category/Krita_2_9_colormanagement_group4.png" #: ../../general_concepts/colors/color_managed_workflow.rst:None msgid ".. image:: images/en/LUT_Management_Docker.png" msgstr ".. image:: images/en/LUT_Management_Docker.png" #: ../../general_concepts/colors/color_managed_workflow.rst:None msgid ".. image:: images/en/color_category/Krita_HDR_1.svg" msgstr ".. image:: images/en/color_category/Krita_HDR_1.svg" #: ../../general_concepts/colors/color_managed_workflow.rst:None msgid ".. image:: images/en/color_category/Krita_HDR2.svg" msgstr ".. image:: images/en/color_category/Krita_HDR2.svg" #: ../../general_concepts/colors/color_managed_workflow.rst:None msgid "" ".. image:: images/en/color_category/Krita-colormanaged-workflow_webcomic.svg" msgstr "" ".. image:: images/en/color_category/Krita-colormanaged-workflow_webcomic.svg" #: ../../general_concepts/colors/color_managed_workflow.rst:None msgid "" ".. image:: images/en/color_category/Krita-colormanaged-workflow_print.svg" msgstr "" ".. image:: images/en/color_category/Krita-colormanaged-workflow_print.svg" #: ../../general_concepts/colors/color_managed_workflow.rst:None msgid "" ".. image:: images/en/color_category/Krita-colormanaged-workflow_games.svg" msgstr "" ".. image:: images/en/color_category/Krita-colormanaged-workflow_games.svg" -#: ../../general_concepts/colors/color_managed_workflow.rst:0 -msgid ".. image:: images/en/color_category/Kiki_matrix_profile.png" -msgstr ".. image:: images/en/color_category/Kiki_matrix_profile.png" - -#: ../../general_concepts/colors/color_managed_workflow.rst:0 -msgid ".. image:: images/en/color_category/Kiki_cLUTprofiles.png" -msgstr ".. image:: images/en/color_category/Kiki_cLUTprofiles.png" - #: ../../general_concepts/colors/color_managed_workflow.rst:1 msgid "How a color managed workflow works." msgstr "Como funciona um processo gerido por cores." #: ../../general_concepts/colors/color_managed_workflow.rst:17 msgid "Color Managed Workflow" msgstr "Processos Geridos por Cores" #: ../../general_concepts/colors/color_managed_workflow.rst:19 msgid "" "You may have heard that Krita has something called color-management. Or " "maybe you just wondered what all these 'color model' and 'color profile' " "things you can find in the menus mean. Color management is pretty useful for " "people who work in digital imaging professionally, and hopefully this page " "will explain why." msgstr "" "Poderá ter ouvido falar que o Krita tem algo chamado de gestão de cores. Ou " "provavelmente poderá ter pensado o que são essas coisas de 'modelos de " "cores' e 'perfis de cores' que encontra nos menus. A gestão de cores é " "bastante útil para as pessoas que trabalham profissionalmente nas imagens " "digitais, e felizmente esta página irá explicar porquê." #: ../../general_concepts/colors/color_managed_workflow.rst:22 msgid "Basic Info" msgstr "Informação Básica" #: ../../general_concepts/colors/color_managed_workflow.rst:24 msgid "" "If you've never worked with color management before, and have no clue what " "it is, then know that you've probably been working in the 8bit RGB color " "space with the sRGB profile. This means you can choose for *sRGB built-in* " "or *sRGB-elle-v2-srgbtrc.icc*. With the new color space browser this profile " "is marked with *(default)* when using 8bit." msgstr "" "Se nunca tiver trabalhado anteriormente com a gestão de cores, e não fizer a " "menor ideia o que é, então é porque provavelmente tem estado a trabalhar no " "espaço de cores RGB de 8 bits com o perfil sRGB. Isto significa que poderá " "escolher o *sRGB incorporado* ou o *sRGB-elle-v2-srgbtrc.icc*. Com o novo " "selector de espaços de cores, este perfil está marcado como *(predefinição)* " "ao usar os 8 bits." #: ../../general_concepts/colors/color_managed_workflow.rst:26 msgid "" "We'll go into what these terms mean in the theory, but if you're here only " "for trying to figure out which is the default, you now know it. Maybe, after " "reading this, you may feel like changing the default, to get new and " "interesting results from filters, blending modes, or just the color smudge " "brush." msgstr "" "Iremos ver o que significam estes termos em teoria, mas se estiver aqui só " "para tentar perceber qual é o predefinido, agora já sabe. Talvez, depois de " "ler isto, se possa sentir como se estiver a alterar a predefinição, para " "obter resultados novos e interessantes dos filtros, modos de mistura ou " "simplesmente o pincel de manchas a cores." #: ../../general_concepts/colors/color_managed_workflow.rst:29 msgid "What is the problem?" msgstr "Qual é o problema?" #: ../../general_concepts/colors/color_managed_workflow.rst:31 msgid "" "To explain the point of color management, you'd first need to learn which " "problem color management tries to solve." msgstr "" "Para explicar o objectivo da gestão de cores, terá de primeiro de aprender " "qual é o problema que a gestão de cores está a tentar resolver." #: ../../general_concepts/colors/color_managed_workflow.rst:33 msgid "Let us imagine a kinder garden:" msgstr "Imaginemos um infantário:" #: ../../general_concepts/colors/color_managed_workflow.rst:35 msgid "" "The class of 28 children is subdivided in groups of 7. Each group has its " "own table." msgstr "" "A turma de 28 crianças está dividida em grupos de 7. Cada grupo tem a sua " "própria mesa." #: ../../general_concepts/colors/color_managed_workflow.rst:37 msgid "" "The teacher gives them a painting assignment: They need to paint a red " "triangle, a blue square, a green circle and put a yellow border around the " "three. The kids are very experienced with painting already, so the teacher " "can confidently leave the smarter ones to their own devices, and spent more " "time on those who need help." msgstr "" "O professor deu-lhes uma tarefa de pintura: Elas precisam de pintar um " "triângulo vermelho, um quadrado azul, um círculo verde e colocar um contorno " "amarelo em torno dos três. As crianças já são muito experientes com a " "pintura, pelo que o professor pode deixar os mais inteligentes à confiança " "com os seus próprios dispositivos, gastando mais tempo com os que precisam " "de ajuda." #: ../../general_concepts/colors/color_managed_workflow.rst:40 msgid "The following results come from painting:" msgstr "Os seguintes resultados vêm da pintura:" #: ../../general_concepts/colors/color_managed_workflow.rst:42 msgid "" "Even though all groups had the same assignment, each group's result looks " "different." msgstr "" "Ainda que todos os grupos tenham a mesma tarefa, o resultado de cada grupo " "parece diferente." #: ../../general_concepts/colors/color_managed_workflow.rst:49 msgid "" "Group 1 had vermillion red, citron yellow and ultramarine blue to their " "disposal. This means their triangle looks nice and red, but their circle's " "green is muddy. This is because ultramarine is too dark of a blue to create " "nice greens with." msgstr "" "O grupo 1 tem vermelhão, amarelo cítrico e azul ultramarino ao seu dispor. " "Isto significa que o seu triângulo parece bonito e vermelho, mas o verde do " "círculo deles está feito. Isto é porque o ultramarino é um azul demasiado " "escuro para criar verdes bonitos com ele." #: ../../general_concepts/colors/color_managed_workflow.rst:56 msgid "" "Group 2 had magenta red, citron yellow and cerulean blue. Magenta is a type " "of red that is closer to pink, opposed to vermillion, which is closer to " "orange. However, their green looks nice because cerulean is a much lighter " "blue." msgstr "" "O grupo 2 tem um vermelho magenta, um amarelo cítrico e um azul cerúleo. O " "magenta é um tipo de vermelho que se aproxima mais do rosa, em oposição ao " "vermelhão, que é mais próximo do laranja. Contudo, o verde deles parece " "melhor porque o cerúleo é um azul muito mais claro." #: ../../general_concepts/colors/color_managed_workflow.rst:64 msgid "" "Group 3 had vermillion red, citron yellow, emerald green and cerulean blue. " "They didn't mix their green, and thus ended up with a purer color." msgstr "" "O grupo 3 tinha o vermelhão, o amarelo cítrico, o verde esmeralda e o azul " "cerúleo. Não misturaram o verde deles, e por isso ficaram com um verde mais " "puro." #: ../../general_concepts/colors/color_managed_workflow.rst:71 msgid "" "Finally, group 4 has vermillion red, citron yellow and cerulean blue. Their " "colors probably look like what you imagined." msgstr "" "Finalmente, o grupo 4 tinha o vermelhão, o amarelo cítrico e o azul cerúleo. " "As cores deles provavelmente pareciam-se mais com o que tinha imaginado." #: ../../general_concepts/colors/color_managed_workflow.rst:73 msgid "" "Now, these are kindergarteners, so this isn't the largest problem in the " "world. However, imagine that something like this happened at a printing " "company? Imagine four printers printing the same magazine with wildly " "different results? That would be disastrous!" msgstr "" "Agora, eles são alunos de infantário, pelo que isto não será um grande " "problema para o mundo. Contudo, imagine que algo como isto se passava numa " "empresa de impressões? Imagine quatro impressoras a imprimir a mesma revista " "com resultados radicalmente diferentes? Isso seria um desastre!" #: ../../general_concepts/colors/color_managed_workflow.rst:75 msgid "For this purpose, we invented color management." msgstr "Para esse fim, inventámos a gestão de cores." #: ../../general_concepts/colors/color_managed_workflow.rst:78 msgid "What is color management?" msgstr "O que é a gestão de cores?" #: ../../general_concepts/colors/color_managed_workflow.rst:80 msgid "" "Color management is, dryly put, a set of systems that tries to have the same " "color translate properly between color devices." msgstr "" "A gestão de cores é, por assim dizer, um conjunto de sistemas que tentam ter " "a mesma cor a ser traduzida de forma adequada entre os dispositivos a cores." #: ../../general_concepts/colors/color_managed_workflow.rst:82 msgid "" "It usually works by attempting to covert a color to the reference color " "space XYZ. XYZ is a coordinate system that has a spot for all colors that " "the average human eye can see." msgstr "" "Normalmente funciona ao tentar converter uma cor para o espaço de referência " "de cores XYZ. O XYZ é um sistema de coordenadas que tem um ponto para todas " "as cores que o olho humano consegue ver." #: ../../general_concepts/colors/color_managed_workflow.rst:84 msgid "" "From XYZ it can then be translated back into another device space, such as " "RGB (for screens), or CMYK (for printers)." msgstr "" "A partir do XYZ, poderá então ser traduzido para outro espaço do " "dispositivo, como o RGB (para os ecrãs) ou o CMYK (para as impressoras)." #: ../../general_concepts/colors/color_managed_workflow.rst:86 msgid "" "Krita has two systems dedicated to color management. On the one hand, we " "have **lcms2**, which deal with ICC profiles, and on the other, we have " "**OCIO**, which deal with LUT color management." msgstr "" "O Krita tem dois sistemas dedicados à gestão de cores. Por um lado, temos o " "**lcms2**, que lida com os perfis ICC, e por outro temos o **OCIO**, que " "lida com a gestão de cores por LUT's." #: ../../general_concepts/colors/color_managed_workflow.rst:88 msgid "" "To give a crude estimate, ICC profiles deal with keeping colors consistent " "over many interpretations of devices (screens, printers) by using a " "reference space, and OCIO deals with manipulating the interpretation of said " "colors." msgstr "" "Para dar uma estimativa por alto, os perfis de ICC lidam com a manutenção " "das cores consistentes centre as várias interpretações dos dispositivos " "(ecrãs, impressoras), usando um espaço de referência, e o OCIO lida com a " "manipulação da interpretação dessas cores." #: ../../general_concepts/colors/color_managed_workflow.rst:90 msgid "Within both we can identify the following color spaces:" msgstr "Dentro de ambos, podemos identificar os seguintes espaços de cores:" #: ../../general_concepts/colors/color_managed_workflow.rst:93 msgid "" "Device spaces are those describing your monitor, and have to be made using a " "little device that is called \"colorimeter\". This device, in combination " "with the right software, measures the strongest red, green and blue your " "screen can produce, as well as the white, black and grey it produces. Using " "these and several other measurements it creates an ICC profile unique to " "your screen. You set these in Krita's color management tab. By default we " "assume sRGB for screens, but it's very likely that your screen isn't exactly " "fitting sRGB, especially if you have a high quality screen, where it may be " "a bigger space instead. Device spaces are also why you should first consult " "with your printer what profile they expect. Many printing houses have their " "own device profiles for their printers, or may prefer doing color conversion " "themselves. You can read more about colorimeter usage :ref:`here " "`." msgstr "" "Os espaços de dispositivos são os que descrevem o seu monitor, e terão de " "ser criados com um pequeno dispositivo chamado de \"colorímetro\". Este " "dispositivo, em conjunto com a aplicação correcta, mede o valor mais forte " "de vermelho, verde e azul que o seu ecrã consegue produzir, assim como o " "branco, preto e cinzento que produz. Ao usar esta e outras medidas, irá " "criar um perfil ICC único para o seu ecrã. Poderá configurar estes na página " "de gestão de cores do Krita. Por omissão, assumimos o sRGB para os ecrãs, " "mas é muito provável que o seu ecrã não se ajuste perfeitamente ao sRGB, " "especialmente se tiver um ecrã de alta qualidade, onde poderá ter um espaço " "ainda maior. Os espaços dos dispositivos são também a razão pela qual deverá " "consultar primeiro com a sua impressora o perfil que ela está à espera. " "Muitas casas de impressão têm os seus próprios perfis de dispositivos para " "as suas impressoras, ou poderão preferir fazer eles mesmos a conversão de " "cores. Poderá ler mais sobre a utilização do colorímetro :ref:`aqui " "`." #: ../../general_concepts/colors/color_managed_workflow.rst:94 msgid "Device spaces" msgstr "Espaços do dispositivo" #: ../../general_concepts/colors/color_managed_workflow.rst:96 msgid "Working spaces" msgstr "Espaços de trabalho" #: ../../general_concepts/colors/color_managed_workflow.rst:97 msgid "" "These are delivered alongside Krita for ICC, and downloadable from the OCIO " "website for OCIO. Working spaces are particularly nice to do color " "calculations in, which programs like Krita do often. It's therefore " "recommended to have a working space profile for your image." msgstr "" "Estes são entregues em conjunto com o Krita para o ICC, e podem ser " "transferidos a partir da página Web do OCIO para o OCIO. Os espaços de " "trabalho são particularmente bons para fazer os cálculos de cores neles, os " "quais os programas como o Krita fazem com frequência. Como tal, é altamente " "recomendado que tenha um perfil do espaço de trabalho para a sua imagem." #: ../../general_concepts/colors/color_managed_workflow.rst:99 msgid "Aesthetic or Look spaces" msgstr "Espaços estéticos ou de aparência" #: ../../general_concepts/colors/color_managed_workflow.rst:99 msgid "" "These are special spaces that have been deformed to give a certain look to " "an image. Krita doesn't deliver Look profiles for ICC, nor does it yet " "support Look spaces for OCIO." msgstr "" "Estes são espaços especiais que foram deformados para dar um dado aspecto a " "uma imagem. O Krita não oferece perfis de aparência no ICC, nem suporta " "espaços de aparência ainda no OCIO." #: ../../general_concepts/colors/color_managed_workflow.rst:102 msgid "Color managed workflow" msgstr "Processo gerido pela cor" #: ../../general_concepts/colors/color_managed_workflow.rst:104 msgid "" "Knowing this about these spaces of course doesn't give you an idea of how to " "use them, but it does make it easier to explain how to use them. So let us " "look at a typical color management workflow:" msgstr "" "Saber algo sobre estes espaços não lhe dá uma ideia de como usá-los, mas " "torna mais fácil explicar como os usar. Como tal, vejamos um processo de " "gestão de cores típico:" #: ../../general_concepts/colors/color_managed_workflow.rst:110 msgid "" ".. image:: images/en/color_category/Krita-colormanaged-workflow_text.svg" msgstr "" ".. image:: images/en/color_category/Krita-colormanaged-workflow_text.svg" #: ../../general_concepts/colors/color_managed_workflow.rst:110 msgid "" "A typical example of a color managed workflow. We have input from scanners " "and cameras, which we convert to a working space that can be used between " "different editing software, and is converted to an output space for viewing " "on screen or printing." msgstr "" "Um exemplo típico de um processo de gestão de cores. Temos dados " "provenientes de 'scanners' e máquinas fotográficas, os quais são convertidos " "para um espaço de trabalho que possa ser usado entre as várias aplicações de " "edição, sendo convertidos para um espaço de saída para ver no ecrã ou para " "imprimir." #: ../../general_concepts/colors/color_managed_workflow.rst:112 msgid "" "In a traditional color managed workflow, we usually think in terms of real " "world colors being converted to computer colors and the other way around. " "So, for example photos from a camera or scanned in images. If you have a " "device space of such a device, we first assign said device space to the " "image, and then convert it to a working space." msgstr "" "Num processo de gestão de cores tradicional, iremos pensar normalmente em " "termos de cores no mundo real a serem convertidas para cores do computador e " "vice-versa. Como tal, para algumas fotografias de exemplo de uma câmara ou " "para imagens digitalizadas. Se tiver um espaço de cores para um desses " "dispositivos, primeiro iremos atribuir o espaço desses dispositivo à imagem, " "e depois convertê-lo para um espaço de trabalho." #: ../../general_concepts/colors/color_managed_workflow.rst:114 msgid "" "We then do all our editing in the working space, and use the working space " "to communicate between editing programs. In Krita's case, due to it having " "two color management systems, we use ICC profiles between programs like GIMP " "2.9+, Inkscape, digiKam and Scribus, and OCIO configuration between Blender " "and Natron." msgstr "" "Depois faremos todas as nossas edições no espaço de trabalho, usando o " "espaço em questão para comunicar entre os programas de edição. No caso do " "Krita, devido ao facto de termos dois sistemas de gestão de cores, usamos os " "perfis de ICC entre os programas como o GIMP 2.9+, o Inkscape, o digiKam e o " "Scribus, e a configuração do OCIO entre o Blender e o Natron." #: ../../general_concepts/colors/color_managed_workflow.rst:116 msgid "" "You also store your working files in the working space, just like how you " "have the layers unmerged in the working file, or have it at a very high " "resolution." msgstr "" "Também irá guardar os seus ficheiros de trabalho no espaço de trabalho, como " "iria ter as camadas não unidas no ficheiro de trabalho, ou tê-lo com uma " "resolução muito elevada." #: ../../general_concepts/colors/color_managed_workflow.rst:118 msgid "" "Sometimes, we apply aesthetic or 'look' spaces to an image as part of the " "editing process. This is rather advanced, and probably not something to " "worry about in Krita's case." msgstr "" "Em alguns casos, aplicamos espaços estéticos ou de 'aparência' a uma imagem " "como parte do processo de edição. Isto é relativamente avançado e " "provavelmente não será algo com que se tenha de preocupar no caso do Krita." #: ../../general_concepts/colors/color_managed_workflow.rst:120 msgid "" "Then, when we're done editing, we try to convert to an output space, which " "is another device space. This can be CMYK for printers or a special screen " "RGB profile. When you are dealing with professional printing houses, it is " "best to ask them about this step. They have a lot of experience with doing " "the best conversion, and may prefer to do the conversion from your working " "space to the device space of their printers." msgstr "" "Assim, quando acabarmos de editar, tentamos converter para um espaço de " "saída, que será o espaço de outro dispositivo. Este poderá ser o CMYK para " "as impressoras ou um perfil RGB especial para um ecrã. Quando estiver a " "lidar com casas de impressão profissionais, é melhor perguntar a eles sobre " "este passo. Eles têm bastante experiência em fazer a melhor conversão, e " "poderão preferir fazer a conversão a partir do seu espaço de trabalho para o " "espaço de trabalho das suas impressoras." #: ../../general_concepts/colors/color_managed_workflow.rst:122 msgid "" "Another form of output is the way your screen displays the color. Unlike " "regular output, this one is done all the time during editing: After all, you " "need to be able to see what you are doing, but your screen is still a device " "with a device space, so it does distort how the image looks. In this manner, " "you can see your screen as a set of binoculars you have to look through to " "see your image at all." msgstr "" "Outra forma de saída é a forma como o seu ecrã mostra a cor. Ao contrário " "das saídas normais, esta é feita a toda a hora durante a edição: Afinal de " "contas, precisa de ser capaz de ver o que está a fazer, mas o seu ecrã " "continua a ser um dispositivo com um espaço próprio, pelo que distorce a " "forma como aparece a imagem. Desta maneira, poderá ver o seu ecrã como um " "conjunto de binóculos que terá de usar e ver através deles para conseguir " "ver de todo a sua imagem." #: ../../general_concepts/colors/color_managed_workflow.rst:124 msgid "" "Therefore, without a profiled monitor, you actually don't know what the " "actual colors you are working with are like, because the computer doesn't " "know the relevant properties of your screen. So if you profiled your " "monitor, give Krita the profile in the settings, and select the sRGB space " "to draw in, you are for the first time seeing the actual colors of the sRGB " "space." msgstr "" "Como tal, sem um monitor com um perfil, não sabe de facto como é que são as " "cores com que está a trabalhar, porque o computador não conhece as " "propriedades relevantes do seu ecrã. Como tal, se tiver criado um perfil do " "seu monitor, indique ao Krita o perfil na configuração, seleccionando o " "espaço sRGB onde desenhar, e estará pela primeira vez a ver as cores reais " "do espaço sRGB." #: ../../general_concepts/colors/color_managed_workflow.rst:127 msgid "So what does this mean?" msgstr "Então o que significa isto?" #: ../../general_concepts/colors/color_managed_workflow.rst:133 msgid "" ".. image:: images/en/color_category/Krita-colormanaged-workflow_krita_text." "svg" msgstr "" ".. image:: images/en/color_category/Krita-colormanaged-workflow_krita_text." "svg" #: ../../general_concepts/colors/color_managed_workflow.rst:133 msgid "" "When we paint from scratch, we can see our screen profile as the input " "space, because we use it to determine what colors to pick. This somewhat " "simplifies the workflow, but makes the screen profile and viewing conditions " "more important." msgstr "" "Quando pintarmos do zero, podemos ver o perfil do nosso monitor como o " "espaço de entrada, dado que o usamos para determinar quais as cores a " "escolher. Isto de certa forma simplifica o processo, mas torna o perfil do " "ecrã e as condições de visualização mais importantes." #: ../../general_concepts/colors/color_managed_workflow.rst:135 msgid "" "Now, photographers and people who do a tricky discipline of VFX called " "'color grading' will go completely mad over trying to get the colors they " "put in to come out 100% correctly, and will even count in factors like the " "time of day and the color they painted their walls. For example, if the wall " "behind your computer is pure red, your eyes will adjust to be less sensitive " "to red, which means that the colors they pick in the program could come out " "redder. We call these the *viewing conditions*." msgstr "" "Agora, os fotógrafos e as pessoas que trazem uma grande disciplina dos VFX " "chamada 'graduação de cores', ficarão completamente malucos a tentar obter " "as cores que usam e que saiam 100% correctas, e isso irá ter em conta " "factores como a hora do dia e a cor com que eles pintaram as suas paredes. " "Por exemplo, se a parede atrás do seu computador for um vermelho vivo, os " "seus olhos ajustar-se-ão para ficarem menos sensíveis ao vermelho, o que " "significa que as cores que eles escolherem no programa serão mais " "avermelhadas. Nós chamamos a isso as *condições de apresentação*." #: ../../general_concepts/colors/color_managed_workflow.rst:137 msgid "" "Thankfully, artists have to worry a slight bit less about this. As " "illustrations are fully handmade, we are able to identify the important bits " "and make appropriate contrasts between colors. This means that even if our " "images turn out to be slightly redder than intended, it is less likely the " "whole image is ruined. If we look back at the kindergarten example above, we " "still understand what the image was supposed to look like, despite there " "being different colors on each image. Furthermore, because the colors in " "illustrations are deliberately picked, we can correct them more easily on a " "later date. Yet, at the same time, it is of course a big drag to do this, " "and we might have had much more flexibility had we taken viewing conditions " "under consideration." msgstr "" "Felizmente, os artistas têm de se preocupar um pouco menos com isso. Dado " "que as ilustrações são completamente feitas à mão, é possível identificar as " "partes importantes e criar contrastes apropriados entre cores. Isto " "significa que, mesmo que as nossas imagens se tornem um pouco mais vermelhas " "que o pretendido, é menos provável que toda a imagem tenha ficado " "danificada. Se olharmos para o nosso exemplo do infantário acima, " "continuamos a compreender ao que era suposto ficar parecida a imagem, apesar " "de existirem cores diferentes para cada imagem. Para além disso, dado que as " "cores nas ilustrações são deliberadamente escolhidas, poderemos corrigi-las " "com maior facilidade numa data posterior. Mesmo assim, ao mesmo tempo, " "obviamente que é um grande incómodo fazer isto, dado que teríamos tido muita " "mais flexibilidade se tivéssemos tido as condições de visualização em " "consideração." #: ../../general_concepts/colors/color_managed_workflow.rst:139 msgid "" "That said, for artists it is also very useful to understand the working " "spaces. Different working spaces give different results with filters and " "mixing, and only some working spaces can be used for advanced technology " "like HDR." msgstr "" "Posto isto, para os artistas também é bastante útil compreender os espaços " "de trabalho. Os diferentes espaços de trabalho irão gerar resultados " "diferentes com os filtros e a mistura, e só alguns espaços de trabalho " "poderão ser usados para tecnologias avançadas, como o HDR." #: ../../general_concepts/colors/color_managed_workflow.rst:141 msgid "" "Similarly, Krita, as a program intended to make images from scratch, doesn't " "really worry about assigning workspaces after having made the image. But " "because you are using the screen as a binocular to look at your image, and " "to pick colors, you can see your screen's device space as an input space to " "the image. Hence why profiling your monitor and giving the profile to Krita " "in the settings can help with preparing your work for print and future " "ventures in the long run." msgstr "" "De forma semelhante, o Krita, como um programa que pretende criar imagens do " "zero, não se preocupa realmente sobre a atribuição de espaços de trabalho " "depois de ter criado a imagem. Contudo, dado que está a usar o ecrã como " "binóculos para olhar para a sua imagem e para escolher cores, poderá ver o " "espaço do dispositivo do seu ecrã como um espaço de entrada para a imagem. É " "por isso que a geração do perfil do seu monitor e a atribuição do perfil ao " "Krita na configuração poderá ajudar o seu trabalho para a impressão e para " "actividades futuras a longo prazo." #: ../../general_concepts/colors/color_managed_workflow.rst:143 msgid "" "Overall, it is kinda useful to keep things like viewing conditions in the " "back of your mind. Many professional artists use a mid-grey color as their " "default canvas background because they find they create much more dynamic " "images due to having improved their viewing conditions. It is also why a lot " "of graphics programs, including Krita, come with a dark theme nowadays. " "(Though, of course this might also be because dark themes can be considered " "cool, who knows.)" msgstr "" "De um modo geral, é relativamente útil manter as coisas, como as condições " "de visualização, sempre presentes na sua mente. Muitos artistas " "profissionais usam uma cor cinzenta intermédia como fundo por omissão das " "suas telas, porque concluem que criam imagens muito mais dinâmicas devido a " "ter melhorado as suas condições de visualização. Também é por isso que uma " "grande quantidade de programas gráficos, incluindo o Krita, vêm com um tema " "escuro nos dias de hoje. (Ainda que, como é óbvio, possa ser porque achem " "que os temas escuros possam ter estilo - quem sabe?)" #: ../../general_concepts/colors/color_managed_workflow.rst:148 msgid "ICC profiles" msgstr "Perfis ICC" #: ../../general_concepts/colors/color_managed_workflow.rst:150 msgid "" "An ICC profile is a set of coordinates describing the extremities of the " "device space within XYZ, and it is the color management data you use to " "communicate your working space to printers and applications that are " "designed for the print industry, such as GIMP, Scribus, Photoshop, " "Illustrator, Inkscape, Digikam, RawTheraphee, etc. You have two types of ICC " "profiles:" msgstr "" "Um perfil ICC é um conjunto de coordenadas que descreve as extremidades do " "espaço do dispositivo dentro do XYZ, e são os dados de gestão de cores que " "usa para comunicar o seu espaço de trabalho com as impressoras e as " "aplicações que estão desenhadas para a indústria da impressão, como o GIMP, " "o Scribus, o Photoshop, o Illustrator, o Inkscape, o Digikam, o " "RawTheraphee, etc. Tem dois tipos de perfis ICC:" #: ../../general_concepts/colors/color_managed_workflow.rst:153 msgid "" "These are delivered alongside Krita. Matrix shaper profiles are made by " "setting parameters and interpolating between these to get the exact size of " "the color space. Due to this, Krita's color space browser can give you a lot " "of information on these profiles. Such profiles are also preferable as " "working space." msgstr "" "Estes são fornecidos com o Krita. Os perfis em matriz são criados através da " "definição dos parâmetros e da interpolação entre eles para obter o tamanho " "exacto do espaço de cores. Devido a este facto, o navegador do espaço de " "cores do Krita poder-lhe-á dar bastantes informações sobre estes perfis. Os " "perfis em questão também são preferíveis como espaços de trabalho." #: ../../general_concepts/colors/color_managed_workflow.rst:159 msgid "Matrix Shaper profiles." msgstr "Perfis em Forma de Matriz." #: ../../general_concepts/colors/color_managed_workflow.rst:159 msgid "" "Matrix shaper profiles have a few parameters that describe the color space " "which are then interpolated between, this requires a lot of maths." msgstr "" "Os perfis em forma de matriz têm alguns parâmetros que descrevem o espaço de " "cores entre os quais são interpolados; isto necessita de bastantes contas " "matemáticas." #: ../../general_concepts/colors/color_managed_workflow.rst:162 msgid "" "These are fairly rare, and primarily used to describe printer profiles, such " "as CMYK. cLUT, or Color Look-up Table profiles store far more data than " "Matrix shaper profiles, so they can hold data of little particularities " "caused by, for example, unexpected results from mixing pigments. This is a " "far more organic approach to describing a color space, hence why a lot of " "programs that don't care for color management much don't support these." msgstr "" "Estes são relativamente raros e são usados principalmente para descrever os " "perfis da impressora, como o CMYK. Os perfis cLUT (Color Look-up Table) " "guardam muito mais dados que os perfis em matriz, pelo que poderão guardar " "dados sobre as pequenas particularidades causadas, por exemplo, por " "resultados inesperados provenientes da mistura de pigmentos. Esta é uma " "abordagem muito mais orgânica para descrever um espaço de cores, e é por " "isso que uma data de programas que não se preocupam com a gestão de cores " "não os suportam." #: ../../general_concepts/colors/color_managed_workflow.rst:168 msgid "" "cLUT profiles work by holding tables of each color in a color space and " "their respective coordinates in a reference space. For CMYK this is " "typically L\\*A\\*B\\* and for the rest XYZ. These tables are tricky to " "make, which means these profiles are a lot rarer." msgstr "" "Os perfis do cLUT funcionam através do registo de tabelas de cada cor num " "espaço de cores, bem como das suas coordenadas num espaço de referência. No " "caso do CMYK, este é tipicamente o L\\*A\\*B\\* e, para os restantes, o XYZ. " "Estas tabelas são difíceis de criar, o que significa que estes perfis são um " "bocado mais raros." #: ../../general_concepts/colors/color_managed_workflow.rst:169 msgid "cLUT profiles" msgstr "Perfis do cLUT" #: ../../general_concepts/colors/color_managed_workflow.rst:171 msgid "" "The interesting thing about ICC profiles is that your working space can be " "larger than your device space. This is generally not bad. However, when " "converting, you do end up with the question of how to translate the working " "space values." msgstr "" "O ponto interessante sobre os perfis ICC é que o seu espaço de trabalho pode " "ser maior que o espaço do seu dispositivo. De um modo geral, isto não é mau. " "Contudo, ao converter, ficará com a questão de como traduzir os valores do " "espaço de trabalho." #: ../../general_concepts/colors/color_managed_workflow.rst:174 msgid "Perceptual" msgstr "Percepção" #: ../../general_concepts/colors/color_managed_workflow.rst:174 msgid "" "This just squishes the values of the working space into the space it's " "converted to. It's a nice method to see all possible values in this, but not " "so good if you want accurate color reproduction. Use this if you want to see " "all colors in an image, or want to express all possible contrasts. Doesn't " "work with Matrix Shaper profiles, defaults to relative colorimetric." msgstr "" "Isto apenas esmaga os valores do espaço de trabalho para o espaço que será " "convertido. É um método bom para ver todos os valores possíveis nisto, mas " "não tão bom se quiser uma reprodução de cores exacta. Use isto se quiser ver " "todos os valores numa imagem ou se quiser exprimir todos os contrastes " "possíveis. Não funciona com os perfis em Matriz, usando por omissão a " "colorimétrica relativa." #: ../../general_concepts/colors/color_managed_workflow.rst:177 msgid "Absolute Colorimetric." msgstr "Colorimétrica Absoluta." #: ../../general_concepts/colors/color_managed_workflow.rst:177 msgid "" "The opposite to Perceptual, Absolute colorimetric will attempt to retain all " "the correct colors at whatever cost, which may result in awful looking " "colors. Recommended only for reproduction work. Doesn't work with Matrix " "Shaper profiles in Krita due to ICC v4 workflow standards." msgstr "" "Sendo o oposto da Percepção, a Colorimétrica Absoluta irá tentar reter todos " "os valores correctos a qualquer custo, o que poderá resultar em cores com um " "aspecto horrível. Recomendado apenas para trabalhos de reprodução. Não " "funciona com os perfis em Matriz no Krita, devido às normas do processo ICC " "v4." #: ../../general_concepts/colors/color_managed_workflow.rst:180 msgid "Relative Colorimetric" msgstr "Colorimétrica Relativa" #: ../../general_concepts/colors/color_managed_workflow.rst:180 msgid "" "An in between solution between perceptual and absolute, relative will try to " "fit whatever colors it can match between color spaces. It does this by " "aligning the white and black points. It cuts off the rest to their " "respective borders. This is what all matrix shaper profiles default to " "during conversion, because the ICC v4 workflow specifies to only use " "Relative Colorimetric for matrix shaper profiles." msgstr "" "Sendo uma solução intermédia entre a percepção e a absoluta, a relativa irá " "tentar ajustar as cores que conseguir corresponder entre espaços de cores. " "Irá tentar fazer isso através do alinhamento dos pontos preto e branco. Irá " "cortar o resto no que respeita aos seus extremos respectivos. Isto é o que " "todos os perfis em matriz fazem por omissão durante a conversão, porque o " "processo do ICC v4 define que só é usada a Colorimétrica Relativa para os " "perfis em matriz." #: ../../general_concepts/colors/color_managed_workflow.rst:183 msgid "Saturation" msgstr "Saturação" #: ../../general_concepts/colors/color_managed_workflow.rst:183 msgid "" "Does anything to retain colorfulness, even hue will be sacrificed. Used in " "infographics. Doesn't work with Matrix Shaper profiles, defaults to relative " "colorimetric." msgstr "" "Faz tudo para manter as cores, mesmo às custas de sacrificar a matiz. É " "usada em infogramas. Não funciona com os perfis em forma de matriz, recaindo " "por omissão na colorimétrica relativa." #: ../../general_concepts/colors/color_managed_workflow.rst:185 msgid "" "*ICC profile version* is the last thing to keep in mind when dealing with " "ICC profiles. Krita delivers both Version 2 and Version 4 profiles, with the " "later giving better results in doing color maths, but the former being more " "widely supported (as seen below in 'interoperability with other programs'. " "This is also why Krita defaults to V2, and we recommend using V2 when you " "aren't certain if the other programs you are using support V4." msgstr "" "A *versão do perfil ICC* é a última coisa a ter em mente ao lidar com os " "perfis ICC. O Krita fornece tanto os perfis na versão 2 como na versão 4, " "sendo que os últimos dão melhores resultados nos cálculos matemáticos, mas " "os primeiros são mais suportados (como pode ser visto abaixo na " "'interoperabilidade com outros programas'. Também é por isso que o Krita usa " "por omissão a V2, e recomendamos que use a V2 a menos que não tenha a " "certeza se os outros programas que usa suportam a V4." #: ../../general_concepts/colors/color_managed_workflow.rst:188 msgid "LUT docker and HDR imaging" msgstr "Área do LUT e imagens HDR" #: ../../general_concepts/colors/color_managed_workflow.rst:196 msgid "" "The :ref:`lut_docker` is the second important bit of color management in " "Krita that is shared between Krita and programs like Blender, Natron and " "Nuke, and only uses Look Up Tables that are configured via a config file." msgstr "" "A :ref:`lut_docker` é a segunda parte importante da gestão de cores no Krita " "que é partilhada entre o Krita e os programas como o Blender, o Natron e o " "Nuke, e só usa as tabelas de pesquisa (LUT's) que estejam configuradas " "através de um ficheiro." #: ../../general_concepts/colors/color_managed_workflow.rst:198 msgid "" "You can set the workingspace of the image under input color space, and the " "display to sRGB or your own LUT if you have added it to the configuration. " "View in this case is for proofing transforms to a certain display device." msgstr "" "Poderá definir o espaço de trabalho da imagem sob o espaço de cores de " "entrada, e o ecrã como sRGB ou usando a sua própria LUT, caso a tenha " "adicionado à configuração. A janela neste caso serve para testar as " "transformações para um dado dispositivo de visualização." #: ../../general_concepts/colors/color_managed_workflow.rst:200 msgid "" "Component, exposure, gamma, whitepoint and blackpoint are knobs which allows " "you to modify the display filter." msgstr "" "A Componente, exposição, gama, ponto-branco e ponto-preto são parâmetros " "ajustáveis que lhe permitem modificar o filtro de visualização." #: ../../general_concepts/colors/color_managed_workflow.rst:208 msgid "" "As explained before, we can see our monitor as a telescope or binocular into " "the world of our picture. Which means it distorts our view of the image a " "little. But we can modify this binocular, or display filter to see our image " "in a different way. For example, to allow us to see the white in an image " "that are whiter than the white of our screen. To explain what that means, we " "need to think about what white is." msgstr "" "Como foi explicado anteriormente, poderemos ver o nosso monitor como um " "telescópio ou como binóculos para o mundo da nossa imagem. Isto significa " "que distorce a nossa vista da imagem um pouco. Contudo, podemos modificar " "estes binóculos ou apresentar um filtro que vê a nossa imagem de uma forma " "diferente. Por exemplo, para nos permitir ver o branco numa imagem que tem " "um branco mais branco que o branco do nosso ecrã. Para explicar o que isto " "significa, precisamos de pensar sobre o que é o branco." #: ../../general_concepts/colors/color_managed_workflow.rst:210 msgid "" "For example, white, on our monitor is full red, full green and full blue. " "But it's certainly different from white on our paper, or the color of milk, " "white from the sun, or even the white of our cell-phone displays." msgstr "" "Por exemplo, o branco no nosso monitor é um vermelho total, um verde total e " "um azul total. Mas é certamente diferente do branco no nosso papel, na cor " "do leite, no branco do Sol ou até no branco dos ecrãs dos nossos telemóveis." #: ../../general_concepts/colors/color_managed_workflow.rst:212 msgid "" "Black similarly, is brighter on a LCD display than a LED one, and " "incomparable with the black of a carefully sealed room." msgstr "" "O preto, de forma semelhante, é mais claro num ecrã LCD que num ecrã LED, e " "é incomparável com o preto de uma sala devidamente selada." #: ../../general_concepts/colors/color_managed_workflow.rst:214 msgid "" "This means that there's potentially blacker blacks than screen black, and " "white whites than screen white. However, for simplicity's sake we still " "assign the black-point and the white-point to certain values. From there, we " "can determine whether a white is whiter than the white point, or a black " "blacker than the black-point." msgstr "" "Isto significa que provavelmente também existem pretos mais pretos que o " "preto do ecrã, e brancos mais brancos que o branco do ecrã. Contudo, para " "fins de simplicidade, podemos à mesma atribuir o ponto-preto e o ponto-" "branco para determinados valores. A partir daí, podemos determinar se um " "branco é mais branco que o ponto branco, ou um preto mais preto que o ponto " "preto." #: ../../general_concepts/colors/color_managed_workflow.rst:216 msgid "" "The LUT docker allows us to control this display-filter and modify the " "distortion. This is useful when we start modifying images that are made with " "scene referred values, such as HDR photos, or images coming out of a render " "engine." msgstr "" "A área do LUT permite-nos controlar este filtro de visualização e modificar " "a distorção. Isto é útil quando começamos a modificar as imagens que foram " "feitas com alguns valores referentes a cenas, como as fotografias HDR, ou de " "imagens que provêm de um motor de desenho." #: ../../general_concepts/colors/color_managed_workflow.rst:224 msgid "" "So, for example, we can choose to scale whiter-than-screen-white to our " "screen-white so we can see the contrasts there." msgstr "" "Por isso, por exemplo, podemos optar por escalar o branco-mais-branco-que-o-" "branco-do-ecrã para o nosso branco-do-ecrã, para que possamos ver lá os " "contrastes." #: ../../general_concepts/colors/color_managed_workflow.rst:226 msgid "" "The point of this is that you can take advantage of more lightness detail in " "an image. While you can't see the difference between screen white and whiter-" "than-screen-white (because your screen can't show the difference), graphics " "programs can certainly use it." msgstr "" "O intuito disto é que poderá tirar partido de mais detalhe de iluminação " "numa imagem. Embora não consiga ver a diferença entre o branco do ecrã e o " "branco-mais-branco-que-o-branco-do-ecrã (porque o seu ecrã não consegue " "mostrar a diferença), os programas gráficos conseguirão decerto usá-lo." #: ../../general_concepts/colors/color_managed_workflow.rst:228 msgid "" "A common example is matching the lighting between a 3d model and a real " "world scene. Others are advanced photo retouching, with much more contrast " "information available to the user. In painting itself, this allows you to " "create an image where you can be flippant with the contrast, and allow " "yourself to go as bright as you'd like." msgstr "" "Um exemplo comum é corresponder a iluminação entre um modelo 3D e uma cena " "do mundo real. Os outros são os retoques avançados de fotografias, com muito " "mais informações de contraste disponíveis para o utilizador. Na pintura " "propriamente dita, isto permite-lhe criar uma imagem onde poderá mexer à " "vontade no contraste e aumentar o brilho tanto quanto desejar." #: ../../general_concepts/colors/color_managed_workflow.rst:230 msgid "" "LUT docker manipulations are per view, so you can create a new view and set " "it to luminosity. This way you can see the image in both color as well as " "grayscale and keep a good eye on your values." msgstr "" "As manipulações na área da LUT são por janela, pelo que poderá criar uma " "nova janela e configurá-la com a luminosidade. Desta forma, poderá ver a " "imagem a cores e em tons de cinzento, e manter um olho firme sobre os seus " "valores." #: ../../general_concepts/colors/color_managed_workflow.rst:232 msgid "" "Another example is to carefully watch the gradients in a certain section." msgstr "Outro exemplo é ver cuidadosamente os gradientes numa dada secção." #: ../../general_concepts/colors/color_managed_workflow.rst:234 msgid "" "Like ICC, the LUT Docker allows you to create a profile of sorts for your " "device. In this case it's the 'lut', which stands for 'Look Up Table', and " "which can be added to OCIO by modifying the configuration file. When OCIO is " "turned on, the configuration in :menuselection:`Settings --> Configure Krita " "--> Color Management` is turned off, unless you are using the :guilabel:" "`Internal` color engine." msgstr "" "Como o ICC, a Área do LUT permite-lhe criar uma espécie de perfil para o seu " "dispositivo. Neste caso, será o 'lut', que significa 'Look Up Table' (Tabela " "de Consulta), e que poderá ser adicionado pelo OCIO, mudando o ficheiro de " "configuração. Quando o OCIO for ligado, a configuração em :menuselection:" "`Configuração --> Configurar o Krita --> Gestão de Cores` ficará desligada, " "a menos que use o motor de cores :guilabel:`Interno`." #: ../../general_concepts/colors/color_managed_workflow.rst:237 msgid "In summary" msgstr "Em resumo" #: ../../general_concepts/colors/color_managed_workflow.rst:239 msgid "Krita has two modes of color management:" msgstr "O Krita tem dois modos de gestão de cores:" #: ../../general_concepts/colors/color_managed_workflow.rst:241 msgid "" "ICC works in terms of spaces relative to the CIEXYZ space, and requires an " "ICC profile." msgstr "" "O ICC funciona em termos de espaços relativos ao espaço CIEXYZ, e precisa de " "um perfil ICC." #: ../../general_concepts/colors/color_managed_workflow.rst:242 msgid "OCIO works in terms of interpretation, and makes use of luts." msgstr "O OCIO funciona em termos de interpretação, e tira partido das LUT's." #: ../../general_concepts/colors/color_managed_workflow.rst:243 msgid "both can be made with a colorimeter." msgstr "ambos podem ser compostos com um colorímetro." #: ../../general_concepts/colors/color_managed_workflow.rst:244 msgid "" "If you want to have a properly color managed workflow, you have one made " "customary for the input device (your screen) and the output devices (your " "printer, or target screen). For web the output is always sRGB." msgstr "" "Se quiser ter um processo de gestão de cores adequado, terá um feito à " "medida para o dispositivo de entrada (o seu ecrã e os dispositivos de saída " "(a sua impressora ou ecrã de destino). Para a Web, o resultado é sempre o " "sRGB." #: ../../general_concepts/colors/color_managed_workflow.rst:245 msgid "" "Set up your screen profiles under :menuselection:`Settings --> Configure " "Krita --> Color management`." msgstr "" "Configure os perfis dos seus monitores em :menuselection:`Configuração --> " "Configurar o Krita --> Gestão de cores`." #: ../../general_concepts/colors/color_managed_workflow.rst:246 msgid "" "Do NOT use screen profiles or other device profiles to draw in. Use a " "working space profile such as any of the elle profiles for this, as the " "color maths will be much more predictable and pleasant. Krita will convert " "between your screen and working space on the fly, allowing you to pick the " "correct colors. This turns your screen into binoculars to view the image." msgstr "" "NÃO use os perfis do ecrã ou outros perfis de dispositivos onde desenhar. " "Use um perfil de espaço de trabalho como um dos perfis 'elle' para esse fim, " "dado que as contas de cores serão muito mais previsíveis e agradáveis. O " "Krita irá converter entre o espaço do seu ecrã e o espaço de trabalho na " "hora, permitindo-lhe escolher as cores correctas. Isto transforma o seu ecrã " "em binóculos para ver a imagem." #: ../../general_concepts/colors/color_managed_workflow.rst:247 msgid "" "Use the appropriate color management for the appropriate workflow. If you " "are working with Blender, you will be better off using OCIO, than ICC. If " "you are working with Scribus or Photoshop, use ICC." msgstr "" "Use a gestão de cores apropriada para o processo apropriado. Se estiver a " "trabalhar com o Blender, estará melhor servido com o OCIO do que com o ICC. " "Se estiver a trabalhar com o Scribus ou o Photoshop, use o ICC." #: ../../general_concepts/colors/color_managed_workflow.rst:249 msgid "" "Krita does a lot of color maths, often concerning the blending of colors. " "This color maths works best in linear color space, and linear color space " "requires a bit depth of at the least 16bit to work correctly. The " "disadvantage is that linear space can be confusing to work in." msgstr "" "O Krita faz uma grande quantidade de contas, muitas delas respeitantes à " "mistura das cores. Estas contas funcionam melhor num espaço de cores linear, " "e estes espaços lineares precisam de uma profundidade de cor com pelo menos " "16 bits para funcionar correctamente. A desvantagem é que o espaço linear " "poderá ser confuso de trabalhar nele." #: ../../general_concepts/colors/color_managed_workflow.rst:251 msgid "" "If you like painting, have a decent amount of RAM, and are looking to start " "your baby-steps in taking advantage of Krita's color management, try " "upgrading from having all your images in sRGB built-in to sRGB-v2-elle-g10." "icc or rec2020-v2-elle-g10.icc at 16bit float. This'll give you better color " "blending while opening up the possibility for you to start working in hdr!" msgstr "" "Se gostar de pintura, tiver uma quantidade decente de RAM e estiver a pensar " "em iniciar com calma a tirar partido da gestão de cores do Krita, tente " "actualizar as suas imagens no sRGB incorporado para o sRGB-v2-elle-g10.icc " "ou rec2020-v2-elle-g10.icc com 16 bits de vírgula flutuante. Isto dar-lhe-á " "uma melhor mistura de cores, enquanto abre a possibilidade de você começar a " "trabalhar com HDR!" #: ../../general_concepts/colors/color_managed_workflow.rst:256 msgid "" "Some graphics cards, such as those of the NVidia-brand actually have the " "best performance under 16bit float, because NVidia cards convert to floating " "point internally. When it does not need to do that, it speeds up!" msgstr "" "Algumas placas gráficas, como as da marca NVidia, de facto têm a melhor " "performance com 16 bits de vírgula flutuante, porque as placas da NVidia " "convertem internamente para vírgula flutuante. Quando não precisa de o " "fazer, funciona mais depressa!" #: ../../general_concepts/colors/color_managed_workflow.rst:260 msgid "" "No amount of color management in the world can make the image on your screen " "and the image out of the printer have 100% the same color." msgstr "" "Nem toda a gestão de cores do mundo poderá fazer com que a imagem no seu " "ecrã e a imagem que sai na impressora tenham as cores 100% iguais." #: ../../general_concepts/colors/color_managed_workflow.rst:263 msgid "Exporting" msgstr "Exportação" #: ../../general_concepts/colors/color_managed_workflow.rst:265 msgid "" "When you have finished your image and are ready to export it, you can modify " "the color space to optimize it:" msgstr "" "Quando tiver terminado a sua imagem e estiver pronto para a exportar, poderá " "modificar o espaço de cores para a optimizar:" #: ../../general_concepts/colors/color_managed_workflow.rst:267 msgid "If you are preparing an image for the web:" msgstr "Se estiver a preparar uma imagem para a Web:" #: ../../general_concepts/colors/color_managed_workflow.rst:269 msgid "" "If you use 16bit color depth or higher, convert the image to 8bit color " "depth. This will make the image much smaller." msgstr "" "Se usar uma profundidade de cor de 16bits ou superior, converta a imagem " "para uma profundidade de cor de 8 bits. Isto irá tornar a imagem muito mais " "pequena." #: ../../general_concepts/colors/color_managed_workflow.rst:271 msgid "" "Krita doesn't have built-in dithering currently, which means that 16 to " "18bit conversions can come out a bit banded. But you can simulate it by " "adding a fill layer with a pattern, set this fill layer to overlay, and to " "5% opacity. Then flatten the whole image and convert it to 8bit. The pattern " "will function as dithering giving a smoother look to gradients." msgstr "" "O Krita não tem desenhos em meios-tons incorporados de momento, o que " "significa que as conversões de 16 para 18 bits poderão ter alguns cortes. " "Mas poderá simular isso se adicionar uma camada de preenchimento com um " "padrão, definir esta camada de preenchimento como sobreposição e com 5% de " "opacidade. Depois achate a imagem completa e converta-a para 8 bits. O " "padrão irá funcionar como meios-tons, dando um aspecto mais suave para os " "gradientes." #: ../../general_concepts/colors/color_managed_workflow.rst:273 msgid "If it's a gray-scale image, convert it to gray-scale." msgstr "" "Se for uma imagem em tons de cinzento, converta-a para tons de cinzento." #: ../../general_concepts/colors/color_managed_workflow.rst:274 msgid "" "If it's a color image, keep it in the working space profile: Many web " "browsers these days support color profiles embedded into images. Firefox, " "for example, will try to convert your image to fit the color profile of the " "other monitor (if they have one). That way, the image will look almost " "exactly the same on your screen and on other profiled monitors." msgstr "" "Se for uma imagem a cores, mantenha-a no perfil do espaço de trabalho: " "Muitos navegadores Web dos doas de hoje suportam perfis de cores " "incorporados nas imagens. O Firefox, por exemplo, irá tentar converter a sua " "imagem para corresponder o perfil de cores do outro monitor (se tiverem um). " "Desta forma, a imagem irá parecer quase igual no seu ecrã e noutros " "monitores com perfis." #: ../../general_concepts/colors/color_managed_workflow.rst:279 msgid "" "In some versions of Firefox, the colors actually look strange: This is a bug " "in Firefox, which is because its `color management system is incomplete " "`_, save your png, jpg or tiff without an embedded profile to work " "around this." msgstr "" "Em algumas versões do Firefox, as cores realmente parecem estranhas: Isto é " "um erro no Firefox, e é por isso que o seu `sistema de gestão de cores está " "incompleto `_; grave o seu PNG, JPG ou TIFF sem perfis incorporados para dar a " "volta a isto." #: ../../general_concepts/colors/color_managed_workflow.rst:281 msgid "If you are preparing for print:" msgstr "Se estiver a preparar-se para imprimir:" #: ../../general_concepts/colors/color_managed_workflow.rst:283 msgid "" "You hopefully made the picture in a working space profile instead of the " "actual custom profile of your screen, if not, convert it to something like " "adobe rgb, sRGB or rec2020." msgstr "" "Provavelmente criou a imagem num perfil de espaço de trabalho em vez do " "perfil personalizado actual do seu ecrã; caso contrário, converta-o para " "algo como o Adobe RGB, sRGB ou rec2020." #: ../../general_concepts/colors/color_managed_workflow.rst:284 msgid "" "Check with the printer what kind of image they expect. Maybe they expect " "sRGB color space, or perhaps they have their own profile." msgstr "" "Verifique com a impressora qual o tipo de imagem que ela está à espera. " "Talvez estejam à espera de sRGB ou talvez tenham o seu próprio perfil." #: ../../general_concepts/colors/color_managed_workflow.rst:287 msgid "Interaction with other applications" msgstr "Interacção com outras aplicações" #: ../../general_concepts/colors/color_managed_workflow.rst:290 msgid "Blender" msgstr "Blender" #: ../../general_concepts/colors/color_managed_workflow.rst:292 msgid "" "If you wish to use krita's OCIO functionality, and in particular in " "combination with Blender's color management, you can try to have it use " "Blender's OCIO config." msgstr "" "Se quiser usar a funcionalidade do OCIO no Krita, e particularmente em " "conjunto com a gestão de cores do Blender, poderá tentar ter o Krita a usar " "a configuração do OCIO no Blender." #: ../../general_concepts/colors/color_managed_workflow.rst:294 msgid "" "Blender's OCIO config is under ``/version number/datafiles/" "colormanagement``. Set the LUT docker to use the OCIO engine, and select the " "config from the above path. This will give you blender's input and screen " "spaces, but not the looks, as those aren't supported in Krita yet." msgstr "" "A configuração de OCIO do Blender está debaixo de ``/" "número_versão/datafiles/colormanagement``. Configure a área do LUT para usar " "o motor do OCIO e seleccione a configuração na pasta acima. Isto dar-lhe-á o " "espaço de entrada do Blender e do ecrã, mas não as aparências, dado que " "estas não são suportadas ainda no Krita." #: ../../general_concepts/colors/color_managed_workflow.rst:298 msgid "Windows Photo Viewer" msgstr "Windows Photo Viewer" #: ../../general_concepts/colors/color_managed_workflow.rst:300 msgid "" "You might encounter some issues when using different applications together. " "One important thing to note is that the standard Windows Photo Viewer " "application does not handle modern ICC profiles. Krita uses version 4 " "profiles; Photo Viewer can only handle version 2 profiles. If you export to " "JPEG with an embedded profile, Photo Viewer will display your image much too " "dark." msgstr "" "Poderá encontrar alguns problemas quando usar as diferentes aplicações em " "conjunto. Um ponto importante a notar é que a aplicação-padrão Windows Photo " "Viewer não lida com os perfis de ICC recentes. O Krita usa os perfis na " "versão 4; o Photo Viewer só consegue lidar com perfis na versão 2. Se " "exportar para JPEG com um perfil incorporado, o Photo Viewer irá mostrar a " "sua imagem demasiado escura." #: ../../general_concepts/colors/color_managed_workflow.rst:303 msgid "Example workflows" msgstr "Processos de exemplo" #: ../../general_concepts/colors/color_managed_workflow.rst:305 msgid "" "Here are some example workflows to get a feeling of how your color " "management workflow may look like." msgstr "" "Aqui estão alguns processos de exemplo para ter uma ideia de como poderá " "ficar o seu processo de gestão de cores." #: ../../general_concepts/colors/color_managed_workflow.rst:307 msgid "" "As mentioned before, input for your screen is set via :menuselection:" "`Settings --> Configure Krita --> Color management`, or via the LUT docker's " "'screen space'. Working space is set via new file per document, or in the " "LUT docker via 'input space'." msgstr "" "Como foi mencionado anteriormente, a entrada para o seu ecrã é definida com " "a opção :menuselection:`Configuração --> Configurar o Krita --> Gestão de " "cores`, ou através do 'espaço do ecrã' da área de LUT's. O espaço de " "trabalho é definido através de um novo ficheiro por cada documento, ou na " "área de LUT's pelo 'espaço de entrada'." #: ../../general_concepts/colors/color_managed_workflow.rst:310 msgid "Webcomic" msgstr "Banda desenhada da Web" #: ../../general_concepts/colors/color_managed_workflow.rst:317 #: ../../general_concepts/colors/color_managed_workflow.rst:339 #: ../../general_concepts/colors/color_managed_workflow.rst:357 msgid "Input" msgstr "Entrada" #: ../../general_concepts/colors/color_managed_workflow.rst:318 #: ../../general_concepts/colors/color_managed_workflow.rst:340 #: ../../general_concepts/colors/color_managed_workflow.rst:358 msgid "Your screen profile. (You pick colors via your screen)" msgstr "O perfil do se ecrã. (Irá escolher as cores com o seu ecrã)" #: ../../general_concepts/colors/color_managed_workflow.rst:319 #: ../../general_concepts/colors/color_managed_workflow.rst:341 #: ../../general_concepts/colors/color_managed_workflow.rst:359 msgid "Workingspace" msgstr "Espaço de trabalho" #: ../../general_concepts/colors/color_managed_workflow.rst:320 msgid "" "sRGB (the default screen profile) or any larger profile if you can spare the " "bit depth and like working in them." msgstr "" "sRGB (o perfil por omissão do ecrã) ou qualquer perfil maior, caso tenha ao " "seu dispor o espaço ocupado pela profundidade de cor e goste de trabalhar " "nele." #: ../../general_concepts/colors/color_managed_workflow.rst:322 #: ../../general_concepts/colors/color_managed_workflow.rst:344 #: ../../general_concepts/colors/color_managed_workflow.rst:362 msgid "Output" msgstr "Resultado" #: ../../general_concepts/colors/color_managed_workflow.rst:322 msgid "" "sRGB, ICC version 2, sRGB TRC for the internet, and a specialized CMYK " "profile from the printing house for the printed images." msgstr "" "sRGB, ICC versão 2, TRC de sRGB para a Internet e um perfil CMYK " "especializado da casa de impressão para as imagens impressas." #: ../../general_concepts/colors/color_managed_workflow.rst:324 msgid "" "Use the sRGB-elle-V2-srgbtrc.icc for going between Inkscape, Photoshop, " "Painttool Sai, Illustrator, GIMP, Manga Studio, Paintstorm Studio, MyPaint, " "Artrage, Scribus, etc. and Krita." msgstr "" "Use o sRGB-elle-V2-srgbtrc.icc para circular entre o Inkscape, Photoshop, " "Painttool Sai, Illustrator, GIMP, Manga Studio, Paintstorm Studio, MyPaint, " "Artrage, Scribus, etc e o Krita." #: ../../general_concepts/colors/color_managed_workflow.rst:326 msgid "" "If you are using a larger space via ICC, you will only be able to " "interchange it between Krita, Photoshop, Illustrator, GIMP 2.9, Manga Studio " "and Scribus. All others assume sRGB for your space, no matter what, because " "they don't have color management." msgstr "" "Se estiver a usar um espaço maior com o ICC, só será capaz de o trocar entre " "o Krita, o Photoshop, o Illustrator, o GIMP 2.9, o Manga Studio e o Scribus. " "Todos os outros assumem o sRGB para o seu espaço, seja ele qual for, porque " "não têm gestão de cores." #: ../../general_concepts/colors/color_managed_workflow.rst:328 msgid "" "If you are going between Krita and Blender, Nuke or Natron, use OCIO and set " "the input space to 'sRGB', but make sure to select the sRGB profile for ICC " "when creating a new file." msgstr "" "Se estiver a integrar o Krita com o Blender, Nuke ou Natron, use o OCIO e " "configure o espaço de entrada como 'sRGB', mas certifique-se que selecciona " "o perfil do sRGB para o ICC ao criar um novo ficheiro." #: ../../general_concepts/colors/color_managed_workflow.rst:330 msgid "" "For the final for the web, convert the image to sRGB 8bit, srgbtrc, do not " "embed the ICC profile. Then, if using png, put it through something like " "pngcrush or other png optimizers. sRGB in this case is chosen because you " "can assume the vast majority of your audience hasn't profiled their screen, " "nor do they have screens that are advanced enough for the wide gamut stuff. " "So hence why we convert to the screen default for the internet, sRGB." msgstr "" "Para a versão final para a Web, converta a imagem para sRGB a 8bits, " "srgbtrc, não incorporando o perfil ICC. Depois, se estiver a usar o PNG, " "passe-o por algo como o 'pngcrush' ou outros optimizadores do PNG. O sRGB " "nesse caso será escolhido porque poderá assumir que a maioria da sua " "audiência não criou um perfil para o ecrã deles, nem que eles têm ecrãs " "avançados o suficiente para as coisas de gamute amplo. É por isso que " "convertemos para as predefinições de ecrãs para a Internet, o sRGB." #: ../../general_concepts/colors/color_managed_workflow.rst:333 msgid "Print" msgstr "Imprimir" #: ../../general_concepts/colors/color_managed_workflow.rst:342 msgid "sRGB or rec2020 if you can afford the bit-depth being 16bit." msgstr "" "sRGB ou rec2020 se conseguir usar a profundidade de cor como sendo a 16 bits." #: ../../general_concepts/colors/color_managed_workflow.rst:344 msgid "" "Specialized CMYK profile from the printing house for the printed images." msgstr "Perfil CMYK especializado da casa de impressão das imagens impressas." #: ../../general_concepts/colors/color_managed_workflow.rst:346 msgid "" "The CMYK profiles are different per printer, and even per paper or ink-type " "so don't be presumptuous and ask ahead for them, instead of doing something " "like trying to paint in any random CMYK profile. As mentioned in the viewing " "conditions section, you want to keep your options open." msgstr "" "Os perfis CMYK são diferentes por cada impressora, e até mesmo por papel ou " "tipo de tinta, por isso não seja presunçoso no que respeita a pedi-los por " "antecipação, em vez de fazer algo como tentar pintar sobre qualquer perfil " "de CMYK aleatório. Como foi mencionado na secção de condições de " "visualização, poderá querer manter as suas opções em aberto." #: ../../general_concepts/colors/color_managed_workflow.rst:348 msgid "" "You can set the advanced color selector to transform to a given profile via :" "menuselection:`Settings --> Configure Krita --> Advanced color selector " "settings`. There, tick :guilabel:`Color selector uses a different color " "space than the image` and select the CMYK profile you are aiming for. This " "will limit your colors a little bit, but keep all the nice filter and " "blending options from RGB." msgstr "" "Poderá configurar o selector de cores avançado para transformar para um " "determinado perfil com o :menuselection:`Configuração --> Configurar o Krita " "--> Configuração do selector avançado de cores`. Aí, assinale a opção :" "guilabel:`O selector de cores usa um espaço de cores diferente da imagem` e " "seleccione o perfil CMYK que pretende. Isto irá limitar um pouco as suas " "cores, mas mantém todas as opções de filtros e misturas do RGB." #: ../../general_concepts/colors/color_managed_workflow.rst:351 msgid "Games" msgstr "Jogos" #: ../../general_concepts/colors/color_managed_workflow.rst:360 msgid "sRGB or grayscale linear for roughness and specular maps." msgstr "" "sRGB ou tons de cinzento linear, para os mapas de texturas e especulares." #: ../../general_concepts/colors/color_managed_workflow.rst:362 msgid "" "This one is tricky, but in the end it'll be sRGB for the regular player." msgstr "" "Este é mais complicado, mas no fim de tudo será o sRGB para o leitor normal." #: ../../general_concepts/colors/color_managed_workflow.rst:364 msgid "" "So this one is tricky. You can use OCIO and ICC between programs, but " "recommended is to have your images to the engine in sRGB or grayscale. Many " "physically based renderers these days allow you to set whether an image " "should be read as a linear or srgbtrc image, and this is even vital to have " "the images being considered properly in the physically based calculations of " "the game renderer." msgstr "" "Isto tem truques. Poderá usar o OCIO e o ICC entre programas, mas recomenda-" "se que tenha as suas imagens no motor em sRGB ou tons de cinzento. Muitos " "dos sistemas de desenho baseados na física destes dias permitem-lhe definir " "se uma imagem deve ser lida como uma imagem linear ou 'srgbtrc', e isto é " "mesmo vital para ter as imagens em consideração de forma adequada nos " "cálculos baseados na física do motor do jogo." #: ../../general_concepts/colors/color_managed_workflow.rst:366 msgid "" "While game engines need to have optimized content, and it's recommended to " "stay within 8bit, future screens may have higher bit depths, and when " "renderers will start supporting those, it may be beneficial to develop a " "workflow where the working-space files are rather unnecessarily big and you " "run some scripts to optimize them for your current render needs, making " "updating the game in the future for fancier screens less of a drag." msgstr "" "Embora os motores de jogos precisem de ter conteúdo optimizado, e se " "recomende que permaneça dentro dos 8 bits, os ecrãs futuros poderão ter " "profundidades de cor mias elevadas, e quando os sistemas de desenho comecem " "a suportá-los, poderá ser benéfico desenvolver um processo em que os " "ficheiros do espaço de trabalho se tornem demasiado grandes e que possa " "correr alguns programas para os optimizar para as suas necessidades de " "desenho, tornando a actualização do jogo no futuro para melhores monitores " "um incómodo muito menor." #: ../../general_concepts/colors/color_managed_workflow.rst:368 msgid "" "Normal maps and heightmaps are officially supposed to be defined with a 'non-" "color data' working space, but you'll find that most engines will not care " "much for this. Instead, tell the game engine not to do any conversion on the " "file when importing." msgstr "" "Os mapas da normal e os mapas da altura supostamente estão definidos com um " "espaço de cores com 'dados sem cor', mas irá descobrir que a maioria dos " "motores não querem saber muito disto. Em vez disso, dizem ao motor do jogo " "para não fazer nenhuma conversão sobre o ficheiro ao importar." #: ../../general_concepts/colors/color_managed_workflow.rst:370 msgid "" "Specular, glossiness, metalness and roughness maps are all based on linear " "calculations, and when you find that certain material has a metalness of " "0.3, this is 30% gray in a linear space. Therefore, make sure to tell the " "game engine renderer that this is a linear space image (or at the very " "least, should NOT be converted)." msgstr "" "Os mapas especulares, de brilho, metalização e rugosidade são todos baseados " "em cálculos lineares e quando descobrir que um dado material tem um " "coeficiente metálico de 03, isto corresponde a 30% de cinzento num espaço " "linear. Como tal, certifique-se que indica ao sistema de desenho do motor do " "jogo que esta é uma imagem de um espaço linear (ou, pelo menos, que NÃO deve " "ser convertida)." #: ../../general_concepts/colors/color_managed_workflow.rst:374 msgid "" "`Visualizing the XYZ color space `_" msgstr "" "`Visualização do espaço de cores XYZ `_" #: ../../general_concepts/colors/color_managed_workflow.rst:375 msgid "" "`Basics of gamma correction `_" msgstr "" "`Conceitos básicos da correcção do gama `_" #: ../../general_concepts/colors/color_managed_workflow.rst:376 msgid "" "`Panda3d example of how an image that has gamma encoded without the 3d " "renderer being notified of it having gamma-encoding can result in too dark " "images `_" msgstr "" "`Exemplo do Panda3d com uma imagem com codificação do gama, sem o motor 3D " "ter sido notificado desse facto, pelo que resultará em imagens demasiado " "escuras `_" #: ../../general_concepts/colors/color_managed_workflow.rst:377 msgid "" "`2d examples of the effect of gamma-encoding on color maths `_" msgstr "" "`Exemplos 2d do efeito da codificação do gama nas contas das cores `_" #: ../../general_concepts/colors/color_managed_workflow.rst:378 msgid "" "`Basic overview of color management from argylcms manual `_" msgstr "" "`Introdução básica à gestão de cores do manual do Argylcms `_" diff --git a/locale/pt_PT/LC_MESSAGES/reference_manual/tools/colorize_mask.po b/locale/pt_PT/LC_MESSAGES/reference_manual/tools/colorize_mask.po index c5697ba1a..91f4015e4 100644 --- a/locale/pt_PT/LC_MESSAGES/reference_manual/tools/colorize_mask.po +++ b/locale/pt_PT/LC_MESSAGES/reference_manual/tools/colorize_mask.po @@ -1,588 +1,588 @@ # SOME DESCRIPTIVE TITLE. # Copyright (C) licensed under the GNU Free Documentation License 1.3+ unless stated otherwise # This file is distributed under the same license as the Krita Manual package. # FIRST AUTHOR , YEAR. # msgid "" msgstr "" "Project-Id-Version: Krita Manual 4.1\n" "Report-Msgid-Bugs-To: \n" -"POT-Creation-Date: 2019-04-12 03:34+0200\n" +"POT-Creation-Date: 2019-04-14 03:33+0200\n" "PO-Revision-Date: 2019-04-10 11:10+0100\n" "Last-Translator: José Nuno Coelho Pires \n" "Language-Team: Portuguese \n" "Language: pt\n" "MIME-Version: 1.0\n" "Content-Type: text/plain; charset=UTF-8\n" "Content-Transfer-Encoding: 8bit\n" "Plural-Forms: nplurals=2; plural=n != 1;\n" "X-POFile-SpellExtra: colorizemaskshowoutputeditstrokes en false guilabel\n" "X-POFile-SpellExtra: image Kritamouseleft menuselection kbd images alt\n" "X-POFile-SpellExtra: colorizemaskcleanup colorizemaskedgedetection icons\n" "X-POFile-SpellExtra: px colorizemaskusage ref toolcolorizemask util\n" "X-POFile-SpellExtra: disableColorizeMaskFeature mouseright\n" "X-POFile-SpellExtra: colorizemasktool Krita Kritamousescroll mousescroll\n" "X-POFile-SpellExtra: Kritamouseright colorizemaskgapclosehint kra\n" "X-POFile-SpellExtra: mouseleft\n" #: ../../:2 msgid "" ".. image:: images/icons/Krita_mouse_left.png\n" " :alt: mouseleft" msgstr "" ".. image:: images/icons/Krita_mouse_left.png\n" " :alt: botão esquerdo" #: ../../:4 msgid "" ".. image:: images/icons/Krita_mouse_right.png\n" " :alt: mouseright" msgstr "" ".. image:: images/icons/Krita_mouse_right.png\n" " :alt: botão direito" #: ../../:8 msgid "" ".. image:: images/icons/Krita_mouse_scroll.png\n" " :alt: mousescroll" msgstr "" ".. image:: images/icons/Krita_mouse_scroll.png\n" " :alt: deslocamento do rato" #: ../../:60 msgid "" ".. image:: images/icons/colorizemask_tool.svg\n" " :alt: toolcolorizemask" msgstr "" ".. image:: images/icons/colorizemask_tool.svg\n" " :alt: ferramenta máscara de coloração" +#: ../../reference_manual/tools/colorize_mask.rst:0 +msgid "" +".. image:: images/en/Krita_4_0_colorize_mask_show_output_edit_strokes.png" +msgstr "" +".. image:: images/en/Krita_4_0_colorize_mask_show_output_edit_strokes.png" + +#: ../../reference_manual/tools/colorize_mask.rst:0 +msgid ".. image:: images/en/Krita_4_0_colorize_mask_edge_detection.png" +msgstr ".. image:: images/en/Krita_4_0_colorize_mask_edge_detection.png" + +#: ../../reference_manual/tools/colorize_mask.rst:0 +msgid ".. image:: images/en/Krita_4_0_colorize_mask_gap_close_hint.png" +msgstr ".. image:: images/en/Krita_4_0_colorize_mask_gap_close_hint.png" + +#: ../../reference_manual/tools/colorize_mask.rst:0 +msgid ".. image:: images/en/Krita_4_0_colorize_mask_clean_up.png" +msgstr ".. image:: images/en/Krita_4_0_colorize_mask_clean_up.png" + #: ../../reference_manual/tools/colorize_mask.rst:None msgid ".. image:: images/en/Krita_4_0_colorize_mask_usage_01.png" msgstr ".. image:: images/en/Krita_4_0_colorize_mask_usage_01.png" #: ../../reference_manual/tools/colorize_mask.rst:None msgid ".. image:: images/en/Krita_4_0_colorize_mask_usage_02.png" msgstr ".. image:: images/en/Krita_4_0_colorize_mask_usage_02.png" #: ../../reference_manual/tools/colorize_mask.rst:None msgid ".. image:: images/en/Krita_4_0_colorize_mask_usage_03.png" msgstr ".. image:: images/en/Krita_4_0_colorize_mask_usage_03.png" #: ../../reference_manual/tools/colorize_mask.rst:None msgid ".. image:: images/en/Krita_4_0_colorize_mask_usage_04.png" msgstr ".. image:: images/en/Krita_4_0_colorize_mask_usage_04.png" #: ../../reference_manual/tools/colorize_mask.rst:None msgid ".. image:: images/en/Krita_4_0_colorize_mask_usage_05.png" msgstr ".. image:: images/en/Krita_4_0_colorize_mask_usage_05.png" #: ../../reference_manual/tools/colorize_mask.rst:None msgid ".. image:: images/en/Krita_4_0_colorize_mask_usage_06.png" msgstr ".. image:: images/en/Krita_4_0_colorize_mask_usage_06.png" #: ../../reference_manual/tools/colorize_mask.rst:None msgid ".. image:: images/en/Krita_4_0_colorize_mask_usage_07.png" msgstr ".. image:: images/en/Krita_4_0_colorize_mask_usage_07.png" #: ../../reference_manual/tools/colorize_mask.rst:None msgid ".. image:: images/en/Krita_4_0_colorize_mask_usage_08.png" msgstr ".. image:: images/en/Krita_4_0_colorize_mask_usage_08.png" #: ../../reference_manual/tools/colorize_mask.rst:None msgid ".. image:: images/en/Krita_4_0_colorize_mask_usage_09.png" msgstr ".. image:: images/en/Krita_4_0_colorize_mask_usage_09.png" #: ../../reference_manual/tools/colorize_mask.rst:None msgid ".. image:: images/en/Krita_4_0_colorize_mask_usage_10.png" msgstr ".. image:: images/en/Krita_4_0_colorize_mask_usage_10.png" #: ../../reference_manual/tools/colorize_mask.rst:None msgid ".. image:: images/en/Krita_4_0_colorize_mask_usage_11.png" msgstr ".. image:: images/en/Krita_4_0_colorize_mask_usage_11.png" #: ../../reference_manual/tools/colorize_mask.rst:None msgid ".. image:: images/en/Krita_4_0_colorize_mask_usage_12.png" msgstr ".. image:: images/en/Krita_4_0_colorize_mask_usage_12.png" -#: ../../reference_manual/tools/colorize_mask.rst:0 -msgid "" -".. image:: images/en/Krita_4_0_colorize_mask_show_output_edit_strokes.png" -msgstr "" -".. image:: images/en/Krita_4_0_colorize_mask_show_output_edit_strokes.png" - -#: ../../reference_manual/tools/colorize_mask.rst:0 -msgid ".. image:: images/en/Krita_4_0_colorize_mask_edge_detection.png" -msgstr ".. image:: images/en/Krita_4_0_colorize_mask_edge_detection.png" - -#: ../../reference_manual/tools/colorize_mask.rst:0 -msgid ".. image:: images/en/Krita_4_0_colorize_mask_gap_close_hint.png" -msgstr ".. image:: images/en/Krita_4_0_colorize_mask_gap_close_hint.png" - -#: ../../reference_manual/tools/colorize_mask.rst:0 -msgid ".. image:: images/en/Krita_4_0_colorize_mask_clean_up.png" -msgstr ".. image:: images/en/Krita_4_0_colorize_mask_clean_up.png" - #: ../../reference_manual/tools/colorize_mask.rst:1 msgid "How to use the colorize mask in Krita." msgstr "Como usar a máscara de coloração no Krita." #: ../../reference_manual/tools/colorize_mask.rst:16 msgid "Colorize Mask" msgstr "Máscara de Coloração" #: ../../reference_manual/tools/colorize_mask.rst:18 msgid "|toolcolorizemask|" msgstr "|toolcolorizemask|" #: ../../reference_manual/tools/colorize_mask.rst:20 msgid "" "A tool for quickly coloring line art, the Colorize Mask Editing tool can be " "found next to the gradient tool on your toolbox." msgstr "" "Sendo uma ferramenta para colorir rapidamente os desenhos de linhas, a " "ferramenta de Edição da Máscara de Coloração está disponível a seguir à " "ferramenta de gradientes na sua área de ferramentas." #: ../../reference_manual/tools/colorize_mask.rst:22 msgid "" "This feature is technically already in 3.1, but disabled by default because " "we had not optimized the filling algorithm for production use yet. To enable " "it, find your krita configuration file, open it in notepad, and add " "\"disableColorizeMaskFeature=false\" to the top. Then restart Krita. Its " "official incarnation is in 4.0." msgstr "" "Esta funcionalidade já existe a nível técnico no 3.1, mas está desactivada " "por omissão, dado que não optimizámos o algoritmo de preenchimento ainda " "para produção. Para o activar, descubra o seu ficheiro de configuração do " "Krita, abra-o no bloco de notas e adicione \"disableColorizeMaskFeature=false" "\" no topo. Depois, reinicie o Krita. A sua incarnação oficial é no 4.0." #: ../../reference_manual/tools/colorize_mask.rst:26 msgid "Usage" msgstr "Utilização" #: ../../reference_manual/tools/colorize_mask.rst:28 msgid "" "This tool works in conjunction with the colorize mask, and the usage is as " "follows:" msgstr "" "Esta ferramenta funciona em conjunto com a máscara de coloração e a " "utilização é a seguinte:" #: ../../reference_manual/tools/colorize_mask.rst:30 msgid "" "For this example, we'll be using the ghost lady also used to explain masks " "on :ref:`the basic concepts page `." msgstr "" "Para este exemplo, iremos usar a senhora-fantasma que foi usada para " "explicar as máscaras na :ref:`página de conceitos básicos `." #: ../../reference_manual/tools/colorize_mask.rst:36 msgid "" "This image has the line art for the lady separated from the background, and " "what's more, the background is made up of two layers: one main and one for " "the details." msgstr "" "Esta imagem tem o desenho em linhas da senhora separado do fundo e, mais " "ainda, o fundo é composto por duas camadas: uma principal e uma para os " "detalhes." #: ../../reference_manual/tools/colorize_mask.rst:38 msgid "" "First, select the colorize mask editing tool while having the line art layer " "selected. |mouseleft| the canvas will add a colorize mask to the layer. You " "can also |mouseright| the line art layer, and then :menuselection:`Add --> " "Colorize Mask`. The line art will suddenly become really weird, this is the " "prefiltering which are filters through which we put the line art to make the " "algorithm easier to use. The tool options overview below shows which options " "control that." msgstr "" "Primeiro, seleccione a ferramenta de edição da máscara de coloração, " "enquanto tem seleccionada a camada do desenho com linhas. Se usar o |" "mouseleft|, a área de desenho irá adicionar uma máscara de coloração à " "camada. Também poderá usar o |mouseright| sobre a camada do desenho de " "linhas e depois a opção :menuselection:`Adicionar --> Máscara de Coloração`. " "O desenho com linhas irá começar a ficar de repente muito estranho; isto é a " "pré-filtragem, que são filtros através dos quais colocamos o desenho de " "linhas, de forma a tornar o algoritmo mais simples de usar. A visão geral " "sobre as opções da ferramenta mostra quais as opções que controlam isso." #: ../../reference_manual/tools/colorize_mask.rst:45 msgid "" "Now, you make strokes with brush colors, press :guilabel:`Update` in the " "tool options, or tick the last icon of the colorize mask properties. In the " "layer docker, you will be able to see a little progress bar appear on the " "colorize mask indicating how long it takes. The bigger your file, the longer " "it will take." msgstr "" "Agora, poderá fazer traços com cores dos pincéis, carregar em :guilabel:" "`Actualizar` nas opções da ferramenta ou assinale o último ícone das " "propriedades da máscara de coloração. Na área de camadas, será capaz de ver " "uma pequena barra de progresso a aparecer sobre a máscara de coloração a " "indicar quanto tempo irá demorar. Quanto maior o seu ficheiro, mais tempo " "levará." #: ../../reference_manual/tools/colorize_mask.rst:51 msgid "" "We want to have the blue transparent. In the tool options of the colorize " "editing tool you will see a small palette. These are the colors already " "used. You can remove colors here, or mark a single color as standing for " "transparent, by selecting it and pressing \"transparent\". Updating the mask " "will still show the blue stroke, but the result will be transparent:" msgstr "" "Iremos querer ter o azul transparente. Nas opções da ferramenta de edição da " "coloração, irá ver uma pequena paleta. Estas são as cores já usadas. Poderá " "remover aqui as cores ou marcar uma única cor como transparente, " "seleccionado-a e carregando em \"transparente\". Ao actualizar a máscara, " "irá mostrar à mesma o traço a azul, mas o resultado será transparente:" #: ../../reference_manual/tools/colorize_mask.rst:57 msgid "" "Because the colorize mask algorithm is slow, and we only need a part of our " "layer to be filled to fill the whole ghost lady figure, we can make use of :" "guilabel:`Limit to layer bounds`. This will limit Colorize Mask to use the " "combined size of the line art and the coloring key strokes. Therefore, make " "sure that the colorizing keystrokes only take up as much as they really need." msgstr "" "Dado que o algoritmo da máscara de coloração é lento, e só queremos " "preencher uma parte da nossa camada para preencher a figura da senhora " "fantasma por inteiro, podemos tirar partido da opção :guilabel:`Limitar aos " "limites da camada`. Isto irá limitar a Máscara de Coloração para usar o " "tamanho combinado no desenho de linhas e da coloração dos traços-chave. Como " "tal, certifique-se que os traços-chaves da coloração só serão os realmente " "necessários." #: ../../reference_manual/tools/colorize_mask.rst:63 msgid "" "Now the algorithm will be possibly a lot faster, allowing us to add strokes " "and press :guilabel:`Update` in rapid succession:" msgstr "" "Agora o algoritmo será possivelmente um bocado mais rápido, permitindo-nos " "adicionar traços e carregar em :guilabel:`Actualizar` numa sucessão rápida:" #: ../../reference_manual/tools/colorize_mask.rst:69 msgid "" "To see the final result, disable :guilabel:`Edit Key Strokes` or toggle the " "second to last icon on the colorize mask." msgstr "" "Para ver o resultado final, desactive a opção :guilabel:`Editar os Traços-" "Chave` ou comute o penúltimo ícone na máscara de coloração." #: ../../reference_manual/tools/colorize_mask.rst:75 msgid "" "If you want to edit the strokes again, re-enable :guilabel:`Edit Key " "Strokes`." msgstr "" "Se quiser editar os traços de novo, volte a activar a opção :guilabel:" "`Editar os Traços-Chave`." #: ../../reference_manual/tools/colorize_mask.rst:77 msgid "" "Now, the colorize mask, being a mask, can also be added to a group of line " "art layers. It will then use the composition of the whole group as the line " "art. This is perfect for our background which has two separate line art " "layers. It also means that the colorize mask will be disabled when added to " "a group with pass-through enabled, because those have no final composition. " "You can recognize a disabled colorize mask because its name is stricken " "through." msgstr "" "Agora a máscara de coloração, tornando-se uma máscara por si só, também " "poderá ser adicionada a um grupo de camadas do desenho de linhas. Irá então " "usar a composição de todo o grupo como o desenho de linhas. Isto é perfeito " "para o nosso fundo, já que possui duas camadas de linhas separadas. Também " "significa que a máscara de coloração ficará desactivada quando for " "adicionada a um grupo com o modo à passagem activo, dado que estes não têm " "nenhuma composição final. Poderá reconhecer uma máscara de coloração " "desactivada, dado que o seu nome está riscado." #: ../../reference_manual/tools/colorize_mask.rst:79 msgid "" "To add a colorize mask to a group, select the group and |mouseleft| the " "canvas with the Colorize Mask editing tool, or |mouseright| the layer to :" "menuselection:`Add --> Colorize Mask`." msgstr "" "Para adicionar uma máscara de coloração a um grupo, seleccione-o e use o |" "mouseleft| sobre a área de desenho com a ferramenta de edição da Máscara de " "Coloração ou use o |mouseright| sobre a camada para :menuselection:" "`Adicionar --> Máscara de Coloração`." #: ../../reference_manual/tools/colorize_mask.rst:85 msgid "" "Now, we add strokes to the background quickly. We do not need to use the :" "menuselection:`Limit to Layer Bounds` because the background covers the " "whole image." msgstr "" "Agora, podemos adicionar traços rapidamente ao fundo. Não precisamos de usar " "a opção :menuselection:`Limitar aos Limites da Camada`, dado que o fundo " "cobre a imagem por inteiro." #: ../../reference_manual/tools/colorize_mask.rst:91 msgid "" "For the record, you can use other brushes and tools also work on the " "colorize mask as long as they can draw. The Colorize Mask Editing tool is " "just the most convenient because you can get to the algorithm options." msgstr "" "Para que conste, poderá usar outros pincéis; as ferramentas também irão " "funcionar na máscara de coloração desde que seja possível desenhar com elas. " "A ferramenta de Edição da Máscara de Coloração é apenas a forma mais " "conveniente, porque poderá obter as opções do algoritmo." #: ../../reference_manual/tools/colorize_mask.rst:93 msgid "Out final result looks like this:" msgstr "O resultado final ficará como o seguinte:" #: ../../reference_manual/tools/colorize_mask.rst:99 msgid "" "Now we are done, |mouseright| the colorize mask and :menuselection:`Convert " "--> to Paint Layer`. Then, :menuselection:`Layer --> Split --> Split Layer`. " "This will give separate color islands that you can easily edit:" msgstr "" "Agora que terminámos, use o |mouseright| sobre a máscara de coloração e :" "menuselection:`Converter --> para Camada de Pintura`. Depois, :menuselection:" "`Camada --> Dividir --> Dividir a Camada`. Isto irá criar ilhas de cores " "separadas que poderá editar facilmente:" #: ../../reference_manual/tools/colorize_mask.rst:105 msgid "" "This way we can very quickly paint the image. Due to the colorize mask going " "from the first image to the following took only 30 minutes, and would've " "taken quite a bit longer." msgstr "" "Desta forma, podemos pintar muito rapidamente a imagem. Devido à máscara de " "coloração, passar da primeira imagem para a seguinte levou cerca de 30 " "minutos, e poderia ter levado bastante mais tempo." #: ../../reference_manual/tools/colorize_mask.rst:111 msgid "" "The colorize masks are saved to the .kra file, so as long as you don't save " "and open to a different file format, nor convert the colorize mask to a " "paintlayer, you can keep working adjust the results." msgstr "" "As máscaras de coloração são gravadas no ficheiro .kra; por isso, desde que " "não tenha de gravar e abrir num formato de ficheiros diferente, nem " "converter a máscara de coloração para uma máscara de pintura, poderá " "continuar a trabalhar no ajuste dos resultados." #: ../../reference_manual/tools/colorize_mask.rst:114 msgid "Tool Options" msgstr "Opções da Ferramenta" #: ../../reference_manual/tools/colorize_mask.rst:116 #: ../../reference_manual/tools/colorize_mask.rst:172 msgid "Update" msgstr "Actualizar" #: ../../reference_manual/tools/colorize_mask.rst:117 msgid "" "Run the colorize mask algorithm. The progress bar for updates on a colorize " "mask shows only in the layer docker." msgstr "" "Executa o algoritmo da máscara de coloração. A barra de progresso das " "actualizações numa máscara de coloração aparece apenas na área de camadas." #: ../../reference_manual/tools/colorize_mask.rst:118 #: ../../reference_manual/tools/colorize_mask.rst:169 msgid "Edit key strokes" msgstr "Editar os traços-chave" #: ../../reference_manual/tools/colorize_mask.rst:119 msgid "" "Put the mask into edit mode. In edit mode, it will also show the " "'prefiltering' on the line art, which is for example a blur filter for gap " "closing." msgstr "" "Coloca a máscara no modo de edição. Neste modo, também irá mostrar a 'pré-" "filtragem' no desenho das linhas, o que poderá ser por exemplo um filtro de " "borrão para fechar as lacunas." #: ../../reference_manual/tools/colorize_mask.rst:121 msgid "" "Show the output of the colorize mask. If :guilabel:`Edit key strokes` is " "active, this will be shown semi-transparently, so it will be easy to " "recognize the difference between the strokes and the output." msgstr "" "Mostra o resultado da máscara de coloração. Se a opção :guilabel:`Editar os " "traços-chave` estiver activa, esta irá aparecer de forma semi-transparente, " "pelo que será fácil reconhecer a diferença entre os traços e o resultado." #: ../../reference_manual/tools/colorize_mask.rst:127 #: ../../reference_manual/tools/colorize_mask.rst:165 msgid "Show output" msgstr "Mostrar o resultado" #: ../../reference_manual/tools/colorize_mask.rst:127 msgid "" "On the **Left**: :guilabel:`Show Output` is on, :guilabel:`Edit Key Strokes` " "is off. In the **Middle**: :guilabel:`Show Output` and :guilabel:`Edit Key " "Strokes` are on. On the **Right**: :guilabel:`Show Output` is off and :" "guilabel:`Edit Key Strokes` is on." msgstr "" "À **Esquerda**: o :guilabel:`Mostrar o Resultado` está ligado e o :guilabel:" "`Editar os Traços` está desligado. No **Centro**: o :guilabel:`Mostrar o " "Resultado` e o :guilabel:`Editar os Traços` estão ligados. À **Direita**: o :" "guilabel:`Mostrar o Resultado` está desligado e o :guilabel:`Editar os " "Traços` está ligado." #: ../../reference_manual/tools/colorize_mask.rst:129 msgid "Limit to layer bounds" msgstr "Limitar aos limites da camada" #: ../../reference_manual/tools/colorize_mask.rst:130 msgid "" "Limit the colorize mask to the combined layer bounds of the strokes and the " "line art it is filling. This can speed up the use of the mask on complicated " "compositions, such as comic pages." msgstr "" "Limita a máscara de coloração aos limites combinados da camada para os " "traços e o desenho das linhas que está a preencher. Isto poderá acelerar o " "uso da máscara para composições complicadas, como as páginas de banda " "desenhada." #: ../../reference_manual/tools/colorize_mask.rst:132 msgid "" "Activate this for line art with large solid areas, for example shadows on an " "object. For the best use, set the value to the thinnest lines on the image. " "In the image below, note how edge detection affects the big black areas:" msgstr "" "Active isto para os desenhos de linhas com áreas sólidas grandes, como por " "exemplo as sombras de um objecto. Para o melhor uso, configure o valor para " "as linhas mais finas da imagem. Na imagem abaixo, repare como a detecção de " "arestas afecta as grandes áreas a preto:" #: ../../reference_manual/tools/colorize_mask.rst:138 msgid "Edge detection" msgstr "Detecção de arestas" #: ../../reference_manual/tools/colorize_mask.rst:138 msgid "" "From left to right: an example with big black shadows on an object but no " "edge detection, the same example without the edit key strokes enabled. Then " "the same example with edge detection enabled and set to 2px, and that same " "example without edit key strokes enabled." msgstr "" "Da esquerda para a direita: um exemplo com sombras pretas e grandes num " "objecto mas sem detecção de arestas; o mesmo exemplo, sem a edição dos " "traços activa. Finalmente, o mesmo exemplo com a detecção de arestas activa " "e configurada como 2px, e ainda o mesmo exemplo sem a edição de traços " "activada." #: ../../reference_manual/tools/colorize_mask.rst:141 msgid "" "While the algorithm is pretty good against gaps in contours, this will " "improve the gap recognition. The higher this value is, the bigger the gaps " "it will try to close, but a too high value can lead to other errors. Note " "how the prefiltered line art (that's the blurry haze) affects the color " "patches." msgstr "" "Embora o algoritmo seja realmente bom nas lacunas com os contornos, isto irá " "melhorar o reconhecimento das lacunas ou intervalos. Quanto maior o valor, " "maiores as lacunas que irá tentar fechar, mas um valor demasiado elevado " "poderá dar origem a outros erros. Repare como o desenho de linhas pré-" "filtradas (isso é a nuvem borrada) afecta as manchas de cores." #: ../../reference_manual/tools/colorize_mask.rst:146 msgid "Gap close hint" msgstr "Sugestão de fecho de intervalos" #: ../../reference_manual/tools/colorize_mask.rst:147 msgid "" "On the **Left**: :guilabel:`Gap close hint` is 0px. In the **Middle**: :" "guilabel:`Gap close hint` is 15px (the lines are 10px). On the **Right**: :" "guilabel:`Gap close hint` is 275px." msgstr "" "À **Esquerda**: a :guilabel:`Sugestão de fecho de intervalos` configurada " "como 0px. No **Centro**: a :guilabel:`Sugestão de fecho dos intervalos` " "configurada como 15px (as linhas têm 10px). À **Direita**: a :guilabel:" "`Sugestão de fecho dos intervalos` configurada como 275px." #: ../../reference_manual/tools/colorize_mask.rst:149 msgid "" "This will attempt to handle messy strokes that overlap the line art where " "they shouldn't. At 0 no clean up is done, at 100% the clean-up is most " "aggressive." msgstr "" "Isto irá tentar tratar dos traços confusos que se sobrepõem aos desenhos de " "linhas, quando não o deveriam fazer. Com o valor 0, não é feita qualquer " "limpeza; a 100%, a limpeza é mais agressiva." #: ../../reference_manual/tools/colorize_mask.rst:153 msgid "Clean up" msgstr "Limpar" #: ../../reference_manual/tools/colorize_mask.rst:155 msgid "Key strokes" msgstr "Traços-chave" #: ../../reference_manual/tools/colorize_mask.rst:156 msgid "" "This palette keeps track of the colors used by the strokes. This is useful " "so you can switch back to colors easily. You can increase the swatch size by " "hovering over it with the mouse, and doing :kbd:`Ctrl +` |mousescroll|." msgstr "" "Esta paleta mantém um registo das cores usadas pelos traços. Isto é util " "para que possa voltar facilmente às cores. Poderá aumentar o tamanho da " "mancha se passar o cursor sobre ela com o rato e usando o :kbd:`Ctrl +` |" "mousescroll|." #: ../../reference_manual/tools/colorize_mask.rst:158 msgid "Transparent" msgstr "Transparente" #: ../../reference_manual/tools/colorize_mask.rst:158 msgid "" "This button is under the keystrokes palette, you can mark the selected color " "to be interpreted a 'transparent' with this. In the clean-up screenshot " "above, cyan had been marked as transparent." msgstr "" "Este botão está debaixo da paleta de traços-chave; poderá marcar a cor " "seleccionada como 'transparente' com isto. Na imagem da limpeza acima, o " "cíano foi marcado como transparente." #: ../../reference_manual/tools/colorize_mask.rst:161 msgid "Layer properties" msgstr "Propriedades da camada" #: ../../reference_manual/tools/colorize_mask.rst:163 msgid "" "The colorize mask layer has four properties. They are all the buttons on the " "right side of the layer:" msgstr "" "A camada da máscara de coloração tem quatro propriedades. Estas são todos os " "botões do lado direito da camada:" #: ../../reference_manual/tools/colorize_mask.rst:166 msgid "" "The first button, it allows you to toggle whether you'll see the output from " "the colorize algorithm." msgstr "" "O primeiro botão; permite-lhe activar/desactivar se quer ver o resultado do " "algoritmo de coloração." #: ../../reference_manual/tools/colorize_mask.rst:167 msgid "Lock" msgstr "Bloquear" #: ../../reference_manual/tools/colorize_mask.rst:168 msgid "Stops the mask from being edited." msgstr "Impede a máscara de ser editada." #: ../../reference_manual/tools/colorize_mask.rst:170 msgid "" "Whether the colorize mask is in edit mode. In edit mode it'll show the " "strokes, and the output will be semi-transparent." msgstr "" "Se a máscara de coloração está no modo de edição. Neste modo, irá mostrar os " "traços, sendo que o resultado ficará semi-transparente." #: ../../reference_manual/tools/colorize_mask.rst:172 msgid "" "The last button will force the colorize mask to update, even when you're in " "a different tool." msgstr "" "O último botão irá forçar a actualização da máscara de coloração, mesmo " "quando estiver numa ferramenta diferente." #: ../../reference_manual/tools/colorize_mask.rst:174 msgid "Colorize masks cannot be animated." msgstr "As máscaras de coloração não podem ser animadas." diff --git a/locale/pt_PT/LC_MESSAGES/tutorials/flat-coloring.po b/locale/pt_PT/LC_MESSAGES/tutorials/flat-coloring.po index 8f2e508e7..0c8203d2b 100644 --- a/locale/pt_PT/LC_MESSAGES/tutorials/flat-coloring.po +++ b/locale/pt_PT/LC_MESSAGES/tutorials/flat-coloring.po @@ -1,976 +1,976 @@ # SOME DESCRIPTIVE TITLE. # Copyright (C) licensed under the GNU Free Documentation License 1.3+ unless stated otherwise # This file is distributed under the same license as the Krita Manual package. # FIRST AUTHOR , YEAR. # msgid "" msgstr "" "Project-Id-Version: Krita Manual 4.1\n" "Report-Msgid-Bugs-To: \n" -"POT-Creation-Date: 2019-04-13 03:33+0200\n" +"POT-Creation-Date: 2019-04-14 03:33+0200\n" "PO-Revision-Date: 2019-04-13 10:48+0100\n" "Last-Translator: José Nuno Coelho Pires \n" "Language-Team: Portuguese \n" "Language: pt\n" "MIME-Version: 1.0\n" "Content-Type: text/plain; charset=UTF-8\n" "Content-Transfer-Encoding: 8bit\n" "Plural-Forms: nplurals=2; plural=n != 1;\n" "X-POFile-SpellExtra: en image Kritamouseleft menuselection kbd\n" "X-POFile-SpellExtra: Kritafillinglineartmask images alt\n" "X-POFile-SpellExtra: Kritafillinglineartcolortoalpha coloring icons\n" "X-POFile-SpellExtra: backspace beziercurve Kritafillinglineartselection\n" "X-POFile-SpellExtra: ref Mic flat Kritafillinglineart tool Bézier path\n" "X-POFile-SpellExtra: mouseright Krita filltool Kritamouseright\n" "X-POFile-SpellExtra: beziercurveselectiontool mouseleft\n" #: ../../:2 msgid "" ".. image:: images/icons/Krita_mouse_left.png\n" " :alt: mouseleft" msgstr "" ".. image:: images/icons/Krita_mouse_left.png\n" " :alt: botão esquerdo" #: ../../:4 msgid "" ".. image:: images/icons/Krita_mouse_right.png\n" " :alt: mouseright" msgstr "" ".. image:: images/icons/Krita_mouse_right.png\n" " :alt: botão direito" +#: ../../tutorials/flat-coloring.rst:0 +msgid "" +".. image:: images/en/flat-coloring/Krita_filling_lineart_selection_1.png" +msgstr "" +".. image:: images/en/flat-coloring/Krita_filling_lineart_selection_1.png" + +#: ../../tutorials/flat-coloring.rst:0 +msgid "" +".. image:: images/en/flat-coloring/Krita_filling_lineart_selection_2.png" +msgstr "" +".. image:: images/en/flat-coloring/Krita_filling_lineart_selection_2.png" + +#: ../../tutorials/flat-coloring.rst:0 +msgid ".. image:: images/en/flat-coloring/Krita_filling_lineart_mask_1.png" +msgstr ".. image:: images/en/flat-coloring/Krita_filling_lineart_mask_1.png" + +#: ../../tutorials/flat-coloring.rst:0 +msgid ".. image:: images/en/flat-coloring/Krita_filling_lineart_mask_2.png" +msgstr ".. image:: images/en/flat-coloring/Krita_filling_lineart_mask_2.png" + +#: ../../tutorials/flat-coloring.rst:0 +msgid ".. image:: images/en/flat-coloring/Krita_filling_lineart_mask_3.png" +msgstr ".. image:: images/en/flat-coloring/Krita_filling_lineart_mask_3.png" + #: ../../tutorials/flat-coloring.rst:None msgid "" ".. image:: images/en/flat-coloring/Krita_filling_lineart14.png\n" " :alt: layer structure for flatting in krita" msgstr "" ".. image:: images/en/flat-coloring/Krita_filling_lineart14.png\n" " :alt: estrutura de camadas para achatamento no Krita" #: ../../tutorials/flat-coloring.rst:None msgid "" ".. image:: images/en/flat-coloring/Krita_filling_lineart1.png\n" " :alt: blend mode setup of line art flat coloring" msgstr "" ".. image:: images/en/flat-coloring/Krita_filling_lineart1.png\n" " :alt: configuração do modo de mistura da coloração plana do desenho de " "linhas" #: ../../tutorials/flat-coloring.rst:None msgid "" ".. image:: images/en/flat-coloring/Krita_filling_lineart2.png\n" " :alt: effects of multiply blend mode" msgstr "" ".. image:: images/en/flat-coloring/Krita_filling_lineart2.png\n" " :alt: efeitos do modo de mistura por multiplicação" #: ../../tutorials/flat-coloring.rst:None msgid "" ".. image:: images/icons/fill_tool.svg\n" " :alt: fill-tool icon" msgstr "" ".. image:: images/icons/fill_tool.svg\n" " :alt: ícone da ferramenta de preenchimento" #: ../../tutorials/flat-coloring.rst:None msgid "" ".. image:: images/en/flat-coloring/Krita_filling_lineart7.png\n" " :alt: colors filled with fill tool" msgstr "" ".. image:: images/en/flat-coloring/Krita_filling_lineart7.png\n" " :alt: cores preenchidas com a ferramenta de preenchimento" #: ../../tutorials/flat-coloring.rst:None msgid "" ".. image:: images/en/flat-coloring/Krita_filling_lineart15.png\n" " :alt: selecting with selection tools for filling color" msgstr "" ".. image:: images/en/flat-coloring/Krita_filling_lineart15.png\n" " :alt: selecção com as ferramentas de selecção para o preenchimento com cor" #: ../../tutorials/flat-coloring.rst:None msgid "" ".. image:: images/en/flat-coloring/Krita_filling_lineart16.png\n" " :alt: selection mask in Krita" msgstr "" ".. image:: images/en/flat-coloring/Krita_filling_lineart16.png\n" " :alt: máscara de selecção no Krita" #: ../../tutorials/flat-coloring.rst:None msgid "" ".. image:: images/en/flat-coloring/Krita_filling_lineart17.png\n" " :alt: filling color in selection" msgstr "" ".. image:: images/en/flat-coloring/Krita_filling_lineart17.png\n" " :alt: preenchimento da cor na selecção" #: ../../tutorials/flat-coloring.rst:None msgid "" ".. image:: images/en/flat-coloring/Krita_filling_lineart18.png\n" " :alt: result of coloring made with the help of selection tools" msgstr "" ".. image:: images/en/flat-coloring/Krita_filling_lineart18.png\n" " :alt: resultado da coloração feita com a ajuda das ferramentas de selecção" #: ../../tutorials/flat-coloring.rst:None msgid "" ".. image:: images/en/flat-coloring/Krita_filling_lineart8.png\n" " :alt: filling color in line art using path tool" msgstr "" ".. image:: images/en/flat-coloring/Krita_filling_lineart8.png\n" " :alt: preenchimento com cor nos desenhos de linhas, com a ferramenta do " "caminho" #: ../../tutorials/flat-coloring.rst:None msgid "" ".. image:: images/en/flat-coloring/Krita_filling_lineart9.png\n" " :alt: erasing with path tool" msgstr "" ".. image:: images/en/flat-coloring/Krita_filling_lineart9.png\n" " :alt: limpeza com a ferramenta do caminho" #: ../../tutorials/flat-coloring.rst:None msgid "" ".. image:: images/en/flat-coloring/Krita_filling_lineart10.png\n" " :alt: coloring with colorize mask" msgstr "" ".. image:: images/en/flat-coloring/Krita_filling_lineart10.png\n" " :alt: coloração com a máscara de coloração" #: ../../tutorials/flat-coloring.rst:None msgid "" ".. image:: images/en/flat-coloring/Krita_filling_lineart11.png\n" " :alt: result from the colorize mask" msgstr "" ".. image:: images/en/flat-coloring/Krita_filling_lineart11.png\n" " :alt: resultado da máscara de coloração" #: ../../tutorials/flat-coloring.rst:None msgid "" ".. image:: images/en/flat-coloring/Krita_filling_lineart12.png\n" " :alt: slitting colors into islands" msgstr "" ".. image:: images/en/flat-coloring/Krita_filling_lineart12.png\n" " :alt: divisão das cores em ilhas" #: ../../tutorials/flat-coloring.rst:None msgid "" ".. image:: images/en/flat-coloring/Krita_filling_lineart13.png\n" " :alt: resulting color islands from split layers" msgstr "" ".. image:: images/en/flat-coloring/Krita_filling_lineart13.png\n" " :alt: ilhas de cores resultantes da divisão das camadas" -#: ../../tutorials/flat-coloring.rst:0 -msgid "" -".. image:: images/en/flat-coloring/Krita_filling_lineart_selection_1.png" -msgstr "" -".. image:: images/en/flat-coloring/Krita_filling_lineart_selection_1.png" - -#: ../../tutorials/flat-coloring.rst:0 -msgid "" -".. image:: images/en/flat-coloring/Krita_filling_lineart_selection_2.png" -msgstr "" -".. image:: images/en/flat-coloring/Krita_filling_lineart_selection_2.png" - -#: ../../tutorials/flat-coloring.rst:0 -msgid ".. image:: images/en/flat-coloring/Krita_filling_lineart_mask_1.png" -msgstr ".. image:: images/en/flat-coloring/Krita_filling_lineart_mask_1.png" - -#: ../../tutorials/flat-coloring.rst:0 -msgid ".. image:: images/en/flat-coloring/Krita_filling_lineart_mask_2.png" -msgstr ".. image:: images/en/flat-coloring/Krita_filling_lineart_mask_2.png" - -#: ../../tutorials/flat-coloring.rst:0 -msgid ".. image:: images/en/flat-coloring/Krita_filling_lineart_mask_3.png" -msgstr ".. image:: images/en/flat-coloring/Krita_filling_lineart_mask_3.png" - #: ../../tutorials/flat-coloring.rst:1 msgid "Common workflows used in Krita" msgstr "Fluxos de trabalho comuns usados no Krita" #: ../../tutorials/flat-coloring.rst:13 msgid "Flat Coloring" msgstr "Coloração Plana" #: ../../tutorials/flat-coloring.rst:15 msgid "" "So you've got a cool black on white drawing, and now you want to color it! " "The thing we’ll aim for in this tutorial is to get your line art colored in " "with flat colors. So no shading just yet. We’ll be going through some " "techniques for preparing the line art, and we’ll be using the layer docker " "to put each color on a separate layer, so we can easily access each color " "when we add shading." msgstr "" "Agora tem um desenho bonito em preto sobre branco, e agora deseja colori-lo! " "O objectivo deste tutorial é ficar com o seu desenho de linhas colorido com " "cores planas. Como tal, sem qualquer sombreado envolvido ainda. Iremos " "percorrer algumas técnicas para preparar o desenho de linhas e iremos usar a " "área de camadas para colocar cada uma das cores numa camada separada, para " "que facilmente consigamos aceder a cada uma das cores quando adicionarmos o " "sombreado." #: ../../tutorials/flat-coloring.rst:17 msgid "" "This tutorial is adapted from this `tutorial `_ by " "the original author." msgstr "" "Este tutorial é uma adaptação deste `tutorial `_ do " "autor original." #: ../../tutorials/flat-coloring.rst:20 msgid "Understanding Layers" msgstr "Compreender as Camadas" #: ../../tutorials/flat-coloring.rst:22 msgid "" "To fill line art comfortably, it's best to take advantage of the layerstack. " "The layer stack is pretty awesome, and it's one of those features that make " "digital art super-convenient." msgstr "" "Para preencher um desenho de linhas de forma confortável, é melhor tirar " "partido da pilha de camadas. A mesma é óptima e é uma daquelas " "funcionalidades que tornam a arte digital bastante conveniente." #: ../../tutorials/flat-coloring.rst:24 msgid "" "In traditional art, it is not uncommon to first draw the full background " "before drawing the subject. Or to first draw a line art and then color it " "in. Computers have a similar way of working." msgstr "" "Na arte tradicional, é normal desenhar primeiro o fundo completo antes de " "desenhar o assunto. Ou fazer primeiro um rascunho com linhas e depois pintá-" "lo. Os computadores têm uma forma de funcionar semelhante." #: ../../tutorials/flat-coloring.rst:26 msgid "" "In programming, if you tell a computer to draw a red circle, and then " "afterwards tell it to draw a smaller yellow circle, you will see the small " "yellow circle overlap the red circle. Switch the commands around, and you " "will not see the yellow circle at all: it was drawn before the red circle " "and thus ‘behind’ it." msgstr "" "Na programação, se diz a computador para pintar um círculo vermelho, e " "depois lhe diz para pintar um círculo amarelo mais pequeno, irá ver o " "pequeno círculo amarelo a sobrepor-se ao vermelho. Mude os comandos e não " "verá o círculo amarelo de todo: foi desenhado antes do vermelho e, como tal, " "ficou ‘atrás’ dele." #: ../../tutorials/flat-coloring.rst:28 msgid "" "This is referred to as the “drawing order”. So like the traditional artist, " "the computer will first draw the images that are behind everything, and " "layer the subject and foreground on top of it. The layer docker is a way for " "you to control the drawing order of multiple images, so for example, you can " "have your line art drawn later than your colors, meaning that the lines will " "be drawn over the colors, making it easier to make it neat!" msgstr "" "Isto é referido como sendo a “ordem de desenho”. Por isso, como o artista " "tradicional, o computador irá desenhar primeiro as imagens que estejam atrás " "de tudo, colocando o assunto e os objectos principais sobre ele. A área de " "camadas é uma forma de você controlar a ordem de desenho das várias imagens; " "por isso, por exemplo, poderá ter o seu desenho de linhas desenhado depois " "das suas cores, o que significa que as linhas serão desenhadas sobre as " "cores, sendo mais simples de deixar o resultado bonito!" #: ../../tutorials/flat-coloring.rst:30 msgid "" "Other things that a layer stack can do are blending the colors of different " "layers differently with blending modes, using a filter in the layer stack, " "or using a mask that allows you to make parts transparent." msgstr "" "Outras coisas que uma pilha de camadas consegue fazer é misturar as cores de " "diferentes camadas de forma diferente com os modos de mistura, usando um " "filtro na pilha de camadas ou usando uma máscara que lhe permita tornar " "algumas partes transparentes." #: ../../tutorials/flat-coloring.rst:32 msgid "" "Programmers talk about transparency as ''Alpha'', which is because the 'a' " "symbol is used to present transparency in the algorithms for painting one " "color on top of another. Usually when you see the word ''Alpha'' in a " "graphics program, just think of it as affecting the transparency." msgstr "" "Os programadores referem-se à transparência como ''Alfa'', porque o símbolo " "'a' é usado para representar a transparência nos algoritmos para pintar uma " "cor sobre outra. Normalmente, quando vê a palavra ''Alfa'' num programa " "gráfico, pense nela como afectando a transparência." #: ../../tutorials/flat-coloring.rst:35 msgid "Preparing your line art" msgstr "Preparar o seu desenho de linhas" #: ../../tutorials/flat-coloring.rst:37 msgid "" "Put the new layer underneath the layer containing the line art (drag and " "drop or use the up/down arrows for that), and draw on it." msgstr "" "Coloque a nova camada por baixo da camada que contém o desenho de linhas " "(arraste e largue ou use as setas para cima/baixo para esse fim) e desenhe " "sobre ele." #: ../../tutorials/flat-coloring.rst:42 msgid "" "…And notice nothing happening. This is because the white isn’t transparent. " "You wouldn’t really want it to either, how else would you make convincing " "highlights? So what we first need to do to color in our drawing is prepare " "our line art. There’s several methods of doing so, each with varying " "qualities." msgstr "" "…E repare que nada aconteceu. Isto acontece porque o branco não é " "transparente. Também não desejaria que o fosse, senão como iria obter tons " "claros convincentes? Por isso, primeiro precisamos de fazer para colorir o " "nosso desenho é preparar o nosso desenho de linhas. Existem vários métodos " "para o fazer, cada um com qualidades variadas." #: ../../tutorials/flat-coloring.rst:45 msgid "The Multiply Blending Mode" msgstr "O Modo de Mistura por Multiplicação" #: ../../tutorials/flat-coloring.rst:47 msgid "" "So, typically, to get a black and white line art usable for coloring, you " "can set the blending mode of the line art layer to Multiply. You do this by " "selecting the layer and going to the drop-down that says **Normal** and " "setting that to **Multiply**." msgstr "" "Assim, tipicamente para obter um desenho de linhas a preto-e-branco apto " "para ser colorido, poderá definir o modo de mistura da camada de desenho " "como Multiplicação. Poderá fazer isto ao seleccionar a camada e depois ir à " "lista que diz **Normal** e mudar o valor para **Multiplicação**." #: ../../tutorials/flat-coloring.rst:52 msgid "And then you should be able to see your colors!" msgstr "E assim sendo deverá conseguir ver as suas cores!" #: ../../tutorials/flat-coloring.rst:54 msgid "" "Multiply is not a perfect solution however. For example, if through some " "image editing magic I make the line art blue, it results into this:" msgstr "" "A multiplicação não é contudo uma solução perfeita. Por exemplo, se por " "alguma magia na edição de imagens eu tiver tornado o desenho de linhas azul, " "irá resultar nisto:" #: ../../tutorials/flat-coloring.rst:59 msgid "" "This is because multiply literally multiplies the colors. So it uses maths!" msgstr "" "Isto é porque a multiplicação literalmente multiplica as cores. Como tal, " "faz contas matemáticas!" #: ../../tutorials/flat-coloring.rst:61 msgid "" "What it first does is take the values of the RGB channels, then divides them " "by the max (because we're in 8bit, this is 255), a process we call " "normalising. Then it multiplies the normalised values. Finally, it takes the " "result and multiplies it with 255 again to get the result values." msgstr "" "O que ele faz primeiro é pegar nos valores dos canais RGB, dividi-los pelo " "valor máximo (como estamos em 8 bits, corresponde a 255), chamando-se este " "processo de normalização. Depois, multiplica os valores normalizados. " "Finalmente, pega no resultado e multiplica de novo por 255 para obter os " "valores do resultado." #: ../../tutorials/flat-coloring.rst:67 msgid "Pink" msgstr "Rosa" #: ../../tutorials/flat-coloring.rst:68 msgid "Pink (normalised)" msgstr "Rosa (normalizado)" #: ../../tutorials/flat-coloring.rst:69 ../../tutorials/flat-coloring.rst:87 msgid "Blue" msgstr "Azul" #: ../../tutorials/flat-coloring.rst:70 msgid "Blue (normalised)" msgstr "Azul (normalizado)" #: ../../tutorials/flat-coloring.rst:71 msgid "Normalised, multiplied" msgstr "Normalizado, multiplicado" #: ../../tutorials/flat-coloring.rst:72 msgid "Result" msgstr "Resultado" #: ../../tutorials/flat-coloring.rst:73 msgid "Red" msgstr "Vermelho" #: ../../tutorials/flat-coloring.rst:74 msgid "222" msgstr "222" #: ../../tutorials/flat-coloring.rst:75 msgid "0.8705" msgstr "0,8705" #: ../../tutorials/flat-coloring.rst:76 msgid "92" msgstr "92" #: ../../tutorials/flat-coloring.rst:77 msgid "0.3607" msgstr "0,3607" #: ../../tutorials/flat-coloring.rst:78 msgid "0.3139" msgstr "0,3139" #: ../../tutorials/flat-coloring.rst:79 msgid "80" msgstr "80" #: ../../tutorials/flat-coloring.rst:80 msgid "Green" msgstr "Verde" #: ../../tutorials/flat-coloring.rst:81 msgid "144" msgstr "144" #: ../../tutorials/flat-coloring.rst:82 msgid "0.5647" msgstr "0,5647" #: ../../tutorials/flat-coloring.rst:83 msgid "176" msgstr "176" #: ../../tutorials/flat-coloring.rst:84 msgid "0.6902" msgstr "0,6902" #: ../../tutorials/flat-coloring.rst:85 msgid "0.3897" msgstr "0,3897" #: ../../tutorials/flat-coloring.rst:86 msgid "99" msgstr "99" #: ../../tutorials/flat-coloring.rst:88 msgid "123" msgstr "123" #: ../../tutorials/flat-coloring.rst:89 msgid "0.4823" msgstr "0,4823" #: ../../tutorials/flat-coloring.rst:90 msgid "215" msgstr "215" #: ../../tutorials/flat-coloring.rst:91 msgid "0.8431" msgstr "0,8431" #: ../../tutorials/flat-coloring.rst:92 msgid "0.4066" msgstr "0,4066" #: ../../tutorials/flat-coloring.rst:93 msgid "103" msgstr "103" #: ../../tutorials/flat-coloring.rst:95 msgid "" "This isn't completely undesirable, and a lot of artists use this effect to " "add a little richness to their colors." msgstr "" "Isto não é totalmente indesejável, e muitos artistas usam este efeito para " "atribuir alguma riqueza às suas cores." #: ../../tutorials/flat-coloring.rst:98 ../../tutorials/flat-coloring.rst:127 #: ../../tutorials/flat-coloring.rst:154 ../../tutorials/flat-coloring.rst:173 #: ../../tutorials/flat-coloring.rst:210 ../../tutorials/flat-coloring.rst:247 #: ../../tutorials/flat-coloring.rst:275 ../../tutorials/flat-coloring.rst:317 msgid "Advantages" msgstr "Vantagens" #: ../../tutorials/flat-coloring.rst:100 msgid "" "Easy, can work to your benefit even with colored lines by softening the look " "of the lines while keeping nice contrast." msgstr "" "Simples e pode funcionar em seu benefício, mesmo com linhas coloridas, " "suavizando a aparência das linhas, embora mantenha um bom contraste." #: ../../tutorials/flat-coloring.rst:103 ../../tutorials/flat-coloring.rst:132 #: ../../tutorials/flat-coloring.rst:159 ../../tutorials/flat-coloring.rst:178 #: ../../tutorials/flat-coloring.rst:215 ../../tutorials/flat-coloring.rst:252 #: ../../tutorials/flat-coloring.rst:280 ../../tutorials/flat-coloring.rst:322 msgid "Disadvantages" msgstr "Desvantagens" #: ../../tutorials/flat-coloring.rst:105 msgid "Not actually transparent. Is a little funny with colored lines." msgstr "" "Não é de facto transparente. Fica um pouco engraçado com as linhas coloridas." #: ../../tutorials/flat-coloring.rst:108 msgid "Using Selections" msgstr "Usar as Selecções" #: ../../tutorials/flat-coloring.rst:110 msgid "" "The second method is one where we'll make it actually transparent. In other " "programs this would be done via the channel docker, but Krita doesn't do " "custom channels, instead it uses Selection Masks to store custom selections." msgstr "" "O segundo método é um em que o iremos tornar realmente transparente. Noutros " "programas, isto seria feito com a área de canais, mas o Krita não possui " "canais personalizados; em vez disso, usa Máscaras de Selecção para guardar " "as selecções personalizadas." #: ../../tutorials/flat-coloring.rst:112 msgid "Duplicate your line art layer." msgstr "Duplique a sua camada do desenho de linhas." #: ../../tutorials/flat-coloring.rst:114 msgid "" "Convert the duplicate to a selection mask. |mouseright| the layer, then :" "menuselection:`Convert --> to Selection Mask`." msgstr "" "Converta o duplicado para uma máscara de selecção. Use o |mouseright| sobre " "a camada, e depois :menuselection:`Converter --> para Máscara de Selecção`." #: ../../tutorials/flat-coloring.rst:118 msgid "" "Invert the selection mask. :menuselection:`Select --> Invert Selection`." msgstr "" "Inverta a máscara de selecção. :menuselection:`Seleccionar --> Inverter a " "Selecção`." #: ../../tutorials/flat-coloring.rst:120 msgid "" "Make a new layer, and do :menuselection:`Edit --> Fill with Foreground " "Color`." msgstr "" "Crie uma nova camada e invoque o :menuselection:`Editar --> Preencher com a " "Cor Principal`." #: ../../tutorials/flat-coloring.rst:124 msgid "And you should now have the line art on a separate layer." msgstr "E agora deverá ter o seu desenho de linhas numa camada separada." #: ../../tutorials/flat-coloring.rst:129 msgid "Actual transparency." msgstr "Transparência actual." #: ../../tutorials/flat-coloring.rst:134 msgid "Doesn't work when the line art is colored." msgstr "Não resulta quando o desenho de linhas é colorido." #: ../../tutorials/flat-coloring.rst:137 msgid "Using Masks" msgstr "Usar as Máscaras" #: ../../tutorials/flat-coloring.rst:139 msgid "This is a simpler variation of the above." msgstr "Esta é uma versão mais simplificada da anterior." #: ../../tutorials/flat-coloring.rst:141 msgid "Make a filled layer underneath the line art layer." msgstr "Crie uma camada preenchida por baixo da camada do desenho de linhas." #: ../../tutorials/flat-coloring.rst:145 msgid "" "Convert the line art layer to a transparency mask |mouseright| the layer, " "then :menuselection:`Convert --> to Transparency Mask`." msgstr "" "Converta a camada do desenho de linhas para uma máscara de transparência com " "o |mouseright| sobre a camada e depois invocando :menuselection:`Converter --" "> para Máscara de Transparência`." #: ../../tutorials/flat-coloring.rst:149 msgid "" "Invert the transparency mask by going to :menuselection:`Filter --> Adjust --" "> Invert`" msgstr "" "Inverta a máscara de transparência com a opção :menuselection:`Filtro --> " "Ajustar --> Inverter`" #: ../../tutorials/flat-coloring.rst:156 msgid "" "Actual transparency. You can also very easily doodle a pattern on the filled " "layer where the mask is on without affecting the transparency." msgstr "" "Transparência actual. Também poderá aplicar facilmente um padrão sobre a " "camada preenchida, onde a máscara esteja activa sem afectar a transparência." #: ../../tutorials/flat-coloring.rst:161 msgid "" "Doesn't work when the line art is colored already. We can still get faster." msgstr "" "Não funciona quando o desenho de linhas já é colorido. Também podemos " "conseguir acelerar o processo." #: ../../tutorials/flat-coloring.rst:164 msgid "Using Color to Alpha" msgstr "Usar a Cor para o Alfa" #: ../../tutorials/flat-coloring.rst:166 msgid "By far the fastest way to get transparent line art." msgstr "" "De longe a forma mais rápida de tornar um desenho de linhas transparente." #: ../../tutorials/flat-coloring.rst:168 msgid "" "Select the line art layer and apply the color to alpha filter. :" "menuselection:`Filter --> Colors --> Color to Alpha`. The default values " "should be sufficient for line art." msgstr "" "Seleccione a camada do desenho de linhas e aplique o filtro de cor para " "alfa. :menuselection:`Filtro --> Cores --> Cor para o Alfa`. Os valores " "predefinidos deverão ser suficientes para o desenho de linhas." #: ../../tutorials/flat-coloring.rst:171 msgid "" ".. image:: images/en/flat-coloring/Krita_filling_lineart_color_to_alpha.png" msgstr "" ".. image:: images/en/flat-coloring/Krita_filling_lineart_color_to_alpha.png" #: ../../tutorials/flat-coloring.rst:175 msgid "" "Actual transparency. Works with colored line art as well, because it removes " "the white specifically." msgstr "" "Transparência actual. Funciona também com desenhos coloridos, porque remove " "o branco em particular." #: ../../tutorials/flat-coloring.rst:180 msgid "" "You'll have to lock the layer transparency or separate out the alpha via the " "right-click menu if you want to easily color it." msgstr "" "Terá de bloquear a transparência da camada ou separar o alfa através do menu " "do botão direito, caso queira colori-lo facilmente." #: ../../tutorials/flat-coloring.rst:184 msgid "Coloring the image" msgstr "Colorir a imagem" #: ../../tutorials/flat-coloring.rst:186 msgid "" "Much like preparing the line art, there are many different ways of coloring " "a layer." msgstr "" "Tal como na preparação do desenho de linhas, existem muitas formas de " "colorir uma camada." #: ../../tutorials/flat-coloring.rst:188 msgid "" "You could for example fill in everything by hand, but while that is very " "precise it also takes a lot of work. Let's take a look at the other options, " "shall we?" msgstr "" "Poderá por exemplo preencher tudo à mão, mas embora isso seja muito preciso, " "também dá muito trabalho. Vejamos as outras opções, ok?" #: ../../tutorials/flat-coloring.rst:191 msgid "Fill Tool" msgstr "Ferramenta de Preenchimento" #: ../../tutorials/flat-coloring.rst:196 msgid "" "In most cases the fill-tool can’t deal with the anti-aliasing (the soft edge " "in your line art to make it more smooth when zoomed out) In Krita you have " "the grow-shrink option. Setting that to say… 2 expands the color two pixels." msgstr "" "Na maioria dos casos a ferramenta de preenchimento não consegue lidar com a " "suavização (as arestas no seu desenho de linhas tendem a ficar mais suaves " "quando reduz a ampliação). No Krita, tem a opção para 'crescimento/" "diminuição'. Se configurar esse valor para p.ex. … 2 expande a cor em dois " "pixels." #: ../../tutorials/flat-coloring.rst:198 msgid "" "Threshold decides when the fill-tool should consider a different color pixel " "to be a border. And the feathering adds an extra soft border to the fill." msgstr "" "O limite decide quando a ferramenta de preenchimento deverá considerar uma " "cor diferente como sendo um contorno. E a suavização ainda atribuir uma " "camada extra suave ao preenchimento." #: ../../tutorials/flat-coloring.rst:200 msgid "" "Now, if you click on a gapless-part of the image with your preferred color… " "(Remember to set the opacity to 1.0!)" msgstr "" "Agora, se carregar numa parte sem lacunas da imagem com a sua cor preferida… " "(Lembre-se de configurar a opacidade como 1,0!)" #: ../../tutorials/flat-coloring.rst:202 msgid "" "Depending on your line art, you can do flats pretty quickly. But setting the " "threshold low can result in little artifacts around where lines meet:" msgstr "" "Dependendo do seu desenho de linhas, poderá fazer pinturas planas de forma " "bastante rápida. Mas a definição do limite como baixo poderá resultar em " "pequenos artefactos aqui e ali onde as linhas se encontram:" #: ../../tutorials/flat-coloring.rst:207 msgid "" "However, setting the threshold high can end with the fill not recognizing " "some of the lighter lines. Besides these little artifacts can be removed " "with the brush easily." msgstr "" "Contudo, a definição do limite como alto poderá fazer com que o " "preenchimento não reconheça algumas das linhas mais claras. Para além disso, " "estes pequenos artefactos poderão ser removidos facilmente com o pincel." #: ../../tutorials/flat-coloring.rst:212 msgid "Pretty darn quick depending on the available settings." msgstr "Bastante rápido, dependendo da configuração disponível." #: ../../tutorials/flat-coloring.rst:217 msgid "" "Again, not great with gaps or details. And it works best with aliased line " "art." msgstr "" "Mais uma vez, não é óptimo com as lacunas ou detalhes. E funciona melhor com " "desenhos de linhas não-suavizados." #: ../../tutorials/flat-coloring.rst:220 msgid "Selections" msgstr "Selecções" #: ../../tutorials/flat-coloring.rst:222 msgid "Selections work using the selection tools." msgstr "As selecções funcionam com as ferramentas de selecção." #: ../../tutorials/flat-coloring.rst:227 msgid "" "For example with the :ref:`bezier_curve_selection_tool` you can easily " "select a curved area, and the with :kbd:`Shift` + |mouseleft| (not |" "mouseleft| + :kbd:`Shift`, there's a difference!) you can easily add to an " "existing selection." msgstr "" "Por exemplo, com a :ref:`bezier_curve_selection_tool`, poderá seleccionar " "facilmente uma área curvada, e com o :kbd:`Shift` + |mouseleft| (não é |" "mouseleft| + :kbd:`Shift`, há uma diferença!), poderá facilmente adicionar " "uma selecção existente." #: ../../tutorials/flat-coloring.rst:232 msgid "" "You can also edit the selection if you have :menuselection:`Select --> Show " "Global Selection Mask` turned on. Then you can select the global selection " "mask, and paint on it. (Above with the alternative selection mode, activated " "in the lower-left corner of the stats bar)" msgstr "" "Poderá também editar a selecção se tiver a opção :menuselection:`Seleccionar " "--> Mostrar a Máscara de Selecção Global` activada. Depois poderá " "seleccionar a máscara de selecção global e pintar sobre ela. (Como acima, " "com o modo de selecção alternativo, activado no canto inferior-esquerdo da " "barra de estado)" #: ../../tutorials/flat-coloring.rst:234 msgid "" "When done, select the color you want to fill it with and press :kbd:`Shift` " "+ `backspace`." msgstr "" "Quando terminar, seleccione a cor com que deseja preencher e carregue em :" "kbd:`Shift` + `backspace`." #: ../../tutorials/flat-coloring.rst:239 msgid "" "You can save selections in selection masks by |mouseright| a layer, and then " "going to :menuselection:`Add --> Local Selection`. You first need to " "deactivate a selection by pressing the circle before adding a new selection." msgstr "" "Poderá gravar as selecções como máscaras de selecção com o |mouseright| " "sobre uma camada e depois ir a :menuselection:`Adicionar --> Selecção " "Local`. Primeiro precisa de desactivar uma selecção, carregando no círculo " "antes de adicionar uma nova selecção." #: ../../tutorials/flat-coloring.rst:241 msgid "" "This can serve as an alternative way to split out different parts of the " "image, which is good for more painterly pieces:" msgstr "" "Isto pode servir como uma alternativa para dividir as diferentes partes da " "imagem, o que é bom para peças com mais pinturas:" #: ../../tutorials/flat-coloring.rst:249 msgid "A bit more precise than filling." msgstr "Um pouco mais preciso que o preenchimento." #: ../../tutorials/flat-coloring.rst:254 msgid "Previewing your color isn't as easy." msgstr "A antevisão da sua cor não é simples." #: ../../tutorials/flat-coloring.rst:257 msgid "Geometric tools" msgstr "Ferramentas geométricas" #: ../../tutorials/flat-coloring.rst:259 msgid "" "So you have a tool for making rectangles or circles. And in the case of " "Krita, a tool for bezier curves. Select the path tool (|path tool|), and set " "the tool options to fill=foreground and outline=none. Make sure that your " "opacity is set to 1.00 (fully opaque)." msgstr "" "Bem, tem uma ferramenta para criar rectângulos ou círculos. E, no caso do " "Krita, uma ferramenta para curvas Bézier. Seleccione a ferramenta do caminho " "(|path tool|), e configure as opções da ferramenta para " "preenchimento=principal e contorno=nenhum. Certifique-se que a sua opacidade " "está configurada como 1,00 (completamente opaca)." #: ../../tutorials/flat-coloring.rst:262 msgid "" ".. image:: images/icons/bezier_curve.svg\n" " :alt: path tool" msgstr "" ".. image:: images/icons/bezier_curve.svg\n" " :alt: ferramenta do caminho" #: ../../tutorials/flat-coloring.rst:264 msgid "" "By clicking and holding, you can influence how curvy a line draw with the " "path tool is going to be. Letting go of the mouse button confirms the " "action, and then you’re free to draw the next point." msgstr "" "Ao carregar e manter carregado, poderá influenciar quão curva ficará uma " "linha desenhada pela ferramenta do caminho. Se largar o botão do rato, irá " "confirmar a acção, ficando livre para desenhar o ponto seguinte." #: ../../tutorials/flat-coloring.rst:269 msgid "" "You can also erase with a geometric tool. Just press :kbd:`E` or the eraser " "button." msgstr "" "Também poderá apagar com uma ferramenta geométrica. Basta carregar em :kbd:" "`E` ou no botão da borracha." #: ../../tutorials/flat-coloring.rst:277 msgid "" "Quicker than using the brush or selections. Also decent with line art that " "contains gaps." msgstr "" "Mais rápido do que usar o pincel ou as selecções. Também é decente com " "desenhos de linhas que contenham lacunas." #: ../../tutorials/flat-coloring.rst:282 msgid "" "Fiddly details aren’t easy to fill in with this. So I recommend skipping " "those and filling them in later with a brush." msgstr "" "Alguns detalhes serão mais complicados de preencher com isto. Como tal, " "recomenda-se que os deixe e os preencha mais tarde com um pincel." #: ../../tutorials/flat-coloring.rst:285 msgid "Colorize Mask" msgstr "Máscara de Coloração" #: ../../tutorials/flat-coloring.rst:287 msgid "" "So, this is a bit of an odd one. In the original tutorial, you'll see I'm " "suggesting using G'Mic, but that was a few years ago, and g'mic is a little " "unstable on windows. Therefore, the Krita developers have been attempting to " "make an internal tool doing the same." msgstr "" "Bem, esta é um pouco estranha. No tutorial original, verá que estou a " "sugerir o uso do G'Mic, mas isso já foi há alguns anos, e o G'Mic tornou-se " "um pouco instável no Windows. Como tal, os programadores do Krita têm estado " "a tentar criar uma ferramenta interna que faça o mesmo." #: ../../tutorials/flat-coloring.rst:289 msgid "" "It is disabled in 3.1, but if you use 4.0 or later, it is in the toolbox. " "Check the Colorize Mask for more information." msgstr "" "Está desactivada no 3.1, mas se usar a 4.0 ou posterior, encontra-se na área " "de ferramentas. Veja mais informações na Máscara de Coloração." #: ../../tutorials/flat-coloring.rst:291 msgid "So it works like this:" msgstr "Sendo assim, funciona da seguinte forma:" #: ../../tutorials/flat-coloring.rst:293 msgid "Select the colorize mask tool." msgstr "Seleccione a máscara de coloração." #: ../../tutorials/flat-coloring.rst:294 msgid "Tick the layer you're using." msgstr "Carregue na camada que está a usar." #: ../../tutorials/flat-coloring.rst:295 msgid "Paint the colors you want to use on the colorize mask" msgstr "Pinte as cores que quer usar na máscara de coloração" #: ../../tutorials/flat-coloring.rst:296 msgid "Click update to see the results:" msgstr "Carregue em Actualizar para ver os resultados:" #: ../../tutorials/flat-coloring.rst:301 msgid "" "When you are satisfied, |mouseright| the colorize mask, and go to :" "menuselection:`Convert --> Paint Layer`. This will turn the colorize mask to " "a generic paint layer. Then, you can fix the last issues by making the line " "art semi-transparent and painting the flaws away with a pixel art brush." msgstr "" "Quando estiver satisfeito, carregue com o |mouseright| sobre a máscara de " "coloração e vá a :menuselection:`Converter --> Camada de Pintura`. Isto irá " "transformar a máscara de coloração numa máscara de pintura genérica. Depois, " "poderá corrigir os últimos problemas, tornando o desenho de linhas semi-" "transparente e pintando os defeitos com um pincel de pixels." #: ../../tutorials/flat-coloring.rst:306 msgid "" "Then, when you are done, split the layers via :menuselection:`Layer --> " "Split --> Split Layer`. There are a few options you can choose, but the " "following should be fine:" msgstr "" "Depois, quando terminar, divida as camadas com a opção :menuselection:" "`Camadas --> Dividir --> Dividir a Camada`. Existem algumas opções que " "poderá escolher, mas as seguintes deverão ser suficientes:" #: ../../tutorials/flat-coloring.rst:311 msgid "" "Finally, press **Ok** and you should get the following. Each color patch it " "on a different layer, named by the palette in the menu and alpha locked, so " "you can start painting right away!" msgstr "" "Finalmente, carregue em **Ok** para obter o seguinte. Cada padrão de cor " "ficou numa camada diferente, com o nome da paleta no menu e bloqueada no " "alfa, para que possa começar a pintar desde já!" #: ../../tutorials/flat-coloring.rst:319 msgid "" "Works with anti-aliased line art. Really quick to get the base work done. " "Can auto-close gaps." msgstr "" "Funciona com desenhos de linhas suavizados. É bastante rápido para ter o " "trabalho de base feito. Pode fechar automaticamente as lacunas." #: ../../tutorials/flat-coloring.rst:324 msgid "" "No anti-aliasing of its own. You have to choose between getting details " "right or the gaps auto-closed." msgstr "" "Sem suavização própria. Terá de optar entre ficar com os detalhes corrigidos " "ou as lacunas fechadas automaticamente." #: ../../tutorials/flat-coloring.rst:327 msgid "Conclusion" msgstr "Conclusão" #: ../../tutorials/flat-coloring.rst:329 msgid "" "I hope this has given you a good idea of how to fill in flats using the " "various techniques, as well as getting a hand of different Krita features. " "Remember that a good flat filled line art is better than a badly shaded one, " "so keep practicing to get the best out of these techniques!" msgstr "" "Espero que isto lhe tenha dado uma boa ideia de como preencher partes planas " "com várias técnicas, assim como passar a conhecer um conjunto de " "funcionalidades diferentes do Krita. Lembre-se que um bom desenho de linhas " "bem preenchido é melhor que um mal-feito, por isso continue a praticar para " "desfrutar ao máximo destas técnicas!" diff --git a/locale/pt_PT/LC_MESSAGES/user_manual/loading_saving_brushes.po b/locale/pt_PT/LC_MESSAGES/user_manual/loading_saving_brushes.po index df9f179ef..9622fada5 100644 --- a/locale/pt_PT/LC_MESSAGES/user_manual/loading_saving_brushes.po +++ b/locale/pt_PT/LC_MESSAGES/user_manual/loading_saving_brushes.po @@ -1,1256 +1,1256 @@ # SOME DESCRIPTIVE TITLE. # Copyright (C) licensed under the GNU Free Documentation License 1.3+ unless stated otherwise # This file is distributed under the same license as the Krita Manual package. # FIRST AUTHOR , YEAR. # msgid "" msgstr "" "Project-Id-Version: Krita Manual 4.1\n" "Report-Msgid-Bugs-To: \n" -"POT-Creation-Date: 2019-04-13 03:33+0200\n" +"POT-Creation-Date: 2019-04-14 03:33+0200\n" "PO-Revision-Date: 2019-04-10 11:04+0100\n" "Last-Translator: José Nuno Coelho Pires \n" "Language-Team: Portuguese \n" "Language: pt\n" "MIME-Version: 1.0\n" "Content-Type: text/plain; charset=UTF-8\n" "Content-Transfer-Encoding: 8bit\n" "Plural-Forms: nplurals=2; plural=n != 1;\n" "X-POFile-SpellExtra: en guilabel image menuselection kbd images rabiscos\n" "X-POFile-SpellExtra: icons SaveNewBrushPresetDialog px patterns\n" "X-POFile-SpellExtra: dirtypreseticon ref KPP Usasr tool brushes preset\n" "X-POFile-SpellExtra: BrushSettingsLayout kpp Photoshop Krita demão list\n" "X-POFile-SpellExtra: PresetIconLibraryDialog brushcurvecalculationmode\n" "X-POFile-SpellExtra: Paintoppreset paintoppresets emblem Demão HSL\n" "X-POFile-IgnoreConsistency: Reloading\n" "X-POFile-SpellExtra: demãos\n" -#: ../../user_manual/loading_saving_brushes.rst:None -msgid ".. image:: images/en/Krita_4_0_Brush_Settings_Layout.svg" -msgstr ".. image:: images/en/Krita_4_0_Brush_Settings_Layout.svg" - #: ../../user_manual/loading_saving_brushes.rst:0 msgid ".. image:: images/en/Krita_4_0_dirty_preset_icon.png" msgstr ".. image:: images/en/Krita_4_0_dirty_preset_icon.png" +#: ../../user_manual/loading_saving_brushes.rst:None +msgid ".. image:: images/en/Krita_4_0_Brush_Settings_Layout.svg" +msgstr ".. image:: images/en/Krita_4_0_Brush_Settings_Layout.svg" + #: ../../user_manual/loading_saving_brushes.rst:1 msgid "" "Detailed guide on the brush settings dialog in Krita as well as how to make " "your own brushes and how to share them." msgstr "" "Guia detalhado sobre a janela de configuração dos pincéis no Krita, assim " "como criar os seus próprios pincéis e como partilhá-los." #: ../../user_manual/loading_saving_brushes.rst:17 msgid "Loading and Saving Brushes" msgstr "Carregar e Gravar Pincéis" #: ../../user_manual/loading_saving_brushes.rst:19 msgid "" "In the real world, when painting or drawing, you don't just use one tool. " "You use pencils, erasers, paintbrushes, different types of paint, inks, " "crayons, etc. All these have different ways of making marks." msgstr "" "No mundo real, ao pintar ou desenhar, você não usa apenas uma ferramenta. " "Usa lápis, borrachas, pincéis, diversas tintas, lápis de cera, etc. Todos " "estes têm diferentes formas de criar marcas." #: ../../user_manual/loading_saving_brushes.rst:23 msgid "" "In a digital program like Krita you have something similar. We call this a " "brush engine. And much like how cars have different engines that give " "different feels when driving, or how pencils make distinctly different marks " "than rollerball pens, different brush engines have totally different feels." msgstr "" "Num programa digital como o Krita, tem algo de semelhante. Chamamos a isso " "um motor de pincéis. E, assim como os carros têm motores diferentes que " "criam diferentes sensações na condução, ou como os lápis criam marcas " "diferentes das esferográficas, os diferentes motores de pincéis têm " "sensações completamente diferentes." #: ../../user_manual/loading_saving_brushes.rst:29 msgid "" "The brush engines have a lot of different settings as well. So, you can save " "those settings into presets." msgstr "" "Os motores de pincéis também têm uma grande variedade de configurações " "diferentes. Como tal, poderá gravar estas configurações como predefinições." #: ../../user_manual/loading_saving_brushes.rst:32 msgid "" "Unlike Photoshop, Krita makes a difference between brush-tips and brush-" "presets. Tips are only a stamp of sorts, while the preset uses a tip and " "many other settings to create the full brush." msgstr "" "Ao contrário do Photoshop, o Krita cria uma diferença entre as pontas de " "pincéis e as predefinições de pincéis. As pontas são só uma espécie de " "carimbos, enquanto a predefinição usa uma ponta e muitas outras definições " "para criar o pincel completo." #: ../../user_manual/loading_saving_brushes.rst:37 msgid "The Brush settings drop-down" msgstr "A lista de configurações de pincéis" #: ../../user_manual/loading_saving_brushes.rst:39 msgid "" "To start, the Brush Settings Editor panel can be accessed in the toolbar, " "between the :guilabel:`Blending Modes` button on the right and the :guilabel:" "`Patterns` button on the left. Alternately, you can use the function key :" "kbd:`F5` to open it." msgstr "" "Para começar, o painel do Editor de Configuração dos Pincéis poderá ser " "acedido a na barra de ferramentas, entre o botão de :guilabel:`Modos de " "Mistura` à direita e o botão de :guilabel:`Padrões` à esquerda. Em " "alternativa, poderá usar a tecla de função :kbd:`F5` para o abrir." #: ../../user_manual/loading_saving_brushes.rst:44 msgid "" "When you open Brush Settings Editor panel you will see something like this:" msgstr "" "Quando abrir o painel do Editor da Configuração dos Pincéis, irá ver algo " "como se segue:" #: ../../user_manual/loading_saving_brushes.rst:48 msgid "Tour of the brush settings drop-down" msgstr "Viagem pela lista de configurações dos pincéis" #: ../../user_manual/loading_saving_brushes.rst:53 msgid "The brush settings drop-down is divided into six areas," msgstr "A lista de configurações de pincéis está dividida em seis áreas," #: ../../user_manual/loading_saving_brushes.rst:56 msgid "Section A - General Information" msgstr "Secção A - Informação Geral" #: ../../user_manual/loading_saving_brushes.rst:58 msgid "" "This contains the **Preset Icon**, **Live Brush Preview**, the **Preset " "Name**, the **Engine** name, and several buttons for saving, renaming, and " "reloading." msgstr "" "Isto contém o **Ícone da Predefinição**, a **Antevisão do Pincel ao Vivo**, " "o **Nome da Predefinição**, o nome do **Motor** e diversos botões para " "gravar, mudar o nome e recarregar." #: ../../user_manual/loading_saving_brushes.rst:62 msgid "" "Krita's brush settings are stored into the metadata of a 200x200 png (the " "KPP file), where the image in the png file becomes the preset icon. This " "icon is used everywhere in Krita, and is useful for differentiating brushes " "in ways that the live preview cannot." msgstr "" "As configurações dos pincéis do Krita estão guardadas nos meta-dados de um " "PNG de 200x200 (o ficheiro KPP), onde a imagem no ficheiro PNG se torna o " "ícone da predefinição. Este ícone é usado em todo o lado no Krita e é útil " "para distinguir os pincéis de formas que a antevisão ao vivo não permite." #: ../../user_manual/loading_saving_brushes.rst:67 msgid "" "The live preview shows a stroke of the current brush as a little s-curve " "wiggle, with the pressure being non-existent on the left, and increasing to " "full pressure as it goes to the right. It can thus show the effect of the " "Pressure, Drawing Angle, Distance, Fade and Fuzzy Dab sensors, but none of " "the others. For some brush engines it cannot show anything. For the color " "smudge, filter brush and clone tool, it shows an alternating line pattern " "because these brush engines use the pixels already on canvas to change their " "effect." msgstr "" "A antevisão ao vivo mostra um traço do pincel actual como uma pequena onda " "curva em S, com a pressão inexistente à esquerda e a aumentar até à pressão " "total, à medida que se desloca para a direita. Consegue assim mostrar o " "efeito dos sensores de Pressão, do Ângulo do Desenho, da Distância, do " "Desvanecimento e da Demão Difusa, mas nenhum dos outros. Para alguns motores " "de pincéis, não consegue mostrar nada. Para as manchas a cores, para o " "pincel de filtragem e a ferramenta de clonagem, mostra um padrão de linhas " "alternadas, dado que estes motores de pincéis usam os pixels já na área de " "desenho para mudar o seu efeito." #: ../../user_manual/loading_saving_brushes.rst:75 msgid "" "After the preset name, there's a button for **renaming** the brush. This " "will save the brush as a new brush and blacklist the previous name." msgstr "" "Depois do nome da predefinição, existe um botão para **mudar o nome** do " "pincel. Isto irá gravar o pincel como um novo e irá proibir o nome anterior." #: ../../user_manual/loading_saving_brushes.rst:79 msgid "Engine" msgstr "Motor" #: ../../user_manual/loading_saving_brushes.rst:81 msgid "" "The engine of a brush is the underlying programming that generates the " "stroke from a brush. What that means is that different brush engines have " "different options and different results. You can see this as the difference " "between using crayons, pencils and inks, but because computers are maths " "devices, most of our brush engines produce different things in a more " "mathematical way." msgstr "" "O motor de um pincel é a programação subjacente que gera o traço a partir de " "um pincel. O que isto significa é que os diferentes motores de pincéis " "possuem diferentes opções e geram resultados diferentes. Poderá ver isto " "como a diferença entre usar lápis de cera, lápis e tintas, mas como os " "computadores são dispositivos matemáticos, a maioria dos nossos motores de " "pincéis produzem diferentes coisas de uma forma mais matemática." #: ../../user_manual/loading_saving_brushes.rst:88 msgid "" "For most artists the mathematical nature doesn't matter as much as the " "different textures and marks each brush engine, and each brush engine has " "its own distinct flavor and use, and can be further customized by modifying " "the options." msgstr "" "Para a maioria dos artistas, a natureza matemática não interessa tanto " "quanto as texturas diferentes e as marcas que cada motor produz, e cada um " "dos motores tem o seu comportamento e uso distintos, podendo ser ainda mais " "personalizados se modificar as opções." #: ../../user_manual/loading_saving_brushes.rst:94 msgid "Reloading" msgstr "Recarregar" #: ../../user_manual/loading_saving_brushes.rst:96 msgid "" "If you change a preset, an icon will appear behind the engine name. This is " "the :guilabel:`reload` button. You can use it to revert to the original " "brush settings." msgstr "" "Se mudar uma predefinição, irá aparecer um ícone atrás do nome do motor. " "Isto é o botão :guilabel:`recarregar`. Podê-lo-á usar para reverter às " "opções originais do pincel." #: ../../user_manual/loading_saving_brushes.rst:101 msgid "Saving a preset" msgstr "Gravar uma predefinição" #: ../../user_manual/loading_saving_brushes.rst:103 msgid "" "On the right, there's :guilabel:`Save New Brush Preset` and :guilabel:" "`Overwrite Brush`." msgstr "" "À direita, existem as opções :guilabel:`Gravar uma Nova Predefinição do " "Pincel` e :guilabel:`Sobrepor o Pincel`." #: ../../user_manual/loading_saving_brushes.rst:106 msgid "" "This will only enable if there are any changes. Pressing this will override " "the current preset with the new settings, keeping the name and the icon " "intact. It will always make a timestamped back up in the resources folder." msgstr "" "Isto só ficará activo se existirem algumas alterações. Se carregar aqui, irá " "substituir a predefinição actual pelas novas definições, mantendo o nome e o " "ícone intactos. Irá sempre criar uma cópia de segurança com a data/hora na " "pasta de recursos." #: ../../user_manual/loading_saving_brushes.rst:108 msgid "Overwrite Brush" msgstr "Substituir o Pincel" #: ../../user_manual/loading_saving_brushes.rst:111 msgid "" "Will take the current preset and all its changes and save it as a new " "preset. If no change was made, you will be making a copy of the current " "preset." msgstr "" "Irá usar a predefinição actual e todas as suas alterações e gravá-la como " "uma nova predefinição. Se não tiver sido feita nenhuma alteração, estará a " "criar uma cópia da predefinição actual." #: ../../user_manual/loading_saving_brushes.rst:113 msgid "Save New Brush Preset" msgstr "Gravar uma Nova Predefinição do Pincel" #: ../../user_manual/loading_saving_brushes.rst:115 msgid "" "Save new preset will call up the following window, with a mini scratch pad, " "and all sorts of options to change the preset icon:" msgstr "" "A opção para 'Gravar uma nova predefinição' irá invocar a seguinte janela, " "com um pequeno bloco de rabiscos, e todos os tipos de opções para alterar o " "ícone da predefinição:" #: ../../user_manual/loading_saving_brushes.rst:119 msgid ".. image:: images/en/Krita_4_0_Save_New_Brush_Preset_Dialog.png" msgstr ".. image:: images/en/Krita_4_0_Save_New_Brush_Preset_Dialog.png" #: ../../user_manual/loading_saving_brushes.rst:120 msgid "" "The image on the left is a mini scratchpad, you can draw on it with the " "current brush, allowing small modifications on the fly." msgstr "" "A imagem à esquerda é um mini-bloco de rabiscos; poderá desenhar nele com o " "pincel actual, permitindo pequenas modificações na hora." #: ../../user_manual/loading_saving_brushes.rst:124 msgid "" "The Name of your brush. This is also used for the KPP file. If there's " "already a brush with that name, it will effectively overwrite it." msgstr "" "O nome do seu pincel. Isto também é usado para o ficheiro KPP. Se já existir " "um pincel com esse nome, irá de facto substituí-lo." #: ../../user_manual/loading_saving_brushes.rst:125 msgid "Brush Name" msgstr "Nome do Pincel" #: ../../user_manual/loading_saving_brushes.rst:127 msgid "Load Existing Thumbnail" msgstr "Carregar a Miniatura Existente" #: ../../user_manual/loading_saving_brushes.rst:128 msgid "This will load the existing thumbnail inside the preset." msgstr "Isto irá carregar a miniatura existente dentro da predefinição." #: ../../user_manual/loading_saving_brushes.rst:130 msgid "Load scratch pad thumbnail" msgstr "Carregar a miniatura do bloco de rabiscos" #: ../../user_manual/loading_saving_brushes.rst:130 msgid "" "This will load the dashed area from the big scratch pad (Section C) into the " "thumbnail area." msgstr "" "Isto irá carregar a área tracejada do bloco de rabiscos grande (Secção C) " "para a área da miniatura." #: ../../user_manual/loading_saving_brushes.rst:132 msgid "Load Image" msgstr "Carregar a Imagem" #: ../../user_manual/loading_saving_brushes.rst:133 msgid "With this you can choose an image from disk to load as a thumbnail." msgstr "" "com isto, poderá escolher uma imagem do disco para carregá-la como uma " "miniatura." #: ../../user_manual/loading_saving_brushes.rst:134 msgid "Load from Icon Library" msgstr "Carregar da Biblioteca de Ícones" #: ../../user_manual/loading_saving_brushes.rst:135 msgid "This opens up the icon library." msgstr "Isto abre a biblioteca de ícones." #: ../../user_manual/loading_saving_brushes.rst:137 msgid "Clear Thumbnail" msgstr "Limpar a Miniatura" #: ../../user_manual/loading_saving_brushes.rst:137 msgid "This will make the mini scratch pad white." msgstr "Isto irá deixar o mini-bloco de rabiscos limpo." #: ../../user_manual/loading_saving_brushes.rst:140 msgid "The Icon Library" msgstr "A Biblioteca de Ícones" #: ../../user_manual/loading_saving_brushes.rst:142 msgid "To make making presets icons faster, Krita got an icon library." msgstr "" "Para tornar a criação de ícones de predefinições mais rápida, o Krita " "recebeu uma biblioteca de ícones." #: ../../user_manual/loading_saving_brushes.rst:145 msgid ".. image:: images/en/Krita_4_0_Preset_Icon_Library_Dialog.png" msgstr ".. image:: images/en/Krita_4_0_Preset_Icon_Library_Dialog.png" #: ../../user_manual/loading_saving_brushes.rst:146 msgid "" "It allows you to select tool icons, and an optional small emblem. When you " "press :guilabel:`OK` it will load the resulting combination into the mini " "scratch pad and you can draw in the stroke." msgstr "" "Ela permite-lhe seleccionar os ícones das ferramentas, bem como um pequeno " "emblema opcional. Quando carregar em :guilabel:`OK`, irá carregar a " "combinação resultante no mini-bloco de rabiscos e poderá desenhar no traço." #: ../../user_manual/loading_saving_brushes.rst:150 msgid "" "If you go to your resources folder, there's a folder there called \"preset" "\\_icons\", and in this folder there are \"tool\\_icons\" and \"emblem" "\\_icons\". You can add semi-transparent pngs here and Krita will load those " "into the icon library as well so you can customize your icons even more!" msgstr "" "Se for à sua pasta de recursos, existirá uma pasta nele chamada \"preset" "\\_icons\", e, nessa pasta, existirão as pastas \"tool\\_icons\" e \"emblem" "\\_icons\". Poderá adicionar aqui PNG's semi-transparentes para que o Krita " "os carregue para a biblioteca de ícones, para que assim possa ainda " "personalizar mais os seus ícones!" #: ../../user_manual/loading_saving_brushes.rst:156 msgid "" "At the top right of the icon library, there are three sliders. They allow " "you to adjust the tool icon. The top two are the same Hue and Saturation as " "in HSL adjustment, and the lowest slider is a super simple levels filter. " "This is done this way because the levels filter allows maintaining the " "darkest shadows and brightest highlights on a tool icon, making it much " "better for quick adjustments." msgstr "" "No canto superior direito da biblioteca de ícones, existem três barras. Elas " "permitem-lhe ajustar o ícone da ferramenta. As duas de topo são as mesmas " "barras de Matiz e Saturação que aparece no ajuste HSL, sendo que a barra " "inferior é uma filtro super-simples de níveis. Isto é feito desta forma, " "porque o filtro de níveis permite tornar as sombras mais escuras e os tons " "claros ainda mais claros numa opção de ferramenta, sendo muito melhor para " "ajustes rápidos." #: ../../user_manual/loading_saving_brushes.rst:163 msgid "" "If you're done with everything, you can press :guilabel:`Save` in the :" "guilabel:`Save New Preset` dialog and Krita will save the new brush." msgstr "" "Se tiver terminado tudo, poderá carregar em :guilabel:`Gravar` na janela " "para :guilabel:`Gravar uma Nova Predefinição` e o Krita grave o novo pincel." #: ../../user_manual/loading_saving_brushes.rst:167 msgid "Section B - The Preset Chooser" msgstr "Secção B - O Selector de Predefinições" #: ../../user_manual/loading_saving_brushes.rst:169 msgid "" "The preset chooser is much the same as the preset docker and the preset drop-" "down on :kbd:`F6`. It's unique in that it allows you to filter by engine and " "this is also where you can create brushes for an engine from scratch." msgstr "" "O selector de predefinições é muito semelhante à área de predefinições e à " "lista de predefinições do :kbd:`F6`. É único na medida em que lhe permite " "filtrar pelo motor, e é aqui também que poderá criar pincéis para um motor " "do zero." #: ../../user_manual/loading_saving_brushes.rst:174 msgid "" "It is by default collapsed, so you will need to press the arrow at the top " "left of the brush engine to show it." msgstr "" "Por omissão encontra-se recolhido, pelo que irá precisar de carregar na seta " "do canto superior-esquerdo do pincel de motores para o mostrar." #: ../../user_manual/loading_saving_brushes.rst:177 msgid "" "The top drop-down is set to “all” by default, which means it shows all " "engines. It then shows a tag section where you can select the tags, the " "preset list and the search bar." msgstr "" "A lista do topo está configurada como \"tudo\" por omissão, o que significa " "que irá mostrar todos os motores. Ela então irá mostrar uma secção de marcas " "onde poderá seleccionar as marcas, a lista de predefinições e a barra de " "pesquisa." #: ../../user_manual/loading_saving_brushes.rst:181 msgid "" "Underneath that there's a plus icon, which when pressed gives you the full " "list of Krita's engines. Selecting an engine from the list will show the " "brushes for that engine." msgstr "" "Por baixo destes, existe um ícone com um sinal 'mais'; quando carregar nele, " "irá obter a lista completa de motores do Krita. Se seleccionar um motor da " "lista, irá mostrar os pincéis para esse motor." #: ../../user_manual/loading_saving_brushes.rst:185 msgid "" "The trashcan icon does the same as it does in the preset docker: delete, or " "rather, blacklist a preset so it won't show up in the list." msgstr "" "O ícone do caixote do lixo faz o mesmo que na área de predefinições: apaga, " "ou por outro lado, proíbe uma predefinição de aparecer na lista." #: ../../user_manual/loading_saving_brushes.rst:189 msgid "Section C - The Scratch pad" msgstr "Secção C - O bloco de rabiscos" #: ../../user_manual/loading_saving_brushes.rst:191 msgid "" "When you tweak your brushes, you want to be able to check what each setting " "does. That's why, to the right of the settings drop-down, there is a scratch " "pad." msgstr "" "Quando ajustar os seus pincéis, deverá ser capaz de verificar o que faz cada " "uma das definições. É por isso que, à direita da lista de configurações, " "existe um bloco de rabiscos." #: ../../user_manual/loading_saving_brushes.rst:195 msgid "" "It is by default collapsed, so you will have to press the arrow at the top " "right of the brush settings to show it." msgstr "" "Por omissão encontra-se recolhido, pelo que deverá carregar na seta do canto " "superior direito da configuração do pincel para o mostrar." #: ../../user_manual/loading_saving_brushes.rst:198 msgid "" "When saving a new preset, you can choose to get the icon from the scratch " "pad, this will load the dash area into the mini scratch pad of the Save New " "Preset dialog." msgstr "" "Ao gravar uma nova predefinição, poderá optar por obter o ícone do bloco de " "rabiscos, sendo que isto irá carregar a área tracejada para o mini-bloco de " "rabiscos da janela para Gravar uma Nova Predefinição." #: ../../user_manual/loading_saving_brushes.rst:202 msgid "The scratch pad has five buttons underneath it. These are in order for:" msgstr "" "O bloco de rabiscos tem cinco botões por baixo dele. Servem, por ordem, para:" #: ../../user_manual/loading_saving_brushes.rst:204 msgid "Showing the current brush image" msgstr "Mostrar a imagem do pincel actual" #: ../../user_manual/loading_saving_brushes.rst:206 msgid "Adding a gradient to the scratch pad (useful for smudge brushes)" msgstr "" "Adicionar um gradiente ao bloco de rabiscos (útil para os pincéis de manchas)" #: ../../user_manual/loading_saving_brushes.rst:207 msgid "Filling with the background color" msgstr "Preencher com a cor de fundo" #: ../../user_manual/loading_saving_brushes.rst:208 msgid "Clearing everything on the scratch pad" msgstr "Limpar tudo no bloco de rabiscos" #: ../../user_manual/loading_saving_brushes.rst:211 msgid "Section D - The Options List" msgstr "Secção D - A Lista de Opções" #: ../../user_manual/loading_saving_brushes.rst:213 msgid "" "The options, as stated above, are different per brush engine. These " "represent the different parameters, toggles and knobs that you can turn to " "make a brush preset unique. For a couple of options, the main things to " "change are sliders and check boxes, but for a lot of them, they use curves " "instead." msgstr "" "As opções, como descrito acima, são diferentes para cada motor de pincéis. " "Estas representam os diferentes parâmetros, comutadores e reguladores que " "poderá ajustar para tornar uma predefinição única. Para algumas opções, as " "coisas principais a alterar são as barras deslizantes e as opções de " "marcação, mas para a maioria delas, são usadas curvas em alternativa." #: ../../user_manual/loading_saving_brushes.rst:219 msgid "" "Some options can be toggled, as noted by the little check boxes next to " "them, but others, like flow and opacity are so fundamental to how the brush " "works, that they are always on." msgstr "" "Algumas opções poderão ser comutadas, como é apresentado pelas pequenas " "opções de marcação a seguir a elas, mas outras, como o fluxo e a opacidade, " "são tão fundamentais para o funcionamento do pincel, que estão sempre " "ligadas." #: ../../user_manual/loading_saving_brushes.rst:223 msgid "" "The little padlock icon next to the options is for locking the brush. This " "has its own page." msgstr "" "O pequeno ícone do cadeado que aparece a seguir às opções serve para " "bloquear o pincel. Isto tem a sua própria página." #: ../../user_manual/loading_saving_brushes.rst:227 msgid "Section E - Option Configuration Widget" msgstr "Secção E - Elemento de Configuração das Opções" #: ../../user_manual/loading_saving_brushes.rst:229 msgid "" "Where section D is the list of options, section E is the widget where you " "can change things." msgstr "" "Onde a secção D é a lista de opções, a secção E é o elemento onde poderá " "modificar as coisas." #: ../../user_manual/loading_saving_brushes.rst:233 msgid "Using sensor curves" msgstr "Usar as curvas dos sensores" #: ../../user_manual/loading_saving_brushes.rst:235 msgid "" "One of the big important things that make art unique to the artist who " "created it is the style of the strokes. Strokes are different because they " "differ in speed, rotation, direction, and the amount of pressure put onto " "the stylus. Because these are so important, we would want to customize how " "these values are understood in detail. The best way to do this is to use " "curves." msgstr "" "Uma das questões mais importantes que tornam a arte única para o artista que " "a criou é o estilo dos traços. Os traços são diferentes, porque diferem na " "velocidade, na rotação, na direcção e na quantidade de pressão que é " "colocada sobre o lápis. Dado que estas são tão importantes, gostaríamos de " "personalizar a forma como são compreendidos estes valores em detalhe. A " "melhor forma de o fazer é com o uso de curvas." #: ../../user_manual/loading_saving_brushes.rst:242 msgid "" "Curves show up with the size widget for example. With an inking brush, we " "want to have size mapped to pressure. Just toggling the size option in the " "option list will do that." msgstr "" "As curvas aparecem com o elemento do tamanho, por exemplo. Com um pincel de " "pintura, iremos querer ter o tamanho associado à pressão. Se comutar a opção " "do tamanho na lista de opções, irá fazer isso mesmo." #: ../../user_manual/loading_saving_brushes.rst:246 msgid "" "However, different people have different wrists and thus will press " "differently on their stylus. Someone who presses softly tends to find it " "easy to make thin strokes, but very difficult to make thick strokes. " "Conversely, someone who presses hard on their stylus naturally will have a " "hard time making thin strokes, but easily makes thick ones." msgstr "" "Contudo, diferentes pessoas têm diferentes pulsos e, como tal, irão carregar " "de forma diferente nos seus lápis. Alguém que carrega suavemente tende a " "achar fácil criar linhas finas, mas muito difícil de criar linhas grossas. " "Por outro lado, alguém que carrega com força no seu lápis naturalmente terá " "mais dificuldade a fazer traços finos, mas fará traços grossos com " "facilidade." #: ../../user_manual/loading_saving_brushes.rst:252 msgid "" "Such a situation can be improved by using the curves to map pressure to " "output thinner lines or thicker ones." msgstr "" "Uma situação como estas poderá ser melhorada se usar as curvas para associar " "a pressão à geração de linhas mais finas ou mais grossas." #: ../../user_manual/loading_saving_brushes.rst:255 msgid "" "The brush settings curves even have quick curve buttons for these at the " "top. Someone who has a hard time making small strokes should try the second " "to last concave button, while someone who has a hard time making thick " "strokes should try the third button, the S shape." msgstr "" "As curvas de configuração dos pincéis até têm botões de curvas rápidos para " "estas no topo. Alguém que tem dificuldades a criar traços pequenos, deveria " "experimentar o penúltimo botão côncavo, enquanto alguém que não consegue " "fazer facilmente traços grossos deveria experimentar o terceiro botão, a " "forma em S." #: ../../user_manual/loading_saving_brushes.rst:260 msgid "Underneath the curve widget there are two more options:" msgstr "Por baixo do elemento da curva, existem mais duas opções:" #: ../../user_manual/loading_saving_brushes.rst:263 msgid "" "This is for the list of sensors. Toggling this will make all the sensors use " "the same curve. Unchecked, all checked sensors will have separate curves." msgstr "" "Isto serve para a lista de sensores. Se comutar esta opção, fará com que " "todos os sensores usem a mesma curva. Se estiver desligada, todos os " "sensores assinalados terão curvas separadas." #: ../../user_manual/loading_saving_brushes.rst:264 msgid "Share Curves across all settings" msgstr "Partilhar as curvas por todas as configurações" #: ../../user_manual/loading_saving_brushes.rst:267 msgid "" "This indicates how the multiple values of the sensor curves are used. The " "curves always go from 0 to 1.0, so if one curve outputs 0.5 and the other " "0.7, then..." msgstr "" "Isto indica como que é são usados os vários valores das curvas dos sensores. " "As curvas vão sempre de 0 a 1,0; como tal, se uma curva tiver o valor 0,5 e " "a outro 0,7, então..." #: ../../user_manual/loading_saving_brushes.rst:271 msgid "Multiply" msgstr "Multiplicação" #: ../../user_manual/loading_saving_brushes.rst:272 msgid "Will multiply the two values, 0.5\\*0.7 = 0.35." msgstr "Irá multiplicar os dois valores, 0,5\\*0,7 = 0,35." #: ../../user_manual/loading_saving_brushes.rst:274 msgid "Addition" msgstr "Adição" #: ../../user_manual/loading_saving_brushes.rst:274 msgid "" "Will add the two to a maximum of 1.0, so 0.5+0.7 = 1.2, which is then capped " "at 1.0." msgstr "" "Irá somar os dois até ao tecto máximo de 1,0, sendo que 0,5+0,7 = 1,2, valor " "esse que será então limitado a 1,0." #: ../../user_manual/loading_saving_brushes.rst:277 msgid "Maximum" msgstr "Máximo" #: ../../user_manual/loading_saving_brushes.rst:277 msgid "" "Will compare the two and pick the largest. So in the case of 0.5 and 0.7, " "the result is 0.7." msgstr "" "Irá comparar os dois e escolher o maior. Como tal, no caso do 0,5 e do 0,7, " "o resultado será 0,7." #: ../../user_manual/loading_saving_brushes.rst:280 msgid "Minimum" msgstr "Mínimo" #: ../../user_manual/loading_saving_brushes.rst:280 msgid "" "Will compare the two and pick the smallest. So in the case of 0.5 and 0.7, " "the result is 0.5." msgstr "" "Irá comparar os dois e escolher o menor. Como tal, no caso do 0,5 e do 0,7, " "o resultado será 0,5." #: ../../user_manual/loading_saving_brushes.rst:283 msgid "Will subtract the smallest value from the largest, so 0.7-0.5 = 0.2." msgstr "Irá subtrair o menor valor do maior, pelo que 0,7-0,5 = 0,2." #: ../../user_manual/loading_saving_brushes.rst:284 msgid "Curves Calculation Mode" msgstr "Modo de Cálculo das Curvas" #: ../../user_manual/loading_saving_brushes.rst:284 msgid "Difference" msgstr "Diferença" #: ../../user_manual/loading_saving_brushes.rst:286 msgid "It's maybe better to see with the following example:" msgstr "Talvez seja melhor ver com o seguinte exemplo:" #: ../../user_manual/loading_saving_brushes.rst:289 msgid ".. image:: images/en/Krita_4_0_brush_curve_calculation_mode.png" msgstr ".. image:: images/en/Krita_4_0_brush_curve_calculation_mode.png" #: ../../user_manual/loading_saving_brushes.rst:290 msgid "" "The first two are regular, the rest with different multiplication types." msgstr "" "Os primeiros dois são normais, os restantes com diferentes tipos de " "multiplicações." #: ../../user_manual/loading_saving_brushes.rst:292 msgid "Is a brush with size set to the distance sensor." msgstr "É um pincel com o tamanho configurado com o sensor da distância." #: ../../user_manual/loading_saving_brushes.rst:293 msgid "Is a brush with the size set to the fade sensor." msgstr "É um pincel com o tamanho configurado com o sensor do desvanecimento." #: ../../user_manual/loading_saving_brushes.rst:294 msgid "The size is calculated from the fade and distance sensors multiplied." msgstr "" "O tamanho é calculado a partir da multiplicação dos sensores de " "desvanecimento e da distância." #: ../../user_manual/loading_saving_brushes.rst:295 msgid "" "The size is calculated from the fade and distance sensors added to each " "other. Notice how thick it is." msgstr "" "O tamanho é calculado a partir da soma dos sensores de desvanecimento e da " "distância. Repare como fica grosso." #: ../../user_manual/loading_saving_brushes.rst:297 msgid "" "The size takes the maximum value from the values of the fade and distance " "sensors." msgstr "" "O tamanho escolhe o valor máximo dos valores dos sensores de desvanecimento " "e da distância." #: ../../user_manual/loading_saving_brushes.rst:299 msgid "" "The size takes the minimum value from the values of the fade and distance " "sensors." msgstr "" "O tamanho escolhe o valor mínimo dos valores dos sensores de desvanecimento " "e da distância." #: ../../user_manual/loading_saving_brushes.rst:301 msgid "" "The size is calculated by having the largest of the values subtracted with " "the smallest of the values." msgstr "" "O tamanho é calculado a partir da subtracção do maior valor dos sensores de " "desvanecimento e da distância face ao menor." #: ../../user_manual/loading_saving_brushes.rst:305 msgid "Section F - Miscellaneous options" msgstr "Secção F - Opções diversas" #: ../../user_manual/loading_saving_brushes.rst:308 msgid "" "This enables dirty presets. Dirty presets store the tweaks you make as long " "as this session of Krita is active. After that, they revert to default. " "Dirtied presets can be recognized by the icon in the top-left of the preset." msgstr "" "Isto activa as predefinições modificadas. Estas guardam os ajustes que fez, " "enquanto esta sessão do Krita estiver activa. Depois disso, voltam ao seu " "estado predefinido. As predefinições modificadas poderão ser reconhecidas " "pelo ícone no canto superior-esquerdo da predefinição." #: ../../user_manual/loading_saving_brushes.rst:316 msgid "Temporarily Save Tweaks to Preset (Dirty Presets)" msgstr "" "Temporariamente Gravar os Ajustes na Predefinição (Predefinições Modificadas)" #: ../../user_manual/loading_saving_brushes.rst:316 msgid "" "The icon in the top left of the first two presets indicate it is “Dirty”, " "meaning there are tweaks made to the preset." msgstr "" "O ícone no canto superior esquerdo das duas primeiras predefinições indica " "que está \"Modificado\", o que significa que foram feitos ajustes na " "predefinição." #: ../../user_manual/loading_saving_brushes.rst:319 msgid "Eraser Switch Size" msgstr "Tamanho da Opção da Borracha" #: ../../user_manual/loading_saving_brushes.rst:319 msgid "" "This switches the brush to a separately stored size when using the :kbd:`E` " "key." msgstr "" "Isto muda o pincel para um tamanho registado em separado quando usar a " "tecla :kbd:`E`." #: ../../user_manual/loading_saving_brushes.rst:321 msgid "Eraser Switch Opacity" msgstr "Opacidade da Opção da Borracha" #: ../../user_manual/loading_saving_brushes.rst:322 msgid "Same as above, but then with Eraser opacity." msgstr "Igual ao anterior, mas com a opacidade da Borracha." #: ../../user_manual/loading_saving_brushes.rst:324 msgid "" "This allows you to toggle instant preview on the brush. The Instant Preview " "has a super-secret feature: when you press the instant preview label, and " "then right click it, it will show a threshold slider. This slider determines " "at what brush size instant preview is activated for the brush. This is " "useful because small brushes can be slower with instant preview, so the " "threshold ensures it only activates when necessary." msgstr "" "Isto permite-lhe comutar a antevisão instantânea do pincel. A Antevisão " "Instantânea tem uma funcionalidade super-secreta: quando carregar no texto " "da antevisão instantânea, e depois carregar nele com o botão direito, irá " "mostrar uma barra de limitação. Esta barra define em que tamanho do pincel " "será activada a antevisão para o pincel. Isto é útil porque os pincéis " "pequenos poderão ser mais lentos com a antevisão instantânea, pelo que o " "limite garante que só se activa quando for necessário." #: ../../user_manual/loading_saving_brushes.rst:330 msgid "Instant Preview" msgstr "Antevisão Instantânea" #: ../../user_manual/loading_saving_brushes.rst:333 msgid "The On-canvas brush settings" msgstr "A configuração do pincel na área de desenho" #: ../../user_manual/loading_saving_brushes.rst:335 msgid "" "There are on-canvas brush settings. If you open up the pop-up palette, there " "should be an icon on the bottom-right. Press that to show the on-canvas " "brush settings. You will see several sliders here, to quickly make small " "changes." msgstr "" "aqui estão definições dos pincéis na área de desenho. Se abrir a paleta " "instantânea, deverá existir um ícone na parte inferior-direita. Carregue " "nele para mostrar a configuração do pincel na área de desenho. Irá ver " "várias barras aqui, para que possa fazer pequenas alterações." #: ../../user_manual/loading_saving_brushes.rst:340 msgid "" "At the top it shows the currently active preset. Next to that is a settings " "button, click that to get a list of settings that can be shown and organized " "for the given brush engine. You can use the up and down arrows to order " "their position, and then left and right arrows to add or remove from the " "list. You can also drag and drop." msgstr "" "No topo irá mostrar a predefinição activa de momento. A seguir a ela, existe " "um botão de configuração; carregue nele para obter uma lista das definições " "que poderão ser apresentadas e organizadas para o motor do pincel indicado. " "Poderá usar as setas para cima e para baixo para ordenar a sua posição, e " "depois as setas para a esquerda e direita para as adicionar ou remover da " "lista. Também as poderá arrastar e largar." #: ../../user_manual/loading_saving_brushes.rst:347 msgid "Making a Brush Preset" msgstr "Criar uma Predefinição de Pincel" #: ../../user_manual/loading_saving_brushes.rst:349 msgid "Now, let's make a simple brush to test the waters with:" msgstr "Agora iremos criar um pincel simples para experimentar:" #: ../../user_manual/loading_saving_brushes.rst:352 msgid "Getting a default for the brush engine." msgstr "Obter uma predefinição para o motor de pincéis." #: ../../user_manual/loading_saving_brushes.rst:354 msgid "First, open the settings with :kbd:`F5`." msgstr "Primeiro, abra a configuração com o :kbd:`F5`." #: ../../user_manual/loading_saving_brushes.rst:356 msgid "" "Then, press the arrow on the upper left to open the preset chooser. There, " "press the “+” icon to get a list of engines. For this brush we're gonna make " "a pixel brush." msgstr "" "Depois, carregue na seta do canto superior-esquerdo para para abrir o " "selector de predefinições. Depois, carregue no ícone “+” para obter uma " "lista de motores. Para este pincel, iremos criar um pincel de pixels." #: ../../user_manual/loading_saving_brushes.rst:361 msgid "Example: Making an inking brush" msgstr "Exemplo: Criar um pincel de pintura" #: ../../user_manual/loading_saving_brushes.rst:363 msgid "" "Draw on the scratch pad to see what the current brush looks like. If done " "correctly, you should have a 5px wide brush that has pressure set to opacity." msgstr "" "Desenhe no bloco de rabiscos para ver como fica o pincel actual. Se for " "feito da forma correcta, deverá ter um pincel com 5px de tamanho que tem a " "pressão associada à opacidade." #: ../../user_manual/loading_saving_brushes.rst:366 msgid "" "Let us turn off the opacity first. Click on the :ref:`opacity " "` option in the right-hand list. The settings should " "now be changed to a big curve. This is the sensor curve." msgstr "" "Vamos desligar primeiro a opacidade. Carregue na opção de :ref:`opacidade " "` na lista da direita. A configuração deverá ficar " "alterada para uma curva grande. Esta é a curva do sensor." #: ../../user_manual/loading_saving_brushes.rst:370 msgid "Uncheck the :guilabel:`Enable Pen Settings` checkbox." msgstr "Desligue a opção guilabel:`Activar a Configuração da Caneta`." #: ../../user_manual/loading_saving_brushes.rst:371 msgid "" "Test on the scratch pad... there still seems to be something affecting " "opacity. This is due to the :ref:`flow ` option." msgstr "" "Teste no bloco de rabiscos... parece ainda existir algo a afectar a " "opacidade. Isto deve-se à opção do :ref:`fluxo `." #: ../../user_manual/loading_saving_brushes.rst:375 msgid "" "Select the Flow option from the list on the right hand. Flow is like " "Opacity, except that Flow is per dab, and opacity is per stroke." msgstr "" "Seleccione a opção do Fluxo na lista à direita. O Fluxo é como a Opacidade, " "excepto que o Fluxo é por demão, enquanto a Opacidade é por traço." #: ../../user_manual/loading_saving_brushes.rst:377 msgid "" "Uncheck the :guilabel:`Enable Pen Settings` checkbox here as well. Test " "again." msgstr "" "Desligue a opção :guilabel:`Activar a Configuração da Caneta` aqui também. " "Teste de novo." #: ../../user_manual/loading_saving_brushes.rst:378 msgid "" "Now you should be getting somewhere towards an inking brush. It is still too " "small however, and kinda grainy looking. Click :ref:`Brush Tip " "` in the brush engine options." msgstr "" "Agora deverá obter algo que se parece com um pincel de pintura. Continua a " "ser demasiado pequeno, de qualquer forma, e com um aspecto um pouco " "granular. Carregue na :ref:`Ponta do Pincel ` nas opções " "do motor de pincéis." #: ../../user_manual/loading_saving_brushes.rst:381 msgid "" "Here, the diameter is the size of the brush-tip. You can touch the slider " "change the size, or right-click it and type in a value. Set it to 25 and " "test again. It should be much better." msgstr "" "Aqui, o diâmetro é o tamanho da ponta do pincel. Poderá tocar na barra para " "alterar o tamanho, ou então carregar nela com o botão direito e escrever um " "valor. Configure-a como 25 e teste de novo. Deverá estar muito melhor." #: ../../user_manual/loading_saving_brushes.rst:384 msgid "" "Now to make the brush feel a bit softer, turn down the fade parameter to " "about 0.9. This'll give the *brush mask* a softer edge." msgstr "" "Agora para tornar o pincel um pouco mais suave, reduza o parâmetro de " "desvanecimento para cerca de 0,9. Isto dará à *máscara do pincel* um " "contorno mais suave." #: ../../user_manual/loading_saving_brushes.rst:386 msgid "" "If you test again, you'll notice the fade doesn't seem to have much effect. " "This has to do with the spacing of the dabs: The closer they are together, " "the harder the line is. By default, this is 0.1, which is a bit low. If you " "set it to 10 and test, you'll see what kind of effect spacing has. The :ref:" "`Auto ` checkbox changes the way the spacing is calculated, " "and Auto Spacing with a value of 0.8 is the best value for inking brushes. " "Don't forget that you can use right-click to type in a value." msgstr "" "Se testar de novo, irá reparar que o desvanecimento não parece fazer muito " "efeito. Isto tem a ver com o espaço entre demãos: Quanto mais próximas " "estiverem, mais difícil ficará a linha. Por omissão, este valor é 0,1, o que " "é um pouco baixo. Se o configurar como 10 e testar, irá ver qual o efeito " "que o espaço fará. A opção :ref:`Auto ` muda a forma como o " "espaço é calculado, e o Espaço Automático com um valor de 0,8 é o melhor " "valor para os pincéis de pintura. Não se esqueça que poderá usar o botão " "direito para escrever um valor." #: ../../user_manual/loading_saving_brushes.rst:395 msgid "" "Now, when you test, the fade seems to have a normal effect... except on the " "really small sizes, which look pixelly. To get rid of that, check the anti-" "aliasing check box. If you test again, the lines should be much nicer now." msgstr "" "Agora, quando testar, o desvanecimento irá parecer que tem um efeito " "normal... excepto nos tamanhos realmente pequenos, os quais parecerão " "quadriculados. Para se ver livre desse efeito, assinale a opção de " "suavização. Se testar de novo, as linhas deverão ter ficado agora muito " "melhores." #: ../../user_manual/loading_saving_brushes.rst:401 msgid "Saving the new Brush" msgstr "Gravar o Novo Pincel" #: ../../user_manual/loading_saving_brushes.rst:403 msgid "" "When you're satisfied, go to the upper left and select :guilabel::`Save new " "preset`." msgstr "" "Quando estiver satisfeito, vá ao canto superior esquerdo e seleccione a " "opção :guilabel::`Gravar a nova predefinição`." #: ../../user_manual/loading_saving_brushes.rst:406 msgid "" "You will get the save preset dialog. Name the brush something like “My " "Preset”. Then, select :guilabel:`Load from Icon Library` to get the icon " "library. Choose a nice tool icon and press :guilabel:`OK`." msgstr "" "Irá obter a janela para gravar a predefinição. Dê-lhe um nome do tipo “A " "Minha Predefinição”. Depois, seleccione a opção :guilabel:`Carregar da " "Biblioteca de Ícones` para obter a biblioteca de ícones. Escolha um ícone " "agradável e carregue em :guilabel:`OK`." #: ../../user_manual/loading_saving_brushes.rst:410 msgid "" "The icon will be loaded into the mini scratch pad on the left. Now doodle a " "nice stroke next to it. If you feel you messed up, just go back to the icon " "library to load a new icon." msgstr "" "O ícone será carregado para dentro do mini-bloco de rabiscos à esquerda. " "Agora faça um traço bonito a seguir a ele. Se achar que fez asneira, basta " "voltar à biblioteca de ícones para carregar um novo ícone." #: ../../user_manual/loading_saving_brushes.rst:414 msgid "Finally press :guilabel:`Save`, and your brush should be done." msgstr "" "Finalmente, carregue em :guilabel:`Gravar` para que o seu pincel fique " "concluído." #: ../../user_manual/loading_saving_brushes.rst:416 msgid "You can further modify your inking brush by..." msgstr "Poderá modificar ainda mais o seu pincel de pintura se..." #: ../../user_manual/loading_saving_brushes.rst:419 msgid "" "Changing the amount of pressure you need to put on a brush to make it full " "size." msgstr "" "Modificar a quantidade de pressão que precisa de colocar sobre um pincel " "para o deixar com o tamanho completo." #: ../../user_manual/loading_saving_brushes.rst:419 msgid "" "To do this, select the :ref:`size ` option, and press the " "pressure sensor from the list next to the curve. The curve should look like " "a straight line. Now if you want a brush that gets big with little pressure, " "tick on the curve to make a point, and drag the point to the upper-left. The " "more the point is to the upper-left, the more extreme the effect. If you " "want instead a brush that you have to press really hard on to get to full " "size, drag the dot to the lower-right. Such a brush is useful for fine " "details. Don't forget to save the changes to your brush when done." msgstr "" "Para o fazer, seleccione a opção :ref:`tamanho ` e carregue no " "sensor de pressão na lista a seguir à curva. A curva deverá parecer uma " "linha recta. Agora, se quiser um pincel que fica grande com pouca pressão, " "carregue na curva para criar um ponto e arraste-o para cima-esquerda. Quanto " "mais ponto estiver perto do canto superior esquerdo, mais extremo será o " "efeito. Se quiser por outro lado um pincel que precise carregar com mesmo " "muita força para obter o tamanho completo, arraste o ponto para o canto " "inferior direito. Este pincel é útil para detalhes finos. Não se esqueça de " "gravar as alterações do seu pincel quando terminar." #: ../../user_manual/loading_saving_brushes.rst:422 msgid "Making the fine lines look even softer by using the flow option." msgstr "Tornar as linhas finas ainda mais suaves ao usar a opção do fluxo." #: ../../user_manual/loading_saving_brushes.rst:422 msgid "" "To do this, select the flow option, and turn back on the :guilabel:`Enable " "Pen Settings` check box. Now if you test this, it is indeed a bit softer, " "but maybe a bit too much. Click on the curve to make a dot, and drag that " "dot to the top-left, half-way the horizontal of the first square of the " "grid. Now, if you test, the thin lines are much softer, but the hard your " "press, the harder the brush becomes." msgstr "" "Para o fazer, seleccione a opção do fluxo e volte à opção para :guilabel:" "`Activar a Configuração da Caneta`. Agora, se testar isto, ficará de facto " "um pouco mais suave, mas se calhar agora até demais. Carregue na curva para " "criar um ponto e arraste esse ponto para cima-esquerda, a meio caminho entre " "a horizontal do primeiro quadrado da grelha. Agora, se testar, as linhas " "finas estão muito mais suaves, mas quanto mais força aplicar, mais forte " "ficará o pincel." #: ../../user_manual/loading_saving_brushes.rst:425 msgid "Sharing Brushes" msgstr "Partilhar os Pincéis" #: ../../user_manual/loading_saving_brushes.rst:427 msgid "" "Okay, so you've made a new brush and want to share it. There are several " "ways to share a brush preset." msgstr "" "Ok, com que então criou um novo pincel e agora quer partilhá-lo. Existem " "diversas formas de partilhar uma predefinição de pincel." #: ../../user_manual/loading_saving_brushes.rst:430 msgid "" "The recommended way to share brushes and presets is by using the resource " "bundle system. We have detailed instructions on how to use them on the :ref:" "`resource management page `." msgstr "" "A forma recomendada de partilhar os pincéis e predefinições é usando o " "sistema de pacotes de recursos. Temos instruções detalhadas sobre o uso dos " "mesmos na :ref:`página de gestão dos recursos `." #: ../../user_manual/loading_saving_brushes.rst:434 msgid "" "However, there are various old-fashioned ways of sharing brushes that can be " "useful when importing and loading very old packs:" msgstr "" "Contudo, existem diversas formas antiquadas de partilhar os pincéis que " "poderão ser úteis ao importar e carregar os pacotes muito antigos:" #: ../../user_manual/loading_saving_brushes.rst:438 msgid "Sharing a single preset" msgstr "Partilhar uma única predefinição" #: ../../user_manual/loading_saving_brushes.rst:440 msgid "There are three types of resources a single preset can take:" msgstr "Existem três tipos de recursos que uma única predefinição poderá usar:" #: ../../user_manual/loading_saving_brushes.rst:442 msgid "" "A Paintoppreset file: This is the preset proper, with the icon and the " "curves stored inside." msgstr "" "Um ficheiro Paintoppreset: Esta é a predefinição de forma adequada, com o " "ícone e as curvas gravadas nela." #: ../../user_manual/loading_saving_brushes.rst:444 msgid "" "A Brush file: This is the brush tip. When using masked brushes, there's two " "of these." msgstr "" "Um ficheiro de Pincel: Esta é a ponta do pincel. Ao usar pincéis com " "máscaras, existem dois destes." #: ../../user_manual/loading_saving_brushes.rst:446 msgid "A Pattern file: this is when you are using textures." msgstr "Um ficheiro de Padrão: este é quando estiver a usar texturas." #: ../../user_manual/loading_saving_brushes.rst:448 msgid "" "So when you have a brush that uses unique predefined tips for either brush " "tip or masked brush, or unique textures you will need to share those " "resources as well with the other person." msgstr "" "Por isso, quando tiver um pincel que usa pontas predefinidas para as pontas " "dos pincéis ou para pincéis mascarados, ou ainda com texturas únicas que irá " "precisar para partilhar esses recursos da mesma forma com as outras pessoas." #: ../../user_manual/loading_saving_brushes.rst:452 msgid "" "To find those resources, go to :menuselection:`Settings --> Manage Resources " "--> Open Resource Folder`." msgstr "" "Para descobrir estes recursos, vá a :menuselection:`Configuração --> Gerir " "os Recursos --> Abrir a Pasta de Recursos`." #: ../../user_manual/loading_saving_brushes.rst:454 msgid "" "There, the preset file will be inside paintoppresets, the brush tips inside " "brushes and the texture inside patterns." msgstr "" "Aqui, o ficheiro da predefinição estará dentro do 'paintoppresets', as " "pontas dos pincéis dentro do 'brushes' e as texturas dentro do 'patterns'." #: ../../user_manual/loading_saving_brushes.rst:458 msgid "Importing a single KPP file." msgstr "Importar um único ficheiro KPP." #: ../../user_manual/loading_saving_brushes.rst:460 msgid "" "Now, if you want to use the single preset, you should go to the preset " "chooser on :kbd:`F6` and press the folder icon there. This will give a file " "dialog. Navigate to the kpp file and open it to import it." msgstr "" "Agora, se quiser usar a predefinição única, deverá ir ao selector de " "predefinições em :kbd:`F6` e carregar no ícone da pasta aí. Isto irá gerar " "uma janela de ficheiros. Vá até ao ficheiro .kpp e abra-o para o importar." #: ../../user_manual/loading_saving_brushes.rst:464 msgid "" "If there are brush tips and patterns coming with the file, do the same with " "pattern via the pattern docker, and for the brush-tip go to the settings " "drop-down (:kbd:`F5`) and then go to the “brush-tip” option. There, select " "predefined brush, and then the “import” button to call up the file dialog." msgstr "" "Se existirem pontas de pincéis e padrões que venham com o ficheiro, faça o " "mesmo com o padrão através da área de padrões e, para a ponta do pincel, vá " "à list ade configurações (:kbd:`F5`) e depois vá à opção “ponta do pincel”. " "Aí, seleccione o pincel predefinido e depois o botão “importar” para invocar " "a janela de ficheiros." #: ../../user_manual/loading_saving_brushes.rst:471 msgid "Sharing via ZIP (old-fashioned)" msgstr "Partilhar com um ZIP (antiquado)" #: ../../user_manual/loading_saving_brushes.rst:473 msgid "" "Sharing via ZIP should be replaced with resource bundles, but older brush " "packs are stored in zip files." msgstr "" "A partilha com ficheiros ZIP deverá ser substituída por pacotes de recursos, " "mas os pacotes de pincéis mais antigos estão guardados em ficheiros ZIP." #: ../../user_manual/loading_saving_brushes.rst:477 msgid "Using a ZIP with the relevant files." msgstr "Usasr um ZIP com os ficheiros relevantes." #: ../../user_manual/loading_saving_brushes.rst:479 msgid "" "Go to :menuselection:`Settings --> Manage Resources --> Open Resource " "Folder` to open the resource folder." msgstr "" "Vá a :menuselection:`Configuração --> Gerir os Recursos --> Abrir a Pasta de " "Recursos` para abrir a pasta de recursos." #: ../../user_manual/loading_saving_brushes.rst:480 msgid "Then, open up the zip file." msgstr "Depois, abra o ficheiro ZIP." #: ../../user_manual/loading_saving_brushes.rst:481 msgid "" "Copy the brushes, paintoppresets and patterns folders from the zip file to " "the resource folder. You should get a prompt to merge the folders, agree to " "this." msgstr "" "Copie as pastas 'brushes', 'paintoppresets' e 'patterns' do ficheiro ZIP " "para a pasta de recursos. Deverá obter uma mensagem para reunir as pastas; " "nesse caso, aceite." #: ../../user_manual/loading_saving_brushes.rst:484 msgid "Restart Krita." msgstr "Reinicie o Krita." #: ../../user_manual/loading_saving_brushes.rst:485 msgid "Enjoy your brushes!" msgstr "Desfrute dos seus pincéis!" diff --git a/locale/sk/LC_MESSAGES/general_concepts/colors/color_managed_workflow.po b/locale/sk/LC_MESSAGES/general_concepts/colors/color_managed_workflow.po index 525aadcef..1acdd8074 100644 --- a/locale/sk/LC_MESSAGES/general_concepts/colors/color_managed_workflow.po +++ b/locale/sk/LC_MESSAGES/general_concepts/colors/color_managed_workflow.po @@ -1,1061 +1,1061 @@ # translation of docs_krita_org_general_concepts___colors___color_managed_workflow.po to Slovak # Roman Paholik , 2019. msgid "" msgstr "" "Project-Id-Version: " "docs_krita_org_general_concepts___colors___color_managed_workflow\n" "Report-Msgid-Bugs-To: \n" -"POT-Creation-Date: 2019-04-13 03:33+0200\n" +"POT-Creation-Date: 2019-04-14 03:33+0200\n" "PO-Revision-Date: 2019-03-01 13:05+0100\n" "Last-Translator: Roman Paholik \n" "Language-Team: Slovak \n" "Language: sk\n" "MIME-Version: 1.0\n" "Content-Type: text/plain; charset=UTF-8\n" "Content-Transfer-Encoding: 8bit\n" "X-Generator: Lokalize 2.0\n" "Plural-Forms: nplurals=3; plural=(n==1) ? 0 : (n>=2 && n<=4) ? 1 : 2;\n" +#: ../../general_concepts/colors/color_managed_workflow.rst:0 +msgid ".. image:: images/en/color_category/Kiki_matrix_profile.png" +msgstr "" + +#: ../../general_concepts/colors/color_managed_workflow.rst:0 +msgid ".. image:: images/en/color_category/Kiki_cLUTprofiles.png" +msgstr "" + #: ../../general_concepts/colors/color_managed_workflow.rst:None msgid "" ".. image:: images/en/color_category/Krita_2_9_colormanagement_group1.png" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:None msgid "" ".. image:: images/en/color_category/Krita_2_9_colormanagement_group2.png" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:None msgid "" ".. image:: images/en/color_category/Krita_2_9_colormanagement_group3.png" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:None msgid "" ".. image:: images/en/color_category/Krita_2_9_colormanagement_group4.png" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:None msgid ".. image:: images/en/LUT_Management_Docker.png" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:None msgid ".. image:: images/en/color_category/Krita_HDR_1.svg" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:None msgid ".. image:: images/en/color_category/Krita_HDR2.svg" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:None msgid "" ".. image:: images/en/color_category/Krita-colormanaged-workflow_webcomic.svg" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:None msgid "" ".. image:: images/en/color_category/Krita-colormanaged-workflow_print.svg" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:None msgid "" ".. image:: images/en/color_category/Krita-colormanaged-workflow_games.svg" msgstr "" -#: ../../general_concepts/colors/color_managed_workflow.rst:0 -msgid ".. image:: images/en/color_category/Kiki_matrix_profile.png" -msgstr "" - -#: ../../general_concepts/colors/color_managed_workflow.rst:0 -msgid ".. image:: images/en/color_category/Kiki_cLUTprofiles.png" -msgstr "" - #: ../../general_concepts/colors/color_managed_workflow.rst:1 msgid "How a color managed workflow works." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:17 msgid "Color Managed Workflow" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:19 msgid "" "You may have heard that Krita has something called color-management. Or " "maybe you just wondered what all these 'color model' and 'color profile' " "things you can find in the menus mean. Color management is pretty useful for " "people who work in digital imaging professionally, and hopefully this page " "will explain why." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:22 msgid "Basic Info" msgstr "Základné informácie" #: ../../general_concepts/colors/color_managed_workflow.rst:24 msgid "" "If you've never worked with color management before, and have no clue what " "it is, then know that you've probably been working in the 8bit RGB color " "space with the sRGB profile. This means you can choose for *sRGB built-in* " "or *sRGB-elle-v2-srgbtrc.icc*. With the new color space browser this profile " "is marked with *(default)* when using 8bit." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:26 msgid "" "We'll go into what these terms mean in the theory, but if you're here only " "for trying to figure out which is the default, you now know it. Maybe, after " "reading this, you may feel like changing the default, to get new and " "interesting results from filters, blending modes, or just the color smudge " "brush." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:29 msgid "What is the problem?" msgstr "Aký je problém?" #: ../../general_concepts/colors/color_managed_workflow.rst:31 msgid "" "To explain the point of color management, you'd first need to learn which " "problem color management tries to solve." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:33 msgid "Let us imagine a kinder garden:" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:35 msgid "" "The class of 28 children is subdivided in groups of 7. Each group has its " "own table." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:37 msgid "" "The teacher gives them a painting assignment: They need to paint a red " "triangle, a blue square, a green circle and put a yellow border around the " "three. The kids are very experienced with painting already, so the teacher " "can confidently leave the smarter ones to their own devices, and spent more " "time on those who need help." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:40 msgid "The following results come from painting:" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:42 msgid "" "Even though all groups had the same assignment, each group's result looks " "different." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:49 msgid "" "Group 1 had vermillion red, citron yellow and ultramarine blue to their " "disposal. This means their triangle looks nice and red, but their circle's " "green is muddy. This is because ultramarine is too dark of a blue to create " "nice greens with." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:56 msgid "" "Group 2 had magenta red, citron yellow and cerulean blue. Magenta is a type " "of red that is closer to pink, opposed to vermillion, which is closer to " "orange. However, their green looks nice because cerulean is a much lighter " "blue." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:64 msgid "" "Group 3 had vermillion red, citron yellow, emerald green and cerulean blue. " "They didn't mix their green, and thus ended up with a purer color." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:71 msgid "" "Finally, group 4 has vermillion red, citron yellow and cerulean blue. Their " "colors probably look like what you imagined." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:73 msgid "" "Now, these are kindergarteners, so this isn't the largest problem in the " "world. However, imagine that something like this happened at a printing " "company? Imagine four printers printing the same magazine with wildly " "different results? That would be disastrous!" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:75 msgid "For this purpose, we invented color management." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:78 #, fuzzy #| msgid "What is colour management?" msgid "What is color management?" msgstr "Čo je správa farieb?" #: ../../general_concepts/colors/color_managed_workflow.rst:80 msgid "" "Color management is, dryly put, a set of systems that tries to have the same " "color translate properly between color devices." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:82 msgid "" "It usually works by attempting to covert a color to the reference color " "space XYZ. XYZ is a coordinate system that has a spot for all colors that " "the average human eye can see." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:84 msgid "" "From XYZ it can then be translated back into another device space, such as " "RGB (for screens), or CMYK (for printers)." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:86 msgid "" "Krita has two systems dedicated to color management. On the one hand, we " "have **lcms2**, which deal with ICC profiles, and on the other, we have " "**OCIO**, which deal with LUT color management." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:88 msgid "" "To give a crude estimate, ICC profiles deal with keeping colors consistent " "over many interpretations of devices (screens, printers) by using a " "reference space, and OCIO deals with manipulating the interpretation of said " "colors." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:90 msgid "Within both we can identify the following color spaces:" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:93 msgid "" "Device spaces are those describing your monitor, and have to be made using a " "little device that is called \"colorimeter\". This device, in combination " "with the right software, measures the strongest red, green and blue your " "screen can produce, as well as the white, black and grey it produces. Using " "these and several other measurements it creates an ICC profile unique to " "your screen. You set these in Krita's color management tab. By default we " "assume sRGB for screens, but it's very likely that your screen isn't exactly " "fitting sRGB, especially if you have a high quality screen, where it may be " "a bigger space instead. Device spaces are also why you should first consult " "with your printer what profile they expect. Many printing houses have their " "own device profiles for their printers, or may prefer doing color conversion " "themselves. You can read more about colorimeter usage :ref:`here " "`." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:94 msgid "Device spaces" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:96 msgid "Working spaces" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:97 msgid "" "These are delivered alongside Krita for ICC, and downloadable from the OCIO " "website for OCIO. Working spaces are particularly nice to do color " "calculations in, which programs like Krita do often. It's therefore " "recommended to have a working space profile for your image." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:99 msgid "Aesthetic or Look spaces" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:99 msgid "" "These are special spaces that have been deformed to give a certain look to " "an image. Krita doesn't deliver Look profiles for ICC, nor does it yet " "support Look spaces for OCIO." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:102 msgid "Color managed workflow" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:104 msgid "" "Knowing this about these spaces of course doesn't give you an idea of how to " "use them, but it does make it easier to explain how to use them. So let us " "look at a typical color management workflow:" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:110 msgid "" ".. image:: images/en/color_category/Krita-colormanaged-workflow_text.svg" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:110 msgid "" "A typical example of a color managed workflow. We have input from scanners " "and cameras, which we convert to a working space that can be used between " "different editing software, and is converted to an output space for viewing " "on screen or printing." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:112 msgid "" "In a traditional color managed workflow, we usually think in terms of real " "world colors being converted to computer colors and the other way around. " "So, for example photos from a camera or scanned in images. If you have a " "device space of such a device, we first assign said device space to the " "image, and then convert it to a working space." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:114 msgid "" "We then do all our editing in the working space, and use the working space " "to communicate between editing programs. In Krita's case, due to it having " "two color management systems, we use ICC profiles between programs like GIMP " "2.9+, Inkscape, digiKam and Scribus, and OCIO configuration between Blender " "and Natron." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:116 msgid "" "You also store your working files in the working space, just like how you " "have the layers unmerged in the working file, or have it at a very high " "resolution." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:118 msgid "" "Sometimes, we apply aesthetic or 'look' spaces to an image as part of the " "editing process. This is rather advanced, and probably not something to " "worry about in Krita's case." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:120 msgid "" "Then, when we're done editing, we try to convert to an output space, which " "is another device space. This can be CMYK for printers or a special screen " "RGB profile. When you are dealing with professional printing houses, it is " "best to ask them about this step. They have a lot of experience with doing " "the best conversion, and may prefer to do the conversion from your working " "space to the device space of their printers." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:122 msgid "" "Another form of output is the way your screen displays the color. Unlike " "regular output, this one is done all the time during editing: After all, you " "need to be able to see what you are doing, but your screen is still a device " "with a device space, so it does distort how the image looks. In this manner, " "you can see your screen as a set of binoculars you have to look through to " "see your image at all." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:124 msgid "" "Therefore, without a profiled monitor, you actually don't know what the " "actual colors you are working with are like, because the computer doesn't " "know the relevant properties of your screen. So if you profiled your " "monitor, give Krita the profile in the settings, and select the sRGB space " "to draw in, you are for the first time seeing the actual colors of the sRGB " "space." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:127 msgid "So what does this mean?" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:133 msgid "" ".. image:: images/en/color_category/Krita-colormanaged-workflow_krita_text." "svg" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:133 msgid "" "When we paint from scratch, we can see our screen profile as the input " "space, because we use it to determine what colors to pick. This somewhat " "simplifies the workflow, but makes the screen profile and viewing conditions " "more important." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:135 msgid "" "Now, photographers and people who do a tricky discipline of VFX called " "'color grading' will go completely mad over trying to get the colors they " "put in to come out 100% correctly, and will even count in factors like the " "time of day and the color they painted their walls. For example, if the wall " "behind your computer is pure red, your eyes will adjust to be less sensitive " "to red, which means that the colors they pick in the program could come out " "redder. We call these the *viewing conditions*." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:137 msgid "" "Thankfully, artists have to worry a slight bit less about this. As " "illustrations are fully handmade, we are able to identify the important bits " "and make appropriate contrasts between colors. This means that even if our " "images turn out to be slightly redder than intended, it is less likely the " "whole image is ruined. If we look back at the kindergarten example above, we " "still understand what the image was supposed to look like, despite there " "being different colors on each image. Furthermore, because the colors in " "illustrations are deliberately picked, we can correct them more easily on a " "later date. Yet, at the same time, it is of course a big drag to do this, " "and we might have had much more flexibility had we taken viewing conditions " "under consideration." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:139 msgid "" "That said, for artists it is also very useful to understand the working " "spaces. Different working spaces give different results with filters and " "mixing, and only some working spaces can be used for advanced technology " "like HDR." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:141 msgid "" "Similarly, Krita, as a program intended to make images from scratch, doesn't " "really worry about assigning workspaces after having made the image. But " "because you are using the screen as a binocular to look at your image, and " "to pick colors, you can see your screen's device space as an input space to " "the image. Hence why profiling your monitor and giving the profile to Krita " "in the settings can help with preparing your work for print and future " "ventures in the long run." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:143 msgid "" "Overall, it is kinda useful to keep things like viewing conditions in the " "back of your mind. Many professional artists use a mid-grey color as their " "default canvas background because they find they create much more dynamic " "images due to having improved their viewing conditions. It is also why a lot " "of graphics programs, including Krita, come with a dark theme nowadays. " "(Though, of course this might also be because dark themes can be considered " "cool, who knows.)" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:148 msgid "ICC profiles" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:150 msgid "" "An ICC profile is a set of coordinates describing the extremities of the " "device space within XYZ, and it is the color management data you use to " "communicate your working space to printers and applications that are " "designed for the print industry, such as GIMP, Scribus, Photoshop, " "Illustrator, Inkscape, Digikam, RawTheraphee, etc. You have two types of ICC " "profiles:" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:153 msgid "" "These are delivered alongside Krita. Matrix shaper profiles are made by " "setting parameters and interpolating between these to get the exact size of " "the color space. Due to this, Krita's color space browser can give you a lot " "of information on these profiles. Such profiles are also preferable as " "working space." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:159 msgid "Matrix Shaper profiles." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:159 msgid "" "Matrix shaper profiles have a few parameters that describe the color space " "which are then interpolated between, this requires a lot of maths." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:162 msgid "" "These are fairly rare, and primarily used to describe printer profiles, such " "as CMYK. cLUT, or Color Look-up Table profiles store far more data than " "Matrix shaper profiles, so they can hold data of little particularities " "caused by, for example, unexpected results from mixing pigments. This is a " "far more organic approach to describing a color space, hence why a lot of " "programs that don't care for color management much don't support these." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:168 msgid "" "cLUT profiles work by holding tables of each color in a color space and " "their respective coordinates in a reference space. For CMYK this is " "typically L\\*A\\*B\\* and for the rest XYZ. These tables are tricky to " "make, which means these profiles are a lot rarer." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:169 msgid "cLUT profiles" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:171 msgid "" "The interesting thing about ICC profiles is that your working space can be " "larger than your device space. This is generally not bad. However, when " "converting, you do end up with the question of how to translate the working " "space values." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:174 msgid "Perceptual" msgstr "Vnemový" #: ../../general_concepts/colors/color_managed_workflow.rst:174 msgid "" "This just squishes the values of the working space into the space it's " "converted to. It's a nice method to see all possible values in this, but not " "so good if you want accurate color reproduction. Use this if you want to see " "all colors in an image, or want to express all possible contrasts. Doesn't " "work with Matrix Shaper profiles, defaults to relative colorimetric." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:177 msgid "Absolute Colorimetric." msgstr "Absolútna kolorimetria" #: ../../general_concepts/colors/color_managed_workflow.rst:177 msgid "" "The opposite to Perceptual, Absolute colorimetric will attempt to retain all " "the correct colors at whatever cost, which may result in awful looking " "colors. Recommended only for reproduction work. Doesn't work with Matrix " "Shaper profiles in Krita due to ICC v4 workflow standards." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:180 msgid "Relative Colorimetric" msgstr "Relatívna kolometria" #: ../../general_concepts/colors/color_managed_workflow.rst:180 msgid "" "An in between solution between perceptual and absolute, relative will try to " "fit whatever colors it can match between color spaces. It does this by " "aligning the white and black points. It cuts off the rest to their " "respective borders. This is what all matrix shaper profiles default to " "during conversion, because the ICC v4 workflow specifies to only use " "Relative Colorimetric for matrix shaper profiles." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:183 msgid "Saturation" msgstr "Sýtosť" #: ../../general_concepts/colors/color_managed_workflow.rst:183 msgid "" "Does anything to retain colorfulness, even hue will be sacrificed. Used in " "infographics. Doesn't work with Matrix Shaper profiles, defaults to relative " "colorimetric." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:185 msgid "" "*ICC profile version* is the last thing to keep in mind when dealing with " "ICC profiles. Krita delivers both Version 2 and Version 4 profiles, with the " "later giving better results in doing color maths, but the former being more " "widely supported (as seen below in 'interoperability with other programs'. " "This is also why Krita defaults to V2, and we recommend using V2 when you " "aren't certain if the other programs you are using support V4." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:188 msgid "LUT docker and HDR imaging" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:196 msgid "" "The :ref:`lut_docker` is the second important bit of color management in " "Krita that is shared between Krita and programs like Blender, Natron and " "Nuke, and only uses Look Up Tables that are configured via a config file." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:198 msgid "" "You can set the workingspace of the image under input color space, and the " "display to sRGB or your own LUT if you have added it to the configuration. " "View in this case is for proofing transforms to a certain display device." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:200 msgid "" "Component, exposure, gamma, whitepoint and blackpoint are knobs which allows " "you to modify the display filter." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:208 msgid "" "As explained before, we can see our monitor as a telescope or binocular into " "the world of our picture. Which means it distorts our view of the image a " "little. But we can modify this binocular, or display filter to see our image " "in a different way. For example, to allow us to see the white in an image " "that are whiter than the white of our screen. To explain what that means, we " "need to think about what white is." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:210 msgid "" "For example, white, on our monitor is full red, full green and full blue. " "But it's certainly different from white on our paper, or the color of milk, " "white from the sun, or even the white of our cell-phone displays." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:212 msgid "" "Black similarly, is brighter on a LCD display than a LED one, and " "incomparable with the black of a carefully sealed room." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:214 msgid "" "This means that there's potentially blacker blacks than screen black, and " "white whites than screen white. However, for simplicity's sake we still " "assign the black-point and the white-point to certain values. From there, we " "can determine whether a white is whiter than the white point, or a black " "blacker than the black-point." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:216 msgid "" "The LUT docker allows us to control this display-filter and modify the " "distortion. This is useful when we start modifying images that are made with " "scene referred values, such as HDR photos, or images coming out of a render " "engine." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:224 msgid "" "So, for example, we can choose to scale whiter-than-screen-white to our " "screen-white so we can see the contrasts there." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:226 msgid "" "The point of this is that you can take advantage of more lightness detail in " "an image. While you can't see the difference between screen white and whiter-" "than-screen-white (because your screen can't show the difference), graphics " "programs can certainly use it." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:228 msgid "" "A common example is matching the lighting between a 3d model and a real " "world scene. Others are advanced photo retouching, with much more contrast " "information available to the user. In painting itself, this allows you to " "create an image where you can be flippant with the contrast, and allow " "yourself to go as bright as you'd like." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:230 msgid "" "LUT docker manipulations are per view, so you can create a new view and set " "it to luminosity. This way you can see the image in both color as well as " "grayscale and keep a good eye on your values." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:232 msgid "" "Another example is to carefully watch the gradients in a certain section." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:234 msgid "" "Like ICC, the LUT Docker allows you to create a profile of sorts for your " "device. In this case it's the 'lut', which stands for 'Look Up Table', and " "which can be added to OCIO by modifying the configuration file. When OCIO is " "turned on, the configuration in :menuselection:`Settings --> Configure Krita " "--> Color Management` is turned off, unless you are using the :guilabel:" "`Internal` color engine." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:237 msgid "In summary" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:239 #, fuzzy #| msgid "What is colour management?" msgid "Krita has two modes of color management:" msgstr "Čo je správa farieb?" #: ../../general_concepts/colors/color_managed_workflow.rst:241 msgid "" "ICC works in terms of spaces relative to the CIEXYZ space, and requires an " "ICC profile." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:242 msgid "OCIO works in terms of interpretation, and makes use of luts." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:243 msgid "both can be made with a colorimeter." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:244 msgid "" "If you want to have a properly color managed workflow, you have one made " "customary for the input device (your screen) and the output devices (your " "printer, or target screen). For web the output is always sRGB." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:245 msgid "" "Set up your screen profiles under :menuselection:`Settings --> Configure " "Krita --> Color management`." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:246 msgid "" "Do NOT use screen profiles or other device profiles to draw in. Use a " "working space profile such as any of the elle profiles for this, as the " "color maths will be much more predictable and pleasant. Krita will convert " "between your screen and working space on the fly, allowing you to pick the " "correct colors. This turns your screen into binoculars to view the image." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:247 msgid "" "Use the appropriate color management for the appropriate workflow. If you " "are working with Blender, you will be better off using OCIO, than ICC. If " "you are working with Scribus or Photoshop, use ICC." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:249 msgid "" "Krita does a lot of color maths, often concerning the blending of colors. " "This color maths works best in linear color space, and linear color space " "requires a bit depth of at the least 16bit to work correctly. The " "disadvantage is that linear space can be confusing to work in." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:251 msgid "" "If you like painting, have a decent amount of RAM, and are looking to start " "your baby-steps in taking advantage of Krita's color management, try " "upgrading from having all your images in sRGB built-in to sRGB-v2-elle-g10." "icc or rec2020-v2-elle-g10.icc at 16bit float. This'll give you better color " "blending while opening up the possibility for you to start working in hdr!" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:256 msgid "" "Some graphics cards, such as those of the NVidia-brand actually have the " "best performance under 16bit float, because NVidia cards convert to floating " "point internally. When it does not need to do that, it speeds up!" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:260 msgid "" "No amount of color management in the world can make the image on your screen " "and the image out of the printer have 100% the same color." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:263 msgid "Exporting" msgstr "Exportujem" #: ../../general_concepts/colors/color_managed_workflow.rst:265 msgid "" "When you have finished your image and are ready to export it, you can modify " "the color space to optimize it:" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:267 msgid "If you are preparing an image for the web:" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:269 msgid "" "If you use 16bit color depth or higher, convert the image to 8bit color " "depth. This will make the image much smaller." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:271 msgid "" "Krita doesn't have built-in dithering currently, which means that 16 to " "18bit conversions can come out a bit banded. But you can simulate it by " "adding a fill layer with a pattern, set this fill layer to overlay, and to " "5% opacity. Then flatten the whole image and convert it to 8bit. The pattern " "will function as dithering giving a smoother look to gradients." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:273 msgid "If it's a gray-scale image, convert it to gray-scale." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:274 msgid "" "If it's a color image, keep it in the working space profile: Many web " "browsers these days support color profiles embedded into images. Firefox, " "for example, will try to convert your image to fit the color profile of the " "other monitor (if they have one). That way, the image will look almost " "exactly the same on your screen and on other profiled monitors." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:279 msgid "" "In some versions of Firefox, the colors actually look strange: This is a bug " "in Firefox, which is because its `color management system is incomplete " "`_, save your png, jpg or tiff without an embedded profile to work " "around this." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:281 msgid "If you are preparing for print:" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:283 msgid "" "You hopefully made the picture in a working space profile instead of the " "actual custom profile of your screen, if not, convert it to something like " "adobe rgb, sRGB or rec2020." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:284 msgid "" "Check with the printer what kind of image they expect. Maybe they expect " "sRGB color space, or perhaps they have their own profile." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:287 msgid "Interaction with other applications" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:290 msgid "Blender" msgstr "Blender" #: ../../general_concepts/colors/color_managed_workflow.rst:292 msgid "" "If you wish to use krita's OCIO functionality, and in particular in " "combination with Blender's color management, you can try to have it use " "Blender's OCIO config." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:294 msgid "" "Blender's OCIO config is under ``/version number/datafiles/" "colormanagement``. Set the LUT docker to use the OCIO engine, and select the " "config from the above path. This will give you blender's input and screen " "spaces, but not the looks, as those aren't supported in Krita yet." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:298 msgid "Windows Photo Viewer" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:300 msgid "" "You might encounter some issues when using different applications together. " "One important thing to note is that the standard Windows Photo Viewer " "application does not handle modern ICC profiles. Krita uses version 4 " "profiles; Photo Viewer can only handle version 2 profiles. If you export to " "JPEG with an embedded profile, Photo Viewer will display your image much too " "dark." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:303 msgid "Example workflows" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:305 msgid "" "Here are some example workflows to get a feeling of how your color " "management workflow may look like." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:307 msgid "" "As mentioned before, input for your screen is set via :menuselection:" "`Settings --> Configure Krita --> Color management`, or via the LUT docker's " "'screen space'. Working space is set via new file per document, or in the " "LUT docker via 'input space'." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:310 msgid "Webcomic" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:317 #: ../../general_concepts/colors/color_managed_workflow.rst:339 #: ../../general_concepts/colors/color_managed_workflow.rst:357 msgid "Input" msgstr "Vstup" #: ../../general_concepts/colors/color_managed_workflow.rst:318 #: ../../general_concepts/colors/color_managed_workflow.rst:340 #: ../../general_concepts/colors/color_managed_workflow.rst:358 msgid "Your screen profile. (You pick colors via your screen)" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:319 #: ../../general_concepts/colors/color_managed_workflow.rst:341 #: ../../general_concepts/colors/color_managed_workflow.rst:359 msgid "Workingspace" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:320 msgid "" "sRGB (the default screen profile) or any larger profile if you can spare the " "bit depth and like working in them." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:322 #: ../../general_concepts/colors/color_managed_workflow.rst:344 #: ../../general_concepts/colors/color_managed_workflow.rst:362 msgid "Output" msgstr "Výstup" #: ../../general_concepts/colors/color_managed_workflow.rst:322 msgid "" "sRGB, ICC version 2, sRGB TRC for the internet, and a specialized CMYK " "profile from the printing house for the printed images." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:324 msgid "" "Use the sRGB-elle-V2-srgbtrc.icc for going between Inkscape, Photoshop, " "Painttool Sai, Illustrator, GIMP, Manga Studio, Paintstorm Studio, MyPaint, " "Artrage, Scribus, etc. and Krita." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:326 msgid "" "If you are using a larger space via ICC, you will only be able to " "interchange it between Krita, Photoshop, Illustrator, GIMP 2.9, Manga Studio " "and Scribus. All others assume sRGB for your space, no matter what, because " "they don't have color management." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:328 msgid "" "If you are going between Krita and Blender, Nuke or Natron, use OCIO and set " "the input space to 'sRGB', but make sure to select the sRGB profile for ICC " "when creating a new file." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:330 msgid "" "For the final for the web, convert the image to sRGB 8bit, srgbtrc, do not " "embed the ICC profile. Then, if using png, put it through something like " "pngcrush or other png optimizers. sRGB in this case is chosen because you " "can assume the vast majority of your audience hasn't profiled their screen, " "nor do they have screens that are advanced enough for the wide gamut stuff. " "So hence why we convert to the screen default for the internet, sRGB." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:333 msgid "Print" msgstr "Tlačiť" #: ../../general_concepts/colors/color_managed_workflow.rst:342 msgid "sRGB or rec2020 if you can afford the bit-depth being 16bit." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:344 msgid "" "Specialized CMYK profile from the printing house for the printed images." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:346 msgid "" "The CMYK profiles are different per printer, and even per paper or ink-type " "so don't be presumptuous and ask ahead for them, instead of doing something " "like trying to paint in any random CMYK profile. As mentioned in the viewing " "conditions section, you want to keep your options open." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:348 msgid "" "You can set the advanced color selector to transform to a given profile via :" "menuselection:`Settings --> Configure Krita --> Advanced color selector " "settings`. There, tick :guilabel:`Color selector uses a different color " "space than the image` and select the CMYK profile you are aiming for. This " "will limit your colors a little bit, but keep all the nice filter and " "blending options from RGB." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:351 msgid "Games" msgstr "Hry" #: ../../general_concepts/colors/color_managed_workflow.rst:360 msgid "sRGB or grayscale linear for roughness and specular maps." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:362 msgid "" "This one is tricky, but in the end it'll be sRGB for the regular player." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:364 msgid "" "So this one is tricky. You can use OCIO and ICC between programs, but " "recommended is to have your images to the engine in sRGB or grayscale. Many " "physically based renderers these days allow you to set whether an image " "should be read as a linear or srgbtrc image, and this is even vital to have " "the images being considered properly in the physically based calculations of " "the game renderer." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:366 msgid "" "While game engines need to have optimized content, and it's recommended to " "stay within 8bit, future screens may have higher bit depths, and when " "renderers will start supporting those, it may be beneficial to develop a " "workflow where the working-space files are rather unnecessarily big and you " "run some scripts to optimize them for your current render needs, making " "updating the game in the future for fancier screens less of a drag." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:368 msgid "" "Normal maps and heightmaps are officially supposed to be defined with a 'non-" "color data' working space, but you'll find that most engines will not care " "much for this. Instead, tell the game engine not to do any conversion on the " "file when importing." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:370 msgid "" "Specular, glossiness, metalness and roughness maps are all based on linear " "calculations, and when you find that certain material has a metalness of " "0.3, this is 30% gray in a linear space. Therefore, make sure to tell the " "game engine renderer that this is a linear space image (or at the very " "least, should NOT be converted)." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:374 msgid "" "`Visualizing the XYZ color space `_" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:375 msgid "" "`Basics of gamma correction `_" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:376 msgid "" "`Panda3d example of how an image that has gamma encoded without the 3d " "renderer being notified of it having gamma-encoding can result in too dark " "images `_" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:377 msgid "" "`2d examples of the effect of gamma-encoding on color maths `_" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:378 msgid "" "`Basic overview of color management from argylcms manual `_" msgstr "" diff --git a/locale/sk/LC_MESSAGES/reference_manual/tools/colorize_mask.po b/locale/sk/LC_MESSAGES/reference_manual/tools/colorize_mask.po index 04a66b89a..f9004fa33 100644 --- a/locale/sk/LC_MESSAGES/reference_manual/tools/colorize_mask.po +++ b/locale/sk/LC_MESSAGES/reference_manual/tools/colorize_mask.po @@ -1,445 +1,445 @@ # translation of docs_krita_org_reference_manual___tools___colorize_mask.po to Slovak # Roman Paholik , 2019. msgid "" msgstr "" "Project-Id-Version: docs_krita_org_reference_manual___tools___colorize_mask\n" "Report-Msgid-Bugs-To: \n" -"POT-Creation-Date: 2019-04-12 03:34+0200\n" +"POT-Creation-Date: 2019-04-14 03:33+0200\n" "PO-Revision-Date: 2019-04-02 13:08+0200\n" "Last-Translator: Roman Paholik \n" "Language-Team: Slovak \n" "Language: sk\n" "MIME-Version: 1.0\n" "Content-Type: text/plain; charset=UTF-8\n" "Content-Transfer-Encoding: 8bit\n" "X-Generator: Lokalize 18.12.3\n" "Plural-Forms: nplurals=3; plural=(n==1) ? 0 : (n>=2 && n<=4) ? 1 : 2;\n" #: ../../:2 msgid "" ".. image:: images/icons/Krita_mouse_left.png\n" " :alt: mouseleft" msgstr "" ".. image:: images/icons/Krita_mouse_left.png\n" " :alt: mouseleft" #: ../../:4 msgid "" ".. image:: images/icons/Krita_mouse_right.png\n" " :alt: mouseright" msgstr "" ".. image:: images/icons/Krita_mouse_right.png\n" " :alt: mouseright" #: ../../:8 msgid "" ".. image:: images/icons/Krita_mouse_scroll.png\n" " :alt: mousescroll" msgstr "" ".. image:: images/icons/Krita_mouse_scroll.png\n" " :alt: mousescroll" #: ../../:60 msgid "" ".. image:: images/icons/colorizemask_tool.svg\n" " :alt: toolcolorizemask" msgstr "" +#: ../../reference_manual/tools/colorize_mask.rst:0 +msgid "" +".. image:: images/en/Krita_4_0_colorize_mask_show_output_edit_strokes.png" +msgstr "" +".. image:: images/en/Krita_4_0_colorize_mask_show_output_edit_strokes.png" + +#: ../../reference_manual/tools/colorize_mask.rst:0 +msgid ".. image:: images/en/Krita_4_0_colorize_mask_edge_detection.png" +msgstr ".. image:: images/en/Krita_4_0_colorize_mask_edge_detection.png" + +#: ../../reference_manual/tools/colorize_mask.rst:0 +msgid ".. image:: images/en/Krita_4_0_colorize_mask_gap_close_hint.png" +msgstr ".. image:: images/en/Krita_4_0_colorize_mask_gap_close_hint.png" + +#: ../../reference_manual/tools/colorize_mask.rst:0 +msgid ".. image:: images/en/Krita_4_0_colorize_mask_clean_up.png" +msgstr ".. image:: images/en/Krita_4_0_colorize_mask_clean_up.png" + #: ../../reference_manual/tools/colorize_mask.rst:None msgid ".. image:: images/en/Krita_4_0_colorize_mask_usage_01.png" msgstr ".. image:: images/en/Krita_4_0_colorize_mask_usage_01.png" #: ../../reference_manual/tools/colorize_mask.rst:None msgid ".. image:: images/en/Krita_4_0_colorize_mask_usage_02.png" msgstr ".. image:: images/en/Krita_4_0_colorize_mask_usage_02.png" #: ../../reference_manual/tools/colorize_mask.rst:None msgid ".. image:: images/en/Krita_4_0_colorize_mask_usage_03.png" msgstr ".. image:: images/en/Krita_4_0_colorize_mask_usage_03.png" #: ../../reference_manual/tools/colorize_mask.rst:None msgid ".. image:: images/en/Krita_4_0_colorize_mask_usage_04.png" msgstr ".. image:: images/en/Krita_4_0_colorize_mask_usage_04.png" #: ../../reference_manual/tools/colorize_mask.rst:None msgid ".. image:: images/en/Krita_4_0_colorize_mask_usage_05.png" msgstr ".. image:: images/en/Krita_4_0_colorize_mask_usage_05.png" #: ../../reference_manual/tools/colorize_mask.rst:None msgid ".. image:: images/en/Krita_4_0_colorize_mask_usage_06.png" msgstr ".. image:: images/en/Krita_4_0_colorize_mask_usage_06.png" #: ../../reference_manual/tools/colorize_mask.rst:None msgid ".. image:: images/en/Krita_4_0_colorize_mask_usage_07.png" msgstr ".. image:: images/en/Krita_4_0_colorize_mask_usage_07.png" #: ../../reference_manual/tools/colorize_mask.rst:None msgid ".. image:: images/en/Krita_4_0_colorize_mask_usage_08.png" msgstr ".. image:: images/en/Krita_4_0_colorize_mask_usage_08.png" #: ../../reference_manual/tools/colorize_mask.rst:None msgid ".. image:: images/en/Krita_4_0_colorize_mask_usage_09.png" msgstr ".. image:: images/en/Krita_4_0_colorize_mask_usage_09.png" #: ../../reference_manual/tools/colorize_mask.rst:None msgid ".. image:: images/en/Krita_4_0_colorize_mask_usage_10.png" msgstr ".. image:: images/en/Krita_4_0_colorize_mask_usage_10.png" #: ../../reference_manual/tools/colorize_mask.rst:None msgid ".. image:: images/en/Krita_4_0_colorize_mask_usage_11.png" msgstr ".. image:: images/en/Krita_4_0_colorize_mask_usage_11.png" #: ../../reference_manual/tools/colorize_mask.rst:None msgid ".. image:: images/en/Krita_4_0_colorize_mask_usage_12.png" msgstr ".. image:: images/en/Krita_4_0_colorize_mask_usage_12.png" -#: ../../reference_manual/tools/colorize_mask.rst:0 -msgid "" -".. image:: images/en/Krita_4_0_colorize_mask_show_output_edit_strokes.png" -msgstr "" -".. image:: images/en/Krita_4_0_colorize_mask_show_output_edit_strokes.png" - -#: ../../reference_manual/tools/colorize_mask.rst:0 -msgid ".. image:: images/en/Krita_4_0_colorize_mask_edge_detection.png" -msgstr ".. image:: images/en/Krita_4_0_colorize_mask_edge_detection.png" - -#: ../../reference_manual/tools/colorize_mask.rst:0 -msgid ".. image:: images/en/Krita_4_0_colorize_mask_gap_close_hint.png" -msgstr ".. image:: images/en/Krita_4_0_colorize_mask_gap_close_hint.png" - -#: ../../reference_manual/tools/colorize_mask.rst:0 -msgid ".. image:: images/en/Krita_4_0_colorize_mask_clean_up.png" -msgstr ".. image:: images/en/Krita_4_0_colorize_mask_clean_up.png" - #: ../../reference_manual/tools/colorize_mask.rst:1 msgid "How to use the colorize mask in Krita." msgstr "" #: ../../reference_manual/tools/colorize_mask.rst:16 msgid "Colorize Mask" msgstr "Maska zafarbenia" #: ../../reference_manual/tools/colorize_mask.rst:18 msgid "|toolcolorizemask|" msgstr "" #: ../../reference_manual/tools/colorize_mask.rst:20 msgid "" "A tool for quickly coloring line art, the Colorize Mask Editing tool can be " "found next to the gradient tool on your toolbox." msgstr "" #: ../../reference_manual/tools/colorize_mask.rst:22 msgid "" "This feature is technically already in 3.1, but disabled by default because " "we had not optimized the filling algorithm for production use yet. To enable " "it, find your krita configuration file, open it in notepad, and add " "\"disableColorizeMaskFeature=false\" to the top. Then restart Krita. Its " "official incarnation is in 4.0." msgstr "" #: ../../reference_manual/tools/colorize_mask.rst:26 msgid "Usage" msgstr "Použitie" #: ../../reference_manual/tools/colorize_mask.rst:28 msgid "" "This tool works in conjunction with the colorize mask, and the usage is as " "follows:" msgstr "" #: ../../reference_manual/tools/colorize_mask.rst:30 msgid "" "For this example, we'll be using the ghost lady also used to explain masks " "on :ref:`the basic concepts page `." msgstr "" #: ../../reference_manual/tools/colorize_mask.rst:36 msgid "" "This image has the line art for the lady separated from the background, and " "what's more, the background is made up of two layers: one main and one for " "the details." msgstr "" #: ../../reference_manual/tools/colorize_mask.rst:38 msgid "" "First, select the colorize mask editing tool while having the line art layer " "selected. |mouseleft| the canvas will add a colorize mask to the layer. You " "can also |mouseright| the line art layer, and then :menuselection:`Add --> " "Colorize Mask`. The line art will suddenly become really weird, this is the " "prefiltering which are filters through which we put the line art to make the " "algorithm easier to use. The tool options overview below shows which options " "control that." msgstr "" #: ../../reference_manual/tools/colorize_mask.rst:45 msgid "" "Now, you make strokes with brush colors, press :guilabel:`Update` in the " "tool options, or tick the last icon of the colorize mask properties. In the " "layer docker, you will be able to see a little progress bar appear on the " "colorize mask indicating how long it takes. The bigger your file, the longer " "it will take." msgstr "" #: ../../reference_manual/tools/colorize_mask.rst:51 msgid "" "We want to have the blue transparent. In the tool options of the colorize " "editing tool you will see a small palette. These are the colors already " "used. You can remove colors here, or mark a single color as standing for " "transparent, by selecting it and pressing \"transparent\". Updating the mask " "will still show the blue stroke, but the result will be transparent:" msgstr "" #: ../../reference_manual/tools/colorize_mask.rst:57 msgid "" "Because the colorize mask algorithm is slow, and we only need a part of our " "layer to be filled to fill the whole ghost lady figure, we can make use of :" "guilabel:`Limit to layer bounds`. This will limit Colorize Mask to use the " "combined size of the line art and the coloring key strokes. Therefore, make " "sure that the colorizing keystrokes only take up as much as they really need." msgstr "" #: ../../reference_manual/tools/colorize_mask.rst:63 msgid "" "Now the algorithm will be possibly a lot faster, allowing us to add strokes " "and press :guilabel:`Update` in rapid succession:" msgstr "" #: ../../reference_manual/tools/colorize_mask.rst:69 msgid "" "To see the final result, disable :guilabel:`Edit Key Strokes` or toggle the " "second to last icon on the colorize mask." msgstr "" #: ../../reference_manual/tools/colorize_mask.rst:75 msgid "" "If you want to edit the strokes again, re-enable :guilabel:`Edit Key " "Strokes`." msgstr "" #: ../../reference_manual/tools/colorize_mask.rst:77 msgid "" "Now, the colorize mask, being a mask, can also be added to a group of line " "art layers. It will then use the composition of the whole group as the line " "art. This is perfect for our background which has two separate line art " "layers. It also means that the colorize mask will be disabled when added to " "a group with pass-through enabled, because those have no final composition. " "You can recognize a disabled colorize mask because its name is stricken " "through." msgstr "" #: ../../reference_manual/tools/colorize_mask.rst:79 msgid "" "To add a colorize mask to a group, select the group and |mouseleft| the " "canvas with the Colorize Mask editing tool, or |mouseright| the layer to :" "menuselection:`Add --> Colorize Mask`." msgstr "" #: ../../reference_manual/tools/colorize_mask.rst:85 msgid "" "Now, we add strokes to the background quickly. We do not need to use the :" "menuselection:`Limit to Layer Bounds` because the background covers the " "whole image." msgstr "" #: ../../reference_manual/tools/colorize_mask.rst:91 msgid "" "For the record, you can use other brushes and tools also work on the " "colorize mask as long as they can draw. The Colorize Mask Editing tool is " "just the most convenient because you can get to the algorithm options." msgstr "" #: ../../reference_manual/tools/colorize_mask.rst:93 msgid "Out final result looks like this:" msgstr "" #: ../../reference_manual/tools/colorize_mask.rst:99 msgid "" "Now we are done, |mouseright| the colorize mask and :menuselection:`Convert " "--> to Paint Layer`. Then, :menuselection:`Layer --> Split --> Split Layer`. " "This will give separate color islands that you can easily edit:" msgstr "" #: ../../reference_manual/tools/colorize_mask.rst:105 msgid "" "This way we can very quickly paint the image. Due to the colorize mask going " "from the first image to the following took only 30 minutes, and would've " "taken quite a bit longer." msgstr "" #: ../../reference_manual/tools/colorize_mask.rst:111 msgid "" "The colorize masks are saved to the .kra file, so as long as you don't save " "and open to a different file format, nor convert the colorize mask to a " "paintlayer, you can keep working adjust the results." msgstr "" #: ../../reference_manual/tools/colorize_mask.rst:114 msgid "Tool Options" msgstr "Tool Options" #: ../../reference_manual/tools/colorize_mask.rst:116 #: ../../reference_manual/tools/colorize_mask.rst:172 msgid "Update" msgstr "Aktualizovať" #: ../../reference_manual/tools/colorize_mask.rst:117 msgid "" "Run the colorize mask algorithm. The progress bar for updates on a colorize " "mask shows only in the layer docker." msgstr "" #: ../../reference_manual/tools/colorize_mask.rst:118 #: ../../reference_manual/tools/colorize_mask.rst:169 msgid "Edit key strokes" msgstr "Upraviť kľúčové ťahy" #: ../../reference_manual/tools/colorize_mask.rst:119 msgid "" "Put the mask into edit mode. In edit mode, it will also show the " "'prefiltering' on the line art, which is for example a blur filter for gap " "closing." msgstr "" #: ../../reference_manual/tools/colorize_mask.rst:121 msgid "" "Show the output of the colorize mask. If :guilabel:`Edit key strokes` is " "active, this will be shown semi-transparently, so it will be easy to " "recognize the difference between the strokes and the output." msgstr "" #: ../../reference_manual/tools/colorize_mask.rst:127 #: ../../reference_manual/tools/colorize_mask.rst:165 msgid "Show output" msgstr "Zobraziť výstup" #: ../../reference_manual/tools/colorize_mask.rst:127 msgid "" "On the **Left**: :guilabel:`Show Output` is on, :guilabel:`Edit Key Strokes` " "is off. In the **Middle**: :guilabel:`Show Output` and :guilabel:`Edit Key " "Strokes` are on. On the **Right**: :guilabel:`Show Output` is off and :" "guilabel:`Edit Key Strokes` is on." msgstr "" #: ../../reference_manual/tools/colorize_mask.rst:129 msgid "Limit to layer bounds" msgstr "" #: ../../reference_manual/tools/colorize_mask.rst:130 msgid "" "Limit the colorize mask to the combined layer bounds of the strokes and the " "line art it is filling. This can speed up the use of the mask on complicated " "compositions, such as comic pages." msgstr "" #: ../../reference_manual/tools/colorize_mask.rst:132 msgid "" "Activate this for line art with large solid areas, for example shadows on an " "object. For the best use, set the value to the thinnest lines on the image. " "In the image below, note how edge detection affects the big black areas:" msgstr "" #: ../../reference_manual/tools/colorize_mask.rst:138 msgid "Edge detection" msgstr "Detekcia hrán" #: ../../reference_manual/tools/colorize_mask.rst:138 msgid "" "From left to right: an example with big black shadows on an object but no " "edge detection, the same example without the edit key strokes enabled. Then " "the same example with edge detection enabled and set to 2px, and that same " "example without edit key strokes enabled." msgstr "" #: ../../reference_manual/tools/colorize_mask.rst:141 msgid "" "While the algorithm is pretty good against gaps in contours, this will " "improve the gap recognition. The higher this value is, the bigger the gaps " "it will try to close, but a too high value can lead to other errors. Note " "how the prefiltered line art (that's the blurry haze) affects the color " "patches." msgstr "" #: ../../reference_manual/tools/colorize_mask.rst:146 msgid "Gap close hint" msgstr "" #: ../../reference_manual/tools/colorize_mask.rst:147 msgid "" "On the **Left**: :guilabel:`Gap close hint` is 0px. In the **Middle**: :" "guilabel:`Gap close hint` is 15px (the lines are 10px). On the **Right**: :" "guilabel:`Gap close hint` is 275px." msgstr "" #: ../../reference_manual/tools/colorize_mask.rst:149 msgid "" "This will attempt to handle messy strokes that overlap the line art where " "they shouldn't. At 0 no clean up is done, at 100% the clean-up is most " "aggressive." msgstr "" #: ../../reference_manual/tools/colorize_mask.rst:153 msgid "Clean up" msgstr "" #: ../../reference_manual/tools/colorize_mask.rst:155 msgid "Key strokes" msgstr "Kľúčové ťahy" #: ../../reference_manual/tools/colorize_mask.rst:156 msgid "" "This palette keeps track of the colors used by the strokes. This is useful " "so you can switch back to colors easily. You can increase the swatch size by " "hovering over it with the mouse, and doing :kbd:`Ctrl +` |mousescroll|." msgstr "" #: ../../reference_manual/tools/colorize_mask.rst:158 msgid "Transparent" msgstr "Priesvitné" #: ../../reference_manual/tools/colorize_mask.rst:158 msgid "" "This button is under the keystrokes palette, you can mark the selected color " "to be interpreted a 'transparent' with this. In the clean-up screenshot " "above, cyan had been marked as transparent." msgstr "" #: ../../reference_manual/tools/colorize_mask.rst:161 msgid "Layer properties" msgstr "Vlastnosti vrstvy" #: ../../reference_manual/tools/colorize_mask.rst:163 msgid "" "The colorize mask layer has four properties. They are all the buttons on the " "right side of the layer:" msgstr "" #: ../../reference_manual/tools/colorize_mask.rst:166 msgid "" "The first button, it allows you to toggle whether you'll see the output from " "the colorize algorithm." msgstr "" #: ../../reference_manual/tools/colorize_mask.rst:167 msgid "Lock" msgstr "Zamknúť" #: ../../reference_manual/tools/colorize_mask.rst:168 msgid "Stops the mask from being edited." msgstr "" #: ../../reference_manual/tools/colorize_mask.rst:170 msgid "" "Whether the colorize mask is in edit mode. In edit mode it'll show the " "strokes, and the output will be semi-transparent." msgstr "" #: ../../reference_manual/tools/colorize_mask.rst:172 msgid "" "The last button will force the colorize mask to update, even when you're in " "a different tool." msgstr "" #: ../../reference_manual/tools/colorize_mask.rst:174 msgid "Colorize masks cannot be animated." msgstr "" diff --git a/locale/sk/LC_MESSAGES/tutorials/flat-coloring.po b/locale/sk/LC_MESSAGES/tutorials/flat-coloring.po index fea2838a5..5a30d6135 100644 --- a/locale/sk/LC_MESSAGES/tutorials/flat-coloring.po +++ b/locale/sk/LC_MESSAGES/tutorials/flat-coloring.po @@ -1,772 +1,772 @@ # translation of docs_krita_org_tutorials___flat-coloring.po to Slovak # Roman Paholik , 2019. msgid "" msgstr "" "Project-Id-Version: docs_krita_org_tutorials___flat-coloring\n" "Report-Msgid-Bugs-To: \n" -"POT-Creation-Date: 2019-04-13 03:33+0200\n" +"POT-Creation-Date: 2019-04-14 03:33+0200\n" "PO-Revision-Date: 2019-03-22 09:23+0100\n" "Last-Translator: Roman Paholik \n" "Language-Team: Slovak \n" "Language: sk\n" "MIME-Version: 1.0\n" "Content-Type: text/plain; charset=UTF-8\n" "Content-Transfer-Encoding: 8bit\n" "X-Generator: Lokalize 2.0\n" "Plural-Forms: nplurals=3; plural=(n==1) ? 0 : (n>=2 && n<=4) ? 1 : 2;\n" #: ../../:2 msgid "" ".. image:: images/icons/Krita_mouse_left.png\n" " :alt: mouseleft" msgstr "" ".. image:: images/icons/Krita_mouse_left.png\n" " :alt: mouseleft" #: ../../:4 msgid "" ".. image:: images/icons/Krita_mouse_right.png\n" " :alt: mouseright" msgstr "" ".. image:: images/icons/Krita_mouse_right.png\n" " :alt: mouseright" +#: ../../tutorials/flat-coloring.rst:0 +msgid "" +".. image:: images/en/flat-coloring/Krita_filling_lineart_selection_1.png" +msgstr "" + +#: ../../tutorials/flat-coloring.rst:0 +msgid "" +".. image:: images/en/flat-coloring/Krita_filling_lineart_selection_2.png" +msgstr "" + +#: ../../tutorials/flat-coloring.rst:0 +msgid ".. image:: images/en/flat-coloring/Krita_filling_lineart_mask_1.png" +msgstr "" + +#: ../../tutorials/flat-coloring.rst:0 +msgid ".. image:: images/en/flat-coloring/Krita_filling_lineart_mask_2.png" +msgstr "" + +#: ../../tutorials/flat-coloring.rst:0 +msgid ".. image:: images/en/flat-coloring/Krita_filling_lineart_mask_3.png" +msgstr "" + #: ../../tutorials/flat-coloring.rst:None msgid "" ".. image:: images/en/flat-coloring/Krita_filling_lineart14.png\n" " :alt: layer structure for flatting in krita" msgstr "" #: ../../tutorials/flat-coloring.rst:None msgid "" ".. image:: images/en/flat-coloring/Krita_filling_lineart1.png\n" " :alt: blend mode setup of line art flat coloring" msgstr "" #: ../../tutorials/flat-coloring.rst:None msgid "" ".. image:: images/en/flat-coloring/Krita_filling_lineart2.png\n" " :alt: effects of multiply blend mode" msgstr "" #: ../../tutorials/flat-coloring.rst:None msgid "" ".. image:: images/icons/fill_tool.svg\n" " :alt: fill-tool icon" msgstr "" #: ../../tutorials/flat-coloring.rst:None msgid "" ".. image:: images/en/flat-coloring/Krita_filling_lineart7.png\n" " :alt: colors filled with fill tool" msgstr "" #: ../../tutorials/flat-coloring.rst:None msgid "" ".. image:: images/en/flat-coloring/Krita_filling_lineart15.png\n" " :alt: selecting with selection tools for filling color" msgstr "" #: ../../tutorials/flat-coloring.rst:None msgid "" ".. image:: images/en/flat-coloring/Krita_filling_lineart16.png\n" " :alt: selection mask in Krita" msgstr "" #: ../../tutorials/flat-coloring.rst:None msgid "" ".. image:: images/en/flat-coloring/Krita_filling_lineart17.png\n" " :alt: filling color in selection" msgstr "" #: ../../tutorials/flat-coloring.rst:None msgid "" ".. image:: images/en/flat-coloring/Krita_filling_lineart18.png\n" " :alt: result of coloring made with the help of selection tools" msgstr "" #: ../../tutorials/flat-coloring.rst:None msgid "" ".. image:: images/en/flat-coloring/Krita_filling_lineart8.png\n" " :alt: filling color in line art using path tool" msgstr "" #: ../../tutorials/flat-coloring.rst:None msgid "" ".. image:: images/en/flat-coloring/Krita_filling_lineart9.png\n" " :alt: erasing with path tool" msgstr "" #: ../../tutorials/flat-coloring.rst:None #, fuzzy #| msgid "" #| ".. image:: images/en/flat-coloring/Krita_filling_lineart_color_to_alpha." #| "png" msgid "" ".. image:: images/en/flat-coloring/Krita_filling_lineart10.png\n" " :alt: coloring with colorize mask" msgstr "" ".. image:: images/en/flat-coloring/Krita_filling_lineart_color_to_alpha.png" #: ../../tutorials/flat-coloring.rst:None #, fuzzy #| msgid "" #| ".. image:: images/en/flat-coloring/Krita_filling_lineart_color_to_alpha." #| "png" msgid "" ".. image:: images/en/flat-coloring/Krita_filling_lineart11.png\n" " :alt: result from the colorize mask" msgstr "" ".. image:: images/en/flat-coloring/Krita_filling_lineart_color_to_alpha.png" #: ../../tutorials/flat-coloring.rst:None msgid "" ".. image:: images/en/flat-coloring/Krita_filling_lineart12.png\n" " :alt: slitting colors into islands" msgstr "" #: ../../tutorials/flat-coloring.rst:None msgid "" ".. image:: images/en/flat-coloring/Krita_filling_lineart13.png\n" " :alt: resulting color islands from split layers" msgstr "" -#: ../../tutorials/flat-coloring.rst:0 -msgid "" -".. image:: images/en/flat-coloring/Krita_filling_lineart_selection_1.png" -msgstr "" - -#: ../../tutorials/flat-coloring.rst:0 -msgid "" -".. image:: images/en/flat-coloring/Krita_filling_lineart_selection_2.png" -msgstr "" - -#: ../../tutorials/flat-coloring.rst:0 -msgid ".. image:: images/en/flat-coloring/Krita_filling_lineart_mask_1.png" -msgstr "" - -#: ../../tutorials/flat-coloring.rst:0 -msgid ".. image:: images/en/flat-coloring/Krita_filling_lineart_mask_2.png" -msgstr "" - -#: ../../tutorials/flat-coloring.rst:0 -msgid ".. image:: images/en/flat-coloring/Krita_filling_lineart_mask_3.png" -msgstr "" - #: ../../tutorials/flat-coloring.rst:1 msgid "Common workflows used in Krita" msgstr "" #: ../../tutorials/flat-coloring.rst:13 msgid "Flat Coloring" msgstr "" #: ../../tutorials/flat-coloring.rst:15 msgid "" "So you've got a cool black on white drawing, and now you want to color it! " "The thing we’ll aim for in this tutorial is to get your line art colored in " "with flat colors. So no shading just yet. We’ll be going through some " "techniques for preparing the line art, and we’ll be using the layer docker " "to put each color on a separate layer, so we can easily access each color " "when we add shading." msgstr "" #: ../../tutorials/flat-coloring.rst:17 msgid "" "This tutorial is adapted from this `tutorial `_ by " "the original author." msgstr "" #: ../../tutorials/flat-coloring.rst:20 msgid "Understanding Layers" msgstr "" #: ../../tutorials/flat-coloring.rst:22 msgid "" "To fill line art comfortably, it's best to take advantage of the layerstack. " "The layer stack is pretty awesome, and it's one of those features that make " "digital art super-convenient." msgstr "" #: ../../tutorials/flat-coloring.rst:24 msgid "" "In traditional art, it is not uncommon to first draw the full background " "before drawing the subject. Or to first draw a line art and then color it " "in. Computers have a similar way of working." msgstr "" #: ../../tutorials/flat-coloring.rst:26 msgid "" "In programming, if you tell a computer to draw a red circle, and then " "afterwards tell it to draw a smaller yellow circle, you will see the small " "yellow circle overlap the red circle. Switch the commands around, and you " "will not see the yellow circle at all: it was drawn before the red circle " "and thus ‘behind’ it." msgstr "" #: ../../tutorials/flat-coloring.rst:28 msgid "" "This is referred to as the “drawing order”. So like the traditional artist, " "the computer will first draw the images that are behind everything, and " "layer the subject and foreground on top of it. The layer docker is a way for " "you to control the drawing order of multiple images, so for example, you can " "have your line art drawn later than your colors, meaning that the lines will " "be drawn over the colors, making it easier to make it neat!" msgstr "" #: ../../tutorials/flat-coloring.rst:30 msgid "" "Other things that a layer stack can do are blending the colors of different " "layers differently with blending modes, using a filter in the layer stack, " "or using a mask that allows you to make parts transparent." msgstr "" #: ../../tutorials/flat-coloring.rst:32 msgid "" "Programmers talk about transparency as ''Alpha'', which is because the 'a' " "symbol is used to present transparency in the algorithms for painting one " "color on top of another. Usually when you see the word ''Alpha'' in a " "graphics program, just think of it as affecting the transparency." msgstr "" #: ../../tutorials/flat-coloring.rst:35 msgid "Preparing your line art" msgstr "" #: ../../tutorials/flat-coloring.rst:37 msgid "" "Put the new layer underneath the layer containing the line art (drag and " "drop or use the up/down arrows for that), and draw on it." msgstr "" #: ../../tutorials/flat-coloring.rst:42 msgid "" "…And notice nothing happening. This is because the white isn’t transparent. " "You wouldn’t really want it to either, how else would you make convincing " "highlights? So what we first need to do to color in our drawing is prepare " "our line art. There’s several methods of doing so, each with varying " "qualities." msgstr "" #: ../../tutorials/flat-coloring.rst:45 msgid "The Multiply Blending Mode" msgstr "" #: ../../tutorials/flat-coloring.rst:47 msgid "" "So, typically, to get a black and white line art usable for coloring, you " "can set the blending mode of the line art layer to Multiply. You do this by " "selecting the layer and going to the drop-down that says **Normal** and " "setting that to **Multiply**." msgstr "" #: ../../tutorials/flat-coloring.rst:52 msgid "And then you should be able to see your colors!" msgstr "" #: ../../tutorials/flat-coloring.rst:54 msgid "" "Multiply is not a perfect solution however. For example, if through some " "image editing magic I make the line art blue, it results into this:" msgstr "" #: ../../tutorials/flat-coloring.rst:59 msgid "" "This is because multiply literally multiplies the colors. So it uses maths!" msgstr "" #: ../../tutorials/flat-coloring.rst:61 msgid "" "What it first does is take the values of the RGB channels, then divides them " "by the max (because we're in 8bit, this is 255), a process we call " "normalising. Then it multiplies the normalised values. Finally, it takes the " "result and multiplies it with 255 again to get the result values." msgstr "" #: ../../tutorials/flat-coloring.rst:67 msgid "Pink" msgstr "Ružová" #: ../../tutorials/flat-coloring.rst:68 msgid "Pink (normalised)" msgstr "" #: ../../tutorials/flat-coloring.rst:69 ../../tutorials/flat-coloring.rst:87 msgid "Blue" msgstr "Modrá" #: ../../tutorials/flat-coloring.rst:70 msgid "Blue (normalised)" msgstr "" #: ../../tutorials/flat-coloring.rst:71 msgid "Normalised, multiplied" msgstr "" #: ../../tutorials/flat-coloring.rst:72 msgid "Result" msgstr "Výsledok" #: ../../tutorials/flat-coloring.rst:73 msgid "Red" msgstr "Červená" #: ../../tutorials/flat-coloring.rst:74 msgid "222" msgstr "222" #: ../../tutorials/flat-coloring.rst:75 msgid "0.8705" msgstr "0.8705" #: ../../tutorials/flat-coloring.rst:76 msgid "92" msgstr "92" #: ../../tutorials/flat-coloring.rst:77 msgid "0.3607" msgstr "0.3607" #: ../../tutorials/flat-coloring.rst:78 msgid "0.3139" msgstr "0.3139" #: ../../tutorials/flat-coloring.rst:79 msgid "80" msgstr "80" #: ../../tutorials/flat-coloring.rst:80 msgid "Green" msgstr "Zelená" #: ../../tutorials/flat-coloring.rst:81 msgid "144" msgstr "144" #: ../../tutorials/flat-coloring.rst:82 msgid "0.5647" msgstr "0.5647" #: ../../tutorials/flat-coloring.rst:83 msgid "176" msgstr "176" #: ../../tutorials/flat-coloring.rst:84 msgid "0.6902" msgstr "0.6902" #: ../../tutorials/flat-coloring.rst:85 msgid "0.3897" msgstr "0.3897" #: ../../tutorials/flat-coloring.rst:86 msgid "99" msgstr "99" #: ../../tutorials/flat-coloring.rst:88 msgid "123" msgstr "123" #: ../../tutorials/flat-coloring.rst:89 msgid "0.4823" msgstr "0.4823" #: ../../tutorials/flat-coloring.rst:90 msgid "215" msgstr "215" #: ../../tutorials/flat-coloring.rst:91 msgid "0.8431" msgstr "0.8431" #: ../../tutorials/flat-coloring.rst:92 msgid "0.4066" msgstr "0.4066" #: ../../tutorials/flat-coloring.rst:93 msgid "103" msgstr "103" #: ../../tutorials/flat-coloring.rst:95 msgid "" "This isn't completely undesirable, and a lot of artists use this effect to " "add a little richness to their colors." msgstr "" #: ../../tutorials/flat-coloring.rst:98 ../../tutorials/flat-coloring.rst:127 #: ../../tutorials/flat-coloring.rst:154 ../../tutorials/flat-coloring.rst:173 #: ../../tutorials/flat-coloring.rst:210 ../../tutorials/flat-coloring.rst:247 #: ../../tutorials/flat-coloring.rst:275 ../../tutorials/flat-coloring.rst:317 msgid "Advantages" msgstr "" #: ../../tutorials/flat-coloring.rst:100 msgid "" "Easy, can work to your benefit even with colored lines by softening the look " "of the lines while keeping nice contrast." msgstr "" #: ../../tutorials/flat-coloring.rst:103 ../../tutorials/flat-coloring.rst:132 #: ../../tutorials/flat-coloring.rst:159 ../../tutorials/flat-coloring.rst:178 #: ../../tutorials/flat-coloring.rst:215 ../../tutorials/flat-coloring.rst:252 #: ../../tutorials/flat-coloring.rst:280 ../../tutorials/flat-coloring.rst:322 msgid "Disadvantages" msgstr "" #: ../../tutorials/flat-coloring.rst:105 msgid "Not actually transparent. Is a little funny with colored lines." msgstr "" #: ../../tutorials/flat-coloring.rst:108 msgid "Using Selections" msgstr "" #: ../../tutorials/flat-coloring.rst:110 msgid "" "The second method is one where we'll make it actually transparent. In other " "programs this would be done via the channel docker, but Krita doesn't do " "custom channels, instead it uses Selection Masks to store custom selections." msgstr "" #: ../../tutorials/flat-coloring.rst:112 msgid "Duplicate your line art layer." msgstr "" #: ../../tutorials/flat-coloring.rst:114 msgid "" "Convert the duplicate to a selection mask. |mouseright| the layer, then :" "menuselection:`Convert --> to Selection Mask`." msgstr "" #: ../../tutorials/flat-coloring.rst:118 msgid "" "Invert the selection mask. :menuselection:`Select --> Invert Selection`." msgstr "" #: ../../tutorials/flat-coloring.rst:120 msgid "" "Make a new layer, and do :menuselection:`Edit --> Fill with Foreground " "Color`." msgstr "" #: ../../tutorials/flat-coloring.rst:124 msgid "And you should now have the line art on a separate layer." msgstr "" #: ../../tutorials/flat-coloring.rst:129 msgid "Actual transparency." msgstr "" #: ../../tutorials/flat-coloring.rst:134 msgid "Doesn't work when the line art is colored." msgstr "" #: ../../tutorials/flat-coloring.rst:137 msgid "Using Masks" msgstr "" #: ../../tutorials/flat-coloring.rst:139 msgid "This is a simpler variation of the above." msgstr "" #: ../../tutorials/flat-coloring.rst:141 msgid "Make a filled layer underneath the line art layer." msgstr "" #: ../../tutorials/flat-coloring.rst:145 msgid "" "Convert the line art layer to a transparency mask |mouseright| the layer, " "then :menuselection:`Convert --> to Transparency Mask`." msgstr "" #: ../../tutorials/flat-coloring.rst:149 msgid "" "Invert the transparency mask by going to :menuselection:`Filter --> Adjust --" "> Invert`" msgstr "" #: ../../tutorials/flat-coloring.rst:156 msgid "" "Actual transparency. You can also very easily doodle a pattern on the filled " "layer where the mask is on without affecting the transparency." msgstr "" #: ../../tutorials/flat-coloring.rst:161 msgid "" "Doesn't work when the line art is colored already. We can still get faster." msgstr "" #: ../../tutorials/flat-coloring.rst:164 msgid "Using Color to Alpha" msgstr "" #: ../../tutorials/flat-coloring.rst:166 msgid "By far the fastest way to get transparent line art." msgstr "" #: ../../tutorials/flat-coloring.rst:168 msgid "" "Select the line art layer and apply the color to alpha filter. :" "menuselection:`Filter --> Colors --> Color to Alpha`. The default values " "should be sufficient for line art." msgstr "" #: ../../tutorials/flat-coloring.rst:171 msgid "" ".. image:: images/en/flat-coloring/Krita_filling_lineart_color_to_alpha.png" msgstr "" ".. image:: images/en/flat-coloring/Krita_filling_lineart_color_to_alpha.png" #: ../../tutorials/flat-coloring.rst:175 msgid "" "Actual transparency. Works with colored line art as well, because it removes " "the white specifically." msgstr "" #: ../../tutorials/flat-coloring.rst:180 msgid "" "You'll have to lock the layer transparency or separate out the alpha via the " "right-click menu if you want to easily color it." msgstr "" #: ../../tutorials/flat-coloring.rst:184 msgid "Coloring the image" msgstr "" #: ../../tutorials/flat-coloring.rst:186 msgid "" "Much like preparing the line art, there are many different ways of coloring " "a layer." msgstr "" #: ../../tutorials/flat-coloring.rst:188 msgid "" "You could for example fill in everything by hand, but while that is very " "precise it also takes a lot of work. Let's take a look at the other options, " "shall we?" msgstr "" #: ../../tutorials/flat-coloring.rst:191 msgid "Fill Tool" msgstr "Nástroj výplne" #: ../../tutorials/flat-coloring.rst:196 msgid "" "In most cases the fill-tool can’t deal with the anti-aliasing (the soft edge " "in your line art to make it more smooth when zoomed out) In Krita you have " "the grow-shrink option. Setting that to say… 2 expands the color two pixels." msgstr "" #: ../../tutorials/flat-coloring.rst:198 msgid "" "Threshold decides when the fill-tool should consider a different color pixel " "to be a border. And the feathering adds an extra soft border to the fill." msgstr "" #: ../../tutorials/flat-coloring.rst:200 msgid "" "Now, if you click on a gapless-part of the image with your preferred color… " "(Remember to set the opacity to 1.0!)" msgstr "" #: ../../tutorials/flat-coloring.rst:202 msgid "" "Depending on your line art, you can do flats pretty quickly. But setting the " "threshold low can result in little artifacts around where lines meet:" msgstr "" #: ../../tutorials/flat-coloring.rst:207 msgid "" "However, setting the threshold high can end with the fill not recognizing " "some of the lighter lines. Besides these little artifacts can be removed " "with the brush easily." msgstr "" #: ../../tutorials/flat-coloring.rst:212 msgid "Pretty darn quick depending on the available settings." msgstr "" #: ../../tutorials/flat-coloring.rst:217 msgid "" "Again, not great with gaps or details. And it works best with aliased line " "art." msgstr "" #: ../../tutorials/flat-coloring.rst:220 msgid "Selections" msgstr "Výbery" #: ../../tutorials/flat-coloring.rst:222 msgid "Selections work using the selection tools." msgstr "" #: ../../tutorials/flat-coloring.rst:227 msgid "" "For example with the :ref:`bezier_curve_selection_tool` you can easily " "select a curved area, and the with :kbd:`Shift` + |mouseleft| (not |" "mouseleft| + :kbd:`Shift`, there's a difference!) you can easily add to an " "existing selection." msgstr "" #: ../../tutorials/flat-coloring.rst:232 msgid "" "You can also edit the selection if you have :menuselection:`Select --> Show " "Global Selection Mask` turned on. Then you can select the global selection " "mask, and paint on it. (Above with the alternative selection mode, activated " "in the lower-left corner of the stats bar)" msgstr "" #: ../../tutorials/flat-coloring.rst:234 msgid "" "When done, select the color you want to fill it with and press :kbd:`Shift` " "+ `backspace`." msgstr "" #: ../../tutorials/flat-coloring.rst:239 msgid "" "You can save selections in selection masks by |mouseright| a layer, and then " "going to :menuselection:`Add --> Local Selection`. You first need to " "deactivate a selection by pressing the circle before adding a new selection." msgstr "" #: ../../tutorials/flat-coloring.rst:241 msgid "" "This can serve as an alternative way to split out different parts of the " "image, which is good for more painterly pieces:" msgstr "" #: ../../tutorials/flat-coloring.rst:249 msgid "A bit more precise than filling." msgstr "" #: ../../tutorials/flat-coloring.rst:254 msgid "Previewing your color isn't as easy." msgstr "" #: ../../tutorials/flat-coloring.rst:257 msgid "Geometric tools" msgstr "" #: ../../tutorials/flat-coloring.rst:259 msgid "" "So you have a tool for making rectangles or circles. And in the case of " "Krita, a tool for bezier curves. Select the path tool (|path tool|), and set " "the tool options to fill=foreground and outline=none. Make sure that your " "opacity is set to 1.00 (fully opaque)." msgstr "" #: ../../tutorials/flat-coloring.rst:262 msgid "" ".. image:: images/icons/bezier_curve.svg\n" " :alt: path tool" msgstr "" #: ../../tutorials/flat-coloring.rst:264 msgid "" "By clicking and holding, you can influence how curvy a line draw with the " "path tool is going to be. Letting go of the mouse button confirms the " "action, and then you’re free to draw the next point." msgstr "" #: ../../tutorials/flat-coloring.rst:269 msgid "" "You can also erase with a geometric tool. Just press :kbd:`E` or the eraser " "button." msgstr "" #: ../../tutorials/flat-coloring.rst:277 msgid "" "Quicker than using the brush or selections. Also decent with line art that " "contains gaps." msgstr "" #: ../../tutorials/flat-coloring.rst:282 msgid "" "Fiddly details aren’t easy to fill in with this. So I recommend skipping " "those and filling them in later with a brush." msgstr "" #: ../../tutorials/flat-coloring.rst:285 msgid "Colorize Mask" msgstr "Maska zafarbenia" #: ../../tutorials/flat-coloring.rst:287 msgid "" "So, this is a bit of an odd one. In the original tutorial, you'll see I'm " "suggesting using G'Mic, but that was a few years ago, and g'mic is a little " "unstable on windows. Therefore, the Krita developers have been attempting to " "make an internal tool doing the same." msgstr "" #: ../../tutorials/flat-coloring.rst:289 msgid "" "It is disabled in 3.1, but if you use 4.0 or later, it is in the toolbox. " "Check the Colorize Mask for more information." msgstr "" #: ../../tutorials/flat-coloring.rst:291 msgid "So it works like this:" msgstr "" #: ../../tutorials/flat-coloring.rst:293 msgid "Select the colorize mask tool." msgstr "" #: ../../tutorials/flat-coloring.rst:294 msgid "Tick the layer you're using." msgstr "" #: ../../tutorials/flat-coloring.rst:295 msgid "Paint the colors you want to use on the colorize mask" msgstr "" #: ../../tutorials/flat-coloring.rst:296 msgid "Click update to see the results:" msgstr "" #: ../../tutorials/flat-coloring.rst:301 msgid "" "When you are satisfied, |mouseright| the colorize mask, and go to :" "menuselection:`Convert --> Paint Layer`. This will turn the colorize mask to " "a generic paint layer. Then, you can fix the last issues by making the line " "art semi-transparent and painting the flaws away with a pixel art brush." msgstr "" #: ../../tutorials/flat-coloring.rst:306 msgid "" "Then, when you are done, split the layers via :menuselection:`Layer --> " "Split --> Split Layer`. There are a few options you can choose, but the " "following should be fine:" msgstr "" #: ../../tutorials/flat-coloring.rst:311 msgid "" "Finally, press **Ok** and you should get the following. Each color patch it " "on a different layer, named by the palette in the menu and alpha locked, so " "you can start painting right away!" msgstr "" #: ../../tutorials/flat-coloring.rst:319 msgid "" "Works with anti-aliased line art. Really quick to get the base work done. " "Can auto-close gaps." msgstr "" #: ../../tutorials/flat-coloring.rst:324 msgid "" "No anti-aliasing of its own. You have to choose between getting details " "right or the gaps auto-closed." msgstr "" #: ../../tutorials/flat-coloring.rst:327 msgid "Conclusion" msgstr "Záver" #: ../../tutorials/flat-coloring.rst:329 msgid "" "I hope this has given you a good idea of how to fill in flats using the " "various techniques, as well as getting a hand of different Krita features. " "Remember that a good flat filled line art is better than a badly shaded one, " "so keep practicing to get the best out of these techniques!" msgstr "" diff --git a/locale/sk/LC_MESSAGES/user_manual/loading_saving_brushes.po b/locale/sk/LC_MESSAGES/user_manual/loading_saving_brushes.po index 794bacc0e..cb60cf28c 100644 --- a/locale/sk/LC_MESSAGES/user_manual/loading_saving_brushes.po +++ b/locale/sk/LC_MESSAGES/user_manual/loading_saving_brushes.po @@ -1,943 +1,943 @@ # translation of docs_krita_org_user_manual___loading_saving_brushes.po to Slovak # Roman Paholik , 2019. msgid "" msgstr "" "Project-Id-Version: docs_krita_org_user_manual___loading_saving_brushes\n" "Report-Msgid-Bugs-To: \n" -"POT-Creation-Date: 2019-04-13 03:33+0200\n" +"POT-Creation-Date: 2019-04-14 03:33+0200\n" "PO-Revision-Date: 2019-03-22 08:45+0100\n" "Last-Translator: Roman Paholik \n" "Language-Team: Slovak \n" "Language: sk\n" "MIME-Version: 1.0\n" "Content-Type: text/plain; charset=UTF-8\n" "Content-Transfer-Encoding: 8bit\n" "X-Generator: Lokalize 2.0\n" "Plural-Forms: nplurals=3; plural=(n==1) ? 0 : (n>=2 && n<=4) ? 1 : 2;\n" -#: ../../user_manual/loading_saving_brushes.rst:None -msgid ".. image:: images/en/Krita_4_0_Brush_Settings_Layout.svg" -msgstr ".. image:: images/en/Krita_4_0_Brush_Settings_Layout.svg" - #: ../../user_manual/loading_saving_brushes.rst:0 msgid ".. image:: images/en/Krita_4_0_dirty_preset_icon.png" msgstr ".. image:: images/en/Krita_4_0_dirty_preset_icon.png" +#: ../../user_manual/loading_saving_brushes.rst:None +msgid ".. image:: images/en/Krita_4_0_Brush_Settings_Layout.svg" +msgstr ".. image:: images/en/Krita_4_0_Brush_Settings_Layout.svg" + #: ../../user_manual/loading_saving_brushes.rst:1 msgid "" "Detailed guide on the brush settings dialog in Krita as well as how to make " "your own brushes and how to share them." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:17 msgid "Loading and Saving Brushes" msgstr "" #: ../../user_manual/loading_saving_brushes.rst:19 msgid "" "In the real world, when painting or drawing, you don't just use one tool. " "You use pencils, erasers, paintbrushes, different types of paint, inks, " "crayons, etc. All these have different ways of making marks." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:23 msgid "" "In a digital program like Krita you have something similar. We call this a " "brush engine. And much like how cars have different engines that give " "different feels when driving, or how pencils make distinctly different marks " "than rollerball pens, different brush engines have totally different feels." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:29 msgid "" "The brush engines have a lot of different settings as well. So, you can save " "those settings into presets." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:32 msgid "" "Unlike Photoshop, Krita makes a difference between brush-tips and brush-" "presets. Tips are only a stamp of sorts, while the preset uses a tip and " "many other settings to create the full brush." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:37 msgid "The Brush settings drop-down" msgstr "" #: ../../user_manual/loading_saving_brushes.rst:39 msgid "" "To start, the Brush Settings Editor panel can be accessed in the toolbar, " "between the :guilabel:`Blending Modes` button on the right and the :guilabel:" "`Patterns` button on the left. Alternately, you can use the function key :" "kbd:`F5` to open it." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:44 msgid "" "When you open Brush Settings Editor panel you will see something like this:" msgstr "" #: ../../user_manual/loading_saving_brushes.rst:48 msgid "Tour of the brush settings drop-down" msgstr "" #: ../../user_manual/loading_saving_brushes.rst:53 msgid "The brush settings drop-down is divided into six areas," msgstr "" #: ../../user_manual/loading_saving_brushes.rst:56 msgid "Section A - General Information" msgstr "" #: ../../user_manual/loading_saving_brushes.rst:58 msgid "" "This contains the **Preset Icon**, **Live Brush Preview**, the **Preset " "Name**, the **Engine** name, and several buttons for saving, renaming, and " "reloading." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:62 msgid "" "Krita's brush settings are stored into the metadata of a 200x200 png (the " "KPP file), where the image in the png file becomes the preset icon. This " "icon is used everywhere in Krita, and is useful for differentiating brushes " "in ways that the live preview cannot." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:67 msgid "" "The live preview shows a stroke of the current brush as a little s-curve " "wiggle, with the pressure being non-existent on the left, and increasing to " "full pressure as it goes to the right. It can thus show the effect of the " "Pressure, Drawing Angle, Distance, Fade and Fuzzy Dab sensors, but none of " "the others. For some brush engines it cannot show anything. For the color " "smudge, filter brush and clone tool, it shows an alternating line pattern " "because these brush engines use the pixels already on canvas to change their " "effect." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:75 msgid "" "After the preset name, there's a button for **renaming** the brush. This " "will save the brush as a new brush and blacklist the previous name." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:79 msgid "Engine" msgstr "Engine:" #: ../../user_manual/loading_saving_brushes.rst:81 msgid "" "The engine of a brush is the underlying programming that generates the " "stroke from a brush. What that means is that different brush engines have " "different options and different results. You can see this as the difference " "between using crayons, pencils and inks, but because computers are maths " "devices, most of our brush engines produce different things in a more " "mathematical way." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:88 msgid "" "For most artists the mathematical nature doesn't matter as much as the " "different textures and marks each brush engine, and each brush engine has " "its own distinct flavor and use, and can be further customized by modifying " "the options." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:94 msgid "Reloading" msgstr "Znovunahrávanie" #: ../../user_manual/loading_saving_brushes.rst:96 msgid "" "If you change a preset, an icon will appear behind the engine name. This is " "the :guilabel:`reload` button. You can use it to revert to the original " "brush settings." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:101 msgid "Saving a preset" msgstr "" #: ../../user_manual/loading_saving_brushes.rst:103 msgid "" "On the right, there's :guilabel:`Save New Brush Preset` and :guilabel:" "`Overwrite Brush`." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:106 msgid "" "This will only enable if there are any changes. Pressing this will override " "the current preset with the new settings, keeping the name and the icon " "intact. It will always make a timestamped back up in the resources folder." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:108 msgid "Overwrite Brush" msgstr "Prepísať štetec" #: ../../user_manual/loading_saving_brushes.rst:111 msgid "" "Will take the current preset and all its changes and save it as a new " "preset. If no change was made, you will be making a copy of the current " "preset." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:113 msgid "Save New Brush Preset" msgstr "Uložiť novú predvoľbu štetca" #: ../../user_manual/loading_saving_brushes.rst:115 msgid "" "Save new preset will call up the following window, with a mini scratch pad, " "and all sorts of options to change the preset icon:" msgstr "" #: ../../user_manual/loading_saving_brushes.rst:119 msgid ".. image:: images/en/Krita_4_0_Save_New_Brush_Preset_Dialog.png" msgstr ".. image:: images/en/Krita_4_0_Save_New_Brush_Preset_Dialog.png" #: ../../user_manual/loading_saving_brushes.rst:120 msgid "" "The image on the left is a mini scratchpad, you can draw on it with the " "current brush, allowing small modifications on the fly." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:124 msgid "" "The Name of your brush. This is also used for the KPP file. If there's " "already a brush with that name, it will effectively overwrite it." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:125 msgid "Brush Name" msgstr "Názov štetca:" #: ../../user_manual/loading_saving_brushes.rst:127 msgid "Load Existing Thumbnail" msgstr "" #: ../../user_manual/loading_saving_brushes.rst:128 msgid "This will load the existing thumbnail inside the preset." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:130 msgid "Load scratch pad thumbnail" msgstr "" #: ../../user_manual/loading_saving_brushes.rst:130 msgid "" "This will load the dashed area from the big scratch pad (Section C) into the " "thumbnail area." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:132 msgid "Load Image" msgstr "Načítať obrázok" #: ../../user_manual/loading_saving_brushes.rst:133 msgid "With this you can choose an image from disk to load as a thumbnail." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:134 msgid "Load from Icon Library" msgstr "" #: ../../user_manual/loading_saving_brushes.rst:135 msgid "This opens up the icon library." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:137 msgid "Clear Thumbnail" msgstr "Vyčistiť Miniatúry" #: ../../user_manual/loading_saving_brushes.rst:137 msgid "This will make the mini scratch pad white." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:140 msgid "The Icon Library" msgstr "" #: ../../user_manual/loading_saving_brushes.rst:142 msgid "To make making presets icons faster, Krita got an icon library." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:145 msgid ".. image:: images/en/Krita_4_0_Preset_Icon_Library_Dialog.png" msgstr ".. image:: images/en/Krita_4_0_Preset_Icon_Library_Dialog.png" #: ../../user_manual/loading_saving_brushes.rst:146 msgid "" "It allows you to select tool icons, and an optional small emblem. When you " "press :guilabel:`OK` it will load the resulting combination into the mini " "scratch pad and you can draw in the stroke." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:150 msgid "" "If you go to your resources folder, there's a folder there called \"preset" "\\_icons\", and in this folder there are \"tool\\_icons\" and \"emblem" "\\_icons\". You can add semi-transparent pngs here and Krita will load those " "into the icon library as well so you can customize your icons even more!" msgstr "" #: ../../user_manual/loading_saving_brushes.rst:156 msgid "" "At the top right of the icon library, there are three sliders. They allow " "you to adjust the tool icon. The top two are the same Hue and Saturation as " "in HSL adjustment, and the lowest slider is a super simple levels filter. " "This is done this way because the levels filter allows maintaining the " "darkest shadows and brightest highlights on a tool icon, making it much " "better for quick adjustments." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:163 msgid "" "If you're done with everything, you can press :guilabel:`Save` in the :" "guilabel:`Save New Preset` dialog and Krita will save the new brush." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:167 msgid "Section B - The Preset Chooser" msgstr "" #: ../../user_manual/loading_saving_brushes.rst:169 msgid "" "The preset chooser is much the same as the preset docker and the preset drop-" "down on :kbd:`F6`. It's unique in that it allows you to filter by engine and " "this is also where you can create brushes for an engine from scratch." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:174 msgid "" "It is by default collapsed, so you will need to press the arrow at the top " "left of the brush engine to show it." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:177 msgid "" "The top drop-down is set to “all” by default, which means it shows all " "engines. It then shows a tag section where you can select the tags, the " "preset list and the search bar." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:181 msgid "" "Underneath that there's a plus icon, which when pressed gives you the full " "list of Krita's engines. Selecting an engine from the list will show the " "brushes for that engine." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:185 msgid "" "The trashcan icon does the same as it does in the preset docker: delete, or " "rather, blacklist a preset so it won't show up in the list." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:189 msgid "Section C - The Scratch pad" msgstr "" #: ../../user_manual/loading_saving_brushes.rst:191 msgid "" "When you tweak your brushes, you want to be able to check what each setting " "does. That's why, to the right of the settings drop-down, there is a scratch " "pad." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:195 msgid "" "It is by default collapsed, so you will have to press the arrow at the top " "right of the brush settings to show it." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:198 msgid "" "When saving a new preset, you can choose to get the icon from the scratch " "pad, this will load the dash area into the mini scratch pad of the Save New " "Preset dialog." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:202 msgid "The scratch pad has five buttons underneath it. These are in order for:" msgstr "" #: ../../user_manual/loading_saving_brushes.rst:204 msgid "Showing the current brush image" msgstr "" #: ../../user_manual/loading_saving_brushes.rst:206 msgid "Adding a gradient to the scratch pad (useful for smudge brushes)" msgstr "" #: ../../user_manual/loading_saving_brushes.rst:207 msgid "Filling with the background color" msgstr "" #: ../../user_manual/loading_saving_brushes.rst:208 msgid "Clearing everything on the scratch pad" msgstr "" #: ../../user_manual/loading_saving_brushes.rst:211 msgid "Section D - The Options List" msgstr "" #: ../../user_manual/loading_saving_brushes.rst:213 msgid "" "The options, as stated above, are different per brush engine. These " "represent the different parameters, toggles and knobs that you can turn to " "make a brush preset unique. For a couple of options, the main things to " "change are sliders and check boxes, but for a lot of them, they use curves " "instead." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:219 msgid "" "Some options can be toggled, as noted by the little check boxes next to " "them, but others, like flow and opacity are so fundamental to how the brush " "works, that they are always on." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:223 msgid "" "The little padlock icon next to the options is for locking the brush. This " "has its own page." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:227 msgid "Section E - Option Configuration Widget" msgstr "" #: ../../user_manual/loading_saving_brushes.rst:229 msgid "" "Where section D is the list of options, section E is the widget where you " "can change things." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:233 msgid "Using sensor curves" msgstr "" #: ../../user_manual/loading_saving_brushes.rst:235 msgid "" "One of the big important things that make art unique to the artist who " "created it is the style of the strokes. Strokes are different because they " "differ in speed, rotation, direction, and the amount of pressure put onto " "the stylus. Because these are so important, we would want to customize how " "these values are understood in detail. The best way to do this is to use " "curves." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:242 msgid "" "Curves show up with the size widget for example. With an inking brush, we " "want to have size mapped to pressure. Just toggling the size option in the " "option list will do that." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:246 msgid "" "However, different people have different wrists and thus will press " "differently on their stylus. Someone who presses softly tends to find it " "easy to make thin strokes, but very difficult to make thick strokes. " "Conversely, someone who presses hard on their stylus naturally will have a " "hard time making thin strokes, but easily makes thick ones." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:252 msgid "" "Such a situation can be improved by using the curves to map pressure to " "output thinner lines or thicker ones." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:255 msgid "" "The brush settings curves even have quick curve buttons for these at the " "top. Someone who has a hard time making small strokes should try the second " "to last concave button, while someone who has a hard time making thick " "strokes should try the third button, the S shape." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:260 msgid "Underneath the curve widget there are two more options:" msgstr "" #: ../../user_manual/loading_saving_brushes.rst:263 msgid "" "This is for the list of sensors. Toggling this will make all the sensors use " "the same curve. Unchecked, all checked sensors will have separate curves." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:264 msgid "Share Curves across all settings" msgstr "" #: ../../user_manual/loading_saving_brushes.rst:267 msgid "" "This indicates how the multiple values of the sensor curves are used. The " "curves always go from 0 to 1.0, so if one curve outputs 0.5 and the other " "0.7, then..." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:271 msgid "Multiply" msgstr "Násobenie" #: ../../user_manual/loading_saving_brushes.rst:272 msgid "Will multiply the two values, 0.5\\*0.7 = 0.35." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:274 msgid "Addition" msgstr "Súčet" #: ../../user_manual/loading_saving_brushes.rst:274 msgid "" "Will add the two to a maximum of 1.0, so 0.5+0.7 = 1.2, which is then capped " "at 1.0." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:277 msgid "Maximum" msgstr "Maximum" #: ../../user_manual/loading_saving_brushes.rst:277 msgid "" "Will compare the two and pick the largest. So in the case of 0.5 and 0.7, " "the result is 0.7." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:280 msgid "Minimum" msgstr "Minimum" #: ../../user_manual/loading_saving_brushes.rst:280 msgid "" "Will compare the two and pick the smallest. So in the case of 0.5 and 0.7, " "the result is 0.5." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:283 msgid "Will subtract the smallest value from the largest, so 0.7-0.5 = 0.2." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:284 msgid "Curves Calculation Mode" msgstr "" #: ../../user_manual/loading_saving_brushes.rst:284 msgid "Difference" msgstr "Rozdiel" #: ../../user_manual/loading_saving_brushes.rst:286 msgid "It's maybe better to see with the following example:" msgstr "" #: ../../user_manual/loading_saving_brushes.rst:289 msgid ".. image:: images/en/Krita_4_0_brush_curve_calculation_mode.png" msgstr ".. image:: images/en/Krita_4_0_brush_curve_calculation_mode.png" #: ../../user_manual/loading_saving_brushes.rst:290 msgid "" "The first two are regular, the rest with different multiplication types." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:292 msgid "Is a brush with size set to the distance sensor." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:293 msgid "Is a brush with the size set to the fade sensor." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:294 msgid "The size is calculated from the fade and distance sensors multiplied." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:295 msgid "" "The size is calculated from the fade and distance sensors added to each " "other. Notice how thick it is." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:297 msgid "" "The size takes the maximum value from the values of the fade and distance " "sensors." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:299 msgid "" "The size takes the minimum value from the values of the fade and distance " "sensors." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:301 msgid "" "The size is calculated by having the largest of the values subtracted with " "the smallest of the values." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:305 msgid "Section F - Miscellaneous options" msgstr "" #: ../../user_manual/loading_saving_brushes.rst:308 msgid "" "This enables dirty presets. Dirty presets store the tweaks you make as long " "as this session of Krita is active. After that, they revert to default. " "Dirtied presets can be recognized by the icon in the top-left of the preset." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:316 msgid "Temporarily Save Tweaks to Preset (Dirty Presets)" msgstr "" #: ../../user_manual/loading_saving_brushes.rst:316 msgid "" "The icon in the top left of the first two presets indicate it is “Dirty”, " "meaning there are tweaks made to the preset." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:319 msgid "Eraser Switch Size" msgstr "Veľkosť prepínača gumy" #: ../../user_manual/loading_saving_brushes.rst:319 msgid "" "This switches the brush to a separately stored size when using the :kbd:`E` " "key." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:321 msgid "Eraser Switch Opacity" msgstr "Nepriehľadnosť prepínača gumy" #: ../../user_manual/loading_saving_brushes.rst:322 msgid "Same as above, but then with Eraser opacity." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:324 msgid "" "This allows you to toggle instant preview on the brush. The Instant Preview " "has a super-secret feature: when you press the instant preview label, and " "then right click it, it will show a threshold slider. This slider determines " "at what brush size instant preview is activated for the brush. This is " "useful because small brushes can be slower with instant preview, so the " "threshold ensures it only activates when necessary." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:330 msgid "Instant Preview" msgstr "Okamžitý náhľad" #: ../../user_manual/loading_saving_brushes.rst:333 msgid "The On-canvas brush settings" msgstr "" #: ../../user_manual/loading_saving_brushes.rst:335 msgid "" "There are on-canvas brush settings. If you open up the pop-up palette, there " "should be an icon on the bottom-right. Press that to show the on-canvas " "brush settings. You will see several sliders here, to quickly make small " "changes." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:340 msgid "" "At the top it shows the currently active preset. Next to that is a settings " "button, click that to get a list of settings that can be shown and organized " "for the given brush engine. You can use the up and down arrows to order " "their position, and then left and right arrows to add or remove from the " "list. You can also drag and drop." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:347 msgid "Making a Brush Preset" msgstr "" #: ../../user_manual/loading_saving_brushes.rst:349 msgid "Now, let's make a simple brush to test the waters with:" msgstr "" #: ../../user_manual/loading_saving_brushes.rst:352 msgid "Getting a default for the brush engine." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:354 msgid "First, open the settings with :kbd:`F5`." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:356 msgid "" "Then, press the arrow on the upper left to open the preset chooser. There, " "press the “+” icon to get a list of engines. For this brush we're gonna make " "a pixel brush." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:361 msgid "Example: Making an inking brush" msgstr "" #: ../../user_manual/loading_saving_brushes.rst:363 msgid "" "Draw on the scratch pad to see what the current brush looks like. If done " "correctly, you should have a 5px wide brush that has pressure set to opacity." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:366 msgid "" "Let us turn off the opacity first. Click on the :ref:`opacity " "` option in the right-hand list. The settings should " "now be changed to a big curve. This is the sensor curve." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:370 msgid "Uncheck the :guilabel:`Enable Pen Settings` checkbox." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:371 msgid "" "Test on the scratch pad... there still seems to be something affecting " "opacity. This is due to the :ref:`flow ` option." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:375 msgid "" "Select the Flow option from the list on the right hand. Flow is like " "Opacity, except that Flow is per dab, and opacity is per stroke." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:377 msgid "" "Uncheck the :guilabel:`Enable Pen Settings` checkbox here as well. Test " "again." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:378 msgid "" "Now you should be getting somewhere towards an inking brush. It is still too " "small however, and kinda grainy looking. Click :ref:`Brush Tip " "` in the brush engine options." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:381 msgid "" "Here, the diameter is the size of the brush-tip. You can touch the slider " "change the size, or right-click it and type in a value. Set it to 25 and " "test again. It should be much better." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:384 msgid "" "Now to make the brush feel a bit softer, turn down the fade parameter to " "about 0.9. This'll give the *brush mask* a softer edge." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:386 msgid "" "If you test again, you'll notice the fade doesn't seem to have much effect. " "This has to do with the spacing of the dabs: The closer they are together, " "the harder the line is. By default, this is 0.1, which is a bit low. If you " "set it to 10 and test, you'll see what kind of effect spacing has. The :ref:" "`Auto ` checkbox changes the way the spacing is calculated, " "and Auto Spacing with a value of 0.8 is the best value for inking brushes. " "Don't forget that you can use right-click to type in a value." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:395 msgid "" "Now, when you test, the fade seems to have a normal effect... except on the " "really small sizes, which look pixelly. To get rid of that, check the anti-" "aliasing check box. If you test again, the lines should be much nicer now." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:401 msgid "Saving the new Brush" msgstr "" #: ../../user_manual/loading_saving_brushes.rst:403 msgid "" "When you're satisfied, go to the upper left and select :guilabel::`Save new " "preset`." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:406 msgid "" "You will get the save preset dialog. Name the brush something like “My " "Preset”. Then, select :guilabel:`Load from Icon Library` to get the icon " "library. Choose a nice tool icon and press :guilabel:`OK`." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:410 msgid "" "The icon will be loaded into the mini scratch pad on the left. Now doodle a " "nice stroke next to it. If you feel you messed up, just go back to the icon " "library to load a new icon." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:414 msgid "Finally press :guilabel:`Save`, and your brush should be done." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:416 msgid "You can further modify your inking brush by..." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:419 msgid "" "Changing the amount of pressure you need to put on a brush to make it full " "size." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:419 msgid "" "To do this, select the :ref:`size ` option, and press the " "pressure sensor from the list next to the curve. The curve should look like " "a straight line. Now if you want a brush that gets big with little pressure, " "tick on the curve to make a point, and drag the point to the upper-left. The " "more the point is to the upper-left, the more extreme the effect. If you " "want instead a brush that you have to press really hard on to get to full " "size, drag the dot to the lower-right. Such a brush is useful for fine " "details. Don't forget to save the changes to your brush when done." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:422 msgid "Making the fine lines look even softer by using the flow option." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:422 msgid "" "To do this, select the flow option, and turn back on the :guilabel:`Enable " "Pen Settings` check box. Now if you test this, it is indeed a bit softer, " "but maybe a bit too much. Click on the curve to make a dot, and drag that " "dot to the top-left, half-way the horizontal of the first square of the " "grid. Now, if you test, the thin lines are much softer, but the hard your " "press, the harder the brush becomes." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:425 msgid "Sharing Brushes" msgstr "" #: ../../user_manual/loading_saving_brushes.rst:427 msgid "" "Okay, so you've made a new brush and want to share it. There are several " "ways to share a brush preset." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:430 msgid "" "The recommended way to share brushes and presets is by using the resource " "bundle system. We have detailed instructions on how to use them on the :ref:" "`resource management page `." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:434 msgid "" "However, there are various old-fashioned ways of sharing brushes that can be " "useful when importing and loading very old packs:" msgstr "" #: ../../user_manual/loading_saving_brushes.rst:438 msgid "Sharing a single preset" msgstr "" #: ../../user_manual/loading_saving_brushes.rst:440 msgid "There are three types of resources a single preset can take:" msgstr "" #: ../../user_manual/loading_saving_brushes.rst:442 msgid "" "A Paintoppreset file: This is the preset proper, with the icon and the " "curves stored inside." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:444 msgid "" "A Brush file: This is the brush tip. When using masked brushes, there's two " "of these." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:446 msgid "A Pattern file: this is when you are using textures." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:448 msgid "" "So when you have a brush that uses unique predefined tips for either brush " "tip or masked brush, or unique textures you will need to share those " "resources as well with the other person." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:452 msgid "" "To find those resources, go to :menuselection:`Settings --> Manage Resources " "--> Open Resource Folder`." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:454 msgid "" "There, the preset file will be inside paintoppresets, the brush tips inside " "brushes and the texture inside patterns." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:458 msgid "Importing a single KPP file." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:460 msgid "" "Now, if you want to use the single preset, you should go to the preset " "chooser on :kbd:`F6` and press the folder icon there. This will give a file " "dialog. Navigate to the kpp file and open it to import it." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:464 msgid "" "If there are brush tips and patterns coming with the file, do the same with " "pattern via the pattern docker, and for the brush-tip go to the settings " "drop-down (:kbd:`F5`) and then go to the “brush-tip” option. There, select " "predefined brush, and then the “import” button to call up the file dialog." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:471 msgid "Sharing via ZIP (old-fashioned)" msgstr "" #: ../../user_manual/loading_saving_brushes.rst:473 msgid "" "Sharing via ZIP should be replaced with resource bundles, but older brush " "packs are stored in zip files." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:477 msgid "Using a ZIP with the relevant files." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:479 msgid "" "Go to :menuselection:`Settings --> Manage Resources --> Open Resource " "Folder` to open the resource folder." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:480 msgid "Then, open up the zip file." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:481 msgid "" "Copy the brushes, paintoppresets and patterns folders from the zip file to " "the resource folder. You should get a prompt to merge the folders, agree to " "this." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:484 msgid "Restart Krita." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:485 msgid "Enjoy your brushes!" msgstr "" diff --git a/locale/sv/LC_MESSAGES/general_concepts/colors/bit_depth.po b/locale/sv/LC_MESSAGES/general_concepts/colors/bit_depth.po index bd00437f9..bb7595301 100644 --- a/locale/sv/LC_MESSAGES/general_concepts/colors/bit_depth.po +++ b/locale/sv/LC_MESSAGES/general_concepts/colors/bit_depth.po @@ -1,195 +1,193 @@ # Copyright (C) licensed under the GNU Free Documentation License 1.3+ unless stated otherwise # This file is distributed under the same license as the Krita Manual package. # # Stefan Asserhäll , 2019. msgid "" msgstr "" "Project-Id-Version: Krita Manual 4.1\n" "Report-Msgid-Bugs-To: \n" "POT-Creation-Date: 2019-04-05 03:37+0200\n" "PO-Revision-Date: 2019-04-13 20:27+0100\n" "Last-Translator: Stefan Asserhäll \n" "Language-Team: Swedish \n" "Language: sv\n" "MIME-Version: 1.0\n" "Content-Type: text/plain; charset=UTF-8\n" "Content-Transfer-Encoding: 8bit\n" "Plural-Forms: nplurals=2; plural=n != 1;\n" "X-Generator: Lokalize 2.0\n" #: ../../general_concepts/colors/bit_depth.rst:None msgid ".. image:: images/en/color_category/Kiki_lowbit.png" msgstr ".. image:: images/en/color_category/Kiki_lowbit.png" #: ../../general_concepts/colors/bit_depth.rst:1 msgid "Bit depth in Krita." msgstr "Bitdjup i Krita" #: ../../general_concepts/colors/bit_depth.rst:15 msgid "Bit Depth" msgstr "Bitdjup" #: ../../general_concepts/colors/bit_depth.rst:17 msgid "" "Bit depth basically refers to the amount of working memory per pixel you " "reserve for an image." msgstr "" #: ../../general_concepts/colors/bit_depth.rst:19 msgid "" "Like how having a A2 paper in real life can allow for much more detail in " "the end drawing, it does take up more of your desk than a simple A4 paper." msgstr "" #: ../../general_concepts/colors/bit_depth.rst:21 msgid "" "However, this does not just refer to the size of the image, but also how " "much precision you need per color." msgstr "" #: ../../general_concepts/colors/bit_depth.rst:23 msgid "" "To illustrate this, I'll briefly talk about something that is not even " "available in Krita:" msgstr "" #: ../../general_concepts/colors/bit_depth.rst:26 -#| msgid "Indexed Colour." msgid "Indexed Color" msgstr "Indexerad färg" #: ../../general_concepts/colors/bit_depth.rst:28 msgid "" "In older programs, the computer would have per image, a palette that " "contains a number for each color. The palette size is defined in bits, " "because the computer can only store data in bit-sizes." msgstr "" #: ../../general_concepts/colors/bit_depth.rst:36 msgid "1bit" msgstr "1 bit" #: ../../general_concepts/colors/bit_depth.rst:37 msgid "Only two colors in total, usually black and white." msgstr "" #: ../../general_concepts/colors/bit_depth.rst:38 msgid "4bit (16 colors)" msgstr "4 bitar (16 färger)" #: ../../general_concepts/colors/bit_depth.rst:39 msgid "" "16 colors in total, these are famous as many early games were presented in " "this color palette." msgstr "" #: ../../general_concepts/colors/bit_depth.rst:41 msgid "8bit" msgstr "8 bitar" #: ../../general_concepts/colors/bit_depth.rst:41 msgid "" "256 colors in total. 8bit images are commonly used in games to save on " "memory for textures and sprites." msgstr "" #: ../../general_concepts/colors/bit_depth.rst:43 msgid "" "However, this is not available in Krita. Krita instead works with channels, " "and counts how many colors per channel you need (described in terms of " "''bits per channel''). This is called 'real color'." msgstr "" #: ../../general_concepts/colors/bit_depth.rst:46 msgid "Real Color" msgstr "" #: ../../general_concepts/colors/bit_depth.rst:52 msgid ".. image:: images/en/color_category/Rgbcolorcube_3.png" msgstr ".. image:: images/en/color_category/Rgbcolorcube_3.png" #: ../../general_concepts/colors/bit_depth.rst:52 msgid "" "1, 2, and 3bit per channel don't actually exist in any graphics application " "out there, however, by imagining them, we can imagine how each bit affects " "the precision: Usually, each bit subdivides each section in the color cube " "meaning precision becomes a power of 2 bigger than the previous cube." msgstr "" #: ../../general_concepts/colors/bit_depth.rst:54 msgid "4bit per channel (not supported by Krita)" msgstr "" #: ../../general_concepts/colors/bit_depth.rst:55 msgid "" "Also known as Hi-color, or 16bit color total. A bit of an old system, and " "not used outside of specific displays." msgstr "" #: ../../general_concepts/colors/bit_depth.rst:56 msgid "8bit per channel" msgstr "8 bitar per kanal" #: ../../general_concepts/colors/bit_depth.rst:57 msgid "" "Also known as \"True Color\", \"Millions of colors\" or \"24bit/32bit\". The " "standard for many screens, and the lowest bit-depth Krita can handle." msgstr "" #: ../../general_concepts/colors/bit_depth.rst:58 msgid "16bit per channel." msgstr "" #: ../../general_concepts/colors/bit_depth.rst:59 msgid "" "One step up from 8bit, 16bit per channel allows for colors that can't be " "displayed by the screen. However, due to this, you are more likely to have " "smoother gradients. Sometimes known as \"Deep Color\". This color depth type " "doesn't have negative values possible, so it is 16bit precision, meaning " "that you have 65536 values per channel." msgstr "" #: ../../general_concepts/colors/bit_depth.rst:60 msgid "16bit float" msgstr "16-bitars flyttal" #: ../../general_concepts/colors/bit_depth.rst:61 msgid "" "Similar to 16bit, but with more range and less precision. Where 16bit only " "allows coordinates like [1, 4, 3], 16bit float has coordinates like [0.15, " "0.70, 0.3759], with [1.0,1.0,1.0] representing white. Because of the " "differences between floating point and integer type variables, and because " "Scene-referred imaging allows for negative values, you have about 10-11bits " "of precision per channel in 16 bit floating point compared to 16 bit in 16 " "bit int (this is 2048 values per channel in the 0-1 range). Required for HDR/" "Scene referred images, and often known as 'half floating point'." msgstr "" #: ../../general_concepts/colors/bit_depth.rst:63 msgid "" "Similar to 16bit float but with even higher precision. The native color " "depth of OpenColor IO, and thus faster than 16bit float in HDR images, if " "not heavier. Because of the nature of floating point type variables, 32bit " "float is roughly equal to 23-24 bits of precision per channel (16777216 " "values per channel in the 0-1 range), but with a much wider range (it can go " "far above 1), necessary for HDR/Scene-referred values. It is also known as " "'single floating point'." msgstr "" #: ../../general_concepts/colors/bit_depth.rst:64 msgid "32bit float" msgstr "32-bitars flyttal" #: ../../general_concepts/colors/bit_depth.rst:66 msgid "" "This is important if you have a working color space that is larger than your " "device space: At the least, if you do not want color banding." msgstr "" #: ../../general_concepts/colors/bit_depth.rst:68 msgid "" "And while you can attempt to create all your images a 32bit float, this will " "quickly take up your RAM. Therefore, it's important to consider which bit " "depth you will use for what kind of image." msgstr "" - diff --git a/locale/sv/LC_MESSAGES/general_concepts/colors/color_managed_workflow.po b/locale/sv/LC_MESSAGES/general_concepts/colors/color_managed_workflow.po index c81d6f331..3b8757a92 100644 --- a/locale/sv/LC_MESSAGES/general_concepts/colors/color_managed_workflow.po +++ b/locale/sv/LC_MESSAGES/general_concepts/colors/color_managed_workflow.po @@ -1,1065 +1,1065 @@ # Copyright (C) licensed under the GNU Free Documentation License 1.3+ unless stated otherwise # This file is distributed under the same license as the Krita Manual package. # # Stefan Asserhäll , 2019. msgid "" msgstr "" "Project-Id-Version: Krita Manual 4.1\n" "Report-Msgid-Bugs-To: \n" -"POT-Creation-Date: 2019-04-13 03:33+0200\n" +"POT-Creation-Date: 2019-04-14 03:33+0200\n" "PO-Revision-Date: 2019-03-22 18:28+0100\n" "Last-Translator: Stefan Asserhäll \n" "Language-Team: Swedish \n" "Language: sv\n" "MIME-Version: 1.0\n" "Content-Type: text/plain; charset=UTF-8\n" "Content-Transfer-Encoding: 8bit\n" "Plural-Forms: nplurals=2; plural=n != 1;\n" "X-Generator: Lokalize 2.0\n" +#: ../../general_concepts/colors/color_managed_workflow.rst:0 +msgid ".. image:: images/en/color_category/Kiki_matrix_profile.png" +msgstr ".. image:: images/en/color_category/Kiki_matrix_profile.png" + +#: ../../general_concepts/colors/color_managed_workflow.rst:0 +msgid ".. image:: images/en/color_category/Kiki_cLUTprofiles.png" +msgstr ".. image:: images/en/color_category/Kiki_cLUTprofiles.png" + #: ../../general_concepts/colors/color_managed_workflow.rst:None msgid "" ".. image:: images/en/color_category/Krita_2_9_colormanagement_group1.png" msgstr "" ".. image:: images/en/color_category/Krita_2_9_colormanagement_group1.png" #: ../../general_concepts/colors/color_managed_workflow.rst:None msgid "" ".. image:: images/en/color_category/Krita_2_9_colormanagement_group2.png" msgstr "" ".. image:: images/en/color_category/Krita_2_9_colormanagement_group2.png" #: ../../general_concepts/colors/color_managed_workflow.rst:None msgid "" ".. image:: images/en/color_category/Krita_2_9_colormanagement_group3.png" msgstr "" ".. image:: images/en/color_category/Krita_2_9_colormanagement_group3.png" #: ../../general_concepts/colors/color_managed_workflow.rst:None msgid "" ".. image:: images/en/color_category/Krita_2_9_colormanagement_group4.png" msgstr "" ".. image:: images/en/color_category/Krita_2_9_colormanagement_group4.png" #: ../../general_concepts/colors/color_managed_workflow.rst:None msgid ".. image:: images/en/LUT_Management_Docker.png" msgstr ".. image:: images/en/LUT_Management_Docker.png" #: ../../general_concepts/colors/color_managed_workflow.rst:None msgid ".. image:: images/en/color_category/Krita_HDR_1.svg" msgstr ".. image:: images/en/color_category/Krita_HDR_1.svg" #: ../../general_concepts/colors/color_managed_workflow.rst:None msgid ".. image:: images/en/color_category/Krita_HDR2.svg" msgstr ".. image:: images/en/color_category/Krita_HDR2.svg" #: ../../general_concepts/colors/color_managed_workflow.rst:None msgid "" ".. image:: images/en/color_category/Krita-colormanaged-workflow_webcomic.svg" msgstr "" ".. image:: images/en/color_category/Krita-colormanaged-workflow_webcomic.svg" #: ../../general_concepts/colors/color_managed_workflow.rst:None msgid "" ".. image:: images/en/color_category/Krita-colormanaged-workflow_print.svg" msgstr "" ".. image:: images/en/color_category/Krita-colormanaged-workflow_print.svg" #: ../../general_concepts/colors/color_managed_workflow.rst:None msgid "" ".. image:: images/en/color_category/Krita-colormanaged-workflow_games.svg" msgstr "" ".. image:: images/en/color_category/Krita-colormanaged-workflow_games.svg" -#: ../../general_concepts/colors/color_managed_workflow.rst:0 -msgid ".. image:: images/en/color_category/Kiki_matrix_profile.png" -msgstr ".. image:: images/en/color_category/Kiki_matrix_profile.png" - -#: ../../general_concepts/colors/color_managed_workflow.rst:0 -msgid ".. image:: images/en/color_category/Kiki_cLUTprofiles.png" -msgstr ".. image:: images/en/color_category/Kiki_cLUTprofiles.png" - #: ../../general_concepts/colors/color_managed_workflow.rst:1 msgid "How a color managed workflow works." msgstr "Hur ett färghanterande arbetsflöde fungerar." #: ../../general_concepts/colors/color_managed_workflow.rst:17 msgid "Color Managed Workflow" msgstr "Färghanterande arbetsflöde" #: ../../general_concepts/colors/color_managed_workflow.rst:19 msgid "" "You may have heard that Krita has something called color-management. Or " "maybe you just wondered what all these 'color model' and 'color profile' " "things you can find in the menus mean. Color management is pretty useful for " "people who work in digital imaging professionally, and hopefully this page " "will explain why." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:22 msgid "Basic Info" msgstr "Grundinformation" #: ../../general_concepts/colors/color_managed_workflow.rst:24 msgid "" "If you've never worked with color management before, and have no clue what " "it is, then know that you've probably been working in the 8bit RGB color " "space with the sRGB profile. This means you can choose for *sRGB built-in* " "or *sRGB-elle-v2-srgbtrc.icc*. With the new color space browser this profile " "is marked with *(default)* when using 8bit." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:26 msgid "" "We'll go into what these terms mean in the theory, but if you're here only " "for trying to figure out which is the default, you now know it. Maybe, after " "reading this, you may feel like changing the default, to get new and " "interesting results from filters, blending modes, or just the color smudge " "brush." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:29 msgid "What is the problem?" msgstr "Vad är problemet?" #: ../../general_concepts/colors/color_managed_workflow.rst:31 msgid "" "To explain the point of color management, you'd first need to learn which " "problem color management tries to solve." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:33 msgid "Let us imagine a kinder garden:" msgstr "Låt oss föreställa oss ett dagis:" #: ../../general_concepts/colors/color_managed_workflow.rst:35 msgid "" "The class of 28 children is subdivided in groups of 7. Each group has its " "own table." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:37 msgid "" "The teacher gives them a painting assignment: They need to paint a red " "triangle, a blue square, a green circle and put a yellow border around the " "three. The kids are very experienced with painting already, so the teacher " "can confidently leave the smarter ones to their own devices, and spent more " "time on those who need help." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:40 msgid "The following results come from painting:" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:42 msgid "" "Even though all groups had the same assignment, each group's result looks " "different." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:49 msgid "" "Group 1 had vermillion red, citron yellow and ultramarine blue to their " "disposal. This means their triangle looks nice and red, but their circle's " "green is muddy. This is because ultramarine is too dark of a blue to create " "nice greens with." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:56 msgid "" "Group 2 had magenta red, citron yellow and cerulean blue. Magenta is a type " "of red that is closer to pink, opposed to vermillion, which is closer to " "orange. However, their green looks nice because cerulean is a much lighter " "blue." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:64 msgid "" "Group 3 had vermillion red, citron yellow, emerald green and cerulean blue. " "They didn't mix their green, and thus ended up with a purer color." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:71 msgid "" "Finally, group 4 has vermillion red, citron yellow and cerulean blue. Their " "colors probably look like what you imagined." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:73 msgid "" "Now, these are kindergarteners, so this isn't the largest problem in the " "world. However, imagine that something like this happened at a printing " "company? Imagine four printers printing the same magazine with wildly " "different results? That would be disastrous!" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:75 msgid "For this purpose, we invented color management." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:78 msgid "What is color management?" msgstr "Vad är färghantering?" #: ../../general_concepts/colors/color_managed_workflow.rst:80 msgid "" "Color management is, dryly put, a set of systems that tries to have the same " "color translate properly between color devices." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:82 msgid "" "It usually works by attempting to covert a color to the reference color " "space XYZ. XYZ is a coordinate system that has a spot for all colors that " "the average human eye can see." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:84 msgid "" "From XYZ it can then be translated back into another device space, such as " "RGB (for screens), or CMYK (for printers)." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:86 msgid "" "Krita has two systems dedicated to color management. On the one hand, we " "have **lcms2**, which deal with ICC profiles, and on the other, we have " "**OCIO**, which deal with LUT color management." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:88 msgid "" "To give a crude estimate, ICC profiles deal with keeping colors consistent " "over many interpretations of devices (screens, printers) by using a " "reference space, and OCIO deals with manipulating the interpretation of said " "colors." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:90 msgid "Within both we can identify the following color spaces:" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:93 msgid "" "Device spaces are those describing your monitor, and have to be made using a " "little device that is called \"colorimeter\". This device, in combination " "with the right software, measures the strongest red, green and blue your " "screen can produce, as well as the white, black and grey it produces. Using " "these and several other measurements it creates an ICC profile unique to " "your screen. You set these in Krita's color management tab. By default we " "assume sRGB for screens, but it's very likely that your screen isn't exactly " "fitting sRGB, especially if you have a high quality screen, where it may be " "a bigger space instead. Device spaces are also why you should first consult " "with your printer what profile they expect. Many printing houses have their " "own device profiles for their printers, or may prefer doing color conversion " "themselves. You can read more about colorimeter usage :ref:`here " "`." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:94 msgid "Device spaces" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:96 msgid "Working spaces" msgstr "Arbetsrymder" #: ../../general_concepts/colors/color_managed_workflow.rst:97 msgid "" "These are delivered alongside Krita for ICC, and downloadable from the OCIO " "website for OCIO. Working spaces are particularly nice to do color " "calculations in, which programs like Krita do often. It's therefore " "recommended to have a working space profile for your image." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:99 msgid "Aesthetic or Look spaces" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:99 msgid "" "These are special spaces that have been deformed to give a certain look to " "an image. Krita doesn't deliver Look profiles for ICC, nor does it yet " "support Look spaces for OCIO." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:102 msgid "Color managed workflow" msgstr "Färghanterande arbetsflöde" #: ../../general_concepts/colors/color_managed_workflow.rst:104 msgid "" "Knowing this about these spaces of course doesn't give you an idea of how to " "use them, but it does make it easier to explain how to use them. So let us " "look at a typical color management workflow:" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:110 msgid "" ".. image:: images/en/color_category/Krita-colormanaged-workflow_text.svg" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:110 msgid "" "A typical example of a color managed workflow. We have input from scanners " "and cameras, which we convert to a working space that can be used between " "different editing software, and is converted to an output space for viewing " "on screen or printing." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:112 msgid "" "In a traditional color managed workflow, we usually think in terms of real " "world colors being converted to computer colors and the other way around. " "So, for example photos from a camera or scanned in images. If you have a " "device space of such a device, we first assign said device space to the " "image, and then convert it to a working space." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:114 msgid "" "We then do all our editing in the working space, and use the working space " "to communicate between editing programs. In Krita's case, due to it having " "two color management systems, we use ICC profiles between programs like GIMP " "2.9+, Inkscape, digiKam and Scribus, and OCIO configuration between Blender " "and Natron." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:116 msgid "" "You also store your working files in the working space, just like how you " "have the layers unmerged in the working file, or have it at a very high " "resolution." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:118 msgid "" "Sometimes, we apply aesthetic or 'look' spaces to an image as part of the " "editing process. This is rather advanced, and probably not something to " "worry about in Krita's case." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:120 msgid "" "Then, when we're done editing, we try to convert to an output space, which " "is another device space. This can be CMYK for printers or a special screen " "RGB profile. When you are dealing with professional printing houses, it is " "best to ask them about this step. They have a lot of experience with doing " "the best conversion, and may prefer to do the conversion from your working " "space to the device space of their printers." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:122 msgid "" "Another form of output is the way your screen displays the color. Unlike " "regular output, this one is done all the time during editing: After all, you " "need to be able to see what you are doing, but your screen is still a device " "with a device space, so it does distort how the image looks. In this manner, " "you can see your screen as a set of binoculars you have to look through to " "see your image at all." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:124 msgid "" "Therefore, without a profiled monitor, you actually don't know what the " "actual colors you are working with are like, because the computer doesn't " "know the relevant properties of your screen. So if you profiled your " "monitor, give Krita the profile in the settings, and select the sRGB space " "to draw in, you are for the first time seeing the actual colors of the sRGB " "space." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:127 msgid "So what does this mean?" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:133 msgid "" ".. image:: images/en/color_category/Krita-colormanaged-workflow_krita_text." "svg" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:133 msgid "" "When we paint from scratch, we can see our screen profile as the input " "space, because we use it to determine what colors to pick. This somewhat " "simplifies the workflow, but makes the screen profile and viewing conditions " "more important." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:135 msgid "" "Now, photographers and people who do a tricky discipline of VFX called " "'color grading' will go completely mad over trying to get the colors they " "put in to come out 100% correctly, and will even count in factors like the " "time of day and the color they painted their walls. For example, if the wall " "behind your computer is pure red, your eyes will adjust to be less sensitive " "to red, which means that the colors they pick in the program could come out " "redder. We call these the *viewing conditions*." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:137 msgid "" "Thankfully, artists have to worry a slight bit less about this. As " "illustrations are fully handmade, we are able to identify the important bits " "and make appropriate contrasts between colors. This means that even if our " "images turn out to be slightly redder than intended, it is less likely the " "whole image is ruined. If we look back at the kindergarten example above, we " "still understand what the image was supposed to look like, despite there " "being different colors on each image. Furthermore, because the colors in " "illustrations are deliberately picked, we can correct them more easily on a " "later date. Yet, at the same time, it is of course a big drag to do this, " "and we might have had much more flexibility had we taken viewing conditions " "under consideration." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:139 msgid "" "That said, for artists it is also very useful to understand the working " "spaces. Different working spaces give different results with filters and " "mixing, and only some working spaces can be used for advanced technology " "like HDR." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:141 msgid "" "Similarly, Krita, as a program intended to make images from scratch, doesn't " "really worry about assigning workspaces after having made the image. But " "because you are using the screen as a binocular to look at your image, and " "to pick colors, you can see your screen's device space as an input space to " "the image. Hence why profiling your monitor and giving the profile to Krita " "in the settings can help with preparing your work for print and future " "ventures in the long run." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:143 msgid "" "Overall, it is kinda useful to keep things like viewing conditions in the " "back of your mind. Many professional artists use a mid-grey color as their " "default canvas background because they find they create much more dynamic " "images due to having improved their viewing conditions. It is also why a lot " "of graphics programs, including Krita, come with a dark theme nowadays. " "(Though, of course this might also be because dark themes can be considered " "cool, who knows.)" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:148 msgid "ICC profiles" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:150 msgid "" "An ICC profile is a set of coordinates describing the extremities of the " "device space within XYZ, and it is the color management data you use to " "communicate your working space to printers and applications that are " "designed for the print industry, such as GIMP, Scribus, Photoshop, " "Illustrator, Inkscape, Digikam, RawTheraphee, etc. You have two types of ICC " "profiles:" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:153 msgid "" "These are delivered alongside Krita. Matrix shaper profiles are made by " "setting parameters and interpolating between these to get the exact size of " "the color space. Due to this, Krita's color space browser can give you a lot " "of information on these profiles. Such profiles are also preferable as " "working space." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:159 msgid "Matrix Shaper profiles." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:159 msgid "" "Matrix shaper profiles have a few parameters that describe the color space " "which are then interpolated between, this requires a lot of maths." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:162 msgid "" "These are fairly rare, and primarily used to describe printer profiles, such " "as CMYK. cLUT, or Color Look-up Table profiles store far more data than " "Matrix shaper profiles, so they can hold data of little particularities " "caused by, for example, unexpected results from mixing pigments. This is a " "far more organic approach to describing a color space, hence why a lot of " "programs that don't care for color management much don't support these." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:168 msgid "" "cLUT profiles work by holding tables of each color in a color space and " "their respective coordinates in a reference space. For CMYK this is " "typically L\\*A\\*B\\* and for the rest XYZ. These tables are tricky to " "make, which means these profiles are a lot rarer." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:169 msgid "cLUT profiles" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:171 msgid "" "The interesting thing about ICC profiles is that your working space can be " "larger than your device space. This is generally not bad. However, when " "converting, you do end up with the question of how to translate the working " "space values." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:174 msgid "Perceptual" msgstr "Perceptuell" #: ../../general_concepts/colors/color_managed_workflow.rst:174 msgid "" "This just squishes the values of the working space into the space it's " "converted to. It's a nice method to see all possible values in this, but not " "so good if you want accurate color reproduction. Use this if you want to see " "all colors in an image, or want to express all possible contrasts. Doesn't " "work with Matrix Shaper profiles, defaults to relative colorimetric." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:177 msgid "Absolute Colorimetric." msgstr "Absolut färgläge." #: ../../general_concepts/colors/color_managed_workflow.rst:177 msgid "" "The opposite to Perceptual, Absolute colorimetric will attempt to retain all " "the correct colors at whatever cost, which may result in awful looking " "colors. Recommended only for reproduction work. Doesn't work with Matrix " "Shaper profiles in Krita due to ICC v4 workflow standards." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:180 msgid "Relative Colorimetric" msgstr "Relativt färgläge" #: ../../general_concepts/colors/color_managed_workflow.rst:180 msgid "" "An in between solution between perceptual and absolute, relative will try to " "fit whatever colors it can match between color spaces. It does this by " "aligning the white and black points. It cuts off the rest to their " "respective borders. This is what all matrix shaper profiles default to " "during conversion, because the ICC v4 workflow specifies to only use " "Relative Colorimetric for matrix shaper profiles." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:183 msgid "Saturation" msgstr "Färgmättnad" #: ../../general_concepts/colors/color_managed_workflow.rst:183 msgid "" "Does anything to retain colorfulness, even hue will be sacrificed. Used in " "infographics. Doesn't work with Matrix Shaper profiles, defaults to relative " "colorimetric." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:185 msgid "" "*ICC profile version* is the last thing to keep in mind when dealing with " "ICC profiles. Krita delivers both Version 2 and Version 4 profiles, with the " "later giving better results in doing color maths, but the former being more " "widely supported (as seen below in 'interoperability with other programs'. " "This is also why Krita defaults to V2, and we recommend using V2 when you " "aren't certain if the other programs you are using support V4." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:188 msgid "LUT docker and HDR imaging" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:196 msgid "" "The :ref:`lut_docker` is the second important bit of color management in " "Krita that is shared between Krita and programs like Blender, Natron and " "Nuke, and only uses Look Up Tables that are configured via a config file." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:198 msgid "" "You can set the workingspace of the image under input color space, and the " "display to sRGB or your own LUT if you have added it to the configuration. " "View in this case is for proofing transforms to a certain display device." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:200 msgid "" "Component, exposure, gamma, whitepoint and blackpoint are knobs which allows " "you to modify the display filter." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:208 msgid "" "As explained before, we can see our monitor as a telescope or binocular into " "the world of our picture. Which means it distorts our view of the image a " "little. But we can modify this binocular, or display filter to see our image " "in a different way. For example, to allow us to see the white in an image " "that are whiter than the white of our screen. To explain what that means, we " "need to think about what white is." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:210 msgid "" "For example, white, on our monitor is full red, full green and full blue. " "But it's certainly different from white on our paper, or the color of milk, " "white from the sun, or even the white of our cell-phone displays." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:212 msgid "" "Black similarly, is brighter on a LCD display than a LED one, and " "incomparable with the black of a carefully sealed room." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:214 msgid "" "This means that there's potentially blacker blacks than screen black, and " "white whites than screen white. However, for simplicity's sake we still " "assign the black-point and the white-point to certain values. From there, we " "can determine whether a white is whiter than the white point, or a black " "blacker than the black-point." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:216 msgid "" "The LUT docker allows us to control this display-filter and modify the " "distortion. This is useful when we start modifying images that are made with " "scene referred values, such as HDR photos, or images coming out of a render " "engine." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:224 msgid "" "So, for example, we can choose to scale whiter-than-screen-white to our " "screen-white so we can see the contrasts there." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:226 msgid "" "The point of this is that you can take advantage of more lightness detail in " "an image. While you can't see the difference between screen white and whiter-" "than-screen-white (because your screen can't show the difference), graphics " "programs can certainly use it." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:228 msgid "" "A common example is matching the lighting between a 3d model and a real " "world scene. Others are advanced photo retouching, with much more contrast " "information available to the user. In painting itself, this allows you to " "create an image where you can be flippant with the contrast, and allow " "yourself to go as bright as you'd like." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:230 msgid "" "LUT docker manipulations are per view, so you can create a new view and set " "it to luminosity. This way you can see the image in both color as well as " "grayscale and keep a good eye on your values." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:232 msgid "" "Another example is to carefully watch the gradients in a certain section." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:234 msgid "" "Like ICC, the LUT Docker allows you to create a profile of sorts for your " "device. In this case it's the 'lut', which stands for 'Look Up Table', and " "which can be added to OCIO by modifying the configuration file. When OCIO is " "turned on, the configuration in :menuselection:`Settings --> Configure Krita " "--> Color Management` is turned off, unless you are using the :guilabel:" "`Internal` color engine." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:237 msgid "In summary" msgstr "Sammanfattning" #: ../../general_concepts/colors/color_managed_workflow.rst:239 msgid "Krita has two modes of color management:" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:241 msgid "" "ICC works in terms of spaces relative to the CIEXYZ space, and requires an " "ICC profile." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:242 msgid "OCIO works in terms of interpretation, and makes use of luts." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:243 msgid "both can be made with a colorimeter." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:244 msgid "" "If you want to have a properly color managed workflow, you have one made " "customary for the input device (your screen) and the output devices (your " "printer, or target screen). For web the output is always sRGB." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:245 msgid "" "Set up your screen profiles under :menuselection:`Settings --> Configure " "Krita --> Color management`." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:246 msgid "" "Do NOT use screen profiles or other device profiles to draw in. Use a " "working space profile such as any of the elle profiles for this, as the " "color maths will be much more predictable and pleasant. Krita will convert " "between your screen and working space on the fly, allowing you to pick the " "correct colors. This turns your screen into binoculars to view the image." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:247 msgid "" "Use the appropriate color management for the appropriate workflow. If you " "are working with Blender, you will be better off using OCIO, than ICC. If " "you are working with Scribus or Photoshop, use ICC." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:249 msgid "" "Krita does a lot of color maths, often concerning the blending of colors. " "This color maths works best in linear color space, and linear color space " "requires a bit depth of at the least 16bit to work correctly. The " "disadvantage is that linear space can be confusing to work in." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:251 msgid "" "If you like painting, have a decent amount of RAM, and are looking to start " "your baby-steps in taking advantage of Krita's color management, try " "upgrading from having all your images in sRGB built-in to sRGB-v2-elle-g10." "icc or rec2020-v2-elle-g10.icc at 16bit float. This'll give you better color " "blending while opening up the possibility for you to start working in hdr!" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:256 msgid "" "Some graphics cards, such as those of the NVidia-brand actually have the " "best performance under 16bit float, because NVidia cards convert to floating " "point internally. When it does not need to do that, it speeds up!" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:260 msgid "" "No amount of color management in the world can make the image on your screen " "and the image out of the printer have 100% the same color." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:263 msgid "Exporting" msgstr "Exporterar" #: ../../general_concepts/colors/color_managed_workflow.rst:265 msgid "" "When you have finished your image and are ready to export it, you can modify " "the color space to optimize it:" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:267 msgid "If you are preparing an image for the web:" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:269 msgid "" "If you use 16bit color depth or higher, convert the image to 8bit color " "depth. This will make the image much smaller." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:271 msgid "" "Krita doesn't have built-in dithering currently, which means that 16 to " "18bit conversions can come out a bit banded. But you can simulate it by " "adding a fill layer with a pattern, set this fill layer to overlay, and to " "5% opacity. Then flatten the whole image and convert it to 8bit. The pattern " "will function as dithering giving a smoother look to gradients." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:273 msgid "If it's a gray-scale image, convert it to gray-scale." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:274 msgid "" "If it's a color image, keep it in the working space profile: Many web " "browsers these days support color profiles embedded into images. Firefox, " "for example, will try to convert your image to fit the color profile of the " "other monitor (if they have one). That way, the image will look almost " "exactly the same on your screen and on other profiled monitors." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:279 msgid "" "In some versions of Firefox, the colors actually look strange: This is a bug " "in Firefox, which is because its `color management system is incomplete " "`_, save your png, jpg or tiff without an embedded profile to work " "around this." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:281 msgid "If you are preparing for print:" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:283 msgid "" "You hopefully made the picture in a working space profile instead of the " "actual custom profile of your screen, if not, convert it to something like " "adobe rgb, sRGB or rec2020." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:284 msgid "" "Check with the printer what kind of image they expect. Maybe they expect " "sRGB color space, or perhaps they have their own profile." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:287 msgid "Interaction with other applications" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:290 msgid "Blender" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:292 msgid "" "If you wish to use krita's OCIO functionality, and in particular in " "combination with Blender's color management, you can try to have it use " "Blender's OCIO config." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:294 msgid "" "Blender's OCIO config is under ``/version number/datafiles/" "colormanagement``. Set the LUT docker to use the OCIO engine, and select the " "config from the above path. This will give you blender's input and screen " "spaces, but not the looks, as those aren't supported in Krita yet." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:298 msgid "Windows Photo Viewer" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:300 msgid "" "You might encounter some issues when using different applications together. " "One important thing to note is that the standard Windows Photo Viewer " "application does not handle modern ICC profiles. Krita uses version 4 " "profiles; Photo Viewer can only handle version 2 profiles. If you export to " "JPEG with an embedded profile, Photo Viewer will display your image much too " "dark." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:303 msgid "Example workflows" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:305 msgid "" "Here are some example workflows to get a feeling of how your color " "management workflow may look like." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:307 msgid "" "As mentioned before, input for your screen is set via :menuselection:" "`Settings --> Configure Krita --> Color management`, or via the LUT docker's " "'screen space'. Working space is set via new file per document, or in the " "LUT docker via 'input space'." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:310 msgid "Webcomic" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:317 #: ../../general_concepts/colors/color_managed_workflow.rst:339 #: ../../general_concepts/colors/color_managed_workflow.rst:357 msgid "Input" msgstr "Indata" #: ../../general_concepts/colors/color_managed_workflow.rst:318 #: ../../general_concepts/colors/color_managed_workflow.rst:340 #: ../../general_concepts/colors/color_managed_workflow.rst:358 msgid "Your screen profile. (You pick colors via your screen)" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:319 #: ../../general_concepts/colors/color_managed_workflow.rst:341 #: ../../general_concepts/colors/color_managed_workflow.rst:359 msgid "Workingspace" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:320 msgid "" "sRGB (the default screen profile) or any larger profile if you can spare the " "bit depth and like working in them." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:322 #: ../../general_concepts/colors/color_managed_workflow.rst:344 #: ../../general_concepts/colors/color_managed_workflow.rst:362 msgid "Output" msgstr "Utdata" #: ../../general_concepts/colors/color_managed_workflow.rst:322 msgid "" "sRGB, ICC version 2, sRGB TRC for the internet, and a specialized CMYK " "profile from the printing house for the printed images." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:324 msgid "" "Use the sRGB-elle-V2-srgbtrc.icc for going between Inkscape, Photoshop, " "Painttool Sai, Illustrator, GIMP, Manga Studio, Paintstorm Studio, MyPaint, " "Artrage, Scribus, etc. and Krita." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:326 msgid "" "If you are using a larger space via ICC, you will only be able to " "interchange it between Krita, Photoshop, Illustrator, GIMP 2.9, Manga Studio " "and Scribus. All others assume sRGB for your space, no matter what, because " "they don't have color management." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:328 msgid "" "If you are going between Krita and Blender, Nuke or Natron, use OCIO and set " "the input space to 'sRGB', but make sure to select the sRGB profile for ICC " "when creating a new file." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:330 msgid "" "For the final for the web, convert the image to sRGB 8bit, srgbtrc, do not " "embed the ICC profile. Then, if using png, put it through something like " "pngcrush or other png optimizers. sRGB in this case is chosen because you " "can assume the vast majority of your audience hasn't profiled their screen, " "nor do they have screens that are advanced enough for the wide gamut stuff. " "So hence why we convert to the screen default for the internet, sRGB." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:333 msgid "Print" msgstr "Utskrift" #: ../../general_concepts/colors/color_managed_workflow.rst:342 msgid "sRGB or rec2020 if you can afford the bit-depth being 16bit." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:344 msgid "" "Specialized CMYK profile from the printing house for the printed images." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:346 msgid "" "The CMYK profiles are different per printer, and even per paper or ink-type " "so don't be presumptuous and ask ahead for them, instead of doing something " "like trying to paint in any random CMYK profile. As mentioned in the viewing " "conditions section, you want to keep your options open." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:348 msgid "" "You can set the advanced color selector to transform to a given profile via :" "menuselection:`Settings --> Configure Krita --> Advanced color selector " "settings`. There, tick :guilabel:`Color selector uses a different color " "space than the image` and select the CMYK profile you are aiming for. This " "will limit your colors a little bit, but keep all the nice filter and " "blending options from RGB." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:351 msgid "Games" msgstr "Spel" #: ../../general_concepts/colors/color_managed_workflow.rst:360 msgid "sRGB or grayscale linear for roughness and specular maps." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:362 msgid "" "This one is tricky, but in the end it'll be sRGB for the regular player." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:364 msgid "" "So this one is tricky. You can use OCIO and ICC between programs, but " "recommended is to have your images to the engine in sRGB or grayscale. Many " "physically based renderers these days allow you to set whether an image " "should be read as a linear or srgbtrc image, and this is even vital to have " "the images being considered properly in the physically based calculations of " "the game renderer." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:366 msgid "" "While game engines need to have optimized content, and it's recommended to " "stay within 8bit, future screens may have higher bit depths, and when " "renderers will start supporting those, it may be beneficial to develop a " "workflow where the working-space files are rather unnecessarily big and you " "run some scripts to optimize them for your current render needs, making " "updating the game in the future for fancier screens less of a drag." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:368 msgid "" "Normal maps and heightmaps are officially supposed to be defined with a 'non-" "color data' working space, but you'll find that most engines will not care " "much for this. Instead, tell the game engine not to do any conversion on the " "file when importing." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:370 msgid "" "Specular, glossiness, metalness and roughness maps are all based on linear " "calculations, and when you find that certain material has a metalness of " "0.3, this is 30% gray in a linear space. Therefore, make sure to tell the " "game engine renderer that this is a linear space image (or at the very " "least, should NOT be converted)." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:374 msgid "" "`Visualizing the XYZ color space `_" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:375 msgid "" "`Basics of gamma correction `_" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:376 msgid "" "`Panda3d example of how an image that has gamma encoded without the 3d " "renderer being notified of it having gamma-encoding can result in too dark " "images `_" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:377 msgid "" "`2d examples of the effect of gamma-encoding on color maths `_" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:378 msgid "" "`Basic overview of color management from argylcms manual `_" msgstr "" diff --git a/locale/sv/LC_MESSAGES/general_concepts/colors/profiling_and_callibration.po b/locale/sv/LC_MESSAGES/general_concepts/colors/profiling_and_callibration.po index d4b52dfa3..b2e8fb429 100644 --- a/locale/sv/LC_MESSAGES/general_concepts/colors/profiling_and_callibration.po +++ b/locale/sv/LC_MESSAGES/general_concepts/colors/profiling_and_callibration.po @@ -1,248 +1,246 @@ # Copyright (C) licensed under the GNU Free Documentation License 1.3+ unless stated otherwise # This file is distributed under the same license as the Krita Manual package. # # Stefan Asserhäll , 2019. msgid "" msgstr "" "Project-Id-Version: Krita Manual 4.1\n" "Report-Msgid-Bugs-To: \n" "POT-Creation-Date: 2019-04-10 03:45+0200\n" "PO-Revision-Date: 2019-04-13 20:27+0100\n" "Last-Translator: Stefan Asserhäll \n" "Language-Team: Swedish \n" "Language: sv\n" "MIME-Version: 1.0\n" "Content-Type: text/plain; charset=UTF-8\n" "Content-Transfer-Encoding: 8bit\n" "Plural-Forms: nplurals=2; plural=n != 1;\n" "X-Generator: Lokalize 2.0\n" #: ../../:1 msgid "soft-proofing" msgstr "" #: ../../general_concepts/colors/profiling_and_callibration.rst:1 msgid "Color Models in Krita" msgstr "Färgmodeller i Krita" #: ../../general_concepts/colors/profiling_and_callibration.rst:18 -#| msgid "Profiling and Calibration:" msgid "Profiling and Calibration" msgstr "Profilering och kalibrering" #: ../../general_concepts/colors/profiling_and_callibration.rst:20 msgid "" "So to make it simple, a color profile is just a file defining a set of " "colors inside a pure XYZ color cube. This \"color set\" can be used to " "define different things:" msgstr "" #: ../../general_concepts/colors/profiling_and_callibration.rst:23 msgid "the colors inside an image" msgstr "färgerna inne i bilder" #: ../../general_concepts/colors/profiling_and_callibration.rst:25 msgid "the colors a device can output" msgstr "färgerna som en enhet kan visa" #: ../../general_concepts/colors/profiling_and_callibration.rst:27 msgid "" "Choosing the right workspace profile to use depends on how much colors you " "need and on the bit depth you plan to use. Imagine a line with the whole " "color spectrum from pure black (0,0,0) to pure blue (0,0,1) in a pure XYZ " "color cube. If you divide it choosing steps at a regular interval, you get " "what is called a linear profile, with a gamma=1 curve represented as a " "straight line from 0 to 1. With 8bit/channel bit depth, we have only 256 " "values to store this whole line. If we use a linear profile as described " "above to define those color values, we will miss some important visible " "color change steps and have a big number of values looking the same (leading " "to posterization effect)." msgstr "" #: ../../general_concepts/colors/profiling_and_callibration.rst:33 msgid "" "This is why was created the sRGB profile to fit more different colors in " "this limited amount of values, in a perceptually regular grading, by " "applying a custom gamma curve (see picture here: http://en.wikipedia.org/" "wiki/SRGB) to emulate the standard response curve of old CRT screens. So " "sRGB profile is optimized to fit all colors that most common screen can " "reproduce in those 256 values per R/G/B channels. Some other profiles like " "Adobe RGB are optimized to fit more printable colors in this limited range, " "primarily extending cyan-green hues. Working with such profile can be useful " "to improve print results, but is dangerous if not used with a properly " "profiled and/or calibrated good display. Most common CMYK workspace profile " "can usually fit all their colors within 8bit/channel depth, but they are all " "so different and specific that it's usually better to work with a regular " "RGB workspace first and then convert the output to the appropriate CMYK " "profile." msgstr "" #: ../../general_concepts/colors/profiling_and_callibration.rst:38 msgid "" "Starting with 16bit/channel, we already have 65536 values instead of 256, so " "we can use workspace profiles with higher gamut range like Wide-gamut RGB or " "Pro-photo RGB, or even unlimited gamut like scRGB." msgstr "" #: ../../general_concepts/colors/profiling_and_callibration.rst:40 msgid "" "But sRGB being a generic profile (even more as it comes from old CRT " "specifications...), there are big chances that your monitor have actually a " "different color response curve, and so color profile. So when you are using " "sRGB workspace and have a proper screen profile loaded (see next point), " "Krita knows that the colors the file contains are within the sRGB color " "space, and converts those sRGB values to corresponding color values from " "your monitor profile to display the canvas." msgstr "" #: ../../general_concepts/colors/profiling_and_callibration.rst:43 msgid "" "Note that when you export your file and view it in another software, this " "software has to do two things:" msgstr "" #: ../../general_concepts/colors/profiling_and_callibration.rst:45 msgid "" "read the embed profile to know the \"good\" color values from the file " "(which most software do nowadays; when they don't they usually default to " "sRGB, so in the case described here we're safe )" msgstr "" #: ../../general_concepts/colors/profiling_and_callibration.rst:46 msgid "" "and then convert it to the profile associated to the monitor (which very few " "software actually does, and just output to sRGB.. so this can explain some " "viewing differences most of the time)." msgstr "" #: ../../general_concepts/colors/profiling_and_callibration.rst:48 msgid "Krita uses profiles extensively, and comes bundled with many." msgstr "" #: ../../general_concepts/colors/profiling_and_callibration.rst:50 msgid "" "The most important one is the one of your own screen. It doesn't come " "bundled, and you have to make it with a color profiling device. In case you " "don't have access to such a device, you can't make use of Krita's color " "management as intended. However, Krita does allow the luxury of picking any " "of the other bundled profiles as working spaces." msgstr "" #: ../../general_concepts/colors/profiling_and_callibration.rst:54 msgid "Profiling devices" msgstr "Profileringsenheter" #: ../../general_concepts/colors/profiling_and_callibration.rst:56 msgid "" "Profiling devices, called Colorimeters, are tiny little cameras of a kind " "that you connect to your computer via an usb, and then you run a profiling " "software (often delivered alongside of the device)." msgstr "" #: ../../general_concepts/colors/profiling_and_callibration.rst:60 msgid "" "If you don't have software packaged with your colorimeter, or are unhappy " "with the results, we recommend `Argyllcms `_" msgstr "" #: ../../general_concepts/colors/profiling_and_callibration.rst:62 msgid "" "The little camera then measures what the brightest red, green, blue, white " "and black are like on your screen using a predefined white as base. It also " "measures how grey the color grey is." msgstr "" #: ../../general_concepts/colors/profiling_and_callibration.rst:64 msgid "" "It then puts all this information into an ICC profile, which can be used by " "the computer to correct your colors." msgstr "" #: ../../general_concepts/colors/profiling_and_callibration.rst:66 msgid "" "It's recommended not to change the \"calibration\" (contrast, brightness, " "you know the menu) of your screen after profiling. Doing so makes the " "profile useless, as the qualities of the screen change significantly while " "calibrating." msgstr "" #: ../../general_concepts/colors/profiling_and_callibration.rst:68 msgid "" "To make your screen display more accurate colors, you can do one or two " "things: profile your screen or calibrate and profile it." msgstr "" #: ../../general_concepts/colors/profiling_and_callibration.rst:71 msgid "" "Just profiling your screen means measuring the colors of your monitor with " "its native settings and put those values in a color profile, which can be " "used by color-managed application to adapt source colors to the screen for " "optimal result. Calibrating and profiling means the same except that first " "you try to calibrate the screen colors to match a certain standard setting " "like sRGB or other more specific profiles. Calibrating is done first with " "hardware controls (lightness, contrast, gamma curves), and then with " "software that creates a vcgt (video card gamma table) to load in the GPU." msgstr "" #: ../../general_concepts/colors/profiling_and_callibration.rst:75 msgid "So when or why should you do just one or both?" msgstr "" #: ../../general_concepts/colors/profiling_and_callibration.rst:77 msgid "Profiling only:" msgstr "Bara profilering:" #: ../../general_concepts/colors/profiling_and_callibration.rst:79 msgid "with a good monitor" msgstr "med en bra bildskärm" #: ../../general_concepts/colors/profiling_and_callibration.rst:80 msgid "" "you can get most of the sRGB colors and lot of extra colors not inside sRGB. " "So this can be good to have more visible colors." msgstr "" #: ../../general_concepts/colors/profiling_and_callibration.rst:82 msgid "with a bad monitor" msgstr "med en dålig bildskärm" #: ../../general_concepts/colors/profiling_and_callibration.rst:82 msgid "" "you will get just a subset of actual sRGB, and miss lot of details, or even " "have hue shifts. Trying to calibrate it before profiling can help to get " "closer to full-sRGB colors." msgstr "" #: ../../general_concepts/colors/profiling_and_callibration.rst:84 msgid "Calibration+profiling:" msgstr "Kalibrering och profilering:" #: ../../general_concepts/colors/profiling_and_callibration.rst:86 msgid "bad monitors" msgstr "dåliga bildskärmar" #: ../../general_concepts/colors/profiling_and_callibration.rst:87 msgid "as explained just before." msgstr "som just förklarades tidigare." #: ../../general_concepts/colors/profiling_and_callibration.rst:88 msgid "multi-monitor setup" msgstr "" #: ../../general_concepts/colors/profiling_and_callibration.rst:89 msgid "" "when using several monitors, and specially in mirror mode where both monitor " "have the same content, you can't have this content color-managed for both " "screen profiles. In such case, calibrating both screens to match sRGB " "profile (or another standard for high-end monitors if they both support it) " "can be a good solution." msgstr "" #: ../../general_concepts/colors/profiling_and_callibration.rst:91 msgid "" "when you need to match an exact rendering context for soft-proofing, " "calibrating can help getting closer to the expected result. Though switching " "through several monitor calibration and profiles should be done extremely " "carefully." msgstr "" - diff --git a/locale/sv/LC_MESSAGES/reference_manual/layers_and_masks/vector_layers.po b/locale/sv/LC_MESSAGES/reference_manual/layers_and_masks/vector_layers.po index 49df10fc8..826dbe1bd 100644 --- a/locale/sv/LC_MESSAGES/reference_manual/layers_and_masks/vector_layers.po +++ b/locale/sv/LC_MESSAGES/reference_manual/layers_and_masks/vector_layers.po @@ -1,330 +1,325 @@ # Copyright (C) licensed under the GNU Free Documentation License 1.3+ unless stated otherwise # This file is distributed under the same license as the Krita Manual package. # # Stefan Asserhäll , 2019. msgid "" msgstr "" "Project-Id-Version: Krita Manual 4.1\n" "Report-Msgid-Bugs-To: \n" "POT-Creation-Date: 2019-04-10 03:45+0200\n" "PO-Revision-Date: 2019-04-13 20:27+0100\n" "Last-Translator: Stefan Asserhäll \n" "Language-Team: Swedish \n" "Language: sv\n" "MIME-Version: 1.0\n" "Content-Type: text/plain; charset=UTF-8\n" "Content-Transfer-Encoding: 8bit\n" "Plural-Forms: nplurals=2; plural=n != 1;\n" "X-Generator: Lokalize 2.0\n" #: ../../reference_manual/layers_and_masks/vector_layers.rst:1 msgid "How to use vector layers in Krita." msgstr "Hur man använder vektorlager i Krita." #: ../../reference_manual/layers_and_masks/vector_layers.rst:20 msgid "Vector Layers" msgstr "Vektorlager" #: ../../reference_manual/layers_and_masks/vector_layers.rst:24 msgid "" "This page is outdated. Check :ref:`vector_graphics` for a better overview." msgstr "" #: ../../reference_manual/layers_and_masks/vector_layers.rst:27 msgid "What is a Vector Layer?" msgstr "Vad är ett vektorlager?" #: ../../reference_manual/layers_and_masks/vector_layers.rst:29 msgid "" "A Vector Layers, also known as a shape layer, is a type of layers that " "contains only vector elements." msgstr "" #: ../../reference_manual/layers_and_masks/vector_layers.rst:31 msgid "" "This is how vector layers will appear in the :program:`Krita` Layers docker." msgstr "" #: ../../reference_manual/layers_and_masks/vector_layers.rst:34 msgid ".. image:: images/en/Vectorlayer.png" msgstr ".. image:: images/en/Vectorlayer.png" #: ../../reference_manual/layers_and_masks/vector_layers.rst:35 msgid "" "It shows the vector contents of the layer on the left side. The icon showing " "the page with the red bookmark denotes that it is a vector layer. To the " "right of that is the layer name. Next are the layer visibility and " "accessibility icons. Clicking the \"eye\" will toggle visibility. Clicking " "the lock into a closed position will lock the content and editing will no " "longer be allowed until it is clicked again and the lock on the layer is " "released." msgstr "" #: ../../reference_manual/layers_and_masks/vector_layers.rst:38 msgid "Creating a vector layer" msgstr "Skapa ett vektorlager" #: ../../reference_manual/layers_and_masks/vector_layers.rst:40 msgid "" "You can create a vector layer in two ways. Using the extra options from the " "\"Add Layer\" button you can click the \"Vector Layer\" item and it will " "create a new vector layer. You can also drag a rectangle or ellipse from the " "**Add shape** dock onto an active Paint Layer. If the active layer is a " "Vector Layer then the shape will be added directly to it." msgstr "" #: ../../reference_manual/layers_and_masks/vector_layers.rst:43 msgid "Editing Shapes on a Vector Layer" msgstr "" #: ../../reference_manual/layers_and_masks/vector_layers.rst:47 msgid "" "There's currently a bug with the vector layers that they will always " "consider themselves to be at 72dpi, regardless of the actual pixel-size. " "This can make manipulating shapes a little difficult, as the precise input " "will not allow cm or inch, even though the vector layer coordinate system " "uses those as a basis." msgstr "" #: ../../reference_manual/layers_and_masks/vector_layers.rst:50 msgid "Basic Shape Manipulation" msgstr "" #: ../../reference_manual/layers_and_masks/vector_layers.rst:52 msgid "" "To edit the shape and colors of your vector element, you will need to use " "the basic shape manipulation tool." msgstr "" #: ../../reference_manual/layers_and_masks/vector_layers.rst:54 msgid "" "Once you have selected this tool, click on the element you want to " "manipulate and you will see guides appear around your shape." msgstr "" #: ../../reference_manual/layers_and_masks/vector_layers.rst:57 msgid ".. image:: images/en/Vectorguides.png" msgstr "" #: ../../reference_manual/layers_and_masks/vector_layers.rst:58 msgid "" "There are four ways to manipulate your image using this tool and the guides " "on your shape." msgstr "" #: ../../reference_manual/layers_and_masks/vector_layers.rst:61 msgid "Transform/Move" msgstr "" #: ../../reference_manual/layers_and_masks/vector_layers.rst:64 -#| msgid ":.. image:: /images/en/Transform.png" msgid ".. image:: images/en/Transform.png" msgstr ".. image:: images/en/Transform.png" #: ../../reference_manual/layers_and_masks/vector_layers.rst:65 msgid "" "This feature of the tool allows you to move your object by clicking and " "dragging your shape around the canvas. Holding :kbd:`Ctrl` will lock your " "moves to one axis." msgstr "" #: ../../reference_manual/layers_and_masks/vector_layers.rst:68 msgid "Size/Stretch" msgstr "" #: ../../reference_manual/layers_and_masks/vector_layers.rst:71 -#| msgid ":.. image:: /images/en/Resize.png" msgid ".. image:: images/en/Resize.png" msgstr ".. image:: images/en/Resize.png" #: ../../reference_manual/layers_and_masks/vector_layers.rst:72 msgid "" "This feature of the tool allows you to stretch your shape. Selecting a " "midpoint will allow stretching along one axis. Selecting a corner point will " "allow stretching across both axis. Holding :kbd:`Shift` will allow you to " "scale your object. Holding :kbd:`Ctrl` will cause your manipulation to be " "mirrored across your object." msgstr "" #: ../../reference_manual/layers_and_masks/vector_layers.rst:75 msgid "Rotate" msgstr "Rotera" #: ../../reference_manual/layers_and_masks/vector_layers.rst:78 -#| msgid ":.. image:: /images/en/Rotatevector.png" msgid ".. image:: images/en/Rotatevector.png" msgstr ".. image:: images/en/Rotatevector.png" #: ../../reference_manual/layers_and_masks/vector_layers.rst:79 msgid "" "This feature of the tool will allow you to rotate your object around its " "center. Holding :kbd:`Ctrl` will cause your rotation to lock to 45 degree " "angles." msgstr "" #: ../../reference_manual/layers_and_masks/vector_layers.rst:82 msgid "Skew" msgstr "" #: ../../reference_manual/layers_and_masks/vector_layers.rst:85 -#| msgid ":.. image:: /images/en/Skew.png" msgid ".. image:: images/en/Skew.png" msgstr ".. image:: images/en/Skew.png" #: ../../reference_manual/layers_and_masks/vector_layers.rst:86 msgid "This feature of the tool will allow you to skew your object." msgstr "" #: ../../reference_manual/layers_and_masks/vector_layers.rst:90 msgid "" "At the moment there is no way to scale only one side of your vector object. " "The developers are aware that this could be useful and will work on it as " "manpower allows." msgstr "" #: ../../reference_manual/layers_and_masks/vector_layers.rst:93 msgid "Point and Curve Shape Manipulation" msgstr "" #: ../../reference_manual/layers_and_masks/vector_layers.rst:95 msgid "" "Double-click on a vector object to edit the specific points or curves which " "make up the shape. Click and drag a point to move it around the canvas. " "Click and drag along a line to curve it between two points. Holding :kbd:" "`Ctrl` will lock your moves to one axis." msgstr "" #: ../../reference_manual/layers_and_masks/vector_layers.rst:98 msgid ".. image:: images/en/Pointcurvemanip.png" msgstr ".. image:: images/en/Pointcurvemanip.png" #: ../../reference_manual/layers_and_masks/vector_layers.rst:100 msgid "Stroke and Fill" msgstr "" #: ../../reference_manual/layers_and_masks/vector_layers.rst:102 msgid "" "In addition to being defined by points and curves, a shape also has two " "defining properties: **Fill** and **Stroke**. **Fill** defines the color, " "gradient, or pattern that fills the space inside of the shape object. " "'**Stroke**' defines the color, gradient, pattern, and thickness of the " "border along the edge of the shape. These two can be edited using the " "**Stroke and Fill** dock. The dock has two modes. One for stroke and one for " "fill. You can change modes by clicking in the dock on the filled square or " "the black line. The active mode will be shown by which is on top of the " "other." msgstr "" #: ../../reference_manual/layers_and_masks/vector_layers.rst:104 msgid "" "Here is the dock with the fill element active. Notice the red line across " "the solid white square. This tells us that there is no fill assigned " "therefore the inside of the shape will be transparent." msgstr "" #: ../../reference_manual/layers_and_masks/vector_layers.rst:107 #: ../../reference_manual/layers_and_masks/vector_layers.rst:129 msgid ".. image:: images/en/Strokeandfill.png" msgstr ".. image:: images/en/Strokeandfill.png" #: ../../reference_manual/layers_and_masks/vector_layers.rst:108 msgid "Here is the dock with the stroke element active." msgstr "" #: ../../reference_manual/layers_and_masks/vector_layers.rst:111 msgid ".. image:: images/en/Strokeandfillstroke.png" msgstr ".. image:: images/en/Strokeandfillstroke.png" #: ../../reference_manual/layers_and_masks/vector_layers.rst:113 msgid "Editing Stroke Properties" msgstr "" #: ../../reference_manual/layers_and_masks/vector_layers.rst:115 msgid "" "The stroke properties dock will allow you to edit a different aspect of how " "the outline of your vector shape looks." msgstr "" #: ../../reference_manual/layers_and_masks/vector_layers.rst:118 msgid ".. image:: images/en/Strokeprops.png" msgstr ".. image:: images/en/Strokeprops.png" #: ../../reference_manual/layers_and_masks/vector_layers.rst:119 msgid "" "The style selector allows you to choose different patterns and line styles. " "The width option changes the thickness of the outline on your vector shape. " "The cap option changes how line endings appear. The join option changes how " "corners appear." msgstr "" #: ../../reference_manual/layers_and_masks/vector_layers.rst:121 msgid "" "The Miter limit controls how harsh the corners of your object will display. " "The higher the number the more the corners will be allowed to stretch out " "past the points. Lower numbers will restrict the stroke to shorter and less " "sharp corners." msgstr "" #: ../../reference_manual/layers_and_masks/vector_layers.rst:124 msgid "Editing Fill Properties" msgstr "" #: ../../reference_manual/layers_and_masks/vector_layers.rst:126 msgid "" "All of the fill properties are contained in the **Stroke and Fill** dock." msgstr "" #: ../../reference_manual/layers_and_masks/vector_layers.rst:130 msgid "" "The large red **X** button will set the fill to none causing the area inside " "of the vector shape to be transparent." msgstr "" #: ../../reference_manual/layers_and_masks/vector_layers.rst:132 msgid "" "To the right of that is the solid square. This sets the fill to be a solid " "color which is displayed in the long button and can be selected by pressing " "the arrow just to the right of the long button. To the right of the solid " "square is the gradient button. This will set the fill to display as a " "gradient. A gradient can be selected by pressing the down arrow next to the " "long button." msgstr "" #: ../../reference_manual/layers_and_masks/vector_layers.rst:134 msgid "" "Under the **X** is a button that shows a pattern. This inside area will be " "filled with a pattern. A pattern can be chosen by pressing the arrows next " "to the long button. The two other buttons are for **fill rules**: the way a " "self-overlapping path is filled." msgstr "" #: ../../reference_manual/layers_and_masks/vector_layers.rst:136 msgid "" "The button with the inner square blank toggles even-odd mode, where every " "filled region of the path is next to an unfilled one, like this:" msgstr "" #: ../../reference_manual/layers_and_masks/vector_layers.rst:139 msgid ".. image:: images/en/400px-Fill_rule_even-odd.svg.png" msgstr ".. image:: images/en/400px-Fill_rule_even-odd.svg.png" #: ../../reference_manual/layers_and_masks/vector_layers.rst:140 msgid "" "The button with the inner square filled toggles non zero mode, where most of " "the time a self overlapping path is entirely filled except when it overlaps " "with a sub-path of a different direction that 'decrease the level of " "overlapping' so that the region between the two is considered outside the " "path and remain unfilled, like this:" msgstr "" #: ../../reference_manual/layers_and_masks/vector_layers.rst:143 msgid ".. image:: images/en/400px-Fill_rule_non-zero.svg.png" msgstr ".. image:: images/en/400px-Fill_rule_non-zero.svg.png" #: ../../reference_manual/layers_and_masks/vector_layers.rst:144 msgid "" "For more (and better) information about fill rules check the `Inkscape " "manual `_." msgstr "" - diff --git a/locale/sv/LC_MESSAGES/reference_manual/main_menu/edit_menu.po b/locale/sv/LC_MESSAGES/reference_manual/main_menu/edit_menu.po index fbda28803..25fc10211 100644 --- a/locale/sv/LC_MESSAGES/reference_manual/main_menu/edit_menu.po +++ b/locale/sv/LC_MESSAGES/reference_manual/main_menu/edit_menu.po @@ -1,164 +1,161 @@ # Copyright (C) licensed under the GNU Free Documentation License 1.3+ unless stated otherwise # This file is distributed under the same license as the Krita Manual package. # # Stefan Asserhäll , 2019. msgid "" msgstr "" "Project-Id-Version: Krita Manual 4.1\n" "Report-Msgid-Bugs-To: \n" "POT-Creation-Date: 2019-04-05 03:37+0200\n" "PO-Revision-Date: 2019-04-13 20:27+0100\n" "Last-Translator: Stefan Asserhäll \n" "Language-Team: Swedish \n" "Language: sv\n" "MIME-Version: 1.0\n" "Content-Type: text/plain; charset=UTF-8\n" "Content-Transfer-Encoding: 8bit\n" "Plural-Forms: nplurals=2; plural=n != 1;\n" "X-Generator: Lokalize 2.0\n" #: ../../reference_manual/main_menu/edit_menu.rst:1 msgid "The edit menu in Krita." msgstr "Redigeringsmenyn i Krita." #: ../../reference_manual/main_menu/edit_menu.rst:16 msgid "Edit" msgstr "Redigera" #: ../../reference_manual/main_menu/edit_menu.rst:19 msgid "Undo" msgstr "Ångra" #: ../../reference_manual/main_menu/edit_menu.rst:21 msgid "Undoes the last action. :kbd:`Ctrl + Z`" msgstr "" #: ../../reference_manual/main_menu/edit_menu.rst:22 msgid "Redo" msgstr "Gör om" #: ../../reference_manual/main_menu/edit_menu.rst:24 msgid "Redoes the last undone action. :kbd:`Ctrl + Shift+ Z`" msgstr "" #: ../../reference_manual/main_menu/edit_menu.rst:25 msgid "Cut" msgstr "Klipp ut" #: ../../reference_manual/main_menu/edit_menu.rst:27 msgid "Cuts the selection or layer. :kbd:`Ctrl + X`" msgstr "" #: ../../reference_manual/main_menu/edit_menu.rst:28 msgid "Copy" msgstr "Kopiera" #: ../../reference_manual/main_menu/edit_menu.rst:30 msgid "Copies the selection or layer. :kbd:`Ctrl + C`" msgstr "" #: ../../reference_manual/main_menu/edit_menu.rst:31 msgid "Cut (Sharp)" msgstr "Klipp ut (skarp)" #: ../../reference_manual/main_menu/edit_menu.rst:33 msgid "" "This prevents semi-transparent areas from appearing on your cut pixels, " "making them either fully opaque or fully transparent." msgstr "" #: ../../reference_manual/main_menu/edit_menu.rst:34 msgid "Copy (Sharp)" msgstr "Kopiera (skarp)" #: ../../reference_manual/main_menu/edit_menu.rst:36 msgid "Same as :term:`Cut (Sharp)` but then copying instead." msgstr "" #: ../../reference_manual/main_menu/edit_menu.rst:37 msgid "Copy Merged" msgstr "Kopiera sammanfogade" #: ../../reference_manual/main_menu/edit_menu.rst:39 msgid "Copies the selection over all layers. :kbd:`Ctrl + Shift + C`" msgstr "" #: ../../reference_manual/main_menu/edit_menu.rst:40 msgid "Paste" msgstr "Klistra in" #: ../../reference_manual/main_menu/edit_menu.rst:42 msgid "Pastes the copied buffer into the image as a new layer. :kbd:`Ctrl + V`" msgstr "" #: ../../reference_manual/main_menu/edit_menu.rst:43 msgid "Paste at Cursor" msgstr "Klistra in vid markören" #: ../../reference_manual/main_menu/edit_menu.rst:45 msgid "Same as :term:`paste`, but aligns the image to the cursor." msgstr "" #: ../../reference_manual/main_menu/edit_menu.rst:46 msgid "Paste into new image" msgstr "Klistra in i ny bild" #: ../../reference_manual/main_menu/edit_menu.rst:48 msgid "Pastes the copied buffer into a new image." msgstr "" #: ../../reference_manual/main_menu/edit_menu.rst:49 msgid "Clear" msgstr "Rensa" #: ../../reference_manual/main_menu/edit_menu.rst:51 msgid "Clear the current layer. :kbd:`Del`" msgstr "" #: ../../reference_manual/main_menu/edit_menu.rst:52 -#| msgid "Fill with pattern" msgid "Fill with Foreground Color" msgstr "Fyll med förgrundsfärg" #: ../../reference_manual/main_menu/edit_menu.rst:54 msgid "" "Fills the layer or selection with the foreground color. :kbd:`Shift + " "Backspace`" msgstr "" #: ../../reference_manual/main_menu/edit_menu.rst:55 -#| msgid "Fill with pattern" msgid "Fill with Background Color" msgstr "Fyll med bakgrundsfärg" #: ../../reference_manual/main_menu/edit_menu.rst:57 msgid "" "Fills the layer or selection with the background color. :kbd:`Backspace`" msgstr "" #: ../../reference_manual/main_menu/edit_menu.rst:58 msgid "Fill with pattern" msgstr "Fyll med mönster" #: ../../reference_manual/main_menu/edit_menu.rst:60 msgid "Fills the layer or selection with the active pattern." msgstr "" #: ../../reference_manual/main_menu/edit_menu.rst:61 msgid "Stroke Selected Shapes" msgstr "Strecka markerade former" #: ../../reference_manual/main_menu/edit_menu.rst:63 msgid "" "Strokes the selected vector shape with the selected brush, will create a new " "layer." msgstr "" #: ../../reference_manual/main_menu/edit_menu.rst:64 msgid "Stroke Selection" msgstr "Dragmarkering" #: ../../reference_manual/main_menu/edit_menu.rst:66 msgid "Strokes the active selection using the menu." msgstr "" - diff --git a/locale/sv/LC_MESSAGES/reference_manual/tools/colorize_mask.po b/locale/sv/LC_MESSAGES/reference_manual/tools/colorize_mask.po index 16962fdbb..fcace98f9 100644 --- a/locale/sv/LC_MESSAGES/reference_manual/tools/colorize_mask.po +++ b/locale/sv/LC_MESSAGES/reference_manual/tools/colorize_mask.po @@ -1,447 +1,447 @@ # Copyright (C) licensed under the GNU Free Documentation License 1.3+ unless stated otherwise # This file is distributed under the same license as the Krita Manual package. # # Stefan Asserhäll , 2019. msgid "" msgstr "" "Project-Id-Version: Krita Manual 4.1\n" "Report-Msgid-Bugs-To: \n" -"POT-Creation-Date: 2019-04-12 03:34+0200\n" +"POT-Creation-Date: 2019-04-14 03:33+0200\n" "PO-Revision-Date: 2019-03-30 16:47+0100\n" "Last-Translator: Stefan Asserhäll \n" "Language-Team: Swedish \n" "Language: sv\n" "MIME-Version: 1.0\n" "Content-Type: text/plain; charset=UTF-8\n" "Content-Transfer-Encoding: 8bit\n" "Plural-Forms: nplurals=2; plural=n != 1;\n" "X-Generator: Lokalize 2.0\n" #: ../../:2 msgid "" ".. image:: images/icons/Krita_mouse_left.png\n" " :alt: mouseleft" msgstr "" ".. image:: images/icons/Krita_mouse_left.png\n" " :alt: vänsterknapp" #: ../../:4 msgid "" ".. image:: images/icons/Krita_mouse_right.png\n" " :alt: mouseright" msgstr "" ".. image:: images/icons/Krita_mouse_right.png\n" " :alt: högerknapp" #: ../../:8 msgid "" ".. image:: images/icons/Krita_mouse_scroll.png\n" " :alt: mousescroll" msgstr "" ".. image:: images/icons/Krita_mouse_scroll.png\n" " :alt: mushjul" #: ../../:60 msgid "" ".. image:: images/icons/colorizemask_tool.svg\n" " :alt: toolcolorizemask" msgstr "" +#: ../../reference_manual/tools/colorize_mask.rst:0 +msgid "" +".. image:: images/en/Krita_4_0_colorize_mask_show_output_edit_strokes.png" +msgstr "" +".. image:: images/en/Krita_4_0_colorize_mask_show_output_edit_strokes.png" + +#: ../../reference_manual/tools/colorize_mask.rst:0 +msgid ".. image:: images/en/Krita_4_0_colorize_mask_edge_detection.png" +msgstr ".. image:: images/en/Krita_4_0_colorize_mask_edge_detection.png" + +#: ../../reference_manual/tools/colorize_mask.rst:0 +msgid ".. image:: images/en/Krita_4_0_colorize_mask_gap_close_hint.png" +msgstr ".. image:: images/en/Krita_4_0_colorize_mask_gap_close_hint.png" + +#: ../../reference_manual/tools/colorize_mask.rst:0 +msgid ".. image:: images/en/Krita_4_0_colorize_mask_clean_up.png" +msgstr ".. image:: images/en/Krita_4_0_colorize_mask_clean_up.png" + #: ../../reference_manual/tools/colorize_mask.rst:None msgid ".. image:: images/en/Krita_4_0_colorize_mask_usage_01.png" msgstr ".. image:: images/en/Krita_4_0_colorize_mask_usage_01.png" #: ../../reference_manual/tools/colorize_mask.rst:None msgid ".. image:: images/en/Krita_4_0_colorize_mask_usage_02.png" msgstr ".. image:: images/en/Krita_4_0_colorize_mask_usage_02.png" #: ../../reference_manual/tools/colorize_mask.rst:None msgid ".. image:: images/en/Krita_4_0_colorize_mask_usage_03.png" msgstr ".. image:: images/en/Krita_4_0_colorize_mask_usage_03.png" #: ../../reference_manual/tools/colorize_mask.rst:None msgid ".. image:: images/en/Krita_4_0_colorize_mask_usage_04.png" msgstr ".. image:: images/en/Krita_4_0_colorize_mask_usage_04.png" #: ../../reference_manual/tools/colorize_mask.rst:None msgid ".. image:: images/en/Krita_4_0_colorize_mask_usage_05.png" msgstr ".. image:: images/en/Krita_4_0_colorize_mask_usage_05.png" #: ../../reference_manual/tools/colorize_mask.rst:None msgid ".. image:: images/en/Krita_4_0_colorize_mask_usage_06.png" msgstr ".. image:: images/en/Krita_4_0_colorize_mask_usage_06.png" #: ../../reference_manual/tools/colorize_mask.rst:None msgid ".. image:: images/en/Krita_4_0_colorize_mask_usage_07.png" msgstr ".. image:: images/en/Krita_4_0_colorize_mask_usage_07.png" #: ../../reference_manual/tools/colorize_mask.rst:None msgid ".. image:: images/en/Krita_4_0_colorize_mask_usage_08.png" msgstr ".. image:: images/en/Krita_4_0_colorize_mask_usage_08.png" #: ../../reference_manual/tools/colorize_mask.rst:None msgid ".. image:: images/en/Krita_4_0_colorize_mask_usage_09.png" msgstr ".. image:: images/en/Krita_4_0_colorize_mask_usage_09.png" #: ../../reference_manual/tools/colorize_mask.rst:None msgid ".. image:: images/en/Krita_4_0_colorize_mask_usage_10.png" msgstr ".. image:: images/en/Krita_4_0_colorize_mask_usage_10.png" #: ../../reference_manual/tools/colorize_mask.rst:None msgid ".. image:: images/en/Krita_4_0_colorize_mask_usage_11.png" msgstr ".. image:: images/en/Krita_4_0_colorize_mask_usage_11.png" #: ../../reference_manual/tools/colorize_mask.rst:None msgid ".. image:: images/en/Krita_4_0_colorize_mask_usage_12.png" msgstr ".. image:: images/en/Krita_4_0_colorize_mask_usage_12.png" -#: ../../reference_manual/tools/colorize_mask.rst:0 -msgid "" -".. image:: images/en/Krita_4_0_colorize_mask_show_output_edit_strokes.png" -msgstr "" -".. image:: images/en/Krita_4_0_colorize_mask_show_output_edit_strokes.png" - -#: ../../reference_manual/tools/colorize_mask.rst:0 -msgid ".. image:: images/en/Krita_4_0_colorize_mask_edge_detection.png" -msgstr ".. image:: images/en/Krita_4_0_colorize_mask_edge_detection.png" - -#: ../../reference_manual/tools/colorize_mask.rst:0 -msgid ".. image:: images/en/Krita_4_0_colorize_mask_gap_close_hint.png" -msgstr ".. image:: images/en/Krita_4_0_colorize_mask_gap_close_hint.png" - -#: ../../reference_manual/tools/colorize_mask.rst:0 -msgid ".. image:: images/en/Krita_4_0_colorize_mask_clean_up.png" -msgstr ".. image:: images/en/Krita_4_0_colorize_mask_clean_up.png" - #: ../../reference_manual/tools/colorize_mask.rst:1 msgid "How to use the colorize mask in Krita." msgstr "" #: ../../reference_manual/tools/colorize_mask.rst:16 msgid "Colorize Mask" msgstr "Färgläggningsmask" #: ../../reference_manual/tools/colorize_mask.rst:18 msgid "|toolcolorizemask|" msgstr "" #: ../../reference_manual/tools/colorize_mask.rst:20 msgid "" "A tool for quickly coloring line art, the Colorize Mask Editing tool can be " "found next to the gradient tool on your toolbox." msgstr "" #: ../../reference_manual/tools/colorize_mask.rst:22 msgid "" "This feature is technically already in 3.1, but disabled by default because " "we had not optimized the filling algorithm for production use yet. To enable " "it, find your krita configuration file, open it in notepad, and add " "\"disableColorizeMaskFeature=false\" to the top. Then restart Krita. Its " "official incarnation is in 4.0." msgstr "" #: ../../reference_manual/tools/colorize_mask.rst:26 msgid "Usage" msgstr "Användning" #: ../../reference_manual/tools/colorize_mask.rst:28 msgid "" "This tool works in conjunction with the colorize mask, and the usage is as " "follows:" msgstr "" #: ../../reference_manual/tools/colorize_mask.rst:30 msgid "" "For this example, we'll be using the ghost lady also used to explain masks " "on :ref:`the basic concepts page `." msgstr "" #: ../../reference_manual/tools/colorize_mask.rst:36 msgid "" "This image has the line art for the lady separated from the background, and " "what's more, the background is made up of two layers: one main and one for " "the details." msgstr "" #: ../../reference_manual/tools/colorize_mask.rst:38 msgid "" "First, select the colorize mask editing tool while having the line art layer " "selected. |mouseleft| the canvas will add a colorize mask to the layer. You " "can also |mouseright| the line art layer, and then :menuselection:`Add --> " "Colorize Mask`. The line art will suddenly become really weird, this is the " "prefiltering which are filters through which we put the line art to make the " "algorithm easier to use. The tool options overview below shows which options " "control that." msgstr "" #: ../../reference_manual/tools/colorize_mask.rst:45 msgid "" "Now, you make strokes with brush colors, press :guilabel:`Update` in the " "tool options, or tick the last icon of the colorize mask properties. In the " "layer docker, you will be able to see a little progress bar appear on the " "colorize mask indicating how long it takes. The bigger your file, the longer " "it will take." msgstr "" #: ../../reference_manual/tools/colorize_mask.rst:51 msgid "" "We want to have the blue transparent. In the tool options of the colorize " "editing tool you will see a small palette. These are the colors already " "used. You can remove colors here, or mark a single color as standing for " "transparent, by selecting it and pressing \"transparent\". Updating the mask " "will still show the blue stroke, but the result will be transparent:" msgstr "" #: ../../reference_manual/tools/colorize_mask.rst:57 msgid "" "Because the colorize mask algorithm is slow, and we only need a part of our " "layer to be filled to fill the whole ghost lady figure, we can make use of :" "guilabel:`Limit to layer bounds`. This will limit Colorize Mask to use the " "combined size of the line art and the coloring key strokes. Therefore, make " "sure that the colorizing keystrokes only take up as much as they really need." msgstr "" #: ../../reference_manual/tools/colorize_mask.rst:63 msgid "" "Now the algorithm will be possibly a lot faster, allowing us to add strokes " "and press :guilabel:`Update` in rapid succession:" msgstr "" #: ../../reference_manual/tools/colorize_mask.rst:69 msgid "" "To see the final result, disable :guilabel:`Edit Key Strokes` or toggle the " "second to last icon on the colorize mask." msgstr "" #: ../../reference_manual/tools/colorize_mask.rst:75 msgid "" "If you want to edit the strokes again, re-enable :guilabel:`Edit Key " "Strokes`." msgstr "" #: ../../reference_manual/tools/colorize_mask.rst:77 msgid "" "Now, the colorize mask, being a mask, can also be added to a group of line " "art layers. It will then use the composition of the whole group as the line " "art. This is perfect for our background which has two separate line art " "layers. It also means that the colorize mask will be disabled when added to " "a group with pass-through enabled, because those have no final composition. " "You can recognize a disabled colorize mask because its name is stricken " "through." msgstr "" #: ../../reference_manual/tools/colorize_mask.rst:79 msgid "" "To add a colorize mask to a group, select the group and |mouseleft| the " "canvas with the Colorize Mask editing tool, or |mouseright| the layer to :" "menuselection:`Add --> Colorize Mask`." msgstr "" #: ../../reference_manual/tools/colorize_mask.rst:85 msgid "" "Now, we add strokes to the background quickly. We do not need to use the :" "menuselection:`Limit to Layer Bounds` because the background covers the " "whole image." msgstr "" #: ../../reference_manual/tools/colorize_mask.rst:91 msgid "" "For the record, you can use other brushes and tools also work on the " "colorize mask as long as they can draw. The Colorize Mask Editing tool is " "just the most convenient because you can get to the algorithm options." msgstr "" #: ../../reference_manual/tools/colorize_mask.rst:93 msgid "Out final result looks like this:" msgstr "" #: ../../reference_manual/tools/colorize_mask.rst:99 msgid "" "Now we are done, |mouseright| the colorize mask and :menuselection:`Convert " "--> to Paint Layer`. Then, :menuselection:`Layer --> Split --> Split Layer`. " "This will give separate color islands that you can easily edit:" msgstr "" #: ../../reference_manual/tools/colorize_mask.rst:105 msgid "" "This way we can very quickly paint the image. Due to the colorize mask going " "from the first image to the following took only 30 minutes, and would've " "taken quite a bit longer." msgstr "" #: ../../reference_manual/tools/colorize_mask.rst:111 msgid "" "The colorize masks are saved to the .kra file, so as long as you don't save " "and open to a different file format, nor convert the colorize mask to a " "paintlayer, you can keep working adjust the results." msgstr "" #: ../../reference_manual/tools/colorize_mask.rst:114 msgid "Tool Options" msgstr "Verktygsalternativ" #: ../../reference_manual/tools/colorize_mask.rst:116 #: ../../reference_manual/tools/colorize_mask.rst:172 msgid "Update" msgstr "Uppdatera" #: ../../reference_manual/tools/colorize_mask.rst:117 msgid "" "Run the colorize mask algorithm. The progress bar for updates on a colorize " "mask shows only in the layer docker." msgstr "" #: ../../reference_manual/tools/colorize_mask.rst:118 #: ../../reference_manual/tools/colorize_mask.rst:169 msgid "Edit key strokes" msgstr "Redigera nyckeldrag" #: ../../reference_manual/tools/colorize_mask.rst:119 msgid "" "Put the mask into edit mode. In edit mode, it will also show the " "'prefiltering' on the line art, which is for example a blur filter for gap " "closing." msgstr "" #: ../../reference_manual/tools/colorize_mask.rst:121 msgid "" "Show the output of the colorize mask. If :guilabel:`Edit key strokes` is " "active, this will be shown semi-transparently, so it will be easy to " "recognize the difference between the strokes and the output." msgstr "" #: ../../reference_manual/tools/colorize_mask.rst:127 #: ../../reference_manual/tools/colorize_mask.rst:165 msgid "Show output" msgstr "Visa utdata" #: ../../reference_manual/tools/colorize_mask.rst:127 msgid "" "On the **Left**: :guilabel:`Show Output` is on, :guilabel:`Edit Key Strokes` " "is off. In the **Middle**: :guilabel:`Show Output` and :guilabel:`Edit Key " "Strokes` are on. On the **Right**: :guilabel:`Show Output` is off and :" "guilabel:`Edit Key Strokes` is on." msgstr "" #: ../../reference_manual/tools/colorize_mask.rst:129 msgid "Limit to layer bounds" msgstr "Begränsa till lagergränser" #: ../../reference_manual/tools/colorize_mask.rst:130 msgid "" "Limit the colorize mask to the combined layer bounds of the strokes and the " "line art it is filling. This can speed up the use of the mask on complicated " "compositions, such as comic pages." msgstr "" #: ../../reference_manual/tools/colorize_mask.rst:132 msgid "" "Activate this for line art with large solid areas, for example shadows on an " "object. For the best use, set the value to the thinnest lines on the image. " "In the image below, note how edge detection affects the big black areas:" msgstr "" #: ../../reference_manual/tools/colorize_mask.rst:138 msgid "Edge detection" msgstr "Kantdetektering" #: ../../reference_manual/tools/colorize_mask.rst:138 msgid "" "From left to right: an example with big black shadows on an object but no " "edge detection, the same example without the edit key strokes enabled. Then " "the same example with edge detection enabled and set to 2px, and that same " "example without edit key strokes enabled." msgstr "" #: ../../reference_manual/tools/colorize_mask.rst:141 msgid "" "While the algorithm is pretty good against gaps in contours, this will " "improve the gap recognition. The higher this value is, the bigger the gaps " "it will try to close, but a too high value can lead to other errors. Note " "how the prefiltered line art (that's the blurry haze) affects the color " "patches." msgstr "" #: ../../reference_manual/tools/colorize_mask.rst:146 msgid "Gap close hint" msgstr "Gapstängningstips" #: ../../reference_manual/tools/colorize_mask.rst:147 msgid "" "On the **Left**: :guilabel:`Gap close hint` is 0px. In the **Middle**: :" "guilabel:`Gap close hint` is 15px (the lines are 10px). On the **Right**: :" "guilabel:`Gap close hint` is 275px." msgstr "" #: ../../reference_manual/tools/colorize_mask.rst:149 msgid "" "This will attempt to handle messy strokes that overlap the line art where " "they shouldn't. At 0 no clean up is done, at 100% the clean-up is most " "aggressive." msgstr "" #: ../../reference_manual/tools/colorize_mask.rst:153 msgid "Clean up" msgstr "" #: ../../reference_manual/tools/colorize_mask.rst:155 msgid "Key strokes" msgstr "Nyckeldrag" #: ../../reference_manual/tools/colorize_mask.rst:156 msgid "" "This palette keeps track of the colors used by the strokes. This is useful " "so you can switch back to colors easily. You can increase the swatch size by " "hovering over it with the mouse, and doing :kbd:`Ctrl +` |mousescroll|." msgstr "" #: ../../reference_manual/tools/colorize_mask.rst:158 msgid "Transparent" msgstr "Genomskinlig" #: ../../reference_manual/tools/colorize_mask.rst:158 msgid "" "This button is under the keystrokes palette, you can mark the selected color " "to be interpreted a 'transparent' with this. In the clean-up screenshot " "above, cyan had been marked as transparent." msgstr "" #: ../../reference_manual/tools/colorize_mask.rst:161 msgid "Layer properties" msgstr "Lageregenskaper" #: ../../reference_manual/tools/colorize_mask.rst:163 msgid "" "The colorize mask layer has four properties. They are all the buttons on the " "right side of the layer:" msgstr "" #: ../../reference_manual/tools/colorize_mask.rst:166 msgid "" "The first button, it allows you to toggle whether you'll see the output from " "the colorize algorithm." msgstr "" #: ../../reference_manual/tools/colorize_mask.rst:167 msgid "Lock" msgstr "Lås" #: ../../reference_manual/tools/colorize_mask.rst:168 msgid "Stops the mask from being edited." msgstr "" #: ../../reference_manual/tools/colorize_mask.rst:170 msgid "" "Whether the colorize mask is in edit mode. In edit mode it'll show the " "strokes, and the output will be semi-transparent." msgstr "" #: ../../reference_manual/tools/colorize_mask.rst:172 msgid "" "The last button will force the colorize mask to update, even when you're in " "a different tool." msgstr "" #: ../../reference_manual/tools/colorize_mask.rst:174 msgid "Colorize masks cannot be animated." msgstr "" diff --git a/locale/sv/LC_MESSAGES/reference_manual/tools/gradient_edit.po b/locale/sv/LC_MESSAGES/reference_manual/tools/gradient_edit.po index 594642ddd..16b0906db 100644 --- a/locale/sv/LC_MESSAGES/reference_manual/tools/gradient_edit.po +++ b/locale/sv/LC_MESSAGES/reference_manual/tools/gradient_edit.po @@ -1,73 +1,64 @@ # Copyright (C) licensed under the GNU Free Documentation License 1.3+ unless stated otherwise # This file is distributed under the same license as the Krita Manual package. # # Stefan Asserhäll , 2019. msgid "" msgstr "" "Project-Id-Version: Krita Manual 4.1\n" "Report-Msgid-Bugs-To: \n" "POT-Creation-Date: 2019-04-03 03:42+0200\n" "PO-Revision-Date: 2019-04-13 20:27+0100\n" "Last-Translator: Stefan Asserhäll \n" "Language-Team: Swedish \n" "Language: sv\n" "MIME-Version: 1.0\n" "Content-Type: text/plain; charset=UTF-8\n" "Content-Transfer-Encoding: 8bit\n" "Plural-Forms: nplurals=2; plural=n != 1;\n" "X-Generator: Lokalize 2.0\n" #: ../../:18 msgid "" ".. image:: images/icons/gradient_edit_tool.svg\n" " :alt: toolgradientedit" msgstr "" ".. image:: images/icons/gradient_edit_tool.svg\n" " :alt: toolgradientedit" #: ../../reference_manual/tools/gradient_edit.rst:1 msgid "Krita's vector gradient editing tool reference." msgstr "Referens för Kritas toningsredigeringsverktyg." #: ../../reference_manual/tools/gradient_edit.rst:16 msgid "Gradient Editing Tool" msgstr "Toningsredigeringsverktyg" #: ../../reference_manual/tools/gradient_edit.rst:18 msgid "|toolgradientedit|" msgstr "|toolgradientedit|" #: ../../reference_manual/tools/gradient_edit.rst:22 msgid "" "This tool has been removed in Krita 4.0, and its functionality has been " "folded into the :ref:`shape_selection_tool`." msgstr "" "Det här verktyget har tagits bort i Krita 4.0, och dess funktionalitet har " "integrerats i :ref:`shape_selection_tool`." #: ../../reference_manual/tools/gradient_edit.rst:24 -#| msgid "" -#| "This tool allows you to edit the gradient on canvas, but it only works " -#| "for vector layers. If you have a vector shape selected, and draw a line " -#| "over the canvas, you will be able to see the nodes, and the stops in the " -#| "gradient. Move around the nodes to move the gradient itself. Select the " -#| "stops to change their colour in the tool options docker, or to move their " -#| "position in the on canvas gradient. You can select preset gradient in the " -#| "tool docker to change the active shape's gradient to use those stops." msgid "" "This tool allows you to edit the gradient on canvas, but it only works for " "vector layers. If you have a vector shape selected, and draw a line over the " "canvas, you will be able to see the nodes, and the stops in the gradient. " "Move around the nodes to move the gradient itself. Select the stops to " "change their color in the tool options docker, or to move their position in " "the on canvas gradient. You can select preset gradient in the tool docker to " "change the active shape's gradient to use those stops." msgstr "" "Det här verktyget låter dig redigera toningar på duken, men det fungerar " "bara på vektorlager. Om en vektorform är markerad, och en linje ritas på " "duken, syns toningens noder och ändar. Flytta runt noderna för att flytta " "själva toningen. Markera ändarna för att ändra deras färg i " "verktygsalternativpanelen, eller för att flytta deras position på dukens " "toning. Det går att välja förinställda toningar i verktygspanelen för att " "ändra den aktiva formens toning att använda dessa ändar." - diff --git a/locale/sv/LC_MESSAGES/tutorials/flat-coloring.po b/locale/sv/LC_MESSAGES/tutorials/flat-coloring.po index 9f4c7f372..7d5563b60 100644 --- a/locale/sv/LC_MESSAGES/tutorials/flat-coloring.po +++ b/locale/sv/LC_MESSAGES/tutorials/flat-coloring.po @@ -1,774 +1,766 @@ # Copyright (C) licensed under the GNU Free Documentation License 1.3+ unless stated otherwise # This file is distributed under the same license as the Krita Manual package. # # Stefan Asserhäll , 2019. msgid "" msgstr "" "Project-Id-Version: Krita Manual 4.1\n" "Report-Msgid-Bugs-To: \n" -"POT-Creation-Date: 2019-04-13 03:33+0200\n" +"POT-Creation-Date: 2019-04-14 03:33+0200\n" "PO-Revision-Date: 2019-04-13 20:28+0100\n" "Last-Translator: Stefan Asserhäll \n" "Language-Team: Swedish \n" "Language: sv\n" "MIME-Version: 1.0\n" "Content-Type: text/plain; charset=UTF-8\n" "Content-Transfer-Encoding: 8bit\n" "Plural-Forms: nplurals=2; plural=n != 1;\n" "X-Generator: Lokalize 2.0\n" #: ../../:2 msgid "" ".. image:: images/icons/Krita_mouse_left.png\n" " :alt: mouseleft" msgstr "" ".. image:: images/icons/Krita_mouse_left.png\n" " :alt: vänsterknapp" #: ../../:4 msgid "" ".. image:: images/icons/Krita_mouse_right.png\n" " :alt: mouseright" msgstr "" ".. image:: images/icons/Krita_mouse_right.png\n" " :alt: högerknapp" +#: ../../tutorials/flat-coloring.rst:0 +msgid "" +".. image:: images/en/flat-coloring/Krita_filling_lineart_selection_1.png" +msgstr "" + +#: ../../tutorials/flat-coloring.rst:0 +msgid "" +".. image:: images/en/flat-coloring/Krita_filling_lineart_selection_2.png" +msgstr "" + +#: ../../tutorials/flat-coloring.rst:0 +msgid ".. image:: images/en/flat-coloring/Krita_filling_lineart_mask_1.png" +msgstr "" + +#: ../../tutorials/flat-coloring.rst:0 +msgid ".. image:: images/en/flat-coloring/Krita_filling_lineart_mask_2.png" +msgstr "" + +#: ../../tutorials/flat-coloring.rst:0 +msgid ".. image:: images/en/flat-coloring/Krita_filling_lineart_mask_3.png" +msgstr "" + #: ../../tutorials/flat-coloring.rst:None msgid "" ".. image:: images/en/flat-coloring/Krita_filling_lineart14.png\n" " :alt: layer structure for flatting in krita" msgstr "" #: ../../tutorials/flat-coloring.rst:None msgid "" ".. image:: images/en/flat-coloring/Krita_filling_lineart1.png\n" " :alt: blend mode setup of line art flat coloring" msgstr "" #: ../../tutorials/flat-coloring.rst:None msgid "" ".. image:: images/en/flat-coloring/Krita_filling_lineart2.png\n" " :alt: effects of multiply blend mode" msgstr "" #: ../../tutorials/flat-coloring.rst:None msgid "" ".. image:: images/icons/fill_tool.svg\n" " :alt: fill-tool icon" msgstr "" #: ../../tutorials/flat-coloring.rst:None msgid "" ".. image:: images/en/flat-coloring/Krita_filling_lineart7.png\n" " :alt: colors filled with fill tool" msgstr "" #: ../../tutorials/flat-coloring.rst:None msgid "" ".. image:: images/en/flat-coloring/Krita_filling_lineart15.png\n" " :alt: selecting with selection tools for filling color" msgstr "" #: ../../tutorials/flat-coloring.rst:None msgid "" ".. image:: images/en/flat-coloring/Krita_filling_lineart16.png\n" " :alt: selection mask in Krita" msgstr "" #: ../../tutorials/flat-coloring.rst:None msgid "" ".. image:: images/en/flat-coloring/Krita_filling_lineart17.png\n" " :alt: filling color in selection" msgstr "" #: ../../tutorials/flat-coloring.rst:None msgid "" ".. image:: images/en/flat-coloring/Krita_filling_lineart18.png\n" " :alt: result of coloring made with the help of selection tools" msgstr "" #: ../../tutorials/flat-coloring.rst:None msgid "" ".. image:: images/en/flat-coloring/Krita_filling_lineart8.png\n" " :alt: filling color in line art using path tool" msgstr "" #: ../../tutorials/flat-coloring.rst:None msgid "" ".. image:: images/en/flat-coloring/Krita_filling_lineart9.png\n" " :alt: erasing with path tool" msgstr "" #: ../../tutorials/flat-coloring.rst:None -#| msgid "" -#| ".. image:: images/en/flat-coloring/Krita_filling_lineart_color_to_alpha." -#| "png" msgid "" ".. image:: images/en/flat-coloring/Krita_filling_lineart10.png\n" " :alt: coloring with colorize mask" msgstr "" #: ../../tutorials/flat-coloring.rst:None -#| msgid "" -#| ".. image:: images/en/flat-coloring/Krita_filling_lineart_color_to_alpha." -#| "png" msgid "" ".. image:: images/en/flat-coloring/Krita_filling_lineart11.png\n" " :alt: result from the colorize mask" msgstr "" #: ../../tutorials/flat-coloring.rst:None msgid "" ".. image:: images/en/flat-coloring/Krita_filling_lineart12.png\n" " :alt: slitting colors into islands" msgstr "" #: ../../tutorials/flat-coloring.rst:None msgid "" ".. image:: images/en/flat-coloring/Krita_filling_lineart13.png\n" " :alt: resulting color islands from split layers" msgstr "" -#: ../../tutorials/flat-coloring.rst:0 -msgid "" -".. image:: images/en/flat-coloring/Krita_filling_lineart_selection_1.png" -msgstr "" - -#: ../../tutorials/flat-coloring.rst:0 -msgid "" -".. image:: images/en/flat-coloring/Krita_filling_lineart_selection_2.png" -msgstr "" - -#: ../../tutorials/flat-coloring.rst:0 -msgid ".. image:: images/en/flat-coloring/Krita_filling_lineart_mask_1.png" -msgstr "" - -#: ../../tutorials/flat-coloring.rst:0 -msgid ".. image:: images/en/flat-coloring/Krita_filling_lineart_mask_2.png" -msgstr "" - -#: ../../tutorials/flat-coloring.rst:0 -msgid ".. image:: images/en/flat-coloring/Krita_filling_lineart_mask_3.png" -msgstr "" - #: ../../tutorials/flat-coloring.rst:1 msgid "Common workflows used in Krita" msgstr "Vanliga arbetsflöden som används i Krita" #: ../../tutorials/flat-coloring.rst:13 msgid "Flat Coloring" msgstr "" #: ../../tutorials/flat-coloring.rst:15 msgid "" "So you've got a cool black on white drawing, and now you want to color it! " "The thing we’ll aim for in this tutorial is to get your line art colored in " "with flat colors. So no shading just yet. We’ll be going through some " "techniques for preparing the line art, and we’ll be using the layer docker " "to put each color on a separate layer, so we can easily access each color " "when we add shading." msgstr "" #: ../../tutorials/flat-coloring.rst:17 msgid "" "This tutorial is adapted from this `tutorial `_ by " "the original author." msgstr "" #: ../../tutorials/flat-coloring.rst:20 msgid "Understanding Layers" msgstr "Förstå lager" #: ../../tutorials/flat-coloring.rst:22 msgid "" "To fill line art comfortably, it's best to take advantage of the layerstack. " "The layer stack is pretty awesome, and it's one of those features that make " "digital art super-convenient." msgstr "" #: ../../tutorials/flat-coloring.rst:24 msgid "" "In traditional art, it is not uncommon to first draw the full background " "before drawing the subject. Or to first draw a line art and then color it " "in. Computers have a similar way of working." msgstr "" #: ../../tutorials/flat-coloring.rst:26 msgid "" "In programming, if you tell a computer to draw a red circle, and then " "afterwards tell it to draw a smaller yellow circle, you will see the small " "yellow circle overlap the red circle. Switch the commands around, and you " "will not see the yellow circle at all: it was drawn before the red circle " "and thus ‘behind’ it." msgstr "" #: ../../tutorials/flat-coloring.rst:28 msgid "" "This is referred to as the “drawing order”. So like the traditional artist, " "the computer will first draw the images that are behind everything, and " "layer the subject and foreground on top of it. The layer docker is a way for " "you to control the drawing order of multiple images, so for example, you can " "have your line art drawn later than your colors, meaning that the lines will " "be drawn over the colors, making it easier to make it neat!" msgstr "" #: ../../tutorials/flat-coloring.rst:30 msgid "" "Other things that a layer stack can do are blending the colors of different " "layers differently with blending modes, using a filter in the layer stack, " "or using a mask that allows you to make parts transparent." msgstr "" #: ../../tutorials/flat-coloring.rst:32 msgid "" "Programmers talk about transparency as ''Alpha'', which is because the 'a' " "symbol is used to present transparency in the algorithms for painting one " "color on top of another. Usually when you see the word ''Alpha'' in a " "graphics program, just think of it as affecting the transparency." msgstr "" #: ../../tutorials/flat-coloring.rst:35 msgid "Preparing your line art" msgstr "" #: ../../tutorials/flat-coloring.rst:37 msgid "" "Put the new layer underneath the layer containing the line art (drag and " "drop or use the up/down arrows for that), and draw on it." msgstr "" #: ../../tutorials/flat-coloring.rst:42 msgid "" "…And notice nothing happening. This is because the white isn’t transparent. " "You wouldn’t really want it to either, how else would you make convincing " "highlights? So what we first need to do to color in our drawing is prepare " "our line art. There’s several methods of doing so, each with varying " "qualities." msgstr "" #: ../../tutorials/flat-coloring.rst:45 msgid "The Multiply Blending Mode" msgstr "" #: ../../tutorials/flat-coloring.rst:47 msgid "" "So, typically, to get a black and white line art usable for coloring, you " "can set the blending mode of the line art layer to Multiply. You do this by " "selecting the layer and going to the drop-down that says **Normal** and " "setting that to **Multiply**." msgstr "" #: ../../tutorials/flat-coloring.rst:52 msgid "And then you should be able to see your colors!" msgstr "" #: ../../tutorials/flat-coloring.rst:54 msgid "" "Multiply is not a perfect solution however. For example, if through some " "image editing magic I make the line art blue, it results into this:" msgstr "" #: ../../tutorials/flat-coloring.rst:59 msgid "" "This is because multiply literally multiplies the colors. So it uses maths!" msgstr "" #: ../../tutorials/flat-coloring.rst:61 msgid "" "What it first does is take the values of the RGB channels, then divides them " "by the max (because we're in 8bit, this is 255), a process we call " "normalising. Then it multiplies the normalised values. Finally, it takes the " "result and multiplies it with 255 again to get the result values." msgstr "" #: ../../tutorials/flat-coloring.rst:67 msgid "Pink" msgstr "" #: ../../tutorials/flat-coloring.rst:68 msgid "Pink (normalised)" msgstr "" #: ../../tutorials/flat-coloring.rst:69 ../../tutorials/flat-coloring.rst:87 msgid "Blue" msgstr "" #: ../../tutorials/flat-coloring.rst:70 msgid "Blue (normalised)" msgstr "" #: ../../tutorials/flat-coloring.rst:71 msgid "Normalised, multiplied" msgstr "" #: ../../tutorials/flat-coloring.rst:72 msgid "Result" msgstr "Resultat" #: ../../tutorials/flat-coloring.rst:73 msgid "Red" msgstr "Röd" #: ../../tutorials/flat-coloring.rst:74 msgid "222" msgstr "222" #: ../../tutorials/flat-coloring.rst:75 msgid "0.8705" msgstr "0,8705" #: ../../tutorials/flat-coloring.rst:76 msgid "92" msgstr "92" #: ../../tutorials/flat-coloring.rst:77 msgid "0.3607" msgstr "0,3607" #: ../../tutorials/flat-coloring.rst:78 msgid "0.3139" msgstr "0,3139" #: ../../tutorials/flat-coloring.rst:79 msgid "80" msgstr "80" #: ../../tutorials/flat-coloring.rst:80 msgid "Green" msgstr "Grön" #: ../../tutorials/flat-coloring.rst:81 msgid "144" msgstr "144" #: ../../tutorials/flat-coloring.rst:82 msgid "0.5647" msgstr "0,5647" #: ../../tutorials/flat-coloring.rst:83 msgid "176" msgstr "176" #: ../../tutorials/flat-coloring.rst:84 msgid "0.6902" msgstr "0,6902" #: ../../tutorials/flat-coloring.rst:85 msgid "0.3897" msgstr "0,3897" #: ../../tutorials/flat-coloring.rst:86 msgid "99" msgstr "99" #: ../../tutorials/flat-coloring.rst:88 msgid "123" msgstr "123" #: ../../tutorials/flat-coloring.rst:89 msgid "0.4823" msgstr "0,4823" #: ../../tutorials/flat-coloring.rst:90 msgid "215" msgstr "215" #: ../../tutorials/flat-coloring.rst:91 msgid "0.8431" msgstr "0,8431" #: ../../tutorials/flat-coloring.rst:92 msgid "0.4066" msgstr "0,4066" #: ../../tutorials/flat-coloring.rst:93 msgid "103" msgstr "103" #: ../../tutorials/flat-coloring.rst:95 msgid "" "This isn't completely undesirable, and a lot of artists use this effect to " "add a little richness to their colors." msgstr "" #: ../../tutorials/flat-coloring.rst:98 ../../tutorials/flat-coloring.rst:127 #: ../../tutorials/flat-coloring.rst:154 ../../tutorials/flat-coloring.rst:173 #: ../../tutorials/flat-coloring.rst:210 ../../tutorials/flat-coloring.rst:247 #: ../../tutorials/flat-coloring.rst:275 ../../tutorials/flat-coloring.rst:317 msgid "Advantages" msgstr "Fördelar" #: ../../tutorials/flat-coloring.rst:100 msgid "" "Easy, can work to your benefit even with colored lines by softening the look " "of the lines while keeping nice contrast." msgstr "" #: ../../tutorials/flat-coloring.rst:103 ../../tutorials/flat-coloring.rst:132 #: ../../tutorials/flat-coloring.rst:159 ../../tutorials/flat-coloring.rst:178 #: ../../tutorials/flat-coloring.rst:215 ../../tutorials/flat-coloring.rst:252 #: ../../tutorials/flat-coloring.rst:280 ../../tutorials/flat-coloring.rst:322 msgid "Disadvantages" msgstr "Nackdelar" #: ../../tutorials/flat-coloring.rst:105 msgid "Not actually transparent. Is a little funny with colored lines." msgstr "" #: ../../tutorials/flat-coloring.rst:108 msgid "Using Selections" msgstr "Använda markeringar" #: ../../tutorials/flat-coloring.rst:110 msgid "" "The second method is one where we'll make it actually transparent. In other " "programs this would be done via the channel docker, but Krita doesn't do " "custom channels, instead it uses Selection Masks to store custom selections." msgstr "" #: ../../tutorials/flat-coloring.rst:112 msgid "Duplicate your line art layer." msgstr "" #: ../../tutorials/flat-coloring.rst:114 msgid "" "Convert the duplicate to a selection mask. |mouseright| the layer, then :" "menuselection:`Convert --> to Selection Mask`." msgstr "" #: ../../tutorials/flat-coloring.rst:118 msgid "" "Invert the selection mask. :menuselection:`Select --> Invert Selection`." msgstr "" #: ../../tutorials/flat-coloring.rst:120 msgid "" "Make a new layer, and do :menuselection:`Edit --> Fill with Foreground " "Color`." msgstr "" #: ../../tutorials/flat-coloring.rst:124 msgid "And you should now have the line art on a separate layer." msgstr "" #: ../../tutorials/flat-coloring.rst:129 msgid "Actual transparency." msgstr "" #: ../../tutorials/flat-coloring.rst:134 msgid "Doesn't work when the line art is colored." msgstr "" #: ../../tutorials/flat-coloring.rst:137 msgid "Using Masks" msgstr "Använda masker" #: ../../tutorials/flat-coloring.rst:139 msgid "This is a simpler variation of the above." msgstr "" #: ../../tutorials/flat-coloring.rst:141 msgid "Make a filled layer underneath the line art layer." msgstr "" #: ../../tutorials/flat-coloring.rst:145 msgid "" "Convert the line art layer to a transparency mask |mouseright| the layer, " "then :menuselection:`Convert --> to Transparency Mask`." msgstr "" #: ../../tutorials/flat-coloring.rst:149 msgid "" "Invert the transparency mask by going to :menuselection:`Filter --> Adjust --" "> Invert`" msgstr "" #: ../../tutorials/flat-coloring.rst:156 msgid "" "Actual transparency. You can also very easily doodle a pattern on the filled " "layer where the mask is on without affecting the transparency." msgstr "" #: ../../tutorials/flat-coloring.rst:161 msgid "" "Doesn't work when the line art is colored already. We can still get faster." msgstr "" #: ../../tutorials/flat-coloring.rst:164 msgid "Using Color to Alpha" msgstr "" #: ../../tutorials/flat-coloring.rst:166 msgid "By far the fastest way to get transparent line art." msgstr "" #: ../../tutorials/flat-coloring.rst:168 msgid "" "Select the line art layer and apply the color to alpha filter. :" "menuselection:`Filter --> Colors --> Color to Alpha`. The default values " "should be sufficient for line art." msgstr "" #: ../../tutorials/flat-coloring.rst:171 msgid "" ".. image:: images/en/flat-coloring/Krita_filling_lineart_color_to_alpha.png" msgstr "" ".. image:: images/en/flat-coloring/Krita_filling_lineart_color_to_alpha.png" #: ../../tutorials/flat-coloring.rst:175 msgid "" "Actual transparency. Works with colored line art as well, because it removes " "the white specifically." msgstr "" #: ../../tutorials/flat-coloring.rst:180 msgid "" "You'll have to lock the layer transparency or separate out the alpha via the " "right-click menu if you want to easily color it." msgstr "" #: ../../tutorials/flat-coloring.rst:184 -#| msgid "Colouring the image" msgid "Coloring the image" msgstr "Färglägger bilden" #: ../../tutorials/flat-coloring.rst:186 msgid "" "Much like preparing the line art, there are many different ways of coloring " "a layer." msgstr "" #: ../../tutorials/flat-coloring.rst:188 msgid "" "You could for example fill in everything by hand, but while that is very " "precise it also takes a lot of work. Let's take a look at the other options, " "shall we?" msgstr "" #: ../../tutorials/flat-coloring.rst:191 msgid "Fill Tool" msgstr "Fyllverktyg" #: ../../tutorials/flat-coloring.rst:196 msgid "" "In most cases the fill-tool can’t deal with the anti-aliasing (the soft edge " "in your line art to make it more smooth when zoomed out) In Krita you have " "the grow-shrink option. Setting that to say… 2 expands the color two pixels." msgstr "" #: ../../tutorials/flat-coloring.rst:198 msgid "" "Threshold decides when the fill-tool should consider a different color pixel " "to be a border. And the feathering adds an extra soft border to the fill." msgstr "" #: ../../tutorials/flat-coloring.rst:200 msgid "" "Now, if you click on a gapless-part of the image with your preferred color… " "(Remember to set the opacity to 1.0!)" msgstr "" #: ../../tutorials/flat-coloring.rst:202 msgid "" "Depending on your line art, you can do flats pretty quickly. But setting the " "threshold low can result in little artifacts around where lines meet:" msgstr "" #: ../../tutorials/flat-coloring.rst:207 msgid "" "However, setting the threshold high can end with the fill not recognizing " "some of the lighter lines. Besides these little artifacts can be removed " "with the brush easily." msgstr "" #: ../../tutorials/flat-coloring.rst:212 msgid "Pretty darn quick depending on the available settings." msgstr "" #: ../../tutorials/flat-coloring.rst:217 msgid "" "Again, not great with gaps or details. And it works best with aliased line " "art." msgstr "" #: ../../tutorials/flat-coloring.rst:220 msgid "Selections" msgstr "Markeringar" #: ../../tutorials/flat-coloring.rst:222 msgid "Selections work using the selection tools." msgstr "" #: ../../tutorials/flat-coloring.rst:227 msgid "" "For example with the :ref:`bezier_curve_selection_tool` you can easily " "select a curved area, and the with :kbd:`Shift` + |mouseleft| (not |" "mouseleft| + :kbd:`Shift`, there's a difference!) you can easily add to an " "existing selection." msgstr "" #: ../../tutorials/flat-coloring.rst:232 msgid "" "You can also edit the selection if you have :menuselection:`Select --> Show " "Global Selection Mask` turned on. Then you can select the global selection " "mask, and paint on it. (Above with the alternative selection mode, activated " "in the lower-left corner of the stats bar)" msgstr "" #: ../../tutorials/flat-coloring.rst:234 msgid "" "When done, select the color you want to fill it with and press :kbd:`Shift` " "+ `backspace`." msgstr "" #: ../../tutorials/flat-coloring.rst:239 msgid "" "You can save selections in selection masks by |mouseright| a layer, and then " "going to :menuselection:`Add --> Local Selection`. You first need to " "deactivate a selection by pressing the circle before adding a new selection." msgstr "" #: ../../tutorials/flat-coloring.rst:241 msgid "" "This can serve as an alternative way to split out different parts of the " "image, which is good for more painterly pieces:" msgstr "" #: ../../tutorials/flat-coloring.rst:249 msgid "A bit more precise than filling." msgstr "" #: ../../tutorials/flat-coloring.rst:254 msgid "Previewing your color isn't as easy." msgstr "" #: ../../tutorials/flat-coloring.rst:257 msgid "Geometric tools" msgstr "Geometriska verktyg" #: ../../tutorials/flat-coloring.rst:259 msgid "" "So you have a tool for making rectangles or circles. And in the case of " "Krita, a tool for bezier curves. Select the path tool (|path tool|), and set " "the tool options to fill=foreground and outline=none. Make sure that your " "opacity is set to 1.00 (fully opaque)." msgstr "" #: ../../tutorials/flat-coloring.rst:262 msgid "" ".. image:: images/icons/bezier_curve.svg\n" " :alt: path tool" msgstr "" ".. image:: images/icons/bezier_curve.svg\n" " :alt: konturverktyg" #: ../../tutorials/flat-coloring.rst:264 msgid "" "By clicking and holding, you can influence how curvy a line draw with the " "path tool is going to be. Letting go of the mouse button confirms the " "action, and then you’re free to draw the next point." msgstr "" #: ../../tutorials/flat-coloring.rst:269 msgid "" "You can also erase with a geometric tool. Just press :kbd:`E` or the eraser " "button." msgstr "" #: ../../tutorials/flat-coloring.rst:277 msgid "" "Quicker than using the brush or selections. Also decent with line art that " "contains gaps." msgstr "" #: ../../tutorials/flat-coloring.rst:282 msgid "" "Fiddly details aren’t easy to fill in with this. So I recommend skipping " "those and filling them in later with a brush." msgstr "" #: ../../tutorials/flat-coloring.rst:285 msgid "Colorize Mask" msgstr "Färgläggningsmask" #: ../../tutorials/flat-coloring.rst:287 msgid "" "So, this is a bit of an odd one. In the original tutorial, you'll see I'm " "suggesting using G'Mic, but that was a few years ago, and g'mic is a little " "unstable on windows. Therefore, the Krita developers have been attempting to " "make an internal tool doing the same." msgstr "" #: ../../tutorials/flat-coloring.rst:289 msgid "" "It is disabled in 3.1, but if you use 4.0 or later, it is in the toolbox. " "Check the Colorize Mask for more information." msgstr "" #: ../../tutorials/flat-coloring.rst:291 msgid "So it works like this:" msgstr "" #: ../../tutorials/flat-coloring.rst:293 msgid "Select the colorize mask tool." msgstr "" #: ../../tutorials/flat-coloring.rst:294 msgid "Tick the layer you're using." msgstr "" #: ../../tutorials/flat-coloring.rst:295 msgid "Paint the colors you want to use on the colorize mask" msgstr "" #: ../../tutorials/flat-coloring.rst:296 msgid "Click update to see the results:" msgstr "" #: ../../tutorials/flat-coloring.rst:301 msgid "" "When you are satisfied, |mouseright| the colorize mask, and go to :" "menuselection:`Convert --> Paint Layer`. This will turn the colorize mask to " "a generic paint layer. Then, you can fix the last issues by making the line " "art semi-transparent and painting the flaws away with a pixel art brush." msgstr "" #: ../../tutorials/flat-coloring.rst:306 msgid "" "Then, when you are done, split the layers via :menuselection:`Layer --> " "Split --> Split Layer`. There are a few options you can choose, but the " "following should be fine:" msgstr "" #: ../../tutorials/flat-coloring.rst:311 msgid "" "Finally, press **Ok** and you should get the following. Each color patch it " "on a different layer, named by the palette in the menu and alpha locked, so " "you can start painting right away!" msgstr "" #: ../../tutorials/flat-coloring.rst:319 msgid "" "Works with anti-aliased line art. Really quick to get the base work done. " "Can auto-close gaps." msgstr "" #: ../../tutorials/flat-coloring.rst:324 msgid "" "No anti-aliasing of its own. You have to choose between getting details " "right or the gaps auto-closed." msgstr "" #: ../../tutorials/flat-coloring.rst:327 msgid "Conclusion" msgstr "Avslutning" #: ../../tutorials/flat-coloring.rst:329 msgid "" "I hope this has given you a good idea of how to fill in flats using the " "various techniques, as well as getting a hand of different Krita features. " "Remember that a good flat filled line art is better than a badly shaded one, " "so keep practicing to get the best out of these techniques!" msgstr "" - diff --git a/locale/sv/LC_MESSAGES/user_manual/animation.po b/locale/sv/LC_MESSAGES/user_manual/animation.po index 442e9450c..40081e1fb 100644 --- a/locale/sv/LC_MESSAGES/user_manual/animation.po +++ b/locale/sv/LC_MESSAGES/user_manual/animation.po @@ -1,608 +1,603 @@ # Copyright (C) licensed under the GNU Free Documentation License 1.3+ unless stated otherwise # This file is distributed under the same license as the Krita Manual package. # # Stefan Asserhäll , 2019. msgid "" msgstr "" "Project-Id-Version: Krita Manual 4.1\n" "Report-Msgid-Bugs-To: \n" "POT-Creation-Date: 2019-04-10 03:45+0200\n" "PO-Revision-Date: 2019-04-13 20:29+0100\n" "Last-Translator: Stefan Asserhäll \n" "Language-Team: Swedish \n" "Language: sv\n" "MIME-Version: 1.0\n" "Content-Type: text/plain; charset=UTF-8\n" "Content-Transfer-Encoding: 8bit\n" "Plural-Forms: nplurals=2; plural=n != 1;\n" "X-Generator: Lokalize 2.0\n" #: ../../:2 msgid "" ".. image:: images/icons/Krita_mouse_left.png\n" " :alt: mouseleft" msgstr "" ".. image:: images/icons/Krita_mouse_left.png\n" " :alt: vänsterknapp" #: ../../:4 msgid "" ".. image:: images/icons/Krita_mouse_right.png\n" " :alt: mouseright" msgstr "" ".. image:: images/icons/Krita_mouse_right.png\n" " :alt: högerknapp" #: ../../user_manual/animation.rst:1 msgid "Detailed guide on the animation workflow in Krita." msgstr "Detaljerad handledning om animeringsarbetsflödet i Krita." #: ../../user_manual/animation.rst:18 msgid "Animation with Krita" msgstr "Animering med Krita" #: ../../user_manual/animation.rst:20 msgid "" "Thanks to the 2015 Kickstarter, :program:`Krita 3.0` now has animation. In " "specific, :program:`Krita` has frame-by-frame raster animation. There's " "still a lot of elements missing from it, like tweening, but the basic " "workflow is there." msgstr "" #: ../../user_manual/animation.rst:25 msgid "" "To access the animation features, the easiest way is to change your " "workspace to Animation. This will make the animation dockers and workflow " "appear." msgstr "" #: ../../user_manual/animation.rst:30 msgid "Animation curves" msgstr "Animeringskurvor" #: ../../user_manual/animation.rst:32 msgid "" "To create an animation curve (currently only for opacity) expand the :" "guilabel:`New Frame` button in the :guilabel:`Animation` dock and click :" "guilabel:`Add Opacity Keyframe`. You can now edit the keyframed value for " "opacity directly in the “Layers” dock, adding more keyframes will by default " "fade from the last to the next upcoming keyframe in the timeline over the " "frames between them. See :ref:`animation curves ` " "for details." msgstr "" #: ../../user_manual/animation.rst:40 msgid "Workflow" msgstr "Arbetsflöde" #: ../../user_manual/animation.rst:42 msgid "" "In traditional animation workflow, what you do is that you make *key " "frames*, which contain the important poses, and then draw frames in between " "(\\ *tweening* in highly sophisticated animator's jargon)." msgstr "" #: ../../user_manual/animation.rst:46 msgid "For this workflow, there are three important dockers:" msgstr "Det finns tre viktiga paneler för arbetsflödet:" #: ../../user_manual/animation.rst:48 msgid "" "The :ref:`timeline_docker`. View and control all of the frames in your " "animation. The timeline docker also contains functions to manage your " "layers. The layer that are created in the timeline docker also appear on the " "normal Layer docker." msgstr "" #: ../../user_manual/animation.rst:52 msgid "" "The :ref:`animation_docker`. This docker contains the play buttons as the " "ability to change the frame-rate, playback speed and useful little options " "like :guilabel:`auto-key framing`." msgstr "" #: ../../user_manual/animation.rst:55 msgid "" "The :ref:`onion_skin_docker`. This docker controls the look of the onion " "skin, which in turn is useful for seeing the previous frame." msgstr "" #: ../../user_manual/animation.rst:60 msgid "Introduction to animation: How to make a walkcycle" msgstr "" #: ../../user_manual/animation.rst:62 msgid "" "The best way to get to understand all these different parts is to actually " "use them. Walk cycles are considered the most basic form of a full " "animation, because of all the different parts involved with them. Therefore, " "going over how one makes a walkcycle should serve as a good introduction." msgstr "" #: ../../user_manual/animation.rst:69 msgid "Setup" msgstr "Inställning" #: ../../user_manual/animation.rst:71 msgid "First, we make a new file:" msgstr "Först skapar vi en ny fil:" #: ../../user_manual/animation.rst:74 msgid ".. image:: images/en/Introduction_to_animation_01.png" msgstr ".. image:: images/en/Introduction_to_animation_01.png" #: ../../user_manual/animation.rst:75 msgid "" "On the first tab, we type in a nice ratio like 1280x1024, set the dpi to 72 " "(we're making this for screens after all) and title the document 'walkcycle'." msgstr "" #: ../../user_manual/animation.rst:79 msgid "" "In the second tab, we choose a nice background color, and set the background " "to canvas-color. This means that Krita will automatically fill in any " "transparent bits with the background color. You can change this in :" "menuselection:`Image --> Image Properties`. This seems to be most useful to " "people doing animation, as the layer you do animation on MUST be semi-" "transparent to get onion skinning working." msgstr "" #: ../../user_manual/animation.rst:82 msgid "" "Krita has a bunch of functionality for meta-data, starting at the :guilabel:" "`Create Document` screen. The title will be automatically used as a " "suggestion for saving and the description can be used by databases, or for " "you to leave comments behind. Not many people use it individually, but it " "can be useful for working in larger groups." msgstr "" #: ../../user_manual/animation.rst:84 msgid "Then hit :guilabel:`Create`!" msgstr "Klicka sedan på :guilabel:`Skapa`!" #: ../../user_manual/animation.rst:86 msgid "" "Then, to get all the necessary tools for animation, select the workspace " "switcher:" msgstr "" #: ../../user_manual/animation.rst:91 msgid ".. image:: images/en/Introduction_to_animation_02.png" msgstr ".. image:: images/en/Introduction_to_animation_02.png" #: ../../user_manual/animation.rst:91 msgid "The red arrow points at the workspace switcher." msgstr "Den röda pilen pekar på byte av arbetsyta." #: ../../user_manual/animation.rst:93 msgid "And select the animation workspace." msgstr "Och välj animeringsarbetsytan." #: ../../user_manual/animation.rst:95 msgid "Which should result in this:" msgstr "Vilket ska resultera i detta:" #: ../../user_manual/animation.rst:98 msgid ".. image:: images/en/Introduction_to_animation_03.png" msgstr ".. image:: images/en/Introduction_to_animation_03.png" #: ../../user_manual/animation.rst:99 msgid "" "The animation workspace adds the timeline, animation and onion skin dockers " "at the bottom." msgstr "" #: ../../user_manual/animation.rst:103 msgid "Animating" msgstr "Animering" #: ../../user_manual/animation.rst:105 msgid "" "We have two transparent layers set up. Let's name the bottom one " "'environment' and the top 'walkcycle' by double clicking their names in the " "layer docker." msgstr "" #: ../../user_manual/animation.rst:110 msgid ".. image:: images/en/Introduction_to_animation_04.png" msgstr ".. image:: images/en/Introduction_to_animation_04.png" #: ../../user_manual/animation.rst:111 msgid "" "Use the straight line tool to draw a single horizontal line. This is the " "ground." msgstr "" #: ../../user_manual/animation.rst:115 msgid ".. image:: images/en/Introduction_to_animation_05.png" msgstr ".. image:: images/en/Introduction_to_animation_05.png" #: ../../user_manual/animation.rst:116 msgid "" "Then, select the 'walkcycle' layer and draw a head and torso (you can use " "any brush for this)." msgstr "" #: ../../user_manual/animation.rst:118 msgid "" "Now, selecting a new frame will not make a new frame automatically. Krita " "doesn't actually see the 'walkcycle' layer as an animated layer at all!" msgstr "" #: ../../user_manual/animation.rst:123 msgid ".. image:: images/en/Introduction_to_animation_06.png" msgstr ".. image:: images/en/Introduction_to_animation_06.png" #: ../../user_manual/animation.rst:124 msgid "" "We can make it animatable by adding a frame to the timeline. |mouseright| a " "frame in the timeline to get a context menu. Choose :guilabel:`New Frame`." msgstr "" #: ../../user_manual/animation.rst:128 msgid ".. image:: images/en/Introduction_to_animation_07.png" msgstr ".. image:: images/en/Introduction_to_animation_07.png" #: ../../user_manual/animation.rst:129 msgid "" "You can see it has become an animated layer because of the onion skin icon " "showing up in the timeline docker." msgstr "" #: ../../user_manual/animation.rst:133 msgid ".. image:: images/en/Introduction_to_animation_08.png" msgstr ".. image:: images/en/Introduction_to_animation_08.png" #: ../../user_manual/animation.rst:134 msgid "" "Use the :guilabel:`Copy Frame` button to copy the first frame onto the " "second. Then, use the with :kbd:`Shift + ↑` to move the frame contents up." msgstr "" #: ../../user_manual/animation.rst:138 msgid "We can see the difference by turning on the onionskinning:" msgstr "" #: ../../user_manual/animation.rst:141 msgid ".. image:: images/en/Introduction_to_animation_09.png" msgstr ".. image:: images/en/Introduction_to_animation_09.png" #: ../../user_manual/animation.rst:142 msgid "Now, you should see the previous frame as red." msgstr "Nu ska föregående bildruta visas i rött." #: ../../user_manual/animation.rst:145 msgid "" "Krita sees white as a color, not as transparent, so make sure the animation " "layer you are working on is transparent in the bits where there's no " "drawing. You can fix the situation by use the :ref:`filter_color_to_alpha` " "filter, but prevention is best." msgstr "" #: ../../user_manual/animation.rst:148 msgid ".. image:: images/en/Introduction_to_animation_10.png" msgstr ".. image:: images/en/Introduction_to_animation_10.png" #: ../../user_manual/animation.rst:149 msgid "" "Future frames are drawn in green, and both colors can be configured in the " "onion skin docker." msgstr "" #: ../../user_manual/animation.rst:153 msgid ".. image:: images/en/Introduction_to_animation_11.png" msgstr ".. image:: images/en/Introduction_to_animation_11.png" #: ../../user_manual/animation.rst:154 msgid "" "Now, we're gonna draw the two extremes of the walkcycle. These are the pose " "where both legs are as far apart as possible, and the pose where one leg is " "full stretched and the other pulled in, ready to take the next step." msgstr "" #: ../../user_manual/animation.rst:159 msgid "" "Now, let's copy these two... We could do that with :kbd:`Ctrl + drag`, but " "here comes a tricky bit:" msgstr "" #: ../../user_manual/animation.rst:163 msgid ".. image:: images/en/Introduction_to_animation_12.png" msgstr ".. image:: images/en/Introduction_to_animation_12.png" #: ../../user_manual/animation.rst:164 msgid "" ":kbd:`Ctrl +` |mouseleft| also selects and deselects frames, so to copy..." msgstr "" #: ../../user_manual/animation.rst:166 msgid ":kbd:`Ctrl +` |mouseleft| to select all the frames you want to select." msgstr "" #: ../../user_manual/animation.rst:167 msgid "" ":kbd:`Ctrl + drag`. You need to make sure the first frame is 'orange', " "otherwise it won't be copied along." msgstr "" #: ../../user_manual/animation.rst:170 msgid "Now then..." msgstr "" #: ../../user_manual/animation.rst:175 msgid ".. image:: images/en/Introduction_to_animation_13.png" msgstr ".. image:: images/en/Introduction_to_animation_13.png" #: ../../user_manual/animation.rst:175 msgid "squashed the timeline docker a bit to save space" msgstr "" #: ../../user_manual/animation.rst:177 -#| msgid "Copy frame 0 to frame 2" msgid "Copy frame 0 to frame 2." msgstr "Kopiera bildruta 0 till bildruta 2." #: ../../user_manual/animation.rst:178 -#| msgid "Copy frame 1 to frame 3" msgid "Copy frame 1 to frame 3." msgstr "Kopiera bildruta 1 till bildruta 3." #: ../../user_manual/animation.rst:179 msgid "In the animation docker, set the frame-rate to 4." msgstr "" #: ../../user_manual/animation.rst:180 msgid "Select all frames in the timeline docker by dragging-selecting them." msgstr "" #: ../../user_manual/animation.rst:181 -#| msgid "And select the animation workspace." msgid "Press play in the animation docker." msgstr "Tryck på spela i animeringspanelen." #: ../../user_manual/animation.rst:182 msgid "Enjoy your first animation!" msgstr "Njut av din första animering!" #: ../../user_manual/animation.rst:185 msgid "Expanding upon your rough walkcycle" msgstr "" #: ../../user_manual/animation.rst:188 msgid ".. image:: images/en/Introduction_to_animation_14.png" msgstr ".. image:: images/en/Introduction_to_animation_14.png" #: ../../user_manual/animation.rst:189 msgid "" "You can quickly make some space by :kbd:`Alt+dragging` any frame. This'll " "move that frame and all others after it in one go." msgstr "" #: ../../user_manual/animation.rst:192 msgid "Then draw inbetweens on each frame that you add." msgstr "" #: ../../user_manual/animation.rst:195 msgid ".. image:: images/en/Introduction_to_animation_16.png" msgstr ".. image:: images/en/Introduction_to_animation_16.png" #: ../../user_manual/animation.rst:196 msgid "" "You'll find that the more frames you add, the more difficult it becomes to " "keep track of the onion skins." msgstr "" #: ../../user_manual/animation.rst:198 msgid "" "You can modify the onion skin by using the onion skin docker, where you can " "change how many frames are visible at once, by toggling them on the top row. " "The bottom row is for controlling transparency, while below there you can " "modify the colors and extremity of the coloring." msgstr "" #: ../../user_manual/animation.rst:204 msgid ".. image:: images/en/Introduction_to_animation_15.png" msgstr ".. image:: images/en/Introduction_to_animation_15.png" #: ../../user_manual/animation.rst:206 msgid "Animating with multiple layers" msgstr "Animering med flera lager" #: ../../user_manual/animation.rst:208 msgid "" "Okay, our walkcycle is missing some hands, let's add them on a separate " "layer. So we make a new layer, and name it hands and..." msgstr "" #: ../../user_manual/animation.rst:212 msgid ".. image:: images/en/Introduction_to_animation_17.png" msgstr ".. image:: images/en/Introduction_to_animation_17.png" #: ../../user_manual/animation.rst:213 msgid "" "Our walkcycle is gone from the timeline docker! This is a feature actually. " "A full animation can have so many little parts that an animator might want " "to remove the layers they're not working on from the timeline docker. So you " "manually have to add them." msgstr "" #: ../../user_manual/animation.rst:219 msgid ".. image:: images/en/Introduction_to_animation_18.png" msgstr ".. image:: images/en/Introduction_to_animation_18.png" #: ../../user_manual/animation.rst:220 msgid "" "You can show any given layer in the timeline by doing |mouseright| on the " "layer in the layer docker, and toggling :guilabel:`Show in Timeline`." msgstr "" #: ../../user_manual/animation.rst:224 msgid ".. image:: images/en/Introduction_to_animation_19.png" msgstr ".. image:: images/en/Introduction_to_animation_19.png" #: ../../user_manual/animation.rst:226 msgid "Exporting" msgstr "Exporterar" #: ../../user_manual/animation.rst:228 -#| msgid "When you are done, select :menuselection:`File --> Render Animation`" msgid "When you are done, select :menuselection:`File --> Render Animation`." msgstr "När du är klar, välj :menuselection:`Arkiv --> Återge animering`." #: ../../user_manual/animation.rst:231 msgid ".. image:: images/en/Introduction_to_animation_20.png" msgstr ".. image:: images/en/Introduction_to_animation_20.png" #: ../../user_manual/animation.rst:232 msgid "" "It's recommended to save out your file as a png, and preferably in its own " "folder. Krita can currently only export png sequences." msgstr "" #: ../../user_manual/animation.rst:236 msgid ".. image:: images/en/Introduction_to_animation_21.png" msgstr ".. image:: images/en/Introduction_to_animation_21.png" #: ../../user_manual/animation.rst:237 msgid "" "When pressing done, you can see the status of the export in the status bar " "below." msgstr "" #: ../../user_manual/animation.rst:241 msgid ".. image:: images/en/Introduction_to_animation_22.png" msgstr ".. image:: images/en/Introduction_to_animation_22.png" #: ../../user_manual/animation.rst:242 msgid "" "The images should be saved out as filenameXXX.png, giving their frame number." msgstr "" #: ../../user_manual/animation.rst:245 msgid "" "Then use something like Gimp (Linux, OSX, Windows), ImageMagick (Linux, OSX, " "Windows), or any other gif creator to make a gif out of your image sequence:" msgstr "" #: ../../user_manual/animation.rst:250 msgid ".. image:: images/en/Introduction_to_animation_walkcycle_02.gif" msgstr ".. image:: images/en/Introduction_to_animation_walkcycle_02.gif" #: ../../user_manual/animation.rst:251 msgid "" "For example, you can use `VirtualDub `__\\ " "(Windows) and open all the frames and then go to :menuselection:`File --> " "Export --> GIF`." msgstr "" #: ../../user_manual/animation.rst:255 msgid "Enjoy your walkcycle!" msgstr "" #: ../../user_manual/animation.rst:259 msgid "" "Krita 3.1 has a render animation feature. If you're using the 3.1 beta, " "check out the :ref:`render_animation` page for more information!" msgstr "" #: ../../user_manual/animation.rst:262 msgid "Importing animation frames" msgstr "Importera animeringsbildrutor" #: ../../user_manual/animation.rst:264 msgid "You can import animation frames in Krita 3.0." msgstr "Animeringsbildrutor kan importeras i Krita 3.0." #: ../../user_manual/animation.rst:266 msgid "" "First let us take a sprite sheet from Open Game Art. (This is the Libre " "Pixel Cup male walkcycle)" msgstr "" #: ../../user_manual/animation.rst:269 msgid "" "And we'll use :menuselection:`Image --> Split Image` to split up the sprite " "sheet." msgstr "" #: ../../user_manual/animation.rst:272 msgid ".. image:: images/en/Animation_split_spritesheet.png" msgstr ".. image:: images/en/Animation_split_spritesheet.png" #: ../../user_manual/animation.rst:273 msgid "" "The slices are even, so for a sprite sheet of 9 sprites, use 8 vertical " "slices and 0 horizontal slices. Give it a proper name and save it as png." msgstr "" #: ../../user_manual/animation.rst:275 msgid "" "Then, make a new canvas, and select :menuselection:`File --> Import " "Animation Frames`. This will give you a little window. Select :guilabel:`Add " "images`. This should get you a file browser where you can select your images." msgstr "" #: ../../user_manual/animation.rst:278 msgid ".. image:: images/en/Animation_import_sprites.png" msgstr ".. image:: images/en/Animation_import_sprites.png" #: ../../user_manual/animation.rst:279 msgid "You can select multiple images at once." msgstr "Det går att markera flera bilder samtidigt." #: ../../user_manual/animation.rst:282 msgid ".. image:: images/en/Animation_set_everything.png" msgstr ".. image:: images/en/Animation_set_everything.png" #: ../../user_manual/animation.rst:283 msgid "" "The frames are currently automatically ordered. You can set the ordering " "with the top-left two drop-down boxes." msgstr "" #: ../../user_manual/animation.rst:286 msgid "Start" msgstr "Starta" #: ../../user_manual/animation.rst:287 msgid "Indicates at which point the animation should be imported." msgstr "" #: ../../user_manual/animation.rst:289 msgid "" "Indicates the difference between the imported animation and the document " "frame rate. This animation is 8 frames big, and the fps of the document is " "24 frames, so there should be a step of 3 to keep it even. As you can see, " "the window gives feedback on how much fps the imported animation would be " "with the currently given step." msgstr "" #: ../../user_manual/animation.rst:293 msgid "Step" msgstr "Steg" #: ../../user_manual/animation.rst:295 msgid "" "Press :guilabel:`OK`, and your animation should be imported as a new layer." msgstr "" "Klicka på :guilabel:`Ok`, så ska animeringen importeras som ett nytt lager." #: ../../user_manual/animation.rst:298 msgid ".. image:: images/en/Animation_import_done.png" msgstr ".. image:: images/en/Animation_import_done.png" #: ../../user_manual/animation.rst:300 msgid "Reference" msgstr "Referens" #: ../../user_manual/animation.rst:302 msgid "https://community.kde.org/Krita/Docs/AnimationGuiFeaturesList" msgstr "https://community.kde.org/Krita/Docs/AnimationGuiFeaturesList" #: ../../user_manual/animation.rst:303 msgid "" "`The source for the libre pixel cup male walkmediawiki cycle `_" msgstr "" - diff --git a/locale/sv/LC_MESSAGES/user_manual/getting_started/basic_concepts.po b/locale/sv/LC_MESSAGES/user_manual/getting_started/basic_concepts.po index bd6ceb82b..6125d711a 100644 --- a/locale/sv/LC_MESSAGES/user_manual/getting_started/basic_concepts.po +++ b/locale/sv/LC_MESSAGES/user_manual/getting_started/basic_concepts.po @@ -1,1098 +1,1095 @@ # Copyright (C) licensed under the GNU Free Documentation License 1.3+ unless stated otherwise # This file is distributed under the same license as the Krita Manual package. # # Stefan Asserhäll , 2019. msgid "" msgstr "" "Project-Id-Version: Krita Manual 4.1\n" "Report-Msgid-Bugs-To: \n" "POT-Creation-Date: 2019-04-10 03:45+0200\n" "PO-Revision-Date: 2019-04-13 20:29+0100\n" "Last-Translator: Stefan Asserhäll \n" "Language-Team: Swedish \n" "Language: sv\n" "MIME-Version: 1.0\n" "Content-Type: text/plain; charset=UTF-8\n" "Content-Transfer-Encoding: 8bit\n" "Plural-Forms: nplurals=2; plural=n != 1;\n" "X-Generator: Lokalize 2.0\n" #: ../../user_manual/getting_started/basic_concepts.rst:None msgid ".. image:: images/en/Pixels-brushstroke.png" msgstr ".. image:: images/en/Pixels-brushstroke.png" #: ../../user_manual/getting_started/basic_concepts.rst:None msgid ".. image:: images/en/Dockers.png" msgstr ".. image:: images/en/Dockers.png" #: ../../user_manual/getting_started/basic_concepts.rst:None msgid ".. image:: images/en/Multi-window.png" msgstr ".. image:: images/en/Multi-window.png" #: ../../user_manual/getting_started/basic_concepts.rst:None msgid ".. image:: images/en/Canvas-krita.png" msgstr ".. image:: images/en/Canvas-krita.png" #: ../../user_manual/getting_started/basic_concepts.rst:None msgid ".. image:: images/en/Krita_ghostlady_1.png" msgstr ".. image:: images/en/Krita_ghostlady_1.png" #: ../../user_manual/getting_started/basic_concepts.rst:None msgid ".. image:: images/en/Krita_ghostlady_2.png" msgstr ".. image:: images/en/Krita_ghostlady_2.png" #: ../../user_manual/getting_started/basic_concepts.rst:None msgid ".. image:: images/en/Krita_ghostlady_3.png" msgstr ".. image:: images/en/Krita_ghostlady_3.png" #: ../../user_manual/getting_started/basic_concepts.rst:None msgid ".. image:: images/en/Krita_transforms_free.png" msgstr ".. image:: images/en/Krita_transforms_free.png" #: ../../user_manual/getting_started/basic_concepts.rst:None msgid ".. image:: images/en/Introduction_to_animation_walkcycle_02.gif" msgstr ".. image:: images/en/Introduction_to_animation_walkcycle_02.gif" #: ../../user_manual/getting_started/basic_concepts.rst:1 msgid "An overview of the basic concepts of Krita." msgstr "En översikt av grundbegreppen i Krita." #: ../../user_manual/getting_started/basic_concepts.rst:20 msgid "Basic Concepts" msgstr "Grundbegrepp" #: ../../user_manual/getting_started/basic_concepts.rst:22 msgid "" "If this is your first foray into digital painting, this page should give you " "a brief introduction to the basic but important concepts required for " "getting started with digital painting in Krita." msgstr "" #: ../../user_manual/getting_started/basic_concepts.rst:24 msgid "" "This page is very, very long because it tries to cover all the important " "things you should know Krita is capable of, and Krita is really powerful. So " "this page can also be considered a guide through Krita's most important " "functionality. Hopefully, it will help you grasp what buttons are for, even " "if you don't know the exact purpose of them." msgstr "" #: ../../user_manual/getting_started/basic_concepts.rst:26 msgid "Contents" msgstr "Innehåll" #: ../../user_manual/getting_started/basic_concepts.rst:29 msgid "Raster and Vector" msgstr "Raster och vektor" #: ../../user_manual/getting_started/basic_concepts.rst:31 msgid "" "Even though Krita is primarily a raster based application, it has some " "vector editing capabilities as well. If you are new to Digital painting " "medium, it is necessary that you know the concepts of raster and Vector." msgstr "" #: ../../user_manual/getting_started/basic_concepts.rst:33 msgid "" "In digital imaging, a pixel (Picture Element) is a basic and lowest element " "of an Image. It is basically a grid of points each displaying specific " "color. Raster editing is manipulating and editing these pixels. For example " "when you take a 1-pixel brush which is colored black and painting on the " "white canvas in Krita you are actually changing the color of the pixel " "beneath your brush from white to black. When you zoom in and see a brush " "stroke you can notice many small squares with colors, these are pixels:" msgstr "" #: ../../user_manual/getting_started/basic_concepts.rst:38 msgid "" "In contrast, vector graphic work is based on mathematical expressions. They " "are independent of the pixel. For example, when you draw a rectangle on a " "vector layer in Krita you are actually drawing paths passing through points " "called nodes which are located on specific coordinates on the 'x' and 'y' " "axes. When you re-size or move these points the computer calculates and " "redraws the path and displays the newly formed shape to you. Hence you can " "re-size the vector shape to any extent without any loss in quality." msgstr "" #: ../../user_manual/getting_started/basic_concepts.rst:40 msgid "In Krita, everything which is not on a vector layer is raster based." msgstr "I Krita är allting som inte finns på ett vektorlager rasterbaserat." #: ../../user_manual/getting_started/basic_concepts.rst:43 msgid "Images, Views and Windows" msgstr "Bilder, vyer och fönster" #: ../../user_manual/getting_started/basic_concepts.rst:45 msgid "" "In a painting program, there are three major containers that make up your " "work-space." msgstr "I ett målarprogram finns tre huvudbehållare som utgör arbetsytan." #: ../../user_manual/getting_started/basic_concepts.rst:48 msgid "Image" msgstr "Bild" #: ../../user_manual/getting_started/basic_concepts.rst:50 msgid "The most important one is the **Image**." msgstr "Den viktigaste är **bilden**." #: ../../user_manual/getting_started/basic_concepts.rst:52 msgid "" "This is an individual copy of the image you opened or made via the file " "dialog, and where you edit your file. Krita can allow you to open the file " "as a new copy via the :guilabel:`File` menu, or to save it as a new file, or " "make an incremental save. An image contains layers, a color space, a canvas " "size and metadata such as creator, data created, and DPI. Krita can open " "multiple images at once, you can switch between them via the :guilabel:" "`Window` menu." msgstr "" #: ../../user_manual/getting_started/basic_concepts.rst:54 msgid "" "Because the image is a working copy of the image on the hard drive, you can " "do a lot of little saving tricks with it:" msgstr "" #: ../../user_manual/getting_started/basic_concepts.rst:56 msgid "New" msgstr "Ny" #: ../../user_manual/getting_started/basic_concepts.rst:57 msgid "" "Makes a new image. When you press :menuselection:`Save`, you make a new file " "on the hard drive." msgstr "" #: ../../user_manual/getting_started/basic_concepts.rst:58 msgid "Open" msgstr "Öppna" #: ../../user_manual/getting_started/basic_concepts.rst:59 msgid "" "Makes an internal copy of an existing image. When you press :menuselection:" "`Save`, you will overwrite the original existing image with your working " "copy." msgstr "" #: ../../user_manual/getting_started/basic_concepts.rst:60 msgid "Open existing Document as Untitled Document" msgstr "Öppna befintligt dokument som namnlöst dokument" #: ../../user_manual/getting_started/basic_concepts.rst:61 msgid "" "Similar to :menuselection:`Open`, however, :menuselection:`Save` will " "request you to specify a saving location: you're making a new copy. This is " "similar to :menuselection:`Import` in other programs." msgstr "" #: ../../user_manual/getting_started/basic_concepts.rst:62 msgid "Create Copy From Current Image" msgstr "Skapa kopia från nuvarande bild" #: ../../user_manual/getting_started/basic_concepts.rst:63 msgid "" "Similar to :menuselection:`Open existing Document as Untitled Document` but " "with the currently selected image." msgstr "" #: ../../user_manual/getting_started/basic_concepts.rst:65 msgid "Save incremental" msgstr "Spara inkrementell" #: ../../user_manual/getting_started/basic_concepts.rst:65 msgid "" "Allows you to quickly make a snapshot of the current image by making a new " "file with a version number added to it." msgstr "" #: ../../user_manual/getting_started/basic_concepts.rst:67 msgid "" "These options are great for people doing production work, who need to switch " "between files quickly or have backup files in case they do something " "extreme. Krita also has a file backup system in the form of auto-saves and " "back files and crash recovery. You can configure these in the general " "settings." msgstr "" #: ../../user_manual/getting_started/basic_concepts.rst:69 msgid "You view the image via a **View**." msgstr "Man visar bilden via en **vy**." #: ../../user_manual/getting_started/basic_concepts.rst:72 msgid "View" msgstr "Vy" #: ../../user_manual/getting_started/basic_concepts.rst:74 msgid "" "A view is a window onto your image. Krita allows you to have multiple views, " "and you can manipulate the view to zoom, rotate and mirror and modify the " "color of the way you see an image without editing the image itself. This is " "very useful for artists, as changing the way they view the image is a common " "way to diagnose mistakes, like skewing to one side. Mirroring with :kbd:`M` " "makes such skewing easy to identify." msgstr "" #: ../../user_manual/getting_started/basic_concepts.rst:77 msgid "" "If you have trouble drawing certain curves you will enjoy using rotation for " "drawing, and of course, there is zooming in and out for precision and rough " "work." msgstr "" #: ../../user_manual/getting_started/basic_concepts.rst:82 msgid ".. image:: images/en/Krita_multiple_views.png" msgstr ".. image:: images/en/Krita_multiple_views.png" #: ../../user_manual/getting_started/basic_concepts.rst:82 msgid "Multiple views of the same image in Krita" msgstr "Flera vyer av samma bild i Krita" #: ../../user_manual/getting_started/basic_concepts.rst:84 msgid "" "Multiple views are possible in Krita via :menuselection:`Window --> New view " "--> image name`. You can switch between them via the :guilabel:`Window` " "menu, or :kbd:`Ctrl + Tab`, or keep them in the same area when **subwindow** " "mode is active in the :ref:`settings `, via :menuselection:" "`Window --> Tile`." msgstr "" #: ../../user_manual/getting_started/basic_concepts.rst:87 msgid "Dockers" msgstr "Paneler" #: ../../user_manual/getting_started/basic_concepts.rst:89 msgid "" "Dockers are little subwindows in :ref:`Krita's interface `. They " "contain useful tools, like the color selector, layer stack, tool options etc." msgstr "" "Paneler är små delfönster i :ref:`Kritas gränssnitt `. De " "innehåller användbara verktyg, såsom färgväljare, lagerhög, " "verktygsalternativ, etc." #: ../../user_manual/getting_started/basic_concepts.rst:94 -#| msgid "The image above shows some of the dockers in Krita" msgid "The image above shows some of the dockers in Krita." msgstr "Bilden ovan visar några av panelerna i Krita." #: ../../user_manual/getting_started/basic_concepts.rst:96 -#| msgid "All the views and the dockers are held inside **Windows**" msgid "All the views and the dockers are held inside **Windows**." msgstr "Alla vyerna och panelerna finns inne i **fönster**." #: ../../user_manual/getting_started/basic_concepts.rst:99 msgid "Window" msgstr "Fönster" #: ../../user_manual/getting_started/basic_concepts.rst:101 msgid "" "If you've used a computer before, you know what windows are: They are big " "containers for your computer programs." msgstr "" "Om du har använd en dator förr vet du vad fönster är: De är stora behållare " "för datorprogrammen." #: ../../user_manual/getting_started/basic_concepts.rst:103 msgid "" "Krita allows you to have multiple windows via :menuselection:`Window --> New " "Window`. You can then drag this to another monitor for multi-monitor use." msgstr "" #: ../../user_manual/getting_started/basic_concepts.rst:105 msgid "The image below shows an example of multiple windows in Krita." msgstr "Bilden nedan visar ett exempel på flera fönster i Krita." #: ../../user_manual/getting_started/basic_concepts.rst:111 msgid "Canvas in Krita" msgstr "Duk i Krita" #: ../../user_manual/getting_started/basic_concepts.rst:113 msgid "" "When you create a new document in Krita for the first time you will see a " "rectangular white area. This is called a canvas. You can see it in the image " "below. The area marked by a red rectangle is a canvas." msgstr "" #: ../../user_manual/getting_started/basic_concepts.rst:118 msgid "" "When you save the painting as jpg, png etc or take a print out of the " "painting, only the content inside this area is taken into consideration. " "Anything beyond it is ignored. Krita does store information beyond this " "area, you just won't be able to see it. This data is stored in the " "**Layers**." msgstr "" #: ../../user_manual/getting_started/basic_concepts.rst:122 msgid "Layers and Compositing" msgstr "Lager och sammansättning" #: ../../user_manual/getting_started/basic_concepts.rst:124 msgid "" "Like a landscape painter will first paint the sky and then the furthest away " "elements before slowly working his way to the foreground elements, computers " "will do the same with all the things you tell them to draw. So, if you tell " "them to draw a circle after a square on the same spot, the circle will " "always be drawn later. This is called the **Drawing Order**." msgstr "" #: ../../user_manual/getting_started/basic_concepts.rst:126 msgid "" "The layer stack is a way for you to separate elements of a drawing and " "manipulate the drawing order by showing you which layers are drawn when, and " "allowing you to change the order they are drawn in, and all sorts of other " "effects. This is called **Compositing**." msgstr "" #: ../../user_manual/getting_started/basic_concepts.rst:128 msgid "" "This allows you to have line art above the colors, or trees before the " "mountains, and edit each without affecting the other." msgstr "" #: ../../user_manual/getting_started/basic_concepts.rst:130 msgid "Krita has many layer-types, each doing a slightly different thing:" msgstr "" "Krita har många typer av lager, som vart och ett gör något olika saker:" #: ../../user_manual/getting_started/basic_concepts.rst:132 msgid ":ref:`paint_layers`" msgstr ":ref:`paint_layers`" #: ../../user_manual/getting_started/basic_concepts.rst:133 msgid "" "Also known as raster layers, and the most common layer type, you will be " "painting on these." msgstr "" "Också kända som rastreringslager, och den vanligaste typen av lager, är det " "de som man målar på." #: ../../user_manual/getting_started/basic_concepts.rst:134 msgid ":ref:`vector_layers`" msgstr ":ref:`vector_layers`" #: ../../user_manual/getting_started/basic_concepts.rst:135 msgid "" "This is a layer type on which you draw vector graphics. Vector graphics are " "typically more simple than raster graphics and with the benefit that you can " "deform them with less blurriness." msgstr "" #: ../../user_manual/getting_started/basic_concepts.rst:136 msgid ":ref:`group_layers`" msgstr ":ref:`group_layers`" #: ../../user_manual/getting_started/basic_concepts.rst:137 msgid "" "These allow you to group several layers via drag and drop, so you can " "organize, move, apply masks and perform other actions on them together." msgstr "" #: ../../user_manual/getting_started/basic_concepts.rst:138 msgid ":ref:`clone_layers`" msgstr ":ref:`clone_layers`" #: ../../user_manual/getting_started/basic_concepts.rst:139 msgid "" "These are copies of the layer you selected when making them. They get " "updated automatically when changing the original." msgstr "" #: ../../user_manual/getting_started/basic_concepts.rst:140 msgid ":ref:`file_layers`" msgstr ":ref:`file_layers`" #: ../../user_manual/getting_started/basic_concepts.rst:141 msgid "" "These refer to an outside existing image, and update as soon as the outside " "image updates. Useful for logos and emblems that change a lot." msgstr "" #: ../../user_manual/getting_started/basic_concepts.rst:142 msgid ":ref:`fill_layers`" msgstr ":ref:`fill_layers`" #: ../../user_manual/getting_started/basic_concepts.rst:143 msgid "" "These layers are filled with something that Krita can make up on the fly, " "like colors or patterns." msgstr "" "Dessa lager fylls med något som Krita kan skapa i farten, såsom färger eller " "mönster." #: ../../user_manual/getting_started/basic_concepts.rst:145 msgid ":ref:`filter_layers`" msgstr ":ref:`filter_layers`" #: ../../user_manual/getting_started/basic_concepts.rst:145 msgid "Adding a filter in the layer-stack. We discuss these later on." msgstr "Lägger till ett filter i lagerhögen. Vi diskuterar dem senare." #: ../../user_manual/getting_started/basic_concepts.rst:147 msgid "You can manipulate the content of the layers with **Tools**." msgstr "Innehållet i lager kan manipuleras med **verktyg**." #: ../../user_manual/getting_started/basic_concepts.rst:150 msgid "Tools" msgstr "Verktyg" #: ../../user_manual/getting_started/basic_concepts.rst:152 msgid "" "Tools help you manipulate the image data. The most common one is of course, " "the freehand brush, which is the default when you open Krita. There are " "roughly five types of tools in Krita:" msgstr "" #: ../../user_manual/getting_started/basic_concepts.rst:154 msgid "Paint Tools" msgstr "Målarverktyg" #: ../../user_manual/getting_started/basic_concepts.rst:155 msgid "" "These are tools for painting on paint layers. They describe shapes, like " "rectangles, circles and straight lines, but also freehand paths. These " "shapes then get used by the Brush engines to make shapes and drawing effects." msgstr "" #: ../../user_manual/getting_started/basic_concepts.rst:156 msgid "Vector Tools" msgstr "Vektorverktyg" #: ../../user_manual/getting_started/basic_concepts.rst:157 msgid "" "This is the upper row of tools, which are used to edit vectors. " "Interestingly enough, all paint tools except the freehand brush allow you to " "draw shapes on the vector layers. These don't get a brush engine effect " "applied to them, though." msgstr "" #: ../../user_manual/getting_started/basic_concepts.rst:158 msgid "Selection Tools" msgstr "Markeringsverktyg" #: ../../user_manual/getting_started/basic_concepts.rst:159 msgid "" "Selections allow you to edit a very specific area of the layer you are " "working on without affecting the others. The selection tools allow you " "modify the current selection. This is not unlike using masking-fluids in " "traditional painting, but whereas using masking fluids and film is often " "messy and delicate, selections are far easier to use." msgstr "" #: ../../user_manual/getting_started/basic_concepts.rst:160 msgid "Guide Tools" msgstr "Guideverktyg" #: ../../user_manual/getting_started/basic_concepts.rst:161 msgid "These are tools like grids and assistants." msgstr "Detta är verktyg som hjälplinjer och guider." #: ../../user_manual/getting_started/basic_concepts.rst:163 msgid "Transform Tools" msgstr "Transformeringsverktyg" #: ../../user_manual/getting_started/basic_concepts.rst:163 msgid "" "These are tools that allow you to transform your image. More on that later." msgstr "Detta är verktyg som låter dig transformera bilden. Mer om det senare." #: ../../user_manual/getting_started/basic_concepts.rst:165 msgid "" "All tools can be found in the toolbox, and information can be found in the " "tools section of the manual." msgstr "" "Alla verktyg finns i verktygslådan, och information om dem hittar man i " "verktygsavsnittet i handboken." #: ../../user_manual/getting_started/basic_concepts.rst:168 msgid "Brush Engines" msgstr "Penselgränssnitt" #: ../../user_manual/getting_started/basic_concepts.rst:170 msgid "" "Brush engines, like mentioned before, take a path and tablet information and " "add effects to it, making a stroke." msgstr "" "Penselgränssnitt, som tidigare omnämnts, tar en kontur och " "ritplatteinformation och lägger till effekter till den, vilket skapar ett " "drag." #: ../../user_manual/getting_started/basic_concepts.rst:172 msgid "" "Engine is a term programmers use to describe a complex interacting set of " "code that is the core for a certain functionality, and is highly " "configurable. In short, like the engine of your car drives your car, and the " "type of engine and its configuration affects how you use your car, the brush " "engine drives the look and feel of the brush, and different brush engines " "have different results." msgstr "" #: ../../user_manual/getting_started/basic_concepts.rst:174 msgid "" "Krita has :ref:`a LOT of different brush engines `, " "all with different effects." msgstr "" #: ../../user_manual/getting_started/basic_concepts.rst:179 msgid ".. image:: images/en/Krita_example_differentbrushengines.png" msgstr ".. image:: images/en/Krita_example_differentbrushengines.png" #: ../../user_manual/getting_started/basic_concepts.rst:179 msgid "" "**Left:** pixel brush, **Center:** color smudge brush, **Right:** sketch " "brush" msgstr "" "**Vänster:** bildpunktspensel, **mitten:** färgsmetningspensel, **höger:** " "sketchpensel" #: ../../user_manual/getting_started/basic_concepts.rst:181 msgid "" "For example, the pixel-brush engine is simple and allows you to do most of " "your basic work, but if you do a lot of painting, the color smudge brush " "engine might be more useful. Even though it's slower to use than the Pixel " "Brush engine, its mixing of colors allows you to work faster." msgstr "" #: ../../user_manual/getting_started/basic_concepts.rst:183 msgid "" "If you want something totally different from that, the sketch brush engine " "helps with making messy lines, and the shape brush engine allows you to make " "big flats quickly. There are a lot of cool effects inside Krita's brush " "engines, so try them all out, and be sure to check the chapters on each." msgstr "" #: ../../user_manual/getting_started/basic_concepts.rst:185 msgid "" "You can configure these effects via the Brush Settings drop-down, which can " "be quickly accessed via :kbd:`F5`. These configurations can then be saved " "into presets, which you can quickly access with :kbd:`F6` or the Brush " "Presets docker." msgstr "" #: ../../user_manual/getting_started/basic_concepts.rst:187 msgid "Brushes draw with colors, but how do computers understand colors?" msgstr "Penslar målar med färger, men hur förstår datorer färger?" #: ../../user_manual/getting_started/basic_concepts.rst:190 msgid "Colors" msgstr "Färger" #: ../../user_manual/getting_started/basic_concepts.rst:192 msgid "" "Humans can see a few million colors, which are combinations of " "electromagnetic waves (light) bouncing off a surface, where the surface " "absorbs some of it." msgstr "" #: ../../user_manual/getting_started/basic_concepts.rst:197 msgid ".. image:: images/en/Krita_basics_primaries.png" msgstr ".. image:: images/en/Krita_basics_primaries.png" #: ../../user_manual/getting_started/basic_concepts.rst:197 msgid "" "Subtractive CMY colors on the left and additive RGB colors on the right. " "This difference means that printers benefit from color conversion before " "printing" msgstr "" #: ../../user_manual/getting_started/basic_concepts.rst:199 msgid "" "When painting traditionally, we use pigments which also absorb the right " "light-waves for the color we want it to have, but the more pigments you " "combine, the more light is absorbed, leading to a kind of murky black. This " "is why we call the mixing of paints **subtractive**, as it subtracts light " "the more pigments you put together. Because of that, in traditional pigment " "mixing, our most efficient primaries are three fairly light colors: Cyan " "blue and Magenta red and Yellow (CMY)." msgstr "" #: ../../user_manual/getting_started/basic_concepts.rst:201 msgid "" "A computer also uses three primaries and uses a specific amount of each " "primary in a color as the way it stores color. However, a computer is a " "screen that emits light. So it makes more light, which means it needs to do " "**additive** mixing, where adding more and more colored lights result in " "white. This is why the three most efficient primaries, as used by computers " "are Red, Green and Blue (RGB)." msgstr "" #: ../../user_manual/getting_started/basic_concepts.rst:203 msgid "" "Per pixel, a computer then stores the value of each of these primaries, with " "the maximum depending on the bit-depth. These are called the **components** " "or **channels** depending on who you talk to." msgstr "" #: ../../user_manual/getting_started/basic_concepts.rst:208 msgid ".. image:: images/en/Krita_basic_channel_rose.png" msgstr ".. image:: images/en/Krita_basic_channel_rose.png" #: ../../user_manual/getting_started/basic_concepts.rst:208 msgid "" "This is the red-channel of an image of a red rose. As you can see, the " "petals are white here, indicating that those areas contain full red. The " "leaves are much darker, indicating a lack of red, which is to be expected, " "as they are green." msgstr "" #: ../../user_manual/getting_started/basic_concepts.rst:210 msgid "" "Though by default computers use RGB, they can also convert to CMYK (the " "subtractive model), or a perceptual model like LAB. In all cases this is " "just a different way of indicating how the colors relate to each other, and " "each time it usually has 3 components. The exception here is grayscale, " "because the computer only needs to remember how white a color is. This is " "why grayscale is more efficient memory-wise." msgstr "" #: ../../user_manual/getting_started/basic_concepts.rst:212 msgid "" "In fact, if you look at each channel separately, they also look like " "grayscale images, but instead white just means how much Red, Green or Blue " "there is." msgstr "" #: ../../user_manual/getting_started/basic_concepts.rst:214 msgid "" "Krita has a very complex color management system, which you can read more " "about :ref:`here `." msgstr "" "Krita har ett mycket komplext färghanteringssystem, som du kan läsa mer om :" "ref:`här `." #: ../../user_manual/getting_started/basic_concepts.rst:217 msgid "Transparency" msgstr "Genomskinlighet" #: ../../user_manual/getting_started/basic_concepts.rst:219 msgid "" "Just like Red, Green and Blue, the computer can also store how transparent a " "pixel is. This is important for **compositing** as mentioned before. After " "all, there's no point in having multiple layers if you can't have " "transparency." msgstr "" #: ../../user_manual/getting_started/basic_concepts.rst:221 msgid "" "Transparency is stored in the same way as colors, meaning that it's also a " "channel. We usually call this channel the **alpha channel** or **alpha** for " "short. The reason behind this is that the letter 'α' is used to represent it " "in programming." msgstr "" #: ../../user_manual/getting_started/basic_concepts.rst:223 msgid "" "Some older programs don't always have transparency by default. Krita is the " "opposite: it doesn't understand images that don't track transparency, and " "will always add a transparency channel to images. When a given pixel is " "completely transparent on all layers, Krita will instead show a checkerboard " "pattern, like the rose image to the left." msgstr "" #: ../../user_manual/getting_started/basic_concepts.rst:226 msgid "Blending modes" msgstr "Blandningslägen" #: ../../user_manual/getting_started/basic_concepts.rst:228 msgid "" "Because colors are stored as numbers you can do maths with them. We call " "this **Blending Modes** or **Compositing Modes**." msgstr "" #: ../../user_manual/getting_started/basic_concepts.rst:230 msgid "" "Blending modes can be done per layer or per brush stroke, and thus are also " "part of the compositing of layers." msgstr "" #: ../../user_manual/getting_started/basic_concepts.rst:233 msgid "Multiply" msgstr "Multiplikation" #: ../../user_manual/getting_started/basic_concepts.rst:233 msgid "" "A commonly used blending mode is for example :menuselection:`Multiply` which " "multiplies the components, leading to darker colors. This allows you to " "simulate the subtractive mixing, and thus makes painting shadows much easier." msgstr "" #: ../../user_manual/getting_started/basic_concepts.rst:235 msgid "Addition" msgstr "Addition" #: ../../user_manual/getting_started/basic_concepts.rst:236 msgid "" "Another common one is :menuselection:`Addition`, which adds one layer's " "components to the other, making it perfect for special glow effects." msgstr "" #: ../../user_manual/getting_started/basic_concepts.rst:237 msgid "Erasing" msgstr "Radering" #: ../../user_manual/getting_started/basic_concepts.rst:238 msgid "" ":menuselection:`Erasing` is a blending mode in Krita. There is no eraser " "tool, but you can toggle on the brush quickly with :kbd:`E` to become an " "eraser. You can also use it on layers. Unlike the other blending modes, this " "one only affects the alpha channel, making things more transparent." msgstr "" #: ../../user_manual/getting_started/basic_concepts.rst:240 msgid "Normal" msgstr "Normal" #: ../../user_manual/getting_started/basic_concepts.rst:240 msgid "" "The :menuselection:`Normal` blend mode just averages between colors " "depending on how transparent the topmost color is." msgstr "" #: ../../user_manual/getting_started/basic_concepts.rst:242 msgid "" "Krita has 76 blending modes, each doing slightly different things. Head over " "to the :ref:`blending_modes` to learn more." msgstr "" #: ../../user_manual/getting_started/basic_concepts.rst:244 msgid "" "Because we can see channels as grayscale images, we can convert grayscale " "images into channels. Like for example, we can use a grayscale image for the " "transparency. We call these **Masks**." msgstr "" #: ../../user_manual/getting_started/basic_concepts.rst:247 msgid "Masks" msgstr "Masker" #: ../../user_manual/getting_started/basic_concepts.rst:249 msgid "" "Masks are a type of sub-effect applied to a layer, usually driven by a " "grayscale image." msgstr "" "Masker är en sorts deleffekter som appliceras på ett lager, oftast " "genererade av gråskalebilder." #: ../../user_manual/getting_started/basic_concepts.rst:251 msgid "" "The primary types of mask are :ref:`transparency_masks`, which allow you to " "use a grayscale image to determine the transparency, where black makes " "everything transparent and white makes the pixel fully opaque." msgstr "" #: ../../user_manual/getting_started/basic_concepts.rst:253 msgid "" "You can paint on masks with any of the brushes, or convert a normal paint-" "layer to a mask. The big benefit of masks is that you can make things " "transparent without removing the underlying pixels. Furthermore, you can use " "masks to reveal or hide a whole group layer at once!" msgstr "" #: ../../user_manual/getting_started/basic_concepts.rst:255 msgid "For example, we have a white ghost lady here:" msgstr "" #: ../../user_manual/getting_started/basic_concepts.rst:260 msgid "" "But you can't really tell whether she's a ghost lady or just really really " "white. If only we could give the idea that she floats... We right-click the " "layer and add a transparency mask. Then, we select that mask and draw with a " "black and white linear gradient so that the black is below." msgstr "" #: ../../user_manual/getting_started/basic_concepts.rst:266 msgid "" "Wherever the black is, there the lady now becomes transparent, turning her " "into a real ghost!" msgstr "" #: ../../user_manual/getting_started/basic_concepts.rst:268 msgid "" "The name mask comes from traditional masking fluid and film. You may recall " "the earlier comparison of selections to traditional masking fluid. " "Selections too are stored internally as grayscale images, and you can save " "them as a local selection which is kind of like a mask, or convert them to a " "transparency mask." msgstr "" #: ../../user_manual/getting_started/basic_concepts.rst:271 msgid "Filters" msgstr "Filter" #: ../../user_manual/getting_started/basic_concepts.rst:273 msgid "" "We mentioned earlier that you can do maths with colors. But you can also do " "maths with pixels, or groups of pixels or whole layers. In fact, you can " "make Krita do all sorts of little operations on layers. We call these " "operations **Filters**." msgstr "" #: ../../user_manual/getting_started/basic_concepts.rst:275 msgid "Examples of such operations are:" msgstr "" #: ../../user_manual/getting_started/basic_concepts.rst:277 msgid "Desaturate" msgstr "Minska mättnad" #: ../../user_manual/getting_started/basic_concepts.rst:278 msgid "This makes all the pixels turn gray." msgstr "" #: ../../user_manual/getting_started/basic_concepts.rst:279 msgid "Blur" msgstr "" #: ../../user_manual/getting_started/basic_concepts.rst:280 msgid "" "This averages the pixels with their neighbors, which removes sharp contrasts " "and makes the whole image look blurry." msgstr "" #: ../../user_manual/getting_started/basic_concepts.rst:281 msgid "Sharpen" msgstr "" #: ../../user_manual/getting_started/basic_concepts.rst:282 msgid "" "This increases the contrast between pixels that had a pretty high contrast " "to begin with." msgstr "" #: ../../user_manual/getting_started/basic_concepts.rst:284 msgid "Color to Alpha" msgstr "" #: ../../user_manual/getting_started/basic_concepts.rst:284 msgid "A popular filter which makes all of the chosen color transparent." msgstr "" #: ../../user_manual/getting_started/basic_concepts.rst:289 msgid ".. image:: images/en/Krita_basic_filter_brush.png" msgstr ".. image:: images/en/Krita_basic_filter_brush.png" #: ../../user_manual/getting_started/basic_concepts.rst:289 msgid "Different filter brushes being used on different parts of the image." msgstr "" #: ../../user_manual/getting_started/basic_concepts.rst:291 msgid "" "Krita has many more filters available: read about them :ref:`here `." msgstr "" #: ../../user_manual/getting_started/basic_concepts.rst:294 msgid ":ref:`filter_brush_engine`" msgstr "" #: ../../user_manual/getting_started/basic_concepts.rst:296 msgid "" "Because many of these operations are per pixel, Krita allows you to use the " "filter as part of the :ref:`filter_brush_engine`." msgstr "" #: ../../user_manual/getting_started/basic_concepts.rst:298 msgid "" "In most image manipulation software, these are separate tools, but Krita has " "it as a brush engine, allowing much more customization than usual." msgstr "" #: ../../user_manual/getting_started/basic_concepts.rst:300 msgid "" "This means you can make a brush that desaturates pixels, or a brush that " "changes the hue of the pixels underneath." msgstr "" #: ../../user_manual/getting_started/basic_concepts.rst:303 msgid "Filter Layers, Filter Masks and Layer Styles" msgstr "" #: ../../user_manual/getting_started/basic_concepts.rst:305 msgid "" "Krita also allows you to let the Filters be part of the layer stack, via :" "ref:`filter_layers` and :ref:`filter_masks`. Filter Layers affect all the " "layers underneath it in the same hierarchy. Transparency and transparency " "masks on Filter Layers affect where the layer is applied." msgstr "" #: ../../user_manual/getting_started/basic_concepts.rst:307 msgid "" "Masks, on the other hand, can affect one single layer and are driven by a " "grayscale image. They will also affect all layers in a group, much like a " "transparency mask." msgstr "" #: ../../user_manual/getting_started/basic_concepts.rst:309 msgid "" "We can use these filters to make our ghost lady look even more ethereal, by " "selecting the ghost lady's layer, and then creating a clone layer. We then " "right click and add a filter mask and use gaussian blur set to 10 or so " "pixels. The clone layer is then put behind the original layer, and set to " "the blending mode '**Color Dodge**', giving her a definite spooky glow. You " "can keep on painting on the original layer and everything will get updated " "automatically!" msgstr "" #: ../../user_manual/getting_started/basic_concepts.rst:314 msgid "" "Layer Effects or Layer Styles are :program:`Photoshop's` unique brand of " "Filter Masks that are a little faster than regular masks, but not as " "versatile. They are available by right clicking a layer and selecting 'layer " "style'." msgstr "" #: ../../user_manual/getting_started/basic_concepts.rst:317 msgid "Transformations" msgstr "Transformeringar" #: ../../user_manual/getting_started/basic_concepts.rst:319 msgid "" "**Transformations** are kind of like filters, in that these are operations " "done on the pixels of an image. We have a regular image and layer wide " "transformations in the image and layer top menus, so that you may resize, " "flip and rotate the whole image." msgstr "" #: ../../user_manual/getting_started/basic_concepts.rst:321 msgid "" "We also have the :ref:`crop_tool`, which only affects the canvas size, and " "the :ref:`move_tool` which only moves a given layer. However, if you want " "more control, Krita offers a :ref:`transform_tool`." msgstr "" #: ../../user_manual/getting_started/basic_concepts.rst:327 msgid "" "With this tool you can rotate and resize on the canvas, or put it in " "perspective. Or you can use advanced transform tools, like the warp, cage " "and liquify, which allow you to transform by drawing custom points or even " "by pretending it's a transforming brush." msgstr "" #: ../../user_manual/getting_started/basic_concepts.rst:330 msgid ":ref:`deform_brush_engine`" msgstr "" #: ../../user_manual/getting_started/basic_concepts.rst:332 msgid "" "Like the filter brush engine, Krita also has a Deform Brush Engine, which " "allows you to transform with a brush. The deform is like a much faster " "version of the Liquify transform tool mode, but in exchange, its results are " "of much lower quality." msgstr "" #: ../../user_manual/getting_started/basic_concepts.rst:337 msgid ".. image:: images/en/Krita_transforms_deformvsliquefy.png" msgstr ".. image:: images/en/Krita_transforms_deformvsliquefy.png" #: ../../user_manual/getting_started/basic_concepts.rst:337 msgid "" "Apple transformed into a pear with liquify on the left and deform brush on " "the right." msgstr "" #: ../../user_manual/getting_started/basic_concepts.rst:339 msgid "" "Furthermore, you can't apply the deform brush as a non-destructive mask." msgstr "" #: ../../user_manual/getting_started/basic_concepts.rst:342 msgid ":ref:`transformation_masks`" msgstr "" #: ../../user_manual/getting_started/basic_concepts.rst:344 msgid "" "Like filters, transforms can be applied as a non-destructive operation that " "is part of the layer stack. Unlike filter and transparency masks however, " "transform masks can't be driven by a grayscale image, for technical reasons. " "You can use transform masks to deform clone and file layers as well." msgstr "" #: ../../user_manual/getting_started/basic_concepts.rst:348 msgid ":ref:`animation`" msgstr "" #: ../../user_manual/getting_started/basic_concepts.rst:353 msgid "" "In 3.0, Krita got raster animation support. You can use the timeline, " "animation and onionskin dockers, plus Krita's amazing variety of brushes to " "do raster based animations, export those, and then turn them into movies or " "gifs." msgstr "" #: ../../user_manual/getting_started/basic_concepts.rst:356 msgid "Assistants, Grids and Guides" msgstr "" #: ../../user_manual/getting_started/basic_concepts.rst:358 msgid "" "With all this technical stuff, you might forget that Krita is a painting " "program. Like how an illustrator in real life can have all sorts of " "equipment to make drawing easier, Krita also offers a variety of tools:" msgstr "" #: ../../user_manual/getting_started/basic_concepts.rst:363 msgid ".. image:: images/en/Krita_basic_assistants.png" msgstr ".. image:: images/en/Krita_basic_assistants.png" #: ../../user_manual/getting_started/basic_concepts.rst:363 msgid "Krita's vanishing point assistants in action" msgstr "" #: ../../user_manual/getting_started/basic_concepts.rst:365 msgid ":ref:`grids_and_guides_docker`" msgstr ":ref:`grids_and_guides_docker`" #: ../../user_manual/getting_started/basic_concepts.rst:366 msgid "" "Very straightforward guiding tool which shows grids or guiding lines that " "can be configured." msgstr "" #: ../../user_manual/getting_started/basic_concepts.rst:367 msgid ":ref:`snapping`" msgstr ":ref:`snapping`" #: ../../user_manual/getting_started/basic_concepts.rst:368 msgid "" "You can snap to all sorts of things. Grids, guides, extensions, orthogonals, " "image centers and bounding boxes." msgstr "" #: ../../user_manual/getting_started/basic_concepts.rst:370 msgid ":ref:`painting_with_assistants`" msgstr ":ref:`painting_with_assistants`" #: ../../user_manual/getting_started/basic_concepts.rst:370 msgid "" "Because you can hardly put a ruler against your tablet to help you draw, the " "assistants are there to help you draw concentric circles, perspectives, " "parallel lines and other easily forgotten but tricky to draw details. Krita " "allows you to snap to these via the tool options as well." msgstr "" #: ../../user_manual/getting_started/basic_concepts.rst:372 msgid "" "These guides are saved into Krita's native format, which means you can pick " "up your work easily afterwards." msgstr "" #: ../../user_manual/getting_started/basic_concepts.rst:375 msgid "Customization" msgstr "Anpassning" #: ../../user_manual/getting_started/basic_concepts.rst:377 msgid "This leads to the final concept: customization." msgstr "Det för till det sista begreppet: anpassning." #: ../../user_manual/getting_started/basic_concepts.rst:379 msgid "" "In addition to rearranging the dockers according to your preferences, Krita " "provides and saves your configurations as :ref:`resource_workspaces`. This " "is the button at the top right." msgstr "" #: ../../user_manual/getting_started/basic_concepts.rst:381 msgid "" "You can also configure the toolbar via :menuselection:`Settings --> " "Configure Toolbars`, as well as the shortcuts under both :menuselection:" "`Settings --> Configure Krita --> Configure Shortcuts` and :menuselection:" "`Settings --> Configure Krita --> Canvas Input Settings`." msgstr "" - diff --git a/locale/sv/LC_MESSAGES/user_manual/getting_started/installation.po b/locale/sv/LC_MESSAGES/user_manual/getting_started/installation.po index a2904e5d0..1cbb6f243 100644 --- a/locale/sv/LC_MESSAGES/user_manual/getting_started/installation.po +++ b/locale/sv/LC_MESSAGES/user_manual/getting_started/installation.po @@ -1,293 +1,289 @@ # Copyright (C) licensed under the GNU Free Documentation License 1.3+ unless stated otherwise # This file is distributed under the same license as the Krita Manual package. # # Stefan Asserhäll , 2019. msgid "" msgstr "" "Project-Id-Version: Krita Manual 4.1\n" "Report-Msgid-Bugs-To: \n" "POT-Creation-Date: 2019-04-10 03:45+0200\n" "PO-Revision-Date: 2019-04-13 20:30+0100\n" "Last-Translator: Stefan Asserhäll \n" "Language-Team: Swedish \n" "Language: sv\n" "MIME-Version: 1.0\n" "Content-Type: text/plain; charset=UTF-8\n" "Content-Transfer-Encoding: 8bit\n" "Plural-Forms: nplurals=2; plural=n != 1;\n" "X-Generator: Lokalize 2.0\n" #: ../../user_manual/getting_started/installation.rst:1 msgid "Detailed steps on how to install Krita" msgstr "Detaljerade steg för att installera Krita" #: ../../user_manual/getting_started/installation.rst:18 msgid "Installation" msgstr "Installation" #: ../../user_manual/getting_started/installation.rst:21 msgid "Windows" msgstr "Windows" #: ../../user_manual/getting_started/installation.rst:23 msgid "" "Windows users can download the latest releases from our `website. `_ Click on 64bit or 32bit according to the architecture " "of your OS. Go to the `KDE `__ " "download directory to get the portable zip-file version of Krita instead of " "the setup.exe installer." msgstr "" #: ../../user_manual/getting_started/installation.rst:31 msgid "" "Krita requires Windows Vista or newer. INTEL GRAPHICS CARD USERS: IF YOU SEE " "A BLACK OR BLANK WINDOW: UPDATE YOUR DRIVERS!" msgstr "" "Krita kräver Windows Vista eller senare. ANVÄNDARE AV INTEL GRAFIKKORT: OM " "NI SER ETT SVART ELLER TOMT FÖNSTER: UPPDATERA ERA DRIVRUTINER!" #: ../../user_manual/getting_started/installation.rst:35 msgid "Linux" msgstr "Linux" #: ../../user_manual/getting_started/installation.rst:37 msgid "" "Many Linux distributions package the latest version of Krita. Sometimes you " "will have to enable an extra repository. Krita runs fine under on desktop: " "KDE, Gnome, LXDE -- even though it is a KDE application and needs the KDE " "libraries. You might also want to install the KDE system settings module and " "tweak the gui theme and fonts used, depending on your distributions." msgstr "" #: ../../user_manual/getting_started/installation.rst:45 msgid "Nautilus/Nemo file extensions" msgstr "Nautilus/Nemo filutökningar" #: ../../user_manual/getting_started/installation.rst:47 msgid "" "Put here at the beginning, before we start on the many distro specific ways " "to get the program itself." msgstr "" #: ../../user_manual/getting_started/installation.rst:50 msgid "" "Since April 2016, KDE's Dolphin shows kra and ora thumbnails by default, but " "Nautilus and it's derivatives need an extension. `We recommend Moritz " "Molch's extensions for XCF, KRA, ORA and PSD thumbnails `__." msgstr "" #: ../../user_manual/getting_started/installation.rst:56 msgid "Appimages" msgstr "Appimages" #: ../../user_manual/getting_started/installation.rst:58 msgid "" "For Krita 3.0 and later, first try out the appimage from the website first. " "**90% of the time this is by far the easiest way to get the latest Krita.** " "Just download the appimage, and then use the file properties or the bash " "command chmod to make the appimage executable. Double click it, and enjoy " "Krita. (Or run it in the terminal with ./appimagename.appimage)" msgstr "" #: ../../user_manual/getting_started/installation.rst:65 msgid "Open the terminal into the folder you have the appimage." msgstr "" #: ../../user_manual/getting_started/installation.rst:66 -#| msgid "Make it executable" msgid "Make it executable:" msgstr "Kör det körbart:" #: ../../user_manual/getting_started/installation.rst:72 msgid "Run Krita!" msgstr "Kör Krita!" #: ../../user_manual/getting_started/installation.rst:78 msgid "" "Appimages are ISOs with all the necessary libraries inside, meaning no " "fiddling with repositories and dependencies, at the cost of a slight bit " "more diskspace taken up (And this size would only be bigger if you were " "using Plasma to begin with)." msgstr "" #: ../../user_manual/getting_started/installation.rst:84 msgid "Ubuntu and Kubuntu" msgstr "Ubuntu och Kubuntu" #: ../../user_manual/getting_started/installation.rst:86 msgid "" "It does not matter which version of Ubuntu you use, Krita will run just " "fine. However, by default, only a very old version of Krita is available. " "You should either use the appimage, or the snap available from Ubuntu's app " "store." msgstr "" #: ../../user_manual/getting_started/installation.rst:92 msgid "OpenSUSE" msgstr "OpenSUSE" #: ../../user_manual/getting_started/installation.rst:94 msgid "The latest stable builds are available from KDE:Extra repo:" msgstr "Senaste stabila byggen är tillgängliga från arkivet KDE:Extra:" #: ../../user_manual/getting_started/installation.rst:96 -#| msgid "http://download.opensuse.org/repositories/KDE:/Extra/" msgid "https://download.opensuse.org/repositories/KDE:/Extra/" msgstr "https://download.opensuse.org/repositories/KDE:/Extra/" #: ../../user_manual/getting_started/installation.rst:99 msgid "Krita is also in the official repos, you can install it from Yast." msgstr "" #: ../../user_manual/getting_started/installation.rst:102 msgid "Fedora" msgstr "Fedora" #: ../../user_manual/getting_started/installation.rst:104 msgid "" "Krita is in the official repos as **calligra-krita**, you can install it by " "using packagekit (Add/Remove Software) or by writing the following command " "in terminal:" msgstr "" #: ../../user_manual/getting_started/installation.rst:106 msgid "``dnf install krita``" msgstr "``dnf install krita``" #: ../../user_manual/getting_started/installation.rst:108 msgid "" "You can also use the software center such as gnome software center or " "Discover to install Krita." msgstr "" #: ../../user_manual/getting_started/installation.rst:111 msgid "Debian" msgstr "Debian" #: ../../user_manual/getting_started/installation.rst:113 msgid "" "The latest version of Krita available in Debian is 3.1.1. To install Krita " "type the following line in terminal:" msgstr "" #: ../../user_manual/getting_started/installation.rst:116 msgid "``apt install krita``" msgstr "``apt install krita``" #: ../../user_manual/getting_started/installation.rst:120 msgid "Arch" msgstr "Arch" #: ../../user_manual/getting_started/installation.rst:122 msgid "" "Arch Linux provides krita package in the Extra repository. You can install " "Krita by using the following command:" msgstr "" #: ../../user_manual/getting_started/installation.rst:125 msgid "``pacman -S krita``" msgstr "``pacman -S krita``" #: ../../user_manual/getting_started/installation.rst:127 msgid "" "You can install the most recent build of Krita using an aur helper such as " "aurman. For example ``aurman -S krita-beta``" msgstr "" #: ../../user_manual/getting_started/installation.rst:131 msgid "OS X" msgstr "OS X" #: ../../user_manual/getting_started/installation.rst:134 msgid "" "Mac OSX is very experimental right now and unstable, don't use it for " "production purpose." msgstr "" #: ../../user_manual/getting_started/installation.rst:136 msgid "" "You can download the latest binary if you want from our `website `__. It has only been reported to work " "with Mac OSX 10.9." msgstr "" #: ../../user_manual/getting_started/installation.rst:141 msgid "Source" msgstr "Källkod" #: ../../user_manual/getting_started/installation.rst:143 msgid "" "While it is certainly more difficult to compile Krita from source than it is " "to install from prebuilt packages, there are certain advantages that might " "make the effort worth it:" msgstr "" #: ../../user_manual/getting_started/installation.rst:147 msgid "" "You can follow the development of Krita on the foot. If you compile Krita " "regularly from the development repository, you will be able to play with all " "the new features that the developers are working on." msgstr "" #: ../../user_manual/getting_started/installation.rst:150 msgid "" "You can compile optimized for your processor. Most pre-built packages are " "built for the lowest-common denominator." msgstr "" #: ../../user_manual/getting_started/installation.rst:152 msgid "You will be getting all the bug fixes as soon as possible as well." msgstr "" #: ../../user_manual/getting_started/installation.rst:153 msgid "" "You can help the developers by giving us your feedback on features as they " "are being developed and you can test bug fixes for us. This is hugely " "important, which is why our regular testers get their name in the about box " "just like developers." msgstr "" #: ../../user_manual/getting_started/installation.rst:158 msgid "" "Of course, there are also disadvantages: when building from the current " "development source repository you also get all the unfinished features. It " "might mean less stability for a while, or things shown in the user interface " "that don't work. But in practice, there is seldom really bad instability, " "and if it is, it's easy for you to go back to a revision that does work." msgstr "" #: ../../user_manual/getting_started/installation.rst:165 msgid "" "So... If you want to start compiling from source, begin with the latest " "build instructions from the excellent illustrated `guide `__ by David Revoy." msgstr "" #: ../../user_manual/getting_started/installation.rst:170 msgid "" "There is more information and troubleshooting help on the `Calligra `__ wiki." msgstr "" #: ../../user_manual/getting_started/installation.rst:173 msgid "" "If you encounter any problems, or if you are new to compiling software, " "don't hesitate to contact the Krita developers. There are three main " "communication channels:" msgstr "" #: ../../user_manual/getting_started/installation.rst:177 msgid "irc: irc.freenode.net, channel #krita" msgstr "irc: irc.freenode.net, channel #krita" #: ../../user_manual/getting_started/installation.rst:178 msgid "`mailing list `__" msgstr "`e-postlista `__" #: ../../user_manual/getting_started/installation.rst:179 -#| msgid "`forums `__" msgid "`forums `__" msgstr "`forum `__" - diff --git a/locale/sv/LC_MESSAGES/user_manual/loading_saving_brushes.po b/locale/sv/LC_MESSAGES/user_manual/loading_saving_brushes.po index 13488b008..754e3a4e6 100644 --- a/locale/sv/LC_MESSAGES/user_manual/loading_saving_brushes.po +++ b/locale/sv/LC_MESSAGES/user_manual/loading_saving_brushes.po @@ -1,947 +1,945 @@ # Copyright (C) licensed under the GNU Free Documentation License 1.3+ unless stated otherwise # This file is distributed under the same license as the Krita Manual package. # # Stefan Asserhäll , 2019. msgid "" msgstr "" "Project-Id-Version: Krita Manual 4.1\n" "Report-Msgid-Bugs-To: \n" -"POT-Creation-Date: 2019-04-13 03:33+0200\n" +"POT-Creation-Date: 2019-04-14 03:33+0200\n" "PO-Revision-Date: 2019-04-13 20:30+0100\n" "Last-Translator: Stefan Asserhäll \n" "Language-Team: Swedish \n" "Language: sv\n" "MIME-Version: 1.0\n" "Content-Type: text/plain; charset=UTF-8\n" "Content-Transfer-Encoding: 8bit\n" "Plural-Forms: nplurals=2; plural=n != 1;\n" "X-Generator: Lokalize 2.0\n" -#: ../../user_manual/loading_saving_brushes.rst:None -msgid ".. image:: images/en/Krita_4_0_Brush_Settings_Layout.svg" -msgstr ".. image:: images/en/Krita_4_0_Brush_Settings_Layout.svg" - #: ../../user_manual/loading_saving_brushes.rst:0 msgid ".. image:: images/en/Krita_4_0_dirty_preset_icon.png" msgstr ".. image:: images/en/Krita_4_0_dirty_preset_icon.png" +#: ../../user_manual/loading_saving_brushes.rst:None +msgid ".. image:: images/en/Krita_4_0_Brush_Settings_Layout.svg" +msgstr ".. image:: images/en/Krita_4_0_Brush_Settings_Layout.svg" + #: ../../user_manual/loading_saving_brushes.rst:1 msgid "" "Detailed guide on the brush settings dialog in Krita as well as how to make " "your own brushes and how to share them." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:17 msgid "Loading and Saving Brushes" msgstr "Läs in och spara penslar" #: ../../user_manual/loading_saving_brushes.rst:19 msgid "" "In the real world, when painting or drawing, you don't just use one tool. " "You use pencils, erasers, paintbrushes, different types of paint, inks, " "crayons, etc. All these have different ways of making marks." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:23 msgid "" "In a digital program like Krita you have something similar. We call this a " "brush engine. And much like how cars have different engines that give " "different feels when driving, or how pencils make distinctly different marks " "than rollerball pens, different brush engines have totally different feels." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:29 msgid "" "The brush engines have a lot of different settings as well. So, you can save " "those settings into presets." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:32 msgid "" "Unlike Photoshop, Krita makes a difference between brush-tips and brush-" "presets. Tips are only a stamp of sorts, while the preset uses a tip and " "many other settings to create the full brush." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:37 msgid "The Brush settings drop-down" msgstr "" #: ../../user_manual/loading_saving_brushes.rst:39 msgid "" "To start, the Brush Settings Editor panel can be accessed in the toolbar, " "between the :guilabel:`Blending Modes` button on the right and the :guilabel:" "`Patterns` button on the left. Alternately, you can use the function key :" "kbd:`F5` to open it." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:44 msgid "" "When you open Brush Settings Editor panel you will see something like this:" msgstr "" #: ../../user_manual/loading_saving_brushes.rst:48 msgid "Tour of the brush settings drop-down" msgstr "" #: ../../user_manual/loading_saving_brushes.rst:53 msgid "The brush settings drop-down is divided into six areas," msgstr "" #: ../../user_manual/loading_saving_brushes.rst:56 msgid "Section A - General Information" msgstr "" #: ../../user_manual/loading_saving_brushes.rst:58 msgid "" "This contains the **Preset Icon**, **Live Brush Preview**, the **Preset " "Name**, the **Engine** name, and several buttons for saving, renaming, and " "reloading." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:62 msgid "" "Krita's brush settings are stored into the metadata of a 200x200 png (the " "KPP file), where the image in the png file becomes the preset icon. This " "icon is used everywhere in Krita, and is useful for differentiating brushes " "in ways that the live preview cannot." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:67 msgid "" "The live preview shows a stroke of the current brush as a little s-curve " "wiggle, with the pressure being non-existent on the left, and increasing to " "full pressure as it goes to the right. It can thus show the effect of the " "Pressure, Drawing Angle, Distance, Fade and Fuzzy Dab sensors, but none of " "the others. For some brush engines it cannot show anything. For the color " "smudge, filter brush and clone tool, it shows an alternating line pattern " "because these brush engines use the pixels already on canvas to change their " "effect." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:75 msgid "" "After the preset name, there's a button for **renaming** the brush. This " "will save the brush as a new brush and blacklist the previous name." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:79 msgid "Engine" msgstr "" #: ../../user_manual/loading_saving_brushes.rst:81 msgid "" "The engine of a brush is the underlying programming that generates the " "stroke from a brush. What that means is that different brush engines have " "different options and different results. You can see this as the difference " "between using crayons, pencils and inks, but because computers are maths " "devices, most of our brush engines produce different things in a more " "mathematical way." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:88 msgid "" "For most artists the mathematical nature doesn't matter as much as the " "different textures and marks each brush engine, and each brush engine has " "its own distinct flavor and use, and can be further customized by modifying " "the options." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:94 msgid "Reloading" msgstr "" #: ../../user_manual/loading_saving_brushes.rst:96 msgid "" "If you change a preset, an icon will appear behind the engine name. This is " "the :guilabel:`reload` button. You can use it to revert to the original " "brush settings." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:101 msgid "Saving a preset" msgstr "Spara en förinställning" #: ../../user_manual/loading_saving_brushes.rst:103 msgid "" "On the right, there's :guilabel:`Save New Brush Preset` and :guilabel:" "`Overwrite Brush`." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:106 msgid "" "This will only enable if there are any changes. Pressing this will override " "the current preset with the new settings, keeping the name and the icon " "intact. It will always make a timestamped back up in the resources folder." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:108 msgid "Overwrite Brush" msgstr "" #: ../../user_manual/loading_saving_brushes.rst:111 msgid "" "Will take the current preset and all its changes and save it as a new " "preset. If no change was made, you will be making a copy of the current " "preset." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:113 msgid "Save New Brush Preset" msgstr "Spara ny penselförinställning" #: ../../user_manual/loading_saving_brushes.rst:115 msgid "" "Save new preset will call up the following window, with a mini scratch pad, " "and all sorts of options to change the preset icon:" msgstr "" #: ../../user_manual/loading_saving_brushes.rst:119 msgid ".. image:: images/en/Krita_4_0_Save_New_Brush_Preset_Dialog.png" msgstr ".. image:: images/en/Krita_4_0_Save_New_Brush_Preset_Dialog.png" #: ../../user_manual/loading_saving_brushes.rst:120 msgid "" "The image on the left is a mini scratchpad, you can draw on it with the " "current brush, allowing small modifications on the fly." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:124 msgid "" "The Name of your brush. This is also used for the KPP file. If there's " "already a brush with that name, it will effectively overwrite it." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:125 msgid "Brush Name" msgstr "" #: ../../user_manual/loading_saving_brushes.rst:127 msgid "Load Existing Thumbnail" msgstr "Läs in befintlig miniatyrbild" #: ../../user_manual/loading_saving_brushes.rst:128 msgid "This will load the existing thumbnail inside the preset." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:130 msgid "Load scratch pad thumbnail" msgstr "" #: ../../user_manual/loading_saving_brushes.rst:130 msgid "" "This will load the dashed area from the big scratch pad (Section C) into the " "thumbnail area." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:132 msgid "Load Image" msgstr "Läs in bild" #: ../../user_manual/loading_saving_brushes.rst:133 msgid "With this you can choose an image from disk to load as a thumbnail." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:134 msgid "Load from Icon Library" msgstr "Läs in från ikonbibliotek" #: ../../user_manual/loading_saving_brushes.rst:135 msgid "This opens up the icon library." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:137 msgid "Clear Thumbnail" msgstr "" #: ../../user_manual/loading_saving_brushes.rst:137 msgid "This will make the mini scratch pad white." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:140 msgid "The Icon Library" msgstr "" #: ../../user_manual/loading_saving_brushes.rst:142 msgid "To make making presets icons faster, Krita got an icon library." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:145 msgid ".. image:: images/en/Krita_4_0_Preset_Icon_Library_Dialog.png" msgstr ".. image:: images/en/Krita_4_0_Preset_Icon_Library_Dialog.png" #: ../../user_manual/loading_saving_brushes.rst:146 msgid "" "It allows you to select tool icons, and an optional small emblem. When you " "press :guilabel:`OK` it will load the resulting combination into the mini " "scratch pad and you can draw in the stroke." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:150 msgid "" "If you go to your resources folder, there's a folder there called \"preset" "\\_icons\", and in this folder there are \"tool\\_icons\" and \"emblem" "\\_icons\". You can add semi-transparent pngs here and Krita will load those " "into the icon library as well so you can customize your icons even more!" msgstr "" #: ../../user_manual/loading_saving_brushes.rst:156 msgid "" "At the top right of the icon library, there are three sliders. They allow " "you to adjust the tool icon. The top two are the same Hue and Saturation as " "in HSL adjustment, and the lowest slider is a super simple levels filter. " "This is done this way because the levels filter allows maintaining the " "darkest shadows and brightest highlights on a tool icon, making it much " "better for quick adjustments." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:163 msgid "" "If you're done with everything, you can press :guilabel:`Save` in the :" "guilabel:`Save New Preset` dialog and Krita will save the new brush." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:167 msgid "Section B - The Preset Chooser" msgstr "" #: ../../user_manual/loading_saving_brushes.rst:169 msgid "" "The preset chooser is much the same as the preset docker and the preset drop-" "down on :kbd:`F6`. It's unique in that it allows you to filter by engine and " "this is also where you can create brushes for an engine from scratch." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:174 msgid "" "It is by default collapsed, so you will need to press the arrow at the top " "left of the brush engine to show it." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:177 msgid "" "The top drop-down is set to “all” by default, which means it shows all " "engines. It then shows a tag section where you can select the tags, the " "preset list and the search bar." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:181 msgid "" "Underneath that there's a plus icon, which when pressed gives you the full " "list of Krita's engines. Selecting an engine from the list will show the " "brushes for that engine." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:185 msgid "" "The trashcan icon does the same as it does in the preset docker: delete, or " "rather, blacklist a preset so it won't show up in the list." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:189 msgid "Section C - The Scratch pad" msgstr "" #: ../../user_manual/loading_saving_brushes.rst:191 msgid "" "When you tweak your brushes, you want to be able to check what each setting " "does. That's why, to the right of the settings drop-down, there is a scratch " "pad." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:195 msgid "" "It is by default collapsed, so you will have to press the arrow at the top " "right of the brush settings to show it." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:198 msgid "" "When saving a new preset, you can choose to get the icon from the scratch " "pad, this will load the dash area into the mini scratch pad of the Save New " "Preset dialog." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:202 msgid "The scratch pad has five buttons underneath it. These are in order for:" msgstr "" #: ../../user_manual/loading_saving_brushes.rst:204 msgid "Showing the current brush image" msgstr "" #: ../../user_manual/loading_saving_brushes.rst:206 msgid "Adding a gradient to the scratch pad (useful for smudge brushes)" msgstr "" #: ../../user_manual/loading_saving_brushes.rst:207 msgid "Filling with the background color" msgstr "" #: ../../user_manual/loading_saving_brushes.rst:208 msgid "Clearing everything on the scratch pad" msgstr "" #: ../../user_manual/loading_saving_brushes.rst:211 msgid "Section D - The Options List" msgstr "" #: ../../user_manual/loading_saving_brushes.rst:213 msgid "" "The options, as stated above, are different per brush engine. These " "represent the different parameters, toggles and knobs that you can turn to " "make a brush preset unique. For a couple of options, the main things to " "change are sliders and check boxes, but for a lot of them, they use curves " "instead." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:219 msgid "" "Some options can be toggled, as noted by the little check boxes next to " "them, but others, like flow and opacity are so fundamental to how the brush " "works, that they are always on." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:223 msgid "" "The little padlock icon next to the options is for locking the brush. This " "has its own page." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:227 msgid "Section E - Option Configuration Widget" msgstr "" #: ../../user_manual/loading_saving_brushes.rst:229 msgid "" "Where section D is the list of options, section E is the widget where you " "can change things." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:233 msgid "Using sensor curves" msgstr "" #: ../../user_manual/loading_saving_brushes.rst:235 msgid "" "One of the big important things that make art unique to the artist who " "created it is the style of the strokes. Strokes are different because they " "differ in speed, rotation, direction, and the amount of pressure put onto " "the stylus. Because these are so important, we would want to customize how " "these values are understood in detail. The best way to do this is to use " "curves." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:242 msgid "" "Curves show up with the size widget for example. With an inking brush, we " "want to have size mapped to pressure. Just toggling the size option in the " "option list will do that." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:246 msgid "" "However, different people have different wrists and thus will press " "differently on their stylus. Someone who presses softly tends to find it " "easy to make thin strokes, but very difficult to make thick strokes. " "Conversely, someone who presses hard on their stylus naturally will have a " "hard time making thin strokes, but easily makes thick ones." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:252 msgid "" "Such a situation can be improved by using the curves to map pressure to " "output thinner lines or thicker ones." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:255 msgid "" "The brush settings curves even have quick curve buttons for these at the " "top. Someone who has a hard time making small strokes should try the second " "to last concave button, while someone who has a hard time making thick " "strokes should try the third button, the S shape." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:260 msgid "Underneath the curve widget there are two more options:" msgstr "" #: ../../user_manual/loading_saving_brushes.rst:263 msgid "" "This is for the list of sensors. Toggling this will make all the sensors use " "the same curve. Unchecked, all checked sensors will have separate curves." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:264 msgid "Share Curves across all settings" msgstr "" #: ../../user_manual/loading_saving_brushes.rst:267 msgid "" "This indicates how the multiple values of the sensor curves are used. The " "curves always go from 0 to 1.0, so if one curve outputs 0.5 and the other " "0.7, then..." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:271 msgid "Multiply" msgstr "Multiplicera" #: ../../user_manual/loading_saving_brushes.rst:272 msgid "Will multiply the two values, 0.5\\*0.7 = 0.35." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:274 msgid "Addition" msgstr "" #: ../../user_manual/loading_saving_brushes.rst:274 msgid "" "Will add the two to a maximum of 1.0, so 0.5+0.7 = 1.2, which is then capped " "at 1.0." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:277 msgid "Maximum" msgstr "Maximum" #: ../../user_manual/loading_saving_brushes.rst:277 msgid "" "Will compare the two and pick the largest. So in the case of 0.5 and 0.7, " "the result is 0.7." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:280 msgid "Minimum" msgstr "Minimum" #: ../../user_manual/loading_saving_brushes.rst:280 msgid "" "Will compare the two and pick the smallest. So in the case of 0.5 and 0.7, " "the result is 0.5." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:283 msgid "Will subtract the smallest value from the largest, so 0.7-0.5 = 0.2." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:284 msgid "Curves Calculation Mode" msgstr "" #: ../../user_manual/loading_saving_brushes.rst:284 msgid "Difference" msgstr "" #: ../../user_manual/loading_saving_brushes.rst:286 msgid "It's maybe better to see with the following example:" msgstr "" #: ../../user_manual/loading_saving_brushes.rst:289 msgid ".. image:: images/en/Krita_4_0_brush_curve_calculation_mode.png" msgstr ".. image:: images/en/Krita_4_0_brush_curve_calculation_mode.png" #: ../../user_manual/loading_saving_brushes.rst:290 msgid "" "The first two are regular, the rest with different multiplication types." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:292 msgid "Is a brush with size set to the distance sensor." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:293 msgid "Is a brush with the size set to the fade sensor." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:294 msgid "The size is calculated from the fade and distance sensors multiplied." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:295 msgid "" "The size is calculated from the fade and distance sensors added to each " "other. Notice how thick it is." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:297 msgid "" "The size takes the maximum value from the values of the fade and distance " "sensors." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:299 msgid "" "The size takes the minimum value from the values of the fade and distance " "sensors." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:301 msgid "" "The size is calculated by having the largest of the values subtracted with " "the smallest of the values." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:305 msgid "Section F - Miscellaneous options" msgstr "" #: ../../user_manual/loading_saving_brushes.rst:308 msgid "" "This enables dirty presets. Dirty presets store the tweaks you make as long " "as this session of Krita is active. After that, they revert to default. " "Dirtied presets can be recognized by the icon in the top-left of the preset." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:316 msgid "Temporarily Save Tweaks to Preset (Dirty Presets)" msgstr "" #: ../../user_manual/loading_saving_brushes.rst:316 msgid "" "The icon in the top left of the first two presets indicate it is “Dirty”, " "meaning there are tweaks made to the preset." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:319 msgid "Eraser Switch Size" msgstr "" #: ../../user_manual/loading_saving_brushes.rst:319 msgid "" "This switches the brush to a separately stored size when using the :kbd:`E` " "key." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:321 msgid "Eraser Switch Opacity" msgstr "" #: ../../user_manual/loading_saving_brushes.rst:322 msgid "Same as above, but then with Eraser opacity." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:324 msgid "" "This allows you to toggle instant preview on the brush. The Instant Preview " "has a super-secret feature: when you press the instant preview label, and " "then right click it, it will show a threshold slider. This slider determines " "at what brush size instant preview is activated for the brush. This is " "useful because small brushes can be slower with instant preview, so the " "threshold ensures it only activates when necessary." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:330 msgid "Instant Preview" msgstr "" #: ../../user_manual/loading_saving_brushes.rst:333 msgid "The On-canvas brush settings" msgstr "" #: ../../user_manual/loading_saving_brushes.rst:335 msgid "" "There are on-canvas brush settings. If you open up the pop-up palette, there " "should be an icon on the bottom-right. Press that to show the on-canvas " "brush settings. You will see several sliders here, to quickly make small " "changes." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:340 msgid "" "At the top it shows the currently active preset. Next to that is a settings " "button, click that to get a list of settings that can be shown and organized " "for the given brush engine. You can use the up and down arrows to order " "their position, and then left and right arrows to add or remove from the " "list. You can also drag and drop." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:347 msgid "Making a Brush Preset" msgstr "" #: ../../user_manual/loading_saving_brushes.rst:349 msgid "Now, let's make a simple brush to test the waters with:" msgstr "" #: ../../user_manual/loading_saving_brushes.rst:352 msgid "Getting a default for the brush engine." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:354 msgid "First, open the settings with :kbd:`F5`." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:356 msgid "" "Then, press the arrow on the upper left to open the preset chooser. There, " "press the “+” icon to get a list of engines. For this brush we're gonna make " "a pixel brush." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:361 msgid "Example: Making an inking brush" msgstr "" #: ../../user_manual/loading_saving_brushes.rst:363 msgid "" "Draw on the scratch pad to see what the current brush looks like. If done " "correctly, you should have a 5px wide brush that has pressure set to opacity." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:366 msgid "" "Let us turn off the opacity first. Click on the :ref:`opacity " "` option in the right-hand list. The settings should " "now be changed to a big curve. This is the sensor curve." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:370 msgid "Uncheck the :guilabel:`Enable Pen Settings` checkbox." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:371 msgid "" "Test on the scratch pad... there still seems to be something affecting " "opacity. This is due to the :ref:`flow ` option." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:375 msgid "" "Select the Flow option from the list on the right hand. Flow is like " "Opacity, except that Flow is per dab, and opacity is per stroke." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:377 msgid "" "Uncheck the :guilabel:`Enable Pen Settings` checkbox here as well. Test " "again." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:378 msgid "" "Now you should be getting somewhere towards an inking brush. It is still too " "small however, and kinda grainy looking. Click :ref:`Brush Tip " "` in the brush engine options." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:381 msgid "" "Here, the diameter is the size of the brush-tip. You can touch the slider " "change the size, or right-click it and type in a value. Set it to 25 and " "test again. It should be much better." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:384 msgid "" "Now to make the brush feel a bit softer, turn down the fade parameter to " "about 0.9. This'll give the *brush mask* a softer edge." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:386 msgid "" "If you test again, you'll notice the fade doesn't seem to have much effect. " "This has to do with the spacing of the dabs: The closer they are together, " "the harder the line is. By default, this is 0.1, which is a bit low. If you " "set it to 10 and test, you'll see what kind of effect spacing has. The :ref:" "`Auto ` checkbox changes the way the spacing is calculated, " "and Auto Spacing with a value of 0.8 is the best value for inking brushes. " "Don't forget that you can use right-click to type in a value." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:395 msgid "" "Now, when you test, the fade seems to have a normal effect... except on the " "really small sizes, which look pixelly. To get rid of that, check the anti-" "aliasing check box. If you test again, the lines should be much nicer now." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:401 msgid "Saving the new Brush" msgstr "Spara den nya penseln" #: ../../user_manual/loading_saving_brushes.rst:403 msgid "" "When you're satisfied, go to the upper left and select :guilabel::`Save new " "preset`." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:406 msgid "" "You will get the save preset dialog. Name the brush something like “My " "Preset”. Then, select :guilabel:`Load from Icon Library` to get the icon " "library. Choose a nice tool icon and press :guilabel:`OK`." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:410 msgid "" "The icon will be loaded into the mini scratch pad on the left. Now doodle a " "nice stroke next to it. If you feel you messed up, just go back to the icon " "library to load a new icon." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:414 msgid "Finally press :guilabel:`Save`, and your brush should be done." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:416 msgid "You can further modify your inking brush by..." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:419 msgid "" "Changing the amount of pressure you need to put on a brush to make it full " "size." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:419 msgid "" "To do this, select the :ref:`size ` option, and press the " "pressure sensor from the list next to the curve. The curve should look like " "a straight line. Now if you want a brush that gets big with little pressure, " "tick on the curve to make a point, and drag the point to the upper-left. The " "more the point is to the upper-left, the more extreme the effect. If you " "want instead a brush that you have to press really hard on to get to full " "size, drag the dot to the lower-right. Such a brush is useful for fine " "details. Don't forget to save the changes to your brush when done." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:422 msgid "Making the fine lines look even softer by using the flow option." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:422 msgid "" "To do this, select the flow option, and turn back on the :guilabel:`Enable " "Pen Settings` check box. Now if you test this, it is indeed a bit softer, " "but maybe a bit too much. Click on the curve to make a dot, and drag that " "dot to the top-left, half-way the horizontal of the first square of the " "grid. Now, if you test, the thin lines are much softer, but the hard your " "press, the harder the brush becomes." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:425 msgid "Sharing Brushes" msgstr "" #: ../../user_manual/loading_saving_brushes.rst:427 msgid "" "Okay, so you've made a new brush and want to share it. There are several " "ways to share a brush preset." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:430 msgid "" "The recommended way to share brushes and presets is by using the resource " "bundle system. We have detailed instructions on how to use them on the :ref:" "`resource management page `." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:434 msgid "" "However, there are various old-fashioned ways of sharing brushes that can be " "useful when importing and loading very old packs:" msgstr "" #: ../../user_manual/loading_saving_brushes.rst:438 msgid "Sharing a single preset" msgstr "" #: ../../user_manual/loading_saving_brushes.rst:440 msgid "There are three types of resources a single preset can take:" msgstr "" #: ../../user_manual/loading_saving_brushes.rst:442 msgid "" "A Paintoppreset file: This is the preset proper, with the icon and the " "curves stored inside." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:444 msgid "" "A Brush file: This is the brush tip. When using masked brushes, there's two " "of these." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:446 msgid "A Pattern file: this is when you are using textures." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:448 msgid "" "So when you have a brush that uses unique predefined tips for either brush " "tip or masked brush, or unique textures you will need to share those " "resources as well with the other person." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:452 msgid "" "To find those resources, go to :menuselection:`Settings --> Manage Resources " "--> Open Resource Folder`." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:454 msgid "" "There, the preset file will be inside paintoppresets, the brush tips inside " "brushes and the texture inside patterns." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:458 msgid "Importing a single KPP file." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:460 msgid "" "Now, if you want to use the single preset, you should go to the preset " "chooser on :kbd:`F6` and press the folder icon there. This will give a file " "dialog. Navigate to the kpp file and open it to import it." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:464 msgid "" "If there are brush tips and patterns coming with the file, do the same with " "pattern via the pattern docker, and for the brush-tip go to the settings " "drop-down (:kbd:`F5`) and then go to the “brush-tip” option. There, select " "predefined brush, and then the “import” button to call up the file dialog." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:471 msgid "Sharing via ZIP (old-fashioned)" msgstr "" #: ../../user_manual/loading_saving_brushes.rst:473 msgid "" "Sharing via ZIP should be replaced with resource bundles, but older brush " "packs are stored in zip files." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:477 msgid "Using a ZIP with the relevant files." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:479 msgid "" "Go to :menuselection:`Settings --> Manage Resources --> Open Resource " "Folder` to open the resource folder." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:480 msgid "Then, open up the zip file." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:481 msgid "" "Copy the brushes, paintoppresets and patterns folders from the zip file to " "the resource folder. You should get a prompt to merge the folders, agree to " "this." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:484 -#| msgid "Restart Krita" msgid "Restart Krita." msgstr "Starta om Krita." #: ../../user_manual/loading_saving_brushes.rst:485 msgid "Enjoy your brushes!" msgstr "" - diff --git a/locale/sv/LC_MESSAGES/user_manual/python_scripting/krita_python_plugin_howto.po b/locale/sv/LC_MESSAGES/user_manual/python_scripting/krita_python_plugin_howto.po index ebf97703f..caae39f25 100644 --- a/locale/sv/LC_MESSAGES/user_manual/python_scripting/krita_python_plugin_howto.po +++ b/locale/sv/LC_MESSAGES/user_manual/python_scripting/krita_python_plugin_howto.po @@ -1,627 +1,626 @@ # Copyright (C) licensed under the GNU Free Documentation License 1.3+ unless stated otherwise # This file is distributed under the same license as the Krita Manual package. # # Stefan Asserhäll , 2019. msgid "" msgstr "" "Project-Id-Version: Krita Manual 4.1\n" "Report-Msgid-Bugs-To: \n" "POT-Creation-Date: 2019-04-10 03:45+0200\n" "PO-Revision-Date: 2019-04-13 20:30+0100\n" "Last-Translator: Stefan Asserhäll \n" "Language-Team: Swedish \n" "Language: sv\n" "MIME-Version: 1.0\n" "Content-Type: text/plain; charset=UTF-8\n" "Content-Transfer-Encoding: 8bit\n" "Plural-Forms: nplurals=2; plural=n != 1;\n" "X-Generator: Lokalize 2.0\n" #: ../../user_manual/python_scripting/krita_python_plugin_howto.rst:1 msgid "Guide on all the specifics of creating Krita python plugins." msgstr "" #: ../../user_manual/python_scripting/krita_python_plugin_howto.rst:19 msgid "How to make a Krita Python plugin" msgstr "Hur man skapar ett Krita Python-insticksprogram" #: ../../user_manual/python_scripting/krita_python_plugin_howto.rst:21 msgid "" "You might have some neat scripts you have written in the Scripter Python " "runner, but maybe you want to do more with it and run it automatically for " "instance. Wrapping your script in a plugin can give you much more " "flexibility and power than running scripts from the Scripter editor." msgstr "" #: ../../user_manual/python_scripting/krita_python_plugin_howto.rst:23 msgid "" "Okay, so even if you know python really well, there are some little details " "to getting Krita to recognize a python plugin. So this page will give an " "overview how to create the various types of python script unique to Krita." msgstr "" #: ../../user_manual/python_scripting/krita_python_plugin_howto.rst:25 msgid "" "These mini-tutorials are written for people with a basic understanding of " "python, and in such a way to encourage experimentation instead of plainly " "copy and pasting code, so read the text carefully." msgstr "" #: ../../user_manual/python_scripting/krita_python_plugin_howto.rst:28 msgid "Getting Krita to recognize your plugin" msgstr "" #: ../../user_manual/python_scripting/krita_python_plugin_howto.rst:30 msgid "" "A script in Krita has two components - the script directory (holding your " "script's Python files) and a \".desktop\" file that Krita uses to load and " "register your script. For Krita to load your script both of these must put " "be in the pykrita subdirectory of your Krita resources folder (on Linux ~/." "local/share/krita/pykrita). To find your resources folder start Krita and " "click the :menuselection:`Settings --> Manage Resources` menu item. This " "will open a dialog box. Click the :guilabel:`Open Resources Folder` button. " "This should open a file manager on your system at your Krita resources " "folder. See the `API `_ docs under \"Auto starting scripts\". " "If there is no pykrita subfolder in the Krita resources directory use your " "file manager to create one." msgstr "" #: ../../user_manual/python_scripting/krita_python_plugin_howto.rst:32 msgid "" "Scripts are identified by a file that ends in a .desktop extension that " "contain information about the script itself." msgstr "" #: ../../user_manual/python_scripting/krita_python_plugin_howto.rst:34 msgid "" "Therefore, for each proper plugin you will need to create a folder, and a " "desktop file." msgstr "" #: ../../user_manual/python_scripting/krita_python_plugin_howto.rst:36 msgid "The desktop file should look as follows::" msgstr "Skrivbordsfilen ska se ut på följande sätt:" #: ../../user_manual/python_scripting/krita_python_plugin_howto.rst:47 msgid "Type" msgstr "Type" #: ../../user_manual/python_scripting/krita_python_plugin_howto.rst:48 msgid "This should always be service." msgstr "Det ska alltid vara service." #: ../../user_manual/python_scripting/krita_python_plugin_howto.rst:49 msgid "ServiceTypes" msgstr "ServiceTypes" #: ../../user_manual/python_scripting/krita_python_plugin_howto.rst:50 msgid "This should always be Krita/PythonPlugin for python plugins." msgstr "Det ska alltid vara Krita/PythonPlugin för Python-insticksprogram." #: ../../user_manual/python_scripting/krita_python_plugin_howto.rst:51 msgid "X-KDE-Library" msgstr "X-KDE-Library" #: ../../user_manual/python_scripting/krita_python_plugin_howto.rst:52 msgid "This should be the name of the plugin folder you just created." msgstr "" "Det ska vara namnet på katalogen för insticksprogrammet som du just skapade." #: ../../user_manual/python_scripting/krita_python_plugin_howto.rst:53 msgid "X-Python-2-Compatible" msgstr "X-Python-2-Compatible" #: ../../user_manual/python_scripting/krita_python_plugin_howto.rst:54 msgid "" "Whether it is python 2 compatible. If Krita was built with python 2 instead " "of 3 (``-DENABLE_PYTHON_2=ON`` in the cmake configuration), then this plugin " "will not show up in the list." msgstr "" #: ../../user_manual/python_scripting/krita_python_plugin_howto.rst:55 msgid "X-Krita-Manual" msgstr "X-Krita-Manual" #: ../../user_manual/python_scripting/krita_python_plugin_howto.rst:56 msgid "" "An Optional Value that will point to the manual item. This is shown in the " "Python Plugin manager. If it's `an HTML file it'll be shown as rich text " "`_, if not, it'll be shown " "as plain text." msgstr "" #: ../../user_manual/python_scripting/krita_python_plugin_howto.rst:57 msgid "Name" msgstr "Name" #: ../../user_manual/python_scripting/krita_python_plugin_howto.rst:58 -#| msgid "The name that will show up in the Python Plugin Manager" msgid "The name that will show up in the Python Plugin Manager." msgstr "Namnet som visas i Python-instickshanteraren." #: ../../user_manual/python_scripting/krita_python_plugin_howto.rst:60 msgid "Comment" msgstr "Comment" #: ../../user_manual/python_scripting/krita_python_plugin_howto.rst:60 msgid "The description that will show up in the Python Plugin Manager." msgstr "Beskrivningen som visas i Python-instickshanteraren." #: ../../user_manual/python_scripting/krita_python_plugin_howto.rst:62 msgid "" "Krita python plugins need to be python modules, so make sure there's an " "__init__.py script, containing something like..." msgstr "" #: ../../user_manual/python_scripting/krita_python_plugin_howto.rst:69 msgid "" "Where .myplugin is the name of the main file of your plugin. If you restart " "Krita, it now should show this in the Python Plugin Manager in the settings, " "but it will be grayed out, because there's no myplugin.py. If you hover over " "disabled plugins, you can see the error with them." msgstr "" #: ../../user_manual/python_scripting/krita_python_plugin_howto.rst:72 msgid "Summary" msgstr "Sammanfattning" #: ../../user_manual/python_scripting/krita_python_plugin_howto.rst:74 msgid "In summary, if you want to create a script called *myplugin*:" msgstr "" "För att sammanfatta, om du vill skapa ett skript som heter *insticksprogram*:" #: ../../user_manual/python_scripting/krita_python_plugin_howto.rst:77 msgid "in your Krita *resources/pykrita* directory create" msgstr "skapa följande i Kritas katalog *resources/pykrita*" #: ../../user_manual/python_scripting/krita_python_plugin_howto.rst:77 msgid "a folder called *myplugin*" msgstr "en katalog som heter *insticksprogram*" #: ../../user_manual/python_scripting/krita_python_plugin_howto.rst:78 msgid "a file called *myplugin.desktop*" msgstr "en fil som heter *insticksprogram.desktop*" #: ../../user_manual/python_scripting/krita_python_plugin_howto.rst:80 msgid "in the *myplugin* folder create" msgstr "skapa följande i katalogen *insticksprogram*" #: ../../user_manual/python_scripting/krita_python_plugin_howto.rst:80 msgid "a file called *__init__.py*" msgstr "en fil som heter *__init__.py*" #: ../../user_manual/python_scripting/krita_python_plugin_howto.rst:81 msgid "a file called *myplugin.py*" msgstr "en fil som heter *insticksprogram.py*" #: ../../user_manual/python_scripting/krita_python_plugin_howto.rst:82 msgid "in the *__init__.py* file put this code:" msgstr "lägg till följande kod i filen *__init__.py*:" #: ../../user_manual/python_scripting/krita_python_plugin_howto.rst:88 msgid "in the desktop file put this code::" msgstr "lägg till följande kod i skrivbordsfilen:" #: ../../user_manual/python_scripting/krita_python_plugin_howto.rst:98 msgid "write your script in the ''myplugin/myplugin.py'' file." msgstr "skriv skriptet i filen \"insticksprogram/insticksprogram.py\"." #: ../../user_manual/python_scripting/krita_python_plugin_howto.rst:101 msgid "Creating an extension" msgstr "Skapa en utökning" #: ../../user_manual/python_scripting/krita_python_plugin_howto.rst:103 msgid "" "`Extensions `_ are relatively simple python scripts that " "run on Krita start. They are made by extending the Extension class, and the " "most barebones extension looks like this:" msgstr "" #: ../../user_manual/python_scripting/krita_python_plugin_howto.rst:124 msgid "" "This code of course doesn't do anything. Typically, in createActions we add " "actions to Krita, so we can access our script from the :guilabel:`Tools` " "menu." msgstr "" #: ../../user_manual/python_scripting/krita_python_plugin_howto.rst:126 msgid "" "First, let's create an `action `_. We can do that easily " "with `Window.createAction() `_. Krita will call createActions for " "every Window that is created and pass the right window object that we have " "to use." msgstr "" #: ../../user_manual/python_scripting/krita_python_plugin_howto.rst:128 msgid "So..." msgstr "Alltså ..." #: ../../user_manual/python_scripting/krita_python_plugin_howto.rst:136 msgid "\"myAction\"" msgstr "\"mitt_alternativ\"" #: ../../user_manual/python_scripting/krita_python_plugin_howto.rst:137 msgid "" "This should be replaced with a unique id that Krita will use to find the " "action." msgstr "" #: ../../user_manual/python_scripting/krita_python_plugin_howto.rst:139 msgid "\"My Script\"" msgstr "\"Mitt skript\"" #: ../../user_manual/python_scripting/krita_python_plugin_howto.rst:139 msgid "This is what will be visible in the tools menu." msgstr "Det är vad som syns i verktygsmenyn." #: ../../user_manual/python_scripting/krita_python_plugin_howto.rst:141 msgid "" "If you now restart Krita, you will have an action called \"My Script\". It " "still doesn't do anything, because we haven't connected it to a script." msgstr "" #: ../../user_manual/python_scripting/krita_python_plugin_howto.rst:143 msgid "" "So, let's make a simple export document script. Add the following to the " "extension class, make sure it is above where you add the extension to Krita:" msgstr "" #: ../../user_manual/python_scripting/krita_python_plugin_howto.rst:159 msgid "And add the import for QFileDialog above with the imports:" msgstr "" #: ../../user_manual/python_scripting/krita_python_plugin_howto.rst:166 msgid "Then, to connect the action to the new export document:" msgstr "" #: ../../user_manual/python_scripting/krita_python_plugin_howto.rst:175 msgid "" "This is an example of a `signal/slot connection `_, which Qt applications like Krita use a lot. We'll " "go over how to make our own signals and slots a bit later." msgstr "" #: ../../user_manual/python_scripting/krita_python_plugin_howto.rst:177 msgid "Restart Krita and your new action ought to now export the document." msgstr "" #: ../../user_manual/python_scripting/krita_python_plugin_howto.rst:180 msgid "Creating configurable keyboard shortcuts" msgstr "" #: ../../user_manual/python_scripting/krita_python_plugin_howto.rst:182 msgid "" "Now, your new action doesn't show up in :menuselection:`Settings --> " "Configure Krita --> Keyboard Shortcuts`." msgstr "" #: ../../user_manual/python_scripting/krita_python_plugin_howto.rst:184 msgid "" "Krita, for various reasons, only adds actions to the shortcuts menu when " "they are present in an .action file. The action file to get our action to be " "added to shortcuts should look like this:" msgstr "" #: ../../user_manual/python_scripting/krita_python_plugin_howto.rst:209 msgid "My Scripts" msgstr "Mina skript" #: ../../user_manual/python_scripting/krita_python_plugin_howto.rst:210 msgid "" "This will create a sub-category under scripts called \"My Scripts\" to add " "your shortcuts to." msgstr "" #: ../../user_manual/python_scripting/krita_python_plugin_howto.rst:211 msgid "name" msgstr "name" #: ../../user_manual/python_scripting/krita_python_plugin_howto.rst:212 msgid "" "This should be the unique id you made for your action when creating it in " "the setup of the extension." msgstr "" #: ../../user_manual/python_scripting/krita_python_plugin_howto.rst:213 msgid "icon" msgstr "icon" #: ../../user_manual/python_scripting/krita_python_plugin_howto.rst:214 msgid "" "the name of a possible icon. These will only show up on KDE plasma, because " "Gnome and Windows users complained they look ugly." msgstr "" #: ../../user_manual/python_scripting/krita_python_plugin_howto.rst:215 msgid "text" msgstr "text" #: ../../user_manual/python_scripting/krita_python_plugin_howto.rst:216 msgid "The text that it will show in the shortcut editor." msgstr "" #: ../../user_manual/python_scripting/krita_python_plugin_howto.rst:217 msgid "whatsThis" msgstr "whatsThis" #: ../../user_manual/python_scripting/krita_python_plugin_howto.rst:218 msgid "" "The text it will show when a Qt application specifically calls for 'what is " "this', which is a help action." msgstr "" #: ../../user_manual/python_scripting/krita_python_plugin_howto.rst:219 msgid "toolTip" msgstr "toolTip" #: ../../user_manual/python_scripting/krita_python_plugin_howto.rst:220 msgid "The tool tip, this will show up on hover-over." msgstr "" #: ../../user_manual/python_scripting/krita_python_plugin_howto.rst:221 msgid "iconText" msgstr "iconText" #: ../../user_manual/python_scripting/krita_python_plugin_howto.rst:222 msgid "" "The text it will show when displayed in a toolbar. So for example, \"Resize " "Image to New Size\" could be shortened to \"Resize Image\" to save space, so " "we'd put that in here." msgstr "" #: ../../user_manual/python_scripting/krita_python_plugin_howto.rst:223 msgid "activationFlags" msgstr "activationFlags" #: ../../user_manual/python_scripting/krita_python_plugin_howto.rst:224 msgid "This determines when an action is disabled or not." msgstr "" #: ../../user_manual/python_scripting/krita_python_plugin_howto.rst:225 msgid "activationConditions" msgstr "activationConditions" #: ../../user_manual/python_scripting/krita_python_plugin_howto.rst:226 msgid "" "This determines activation conditions (e.g. activate only when selection is " "editable). See `the code `_ for examples." msgstr "" #: ../../user_manual/python_scripting/krita_python_plugin_howto.rst:227 msgid "shortcut" msgstr "genväg" #: ../../user_manual/python_scripting/krita_python_plugin_howto.rst:228 msgid "Default shortcut." msgstr "Standardgenväg." #: ../../user_manual/python_scripting/krita_python_plugin_howto.rst:229 msgid "isCheckable" msgstr "isCheckable" #: ../../user_manual/python_scripting/krita_python_plugin_howto.rst:230 msgid "Whether it is a checkbox or not." msgstr "" #: ../../user_manual/python_scripting/krita_python_plugin_howto.rst:232 msgid "statusTip" msgstr "statusTip" #: ../../user_manual/python_scripting/krita_python_plugin_howto.rst:232 msgid "The status tip that is displayed on a status bar." msgstr "" #: ../../user_manual/python_scripting/krita_python_plugin_howto.rst:234 msgid "" "Save this file as \"myplugin.action\" where myplugin is the name of your " "plugin. The action file should be saved, not in the pykrita resources " "folder, but rather in a resources folder named \"actions\". (So, share/" "pykrita is where the python plugins and desktop files go, and share/actions " "is where the action files go) Restart Krita. The shortcut should now show up " "in the shortcut action list." msgstr "" #: ../../user_manual/python_scripting/krita_python_plugin_howto.rst:237 msgid "Creating a docker" msgstr "Skapa en panel" #: ../../user_manual/python_scripting/krita_python_plugin_howto.rst:239 msgid "" "Creating a custom `docker `_ is much like creating " "an extension. Dockers are in some ways a little easier, but they also " "require more use of widgets. This is the barebones docker code:" msgstr "" #: ../../user_manual/python_scripting/krita_python_plugin_howto.rst:257 msgid "" "The window title is how it will appear in the docker list in Krita. " "canvasChanged always needs to be present, but you don't have to do anything " "with it, so hence just 'pass'." msgstr "" #: ../../user_manual/python_scripting/krita_python_plugin_howto.rst:259 msgid "For the addDockWidgetFactory..." msgstr "" #: ../../user_manual/python_scripting/krita_python_plugin_howto.rst:261 msgid "\"myDocker\"" msgstr "\"myDocker\"" #: ../../user_manual/python_scripting/krita_python_plugin_howto.rst:262 msgid "" "Replace this with an unique ID for your docker that Krita uses to keep track " "of it." msgstr "" #: ../../user_manual/python_scripting/krita_python_plugin_howto.rst:263 msgid "DockWidgetFactoryBase.DockRight" msgstr "DockWidgetFactoryBase.DockRight" #: ../../user_manual/python_scripting/krita_python_plugin_howto.rst:264 msgid "" "The location. These can be DockTornOff, DockTop, DockBottom, DockRight, " "DockLeft, or DockMinimized" msgstr "" #: ../../user_manual/python_scripting/krita_python_plugin_howto.rst:266 msgid "MyDocker" msgstr "MinPanel" #: ../../user_manual/python_scripting/krita_python_plugin_howto.rst:266 msgid "Replace this with the class name of the docker you want to add." msgstr "" #: ../../user_manual/python_scripting/krita_python_plugin_howto.rst:268 msgid "" "So, if we add our export document function we created in the extension " "section to this docker code, how do we allow the user to activate it? First, " "we'll need to do some Qt GUI coding: Let's add a button!" msgstr "" #: ../../user_manual/python_scripting/krita_python_plugin_howto.rst:270 msgid "" "By default, Krita uses PyQt, but its documentation is pretty bad, mostly " "because the regular Qt documentation is really good, and you'll often find " "that the PyQT documentation of a class, say, `QWidget `_ is like a weird " "copy of the regular `Qt documentation `_ for that class." msgstr "" #: ../../user_manual/python_scripting/krita_python_plugin_howto.rst:272 msgid "" "Anyway, what we need to do first is that we need to create a QWidget, it's " "not very complicated, under setWindowTitle, add:" msgstr "" #: ../../user_manual/python_scripting/krita_python_plugin_howto.rst:279 msgid "Then, we create a button:" msgstr "Därefter skapar vi en knapp:" #: ../../user_manual/python_scripting/krita_python_plugin_howto.rst:285 msgid "" "Now, to connect the button to our function, we'll need to look at the " "signals in the documentation. `QPushButton `_ has no unique signals of its own, but it does say it " "inherits 4 signals from `QAbstractButton `_, which means that we can use those too. In " "our case, we want clicked." msgstr "" #: ../../user_manual/python_scripting/krita_python_plugin_howto.rst:291 msgid "" "If we now restart Krita, we'll have a new docker and in that docker there's " "a button. Clicking on the button will call up the export function." msgstr "" #: ../../user_manual/python_scripting/krita_python_plugin_howto.rst:293 msgid "" "However, the button looks aligned a bit oddly. That's because our mainWidget " "has no layout. Let's quickly do that:" msgstr "" #: ../../user_manual/python_scripting/krita_python_plugin_howto.rst:300 msgid "" "Qt has several `layouts `_, but the " "`QHBoxLayout and the QVBoxLayout `_ " "are the easiest to use, they just arrange widgets horizontally or vertically." msgstr "" #: ../../user_manual/python_scripting/krita_python_plugin_howto.rst:302 msgid "Restart Krita and the button should now be laid out nicely." msgstr "" #: ../../user_manual/python_scripting/krita_python_plugin_howto.rst:305 msgid "PyQt Signals and Slots" msgstr "PyQt signaler och slots" #: ../../user_manual/python_scripting/krita_python_plugin_howto.rst:307 msgid "" "We've already been using PyQt signals and slots already, but there are times " "where you want to create your own signals and slots. `As pyQt's " "documentation is pretty difficult to understand `_, " "and the way how signals and slots are created is very different from C++ Qt, " "we're explaining it here:" msgstr "" #: ../../user_manual/python_scripting/krita_python_plugin_howto.rst:310 msgid "" "All python functions you make in PyQt can be understood as slots, meaning " "that they can be connected to signals like Action.triggered or QPushButton." "clicked. However, QCheckBox has a signal for toggled, which sends a boolean. " "How do we get our function to accept that boolean?" msgstr "" #: ../../user_manual/python_scripting/krita_python_plugin_howto.rst:312 msgid "First, make sure you have the right import for making custom slots:" msgstr "" #: ../../user_manual/python_scripting/krita_python_plugin_howto.rst:314 msgid "``from PyQt5.QtCore import pyqtSlot``" msgstr "``from PyQt5.QtCore import pyqtSlot``" #: ../../user_manual/python_scripting/krita_python_plugin_howto.rst:316 msgid "" "(If there's from ``PyQt5.QtCore import *`` already in the list of imports, " "then you won't have to do this, of course.)" msgstr "" #: ../../user_manual/python_scripting/krita_python_plugin_howto.rst:318 msgid "Then, you need to add a PyQt slot definition before your function:" msgstr "" #: ../../user_manual/python_scripting/krita_python_plugin_howto.rst:330 msgid "" "Then, when you have created your checkbox, you can do something like " "myCheckbox.toggled.connect(self.myFunction)" msgstr "" #: ../../user_manual/python_scripting/krita_python_plugin_howto.rst:332 msgid "Similarly, to make your own PyQt signals, you do the following:" msgstr "" #: ../../user_manual/python_scripting/krita_python_plugin_howto.rst:344 msgid "And use the right import:" msgstr "" #: ../../user_manual/python_scripting/krita_python_plugin_howto.rst:346 msgid "``from PyQt5.QtCore import pyqtSignal``" msgstr "``from PyQt5.QtCore import pyqtSignal``" #: ../../user_manual/python_scripting/krita_python_plugin_howto.rst:348 msgid "" "To emit or create slots for objects that aren't standard python objects, you " "only have to put their names between quotation marks." msgstr "" #: ../../user_manual/python_scripting/krita_python_plugin_howto.rst:351 msgid "Conclusion" msgstr "Avslutning" #: ../../user_manual/python_scripting/krita_python_plugin_howto.rst:353 msgid "" "Okay, so that covers all the Krita specific details for creating python " "plugins. It doesn't handle how to parse the pixel data, or best practices " "with documents, but if you have a little bit of experience with python you " "should be able to start creating your own plugins." msgstr "" #: ../../user_manual/python_scripting/krita_python_plugin_howto.rst:355 msgid "" "As always, read the code carefully and read the API docs for python, Krita " "and Qt carefully to see what is possible, and you'll get pretty far." msgstr "" #~ msgid "No clue" #~ msgstr "Ingen aning" #~ msgid "No Clue." #~ msgstr "Ingen aning." diff --git a/locale/uk_UA/LC_MESSAGES/contributors_manual/krita_manual_readme.po b/locale/uk_UA/LC_MESSAGES/contributors_manual/krita_manual_readme.po index 06105e2fc..b8317699e 100644 --- a/locale/uk_UA/LC_MESSAGES/contributors_manual/krita_manual_readme.po +++ b/locale/uk_UA/LC_MESSAGES/contributors_manual/krita_manual_readme.po @@ -1,960 +1,971 @@ # Translation of docs_krita_org_contributors_manual___krita_manual_readme.po to Ukrainian # Copyright (C) 2019 This_file_is_part_of_KDE # This file is distributed under the license LGPL version 2.1 or # version 3 or later versions approved by the membership of KDE e.V. # # Yuri Chornoivan , 2019. msgid "" msgstr "" "Project-Id-Version: docs_krita_org_contributors_manual___krita_manual_readme\n" "Report-Msgid-Bugs-To: \n" "POT-Creation-Date: 2019-03-03 03:22+0100\n" -"PO-Revision-Date: 2019-04-13 22:33+0300\n" +"PO-Revision-Date: 2019-04-14 21:23+0300\n" "Last-Translator: Yuri Chornoivan \n" "Language-Team: Ukrainian \n" "Language: uk\n" "MIME-Version: 1.0\n" "Content-Type: text/plain; charset=UTF-8\n" "Content-Transfer-Encoding: 8bit\n" "Plural-Forms: nplurals=4; plural=n==1 ? 3 : n%10==1 && n%100!=11 ? 0 : n" "%10>=2 && n%10<=4 && (n%100<10 || n%100>=20) ? 1 : 2;\n" "X-Generator: Lokalize 19.03.70\n" #: ../../contributors_manual/krita_manual_readme.rst:1 msgid "Contributor's Readme for the Krita Manual" msgstr "Настанови для учасників написання підручника Krita" #: ../../contributors_manual/krita_manual_readme.rst:24 msgid "Krita Manual Contribution Guide" msgstr "Настанови учасника написання підручника Krita" #: ../../contributors_manual/krita_manual_readme.rst:26 msgid "Welcome to our new documentation!" msgstr "Вітаємо у нашій документації!" #: ../../contributors_manual/krita_manual_readme.rst:28 msgid "" "We've moved from userbase.kde.org to docs.krita.org, then we moved from " "Mediawiki to Sphinx. This latter change is because Sphinx allows us to " "handle translations much better than mediawiki can." msgstr "" "Ми спочатку перенесли дані з userbase.kde.org на docs.krita.org, а потім " "перейшли з Mediawiki на Sphinx. Цю заміну було виконано, оскільки Sphinx " "надає нам змогу значно розширити можливості роботи з перекладами, порівняно " "із можливостями mediawiki." #: ../../contributors_manual/krita_manual_readme.rst:30 msgid "The manual will include:" msgstr "До підручника буде включено таке:" #: ../../contributors_manual/krita_manual_readme.rst:32 msgid "A reference manual for Krita" msgstr "Довідник з Krita" #: ../../contributors_manual/krita_manual_readme.rst:33 msgid "" "This one is probably what everyone is expecting when they type in docs.krita." "org. Dry, basic, 'what does this button do' type of information." msgstr "" "Це, ймовірно, те, що кожен очікує побачити, коли введе адресу docs.krita." "org. Короткий, базовий тип відомостей «для чого призначено цю кнопку»." #: ../../contributors_manual/krita_manual_readme.rst:35 msgid "" "We've found over the past two years that for certain types of users, a " "reference manual, even with some examples, just isn't enough. The manual " "should also provide fast and concise explanations for things, and provide a " "basic workflow for preparing an image for the web." msgstr "" "Протягом останніх двох років ми переконалися, що для певних категорій " "користувачів довідкового підручника, навіть із певними прикладами, просто " "недостатньо. У підручнику мають бути короткі і точні пояснення щодо " "принципів роботи, а також описи робочих процедур приготування зображень для " "оприлюднення у мережі." #: ../../contributors_manual/krita_manual_readme.rst:37 msgid "" "We also have found that certain concepts, such as color management and layer " "handling are far more advanced in Krita than the average artist is used to. " "Krita is free and many of its users will not have formal training in digital " "artwork. So there is no pre-existing artist-focused knowledge on how to use " "color management or filter layers." msgstr "" "Нами також було виявлено, що деякі інструменти, зокрема керування кольорами " "та робота з шарами, мають у Krita ширші можливості, ніж звик звичайний " "художник. Krita є безкоштовною програмою і багато з її користувачів не мають " "формальної підготовки у цифровому малюванні. Отже, у користувачів немає " "попереднього фокусованого на художнику значення щодо того, як користуватися " "керуванням кольорами або шарами фільтрування." #: ../../contributors_manual/krita_manual_readme.rst:38 msgid "General concept tutorials." msgstr "Підручники із загальних понять" #: ../../contributors_manual/krita_manual_readme.rst:39 msgid "" "In addition there are systems that are unique to Krita, for example the " "brush system, the transform masks, the alpha inheritance and the perspective " "assistants. Finally, there are users who aren't familiar with even standard " "painting workflows, and are not flexible enough to understand how to port a " "tutorial for Sai or Photoshop to Krita." msgstr "" "Окрім того, існують системи, які є унікальними для Krita, наприклад, система " "пензлів, маски перетворення, успадкування прозорості та допоміжні засоби " "перспективи. Нарешті, існують користувачі, які не обізнані навіть із " "стандартними робочими процедурами з малювання, — таким користувачам важко " "зрозуміти, як скористатися настановами щодо малювання у Sai або Photoshop у " "Krita." #: ../../contributors_manual/krita_manual_readme.rst:40 msgid "A list of known tutorials and video tutorials" msgstr "Список відомих підручників та відеопідручників" #: ../../contributors_manual/krita_manual_readme.rst:41 msgid "" "Apparently, one of the great things about Krita's team is how we connect " "with artists and acknowledge that they're doing cool stuff. The same should " "count for tutorials, especially because there are ways of using Krita and " "ways of approaching painting that are unique and we should encourage people " "to share their knowledge." msgstr "" #: ../../contributors_manual/krita_manual_readme.rst:42 msgid "Contributor's Manual" msgstr "Підручник учасника розробки" #: ../../contributors_manual/krita_manual_readme.rst:43 msgid "" "Krita is (free) open source software, which makes us effectively a community " "project, with dozens of volunteers pitching in to make it better. This, of " "course, requires we keep track of manuals and howto's for new volunteers to " "come in and help us. The various places we've done this have been rather " "spread out, and are often under maintained. The contributor's manual is an " "attempt to solidify all the information. It is therefore very technical in " "places." msgstr "" #: ../../contributors_manual/krita_manual_readme.rst:44 msgid "krita.org tutorials" msgstr "Підручники на krita.org" #: ../../contributors_manual/krita_manual_readme.rst:45 msgid "" "There have been a bunch of tutorials on the krita.org and the krita-" "foundation.tumblr.com, the former focusing on explaining how to use a new " "feature and the later stimulated by user request." msgstr "" "На krita.org та krita-foundation.tumblr.com було багато навчальних " "матеріалів, на першому з цих сайтів акцент було зроблено на пояснення того, " "як користуватися новими можливостями, а на другому — на запитах користувачів." #: ../../contributors_manual/krita_manual_readme.rst:47 msgid "FAQ" msgstr "Поширені питання" #: ../../contributors_manual/krita_manual_readme.rst:47 msgid "" "This one is already online and a merger of the different FAQs that we had. " "It's currently being translated and we hope to keep this one the primary one " "to update." msgstr "" "Цей розділ вже створено, він є об'єднанням різних розділів питань і " "відповідей. Цей розділ вже можна перекладати. Ми сподіваємося оновлювати " "його у першу чергу." #: ../../contributors_manual/krita_manual_readme.rst:50 msgid "For first timers" msgstr "Для початківців" #: ../../contributors_manual/krita_manual_readme.rst:52 msgid "Unlike Mediawiki, Sphinx works more like how we write code for Krita." msgstr "" "На відміну від Mediawiki, Sphinx працює у спосіб, подібний до того, у який " "ми пишемо коду для Krita." #: ../../contributors_manual/krita_manual_readme.rst:54 msgid "" "First things first, you will want to talk to us! For this you can either go " "to the `IRC on krita.org (#krita on freenode.org) `_, or, more importantly, make an account at `identity.kde.org `_. The account you make at identity can be used to both " "access the forum as well as the `phabricator`_, where we organise Krita " "development." msgstr "" #: ../../contributors_manual/krita_manual_readme.rst:56 msgid "" "If you have no idea where to begin, make a Kde identity account and make a " "post on `the forum `_." msgstr "" "Якщо не знаєте з чого почати, створіть обліковий запис KDE і допис на " "`форумі `_." #: ../../contributors_manual/krita_manual_readme.rst:58 msgid "" "Sphinx works by writing simple text files with reStructuredText mark up, and " "then it takes those text files and turns them into the manual. We keep track " "of changes in the manual by putting them into a version control system " "called :program:`Git`." msgstr "" "Sphinx працює на основі написаних прости текстових файлів з розміткою " "reStructuredText. Система обробляє ці текстові файли і перетворює їх на " "підручник. Ми стежимо за змінами у підручнику, зберігаючи їх до системи " "керування версіями, яка має назву :program:`Git`." #: ../../contributors_manual/krita_manual_readme.rst:63 msgid "Making changes" msgstr "Внесення змін" #: ../../contributors_manual/krita_manual_readme.rst:65 msgid "" "Because we use Git, there's only a few people who can put things into the " "version control system, so if you want to make changes you will need to put " "it up for review." msgstr "" "Оскільки ми користуємося Git, доступ до запису до системи керування версіями " "має лише обмежене коло розробників. Якщо ви хочете внести якісь зміни до " "підручника, вам слід передати їх для рецензування." #: ../../contributors_manual/krita_manual_readme.rst:68 msgid "If you are not familiar with Git" msgstr "Якщо ви не обізнані із Git" #: ../../contributors_manual/krita_manual_readme.rst:70 msgid "Get the source text from the `repository`_." msgstr "" "Отримайте початковий код у текстовому форматі зі сховища: `repository`_." #: ../../contributors_manual/krita_manual_readme.rst:72 msgid "Save a copy of the text as it existed originally." msgstr "Збережіть копію тексту у початковому вигляді." #: ../../contributors_manual/krita_manual_readme.rst:74 msgid "Modify it." msgstr "Внесіть зміни." #: ../../contributors_manual/krita_manual_readme.rst:75 msgid "Tools to check whether your modifications work." msgstr "Інструменти для перевірки коректності внесених змін." #: ../../contributors_manual/krita_manual_readme.rst:77 msgid "" "You can use the `Online Sphinx Editor `_ " "to check if your changes don't break" msgstr "" "Ви можете скористатися `інтернет-редактором Sphinx `_, щоб переконатися, що внесені вами зміни не порушують " "синтаксичних правил" #: ../../contributors_manual/krita_manual_readme.rst:79 msgid "Bundle up the items into a zip." msgstr "Запакуйте змінені файли до архіву zip." #: ../../contributors_manual/krita_manual_readme.rst:81 msgid "" "Put all the files you changed into a zip file. This also includes the images " "if you're changing them. Try to keep the filenames the same, that's easier " "for us to copy over." msgstr "" "Запакуйте усі змінені вами файли до архіву zip. Це стосується і зображень, " "якщо ви вносили до них зміни. Намагайтеся не змінювати назв файлів. Так нам " "легше буде замінювати старі версії." #: ../../contributors_manual/krita_manual_readme.rst:83 msgid "Upload the zip on phabricator." msgstr "Вивантажте zip на phabricator." #: ../../contributors_manual/krita_manual_readme.rst:85 msgid "First, go to phabricator.kde.org and log in with your identity account." msgstr "" "Перейдіть на сторінку phabricator.kde.org і увійдіть до вашого облікового " "запису." #: ../../contributors_manual/krita_manual_readme.rst:86 msgid "Go to the `Manual Project Workboard`_ and there create a new task." msgstr "" "Перейдіть до пункту `Manual Project Workboard`_ і створіть новий запис " "завдання." #: ../../contributors_manual/krita_manual_readme.rst:87 msgid "" "Explain what you did and use drag and drop to move the zip file to the input " "textbox. That should upload it. We will also need the email address you " "associate with your kde identity account." msgstr "" "Наведіть пояснення щодо внесених змін і скористайтеся перетягуванням зі " "скиданням для пересування файла zip до поля для введення тексту. Архів має " "бути вивантажено. Нам також буде потрібна адреса вашої електронної пошти, " "яку пов'язано із вашим обліковим записом профілю KDE." #: ../../contributors_manual/krita_manual_readme.rst:88 msgid "" "Then, if the changes are accepted, someone with commit access will unpack " "those files into the manual folder and push the differences using the mail " "address." msgstr "" "Далі, якщо внесені вами зміни буде прийнято, один з розробників із доступом " "на запис змін розпакує ці файли до теки підручника і запише відмінності до " "сховища, скориставшись для вашого запису авторських прав вашою адресою " "електронної пошти." #: ../../contributors_manual/krita_manual_readme.rst:91 msgid "If you are familiar with Git" msgstr "Якщо ви обізнані з роботою Git" #: ../../contributors_manual/krita_manual_readme.rst:93 msgid "Get the source from the `repository`_ using :program:`Git` clone" msgstr "" "Отримайте початковий код зі сховища (`repository`_) за допомогою клонування " "у :program:`Git`" #: ../../contributors_manual/krita_manual_readme.rst:94 msgid "Make changes" msgstr "Внесіть зміни" #: ../../contributors_manual/krita_manual_readme.rst:95 msgid "Build locally (optional)" msgstr "Зберіть локально (необов'язково)" #: ../../contributors_manual/krita_manual_readme.rst:96 msgid "Generate a git diff." msgstr "Створіть різницю git." #: ../../contributors_manual/krita_manual_readme.rst:98 msgid "" "Go to the source directory in your terminal and write ``git diff > ../mydiff." "diff`` this will make a diff file in the folder above." msgstr "" "Перейдіть до каталогу початкового коду у терміналі і віддайте команду ``git " "diff > ../mydiff.diff``. Програма створить файл різниці у теці на рівень " "вище." #: ../../contributors_manual/krita_manual_readme.rst:100 msgid "Create a review request on phabricator" msgstr "Створіть запит щодо рецензування на phabricator" #: ../../contributors_manual/krita_manual_readme.rst:102 msgid "Login into `phabricator`_ with your identity account." msgstr "" "Увійдіть до `phabricator`_ за допомогою даних вашого облікового запису." #: ../../contributors_manual/krita_manual_readme.rst:103 msgid "Go to differential." msgstr "Перейдіть до розділу «Differential»." #: ../../contributors_manual/krita_manual_readme.rst:104 msgid "Upper-right --> \"Star\" menu --> Create Review Request." msgstr "Верхній правий кут --> Меню «Зірочка» --> Create Review Request." #: ../../contributors_manual/krita_manual_readme.rst:105 msgid "" "Upload the diff you made, select the correct repository (``websites-docs-" "krita-org``, easier to find with ``Krita.org Documentation Website``, *make " "sure you do not select docs-kde-org!*)." msgstr "" "Вивантажте створений вами файл різниці, виберіть відповідне сховище " "(``websites-docs-krita-org``, простіше знайти за допомогою критерію пошуку " "``Krita.org Documentation Website``, *не сплутайте із docs-kde-org!*)." #: ../../contributors_manual/krita_manual_readme.rst:106 msgid "Confirm the file is correct." msgstr "Підтвердьте, що файл є правильним." #: ../../contributors_manual/krita_manual_readme.rst:107 msgid "Then in the next screen:" msgstr "Далі, на наступній сторінці:" #: ../../contributors_manual/krita_manual_readme.rst:109 msgid "Add in Title/Short Summary." msgstr "Додайте заголовок і коротке резюме." #: ../../contributors_manual/krita_manual_readme.rst:110 msgid "Tell us what you changed in the summary." msgstr "Повідомте у резюме про суть ваших змін." #: ../../contributors_manual/krita_manual_readme.rst:111 msgid "(Optional) put your email in the comment if you want attribution." msgstr "" "(Необов'язково) Додайте до коментаря вашу адресу електронної пошти, якщо " "хочете, щоб внесок було підписано із його використанням." #: ../../contributors_manual/krita_manual_readme.rst:112 msgid "" "Phabricator has a system that automatically tags the review request with the " "Krita Manual team." msgstr "" "У Phabricator передбачено систему, яка автоматично позначає запит щодо " "рецензування і спрямовує його до команди розробників підручника з Krita." #: ../../contributors_manual/krita_manual_readme.rst:115 msgid "General philosophy" msgstr "Загальна філософія" #: ../../contributors_manual/krita_manual_readme.rst:117 msgid "" "This is for determining what is an appropriate writing style. A writing " "style, whether we consider its practical or aesthetic qualities, is usually " "underpinned by a goal or general philosophy. What do we want to achieve with " "the manual, and for whom is the manual meant?" msgstr "" #: ../../contributors_manual/krita_manual_readme.rst:120 msgid "Demographics and target audience(s)" msgstr "Демографія і цільова аудиторія" #: ../../contributors_manual/krita_manual_readme.rst:122 msgid "" "We cannot talk about a demographic in the sense that we know all Krita users " "are 55 year old men. Krita is used by a hugely different amount of people, " "and we are actually kind of proud that we have such a varied userbase." msgstr "" "Ми не можемо нічого сказати щодо демографічного зрізу у сенсі того, що, " "наприклад, ми знаємо, що усі користувачі Krita є чоловіками 55 років. Krita " "використовують зовсім різні люди, і ми навіть дещо пишаємося тим, що у нас " "така різнорідна база користувачів." #: ../../contributors_manual/krita_manual_readme.rst:124 msgid "Despite that, we know a couple of things about our users:" msgstr "Незважаючи на це, ми дещо знаємо про наших користувачів:" #: ../../contributors_manual/krita_manual_readme.rst:126 msgid "They are artists. This is explicitly the type of users that we target." msgstr "Вони художники. Це саме той тип користувачів, на яких ми розраховуємо." #: ../../contributors_manual/krita_manual_readme.rst:128 msgid "Therefore, we know they prefer pretty pictures." msgstr "Тому ми знаємо, що вони надають перевагу зображенням." #: ../../contributors_manual/krita_manual_readme.rst:129 msgid "They are visual." msgstr "Вони мислять візуально." #: ../../contributors_manual/krita_manual_readme.rst:130 msgid "They are trying to achieve pretty pictures." msgstr "Вони намагаються досягти краси у зображеннях." #: ../../contributors_manual/krita_manual_readme.rst:132 msgid "" "Therefore, the implicit goal of each page would be to get the feature used " "for pretty pictures." msgstr "" "Тому неявною метою створення кожної сторінки підручника має бути " "використання певної можливості для отримання ілюстративних прикладів." #: ../../contributors_manual/krita_manual_readme.rst:134 msgid "Other than that, we've observed the following groups:" msgstr "Крім того, нашими цільовими групами є такі:" #: ../../contributors_manual/krita_manual_readme.rst:136 msgid "" "High-school and college students trying out drawing software for " "illustrations. These usually have some previous experience with drawing " "software, like Painttool Sai or Photoshop, but need to be introduced to " "possibilities in :program:`Krita`. This group's strength is that they share " "a lot of information with each other like tips and tricks and tutorials." msgstr "" #: ../../contributors_manual/krita_manual_readme.rst:137 msgid "" "Professionals, people who earn their money with digital drawing software. " "The strength of this group is that they have a lot of know-how and are " "willing to donate to improve the program. These come in two types:" msgstr "" #: ../../contributors_manual/krita_manual_readme.rst:139 msgid "" "Non technical professionals. These are people who do not really grasp the " "more mathematical bits of a piece of software, but have developed solid " "workflows over the years and work with software using their finely honed " "instincts. These tend to be illustrators, painters and people working with " "print." msgstr "" #: ../../contributors_manual/krita_manual_readme.rst:140 msgid "" "Technical professionals. These are people who use :program:`Krita` as part " "of a pipeline, and care about the precise maths and pixel pushing. These " "tend to be people working in the games and VFX industry, but occasionally " "there's a scientist in there as well." msgstr "" #: ../../contributors_manual/krita_manual_readme.rst:142 msgid "" "Adult and elderly hobbyists. This group doesn't know much about computers, " "and they always seem to get snagged on that one little step missing from a " "tutorial. Their strength as a group is that they adapt unconventional " "workflows from real life that the student wouldn't know about and the " "professional has no time for and create cool stuff with that, as well as " "that they have a tempering effect on the first group in the larger community." msgstr "" #: ../../contributors_manual/krita_manual_readme.rst:144 msgid "From these four groups..." msgstr "З цих чотирьох груп…" #: ../../contributors_manual/krita_manual_readme.rst:146 msgid "" "there's only one that is technical. Which is why we need the concept pages, " "so that we can create a solid base to write our manual texts on top of." msgstr "" "Лише одна група є технічною. Ось чому на потрібні сторінки щодо понять: вони " "створюють надійну основу для побудови решти текстів підручника." #: ../../contributors_manual/krita_manual_readme.rst:147 msgid "" "three of them likely have previous experience with software and may need " "migration guides and be told how." msgstr "" "Три з цих груп, ймовірно, вже мали попередній досвід із іншим програмним " "забезпечення і можуть потребувати настанов із переходу на використання Krita." #: ../../contributors_manual/krita_manual_readme.rst:148 msgid "" "two of them need to know how to get Krita to cooperate with other software." msgstr "" "двом з них потрібні дані щодо того, як змусити Krita працювати із іншим " "програмним забезпеченням." #: ../../contributors_manual/krita_manual_readme.rst:149 msgid "" "two of them have no clue what they are doing and may need to be guided " "through the most basic of steps." msgstr "" "дві з них не мають гадки про те, що вони роблять, і можуть потребувати " "настанов щодо виконання навіть дуже простих дій." #: ../../contributors_manual/krita_manual_readme.rst:151 msgid "From that we can get the following rules:" msgstr "Звідси, маємо такі правила:" #: ../../contributors_manual/krita_manual_readme.rst:154 msgid "General Writing" msgstr "Загальні зауваження щодо текстів" #: ../../contributors_manual/krita_manual_readme.rst:156 msgid "Use American English if possible." msgstr "Використовуйте американську англійську, якщо можливо." #: ../../contributors_manual/krita_manual_readme.rst:157 msgid "" "We use American English in the manual, in accordance to Krita's UI being " "American English by default." msgstr "" "У підручнику ми використовуємо американську англійську, оскільки базовий " "інтерфейс користувача Krita використовує американську англійську." #: ../../contributors_manual/krita_manual_readme.rst:158 msgid "Keep the language polite, but do not use academic language." msgstr "Мова підручника має бути ввічливою, але не занадто академічною." #: ../../contributors_manual/krita_manual_readme.rst:159 msgid "" "As a community, we want to be welcoming to the users, so we try to avoid " "language that is unwelcoming. Swearing is already not condoned by KDE, but " "going to the far other end, an academic style where neither writer nor " "reader is acknowledged might give the idea that the text is far more complex " "than necessary, and thus scare away users." msgstr "" #: ../../contributors_manual/krita_manual_readme.rst:160 msgid "Avoid using gifs (open for debate)" msgstr "Уникайте використання gif (можливі варіанти)" #: ../../contributors_manual/krita_manual_readme.rst:161 msgid "" "The reason is that people with epilepsy may be affected by fast moving " "images. Similarly, gifs can sometimes carry too much of the burden of " "explanation. If you can't help but use gifs, at the least notify the reader " "of this in the introduction of the page." msgstr "" #: ../../contributors_manual/krita_manual_readme.rst:163 msgid "Keep it translation compatible" msgstr "Намагайтеся продумувати наперед можливість перекладу" #: ../../contributors_manual/krita_manual_readme.rst:163 msgid "" "This consists of using svg for infographics, and using the appropriate " "markup for a given text." msgstr "" "Зокрема, користуйтеся svg для інфографіки та використовуйте відповідну " "розмітку для тексту." #: ../../contributors_manual/krita_manual_readme.rst:166 msgid "Regarding photos and paintings" msgstr "Щодо фотографій та малюнків" #: ../../contributors_manual/krita_manual_readme.rst:168 msgid "" "I would like to discourage photos and traditional paintings in the manual if " "they are not illustrating a concept. The reason is that it is very silly and " "a little dishonest to show Rembrand's work inside the Krita GUI, when we " "have so many modern works that were made in Krita. All of the pepper&carrot " "artwork was made in Krita and the original files are available, so when you " "do not have an image handy, start there. Photos should be avoided because " "Krita is a painting program. Too many photos can give the impression Krita " "is trying to be a solution for photo retouching, which really isn't the " "focus." msgstr "" #: ../../contributors_manual/krita_manual_readme.rst:169 msgid "" "Of course, we still want to show certain concepts in play in photos and " "master paintings, such as glossing or indirect light. In this case, add a " "caption that mentions the name of the painting or the painter, or mentions " "it's a photograph." msgstr "" #: ../../contributors_manual/krita_manual_readme.rst:170 msgid "" "Photos can still be used for photobashing and the like, but only if it's " "obviously used in the context of photobashing." msgstr "" #: ../../contributors_manual/krita_manual_readme.rst:173 msgid "Regarding images in general" msgstr "Щодо зображень загалом" #: ../../contributors_manual/krita_manual_readme.rst:175 msgid "" "Avoid text in the images and use the caption instead. You can do this with " "the figure directive." msgstr "" "Уникайте тексту на зображеннях — використовуйте для текстових повідомлень " "підпис. Створити підпис можна за допомогою команди figure." #: ../../contributors_manual/krita_manual_readme.rst:176 msgid "" "If you do need to use text, make either an SVG, so the text inside can be " "manipulated easier, or try to minimize the amount of text." msgstr "" "Якщо хочете використати текст на зображенні, або створіть SVG, щоб пізніше " "було легше працювати з цим текстом, або використовуйте якомога коротші " "написи." #: ../../contributors_manual/krita_manual_readme.rst:177 msgid "" "Try to make your images high quality/cute. Let's give people the idea that " "they are using a program for drawing!" msgstr "" "Намагайтеся робити високоякісні і красиві зображення. Нехай читачі " "розуміють, що це програма для якісного малювання!" #: ../../contributors_manual/krita_manual_readme.rst:178 msgid "" "Remember that the manual is licensed under GDPL 1.3, so images submitted " "will be licensed under that. In the case of CC-By-Sa/CC-By ensure that the " "file gets attributed appropriately through a figure caption. Needless to " "say, don't submit images that cannot be licensed under either license." msgstr "" #: ../../contributors_manual/krita_manual_readme.rst:181 msgid "Protocol" msgstr "Протокол" #: ../../contributors_manual/krita_manual_readme.rst:183 msgid "So here we line out all the boring workflows." msgstr "Отже, тут ми розповідаємо про усі нудні робочі процедури." #: ../../contributors_manual/krita_manual_readme.rst:186 msgid "Tagging and Branches" msgstr "Мітки і гілки" #: ../../contributors_manual/krita_manual_readme.rst:188 msgid "Adding and removing text will be done in the ``draft`` branch." msgstr "Додавання і вилучення тексту виконується у гілці ``draft``." #: ../../contributors_manual/krita_manual_readme.rst:190 msgid "" "Proofreading results for old pages will be considered as bugfixes and thus " "will go into the ``master`` branch and merged into the ``draft`` branch as " "necessary." msgstr "" "Виправлення друкарських помилок на старих сторінках розглядатиметься як " "виправлення вад, а отже записуватиметься до гілки ``master``, а зміни " "об'єднуватимуться із гілкою ``draft``, якщо у цьому виникатиме потреба." #: ../../contributors_manual/krita_manual_readme.rst:192 msgid "Before the ``draft`` branch is merged for a given release:" msgstr "Перш ніж гілку ``draft`` буде об'єднано із гілкою певного випуску:" #: ../../contributors_manual/krita_manual_readme.rst:194 msgid "The master branch will be tagged with the old version." msgstr "Гілка master позначається міткою старої версії." #: ../../contributors_manual/krita_manual_readme.rst:195 msgid "" "The draft branch is first double checked that it has updated version number " "and updated epub cover." msgstr "" "Виконується ретельна перевірка того, що у гілці draft оновлено номер версії " "та обкладинку epub." #: ../../contributors_manual/krita_manual_readme.rst:197 msgid "" "The ``draft`` branch will not be merged until the day before a release to " "keep the pages intact for long enough." msgstr "" "Гілку ``draft`` не буде об'єднано із основною до настання дня перед " "випуском, щоб зберігати незмінність сторінок достатньо довго." #: ../../contributors_manual/krita_manual_readme.rst:199 msgid "" "Each release will have a version of the epub uploaded as part of the release " "process. .. Where do we get the POT files from? Even the translated versions?" msgstr "" "Для кожного випуску буде виконано окремо вивантаження версії epub, як " "частини приготувань до випуску." #: ../../contributors_manual/krita_manual_readme.rst:203 msgid "Removing Pages" msgstr "Вилучення сторінок" #: ../../contributors_manual/krita_manual_readme.rst:205 msgid "If a feature is removed in a certain version, the corresponding pages." msgstr "" "Якщо у певній версії вилучено якусь можливість програми, відповідні сторінки" #: ../../contributors_manual/krita_manual_readme.rst:207 msgid "Will first be marked deprecated." msgstr "Буде спочатку позначено як застарілі." #: ../../contributors_manual/krita_manual_readme.rst:209 msgid "This can be done as so::" msgstr "Зробити це можна так::" #: ../../contributors_manual/krita_manual_readme.rst:215 msgid "Will be linked on a page called 'deprecated'" msgstr "Їх буде пов'язано зі сторінкою із назвою «deprecated»" #: ../../contributors_manual/krita_manual_readme.rst:216 msgid "" "If the next version rolls around all the pages linked in the deprecated " "section will be removed." msgstr "" "Після виходу наступної версії усі сторінки, які пов'язано із застарілим " "розділом «deprecated», буде вилучено." #: ../../contributors_manual/krita_manual_readme.rst:219 msgid "Adding Pages" msgstr "Додавання сторінок" #: ../../contributors_manual/krita_manual_readme.rst:221 msgid "Ensure that it is located in the right place." msgstr "Переконайтеся, що сторінку розміщено у належному місці." #: ../../contributors_manual/krita_manual_readme.rst:222 msgid "" "Follow the :ref:`krita_markup_conventions` to ensure the page is formatted " "correctly." msgstr "" "Виконуєте настанови з розділу :ref:`krita_markup_conventions`, щоб " "забезпечити належне форматування сторінки." #: ../../contributors_manual/krita_manual_readme.rst:223 msgid "Add the page to the TOC." msgstr "Додайте сторінку до таблиці змісту." #: ../../contributors_manual/krita_manual_readme.rst:224 msgid "If the feature is new, add in versionadded::" msgstr "Якщо можливість є новою, додайте versionadded::" #: ../../contributors_manual/krita_manual_readme.rst:230 msgid "" "As with images, don't add text that you do not have permission to add. This " "means that text is either written by you, or you have permission to port it " "from the original author. The manual is GDPL 1.3+ so the text will be " "relicensed under that." msgstr "" #: ../../contributors_manual/krita_manual_readme.rst:234 msgid "Changing Pages" msgstr "Внесення змін до сторінок" #: ../../contributors_manual/krita_manual_readme.rst:236 msgid "" "If you fully rewrite a page, as opposed to proofreading it, the resulting " "page should be reviewed." msgstr "" "Якщо ви повністю переписали сторінку, а не просто вичитали її, результат має " "пройти рецензування." #: ../../contributors_manual/krita_manual_readme.rst:238 msgid "" "If you change a page because a feature has changed, and you have commit " "access, the change can be pushed without review (unless you feel more " "comfortable with a review), but you should add::" msgstr "" #: ../../contributors_manual/krita_manual_readme.rst:244 msgid "" "In all cases, check if you want to add yourself to the author field in the " "metadata section on top." msgstr "" "У всіх випадках можете додати ваше ім'я до поля авторів у розділі метаданих " "на початку сторінки." #: ../../contributors_manual/krita_manual_readme.rst:246 msgid "" "Using deprecated, versionadded and versionchanged with the version number " "allows us to easily search the manual for these terms with grep:" msgstr "" "Використання інструкцій deprecated, versionadded та versionchanged із " "номером версії полегшить нам пошуку у підручнику за відповідними ключами " "пошуку за допомогою grep:" #: ../../contributors_manual/krita_manual_readme.rst:253 msgid "Faulty pages" msgstr "Помилкові сторінки" #: ../../contributors_manual/krita_manual_readme.rst:255 msgid "If a page slips through the cracks, either..." msgstr "Якщо зі сторінкою щось не так…" #: ../../contributors_manual/krita_manual_readme.rst:257 msgid "Make a review request per the :ref:`making_changes_sphinx` section." msgstr "" "Створіть запит щодо рецензування за настановами розділу :ref:" "`making_changes_sphinx`." #: ../../contributors_manual/krita_manual_readme.rst:258 msgid "Make a task at the `Manual Project Workboard`_." msgstr "Створіть запис завдання на `Manual Project Workboard`_." #: ../../contributors_manual/krita_manual_readme.rst:259 msgid "" "Make a bug at `bugzilla`_ under the project Krita in the section " "'documentation'." msgstr "" "Створіть запис вади у `bugzilla`_, проект Krita, розділ «documentation»." #: ../../contributors_manual/krita_manual_readme.rst:262 msgid "Proofreading" msgstr "Вичитка" #: ../../contributors_manual/krita_manual_readme.rst:264 msgid "There are two types of proofreading that needs to be done." msgstr "Існує два вартих уваги типи вичитки." #: ../../contributors_manual/krita_manual_readme.rst:266 msgid "" "The most important one is **reviewing changes people make**. You can do this " "on phabricator in two ways:" msgstr "" "Найважливішим є **рецензування внесених іншими авторами змін**. Зробити це " "можна за допомогою phabricator у два способи:" #: ../../contributors_manual/krita_manual_readme.rst:268 msgid "Reviewing patches in differential." msgstr "Рецензуванням латок у differential." #: ../../contributors_manual/krita_manual_readme.rst:270 msgid "" "Reviewing patches is done in differential. Patch reviewing is usually done " "by programmers to find mistakes in each other's code, but because " "programming code is text based just like regular text, we can use patch " "reviewing to check against typos as well!" msgstr "" #: ../../contributors_manual/krita_manual_readme.rst:272 msgid "" "A patch, or diff, is an amount of changes done in a document (added, " "removed) put into a machine readable file. When someone submits a review " "request (on system like gitlab or github this is a merge or pull request), " "people who maintain the original files will have to look them over and can " "make comments about things needing to change. This allows them to comment on " "things like typos, over-complicated writing but also things that are " "incorrect. After a patch has been accepted it can be pushed into the version " "control system." msgstr "" #: ../../contributors_manual/krita_manual_readme.rst:274 msgid "Auditing changes in the manual." -msgstr "Ревізія змін у підручнику." +msgstr "Ревізією змін у підручнику." #: ../../contributors_manual/krita_manual_readme.rst:276 msgid "" "Auditing changes happens after the fact. You can audit a change by going to " "the commit message (from the repository page, go to history and then click " "on an entry), where you will be able to make comments on the changes made." msgstr "" #: ../../contributors_manual/krita_manual_readme.rst:278 msgid "" "In both cases, the interface consists of the difference being shown, with on " "the left the old version, and on the right the new version. Lines that have " "been added will be marked in green while lines that have been removed will " "be marked with red. You can click a line to add an 'inline' comment. " "Usually, when reviewing you go over the whole set of changes making comments " "where needed. To submit the inline comments, go to the bottom here you can " "add a general comment. When you submit the general comment all the inline " "comments will be submitted along side of it." msgstr "" #: ../../contributors_manual/krita_manual_readme.rst:280 msgid "" "The second major way the manual needs to be proofread is **over the whole " "file**. Many of the pages have only been checked for correctness but not for " "style and grammar." msgstr "" "Другим важливим способом вичитування підручника є **перевірка усього " "файла**. Багато сторінок проходили лише перевірку на відповідність настанов, " "але не на стиль та граматику." #: ../../contributors_manual/krita_manual_readme.rst:282 msgid "" "For this you will need to follow the :ref:`making_changes_sphinx` section, " "so that you can have full access to the pages and edit them." msgstr "" "Для такої вичитки вам слід скористатися настановами розділу :ref:" "`making_changes_sphinx`, щоб отримати повний доступ до сторінок та їхнього " "редагування." #: ../../contributors_manual/krita_manual_readme.rst:285 msgid "Translating" msgstr "Переклад" #: ../../contributors_manual/krita_manual_readme.rst:287 msgid "" "Translation of the manual is handled by the `KDE localization community " "`_. To join the translation effort, go to the " "localization site, select the list of `translation teams `_, select the language you wish to translate for, and " "follow the instructions on the team page to get in contact with fellow " "translators." msgstr "" "Переклад підручника виконує `спільнота локалізації KDE `_. Щоб долучитися до перекладачів, відкрийте сайт локалізації, виберіть" -" `сторінку команд перекладачів `_," -" натисніть пункт команди мови, якою ви хочете перекладати і виконайте" -" настанови на сторінці, яку буде відкрито, для встановлення зв'язку із" -" колегами-перекладачами." +">`_. Щоб долучитися до перекладачів, відкрийте сайт локалізації, виберіть " +"`сторінку команд перекладачів `_, " +"натисніть пункт команди мови, якою ви хочете перекладати і виконайте " +"настанови на сторінці, яку буде відкрито, для встановлення зв'язку із " +"колегами-перекладачами." #: ../../contributors_manual/krita_manual_readme.rst:289 msgid "" "The localization team has access to the PO files for this manual, which is a " "file type used by translation programs like POEdit and Lokalize. A " "translation team is able to work together on translating these files and " "uploading them to the translations SVN. A special script will then take the " "translations from the SVN and bring them to the manual section to be " "incorporated on a daily basis." msgstr "" +"Команда з локалізації має доступ до файлів PO цього підручника. Цей тип" +" файлів призначено для обробки у програмах для перекладу, зокрема POEdit та" +" Lokalize. Команда перекладачів може працювати разом над перекладом цих" +" файлів і вивантажувати результати до SVN перекладів. Далі, спеціальний" +" скрипт отримає переклади з SVN і розмістить їх у розділі підручника для" +" щоденного оновлення перекладу на сайті." #: ../../contributors_manual/krita_manual_readme.rst:291 msgid "" "Finished translations also need to be added to the build script to show up " "online. Translator teams which are confident in the state of their " "translation should contact the main Krita team via the kimageshop " "mailinglist(kimageshop@kde.org), or foundation@krita.org, to accomplish this." msgstr "" +"Завершені переклади також має бути додано до скрипту збирання, щоб їх можна" +" було бачити у інтернеті. Команди перекладачів, які впевнені у стані" +" перекладу, мають повідомити про завершення перекладу основну команду Krita" +" за допомогою списку листування kimageshop (kimageshop@kde.org) або" +" foundation@krita.org, щоб розробники додали переклад на сайт документації." #: ../../contributors_manual/krita_manual_readme.rst:294 msgid "Other" msgstr "Інше" #: ../../contributors_manual/krita_manual_readme.rst:296 msgid "" "For restructured text conventions, check :ref:`krita_markup_conventions` ." msgstr "" "Настанови щодо форматування тексту у коді restructured наведено у розділі :" "ref:`krita_markup_conventions`." diff --git a/locale/uk_UA/LC_MESSAGES/general_concepts/colors/color_managed_workflow.po b/locale/uk_UA/LC_MESSAGES/general_concepts/colors/color_managed_workflow.po index b4bc64a34..af55ae858 100644 --- a/locale/uk_UA/LC_MESSAGES/general_concepts/colors/color_managed_workflow.po +++ b/locale/uk_UA/LC_MESSAGES/general_concepts/colors/color_managed_workflow.po @@ -1,1405 +1,1390 @@ # Translation of docs_krita_org_general_concepts___colors___color_managed_workflow.po to Ukrainian # Copyright (C) 2019 This_file_is_part_of_KDE # This file is distributed under the license LGPL version 2.1 or # version 3 or later versions approved by the membership of KDE e.V. # # Yuri Chornoivan , 2019. msgid "" msgstr "" -"Project-Id-Version: docs_krita_org_general_concepts___colors___color_managed_w" -"orkflow\n" +"Project-Id-Version: " +"docs_krita_org_general_concepts___colors___color_managed_workflow\n" "Report-Msgid-Bugs-To: \n" -"POT-Creation-Date: 2019-04-13 03:33+0200\n" +"POT-Creation-Date: 2019-04-14 03:33+0200\n" "PO-Revision-Date: 2019-04-13 22:41+0300\n" "Last-Translator: Yuri Chornoivan \n" "Language-Team: Ukrainian \n" "Language: uk\n" "MIME-Version: 1.0\n" "Content-Type: text/plain; charset=UTF-8\n" "Content-Transfer-Encoding: 8bit\n" "Plural-Forms: nplurals=4; plural=n==1 ? 3 : n%10==1 && n%100!=11 ? 0 : n" "%10>=2 && n%10<=4 && (n%100<10 || n%100>=20) ? 1 : 2;\n" "X-Generator: Lokalize 19.03.70\n" +#: ../../general_concepts/colors/color_managed_workflow.rst:0 +msgid ".. image:: images/en/color_category/Kiki_matrix_profile.png" +msgstr ".. image:: images/en/color_category/Kiki_matrix_profile.png" + +#: ../../general_concepts/colors/color_managed_workflow.rst:0 +msgid ".. image:: images/en/color_category/Kiki_cLUTprofiles.png" +msgstr ".. image:: images/en/color_category/Kiki_cLUTprofiles.png" + #: ../../general_concepts/colors/color_managed_workflow.rst:None msgid "" ".. image:: images/en/color_category/Krita_2_9_colormanagement_group1.png" msgstr "" ".. image:: images/en/color_category/Krita_2_9_colormanagement_group1.png" #: ../../general_concepts/colors/color_managed_workflow.rst:None msgid "" ".. image:: images/en/color_category/Krita_2_9_colormanagement_group2.png" msgstr "" ".. image:: images/en/color_category/Krita_2_9_colormanagement_group2.png" #: ../../general_concepts/colors/color_managed_workflow.rst:None msgid "" ".. image:: images/en/color_category/Krita_2_9_colormanagement_group3.png" msgstr "" ".. image:: images/en/color_category/Krita_2_9_colormanagement_group3.png" #: ../../general_concepts/colors/color_managed_workflow.rst:None msgid "" ".. image:: images/en/color_category/Krita_2_9_colormanagement_group4.png" msgstr "" ".. image:: images/en/color_category/Krita_2_9_colormanagement_group4.png" #: ../../general_concepts/colors/color_managed_workflow.rst:None msgid ".. image:: images/en/LUT_Management_Docker.png" msgstr ".. image:: images/en/LUT_Management_Docker.png" #: ../../general_concepts/colors/color_managed_workflow.rst:None msgid ".. image:: images/en/color_category/Krita_HDR_1.svg" msgstr ".. image:: images/en/color_category/Krita_HDR_1.svg" #: ../../general_concepts/colors/color_managed_workflow.rst:None msgid ".. image:: images/en/color_category/Krita_HDR2.svg" msgstr ".. image:: images/en/color_category/Krita_HDR2.svg" #: ../../general_concepts/colors/color_managed_workflow.rst:None msgid "" ".. image:: images/en/color_category/Krita-colormanaged-workflow_webcomic.svg" msgstr "" ".. image:: images/en/color_category/Krita-colormanaged-workflow_webcomic.svg" #: ../../general_concepts/colors/color_managed_workflow.rst:None msgid "" ".. image:: images/en/color_category/Krita-colormanaged-workflow_print.svg" msgstr "" ".. image:: images/en/color_category/Krita-colormanaged-workflow_print.svg" #: ../../general_concepts/colors/color_managed_workflow.rst:None msgid "" ".. image:: images/en/color_category/Krita-colormanaged-workflow_games.svg" msgstr "" ".. image:: images/en/color_category/Krita-colormanaged-workflow_games.svg" -#: ../../general_concepts/colors/color_managed_workflow.rst:0 -msgid ".. image:: images/en/color_category/Kiki_matrix_profile.png" -msgstr ".. image:: images/en/color_category/Kiki_matrix_profile.png" - -#: ../../general_concepts/colors/color_managed_workflow.rst:0 -msgid ".. image:: images/en/color_category/Kiki_cLUTprofiles.png" -msgstr ".. image:: images/en/color_category/Kiki_cLUTprofiles.png" - #: ../../general_concepts/colors/color_managed_workflow.rst:1 msgid "How a color managed workflow works." msgstr "Як працювати із керуванням кольорами." #: ../../general_concepts/colors/color_managed_workflow.rst:17 msgid "Color Managed Workflow" msgstr "Процедура керування кольорами" #: ../../general_concepts/colors/color_managed_workflow.rst:19 msgid "" "You may have heard that Krita has something called color-management. Or " "maybe you just wondered what all these 'color model' and 'color profile' " "things you can find in the menus mean. Color management is pretty useful for " "people who work in digital imaging professionally, and hopefully this page " "will explain why." msgstr "" "Можливо, ви вже чули, що у Krita є щось, що називають «керування кольорами». " "Або, можливо, ви просто хочете дізнатися, що означають усі ці «моделі " "кольорів» та «профілі кольорів», які ви бачите у меню програми. Керування " "кольорами є доволі корисною річчю для тих, хто працює із цифровими " "зображеннями професійно. Сподіваємося, вміст цього розділу допоможе вам " "зрозуміти, чому це так." #: ../../general_concepts/colors/color_managed_workflow.rst:22 msgid "Basic Info" msgstr "Базові відомості" #: ../../general_concepts/colors/color_managed_workflow.rst:24 msgid "" "If you've never worked with color management before, and have no clue what " "it is, then know that you've probably been working in the 8bit RGB color " "space with the sRGB profile. This means you can choose for *sRGB built-in* " "or *sRGB-elle-v2-srgbtrc.icc*. With the new color space browser this profile " "is marked with *(default)* when using 8bit." msgstr "" "Якщо ви раніше ніколи не працювати із керуванням кольорами і гадки не маєте, " "що це таке, знайте — ви, ймовірно, працювали у 8-бітовому просторі кольорів " "RGB із профілем sRGB. Це означає, що ви можете вибрати *sRGB built-in* або " "*sRGB-elle-v2-srgbtrc.icc*. Якщо панель навігації просторами кольорів буде " "відкрито вперше, цей профіль буде позначено як *(типовий)*, якщо використано " "8-бітову глибину кольорів." #: ../../general_concepts/colors/color_managed_workflow.rst:26 msgid "" "We'll go into what these terms mean in the theory, but if you're here only " "for trying to figure out which is the default, you now know it. Maybe, after " "reading this, you may feel like changing the default, to get new and " "interesting results from filters, blending modes, or just the color smudge " "brush." msgstr "" "Ми розберемо теоретичне значення усіх згаданих вище термінів, але якщо ви " "відкрили цю сторінку, намагаючись визначити типові налаштування програми, " "тепер ви їх знаєте. Можливо, після прочитання цього розділу вам захочеться " "змінити типові параметри роботи, щоб отримати нові та цікаві результати від " "застосування фільтрів, режимів змішування або просто пензля розмазування " "кольорів." #: ../../general_concepts/colors/color_managed_workflow.rst:29 msgid "What is the problem?" msgstr "У чому проблема?" #: ../../general_concepts/colors/color_managed_workflow.rst:31 msgid "" "To explain the point of color management, you'd first need to learn which " "problem color management tries to solve." msgstr "" "Щоб зрозуміти пояснення щодо керування кольорами, вам спочатку слід " "розібратися із тим, яку проблему вирішує керування кольорами." #: ../../general_concepts/colors/color_managed_workflow.rst:33 msgid "Let us imagine a kinder garden:" msgstr "Уявімо собі дитячий садок:" #: ../../general_concepts/colors/color_managed_workflow.rst:35 msgid "" "The class of 28 children is subdivided in groups of 7. Each group has its " "own table." msgstr "" "Клас із 28 дітей поділено на групи по 7 дітей. У кожної групи є власна " "таблиця." #: ../../general_concepts/colors/color_managed_workflow.rst:37 msgid "" "The teacher gives them a painting assignment: They need to paint a red " "triangle, a blue square, a green circle and put a yellow border around the " "three. The kids are very experienced with painting already, so the teacher " "can confidently leave the smarter ones to their own devices, and spent more " "time on those who need help." msgstr "" "Вихователь дає завдання: треба намалювати червоний трикутник, синій квадрат, " "зелений круг і жовту рамку навколо усього намальованого. Діти вже добре " "обізнані у малюванні, отже вихователь може упевнено дозволити " "найдосвідченішим з них виконати роботу самостійно і може зосередитися на " "допомозі тим, хто її потребує." #: ../../general_concepts/colors/color_managed_workflow.rst:40 msgid "The following results come from painting:" msgstr "Малювання дає такі результати:" #: ../../general_concepts/colors/color_managed_workflow.rst:42 msgid "" "Even though all groups had the same assignment, each group's result looks " "different." msgstr "" "Хоча усі групи мали однакове завдання, результати у кожній групі виглядають " "по-різному." #: ../../general_concepts/colors/color_managed_workflow.rst:49 msgid "" "Group 1 had vermillion red, citron yellow and ultramarine blue to their " "disposal. This means their triangle looks nice and red, but their circle's " "green is muddy. This is because ultramarine is too dark of a blue to create " "nice greens with." msgstr "" "У групи 1 були у розпорядженні карміново-червоний, лимонно-жовтий та " "ультрамариновий синій. Це означає, що трикутники у них є красивими і " "червоними, але круг має дещо болотяний відтінок. Причина полягає у тому, що " "ультрамарин є надто темним відтінком синього, щоб у поєднанні із жовтим дати " "красивий зелений колір." #: ../../general_concepts/colors/color_managed_workflow.rst:56 msgid "" "Group 2 had magenta red, citron yellow and cerulean blue. Magenta is a type " "of red that is closer to pink, opposed to vermillion, which is closer to " "orange. However, their green looks nice because cerulean is a much lighter " "blue." msgstr "" "У групи 2 був малиновий червоний, лимонно-жовтий та лазурово-блакитний. " "Малиновий — різновид червоного кольору, який є ближчим до рожевого, на " "відміну від кармінового, який є ближчим до помаранчевого. Втім, зелений круг " "виглядає добре, оскільки лазуровий є набагато світлішим відтінком синього." #: ../../general_concepts/colors/color_managed_workflow.rst:64 msgid "" "Group 3 had vermillion red, citron yellow, emerald green and cerulean blue. " "They didn't mix their green, and thus ended up with a purer color." msgstr "" "У групи 3 був карміново-червоний, лимонно-жовтий, смарагдовий зелений та " "лазурово-блакитний. Цим дітям не довелося змішувати кольори для отримання " "зеленого, тому колір кругу є чистішим." #: ../../general_concepts/colors/color_managed_workflow.rst:71 msgid "" "Finally, group 4 has vermillion red, citron yellow and cerulean blue. Their " "colors probably look like what you imagined." msgstr "" "Нарешті, у групи 4 був карміново-червоний, лимонно-жовтий та лазурово-" "блакитний. Кольори дітей з цієї групи є, ймовірно, тими, які ви сподівалися " "побачити." #: ../../general_concepts/colors/color_managed_workflow.rst:73 msgid "" "Now, these are kindergarteners, so this isn't the largest problem in the " "world. However, imagine that something like this happened at a printing " "company? Imagine four printers printing the same magazine with wildly " "different results? That would be disastrous!" msgstr "" "Гаразд, це лише діти з дитячого садка, тому проблеми, які тут виникли, не " "мають значної ваги. Втім, уявіть собі, що щось подібне трапилося у " "видавництві. Уявіть чотири друкарські верстати, які друкують той самий " "журнал, але у зовсім різних кольорах. Це була б катастрофа!" #: ../../general_concepts/colors/color_managed_workflow.rst:75 msgid "For this purpose, we invented color management." msgstr "" "Саме для того, щоб уникнути цих проблем, і винайшли керування кольорами." #: ../../general_concepts/colors/color_managed_workflow.rst:78 msgid "What is color management?" msgstr "Що таке керування кольорами?" #: ../../general_concepts/colors/color_managed_workflow.rst:80 msgid "" "Color management is, dryly put, a set of systems that tries to have the same " "color translate properly between color devices." msgstr "" "Керування кольорами, якщо коротко, це набір правил, який допомагає належним " "чином переносити кольори між пристроями, які працюють із кольорами." #: ../../general_concepts/colors/color_managed_workflow.rst:82 msgid "" "It usually works by attempting to covert a color to the reference color " "space XYZ. XYZ is a coordinate system that has a spot for all colors that " "the average human eye can see." msgstr "" "Зазвичай, таке перенесення відбувається шляхом відображення кольорів до " "еталонного простору кольорів XYZ. XYZ — координатна система, у якій є точка " "для кожного кольору, який може бачити людське око." #: ../../general_concepts/colors/color_managed_workflow.rst:84 msgid "" "From XYZ it can then be translated back into another device space, such as " "RGB (for screens), or CMYK (for printers)." msgstr "" "Комп'ютер переносить дані з XYZ до простору іншого пристрою, зокрема до RGB " "(для екранів комп'ютерів) або CMYK (для принтерів)." #: ../../general_concepts/colors/color_managed_workflow.rst:86 -#| msgid "" -#| "Krita has two systems dedicated to color management. On one hand we have " -#| "**lcms2**, which deal with ICC profiles, and on the other we have " -#| "**OCIO**, which deal with LUT color management." msgid "" "Krita has two systems dedicated to color management. On the one hand, we " "have **lcms2**, which deal with ICC profiles, and on the other, we have " "**OCIO**, which deal with LUT color management." msgstr "" "У Krita передбачено дві системи для керування кольорами. З одного боку, у " "нас є **lcms2**, яка працює із профілями ICC, а з іншого — **OCIO**, яка " "працює із керуванням кольорами за таблицями пошуку (LUT)." #: ../../general_concepts/colors/color_managed_workflow.rst:88 msgid "" "To give a crude estimate, ICC profiles deal with keeping colors consistent " "over many interpretations of devices (screens, printers) by using a " "reference space, and OCIO deals with manipulating the interpretation of said " "colors." msgstr "" "Якщо грубо, профілі ICC призначено для підтримання сумісності кольорів між " "різновидами пристроїв (екранами, принтерами) на основі еталонного простору, " "а OCIO працює із інтерпретаціями відповідних кольорів." #: ../../general_concepts/colors/color_managed_workflow.rst:90 msgid "Within both we can identify the following color spaces:" msgstr "Для обох систем ми можемо говорити про такі простори кольорів:" #: ../../general_concepts/colors/color_managed_workflow.rst:93 msgid "" "Device spaces are those describing your monitor, and have to be made using a " "little device that is called \"colorimeter\". This device, in combination " "with the right software, measures the strongest red, green and blue your " "screen can produce, as well as the white, black and grey it produces. Using " "these and several other measurements it creates an ICC profile unique to " "your screen. You set these in Krita's color management tab. By default we " "assume sRGB for screens, but it's very likely that your screen isn't exactly " "fitting sRGB, especially if you have a high quality screen, where it may be " "a bigger space instead. Device spaces are also why you should first consult " "with your printer what profile they expect. Many printing houses have their " "own device profiles for their printers, or may prefer doing color conversion " "themselves. You can read more about colorimeter usage :ref:`here " "`." msgstr "" "Простори пристроїв — простори, які описують роботу, наприклад, вашого " "монітора. Їх створюють невеличкі пристрої, які називають колориметрами. Такі " "пристрої у поєднанні із належним програмним забезпеченням вимірюють " "найяскравіші червоний, зелений і синій кольори, які може бути відтворено " "екраном, а також параметри білого, чорного і сірого кольору. На основі цих " "та декількох інших вимірювань пристрій створює унікальний профіль ICC " "екрана. Такий профіль можна встановити за допомогою вкладки керування " "кольорами у Krita. Типово, програма припускає профіль sRGB для екранів, але, " "дуже ймовірно, що ваш екран не повністю відповідає sRGB, особливо якщо ви " "користуєтеся високоякісним екраном, який може відтворювати кольори із значно " "ширшого простору. Крім того, існування просторів пристроїв призводить до " "того, що перед друком слід обов'язково визначити, на який профіль кольорів " "розраховано ваш принтер. Багато виробників принтерів створюють власні " "профілі пристроїв для принтерів або реалізують перетворення кольорів за " "допомогою власних драйверів. Докладніший опис роботи з колориметрами " "наведено :ref:`тут `." #: ../../general_concepts/colors/color_managed_workflow.rst:94 msgid "Device spaces" msgstr "Простори пристроїв" #: ../../general_concepts/colors/color_managed_workflow.rst:96 msgid "Working spaces" msgstr "Робочі простори" #: ../../general_concepts/colors/color_managed_workflow.rst:97 msgid "" "These are delivered alongside Krita for ICC, and downloadable from the OCIO " "website for OCIO. Working spaces are particularly nice to do color " "calculations in, which programs like Krita do often. It's therefore " "recommended to have a working space profile for your image." msgstr "" "Ці простори є частиною пакунка Krita для ICC, а для OCIO їх можна отримати з " "сайта OCIO. У робочих просторах, зокрема, зручно виконувати обчислення з " "кольорами, які часто виконують програми, подібні до Krita. Тому рекомендуємо " "використовувати під час роботи з вашим зображенням профіль робочого простору." #: ../../general_concepts/colors/color_managed_workflow.rst:99 msgid "Aesthetic or Look spaces" msgstr "Естетичні простори або простори вигляду" #: ../../general_concepts/colors/color_managed_workflow.rst:99 msgid "" "These are special spaces that have been deformed to give a certain look to " "an image. Krita doesn't deliver Look profiles for ICC, nor does it yet " "support Look spaces for OCIO." msgstr "" "Це спеціальні простори, які викривлено так, щоб надати зображенню певного " "вигляду. До пакунка Krita не включено профілі вигляду для ICC, а у OCIO " "підтримку просторів вигляду ще не реалізовано." #: ../../general_concepts/colors/color_managed_workflow.rst:102 msgid "Color managed workflow" msgstr "Процедура керування кольорами" #: ../../general_concepts/colors/color_managed_workflow.rst:104 -#| msgid "" -#| "Knowing this about these spaces of course doesn't give you an idea how to " -#| "use them, but it does make it easier to explain how to use them. So let " -#| "us look at a typical color management workflow:" msgid "" "Knowing this about these spaces of course doesn't give you an idea of how to " "use them, but it does make it easier to explain how to use them. So let us " "look at a typical color management workflow:" msgstr "" "Загальні знання щодо цих просторів, звичайно ж, не нададуть вам уміння " "користуватися ними, але спростять пояснення способів їхнього використання. " "Отже, погляньом на типову процедуру керування кольорами:" #: ../../general_concepts/colors/color_managed_workflow.rst:110 msgid "" ".. image:: images/en/color_category/Krita-colormanaged-workflow_text.svg" msgstr "" ".. image:: images/en/color_category/Krita-colormanaged-workflow_text.svg" #: ../../general_concepts/colors/color_managed_workflow.rst:110 msgid "" "A typical example of a color managed workflow. We have input from scanners " "and cameras, which we convert to a working space that can be used between " "different editing software, and is converted to an output space for viewing " "on screen or printing." msgstr "" "Типовий приклад робочого процесу із керуванням кольорами. Маємо вхідні дані " "зі сканерів та фотокамер, які ми перетворюємо до робочого простору, яким " "можна користуватися у різному програмному забезпеченні для редагування, " "потім перетворюємо дані до простору виведення даних для перегляду на екрані " "або друку." #: ../../general_concepts/colors/color_managed_workflow.rst:112 msgid "" "In a traditional color managed workflow, we usually think in terms of real " "world colors being converted to computer colors and the other way around. " "So, for example photos from a camera or scanned in images. If you have a " "device space of such a device, we first assign said device space to the " "image, and then convert it to a working space." msgstr "" "У традиційному робочому процесі із керуванням кольорами ми, зазвичай, " "працюємо із перетворенням природних кольорів на комп'ютерні кольори, і " "навпаки. Отже, розгляньмо, наприклад, фотографії з фотокамери або скановані " "зображення. Якщо є простір пристрою для вхідних даних, ми спочатку " "пов'язуємо відповідний простір пристрою із зображенням, а потім перетворюємо " "зображення до робочого простору." #: ../../general_concepts/colors/color_managed_workflow.rst:114 msgid "" "We then do all our editing in the working space, and use the working space " "to communicate between editing programs. In Krita's case, due to it having " "two color management systems, we use ICC profiles between programs like GIMP " "2.9+, Inkscape, digiKam and Scribus, and OCIO configuration between Blender " "and Natron." msgstr "" "Далі, виконуємо редагування у робочому просторі і використовуємо робочий " "простір для обміну даними між програмами. У випадку Krita, через існування " "двох систем керування кольорами ми використовуємо профілі ICC для обміну " "даними з програмами, зокрема GIMP 2.9+, Inkscape, digiKam та Scribus, і " "налаштування OCIO для обміну даними з Blender та Natron." #: ../../general_concepts/colors/color_managed_workflow.rst:116 msgid "" "You also store your working files in the working space, just like how you " "have the layers unmerged in the working file, or have it at a very high " "resolution." msgstr "" "Крім того, зберігаємо робочі файли у робочому просторі, подібно до того, як " "ви зберігаєте у робочому файлів роз'єднані шари або використовуєте у ньому " "високу роздільну здатність." #: ../../general_concepts/colors/color_managed_workflow.rst:118 msgid "" "Sometimes, we apply aesthetic or 'look' spaces to an image as part of the " "editing process. This is rather advanced, and probably not something to " "worry about in Krita's case." msgstr "" "Іноді, як частину процесу редагування, ми застосовуємо естетичні простори " "або простори вигляду до зображення. Це приклад доволі складного способу " "обробки, ймовірно, не варто ним перейматися у випадку Krita." #: ../../general_concepts/colors/color_managed_workflow.rst:120 msgid "" "Then, when we're done editing, we try to convert to an output space, which " "is another device space. This can be CMYK for printers or a special screen " "RGB profile. When you are dealing with professional printing houses, it is " "best to ask them about this step. They have a lot of experience with doing " "the best conversion, and may prefer to do the conversion from your working " "space to the device space of their printers." msgstr "" "Далі, коли редагування завершено, ми перетворюємо кольори до простору " "кольорів виведення, який є простором кольорів ще одного пристрою. Це може " "бути CMYK для принтерів або спеціальний профіль RGB екрана. Якщо ви маєте " "справу із професійною друкарнею, варто проконсультуватися там, перш ніж " "виконувати цей крок. Працівники друкарні мають більший досвід із " "перетворенням кольорів. Можливо, варто довіритися саме їм у перетворенні з " "робочого простору до простору пристроїв принтерів друкарні." #: ../../general_concepts/colors/color_managed_workflow.rst:122 msgid "" "Another form of output is the way your screen displays the color. Unlike " "regular output, this one is done all the time during editing: After all, you " "need to be able to see what you are doing, but your screen is still a device " "with a device space, so it does distort how the image looks. In this manner, " "you can see your screen as a set of binoculars you have to look through to " "see your image at all." msgstr "" "Іншою формою виведення даних є показ кольорів на дисплеях. На відміну від " "звичайного виведення даних воно виконується увесь час під час редагування: " "що б там не було, а вам завжди потрібно бачити результати роботи. Але екран " "теж є пристроєм зі своїм простором кольорів, тому він теж викривляє вигляд " "зображення. Ваш екран можна уявити як набір біноклів, крізь які ви дивитеся " "на ваше зображення." #: ../../general_concepts/colors/color_managed_workflow.rst:124 msgid "" "Therefore, without a profiled monitor, you actually don't know what the " "actual colors you are working with are like, because the computer doesn't " "know the relevant properties of your screen. So if you profiled your " "monitor, give Krita the profile in the settings, and select the sRGB space " "to draw in, you are for the first time seeing the actual colors of the sRGB " "space." msgstr "" "Тому, без профільованого монітора ви не матимете уявлення, як насправді " "виглядають кольори вашого зображення, оскільки комп'ютер не знає про " "відповідні властивості вашого екрана. Отже, якщо ви профілювали ваш монітор, " "надали Krita його профіль за допомогою параметрів програми і вибрали простір " "sRGB для малювання, ви вперше бачите справжні кольори простору sRGB." #: ../../general_concepts/colors/color_managed_workflow.rst:127 msgid "So what does this mean?" msgstr "Отже, що це все значить?" #: ../../general_concepts/colors/color_managed_workflow.rst:133 msgid "" ".. image:: images/en/color_category/Krita-colormanaged-workflow_krita_text." "svg" msgstr "" ".. image:: images/en/color_category/Krita-colormanaged-workflow_krita_text." "svg" #: ../../general_concepts/colors/color_managed_workflow.rst:133 msgid "" "When we paint from scratch, we can see our screen profile as the input " "space, because we use it to determine what colors to pick. This somewhat " "simplifies the workflow, but makes the screen profile and viewing conditions " "more important." msgstr "" "Якщо малювання виконується «з нуля», профіль екрана можна розглядати як " "вхідний простір кольорів, оскільки він використовується для вибору кольорів. " "Це дещо спрощує робочий процес, але робить профілювання екрана та умови " "перегляду важливішими." #: ../../general_concepts/colors/color_managed_workflow.rst:135 msgid "" "Now, photographers and people who do a tricky discipline of VFX called " "'color grading' will go completely mad over trying to get the colors they " "put in to come out 100% correctly, and will even count in factors like the " "time of day and the color they painted their walls. For example, if the wall " "behind your computer is pure red, your eyes will adjust to be less sensitive " "to red, which means that the colors they pick in the program could come out " "redder. We call these the *viewing conditions*." msgstr "" "Фотомитці та ті, хто володіє примхливим мистецтвом візуальних ефектів, яке " "називається «виправленням кольорів», можуть намагатися до запаморочення " "досягти 100% правильного вигляду кольорів, враховуючи навіть такі фактори, " "як пора доби чи кольори, у які пофарбовано стіни. Наприклад, якщо стіну за " "монітором пофарбовано у червоний колір, чутливість ваших очей до червоного " "кольору зменшиться, а це означає, що кольори на екрані здаватимуться " "червонішими. Це називається *умови перегляду*." #: ../../general_concepts/colors/color_managed_workflow.rst:137 msgid "" "Thankfully, artists have to worry a slight bit less about this. As " "illustrations are fully handmade, we are able to identify the important bits " "and make appropriate contrasts between colors. This means that even if our " "images turn out to be slightly redder than intended, it is less likely the " "whole image is ruined. If we look back at the kindergarten example above, we " "still understand what the image was supposed to look like, despite there " "being different colors on each image. Furthermore, because the colors in " "illustrations are deliberately picked, we can correct them more easily on a " "later date. Yet, at the same time, it is of course a big drag to do this, " "and we might have had much more flexibility had we taken viewing conditions " "under consideration." msgstr "" "На щастя, художникам не слід цим надто перейматися. Оскільки ілюстрації — " "повністю ручна робота, можна ідентифікувати важливі речі і створити " "відповідні контрасти між кольорами. Це означає, що навіть якщо наше " "зображення виглядатиме дещо червонішим, ніж ми сподівалися, ймовірність, що " "його буде зіпсовано, менша. Якщо повернутися до нашого прикладу із дитячим " "садком, неточні кольори не завадять нам зрозуміти, як мало виглядати " "зображення, хоча на кожному із його варіантів ми бачимо різні кольори. " "Більше того, оскільки кольори на ілюстраціях вибрано довільним чином, нам " "згодом буде просто їх виправити. Втім, одночасно, звичайно ж, було б добре " "мати правильні кольори, — у нас би був набагато ширший простір для маневрів, " "якби ми могли взяти до уваги умови перегляду." #: ../../general_concepts/colors/color_managed_workflow.rst:139 msgid "" "That said, for artists it is also very useful to understand the working " "spaces. Different working spaces give different results with filters and " "mixing, and only some working spaces can be used for advanced technology " "like HDR." msgstr "" "Звідси можна зробити висновок, що для художників теж дуже корисним є " "розуміння робочих просторів. Використання різних робочих просторів дає різні " "результати при фільтруванні та змішуванні, і лише деякі робочі простори " "можна використовувати разом із новітніми технологіями, зокрема для зображень " "із широким динамічним діапазоном (HDR)." #: ../../general_concepts/colors/color_managed_workflow.rst:141 msgid "" "Similarly, Krita, as a program intended to make images from scratch, doesn't " "really worry about assigning workspaces after having made the image. But " "because you are using the screen as a binocular to look at your image, and " "to pick colors, you can see your screen's device space as an input space to " "the image. Hence why profiling your monitor and giving the profile to Krita " "in the settings can help with preparing your work for print and future " "ventures in the long run." msgstr "" "Так само, Krita, як програма для створення зображень «з нуля», не " "переймається призначенням робочих просторів після створення зображення. Але " "оскільки ви використовуєте екран як бінокль для перегляду вашого зображення " "і вибору кольорів, ви можете розглядати простір кольорів пристрою вашого " "екрана як вхідний простір зображення. Ось чому профілювання вашого монітора " "і визначення його профілю у параметрах роботи Krita може допомогти у " "приготуванні вашої роботи до друку та подальшій роботі у довгостроковій " "перспективі." #: ../../general_concepts/colors/color_managed_workflow.rst:143 msgid "" "Overall, it is kinda useful to keep things like viewing conditions in the " "back of your mind. Many professional artists use a mid-grey color as their " "default canvas background because they find they create much more dynamic " "images due to having improved their viewing conditions. It is also why a lot " "of graphics programs, including Krita, come with a dark theme nowadays. " "(Though, of course this might also be because dark themes can be considered " "cool, who knows.)" msgstr "" "Загалом, корисно мати на увазі речі, подібні до умов перегляду. Багато " "професійних художників використовують помірно-сірий колір як типовий колір " "тла полотна, оскільки таким чином вони досягають динамічнішого ефекту на " "зображеннях через поліпшення умов перегляду. Це також одна з причин, чому " "багато програм для роботи з графікою, зокрема Krita, типово використовують " "темні теми оформлення інтерфейсу. (Втім, звичайно ж, причиною може бути і " "проста мода на темні теми, як знати.)" #: ../../general_concepts/colors/color_managed_workflow.rst:148 msgid "ICC profiles" msgstr "Профілі ICC" #: ../../general_concepts/colors/color_managed_workflow.rst:150 msgid "" "An ICC profile is a set of coordinates describing the extremities of the " "device space within XYZ, and it is the color management data you use to " "communicate your working space to printers and applications that are " "designed for the print industry, such as GIMP, Scribus, Photoshop, " "Illustrator, Inkscape, Digikam, RawTheraphee, etc. You have two types of ICC " "profiles:" msgstr "" "Профіль ICC є набором координат, які описують межі простору кольорів " "пристрою у XYZ, а також дані щодо керування кольорами, які використовують " "для надсилання даних з вашого робочого простору до принтерів та програм, які " "розроблено для друкарської справи, зокрема GIMP, Scribus, Photoshop, " "Illustrator, Inkscape, Digikam, RawTheraphee тощо. Передбачено два типи " "профілів ICC:" #: ../../general_concepts/colors/color_managed_workflow.rst:153 msgid "" "These are delivered alongside Krita. Matrix shaper profiles are made by " "setting parameters and interpolating between these to get the exact size of " "the color space. Due to this, Krita's color space browser can give you a lot " "of information on these profiles. Such profiles are also preferable as " "working space." msgstr "" "Ці профілі постачаються разом із Krita. Профілі Matrix shaper визначаються " "встановленням параметрів та інтерполяцією між ними для отримання точного " "розміру простору кольорів. Через це засіб навігації просторами кольорів " "Krita може надати вам багато інформації щодо цих профілів. Такі профілі " "також є пріоритетними як робочі простори." #: ../../general_concepts/colors/color_managed_workflow.rst:159 msgid "Matrix Shaper profiles." msgstr "Профілі Matrix Shaper" #: ../../general_concepts/colors/color_managed_workflow.rst:159 msgid "" "Matrix shaper profiles have a few parameters that describe the color space " "which are then interpolated between, this requires a lot of maths." msgstr "" "Профілі Matrix shaper визначаються декількома параметрами опису простору " "кольорів, між якими дані простору кольорів інтерполюють, а це вимагає " "значних математичних обчислень." #: ../../general_concepts/colors/color_managed_workflow.rst:162 msgid "" "These are fairly rare, and primarily used to describe printer profiles, such " "as CMYK. cLUT, or Color Look-up Table profiles store far more data than " "Matrix shaper profiles, so they can hold data of little particularities " "caused by, for example, unexpected results from mixing pigments. This is a " "far more organic approach to describing a color space, hence why a lot of " "programs that don't care for color management much don't support these." msgstr "" "Ці профілі є рідкісними. Їхнім основним призначенням є опис кольорів " "принтерів, зокрема CMYK. Профілі cLUT або профілі Color Look-up Table " "(пошуку кольорів за таблицею) містять набагато більше даних за профілі " "Matrix shaper. Там можуть зберігатися дані щодо незначних особливостей, які " "спричинено, наприклад, неочікуваними результатами змішування пігментів. Це " "набагато приземленіший шлях до опису простору кольорів, ось чому у багатьох " "програмах, розробники яких не переймаються керуванням кольорами, підтримки " "таких профілів не передбачено." #: ../../general_concepts/colors/color_managed_workflow.rst:168 msgid "" "cLUT profiles work by holding tables of each color in a color space and " "their respective coordinates in a reference space. For CMYK this is " "typically L\\*A\\*B\\* and for the rest XYZ. These tables are tricky to " "make, which means these profiles are a lot rarer." msgstr "" "Профілі cLUT працюють на основі таблиць для кожного з кольорів у просторі " "кольорів та даних щодо відносних координат кольорів у еталонному просторі. " "Для CMYK це, типово, L\\*A\\*B\\*, а для решти просторів кольорів — XYZ. " "Такі таблиці важко створити, тому профілі цього типу є дуже рідкісними." #: ../../general_concepts/colors/color_managed_workflow.rst:169 msgid "cLUT profiles" msgstr "Профілі cLUT" #: ../../general_concepts/colors/color_managed_workflow.rst:171 msgid "" "The interesting thing about ICC profiles is that your working space can be " "larger than your device space. This is generally not bad. However, when " "converting, you do end up with the question of how to translate the working " "space values." msgstr "" "Цікавою особливістю профілів ICC є те, що ваш робочий простір може бути " "ширшим за простір пристрою. Зазвичай, у цьому немає нічого поганого. Втім, " "під час перетворення між цими просторами кольорів виникає питання щодо того, " "як передавати значення з одного простору до іншого." #: ../../general_concepts/colors/color_managed_workflow.rst:174 msgid "Perceptual" msgstr "Придатна для сприйняття" #: ../../general_concepts/colors/color_managed_workflow.rst:174 msgid "" "This just squishes the values of the working space into the space it's " "converted to. It's a nice method to see all possible values in this, but not " "so good if you want accurate color reproduction. Use this if you want to see " "all colors in an image, or want to express all possible contrasts. Doesn't " "work with Matrix Shaper profiles, defaults to relative colorimetric." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:177 msgid "Absolute Colorimetric." msgstr "Абсолютна колориметрична" #: ../../general_concepts/colors/color_managed_workflow.rst:177 msgid "" "The opposite to Perceptual, Absolute colorimetric will attempt to retain all " "the correct colors at whatever cost, which may result in awful looking " "colors. Recommended only for reproduction work. Doesn't work with Matrix " "Shaper profiles in Krita due to ICC v4 workflow standards." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:180 msgid "Relative Colorimetric" msgstr "Відносна колориметрична" #: ../../general_concepts/colors/color_managed_workflow.rst:180 msgid "" "An in between solution between perceptual and absolute, relative will try to " "fit whatever colors it can match between color spaces. It does this by " "aligning the white and black points. It cuts off the rest to their " "respective borders. This is what all matrix shaper profiles default to " "during conversion, because the ICC v4 workflow specifies to only use " "Relative Colorimetric for matrix shaper profiles." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:183 msgid "Saturation" msgstr "Насиченість" #: ../../general_concepts/colors/color_managed_workflow.rst:183 msgid "" "Does anything to retain colorfulness, even hue will be sacrificed. Used in " "infographics. Doesn't work with Matrix Shaper profiles, defaults to relative " "colorimetric." msgstr "" "Зберігає кольоровість за будь-яку ціну, навіть шляхом втрати відтінків. " "Використовується для інфографіки. Не працює із профілями Matrix Shaper, " "типовим відтворенням є відносне колориметричне." #: ../../general_concepts/colors/color_managed_workflow.rst:185 msgid "" "*ICC profile version* is the last thing to keep in mind when dealing with " "ICC profiles. Krita delivers both Version 2 and Version 4 profiles, with the " "later giving better results in doing color maths, but the former being more " "widely supported (as seen below in 'interoperability with other programs'. " "This is also why Krita defaults to V2, and we recommend using V2 when you " "aren't certain if the other programs you are using support V4." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:188 msgid "LUT docker and HDR imaging" msgstr "" "Бічна панель таблиці пошуку та робота із зображеннями із високим динамічним " "діапазоном" #: ../../general_concepts/colors/color_managed_workflow.rst:196 msgid "" "The :ref:`lut_docker` is the second important bit of color management in " "Krita that is shared between Krita and programs like Blender, Natron and " "Nuke, and only uses Look Up Tables that are configured via a config file." msgstr "" ":ref:`lut_docker` є другим важливим інструментом керування кольорами у " "Krita, інструментом, який є спільним для Krita і програм, подібних до " "Blender, Natron і Nuke, і який використовує лише таблиці пошуку (Look Up " "Tables), які визначено у файлі налаштувань." #: ../../general_concepts/colors/color_managed_workflow.rst:198 msgid "" "You can set the workingspace of the image under input color space, and the " "display to sRGB or your own LUT if you have added it to the configuration. " "View in this case is for proofing transforms to a certain display device." msgstr "" "Ви можете встановити робочий простір зображення у полі для простору кольорів " "вхідних даних і показати дані у дані зображення у sRGB або вашій власній " "LUT, якщо ви додали її у налаштуваннях. У цьому випадку перегляд буде у " "формі проби кольорів для певного пристрою для показу." #: ../../general_concepts/colors/color_managed_workflow.rst:200 msgid "" "Component, exposure, gamma, whitepoint and blackpoint are knobs which allows " "you to modify the display filter." msgstr "" "Кнопки компонента, експозиції, гамми, точки білого та точки чорного надають " "вам змогу змінити фільтр показу." #: ../../general_concepts/colors/color_managed_workflow.rst:208 msgid "" "As explained before, we can see our monitor as a telescope or binocular into " "the world of our picture. Which means it distorts our view of the image a " "little. But we can modify this binocular, or display filter to see our image " "in a different way. For example, to allow us to see the white in an image " "that are whiter than the white of our screen. To explain what that means, we " "need to think about what white is." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:210 msgid "" "For example, white, on our monitor is full red, full green and full blue. " "But it's certainly different from white on our paper, or the color of milk, " "white from the sun, or even the white of our cell-phone displays." msgstr "" "Наприклад, білий на нашому моніторі складається із найяскравішого червоного, " "найяскравішого зеленого і найяскравішого синього. Але він, напевне, " "відрізняється від білого на нашому папері, кольору молока, білого на сонці " "або навіть білого на дисплеї мобільного телефону." #: ../../general_concepts/colors/color_managed_workflow.rst:212 msgid "" "Black similarly, is brighter on a LCD display than a LED one, and " "incomparable with the black of a carefully sealed room." msgstr "" "Чорний, так само, є яскравішим на рідкокристалічному дисплеї, ніж на " "електропроменевому дисплеї, його навіть не можна порівняти із чорним у " "належним чином світлоізольованій кімнаті." #: ../../general_concepts/colors/color_managed_workflow.rst:214 msgid "" "This means that there's potentially blacker blacks than screen black, and " "white whites than screen white. However, for simplicity's sake we still " "assign the black-point and the white-point to certain values. From there, we " "can determine whether a white is whiter than the white point, or a black " "blacker than the black-point." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:216 msgid "" "The LUT docker allows us to control this display-filter and modify the " "distortion. This is useful when we start modifying images that are made with " "scene referred values, such as HDR photos, or images coming out of a render " "engine." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:224 msgid "" "So, for example, we can choose to scale whiter-than-screen-white to our " "screen-white so we can see the contrasts there." msgstr "" "Отже, наприклад, ми можемо вибрати масштабування кольору, який є білішим за " "білий на екрані, до білого на екрані так, щоб можна було бачити контрасти." #: ../../general_concepts/colors/color_managed_workflow.rst:226 msgid "" "The point of this is that you can take advantage of more lightness detail in " "an image. While you can't see the difference between screen white and whiter-" "than-screen-white (because your screen can't show the difference), graphics " "programs can certainly use it." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:228 msgid "" "A common example is matching the lighting between a 3d model and a real " "world scene. Others are advanced photo retouching, with much more contrast " "information available to the user. In painting itself, this allows you to " "create an image where you can be flippant with the contrast, and allow " "yourself to go as bright as you'd like." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:230 msgid "" "LUT docker manipulations are per view, so you can create a new view and set " "it to luminosity. This way you can see the image in both color as well as " "grayscale and keep a good eye on your values." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:232 msgid "" "Another example is to carefully watch the gradients in a certain section." msgstr "" "Іншим прикладом є доскіпливе стеження за градієнтами у певному перетині." #: ../../general_concepts/colors/color_managed_workflow.rst:234 msgid "" "Like ICC, the LUT Docker allows you to create a profile of sorts for your " "device. In this case it's the 'lut', which stands for 'Look Up Table', and " "which can be added to OCIO by modifying the configuration file. When OCIO is " "turned on, the configuration in :menuselection:`Settings --> Configure Krita " "--> Color Management` is turned off, unless you are using the :guilabel:" "`Internal` color engine." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:237 msgid "In summary" msgstr "Підсумок" #: ../../general_concepts/colors/color_managed_workflow.rst:239 msgid "Krita has two modes of color management:" msgstr "У Krita передбачено два режими керування кольорами:" #: ../../general_concepts/colors/color_managed_workflow.rst:241 msgid "" "ICC works in terms of spaces relative to the CIEXYZ space, and requires an " "ICC profile." msgstr "" "ICC працює у термінах просторів, відносних до простору CIEXYZ, і потребує " "профілю ICC." #: ../../general_concepts/colors/color_managed_workflow.rst:242 msgid "OCIO works in terms of interpretation, and makes use of luts." msgstr "OCIO працює у сенсі інтерпретації і використовує таблиці пошуку (LUT)." #: ../../general_concepts/colors/color_managed_workflow.rst:243 msgid "both can be made with a colorimeter." msgstr "обидва можна виконати за допомогою колориметра." #: ../../general_concepts/colors/color_managed_workflow.rst:244 msgid "" "If you want to have a properly color managed workflow, you have one made " "customary for the input device (your screen) and the output devices (your " "printer, or target screen). For web the output is always sRGB." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:245 msgid "" "Set up your screen profiles under :menuselection:`Settings --> Configure " "Krita --> Color management`." msgstr "" "Налаштуйте ваші профілі екрана за допомогою пункту меню :menuselection:" "`Параметри --> Налаштувати Krita --> Керування кольорами`." #: ../../general_concepts/colors/color_managed_workflow.rst:246 msgid "" "Do NOT use screen profiles or other device profiles to draw in. Use a " "working space profile such as any of the elle profiles for this, as the " "color maths will be much more predictable and pleasant. Krita will convert " "between your screen and working space on the fly, allowing you to pick the " "correct colors. This turns your screen into binoculars to view the image." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:247 -#| msgid "" -#| "Use the appropriate color management for the appropriate workflow. If you " -#| "are working with Blender, you will be better off using OCIO, than ICC. IF " -#| "you are working with Scribus or Photoshop, use ICC." msgid "" "Use the appropriate color management for the appropriate workflow. If you " "are working with Blender, you will be better off using OCIO, than ICC. If " "you are working with Scribus or Photoshop, use ICC." msgstr "" "Користуйтеся відповідним до робочого процесу керуванням кольорами. Якщо ви " "працюєте з Blender, варто скористатися OCIO, а не ICC. Якщо ви працюєте із " "Scribus або Photoshop, скористайтеся ICC." #: ../../general_concepts/colors/color_managed_workflow.rst:249 msgid "" "Krita does a lot of color maths, often concerning the blending of colors. " "This color maths works best in linear color space, and linear color space " "requires a bit depth of at the least 16bit to work correctly. The " "disadvantage is that linear space can be confusing to work in." msgstr "" -"Krita виконує багато математичних дій із числовими характеристиками кольорів." -" Часто ці дії пов'язано зі змішуванням кольорів. Дії з кольорами найкраще" -" виконувати у лінійному просторі кольорів, а для правильної роботи лінійного" -" простору кольорів потрібна бітова глибина кольорів у принаймні 16 бітів." -" Недоліком використання лінійних просторів є те, що іноді робота у них є дещо" -" незвичною." +"Krita виконує багато математичних дій із числовими характеристиками " +"кольорів. Часто ці дії пов'язано зі змішуванням кольорів. Дії з кольорами " +"найкраще виконувати у лінійному просторі кольорів, а для правильної роботи " +"лінійного простору кольорів потрібна бітова глибина кольорів у принаймні 16 " +"бітів. Недоліком використання лінійних просторів є те, що іноді робота у них " +"є дещо незвичною." #: ../../general_concepts/colors/color_managed_workflow.rst:251 msgid "" "If you like painting, have a decent amount of RAM, and are looking to start " "your baby-steps in taking advantage of Krita's color management, try " "upgrading from having all your images in sRGB built-in to sRGB-v2-elle-g10." "icc or rec2020-v2-elle-g10.icc at 16bit float. This'll give you better color " "blending while opening up the possibility for you to start working in hdr!" msgstr "" -"Якщо ви полюбляєте малювати, на вашому комп'ютері встановлено багато" -" оперативної пам'яті і ви робите перші кроки у використанні усіх переваг" -" керування кольорами у Krita, спробуйте перейти з використання у всіх ваших" -" малюнках вбудованого профілю sRGB на профіль sRGB-v2-elle-g10.icc або" -" rec2020-v2-elle-g10.icc із 16-бітовими дійсними значеннями для компонентів" -" кольорів. Це надасть вам ширші можливості у змішуванні кольорів і відкриє" -" для вас можливості роботи із широким динамічним діапазоном кольорів (HDR)!" +"Якщо ви полюбляєте малювати, на вашому комп'ютері встановлено багато " +"оперативної пам'яті і ви робите перші кроки у використанні усіх переваг " +"керування кольорами у Krita, спробуйте перейти з використання у всіх ваших " +"малюнках вбудованого профілю sRGB на профіль sRGB-v2-elle-g10.icc або " +"rec2020-v2-elle-g10.icc із 16-бітовими дійсними значеннями для компонентів " +"кольорів. Це надасть вам ширші можливості у змішуванні кольорів і відкриє " +"для вас можливості роботи із широким динамічним діапазоном кольорів (HDR)!" #: ../../general_concepts/colors/color_managed_workflow.rst:256 msgid "" "Some graphics cards, such as those of the NVidia-brand actually have the " "best performance under 16bit float, because NVidia cards convert to floating " "point internally. When it does not need to do that, it speeds up!" msgstr "" "Деякі графічні картки, зокрема картки виробництва NVidia, демонструють кращу " "швидкодію із 16-бітовими дійсними значенням каналів кольорів, оскільки на " "картках NVidia на внутрішньому рівні виконується перетворення значень на " "дійсні числа. Якщо не потрібно виконувати додаткове перетворення, робота " "пришвидшується!" #: ../../general_concepts/colors/color_managed_workflow.rst:260 msgid "" "No amount of color management in the world can make the image on your screen " "and the image out of the printer have 100% the same color." msgstr "" "Немає жодної методики керування кольорами, яка могла б зробити зображення на " "вашому екрані і надруковане принтером зображення абсолютно однаковими за " "кольорами." #: ../../general_concepts/colors/color_managed_workflow.rst:263 msgid "Exporting" msgstr "Експортування" #: ../../general_concepts/colors/color_managed_workflow.rst:265 msgid "" "When you have finished your image and are ready to export it, you can modify " "the color space to optimize it:" msgstr "" "Коли роботу над вашим зображенням буде завершено, і ви будете готові " "експортувати його, ви можете змінити простір кольорів, щоб оптимізувати " "зображення:" #: ../../general_concepts/colors/color_managed_workflow.rst:267 msgid "If you are preparing an image for the web:" msgstr "Якщо ви готуєте зображення для використання у інтернеті:" #: ../../general_concepts/colors/color_managed_workflow.rst:269 msgid "" "If you use 16bit color depth or higher, convert the image to 8bit color " "depth. This will make the image much smaller." msgstr "" "Якщо ви використовуєте 16-бітову або більшу глибину кольорів, перетворіть " "зображення на зображення із 8-бітовою глибиною кольорів. Це значно зменшить " "розміри зображення." #: ../../general_concepts/colors/color_managed_workflow.rst:271 msgid "" "Krita doesn't have built-in dithering currently, which means that 16 to " "18bit conversions can come out a bit banded. But you can simulate it by " "adding a fill layer with a pattern, set this fill layer to overlay, and to " "5% opacity. Then flatten the whole image and convert it to 8bit. The pattern " "will function as dithering giving a smoother look to gradients." msgstr "" "У поточній версії Krita не передбачено вбудованого згладжування, що означає, " "що перетворення з 16- до 18-бітового зображення може призвести до появи " "смуг. Втім, ви можете імітувати його додаванням шару заповнення із " "візерунком, з наступним встановленням цього шару заповнення як накладки із " "5% непрозорістю. Далі, зведіть усе зображення і перетворіть його на 8-" "бітове. Візерунок працюватиме як згладжування, що надаватиме згладженого " "вигляду градієнтам." #: ../../general_concepts/colors/color_managed_workflow.rst:273 msgid "If it's a gray-scale image, convert it to gray-scale." msgstr "" "Якщо це зображення є зображенням у відтінках сірого, перетворіть його на " "зображення у відтінках сірого." #: ../../general_concepts/colors/color_managed_workflow.rst:274 msgid "" "If it's a color image, keep it in the working space profile: Many web " "browsers these days support color profiles embedded into images. Firefox, " "for example, will try to convert your image to fit the color profile of the " "other monitor (if they have one). That way, the image will look almost " "exactly the same on your screen and on other profiled monitors." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:279 msgid "" "In some versions of Firefox, the colors actually look strange: This is a bug " "in Firefox, which is because its `color management system is incomplete " "`_, save your png, jpg or tiff without an embedded profile to work " "around this." msgstr "" "У деяких версіях Firefox кольори виглядають доволі дивно: це вада у Firefox, " "причиною якої є `неповнота системи керування кольорами `_. " "Збережіть png, jpg або tiff без вбудованого профілю, щоб обійти цю проблему." #: ../../general_concepts/colors/color_managed_workflow.rst:281 msgid "If you are preparing for print:" msgstr "Якщо ви готуєте зображення для друку:" #: ../../general_concepts/colors/color_managed_workflow.rst:283 msgid "" "You hopefully made the picture in a working space profile instead of the " "actual custom profile of your screen, if not, convert it to something like " "adobe rgb, sRGB or rec2020." msgstr "" "Ймовірно, зображення було створено вами у робочому профілі, замість " "справжнього нетипового профілю вашого екрана. Якщо це не так, перетворіть " "його до одного з таких профілів: adobe rgb, sRGB або rec2020." #: ../../general_concepts/colors/color_managed_workflow.rst:284 msgid "" "Check with the printer what kind of image they expect. Maybe they expect " "sRGB color space, or perhaps they have their own profile." msgstr "" "Перевірте, якого типу даних очікує принтер. Можливо, йому потрібні дані у " "просторі кольорів sRGB або у принтера є власний профіль кольорів." #: ../../general_concepts/colors/color_managed_workflow.rst:287 msgid "Interaction with other applications" msgstr "Взаємодія із іншими програмами" #: ../../general_concepts/colors/color_managed_workflow.rst:290 msgid "Blender" msgstr "Blender" #: ../../general_concepts/colors/color_managed_workflow.rst:292 msgid "" "If you wish to use krita's OCIO functionality, and in particular in " "combination with Blender's color management, you can try to have it use " "Blender's OCIO config." msgstr "" "Якщо ви хочете скористатися функціональними можливостями OCIO у Krita і " "зокрема у поєднанні із керуванням кольорами Blender, ви можете спробувати " "наказати програмі використовувати налаштування OCIO Blender." #: ../../general_concepts/colors/color_managed_workflow.rst:294 msgid "" "Blender's OCIO config is under ``/version number/datafiles/" "colormanagement``. Set the LUT docker to use the OCIO engine, and select the " "config from the above path. This will give you blender's input and screen " "spaces, but not the looks, as those aren't supported in Krita yet." msgstr "" "Налаштування OCIO Blender зберігаються у файлі ``<тека Blender>/version " "number/datafiles/colormanagement``. Встановіть на бічній панелі таблиці " "пошуку використання рушія OCIO і виберіть налаштування за вказаним вище " "шляхом. Це призведе до використання вхідного простору кольорів та простору " "кольорів показу Blender, але не простору вигляду, оскільки підтримки цих " "просторів у Krita ще не передбачено." #: ../../general_concepts/colors/color_managed_workflow.rst:298 msgid "Windows Photo Viewer" msgstr "Переглядач фотографій Windows" #: ../../general_concepts/colors/color_managed_workflow.rst:300 msgid "" "You might encounter some issues when using different applications together. " "One important thing to note is that the standard Windows Photo Viewer " "application does not handle modern ICC profiles. Krita uses version 4 " "profiles; Photo Viewer can only handle version 2 profiles. If you export to " "JPEG with an embedded profile, Photo Viewer will display your image much too " "dark." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:303 msgid "Example workflows" msgstr "Приклади робочого процесу" #: ../../general_concepts/colors/color_managed_workflow.rst:305 msgid "" "Here are some example workflows to get a feeling of how your color " "management workflow may look like." msgstr "" "Ось декілька прикладів робочих процедур, за допомогою яких ви зможете " "зрозуміти, як може виглядати ваша робоча процедура із керування кольорами." #: ../../general_concepts/colors/color_managed_workflow.rst:307 msgid "" "As mentioned before, input for your screen is set via :menuselection:" "`Settings --> Configure Krita --> Color management`, or via the LUT docker's " "'screen space'. Working space is set via new file per document, or in the " "LUT docker via 'input space'." msgstr "" "Як уже згадувалося, вхідний профіль для вашого екрана встановлюється за " "допомогою сторінки :menuselection:`Параметри --> Налаштувати Krita --> " "Керування кольорами` або за допомогою пункту простору екрана на бічній " "панелі таблиці пошуку. Робочий простір встановлюється за допомогою панелі " "створення документа або за допомогою пункту вхідного простору бічної панелі " "таблиці пошуку." #: ../../general_concepts/colors/color_managed_workflow.rst:310 msgid "Webcomic" msgstr "Вебкомікси" #: ../../general_concepts/colors/color_managed_workflow.rst:317 #: ../../general_concepts/colors/color_managed_workflow.rst:339 #: ../../general_concepts/colors/color_managed_workflow.rst:357 msgid "Input" msgstr "Вхідні дані" #: ../../general_concepts/colors/color_managed_workflow.rst:318 #: ../../general_concepts/colors/color_managed_workflow.rst:340 #: ../../general_concepts/colors/color_managed_workflow.rst:358 msgid "Your screen profile. (You pick colors via your screen)" msgstr "Профіль вашого екрана. (Ви вибираєте кольори на вашому екрані)" #: ../../general_concepts/colors/color_managed_workflow.rst:319 #: ../../general_concepts/colors/color_managed_workflow.rst:341 #: ../../general_concepts/colors/color_managed_workflow.rst:359 msgid "Workingspace" msgstr "Робочий простір" #: ../../general_concepts/colors/color_managed_workflow.rst:320 msgid "" "sRGB (the default screen profile) or any larger profile if you can spare the " "bit depth and like working in them." msgstr "" "sRGB (типовий профіль екранів) або будь-який ширший профіль, якщо ви можете " "заощадити на бітовій глибині, і вам подобається з ними працювати." #: ../../general_concepts/colors/color_managed_workflow.rst:322 #: ../../general_concepts/colors/color_managed_workflow.rst:344 #: ../../general_concepts/colors/color_managed_workflow.rst:362 msgid "Output" msgstr "Вихідні дані" #: ../../general_concepts/colors/color_managed_workflow.rst:322 -#| msgid "" -#| "sRGB, ICC version 2, sRGB trc for the internet, and a specialized CMYK " -#| "profile from the printing house for the printed images." msgid "" "sRGB, ICC version 2, sRGB TRC for the internet, and a specialized CMYK " "profile from the printing house for the printed images." msgstr "" "sRGB, ICC версії 2, sRGB trc для інтернету і спеціалізований профіль CMYK " "від виробника принтера для друку зображень." #: ../../general_concepts/colors/color_managed_workflow.rst:324 msgid "" "Use the sRGB-elle-V2-srgbtrc.icc for going between Inkscape, Photoshop, " "Painttool Sai, Illustrator, GIMP, Manga Studio, Paintstorm Studio, MyPaint, " "Artrage, Scribus, etc. and Krita." msgstr "" "Користуйтеся sRGB-elle-V2-srgbtrc.icc для перенесення даних між Inkscape, " "Photoshop, Painttool Sai, Illustrator, GIMP, Manga Studio, Paintstorm " "Studio, MyPaint, Artrage, Scribus тощо і Krita." #: ../../general_concepts/colors/color_managed_workflow.rst:326 msgid "" "If you are using a larger space via ICC, you will only be able to " "interchange it between Krita, Photoshop, Illustrator, GIMP 2.9, Manga Studio " "and Scribus. All others assume sRGB for your space, no matter what, because " "they don't have color management." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:328 msgid "" "If you are going between Krita and Blender, Nuke or Natron, use OCIO and set " "the input space to 'sRGB', but make sure to select the sRGB profile for ICC " "when creating a new file." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:330 msgid "" "For the final for the web, convert the image to sRGB 8bit, srgbtrc, do not " "embed the ICC profile. Then, if using png, put it through something like " "pngcrush or other png optimizers. sRGB in this case is chosen because you " "can assume the vast majority of your audience hasn't profiled their screen, " "nor do they have screens that are advanced enough for the wide gamut stuff. " "So hence why we convert to the screen default for the internet, sRGB." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:333 msgid "Print" msgstr "Друк" #: ../../general_concepts/colors/color_managed_workflow.rst:342 msgid "sRGB or rec2020 if you can afford the bit-depth being 16bit." msgstr "" "sRGB або rec2020, якщо ви можете працювати із бітовою глибиною у 16 бітів." #: ../../general_concepts/colors/color_managed_workflow.rst:344 msgid "" "Specialized CMYK profile from the printing house for the printed images." msgstr "" "Спеціалізований профіль CMYK від виробника принтера для друку зображень." #: ../../general_concepts/colors/color_managed_workflow.rst:346 msgid "" "The CMYK profiles are different per printer, and even per paper or ink-type " "so don't be presumptuous and ask ahead for them, instead of doing something " "like trying to paint in any random CMYK profile. As mentioned in the viewing " "conditions section, you want to keep your options open." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:348 msgid "" "You can set the advanced color selector to transform to a given profile via :" "menuselection:`Settings --> Configure Krita --> Advanced color selector " "settings`. There, tick :guilabel:`Color selector uses a different color " "space than the image` and select the CMYK profile you are aiming for. This " "will limit your colors a little bit, but keep all the nice filter and " "blending options from RGB." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:351 msgid "Games" msgstr "Ігри" #: ../../general_concepts/colors/color_managed_workflow.rst:360 msgid "sRGB or grayscale linear for roughness and specular maps." msgstr "sRGB або лінійні відтінки сірого для грубих і дзеркальних відображень." #: ../../general_concepts/colors/color_managed_workflow.rst:362 msgid "" "This one is tricky, but in the end it'll be sRGB for the regular player." msgstr "" "Тут все не так просто, але, врешті, для звичайного гравця результатом буде " "sRGB." #: ../../general_concepts/colors/color_managed_workflow.rst:364 msgid "" "So this one is tricky. You can use OCIO and ICC between programs, but " "recommended is to have your images to the engine in sRGB or grayscale. Many " "physically based renderers these days allow you to set whether an image " "should be read as a linear or srgbtrc image, and this is even vital to have " "the images being considered properly in the physically based calculations of " "the game renderer." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:366 msgid "" "While game engines need to have optimized content, and it's recommended to " "stay within 8bit, future screens may have higher bit depths, and when " "renderers will start supporting those, it may be beneficial to develop a " "workflow where the working-space files are rather unnecessarily big and you " "run some scripts to optimize them for your current render needs, making " "updating the game in the future for fancier screens less of a drag." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:368 msgid "" "Normal maps and heightmaps are officially supposed to be defined with a 'non-" "color data' working space, but you'll find that most engines will not care " "much for this. Instead, tell the game engine not to do any conversion on the " "file when importing." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:370 msgid "" "Specular, glossiness, metalness and roughness maps are all based on linear " "calculations, and when you find that certain material has a metalness of " "0.3, this is 30% gray in a linear space. Therefore, make sure to tell the " "game engine renderer that this is a linear space image (or at the very " "least, should NOT be converted)." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:374 msgid "" "`Visualizing the XYZ color space `_" msgstr "" "`Візуалізація простору кольорів XYZ `_" #: ../../general_concepts/colors/color_managed_workflow.rst:375 msgid "" "`Basics of gamma correction `_" msgstr "" "`Основи виправлення гами `_" #: ../../general_concepts/colors/color_managed_workflow.rst:376 msgid "" "`Panda3d example of how an image that has gamma encoded without the 3d " "renderer being notified of it having gamma-encoding can result in too dark " "images `_" msgstr "" "`Приклад з Panda3d того, як зображення із закодованою гамою без 3D-обробки " "призводить до сповіщення щодо виконання кодування гами може призвести до " "надто темних зображень `_" #: ../../general_concepts/colors/color_managed_workflow.rst:377 msgid "" "`2d examples of the effect of gamma-encoding on color maths `_" msgstr "" "`Двовимірні приклади використання гама-кодування у математиці кольорів " "`_" #: ../../general_concepts/colors/color_managed_workflow.rst:378 msgid "" "`Basic overview of color management from argylcms manual `_" msgstr "" "`Базовий огляд керування кольорами з підручника з argylcms `_" diff --git a/locale/uk_UA/LC_MESSAGES/general_concepts/colors/color_mixing.po b/locale/uk_UA/LC_MESSAGES/general_concepts/colors/color_mixing.po index e052069de..ed5d5e9a8 100644 --- a/locale/uk_UA/LC_MESSAGES/general_concepts/colors/color_mixing.po +++ b/locale/uk_UA/LC_MESSAGES/general_concepts/colors/color_mixing.po @@ -1,583 +1,583 @@ # Translation of docs_krita_org_general_concepts___colors___color_mixing.po to Ukrainian # Copyright (C) 2019 This_file_is_part_of_KDE # This file is distributed under the license LGPL version 2.1 or # version 3 or later versions approved by the membership of KDE e.V. # # Yuri Chornoivan , 2019. msgid "" msgstr "" "Project-Id-Version: docs_krita_org_general_concepts___colors___color_mixing\n" "Report-Msgid-Bugs-To: \n" "POT-Creation-Date: 2019-02-25 03:36+0100\n" "PO-Revision-Date: 2019-04-13 19:46+0300\n" "Last-Translator: Yuri Chornoivan \n" "Language-Team: Ukrainian \n" "Language: uk\n" "MIME-Version: 1.0\n" "Content-Type: text/plain; charset=UTF-8\n" "Content-Transfer-Encoding: 8bit\n" "Plural-Forms: nplurals=4; plural=n==1 ? 3 : n%10==1 && n%100!=11 ? 0 : n" "%10>=2 && n%10<=4 && (n%100<10 || n%100>=20) ? 1 : 2;\n" "X-Generator: Lokalize 19.03.70\n" #: ../../:2 msgid "" ".. image:: images/icons/Krita_mouse_left.png\n" " :alt: mouseleft" msgstr "" ".. image:: images/icons/Krita_mouse_left.png\n" " :alt: mouseleft" #: ../../general_concepts/colors/color_mixing.rst:None msgid ".. image:: images/en/color_category/Color_gloss.gif" msgstr ".. image:: images/en/color_category/Color_gloss.gif" #: ../../general_concepts/colors/color_mixing.rst:None msgid ".. image:: images/en/color_category/Color_gloss_example_1.png" msgstr ".. image:: images/en/color_category/Color_gloss_example_1.png" #: ../../general_concepts/colors/color_mixing.rst:None msgid ".. image:: images/en/color_category/Color_gloss_example_2.png" msgstr ".. image:: images/en/color_category/Color_gloss_example_2.png" #: ../../general_concepts/colors/color_mixing.rst:None msgid ".. image:: images/en/color_category/Color_gloss_example_3.png" msgstr ".. image:: images/en/color_category/Color_gloss_example_3.png" #: ../../general_concepts/colors/color_mixing.rst:None msgid ".. image:: images/en/color_category/Color_gloss_example_4.png" msgstr ".. image:: images/en/color_category/Color_gloss_example_4.png" #: ../../general_concepts/colors/color_mixing.rst:None msgid ".. image:: images/en/color_category/Color_mix.gif" msgstr ".. image:: images/en/color_category/Color_mix.gif" #: ../../general_concepts/colors/color_mixing.rst:None msgid ".. image:: images/en/color_category/Color_smudge.gif" msgstr ".. image:: images/en/color_category/Color_smudge.gif" #: ../../general_concepts/colors/color_mixing.rst:None msgid ".. image:: images/en/color_category/Color_scumble2.gif" msgstr ".. image:: images/en/color_category/Color_scumble2.gif" #: ../../general_concepts/colors/color_mixing.rst:None msgid ".. image:: images/en/color_category/Color_scumble.gif" msgstr ".. image:: images/en/color_category/Color_scumble.gif" #: ../../general_concepts/colors/color_mixing.rst:None msgid ".. image:: images/en/color_category/Krita_cpb_mixing.gif" msgstr ".. image:: images/en/color_category/Krita_cpb_mixing.gif" #: ../../general_concepts/colors/color_mixing.rst:None msgid ".. image:: images/en/color_category/Digi_colormixer.png" msgstr ".. image:: images/en/color_category/Digi_colormixer.png" #: ../../general_concepts/colors/color_mixing.rst:1 msgid "Color Mixing in a digital media." msgstr "Змішування кольорів у цифрових мультимедійних даних." #: ../../general_concepts/colors/color_mixing.rst:17 msgid "Mixing Colors" msgstr "Змішування кольорів" #: ../../general_concepts/colors/color_mixing.rst:19 msgid "" "Much like physical media, there are many ways to mix colors together in " "Krita. Traditional painters and illustrators often use techniques like " "**glazing**, **scumbling**, and **hatching** to mix colors directly on their " "canvas, on top of mixing colors together on a **palette** or even within the " "hairs of their **brush**. With a little bit of practice and know-how, and " "thanks to the variety of powerful tools in Krita, we can mimic all of these " "mixing techniques in digital painting." msgstr "" "Подібно до фізичних полотен, у Krita передбачено багато способів змішування " "кольорів. У традиційному малюванні для змішування кольорів на полотнах " "художники та ілюстратори часто використовують методики **глазурування**, " "**лесирування** та **штрихування**, окрім змішування кольорів за допомогою " "**палітри** або навіть змішування на щетинках **пензля**. Практика та " "відточування навичок, а також широкий діапазон потужних інструментів у Krita " "надасть вам змогу відтворити усі ці методики змішування кольорів засобами " "цифрового малювання." #: ../../general_concepts/colors/color_mixing.rst:21 msgid "" "In both traditional and digital painting, mixing techniques can be divided " "into *two major categories*: let's call them **\"on-canvas\"** and **\"off-" "canvas\"**." msgstr "" "У традиційному та цифровому малюванні методики змішування можна поділити на " "*дві основні категорії*: назвемо їх **на полотні** і **поза полотном**." #: ../../general_concepts/colors/color_mixing.rst:24 msgid "On-Canvas Mixing" msgstr "Змішування на полотні" #: ../../general_concepts/colors/color_mixing.rst:26 msgid "" "On-canvas mixing techniques are ones where multiple colors are combined " "directly on the canvas as the artist paints. This takes a few forms, " "including **layering semi-transparent color** on top of another color, using " "**texture** to change how a color is perceived, or even in the interaction " "between two areas of wet paint in traditional media. Bottom line: on-canvas " "mixing happens right on the canvas and is a great tool for artistic " "exploration and \"happy accidents\"." msgstr "" "Методики змішування кольорів на полотні передбачають змішування декількох " "кольорів безпосередньо на полотні під час малювання. У такого змішування є " "декілька форм, зокрема **додавання шару напівпрозорого кольору** на " "розфарбований шар, використання **текстури** для зміни сприйняття кольору " "або навіть взаємодії двох ланів вологої фарби на традиційному полотні. " "Резюме: змішування кольорів на полотні відбувається безпосередньо на полотні " "— це чудовий інструмент для художніх експериментів та «несподіваних " "відкриттів»." #: ../../general_concepts/colors/color_mixing.rst:29 msgid "Glazing" msgstr "Лакування" #: ../../general_concepts/colors/color_mixing.rst:35 msgid "" "In traditional painting, **glazing** is overlaying many different semi-" "transparent layers to create on-canvas color mixtures. Likewise, in digital " "painting we can also use glazing to mix colors directly on our canvas. This " "is one of the most fundamental and commonly used mixing techniques in " "digital painting." msgstr "" "У традиційному малюванні **глазурування** — накладання багатьох різних " "напівпрозорих шарів для створення суміші кольорів на полотні. Так само, у " "цифровому малюванні ми можемо скористатися глазуруванням для змішування " "кольорів безпосередньо на полотні. Це одна із найфундаментальніших та широко " "використовуваних методик цифрового малювання." #: ../../general_concepts/colors/color_mixing.rst:37 msgid "" "We first lay down a semi-transparent layer on top of another color that we " "intend to mix with. Then, we pick the **resultant color** with :kbd:`Ctrl` + " "|mouseleft| (this can be configured in the canvas input settings), and paint " "with that. Depending on our brush's **opacity setting**, each time we glaze " "one color over another we will get a color that is somewhere between those " "two colors, often leading to a nice mixture." msgstr "" "Спочатку ми накладаємо напівпрозорий шар на шар іншого кольору, з яким ми " "маємо намір змішати наш колір. Далі, ми вибираємо **колір-результат** за " "допомогою :kbd:`Ctrl` + |mouseleft| (це можна налаштувати у параметрах " "вхідних даних полотна) і малюємо ним. Залежно від **параметрів " "непрозорості** нашого пензля, кожного разу, коли ми глазуруємо один колір " "іншим, ми отримуємо колір, який є певним чином проміжним між двома " "кольорами, часто даючи чудовий мікс." #: ../../general_concepts/colors/color_mixing.rst:39 msgid "" "We can mix even more easily with glazing when we set our brush's **flow** to " "a lower setting. Subtly different than opacity, :ref:`flow " "` is transparency per dab instead of stroke, and so " "it gives us softer strokes without giving up control." msgstr "" "Змішування глазуруванням можна полегшити, якщо ми встановимо для **потоку** " "пензля менше значення. Дещо відрізняючись від непрозорості, :ref:`потік " "` є прозорістю на окремий мазок, замість повного " "мазка пензлем, отже надає нам змогу створювати м'якіші мазки без втрати " "контролю над малюванням." #: ../../general_concepts/colors/color_mixing.rst:41 msgid "" "Furthermore, we can combine glazing with various **blending modes** to " "achieve different, interesting effects. For example, glazing with the " "**multiply** blending mode to create nice shadows:" msgstr "" "Крім того, ми можемо поєднати глазурування із різноманітними **режимами " "змішування** для отримання різних цікавих ефектів. Наприклад, глазурування з " "режимом змішування **множення** може створити чудові тіні:" #: ../../general_concepts/colors/color_mixing.rst:46 msgid "Staring with line art and base colors." msgstr "Починаємо з графіки і базових кольорів." #: ../../general_concepts/colors/color_mixing.rst:51 msgid "" "Using a semi-transparent brush that's set to multiply, we can add colored " "layers to suggest shadows and mid-tones. The multiply blending mode will " "darken and interact with each base color differently." msgstr "" "За допомогою напівпрозорого пензля, який встановлено у режим множення, ми " "можемо додавати кольорові шари для створення тіней та півтонів. Режим " "змішування «множення» затемнює і взаємодіє з кожним з базових кольорів по-" "різному." #: ../../general_concepts/colors/color_mixing.rst:56 msgid "" "Then, using a brush with low flow (~0.30), we can pick the resulting colors " "and lay down more layers. Not only does this help you define the different " "planes and forms that are so crucial for creating a sense of depth and three-" "dimensionality, it also gives quite a nice, painterly effect!" msgstr "" "Далі, за допомогою пензля із низьким потоком (~0.30) ми можемо вибирати " "кольори-результати і накладати нові шари. Це не лише допоможе вам визначати " "різні площини і форми, які є критичними для створення відчуття глибини і " "просторовості, це надасть нам змогу створити чудовий ефект малювання олійною " "фарбою!" #: ../../general_concepts/colors/color_mixing.rst:62 msgid "" "Continue with a lower opacity and flow to create even smoother gradients. " "Make your **edges** as sharp or smooth as your subject matter and art style " "demands!" msgstr "" "Продовжуйте з меншою непрозорістю і потоком, щоб створити ще плавніші " "градієнти. Зробіть ваші **краї** різкими або плавними залежно від того, що " "ви малюєте, та потреб художнього стилю!" #: ../../general_concepts/colors/color_mixing.rst:65 msgid "Smudging" msgstr "Розмазування" #: ../../general_concepts/colors/color_mixing.rst:71 msgid "" "**Smudge mixing** is done with the :ref:`color_smudge_brush_engine`, a " "special brush engine that allows you to mix your current brush color with " "the color(s) under the brush. It's a very powerful type of brush that gives " "a lovely painterly effect. *Performance wise, it's a bit more demanding and " "slower than the regular pixel brush.*" msgstr "" "**Змішування розмазуванням** виконують за допомогою :ref:" "`color_smudge_brush_engine`, спеціалізованого рушія пензлів, за допомогою " "якого ви можете змішувати поточний колір пензля із кольорами під пензлем. Це " "потужний тип пензля, за допомогою якого можна створювати чудовий ефект " "малювання олійною фарбою. *З точки зору швидкодії, цей рушій пензлів є " "доволі вимогливим до обчислювальних ресурсів, отже працює повільніше за " "звичайний піксельний пензель.*" #: ../../general_concepts/colors/color_mixing.rst:73 msgid "" "If you *remove all paint from a smudge brush*, you get a simple-yet-powerful " "smudge effect:" msgstr "" "Якщо ви *вилучите усю фарбу з пензля розмазування*, ви отримаєте простий, " "але потужний ефект розмазування:" #: ../../general_concepts/colors/color_mixing.rst:79 msgid "" "Different smudge brushes have different effects, so be sure to try them all " "out!" msgstr "" "У різних пензлів розмазування є різні ефекти, отже спробуйте усі ці ефекти!" #: ../../general_concepts/colors/color_mixing.rst:82 msgid "Scumbling" msgstr "Лесирування" #: ../../general_concepts/colors/color_mixing.rst:84 msgid "" "**Scumbling** is similar to glazing, except instead of having a semi-opaque " "layer, we use layers of **textured** or **patterned** paint." msgstr "" "**Лакування** подібне до глазурування, але замість створення " "напівнепрозорого шару, ми використовуємо шари **текстурованого** або " "**візерункового** малювання." #: ../../general_concepts/colors/color_mixing.rst:89 msgid "" "Like most painting programs, Krita allows you to pick a :ref:" "`option_brush_tip`, which can be used to create a textured effect like that " "of scumbling." msgstr "" "Подібно до більшості програм для малювання, у Krita можна вибирати :ref:" "`option_brush_tip`, яким можна скористатися для створення ефекту текстури, " "подібного до лакування." #: ../../general_concepts/colors/color_mixing.rst:95 msgid "" "Krita's brush engines also allow you to use :ref:`option_texture`. This " "allows you to create interesting and stylized screentone-like effects." msgstr "" "Крім того, рушії пензлів Krita надають вам змогу використовувати :ref:" "`текстури `. Це надає вам змогу створювати цікаві і " "стилізовані під плівку із растровими крапками одної площі ефекти." #: ../../general_concepts/colors/color_mixing.rst:97 msgid "" "With glazing can get you pretty far when it comes to *defining planes and " "forms*, scumbling is the best method to *create texture and to break up big " "pasty flats* in your painting." msgstr "" -"Тоді як глазурування може дати доволі добрі результати, якщо йдеться про" -" *визначення площин і форм*, лесирування є найкращим способом для *створення" -" текстур та розбиття великих плоских ділянок* на вашій картині." +"Тоді як глазурування може дати доволі добрі результати, якщо йдеться про " +"*визначення площин і форм*, лесирування є найкращим способом для *створення " +"текстур та розбиття великих плоских ділянок* на вашій картині." #: ../../general_concepts/colors/color_mixing.rst:100 msgid "Off-Canvas Mixing" msgstr "Змішування поза полотном" #: ../../general_concepts/colors/color_mixing.rst:102 msgid "" "**Off-canvas** mixing has basically always been a core tool for artists " "everywhere; when we think of the stereotypical artist we might imagine " "someone with a few **brushes** in one hand and a wooden **palette** in the " "other. Whether it's oils, watercolor, or other traditional media, for the " "artist to have absolute control over their colors it's crucial to have some " "kind of palette, plate, jar, or other **off-canvas area** to mix colors " "together. While it's easy to overlook this in digital painting (where " "selecting fresh new colors without mixing at all is both easy and free*), " "Krita has a few very useful and unique features for off-canvas mixing." msgstr "" -"**Змішування поза полотном** є майже завжди базовим інструментом для усіх" -" художників. Стереотипний художник у нашій уяві — людина із декількома" -" **пензлями** в одній руці і дерев'яною **палітрою** в іншій. Для олійної" -" фарби, акварелі чи іншої фарби для того, щоб художник мав абсолютний" -" контроль над кольорами, йому потрібна якась палітра, дощечка, баночка чи" -" щось інше **поза полотном** для змішування кольорів. Хоча у цифровому" -" малюванні можна доволі просто обійтися без цього (вибрати будь-який новий" -" колір взагалі без змішування просто і безпроблемно), у Krita є декілька" -" корисних і унікальних можливостей для змішування поза полотном." +"**Змішування поза полотном** є майже завжди базовим інструментом для усіх " +"художників. Стереотипний художник у нашій уяві — людина із декількома " +"**пензлями** в одній руці і дерев'яною **палітрою** в іншій. Для олійної " +"фарби, акварелі чи іншої фарби для того, щоб художник мав абсолютний " +"контроль над кольорами, йому потрібна якась палітра, дощечка, баночка чи " +"щось інше **поза полотном** для змішування кольорів. Хоча у цифровому " +"малюванні можна доволі просто обійтися без цього (вибрати будь-який новий " +"колір взагалі без змішування просто і безпроблемно), у Krita є декілька " +"корисних і унікальних можливостей для змішування поза полотном." #: ../../general_concepts/colors/color_mixing.rst:105 msgid "Color Picker Blending" msgstr "Змішування кольорів у піпетці" #: ../../general_concepts/colors/color_mixing.rst:109 msgid "" "Krita, like almost every art and graphics program, has a :ref:" "`color_picker_tool` which allows you to very quickly sample a color from any " "pixel on your canvas. While this tool may seem relatively simple and humble, " "it is also one of the most important and commonly used tools in the digital " "artist's toolbox - perhaps only second to the brush! In fact, the color " "picker tool is at the very heart of mixing colors, and is often used in " "combination with on-canvas techniques like glazing and scumbling to produce " "smooth blends of color." msgstr "" -"У Krita, подібно до майже кожної програми для малювання та роботи з графікою," -" є :ref:`color_picker_tool`, за допомогою якого ви можете дуже швидко взяти" -" зразок кольору будь-якого пікселя на полотні. Хоча цей інструмент може" -" здатися відносно простим і скромним за можливостями, він є одним із" -" найважливішим і найчастіше використовуваним інструментом у арсеналі" -" цифрового художника, — ймовірно, другим за важливістю після пензля!" -" Фактично, інструмент-піпетка перебуває у самому серці змішування кольорів і" -" часто використовується у поєднанні із методиками змішування на полотні," -" зокрема із глазуруванням та лесируванням, для створення сумішей кольорів." +"У Krita, подібно до майже кожної програми для малювання та роботи з " +"графікою, є :ref:`color_picker_tool`, за допомогою якого ви можете дуже " +"швидко взяти зразок кольору будь-якого пікселя на полотні. Хоча цей " +"інструмент може здатися відносно простим і скромним за можливостями, він є " +"одним із найважливішим і найчастіше використовуваним інструментом у арсеналі " +"цифрового художника, — ймовірно, другим за важливістю після пензля! " +"Фактично, інструмент-піпетка перебуває у самому серці змішування кольорів і " +"часто використовується у поєднанні із методиками змішування на полотні, " +"зокрема із глазуруванням та лесируванням, для створення сумішей кольорів." #: ../../general_concepts/colors/color_mixing.rst:111 msgid "" "And still, there is more to this little tool than meets the eye! Not only " "can you configure Krita's color picker to sample from the average color of a " "**radius** of pixels, Krita's Color Picker also has a unique **blending** " "feature: a powerful and intuitive tool for off-canvas color mixing!" msgstr "" -"І, крім того, у цьому інструменті є ще дещо, що є не зовсім помітним із" -" першого погляду! Ви не лише можете налаштувати піпетку Krita для отримання" -" зразків усередненого кольору в **крузі** пікселів, у Krita у піпетки" -" кольорів є унікальна можливість **змішування**: потужний і інтуїтивно" -" зрозумілий інструмент для змішування кольорів поза полотном!" +"І, крім того, у цьому інструменті є ще дещо, що є не зовсім помітним із " +"першого погляду! Ви не лише можете налаштувати піпетку Krita для отримання " +"зразків усередненого кольору в **крузі** пікселів, у Krita у піпетки " +"кольорів є унікальна можливість **змішування**: потужний і інтуїтивно " +"зрозумілий інструмент для змішування кольорів поза полотном!" #: ../../general_concepts/colors/color_mixing.rst:117 msgid "" "The Color Picker Blending feature changes the way that picking colors has " "traditionally worked for decades; instead of completely replacing your " "current brush color with the newly sampled color, *blending allows you to " "quickly \"soak up\" some portion of the sampled color*, which is then mixed " "with your current brush color." msgstr "" -"Можливість змішування у піпетці змінює усталений десятиліттями спосіб взяття" -" кольорів полотна — замість заміни поточного кольору пензля новим кольором," -" *змішування надає піпетці змогу «встотати» якусь частку кольору з полотна*," -" який буде змішано з поточним кольором пензля." +"Можливість змішування у піпетці змінює усталений десятиліттями спосіб взяття " +"кольорів полотна — замість заміни поточного кольору пензля новим кольором, " +"*змішування надає піпетці змогу «встотати» якусь частку кольору з полотна*, " +"який буде змішано з поточним кольором пензля." #: ../../general_concepts/colors/color_mixing.rst:119 msgid "" "You can use Color Picker Blending much like a physical paint brush in " "traditional media. If you were to dip your paint brush into a pool of *blue* " "paint, and then immediately dip again into a pool of *red* paint and paint a " "stoke across your canvas, the stoke wouldn't be pure red - it would be some " "combination of blue and red which would mix to create an intermediate purple " "color. Which shade of purple would depend on the ratio of paints that mix " "together within the hairs of your brush, and this is essentially what the " "Color Picker's \"blend\" option controls: what percentage of sampled color " "is mixed together with your current brush color!" msgstr "" -"Змішуванням у піпетці працює дуже схоже за змішування кольорів у звичайному" -" пензлі. Якщо ви занурите пензель у *синю* фарбу, а потім одразу занурите" -" його до *червону* фарбу і зробите мазок на полотні, мазок не буде суто" -" червоним — його колір буде проміжним між синім і червоним, тобто матимете" -" якийсь пурпуровий відтінок. Відтінок пурпурового залежатиме від" -" співвідношення фарб, які було змішано на щетинках вашого пензля, і це саме" -" те, чим керує параметр змішування піпетки: яку частку кольору з полотна буде" -" змішано із поточним кольором пензля." +"Змішуванням у піпетці працює дуже схоже за змішування кольорів у звичайному " +"пензлі. Якщо ви занурите пензель у *синю* фарбу, а потім одразу занурите " +"його до *червону* фарбу і зробите мазок на полотні, мазок не буде суто " +"червоним — його колір буде проміжним між синім і червоним, тобто матимете " +"якийсь пурпуровий відтінок. Відтінок пурпурового залежатиме від " +"співвідношення фарб, які було змішано на щетинках вашого пензля, і це саме " +"те, чим керує параметр змішування піпетки: яку частку кольору з полотна буде " +"змішано із поточним кольором пензля." #: ../../general_concepts/colors/color_mixing.rst:121 msgid "" "Not only does Krita's Color Picker Blending feel even more like mixing " "paints, it is also completely off-canvas and independent of opacity, flow, " "shape, and other brush settings. Furthermore, unlike most on-canvas mixing " "techniques, Color Picker Blending works regardless of the location of colors " "on your canvas - enabling your to mix with colors at any position, on any " "layer, or even in different documents! Quickly mix lighting colors with " "local colors, mix the ambient sky color into shadows, create atmospheric " "depth, mix from a preselected palette of colors in another layer/document, " "etc." msgstr "" -"Змішування у піпетці Krita не лише подібне до змішування звичайних фарб, воно" -" ще й відбувається повністю поза полотном і є незалежним від рівня" -" непрозорості, потоку, форми та інших параметрів пензля. Крім того, на" -" відміну від більшості методик змішування фарб на полотні, змішування" -" кольорів у піпетці працює незалежно від розташування кольорів на полотні —" -" це дає вам змогу змішувати кольори у будь-якій позиції, на будь-якому шарі" -" або навіть у інших документах! Домішайте кольори світла до локальних" -" кольорів, змішайте колір неба із тінями — створіть атмосферну глибину," -" змішайте колір із попередньо вибраної палітри кольорів із кольором із іншого" -" шару або документа, тощо." +"Змішування у піпетці Krita не лише подібне до змішування звичайних фарб, " +"воно ще й відбувається повністю поза полотном і є незалежним від рівня " +"непрозорості, потоку, форми та інших параметрів пензля. Крім того, на " +"відміну від більшості методик змішування фарб на полотні, змішування " +"кольорів у піпетці працює незалежно від розташування кольорів на полотні — " +"це дає вам змогу змішувати кольори у будь-якій позиції, на будь-якому шарі " +"або навіть у інших документах! Домішайте кольори світла до локальних " +"кольорів, змішайте колір неба із тінями — створіть атмосферну глибину, " +"змішайте колір із попередньо вибраної палітри кольорів із кольором із іншого " +"шару або документа, тощо." #: ../../general_concepts/colors/color_mixing.rst:123 msgid "" "To use Color Picker Blending, simply set the \"blend\" option in the **Tool " "Options Docker** while the Color Picker Tool is active; setting blend to " "100% will cause your Color Picker to work in the traditional way (completely " "replacing your brush color with the picked color), setting to around 50% " "will give you a half-way mix between colors, and setting to a lower value " "will create more subtle shifts in colors each click. Of course, blending " "affects both your dedicated Color Picker Tool as well as the :kbd:`Ctrl +` |" "mouseleft| shortcut." msgstr "" -"Щоб скористатися змішуванням кольорів у піпетці, просто визначте параметр" -" «Змішування» на **бічній панелі параметрів інструмента**, доки вибрано" -" інструмент «Піпетка». Встановлення значення змішування у 100% призведе до" -" того, що піпетка працюватиме у традиційний спосіб (повна заміна кольору" -" пензля взятим з полотна кольором). Встановлення значення змішування у" -" приблизно 50% надасть вам змогу скористатися проміжним режимом змішування" -" кольорів, а встановлення меншого значення надасть змогу створювати ледве" -" помітні зсуви у кольорі кожним клацанням кнопкою миші. Звичайно ж," -" змішування стосується, як спеціалізованого інструмента «Піпетка», так і" -" режиму, який можна викликати комбінацією :kbd:`Ctrl +` |mouseleft|." +"Щоб скористатися змішуванням кольорів у піпетці, просто визначте параметр " +"«Змішування» на **бічній панелі параметрів інструмента**, доки вибрано " +"інструмент «Піпетка». Встановлення значення змішування у 100% призведе до " +"того, що піпетка працюватиме у традиційний спосіб (повна заміна кольору " +"пензля взятим з полотна кольором). Встановлення значення змішування у " +"приблизно 50% надасть вам змогу скористатися проміжним режимом змішування " +"кольорів, а встановлення меншого значення надасть змогу створювати ледве " +"помітні зсуви у кольорі кожним клацанням кнопкою миші. Звичайно ж, " +"змішування стосується, як спеціалізованого інструмента «Піпетка», так і " +"режиму, який можна викликати комбінацією :kbd:`Ctrl +` |mouseleft|." #: ../../general_concepts/colors/color_mixing.rst:127 msgid "" "Clicking and dragging the Color Picker around the canvas currently causes it " "to sample many times as it switches pixels. You can use this trait to " "quickly soak up more color by \"dipping\" your color picker into a color and " "swirling it around. This can be pretty satisfying! However, this also means " "that some care must be taken to prevent from accidentally picking up more " "color than you want. It's pretty easy to click a single pixel only one time " "using a **mouse**, but when painting with a **drawing tablet and pen** it " "can sometimes be desirable to use a slightly lower blend setting!" msgstr "" -"Якщо ви натиснете кнопку миші і перетягнете курсор інструмента «Піпетка»" -" полотном, у поточній версії програма виконуватиме забирання кольору кожного" -" разу, коли курсор переходитиме до наступного пікселя. Ви можете скористатися" -" цим для швидкого всотування більшої кількості кольорів «зануренням»" -" пензля-піпетки до кольорової ділянки на полотні зі наступним рухом полотном." -" Результати можуть бути дуже цікавими! Втім, це також означає, що слід бути" -" обережним, щоб не забрати випадково зайвий колір, який вам не потрібен." -" Доволі просто клацнути на одинарному пікселі один раз за допомогою **миші**," -" але якщо ви малюєте за допомогою **планшета для малювання і стила**, іноді" -" бажанішим є використання меншого значення параметра змішування!" +"Якщо ви натиснете кнопку миші і перетягнете курсор інструмента «Піпетка» " +"полотном, у поточній версії програма виконуватиме забирання кольору кожного " +"разу, коли курсор переходитиме до наступного пікселя. Ви можете скористатися " +"цим для швидкого всотування більшої кількості кольорів «зануренням» пензля-" +"піпетки до кольорової ділянки на полотні зі наступним рухом полотном. " +"Результати можуть бути дуже цікавими! Втім, це також означає, що слід бути " +"обережним, щоб не забрати випадково зайвий колір, який вам не потрібен. " +"Доволі просто клацнути на одинарному пікселі один раз за допомогою **миші**, " +"але якщо ви малюєте за допомогою **планшета для малювання і стила**, іноді " +"бажанішим є використання меншого значення параметра змішування!" #: ../../general_concepts/colors/color_mixing.rst:130 msgid "The Digital Colors Mixer" msgstr "Змішувач цифрових кольорів" #: ../../general_concepts/colors/color_mixing.rst:132 msgid "" "Somewhat hidden away in the **Dockers** menu (:menuselection:`Settings --> " "Dockers --> Digital Colors Mixer`), this can be a useful tool for off-canvas " "mixing. The Digital Colors Mixer looks a little bit like an audio mixing " "board that you'd see in a recording studio, but instead of mixing music it " "mixes colors! It contains 6 independent **color mixers** that mix your " "current brush color with any color of your choosing." msgstr "" -"Дещо прихованим способом є використання меню **Бічні панелі**" -" (:menuselection:`Параметри --> Бічні панелі --> Змішувач цифрових" -" кольорів`). Відповідний інструмент є корисним для змішування кольорів поза" -" полотном. Вікно змішувача цифрових кольорів виглядає подібним до пульту" -" звукового мікшера, який можна побачити у звукозаписувальній студії, але" -" замість змішування звукових каналів він змішує кольори. У вікні передбачено" -" 6 незалежних **змішувачі кольорів**, які надають змогу змішувати поточний" -" колір пензля із будь-яким вибраним вами кольором." +"Дещо прихованим способом є використання меню **Бічні панелі** (:" +"menuselection:`Параметри --> Бічні панелі --> Змішувач цифрових кольорів`). " +"Відповідний інструмент є корисним для змішування кольорів поза полотном. " +"Вікно змішувача цифрових кольорів виглядає подібним до пульту звукового " +"мікшера, який можна побачити у звукозаписувальній студії, але замість " +"змішування звукових каналів він змішує кольори. У вікні передбачено 6 " +"незалежних **змішувачі кольорів**, які надають змогу змішувати поточний " +"колір пензля із будь-яким вибраним вами кольором." #: ../../general_concepts/colors/color_mixing.rst:138 msgid "" "By clicking the **color buttons** below each mixer you can choose a palette " "of colors to mix with. Above each mixer is a **color patch** that will " "produce a color that mixes some amount of your current brush color with the " "palette color. Colors towards the top of the mixer will deliver subtle " "changes to your current color, while colors towards the bottom will be much " "closer to the palette color of that channel." msgstr "" -"Натисканням **кнопок кольорів** під кожним змішувачем ви можете вибрати" -" палітру кольорів, з якими відбуватиметься змішування. Над кожним зі" -" змішувачів розташовано **пробник кольору**, у якому буде показано колір," -" який буде отримано у результаті змішування певної частки поточного кольору" -" пензля із кольором палітри. Пересування повзунка кольору угору призводитиме" -" до незначних змін у поточному кольорі, а пересування повзунка вниз робитиме" -" колір-результат ближчим до вибраного у палітрі." +"Натисканням **кнопок кольорів** під кожним змішувачем ви можете вибрати " +"палітру кольорів, з якими відбуватиметься змішування. Над кожним зі " +"змішувачів розташовано **пробник кольору**, у якому буде показано колір, " +"який буде отримано у результаті змішування певної частки поточного кольору " +"пензля із кольором палітри. Пересування повзунка кольору угору призводитиме " +"до незначних змін у поточному кольорі, а пересування повзунка вниз робитиме " +"колір-результат ближчим до вибраного у палітрі." #: ../../general_concepts/colors/color_mixing.rst:141 msgid "Other Tips" msgstr "Інші підказки" #: ../../general_concepts/colors/color_mixing.rst:143 msgid "" "Outside of making it easier to create smooth gradients, mixing has another " "benefit: It allows you to create a cohesive piece." msgstr "" "Окрім спрощення створення плавних градієнтів, змішування має ще одну " "перевагу: воно надає вам змогу створювати зв'язні фрагменти." #: ../../general_concepts/colors/color_mixing.rst:145 msgid "" "Limiting the number of colors we use and then mixing tends to give a more " "cohesive palette, as we're not trying to do too much at once. This cohesive " "palette in turn means it will become easier to create a certain mood in an " "image. Sometimes, mixing in a little bit of accent color can also create " "unexpected results which in turn can be a little discovery for the audience " "to delight over as they discover the world of your image." msgstr "" -"Обмеження кількості використаних на зображенні кольорів із наступним" -" змішуванням цих кольорів надає змогу створити зв'язну палітру, оскільки" -" таким чином ми рухаємося малими кроками. Ця зв'язна палітра спростить" -" створення певного настрою на картині. Іноді змішування з дещо акцентованим" -" кольором може створити неочікувані результати, які нададуть вашим глядачам" -" можливість проникнення у світ картини." +"Обмеження кількості використаних на зображенні кольорів із наступним " +"змішуванням цих кольорів надає змогу створити зв'язну палітру, оскільки " +"таким чином ми рухаємося малими кроками. Ця зв'язна палітра спростить " +"створення певного настрою на картині. Іноді змішування з дещо акцентованим " +"кольором може створити неочікувані результати, які нададуть вашим глядачам " +"можливість проникнення у світ картини." #: ../../general_concepts/colors/color_mixing.rst:147 msgid "" "What we can learn from this, is that the next time we select, say, gray, " "instead of reaching for a random or generic gray from the Advanced Color " "Selector, consider using one of Krita's many wonderful mixing tools to " "create an interesting and fitting gray from hues that are roughly " "complementary (opposite each other on the hue wheel)." msgstr "" -"З цього можна зробити висновок, що наступного разу, коли нам знадобиться," -" скажімо, сірий, замість вибору випадкового сірого за допомогою засобу вибору" -" кольору, можна скористатися одним із чудових інструментів змішування" -" кольорів Krita для створення цікавого та відповідного сірого з відтінків," -" які будуть доповнювати один одного (будуть перебувати на протилежних кінцях" -" діаметра кола кольорів)." +"З цього можна зробити висновок, що наступного разу, коли нам знадобиться, " +"скажімо, сірий, замість вибору випадкового сірого за допомогою засобу вибору " +"кольору, можна скористатися одним із чудових інструментів змішування " +"кольорів Krita для створення цікавого та відповідного сірого з відтінків, " +"які будуть доповнювати один одного (будуть перебувати на протилежних кінцях " +"діаметра кола кольорів)." #: ../../general_concepts/colors/color_mixing.rst:149 msgid "" "While on-canvas and off-canvas techniques are fundamentally different " "categories of mixing colors, they are not mutually exclusive. All of the " "mixing methods in this article have pros and cons; different tools can be " "useful for different situations, and combining various techniques can be " "extremely powerful and fun!" msgstr "" -"Хоча методики змішування на полотні і поза полотном є фундаментально різними" -" категоріями змішування кольорів, вони не виключають одна одну. Усі способи" -" змішування, які описано у цьому розділі, мають свої переваги і недоліки;" -" різні інструменти можуть бути корисними для різних ситуацій, а поєднання" -" різних методик може бути дуже потужним і дуже цікавим інструментом художника!" +"Хоча методики змішування на полотні і поза полотном є фундаментально різними " +"категоріями змішування кольорів, вони не виключають одна одну. Усі способи " +"змішування, які описано у цьому розділі, мають свої переваги і недоліки; " +"різні інструменти можуть бути корисними для різних ситуацій, а поєднання " +"різних методик може бути дуже потужним і дуже цікавим інструментом художника!" #: ../../general_concepts/colors/color_mixing.rst:151 msgid "" "Finally, mixing colors will often go far better in a :ref:`higher bit-depth " "like 16bit `, though it'll make the image take up much more " "working **memory** (RAM). Furthermore, using a :ref:`linear color space " "` can often give far better mixtures than a **gamma-" "corrected** one, though doing sketches and line art is easier to do in a " "gamma-corrected space." msgstr "" -"Нарешті, змішування кольорів часто працює набагато краще у просторах із" -" :ref:`високою бітовою глибиною кольорів, наприклад 16 бітових `," -" хоча зображення у таких просторах кольорів займатимуть набагато більше місця" -" у оперативній **пам'яті** (RAM) комп'ютера. Крім того, часто кращі суміші" -" можна отримати у :ref:`лінійному просторі кольорів " -"`, де не використовують **виправлення гамми**, але" -" створювати ескізи і графіку простіше у просторах із виправленням гамми." +"Нарешті, змішування кольорів часто працює набагато краще у просторах із :ref:" +"`високою бітовою глибиною кольорів, наприклад 16 бітових `, хоча " +"зображення у таких просторах кольорів займатимуть набагато більше місця у " +"оперативній **пам'яті** (RAM) комп'ютера. Крім того, часто кращі суміші " +"можна отримати у :ref:`лінійному просторі кольорів `, де " +"не використовують **виправлення гамми**, але створювати ескізи і графіку " +"простіше у просторах із виправленням гамми." diff --git a/locale/uk_UA/LC_MESSAGES/general_concepts/colors/scene_linear_painting.po b/locale/uk_UA/LC_MESSAGES/general_concepts/colors/scene_linear_painting.po index 9046ef99c..29254600b 100644 --- a/locale/uk_UA/LC_MESSAGES/general_concepts/colors/scene_linear_painting.po +++ b/locale/uk_UA/LC_MESSAGES/general_concepts/colors/scene_linear_painting.po @@ -1,656 +1,699 @@ # Translation of docs_krita_org_general_concepts___colors___scene_linear_painting.po to Ukrainian # Copyright (C) 2019 This_file_is_part_of_KDE # This file is distributed under the license LGPL version 2.1 or # version 3 or later versions approved by the membership of KDE e.V. # # Yuri Chornoivan , 2019. msgid "" msgstr "" "Project-Id-Version: docs_krita_org_general_concepts___colors___scene_linear_pa" "inting\n" "Report-Msgid-Bugs-To: \n" "POT-Creation-Date: 2019-03-26 03:35+0100\n" -"PO-Revision-Date: 2019-04-13 21:42+0300\n" +"PO-Revision-Date: 2019-04-14 21:36+0300\n" "Last-Translator: Yuri Chornoivan \n" "Language-Team: Ukrainian \n" "Language: uk\n" "MIME-Version: 1.0\n" "Content-Type: text/plain; charset=UTF-8\n" "Content-Transfer-Encoding: 8bit\n" "Plural-Forms: nplurals=4; plural=n==1 ? 3 : n%10==1 && n%100!=11 ? 0 : n" "%10>=2 && n%10<=4 && (n%100<10 || n%100>=20) ? 1 : 2;\n" "X-Generator: Lokalize 19.03.70\n" #: ../../general_concepts/colors/scene_linear_painting.rst:1 msgid "Scene Linear painting in Krita" msgstr "Лінійне малювання сцен у Krita" #: ../../general_concepts/colors/scene_linear_painting.rst:15 msgid "Scene Linear Painting" msgstr "Лінійне малювання сцени" #: ../../general_concepts/colors/scene_linear_painting.rst:17 msgid "" "Previously referred to as HDR painting and Scene Referred painting, Scene " "Linear Painting is doing digital painting in a peculiar type of colorspace. " "It is painting in a color space that is..." msgstr "" "Раніше цей режим називався малюванням з широким динамічним діапазоном (HDR) " "або пов'язаним із сценою малюванням. Лінійне малювання сцени — цифрове " "малювання у особливому типі простору кольорів. Простір кольорів має бути..." #: ../../general_concepts/colors/scene_linear_painting.rst:19 msgid "" "Linear - there’s no gamma encoding, or tone-mapping or whatever going on " "with the pixels you manipulate. (This is different from the pixels you see, " "but we’ll get to that later)" msgstr "" "Лінійним — без кодування гами, пов'язування тонів або будь-чого, що " "відбувається із пікселями, з якими ви працюєте (це не зовсім ті пікселі, які " "ви бачите, але ми повернемося до цього пізніше)." #: ../../general_concepts/colors/scene_linear_painting.rst:20 msgid "Floating Point - So 16bit or 32bit floating point per channel." msgstr "" "Із дійсними значеннями для компонентів кольорів — 16- або 32-бітові дійсні " "числа із рухомою крапкою для кожного з каналів." #: ../../general_concepts/colors/scene_linear_painting.rst:22 msgid "" "These are the two important characteristics. The colorspace has a few more " "properties than this, such as the white point, or more importantly, the " "colorants that make up the gamut. But here’s the thing, those two could be " "anything, as long as the space is linear and the color depth is floating " "point." msgstr "" -"Це дві важливі характеристики. У простору кольорів є ще декілька" -" властивостей, окрім цих, зокрема точку білого або, що важливіше, фарбники, з" -" яких складається палітра кольорів. Але, ці дві характеристики можуть бути" -" довільними, якщо простір є лінійним і глибина кольорів у ньому визначається" -" дійсними числами з рухомою крапкою." +"Це дві важливі характеристики. У простору кольорів є ще декілька " +"властивостей, окрім цих, зокрема точку білого або, що важливіше, фарбники, з " +"яких складається палітра кольорів. Але, ці дві характеристики можуть бути " +"довільними, якщо простір є лінійним і глибина кольорів у ньому визначається " +"дійсними числами з рухомою крапкою." #: ../../general_concepts/colors/scene_linear_painting.rst:24 msgid "" "So, *Scene Linear is not a single one colorspace, but a **TYPE** of " "colorspace*. You can have a scene linear space that uses the sRGB/rec 709 " "colorants, or one that uses adobeRGB, or maybe one that uses rec 2020, as " "long as it is *linear* and in a *floating point bit depth*." msgstr "" -"Отже, *лінійний простір сцени не є якимось окремим простором кольорів, а є" -" **типом** просторів кольорів*. Ви можете мати лінійний простір сцени, у" -" якому використовуються фарбники sRGB/rec 709 або простір, у якому" -" використовується adobeRGB, або, навіть, простір, у якому використано rec" -" 2020, якщо простір є *лінійним*, а *бітова глибина кольорів у ньому" -" визначається дійсними числами із рухомою крапкою*." +"Отже, *лінійний простір сцени не є якимось окремим простором кольорів, а є " +"**типом** просторів кольорів*. Ви можете мати лінійний простір сцени, у " +"якому використовуються фарбники sRGB/rec 709 або простір, у якому " +"використовується adobeRGB, або, навіть, простір, у якому використано rec " +"2020, якщо простір є *лінійним*, а *бітова глибина кольорів у ньому " +"визначається дійсними числами із рухомою крапкою*." #: ../../general_concepts/colors/scene_linear_painting.rst:26 msgid "" "These two factors are for one reason: To make black and white arbitrary " "values. This might seem a bit weird. But when you are dealing with light-" "sources, you are dealing with a massive range of contrasts, and will have to " "decide afterwards which white and black you’d like to have. This is what the " "scene means in scene-linear, the relevant values are unique per scene, like " "a real world scene: a flowerfield lit by moonlight, a city in twilight or a " "sunny beach. You want to be able to put the right emphasis on the most " "important contrasting values, and being able to choose what is white and " "what is black is a very powerful tool here. After all, humans in the real " "world can see much more when they get used to the dark, or to the sun, so " "why not apply that to how we make our images?" msgstr "" +"Дві описані вище характеристики дають одне: чорний і білий кольори стають" +" довільними значеннями. Це може здатися дещо дивним. Але якщо ви маєте справу" +" із джерелами світла, ви маєте справу із широким діапазоном контрастів, отже" +" маєте вирішити, який білий і який чорний вам потрібні. Це, власне, те, що" +" означає слово «сцена» у словосполученні «лінійний простір сцени», —" +" відповідні значення є унікальними для певної сцени, подібно до сцени у" +" реальному світі — квіткового поля у місячному світлі, міста у сутінках або" +" сонячного пляжу. Вам потрібна можливість правильно розставити акценти на" +" найважливіших контрастних значеннях, а можливість вибрати який колір буде" +" білим, а який буде чорним, є дуже потужним інструментом досягти цього." +" Зокрема, у темноті чи на сонці ми можемо бачити більше, коли призвичаїмося" +" до освітлення, то чому б не застосувати це до того, як ми створюємо картини?" #: ../../general_concepts/colors/scene_linear_painting.rst:28 msgid "" "This is also why it needs to be Linear. Gamma and Tone-mapped color spaces " "are already choosing which contrast is the most important to you. But for " "that, they too need to choose what is white or black. Linear doesn’t make " "such assumptions, so much better for when you want to choose yourself. You " "will eventually want to stick your image through some tone-mapping or gamma " "correction, but only at the end after you have applied filters and mixed " "colors!" msgstr "" +"Такий підхід також спричиняє вимогу лінійності простору. У просторах із" +" виправленням гамми та прив'язками тонів вже визначено, який з контрастів є" +" найважливішим. Але для цього слід наперед вибрати білий і чорний кольори. У" +" лінійному просторі такі попередні припущення не потрібні, отже ви можете" +" вибрати ці кольори самостійно. Врешті, ви можете застосувати до зображення" +" прив'язку тонів або виправлення гамми, але зробити це можна наприкінці" +" роботи, після застосування фільтрів і змішування кольорів!" #: ../../general_concepts/colors/scene_linear_painting.rst:30 msgid "" "In fact, there’s always a non-destructive sort of transform going on while " "you are working on your image which includes the tone-mapping. This is " "called a display or view transform, and they provide a sort of set of " "binoculars into the world of your image. Without it, your computer cannot " "show these colors properly; it doesn’t know how to interpret it properly, " "often making the image too dark. Providing such a transform and allowing you " "to configure it is the prime function of color management." msgstr "" +"Фактично, під час роботи над зображенням використовується неруйнівний тип" +" перетворення, який включає прив'язку тонів. Це перетворення називається" +" перетворенням перегляду і є чимось подібним до бінокля, крізь який ви" +" дивитеся на ваше зображення. Без нього ваш комп'ютер не зможе належним чином" +" показати кольори; він просто не знатиме, як слід обробляти їх належним" +" чином, часто роблячи зображення надто темним. Надання можливості здійснювати" +" таке перетворення і налаштовувати його параметри — основна мета керування" +" кольорами." #: ../../general_concepts/colors/scene_linear_painting.rst:32 msgid "" "Between different view and display transforms, there’s also a difference in " "types. Some are really naive, others are more sophisticated, and some need " "to be used in a certain manner to work properly. The ICC color management " "can only give a certain type of view transforms, while OCIO color management " "in the lut docker can give much more complex transforms easily configurable " "and custom settings that can be shared between programs." msgstr "" #: ../../general_concepts/colors/scene_linear_painting.rst:38 msgid ".. image:: images/en/color_category/Krita_scenelinear_cat_01.png" msgstr ".. image:: images/en/color_category/Krita_scenelinear_cat_01.png" #: ../../general_concepts/colors/scene_linear_painting.rst:38 msgid "" "Above, an example of the more naive transform provided by going from scene-" "linear sRGB to regular sRGB, and to the right a more sophisticated transform " "coming from the filmic blender ocio configuration. Look at the difference " "between the paws. Image by Wolthera van Hövell tot Westerflier, License: CC-" "BY-SA" msgstr "" #: ../../general_concepts/colors/scene_linear_painting.rst:40 msgid "" "Conversely, transforming and interpreting your image’s colors is the only " "thing OCIO can do, and it can do it with really complex transforms, really " "fast. It doesn’t understand what your image’s color space is originally, " "doesn’t understand what CMYK is, and there’s also no such thing as a OCIO " "color profile. Therefore you will need to switch to an ICC workflow if you " "wish to prepare for print." msgstr "" #: ../../general_concepts/colors/scene_linear_painting.rst:43 msgid "Yes, but what is the point?" msgstr "Так, але навіщо?" #: ../../general_concepts/colors/scene_linear_painting.rst:45 msgid "The point is making things easier in the long run:" msgstr "Для того, щоб спростити речі у довгій перспективі:" #: ../../general_concepts/colors/scene_linear_painting.rst:47 msgid "It is easier to keep saturated non-muddy colors in a linear space." msgstr "Насичені і незамутнені кольори простіше тримати у лінійному просторі." #: ../../general_concepts/colors/scene_linear_painting.rst:48 msgid "The high bit depth makes it easier to get smoother color mixes." msgstr "" "Значна бітова глибина кольорів спрощує отримання плавніших переходів " "кольорів." #: ../../general_concepts/colors/scene_linear_painting.rst:49 msgid "" "Filters are more powerful and give nicer results in this space. It is far " "more easy to get nice blurring and bokeh results." msgstr "" "У цьому просторі фільтри є потужнішими і дають кращі результати. Тут " "набагато простіше отримати якісне розмивання або ефект боке." #: ../../general_concepts/colors/scene_linear_painting.rst:50 msgid "" "Simple Blending Modes like Multiply or Addition are suddenly black magic. " "This is because Scene-Linear is the closest you can get to the physical (as " "in, physics, not material) model of color where multiplying colors with one " "another is one of the main ways to calculate the effect of light." msgstr "" -"Прості режими змішування, подібні до «Множення» або «Додавання», несподівано," -" дають чарівні результати. Причиною є те, що лінійні простори сцени є" -" найближчими до того, що ви отримаєте у фізичною моделлю (пов'язаною із" -" фізикою, а не з матеріальною моделлю) кольорів, у якій множення кольорів є" -" основним способом для обчислення ефекту світла." +"Прості режими змішування, подібні до «Множення» або «Додавання», " +"несподівано, дають чарівні результати. Причиною є те, що лінійні простори " +"сцени є найближчими до того, що ви отримаєте у фізичною моделлю (пов'язаною " +"із фізикою, а не з матеріальною моделлю) кольорів, у якій множення кольорів " +"є основним способом для обчислення ефекту світла." #: ../../general_concepts/colors/scene_linear_painting.rst:51 msgid "" "Combining painting with other image results such as photography and " "physically based rendering is much easier as they too work in such a type of " "colorspace. So you could use such images as a reference with little qualms, " "or make textures that play nice with such a renderer." msgstr "" -"Поєднання цифрового малювання із іншими художніми зображеннями, зокрема" -" фотографіями та результатами просторового моделювання, є набагато простішим," -" оскільки там використовується простір кольорів того самого типу. Тому ви" -" зможете використовувати такі зображення як еталон майже без проблем або" -" створювати текстури, які добре суміщатимуться із просторовими моделями." +"Поєднання цифрового малювання із іншими художніми зображеннями, зокрема " +"фотографіями та результатами просторового моделювання, є набагато простішим, " +"оскільки там використовується простір кольорів того самого типу. Тому ви " +"зможете використовувати такі зображення як еталон майже без проблем або " +"створювати текстури, які добре суміщатимуться із просторовими моделями." #: ../../general_concepts/colors/scene_linear_painting.rst:53 msgid "" "So the advantages are prettier colors, cooler filter results, more control " "and easier interchange with other methods." msgstr "" "Отже, перевагами є красивіші кольори, ліпші результати фільтрування, ширший " "контроль та простіший обмін із іншими методами." #: ../../general_concepts/colors/scene_linear_painting.rst:56 msgid "Okay, but why isn’t this all the rage then?" msgstr "Гаразд, але навіщо усе це?" #: ../../general_concepts/colors/scene_linear_painting.rst:58 msgid "" "Simply put, because while it’s easier in the long run, you will also have to " "drop tools and change habits..." msgstr "" "Якщо простіше, оскільки так буде краще у перспективі, вам також доведеться " "забути про деякі інструменти і змінити звички…" #: ../../general_concepts/colors/scene_linear_painting.rst:60 msgid "" "In particular, there are many tools in a digital painter’s toolbox that have " "**hard-coded assumptions about black and white**." msgstr "" "Зокрема, у арсеналі цифрового художника багато інструментів, для яких " "визначено **жорстке програмне фіксування чорного і білого**." #: ../../general_concepts/colors/scene_linear_painting.rst:62 msgid "" "A very simple but massive problem is one with **inversion**. Inverting " "colors is done code-wise by taking the color for white and subtracting the " "color you want to invert from it. It’s used in many blending modes. But " "often the color white is hardcoded in these filters. There’s currently no " "application out there that allows you to define the value range that " "inversion is done with, so inverting is useless. And that also means the " "filters and blending modes that use it, such as (but not limited to)..." msgstr "" -"Дуже простою, але значною проблемою є проблема з **інверсією**. Інвертування" -" кольорів виконується у коді шляхом визначення білого кольору і віднімання" -" від нього кольору, який ви хочете інвертувати. Ця процедура виконується у" -" багатьох режимах змішування. Але часто білий колір «зашито» до цих фільтрів." -" На сьогодні, немає жодної програми, яка дозволяє вам визначати діапазон" -" значень, у якому слід виконувати інверсію, отже, інверсія позбавлена сенсу." -" І це також означає, що фільтри і режими змішування використовують цю" -" інверсію, як є (але не лише її)..." +"Дуже простою, але значною проблемою є проблема з **інверсією**. Інвертування " +"кольорів виконується у коді шляхом визначення білого кольору і віднімання " +"від нього кольору, який ви хочете інвертувати. Ця процедура виконується у " +"багатьох режимах змішування. Але часто білий колір «зашито» до цих фільтрів. " +"На сьогодні, немає жодної програми, яка дозволяє вам визначати діапазон " +"значень, у якому слід виконувати інверсію, отже, інверсія позбавлена сенсу. " +"І це також означає, що фільтри і режими змішування використовують цю " +"інверсію, як є (але не лише її)..." #: ../../general_concepts/colors/scene_linear_painting.rst:64 msgid "Screen (invert+multiply+invert)" msgstr "Екран (інверсія+множення+інверсія)" #: ../../general_concepts/colors/scene_linear_painting.rst:65 msgid "" "Overlay (screens values below midtone-value, in sRGB this would be middle " "gray)" msgstr "" "Накладання (віддзеркалення значень нижче значень середнього тону, який у " "sRGB є середнім сірим)" #: ../../general_concepts/colors/scene_linear_painting.rst:66 msgid "Color-dodge (divides the lower color with an inversion of the top one)" msgstr "" "Висвітлення кольорів (ділить колір нижнього шару на обернений колір " "верхнього)" #: ../../general_concepts/colors/scene_linear_painting.rst:67 msgid "" "Color-burn (inverts the lower color and then divides it by the top color)" msgstr "" "Вигоряння кольорів (інвертує колір нижнього шару і ділить його на колі " "верхнього)" #: ../../general_concepts/colors/scene_linear_painting.rst:68 msgid "Hardlight (A different way of doing overlay, including the inversion)" msgstr "Яскраве світло (інший спосіб створення накладки, включає інверсію)" #: ../../general_concepts/colors/scene_linear_painting.rst:69 msgid "Softlight (Uses several inversions along the way)" msgstr "" "Розсіяне світло (використовує для отримання результату декілька інверсій)" #: ../../general_concepts/colors/scene_linear_painting.rst:71 msgid "" "Conversely Multiply, Linear Dodge/Addition (they’re the same thing), " "Subtract, Divide, Darker (only compares colors’ channel values), Lighter " "(ditto), and Difference *are fine to use*, as long as the program you use " "doesn’t do weird clipping there." msgstr "" -"І навпаки, множення, лінійне висвітлювання або додавання (це те саме)," -" віднімання, ділення, потемнішання (програма порівнює лише значення каналів" -" кольорів), посвітлішання (те сам) та різницю *можна використовувати*, якщо" -" програма, якою ви користуєтеся, не виконує обрізання кольорів під час" -" виконання цих дій." +"І навпаки, множення, лінійне висвітлювання або додавання (це те саме), " +"віднімання, ділення, потемнішання (програма порівнює лише значення каналів " +"кольорів), посвітлішання (те сам) та різницю *можна використовувати*, якщо " +"програма, якою ви користуєтеся, не виконує обрізання кольорів під час " +"виконання цих дій." #: ../../general_concepts/colors/scene_linear_painting.rst:73 msgid "" "Another one is HSL, HSI and HSY algorithms. They too need to assume " "something about the top value to allow scaling to white. HSV doesn’t have " "this problem. So it’s best to use an HSV color selector." msgstr "" -"Іншою проблемою є алгоритми HSL, HSI та HSY. У них теж доводиться припускати" -" щось щодо найбільшого значення для уможливлення масштабування за білим" -" кольором. У HSV цієї проблеми немає. Отже, найкращим розв'язанням цієї" -" проблеми є використання засобу вибору кольору HSV." +"Іншою проблемою є алгоритми HSL, HSI та HSY. У них теж доводиться припускати " +"щось щодо найбільшого значення для уможливлення масштабування за білим " +"кольором. У HSV цієї проблеми немає. Отже, найкращим розв'язанням цієї " +"проблеми є використання засобу вибору кольору HSV." #: ../../general_concepts/colors/scene_linear_painting.rst:75 msgid "" "For the blending modes that use HSY, there’s always the issue that they tend " "to be hardcoded to sRGB/Rec709 values, but are otherwise fine (and they give " "actually far more correct results in a linear space). So these are not a " "good idea to use with wide-gamut colorspaces, and due to the assumption " "about black and white, not with scene linear painting. The following " "blending modes use them:" msgstr "" -"Для режимів змішування, у яких використовується HSY, завжди є проблема із" -" жорстким кодуванням до значень sRGB/Rec709, але в іншому ці режими працюють" -" (і дають набагато коректніші результати у лінійному просторі). Тому не варто" -" користуватися цими режимами змішування у просторах кольорів із широкою" -" палітрою і, через припущення щодо чорного і білого, у просторах лінійного" -" малювання сцени. HSY використовують у таких режимах змішування:" +"Для режимів змішування, у яких використовується HSY, завжди є проблема із " +"жорстким кодуванням до значень sRGB/Rec709, але в іншому ці режими працюють " +"(і дають набагато коректніші результати у лінійному просторі). Тому не варто " +"користуватися цими режимами змішування у просторах кольорів із широкою " +"палітрою і, через припущення щодо чорного і білого, у просторах лінійного " +"малювання сцени. HSY використовують у таких режимах змішування:" #: ../../general_concepts/colors/scene_linear_painting.rst:77 msgid "Color" msgstr "Колір" #: ../../general_concepts/colors/scene_linear_painting.rst:78 msgid "Luminosity" msgstr "Світність" #: ../../general_concepts/colors/scene_linear_painting.rst:79 msgid "Saturation" msgstr "Насиченість" #: ../../general_concepts/colors/scene_linear_painting.rst:80 msgid "Darker Color (uses luminosity to determine the color)" msgstr "Темніший колір (використовує яскравість світла для визначення кольору)" #: ../../general_concepts/colors/scene_linear_painting.rst:81 msgid "Lighter Color (Ditto)" msgstr "Світліший колір (те саме)" #: ../../general_concepts/colors/scene_linear_painting.rst:83 msgid "" "So that is the blending modes. Many filters suffer from similar issues, and " "in many applications, filters aren’t adjusted to work with arbitrary whites." msgstr "" "Отже, це усе, що стосується режимів змішування. Багато фільтрів потерпають " "від подібних проблем у багатьох програма. Фільтри не коригують свою роботу " "на випадок довільно визначеного білого кольору." #: ../../general_concepts/colors/scene_linear_painting.rst:85 msgid "" "Speaking of filters, when using the transform tool, you should also avoid " "using lanczos3, it’ll give a weird black halo to sharp contrasts in scene-" "linear. The bilinear interpolation filter will work just fine in this case." msgstr "" "Якщо йдеться про фільтри, при використанні інструмента перетворення слід " "також уникати вживання lanczos3, оскільки цей фільтр створює небажане чорне " "гало при підвищенні контрастності при лінійному малюванні сцен. Слід " "користуватися фільтром білінійної інтерполяції, який дає добрі результати." #: ../../general_concepts/colors/scene_linear_painting.rst:87 msgid "The second big problem is that **black doesn’t work quite the same**." msgstr "" "Іншою великою проблемою є те, що **чорний колір працює не зовсім так, як " "раніше**." #: ../../general_concepts/colors/scene_linear_painting.rst:89 msgid "" "If you have mixed pigments before, you will know that black can quite easily " "overpower the other colors, so you should only add the tiniest amount of it " "to a mixture. White in contrast gets dirtied quite easily." msgstr "" "Якщо ви раніше змішували пігменти, ви вже знаєте, що чорний без проблем " "придушує інші кольори. Отже, вам слід додавати до суміші лише мізерні його " "частки. З іншого боку, білий колір доволі просто забруднити будь-яким іншим." #: ../../general_concepts/colors/scene_linear_painting.rst:91 msgid "" "In a Scene Linear Color space, this is flipped. White is now more " "overpowering and black gets washed out super quickly. This relates to the " "additive nature of digital color theory, that becomes more obvious when " "working in linear." msgstr "" -"У лінійному просторі кольорів сцени ситуація є прямо протилежною. Білий колір" -" має перевагу, а чорний дуже просто розмивається. Це пов'язано із адитивною" -" природою теорії цифрових кольорів, яка просто стає більш очевидною, якщо ви" -" працюєте у лінійному просторі." +"У лінійному просторі кольорів сцени ситуація є прямо протилежною. Білий " +"колір має перевагу, а чорний дуже просто розмивається. Це пов'язано із " +"адитивною природою теорії цифрових кольорів, яка просто стає більш " +"очевидною, якщо ви працюєте у лінійному просторі." #: ../../general_concepts/colors/scene_linear_painting.rst:93 msgid "" "This makes sketching a bit different, after all, it’s really difficult to " "make marks now. To get around this, you can do the following:" msgstr "" "Це робить створення ескізів дещо іншим. В решті решт, тепер насправді важко " "робити позначки. Щоб обійти цю проблему, ви можете зробити так:" #: ../../general_concepts/colors/scene_linear_painting.rst:95 msgid "" "Sketch on a mid-gray background. This is recommended anyway, as it serves as " "a neutral backdrop. For a linear space, 18% or 22% gray would be a good " "neutral." msgstr "" "Малювати ескіз на помірно сірому тлі. Все одно це рекомендований спосіб, " "оскільки таке тло слугує нейтральним задником. Для лінійного простору добрим " "нейтральним є 18% або 22% сірий." #: ../../general_concepts/colors/scene_linear_painting.rst:96 msgid "" "Make a special brush that is more opaque than the regular sketching brushes " "you use." msgstr "" "Створити особливий пензель, який є непрозорішим за звичайні ескізні пензлі, " "якими ви користуєтеся." #: ../../general_concepts/colors/scene_linear_painting.rst:97 msgid "Or conversely, sketch with white instead." msgstr "Або навпаки, створюєте ескізи білим." #: ../../general_concepts/colors/scene_linear_painting.rst:98 msgid "" "For painting, block out the shapes with a big opaque brush before you start " "doing your mixing." msgstr "" "Щодо малювання, зробіть намітки форм за допомогою великого непрозорого " "пензля, перш ніж розпочнете змішування." #: ../../general_concepts/colors/scene_linear_painting.rst:100 msgid "" "Overall, this is something that will take a little while getting used to, " "but you will get used to it soon enough." msgstr "" "Загалом, до цього слід звикнути, але звикання відбувається доволі швидко." #: ../../general_concepts/colors/scene_linear_painting.rst:102 msgid "Finally, there’s the **issue of size**." msgstr "Нарешті, існує **проблема розміру**." #: ../../general_concepts/colors/scene_linear_painting.rst:104 msgid "" "16 bit float per channel images are big. 32 bit float per channel images are " "bigger. This means that they will eat RAM and that painting and filtering " "will be slower. This is something that will fix itself over the years, but " "not many people have such a high-end pc yet, so it can be a blocker." msgstr "" -"Зображення із 16-бітовими дійсними значеннями для каналів кольорів є дуже" -" великими за обсягом потрібної для зберігання їхніх даних пам'яті. Зображення" -" із 32-бітовими дійсними значеннями каналів кольорів є ще більшими. Це" -" означає, що для вам знадобиться більше оперативної пам'яті, а малювання і" -" фільтрування потребуватиме більше процесорного часу. Зі зростанням" -" потужності комп'ютерів цю проблему буде вирішено, але зараз не так багато" -" людей мають достатньо потужні комп'ютери, тому недостатня потужність може" -" бути перешкодою у роботі із такими зображеннями." +"Зображення із 16-бітовими дійсними значеннями для каналів кольорів є дуже " +"великими за обсягом потрібної для зберігання їхніх даних пам'яті. Зображення " +"із 32-бітовими дійсними значеннями каналів кольорів є ще більшими. Це " +"означає, що для вам знадобиться більше оперативної пам'яті, а малювання і " +"фільтрування потребуватиме більше процесорного часу. Зі зростанням " +"потужності комп'ютерів цю проблему буде вирішено, але зараз не так багато " +"людей мають достатньо потужні комп'ютери, тому недостатня потужність може " +"бути перешкодою у роботі із такими зображеннями." #: ../../general_concepts/colors/scene_linear_painting.rst:106 msgid "So the issues are tools, expectations and size." msgstr "" "Отже, проблеми полягають у інструментах, очікуваннях щодо наслідків та " "розмірі." #: ../../general_concepts/colors/scene_linear_painting.rst:109 msgid "In Summary" msgstr "Підсумок" #: ../../general_concepts/colors/scene_linear_painting.rst:111 msgid "" "Scene Linear Painting is painting an image in a color space that is linear " "and has a floating point bit depth. This does not assume anything about the " "values of black and white, so you can only use tools that don’t assume " "anything about the values of black and white. It has the advantage of having " "nicer filter results and better color mixtures as well as better " "interoperability with other scene-linear output." msgstr "" -"Лінійне малювання сцени — малювання картини у просторі кольорів, який є" -" лінійним і має бітову глибину кольорів із дійсними значеннями з рухомою" -" крапкою. При такому малюванні немає будь-яких припущень щодо значень чорного" -" і білого, отже ви можете використовувати лише інструменти, для роботи яких" -" не потрібні припущення щодо значень чорного і білого. При лінійному" -" малюванні ви можете користуватися перевагами поліпшених результатів" -" фільтрування та кращого змішування кольорів, а також кращою сумісністю із" -" іншими зображеннями із лінійними просторами сцени." +"Лінійне малювання сцени — малювання картини у просторі кольорів, який є " +"лінійним і має бітову глибину кольорів із дійсними значеннями з рухомою " +"крапкою. При такому малюванні немає будь-яких припущень щодо значень чорного " +"і білого, отже ви можете використовувати лише інструменти, для роботи яких " +"не потрібні припущення щодо значень чорного і білого. При лінійному " +"малюванні ви можете користуватися перевагами поліпшених результатів " +"фільтрування та кращого змішування кольорів, а також кращою сумісністю із " +"іншими зображеннями із лінійними просторами сцени." #: ../../general_concepts/colors/scene_linear_painting.rst:113 msgid "" "To be able to view such an image you use a view transform, also called a " "display conversion. Which means that if you wish to finalise your image for " "the web, you make a copy of the image that goes through a display conversion " "or view transform that then gets saved to png or jpeg or tiff." msgstr "" +"Щоб мати змогу переглядати таке зображення, вам слід скористатися" +" перетворенням перегляду. Це означає, що якщо ви хочете отримати остаточний" +" варіант вашого зображення для розміщення в інтернеті, вам слід зробити копію" +" зображення, яку буде пропущено крізь перетворення перегляду, а потім" +" збережено у форматі png, jpeg або tiff." #: ../../general_concepts/colors/scene_linear_painting.rst:116 msgid "Getting to actual painting" msgstr "Переходимо до малювання" #: ../../general_concepts/colors/scene_linear_painting.rst:118 msgid "" "Now we’ve covered the theory, let us look at a workflow for painting scene " "linear." msgstr "" "Тепер, коли ми розібралися із теорією, перейдемо до практики лінійного " "малювання сцени." #: ../../general_concepts/colors/scene_linear_painting.rst:121 msgid "Setting up the Canvas" msgstr "Налаштовуємо полотно" #: ../../general_concepts/colors/scene_linear_painting.rst:123 msgid "" "Select either a 16bit or 32bit image. By default Krita will select a linear " "sRGB profile. This is fine." msgstr "" "Виберіть 16-бітове або 32-бітове зображення. Типово, Krita вибере лінійний " "профіль sRGB. І це нас задовольняє." #: ../../general_concepts/colors/scene_linear_painting.rst:125 msgid "" "Then, download an OCIO config. I will use `Filmic Blender `_ here because it is quite simple to set up. " "Extract the downloaded zip somewhere you can find it back. Open the LUT " "docker, turn on OCIO, select ‘OCIO’ and set the path to the downloaded OCIO " "config." msgstr "" +"Далі, отримайте налаштування OCIO. Автором використано `Filmic Blender <" +"https://sobotka.github.io/filmic-blender/>`_, оскільки цей варіант доволі" +" просто налаштувати. Розпакуйте отриманий файл zip кудись, де дані буде" +" просто знайти. Відкрийте бічну панель таблиці пошуку, увімкніть OCIO," +" виберіть ‘OCIO’ і вкажіть шлях до отриманого вами файла налаштувань OCIO." #: ../../general_concepts/colors/scene_linear_painting.rst:127 msgid "" "Set the view to ‘Filmic log encoding’ and the look to ‘Base Contrast’. And " "now you can start painting!" msgstr "" +"Встановіть для перегляду ‘Filmic log encoding’ і скористайтеся ‘Base" +" Contrast’. Тепер можна починати малювати!" #: ../../general_concepts/colors/scene_linear_painting.rst:129 msgid "" "Keep in mind everything mentioned above. Not all filters and not all " "blending modes work. This will improve in the future. Other than that, " "everything else is the same." msgstr "" "Майте на увазі викладені вище відомості. Працюватимуть не усі фільтри і не " "усі режими змішування. Цю проблему буде виправлено у майбутніх версіях. " "Окрім цього, усе інше має працювати." #: ../../general_concepts/colors/scene_linear_painting.rst:132 msgid "Picking really bright colors" msgstr "Вибираємо справді яскраві кольори" #: ../../general_concepts/colors/scene_linear_painting.rst:134 msgid "" "Picking regular colors is easy, but how do we pick the really bright colors? " "There are three ways of getting access to the really bright colors in Krita:" msgstr "" "Вибрати звичайні кольори просто, але як вибрати насправді яскраві кольори? У " "Krita існує три способи доступу до яскравих кольорів:" #: ../../general_concepts/colors/scene_linear_painting.rst:136 msgid "" "By lowering the exposure in the LUT docker. This will increase the visible " "range of colors in the color selectors. You can even hotkey the exposure in " "the canvas input settings." msgstr "" +"Зниженням параметра експонування на бічній панелі таблиці пошуку (LUT). У цей" +" спосіб можна збільшити видимий діапазон кольорів на засобах вибору кольорів." +" Ви навіть можете встановити окреме клавіатурне скорочення для експозиції у" +" параметрах введення полотна." #: ../../general_concepts/colors/scene_linear_painting.rst:137 msgid "" "Or simply by opening the internal color selector by double clicking the dual " "color button and typing in values higher than 1 into the field." msgstr "" #: ../../general_concepts/colors/scene_linear_painting.rst:138 msgid "" "And finally by picking a really bright color from an image that has such " "values." msgstr "" "І нарешті, взяти яскравий колір з зображення, де є такий яскравий колір." #: ../../general_concepts/colors/scene_linear_painting.rst:140 msgid "" "Then paint. It’s recommended to make a bunch of swatches in the corner, at " "the least, until Krita’s new palette docker allows you to save the values " "properly." msgstr "" #: ../../general_concepts/colors/scene_linear_painting.rst:143 msgid "Lighting based workflow" msgstr "Робота на основі освітлення" #: ../../general_concepts/colors/scene_linear_painting.rst:145 msgid "" "So, we have our typical value based workflow, where we only paint the grays " "of the image so that we can focus on the values of the image. We can do " "something similar with Scene Linear Painting." msgstr "" #: ../../general_concepts/colors/scene_linear_painting.rst:147 msgid "" "Where with the value based workflow you paint the image as if it were a " "grayscale of what you intended to paint, with a lighting based workflow you " "paint as if all the objects are white. The effect of the color of an object " "can be determined by multiplying its base color with the color of the light. " "So you could paint objects as if they were white, paint the colors on a " "separate layer and just use the multiply blending mode to get the right " "colors." msgstr "" #: ../../general_concepts/colors/scene_linear_painting.rst:153 msgid ".. image:: images/en/color_category/Krita_scenelinear_cat_02.png" msgstr ".. image:: images/en/color_category/Krita_scenelinear_cat_02.png" #: ../../general_concepts/colors/scene_linear_painting.rst:153 msgid "" "The leftmost image is both the lighting based one and the color layer " "separate, the middle with the two layers multiplied and the right a " "luminosity based view. This cat is a nice example as it demonstrates why " "having textures and lighting separate could be interesting.)" msgstr "" #: ../../general_concepts/colors/scene_linear_painting.rst:155 msgid "" "You can even combine this with a value based workflow by opening a new view " "and setting the component to luminosity. That way you can see both the " "grayscale as well as the lighting based version of the image next to one " "another." msgstr "" #: ../../general_concepts/colors/scene_linear_painting.rst:157 msgid "" "The keen minded will notice that a lighting based workflow kind of resembles " "the idea of a light-pass and a color pas in 3d rendering. And indeed, it is " "basically the same, so you can use lighting passes from 3d renders here, " "just save them as EXR and import them as a layer. One of the examples where " "scene linear painting simplifies combining methods." msgstr "" #: ../../general_concepts/colors/scene_linear_painting.rst:160 msgid "Finishing up" msgstr "Завершальна обробка" #: ../../general_concepts/colors/scene_linear_painting.rst:162 msgid "" "When you are done, you will want to apply the view transform you have been " "using to the image (at the least, if you want to post the end result on the " "internet)... This is called LUT baking and not possible yet in Krita. " "Therefore you will have to save out your image in EXR and open it in either " "Blender or Natron. Then, in Blender it is enough to just use the same ocio " "config, select the right values and save the result as a png." msgstr "" #: ../../general_concepts/colors/scene_linear_painting.rst:164 msgid "" "You can even use some of Blender’s or Natron’s filters at this stage, and " "when working with others, you would save out in EXR so that others can use " "those." msgstr "" diff --git a/locale/uk_UA/LC_MESSAGES/reference_manual/dockers/timeline.po b/locale/uk_UA/LC_MESSAGES/reference_manual/dockers/timeline.po index c29f230e8..f03135834 100644 --- a/locale/uk_UA/LC_MESSAGES/reference_manual/dockers/timeline.po +++ b/locale/uk_UA/LC_MESSAGES/reference_manual/dockers/timeline.po @@ -1,597 +1,587 @@ # Translation of docs_krita_org_reference_manual___dockers___timeline.po to Ukrainian # Copyright (C) 2019 This_file_is_part_of_KDE # This file is distributed under the license LGPL version 2.1 or # version 3 or later versions approved by the membership of KDE e.V. # # Yuri Chornoivan , 2019. msgid "" msgstr "" "Project-Id-Version: docs_krita_org_reference_manual___dockers___timeline\n" "Report-Msgid-Bugs-To: \n" "POT-Creation-Date: 2019-04-13 03:33+0200\n" "PO-Revision-Date: 2019-04-13 08:55+0300\n" "Last-Translator: Yuri Chornoivan \n" "Language-Team: Ukrainian \n" "Language: uk\n" "MIME-Version: 1.0\n" "Content-Type: text/plain; charset=UTF-8\n" "Content-Transfer-Encoding: 8bit\n" "Plural-Forms: nplurals=4; plural=n==1 ? 3 : n%10==1 && n%100!=11 ? 0 : n" "%10>=2 && n%10<=4 && (n%100<10 || n%100>=20) ? 1 : 2;\n" "X-Generator: Lokalize 19.03.70\n" #: ../../:2 msgid "" ".. image:: images/icons/Krita_mouse_left.png\n" " :alt: mouseleft" msgstr "" ".. image:: images/icons/Krita_mouse_left.png\n" " :alt: mouseleft" #: ../../:4 msgid "" ".. image:: images/icons/Krita_mouse_right.png\n" " :alt: mouseright" msgstr "" ".. image:: images/icons/Krita_mouse_right.png\n" " :alt: mouseright" #: ../../reference_manual/dockers/timeline.rst:None msgid ".. image:: images/en/Timeline_docker.png" msgstr ".. image:: images/en/Timeline_docker.png" #: ../../reference_manual/dockers/timeline.rst:None msgid ".. image:: images/en/Timeline_insertkeys.png" msgstr ".. image:: images/en/Timeline_insertkeys.png" #: ../../reference_manual/dockers/timeline.rst:1 msgid "Overview of the timeline docker." msgstr "Огляд бічного панелі монтажного столу." #: ../../reference_manual/dockers/timeline.rst:17 msgid "Timeline Docker" msgstr "Бічна панель «Монтажний стіл»" #: ../../reference_manual/dockers/timeline.rst:19 msgid "" "The **Timeline Docker** works in tandem with the :ref:`animation_docker` at " "the heart of :program:`Krita`'s animation tools. While the Animation Docker " "provides access to the fundamental controls for playing back and editing " "animations, the Timeline Docker contains the layered frames and specific " "timings that define your animation. In other words, the Timeline Docker is " "the digital equivalent to a traditional animator's \"dope sheet\"." msgstr "" "**Бічна панель монтажного столу** працює у поєднанні із :ref:`бічною панеллю " "анімації ` у серці інструментів анімації :program:`Krita`. " "За допомогою бічної панелі анімації ви отримуєте доступ до базових елементів " "керування для відтворення та редагування анімацій, а бічна панель монтажного " "столу містить пункти шарів кадрів та специфічні засоби керування часом, які " "визначають вашу анімацію. Іншими словами, бічна панель монтажного столу є " "цифровим еквівалентом традиційного для мультиплікації «експозиційний аркуш»." #: ../../reference_manual/dockers/timeline.rst:25 msgid "Legend:" msgstr "Умовні позначення:" #: ../../reference_manual/dockers/timeline.rst:27 msgid "" "**A. Layer List --** This area contains some subset of the layers of your " "current document. The currently active layer is always shown and can be " "\"pinned\" to the timeline using the :guilabel:`Show in Timeline` menu " "action. Also, Layers that are created via the Timeline or added using the :" "guilabel:`Add Existing Layer` submenu are automatically pinned to the " "timeline. Each layer has properties that can also be toggled here (visible, " "locked, show onion skins, etc.)." msgstr "" "**A. Список шарів** — тут міститься певна підмножина шарів вашого поточного " "документа. Поточний активний шар буде показано завжди, його можна " "«пришпилити» до монтажного столу за допомогою пункту меню :guilabel:" "`Показати на монтажному столі`. Крім того, шари, які буде створено за " "допомогою монтажного столу або додано за допомогою підменю :guilabel:`Додати " "наявний шар`, буде автоматично пришпилено до монтажного столу. У кожного " "шару є властивості, які можна перемикати за допомогою списку шарів (видимий, " "заблокований, показувати кальки, тощо)." #: ../../reference_manual/dockers/timeline.rst:30 msgid "**Active Layer**" msgstr "**Активний шар**" #: ../../reference_manual/dockers/timeline.rst:30 msgid "" "A highlighted row in the table shows the current active layer. One can " "change which layer is active by clicking on the layer's name within the left " "header. It is *not* possible to change the active layer by clicking inside " "the table in order to not disturb the user when scrubbing and editing frame " "positions on the timeline." msgstr "" "Підсвічений рядок у таблиці позначає поточний активний шар. Змінити активний " "шар можна за допомогою клацання на пункті назви шару у заголовку ліворуч. " "*Не* можна змінювати активний шар за допомогою клацання у таблиці. Так " "зроблено, щоб не відволікати користувача під час гортання анімації " "перетягуванням та редагування позицій кадрів на монтажному столі." #: ../../reference_manual/dockers/timeline.rst:32 msgid "" "**B. Frame Table --** The Frame Table is a large grid of cells which can " "either hold a single frame or be empty. Each row of the Frame Table " "represents an *animation layer* and each column represents a *frame timing*. " "Just like the Layer List, the active layer is highlighted across the entire " "Frame Table. It's important to understand that frame timings are not based " "on units of time like seconds, but are based on frames which can then be " "played back at any speed, depending on the :ref:`animation_docker`'s *frame " "rate* and *play speed* settings." msgstr "" "**B. Таблиця кадрів** — велика таблиця, кожна комірка якої може містити " "окремий кадр або бути порожньою. Кожен рядок таблиці кадрів відповідає *шару " "анімації*, а кожен стовпчик — *розкладці кадрів*. Подібно до списку шарів, " "активний шар підсвічується в усій таблиці кадрів. Важливо розуміти, що " "розкладку кадрів побудовано не на одиницях часу, зокрема секундах, а на " "кадрах, які може бути відтворено з будь-якою швидкістю, залежно від " "визначеної на :ref:`панелі анімації ` *частоти кадрів* або " "*швидкості відтворення*." #: ../../reference_manual/dockers/timeline.rst:34 msgid "" "Frames can be moved around the timeline by simply left-clicking and dragging " "from one frame to another slot, even across layers. Furthermore, holding :" "kbd:`Ctrl` while moving creates a copy. Right-clicking anywhere in the Frame " "Table will bring up a helpful context menu for adding, removing, copying, " "and pasting frames or adjusting timing with holds." msgstr "" "Кадри може бути пересунуто монтажним столом простим наведенням вказівника " "миші на кадр, натисканням лівої кнопки миші і перетягуванням кадру до іншого " "місця, навіть між шарами. Якщо натиснути і утримувати клавішу :kbd:`Ctrl` " "під час перетягування, буде створено копію. Клацанням правою кнопкою миші на " "таблиці кадрів можна викликати корисне контекстне меню для додавання, " "вилучення, копіювання та вставлення кадрів та коригування розкладки за часом " "з затримками." #: ../../reference_manual/dockers/timeline.rst:37 msgid "" "Frames highlighted in orange represent a selection or multiple selections, " "which can be created by mouse or keyboard. While multiple frames are " "selected, right-clicking anywhere in the Frame Table will bring up a context " "menu that will allow for adding or removing frames or holds within the " "current selection. Finally, it is also possible to have multiple non-" "contiguous/separate selections if needed." msgstr "" "Кадри, які позначено помаранчевим — поточний позначений діапазон або " "діапазони, які можна створити за допомогою миші або клавіатури. Якщо " "позначено декілька кадрів, клацання правою кнопкою миші будь-де у таблиці " "кадрів відкриє контекстне меню за допомогою якого ви можете додавати або " "вилучати кадри і затримки у поточному позначеному наборі. Нарешті, також " "можна створювати декілька відокремлених позначених діапазонів, якщо потрібно." #: ../../reference_manual/dockers/timeline.rst:41 msgid "**Current Selection:**" msgstr "**Поточне позначене:**" #: ../../reference_manual/dockers/timeline.rst:41 msgid "" "Painting always happens only in the *active frame* (represented by a small " "dot), which is not necessarily part of your current selection." msgstr "" "Малювання завжди відбуватиметься лише на *активному кадрі* (кадрі, який " "позначено маленькою крапкою), який не обов'язково має бути частиною " "поточного позначеного набору кадрів." #: ../../reference_manual/dockers/timeline.rst:44 msgid "**Keys, Blanks, and Holds:**" msgstr "**Ключові кадри, порожні кадри та затримки:**" #: ../../reference_manual/dockers/timeline.rst:44 msgid "" "The Timeline Docker now shows us even more useful information about both " "what is there as well as what is not. **Key frames** which contain drawings " "are still displayed as *filled blocks* within a cell, while **blank** or " "empty key frames are shown as a *hollow outline*. In Krita, every drawn " "frame is automatically held until the next frame; these **holds** are now " "clearly shown with a *colored line* across all held frames. The color of " "frames can be set per-frame by the animator using the right-click menu, and " "is a matter of personal workflow." msgstr "" "Нова версія бічної панелі монтажного столу показує додаткові відомості щодо " "показаних на ній і не показаних на ній кадрів. **Ключові кадри** містять " "малюнки, їх буде показано *заповненими блоками* у комірці, а **порожні " "ключові кадри** буде показано *порожнім контуром*. У Krita кожен " "намальований кадр затримуватиметься на екрані до наступного кадру; ці " "**затримки** буде явним чином показано *кольоровою лінією* між затриманими " "кадрами. Колір позначення кадрів художник-мультиплікатор може встановити за " "допомогою контекстного меню — це питання особистих уподобань." #: ../../reference_manual/dockers/timeline.rst:46 msgid "" "**C. Frame Timing Header --** The Frame Timing Header is a ruler at the top " "of the Frame Table. This header is divided into small notched sections which " "are based on the current *frame rate* (set in the :ref:`animation_docker`). " "Integer multiples of the frame rate have a subtle double-line mark, while " "smaller subdivisions have small single-line marks. Each major notch is " "marked with a helpful *frame number*." msgstr "" "**C. Заголовок розкладки за часом** — заголовок розкладки за часом — лінійка " "над таблицею кадрів. Цю смужку заголовка поділено на маленькі секції на " "основі поточної *частоти кадрів* (її можна встановити за допомогою :ref:" "`бічної панелі анімації `). Позиції, кратні до частоти " "кадрів позначаються подвійною лінією, а кадри на проміжних позиціях — " "невеличкими одинарними лініями. Кожну основну поділку буде позначено зручним " "*номером кадру*." #: ../../reference_manual/dockers/timeline.rst:49 msgid "**Cached Frames:**" msgstr "**Кешовані кадри:**" #: ../../reference_manual/dockers/timeline.rst:49 msgid "" "The Frame Timing Header also shows important information about which frames " "are currently *cached*. When something is said to be \"cached\", that means " "that it is stored in your device's working memory (RAM) for extra fast " "access. Cached frames are shown by the header with a small light-gray " "rectangle in each column. While this information isn't always critical for " "us artists, it's helpful to know that Krita is working behind the curtains " "to cache our animation frames for the smoothest possible experience when " "scrubbing through or playing back your animation." msgstr "" "У заголовку розкладки кадрів буде показано важливі відомості щодо того, які " "кадри *кешовано*. Якщо якісь дані «кешовано», це означає, що їх збережено у " "робочій пам'яті вашого пристрою (RAM) для надшвидкого доступу. Кешовані " "кадри буде показано на панелі заголовка із невеличким світло-сірим " "прямокутничком у кожного з стовпчику. Хоча ці відомості не завжди є " "критичним для нас, художників, корисно знати, що Krita працює за сценою для " "кешування кадрів нашої анімації для забезпечення плавної анімації при " "перетягуванні або відтворенні." #: ../../reference_manual/dockers/timeline.rst:51 msgid "" "**D. Current Time Scrubber --** A highlighted column in the Frame Table " "which controls the current frame time and, as such, what is currently " "displayed in the viewport." msgstr "" "**D. Повзунок поточного часу** — підсвічений стовпчик у таблиці кадрів, який " "керує поточним кадром і, отже, тим, що буде показано на панелі перегляду." #: ../../reference_manual/dockers/timeline.rst:54 msgid "" "A frame of the *active layer* at the *current time* position. The active " "frame is always marked with a small circle inside. All drawing, painting, " "and image editing operations happen on this frame only!" msgstr "" "Кадр *активного шару* у позиції *поточного часу*. Активний кадр завжди буде " "позначено маленьким кружечком у ньому. Усі дії з малювання та редагування " "зображення стосуватимуться лише цього кадру!" #: ../../reference_manual/dockers/timeline.rst:58 msgid "**Active Frame:**" msgstr "**Активний кадр:**" #: ../../reference_manual/dockers/timeline.rst:58 msgid "Don't mix the active frame up with the current selection!" msgstr "Не змішуйте активний кадр вгору із поточною позначеною ділянкою!" #: ../../reference_manual/dockers/timeline.rst:60 msgid "" "**E. Layer Menu --** A small menu for manipulating animation layers. You can " "create new layers, add or remove existing ones, and you can set 'Show in " "Timeline' here to pin the active layer to the Timeline. (This menu also " "shows up when right-clicking on layers inside of the Layer List.)" msgstr "" "**E. Меню шарів** — невеличке меню для керування шарами анімації. За " "допомогою цього меню ви можете створювати шари, додавати і вилучати наявні " "шари, також встановити властивість «Показувати на монтажному столі» для " "пришпилення активного шару до монтажного столу. (Це меню програма " "показуватиме, коли ви клацатимете правою кнопкою миші на шарах у списку " "шарів.)" #: ../../reference_manual/dockers/timeline.rst:62 msgid "" "**F. Audio Menu:** Another small menu for animating along with audio " "sources. This is where you can open or close audio sources and control " "output volume/muting." msgstr "" "**F. Меню звуку** — ще одне невеличке меню для анімацій зі звуковим " "супроводом. За його допомогою ви можете відкривати та закривати джерела " "звукових даних та керувати гучністю відтворення." #: ../../reference_manual/dockers/timeline.rst:64 msgid "" "**G. Zoom Handle:** This allows you to zoom in and out on the Frame Table, " "centered around the current frame time. Click-dragging starting on the zoom " "handle controls the zoom level." msgstr "" "**G. Керування масштабом** — за допомогою цього віджета ви можете " "збільшувати і зменшувати масштаб у таблиці кадрів. Центр масштабування буде " "розташовано у позиції поточному кадру. Клацання з перетягуванням керує " "рівнем масштабу." #: ../../reference_manual/dockers/timeline.rst:67 msgid "Usage:" msgstr "Користування:" #: ../../reference_manual/dockers/timeline.rst:69 msgid "" "How to use the Timeline Docker is not immediately obvious because :program:" "`Krita` doesn't automatically create a key frame out of your initial " "drawing. In fact, *until you make a key frame on a layer*, Krita assumes " "that there's no animation going on at all on that layer and it will keep the " "image static over the whole animation." msgstr "" "Спосіб використання бічної панелі монтажного столу не є зовсім очевидним, " "оскільки :program:`Krita` не створює ключового кадру автоматично з вашого " "початкового малюнку. Фактично, *доки ви не створите ключового кадру на " "шарі*, Krita припускатиме, що анімація на поточному шарі взагалі не " "створюється, і триматиме зображення статичним протягом усього періоду " "відтворення анімації." #: ../../reference_manual/dockers/timeline.rst:71 msgid "So, to make our first *animated layer*, we need to make a key frame!" msgstr "" "Отже, для створення нашого першого *анімованого шару* нам доведеться " "створити ключовий кадр!" #: ../../reference_manual/dockers/timeline.rst:73 msgid "" "|mouseright| any square on the timeline docker and select :guilabel:`Create " "Blank Frame`. A blank frame (one that you haven't yet drawn anything in) " "appears as a *hollow outline* instead of a solid box, making that frame " "active and drawing on the canvas will make it appear as a *solid, colored " "rectangle*." msgstr "" "Клацніть |mouseright| на будь-якому прямокутничку на бічній панелі " "монтажного столу і виберіть пункт :guilabel:`Створити порожній кадр`. " "З'явиться порожній кадр (кадр, на якому ви ще не малювали), який буде " "позначено *порожньою рамкою* а не заповненим блоком. Програма зробить цей " "кадр активним, а малювання на полотні перетворить кадр на *прямокутник, який " "буде зафарбовано*." #: ../../reference_manual/dockers/timeline.rst:75 msgid "" "To keep a layer visible in the Timeline Docker regardless of which layer is " "selected, select the layer in the Layers Docker so it shows up in the " "docker, then |mouseright| it within the Timeline Docker's Layer List and " "select :guilabel:`Show in Timeline`. This way you can choose which layers " "are important and which are only minor." msgstr "" "Щоб шар був видимим на бічній панелі монтажного столу, незалежно від того, " "який з шарів позначено, позначте цей шар на бічній панелі шарів, щоб його " "було показано на бічній панелі монтажного столу, далі клацніть |mouseright| " "на його пункті у списку шарів бічної панелі монтажного столу і виберіть у " "меню пункт :guilabel:`Показати на монтажному столі`. У такий спосіб можна " "визначити важливі і другорядні шари." #: ../../reference_manual/dockers/timeline.rst:77 msgid "You can drag and drop the frame around to a different empty frame slot." msgstr "Ви можете перетягнути і скинути кадр до іншого порожнього слоту кадру." #: ../../reference_manual/dockers/timeline.rst:79 msgid "" "To add a single new frame, either right-click on an empty frame slot and " "select :guilabel:`Create Blank Frame` to create a fresh blank frame, or " "select :guilabel:`Create Duplicate Frame` to create a new copy of the " "previous frame." msgstr "" "Щоб додати одинарний новий кадр, або клацніть правою кнопкою миші на полі " "порожнього кадру і виберіть пункт :guilabel:`Створити порожній кадр`, щоб " "створити новий порожній кадр, або виберіть пункт :guilabel:`Створити кадр-" "дублікат`, щоб створити нову копію попереднього кадру." #: ../../reference_manual/dockers/timeline.rst:81 msgid "" "You can also change the color of frames so that you can easily identify " "important frames or distinguish between different sections of your " "animation. The current color selection is remembered for new frames so that " "you can easily make a set of colored frames and then switch to another color." msgstr "" "Ви також можете змінити колір кадрів, щоб було простіше виявити важливі " "кадри або розрізнити різні частини вашої анімації. Поточний вибір кольору " "запам'ятовується для нових кадрів, отже ви зможете без проблем створити " "набір розфарбованих кадрів, а потім перемкнутися на інший колір." #: ../../reference_manual/dockers/timeline.rst:83 msgid "" "It's also possible to add multiple key frames by right-clicking inside the " "Frame Table and selecting :menuselection:`Keyframes --> Insert Multiple " "Keyframes`. With this option you can specify a number of frames to add with " "the option of built in timing for quickly creating a series of 1s, 2s, 3s, " "etc. These settings are saved between uses." msgstr "" "Крім того. можна додавати декілька ключових кадрів клацанням правою кнопкою " "миші на таблиці кадрів із наступним вибором :menuselection:`Ключові кадри --" "> Вставити декілька ключових кадрів`. Ви можете вказати кількість кадрів, " "які буде додано із можливістю визначення проміжків часу для швидкого " "створення послідовностей кадрів у 1 секунду, 2 секунди, 3 секунди тощо. " "Програма запам'ятовує останні вказані параметри." #: ../../reference_manual/dockers/timeline.rst:85 msgid "" "Instead of the Frame Table, right-clicking within the Frame Timing Header " "gives you access to a few more options which allow you to add or remove " "entire columns of frames or holds at a time. For example, selecting :" "menuselection:`Keyframe Columns --> Insert Keyframe Column Left` will add " "new frames to each layer that's currently visible in the Timeline Docker." msgstr "" "Якщо ви клацнете правою кнопкою миші на заголовку розкладки кадрів, замість " "таблиці кадрів, ви отримаєте доступ до ще декількох пунктів дій, за " "допомогою яких ви зможете додати або вилучити цілі стовпчики кадрів або " "затримок одночасно. Наприклад, якщо вибрати пункт :menuselection:`Стовпчики " "ключових кадрів --> Вставити стовпчик ключових кадрів ліворуч`, програма " "додасть нові кадри у кожному шарі, який є видимим на бічній панелі " "монтажного столу." #: ../../reference_manual/dockers/timeline.rst:90 msgid "" ":program:`Krita` only tracks key frame changes. This is unlike :program:" "`Flash` where you have to manually indicate how long a key frame will hold. " "Instead, :program:`Krita` just assumes that the space between key frame 1 " "and key frame 2 is supposed to be filled with key frame 1. Frames that are " "held in this way (a.k.a. \"holds\") are displayed as a continuous line in " "the Frame Table." msgstr "" ":program:`Krita` стежить лише за змінами у ключових кадрах. Ця поведінка " "відрізняється від поведінки :program:`Flash`, де вам слід вручну вказувати " "затримку для кожного ключового кадру. :program:`Krita` просто припускає, що " "між ключовим кадром 1 і ключовим кадром 2 кадр буде заповнено вмістом " "ключового кадру 1. Кадри, які затримуються у такий спосіб (ми називаємо такі " "кадри «затримками») буде показано яка неперервну лінію у таблиці кадрів." #: ../../reference_manual/dockers/timeline.rst:92 -#| msgid "" -#| "To delete frames, |mouseright| the frame and press :guilabel:`Remove " -#| "Keyframes`. This will delete all selected frames. Similarly, selecting :" -#| "guilabel:`Remove Frames and Pull` will delete the selected frames and " -#| "pull or shift all subsequent frames back/left as much as possible." msgid "" "To delete frames, |mouseright| the frame and press :guilabel:`Remove " "Keyframe`. This will delete all selected frames. Similarly, selecting :" "guilabel:`Remove Frame and Pull` will delete the selected frames and pull or " "shift all subsequent frames back/left as much as possible." msgstr "" "Щоб вилучити кадри, клацніть |mouseright| на одному з кадрів набору і " "виберіть пункт :guilabel:`Вилучити ключові кадри`. У відповідь буде вилучено " "усі позначені кадри. Так само, вибір пункту :guilabel:`Вилучити кадр і " "зсунути` призведе до вилучення позначених кадрів і зсуванні усіх наступних " "кадрів назад або ліворуч на місце вилучених." #: ../../reference_manual/dockers/timeline.rst:94 msgid "" "To manually play your animation back and forward using your mouse, a concept " "called *scrubbing*, you click-drag within the Frame Timing Header." msgstr "" "Для відтворення анімації вручну у прямому та зворотному порядку можна " "скористатися *тяганням*: ви просто затискаєте і перетягуєте за допомогою " "вказівника миші позицію на заголовку розкладки кадрів за часом." #: ../../reference_manual/dockers/timeline.rst:97 msgid "GUI Actions:" msgstr "Пункти дій графічного інтерфейсу:" #: ../../reference_manual/dockers/timeline.rst:99 msgid "**Layer List**" msgstr "**Список шарів**" #: ../../reference_manual/dockers/timeline.rst:101 msgid "|mouseleft| : Select active layer." msgstr "|mouseleft| : Вибрати активний шар." #: ../../reference_manual/dockers/timeline.rst:102 msgid "|mouseright| : Layers Menu (add/remove/show layers, etc.)." msgstr "|mouseright| : Меню шарів (додати, вилучити, показати шари тощо)." #: ../../reference_manual/dockers/timeline.rst:104 msgid "**Frame Timing Header**" msgstr "**Заголовок позиціювання кадрів за часом**" #: ../../reference_manual/dockers/timeline.rst:106 msgid "|mouseleft| : Move to time and select frame of the active layer." msgstr "|mouseleft| : перейти до моменту часу і позначити кадр активного шару." #: ../../reference_manual/dockers/timeline.rst:107 msgid "" "|mouseleft| :kbd:`drag` : Scrub through time and select frame of the active " "layer." msgstr "" "|mouseleft| :kbd:`перетягування` : гортання анімації та вибір кадру на " "активному шарі." #: ../../reference_manual/dockers/timeline.rst:108 msgid "" "|mouseright| : Frame Columns Menu (insert/remove/copy/paste columns and hold " "columns)." msgstr "" "|mouseright| : меню стовпчиків кадрів (додати, вилучити, копіювати, вставити " "стовпчики кадрів і стовпчики затримок)." #: ../../reference_manual/dockers/timeline.rst:110 msgid "**Frames Table: all**" msgstr "**Таблиця кадрів: усі**" #: ../../reference_manual/dockers/timeline.rst:112 msgid "" "|mouseleft| : Selects a single frame or slot and switches time, but *does " "not switch active layer*." msgstr "" "|mouseleft| : позначення окремого кадру або слоту та перемикання часу, але " "*без перемикання активного шару*." #: ../../reference_manual/dockers/timeline.rst:113 msgid ":kbd:`Space` + |mouseleft| : Pan." msgstr ":kbd:`Пробіл` + |mouseleft| : панорамування." #: ../../reference_manual/dockers/timeline.rst:114 msgid ":kbd:`Space` + |mouseright| : Zoom." msgstr ":kbd:`Пробіл` + |mouseright| : масштабування." #: ../../reference_manual/dockers/timeline.rst:116 msgid "**Frames Table (On Empty Slot).**" msgstr "**Таблиця кадрів (на порожньому слоті).**" #: ../../reference_manual/dockers/timeline.rst:118 msgid "" "|mouseright| : Frames menu (insert/copy/paste frames and insert/remove " "holds)." msgstr "" "|mouseright|: меню кадрів (вставити, копіювати, вставити з буфера та " "вставити або вилучити затримки)." #: ../../reference_manual/dockers/timeline.rst:119 msgid "" "|mouseleft| + :kbd:`drag` : Select multiple frames and switch time to the " "last selected, but *does not switch active layer*." msgstr "" "|mouseleft| + :kbd:`перетягування` : позначення декількох кадрів і " "перемикання часу на останній позначений кадр, але *без перемикання активного " "шару*." #: ../../reference_manual/dockers/timeline.rst:120 msgid "" ":kbd:`Shift` + |mouseleft| : Select all frames between the active and the " "clicked frame." msgstr "" ":kbd:`Shift` + |mouseleft| : позначення усіх кадрів між активним і кадром, " "на якому ви клацнули." #: ../../reference_manual/dockers/timeline.rst:121 msgid "" ":kbd:`Ctrl` + |mouseleft| : Select individual frames together. :kbd:`click" "+drag` them into place." msgstr "" ":kbd:`Ctrl` + |mouseleft| : позначення групи окремих кадрів. :kbd:`Клацання " "+ перетягування` для пересування їх на місце." #: ../../reference_manual/dockers/timeline.rst:123 msgid "**Frames Table (On Existing Frame)**" msgstr "**Таблиця кадрів (на наявному кадрі)**" #: ../../reference_manual/dockers/timeline.rst:125 msgid "" "|mouseright| : Frames menu (remove/copy/paste frames and insert/remove " "holds)." msgstr "" "|mouseright| : меню кадрів (вилучення, копіювання, вставлення кадрів та " "вставлення або вилучення затримок)." #: ../../reference_manual/dockers/timeline.rst:126 msgid "|mouseleft| + :kbd:`drag` : *Move* a frame or multiple frames." msgstr "" "|mouseleft| + :kbd:`перетягування` : *пересунути* кадр або декілька кадрів." #: ../../reference_manual/dockers/timeline.rst:127 msgid "" ":kbd:`Ctrl` + |mouseleft| :kbd:`drag` : Copy a frame or multiple frames." msgstr "" ":kbd:`Ctrl` + |mouseleft| + :kbd:`перетягування` : копіювати кадр або " "декілька кадрів." #: ../../reference_manual/dockers/timeline.rst:128 -#| msgid "" -#| ":kbd:`Alt` + :kbd:`drag` : Move selected frame(s) and *all* the frames to " -#| "the right of it. (This is useful for when you need to clear up some space " -#| "in your animation, but don't want to select all the frame to the right of " -#| "a particular frame!)" msgid "" ":kbd:`Alt` + :kbd:`drag` : Move selected frame(s) and *all* the frames to " "the right of it. (This is useful for when you need to clear up some space in " "your animation, but don't want to select all the frames to the right of a " "particular frame!)" msgstr "" ":kbd:`Alt` + :kbd:`перетягування`: пересунути позначені кадри та *усі* кадри " "праворуч від них. (Корисно, якщо вам потрібно спорожнити трохи місця у ваші " "анімації, але ви не хочете позначати усі кадри праворуч від певного кадру!)" diff --git a/locale/uk_UA/LC_MESSAGES/reference_manual/render_animation.po b/locale/uk_UA/LC_MESSAGES/reference_manual/render_animation.po index 81d75cd33..4ccc51a0e 100644 --- a/locale/uk_UA/LC_MESSAGES/reference_manual/render_animation.po +++ b/locale/uk_UA/LC_MESSAGES/reference_manual/render_animation.po @@ -1,427 +1,411 @@ # Translation of docs_krita_org_reference_manual___render_animation.po to Ukrainian # Copyright (C) 2019 This_file_is_part_of_KDE # This file is distributed under the license LGPL version 2.1 or # version 3 or later versions approved by the membership of KDE e.V. # # Yuri Chornoivan , 2019. msgid "" msgstr "" "Project-Id-Version: docs_krita_org_reference_manual___render_animation\n" "Report-Msgid-Bugs-To: \n" "POT-Creation-Date: 2019-04-13 03:33+0200\n" "PO-Revision-Date: 2019-04-13 08:55+0300\n" "Last-Translator: Yuri Chornoivan \n" "Language-Team: Ukrainian \n" "Language: uk\n" "MIME-Version: 1.0\n" "Content-Type: text/plain; charset=UTF-8\n" "Content-Transfer-Encoding: 8bit\n" "Plural-Forms: nplurals=4; plural=n==1 ? 3 : n%10==1 && n%100!=11 ? 0 : n" "%10>=2 && n%10<=4 && (n%100<10 || n%100>=20) ? 1 : 2;\n" "X-Generator: Lokalize 19.03.70\n" #: ../../reference_manual/render_animation.rst:1 msgid "How to use the render animation command in Krita." msgstr "Як користуватися командою обробки анімації у Krita." #: ../../reference_manual/render_animation.rst:17 #: ../../reference_manual/render_animation.rst:42 msgid "Render Animation" msgstr "Обробка анімації" #: ../../reference_manual/render_animation.rst:19 msgid "" "Render animation allows you to render your animation to an image sequence, " "gif, mp4, mkv, or ogg file. It replaces :guilabel:`Export Animation` ." msgstr "" "Засіб обробки анімації надає вам змогу зберегти вашу анімацію як " "послідовність зображень, файл gif, mp4, mkv або ogg. Цей засіб замінив собою " "пункт меню :guilabel:`Експортувати анімацію`." #: ../../reference_manual/render_animation.rst:21 msgid "" "For rendering to an animated file format, Krita will first render to a png " "sequence and then use FFMpeg, which is really good at encoding into video " "files, to render that sequence to an animated file format. The reason for " "this two-step process is that animation files can be really complex and " "really big, and this is the best way to allow you to keep control over the " "export process. For example, if your computer has a hiccup, and one frame " "saves out weird, first saving the image sequence allows you to only resave " "that one weird frame before rendering." msgstr "" "Щоб створити файл у форматі анімації, Krita спочатку створює послідовність " "кадрів у форматі png, а потім використовує бібліотеку FFMpeg, яка дуже добре " "працює у кодуванні відеофайлів, для перетворення послідовності кадрів на " "файл у форматі анімації. Причина такого двокрокового процесу перетворення " "полягає у тому, що файли анімації можуть бути дуже складними і дуже " "великими, а двокроковий процес є найкращим способом зберегти за вами повний " "контроль над процесом експортування. Наприклад, якщо у комп'ютера виникли " "проблеми і один з кадрів було збережено з помилками, збереження до " "послідовності зображень надасть вам змогу виправити цей помилковий кадр без " "повторного створення усієї послідовності анімації." #: ../../reference_manual/render_animation.rst:23 msgid "" "This means that you will need to find a good place to stick your frames " "before you can start rendering. If you only do throwaway animations, you can " "use a spot on your hard-drive with enough room and select :guilabel:`Delete " "Sequence After Rendering`" msgstr "" "Це означає, що вам слід знайти місце для зберігання кадрів, перш ніж " "програма почне збирати з них анімацію. Якщо це лише прохідна анімація, ви " "можете скористатися якимось жорстким диском, де достатньо вільного місця, і " "позначити пункт :guilabel:`Вилучити послідовність після обробки`." #: ../../reference_manual/render_animation.rst:26 msgid "Image Sequence" msgstr "Послідовність зображень" #: ../../reference_manual/render_animation.rst:28 msgid "Base Name" msgstr "Базова назва" #: ../../reference_manual/render_animation.rst:29 msgid "" "The base name of your image sequence. This will get suffixed with a number " "depending on the frame." msgstr "" "Базова назва вашої послідовності зображень. До цієї назви буде додано суфікс " "номера кадру." #: ../../reference_manual/render_animation.rst:30 msgid "File Format" msgstr "Формат файла" #: ../../reference_manual/render_animation.rst:31 msgid "" "The file format to export the sequence to. When rendering we enforce png. " "The usual export options can be modified with :guilabel:`...`." msgstr "" "Формат файлів для експортування послідовності зображень. Під час обробки " "буде примусово використано формат png. Змінити параметри експортування можна " "натисканням кнопки :guilabel:`...`." #: ../../reference_manual/render_animation.rst:32 msgid "Render Location" msgstr "Місце обробки" #: ../../reference_manual/render_animation.rst:33 msgid "" "Where you render the image sequence to. Some people prefer to use a flash-" "drive or perhaps a harddrive that is fast." msgstr "" "Місце, куди слід зберегти послідовність зображень. Дехто надає перевагу " "флешці або швидкому диску." #: ../../reference_manual/render_animation.rst:34 msgid "First Frame" msgstr "Перший кадр" #: ../../reference_manual/render_animation.rst:35 msgid "" "The first frame of the range of frames you wish to adjust. Automatically set " "to the first frame of your current selection in the timeline. This is useful " "when you only want to re-render a little part." msgstr "" "Перший кадр з діапазону кадрів, які ви хочете скоригувати. Автоматично " "встановлюється на перший кадр поточного позначеного на монтажному столі " "набору. Корисно, якщо ви хочете повторно обробити лише малу частину кадрів." #: ../../reference_manual/render_animation.rst:36 msgid "Last Frame" msgstr "Останній кадр" #: ../../reference_manual/render_animation.rst:37 msgid "" "As above, the last frame of the range of frames you wish to adjust. " "Automatically set to the last frame of your current selection in the " "timeline." msgstr "" "Як і вище, останній кадр діапазону кадрів, які ви хочете скоригувати. " "Автоматично встановлюється на останній кадр поточного позначеного на " "монтажному столі набору кадрів." #: ../../reference_manual/render_animation.rst:39 msgid "Naming Sequence starts with" msgstr "Назви файлів у послідовності починаються з" #: ../../reference_manual/render_animation.rst:39 msgid "" "The frames are named by using :guilabel:`Base Name` above and adding a " "number for the frame. This allows you to set where the frame number starts, " "so rendering from 8 to 10 with starting point 3 will give you images named " "11 and 15. Useful for programs that don't understand sequences starting with " "0, or for precision output." msgstr "" "Назви кадрів визначатимуться на основі значення :guilabel:`Базова назва`, " "визначеного вище, із додаванням номера кадру. За допомогою цього пункту ви " "можете визначити початок нумерації кадрів. Отже, обробка від 8 до 10 із " "початковим пунктом 3 дасть вам зображення із номерами у назвах від 11 до 15. " "Корисно для програм, які не можуть обробляти послідовності кадрів, які " "починаються з 0, або для уточнення виведення даних." #: ../../reference_manual/render_animation.rst:44 msgid "Render As" msgstr "Обробити як" #: ../../reference_manual/render_animation.rst:45 msgid "" "The file format to render to. All except gif have extra options that can be " "manipulated via :guilabel:`...`." msgstr "" "Формат файлів для обробки. Для усіх форматів, окрім gif, передбачено " "додаткові параметри, змінити які можна натисканням кнопки :guilabel:`...`." #: ../../reference_manual/render_animation.rst:46 msgid "File" msgstr "Файл" #: ../../reference_manual/render_animation.rst:47 msgid "Location and name of the rendered animation." msgstr "Розташуванні назва файла оброблених даних анімації." #: ../../reference_manual/render_animation.rst:48 msgid "FFMpeg" msgstr "FFMpeg" #: ../../reference_manual/render_animation.rst:49 msgid "" "The location where your have ffmpeg. If you don't have this, Krita cannot " "render an animation. For proper gif support, you will need ffmpeg 2.6, as we " "use its palettegen functionality." msgstr "" "Місце, куди встановлено ffmpeg. Якщо програму не встановлено у системі Krita " "не зможе обробляти анімації. Щоб мати належну підтримку створення gif, вам " "слід встановити ffmpeg 2.6, оскільки ми використовуємо функціональну " "можливість palettegen з цієї і наступних версій." #: ../../reference_manual/render_animation.rst:51 msgid "Delete Sequence After Rendering" msgstr "Вилучити послідовність після обробки" #: ../../reference_manual/render_animation.rst:51 msgid "" "Delete the prerendered image sequence after done rendering. This allows you " "to choose whether to try and save some space, or to save the sequence for " "when encoding fails." msgstr "" "Вилучити попередньо оброблену послідовність зображень після створення файла " "анімації. За допомогою цього пункту ви зможете визначити, слід програмі " "вилучити зайві дані для заощадження вільного місця на диску чи зберегти " "послідовність зображень на випадок, якщо спроба створити файл анімації " "зазнає невдачі." #: ../../reference_manual/render_animation.rst:55 msgid "" "None of the video formats support saving from images with a transparent " "background, so Krita will try to fill it with something. You should add a " "background color yourself to avoid it from using, say, black." msgstr "" "У жодному з форматів, у якому може зберігати дані програма, не передбачено " "можливості зберігати анімацію із прозорим тлом, тому Krita намагатиметься " "заповнити тло якимось кольором. Вам слід додати колір тла вручну, якщо ви не " "хочете, щоб програма використала, скажімо, чорний." #: ../../reference_manual/render_animation.rst:58 msgid "Setting Up Krita for Exporting Animations" msgstr "Налаштовування Krita на експортування анімацій" #: ../../reference_manual/render_animation.rst:60 msgid "" "You will need to download an extra application and link it in Krita for it " "to work. The application is pretty big (50MB), so the Krita developers " "didn't want to bundle it with the normal application. The software that we " "will use is free and called FFMpeg. The following instructions will explain " "how to get it and set it up. The setup is a one-time thing so you won't have " "to do it again." msgstr "" "Вам доведеться отримати пакунок додаткової програми і скомпонувати її з " "Krita, щоб можна було скористатися цим пунктом. Пакунок з програмою є доволі " "великим (50 МБ), тому розробники Krita не включили її до звичайного пакунка " "Krita. Використане нами програмне забезпечення є вільним і має назву FFMpeg. " "Нижче наведено настанови щодо отримання цього програмного забезпечення та " "його налаштовування. Налаштовування доведеться виконати лише одного разу — " "потреби у повторному налаштовуванні не буде." #: ../../reference_manual/render_animation.rst:63 msgid "Step 1 - Downloading FFMpeg" msgstr "Крок 1 — отримання FFMpeg" #: ../../reference_manual/render_animation.rst:66 #: ../../reference_manual/render_animation.rst:86 msgid "For Windows" msgstr "У Windows" #: ../../reference_manual/render_animation.rst:68 msgid "" "Go to the `ffmpeg website `_. The URL that " "had the link for me was `here... `_" msgstr "" "Перейдіть на `сайт ffmpeg `_. Адреса " "пакунків для Windows — `_" #: ../../reference_manual/render_animation.rst:70 msgid "" "Watch out for the extremely annoying google and that looks like a download " "button! There is no big button for what we need. Either get the 64-bit " "STATIC version or 32-bit STATIC version that is shown later down the page. " "If you bought a computer in the past 5 years, you probably want the 64-bit " "version. Make sure you get a exe file, if you hover over the options they " "will give more information about what exactly you are downloading." msgstr "" "Не звертайте увагу на рекламу, яка виглядає як кнопка отримання пакунка " "(«Download»)! Нам не потрібна ця велика кнопка. Нам потрібна 64-бітова " "статична (STATIC) версія пакунка або 32-бітова статична (STATIC) версія " "пакунка, посилання на які розташовано нижче на сторінці. Якщо ви придбали " "комп'ютер протягом останніх 5 років, вам, ймовірно, потрібна 64-бітова " "версія. Вам потрібен файл exe. Якщо ви наведете вказівник миші на посилання, " "програма має показати вам більше відомостей щодо того, що саме ви отримаєте." #: ../../reference_manual/render_animation.rst:73 #: ../../reference_manual/render_animation.rst:93 msgid "For OSX" msgstr "У OSX" #: ../../reference_manual/render_animation.rst:75 msgid "" "Please see the section above. However, FFmpeg is obtained from `here " "`_ instead. Just pick the big green button on " "the left under the FFmpeg heading. You will also need an archiving utility " "that supports .7z, since ffmpeg provides their OSX builds in .7z format. If " "you don't have one, try something like `Keka `_." msgstr "" "Будь ласка, ознайомтеся із розділом, наведеним вище. Крім того, FFmpeg можна " "отримати `тут `_. Просто натисніть велику " "зелену кнопку ліворуч під заголовком FFmpeg. Вам також знадобиться програма " "для роботи з архівами, у якій передбачено підтримку .7z, оскільки пакунки " "ffmpeg для macOS збирають у форматі .7z. Якщо у вас немає такої програми, " "спробуйте встановити `Keka `_." #: ../../reference_manual/render_animation.rst:78 #: ../../reference_manual/render_animation.rst:98 msgid "For Linux" msgstr "У Linux" #: ../../reference_manual/render_animation.rst:80 msgid "" "FFMPeg can be installed from the repositories on most Linux systems. Version " "2.6 is required for proper gif support, as we use the palettegen " "functionality." msgstr "" "FFMPeg у більшості дистрибутивів Linux можна встановити зі сховищ пакунків. " "Для забезпечення належної підтримки gif слід встановити принаймні версію " "2.6, оскільки ми використовуємо можливості palettegen." #: ../../reference_manual/render_animation.rst:83 msgid "Step 2 - Unzipping and Linking to Krita" msgstr "Крок 2 — розпаковування та компонування з Krita" #: ../../reference_manual/render_animation.rst:88 -#| msgid "" -#| "Unzip the package that was just downloaded. Rename the long folder name " -#| "to just ffmpeg. Let's put this folder in a easy to find location. go to " -#| "your C:\\ and place it there. You can put it wherever you want, but that " -#| "is where I put it." msgid "" "Unzip the package that was just downloaded. Rename the long folder name to " "just ffmpeg. Let's put this folder in a easy to find location. Go to your C:" "\\ and place it there. You can put it wherever you want, but that is where I " "put it." msgstr "" "Розпакуйте пакунок, який ви отримали. Перейменуйте довгу назву теки на " "просто «ffmpeg». Пересуньте цю теку до якогось зручного місця. Наприклад, " "перейдіть до вашого диска C:\\ і збережіть її там. Теку можна розташувати де " "завгодно, але автор підручника зберіг її саме там." #: ../../reference_manual/render_animation.rst:90 msgid "" "Open Krita back up and go to :menuselection:`File --> Render Animation`. " "Click the :guilabel:`Browse` button on the last item called FFMpeg. Select " "this file ``C:/ffmpeg/bin/ffmpeg.exe`` and click :guilabel:`OK` ." msgstr "" "Відкрийте вікно Krita і скористайтеся пунктом меню :menuselection:`Файл --> " "Обробити анімацію`. Натисніть кнопку :guilabel:`Вибрати` на останньому " "пункті, який має назву «FFMpeg». Виберіть файл ``C:/ffmpeg/bin/ffmpeg.exe`` " "і натисніть кнопку :guilabel:`Гаразд` ." #: ../../reference_manual/render_animation.rst:95 msgid "" "After downloading ffmpeg, you just need to extract it and then simply point " "to it in the FFMPEG location in Krita like ``/Users/user/Downloads/ffmpeg`` " "(assuming you downloaded and extracted the .7z file to /Users/user/" "Downloads)." msgstr "" "Після отримання ffmpeg вам достатньо видобути програму і вказати її " "розташування, наприклад ``/Users/користувач/Downloads/ffmpeg`` Krita (тут ми " "припускаємо, що ви отримали пакунок і видобули файли .7z до /Users/" "користувач/Downloads)." #: ../../reference_manual/render_animation.rst:100 msgid "" "FFMpeg is, if installed from the repositories, usually found in ``/usr/bin/" "ffmpeg``" msgstr "" "FFMpeg, якщо пакунок встановлено зі сховищ пакунків, зазвичай, " "встановлюється як ``/usr/bin/ffmpeg``" #: ../../reference_manual/render_animation.rst:103 msgid "Step 3 - Testing out an animation" msgstr "Крок 3 — тестування анімації" #: ../../reference_manual/render_animation.rst:105 msgid "" "ffmpeg.exe is what Krita uses to do all of its animation export magic. Now " "that it is hooked up, let us test it out." msgstr "" "Для виконання усіх дій із експортування анімації Krita використовує ffmpeg." "exe. Коли ми встановлено усі потрібні компоненти, варто виконати тестування." #: ../../reference_manual/render_animation.rst:107 -#| msgid "" -#| "Let's make an animated GIF. in the Render Animation dialog, change the :" -#| "guilabel:`Render As` field to \"GIF image\". Choose the file location " -#| "where it will save with the \"File\" menu below. I just saved it to my " -#| "desktop and called it \"export.gif\". When it is done, you should be able " -#| "to open it up and see the animation." msgid "" "Let's make an animated GIF. In the Render Animation dialog, change the :" "guilabel:`Render As` field to \"GIF image\". Choose the file location where " "it will save with the \"File\" menu below. I just saved it to my desktop and " "called it \"export.gif\". When it is done, you should be able to open it up " "and see the animation." msgstr "" "Створімо анімований файл GIF. У діалоговому вікні обробки анімації змініть " "вміст поля :guilabel:`Обробити як` на «зображення GIF». Виберіть місце для " "файла, куди програма збереже файл, та вкажіть його назву за допомогою поля " "«Файл». Автор підручника просто зберіг файл на стільницю і назвав його " "«export.gif». Коли обробку буде завершено, ви зможете відкрити файл і " "переглянути анімацію." #: ../../reference_manual/render_animation.rst:111 -#| msgid "" -#| "By default, FFMPEG will render MP4 files with a too new codec, which " -#| "means that windows media player won't be able to play it. So for windows, " -#| "select \"baseline\" for the profile instead of \"high422\" before " -#| "rendering." msgid "" "By default, FFMPEG will render MP4 files with a too new codec, which means " "that Windows Media Player won't be able to play it. So for Windows, select " "\"baseline\" for the profile instead of \"high422\" before rendering." msgstr "" "Типово, FFMPEG створює файли MP4 за допомогою надто нової версії кодека, що " "означає, що Windows Media Player не зможе відтворити такі файли. Отже, у " "Windows виберіть «baseline» для профілю, замість «high422», перш ніж буде " "розпочато обробку." #: ../../reference_manual/render_animation.rst:115 msgid "" "OSX does not come with any software to play MP4 and MKV files. If you use " "Chrome for your web browser, you can drag the video file into that and the " "video should play. Otherwise you will need to get a program like VLC to see " "the video." msgstr "" "У типовій macOS немає програмного забезпечення для відтворення файлів MP4 та " "MKV. Якщо ви використовуєте для перегляду сторінок інтернету Chrome, ви " "можете перетягнути пункт файла анімації до вікна браузера. Chrome має почати " "відтворення файла. Крім того, ви можете встановити програму-програвач, " "наприклад VLC, для перегляду відео." diff --git a/locale/uk_UA/LC_MESSAGES/reference_manual/tools/colorize_mask.po b/locale/uk_UA/LC_MESSAGES/reference_manual/tools/colorize_mask.po index e085c9c5b..19f05e78a 100644 --- a/locale/uk_UA/LC_MESSAGES/reference_manual/tools/colorize_mask.po +++ b/locale/uk_UA/LC_MESSAGES/reference_manual/tools/colorize_mask.po @@ -1,586 +1,586 @@ # Translation of docs_krita_org_reference_manual___tools___colorize_mask.po to Ukrainian # Copyright (C) 2019 This_file_is_part_of_KDE # This file is distributed under the license LGPL version 2.1 or # version 3 or later versions approved by the membership of KDE e.V. # # Yuri Chornoivan , 2019. msgid "" msgstr "" "Project-Id-Version: docs_krita_org_reference_manual___tools___colorize_mask\n" "Report-Msgid-Bugs-To: \n" -"POT-Creation-Date: 2019-04-12 03:34+0200\n" +"POT-Creation-Date: 2019-04-14 03:33+0200\n" "PO-Revision-Date: 2019-04-10 07:05+0300\n" "Last-Translator: Yuri Chornoivan \n" "Language-Team: Ukrainian \n" "Language: uk\n" "MIME-Version: 1.0\n" "Content-Type: text/plain; charset=UTF-8\n" "Content-Transfer-Encoding: 8bit\n" "Plural-Forms: nplurals=4; plural=n==1 ? 3 : n%10==1 && n%100!=11 ? 0 : n" "%10>=2 && n%10<=4 && (n%100<10 || n%100>=20) ? 1 : 2;\n" "X-Generator: Lokalize 19.03.70\n" #: ../../:2 msgid "" ".. image:: images/icons/Krita_mouse_left.png\n" " :alt: mouseleft" msgstr "" ".. image:: images/icons/Krita_mouse_left.png\n" " :alt: mouseleft" #: ../../:4 msgid "" ".. image:: images/icons/Krita_mouse_right.png\n" " :alt: mouseright" msgstr "" ".. image:: images/icons/Krita_mouse_right.png\n" " :alt: mouseright" #: ../../:8 msgid "" ".. image:: images/icons/Krita_mouse_scroll.png\n" " :alt: mousescroll" msgstr "" ".. image:: images/icons/Krita_mouse_scroll.png\n" " :alt: mousescroll" #: ../../:60 msgid "" ".. image:: images/icons/colorizemask_tool.svg\n" " :alt: toolcolorizemask" msgstr "" ".. image:: images/icons/colorizemask_tool.svg\n" " :alt: toolcolorizemask" +#: ../../reference_manual/tools/colorize_mask.rst:0 +msgid "" +".. image:: images/en/Krita_4_0_colorize_mask_show_output_edit_strokes.png" +msgstr "" +".. image:: images/en/Krita_4_0_colorize_mask_show_output_edit_strokes.png" + +#: ../../reference_manual/tools/colorize_mask.rst:0 +msgid ".. image:: images/en/Krita_4_0_colorize_mask_edge_detection.png" +msgstr ".. image:: images/en/Krita_4_0_colorize_mask_edge_detection.png" + +#: ../../reference_manual/tools/colorize_mask.rst:0 +msgid ".. image:: images/en/Krita_4_0_colorize_mask_gap_close_hint.png" +msgstr ".. image:: images/en/Krita_4_0_colorize_mask_gap_close_hint.png" + +#: ../../reference_manual/tools/colorize_mask.rst:0 +msgid ".. image:: images/en/Krita_4_0_colorize_mask_clean_up.png" +msgstr ".. image:: images/en/Krita_4_0_colorize_mask_clean_up.png" + #: ../../reference_manual/tools/colorize_mask.rst:None msgid ".. image:: images/en/Krita_4_0_colorize_mask_usage_01.png" msgstr ".. image:: images/en/Krita_4_0_colorize_mask_usage_01.png" #: ../../reference_manual/tools/colorize_mask.rst:None msgid ".. image:: images/en/Krita_4_0_colorize_mask_usage_02.png" msgstr ".. image:: images/en/Krita_4_0_colorize_mask_usage_02.png" #: ../../reference_manual/tools/colorize_mask.rst:None msgid ".. image:: images/en/Krita_4_0_colorize_mask_usage_03.png" msgstr ".. image:: images/en/Krita_4_0_colorize_mask_usage_03.png" #: ../../reference_manual/tools/colorize_mask.rst:None msgid ".. image:: images/en/Krita_4_0_colorize_mask_usage_04.png" msgstr ".. image:: images/en/Krita_4_0_colorize_mask_usage_04.png" #: ../../reference_manual/tools/colorize_mask.rst:None msgid ".. image:: images/en/Krita_4_0_colorize_mask_usage_05.png" msgstr ".. image:: images/en/Krita_4_0_colorize_mask_usage_05.png" #: ../../reference_manual/tools/colorize_mask.rst:None msgid ".. image:: images/en/Krita_4_0_colorize_mask_usage_06.png" msgstr ".. image:: images/en/Krita_4_0_colorize_mask_usage_06.png" #: ../../reference_manual/tools/colorize_mask.rst:None msgid ".. image:: images/en/Krita_4_0_colorize_mask_usage_07.png" msgstr ".. image:: images/en/Krita_4_0_colorize_mask_usage_07.png" #: ../../reference_manual/tools/colorize_mask.rst:None msgid ".. image:: images/en/Krita_4_0_colorize_mask_usage_08.png" msgstr ".. image:: images/en/Krita_4_0_colorize_mask_usage_08.png" #: ../../reference_manual/tools/colorize_mask.rst:None msgid ".. image:: images/en/Krita_4_0_colorize_mask_usage_09.png" msgstr ".. image:: images/en/Krita_4_0_colorize_mask_usage_09.png" #: ../../reference_manual/tools/colorize_mask.rst:None msgid ".. image:: images/en/Krita_4_0_colorize_mask_usage_10.png" msgstr ".. image:: images/en/Krita_4_0_colorize_mask_usage_10.png" #: ../../reference_manual/tools/colorize_mask.rst:None msgid ".. image:: images/en/Krita_4_0_colorize_mask_usage_11.png" msgstr ".. image:: images/en/Krita_4_0_colorize_mask_usage_11.png" #: ../../reference_manual/tools/colorize_mask.rst:None msgid ".. image:: images/en/Krita_4_0_colorize_mask_usage_12.png" msgstr ".. image:: images/en/Krita_4_0_colorize_mask_usage_12.png" -#: ../../reference_manual/tools/colorize_mask.rst:0 -msgid "" -".. image:: images/en/Krita_4_0_colorize_mask_show_output_edit_strokes.png" -msgstr "" -".. image:: images/en/Krita_4_0_colorize_mask_show_output_edit_strokes.png" - -#: ../../reference_manual/tools/colorize_mask.rst:0 -msgid ".. image:: images/en/Krita_4_0_colorize_mask_edge_detection.png" -msgstr ".. image:: images/en/Krita_4_0_colorize_mask_edge_detection.png" - -#: ../../reference_manual/tools/colorize_mask.rst:0 -msgid ".. image:: images/en/Krita_4_0_colorize_mask_gap_close_hint.png" -msgstr ".. image:: images/en/Krita_4_0_colorize_mask_gap_close_hint.png" - -#: ../../reference_manual/tools/colorize_mask.rst:0 -msgid ".. image:: images/en/Krita_4_0_colorize_mask_clean_up.png" -msgstr ".. image:: images/en/Krita_4_0_colorize_mask_clean_up.png" - #: ../../reference_manual/tools/colorize_mask.rst:1 msgid "How to use the colorize mask in Krita." msgstr "Як користуватися масками розфарбовування у Krita." #: ../../reference_manual/tools/colorize_mask.rst:16 msgid "Colorize Mask" msgstr "Маска розфарбовування" #: ../../reference_manual/tools/colorize_mask.rst:18 msgid "|toolcolorizemask|" msgstr "|toolcolorizemask|" #: ../../reference_manual/tools/colorize_mask.rst:20 msgid "" "A tool for quickly coloring line art, the Colorize Mask Editing tool can be " "found next to the gradient tool on your toolbox." msgstr "" "Інструмент для швидкого розфарбовування графіки. Кнопку інструмента " "«Редагування маски розфарбовування» розташовано на панелі інструментів поряд " "із кнопкою інструмента градієнта." #: ../../reference_manual/tools/colorize_mask.rst:22 msgid "" "This feature is technically already in 3.1, but disabled by default because " "we had not optimized the filling algorithm for production use yet. To enable " "it, find your krita configuration file, open it in notepad, and add " "\"disableColorizeMaskFeature=false\" to the top. Then restart Krita. Its " "official incarnation is in 4.0." msgstr "" "Цю можливість було реалізовано ще у версії 3.1, але типово вимкнено, " "оскільки алгоритм заповнення ще не було оптимізовано для загального " "використання. Щоб увімкнути можливість, відкрийте для редагування ваш файл " "налаштувань Krita і додайте на його початку рядок " "«disableColorizeMaskFeature=false». Потім перезапустіть Krita. Офіційно " "можливість з'явилася, починаючи з версії 4.0." #: ../../reference_manual/tools/colorize_mask.rst:26 msgid "Usage" msgstr "Користування" #: ../../reference_manual/tools/colorize_mask.rst:28 msgid "" "This tool works in conjunction with the colorize mask, and the usage is as " "follows:" msgstr "" "Цей інструмент працює у поєднанні із маскою розфарбовування. Користуватися " "ним слід так:" #: ../../reference_manual/tools/colorize_mask.rst:30 msgid "" "For this example, we'll be using the ghost lady also used to explain masks " "on :ref:`the basic concepts page `." msgstr "" "Для цього прикладу ми скористаємося зображенням примарної леді, яким ми " "користувалися для обговорення масок у :ref:`розділі базових понять " "`." #: ../../reference_manual/tools/colorize_mask.rst:36 msgid "" "This image has the line art for the lady separated from the background, and " "what's more, the background is made up of two layers: one main and one for " "the details." msgstr "" "На цьому зображенні графіку для леді відокремлено від тла, а крім того, тло " "створено з двох шарів: одного основного і одного для деталізації." #: ../../reference_manual/tools/colorize_mask.rst:38 msgid "" "First, select the colorize mask editing tool while having the line art layer " "selected. |mouseleft| the canvas will add a colorize mask to the layer. You " "can also |mouseright| the line art layer, and then :menuselection:`Add --> " "Colorize Mask`. The line art will suddenly become really weird, this is the " "prefiltering which are filters through which we put the line art to make the " "algorithm easier to use. The tool options overview below shows which options " "control that." msgstr "" "Спочатку позначте шар графіки і виберіть інструмент редагування маски " "розфарбовування. Клацніть |mouseleft|, щоб додати маску розфарбовування до " "шару. Ви також можете клацнути |mouseright| на пункті графіки і вибрати у " "контекстному меню :menuselection:`Додати --> Маска розфарбовування`. Графіка " "несподівано може дещо зіпсуватися, що є результатом попереднього " "фільтрування, тобто фільтрів, які застосовуються до графіки для спрощення " "використання алгоритмів. У огляді параметрів інструментів, який наведено " "нижче, описано параметри, які керують маскою." #: ../../reference_manual/tools/colorize_mask.rst:45 msgid "" "Now, you make strokes with brush colors, press :guilabel:`Update` in the " "tool options, or tick the last icon of the colorize mask properties. In the " "layer docker, you will be able to see a little progress bar appear on the " "colorize mask indicating how long it takes. The bigger your file, the longer " "it will take." msgstr "" "Далі, намалюйте щось кольором пензля і натисніть кнопку :guilabel:`Оновити` " "на панелі параметрів інструмента або натисніть останню піктограму на панелі " "властивостей маски розфарбовування. На бічній панелі шарів ви побачите " "невеличку смужку поступу поряд із пунктом маски розфарбовування, яка " "показуватиме поступ розфарбовування. Чим більшим є файл, тим довшим буде " "процес розфарбовування." #: ../../reference_manual/tools/colorize_mask.rst:51 msgid "" "We want to have the blue transparent. In the tool options of the colorize " "editing tool you will see a small palette. These are the colors already " "used. You can remove colors here, or mark a single color as standing for " "transparent, by selecting it and pressing \"transparent\". Updating the mask " "will still show the blue stroke, but the result will be transparent:" msgstr "" "Ми хочемо зробити синій прозорим. На панелі параметрів інструмента " "редагування розфарбовування ви побачите невеличку палітру. Це кольори, які " "ви вже використовували. Тут ви можете вилучити кольори або позначити окремий " "колір як прозорий: просто позначте його і натисніть кнопку «прозорий». Після " "оновлення маски на малюнку усе ще буде показано синій мазок, але результат " "буде прозорим:" #: ../../reference_manual/tools/colorize_mask.rst:57 msgid "" "Because the colorize mask algorithm is slow, and we only need a part of our " "layer to be filled to fill the whole ghost lady figure, we can make use of :" "guilabel:`Limit to layer bounds`. This will limit Colorize Mask to use the " "combined size of the line art and the coloring key strokes. Therefore, make " "sure that the colorizing keystrokes only take up as much as they really need." msgstr "" "Оскільки алгоритм маски розфарбовування працює повільно, а нам потрібно " "заповнити лише частину нашого шару, щоб заповнити усю фігуру примарної леді, " "ми можемо скористатися пунктом :guilabel:`Обмежити краями шару`. Цей пункт " "обмежить маску розфарбовування об'єднаним розміром графіки і ключових мазків " "розфарбовування. Тому розмір ключових мазків розфарбовування має бути " "оптимальним." #: ../../reference_manual/tools/colorize_mask.rst:63 msgid "" "Now the algorithm will be possibly a lot faster, allowing us to add strokes " "and press :guilabel:`Update` in rapid succession:" msgstr "" "Тепер алгоритм працюватиме, можливо, набагато швидше, що надасть нам змогу " "додавати штрихи і одразу натискати :guilabel:`Оновити`:" #: ../../reference_manual/tools/colorize_mask.rst:69 msgid "" "To see the final result, disable :guilabel:`Edit Key Strokes` or toggle the " "second to last icon on the colorize mask." msgstr "" "Щоб переглянути остаточний результат, вимкніть :guilabel:`Редагувати ключові " "мазки` натисніть другу з кінця піктограму на пункті маски розфарбовування." #: ../../reference_manual/tools/colorize_mask.rst:75 msgid "" "If you want to edit the strokes again, re-enable :guilabel:`Edit Key " "Strokes`." msgstr "" "Якщо ви захочете редагувати мазки знову, знову позначте пункт :guilabel:" "`Редагувати ключові мазки`." #: ../../reference_manual/tools/colorize_mask.rst:77 msgid "" "Now, the colorize mask, being a mask, can also be added to a group of line " "art layers. It will then use the composition of the whole group as the line " "art. This is perfect for our background which has two separate line art " "layers. It also means that the colorize mask will be disabled when added to " "a group with pass-through enabled, because those have no final composition. " "You can recognize a disabled colorize mask because its name is stricken " "through." msgstr "" "Далі, маску розфарбовування, як будь-яку маску, може бути також додано до " "групи шарів із графікою. У ній як графіку використовують композицію усієї " "групи. Це ідеально для тла нашого зображення, оскільки воно складається з " "двох окремих шарів графіки. Це, крім усього, означає, що маску " "розфарбовування буде вимкнено, якщо її буде додано до групи із увімкненим " "режимом пропускання, оскільки у такому режимі програма не матиме даних щодо " "остаточного компонування шарів у групі. Вимкнену маску розфарбовування можна " "буде розпізнати за перекресленою назвою у списку." #: ../../reference_manual/tools/colorize_mask.rst:79 msgid "" "To add a colorize mask to a group, select the group and |mouseleft| the " "canvas with the Colorize Mask editing tool, or |mouseright| the layer to :" "menuselection:`Add --> Colorize Mask`." msgstr "" "Щоб додати маску розфарбовування до групи, виберіть групу і клацніть |" "mouseleft| на полотні, вибравши інструмент редагування маски " "розфарбовування; або клацніть |mouseright| на шарі і виберіть :menuselection:" "`Додати --> Маска розфарбовування`." #: ../../reference_manual/tools/colorize_mask.rst:85 msgid "" "Now, we add strokes to the background quickly. We do not need to use the :" "menuselection:`Limit to Layer Bounds` because the background covers the " "whole image." msgstr "" "Тепер ми швидко додаємо мазки до тла. У нас немає потреби користуватися " "пунктом :menuselection:`Обмежити краями шару`, оскільки тло вкриває усе " "зображення." #: ../../reference_manual/tools/colorize_mask.rst:91 msgid "" "For the record, you can use other brushes and tools also work on the " "colorize mask as long as they can draw. The Colorize Mask Editing tool is " "just the most convenient because you can get to the algorithm options." msgstr "" "Між іншим, ви можете скористатися іншими пензлями, інструменти також можуть " "працювати на масці розфарбовування, якщо вони можуть малювати. Інструмент " "редагування маски розфарбовування просто найзручніший, оскільки ви отримуєте " "доступ до параметрів алгоритму." #: ../../reference_manual/tools/colorize_mask.rst:93 msgid "Out final result looks like this:" msgstr "Остаточний результат матиме якийсь такий вигляд:" #: ../../reference_manual/tools/colorize_mask.rst:99 msgid "" "Now we are done, |mouseright| the colorize mask and :menuselection:`Convert " "--> to Paint Layer`. Then, :menuselection:`Layer --> Split --> Split Layer`. " "This will give separate color islands that you can easily edit:" msgstr "" "Тепер, коли усе зроблено, клацніть |mouseright| на масці розфарбовування і " "скористайтеся пунктом :menuselection:`Перетворити --> до шару малювання`. " "Далі, скористайтеся пунктом :menuselection:`Шар --> Поділ --> Розділити " "шар`. У результаті буде отримано окремі кольорові ділянки, які ви зможете " "без проблем редагувати:" #: ../../reference_manual/tools/colorize_mask.rst:105 msgid "" "This way we can very quickly paint the image. Due to the colorize mask going " "from the first image to the following took only 30 minutes, and would've " "taken quite a bit longer." msgstr "" "Таким чином, можна швидко намалювати картину. Завдяки масці розфарбовування " "малювання від першого зображення до наступного тривало лише 30 хвилин, а " "могло тривати набагато довше." #: ../../reference_manual/tools/colorize_mask.rst:111 msgid "" "The colorize masks are saved to the .kra file, so as long as you don't save " "and open to a different file format, nor convert the colorize mask to a " "paintlayer, you can keep working adjust the results." msgstr "" "Маски розфарбовування зберігаються до файла .kra, отже, доки ви не збережете " "дані у іншому форматі і не відкриєте його, і не перетворюватимете маску " "розфарбовування на шар малювання, ви можете працювати над коригуванням " "результатів застосування маски." #: ../../reference_manual/tools/colorize_mask.rst:114 msgid "Tool Options" msgstr "Параметри інструмента" #: ../../reference_manual/tools/colorize_mask.rst:116 #: ../../reference_manual/tools/colorize_mask.rst:172 msgid "Update" msgstr "Оновити" #: ../../reference_manual/tools/colorize_mask.rst:117 msgid "" "Run the colorize mask algorithm. The progress bar for updates on a colorize " "mask shows only in the layer docker." msgstr "" "Виконати алгоритм маски розфарбовування. Смужку поступу для оновлень маски " "розфарбовування буде показано лише на бічній панелі шарів." #: ../../reference_manual/tools/colorize_mask.rst:118 #: ../../reference_manual/tools/colorize_mask.rst:169 msgid "Edit key strokes" msgstr "Редагувати ключові мазки" #: ../../reference_manual/tools/colorize_mask.rst:119 msgid "" "Put the mask into edit mode. In edit mode, it will also show the " "'prefiltering' on the line art, which is for example a blur filter for gap " "closing." msgstr "" "Перевести маску у режимі редагування. У режимі редагування буде також " "показано «попереднє фільтрування» графіки, що, наприклад, розмиватиме " "фільтрування для замикання проміжків." #: ../../reference_manual/tools/colorize_mask.rst:121 msgid "" "Show the output of the colorize mask. If :guilabel:`Edit key strokes` is " "active, this will be shown semi-transparently, so it will be easy to " "recognize the difference between the strokes and the output." msgstr "" "Показати результат застосування маски розфарбовування. Якщо позначено пункт :" "guilabel:`Редагувати ключові мазки`, його буде показано напівпрозорим, отже " "вам буде просто визначити відмінність між мазками та результатами " "застосування маски." #: ../../reference_manual/tools/colorize_mask.rst:127 #: ../../reference_manual/tools/colorize_mask.rst:165 msgid "Show output" msgstr "Показати вивід" #: ../../reference_manual/tools/colorize_mask.rst:127 msgid "" "On the **Left**: :guilabel:`Show Output` is on, :guilabel:`Edit Key Strokes` " "is off. In the **Middle**: :guilabel:`Show Output` and :guilabel:`Edit Key " "Strokes` are on. On the **Right**: :guilabel:`Show Output` is off and :" "guilabel:`Edit Key Strokes` is on." msgstr "" "**Ліворуч**: :guilabel:`Показати вивід` увімкнено, :guilabel:`Редагувати " "ключові мазки` вимкнено. **Посередині**: :guilabel:`Показати вивід` і :" "guilabel:`Редагувати ключові мазки` увімкнено. **Праворуч**: :guilabel:" "`Показати вивід` вимкнено, а :guilabel:`Редагувати ключові мазки` увімкнено." #: ../../reference_manual/tools/colorize_mask.rst:129 msgid "Limit to layer bounds" msgstr "Обмежити краями шару" #: ../../reference_manual/tools/colorize_mask.rst:130 msgid "" "Limit the colorize mask to the combined layer bounds of the strokes and the " "line art it is filling. This can speed up the use of the mask on complicated " "compositions, such as comic pages." msgstr "" "Обмежити маску розфарбовування межами об'єднаних шарів мазків і графіки, яку " "ви заповнюєте кольором. Це може пришвидшити використання маски при складних " "композиціях, зокрема на сторінках коміксів." #: ../../reference_manual/tools/colorize_mask.rst:132 msgid "" "Activate this for line art with large solid areas, for example shadows on an " "object. For the best use, set the value to the thinnest lines on the image. " "In the image below, note how edge detection affects the big black areas:" msgstr "" "Позначте цей пункт, якщо працюєте із графікою із великими ділянками, " "заповненими кольором, наприклад із тінями на об'єкті. Щоб отримати " "оптимальні результати, встановіть значення товщини найтонших ліній на " "зображенні. На наведеному нижче зображенні зауважте, як виявлення країв " "впливає на великі чорні ділянки:" #: ../../reference_manual/tools/colorize_mask.rst:138 msgid "Edge detection" msgstr "Виявлення країв" #: ../../reference_manual/tools/colorize_mask.rst:138 msgid "" "From left to right: an example with big black shadows on an object but no " "edge detection, the same example without the edit key strokes enabled. Then " "the same example with edge detection enabled and set to 2px, and that same " "example without edit key strokes enabled." msgstr "" "Зліва праворуч: приклад із великими чорними тінями на об'єкті, але без " "виявлення країв, той самий приклад без увімкненого редагування ключових " "мазків. Далі, той самий приклад із увімкненим виявленням країв і " "встановленням значення 2 пікселі і той самий приклад із вимкненим " "редагуванням ключових мазків." #: ../../reference_manual/tools/colorize_mask.rst:141 msgid "" "While the algorithm is pretty good against gaps in contours, this will " "improve the gap recognition. The higher this value is, the bigger the gaps " "it will try to close, but a too high value can lead to other errors. Note " "how the prefiltered line art (that's the blurry haze) affects the color " "patches." msgstr "" "Хоча алгоритм доволі добре працює із прогалинами у контурах, за допомогою " "цього пункту можна поліпшити виявлення прогалин. Чим вищим буде значення, " "тим більші прогалини намагатиметься закрити програми, але надто високе " "значення може призвести до помилок. Зауважте, як попередньо фільтрована " "графіка (розмита імла навколо) впливає на кольорові ділянки." #: ../../reference_manual/tools/colorize_mask.rst:146 msgid "Gap close hint" msgstr "Значення близькості" #: ../../reference_manual/tools/colorize_mask.rst:147 msgid "" "On the **Left**: :guilabel:`Gap close hint` is 0px. In the **Middle**: :" "guilabel:`Gap close hint` is 15px (the lines are 10px). On the **Right**: :" "guilabel:`Gap close hint` is 275px." msgstr "" "**Ліворуч**: :guilabel:`Значення близькості` 0 пікселів. **Посередині**: :" "guilabel:`Значення близькості` 15 пікселів (товщина ліній 10 пікселів). " "**Праворуч**: :guilabel:`Значення близькості` 275 пікселів." #: ../../reference_manual/tools/colorize_mask.rst:149 msgid "" "This will attempt to handle messy strokes that overlap the line art where " "they shouldn't. At 0 no clean up is done, at 100% the clean-up is most " "aggressive." msgstr "" "Використання цього пункту накаже програмі обробляти неправильні мазки, які " "перекривають графіку там, ще цього не повинно бути. При значенні 0 очищення " "не виконуватиметься, при значенні 100% очищення буде найагресивнішим." #: ../../reference_manual/tools/colorize_mask.rst:153 msgid "Clean up" msgstr "Очищення" #: ../../reference_manual/tools/colorize_mask.rst:155 msgid "Key strokes" msgstr "Ключові мазки" #: ../../reference_manual/tools/colorize_mask.rst:156 msgid "" "This palette keeps track of the colors used by the strokes. This is useful " "so you can switch back to colors easily. You can increase the swatch size by " "hovering over it with the mouse, and doing :kbd:`Ctrl +` |mousescroll|." msgstr "" "За допомогою цієї палітри можна стежити за кольорами, які використано у " "мазках. Це корисно для перемикання до вже використаних кольорів. Збільшити " "розмір пункту пробника можна наведенням на нього вказівника миші із " "наступним використанням комбінації :kbd:`Ctrl +` |mousescroll|." #: ../../reference_manual/tools/colorize_mask.rst:158 msgid "Transparent" msgstr "Прозорий" #: ../../reference_manual/tools/colorize_mask.rst:158 msgid "" "This button is under the keystrokes palette, you can mark the selected color " "to be interpreted a 'transparent' with this. In the clean-up screenshot " "above, cyan had been marked as transparent." msgstr "" "Цю кнопку розташовано під палітрою ключових мазків. За її допомогою можна " "позначити вибраний колір як «прозорий». На знімку вікна із чищенням, " "наведеному вище, прозорим було вибрано блакитний колір." #: ../../reference_manual/tools/colorize_mask.rst:161 msgid "Layer properties" msgstr "Властивості шару" #: ../../reference_manual/tools/colorize_mask.rst:163 msgid "" "The colorize mask layer has four properties. They are all the buttons on the " "right side of the layer:" msgstr "" "У шару маски розфарбовування чотири властивості. Доступ до усіх цих " "властивостей можна отримати за допомогою кнопок праворуч від пункту шару:" #: ../../reference_manual/tools/colorize_mask.rst:166 msgid "" "The first button, it allows you to toggle whether you'll see the output from " "the colorize algorithm." msgstr "" "Перша кнопка. За її допомогою можна вмикати або вимикати перегляд " "результатів застосування алгоритму розфарбовування." #: ../../reference_manual/tools/colorize_mask.rst:167 msgid "Lock" msgstr "Заблокувати" #: ../../reference_manual/tools/colorize_mask.rst:168 msgid "Stops the mask from being edited." msgstr "Забороняє редагування маски." #: ../../reference_manual/tools/colorize_mask.rst:170 msgid "" "Whether the colorize mask is in edit mode. In edit mode it'll show the " "strokes, and the output will be semi-transparent." msgstr "" "Визначає, чи перебуває маска розфарбовування у режимі редагування. У режимі " "редагування буде показано штрихи, а результат виглядатиме напівпрозорим." #: ../../reference_manual/tools/colorize_mask.rst:172 msgid "" "The last button will force the colorize mask to update, even when you're in " "a different tool." msgstr "" "За допомогою останньої кнопки можна наказати програмі примусово оновити " "маску розфарбовування, навіть якщо ви працюєте із іншим інструментом." #: ../../reference_manual/tools/colorize_mask.rst:174 msgid "Colorize masks cannot be animated." msgstr "Маски розфарбовування не можна анімувати." #~ msgid "Clean-up strokes" #~ msgstr "Очищення" diff --git a/locale/uk_UA/LC_MESSAGES/tutorials/common_workflows.po b/locale/uk_UA/LC_MESSAGES/tutorials/common_workflows.po index f514b9119..492e41ff0 100644 --- a/locale/uk_UA/LC_MESSAGES/tutorials/common_workflows.po +++ b/locale/uk_UA/LC_MESSAGES/tutorials/common_workflows.po @@ -1,733 +1,733 @@ # Translation of docs_krita_org_tutorials___common_workflows.po to Ukrainian # Copyright (C) 2019 This_file_is_part_of_KDE # This file is distributed under the license LGPL version 2.1 or # version 3 or later versions approved by the membership of KDE e.V. # # Yuri Chornoivan , 2019. msgid "" msgstr "" "Project-Id-Version: docs_krita_org_tutorials___common_workflows\n" "Report-Msgid-Bugs-To: \n" "POT-Creation-Date: 2019-04-11 03:44+0200\n" "PO-Revision-Date: 2019-04-13 22:13+0300\n" "Last-Translator: Yuri Chornoivan \n" "Language-Team: Ukrainian \n" "Language: uk\n" "MIME-Version: 1.0\n" "Content-Type: text/plain; charset=UTF-8\n" "Content-Transfer-Encoding: 8bit\n" "Plural-Forms: nplurals=4; plural=n==1 ? 3 : n%10==1 && n%100!=11 ? 0 : n" "%10>=2 && n%10<=4 && (n%100<10 || n%100>=20) ? 1 : 2;\n" "X-Generator: Lokalize 19.03.70\n" #: ../../:6 msgid "" ".. image:: images/icons/Krita_mouse_middle.png\n" " :alt: mousemiddle" msgstr "" ".. image:: images/icons/Krita_mouse_middle.png\n" " :alt: mousemiddle" #: ../../tutorials/common_workflows.rst:None msgid "" ".. image:: images/en/Pepper-speedpaint-deevad.jpg\n" " :alt: speedpaint of pepper and carrot by deevad (David Revoy)" msgstr "" ".. image:: images/en/Pepper-speedpaint-deevad.jpg\n" " :alt: Швидке малювання Пеппер і Керот від deevad (David Revoy)" #: ../../tutorials/common_workflows.rst:None msgid "" ".. image:: images/en/Levels-filter.png\n" " :alt: level filter dialog" msgstr "" ".. image:: images/en/Levels-filter.png\n" " :alt: Вікно фільтрування рівнів" #: ../../tutorials/common_workflows.rst:None msgid "" ".. image:: images/en/common-workflows/Color-adjustment-cw.png\n" " :alt: remove blue lines from image step 1" msgstr "" ".. image:: images/en/common-workflows/Color-adjustment-cw.png\n" " :alt: Вилучення із зображення синіх ліній, крок 1" #: ../../tutorials/common_workflows.rst:None msgid "" ".. image:: images/en/common-workflows/Color-adjustment-02.png\n" " :alt: removing blue lines from scan step 2" msgstr "" ".. image:: images/en/common-workflows/Color-adjustment-02.png\n" " :alt: Вилучення із зображення синіх ліній, крок 2" #: ../../tutorials/common_workflows.rst:None msgid "" ".. image:: images/en/common-workflows/Color-adjustment-03.png\n" " :alt: remove blue lines from scans step 3" msgstr "" ".. image:: images/en/common-workflows/Color-adjustment-03.png\n" " :alt: Вилучення із зображення синіх ліній, крок 3" #: ../../tutorials/common_workflows.rst:None msgid "" ".. image:: images/en/common-workflows/Color-adjustment-04.png\n" " :alt: remove blue lines from scans step 4" msgstr "" ".. image:: images/en/common-workflows/Color-adjustment-04.png\n" " :alt: Вилучення із зображення синіх ліній, крок 4" #: ../../tutorials/common_workflows.rst:None msgid "" ".. image:: images/en/Color-to-alpha.png\n" " :alt: color to alpha dialog box" msgstr "" ".. image:: images/en/Color-to-alpha.png\n" " :alt: Діалогове вікно перетворення кольору на прозорий" #: ../../tutorials/common_workflows.rst:None msgid "" ".. image:: images/en/common-workflows/Floodfill-krita.png\n" " :alt: flood fill in krita" msgstr "" ".. image:: images/en/common-workflows/Floodfill-krita.png\n" " :alt: Заповнення області у krita" #: ../../tutorials/common_workflows.rst:None msgid "" ".. image:: images/en/common-workflows/GMIC-colorize-interactive-krita.png\n" " :alt: G'MIC window in Krita" msgstr "" ".. image:: images/en/common-workflows/GMIC-colorize-interactive-krita.png\n" " :alt: Вікно G'MIC у Krita" #: ../../tutorials/common_workflows.rst:None msgid "" ".. image:: images/en/common-workflows/Krita-GMIC-colorize-interactive.png\n" " :alt: G'MIC colorize interactive window" msgstr "" ".. image:: images/en/common-workflows/Krita-GMIC-colorize-interactive.png\n" " :alt: Інтерактивне вікно розфарбовування G'MIC" #: ../../tutorials/common_workflows.rst:None msgid "" ".. image:: images/en/common-workflows/Colorize-krita.png\n" " :alt: G'MIC colorize comics layer setup" msgstr "" ".. image:: images/en/common-workflows/Colorize-krita.png\n" " :alt: Налаштування шару розфарбовування коміксу у G'MIC" #: ../../tutorials/common_workflows.rst:None msgid "" ".. image:: images/en/common-workflows/Colorise-comics-setting.png\n" " :alt: Colorize Interactive dialog and settings" msgstr "" ".. image:: images/en/common-workflows/Colorise-comics-setting.png\n" " :alt: Інтерактивне вікно і параметри розфарбовування" #: ../../tutorials/common_workflows.rst:None msgid "" ".. image:: images/en/common-workflows/Chaos2.jpg\n" " :alt: Starting a painting from chaotic sketch" msgstr "" ".. image:: images/en/common-workflows/Chaos2.jpg\n" " :alt: Починаємо малювати із хаотичного ескізу" #: ../../tutorials/common_workflows.rst:None msgid "" ".. image:: images/en/common-workflows/Layer-docker-pixelart.png\n" " :alt: Layer stack setup for pixel art" msgstr "" ".. image:: images/en/common-workflows/Layer-docker-pixelart.png\n" " :alt: Налаштовування стосу шарів для піксель-арту" #: ../../tutorials/common_workflows.rst:None msgid "" ".. image:: images/en/common-workflows/Gradient-pixelart.png\n" " :alt: color mapping in index color to greyscale" msgstr "" ".. image:: images/en/common-workflows/Gradient-pixelart.png\n" " :alt: Прив'язування індексованого кольору до сірого" #: ../../tutorials/common_workflows.rst:None msgid "" ".. image:: images/en/common-workflows/Index-color-filter.png\n" " :alt: index color filter dialog" msgstr "" ".. image:: images/en/common-workflows/Index-color-filter.png\n" " :alt: Вікно фільтрування за індексованим кольором" #: ../../tutorials/common_workflows.rst:None msgid "" ".. image:: images/en/common-workflows/Kiki-pixel-art.png\n" " :alt: Pixel art done in Krita" msgstr "" ".. image:: images/en/common-workflows/Kiki-pixel-art.png\n" " :alt: Піксель-арт, який створено у Krita" #: ../../tutorials/common_workflows.rst:1 msgid "Common workflows used in Krita" msgstr "Типові процедури малювання у Krita" #: ../../tutorials/common_workflows.rst:15 msgid "Common Workflows" msgstr "Типові процедури" #: ../../tutorials/common_workflows.rst:17 msgid "" "Krita's main goal is to help artists create a digital painting from scratch. " "Krita is used by comic artists, matte painters, texture artists, and " "illustrators around the world. This section explains some common workflow " "that artists use in Krita. When you open a new document in Krita for the " "first time, you can start painting instantly. The brush tool is selected by " "default and you just have to paint on the canvas. However, let us look at " "what artists do in Krita. Below are some of the common workflows used in " "Krita:" msgstr "" "Основною метою створення і розвитку Krita є спрощення для художників " "створення цифрових малюнків з нуля. Krita використовують автори коміксів, " "майстри домальовування, художники, які малюють текстури, та ілюстратори з " "усього світу. У цьому розділі наведено пояснення щодо деяких типових " "процедур, якими художники користуються у Krita. Ви можете розпочинати " "малювання одразу після того, як відкриєте новий документ у Krita. Типово, " "вибрано інструмент пензля, отже вам достатньо щось намалювати на полотні. " "Втім, давайте ретельніше поглянемо на можливі художні прийоми у Krita. Нижче " "наведено деякі з типових процедур малювання, якими користуються у Krita:" #: ../../tutorials/common_workflows.rst:20 msgid "Speed Painting and Conceptualizing" msgstr "Малювання на швидкість і концептуалізм" #: ../../tutorials/common_workflows.rst:22 msgid "" "Some artists work only on the digital medium, sketching and visualizing " "concepts in Krita from scratch. As the name suggests a technique of painting " "done within a matter of hours to quickly visualize the basic scene, " "character, look and feel of the environment or to denote the general mood " "and overall concept is called a **speed painting**. Finishing and finer " "details are not the main goals of this type of painting, but the " "representation of form value and layout is the main goal." msgstr "" "Деякі художники працюють лише з цифровими творами, створюючи ескізи та " "концепції візуалізації у Krita з нуля. Якщо можна зрозуміти з назви, " "методика створення завершеної картини протягом лічених годин із швидкою " "візуалізацією базової сцени, персонажа, загального середовища та визначення " "настрою та концепції називається **малюванням на швидкість**. У такому " "режимі малювання завершеність та дрібні деталі не є оосновною метою — " "основним є відтворення форми та компонування." #: ../../tutorials/common_workflows.rst:24 msgid "" "Some artists set a time limit to complete the painting while some paint " "casually. Speed painting then can be taken forward by adding finer details " "and polish to create a final piece. Generally, artists first block in the " "composition by adding patches and blobs of flat colors, defining the " "silhouette, etc. Krita has some efficient brushes for this situation, for " "example, the brush under **Block Tag** like Block fuzzy, Block basic, " "layout_block, etc." msgstr "" #: ../../tutorials/common_workflows.rst:26 msgid "" "After the composition and a basic layout has been laid out the artists add " "as many details as possible in the given limited time, this requires a " "decent knowledge of forms, value perspective and proportions of the objects. " "Below is an example of speed paint done by `David Revoy `_ in an hours time." msgstr "" "Після створення композиції та базового компонування художник має додати " "якомога більше деталей за заданий обмежений час. Це вимагає досконалого " "знання форм, перспектив та пропорцій об'єктів. Нижче наведено намальовану на " "швидкість (протягом години) картину `David Revoy `_." #: ../../tutorials/common_workflows.rst:32 msgid "" "Artwork by David Revoy, license : `CC-BY `_" msgstr "" "Автор творів — David Revoy, умови ліцензування: `CC-BY `_" #: ../../tutorials/common_workflows.rst:34 msgid "" "You can view the recorded speed painting demo for the above image `on " "Youtube `_." msgstr "" "Ви можете ознайомитися із записаною демонстрацією малювання на швидкість " "наведеного вище зображення `на Youtube `_." #: ../../tutorials/common_workflows.rst:37 msgid "Colorizing Line Art" msgstr "Розфарбовування штрихової графіки" #: ../../tutorials/common_workflows.rst:39 msgid "" "Often an artist, for example, a comic book colorist will need to take a " "pencil sketch or other line art of some sort and use Krita to paint " "underneath it. This can be either an image created digitally or something " "that was done outside the computer and has been scanned." msgstr "" "Часто у художників, які, наприклад, розфарбовують комікс, виникає потреба " "завантажити малюнок олівцем або іншу графіку до Krita і малювати під нею. " "Основою може бути зображення, яке створено за допомогою комп'ютера, або " "якесь зображення, яке було намальовано, а потім скановано для переведення до " "цифрової форми." #: ../../tutorials/common_workflows.rst:42 msgid "Preparing the line art" msgstr "Приготування графіки" #: ../../tutorials/common_workflows.rst:44 msgid "" "If your images have a white or other single-tone background, you can use " "either of the following methods to prepare the art for coloring:" msgstr "" "Якщо ваші картини мають біле або однотонне тло, ви можете скористатися одним " "з таких методів для приготування графіки до розфарбовування:" #: ../../tutorials/common_workflows.rst:46 msgid "" "Place the line art at the top of the layer stack and set its layer blending " "mode to :guilabel:`Multiply`" msgstr "" "Розташуйте графіку на верхівці стосу шарів і встановіть для її шару режим " "змішування :guilabel:`Множення`" #: ../../tutorials/common_workflows.rst:48 msgid "" "If you want to clean the line art a bit you can press :kbd:`Ctrl + L` or go " "to :menuselection:`Filters --> Adjust --> Levels`" msgstr "" "Якщо ви хочете дещо почистити графіку, натисніть комбінацію клавіш :kbd:" "`Ctrl + L` або скористайтеся пунктом меню :menuselection:`Фільтри --> " "Скоригувати --> Рівні`" #: ../../tutorials/common_workflows.rst:53 msgid "" "You can clean the unwanted greys by moving the white triangle in the input " "levels section to left and darken the black by moving the black triangle to " "right." msgstr "" "Ви можете вилучити небажані сірі ділянки пересуванням білого трикутничка у " "розділі вхідних рівнів ліворуч і можете зробити темні ділянки чорнішими " "пересуванням чорного трикутничка праворуч." #: ../../tutorials/common_workflows.rst:55 msgid "" "If you draw in blue pencils and then ink your line art you may need to " "remove the blue lines first to do that go to :menuselection:`Filters --> " "Adjust --> Color adjustment` curves or press shortcut :kbd:`Ctrl + M`." msgstr "" "Якщо ви малюєте ескіз синіми олівцями, а потім створюєте графіку чорнилом, у " "вас може виникнути потреба у вилученні синіх ліній олівця. Щоб вилучити ці " "лінії, скористайтеся пунктом меню :menuselection:`Фільтри --> Коригування --" "> Коригування кольорів` або натисніть комбінацію клавіш :kbd:`Ctrl + M` і " "скоригуйте криві." #: ../../tutorials/common_workflows.rst:60 msgid "" "Now select **Red** from the drop-down, click on the top right node on the " "graph and slide it all the way down. Or you can click on the top right node " "and enter **0** in the input field. Repeat this step for **Green** too." msgstr "" "Тепер, виберіть **Червоний** зі спадного меню, клацніть на верхньому правому " "вузлі графіка і перетягніть його у найнижчу точку з можливих. Або можете " "просто клацнути на верхньому правому вузлі і ввести **0** до поля введення " "даних. Повторіть цю процедуру для каналу **Зелений**." #: ../../tutorials/common_workflows.rst:65 msgid "" "Now the whole drawing will have a blue overlay, zoom in and check if the " "blue pencil lines are still visible slightly. If you still see them, then go " "to **Blue** Channel in the color adjustment and shift the top right node " "towards left a bit, Or enter a value around 190 (one that removes the " "remaining rough lines) in the input box." msgstr "" #: ../../tutorials/common_workflows.rst:70 msgid "" "Now apply the color adjustment filter, yes we still have lots of blue on the " "artwork. Be patient and move on to the next step. Go to :menuselection:" "`Filters --> Adjust --> Desaturate` or press :kbd:`Ctrl + Shift + U`. Now " "select :guilabel:`Max` from the list." msgstr "" "Тепер застосуйте фільтр коригування кольорів. Так, у нас усе ще багато " "синього. Трохи терпіння, і ми переходимо до наступного кроку. Скористайтеся " "пунктом меню :menuselection:`Фільтри --> Коригування --> Зменшити " "насиченість` або натисніть комбінацію клавіш :kbd:`Ctrl + Shift + U`. " "Виберіть у списку :guilabel:`Макс.`." #: ../../tutorials/common_workflows.rst:75 msgid "" "It is good to use non-photo-blue pencils to create the blue lines as those " "are easy to remove. If you are drawing digitally in blue lines use #A4DDED " "color as this is closer to non-photo-blue color." msgstr "" -"Можна скористатися нефотографічними синіми пензлями для створення синіх" -" ліній, які легко вилучити. Якщо ви малюєте у цифровому режимі синіми" -" лініями, скористайтеся кольором #A4DDED, оскільки цей колір ближчий до" -" нефотографічного синього." +"Можна скористатися нефотографічними синіми пензлями для створення синіх " +"ліній, які легко вилучити. Якщо ви малюєте у цифровому режимі синіми " +"лініями, скористайтеся кольором #A4DDED, оскільки цей колір ближчий до " +"нефотографічного синього." #: ../../tutorials/common_workflows.rst:77 msgid "" "You can learn more about doing a sketch from blue sketch to digital painting " "`here in a tutorial by David Revoy `_." msgstr "" "Ви можете дізнатися більше про створення ескізу на основі синього начерку у " "цифровому малюванні з `цього підручника, автором якого є David Revoy `_." #: ../../tutorials/common_workflows.rst:79 msgid "" "After you have a clean black and white line art you may need to erase the " "white color and keep only black line art, to achieve that go to :" "menuselection:`Filters --> Color --> Color to Alpha`. Use the dialog box to " "turn all the white areas of the image transparent. The Color Picker is set " "to White by default. If you have imported scanned art and need to select " "another color for the paper color then you would do it here." msgstr "" #: ../../tutorials/common_workflows.rst:84 msgid "" "This will convert the white color in your line art to alpha i.e. it will " "make the white transparent leaving only the line art. Your line art can be " "in grey-scale color space, this is a unique feature in Krita which allows " "you to keep a layer in a color-space independent from the image." msgstr "" #: ../../tutorials/common_workflows.rst:87 msgid "Laying in Flat Colors" msgstr "Замальовування однорідними кольорами" #: ../../tutorials/common_workflows.rst:89 msgid "" "There are many ways to color a line art in Krita, but generally, these three " "are common among the artists." msgstr "" "Існує декілька способів розфарбовування графіки у Krita, але більшість " "художників використовує описані нижче три способи." #: ../../tutorials/common_workflows.rst:91 msgid "Paint blocks of color directly with block brushes." msgstr "Малювання кольорових блоків безпосередньо блоковими пензлями." #: ../../tutorials/common_workflows.rst:92 msgid "Fill with Flood fill Tool." msgstr "Заповнення за допомогою інструмента заповнення." #: ../../tutorials/common_workflows.rst:93 msgid "Use one of the G'MIC colorize comics filters." msgstr "Використання одного з фільтрів розфарбовування коміксів G'MIC." #: ../../tutorials/common_workflows.rst:96 msgid "Blocking with brush" msgstr "Малювання блоків пензлями" #: ../../tutorials/common_workflows.rst:98 msgid "" "The first is the more traditional method of taking a shape brush or using " "the geometric tools to lay in color. This would be similar to using an " "analog marker or brush on paper. There are various block brushes in Krita, " "you can select **Block** Tag from the drop-down in the brush presets docker " "and use the brushes listed there." msgstr "" #: ../../tutorials/common_workflows.rst:100 msgid "" "Add a layer underneath your line art layer and start painting with the " "brush. If you want to correct any area you can press :kbd:`E` and convert " "the same brush into an eraser. You can also use a layer each for different " "colors for more flexibility." msgstr "" -"Додайте шар під вашим шаром графіки і почніть малювати на ньому пензлем. Якщо" -" ви хочете виправити якусь ділянку, можете натиснути клавішу :kbd:`E` і" -" перетворити пензель на гумку. Для збільшення гнучкості побудови зображення" -" ви також можете створювати шар для малювання кожним з кольорів, які" -" використовуєте." +"Додайте шар під вашим шаром графіки і почніть малювати на ньому пензлем. " +"Якщо ви хочете виправити якусь ділянку, можете натиснути клавішу :kbd:`E` і " +"перетворити пензель на гумку. Для збільшення гнучкості побудови зображення " +"ви також можете створювати шар для малювання кожним з кольорів, які " +"використовуєте." #: ../../tutorials/common_workflows.rst:103 msgid "Filling with Flood Fill tool" msgstr "Заповнення за допомогою інструмента заповнення" #: ../../tutorials/common_workflows.rst:105 msgid "" "The second method is to use the Flood fill tool to fill large parts of your " "line art quickly. This method generally requires closed gaps in the line " "art. To begin with this method place your line art on a separate layer. Then " "activate the flood fill tool and set the grow selection to 2px, uncheck " "limit to current layer if previously checked." msgstr "" -"Другим методом є використання інструмента заповнення кольором для швидкого" -" заповнення великих ділянок графіки. Для використання цього методу прогалини" -" у зафарбованих ділянках графіки мають бути замкненими. Щоб скористатися цим" -" методом, розташуйте графіку на окремому шарі. Далі, активуйте інструмент" -" заповнення кольором і встановіть збільшення позначення у значення 2 пікселі," -" зніміть позначку з пункту :guilabel:`Обмежитись поточним шаром`, якщо його" -" було раніше позначено." +"Другим методом є використання інструмента заповнення кольором для швидкого " +"заповнення великих ділянок графіки. Для використання цього методу прогалини " +"у зафарбованих ділянках графіки мають бути замкненими. Щоб скористатися цим " +"методом, розташуйте графіку на окремому шарі. Далі, активуйте інструмент " +"заповнення кольором і встановіть збільшення позначення у значення 2 пікселі, " +"зніміть позначку з пункту :guilabel:`Обмежитись поточним шаром`, якщо його " +"було раніше позначено." #: ../../tutorials/common_workflows.rst:110 msgid "" "Choose a color from color selector and just click on the area you want to " "fill the color. As we have expanded the fill with grow selection the color " "will be filled slightly underneath the line art thus giving us a clean fill." msgstr "" -"Виберіть колір за допомогою засобу вибору кольору і просто клацніть лівою" -" кнопкою миші на ділянці, яку ви хочете заповнити кольором. Оскільки ми" -" розширили заповнення за допомогою пункту збільшення позначення, заповнення" -" кольором дещо заходитиме під графіку, надаючи заповненню чистого вигляду." +"Виберіть колір за допомогою засобу вибору кольору і просто клацніть лівою " +"кнопкою миші на ділянці, яку ви хочете заповнити кольором. Оскільки ми " +"розширили заповнення за допомогою пункту збільшення позначення, заповнення " +"кольором дещо заходитиме під графіку, надаючи заповненню чистого вигляду." #: ../../tutorials/common_workflows.rst:113 msgid "GMIC Colorize [Interactive]" msgstr "Розфарбовування GMIC [інтерактивне]" #: ../../tutorials/common_workflows.rst:115 msgid "" "The third method is to use take advantage of the integrated G'Mic filters. " "These are powerful filters that can dramatically improve your workflow and " "cut you down on your production time. To begin coloring with the G'MIC " "colorize interactive, go to :menuselection:`Filters --> G'MIC`. Choose :" "menuselection:`Filters --> G'MIC --> Black & white --> " "Colorize[interactive]` from the list of filters. Then select Line art for :" "menuselection:`Input type, Image + Colors (2 Layers)` for output type, set " "the view resolution according to your need. If you have any specific color " "palette to use for coloring add the path for it in an additional color " "palette. The example of the filter window with the required inputs is shown " "below." msgstr "" #: ../../tutorials/common_workflows.rst:121 msgid "" "Press **Apply** to begin the coloring, this will open a color selector " "**palette** window and a window showing your line art. Choose the color from " "the palette and click on the areas that need to be filled with color like " "the example shown below." msgstr "" "Натисніть кнопку **Застосувати**, щоб розпочати розфарбовування. У відповідь " "програма відкриє вікно **палітри** для вибору кольору і вікно із графікою. " "Виберіть колір з палітри і клацніть на ділянках, які має бути заповнено " "кольором, як це показано у прикладі, наведеному нижче." #: ../../tutorials/common_workflows.rst:126 msgid "" "If you feel that the dots are a bit distracting you can press :kbd:`Tab` to " "reduce the size or hide the dots. to zoom out you can press :kbd:`Ctrl + ↓` " "and :kbd:`Ctrl + ↑` vice versa. Panning is done by |mousemiddle| + drag. " "Press :kbd:`Spacebar` to generate the colors. If you want to replace a color " "select the color by |mousemiddle| and pressing :kbd:`R` then you can select " "an alternate color from the palette." msgstr "" #: ../../tutorials/common_workflows.rst:128 msgid "" "Once you have finished adding the desired flat colors you can press :kbd:" "`Enter` to apply the filter. Then don't forget to press **Ok** in the G'MIC " "dialog box." msgstr "" "Щойно бажані кольори буде додано, можете натиснути клавішу :kbd:`Enter`, щоб " "застосувати фільтр. Не забудьте натиснути кнопку :guilabel:`Гаразд` у " "діалоговому вікні G'MIC." #: ../../tutorials/common_workflows.rst:130 msgid "" "The flats colors will be placed on a separate layer. You can check `this " "`_ tutorial " "by David Revoy to know more about this technique." msgstr "" "Кольори розфарбовування буде розташовано не окремому шарі. Можете " "ознайомитися із `цим підручником `_, автором якого є David Revoy, щоб дізнатися більше " "про цю методику." #: ../../tutorials/common_workflows.rst:133 msgid "GMIC Colorize [comics]" msgstr "Розфарбовування GMIC [комікси]" #: ../../tutorials/common_workflows.rst:135 msgid "" "Krita provides one more option to prepare flat colors through G'MIC colorize " "comics filter. This technique needs some preparations before you run the " "G'MIC filter. This layer extrapolates the color spots that you input below " "the line art" msgstr "" -"У Krita передбачено ще одну можливість приготування однорідного" -" розфарбовування за допомогою фільтрів розфарбовування коміксів G'MIC. Ця" -" методика потребує певних приготувань до запуску фільтра G'MIC. Цей шар" -" екстраполює плями кольорів, які ви малюєте під графікою." +"У Krita передбачено ще одну можливість приготування однорідного " +"розфарбовування за допомогою фільтрів розфарбовування коміксів G'MIC. Ця " +"методика потребує певних приготувань до запуску фільтра G'MIC. Цей шар " +"екстраполює плями кольорів, які ви малюєте під графікою." #: ../../tutorials/common_workflows.rst:137 msgid "" "You have to create two layers below the line art, one for the color spots " "indicating which color you need to be filled in the region and one for the " "final extrapolated output of the filter. Mark some colors spots in the layer " "beneath the line art. The layer setup can be seen in the image below." msgstr "" #: ../../tutorials/common_workflows.rst:142 msgid "The colors spots are marked in red in the image" msgstr "Кольорові плями позначено на зображенні червоним" #: ../../tutorials/common_workflows.rst:144 msgid "" "Now go to :menuselection:`Filters --> G'MIC --> Black & white --> " "Colorize[comics]`. In the G'MIC dialog box, select all for input and inplace " "(default) for output, select :guilabel:`Lineart + color spots + extrapolated " "layers` for both input and output layers on the right-hand side. Smoothness " "is for filling gap tolerance and details the default is 0.5 you can adjust " "it according to your line art." msgstr "" #: ../../tutorials/common_workflows.rst:149 msgid "" "Press **Apply** and **Ok** to apply and exit the G'MIC dialog. You'll now " "have flat colors beneath you line art. More details about this technique can " "be found in the tutorial `at Timothée Giet's blog `_." msgstr "" #: ../../tutorials/common_workflows.rst:153 msgid "Painting" msgstr "Малювання" #: ../../tutorials/common_workflows.rst:156 msgid "Starting from chaos" msgstr "Починаємо з хаосу" #: ../../tutorials/common_workflows.rst:158 msgid "" "Here, you start by making a mess through random shapes and texture, then " "taking inspirations from the resulting chaos you can form various concepts. " "It is kind of like making things from clouds or finding recognizable shapes " "of things in abstract and random textures. Many concept artists work with " "this technique." msgstr "" #: ../../tutorials/common_workflows.rst:160 msgid "" "You can use brushes like the shape brush, or the spray brush to paint a lot " "of different shapes, and from the resulting noise, you let your brain pick " "out shapes and compositions." msgstr "" #: ../../tutorials/common_workflows.rst:165 msgid "" "You then refine these shapes to look more like shapes you think they look, " "and paint them over with a normal paintbrush. This method is best done in a " "painting environment." msgstr "" #: ../../tutorials/common_workflows.rst:168 msgid "Starting from a value based underground" msgstr "Починаємо із підкладки на основі значень кольорів" #: ../../tutorials/common_workflows.rst:170 msgid "" "This method finds its origins in old oil-painting practice: You first make " "an under-painting and then paint over it with color, having the dark " "underground shine through." msgstr "" #: ../../tutorials/common_workflows.rst:172 msgid "" "With Krita you can use blending modes for this purpose. Choosing the color " "blending mode on a layer on top allows you to change the colors of the image " "without changing the relative luminosity. This is useful, because humans are " "much more sensitive to tonal differences than the difference in saturation " "and hue. This'll allow you to work in greyscale before going into color for " "the polishing phase." msgstr "" #: ../../tutorials/common_workflows.rst:174 msgid "" "You can find more about this technique `here `_." msgstr "" "Більше про цю методику можна дізнатися `тут `_." #: ../../tutorials/common_workflows.rst:177 msgid "Preparing Tiles and Textures" msgstr "Готуємо плитки і текстури" #: ../../tutorials/common_workflows.rst:179 msgid "" "Many artists use Krita to create textures for 3d assets used for games " "animation etc. Krita has many texture template for you to choose and get " "started with creating textures. These templates have common sizes, bit depth " "and color profiles that are used for texturing workflow." msgstr "" #: ../../tutorials/common_workflows.rst:181 msgid "" "Krita also has a real-time seamless tile mode to help texture artist prepare " "tiles and texture easily and check if it is seamless on the fly. The tiled " "mode is called wrap-around mode, to activate this mode you have press :kbd:" "`W`. No when you paint the canvas is tiled in real-time allowing you to " "create seamless pattern and texture, it is also easy to prepare interlocking " "patterns and motifs in this mode." msgstr "" #: ../../tutorials/common_workflows.rst:184 msgid "Creating Pixel Art" msgstr "Створюємо піксель-арт" #: ../../tutorials/common_workflows.rst:186 msgid "" "Krita can also be used to create a high definition pixel painting. The pixel " "art look can be achieved by using Index color filter layer and overlaying " "dithering patterns. The general layer stack arrangement is as shown below." msgstr "" #: ../../tutorials/common_workflows.rst:191 msgid "" "The index color filter maps specific user-selected colors to the grey scale " "value of the artwork. You can see the example below, the strip below the " "black and white gradient has an index color applied to it so that the black " "and white gradient gets the color selected to different values." msgstr "" "Фільтр індексування кольорів виконує прив'язування вибраних користувачем " "кольорів до відтінків сірого на художньому творі. Як можна бачити з " "прикладу, який наведено нижче, до смужки під чорно-білим градієнтом " "прив'язано індексовані кольори, тому результатом для різних значень є різні " "наперед визначені кольори." #: ../../tutorials/common_workflows.rst:196 msgid "" "You can choose the required colors and ramps in the index color filter " "dialog as shown below." msgstr "" "Ви можете вибрати потрібні кольори і рампи за допомогою вікна фільтра " "індексування кольорів, яке показано нижче." #: ../../tutorials/common_workflows.rst:201 msgid "" "Dithering can be used to enhance the look of the art and to ease the banding " "occurred by the index color filter. Krita has a variety of dithering " "patterns by default, these can be found in pattern docker. You can use these " "patterns as fill layer, then set the blend mode to **overlay** and adjust " "the opacity according to your liking. Generally, an opacity range of 10% - " "25% is ideal." msgstr "" #: ../../tutorials/common_workflows.rst:203 msgid "" "Paint the artwork in grey-scale and add an index color filter layer at the " "top then add the dithering pattern fill layer below the index color filter " "but above the artwork layer, as shown in the layer stack arrangement above. " "You can paint or adjust the artwork at any stage as we have added the index " "color filter as a filter layer." msgstr "" #: ../../tutorials/common_workflows.rst:205 msgid "" "You can add different groups for different colors and add different " "dithering patterns for each group." msgstr "" -"Ви можете додавати різні групи для різних кольорів і додавати різні візерунки" -" розмивання для кожної групи." +"Ви можете додавати різні групи для різних кольорів і додавати різні " +"візерунки розмивання для кожної групи." #: ../../tutorials/common_workflows.rst:207 msgid "Below is an example painted with this layer arrangement." msgstr "" "Нижче наведено приклад, який намальовано із описаним компонуванням шарів." diff --git a/locale/uk_UA/LC_MESSAGES/tutorials/flat-coloring.po b/locale/uk_UA/LC_MESSAGES/tutorials/flat-coloring.po index 418b7033a..af62415c1 100644 --- a/locale/uk_UA/LC_MESSAGES/tutorials/flat-coloring.po +++ b/locale/uk_UA/LC_MESSAGES/tutorials/flat-coloring.po @@ -1,994 +1,973 @@ # Translation of docs_krita_org_tutorials___flat-coloring.po to Ukrainian # Copyright (C) 2019 This_file_is_part_of_KDE # This file is distributed under the license LGPL version 2.1 or # version 3 or later versions approved by the membership of KDE e.V. # # Yuri Chornoivan , 2019. msgid "" msgstr "" "Project-Id-Version: docs_krita_org_tutorials___flat-coloring\n" "Report-Msgid-Bugs-To: \n" -"POT-Creation-Date: 2019-04-13 03:33+0200\n" +"POT-Creation-Date: 2019-04-14 03:33+0200\n" "PO-Revision-Date: 2019-04-13 08:55+0300\n" "Last-Translator: Yuri Chornoivan \n" "Language-Team: Ukrainian \n" "Language: uk\n" "MIME-Version: 1.0\n" "Content-Type: text/plain; charset=UTF-8\n" "Content-Transfer-Encoding: 8bit\n" "Plural-Forms: nplurals=4; plural=n==1 ? 3 : n%10==1 && n%100!=11 ? 0 : n" "%10>=2 && n%10<=4 && (n%100<10 || n%100>=20) ? 1 : 2;\n" "X-Generator: Lokalize 19.03.70\n" #: ../../:2 msgid "" ".. image:: images/icons/Krita_mouse_left.png\n" " :alt: mouseleft" msgstr "" ".. image:: images/icons/Krita_mouse_left.png\n" " :alt: mouseleft" #: ../../:4 msgid "" ".. image:: images/icons/Krita_mouse_right.png\n" " :alt: mouseright" msgstr "" ".. image:: images/icons/Krita_mouse_right.png\n" " :alt: mouseright" +#: ../../tutorials/flat-coloring.rst:0 +msgid "" +".. image:: images/en/flat-coloring/Krita_filling_lineart_selection_1.png" +msgstr "" +".. image:: images/en/flat-coloring/Krita_filling_lineart_selection_1.png" + +#: ../../tutorials/flat-coloring.rst:0 +msgid "" +".. image:: images/en/flat-coloring/Krita_filling_lineart_selection_2.png" +msgstr "" +".. image:: images/en/flat-coloring/Krita_filling_lineart_selection_2.png" + +#: ../../tutorials/flat-coloring.rst:0 +msgid ".. image:: images/en/flat-coloring/Krita_filling_lineart_mask_1.png" +msgstr ".. image:: images/en/flat-coloring/Krita_filling_lineart_mask_1.png" + +#: ../../tutorials/flat-coloring.rst:0 +msgid ".. image:: images/en/flat-coloring/Krita_filling_lineart_mask_2.png" +msgstr ".. image:: images/en/flat-coloring/Krita_filling_lineart_mask_2.png" + +#: ../../tutorials/flat-coloring.rst:0 +msgid ".. image:: images/en/flat-coloring/Krita_filling_lineart_mask_3.png" +msgstr ".. image:: images/en/flat-coloring/Krita_filling_lineart_mask_3.png" + #: ../../tutorials/flat-coloring.rst:None msgid "" ".. image:: images/en/flat-coloring/Krita_filling_lineart14.png\n" " :alt: layer structure for flatting in krita" msgstr "" ".. image:: images/en/flat-coloring/Krita_filling_lineart14.png\n" " :alt: layer structure for flatting in krita" #: ../../tutorials/flat-coloring.rst:None msgid "" ".. image:: images/en/flat-coloring/Krita_filling_lineart1.png\n" " :alt: blend mode setup of line art flat coloring" msgstr "" ".. image:: images/en/flat-coloring/Krita_filling_lineart1.png\n" " :alt: Налаштовування режиму змішування для розфарбовування графіки" #: ../../tutorials/flat-coloring.rst:None msgid "" ".. image:: images/en/flat-coloring/Krita_filling_lineart2.png\n" " :alt: effects of multiply blend mode" msgstr "" ".. image:: images/en/flat-coloring/Krita_filling_lineart2.png\n" " :alt: ефекти режиму злиття множенням" #: ../../tutorials/flat-coloring.rst:None msgid "" ".. image:: images/icons/fill_tool.svg\n" " :alt: fill-tool icon" msgstr "" ".. image:: images/icons/fill_tool.svg\n" " :alt: Піктограма інструмента заповнення" #: ../../tutorials/flat-coloring.rst:None msgid "" ".. image:: images/en/flat-coloring/Krita_filling_lineart7.png\n" " :alt: colors filled with fill tool" msgstr "" ".. image:: images/en/flat-coloring/Krita_filling_lineart7.png\n" " :alt: Заповнення кольором за допомогою інструмента заповнення" #: ../../tutorials/flat-coloring.rst:None msgid "" ".. image:: images/en/flat-coloring/Krita_filling_lineart15.png\n" " :alt: selecting with selection tools for filling color" msgstr "" ".. image:: images/en/flat-coloring/Krita_filling_lineart15.png\n" " :alt: Позначення за допомогою інструментів позначення для заповнення " "кольором" #: ../../tutorials/flat-coloring.rst:None msgid "" ".. image:: images/en/flat-coloring/Krita_filling_lineart16.png\n" " :alt: selection mask in Krita" msgstr "" ".. image:: images/en/flat-coloring/Krita_filling_lineart16.png\n" " :alt: Маска позначення у Krita" #: ../../tutorials/flat-coloring.rst:None msgid "" ".. image:: images/en/flat-coloring/Krita_filling_lineart17.png\n" " :alt: filling color in selection" msgstr "" ".. image:: images/en/flat-coloring/Krita_filling_lineart17.png\n" " :alt: Заповнення кольором у позначеній області" #: ../../tutorials/flat-coloring.rst:None msgid "" ".. image:: images/en/flat-coloring/Krita_filling_lineart18.png\n" " :alt: result of coloring made with the help of selection tools" msgstr "" ".. image:: images/en/flat-coloring/Krita_filling_lineart18.png\n" " :alt: Результат розфарбовування за допомогою інструментів позначення" #: ../../tutorials/flat-coloring.rst:None msgid "" ".. image:: images/en/flat-coloring/Krita_filling_lineart8.png\n" " :alt: filling color in line art using path tool" msgstr "" ".. image:: images/en/flat-coloring/Krita_filling_lineart8.png\n" " :alt: Заповнення кольором графіки за допомогою інструмента контурів" #: ../../tutorials/flat-coloring.rst:None msgid "" ".. image:: images/en/flat-coloring/Krita_filling_lineart9.png\n" " :alt: erasing with path tool" msgstr "" ".. image:: images/en/flat-coloring/Krita_filling_lineart9.png\n" " :alt: Витирання за допомогою інструмента контуру" #: ../../tutorials/flat-coloring.rst:None msgid "" ".. image:: images/en/flat-coloring/Krita_filling_lineart10.png\n" " :alt: coloring with colorize mask" msgstr "" ".. image:: images/en/flat-coloring/Krita_filling_lineart10.png\n" " :alt: Зафарбовування за допомогою маски розфарбовування" #: ../../tutorials/flat-coloring.rst:None msgid "" ".. image:: images/en/flat-coloring/Krita_filling_lineart11.png\n" " :alt: result from the colorize mask" msgstr "" ".. image:: images/en/flat-coloring/Krita_filling_lineart11.png\n" " :alt: Результат застосування маски розфарбовування" #: ../../tutorials/flat-coloring.rst:None msgid "" ".. image:: images/en/flat-coloring/Krita_filling_lineart12.png\n" " :alt: slitting colors into islands" msgstr "" ".. image:: images/en/flat-coloring/Krita_filling_lineart12.png\n" " :alt: Розрізання кольорів на острови" #: ../../tutorials/flat-coloring.rst:None msgid "" ".. image:: images/en/flat-coloring/Krita_filling_lineart13.png\n" " :alt: resulting color islands from split layers" msgstr "" ".. image:: images/en/flat-coloring/Krita_filling_lineart13.png\n" " :alt: Кольорові острови — результати поділу шарів" -#: ../../tutorials/flat-coloring.rst:0 -msgid "" -".. image:: images/en/flat-coloring/Krita_filling_lineart_selection_1.png" -msgstr "" -".. image:: images/en/flat-coloring/Krita_filling_lineart_selection_1.png" - -#: ../../tutorials/flat-coloring.rst:0 -msgid "" -".. image:: images/en/flat-coloring/Krita_filling_lineart_selection_2.png" -msgstr "" -".. image:: images/en/flat-coloring/Krita_filling_lineart_selection_2.png" - -#: ../../tutorials/flat-coloring.rst:0 -msgid ".. image:: images/en/flat-coloring/Krita_filling_lineart_mask_1.png" -msgstr ".. image:: images/en/flat-coloring/Krita_filling_lineart_mask_1.png" - -#: ../../tutorials/flat-coloring.rst:0 -msgid ".. image:: images/en/flat-coloring/Krita_filling_lineart_mask_2.png" -msgstr ".. image:: images/en/flat-coloring/Krita_filling_lineart_mask_2.png" - -#: ../../tutorials/flat-coloring.rst:0 -msgid ".. image:: images/en/flat-coloring/Krita_filling_lineart_mask_3.png" -msgstr ".. image:: images/en/flat-coloring/Krita_filling_lineart_mask_3.png" - #: ../../tutorials/flat-coloring.rst:1 msgid "Common workflows used in Krita" msgstr "Типові робочі процедури у Krita" #: ../../tutorials/flat-coloring.rst:13 msgid "Flat Coloring" msgstr "Однотонне зафарбовування" #: ../../tutorials/flat-coloring.rst:15 msgid "" "So you've got a cool black on white drawing, and now you want to color it! " "The thing we’ll aim for in this tutorial is to get your line art colored in " "with flat colors. So no shading just yet. We’ll be going through some " "techniques for preparing the line art, and we’ll be using the layer docker " "to put each color on a separate layer, so we can easily access each color " "when we add shading." msgstr "" "Отже, нехай у вас є чудовий чорно-білий малюнок і ви хочете розфарбувати " "його! Питання, яке ми розглянемо у цьому розділі підручника, пов'язане із " "розфарбовуванням графіки простими кольорами. Отже, питання малювання тіней " "не розглядатимемо. Ми ознайомимося із декількома методиками приготування " "графіки, потім скористаємося бічною панеллю шарів для розташовування кожного " "з кольорів у окремому шарі, щоб полегшити до нього доступ і, згодом, додати " "тіні." #: ../../tutorials/flat-coloring.rst:17 msgid "" "This tutorial is adapted from this `tutorial `_ by " "the original author." msgstr "" "Цей розділ підручника написано на основі `цього підручника `_." #: ../../tutorials/flat-coloring.rst:20 msgid "Understanding Layers" msgstr "Поняття шарів" #: ../../tutorials/flat-coloring.rst:22 msgid "" "To fill line art comfortably, it's best to take advantage of the layerstack. " "The layer stack is pretty awesome, and it's one of those features that make " "digital art super-convenient." msgstr "" "Для зручного розмальовування графіки варто скористатися перевагами стосу " "шарів. Стос шарів є чудовим винаходом — це одна з можливостей, які роблять " "цифрове малювання надзвичайно зручним." #: ../../tutorials/flat-coloring.rst:24 msgid "" "In traditional art, it is not uncommon to first draw the full background " "before drawing the subject. Or to first draw a line art and then color it " "in. Computers have a similar way of working." msgstr "" "У традиційному малюванні доволі поширеними є методики малювання усього тла " "до малювання об'єкта картини. Також часто малюють графіку, а потім її " "розфарбовують. На комп'ютерах використовують подібні ж підходи до побудови " "картин." #: ../../tutorials/flat-coloring.rst:26 msgid "" "In programming, if you tell a computer to draw a red circle, and then " "afterwards tell it to draw a smaller yellow circle, you will see the small " "yellow circle overlap the red circle. Switch the commands around, and you " "will not see the yellow circle at all: it was drawn before the red circle " "and thus ‘behind’ it." msgstr "" "У програмуванні якщо ви накажете комп'ютеру намалювати червоне коло, а потім " "намалювати на ньому менше жовте коло, результатом буде перекриття жовтим " "колом червоного. Поміняйте команди малювання місцями, і ви не побачите " "жовтого кола взагалі: його було намальовано до червоного кола, а отже, воно " "опиниться «під» червоним колом." #: ../../tutorials/flat-coloring.rst:28 msgid "" "This is referred to as the “drawing order”. So like the traditional artist, " "the computer will first draw the images that are behind everything, and " "layer the subject and foreground on top of it. The layer docker is a way for " "you to control the drawing order of multiple images, so for example, you can " "have your line art drawn later than your colors, meaning that the lines will " "be drawn over the colors, making it easier to make it neat!" msgstr "" "Результат визначається тим, що ми називаємо «порядок малювання». Отже, " "подібно до традиційного художника, комп'ютер спершу малює зображення, які " "розташовуються на задньому плані, і накладає об'єкт і передній план на " "нього. За допомогою бічної панелі шарів ви можете керувати порядком " "малювання декількох зображень, зокрема, наприклад, ви можете намалювати " "графіку пізніше за кольори, тобто лінії буде намальовано над кольорами, що " "полегшує створення акуратних малюнків!" #: ../../tutorials/flat-coloring.rst:30 msgid "" "Other things that a layer stack can do are blending the colors of different " "layers differently with blending modes, using a filter in the layer stack, " "or using a mask that allows you to make parts transparent." msgstr "" "Серед інших речей, які можна робити за допомогою стосу шарів, є змішування " "кольорів різних шарів по-різному за допомогою режимів змішування, " "використання фільтра у стосі шарів та використання маски, яка уможливлює " "перетворення частин зображення на прозорі." #: ../../tutorials/flat-coloring.rst:32 msgid "" "Programmers talk about transparency as ''Alpha'', which is because the 'a' " "symbol is used to present transparency in the algorithms for painting one " "color on top of another. Usually when you see the word ''Alpha'' in a " "graphics program, just think of it as affecting the transparency." msgstr "" "Програмісти називають прозорість «альфою», оскільки символ «α» " "використовується для позначення прозорості у алгоритмах для малювання одного " "кольору над іншим. Зазвичай, якщо ви бачите слово «альфа» у графічній " "програмі, це щось, що впливає на прозорість." #: ../../tutorials/flat-coloring.rst:35 msgid "Preparing your line art" msgstr "Приготування вашої графіки" #: ../../tutorials/flat-coloring.rst:37 msgid "" "Put the new layer underneath the layer containing the line art (drag and " "drop or use the up/down arrows for that), and draw on it." msgstr "" "Розташуйте новий шар під шаром графіки (перетягуванням зі скиданням або за " "допомогою кнопок зі стрілками вгору-вниз) і малюйте на ньому." #: ../../tutorials/flat-coloring.rst:42 msgid "" "…And notice nothing happening. This is because the white isn’t transparent. " "You wouldn’t really want it to either, how else would you make convincing " "highlights? So what we first need to do to color in our drawing is prepare " "our line art. There’s several methods of doing so, each with varying " "qualities." msgstr "" "…І нічого не станеться. Причиною є те, що білий колір не є прозорим. І " "навряд чи нам потрібно робити його прозорим. Як же інакше можна створити " "переконливі виблиски на зображенні? Для розфарбовування нашого зображення " "нам спершу доведеться приготувати графіку. Існує декілька способів зробити " "це, і у кожного з цих способів є власні особливості." #: ../../tutorials/flat-coloring.rst:45 msgid "The Multiply Blending Mode" msgstr "Режим змішування «Множення»" #: ../../tutorials/flat-coloring.rst:47 msgid "" "So, typically, to get a black and white line art usable for coloring, you " "can set the blending mode of the line art layer to Multiply. You do this by " "selecting the layer and going to the drop-down that says **Normal** and " "setting that to **Multiply**." msgstr "" "Отже, типово, для того, щоб чорно-біла графіка стала придатною для " "розфарбовування, вам слід встановити режим змішування для шару графіки у " "значення «Множення». Для цього позначте шар у списку шарів і виберіть у " "спадному списку, не типовим значенням є **Звичайний** пункт **Множення**." #: ../../tutorials/flat-coloring.rst:52 msgid "And then you should be able to see your colors!" msgstr "І тепер ви маєте побачити ваші кольори!" #: ../../tutorials/flat-coloring.rst:54 msgid "" "Multiply is not a perfect solution however. For example, if through some " "image editing magic I make the line art blue, it results into this:" msgstr "" "Втім, множення не є ідеальним рішенням. Наприклад, якщо за допомогою певних " "трюків із редагування зображення вдасться зробити графіку синьою, результат " "виглядатиме так:" #: ../../tutorials/flat-coloring.rst:59 msgid "" "This is because multiply literally multiplies the colors. So it uses maths!" msgstr "" "Причиною є те, що множення буквально множить кольори між собою. Отже, маємо " "справу із математикою!" #: ../../tutorials/flat-coloring.rst:61 msgid "" "What it first does is take the values of the RGB channels, then divides them " "by the max (because we're in 8bit, this is 255), a process we call " "normalising. Then it multiplies the normalised values. Finally, it takes the " "result and multiplies it with 255 again to get the result values." msgstr "" "У цьому режимі програма спочатку визначає значення каналів RGB, потім ділить " "їх на максимальне значення (оскільки маємо справу із 8-бітовими каналами, це " "значення дорівнює 255), тобто виконує процедуру, яка називається " "нормалізацією. Потім програма множить нормалізовані значення. Нарешті, " "програма множить результат на 255 знову, щоб отримати остаточний результат." #: ../../tutorials/flat-coloring.rst:67 msgid "Pink" msgstr "Рожевий" #: ../../tutorials/flat-coloring.rst:68 msgid "Pink (normalised)" msgstr "Рожевий (нормалізований)" #: ../../tutorials/flat-coloring.rst:69 ../../tutorials/flat-coloring.rst:87 msgid "Blue" msgstr "Синій" #: ../../tutorials/flat-coloring.rst:70 msgid "Blue (normalised)" msgstr "Синій (нормалізований)" #: ../../tutorials/flat-coloring.rst:71 msgid "Normalised, multiplied" msgstr "Нормалізовано, множення" #: ../../tutorials/flat-coloring.rst:72 msgid "Result" msgstr "Результат" #: ../../tutorials/flat-coloring.rst:73 msgid "Red" msgstr "Червоний" #: ../../tutorials/flat-coloring.rst:74 msgid "222" msgstr "222" #: ../../tutorials/flat-coloring.rst:75 msgid "0.8705" msgstr "0.8705" #: ../../tutorials/flat-coloring.rst:76 msgid "92" msgstr "92" #: ../../tutorials/flat-coloring.rst:77 msgid "0.3607" msgstr "0.3607" #: ../../tutorials/flat-coloring.rst:78 msgid "0.3139" msgstr "0.3139" #: ../../tutorials/flat-coloring.rst:79 msgid "80" msgstr "80" #: ../../tutorials/flat-coloring.rst:80 msgid "Green" msgstr "Зелений" #: ../../tutorials/flat-coloring.rst:81 msgid "144" msgstr "144" #: ../../tutorials/flat-coloring.rst:82 msgid "0.5647" msgstr "0.5647" #: ../../tutorials/flat-coloring.rst:83 msgid "176" msgstr "176" #: ../../tutorials/flat-coloring.rst:84 msgid "0.6902" msgstr "0.6902" #: ../../tutorials/flat-coloring.rst:85 msgid "0.3897" msgstr "0.3897" #: ../../tutorials/flat-coloring.rst:86 msgid "99" msgstr "99" #: ../../tutorials/flat-coloring.rst:88 msgid "123" msgstr "123" #: ../../tutorials/flat-coloring.rst:89 msgid "0.4823" msgstr "0.4823" #: ../../tutorials/flat-coloring.rst:90 msgid "215" msgstr "215" #: ../../tutorials/flat-coloring.rst:91 msgid "0.8431" msgstr "0.8431" #: ../../tutorials/flat-coloring.rst:92 msgid "0.4066" msgstr "0.4066" #: ../../tutorials/flat-coloring.rst:93 msgid "103" msgstr "103" #: ../../tutorials/flat-coloring.rst:95 msgid "" "This isn't completely undesirable, and a lot of artists use this effect to " "add a little richness to their colors." msgstr "" "Цей ефект не є повністю небажаним. Багато художників використовують його для " "того, щоб дещо збагатити кольори зображення." #: ../../tutorials/flat-coloring.rst:98 ../../tutorials/flat-coloring.rst:127 #: ../../tutorials/flat-coloring.rst:154 ../../tutorials/flat-coloring.rst:173 #: ../../tutorials/flat-coloring.rst:210 ../../tutorials/flat-coloring.rst:247 #: ../../tutorials/flat-coloring.rst:275 ../../tutorials/flat-coloring.rst:317 msgid "Advantages" msgstr "Переваги" #: ../../tutorials/flat-coloring.rst:100 msgid "" "Easy, can work to your benefit even with colored lines by softening the look " "of the lines while keeping nice contrast." msgstr "" "Простий, може працювати з користю, навіть із кольоровими лініями, " "пом'якшуючи вигляд ліній і зберігаючи чудовий контраст." #: ../../tutorials/flat-coloring.rst:103 ../../tutorials/flat-coloring.rst:132 #: ../../tutorials/flat-coloring.rst:159 ../../tutorials/flat-coloring.rst:178 #: ../../tutorials/flat-coloring.rst:215 ../../tutorials/flat-coloring.rst:252 #: ../../tutorials/flat-coloring.rst:280 ../../tutorials/flat-coloring.rst:322 msgid "Disadvantages" msgstr "Недоліки" #: ../../tutorials/flat-coloring.rst:105 msgid "Not actually transparent. Is a little funny with colored lines." msgstr "Не є насправді прозорим. Не дуже добре працює із кольоровими лініями." #: ../../tutorials/flat-coloring.rst:108 msgid "Using Selections" msgstr "Користування позначенням" #: ../../tutorials/flat-coloring.rst:110 msgid "" "The second method is one where we'll make it actually transparent. In other " "programs this would be done via the channel docker, but Krita doesn't do " "custom channels, instead it uses Selection Masks to store custom selections." msgstr "" "Другий метод полягає у перетворенні тла графіки на справді прозоре. У інших " "програмах, це можна зробити за допомогою бічної панелі каналів, але Krita не " "працює із нетиповими каналами, замість цього програма використовує маски " "позначення для зберігання даних нетипових позначених ділянок." #: ../../tutorials/flat-coloring.rst:112 msgid "Duplicate your line art layer." msgstr "Здублюйте ваш шар графіки." #: ../../tutorials/flat-coloring.rst:114 msgid "" "Convert the duplicate to a selection mask. |mouseright| the layer, then :" "menuselection:`Convert --> to Selection Mask`." msgstr "" "Перетворіть дублікат на маску вибору. |mouseright| на пункті шару, далі :" "menuselection:`Перетворити --> на маску вибору`." #: ../../tutorials/flat-coloring.rst:118 msgid "" "Invert the selection mask. :menuselection:`Select --> Invert Selection`." msgstr "" "Інвертуйте маску позначення. :menuselection:`Вибір --> Інвертувати вибір`." #: ../../tutorials/flat-coloring.rst:120 msgid "" "Make a new layer, and do :menuselection:`Edit --> Fill with Foreground " "Color`." msgstr "" "Створіть шар і скористайтеся пунктом меню :menuselection:`Зміни --> " "Заповнити кольором переднього плану`." #: ../../tutorials/flat-coloring.rst:124 msgid "And you should now have the line art on a separate layer." msgstr "Тепер графіку має бути розташовано на окремому шарі." #: ../../tutorials/flat-coloring.rst:129 msgid "Actual transparency." msgstr "Справжня прозорість" #: ../../tutorials/flat-coloring.rst:134 msgid "Doesn't work when the line art is colored." msgstr "Не працює, якщо графіку розфарбовано." #: ../../tutorials/flat-coloring.rst:137 msgid "Using Masks" msgstr "Користування масками" #: ../../tutorials/flat-coloring.rst:139 msgid "This is a simpler variation of the above." msgstr "Це простіший різновид описаного вище." #: ../../tutorials/flat-coloring.rst:141 msgid "Make a filled layer underneath the line art layer." msgstr "Створіть заповнений шар під шаром графіки." #: ../../tutorials/flat-coloring.rst:145 msgid "" "Convert the line art layer to a transparency mask |mouseright| the layer, " "then :menuselection:`Convert --> to Transparency Mask`." msgstr "" "Перетворіть шар графіки на маску прозорості: клацніть |mouseright| на пункті " "шару, виберіть пункт :menuselection:`Перетворити --> на маску прозорості`." #: ../../tutorials/flat-coloring.rst:149 msgid "" "Invert the transparency mask by going to :menuselection:`Filter --> Adjust --" "> Invert`" msgstr "" "Оберніть маску прозорості за допомогою пункту меню :menuselection:`Фільтр --" "> Скоригувати --> Інвертувати`" #: ../../tutorials/flat-coloring.rst:156 msgid "" "Actual transparency. You can also very easily doodle a pattern on the filled " "layer where the mask is on without affecting the transparency." msgstr "" "Справжня прозорість. Крім того, ви можете дуже просто намалювати візерунок " "на заповненому шарі, де зберігається маска, без зміни прозорості." #: ../../tutorials/flat-coloring.rst:161 msgid "" "Doesn't work when the line art is colored already. We can still get faster." msgstr "Не працює, якщо графіку вже розфарбовано. Могло б працювати і швидше." #: ../../tutorials/flat-coloring.rst:164 msgid "Using Color to Alpha" msgstr "Перетворення кольору на альфу (канал прозорості)" #: ../../tutorials/flat-coloring.rst:166 msgid "By far the fastest way to get transparent line art." msgstr "У поточній версії, найшвидший спосіб створити прозору графіку." #: ../../tutorials/flat-coloring.rst:168 msgid "" "Select the line art layer and apply the color to alpha filter. :" "menuselection:`Filter --> Colors --> Color to Alpha`. The default values " "should be sufficient for line art." msgstr "" "Позначте пункт шару графіки і застосуйте фільтр перетворення кольору на " "прозорість. :menuselection:`Фільтр --> Колір --> Колір до альфи`. Типові " "значення мають бути достатніми для графіки." #: ../../tutorials/flat-coloring.rst:171 msgid "" ".. image:: images/en/flat-coloring/Krita_filling_lineart_color_to_alpha.png" msgstr "" ".. image:: images/en/flat-coloring/Krita_filling_lineart_color_to_alpha.png" #: ../../tutorials/flat-coloring.rst:175 msgid "" "Actual transparency. Works with colored line art as well, because it removes " "the white specifically." msgstr "" "Справжня прозорість. Працює із кольоровою графікою, оскільки вилучає лише " "білий колір." #: ../../tutorials/flat-coloring.rst:180 msgid "" "You'll have to lock the layer transparency or separate out the alpha via the " "right-click menu if you want to easily color it." msgstr "" "Вам слід заблокувати прозорість шару і відокремити альфу за допомогою " "контекстного меню, якщо хочете без проблем розфарбувати його." #: ../../tutorials/flat-coloring.rst:184 msgid "Coloring the image" msgstr "Розфарбовування зображення" #: ../../tutorials/flat-coloring.rst:186 msgid "" "Much like preparing the line art, there are many different ways of coloring " "a layer." msgstr "" "Дуже подібно до приготування графіки, існує багато різних способів " "розфарбовування шару." #: ../../tutorials/flat-coloring.rst:188 msgid "" "You could for example fill in everything by hand, but while that is very " "precise it also takes a lot of work. Let's take a look at the other options, " "shall we?" msgstr "" "Ви, наприклад, можете заповнити усе вручну, але хоча це дає надзвичайну " "точність, це потребує багато зусиль. Може розглянемо інші варіанти?" #: ../../tutorials/flat-coloring.rst:191 msgid "Fill Tool" msgstr "Інструмент «Заповнення»" #: ../../tutorials/flat-coloring.rst:196 msgid "" "In most cases the fill-tool can’t deal with the anti-aliasing (the soft edge " "in your line art to make it more smooth when zoomed out) In Krita you have " "the grow-shrink option. Setting that to say… 2 expands the color two pixels." msgstr "" "У більшості випадків інструмент заповнення кольором не може працювати зі " "згладженими ділянками (пом'якшенням меж графіки з метою зробити графіку " "плавнішою при зменшенні масштабу). У Krita ви можете скористатися дією " "розтягування-стискання. Встановімо, наприклад, значення… 2, щоб розтягнути " "колір на два пікселі." #: ../../tutorials/flat-coloring.rst:198 -#| msgid "" -#| "Threshold decides when the fill-tool should consider a different color " -#| "pixel to be a border. And the feathering adds a extra soft border to the " -#| "fill." msgid "" "Threshold decides when the fill-tool should consider a different color pixel " "to be a border. And the feathering adds an extra soft border to the fill." msgstr "" "Поріг визначає значення, за якого інструмент заповнення кольором вважатиме " "колір відмінним від кольору межі. Згладжування додає додаткову м'яку межу " "ділянці заповнення." #: ../../tutorials/flat-coloring.rst:200 msgid "" "Now, if you click on a gapless-part of the image with your preferred color… " "(Remember to set the opacity to 1.0!)" msgstr "" "Тепер, якщо ви клацнете на частині зображення без прогалин, використовуючи " "пензель і бажаним кольором… (не забудьте встановити непрозорість у значення " "1.0!)" #: ../../tutorials/flat-coloring.rst:202 msgid "" "Depending on your line art, you can do flats pretty quickly. But setting the " "threshold low can result in little artifacts around where lines meet:" msgstr "" "Залежно від вашої графіки, ви зможете створювати заповнені ділянки доволі " "швидко. Але встановлення низького порогового значення може призвести до " "певних дефектів у місцях, де з'єднуються лінії:" #: ../../tutorials/flat-coloring.rst:207 msgid "" "However, setting the threshold high can end with the fill not recognizing " "some of the lighter lines. Besides these little artifacts can be removed " "with the brush easily." msgstr "" "Втім, встановлення надто високого порогового значення може призвести до " "того, що при заповненні не буде враховано деякі світлі лінії. Втім, ці " "невеличкі дефекти може бути без проблем усунуто за допомогою пензля." #: ../../tutorials/flat-coloring.rst:212 msgid "Pretty darn quick depending on the available settings." msgstr "Доволі швидко, залежно від доступних параметрів." #: ../../tutorials/flat-coloring.rst:217 msgid "" "Again, not great with gaps or details. And it works best with aliased line " "art." msgstr "" "Знову ж таки, не дуже добре працює із прогалинами або деталями. Найкраще " "працює із творами із незгладженими лініями." #: ../../tutorials/flat-coloring.rst:220 msgid "Selections" msgstr "Позначення" #: ../../tutorials/flat-coloring.rst:222 msgid "Selections work using the selection tools." msgstr "Позначення виконується за допомогою інструментів позначення." #: ../../tutorials/flat-coloring.rst:227 msgid "" "For example with the :ref:`bezier_curve_selection_tool` you can easily " "select a curved area, and the with :kbd:`Shift` + |mouseleft| (not |" "mouseleft| + :kbd:`Shift`, there's a difference!) you can easily add to an " "existing selection." msgstr "" "Наприклад, за допомогою :ref:`інструмента позначення кривою Безьє " "` ви можете без проблем позначити ділянку із " "криволінійною межею, а потім за допомогою комбінації :kbd:`Shift` + |" "mouseleft| (не |mouseleft| + :kbd:`Shift`, — це різні комбінації!) ви можете " "без проблем додати нові позначення до наявного позначення." #: ../../tutorials/flat-coloring.rst:232 msgid "" "You can also edit the selection if you have :menuselection:`Select --> Show " "Global Selection Mask` turned on. Then you can select the global selection " "mask, and paint on it. (Above with the alternative selection mode, activated " "in the lower-left corner of the stats bar)" msgstr "" "Ви також можете редагувати позначену ділянку, якщо позначено пункт меню :" "menuselection:`Вибір --> Показати маску загального вибору`. Потім ви можете " "вибрати маску загального вибору і малювати на ній. (Вище за допомогою " "альтернативного режиму вибору, який можна задіяти у нижньому лівому куті " "смужки стану.)" #: ../../tutorials/flat-coloring.rst:234 msgid "" "When done, select the color you want to fill it with and press :kbd:`Shift` " "+ `backspace`." msgstr "" "Коли справу буде зроблено, виберіть потрібний колір заповнення і натисніть " "комбінацію клавіш :kbd:`Shift` + `Backspace`." #: ../../tutorials/flat-coloring.rst:239 msgid "" "You can save selections in selection masks by |mouseright| a layer, and then " "going to :menuselection:`Add --> Local Selection`. You first need to " "deactivate a selection by pressing the circle before adding a new selection." msgstr "" "Ви можете зберегти позначені ділянки у масках позначення за допомогою " "клацання |mouseright| на шарі із наступним вибором пункту меню :" "menuselection:`Додати --> Локальне позначення`. Спочатку вам слід " "деактивувати позначене натисканням кола перед додаванням нового позначення." #: ../../tutorials/flat-coloring.rst:241 msgid "" "This can serve as an alternative way to split out different parts of the " "image, which is good for more painterly pieces:" msgstr "" "Це може слугувати альтернативним способом виділення частин на зображенні, а " "це добре для створення фрагментів, які імітуватимуть малювання олійною " "фарбою:" #: ../../tutorials/flat-coloring.rst:249 msgid "A bit more precise than filling." msgstr "Трохи точніше за заповнення." #: ../../tutorials/flat-coloring.rst:254 msgid "Previewing your color isn't as easy." msgstr "Попередній перегляд кольору не є таким простим." #: ../../tutorials/flat-coloring.rst:257 msgid "Geometric tools" msgstr "Геометричні інструменти" #: ../../tutorials/flat-coloring.rst:259 msgid "" "So you have a tool for making rectangles or circles. And in the case of " "Krita, a tool for bezier curves. Select the path tool (|path tool|), and set " "the tool options to fill=foreground and outline=none. Make sure that your " "opacity is set to 1.00 (fully opaque)." msgstr "" "Отже, у вашому розпорядженні є інструмент для створення прямокутників або " "кіл. І, у випадку Krita, ви маєте інструмент для створення кривих Безьє. " "Виберіть інструмент контурів (|path tool|) і встановіть для параметрів " "інструмента значення заповнення кольором переднього плану, а для контуру " "значення «Немає». Встановіть значення непрозорості 1.00 (повна непрозорість)." #: ../../tutorials/flat-coloring.rst:262 msgid "" ".. image:: images/icons/bezier_curve.svg\n" " :alt: path tool" msgstr "" ".. image:: images/icons/bezier_curve.svg\n" " :alt: Інструмент малювання контурів" #: ../../tutorials/flat-coloring.rst:264 msgid "" "By clicking and holding, you can influence how curvy a line draw with the " "path tool is going to be. Letting go of the mouse button confirms the " "action, and then you’re free to draw the next point." msgstr "" "Клацанням і утриманням натиснутою кнопки миші ви можете впливати на те, " "наскільки викривленою буде лінія контуру. Відпускання кнопки миші завершує " "дію, і ви можете переходити до малювання наступної точки." #: ../../tutorials/flat-coloring.rst:269 msgid "" "You can also erase with a geometric tool. Just press :kbd:`E` or the eraser " "button." msgstr "" "Ви також можете витирати геометричним інструментом. Просто натисніть " "клавішу :kbd:`E` або кнопку гумки." #: ../../tutorials/flat-coloring.rst:277 msgid "" "Quicker than using the brush or selections. Also decent with line art that " "contains gaps." msgstr "" "Швидше, ніж використання пензля або позначення ділянок. Крім того, добре " "працює із графікою, у якій є прогалини." #: ../../tutorials/flat-coloring.rst:282 msgid "" "Fiddly details aren’t easy to fill in with this. So I recommend skipping " "those and filling them in later with a brush." msgstr "" "Цим інструментом важко заповнювати малюсінькі деталі. Рекомендуємо не робити " "цього і заповнити їх згодом за допомогою пензля." #: ../../tutorials/flat-coloring.rst:285 msgid "Colorize Mask" msgstr "Маска розфарбовування" #: ../../tutorials/flat-coloring.rst:287 msgid "" "So, this is a bit of an odd one. In the original tutorial, you'll see I'm " "suggesting using G'Mic, but that was a few years ago, and g'mic is a little " "unstable on windows. Therefore, the Krita developers have been attempting to " "make an internal tool doing the same." msgstr "" "Цей спосіб є дещо незвичним. У початковій версії підручника ви можете знайти " "рекомендацію щодо використання G'Mic. Але це було декілька років тому, а " "G'Mic працює дещо нестабільно у Windows. З цієї причини розробниками Krita " "було зроблено спробу створення вбудованого інструмента, який би виконував ті " "самі завдання." #: ../../tutorials/flat-coloring.rst:289 msgid "" "It is disabled in 3.1, but if you use 4.0 or later, it is in the toolbox. " "Check the Colorize Mask for more information." msgstr "" "Цю можливість вимкнено у 3.1, але якщо ви працюєте із версією 4.0 або " "новішою, відповідна кнопка є у наборі інструментів. Ознайомтеся із розділом " "щодо масок розфарбовування, щоб дізнатися більше." #: ../../tutorials/flat-coloring.rst:291 msgid "So it works like this:" msgstr "Отже, маска працює так:" #: ../../tutorials/flat-coloring.rst:293 msgid "Select the colorize mask tool." msgstr "Виберіть інструмент «Маска розфарбовування»" #: ../../tutorials/flat-coloring.rst:294 msgid "Tick the layer you're using." msgstr "Позначте пункт шару, яким ви користуйтеся." #: ../../tutorials/flat-coloring.rst:295 -#| msgid "Paint the colors your want to use on the colorize mask" msgid "Paint the colors you want to use on the colorize mask" msgstr "" "Намалюйте щось кольорами, які ви використовуватимете для маски " "розфарбовування" #: ../../tutorials/flat-coloring.rst:296 msgid "Click update to see the results:" msgstr "Натисніть кнопку :guilabel:`Оновити`, щоб переглянути результати:" #: ../../tutorials/flat-coloring.rst:301 -#| msgid "" -#| "When you are satisfied, |mouseright| the colorize mask, and go to :" -#| "menuselection:`Convert --> Paint Layer`. This will turn the colorize mask " -#| "to a generic paint layer. Then, you can fix the last issues by aking the " -#| "line art semi-transparent and painting the flaws away with a pixel art " -#| "brush." msgid "" "When you are satisfied, |mouseright| the colorize mask, and go to :" "menuselection:`Convert --> Paint Layer`. This will turn the colorize mask to " "a generic paint layer. Then, you can fix the last issues by making the line " "art semi-transparent and painting the flaws away with a pixel art brush." msgstr "" "Коли малювання буде завершено, клацніть |mouseright| на пункті маски " "розфарбовування і скористайтеся пунктом меню :menuselection:`Перетворити --> " "на шар малювання`. У результаті маску розфарбовування буде перетворено на " "звичайний шар малювання. Потім ви можете виправити залишкові дефекти, " "перетворивши графіку на напівпрозору і замалювавши дефекти за допомогою " "пензля для піксель-арту." #: ../../tutorials/flat-coloring.rst:306 -#| msgid "" -#| "Then, when you are done, split the layers via :menuselection:`Layers --> " -#| "Split --> Split Layer`. There's a few options you can choose, but the " -#| "following should be fine:" msgid "" "Then, when you are done, split the layers via :menuselection:`Layer --> " "Split --> Split Layer`. There are a few options you can choose, but the " "following should be fine:" msgstr "" "Потім, коли виправлення буде завершено, поділіть шари за допомогою пункту " "меню :menuselection:`Шар --> Поділ --> Розділити шар`. Ви можете вибрати " "значення декількох параметрів, але вказаних нижче значень має вистачити:" #: ../../tutorials/flat-coloring.rst:311 msgid "" "Finally, press **Ok** and you should get the following. Each color patch it " "on a different layer, named by the palette in the menu and alpha locked, so " "you can start painting right away!" msgstr "" "Нарешті, натисніть кнопку **Гаразд** і матимете таке: кожен мазок кольору на " "своєму рівні, названому за палітрою у меню, із заблокованою прозорістю. " "Тепер можна починати малювати!" #: ../../tutorials/flat-coloring.rst:319 -#| msgid "" -#| "Works with anti aliased line art. Really quick to get the base work done. " -#| "Can auto-close gaps." msgid "" "Works with anti-aliased line art. Really quick to get the base work done. " "Can auto-close gaps." msgstr "" "Працює зі згладженою графікою. Можна дуже швидко отримати базовий результат. " "Може автоматично закривати прогалини." #: ../../tutorials/flat-coloring.rst:324 -#| msgid "" -#| "No anti aliasing of it’s own. You have to choose between getting details " -#| "right or the gaps auto-closed." msgid "" "No anti-aliasing of its own. You have to choose between getting details " "right or the gaps auto-closed." msgstr "" "Не має власних інструментів згладжування. Вам доведеться вибрати між " "належним відтворенням деталей та автоматичним заповненням прогалин." #: ../../tutorials/flat-coloring.rst:327 msgid "Conclusion" msgstr "Висновки" #: ../../tutorials/flat-coloring.rst:329 msgid "" "I hope this has given you a good idea of how to fill in flats using the " "various techniques, as well as getting a hand of different Krita features. " "Remember that a good flat filled line art is better than a badly shaded one, " "so keep practicing to get the best out of these techniques!" msgstr "" "Сподіваємося, ви зрозуміли базові способи зафарбовування за допомогою різних " "методик, а також дізналися більше про різні можливості Krita. Пам'ятайте, що " "якісно розфарбована простими кольорами графіка виглядає краще за абияк " "виконані тіні. Тому практикуйтеся і користуйтеся тією методикою, якою " "володієте краще!" diff --git a/locale/uk_UA/LC_MESSAGES/tutorials/inking.po b/locale/uk_UA/LC_MESSAGES/tutorials/inking.po index 955d82671..af413738b 100644 --- a/locale/uk_UA/LC_MESSAGES/tutorials/inking.po +++ b/locale/uk_UA/LC_MESSAGES/tutorials/inking.po @@ -1,491 +1,567 @@ # Translation of docs_krita_org_tutorials___inking.po to Ukrainian # Copyright (C) 2019 This_file_is_part_of_KDE # This file is distributed under the license LGPL version 2.1 or # version 3 or later versions approved by the membership of KDE e.V. # # Yuri Chornoivan , 2019. msgid "" msgstr "" "Project-Id-Version: docs_krita_org_tutorials___inking\n" "Report-Msgid-Bugs-To: \n" "POT-Creation-Date: 2019-04-13 03:33+0200\n" -"PO-Revision-Date: 2019-04-13 08:55+0300\n" +"PO-Revision-Date: 2019-04-14 19:51+0300\n" "Last-Translator: Yuri Chornoivan \n" "Language-Team: Ukrainian \n" "Language: uk\n" "MIME-Version: 1.0\n" "Content-Type: text/plain; charset=UTF-8\n" "Content-Transfer-Encoding: 8bit\n" "Plural-Forms: nplurals=4; plural=n==1 ? 3 : n%10==1 && n%100!=11 ? 0 : n" "%10>=2 && n%10<=4 && (n%100<10 || n%100>=20) ? 1 : 2;\n" "X-Generator: Lokalize 19.03.70\n" #: ../../tutorials/inking.rst:None msgid "" ".. image:: images/en/inking/Stroke_fingers.gif\n" " :alt: finger movement" msgstr "" ".. image:: images/en/inking/Stroke_fingers.gif\n" " :alt: пересування пальця" #: ../../tutorials/inking.rst:None msgid "" ".. image:: images/en/inking/Stroke_wrist.gif\n" " :alt: wrist movement" msgstr "" ".. image:: images/en/inking/Stroke_wrist.gif\n" " :alt: Рух зап'ястка" #: ../../tutorials/inking.rst:None msgid "" ".. image:: images/en/inking/Stroke_arm.gif\n" " :alt: arm movement" msgstr "" ".. image:: images/en/inking/Stroke_arm.gif\n" " :alt: Рух руки" #: ../../tutorials/inking.rst:None msgid "" ".. image:: images/en/inking/Stroke_shoulder.gif\n" " :alt: stroke shoulder movement" msgstr "" ".. image:: images/en/inking/Stroke_shoulder.gif\n" " :alt: Рух плечем для створення мазка" #: ../../tutorials/inking.rst:None msgid "" ".. image:: images/en/inking/Inking_aliasresize.png\n" " :alt: aliased resize" msgstr "" ".. image:: images/en/inking/Inking_aliasresize.png\n" " :alt: Альтернативна зміна розміру" #: ../../tutorials/inking.rst:1 msgid "tips and tricks for inking in Krita" msgstr "Підказки та настанови щодо рисування чорнилом у Krita" #: ../../tutorials/inking.rst:13 msgid "Inking" msgstr "Рисування чорнилом" #: ../../tutorials/inking.rst:15 msgid "" "The first thing to realise about inking is that unlike anatomy, perspective, " "composition or color theory, you cannot compensate for lack of practice with " "study or reasoning. This is because all the magic in drawing lines happens " "from your shoulder to your fingers, very little of it happens in your head, " "and your lines improve with practice." msgstr "" "Перше, що слід зрозуміти, коли йдеться про малювання чорнилом, — це те, що " "на відміну від анатомії, перспективи, композиції чи теорії кольорів, ви не " "зможете компенсувати нестачу практичних навичок навчанням або розумовою " "роботою. Причина полягає у тому, що уся магія малювання ліній відбувається " "між вашим плечем і вашими пальцями. Дуже мало чого тут пов'язано із головою, " "а навички малювання поліпшуються із практикою." #: ../../tutorials/inking.rst:17 msgid "" "On the other hand, this can be a blessing. You don’t need to worry about " "whether you are smart enough, or are creative enough to be a good inker. " "Just dedicated. Doubtlessly, inking is the Hufflepuff of drawing disciplines." msgstr "" "З іншого боку, це може бути обдаруванням. Для того щоб бути чудовим " "контурувальником не обов'язково бути дуже розумним або творчим. Лише " "самовіддана праця. Поза сумнівом, малювання чорнилом — Гафелпаф у малюванні." #: ../../tutorials/inking.rst:19 msgid "That said, there are a few tips to make life easy:" msgstr "Отже, ось декілька підказок, які мають спростити роботу:" #: ../../tutorials/inking.rst:22 msgid "Pose" msgstr "Поза" #: ../../tutorials/inking.rst:24 msgid "" "Notice how I mentioned up there that the magic happens between your " "shoulders and fingers? A bit weird, not? But perhaps, you have heard of " "people talking about adopting a different pose for drawing." msgstr "" "Зауважили, що автор раніше згадав, що уся магія відбувається між плечем та " "пальцями? Трохи дивно, чи не так? Втім, ви певно чули, що для малювання слід " "вибрати правильну позу." #: ../../tutorials/inking.rst:26 msgid "" "You can in fact, make different strokes depending on which muscles and " "joints you use to make the movement: The Fingers, the wrist and lower-arm " "muscles, the elbow and upper-arm muscles or the shoulder and back muscles." msgstr "" "Ви, фактично, можете робити різні мазки, залежно від того, які м'язи та " "зв'язки ви використовуєте для руху: пальці, зап'ясток і м'язи передпліччя, " "лікоть та м'язи плеча або плече і м'язи спини." #: ../../tutorials/inking.rst:34 msgid "" "Generally, the lower down the arm the easier it is to make precise strokes, " "but also the less durable the joints are for long term use. We tend to start " "off using our fingers and wrist a lot during drawing, because it’s easier to " "be precise this way. But it’s difficult to make long strokes, and " "furthermore, your fingers and wrist get tired far quicker." msgstr "" "Загалом, чим ближче до руки м'язи, тим простіше за їхньою допомогою робити " "точні мазки, але тим менш витривалі зв'язки до довготривалого малювання. Ми " "починаємо з того, що намагаємося багато використовувати наші пальці та " "зап'ясток для малювання, оскільки за їх допомогою простіше робити точні " "мазки. Але так складно робити довгі мазки, і, крім того, пальці із зап'ясток " "швидко втомлюються." #: ../../tutorials/inking.rst:42 msgid "" "Your shoulders and elbows on the other hand are actually quite good at " "handling stress, and if you use your whole hand you will be able to make " "long strokes far more easily. People who do calligraphy need shoulder based " "strokes to make those lovely flourishes (personally, I can recommend " "improving your handwriting as a way to improve inking), and train their arms " "so they can do both big and small strokes with the full arm." msgstr "" +"З іншого боку, ваші плечі і лікті доволі добре протистоять напруженню, тому," +" якщо ви зможете робити довгі мазки, ваша рука втомлюватиметься набагато" +" менше. Каліграфи користуються заснованими на русі плеча рухами для створення" +" чудових розчерків (особисто автор цього розділу рекомендує вам удосконалити" +" ваші навички каліграфії разом із удосконаленням навичок малювання) і" +" тренуються робити довгі і короткі рухи пером з використанням усієї руки." #: ../../tutorials/inking.rst:44 msgid "" "To control pressure in this state effectively, you should press your pinky " "against the tablet surface as you make your stroke. This will allow you to " "precisely judge how far the pen is removed from the tablet surface while " "leaving the position up to your shoulders. The pressure should then be put " "by your elbow." msgstr "" +"Щоб ефективно керувати тиском на пензель, вам слід під час руху стилом уперти" +" ваш мізинець у поверхню планшета. Так ви зможете точно визначати момент" +" прибирання стила з поверхні планшета, зберігаючи позицію руки аж до плеча." +" Увесь тиск при цьому припадатиме на ваш лікоть." #: ../../tutorials/inking.rst:46 -#| msgid "" -#| "So, there’s not any secret rules to inking, but if there is one, it would " -#| "be the following: *The longer your stroke, the more of your arms you need " -#| "to use to make the stroke*." msgid "" "So, there are not any secret rules to inking, but if there is one, it would " "be the following: *The longer your stroke, the more of your arms you need to " "use to make the stroke*." msgstr "" "Отже, немає ніяких таємничих правил малювання чорнилом, але якщо і є якесь " "правило, то його формулювання має бути таким: «Чим дошим є ваш мазок, тим " "більшу частину руки вам слід використати для його створення»." #: ../../tutorials/inking.rst:49 msgid "Stroke smoothing" msgstr "Згладжування штрихів" #: ../../tutorials/inking.rst:51 msgid "" "So, if the above is the secret to drawing long strokes, that would be why " "people having been inking lovely drawings for years without any smoothing? " "Then, surely, it is decadence to use something like stroke smoothing, a " "short-cut for the lazy?" msgstr "" +"Отже, якщо секрет малювання довгих ліній чорнилом полягає саме у викладених" +" вище порадах, мабуть саме він надає змогу художникам малювати чудову графіку" +" без будь-якого згладжування? Тоді, очевидно, використання програмного" +" згладжування ліній є інструментом для поганих художників, «протезом» для" +" тих, хто лінується?" #: ../../tutorials/inking.rst:56 msgid "" ".. image:: images/en/inking/Stroke_rigger.gif\n" " :alt: rigger brush demonstration" msgstr "" ".. image:: images/en/inking/Stroke_rigger.gif\n" " :alt: Демонстрація збирального пензля" #: ../../tutorials/inking.rst:56 msgid "" "Example of how a rigger brush can smooth the original movement (here in red)" msgstr "" "Приклад того, як збиральний пензель може згладити початковий рух (тут " "червоним кольором)" #: ../../tutorials/inking.rst:58 msgid "" "Not really. To both, actually. Inkers have had a real-life tool that made it " "easier to ink, it’s called a rigger-brush, which is a brush with very long " "hairs. Due to this length it sorta smooths out shakiness, and thus a " "favoured brush when inking at three in the morning." msgstr "" +"Не зовсім так. Щодо обох питань, звичайно. У тих, хто малює чорнилом є" +" матеріальний інструмент, який спрощує малювання — пензель із довгими" +" щетинками. Через довжину ці щетинки згладжують будь-які тремтіння руки, а" +" отже роблять пензель придатним для малювання у будь-яку пору доби." #: ../../tutorials/inking.rst:60 msgid "" "With some tablet brands, the position events being sent aren’t very precise, " "which is why we having basic smoothing to apply the tiniest bit of smoothing " "on tablet strokes." msgstr "" +"Деякі планшети надають комп'ютеру не зовсім точні дані щодо розташування" +" стила, тому програма завжди застосовує базове згладжування, зовсім незначне," +" для мазків, які ви виконуєте за допомогою стила." #: ../../tutorials/inking.rst:62 msgid "" "On the other hand, doing too much smoothing during the whole drawing can " "make your strokes very mechanical in the worst way. Having no jitter or tiny " "bumps removes certain humanity from your drawings, and it can make it " "impossible to represent fabric properly." msgstr "" +"З іншого боку, надмірне згладжування під час усього малювання робить ваші" +" мазки дуже механістичними у найгіршому сенсі. Мазки без будь-якого тремтіння" +" або маленьких нерівностей позбавляють картину людяності і не дають змоги" +" відтворити фактуру полотна." #: ../../tutorials/inking.rst:64 msgid "" "Therefore, it’s wise to train your inking hand, yet not to be too hard on " "yourself and refuse to use smoothing at all, as we all get tired, cold or " "have a bad day once in a while. Stabilizer set to 50 or so should provide a " "little comfort while keeping the little irregularities." msgstr "" +"Саме тому, варто тренуватися, але не варто бути надто жорстоким до себе і" +" відмовлятися від згладжування взагалі, оскільки усі ми втомлюємося, можемо" +" захворіти або просто рознервуватися. Встановлення значення стабілізації у 50" +" або близьке значення має забезпечити комфортне малювання, лишаючи певний" +" простір для невеличких відхилень." #: ../../tutorials/inking.rst:67 msgid "Bezier curves and other tools" msgstr "Криві Безьє та інші інструменти" #: ../../tutorials/inking.rst:69 msgid "" "So, you may have heard of a French curve. If not, it’s a piece of plastic " "representing a stencil. These curves are used to make perfectly smooth " "curves on the basis of a sketch." msgstr "" "Отже, можливо, ви чули про лекало. Якщо не чули, це пластмасова форма-" "трафарет для малювання кривих. Лекала використовують для малювання ідеально " "плавних кривих на основі певного ескізу." #: ../../tutorials/inking.rst:71 msgid "" "In digital painting, we don’t have the luxury of being able to use two " "hands, so you can’t hold a ruler with one hand and adjust it while inking " "with the other. For this purpose, we have instead Bezier curves, which can " "be made with the :ref:`path_selection_tool`." msgstr "" +"У цифровому малюванні не передбачено використання обох рук, тому ви," +" наприклад, не можете тримати однією рукою лінійку і рухати її, а іншою рукою" +" малювати. Щоб усунути цей недолік, можна скористатися кривими Безьє, які" +" можна створити за допомогою :ref:`інструмента позначення контуру <" +"path_selection_tool>`." #: ../../tutorials/inking.rst:73 msgid "" "You can even make these on a vector layer, so they can be modified on the " "fly." msgstr "" "Ви навіть можете створити їх на векторному шарі, щоб можна було інтерактивно " "вносити до них зміни." #: ../../tutorials/inking.rst:75 msgid "" "The downside of these is that they cannot have line-variation, making them a " "bit robotic." msgstr "" "Недоліком цих кривих є те, що у них немає варіації ліній, що робить їх дещо " "неприродними." #: ../../tutorials/inking.rst:77 msgid "" "You can also make small bezier curves with the :ref:`assistant_tool`, " "amongst the other tools there." msgstr "" "Окрім інших інструментів, ви також можете створювати невеличкі криві Безьє " "за допомогою інструмента :ref:`assistant_tool`." #: ../../tutorials/inking.rst:79 msgid "" "Then, in the freehand brush tool options, you can tick **Assistants** and " "start a line that snaps to this assistant." msgstr "" +"Далі у параметра інструмента довільного малювання ви можете позначити пункт" +" :guilabel:`Прилипати до допоміжних ліній` і почати малювати лінію, яка" +" прилипне до відповідної допоміжної лінії." #: ../../tutorials/inking.rst:82 msgid "Presets" msgstr "Набори пензлів" #: ../../tutorials/inking.rst:84 msgid "" "So here are some things to consider with the brush-presets that you use:" msgstr "Отже, ось декілька порад щодо вибору наборів пензлів для використання:" #: ../../tutorials/inking.rst:87 msgid "Anti-aliasing versus jagged pixels" msgstr "Згладжування і піксельне зазубрення" #: ../../tutorials/inking.rst:89 msgid "" "A starting inker might be inclined to always want to use anti-aliased " "brushes, after all, they look so smooth on the screen. However, while these " "look good on screen, they might become fuzzy when printing them. Therefore, " "Krita comes with two default types. Anti-aliased brushes like ink_brush_25 " "and slightly aliased brushes like ink_tilt, with the latter giving better " "print results. If you are trying to prepare for both, it might be an idea to " "consider making the inking page 600dpi and the color page 300dpi, so that " "the inking page has a higher resolution and the ‘jaggies’ aren’t as visible. " "You can turn any pixel brush into an aliased brush, by going :kbd:`F5` and " "ticking **Sharpness**." msgstr "" +"Художнику-початківцю може здатися, що варти завжди користуватися пензлями зі" +" згладжуванням пікселів. Результати виглядають доволі красиво на екрані." +" Втім, після друку ви можете помітити, що піксельне розмивання призводить до" +" розмазування контурів. Тому у Krita передбачено два стандартних типи" +" пензлів. Згладжені пензлі, зокрема ink_brush_25, і дещо незгладжені пензлі," +" зокрема ink_tilt. Останні дають кращі друковані результати. Якщо ви" +" намагаєтеся приготуватися до малювання обома типами пензлів, варто" +" встановити для сторінки малювання чорнилом роздільність 600 точок на дюйм, а" +" для сторінки кольорів — 300 точок на дюйм, щоб сторінка чорнильної графіки" +" мала вищу роздільність і ‘нерівності’ були непомітними. Ви можете" +" перетворити будь-який піксельний пензель у незгладжений натисканням клавіші" +" :kbd:`F5` з наступним позначенням пункту **Різкість**." #: ../../tutorials/inking.rst:92 msgid "Texture" msgstr "Текстура" #: ../../tutorials/inking.rst:94 msgid "" "Do you make smooth ‘wet’ strokes? Or do you make textured ones? For the " "longest time, smooth strokes were preferred, as that would be less of a " "headache when entering the coloring phase. Within Krita there are several " "methods to color these easily, the colorize mask being the prime example, so " "textured becomes a viable option even for the lazy amongst us." msgstr "" +"Малюєте плавними «вологими» мазками? Або створюєте текстуровані мазки? Для" +" графіки протягом довгого часу вважалися бажаними плавні мазки, оскільки з" +" ними менше мороки під час розфарбовування. У Krita передбачено декілька" +" способів розфарбовування графіки без проблем. Маска розфарбовування є" +" основним методом, а у ній текстурування можна виконати без проблем, навіть" +" якщо вам дуже ліньки." #: ../../tutorials/inking.rst:99 msgid "" ".. image:: images/en/inking/Inking_patterned.png\n" " :alt: type of strokes" msgstr "" ".. image:: images/en/inking/Inking_patterned.png\n" " :alt: Тип мазків" #: ../../tutorials/inking.rst:99 msgid "Left: No texture, Center: Textured, Right: Predefined Brush tip" msgstr "" "Ліворуч: без текстури, центр: з текстурою, праворуч: попередньо визначений " "кінчик пензля" #: ../../tutorials/inking.rst:102 msgid "Pressure curve" msgstr "Крива натиску" #: ../../tutorials/inking.rst:104 msgid "" "Of course, the nicest lines are made with pressure sensitivity, so they " "dynamically change from thick to thin. However, different types of curves on " "the pressure give different results. The typical example is a slightly " "concave line to create a brush that more easily makes thin lines." msgstr "" +"Звичайно ж, найкрасивіші лінії можна створити за допомогою датчика чутливості" +" до тиску. Цей датчик надає змогу динамічно змінювати товщину ліній. Втім," +" різні типи кривих тиску дають різні результати. Типовим прикладом є дещо" +" увігнута крива, яка надає змогу створювати тонкі лінії простіше." #: ../../tutorials/inking.rst:109 msgid "" ".. image:: images/en/inking/Ink_gpen.png\n" " :alt: pressure curve for ink gpen" msgstr "" ".. image:: images/en/inking/Ink_gpen.png\n" " :alt: Крива натиску для чорнильного пера" #: ../../tutorials/inking.rst:109 msgid "" "Ink_Gpen_25 is a good example of a brush with a concave pressure curve. This " "curve makes it easier to make thin lines." msgstr "" "Ink_Gpen_25 — непоганий приклад пензля із увігнутою кривою тиску. Така крива " "спрощує малювання тонких ліній." #: ../../tutorials/inking.rst:114 msgid "" ".. image:: images/en/inking/Ink_convex.png\n" " :alt: convex inking brush" msgstr "" ".. image:: images/en/inking/Ink_convex.png\n" " :alt: Опуклий пензель для чорнила" #: ../../tutorials/inking.rst:114 -#| msgid "conversely, here's a convex brush. The stroke are much rounder" msgid "conversely, here's a convex brush. The strokes are much rounder" msgstr "" "І навпаки, ось пензель і опуклою кривою. Мазок виглядає набагато круглішим" #: ../../tutorials/inking.rst:119 msgid "" ".. image:: images/en/inking/Ink_fill_circle.png\n" " :alt: ink fill circle" msgstr "" ".. image:: images/en/inking/Ink_fill_circle.png\n" " :alt: Заповнений чорнилом круг" #: ../../tutorials/inking.rst:119 -#| msgid "" -#| "Fill_circle combines both into a s-curve, this allows for very dynamic " -#| "brush strokes" msgid "" "Fill_circle combines both into an s-curve, this allows for very dynamic " "brush strokes" msgstr "" "Fill_circle поєднує обидва різновиди у S-криву. Така крива надає змогу " "створювати дуже динамічні мазки пензлем" #: ../../tutorials/inking.rst:124 msgid "" ".. image:: images/en/inking/Ink_speed.png\n" " :alt: inverse convex to speed parameter" msgstr "" ".. image:: images/en/inking/Ink_speed.png\n" " :alt: Обернена опуклість для параметра швидкості" #: ../../tutorials/inking.rst:124 msgid "" "Pressure isn't the only thing you can do interesting things with, adding an " "inverse convex curve to speed can add a nice touch to your strokes" msgstr "" "Тиск не є єдиним параметром, за допомогою якого можна спростити малювання. " "Додавання оберненої опуклої кривої для швидкості може надати цікавих " "акцентів вашим мазкам" #: ../../tutorials/inking.rst:127 msgid "Preparing sketches for inking" msgstr "Приготування ескізів для рисування чорнилом" #: ../../tutorials/inking.rst:129 msgid "" "So, you have a sketch and you wish to start inking it. Assuming you’ve " "scanned it in, or drew it, you can try the following things to make it " "easier to ink." msgstr "" +"Отже, у вас є ескіз, і ви хочете почати рисувати його чорнилом. Припустімо," +" ви створили його скануванням або намалювали, ви можете спробувати" +" скористатися наведеними нижче порадами, щоб спростити собі малювання" +" чорнилом." #: ../../tutorials/inking.rst:132 msgid "Opacity down to 10%" msgstr "Зменшити непрозорість до 10%" #: ../../tutorials/inking.rst:134 msgid "" "Put a white (just press :kbd:`Backspace`) layer underneath the sketch. Turn " "down the opacity of the sketch to a really low number and put a layer above " "it for inking." msgstr "" +"Створіть білий (просто натисніть клавішу :kbd:`Backspace`) шал під ескізом." +" Зменшіть непрозорість ескізу до доволі низького значення і розташуйте шар" +" над шаром для малювання чорнилом." #: ../../tutorials/inking.rst:137 msgid "Make the sketch colored" msgstr "Зробити ескіз кольоровим" #: ../../tutorials/inking.rst:139 msgid "" "Put a layer filled with a color you like between the inking and sketch " "layer. Then set that layer to ‘screen’ or ‘addition’, this will turn all the " "black lines into the color! If you have a transparent background, or put " "this layer into a group, be sure to tick the alpha-inherit symbol!" msgstr "" +"Розташуйте шар, заповнений бажаним кольором, між чорнильним шаром і шаром" +" ескізу. Потім встановіть для шару режим змішування ‘Екран’ або ‘Додавання’." +" Це перетворить усі чорні лінії на кольорові! Якщо тло є прозорим або цей шар" +" розташовано у групі, не забудьте позначити пункт успадкування прозорості!" #: ../../tutorials/inking.rst:142 msgid "Make the sketch colored, alternative version" msgstr "Зробити ескіз кольоровим, альтернативна версія" #: ../../tutorials/inking.rst:144 msgid "" "Or, right-click the layer, go to layer properties, and untick ‘blue’. This " "works easier with a single layer sketch, while the above works best with " "multi-layer sketches." msgstr "" +"Або клацніть правою кнопкою миші на шарі, перейдіть до властивостей шару і" +" зніміть позначку з пункту ‘Синій’. Це працює простіше із одношаровими" +" ескізами, а наведений вище спосіб працює краще із багатошаровими ескізами." #: ../../tutorials/inking.rst:147 msgid "Super-thin lines" msgstr "Надтонкі лінії" #: ../../tutorials/inking.rst:149 msgid "" "If you are interested in super-thin lines, it might be better to make your " "ink at double or even triple the size you usually work at, and, only use an " "aliased pixel brush. Then, when the ink is finished, use the fill tool to " "fill in flats on a separate layer, split the layer via :menuselection:`Layer " "--> Split --> Layer Split`, and then resize to the original size." msgstr "" +"Якщо вам потрібні надтонкі лінії, варто зробити ваше перо удвічі або навіть" +" утричі більшим за товщину потрібних вам ліній і користуватися лише" +" незгладженим піксельним пензлем. Далі, коли малювання чорнилом буде" +" завершено, скористайтеся інструментом заповнення для заповнення однорідним" +" кольором у окремому шарі, поділіть шар за допомогою пункту меню" +" :menuselection:`Шар " +"--> Поділ --> Розділити шар`, а потім змініть розмір до початкового." #: ../../tutorials/inking.rst:154 msgid "" "This might be a little of an odd way of working, but it does make drawing " "thin lines trivial, and it's cheaper to buy RAM so you can make HUGE images " "than to spent hours on trying to color the thin lines precisely, especially " "as colorize mask will not be able to deal with thin anti-aliased lines very " "well." msgstr "" +"Це може здатися дещо дивним способом малювання, але це робить створення" +" тонких ліній тривіальним, а купити додаткові модулі оперативної пам'яті для" +" роботи із величезними зображеннями дешевше, ніж витрачати години на спроби" +" розфарбувати тонкі лінії точно, особливо через те, що маска розфарбовування" +" не зможе достатньо добре працювати із тонкими згладженими лініями." #: ../../tutorials/inking.rst:157 -#| msgid "" -#| "David Revoy made a set of his own inking tips for krita and explains them " -#| "in this `youtube video `_." msgid "" "David Revoy made a set of his own inking tips for Krita and explains them in " "this `youtube video `_." msgstr "" "Давид Ревой (David Revoy) створив власні настанови щодо малювання чорнилом у " "Krita і виклав їх у `цьому відео на youtube `_." diff --git a/locale/uk_UA/LC_MESSAGES/user_manual/loading_saving_brushes.po b/locale/uk_UA/LC_MESSAGES/user_manual/loading_saving_brushes.po index aaf60cd26..d978fb13e 100644 --- a/locale/uk_UA/LC_MESSAGES/user_manual/loading_saving_brushes.po +++ b/locale/uk_UA/LC_MESSAGES/user_manual/loading_saving_brushes.po @@ -1,1258 +1,1258 @@ # Translation of docs_krita_org_user_manual___loading_saving_brushes.po to Ukrainian # Copyright (C) 2019 This_file_is_part_of_KDE # This file is distributed under the license LGPL version 2.1 or # version 3 or later versions approved by the membership of KDE e.V. # # Yuri Chornoivan , 2019. msgid "" msgstr "" "Project-Id-Version: docs_krita_org_user_manual___loading_saving_brushes\n" "Report-Msgid-Bugs-To: \n" -"POT-Creation-Date: 2019-04-13 03:33+0200\n" +"POT-Creation-Date: 2019-04-14 03:33+0200\n" "PO-Revision-Date: 2019-04-10 07:02+0300\n" "Last-Translator: Yuri Chornoivan \n" "Language-Team: Ukrainian \n" "Language: uk\n" "MIME-Version: 1.0\n" "Content-Type: text/plain; charset=UTF-8\n" "Content-Transfer-Encoding: 8bit\n" "Plural-Forms: nplurals=4; plural=n==1 ? 3 : n%10==1 && n%100!=11 ? 0 : n" "%10>=2 && n%10<=4 && (n%100<10 || n%100>=20) ? 1 : 2;\n" "X-Generator: Lokalize 19.03.70\n" -#: ../../user_manual/loading_saving_brushes.rst:None -msgid ".. image:: images/en/Krita_4_0_Brush_Settings_Layout.svg" -msgstr ".. image:: images/en/Krita_4_0_Brush_Settings_Layout.svg" - #: ../../user_manual/loading_saving_brushes.rst:0 msgid ".. image:: images/en/Krita_4_0_dirty_preset_icon.png" msgstr ".. image:: images/en/Krita_4_0_dirty_preset_icon.png" +#: ../../user_manual/loading_saving_brushes.rst:None +msgid ".. image:: images/en/Krita_4_0_Brush_Settings_Layout.svg" +msgstr ".. image:: images/en/Krita_4_0_Brush_Settings_Layout.svg" + #: ../../user_manual/loading_saving_brushes.rst:1 msgid "" "Detailed guide on the brush settings dialog in Krita as well as how to make " "your own brushes and how to share them." msgstr "" "Докладні настанови щодо діалогового вікна параметрів пензля у Krita, а також " "способів створення та оприлюднення ваших власних пензлів." #: ../../user_manual/loading_saving_brushes.rst:17 msgid "Loading and Saving Brushes" msgstr "Завантаження і збереження пензлів" #: ../../user_manual/loading_saving_brushes.rst:19 msgid "" "In the real world, when painting or drawing, you don't just use one tool. " "You use pencils, erasers, paintbrushes, different types of paint, inks, " "crayons, etc. All these have different ways of making marks." msgstr "" "У реальності під час малювання або рисування ви використовуєте декілька " "інструментів. Ви користуєтеся олівцями, гумками, пензлями, різними типами " "фарб, чорнил, крейди тощо. Усі ці інструменти є різними способами перенести " "художній задум на полотно." #: ../../user_manual/loading_saving_brushes.rst:23 msgid "" "In a digital program like Krita you have something similar. We call this a " "brush engine. And much like how cars have different engines that give " "different feels when driving, or how pencils make distinctly different marks " "than rollerball pens, different brush engines have totally different feels." msgstr "" "У програмі для цифрового малювання, подібній Krita, теж маємо справу із " "чимось схожим. Ми називаємо набір інструментів рушієм пензлів. І, подібно до " "того, як відчуття від водіння автомобілів із різними двигунами є різними, " "або до того, як олівці при малюванні лишають на папері інший слід, ніж " "кулькові ручки, результати малювання з використанням різних рушіїв пензлів є " "зовсім різними." #: ../../user_manual/loading_saving_brushes.rst:29 msgid "" "The brush engines have a lot of different settings as well. So, you can save " "those settings into presets." msgstr "" "Для рушіїв пензлів також передбачено багато різних параметрів. Отже, ви " "можете зберігати ці параметри до наборів параметрів." #: ../../user_manual/loading_saving_brushes.rst:32 msgid "" "Unlike Photoshop, Krita makes a difference between brush-tips and brush-" "presets. Tips are only a stamp of sorts, while the preset uses a tip and " "many other settings to create the full brush." msgstr "" "На відміну від Photoshop, у Krita кінчики пензлів і набори пензлів є різними " "інструментами. Кінчики є лише певним різновидом штампів, а набори пензлів " "використовують кінчик і багато інших параметрів для створення повноцінного " "пензля." #: ../../user_manual/loading_saving_brushes.rst:37 msgid "The Brush settings drop-down" msgstr "Спадний список властивостей пензля" #: ../../user_manual/loading_saving_brushes.rst:39 msgid "" "To start, the Brush Settings Editor panel can be accessed in the toolbar, " "between the :guilabel:`Blending Modes` button on the right and the :guilabel:" "`Patterns` button on the left. Alternately, you can use the function key :" "kbd:`F5` to open it." msgstr "" "Для початку, доступ до панелі редактора параметрів пензлів може бути " "отримано за допомогою панелі інструментів. Кнопку редактора розташовано між " "кнопкою режимі змішування праворуч і кнопкою візерунків ліворуч. Крім того, " "ви можете скористатися для її відкриття натисканням клавіші :kbd:`F5`." #: ../../user_manual/loading_saving_brushes.rst:44 msgid "" "When you open Brush Settings Editor panel you will see something like this:" msgstr "" "Після відкриття панелі редактора параметрів пензля ви побачите щось таке:" #: ../../user_manual/loading_saving_brushes.rst:48 msgid "Tour of the brush settings drop-down" msgstr "Огляд спадного списку параметрів пензля" #: ../../user_manual/loading_saving_brushes.rst:53 msgid "The brush settings drop-down is divided into six areas," msgstr "Спадну панель параметрів пензля поділено на шість областей:" #: ../../user_manual/loading_saving_brushes.rst:56 msgid "Section A - General Information" msgstr "Розділ A — Загальні відомості" #: ../../user_manual/loading_saving_brushes.rst:58 msgid "" "This contains the **Preset Icon**, **Live Brush Preview**, the **Preset " "Name**, the **Engine** name, and several buttons for saving, renaming, and " "reloading." msgstr "" "У цьому розділі містяться **Піктограма набору**, **Інтерактивний перегляд " "пензля**, **Назва набору**, **Назва рушія** та декілька кнопок для " "зберігання, перейменування та перезавантаження набору." #: ../../user_manual/loading_saving_brushes.rst:62 msgid "" "Krita's brush settings are stored into the metadata of a 200x200 png (the " "KPP file), where the image in the png file becomes the preset icon. This " "icon is used everywhere in Krita, and is useful for differentiating brushes " "in ways that the live preview cannot." msgstr "" "Параметри пензля Krita зберігаються у метаданих файла png розміром 200x200 " "пікселів (у файлі KPP). Зображення у цьому файлі png стає піктограмою " "набору. Ця піктограма використовується у Krita всюди і є корисною для " "розрізнення пензлів там, де їх не можна розрізнити за інтерактивним " "попереднім переглядом." #: ../../user_manual/loading_saving_brushes.rst:67 msgid "" "The live preview shows a stroke of the current brush as a little s-curve " "wiggle, with the pressure being non-existent on the left, and increasing to " "full pressure as it goes to the right. It can thus show the effect of the " "Pressure, Drawing Angle, Distance, Fade and Fuzzy Dab sensors, but none of " "the others. For some brush engines it cannot show anything. For the color " "smudge, filter brush and clone tool, it shows an alternating line pattern " "because these brush engines use the pixels already on canvas to change their " "effect." msgstr "" "На панелі інтерактивного попереднього перегляду буде показано мазок поточним " "пензлем у формі хвилі. Ліворуч тиск пензлем на полотно вважатиметься " "нульовим, а далі зростатиме до повного з рухом пензля у напрямку праворуч. " "Таким чином, можна бачити вплив датчиків тиску, кута малювання, відстані, " "згасання та нечіткого мазка, але не інших. Для деяких рушії пензлів панель " "не показуватиме нічого. Для пензлів розмазування фарби, фільтрування та " "інструмента клонування на панелі ви побачите картатий візерунок, оскільки ці " "рушії пензлів використовують для зміни значень для пікселів, які вже є на " "полотні." #: ../../user_manual/loading_saving_brushes.rst:75 msgid "" "After the preset name, there's a button for **renaming** the brush. This " "will save the brush as a new brush and blacklist the previous name." msgstr "" "За міткою назви набору розташовано кнопку для **перейменовування** пензля. У " "результаті перейменовування пензель буде збережено як новий, а пензель із " "попередньою назвою буде додано до «чорного» списку." #: ../../user_manual/loading_saving_brushes.rst:79 msgid "Engine" msgstr "Рушій" #: ../../user_manual/loading_saving_brushes.rst:81 msgid "" "The engine of a brush is the underlying programming that generates the " "stroke from a brush. What that means is that different brush engines have " "different options and different results. You can see this as the difference " "between using crayons, pencils and inks, but because computers are maths " "devices, most of our brush engines produce different things in a more " "mathematical way." msgstr "" "Рушій пензля — базовий програмний код, за допомогою якого на основі пензля " "створюється мазок. Це означає, що різні рушії пензлів мають різні параметри " "і працюють у різний спосіб. Ви можете спостерігати за цим у реальності за " "різницею у штрихах крейдою, олівцем та пером. Оскільки комп'ютери є " "математичними пристроями, більшість з наших рушіїв пензлів працюють по-" "різному через віртуальні математичні причини." #: ../../user_manual/loading_saving_brushes.rst:88 msgid "" "For most artists the mathematical nature doesn't matter as much as the " "different textures and marks each brush engine, and each brush engine has " "its own distinct flavor and use, and can be further customized by modifying " "the options." msgstr "" "Для більшості художників важлива не математична природа пензля, а його " "текстури та позначки. Кожен рушій пензлів має власний неповторний варіант та " "призначення, його можна налаштовувати за допомогою внесення змін до " "параметрів його роботи." #: ../../user_manual/loading_saving_brushes.rst:94 msgid "Reloading" msgstr "Перезавантаження" #: ../../user_manual/loading_saving_brushes.rst:96 msgid "" "If you change a preset, an icon will appear behind the engine name. This is " "the :guilabel:`reload` button. You can use it to revert to the original " "brush settings." msgstr "" "Якщо ви внесете зміни до набору пензлів, поряд із назвою набору з'явиться " "піктограма. Це кнопка :guilabel:`перезавантаження`. Ви можете скористатися " "нею для повернення до початкових параметрів пензля." #: ../../user_manual/loading_saving_brushes.rst:101 msgid "Saving a preset" msgstr "Збереження набору параметрів" #: ../../user_manual/loading_saving_brushes.rst:103 msgid "" "On the right, there's :guilabel:`Save New Brush Preset` and :guilabel:" "`Overwrite Brush`." msgstr "" "Праворуч передбачено кнопки :guilabel:`Зберегти новий набір пензлів` та :" "guilabel:`Перезаписати пензель`." #: ../../user_manual/loading_saving_brushes.rst:106 msgid "" "This will only enable if there are any changes. Pressing this will override " "the current preset with the new settings, keeping the name and the icon " "intact. It will always make a timestamped back up in the resources folder." msgstr "" "Ця кнопка доступна, лише якщо було внесено якісь зміни. Її натискання " "призведе до перевизначення поточного набору новими параметрами зі " "збереженням назви та піктограми набору. Програма завжди створюватиме " "резервну копію із часовою позначкою у теці ресурсів." #: ../../user_manual/loading_saving_brushes.rst:108 msgid "Overwrite Brush" msgstr "Перезаписати пензель" #: ../../user_manual/loading_saving_brushes.rst:111 msgid "" "Will take the current preset and all its changes and save it as a new " "preset. If no change was made, you will be making a copy of the current " "preset." msgstr "" "Збереже поточний набір пензлів та усі внесені до нього зміни до нового " "набору. Якщо ніяких змін внесено не було, таким чином ви створите копію " "поточного набору пензлів." #: ../../user_manual/loading_saving_brushes.rst:113 msgid "Save New Brush Preset" msgstr "Зберегти новий набір пензлів" #: ../../user_manual/loading_saving_brushes.rst:115 msgid "" "Save new preset will call up the following window, with a mini scratch pad, " "and all sorts of options to change the preset icon:" msgstr "" "У результаті спроби зберегти новий набір пензлів буде викликано вікно, " "подібне до наведеного на знімку нижче, із невеличкою панеллю нотатника та " "усіма варіантами можливої зміни піктограми набору:" #: ../../user_manual/loading_saving_brushes.rst:119 msgid ".. image:: images/en/Krita_4_0_Save_New_Brush_Preset_Dialog.png" msgstr ".. image:: images/en/Krita_4_0_Save_New_Brush_Preset_Dialog.png" #: ../../user_manual/loading_saving_brushes.rst:120 msgid "" "The image on the left is a mini scratchpad, you can draw on it with the " "current brush, allowing small modifications on the fly." msgstr "" "Панель ліворуч є панеллю нотатника. Ви можете малювати на ній поточним " "пензлем, вносячи незначні зміни на льоту." #: ../../user_manual/loading_saving_brushes.rst:124 msgid "" "The Name of your brush. This is also used for the KPP file. If there's " "already a brush with that name, it will effectively overwrite it." msgstr "" "Назва вашого пензля. Її також буде використано як назву файла KPP. Якщо " "пензель із такою назвою вже існує, його дані буде перезаписано." #: ../../user_manual/loading_saving_brushes.rst:125 msgid "Brush Name" msgstr "Назва пензля" #: ../../user_manual/loading_saving_brushes.rst:127 msgid "Load Existing Thumbnail" msgstr "Завантажити наявну мініатюру" #: ../../user_manual/loading_saving_brushes.rst:128 msgid "This will load the existing thumbnail inside the preset." msgstr "Завантажити наявну мініатюру до набору пензлів." #: ../../user_manual/loading_saving_brushes.rst:130 msgid "Load scratch pad thumbnail" msgstr "Завантаження мініатюри нотатника" #: ../../user_manual/loading_saving_brushes.rst:130 msgid "" "This will load the dashed area from the big scratch pad (Section C) into the " "thumbnail area." msgstr "" "Вибір цього варіанта призведе до завантаження заштрихованої області з " "великого нотатника (розділ C) до області мініатюри." #: ../../user_manual/loading_saving_brushes.rst:132 msgid "Load Image" msgstr "Завантажити зображення" #: ../../user_manual/loading_saving_brushes.rst:133 msgid "With this you can choose an image from disk to load as a thumbnail." msgstr "" "За допомогою цього пункту ви можете вибрати зображення з диска для " "завантаження його як мініатюри." #: ../../user_manual/loading_saving_brushes.rst:134 msgid "Load from Icon Library" msgstr "Завантажити із бібліотеки піктограм" #: ../../user_manual/loading_saving_brushes.rst:135 msgid "This opens up the icon library." msgstr "Відкрити бібліотеку піктограм." #: ../../user_manual/loading_saving_brushes.rst:137 msgid "Clear Thumbnail" msgstr "Вилучити мініатюру" #: ../../user_manual/loading_saving_brushes.rst:137 msgid "This will make the mini scratch pad white." msgstr "Робить поле мініатюрного полотна повністю білим." #: ../../user_manual/loading_saving_brushes.rst:140 msgid "The Icon Library" msgstr "Бібліотека піктограм" #: ../../user_manual/loading_saving_brushes.rst:142 msgid "To make making presets icons faster, Krita got an icon library." msgstr "" "Щоб пришвидшити створення піктограм наборів, ми передбачили у Krita " "бібліотеку піктограм." #: ../../user_manual/loading_saving_brushes.rst:145 msgid ".. image:: images/en/Krita_4_0_Preset_Icon_Library_Dialog.png" msgstr ".. image:: images/en/Krita_4_0_Preset_Icon_Library_Dialog.png" #: ../../user_manual/loading_saving_brushes.rst:146 msgid "" "It allows you to select tool icons, and an optional small emblem. When you " "press :guilabel:`OK` it will load the resulting combination into the mini " "scratch pad and you can draw in the stroke." msgstr "" "За допомогою бібліотеки ви зможете вибрати піктограми інструментів та " "необов'язкову малу емблему. Після натискання кнопки :guilabel:`Гаразд` " "комбінацію-результат буде завантажено до малого нотатника і ви зможете " "малювати на мазку." #: ../../user_manual/loading_saving_brushes.rst:150 msgid "" "If you go to your resources folder, there's a folder there called \"preset" "\\_icons\", and in this folder there are \"tool\\_icons\" and \"emblem" "\\_icons\". You can add semi-transparent pngs here and Krita will load those " "into the icon library as well so you can customize your icons even more!" msgstr "" "Якщо ви перейдете до вашої теки ресурсів, ви побачите у ній теку із назвою " "\"preset\\_icons\", а у цій теці будуть підтеки \"tool\\_icons\" та \"emblem" "\\_icons\". Ви можете додати туди напівпрозорі зображення png, щоб Krita " "завантажувала ці зображення разом із іншими зображеннями бібліотеки, отже " "розширити ваші можливості із налаштовування піктограм!" #: ../../user_manual/loading_saving_brushes.rst:156 msgid "" "At the top right of the icon library, there are three sliders. They allow " "you to adjust the tool icon. The top two are the same Hue and Saturation as " "in HSL adjustment, and the lowest slider is a super simple levels filter. " "This is done this way because the levels filter allows maintaining the " "darkest shadows and brightest highlights on a tool icon, making it much " "better for quick adjustments." msgstr "" "У верхній правій частині вікна бібліотеки піктограм розташовано три " "повзунки. За їхньою допомогою можна скоригувати піктограму інструмента. " "Верхні два повзунки — ті самі відтінок і насиченість, які можна скоригувати " "за допомогою коригування HSL, нижній повзунок є надпростим фільтром рівнів. " "Цей повзунок додано, оскільки фільтр рівнів надає змогу зберігати найтемніші " "тіні і найсвітліші виблиски на піктограмі інструмента; отже, за допомогою " "повзунка дуже зручно виконувати швидке коригування." #: ../../user_manual/loading_saving_brushes.rst:163 msgid "" "If you're done with everything, you can press :guilabel:`Save` in the :" "guilabel:`Save New Preset` dialog and Krita will save the new brush." msgstr "" "Коли усі налаштовування буде завершено, ви можете натиснути кнопку :guilabel:" "`Зберегти` у діалоговому вікні :guilabel:`Зберегти новий набір пензлів`, щоб " "наказати Krita зберегти новий пензель." #: ../../user_manual/loading_saving_brushes.rst:167 msgid "Section B - The Preset Chooser" msgstr "Розділ B — Засіб вибору набору пензлів" #: ../../user_manual/loading_saving_brushes.rst:169 msgid "" "The preset chooser is much the same as the preset docker and the preset drop-" "down on :kbd:`F6`. It's unique in that it allows you to filter by engine and " "this is also where you can create brushes for an engine from scratch." msgstr "" "Засіб вибору наборів пензлів є дуже схожим на бічну панель наборів пензлів " "та спадний список наборів, який викликається натисканням клавіші :kbd:`F6`. " "Його унікальність полягає у тому, що він надає вам змогу фільтрувати набори " "за рушіями. Крім того, саме за його допомогою можна створювати пензлі для " "рушія з нуля." #: ../../user_manual/loading_saving_brushes.rst:174 msgid "" "It is by default collapsed, so you will need to press the arrow at the top " "left of the brush engine to show it." msgstr "" "Типово, його згорнуто, отже, вам доведеться натиснути стрілочку згори і " "ліворуч від пункту рушія пензлів, щоб програма показала його." #: ../../user_manual/loading_saving_brushes.rst:177 msgid "" "The top drop-down is set to “all” by default, which means it shows all " "engines. It then shows a tag section where you can select the tags, the " "preset list and the search bar." msgstr "" "Типово, у верхньому спадному списку вибрано пункт «All» («Усі»), що означає, " "що буде показано усі рушії. Крім того, буде показано розділ міток, у якому " "ви зможете вибрати мітки, список наборів пензлів та текстове поле для пошуку." #: ../../user_manual/loading_saving_brushes.rst:181 msgid "" "Underneath that there's a plus icon, which when pressed gives you the full " "list of Krita's engines. Selecting an engine from the list will show the " "brushes for that engine." msgstr "" "Нижче буде показано піктограму «+», натискання якої призведе до показу " "усього списку рушіїв Krita. Вибір пункту рушія зі списку призведе до показу " "усіх пензлів для цього рушія." #: ../../user_manual/loading_saving_brushes.rst:185 msgid "" "The trashcan icon does the same as it does in the preset docker: delete, or " "rather, blacklist a preset so it won't show up in the list." msgstr "" "Піктограма смітника виконує ту саму роль, що і на бічній панелі наборів: " "вилучити або, точніше, додати до «чорного» списку набір так, щоб програма не " "показувала його у списку." #: ../../user_manual/loading_saving_brushes.rst:189 msgid "Section C - The Scratch pad" msgstr "Розділ C — Нотатник для чернеток" #: ../../user_manual/loading_saving_brushes.rst:191 msgid "" "When you tweak your brushes, you want to be able to check what each setting " "does. That's why, to the right of the settings drop-down, there is a scratch " "pad." msgstr "" "Під час коригування параметрів пензлів, звичайно ж, хочеться бачити " "результати зміни кожного з параметрів. Саме для цього і призначено панель " "нотатника, розташовану праворуч від спадного списку параметрів." #: ../../user_manual/loading_saving_brushes.rst:195 msgid "" "It is by default collapsed, so you will have to press the arrow at the top " "right of the brush settings to show it." msgstr "" "Типово, нотатник згорнуто, отже, вам доведеться натиснути стрілочку згори і " "праворуч від пункту параметрів пензля, щоб програма показала його." #: ../../user_manual/loading_saving_brushes.rst:198 msgid "" "When saving a new preset, you can choose to get the icon from the scratch " "pad, this will load the dash area into the mini scratch pad of the Save New " "Preset dialog." msgstr "" "Під час збереження нового набору пензлів ви можете наказати програмі " "використати піктограму на основі намальованого у нотатнику. Програма " "завантажити обведену пунктиром ділянку до мініатюрного нотатника у " "діалоговому вікні збереження нового набору пензлів." #: ../../user_manual/loading_saving_brushes.rst:202 msgid "The scratch pad has five buttons underneath it. These are in order for:" msgstr "Під основною панеллю нотатника розташовано п'ять кнопок. Ось вони:" #: ../../user_manual/loading_saving_brushes.rst:204 msgid "Showing the current brush image" msgstr "Показ зображення поточного пензля" #: ../../user_manual/loading_saving_brushes.rst:206 msgid "Adding a gradient to the scratch pad (useful for smudge brushes)" msgstr "Додавання градієнт до нотатника (корисно для пензлів розмазування)" #: ../../user_manual/loading_saving_brushes.rst:207 msgid "Filling with the background color" msgstr "Заповнення кольором тла" #: ../../user_manual/loading_saving_brushes.rst:208 msgid "Clearing everything on the scratch pad" msgstr "Очищення нотатника від усього." #: ../../user_manual/loading_saving_brushes.rst:211 msgid "Section D - The Options List" msgstr "Розділ D — Список параметрів" #: ../../user_manual/loading_saving_brushes.rst:213 msgid "" "The options, as stated above, are different per brush engine. These " "represent the different parameters, toggles and knobs that you can turn to " "make a brush preset unique. For a couple of options, the main things to " "change are sliders and check boxes, but for a lot of them, they use curves " "instead." msgstr "" "Як ми вже зауважували вище, параметри для кожного рушія пензлів є різними. " "На цій панелі буде наведено пункти параметрів, перемикачі та регулятори, " "якими ви можете скористатися для створення унікального пензля. Для декількох " "параметрів основним для зміни є повзунки та пункти для позначення, але для " "багатьох параметрів для налаштовування використовують криві." #: ../../user_manual/loading_saving_brushes.rst:219 msgid "" "Some options can be toggled, as noted by the little check boxes next to " "them, but others, like flow and opacity are so fundamental to how the brush " "works, that they are always on." msgstr "" "Деякі параметри можна увімкнути або вимкнути за допомогою полів для " "позначки, розташованих поряд із відповідною міткою. Але інші, зокрема потік " "та непрозорість, є фундаментальними для роботи пензля, тому їх буде " "увімкнено завжди." #: ../../user_manual/loading_saving_brushes.rst:223 msgid "" "The little padlock icon next to the options is for locking the brush. This " "has its own page." msgstr "" "За допомогою невеличкої кнопки із замочком, розташованої поряд із " "параметрами, можна замкнути пензель. Цьому питанню ми присвятимо окремий " "розділ." #: ../../user_manual/loading_saving_brushes.rst:227 msgid "Section E - Option Configuration Widget" msgstr "Розділ E — Віджет налаштовування параметрів" #: ../../user_manual/loading_saving_brushes.rst:229 msgid "" "Where section D is the list of options, section E is the widget where you " "can change things." msgstr "" "Розділ D є списком параметрів, розділ E — віджетом, за допомогою якого ви " "можете вносити зміни." #: ../../user_manual/loading_saving_brushes.rst:233 msgid "Using sensor curves" msgstr "Користування кривими датчиків" #: ../../user_manual/loading_saving_brushes.rst:235 msgid "" "One of the big important things that make art unique to the artist who " "created it is the style of the strokes. Strokes are different because they " "differ in speed, rotation, direction, and the amount of pressure put onto " "the stylus. Because these are so important, we would want to customize how " "these values are understood in detail. The best way to do this is to use " "curves." msgstr "" "Однією із найважливіших речей, які роблять твір унікальним для його творця, " "є стиль мазків. Мазки є різними для різної швидкості, обертання, напрямку та " "рівня тиску, який було використано для них під час роботи стилом. Оскільки " "це дуже важливо, варто докладно розібрати можливості налаштовування " "параметрів мазків. Найкращим способом налаштовування є використання кривих." #: ../../user_manual/loading_saving_brushes.rst:242 msgid "" "Curves show up with the size widget for example. With an inking brush, we " "want to have size mapped to pressure. Just toggling the size option in the " "option list will do that." msgstr "" "Криві, наприклад, буде показано у віджеті розміру. Для чорнильного пензля " "нам слід пов'язати тиск із товщиною мазка. Для виклику відповідної кривої " "достатньо натиснути пункт розміру у списку параметрів." #: ../../user_manual/loading_saving_brushes.rst:246 msgid "" "However, different people have different wrists and thus will press " "differently on their stylus. Someone who presses softly tends to find it " "easy to make thin strokes, but very difficult to make thick strokes. " "Conversely, someone who presses hard on their stylus naturally will have a " "hard time making thin strokes, but easily makes thick ones." msgstr "" "Втім, фізичний розвиток різних людей є різним, отже усі люди по-різному " "тиснуть на стило. Тим, хто не прикладає значного зусилля до стила, просто " "малювати тонкі лінії, але у них виникають складнощі зі малюванням товстих " "ліній. І навпаки, тим, хто звик тиснути на стило, зазвичай, важко намалювати " "тонку лінію, хоча із товстими лініями проблем не виникає." #: ../../user_manual/loading_saving_brushes.rst:252 msgid "" "Such a situation can be improved by using the curves to map pressure to " "output thinner lines or thicker ones." msgstr "" "Проблему можна усунути використанням кривих зв'язку для визначення тонших " "або товщих ліній для певного рівня тиску стилом на сенсорний екран." #: ../../user_manual/loading_saving_brushes.rst:255 msgid "" "The brush settings curves even have quick curve buttons for these at the " "top. Someone who has a hard time making small strokes should try the second " "to last concave button, while someone who has a hard time making thick " "strokes should try the third button, the S shape." msgstr "" "На кривих параметрів пензля передбачено кнопки пришвидшеного налаштовування, " "як розташовано згори. Тим, у кого є проблеми із тонкими лініями, варто " "спробувати передостанню кнопку із увігнутою формою кривої. А тим, у кого не " "виходять товсті лінії, варто спробувати третю кнопку із S-подібною кривою." #: ../../user_manual/loading_saving_brushes.rst:260 msgid "Underneath the curve widget there are two more options:" msgstr "Під віджетом кривої розташовано ще два пункти:" #: ../../user_manual/loading_saving_brushes.rst:263 msgid "" "This is for the list of sensors. Toggling this will make all the sensors use " "the same curve. Unchecked, all checked sensors will have separate curves." msgstr "" "Це пункт списку датчиків. Його позначення визначить використання однакової " "кривої для усіх датчиків. Якщо позначку з пункту буде знято, усі позначені " "датчики матимуть окремі криві." #: ../../user_manual/loading_saving_brushes.rst:264 msgid "Share Curves across all settings" msgstr "Спільна крива для усіх параметрів" #: ../../user_manual/loading_saving_brushes.rst:267 msgid "" "This indicates how the multiple values of the sensor curves are used. The " "curves always go from 0 to 1.0, so if one curve outputs 0.5 and the other " "0.7, then..." msgstr "" "Це пункт, який визначає, як поєднуються декілька значень з різних кривих " "датчиків. Значення на кривих завжди лежать у діапазоні від 0 до 1.0, отже, " "якщо на одній з кривих маємо 0.5, а на іншій — 0.7, тоді…" #: ../../user_manual/loading_saving_brushes.rst:271 msgid "Multiply" msgstr "Множення" #: ../../user_manual/loading_saving_brushes.rst:272 msgid "Will multiply the two values, 0.5\\*0.7 = 0.35." msgstr "Перемножити два значення, 0.5\\*0.7 = 0.35." #: ../../user_manual/loading_saving_brushes.rst:274 msgid "Addition" msgstr "Додавання" #: ../../user_manual/loading_saving_brushes.rst:274 msgid "" "Will add the two to a maximum of 1.0, so 0.5+0.7 = 1.2, which is then capped " "at 1.0." msgstr "" "Додати два значення і обмежити суму значенням 1.0, отже, 0.5+0.7 = 1.2, що " "потім обмежується до 1.0." #: ../../user_manual/loading_saving_brushes.rst:277 msgid "Maximum" msgstr "Максимум" #: ../../user_manual/loading_saving_brushes.rst:277 msgid "" "Will compare the two and pick the largest. So in the case of 0.5 and 0.7, " "the result is 0.7." msgstr "" "Порівняти два значення і вибрати більше. Отже, у випадку значень 0.5 і 0.7 " "матимемо результат 0.7." #: ../../user_manual/loading_saving_brushes.rst:280 msgid "Minimum" msgstr "Мінімум" #: ../../user_manual/loading_saving_brushes.rst:280 msgid "" "Will compare the two and pick the smallest. So in the case of 0.5 and 0.7, " "the result is 0.5." msgstr "" "Порівняти два значення і вибрати менше. Отже, у випадку значень 0.5 і 0.7 " "матимемо результат 0.5." #: ../../user_manual/loading_saving_brushes.rst:283 msgid "Will subtract the smallest value from the largest, so 0.7-0.5 = 0.2." msgstr "Відніме найменше значення від найбільшого, отже 0.7-0.5 = 0.2." #: ../../user_manual/loading_saving_brushes.rst:284 msgid "Curves Calculation Mode" msgstr "Режим обробки кривих" #: ../../user_manual/loading_saving_brushes.rst:284 msgid "Difference" msgstr "Різниця" #: ../../user_manual/loading_saving_brushes.rst:286 msgid "It's maybe better to see with the following example:" msgstr "Ймовірно, краще усе зрозуміти можна з такого прикладу:" #: ../../user_manual/loading_saving_brushes.rst:289 msgid ".. image:: images/en/Krita_4_0_brush_curve_calculation_mode.png" msgstr ".. image:: images/en/Krita_4_0_brush_curve_calculation_mode.png" #: ../../user_manual/loading_saving_brushes.rst:290 msgid "" "The first two are regular, the rest with different multiplication types." msgstr "" "Перші два рядки є початковими, решта рядків — результати застосування до " "початкових рядків різних типів множення." #: ../../user_manual/loading_saving_brushes.rst:292 msgid "Is a brush with size set to the distance sensor." msgstr "Пензель із розміром, який встановлено за датчиком відстані." #: ../../user_manual/loading_saving_brushes.rst:293 msgid "Is a brush with the size set to the fade sensor." msgstr "Пензель із розміром, який встановлено за датчиком згасання." #: ../../user_manual/loading_saving_brushes.rst:294 msgid "The size is calculated from the fade and distance sensors multiplied." msgstr "Розмір обчислено за добутком значень датчиків згасання і відстані." #: ../../user_manual/loading_saving_brushes.rst:295 msgid "" "The size is calculated from the fade and distance sensors added to each " "other. Notice how thick it is." msgstr "" "Розмір обчислено на основі додавання значень датчиків згасання та відстані. " "Зауважте, наскільки товстим є мазок." #: ../../user_manual/loading_saving_brushes.rst:297 msgid "" "The size takes the maximum value from the values of the fade and distance " "sensors." msgstr "" "Розмір є максимальним значенням зі значень датчиків згасання та відстані." #: ../../user_manual/loading_saving_brushes.rst:299 msgid "" "The size takes the minimum value from the values of the fade and distance " "sensors." msgstr "" "Розмір є мінімальним значенням зі значень датчиків згасання та відстані." #: ../../user_manual/loading_saving_brushes.rst:301 msgid "" "The size is calculated by having the largest of the values subtracted with " "the smallest of the values." msgstr "Розмір обчислено за різницею більшого значення і меншого значення." #: ../../user_manual/loading_saving_brushes.rst:305 msgid "Section F - Miscellaneous options" msgstr "Розділ F — Інші параметри" #: ../../user_manual/loading_saving_brushes.rst:308 msgid "" "This enables dirty presets. Dirty presets store the tweaks you make as long " "as this session of Krita is active. After that, they revert to default. " "Dirtied presets can be recognized by the icon in the top-left of the preset." msgstr "" "Уможливлює створення «брудних» наборів. У «брудних» наборах зберігаються " "коригування, які було внесено протягом сеансу Krita. По завершенню сеансу " "програма повертає типові значення параметрів набору. «Брудні» набори " "позначаються у списку наборів пензлів піктограмою у верхньому лівому куті " "пункту." #: ../../user_manual/loading_saving_brushes.rst:316 msgid "Temporarily Save Tweaks to Preset (Dirty Presets)" msgstr "Тимчасово зберегти коригування до наборів (Брудні набори)" #: ../../user_manual/loading_saving_brushes.rst:316 msgid "" "The icon in the top left of the first two presets indicate it is “Dirty”, " "meaning there are tweaks made to the preset." msgstr "" "Піктограма згори ліворуч від перших двох наборів пензлів означає, що він є " "«брудним», тобто до набору внесено коригування." #: ../../user_manual/loading_saving_brushes.rst:319 msgid "Eraser Switch Size" msgstr "Перемикання розміру гумки" #: ../../user_manual/loading_saving_brushes.rst:319 msgid "" "This switches the brush to a separately stored size when using the :kbd:`E` " "key." msgstr "" "Перемикає пензель на окремо збережений розмір, якщо натиснуто клавішу :kbd:" "`E`." #: ../../user_manual/loading_saving_brushes.rst:321 msgid "Eraser Switch Opacity" msgstr "Перемикання прозорості гумки" #: ../../user_manual/loading_saving_brushes.rst:322 msgid "Same as above, but then with Eraser opacity." msgstr "Те саме, що і ви ще, але потім із непрозорістю гумки." #: ../../user_manual/loading_saving_brushes.rst:324 msgid "" "This allows you to toggle instant preview on the brush. The Instant Preview " "has a super-secret feature: when you press the instant preview label, and " "then right click it, it will show a threshold slider. This slider determines " "at what brush size instant preview is activated for the brush. This is " "useful because small brushes can be slower with instant preview, so the " "threshold ensures it only activates when necessary." msgstr "" "За допомогою цього пункту можна увімкнути або вимкнути інтерактивний " "перегляд пензля. Інтерактивний перегляд доволі прихована можливість: після " "натискання мітки інтерактивного перегляду і клацання правою кнопкою миші " "програма показує повзунок порогового значення. За допомогою цього повзунка " "можна визначити, за якого розміру буде активовано інтерактивний перегляд для " "пензля. Повзунок введено, тому що інтерактивний перегляд значно уповільнює " "роботу малих пензлів. Наявність порогового значення забезпечує вмикання " "інтерактивного перегляду лише тоді, коли це необхідно." #: ../../user_manual/loading_saving_brushes.rst:330 msgid "Instant Preview" msgstr "Швидкий перегляд" #: ../../user_manual/loading_saving_brushes.rst:333 msgid "The On-canvas brush settings" msgstr "Параметри пензля на полотні" #: ../../user_manual/loading_saving_brushes.rst:335 msgid "" "There are on-canvas brush settings. If you open up the pop-up palette, there " "should be an icon on the bottom-right. Press that to show the on-canvas " "brush settings. You will see several sliders here, to quickly make small " "changes." msgstr "" "Передбачено можливість зміни параметрів пензля безпосереднього на полотні. " "Якщо ви відкриєте контекстну палітру, ви побачите піктограму у нижній правій " "частині палітри. Натисніть її, щоб відкрити параметри пензля на полотні. На " "панелі параметрів ви побачите декілька повзунків для пришвидшення внесення " "незначних змін до параметрів пензля." #: ../../user_manual/loading_saving_brushes.rst:340 msgid "" "At the top it shows the currently active preset. Next to that is a settings " "button, click that to get a list of settings that can be shown and organized " "for the given brush engine. You can use the up and down arrows to order " "their position, and then left and right arrows to add or remove from the " "list. You can also drag and drop." msgstr "" "Вгорі буде показано назву поточного активного набору пензлів. Поряд із нею " "розташовано кнопку параметрів. Натискання цієї кнопки відкриває список " "параметрів, які може бути показано або упорядковано для заданого рушія " "пензлів. Ви можете скористатися кнопками зі стрілками вгору і вниз для зміни " "позицій параметрів у списку. За допомогою кнопок зі стрілками ліворуч і " "праворуч можна додавати або вилучати пункти зі списку. Також передбачено " "підтримку перетягування зі скиданням за допомогою вказівника миші." #: ../../user_manual/loading_saving_brushes.rst:347 msgid "Making a Brush Preset" msgstr "Створення набору пензлів" #: ../../user_manual/loading_saving_brushes.rst:349 msgid "Now, let's make a simple brush to test the waters with:" msgstr "Тепер давайте створимо пензель для того, щоб усе це перевірити:" #: ../../user_manual/loading_saving_brushes.rst:352 msgid "Getting a default for the brush engine." msgstr "Визначення типових параметрів для рушія пензлів." #: ../../user_manual/loading_saving_brushes.rst:354 msgid "First, open the settings with :kbd:`F5`." msgstr "Спочатку, відкрийте вікно параметрів за допомогою клавіші :kbd:`F5`." #: ../../user_manual/loading_saving_brushes.rst:356 msgid "" "Then, press the arrow on the upper left to open the preset chooser. There, " "press the “+” icon to get a list of engines. For this brush we're gonna make " "a pixel brush." msgstr "" "Далі, натисніть стрілочку вгорі ліворуч, щоб відкрити список вибору набору. " "У списку вибору натисніть піктограму «+», щоб отримати список рушіїв. Ми " "збираємося створити піксельний пензель." #: ../../user_manual/loading_saving_brushes.rst:361 msgid "Example: Making an inking brush" msgstr "Приклад: створення чорнильного пензля" #: ../../user_manual/loading_saving_brushes.rst:363 msgid "" "Draw on the scratch pad to see what the current brush looks like. If done " "correctly, you should have a 5px wide brush that has pressure set to opacity." msgstr "" "Намалюйте щось на панелі нотатника, щоб побачити, як працюють поточні " "параметри пензля. Якщо все налаштовано правильно, у вас має вийти пензель " "товщиною 5 пікселів, рівень тиску для якого визначає рівень непрозорості " "мазка." #: ../../user_manual/loading_saving_brushes.rst:366 msgid "" "Let us turn off the opacity first. Click on the :ref:`opacity " "` option in the right-hand list. The settings should " "now be changed to a big curve. This is the sensor curve." msgstr "" "Спочатку, вимкнемо непрозорість. Натисніть пункт :ref:`непрозорості " "` у списку праворуч. Список параметрів має бути " "замінено на велику криву. Це крива датчика." #: ../../user_manual/loading_saving_brushes.rst:370 msgid "Uncheck the :guilabel:`Enable Pen Settings` checkbox." msgstr "Зніміть позначку з пункту :guilabel:`Увімкнути параметри пера`." #: ../../user_manual/loading_saving_brushes.rst:371 msgid "" "Test on the scratch pad... there still seems to be something affecting " "opacity. This is due to the :ref:`flow ` option." msgstr "" "Перевіримо на нотатнику... здається, щось впливає на непрозорість. Причиною " "негараздів є параметр :ref:`Потік `." #: ../../user_manual/loading_saving_brushes.rst:375 msgid "" "Select the Flow option from the list on the right hand. Flow is like " "Opacity, except that Flow is per dab, and opacity is per stroke." msgstr "" "Виберіть пункт :guilabel:`Потік` у списку праворуч. Потік подібний до " "непрозорості, але встановлюється для окремого дотику пензля, а непрозорість " "встановлюється для усього мазка." #: ../../user_manual/loading_saving_brushes.rst:377 msgid "" "Uncheck the :guilabel:`Enable Pen Settings` checkbox here as well. Test " "again." msgstr "" "Зніміть позначку з пункту :guilabel:`Увімкнути параметри пера` і тут. " "Перевірте пензель ще раз." #: ../../user_manual/loading_saving_brushes.rst:378 msgid "" "Now you should be getting somewhere towards an inking brush. It is still too " "small however, and kinda grainy looking. Click :ref:`Brush Tip " "` in the brush engine options." msgstr "" "Тепер усе більше схоже на пензель для малювання чорнилом. Втім, наш пензель " "усе ще надто малий і малює дещо зернисто. Натисніть пункт :ref:`Кінчик " "пензля ` у параметрах рушія пензлів." #: ../../user_manual/loading_saving_brushes.rst:381 msgid "" "Here, the diameter is the size of the brush-tip. You can touch the slider " "change the size, or right-click it and type in a value. Set it to 25 and " "test again. It should be much better." msgstr "" "У списку параметрів діаметр — це розмір кінчика пензля. Щоб змінити розмір, " "ви можете пересунути повзунок або клацнути на ньому правою кнопкою миші і " "ввести значення. Встановіть значення 25 і знову перевірте, як малює пензель. " "Результати мають бути значно кращими." #: ../../user_manual/loading_saving_brushes.rst:384 msgid "" "Now to make the brush feel a bit softer, turn down the fade parameter to " "about 0.9. This'll give the *brush mask* a softer edge." msgstr "" "Тепер зробимо пензель дещо м'якшим, зменшивши параметр згасання до приблизно " "0.9. Це надасть *масці пензля* м'якшого краю." #: ../../user_manual/loading_saving_brushes.rst:386 msgid "" "If you test again, you'll notice the fade doesn't seem to have much effect. " "This has to do with the spacing of the dabs: The closer they are together, " "the harder the line is. By default, this is 0.1, which is a bit low. If you " "set it to 10 and test, you'll see what kind of effect spacing has. The :ref:" "`Auto ` checkbox changes the way the spacing is calculated, " "and Auto Spacing with a value of 0.8 is the best value for inking brushes. " "Don't forget that you can use right-click to type in a value." msgstr "" "Якщо ви знову перевірите, як малює пензель, ви зауважите, що, здається, " "зміна параметра згасання майже ні на що не вплинула. Цей параметр пов'язано " "із відстанню між мазками: чим ближчі мазки один до одного, тим суцільнішою є " "лінія. Типово, встановлено значення 0.1, тобто відстань є доволі малою. Якщо " "ви встановите відстань 10 і знову спробуєте щось намалювати, ви побачите, як " "впливає на малюнок інтервал між мазками. За допомогою пункту :ref:`Авто " "` можна змінити спосіб обчислення інтервалів. Автоматичний " "інтервал зі значенням 0.8 є найкращим варіантом для чорнильних пензлів. Не " "забувайте, що значення можна змінити клацанням правою кнопкою миші із " "наступним безпосереднім введенням значення з клавіатури." #: ../../user_manual/loading_saving_brushes.rst:395 msgid "" "Now, when you test, the fade seems to have a normal effect... except on the " "really small sizes, which look pixelly. To get rid of that, check the anti-" "aliasing check box. If you test again, the lines should be much nicer now." msgstr "" "Тепер, якщо ви спробуєте перевірити пензель, згасання працюватиме як слід… " "окрім дуже малих розмірів, лінії для яких виглядатимуть розбитими на " "квадратні пікселі. Щоб позбутися цього ефекту, позначте пункт згладжування. " "Після позначення цього пункту лінії мають виглядати набагато краще." #: ../../user_manual/loading_saving_brushes.rst:401 msgid "Saving the new Brush" msgstr "Збереження нового пензля" #: ../../user_manual/loading_saving_brushes.rst:403 msgid "" "When you're satisfied, go to the upper left and select :guilabel::`Save new " "preset`." msgstr "" "Коли налаштовування буде завершено, перейдіть вгору ліворуч і виберіть " "пункт :guilabel:`Зберегти новий набір`." #: ../../user_manual/loading_saving_brushes.rst:406 msgid "" "You will get the save preset dialog. Name the brush something like “My " "Preset”. Then, select :guilabel:`Load from Icon Library` to get the icon " "library. Choose a nice tool icon and press :guilabel:`OK`." msgstr "" "Програма відкриє діалогове вікно збереження набору пензлів. Виберіть назву " "для вашого набору, наприклад, «Мій набір». Далі, позначте пункт :guilabel:" "`Завантажити з бібліотеки піктограм`, щоб отримати піктограму з бібліотеки " "піктограм. Виберіть бажану піктограму інструмента і натисніть кнопку :" "guilabel:`Гаразд`." #: ../../user_manual/loading_saving_brushes.rst:410 msgid "" "The icon will be loaded into the mini scratch pad on the left. Now doodle a " "nice stroke next to it. If you feel you messed up, just go back to the icon " "library to load a new icon." msgstr "" "Піктограму буде завантажено на панель нотатника ліворуч. Домалюйте поряд із " "нею жирний мазок. Якщо результат вас не задовольнить, просто поверніться до " "бібліотеки піктограм і завантажте нову піктограму." #: ../../user_manual/loading_saving_brushes.rst:414 msgid "Finally press :guilabel:`Save`, and your brush should be done." msgstr "" "Нарешті, натисніть кнопку :guilabel:`Зберегти`, і створення вашого пензля " "буде завершено." #: ../../user_manual/loading_saving_brushes.rst:416 msgid "You can further modify your inking brush by..." msgstr "Далі, ви можете змінити ваш пензель для малювання чорнилом…" #: ../../user_manual/loading_saving_brushes.rst:419 msgid "" "Changing the amount of pressure you need to put on a brush to make it full " "size." msgstr "" "Змінивши величину тиску, який слід прикласти до пензля, щоб отримати " "повнорозмірний мазок." #: ../../user_manual/loading_saving_brushes.rst:419 msgid "" "To do this, select the :ref:`size ` option, and press the " "pressure sensor from the list next to the curve. The curve should look like " "a straight line. Now if you want a brush that gets big with little pressure, " "tick on the curve to make a point, and drag the point to the upper-left. The " "more the point is to the upper-left, the more extreme the effect. If you " "want instead a brush that you have to press really hard on to get to full " "size, drag the dot to the lower-right. Such a brush is useful for fine " "details. Don't forget to save the changes to your brush when done." msgstr "" "Для цього виберіть пункт :ref:`розміру ` і натисніть пункт " "датчика тиску у списку, розташованому поряд із кривою. Крива має виглядати " "як пряма лінія. Якщо вам потрібен пензель, мазок якого буде товстим навіть " "на малого тиску, клацніть на кривій, щоб створити точку, і перетягніть цю " "точку вище ліворуч. Чим ближчою буде точка до верхнього лівого кута, тим " "помітнішим буде ефект. Якщо, навпаки, вам потрібен пензель, товстий мазок " "яким можна буде отримати лише сильним натисканням стилом, перетягніть точку " "вниз праворуч. Такий пензель буде корисним для малювання дрібних елементів. " "Не забудьте зберегти зміни до вашого пензля, коли завершуватимете " "редагування." #: ../../user_manual/loading_saving_brushes.rst:422 msgid "Making the fine lines look even softer by using the flow option." msgstr "Зробивши вигляд тонких ліній м'якшим за допомогою параметра потоку." #: ../../user_manual/loading_saving_brushes.rst:422 msgid "" "To do this, select the flow option, and turn back on the :guilabel:`Enable " "Pen Settings` check box. Now if you test this, it is indeed a bit softer, " "but maybe a bit too much. Click on the curve to make a dot, and drag that " "dot to the top-left, half-way the horizontal of the first square of the " "grid. Now, if you test, the thin lines are much softer, but the hard your " "press, the harder the brush becomes." msgstr "" "Для цього позначте пункт потоку і знову позначте пункт :guilabel:`Увімкнути " "параметри пензля`. Якщо тепер спробувати пензель, він справді стане дещо " "м'якшим, але, можливо, надто м'яким. Клацніть на кривій, щоб створити точку, " "і перетягніть цю точку вгору ліворуч, на середину горизонтальної сторони " "першого квадрата у ґратці. Після цього проба пензля даватиме набагато " "м'якіші тонкі лінії, але чим дужче ви тиснутимете, тим жорсткішим ставатиме " "пензель." #: ../../user_manual/loading_saving_brushes.rst:425 msgid "Sharing Brushes" msgstr "Оприлюднення пензлів" #: ../../user_manual/loading_saving_brushes.rst:427 msgid "" "Okay, so you've made a new brush and want to share it. There are several " "ways to share a brush preset." msgstr "" "Гаразд, вами створено пензель, і ви хочете ним поділитися. Існує декілька " "способів поділитися набором пензлів." #: ../../user_manual/loading_saving_brushes.rst:430 msgid "" "The recommended way to share brushes and presets is by using the resource " "bundle system. We have detailed instructions on how to use them on the :ref:" "`resource management page `." msgstr "" "Рекомендованим способом оприлюднення пензлів і наборів пензлів є система " "комплектів ресурсів. Нами створено докладну інструкцію щодо використання " "комплектів, яку викладено на :ref:`сторінці керування ресурсами " "`." #: ../../user_manual/loading_saving_brushes.rst:434 msgid "" "However, there are various old-fashioned ways of sharing brushes that can be " "useful when importing and loading very old packs:" msgstr "" "Втім, існують і різноманітні способи поділитися пензлями у «старому» стилі, " "які можуть бути корисними для імпортування та завантаження дуже старих " "пакунків із пензлями:" #: ../../user_manual/loading_saving_brushes.rst:438 msgid "Sharing a single preset" msgstr "Оприлюднення окремого набору пензлів" #: ../../user_manual/loading_saving_brushes.rst:440 msgid "There are three types of resources a single preset can take:" msgstr "Існує три типи ресурсів, які можуть зберігатися у єдиному наборі:" #: ../../user_manual/loading_saving_brushes.rst:442 msgid "" "A Paintoppreset file: This is the preset proper, with the icon and the " "curves stored inside." msgstr "" "Файл набору пензлів: це файл властивостей набору із збереженими у ньому " "піктограмою та кривими набору." #: ../../user_manual/loading_saving_brushes.rst:444 msgid "" "A Brush file: This is the brush tip. When using masked brushes, there's two " "of these." msgstr "" "Файл пензля: це кінчик пензля. Якщо використовуються масковані пензлі, таких " "файлів має бути два." #: ../../user_manual/loading_saving_brushes.rst:446 msgid "A Pattern file: this is when you are using textures." msgstr "Файл візерунка: це для випадків, коли використовуються текстури." #: ../../user_manual/loading_saving_brushes.rst:448 msgid "" "So when you have a brush that uses unique predefined tips for either brush " "tip or masked brush, or unique textures you will need to share those " "resources as well with the other person." msgstr "" "Отже, якщо ви створили пензель, який використовує унікальні кінчики для " "малювання або маскування чи унікальні текстури, можливо, у вас виникне " "потреба поділитися ним із кимось іншим." #: ../../user_manual/loading_saving_brushes.rst:452 msgid "" "To find those resources, go to :menuselection:`Settings --> Manage Resources " "--> Open Resource Folder`." msgstr "" "Щоб визначити розташування цих ресурсів, скористайтеся пунктом меню :" "menuselection:`Параметри --> Керування ресурсами --> Відкрити теку ресурсів`." #: ../../user_manual/loading_saving_brushes.rst:454 msgid "" "There, the preset file will be inside paintoppresets, the brush tips inside " "brushes and the texture inside patterns." msgstr "" "У теці ресурсів файл набору зберігатиметься у підтеці paintoppresets, файл " "кінчиків пензля — це підтеці brushes, а файл текстури — у підтеці patterns." #: ../../user_manual/loading_saving_brushes.rst:458 msgid "Importing a single KPP file." msgstr "Імпортування окремого файла KPP" #: ../../user_manual/loading_saving_brushes.rst:460 msgid "" "Now, if you want to use the single preset, you should go to the preset " "chooser on :kbd:`F6` and press the folder icon there. This will give a file " "dialog. Navigate to the kpp file and open it to import it." msgstr "" "Тепер, якщо ви хочете використати один набір, вам слід перейти до засобу " "вибору набору натисканням клавіші :kbd:`F6` із наступним натисканням кнопки " "із зображенням теки. Буде відкрито діалогове вікно вибору файлів. Перейдіть " "до теки з файлом kpp і відкрийте його, щоб імпортувати дані." #: ../../user_manual/loading_saving_brushes.rst:464 msgid "" "If there are brush tips and patterns coming with the file, do the same with " "pattern via the pattern docker, and for the brush-tip go to the settings " "drop-down (:kbd:`F5`) and then go to the “brush-tip” option. There, select " "predefined brush, and then the “import” button to call up the file dialog." msgstr "" "Якщо разом із файлом постачаються кінчики пензлів та візерунки, виконайте ту " "саму процедуру із візерунком за допомогою бічної панелі візерунків та з " "кінчиком пензля: відкрийте спадний список параметрів (:kbd:`F5`) і виберіть " "у ньому пункт кінчика пензля. Далі, виберіть попередньо визначений пензель і " "натисніть кнопку :guilabel:`Імпортувати`, щоб викликати діалогове вікно " "вибору файлів." #: ../../user_manual/loading_saving_brushes.rst:471 msgid "Sharing via ZIP (old-fashioned)" msgstr "Оприлюднення за допомогою файла ZIP (давній спосіб)" #: ../../user_manual/loading_saving_brushes.rst:473 msgid "" "Sharing via ZIP should be replaced with resource bundles, but older brush " "packs are stored in zip files." msgstr "" "Оприлюднення файлів ZIP має бути замінено на оприлюднення комплектів " "ресурсів, але старі пакунки пензлів усе ще зберігаються у архівах zip." #: ../../user_manual/loading_saving_brushes.rst:477 msgid "Using a ZIP with the relevant files." msgstr "Використання ZIP із відповідними файлами" #: ../../user_manual/loading_saving_brushes.rst:479 msgid "" "Go to :menuselection:`Settings --> Manage Resources --> Open Resource " "Folder` to open the resource folder." msgstr "" "Скористайтеся пунктом :menuselection:`Параметри --> Керування ресурсами --> " "Відкрити теку ресурсів`, щоб відкрити теку ресурсів." #: ../../user_manual/loading_saving_brushes.rst:480 msgid "Then, open up the zip file." msgstr "Далі, відкрийте файл zip." #: ../../user_manual/loading_saving_brushes.rst:481 msgid "" "Copy the brushes, paintoppresets and patterns folders from the zip file to " "the resource folder. You should get a prompt to merge the folders, agree to " "this." msgstr "" "Скопіюйте теки brushes, paintoppresets і patterns з файла zip до теки " "ресурсів. Програма для керування файлів спитає вас, чи слід об'єднати вміст " "цих тек. Погодьтеся із цією пропозицією." #: ../../user_manual/loading_saving_brushes.rst:484 msgid "Restart Krita." msgstr "Перезапустіть Krita." #: ../../user_manual/loading_saving_brushes.rst:485 msgid "Enjoy your brushes!" msgstr "Насолоджуйтеся вашими пензлями!" diff --git a/locale/zh_CN/LC_MESSAGES/general_concepts/colors/color_managed_workflow.po b/locale/zh_CN/LC_MESSAGES/general_concepts/colors/color_managed_workflow.po index 69a156878..ad5497a82 100644 --- a/locale/zh_CN/LC_MESSAGES/general_concepts/colors/color_managed_workflow.po +++ b/locale/zh_CN/LC_MESSAGES/general_concepts/colors/color_managed_workflow.po @@ -1,1377 +1,1377 @@ msgid "" msgstr "" "Project-Id-Version: kdeorg\n" "Report-Msgid-Bugs-To: \n" -"POT-Creation-Date: 2019-04-13 03:33+0200\n" +"POT-Creation-Date: 2019-04-14 03:33+0200\n" "PO-Revision-Date: 2019-04-09 18:50\n" "Last-Translator: guoyunhe \n" "Language-Team: Chinese Simplified\n" "Language: zh_CN\n" "MIME-Version: 1.0\n" "Content-Type: text/plain; charset=UTF-8\n" "Content-Transfer-Encoding: 8bit\n" "Plural-Forms: nplurals=1; plural=0;\n" "X-Generator: crowdin.com\n" "X-Crowdin-Project: kdeorg\n" "X-Crowdin-Language: zh-CN\n" "X-Crowdin-File: /kf5-trunk/messages/www/" "docs_krita_org_general_concepts___colors___color_managed_workflow.pot\n" +#: ../../general_concepts/colors/color_managed_workflow.rst:0 +msgid ".. image:: images/en/color_category/Kiki_matrix_profile.png" +msgstr ".. image:: images/en/color_category/Kiki_matrix_profile.png" + +#: ../../general_concepts/colors/color_managed_workflow.rst:0 +msgid ".. image:: images/en/color_category/Kiki_cLUTprofiles.png" +msgstr ".. image:: images/en/color_category/Kiki_cLUTprofiles.png" + #: ../../general_concepts/colors/color_managed_workflow.rst:None msgid "" ".. image:: images/en/color_category/Krita_2_9_colormanagement_group1.png" msgstr "" ".. image:: images/en/color_category/Krita_2_9_colormanagement_group1.png" #: ../../general_concepts/colors/color_managed_workflow.rst:None msgid "" ".. image:: images/en/color_category/Krita_2_9_colormanagement_group2.png" msgstr "" ".. image:: images/en/color_category/Krita_2_9_colormanagement_group2.png" #: ../../general_concepts/colors/color_managed_workflow.rst:None msgid "" ".. image:: images/en/color_category/Krita_2_9_colormanagement_group3.png" msgstr "" ".. image:: images/en/color_category/Krita_2_9_colormanagement_group3.png" #: ../../general_concepts/colors/color_managed_workflow.rst:None msgid "" ".. image:: images/en/color_category/Krita_2_9_colormanagement_group4.png" msgstr "" ".. image:: images/en/color_category/Krita_2_9_colormanagement_group4.png" #: ../../general_concepts/colors/color_managed_workflow.rst:None msgid ".. image:: images/en/LUT_Management_Docker.png" msgstr ".. image:: images/en/LUT_Management_Docker.png" #: ../../general_concepts/colors/color_managed_workflow.rst:None msgid ".. image:: images/en/color_category/Krita_HDR_1.svg" msgstr ".. image:: images/en/color_category/Krita_HDR_1.svg" #: ../../general_concepts/colors/color_managed_workflow.rst:None msgid ".. image:: images/en/color_category/Krita_HDR2.svg" msgstr ".. image:: images/en/color_category/Krita_HDR2.svg" #: ../../general_concepts/colors/color_managed_workflow.rst:None msgid "" ".. image:: images/en/color_category/Krita-colormanaged-workflow_webcomic.svg" msgstr "" ".. image:: images/en/color_category/Krita-colormanaged-workflow_webcomic.svg" #: ../../general_concepts/colors/color_managed_workflow.rst:None msgid "" ".. image:: images/en/color_category/Krita-colormanaged-workflow_print.svg" msgstr "" ".. image:: images/en/color_category/Krita-colormanaged-workflow_print.svg" #: ../../general_concepts/colors/color_managed_workflow.rst:None msgid "" ".. image:: images/en/color_category/Krita-colormanaged-workflow_games.svg" msgstr "" ".. image:: images/en/color_category/Krita-colormanaged-workflow_games.svg" -#: ../../general_concepts/colors/color_managed_workflow.rst:0 -msgid ".. image:: images/en/color_category/Kiki_matrix_profile.png" -msgstr ".. image:: images/en/color_category/Kiki_matrix_profile.png" - -#: ../../general_concepts/colors/color_managed_workflow.rst:0 -msgid ".. image:: images/en/color_category/Kiki_cLUTprofiles.png" -msgstr ".. image:: images/en/color_category/Kiki_cLUTprofiles.png" - #: ../../general_concepts/colors/color_managed_workflow.rst:1 msgid "How a color managed workflow works." msgstr "介绍色彩管理流程的原理。" #: ../../general_concepts/colors/color_managed_workflow.rst:17 msgid "Color Managed Workflow" msgstr "色彩管理流程" #: ../../general_concepts/colors/color_managed_workflow.rst:19 msgid "" "You may have heard that Krita has something called color-management. Or " "maybe you just wondered what all these 'color model' and 'color profile' " "things you can find in the menus mean. Color management is pretty useful for " "people who work in digital imaging professionally, and hopefully this page " "will explain why." msgstr "" "你可能听说过 Krita 具备一种叫做色彩管理的功能。或者你很好奇在菜单中显示的“色" "彩模型”和“色彩特性文件”等这些东西都是用来干什么的。色彩管理对于从事专业数字影" "像工作的人员来说非常有用，我们尽可能通过本页面对此进行解释。" #: ../../general_concepts/colors/color_managed_workflow.rst:22 msgid "Basic Info" msgstr "基本信息" #: ../../general_concepts/colors/color_managed_workflow.rst:24 msgid "" "If you've never worked with color management before, and have no clue what " "it is, then know that you've probably been working in the 8bit RGB color " "space with the sRGB profile. This means you can choose for *sRGB built-in* " "or *sRGB-elle-v2-srgbtrc.icc*. With the new color space browser this profile " "is marked with *(default)* when using 8bit." msgstr "" "如果你从未使用过色彩管理进行作业，或者对此一无所知，那么你很可能正在使用一个 " "sRGB 色彩特性文件，在 8 位 RGB 色彩空间下进行作业。这意味着你可以选用 *sRGB " "built-in* 或 *sRGB-elle-v2-srgbtrc.icc* 预设。在 Krita 全新的色彩空间浏览器" "中，该色彩特性文件是在使用 8 位色彩通道时的默认值。" #: ../../general_concepts/colors/color_managed_workflow.rst:26 msgid "" "We'll go into what these terms mean in the theory, but if you're here only " "for trying to figure out which is the default, you now know it. Maybe, after " "reading this, you may feel like changing the default, to get new and " "interesting results from filters, blending modes, or just the color smudge " "brush." msgstr "" "我们将深入了解这些术语在理论上的含义，但如果你在这里只是为了试图找出哪个是默" "认值，你现在就已经知道了。也许在阅读了这篇文章后，你可能会想要改变默认值，以" "便从滤镜、混合模式抑或是运用了颜色涂抹模型的笔刷中获得新奇有趣的结果。" #: ../../general_concepts/colors/color_managed_workflow.rst:29 msgid "What is the problem?" msgstr "色彩管理用来解决什么问题？" #: ../../general_concepts/colors/color_managed_workflow.rst:31 msgid "" "To explain the point of color management, you'd first need to learn which " "problem color management tries to solve." msgstr "为了说清楚为什么要进行色彩管理，你首先要弄懂它试图去解决哪些问题。" #: ../../general_concepts/colors/color_managed_workflow.rst:33 msgid "Let us imagine a kinder garden:" msgstr "让我们在脑海里想象一个幼儿园：" #: ../../general_concepts/colors/color_managed_workflow.rst:35 msgid "" "The class of 28 children is subdivided in groups of 7. Each group has its " "own table." msgstr "一个有 28 名儿童的班级被分为 7 人小组，每个组都有自己的桌子。" #: ../../general_concepts/colors/color_managed_workflow.rst:37 msgid "" "The teacher gives them a painting assignment: They need to paint a red " "triangle, a blue square, a green circle and put a yellow border around the " "three. The kids are very experienced with painting already, so the teacher " "can confidently leave the smarter ones to their own devices, and spent more " "time on those who need help." msgstr "" "老师给他们布置了一个绘画作业：他们需要画出一个红色的三角形、一个蓝色的正方" "形、一个绿色的圆形，然后用黄色把这三个图形给框起来。孩子们对绘画已经相当熟" "悉，所以老师可以放心地任凭聪明的孩子自由施展，而把更多的时间花在那些需要帮助" "的孩子身上。" #: ../../general_concepts/colors/color_managed_workflow.rst:40 msgid "The following results come from painting:" msgstr "下面就是孩子们最后画出来的画：" #: ../../general_concepts/colors/color_managed_workflow.rst:42 msgid "" "Even though all groups had the same assignment, each group's result looks " "different." msgstr "尽管每个组的任务都是一样的，但是他们的成果看起来却不一样。" #: ../../general_concepts/colors/color_managed_workflow.rst:49 msgid "" "Group 1 had vermillion red, citron yellow and ultramarine blue to their " "disposal. This means their triangle looks nice and red, but their circle's " "green is muddy. This is because ultramarine is too dark of a blue to create " "nice greens with." msgstr "" "第一组使用的颜色是朱红、明黄和群青。他们绘制的三角形的红色很鲜明，但他们绘制" "的圆形的绿色却很浑浊。这是因为群青的颜色实在是太暗了，用它很难调出好看的绿色" "系。" #: ../../general_concepts/colors/color_managed_workflow.rst:56 msgid "" "Group 2 had magenta red, citron yellow and cerulean blue. Magenta is a type " "of red that is closer to pink, opposed to vermillion, which is closer to " "orange. However, their green looks nice because cerulean is a much lighter " "blue." msgstr "" "第二组用了品红、明黄和天蓝。洋红是一种接近粉红的红，朱红与之相反，更接近橙" "色。不过他们画的绿色看起来更顺眼，因为天蓝是一种浅得多的蓝。" #: ../../general_concepts/colors/color_managed_workflow.rst:64 msgid "" "Group 3 had vermillion red, citron yellow, emerald green and cerulean blue. " "They didn't mix their green, and thus ended up with a purer color." msgstr "" "第三组用了朱红、明黄、翠绿和天蓝。他们的绿色不是调出来的，所以颜色也显得更" "纯。" #: ../../general_concepts/colors/color_managed_workflow.rst:71 msgid "" "Finally, group 4 has vermillion red, citron yellow and cerulean blue. Their " "colors probably look like what you imagined." msgstr "最后，第四组用了朱红、明黄和天蓝。他们绘制的颜色应该和你想象的差不多。" #: ../../general_concepts/colors/color_managed_workflow.rst:73 msgid "" "Now, these are kindergarteners, so this isn't the largest problem in the " "world. However, imagine that something like this happened at a printing " "company? Imagine four printers printing the same magazine with wildly " "different results? That would be disastrous!" msgstr "" "不过他们都还是幼儿园里的孩子，这点颜色差异没什么大不了的。但想象一下如果这样" "的事情发生在一家印刷公司里会怎样？车间里的四台打印机把同一本杂志印成截然不同" "的效果，那可是要完蛋的！" #: ../../general_concepts/colors/color_managed_workflow.rst:75 msgid "For this purpose, we invented color management." msgstr "为了解决这个问题，我们发明了色彩管理。" #: ../../general_concepts/colors/color_managed_workflow.rst:78 msgid "What is color management?" msgstr "色彩管理是什么？" #: ../../general_concepts/colors/color_managed_workflow.rst:80 msgid "" "Color management is, dryly put, a set of systems that tries to have the same " "color translate properly between color devices." msgstr "" "色彩管理，简要地说，是用于在不同的显色设备之间正确转换颜色以保持颜色相同的一" "套系统。" #: ../../general_concepts/colors/color_managed_workflow.rst:82 msgid "" "It usually works by attempting to covert a color to the reference color " "space XYZ. XYZ is a coordinate system that has a spot for all colors that " "the average human eye can see." msgstr "" "它的工作方式是将一种颜色转换到参考色彩空间 XYZ。XYZ 是一个包含了人眼可以感知" "的一切颜色的坐标系。" #: ../../general_concepts/colors/color_managed_workflow.rst:84 msgid "" "From XYZ it can then be translated back into another device space, such as " "RGB (for screens), or CMYK (for printers)." msgstr "" "然后再从 XYZ 转换到其他设备的色彩空间，如 RGB (用于屏幕) 或 CMYK (用于打印)。" #: ../../general_concepts/colors/color_managed_workflow.rst:86 #, fuzzy #| msgid "" #| "Krita has two systems dedicated to color management. On one hand we have " #| "**lcms2**, which deal with ICC profiles, and on the other we have " #| "**OCIO**, which deal with LUT color management." msgid "" "Krita has two systems dedicated to color management. On the one hand, we " "have **lcms2**, which deal with ICC profiles, and on the other, we have " "**OCIO**, which deal with LUT color management." msgstr "" "Krita 有两套专门用于色彩管理的系统。一个是 **lcms2**，负责处理 ICC 特性文件。" "另一个则是 **OCIO**，负责处理 LUT 色彩管理。" #: ../../general_concepts/colors/color_managed_workflow.rst:88 msgid "" "To give a crude estimate, ICC profiles deal with keeping colors consistent " "over many interpretations of devices (screens, printers) by using a " "reference space, and OCIO deals with manipulating the interpretation of said " "colors." msgstr "" "粗略的讲，ICC 特性文件用于保证在不同设备 (屏幕、打印机等) 上呈现一致的颜色，" "而 OCIO 则用于对颜色的展现方式进行调整。" #: ../../general_concepts/colors/color_managed_workflow.rst:90 msgid "Within both we can identify the following color spaces:" msgstr "在这两个系统下面我们都可以识别出下列色彩空间：" #: ../../general_concepts/colors/color_managed_workflow.rst:93 msgid "" "Device spaces are those describing your monitor, and have to be made using a " "little device that is called \"colorimeter\". This device, in combination " "with the right software, measures the strongest red, green and blue your " "screen can produce, as well as the white, black and grey it produces. Using " "these and several other measurements it creates an ICC profile unique to " "your screen. You set these in Krita's color management tab. By default we " "assume sRGB for screens, but it's very likely that your screen isn't exactly " "fitting sRGB, especially if you have a high quality screen, where it may be " "a bigger space instead. Device spaces are also why you should first consult " "with your printer what profile they expect. Many printing houses have their " "own device profiles for their printers, or may prefer doing color conversion " "themselves. You can read more about colorimeter usage :ref:`here " "`." msgstr "" "设备空间用来描述你的显示器，制作它需要用上一种叫做“色差计”的小型设备。色差计" "与配套软件会测量显示器能够显示的最纯的红、绿、蓝、白、黑和灰。附加一些其他测" "量之后，软件会生成一组受测屏幕的 ICC 特性文件。你可以在 Krita 的色彩管理标签" "页里指定该特性文件。默认状态下我们假定显示器是符合 sRGB 规范的，但你的屏幕很" "可能并不完全匹配 sRGB，尤其是高品质的屏幕往往会有更宽的色域。在与印刷公司洽谈" "业务时，你也应该咨询他们需要什么类型的设备空间。许多印刷公司会给自己的打印机" "准备设备空间，有些公司还会希望由他们进行色彩转换。想要了解色差计的用法，可以" "阅读：:ref:`此文 `。" #: ../../general_concepts/colors/color_managed_workflow.rst:94 msgid "Device spaces" msgstr "设备空间" #: ../../general_concepts/colors/color_managed_workflow.rst:96 msgid "Working spaces" msgstr "工作空间" #: ../../general_concepts/colors/color_managed_workflow.rst:97 msgid "" "These are delivered alongside Krita for ICC, and downloadable from the OCIO " "website for OCIO. Working spaces are particularly nice to do color " "calculations in, which programs like Krita do often. It's therefore " "recommended to have a working space profile for your image." msgstr "" "用于 ICC 的特性文件随 Krita 预装，用于 OCIO 的配置文件则可以从 OCIO 网站下" "载。Krita 和类似的软件需要进行大量与色彩相关的运算，而工作空间特别适合该用" "途。因此我们建议为你的图像指定一个工作空间特性文件。" #: ../../general_concepts/colors/color_managed_workflow.rst:99 msgid "Aesthetic or Look spaces" msgstr "审美或观察空间" #: ../../general_concepts/colors/color_managed_workflow.rst:99 msgid "" "These are special spaces that have been deformed to give a certain look to " "an image. Krita doesn't deliver Look profiles for ICC, nor does it yet " "support Look spaces for OCIO." msgstr "" "这是一些经过畸变的特殊色彩空间，用来以某种特殊的视觉效果来呈现图像。Krita 没" "有为 ICC 预装观察空间，也未在 OCIO 中对其提供支持。" #: ../../general_concepts/colors/color_managed_workflow.rst:102 msgid "Color managed workflow" msgstr "色彩管理流程" #: ../../general_concepts/colors/color_managed_workflow.rst:104 #, fuzzy #| msgid "" #| "Knowing this about these spaces of course doesn't give you an idea how to " #| "use them, but it does make it easier to explain how to use them. So let " #| "us look at a typical color management workflow:" msgid "" "Knowing this about these spaces of course doesn't give you an idea of how to " "use them, but it does make it easier to explain how to use them. So let us " "look at a typical color management workflow:" msgstr "" "只是了解这些色彩空间不足以让你搞懂如何运用它们，但这会让说明它们的用途变得容" "易一些。下面先让我们观察一个典型的色彩管理流程：" #: ../../general_concepts/colors/color_managed_workflow.rst:110 msgid "" ".. image:: images/en/color_category/Krita-colormanaged-workflow_text.svg" msgstr "" ".. image:: images/en/color_category/Krita-colormanaged-workflow_text.svg" #: ../../general_concepts/colors/color_managed_workflow.rst:110 msgid "" "A typical example of a color managed workflow. We have input from scanners " "and cameras, which we convert to a working space that can be used between " "different editing software, and is converted to an output space for viewing " "on screen or printing." msgstr "" "这是一个典型的色彩管理流程实例。我们先从扫描仪和数码相机输入图像，然后把这些" "图像转换到一个能被不同编辑软件使用的工作空间，最后转换到用于屏幕观察和打印的" "空间。" #: ../../general_concepts/colors/color_managed_workflow.rst:112 msgid "" "In a traditional color managed workflow, we usually think in terms of real " "world colors being converted to computer colors and the other way around. " "So, for example photos from a camera or scanned in images. If you have a " "device space of such a device, we first assign said device space to the " "image, and then convert it to a working space." msgstr "" "在一个传统的色彩管理流程里，我们通常关注的是现实世界色彩与计算机色彩之间的转" "换。例如数码相机的照片或者扫描进计算机的图像等。如果你的成像设备具有一个设备" "空间，我们便要首先将该设备空间指定给它生成的图像，然后将图像转换至一个工作空" "间。" #: ../../general_concepts/colors/color_managed_workflow.rst:114 msgid "" "We then do all our editing in the working space, and use the working space " "to communicate between editing programs. In Krita's case, due to it having " "two color management systems, we use ICC profiles between programs like GIMP " "2.9+, Inkscape, digiKam and Scribus, and OCIO configuration between Blender " "and Natron." msgstr "" "我们接下来便要在该工作空间中完成所有的编辑作业，不同的编辑软件之间也通过该工" "作空间进行互换。Krita 通过 ICC 特性文件与 GIMP 2.9 +、Inkscape、Digikam 和 " "Scribus 等软件进行互换，通过 OCIO 配置来与 Blender 和 Natron 等进行互换。" #: ../../general_concepts/colors/color_managed_workflow.rst:116 msgid "" "You also store your working files in the working space, just like how you " "have the layers unmerged in the working file, or have it at a very high " "resolution." msgstr "你也可以使用工作空间来保存你具备高分辨率、图层分离的工作文件。" #: ../../general_concepts/colors/color_managed_workflow.rst:118 msgid "" "Sometimes, we apply aesthetic or 'look' spaces to an image as part of the " "editing process. This is rather advanced, and probably not something to " "worry about in Krita's case." msgstr "" "在图像的编辑过程中，我们有时会把具有某种审美意趣的所谓“观察空间”应用到图像" "上。这是一个相当高级的运用领域，在使用 Krita 的时候一般用不着关注这个。" #: ../../general_concepts/colors/color_managed_workflow.rst:120 msgid "" "Then, when we're done editing, we try to convert to an output space, which " "is another device space. This can be CMYK for printers or a special screen " "RGB profile. When you are dealing with professional printing houses, it is " "best to ask them about this step. They have a lot of experience with doing " "the best conversion, and may prefer to do the conversion from your working " "space to the device space of their printers." msgstr "" "我们完成编辑后便要把图像转换到输出空间，这个输出空间是另一个设备空间。它可以" "是打印机的 CMYK 特性文件，也可以是某个特定屏幕的 RGB 特性文件。在和专业印刷公" "司洽谈业务时，你应该留意这一步的相关信息。他们对于如何实现最佳的转换有丰富的" "经验，可能习惯把客户的工作空间转换到他们打印机的设备空间。" #: ../../general_concepts/colors/color_managed_workflow.rst:122 msgid "" "Another form of output is the way your screen displays the color. Unlike " "regular output, this one is done all the time during editing: After all, you " "need to be able to see what you are doing, but your screen is still a device " "with a device space, so it does distort how the image looks. In this manner, " "you can see your screen as a set of binoculars you have to look through to " "see your image at all." msgstr "" "另一种输出形式是屏幕显示色彩的方式。和常规输出不同的是，输出屏幕时发生的色彩" "转换是在整个编辑过程中持续不断进行的：你需要看见自己正在进行的操作，而你的屏" "幕又具备自己的设备空间，它当然会影响图像的视觉效果。你可以把屏幕看作是一个望" "远镜，你必须通过它才能看到你的图像，而望远镜会扭曲图像的成像。" #: ../../general_concepts/colors/color_managed_workflow.rst:124 msgid "" "Therefore, without a profiled monitor, you actually don't know what the " "actual colors you are working with are like, because the computer doesn't " "know the relevant properties of your screen. So if you profiled your " "monitor, give Krita the profile in the settings, and select the sRGB space " "to draw in, you are for the first time seeing the actual colors of the sRGB " "space." msgstr "" "因此，如果你的显示器没有特性文件，电脑就无法得知你的屏幕的相对特性并进行相应" "的色彩转换，你也就无法确定你正在处理的颜色是否准确。你必须首先为你的显示器进" "行特性化，得到它的设备特性文件，然后在 Krita 的设定里指定该特性文件作为设备空" "间，并且为你要进行绘画作业的图像选取 sRGB 色彩空间，满足了这些条件，你才能在" "你的显示器上看到在 sRGB 色彩空间下准确的颜色。" #: ../../general_concepts/colors/color_managed_workflow.rst:127 msgid "So what does this mean?" msgstr "那么这意味着什么呢？" #: ../../general_concepts/colors/color_managed_workflow.rst:133 msgid "" ".. image:: images/en/color_category/Krita-colormanaged-workflow_krita_text." "svg" msgstr "" ".. image:: images/en/color_category/Krita-colormanaged-workflow_krita_text." "svg" #: ../../general_concepts/colors/color_managed_workflow.rst:133 msgid "" "When we paint from scratch, we can see our screen profile as the input " "space, because we use it to determine what colors to pick. This somewhat " "simplifies the workflow, but makes the screen profile and viewing conditions " "more important." msgstr "" "当我们从零开始绘制作品时，我们可以把显示器的特性文件作为输入空间，因为我们在" "它下面确定选取的颜色。这样会稍微简化色彩管理流程，但也会让显示器特性文件和观" "察条件变得更为重要。" #: ../../general_concepts/colors/color_managed_workflow.rst:135 msgid "" "Now, photographers and people who do a tricky discipline of VFX called " "'color grading' will go completely mad over trying to get the colors they " "put in to come out 100% correctly, and will even count in factors like the " "time of day and the color they painted their walls. For example, if the wall " "behind your computer is pure red, your eyes will adjust to be less sensitive " "to red, which means that the colors they pick in the program could come out " "redder. We call these the *viewing conditions*." msgstr "" "为了让输入和输出的色彩完全一致，摄影师和特效行业负责“颜色级配”的人员会穷尽一" "切手段。现在是几点钟、墙壁的颜色等都是他们要计较的因素。举个例子，如果你显示" "器背后的墙壁是纯红色的，你的眼睛为了适应这个环境会降低对红色敏感程度，于是在" "程序里选择的颜色就会偏红。我们把这称为*观察条件*。" #: ../../general_concepts/colors/color_managed_workflow.rst:137 msgid "" "Thankfully, artists have to worry a slight bit less about this. As " "illustrations are fully handmade, we are able to identify the important bits " "and make appropriate contrasts between colors. This means that even if our " "images turn out to be slightly redder than intended, it is less likely the " "whole image is ruined. If we look back at the kindergarten example above, we " "still understand what the image was supposed to look like, despite there " "being different colors on each image. Furthermore, because the colors in " "illustrations are deliberately picked, we can correct them more easily on a " "later date. Yet, at the same time, it is of course a big drag to do this, " "and we might have had much more flexibility had we taken viewing conditions " "under consideration." msgstr "" "好在画手不需要为此担心太多。画作是全人工绘制的，我们会为不同的颜色之间营造出" "合适的对比以突出重点。这意味着即使我们的图像会比我们原来的意图要偏红一些，作" "品整体也不至于会因此毁掉。我们回顾之前孩子们绘制图形的例子，虽然每张图的颜色" "不尽相同，我们依然可以理解图像想要表达的颜色是什么。除此之外，由于画作的颜色" "是人为选取的，我们自然也可以在日后对其进行修正。当然修正的过程会很痛苦，要是" "一开始就把观察环境考虑在内，我们日后的工作就可以更加灵活。" #: ../../general_concepts/colors/color_managed_workflow.rst:139 msgid "" "That said, for artists it is also very useful to understand the working " "spaces. Different working spaces give different results with filters and " "mixing, and only some working spaces can be used for advanced technology " "like HDR." msgstr "" "尽管如此，了解工作空间的相关知识对于画手来说还是相当有用的。在不同的工作空间" "下面运用滤镜和混合颜色的结果会有所不同，而如果要运用像 HDR 这样的高科技，也需" "要知道哪些工作空间与之兼容。" #: ../../general_concepts/colors/color_managed_workflow.rst:141 msgid "" "Similarly, Krita, as a program intended to make images from scratch, doesn't " "really worry about assigning workspaces after having made the image. But " "because you are using the screen as a binocular to look at your image, and " "to pick colors, you can see your screen's device space as an input space to " "the image. Hence why profiling your monitor and giving the profile to Krita " "in the settings can help with preparing your work for print and future " "ventures in the long run." msgstr "" "与这类似，Krita 就是一个专门为了从头开始绘制图像而设计的程序，它不需要在图像" "制作出来之后才去指定工作空间。由于你必须通过显示器这个“望远镜”去观察你的图" "像，在它对图像的影响下选取颜色，你可以把你的显示器的设备空间看作是图像的输入" "空间。这也是为什么你应该为你的显示器进行特性化，并把生成的显示器特性文件指派" "给 Krita，这对于以后打印以及其他工作会大有帮助。" #: ../../general_concepts/colors/color_managed_workflow.rst:143 msgid "" "Overall, it is kinda useful to keep things like viewing conditions in the " "back of your mind. Many professional artists use a mid-grey color as their " "default canvas background because they find they create much more dynamic " "images due to having improved their viewing conditions. It is also why a lot " "of graphics programs, including Krita, come with a dark theme nowadays. " "(Though, of course this might also be because dark themes can be considered " "cool, who knows.)" msgstr "" "总的来说，为观察条件等因素留个心眼还是很有用的。许多专业的画手会选用中性灰作" "为画布背景色，因为他们发现这样可以画出光色更为明快的作品，而这背后的原理便是" "中性灰改善了他们的观察条件。这也是为什么包括 Krita 在内的众多影像软件都会自带" "一套暗色主题。(不过说不定也因为暗色主题看起来更炫酷？)" #: ../../general_concepts/colors/color_managed_workflow.rst:148 msgid "ICC profiles" msgstr "ICC 特性文件" #: ../../general_concepts/colors/color_managed_workflow.rst:150 msgid "" "An ICC profile is a set of coordinates describing the extremities of the " "device space within XYZ, and it is the color management data you use to " "communicate your working space to printers and applications that are " "designed for the print industry, such as GIMP, Scribus, Photoshop, " "Illustrator, Inkscape, Digikam, RawTheraphee, etc. You have two types of ICC " "profiles:" msgstr "" "ICC 特性文件是一组用于色彩管理的坐标数据，它描述了在 XYZ 坐标中设备空间的各个" "顶点。它用于在工作空间和打印机之间，或者在不同的印刷行业软件之间进行交互，如 " "GIMP、Scribus、Photoshop、Illustrator、Inkscape、Digikam、RawTheraphee 等。" "ICC 特性文件有两种：" #: ../../general_concepts/colors/color_managed_workflow.rst:153 msgid "" "These are delivered alongside Krita. Matrix shaper profiles are made by " "setting parameters and interpolating between these to get the exact size of " "the color space. Due to this, Krita's color space browser can give you a lot " "of information on these profiles. Such profiles are also preferable as " "working space." msgstr "" "这些特性文件是随 Krita 预装的。阶调矩阵特性文件中包含了各个坐标的参数和参数之" "间的插值，以此确定色彩空间的确切体积。因为它们是预装文件，Krita 的色彩空间浏" "览器已经为它们准备了详尽的介绍资料。这些特性文件适合用作工作空间。" #: ../../general_concepts/colors/color_managed_workflow.rst:159 msgid "Matrix Shaper profiles." msgstr "阶调矩阵特性文件。" #: ../../general_concepts/colors/color_managed_workflow.rst:159 msgid "" "Matrix shaper profiles have a few parameters that describe the color space " "which are then interpolated between, this requires a lot of maths." msgstr "" "阶调矩阵特性文件包含了一些描述色彩空间的坐标参数，在这些参数之间的部分则是通" "过插值来填补的，这需要进行大量的数学运算。" #: ../../general_concepts/colors/color_managed_workflow.rst:162 msgid "" "These are fairly rare, and primarily used to describe printer profiles, such " "as CMYK. cLUT, or Color Look-up Table profiles store far more data than " "Matrix shaper profiles, so they can hold data of little particularities " "caused by, for example, unexpected results from mixing pigments. This is a " "far more organic approach to describing a color space, hence why a lot of " "programs that don't care for color management much don't support these." msgstr "" "这种特性文件并不常见，主要用于描述打印机设备空间，如 CMYK 等。cLUT 是 Color " "Look-up Table 即查找表的英文缩写，它们比阶调矩阵特性文件的数据量要大得多，这" "样才能能针对一些难以预见的情况，如某些颜料的混合特性等保存所需的数据。这是描" "述色彩空间的一种极为专业的手段，所以许多不关注色彩管理的程序不会支持它们。" #: ../../general_concepts/colors/color_managed_workflow.rst:168 msgid "" "cLUT profiles work by holding tables of each color in a color space and " "their respective coordinates in a reference space. For CMYK this is " "typically L\\*A\\*B\\* and for the rest XYZ. These tables are tricky to " "make, which means these profiles are a lot rarer." msgstr "" "cLUT 特性文件为处于该色彩空间中的每种颜色准备了表格以记录它们在参考空间中的坐" "标。对 CMYK 而言一般采用 L\\*A\\*B\\* 空间，而其他类型的特性文件通常使用 XYZ " "空间。这些表格的制作过程格外麻烦，所以它们也较为少见。 " #: ../../general_concepts/colors/color_managed_workflow.rst:169 msgid "cLUT profiles" msgstr "cLUT 特性文件" #: ../../general_concepts/colors/color_managed_workflow.rst:171 msgid "" "The interesting thing about ICC profiles is that your working space can be " "larger than your device space. This is generally not bad. However, when " "converting, you do end up with the question of how to translate the working " "space values." msgstr "" "ICC 特性文件的有趣之处是你可以使用一个比设备空间更宽广的工作空间。一般来说这" "不是坏事，可到了转换空间的时候你就得面对如何转换工作空间数值的问题。" #: ../../general_concepts/colors/color_managed_workflow.rst:174 msgid "Perceptual" msgstr "可感知" #: ../../general_concepts/colors/color_managed_workflow.rst:174 msgid "" "This just squishes the values of the working space into the space it's " "converted to. It's a nice method to see all possible values in this, but not " "so good if you want accurate color reproduction. Use this if you want to see " "all colors in an image, or want to express all possible contrasts. Doesn't " "work with Matrix Shaper profiles, defaults to relative colorimetric." msgstr "" "此模式把工作空间中的数值进行挤压，然后塞进要转换到的目标空间里。这种转换手段" "对于得出可用颜色数值来说没问题，但不适合需要精确重现颜色的用途。如果你想看得" "清一个图像中的全部颜色，或者想要完整表达原图各种光色之间的对比，可以选用此模" "式。此模式不兼容阶调矩阵特性文件，它默认给相对比色模式使用。" #: ../../general_concepts/colors/color_managed_workflow.rst:177 msgid "Absolute Colorimetric." msgstr "绝对比色。" #: ../../general_concepts/colors/color_managed_workflow.rst:177 msgid "" "The opposite to Perceptual, Absolute colorimetric will attempt to retain all " "the correct colors at whatever cost, which may result in awful looking " "colors. Recommended only for reproduction work. Doesn't work with Matrix " "Shaper profiles in Krita due to ICC v4 workflow standards." msgstr "" "与可感知模式相反，绝对比色模式会牺牲一切其他因素来保持正确的颜色数值，这样有" "可能产生难看的颜色。建议仅用于色彩重现工作。由于 ICC v4 色彩管理流程标准的限" "制，此模式不兼容阶调矩阵特性文件。" #: ../../general_concepts/colors/color_managed_workflow.rst:180 msgid "Relative Colorimetric" msgstr "相对比色" #: ../../general_concepts/colors/color_managed_workflow.rst:180 #, fuzzy #| msgid "" #| "A in between solution between perceptual and absolute, relative will try " #| "to fit whatever colors it can match between color spaces. It does this by " #| "aligning the white and black points. It cuts off the rest to their " #| "respective borders. This is what all matrix shaper profiles default to " #| "during conversion, because the ICC v4 workflow specifies to only use " #| "Relative Colorimetric for matrix shaper profiles." msgid "" "An in between solution between perceptual and absolute, relative will try to " "fit whatever colors it can match between color spaces. It does this by " "aligning the white and black points. It cuts off the rest to their " "respective borders. This is what all matrix shaper profiles default to " "during conversion, because the ICC v4 workflow specifies to only use " "Relative Colorimetric for matrix shaper profiles." msgstr "" "这是一个介于可感知模式和绝对比色模式之间的模式。相对比色模式会首先尝试匹配两" "个色彩空间中能够对的上号的颜色。要做到这一点，它首先对齐两个空间的白点和黑" "点，然后沿着两个空间的相对边界进行切除。由于 ICC v4 色彩管理流程规范只允许为" "阶调矩阵特性文件使用相对比色模式，因此所有阶调矩阵特性文件都默认使用此模式。" #: ../../general_concepts/colors/color_managed_workflow.rst:183 msgid "Saturation" msgstr "饱和度优先" #: ../../general_concepts/colors/color_managed_workflow.rst:183 msgid "" "Does anything to retain colorfulness, even hue will be sacrificed. Used in " "infographics. Doesn't work with Matrix Shaper profiles, defaults to relative " "colorimetric." msgstr "" "此模式会不惜一切代价来保持颜色的鲜艳程度，为此可以牺牲色相的一致性。用于信息" "图。此模式不兼容阶调矩阵特性文件，因为它们要默认使用相对比色模式。" #: ../../general_concepts/colors/color_managed_workflow.rst:185 msgid "" "*ICC profile version* is the last thing to keep in mind when dealing with " "ICC profiles. Krita delivers both Version 2 and Version 4 profiles, with the " "later giving better results in doing color maths, but the former being more " "widely supported (as seen below in 'interoperability with other programs'. " "This is also why Krita defaults to V2, and we recommend using V2 when you " "aren't certain if the other programs you are using support V4." msgstr "" "*ICC 特性文件版本*是在与 ICC 特性文件打交道时最后一件需要留意的事情。Krita 同" "时预装了符合第 2 版 (V2) 和第 4 版 (V4) 规范的特性文件，后者进行颜色运算时效" "果更好，但前者的受支持范围更广 (参见下文'与其他程序的互通性'一节)，所以 " "Krita 默认使用 V2，我们也建议在无法确定其他程序是否支持 V4 的情况下选用 V2。" #: ../../general_concepts/colors/color_managed_workflow.rst:188 msgid "LUT docker and HDR imaging" msgstr "LUT 工具面板和 HDR 成像" #: ../../general_concepts/colors/color_managed_workflow.rst:196 msgid "" "The :ref:`lut_docker` is the second important bit of color management in " "Krita that is shared between Krita and programs like Blender, Natron and " "Nuke, and only uses Look Up Tables that are configured via a config file." msgstr "" ":ref:`lut_docker` 是 Krita 次要的色彩管理模块，与 Blender、Natron 和 Nuke 有" "共通性，它仅使用配置文件中定义的查找表。" #: ../../general_concepts/colors/color_managed_workflow.rst:198 msgid "" "You can set the workingspace of the image under input color space, and the " "display to sRGB or your own LUT if you have added it to the configuration. " "View in this case is for proofing transforms to a certain display device." msgstr "" "你可以在输入色彩空间处设置图像的工作空间，然后把显示器设为 sRGB 或者你添加到" "配置中的自定义 LUT 文件。在此场景下的查看下拉选单用于模拟某种显示设备进行软打" "样。" #: ../../general_concepts/colors/color_managed_workflow.rst:200 msgid "" "Component, exposure, gamma, whitepoint and blackpoint are knobs which allows " "you to modify the display filter." msgstr "颜色分量、曝光、gamma、白点和黑点滑动条用于对显示滤镜进行操控。" #: ../../general_concepts/colors/color_managed_workflow.rst:208 msgid "" "As explained before, we can see our monitor as a telescope or binocular into " "the world of our picture. Which means it distorts our view of the image a " "little. But we can modify this binocular, or display filter to see our image " "in a different way. For example, to allow us to see the white in an image " "that are whiter than the white of our screen. To explain what that means, we " "need to think about what white is." msgstr "" "正如前面解释的那样，我们可以把显示器看作是用来观察图像的一个望远镜，它会对图" "像造成轻微的影响。我们也可以对这个望远镜进行改造，就好象插入了一片滤镜的方式" "来以另外一种方式去观察图像。例如我们可以通过某种改造让我们可以看见比我们的显" "示器的白点更白的白。要说清楚这一点，我们要首先讨论一下白是什么。" #: ../../general_concepts/colors/color_managed_workflow.rst:210 msgid "" "For example, white, on our monitor is full red, full green and full blue. " "But it's certainly different from white on our paper, or the color of milk, " "white from the sun, or even the white of our cell-phone displays." msgstr "" "例如，我们显示器上的白是纯红、纯绿和纯蓝叠加而来的。它和白纸的白、牛奶的白、" "阳光的白，甚至是某些手机显示的白都不尽相同。" #: ../../general_concepts/colors/color_managed_workflow.rst:212 msgid "" "Black similarly, is brighter on a LCD display than a LED one, and " "incomparable with the black of a carefully sealed room." msgstr "" "黑也是同理，在 LCD 面板上的黑要比 LED 面板上的黑要更亮，它与一间被彻底密封起" "来的房间内部的黑根本没有可比性。" #: ../../general_concepts/colors/color_managed_workflow.rst:214 msgid "" "This means that there's potentially blacker blacks than screen black, and " "white whites than screen white. However, for simplicity's sake we still " "assign the black-point and the white-point to certain values. From there, we " "can determine whether a white is whiter than the white point, or a black " "blacker than the black-point." msgstr "" "这意味着可能存在比屏幕显示的黑更黑的黑，比屏幕显示的白更白的白。不过为了方便" "起见，让我们先将黑点和白点指定成某个数值，然后据此比较确定某种黑是否比该黑点" "更黑，某种白是否比该白点更白。" #: ../../general_concepts/colors/color_managed_workflow.rst:216 msgid "" "The LUT docker allows us to control this display-filter and modify the " "distortion. This is useful when we start modifying images that are made with " "scene referred values, such as HDR photos, or images coming out of a render " "engine." msgstr "" "LUT 工具面板让我们可以对显示滤镜对色彩施加的变化进行控制。这项功能用于修改那" "些为场景参照亮度而制作的图像，如 HDR 照片或者由渲染引擎输出的图像。" #: ../../general_concepts/colors/color_managed_workflow.rst:224 msgid "" "So, for example, we can choose to scale whiter-than-screen-white to our " "screen-white so we can see the contrasts there." msgstr "" "例如我们可以选择把比屏幕白更白的白按照我们的屏幕白进行压缩，以便看清整体的对" "比状况。" #: ../../general_concepts/colors/color_managed_workflow.rst:226 msgid "" "The point of this is that you can take advantage of more lightness detail in " "an image. While you can't see the difference between screen white and whiter-" "than-screen-white (because your screen can't show the difference), graphics " "programs can certainly use it." msgstr "" "这么做的意义是让你看清楚图像亮部所包含的细节。尽管你无法分辨屏幕白和比它更白" "的白的区别 (因为你的屏幕显示不出来)，图像程序依然能够照常处理其中的色彩数据。" #: ../../general_concepts/colors/color_managed_workflow.rst:228 msgid "" "A common example is matching the lighting between a 3d model and a real " "world scene. Others are advanced photo retouching, with much more contrast " "information available to the user. In painting itself, this allows you to " "create an image where you can be flippant with the contrast, and allow " "yourself to go as bright as you'd like." msgstr "" "一个常见的用例是在一个 3D 模型与现实场景之间匹配光照效果。另外一个用例是高级" "照片修图作业时通过这种手段向用户呈现图像中更多的色彩对比信息。对于绘画作业本" "身而言，这让你可以自如地控制对比度，颜色想要多亮就可以有多亮。" #: ../../general_concepts/colors/color_managed_workflow.rst:230 msgid "" "LUT docker manipulations are per view, so you can create a new view and set " "it to luminosity. This way you can see the image in both color as well as " "grayscale and keep a good eye on your values." msgstr "" "LUT 面板可以对每个视图单独进行色彩控制，你可以创建一个新视图并设置为亮度模" "式，这样你就可以同时看见颜色和灰阶，便于把握图像整体的亮度。" #: ../../general_concepts/colors/color_managed_workflow.rst:232 msgid "" "Another example is to carefully watch the gradients in a certain section." msgstr "还有一个用例就是对某段色彩渐变的呈现效果进行监测。" #: ../../general_concepts/colors/color_managed_workflow.rst:234 msgid "" "Like ICC, the LUT Docker allows you to create a profile of sorts for your " "device. In this case it's the 'lut', which stands for 'Look Up Table', and " "which can be added to OCIO by modifying the configuration file. When OCIO is " "turned on, the configuration in :menuselection:`Settings --> Configure Krita " "--> Color Management` is turned off, unless you are using the :guilabel:" "`Internal` color engine." msgstr "" "和 ICC 一样，你可以在 LUT 面板里创建一个类似的特性文件。在这个场景下需要创建" "的是 'LUT'，'Look Up Table' 即查找表的缩写，通过修改 OCIO 配置文件可将其添加" "进 OCIO。当 OCIO 已被启用时，位于 :menuselection:`设置 --> 配置 Krita --> 色" "彩管理` 的该项设置将被关闭，你必须使用 :guilabel:`内建` 色彩引擎。" #: ../../general_concepts/colors/color_managed_workflow.rst:237 msgid "In summary" msgstr "总结" #: ../../general_concepts/colors/color_managed_workflow.rst:239 msgid "Krita has two modes of color management:" msgstr "Krita 具备两种色彩管理模式：" #: ../../general_concepts/colors/color_managed_workflow.rst:241 msgid "" "ICC works in terms of spaces relative to the CIEXYZ space, and requires an " "ICC profile." msgstr "ICC 基于 CIEXYZ 色彩空间工作，需要使用 ICC 特性文件。" #: ../../general_concepts/colors/color_managed_workflow.rst:242 msgid "OCIO works in terms of interpretation, and makes use of luts." msgstr "OCIO 按照色彩演绎原则工作，使用 LUT 查找表。" #: ../../general_concepts/colors/color_managed_workflow.rst:243 msgid "both can be made with a colorimeter." msgstr "ICC 特性文件和 LUT 查找表都可以使用色差计进行制作。" #: ../../general_concepts/colors/color_managed_workflow.rst:244 #, fuzzy #| msgid "" #| "If you want to have a properly color managed workflow, you have one made " #| "customly for the input device (your screen) and the output devices (your " #| "printer, or target screen). For web the output is always sRGB." msgid "" "If you want to have a properly color managed workflow, you have one made " "customary for the input device (your screen) and the output devices (your " "printer, or target screen). For web the output is always sRGB." msgstr "" "如果你想要组建一个完善的色彩管理流程，你必须自行为输入设备 (你的显示器) 和输" "出设备 (你的打印机或者目标屏幕) 制作相应的 ICC 特性文件或者 LUT 查找表。而面" "向网络用途时应当使用 sRGB。" #: ../../general_concepts/colors/color_managed_workflow.rst:245 msgid "" "Set up your screen profiles under :menuselection:`Settings --> Configure " "Krita --> Color management`." msgstr "" "在 :menuselection:`设置 --> 配置 Krita --> 色彩管理` 下设置你显示器的特性文" "件。" #: ../../general_concepts/colors/color_managed_workflow.rst:246 msgid "" "Do NOT use screen profiles or other device profiles to draw in. Use a " "working space profile such as any of the elle profiles for this, as the " "color maths will be much more predictable and pleasant. Krita will convert " "between your screen and working space on the fly, allowing you to pick the " "correct colors. This turns your screen into binoculars to view the image." msgstr "" "切勿在你绘制的图像中使用显示器或者其他设备的特性文件作为工作空间。你应当为图" "像指定一个例如 elle 系列的工作空间，这样色彩的相关运算会更易于进行，最终成品" "也会更好看，色彩的变化也更容易预计。Krita 会持续地在屏幕的设备空间和工作空间" "之间进行色彩转换，确保你可以选取正确的颜色。这便是如前面所述的将屏幕变成望远" "镜来查看图像一样。" #: ../../general_concepts/colors/color_managed_workflow.rst:247 #, fuzzy #| msgid "" #| "Use the appropriate color management for the appropriate workflow. If you " #| "are working with Blender, you will be better off using OCIO, than ICC. IF " #| "you are working with Scribus or Photoshop, use ICC." msgid "" "Use the appropriate color management for the appropriate workflow. If you " "are working with Blender, you will be better off using OCIO, than ICC. If " "you are working with Scribus or Photoshop, use ICC." msgstr "" "你应该按照不同的色彩管理流程选用合适的色彩管理方式。如果你要与 Blender 协同工" "作，你应该选用 OCIO 而不是 ICC。而如果你要与 Scribus 或者 Photoshop 协同工" "作，你应该选用 ICC。" #: ../../general_concepts/colors/color_managed_workflow.rst:249 msgid "" "Krita does a lot of color maths, often concerning the blending of colors. " "This color maths works best in linear color space, and linear color space " "requires a bit depth of at the least 16bit to work correctly. The " "disadvantage is that linear space can be confusing to work in." msgstr "" "Krita 会进行大量的色彩运算，这常常与颜色的混合有关。此类运算在线性的色彩空间" "中效果最好，而线性的色彩空间要求至少 16 位的通道深度才能正常工作。线性空间的" "缺点是容易在使用时混淆。" #: ../../general_concepts/colors/color_managed_workflow.rst:251 #, fuzzy #| msgid "" #| "If you like painting, have a decent amount of ram, and are looking to " #| "start your baby-steps in taking advantage of Krita's color management, " #| "try upgrading from having all your images in sRGB built-in to sRGB-v2-" #| "elle-g10.icc or rec2020-v2-elle-g10.icc at 16bit float. This'll give you " #| "better color blending while opening up the possibility for you to start " #| "working in hdr!" msgid "" "If you like painting, have a decent amount of RAM, and are looking to start " "your baby-steps in taking advantage of Krita's color management, try " "upgrading from having all your images in sRGB built-in to sRGB-v2-elle-g10." "icc or rec2020-v2-elle-g10.icc at 16bit float. This'll give you better color " "blending while opening up the possibility for you to start working in hdr!" msgstr "" "如果你喜欢绘画，又有足够的内存，现在想要迈出利用 Krita 色彩管理功能的第一步，" "那么首先你可以把你所有的图像的工作空间从 sRGB built-in 转换到 16 位浮点下的 " "sRGB-v2-elle-g10.icc 或者 rec2020-v2-elle-g10.icc 特性文件。这不但可以使得色" "彩的混合效果更好，而且也为你打开了通向 HDR 图像编辑的大门。" #: ../../general_concepts/colors/color_managed_workflow.rst:256 msgid "" "Some graphics cards, such as those of the NVidia-brand actually have the " "best performance under 16bit float, because NVidia cards convert to floating " "point internally. When it does not need to do that, it speeds up!" msgstr "" "某些显卡，如使用 Nvidia 芯片的显卡在使用 16 位浮点通道时性能最佳，这是因为 " "Nvidia 显卡会在内部将数据转换成浮点格式。如果图像本身就是使用浮点，它便不需要" "进行这个转换过程，处理速度也会因此提高。" #: ../../general_concepts/colors/color_managed_workflow.rst:260 msgid "" "No amount of color management in the world can make the image on your screen " "and the image out of the printer have 100% the same color." msgstr "" "现实中并没有一种色彩管理手段可以图像在屏幕显示和打印输出之间保持完全一致的颜" "色。" #: ../../general_concepts/colors/color_managed_workflow.rst:263 msgid "Exporting" msgstr "导出" #: ../../general_concepts/colors/color_managed_workflow.rst:265 msgid "" "When you have finished your image and are ready to export it, you can modify " "the color space to optimize it:" msgstr "在处理完一张图像并准备导出它时，你可以修改其色彩空间以优化效果：" #: ../../general_concepts/colors/color_managed_workflow.rst:267 msgid "If you are preparing an image for the web:" msgstr "如果你要为网络用途准备该图像：" #: ../../general_concepts/colors/color_managed_workflow.rst:269 msgid "" "If you use 16bit color depth or higher, convert the image to 8bit color " "depth. This will make the image much smaller." msgstr "" "如果你的工作空间色彩深度在 16 位或以上，你应该在导出时把图像转换为 8 位深度。" "这样会大大缩小图像的体积。" #: ../../general_concepts/colors/color_managed_workflow.rst:271 msgid "" "Krita doesn't have built-in dithering currently, which means that 16 to " "18bit conversions can come out a bit banded. But you can simulate it by " "adding a fill layer with a pattern, set this fill layer to overlay, and to " "5% opacity. Then flatten the whole image and convert it to 8bit. The pattern " "will function as dithering giving a smoother look to gradients." msgstr "" "Krita 目前尚不具备内建的抖动算法，这意味着从 16 位转换到 8 位深度时会发生轻微" "的色阶现象。不过你可以通过下述手段来模拟抖动：插入一个填充图层，在其中填充一" "个图案，将不透明度设为 5% 然后把图层的混合方式设成叠加。把整个图像平整为一" "层，然后再把它转换成 8 位。你刚才填充的图案便会如同抖动效果一样，让转换后的渐" "变色彩更为平滑。" #: ../../general_concepts/colors/color_managed_workflow.rst:273 msgid "If it's a gray-scale image, convert it to gray-scale." msgstr "如果图像只含有灰阶，那就把它的色彩空间转换为灰阶。" #: ../../general_concepts/colors/color_managed_workflow.rst:274 msgid "" "If it's a color image, keep it in the working space profile: Many web " "browsers these days support color profiles embedded into images. Firefox, " "for example, will try to convert your image to fit the color profile of the " "other monitor (if they have one). That way, the image will look almost " "exactly the same on your screen and on other profiled monitors." msgstr "" "如果图像是彩色的，那就把它的工作空间特性文件保存到图像中。现在许多网页浏览器" "都能处理嵌入在图像中的色彩特性文件。以 Firefox 为例，如果对方的显示器具备一个" "色彩特性文件，Firefox 便会把你的图像按照该设备空间进行转换。这样一来该图像便" "可以在你的源显示器和已特性化的其他显示器上呈现几乎一致的效果。" #: ../../general_concepts/colors/color_managed_workflow.rst:279 msgid "" "In some versions of Firefox, the colors actually look strange: This is a bug " "in Firefox, which is because its `color management system is incomplete " "`_, save your png, jpg or tiff without an embedded profile to work " "around this." msgstr "" "在某些版本的 Firefox 里颜色会显得不正常。这是 Firefox 的一个 bug，因为它的 `" "色彩管理系统并不完整 `_ 。要避免这种情况，可以在保存 png、jpg 或 tiff " "图像时不嵌入特性文件。" #: ../../general_concepts/colors/color_managed_workflow.rst:281 msgid "If you are preparing for print:" msgstr "如果你在进行印前准备：" #: ../../general_concepts/colors/color_managed_workflow.rst:283 msgid "" "You hopefully made the picture in a working space profile instead of the " "actual custom profile of your screen, if not, convert it to something like " "adobe rgb, sRGB or rec2020." msgstr "" "你应该在一个工作空间特性文件下面制作需要打印的图像，而非使用屏幕的自定义设备" "空间。如果你的图像使用的是自定义空间，你应该把它转换成例如 Adobe RGB、sRGB 或" "者 rec2020 这样的工作空间。" #: ../../general_concepts/colors/color_managed_workflow.rst:284 msgid "" "Check with the printer what kind of image they expect. Maybe they expect " "sRGB color space, or perhaps they have their own profile." msgstr "" "搞清楚打印机所能接受的图像色彩空间。有些打印机可以接受 sRGB 色彩空间，另外一" "些则要使用它们自己的特性文件。" #: ../../general_concepts/colors/color_managed_workflow.rst:287 msgid "Interaction with other applications" msgstr "与其他应用程序的交互" #: ../../general_concepts/colors/color_managed_workflow.rst:290 msgid "Blender" msgstr "Blender" #: ../../general_concepts/colors/color_managed_workflow.rst:292 msgid "" "If you wish to use krita's OCIO functionality, and in particular in " "combination with Blender's color management, you can try to have it use " "Blender's OCIO config." msgstr "" "如果你想要使用 Krita 的 OCIO 功能，尤其是要与 Blender 的色彩管理协同工作时，" "你可以让它使用 Blender 的 OCIO 配置。" #: ../../general_concepts/colors/color_managed_workflow.rst:294 msgid "" "Blender's OCIO config is under ``/version number/datafiles/" "colormanagement``. Set the LUT docker to use the OCIO engine, and select the " "config from the above path. This will give you blender's input and screen " "spaces, but not the looks, as those aren't supported in Krita yet." msgstr "" "Blender 的 OCIO 配置可以在 ``/版本号/datafiles/" "colormanagement`` 下面找到。将 LUT 面板设为使用 OCIO 引擎，然后把配置指定为上" "述路径。这将让你能够使用 Blender 的输入和屏幕空间，但 Krita 尚不支持它的观察" "空间。" #: ../../general_concepts/colors/color_managed_workflow.rst:298 msgid "Windows Photo Viewer" msgstr "Windows 照片查看器" #: ../../general_concepts/colors/color_managed_workflow.rst:300 msgid "" "You might encounter some issues when using different applications together. " "One important thing to note is that the standard Windows Photo Viewer " "application does not handle modern ICC profiles. Krita uses version 4 " "profiles; Photo Viewer can only handle version 2 profiles. If you export to " "JPEG with an embedded profile, Photo Viewer will display your image much too " "dark." msgstr "" "你可能在与一些其他应用程序进行互通时遇到一些问题。其中一个重要的问题发生在 " "Windows 自带的照片查看器上面，因为它无法处理新型的 ICC 特性文件。Krita 使用" "第 4 版的特性文件，而 Windows 照片查看器只能处理第 2 版的特性文件。如果你在导" "出成 JPEG 时嵌入了特性文件，Windows 照片查看器会把该图像显示得过于昏暗。" #: ../../general_concepts/colors/color_managed_workflow.rst:303 msgid "Example workflows" msgstr "色彩管理流程范例" #: ../../general_concepts/colors/color_managed_workflow.rst:305 msgid "" "Here are some example workflows to get a feeling of how your color " "management workflow may look like." msgstr "下面时一些色彩管理流程的范例，你可以参考它们来筹划自己的色彩管理流程。" #: ../../general_concepts/colors/color_managed_workflow.rst:307 msgid "" "As mentioned before, input for your screen is set via :menuselection:" "`Settings --> Configure Krita --> Color management`, or via the LUT docker's " "'screen space'. Working space is set via new file per document, or in the " "LUT docker via 'input space'." msgstr "" "如前所述，你的屏幕的输入空间是在 :menuselection:`设置 --> 配置 Krita --> 色彩" "管理`, 或者在 LUT 面板的 '屏幕空间' 处设置的。工作空间既可以在新建文档时设" "置，也可以在 LUT 面板的 '输入空间' 处设置。" #: ../../general_concepts/colors/color_managed_workflow.rst:310 msgid "Webcomic" msgstr "网络漫画" #: ../../general_concepts/colors/color_managed_workflow.rst:317 #: ../../general_concepts/colors/color_managed_workflow.rst:339 #: ../../general_concepts/colors/color_managed_workflow.rst:357 msgid "Input" msgstr "输入空间" #: ../../general_concepts/colors/color_managed_workflow.rst:318 #: ../../general_concepts/colors/color_managed_workflow.rst:340 #: ../../general_concepts/colors/color_managed_workflow.rst:358 msgid "Your screen profile. (You pick colors via your screen)" msgstr "你的屏幕的特性文件。(因为你在你的屏幕上选取颜色)" #: ../../general_concepts/colors/color_managed_workflow.rst:319 #: ../../general_concepts/colors/color_managed_workflow.rst:341 #: ../../general_concepts/colors/color_managed_workflow.rst:359 msgid "Workingspace" msgstr "工作空间" #: ../../general_concepts/colors/color_managed_workflow.rst:320 msgid "" "sRGB (the default screen profile) or any larger profile if you can spare the " "bit depth and like working in them." msgstr "" "sRGB (默认显示器特性文件)，如果你喜欢也可以换用其他空间更大的特性文件，但前提" "是你的计算机能够流畅处理更高的位深度。" #: ../../general_concepts/colors/color_managed_workflow.rst:322 #: ../../general_concepts/colors/color_managed_workflow.rst:344 #: ../../general_concepts/colors/color_managed_workflow.rst:362 msgid "Output" msgstr "输出空间" #: ../../general_concepts/colors/color_managed_workflow.rst:322 #, fuzzy #| msgid "" #| "sRGB, ICC version 2, sRGB trc for the internet, and a specialized CMYK " #| "profile from the printing house for the printed images." msgid "" "sRGB, ICC version 2, sRGB TRC for the internet, and a specialized CMYK " "profile from the printing house for the printed images." msgstr "" "sRGB，ICC 第 2 版，为互联网用途而设的 sRGB trc 空间，还有印刷公司提供的专供打" "印图像使用的 CMYK 特性文件。" #: ../../general_concepts/colors/color_managed_workflow.rst:324 msgid "" "Use the sRGB-elle-V2-srgbtrc.icc for going between Inkscape, Photoshop, " "Painttool Sai, Illustrator, GIMP, Manga Studio, Paintstorm Studio, MyPaint, " "Artrage, Scribus, etc. and Krita." msgstr "" "使用 sRGB-elle-V2-srgbtrc.icc 来在 Inkscape、Photoshop、Painttool SAI、" "Illustrator、Paintstorm Studio、Mypaint、Artrage、Scribus 和 Krita 之间进行交" "互。" #: ../../general_concepts/colors/color_managed_workflow.rst:326 msgid "" "If you are using a larger space via ICC, you will only be able to " "interchange it between Krita, Photoshop, Illustrator, GIMP 2.9, Manga Studio " "and Scribus. All others assume sRGB for your space, no matter what, because " "they don't have color management." msgstr "" "如果你在通过 ICC 运用比这更大的色彩空间，你将只能在 Krita、Photoshop、" "Illustrator、GIMP 2.9、Manga Studio 和 Scribus 之间进行互换。其他的软件会无条" "件地假定你的工作空间是 sRGB，因为它们并没有色彩管理功能。" #: ../../general_concepts/colors/color_managed_workflow.rst:328 msgid "" "If you are going between Krita and Blender, Nuke or Natron, use OCIO and set " "the input space to 'sRGB', but make sure to select the sRGB profile for ICC " "when creating a new file." msgstr "" "如果你在 Krita 与 Blender、Nuke、Natron 之间进行互换，使用 OCIO 并将输入空间" "设为 “sRGB”，但记得在创建新文档时为 ICC 选择 sRGB 色彩特性文件。" #: ../../general_concepts/colors/color_managed_workflow.rst:330 msgid "" "For the final for the web, convert the image to sRGB 8bit, srgbtrc, do not " "embed the ICC profile. Then, if using png, put it through something like " "pngcrush or other png optimizers. sRGB in this case is chosen because you " "can assume the vast majority of your audience hasn't profiled their screen, " "nor do they have screens that are advanced enough for the wide gamut stuff. " "So hence why we convert to the screen default for the internet, sRGB." msgstr "" "对于面向网络输出的最终图像，应把图像转换为 8 位的 sRGB，srgbtrc，不要嵌入 " "ICC 特性文件。如果你输出成 PNG，还可以用 PNGCrush 或者其他应用对其进行优化处" "理。在此场景中选用 sRGB 的理由是你可以假设绝大多数受众都不会为他们的屏幕进行" "特性化，而他们的屏幕大概也不会高级到可以支持宽色域之类的特性。所以我们应该默" "认使用 sRGB 来转换用于互联网的图像。" #: ../../general_concepts/colors/color_managed_workflow.rst:333 msgid "Print" msgstr "Print" #: ../../general_concepts/colors/color_managed_workflow.rst:342 msgid "sRGB or rec2020 if you can afford the bit-depth being 16bit." msgstr "sRGB，如果你能使用 16 位深度，则使用 rec2020。" #: ../../general_concepts/colors/color_managed_workflow.rst:344 msgid "" "Specialized CMYK profile from the printing house for the printed images." msgstr "印刷公司为打印图像提供的专用 CMYK 特性文件。" #: ../../general_concepts/colors/color_managed_workflow.rst:346 msgid "" "The CMYK profiles are different per printer, and even per paper or ink-type " "so don't be presumptuous and ask ahead for them, instead of doing something " "like trying to paint in any random CMYK profile. As mentioned in the viewing " "conditions section, you want to keep your options open." msgstr "" "每台打印机的 CMYK 特性文件都是不同的，有些打印机甚至针对不同的纸张和油墨准备" "了不同的特性文件，因此不能随便找一个 CMYK 特性文件用于印刷，应该直接向你的印" "刷公司索取合适的特性文件。正如在前文的观察条件一节所说的那样，思路要灵活些。" #: ../../general_concepts/colors/color_managed_workflow.rst:348 msgid "" "You can set the advanced color selector to transform to a given profile via :" "menuselection:`Settings --> Configure Krita --> Advanced color selector " "settings`. There, tick :guilabel:`Color selector uses a different color " "space than the image` and select the CMYK profile you are aiming for. This " "will limit your colors a little bit, but keep all the nice filter and " "blending options from RGB." msgstr "" "你可以将高级拾色器设成匹配某个特性文件，首先到 :menuselection:`设置 --> 配置 " "Krita --> 高级拾色器设置` 。勾选 :guilabel:`拾色器使用与图像不同的色彩空间` " "然后选取你的目标 CMYK 特性文件。这会略微限制你可以运用的颜色，但你依然能够使" "用 RGB 模型特有的滤镜和混色选项。" #: ../../general_concepts/colors/color_managed_workflow.rst:351 msgid "Games" msgstr "游戏" #: ../../general_concepts/colors/color_managed_workflow.rst:360 msgid "sRGB or grayscale linear for roughness and specular maps." msgstr "对于粗糙度和高光贴图，应选用线性 sRGB 或灰阶。" #: ../../general_concepts/colors/color_managed_workflow.rst:362 msgid "" "This one is tricky, but in the end it'll be sRGB for the regular player." msgstr "这个比较棘手，但一般情况下使用 sRGB。" #: ../../general_concepts/colors/color_managed_workflow.rst:364 msgid "" "So this one is tricky. You can use OCIO and ICC between programs, but " "recommended is to have your images to the engine in sRGB or grayscale. Many " "physically based renderers these days allow you to set whether an image " "should be read as a linear or srgbtrc image, and this is even vital to have " "the images being considered properly in the physically based calculations of " "the game renderer." msgstr "" "这一点比较棘手的原因是，虽然你可以在不同的程序之间使用 OCIO 和 ICC，但推荐你" "把提供给引擎的图像设为 sRGB 或灰阶。许多较新的基于物理原理的渲染器允许你指定" "某图像被视作线性还是 srgbtrc 图像来进行处理。在基于物理原理的游戏渲染器中正确" "地设置此项参数是至关重要的。" #: ../../general_concepts/colors/color_managed_workflow.rst:366 msgid "" "While game engines need to have optimized content, and it's recommended to " "stay within 8bit, future screens may have higher bit depths, and when " "renderers will start supporting those, it may be beneficial to develop a " "workflow where the working-space files are rather unnecessarily big and you " "run some scripts to optimize them for your current render needs, making " "updating the game in the future for fancier screens less of a drag." msgstr "" "虽然游戏引擎需要加载为它们优化过的内容，一般推荐使用 8 位深度，但未来的屏幕可" "能会具备更高的位深度，而渲染器终有一天会支持这些特性。为了减少日后更新游戏素" "材时的痛苦，可以现在就打造一个采用更大色彩空间的色彩管理流程，然后编写一些脚" "本来满足当下的渲染需要。" #: ../../general_concepts/colors/color_managed_workflow.rst:368 msgid "" "Normal maps and heightmaps are officially supposed to be defined with a 'non-" "color data' working space, but you'll find that most engines will not care " "much for this. Instead, tell the game engine not to do any conversion on the " "file when importing." msgstr "" "法线贴图和高度贴图虽然是在一个“非彩色数据”的工作空间下进行定义的，但你会发现" "绝大多数引擎都不太在乎这个。你应该告诉游戏引擎在导入时不要进行任何转换操作。" #: ../../general_concepts/colors/color_managed_workflow.rst:370 msgid "" "Specular, glossiness, metalness and roughness maps are all based on linear " "calculations, and when you find that certain material has a metalness of " "0.3, this is 30% gray in a linear space. Therefore, make sure to tell the " "game engine renderer that this is a linear space image (or at the very " "least, should NOT be converted)." msgstr "" "高光、光泽度、金属度和粗糙度贴图全部基于线性运算，所以如果某种材质的金属度是 " "0.3，就意味着它是在一个线性空间中 30% 的灰。因此记得告诉游戏引擎的渲染器这是" "一个线性图像 (或者至少不要对其进行转换操作)。" #: ../../general_concepts/colors/color_managed_workflow.rst:374 msgid "" "`Visualizing the XYZ color space `_" msgstr "" "`对 XYZ 色彩空间的视觉化介绍 `_" #: ../../general_concepts/colors/color_managed_workflow.rst:375 msgid "" "`Basics of gamma correction `_" msgstr "" "`Gamma 校正的基础知识 `_" #: ../../general_concepts/colors/color_managed_workflow.rst:376 msgid "" "`Panda3d example of how an image that has gamma encoded without the 3d " "renderer being notified of it having gamma-encoding can result in too dark " "images `_" msgstr "" "`Panda3D 关于并非通过 3D 渲染器编码的图像会被提示其 gamma 编码将造成图像过暗" "的说明 `_" #: ../../general_concepts/colors/color_managed_workflow.rst:377 msgid "" "`2d examples of the effect of gamma-encoding on color maths `_" msgstr "" "`Gamma 编码方式对于色彩运算的影响的 2D 示例 `_" #: ../../general_concepts/colors/color_managed_workflow.rst:378 msgid "" "`Basic overview of color management from argylcms manual `_" msgstr "" "`ArgyllCMS 手册中关于色彩管理基础的概览章节 `_" diff --git a/locale/zh_CN/LC_MESSAGES/reference_manual/tools/colorize_mask.po b/locale/zh_CN/LC_MESSAGES/reference_manual/tools/colorize_mask.po index c54cec533..7df74a179 100644 --- a/locale/zh_CN/LC_MESSAGES/reference_manual/tools/colorize_mask.po +++ b/locale/zh_CN/LC_MESSAGES/reference_manual/tools/colorize_mask.po @@ -1,448 +1,448 @@ msgid "" msgstr "" "Project-Id-Version: kdeorg\n" "Report-Msgid-Bugs-To: \n" -"POT-Creation-Date: 2019-04-12 03:34+0200\n" +"POT-Creation-Date: 2019-04-14 03:33+0200\n" "PO-Revision-Date: 2019-04-09 18:49\n" "Last-Translator: guoyunhe \n" "Language-Team: Chinese Simplified\n" "Language: zh_CN\n" "MIME-Version: 1.0\n" "Content-Type: text/plain; charset=UTF-8\n" "Content-Transfer-Encoding: 8bit\n" "Plural-Forms: nplurals=1; plural=0;\n" "X-Generator: crowdin.com\n" "X-Crowdin-Project: kdeorg\n" "X-Crowdin-Language: zh-CN\n" "X-Crowdin-File: /kf5-trunk/messages/www/" "docs_krita_org_reference_manual___tools___colorize_mask.pot\n" #: ../../:2 msgid "" ".. image:: images/icons/Krita_mouse_left.png\n" " :alt: mouseleft" msgstr "" ".. image:: images/icons/Krita_mouse_left.png\n" " :alt: mouseleft" #: ../../:4 msgid "" ".. image:: images/icons/Krita_mouse_right.png\n" " :alt: mouseright" msgstr "" ".. image:: images/icons/Krita_mouse_right.png\n" " :alt: mouseright" #: ../../:8 msgid "" ".. image:: images/icons/Krita_mouse_scroll.png\n" " :alt: mousescroll" msgstr "" ".. image:: images/icons/Krita_mouse_scroll.png\n" " :alt: mousescroll" #: ../../:60 msgid "" ".. image:: images/icons/colorizemask_tool.svg\n" " :alt: toolcolorizemask" msgstr "" ".. image:: images/icons/colorizemask_tool.svg\n" " :alt: toolcolorizemask" +#: ../../reference_manual/tools/colorize_mask.rst:0 +msgid "" +".. image:: images/en/Krita_4_0_colorize_mask_show_output_edit_strokes.png" +msgstr "" + +#: ../../reference_manual/tools/colorize_mask.rst:0 +msgid ".. image:: images/en/Krita_4_0_colorize_mask_edge_detection.png" +msgstr "" + +#: ../../reference_manual/tools/colorize_mask.rst:0 +msgid ".. image:: images/en/Krita_4_0_colorize_mask_gap_close_hint.png" +msgstr "" + +#: ../../reference_manual/tools/colorize_mask.rst:0 +msgid ".. image:: images/en/Krita_4_0_colorize_mask_clean_up.png" +msgstr "" + #: ../../reference_manual/tools/colorize_mask.rst:None msgid ".. image:: images/en/Krita_4_0_colorize_mask_usage_01.png" msgstr "" #: ../../reference_manual/tools/colorize_mask.rst:None msgid ".. image:: images/en/Krita_4_0_colorize_mask_usage_02.png" msgstr "" #: ../../reference_manual/tools/colorize_mask.rst:None msgid ".. image:: images/en/Krita_4_0_colorize_mask_usage_03.png" msgstr "" #: ../../reference_manual/tools/colorize_mask.rst:None msgid ".. image:: images/en/Krita_4_0_colorize_mask_usage_04.png" msgstr "" #: ../../reference_manual/tools/colorize_mask.rst:None msgid ".. image:: images/en/Krita_4_0_colorize_mask_usage_05.png" msgstr "" #: ../../reference_manual/tools/colorize_mask.rst:None msgid ".. image:: images/en/Krita_4_0_colorize_mask_usage_06.png" msgstr "" #: ../../reference_manual/tools/colorize_mask.rst:None msgid ".. image:: images/en/Krita_4_0_colorize_mask_usage_07.png" msgstr "" #: ../../reference_manual/tools/colorize_mask.rst:None msgid ".. image:: images/en/Krita_4_0_colorize_mask_usage_08.png" msgstr "" #: ../../reference_manual/tools/colorize_mask.rst:None msgid ".. image:: images/en/Krita_4_0_colorize_mask_usage_09.png" msgstr "" #: ../../reference_manual/tools/colorize_mask.rst:None msgid ".. image:: images/en/Krita_4_0_colorize_mask_usage_10.png" msgstr "" #: ../../reference_manual/tools/colorize_mask.rst:None msgid ".. image:: images/en/Krita_4_0_colorize_mask_usage_11.png" msgstr "" #: ../../reference_manual/tools/colorize_mask.rst:None msgid ".. image:: images/en/Krita_4_0_colorize_mask_usage_12.png" msgstr "" -#: ../../reference_manual/tools/colorize_mask.rst:0 -msgid "" -".. image:: images/en/Krita_4_0_colorize_mask_show_output_edit_strokes.png" -msgstr "" - -#: ../../reference_manual/tools/colorize_mask.rst:0 -msgid ".. image:: images/en/Krita_4_0_colorize_mask_edge_detection.png" -msgstr "" - -#: ../../reference_manual/tools/colorize_mask.rst:0 -msgid ".. image:: images/en/Krita_4_0_colorize_mask_gap_close_hint.png" -msgstr "" - -#: ../../reference_manual/tools/colorize_mask.rst:0 -msgid ".. image:: images/en/Krita_4_0_colorize_mask_clean_up.png" -msgstr "" - #: ../../reference_manual/tools/colorize_mask.rst:1 msgid "How to use the colorize mask in Krita." msgstr "" #: ../../reference_manual/tools/colorize_mask.rst:16 msgid "Colorize Mask" msgstr "着色蒙版" #: ../../reference_manual/tools/colorize_mask.rst:18 msgid "|toolcolorizemask|" msgstr "" #: ../../reference_manual/tools/colorize_mask.rst:20 msgid "" "A tool for quickly coloring line art, the Colorize Mask Editing tool can be " "found next to the gradient tool on your toolbox." msgstr "" #: ../../reference_manual/tools/colorize_mask.rst:22 msgid "" "This feature is technically already in 3.1, but disabled by default because " "we had not optimized the filling algorithm for production use yet. To enable " "it, find your krita configuration file, open it in notepad, and add " "\"disableColorizeMaskFeature=false\" to the top. Then restart Krita. Its " "official incarnation is in 4.0." msgstr "" #: ../../reference_manual/tools/colorize_mask.rst:26 msgid "Usage" msgstr "用法" #: ../../reference_manual/tools/colorize_mask.rst:28 msgid "" "This tool works in conjunction with the colorize mask, and the usage is as " "follows:" msgstr "" #: ../../reference_manual/tools/colorize_mask.rst:30 msgid "" "For this example, we'll be using the ghost lady also used to explain masks " "on :ref:`the basic concepts page `." msgstr "" #: ../../reference_manual/tools/colorize_mask.rst:36 msgid "" "This image has the line art for the lady separated from the background, and " "what's more, the background is made up of two layers: one main and one for " "the details." msgstr "" #: ../../reference_manual/tools/colorize_mask.rst:38 msgid "" "First, select the colorize mask editing tool while having the line art layer " "selected. |mouseleft| the canvas will add a colorize mask to the layer. You " "can also |mouseright| the line art layer, and then :menuselection:`Add --> " "Colorize Mask`. The line art will suddenly become really weird, this is the " "prefiltering which are filters through which we put the line art to make the " "algorithm easier to use. The tool options overview below shows which options " "control that." msgstr "" #: ../../reference_manual/tools/colorize_mask.rst:45 msgid "" "Now, you make strokes with brush colors, press :guilabel:`Update` in the " "tool options, or tick the last icon of the colorize mask properties. In the " "layer docker, you will be able to see a little progress bar appear on the " "colorize mask indicating how long it takes. The bigger your file, the longer " "it will take." msgstr "" #: ../../reference_manual/tools/colorize_mask.rst:51 msgid "" "We want to have the blue transparent. In the tool options of the colorize " "editing tool you will see a small palette. These are the colors already " "used. You can remove colors here, or mark a single color as standing for " "transparent, by selecting it and pressing \"transparent\". Updating the mask " "will still show the blue stroke, but the result will be transparent:" msgstr "" #: ../../reference_manual/tools/colorize_mask.rst:57 msgid "" "Because the colorize mask algorithm is slow, and we only need a part of our " "layer to be filled to fill the whole ghost lady figure, we can make use of :" "guilabel:`Limit to layer bounds`. This will limit Colorize Mask to use the " "combined size of the line art and the coloring key strokes. Therefore, make " "sure that the colorizing keystrokes only take up as much as they really need." msgstr "" #: ../../reference_manual/tools/colorize_mask.rst:63 msgid "" "Now the algorithm will be possibly a lot faster, allowing us to add strokes " "and press :guilabel:`Update` in rapid succession:" msgstr "" #: ../../reference_manual/tools/colorize_mask.rst:69 msgid "" "To see the final result, disable :guilabel:`Edit Key Strokes` or toggle the " "second to last icon on the colorize mask." msgstr "" #: ../../reference_manual/tools/colorize_mask.rst:75 msgid "" "If you want to edit the strokes again, re-enable :guilabel:`Edit Key " "Strokes`." msgstr "" #: ../../reference_manual/tools/colorize_mask.rst:77 msgid "" "Now, the colorize mask, being a mask, can also be added to a group of line " "art layers. It will then use the composition of the whole group as the line " "art. This is perfect for our background which has two separate line art " "layers. It also means that the colorize mask will be disabled when added to " "a group with pass-through enabled, because those have no final composition. " "You can recognize a disabled colorize mask because its name is stricken " "through." msgstr "" #: ../../reference_manual/tools/colorize_mask.rst:79 msgid "" "To add a colorize mask to a group, select the group and |mouseleft| the " "canvas with the Colorize Mask editing tool, or |mouseright| the layer to :" "menuselection:`Add --> Colorize Mask`." msgstr "" #: ../../reference_manual/tools/colorize_mask.rst:85 msgid "" "Now, we add strokes to the background quickly. We do not need to use the :" "menuselection:`Limit to Layer Bounds` because the background covers the " "whole image." msgstr "" #: ../../reference_manual/tools/colorize_mask.rst:91 msgid "" "For the record, you can use other brushes and tools also work on the " "colorize mask as long as they can draw. The Colorize Mask Editing tool is " "just the most convenient because you can get to the algorithm options." msgstr "" #: ../../reference_manual/tools/colorize_mask.rst:93 msgid "Out final result looks like this:" msgstr "" #: ../../reference_manual/tools/colorize_mask.rst:99 msgid "" "Now we are done, |mouseright| the colorize mask and :menuselection:`Convert " "--> to Paint Layer`. Then, :menuselection:`Layer --> Split --> Split Layer`. " "This will give separate color islands that you can easily edit:" msgstr "" #: ../../reference_manual/tools/colorize_mask.rst:105 msgid "" "This way we can very quickly paint the image. Due to the colorize mask going " "from the first image to the following took only 30 minutes, and would've " "taken quite a bit longer." msgstr "" #: ../../reference_manual/tools/colorize_mask.rst:111 msgid "" "The colorize masks are saved to the .kra file, so as long as you don't save " "and open to a different file format, nor convert the colorize mask to a " "paintlayer, you can keep working adjust the results." msgstr "" #: ../../reference_manual/tools/colorize_mask.rst:114 msgid "Tool Options" msgstr "工具选项" #: ../../reference_manual/tools/colorize_mask.rst:116 #: ../../reference_manual/tools/colorize_mask.rst:172 msgid "Update" msgstr "更新" #: ../../reference_manual/tools/colorize_mask.rst:117 msgid "" "Run the colorize mask algorithm. The progress bar for updates on a colorize " "mask shows only in the layer docker." msgstr "" #: ../../reference_manual/tools/colorize_mask.rst:118 #: ../../reference_manual/tools/colorize_mask.rst:169 msgid "Edit key strokes" msgstr "编辑关键描边" #: ../../reference_manual/tools/colorize_mask.rst:119 msgid "" "Put the mask into edit mode. In edit mode, it will also show the " "'prefiltering' on the line art, which is for example a blur filter for gap " "closing." msgstr "" #: ../../reference_manual/tools/colorize_mask.rst:121 msgid "" "Show the output of the colorize mask. If :guilabel:`Edit key strokes` is " "active, this will be shown semi-transparently, so it will be easy to " "recognize the difference between the strokes and the output." msgstr "" #: ../../reference_manual/tools/colorize_mask.rst:127 #: ../../reference_manual/tools/colorize_mask.rst:165 msgid "Show output" msgstr "显示输出" #: ../../reference_manual/tools/colorize_mask.rst:127 msgid "" "On the **Left**: :guilabel:`Show Output` is on, :guilabel:`Edit Key Strokes` " "is off. In the **Middle**: :guilabel:`Show Output` and :guilabel:`Edit Key " "Strokes` are on. On the **Right**: :guilabel:`Show Output` is off and :" "guilabel:`Edit Key Strokes` is on." msgstr "" #: ../../reference_manual/tools/colorize_mask.rst:129 msgid "Limit to layer bounds" msgstr "限制到图层边界" #: ../../reference_manual/tools/colorize_mask.rst:130 msgid "" "Limit the colorize mask to the combined layer bounds of the strokes and the " "line art it is filling. This can speed up the use of the mask on complicated " "compositions, such as comic pages." msgstr "" #: ../../reference_manual/tools/colorize_mask.rst:132 msgid "" "Activate this for line art with large solid areas, for example shadows on an " "object. For the best use, set the value to the thinnest lines on the image. " "In the image below, note how edge detection affects the big black areas:" msgstr "" #: ../../reference_manual/tools/colorize_mask.rst:138 msgid "Edge detection" msgstr "" #: ../../reference_manual/tools/colorize_mask.rst:138 msgid "" "From left to right: an example with big black shadows on an object but no " "edge detection, the same example without the edit key strokes enabled. Then " "the same example with edge detection enabled and set to 2px, and that same " "example without edit key strokes enabled." msgstr "" #: ../../reference_manual/tools/colorize_mask.rst:141 msgid "" "While the algorithm is pretty good against gaps in contours, this will " "improve the gap recognition. The higher this value is, the bigger the gaps " "it will try to close, but a too high value can lead to other errors. Note " "how the prefiltered line art (that's the blurry haze) affects the color " "patches." msgstr "" #: ../../reference_manual/tools/colorize_mask.rst:146 msgid "Gap close hint" msgstr "" #: ../../reference_manual/tools/colorize_mask.rst:147 msgid "" "On the **Left**: :guilabel:`Gap close hint` is 0px. In the **Middle**: :" "guilabel:`Gap close hint` is 15px (the lines are 10px). On the **Right**: :" "guilabel:`Gap close hint` is 275px." msgstr "" #: ../../reference_manual/tools/colorize_mask.rst:149 msgid "" "This will attempt to handle messy strokes that overlap the line art where " "they shouldn't. At 0 no clean up is done, at 100% the clean-up is most " "aggressive." msgstr "" #: ../../reference_manual/tools/colorize_mask.rst:153 msgid "Clean up" msgstr "" #: ../../reference_manual/tools/colorize_mask.rst:155 msgid "Key strokes" msgstr "" #: ../../reference_manual/tools/colorize_mask.rst:156 msgid "" "This palette keeps track of the colors used by the strokes. This is useful " "so you can switch back to colors easily. You can increase the swatch size by " "hovering over it with the mouse, and doing :kbd:`Ctrl +` |mousescroll|." msgstr "" #: ../../reference_manual/tools/colorize_mask.rst:158 msgid "Transparent" msgstr "透明度" #: ../../reference_manual/tools/colorize_mask.rst:158 msgid "" "This button is under the keystrokes palette, you can mark the selected color " "to be interpreted a 'transparent' with this. In the clean-up screenshot " "above, cyan had been marked as transparent." msgstr "" #: ../../reference_manual/tools/colorize_mask.rst:161 msgid "Layer properties" msgstr "图层属性" #: ../../reference_manual/tools/colorize_mask.rst:163 msgid "" "The colorize mask layer has four properties. They are all the buttons on the " "right side of the layer:" msgstr "" #: ../../reference_manual/tools/colorize_mask.rst:166 msgid "" "The first button, it allows you to toggle whether you'll see the output from " "the colorize algorithm." msgstr "" #: ../../reference_manual/tools/colorize_mask.rst:167 msgid "Lock" msgstr "锁定" #: ../../reference_manual/tools/colorize_mask.rst:168 msgid "Stops the mask from being edited." msgstr "" #: ../../reference_manual/tools/colorize_mask.rst:170 msgid "" "Whether the colorize mask is in edit mode. In edit mode it'll show the " "strokes, and the output will be semi-transparent." msgstr "" #: ../../reference_manual/tools/colorize_mask.rst:172 msgid "" "The last button will force the colorize mask to update, even when you're in " "a different tool." msgstr "" #: ../../reference_manual/tools/colorize_mask.rst:174 msgid "Colorize masks cannot be animated." msgstr "" diff --git a/locale/zh_CN/LC_MESSAGES/tutorials/flat-coloring.po b/locale/zh_CN/LC_MESSAGES/tutorials/flat-coloring.po index 395591cf7..5ffa9a207 100644 --- a/locale/zh_CN/LC_MESSAGES/tutorials/flat-coloring.po +++ b/locale/zh_CN/LC_MESSAGES/tutorials/flat-coloring.po @@ -1,765 +1,765 @@ msgid "" msgstr "" "Project-Id-Version: kdeorg\n" "Report-Msgid-Bugs-To: \n" -"POT-Creation-Date: 2019-04-13 03:33+0200\n" +"POT-Creation-Date: 2019-04-14 03:33+0200\n" "PO-Revision-Date: 2019-04-09 18:49\n" "Last-Translator: guoyunhe \n" "Language-Team: Chinese Simplified\n" "Language: zh_CN\n" "MIME-Version: 1.0\n" "Content-Type: text/plain; charset=UTF-8\n" "Content-Transfer-Encoding: 8bit\n" "Plural-Forms: nplurals=1; plural=0;\n" "X-Generator: crowdin.com\n" "X-Crowdin-Project: kdeorg\n" "X-Crowdin-Language: zh-CN\n" "X-Crowdin-File: /kf5-trunk/messages/www/docs_krita_org_tutorials___flat-" "coloring.pot\n" #: ../../:2 msgid "" ".. image:: images/icons/Krita_mouse_left.png\n" " :alt: mouseleft" msgstr "" ".. image:: images/icons/Krita_mouse_left.png\n" " :alt: mouseleft" #: ../../:4 msgid "" ".. image:: images/icons/Krita_mouse_right.png\n" " :alt: mouseright" msgstr "" ".. image:: images/icons/Krita_mouse_right.png\n" " :alt: mouseright" +#: ../../tutorials/flat-coloring.rst:0 +msgid "" +".. image:: images/en/flat-coloring/Krita_filling_lineart_selection_1.png" +msgstr "" + +#: ../../tutorials/flat-coloring.rst:0 +msgid "" +".. image:: images/en/flat-coloring/Krita_filling_lineart_selection_2.png" +msgstr "" + +#: ../../tutorials/flat-coloring.rst:0 +msgid ".. image:: images/en/flat-coloring/Krita_filling_lineart_mask_1.png" +msgstr "" + +#: ../../tutorials/flat-coloring.rst:0 +msgid ".. image:: images/en/flat-coloring/Krita_filling_lineart_mask_2.png" +msgstr "" + +#: ../../tutorials/flat-coloring.rst:0 +msgid ".. image:: images/en/flat-coloring/Krita_filling_lineart_mask_3.png" +msgstr "" + #: ../../tutorials/flat-coloring.rst:None msgid "" ".. image:: images/en/flat-coloring/Krita_filling_lineart14.png\n" " :alt: layer structure for flatting in krita" msgstr "" #: ../../tutorials/flat-coloring.rst:None msgid "" ".. image:: images/en/flat-coloring/Krita_filling_lineart1.png\n" " :alt: blend mode setup of line art flat coloring" msgstr "" ".. image:: images/icons/Krita_mouse_left.png\n" " :alt: mouseleft" #: ../../tutorials/flat-coloring.rst:None msgid "" ".. image:: images/en/flat-coloring/Krita_filling_lineart2.png\n" " :alt: effects of multiply blend mode" msgstr "" #: ../../tutorials/flat-coloring.rst:None msgid "" ".. image:: images/icons/fill_tool.svg\n" " :alt: fill-tool icon" msgstr "" #: ../../tutorials/flat-coloring.rst:None msgid "" ".. image:: images/en/flat-coloring/Krita_filling_lineart7.png\n" " :alt: colors filled with fill tool" msgstr "" #: ../../tutorials/flat-coloring.rst:None msgid "" ".. image:: images/en/flat-coloring/Krita_filling_lineart15.png\n" " :alt: selecting with selection tools for filling color" msgstr "" #: ../../tutorials/flat-coloring.rst:None msgid "" ".. image:: images/en/flat-coloring/Krita_filling_lineart16.png\n" " :alt: selection mask in Krita" msgstr "" #: ../../tutorials/flat-coloring.rst:None msgid "" ".. image:: images/en/flat-coloring/Krita_filling_lineart17.png\n" " :alt: filling color in selection" msgstr "" #: ../../tutorials/flat-coloring.rst:None msgid "" ".. image:: images/en/flat-coloring/Krita_filling_lineart18.png\n" " :alt: result of coloring made with the help of selection tools" msgstr "" #: ../../tutorials/flat-coloring.rst:None msgid "" ".. image:: images/en/flat-coloring/Krita_filling_lineart8.png\n" " :alt: filling color in line art using path tool" msgstr "" #: ../../tutorials/flat-coloring.rst:None msgid "" ".. image:: images/en/flat-coloring/Krita_filling_lineart9.png\n" " :alt: erasing with path tool" msgstr "" #: ../../tutorials/flat-coloring.rst:None msgid "" ".. image:: images/en/flat-coloring/Krita_filling_lineart10.png\n" " :alt: coloring with colorize mask" msgstr "" #: ../../tutorials/flat-coloring.rst:None msgid "" ".. image:: images/en/flat-coloring/Krita_filling_lineart11.png\n" " :alt: result from the colorize mask" msgstr "" #: ../../tutorials/flat-coloring.rst:None msgid "" ".. image:: images/en/flat-coloring/Krita_filling_lineart12.png\n" " :alt: slitting colors into islands" msgstr "" #: ../../tutorials/flat-coloring.rst:None msgid "" ".. image:: images/en/flat-coloring/Krita_filling_lineart13.png\n" " :alt: resulting color islands from split layers" msgstr "" -#: ../../tutorials/flat-coloring.rst:0 -msgid "" -".. image:: images/en/flat-coloring/Krita_filling_lineart_selection_1.png" -msgstr "" - -#: ../../tutorials/flat-coloring.rst:0 -msgid "" -".. image:: images/en/flat-coloring/Krita_filling_lineart_selection_2.png" -msgstr "" - -#: ../../tutorials/flat-coloring.rst:0 -msgid ".. image:: images/en/flat-coloring/Krita_filling_lineart_mask_1.png" -msgstr "" - -#: ../../tutorials/flat-coloring.rst:0 -msgid ".. image:: images/en/flat-coloring/Krita_filling_lineart_mask_2.png" -msgstr "" - -#: ../../tutorials/flat-coloring.rst:0 -msgid ".. image:: images/en/flat-coloring/Krita_filling_lineart_mask_3.png" -msgstr "" - #: ../../tutorials/flat-coloring.rst:1 msgid "Common workflows used in Krita" msgstr "" #: ../../tutorials/flat-coloring.rst:13 msgid "Flat Coloring" msgstr "平涂颜色" #: ../../tutorials/flat-coloring.rst:15 msgid "" "So you've got a cool black on white drawing, and now you want to color it! " "The thing we’ll aim for in this tutorial is to get your line art colored in " "with flat colors. So no shading just yet. We’ll be going through some " "techniques for preparing the line art, and we’ll be using the layer docker " "to put each color on a separate layer, so we can easily access each color " "when we add shading." msgstr "" #: ../../tutorials/flat-coloring.rst:17 msgid "" "This tutorial is adapted from this `tutorial `_ by " "the original author." msgstr "" #: ../../tutorials/flat-coloring.rst:20 msgid "Understanding Layers" msgstr "理解图层" #: ../../tutorials/flat-coloring.rst:22 msgid "" "To fill line art comfortably, it's best to take advantage of the layerstack. " "The layer stack is pretty awesome, and it's one of those features that make " "digital art super-convenient." msgstr "" #: ../../tutorials/flat-coloring.rst:24 msgid "" "In traditional art, it is not uncommon to first draw the full background " "before drawing the subject. Or to first draw a line art and then color it " "in. Computers have a similar way of working." msgstr "" #: ../../tutorials/flat-coloring.rst:26 msgid "" "In programming, if you tell a computer to draw a red circle, and then " "afterwards tell it to draw a smaller yellow circle, you will see the small " "yellow circle overlap the red circle. Switch the commands around, and you " "will not see the yellow circle at all: it was drawn before the red circle " "and thus ‘behind’ it." msgstr "" #: ../../tutorials/flat-coloring.rst:28 msgid "" "This is referred to as the “drawing order”. So like the traditional artist, " "the computer will first draw the images that are behind everything, and " "layer the subject and foreground on top of it. The layer docker is a way for " "you to control the drawing order of multiple images, so for example, you can " "have your line art drawn later than your colors, meaning that the lines will " "be drawn over the colors, making it easier to make it neat!" msgstr "" #: ../../tutorials/flat-coloring.rst:30 msgid "" "Other things that a layer stack can do are blending the colors of different " "layers differently with blending modes, using a filter in the layer stack, " "or using a mask that allows you to make parts transparent." msgstr "" #: ../../tutorials/flat-coloring.rst:32 msgid "" "Programmers talk about transparency as ''Alpha'', which is because the 'a' " "symbol is used to present transparency in the algorithms for painting one " "color on top of another. Usually when you see the word ''Alpha'' in a " "graphics program, just think of it as affecting the transparency." msgstr "" #: ../../tutorials/flat-coloring.rst:35 msgid "Preparing your line art" msgstr "" #: ../../tutorials/flat-coloring.rst:37 msgid "" "Put the new layer underneath the layer containing the line art (drag and " "drop or use the up/down arrows for that), and draw on it." msgstr "" #: ../../tutorials/flat-coloring.rst:42 msgid "" "…And notice nothing happening. This is because the white isn’t transparent. " "You wouldn’t really want it to either, how else would you make convincing " "highlights? So what we first need to do to color in our drawing is prepare " "our line art. There’s several methods of doing so, each with varying " "qualities." msgstr "" #: ../../tutorials/flat-coloring.rst:45 msgid "The Multiply Blending Mode" msgstr "相乘混色法" #: ../../tutorials/flat-coloring.rst:47 msgid "" "So, typically, to get a black and white line art usable for coloring, you " "can set the blending mode of the line art layer to Multiply. You do this by " "selecting the layer and going to the drop-down that says **Normal** and " "setting that to **Multiply**." msgstr "" #: ../../tutorials/flat-coloring.rst:52 msgid "And then you should be able to see your colors!" msgstr "" #: ../../tutorials/flat-coloring.rst:54 msgid "" "Multiply is not a perfect solution however. For example, if through some " "image editing magic I make the line art blue, it results into this:" msgstr "" #: ../../tutorials/flat-coloring.rst:59 msgid "" "This is because multiply literally multiplies the colors. So it uses maths!" msgstr "" #: ../../tutorials/flat-coloring.rst:61 msgid "" "What it first does is take the values of the RGB channels, then divides them " "by the max (because we're in 8bit, this is 255), a process we call " "normalising. Then it multiplies the normalised values. Finally, it takes the " "result and multiplies it with 255 again to get the result values." msgstr "" #: ../../tutorials/flat-coloring.rst:67 msgid "Pink" msgstr "粉" #: ../../tutorials/flat-coloring.rst:68 msgid "Pink (normalised)" msgstr "" #: ../../tutorials/flat-coloring.rst:69 ../../tutorials/flat-coloring.rst:87 msgid "Blue" msgstr "蓝色" #: ../../tutorials/flat-coloring.rst:70 msgid "Blue (normalised)" msgstr "" #: ../../tutorials/flat-coloring.rst:71 msgid "Normalised, multiplied" msgstr "" #: ../../tutorials/flat-coloring.rst:72 msgid "Result" msgstr "结果" #: ../../tutorials/flat-coloring.rst:73 msgid "Red" msgstr "红色" #: ../../tutorials/flat-coloring.rst:74 msgid "222" msgstr "" #: ../../tutorials/flat-coloring.rst:75 msgid "0.8705" msgstr "" #: ../../tutorials/flat-coloring.rst:76 msgid "92" msgstr "" #: ../../tutorials/flat-coloring.rst:77 msgid "0.3607" msgstr "" #: ../../tutorials/flat-coloring.rst:78 msgid "0.3139" msgstr "" #: ../../tutorials/flat-coloring.rst:79 msgid "80" msgstr "80" #: ../../tutorials/flat-coloring.rst:80 msgid "Green" msgstr "绿色" #: ../../tutorials/flat-coloring.rst:81 msgid "144" msgstr "" #: ../../tutorials/flat-coloring.rst:82 msgid "0.5647" msgstr "" #: ../../tutorials/flat-coloring.rst:83 msgid "176" msgstr "" #: ../../tutorials/flat-coloring.rst:84 msgid "0.6902" msgstr "" #: ../../tutorials/flat-coloring.rst:85 msgid "0.3897" msgstr "" #: ../../tutorials/flat-coloring.rst:86 msgid "99" msgstr "" #: ../../tutorials/flat-coloring.rst:88 msgid "123" msgstr "123" #: ../../tutorials/flat-coloring.rst:89 msgid "0.4823" msgstr "" #: ../../tutorials/flat-coloring.rst:90 msgid "215" msgstr "" #: ../../tutorials/flat-coloring.rst:91 msgid "0.8431" msgstr "" #: ../../tutorials/flat-coloring.rst:92 msgid "0.4066" msgstr "" #: ../../tutorials/flat-coloring.rst:93 msgid "103" msgstr "" #: ../../tutorials/flat-coloring.rst:95 msgid "" "This isn't completely undesirable, and a lot of artists use this effect to " "add a little richness to their colors." msgstr "" #: ../../tutorials/flat-coloring.rst:98 ../../tutorials/flat-coloring.rst:127 #: ../../tutorials/flat-coloring.rst:154 ../../tutorials/flat-coloring.rst:173 #: ../../tutorials/flat-coloring.rst:210 ../../tutorials/flat-coloring.rst:247 #: ../../tutorials/flat-coloring.rst:275 ../../tutorials/flat-coloring.rst:317 msgid "Advantages" msgstr "优点" #: ../../tutorials/flat-coloring.rst:100 msgid "" "Easy, can work to your benefit even with colored lines by softening the look " "of the lines while keeping nice contrast." msgstr "" #: ../../tutorials/flat-coloring.rst:103 ../../tutorials/flat-coloring.rst:132 #: ../../tutorials/flat-coloring.rst:159 ../../tutorials/flat-coloring.rst:178 #: ../../tutorials/flat-coloring.rst:215 ../../tutorials/flat-coloring.rst:252 #: ../../tutorials/flat-coloring.rst:280 ../../tutorials/flat-coloring.rst:322 msgid "Disadvantages" msgstr "缺点" #: ../../tutorials/flat-coloring.rst:105 msgid "Not actually transparent. Is a little funny with colored lines." msgstr "" #: ../../tutorials/flat-coloring.rst:108 msgid "Using Selections" msgstr "使用选区" #: ../../tutorials/flat-coloring.rst:110 msgid "" "The second method is one where we'll make it actually transparent. In other " "programs this would be done via the channel docker, but Krita doesn't do " "custom channels, instead it uses Selection Masks to store custom selections." msgstr "" #: ../../tutorials/flat-coloring.rst:112 msgid "Duplicate your line art layer." msgstr "" #: ../../tutorials/flat-coloring.rst:114 msgid "" "Convert the duplicate to a selection mask. |mouseright| the layer, then :" "menuselection:`Convert --> to Selection Mask`." msgstr "" #: ../../tutorials/flat-coloring.rst:118 msgid "" "Invert the selection mask. :menuselection:`Select --> Invert Selection`." msgstr "" #: ../../tutorials/flat-coloring.rst:120 msgid "" "Make a new layer, and do :menuselection:`Edit --> Fill with Foreground " "Color`." msgstr "" #: ../../tutorials/flat-coloring.rst:124 msgid "And you should now have the line art on a separate layer." msgstr "" #: ../../tutorials/flat-coloring.rst:129 msgid "Actual transparency." msgstr "" #: ../../tutorials/flat-coloring.rst:134 msgid "Doesn't work when the line art is colored." msgstr "" #: ../../tutorials/flat-coloring.rst:137 msgid "Using Masks" msgstr "使用蒙版" #: ../../tutorials/flat-coloring.rst:139 msgid "This is a simpler variation of the above." msgstr "" #: ../../tutorials/flat-coloring.rst:141 msgid "Make a filled layer underneath the line art layer." msgstr "" #: ../../tutorials/flat-coloring.rst:145 msgid "" "Convert the line art layer to a transparency mask |mouseright| the layer, " "then :menuselection:`Convert --> to Transparency Mask`." msgstr "" #: ../../tutorials/flat-coloring.rst:149 msgid "" "Invert the transparency mask by going to :menuselection:`Filter --> Adjust --" "> Invert`" msgstr "" #: ../../tutorials/flat-coloring.rst:156 msgid "" "Actual transparency. You can also very easily doodle a pattern on the filled " "layer where the mask is on without affecting the transparency." msgstr "" #: ../../tutorials/flat-coloring.rst:161 msgid "" "Doesn't work when the line art is colored already. We can still get faster." msgstr "" #: ../../tutorials/flat-coloring.rst:164 msgid "Using Color to Alpha" msgstr "使用颜色转为透明度滤镜" #: ../../tutorials/flat-coloring.rst:166 msgid "By far the fastest way to get transparent line art." msgstr "" #: ../../tutorials/flat-coloring.rst:168 msgid "" "Select the line art layer and apply the color to alpha filter. :" "menuselection:`Filter --> Colors --> Color to Alpha`. The default values " "should be sufficient for line art." msgstr "" #: ../../tutorials/flat-coloring.rst:171 msgid "" ".. image:: images/en/flat-coloring/Krita_filling_lineart_color_to_alpha.png" msgstr "" #: ../../tutorials/flat-coloring.rst:175 msgid "" "Actual transparency. Works with colored line art as well, because it removes " "the white specifically." msgstr "" #: ../../tutorials/flat-coloring.rst:180 msgid "" "You'll have to lock the layer transparency or separate out the alpha via the " "right-click menu if you want to easily color it." msgstr "" #: ../../tutorials/flat-coloring.rst:184 msgid "Coloring the image" msgstr "" #: ../../tutorials/flat-coloring.rst:186 msgid "" "Much like preparing the line art, there are many different ways of coloring " "a layer." msgstr "" #: ../../tutorials/flat-coloring.rst:188 msgid "" "You could for example fill in everything by hand, but while that is very " "precise it also takes a lot of work. Let's take a look at the other options, " "shall we?" msgstr "" #: ../../tutorials/flat-coloring.rst:191 msgid "Fill Tool" msgstr "填充工具" #: ../../tutorials/flat-coloring.rst:196 msgid "" "In most cases the fill-tool can’t deal with the anti-aliasing (the soft edge " "in your line art to make it more smooth when zoomed out) In Krita you have " "the grow-shrink option. Setting that to say… 2 expands the color two pixels." msgstr "" #: ../../tutorials/flat-coloring.rst:198 msgid "" "Threshold decides when the fill-tool should consider a different color pixel " "to be a border. And the feathering adds an extra soft border to the fill." msgstr "" #: ../../tutorials/flat-coloring.rst:200 msgid "" "Now, if you click on a gapless-part of the image with your preferred color… " "(Remember to set the opacity to 1.0!)" msgstr "" #: ../../tutorials/flat-coloring.rst:202 msgid "" "Depending on your line art, you can do flats pretty quickly. But setting the " "threshold low can result in little artifacts around where lines meet:" msgstr "" #: ../../tutorials/flat-coloring.rst:207 msgid "" "However, setting the threshold high can end with the fill not recognizing " "some of the lighter lines. Besides these little artifacts can be removed " "with the brush easily." msgstr "" #: ../../tutorials/flat-coloring.rst:212 msgid "Pretty darn quick depending on the available settings." msgstr "" #: ../../tutorials/flat-coloring.rst:217 msgid "" "Again, not great with gaps or details. And it works best with aliased line " "art." msgstr "" #: ../../tutorials/flat-coloring.rst:220 msgid "Selections" msgstr "选区" #: ../../tutorials/flat-coloring.rst:222 msgid "Selections work using the selection tools." msgstr "" #: ../../tutorials/flat-coloring.rst:227 msgid "" "For example with the :ref:`bezier_curve_selection_tool` you can easily " "select a curved area, and the with :kbd:`Shift` + |mouseleft| (not |" "mouseleft| + :kbd:`Shift`, there's a difference!) you can easily add to an " "existing selection." msgstr "" #: ../../tutorials/flat-coloring.rst:232 msgid "" "You can also edit the selection if you have :menuselection:`Select --> Show " "Global Selection Mask` turned on. Then you can select the global selection " "mask, and paint on it. (Above with the alternative selection mode, activated " "in the lower-left corner of the stats bar)" msgstr "" #: ../../tutorials/flat-coloring.rst:234 msgid "" "When done, select the color you want to fill it with and press :kbd:`Shift` " "+ `backspace`." msgstr "" #: ../../tutorials/flat-coloring.rst:239 msgid "" "You can save selections in selection masks by |mouseright| a layer, and then " "going to :menuselection:`Add --> Local Selection`. You first need to " "deactivate a selection by pressing the circle before adding a new selection." msgstr "" #: ../../tutorials/flat-coloring.rst:241 msgid "" "This can serve as an alternative way to split out different parts of the " "image, which is good for more painterly pieces:" msgstr "" #: ../../tutorials/flat-coloring.rst:249 msgid "A bit more precise than filling." msgstr "" #: ../../tutorials/flat-coloring.rst:254 msgid "Previewing your color isn't as easy." msgstr "" #: ../../tutorials/flat-coloring.rst:257 msgid "Geometric tools" msgstr "几何图形工具" #: ../../tutorials/flat-coloring.rst:259 msgid "" "So you have a tool for making rectangles or circles. And in the case of " "Krita, a tool for bezier curves. Select the path tool (|path tool|), and set " "the tool options to fill=foreground and outline=none. Make sure that your " "opacity is set to 1.00 (fully opaque)." msgstr "" #: ../../tutorials/flat-coloring.rst:262 msgid "" ".. image:: images/icons/bezier_curve.svg\n" " :alt: path tool" msgstr "" #: ../../tutorials/flat-coloring.rst:264 msgid "" "By clicking and holding, you can influence how curvy a line draw with the " "path tool is going to be. Letting go of the mouse button confirms the " "action, and then you’re free to draw the next point." msgstr "" #: ../../tutorials/flat-coloring.rst:269 msgid "" "You can also erase with a geometric tool. Just press :kbd:`E` or the eraser " "button." msgstr "" #: ../../tutorials/flat-coloring.rst:277 msgid "" "Quicker than using the brush or selections. Also decent with line art that " "contains gaps." msgstr "" #: ../../tutorials/flat-coloring.rst:282 msgid "" "Fiddly details aren’t easy to fill in with this. So I recommend skipping " "those and filling them in later with a brush." msgstr "" #: ../../tutorials/flat-coloring.rst:285 msgid "Colorize Mask" msgstr "着色蒙版" #: ../../tutorials/flat-coloring.rst:287 msgid "" "So, this is a bit of an odd one. In the original tutorial, you'll see I'm " "suggesting using G'Mic, but that was a few years ago, and g'mic is a little " "unstable on windows. Therefore, the Krita developers have been attempting to " "make an internal tool doing the same." msgstr "" #: ../../tutorials/flat-coloring.rst:289 msgid "" "It is disabled in 3.1, but if you use 4.0 or later, it is in the toolbox. " "Check the Colorize Mask for more information." msgstr "" #: ../../tutorials/flat-coloring.rst:291 msgid "So it works like this:" msgstr "" #: ../../tutorials/flat-coloring.rst:293 msgid "Select the colorize mask tool." msgstr "" #: ../../tutorials/flat-coloring.rst:294 msgid "Tick the layer you're using." msgstr "" #: ../../tutorials/flat-coloring.rst:295 msgid "Paint the colors you want to use on the colorize mask" msgstr "" #: ../../tutorials/flat-coloring.rst:296 msgid "Click update to see the results:" msgstr "" #: ../../tutorials/flat-coloring.rst:301 msgid "" "When you are satisfied, |mouseright| the colorize mask, and go to :" "menuselection:`Convert --> Paint Layer`. This will turn the colorize mask to " "a generic paint layer. Then, you can fix the last issues by making the line " "art semi-transparent and painting the flaws away with a pixel art brush." msgstr "" #: ../../tutorials/flat-coloring.rst:306 msgid "" "Then, when you are done, split the layers via :menuselection:`Layer --> " "Split --> Split Layer`. There are a few options you can choose, but the " "following should be fine:" msgstr "" #: ../../tutorials/flat-coloring.rst:311 msgid "" "Finally, press **Ok** and you should get the following. Each color patch it " "on a different layer, named by the palette in the menu and alpha locked, so " "you can start painting right away!" msgstr "" #: ../../tutorials/flat-coloring.rst:319 msgid "" "Works with anti-aliased line art. Really quick to get the base work done. " "Can auto-close gaps." msgstr "" #: ../../tutorials/flat-coloring.rst:324 msgid "" "No anti-aliasing of its own. You have to choose between getting details " "right or the gaps auto-closed." msgstr "" #: ../../tutorials/flat-coloring.rst:327 msgid "Conclusion" msgstr "结语" #: ../../tutorials/flat-coloring.rst:329 msgid "" "I hope this has given you a good idea of how to fill in flats using the " "various techniques, as well as getting a hand of different Krita features. " "Remember that a good flat filled line art is better than a badly shaded one, " "so keep practicing to get the best out of these techniques!" msgstr "" diff --git a/locale/zh_CN/LC_MESSAGES/user_manual/loading_saving_brushes.po b/locale/zh_CN/LC_MESSAGES/user_manual/loading_saving_brushes.po index 2505bf5fd..f25996b6a 100644 --- a/locale/zh_CN/LC_MESSAGES/user_manual/loading_saving_brushes.po +++ b/locale/zh_CN/LC_MESSAGES/user_manual/loading_saving_brushes.po @@ -1,1119 +1,1119 @@ msgid "" msgstr "" "Project-Id-Version: kdeorg\n" "Report-Msgid-Bugs-To: \n" -"POT-Creation-Date: 2019-04-13 03:33+0200\n" +"POT-Creation-Date: 2019-04-14 03:33+0200\n" "PO-Revision-Date: 2019-04-09 18:49\n" "Last-Translator: guoyunhe \n" "Language-Team: Chinese Simplified\n" "Language: zh_CN\n" "MIME-Version: 1.0\n" "Content-Type: text/plain; charset=UTF-8\n" "Content-Transfer-Encoding: 8bit\n" "Plural-Forms: nplurals=1; plural=0;\n" "X-Generator: crowdin.com\n" "X-Crowdin-Project: kdeorg\n" "X-Crowdin-Language: zh-CN\n" "X-Crowdin-File: /kf5-trunk/messages/www/" "docs_krita_org_user_manual___loading_saving_brushes.pot\n" -#: ../../user_manual/loading_saving_brushes.rst:None -msgid ".. image:: images/en/Krita_4_0_Brush_Settings_Layout.svg" -msgstr ".. image:: images/en/Krita_4_0_Brush_Settings_Layout.svg" - #: ../../user_manual/loading_saving_brushes.rst:0 msgid ".. image:: images/en/Krita_4_0_dirty_preset_icon.png" msgstr ".. image:: images/en/Krita_4_0_dirty_preset_icon.png" +#: ../../user_manual/loading_saving_brushes.rst:None +msgid ".. image:: images/en/Krita_4_0_Brush_Settings_Layout.svg" +msgstr ".. image:: images/en/Krita_4_0_Brush_Settings_Layout.svg" + #: ../../user_manual/loading_saving_brushes.rst:1 msgid "" "Detailed guide on the brush settings dialog in Krita as well as how to make " "your own brushes and how to share them." msgstr "Krita 笔刷选项面板的详细使用指引，同时介绍如何制作和分享笔刷。" #: ../../user_manual/loading_saving_brushes.rst:17 msgid "Loading and Saving Brushes" msgstr "笔刷的制作、载入和保存" #: ../../user_manual/loading_saving_brushes.rst:19 msgid "" "In the real world, when painting or drawing, you don't just use one tool. " "You use pencils, erasers, paintbrushes, different types of paint, inks, " "crayons, etc. All these have different ways of making marks." msgstr "" "在现实绘画中，你不止会运用一种工具，你会用到铅笔、橡皮擦、笔刷、蜡笔、不同类" "型的颜料或者墨水等。这些画材在纸张上留下痕迹的方式都不尽相同。" #: ../../user_manual/loading_saving_brushes.rst:23 msgid "" "In a digital program like Krita you have something similar. We call this a " "brush engine. And much like how cars have different engines that give " "different feels when driving, or how pencils make distinctly different marks " "than rollerball pens, different brush engines have totally different feels." msgstr "" "在 Krita 这样的数字绘画程序中情况也是相似的。我们把不同类型的画材制作成不同的" "笔刷引擎。铅笔和圆珠笔的工作原理和使用效果完全不同，它们使用的笔刷引擎也是不" "一样的。这就像是汽车换上不同的引擎时驾驶体验会不同一样。" #: ../../user_manual/loading_saving_brushes.rst:29 msgid "" "The brush engines have a lot of different settings as well. So, you can save " "those settings into presets." msgstr "" "每个笔刷引擎可以有许多不同的选项，所以你可以把不同的选项组合保存成预设。" #: ../../user_manual/loading_saving_brushes.rst:32 msgid "" "Unlike Photoshop, Krita makes a difference between brush-tips and brush-" "presets. Tips are only a stamp of sorts, while the preset uses a tip and " "many other settings to create the full brush." msgstr "" "和 Photoshop 不同，Krita 的笔尖和笔刷预设并不是一回事。笔尖就像是一个扁平的图" "章形状，笔刷预设使用笔尖配合其他选项来打造出一个完整的笔刷。" #: ../../user_manual/loading_saving_brushes.rst:37 msgid "The Brush settings drop-down" msgstr "笔刷选项下拉面板" #: ../../user_manual/loading_saving_brushes.rst:39 msgid "" "To start, the Brush Settings Editor panel can be accessed in the toolbar, " "between the :guilabel:`Blending Modes` button on the right and the :guilabel:" "`Patterns` button on the left. Alternately, you can use the function key :" "kbd:`F5` to open it." msgstr "" "要调出笔刷选项编辑面板，你可以在工具栏的 :guilabel:`混色模式` 和 :guilabel:`" "图案` 之间找到它的按钮。你也可以直接按 :kbd:`F5` 来打开它。" #: ../../user_manual/loading_saving_brushes.rst:44 msgid "" "When you open Brush Settings Editor panel you will see something like this:" msgstr "打开笔刷选项编辑器面板后你会看到如下界面：" #: ../../user_manual/loading_saving_brushes.rst:48 msgid "Tour of the brush settings drop-down" msgstr "笔刷选项下拉面板导览" #: ../../user_manual/loading_saving_brushes.rst:53 msgid "The brush settings drop-down is divided into six areas," msgstr "笔刷选项下拉面板被分为 6 个区域。" #: ../../user_manual/loading_saving_brushes.rst:56 msgid "Section A - General Information" msgstr "A 区 - 一般信息" #: ../../user_manual/loading_saving_brushes.rst:58 msgid "" "This contains the **Preset Icon**, **Live Brush Preview**, the **Preset " "Name**, the **Engine** name, and several buttons for saving, renaming, and " "reloading." msgstr "" "本区显示了 **预设图标**、**笔刷效果预览**、**预设名称**、**引擎类型**，还有保" "存、重命名和重新载入预设的按钮。" #: ../../user_manual/loading_saving_brushes.rst:62 msgid "" "Krita's brush settings are stored into the metadata of a 200x200 png (the " "KPP file), where the image in the png file becomes the preset icon. This " "icon is used everywhere in Krita, and is useful for differentiating brushes " "in ways that the live preview cannot." msgstr "" "Krita 的笔刷图标是一张 200x200 的 PNG 图像，它被保存在 KPP 文件的元数据里。" "Krita 会在多个地方显示笔刷图标，比起笔刷效果预览图，图标更为简练且易于识别。" #: ../../user_manual/loading_saving_brushes.rst:67 msgid "" "The live preview shows a stroke of the current brush as a little s-curve " "wiggle, with the pressure being non-existent on the left, and increasing to " "full pressure as it goes to the right. It can thus show the effect of the " "Pressure, Drawing Angle, Distance, Fade and Fuzzy Dab sensors, but none of " "the others. For some brush engines it cannot show anything. For the color " "smudge, filter brush and clone tool, it shows an alternating line pattern " "because these brush engines use the pixels already on canvas to change their " "effect." msgstr "" "笔刷效果预览显示了当前笔刷画出一条略具 S 形的曲线，从左到右压力逐渐增大，它能" "够显示压力、绘制角度、距离、淡入和模糊笔尖印迹等传感器的效果，但无法显示其他" "效果。有些笔刷引擎无法显示任何预览。颜色涂抹、滤镜还有克隆引擎的笔刷会显示交" "替色块的背景图案，因为它们依赖画布上的已有颜色来营造效果。" #: ../../user_manual/loading_saving_brushes.rst:75 msgid "" "After the preset name, there's a button for **renaming** the brush. This " "will save the brush as a new brush and blacklist the previous name." msgstr "" "在预设名称后面跟着一个按钮，它用来 **重命名** 当前笔刷。重命名操作会把当前选" "项保存为一个新笔刷，然后把旧笔刷加入到黑名单。" #: ../../user_manual/loading_saving_brushes.rst:79 msgid "Engine" msgstr "引擎" #: ../../user_manual/loading_saving_brushes.rst:81 msgid "" "The engine of a brush is the underlying programming that generates the " "stroke from a brush. What that means is that different brush engines have " "different options and different results. You can see this as the difference " "between using crayons, pencils and inks, but because computers are maths " "devices, most of our brush engines produce different things in a more " "mathematical way." msgstr "" "笔刷引擎是笔刷用来产生笔画的程序。不同的笔刷引擎具有不同的选项和不同的效果。" "你可以把它看作是使用不同画材的区别，如蜡笔、铅笔和钢笔等，尽管实际上我们的笔" "刷引擎之间的差异更多是在数学上的，因为这毕竟是计算机程序。" #: ../../user_manual/loading_saving_brushes.rst:88 msgid "" "For most artists the mathematical nature doesn't matter as much as the " "different textures and marks each brush engine, and each brush engine has " "its own distinct flavor and use, and can be further customized by modifying " "the options." msgstr "" "对绝大多数画手而言，笔刷引擎的原理并不重要，只要每个引擎可以产生独特的使用效" "果就够了。每个笔刷引擎还可以通过选项进一步进行调整。" #: ../../user_manual/loading_saving_brushes.rst:94 msgid "Reloading" msgstr "重新载入预设" #: ../../user_manual/loading_saving_brushes.rst:96 msgid "" "If you change a preset, an icon will appear behind the engine name. This is " "the :guilabel:`reload` button. You can use it to revert to the original " "brush settings." msgstr "" "如果你更改了某个预设的选项，笔刷引擎名称后面会显示一个图标。这便是 :guilabel:" "`重新载入` 按钮，你可以用它恢复笔刷的原有选项。" #: ../../user_manual/loading_saving_brushes.rst:101 msgid "Saving a preset" msgstr "保存预设" #: ../../user_manual/loading_saving_brushes.rst:103 msgid "" "On the right, there's :guilabel:`Save New Brush Preset` and :guilabel:" "`Overwrite Brush`." msgstr "" "在本区右端显示了 :guilabel:`保存为新笔刷` 和 :guilabel:`覆盖原有笔刷` 按钮。" #: ../../user_manual/loading_saving_brushes.rst:106 msgid "" "This will only enable if there are any changes. Pressing this will override " "the current preset with the new settings, keeping the name and the icon " "intact. It will always make a timestamped back up in the resources folder." msgstr "" "此按钮只有在笔刷原有选项发生更改之后才会启用。按下此按钮将用更改过的选项覆盖" "当前预设，保留名称和图标不变。此操作还会在资源文件夹中备份旧预设，并且为文件" "名附加时间后缀。" #: ../../user_manual/loading_saving_brushes.rst:108 msgid "Overwrite Brush" msgstr "覆盖原有笔刷" #: ../../user_manual/loading_saving_brushes.rst:111 msgid "" "Will take the current preset and all its changes and save it as a new " "preset. If no change was made, you will be making a copy of the current " "preset." msgstr "" "将把当前预设按更改后的选项保存为一个新的预设。如果并未更改选项，则保存为当前" "预设的副本。" #: ../../user_manual/loading_saving_brushes.rst:113 msgid "Save New Brush Preset" msgstr "保存为新笔刷" #: ../../user_manual/loading_saving_brushes.rst:115 msgid "" "Save new preset will call up the following window, with a mini scratch pad, " "and all sorts of options to change the preset icon:" msgstr "" "按下“保存为新笔刷”按钮后会弹出下面的对话框，它带有一个迷你绘图区和各种选项来" "更改预设图标。" #: ../../user_manual/loading_saving_brushes.rst:119 msgid ".. image:: images/en/Krita_4_0_Save_New_Brush_Preset_Dialog.png" msgstr ".. image:: images/en/Krita_4_0_Save_New_Brush_Preset_Dialog.png" #: ../../user_manual/loading_saving_brushes.rst:120 msgid "" "The image on the left is a mini scratchpad, you can draw on it with the " "current brush, allowing small modifications on the fly." msgstr "" "位于对话框左侧的图像是一个迷你绘图区，你可以用当前画笔在里面进行绘制，允许进" "行小幅调整。" #: ../../user_manual/loading_saving_brushes.rst:124 msgid "" "The Name of your brush. This is also used for the KPP file. If there's " "already a brush with that name, it will effectively overwrite it." msgstr "" "该笔刷的名称。也用于 KPP 文件。如果已存在一个使用了该名称的笔刷，将覆盖它。" #: ../../user_manual/loading_saving_brushes.rst:125 msgid "Brush Name" msgstr "笔刷名称" #: ../../user_manual/loading_saving_brushes.rst:127 msgid "Load Existing Thumbnail" msgstr "载入已有缩略图" #: ../../user_manual/loading_saving_brushes.rst:128 msgid "This will load the existing thumbnail inside the preset." msgstr "通过此按钮载入预设已有的缩略图。" #: ../../user_manual/loading_saving_brushes.rst:130 msgid "Load scratch pad thumbnail" msgstr "载入绘图区缩略图" #: ../../user_manual/loading_saving_brushes.rst:130 msgid "" "This will load the dashed area from the big scratch pad (Section C) into the " "thumbnail area." msgstr "通过此按钮把笔刷选项面板右侧绘图区的虚线方框区域载入到缩略图区域。" #: ../../user_manual/loading_saving_brushes.rst:132 msgid "Load Image" msgstr "载入图像" #: ../../user_manual/loading_saving_brushes.rst:133 msgid "With this you can choose an image from disk to load as a thumbnail." msgstr "通过此按钮把硬盘上的图像载入为缩略图。" #: ../../user_manual/loading_saving_brushes.rst:134 msgid "Load from Icon Library" msgstr "从图标库载入" #: ../../user_manual/loading_saving_brushes.rst:135 msgid "This opens up the icon library." msgstr "此按钮将打开图标库" #: ../../user_manual/loading_saving_brushes.rst:137 msgid "Clear Thumbnail" msgstr "清空缩略图" #: ../../user_manual/loading_saving_brushes.rst:137 msgid "This will make the mini scratch pad white." msgstr "此按钮将把迷你绘图区清空为白色。" #: ../../user_manual/loading_saving_brushes.rst:140 msgid "The Icon Library" msgstr "图标库" #: ../../user_manual/loading_saving_brushes.rst:142 msgid "To make making presets icons faster, Krita got an icon library." msgstr "为了让预设图标制作起来更方便，Krita 准备了一个图标库。" #: ../../user_manual/loading_saving_brushes.rst:145 msgid ".. image:: images/en/Krita_4_0_Preset_Icon_Library_Dialog.png" msgstr ".. image:: images/en/Krita_4_0_Preset_Icon_Library_Dialog.png" #: ../../user_manual/loading_saving_brushes.rst:146 msgid "" "It allows you to select tool icons, and an optional small emblem. When you " "press :guilabel:`OK` it will load the resulting combination into the mini " "scratch pad and you can draw in the stroke." msgstr "" "你可以在图标库中选择一个工具图标还有一个附加图标。点击 :guilabel:`确定` 将把" "组合加载到迷你绘图区，你还可以在结果上面继续加工。" #: ../../user_manual/loading_saving_brushes.rst:150 msgid "" "If you go to your resources folder, there's a folder there called \"preset" "\\_icons\", and in this folder there are \"tool\\_icons\" and \"emblem" "\\_icons\". You can add semi-transparent pngs here and Krita will load those " "into the icon library as well so you can customize your icons even more!" msgstr "" "在你的资源文件夹里面，你会发现一个叫做“preset\\_icons”的文件夹，而这个文件夹" "里面又有“tool\\_icons”和“emblem\\_icons”两个文件夹。你可以把带有透明背景的 " "PNG 图像添加到这两个文件夹里面，Krita 就会把它们载入到图标库，让你进一步对图" "标进行定制。" #: ../../user_manual/loading_saving_brushes.rst:156 msgid "" "At the top right of the icon library, there are three sliders. They allow " "you to adjust the tool icon. The top two are the same Hue and Saturation as " "in HSL adjustment, and the lowest slider is a super simple levels filter. " "This is done this way because the levels filter allows maintaining the " "darkest shadows and brightest highlights on a tool icon, making it much " "better for quick adjustments." msgstr "" "在预设图标库对话框的右上角有三个滑动条，你可以用它们调整图标的颜色。色相和饱" "和度滑动条的作用和 HSL 颜色调整中的相同，而亮度滑动条是一个简单的亮度滤镜。这" "么处理的原因是该亮度滤镜会保持工具图标原图像中最暗的阴影和最亮的高光，让快速" "调整更方便。" #: ../../user_manual/loading_saving_brushes.rst:163 msgid "" "If you're done with everything, you can press :guilabel:`Save` in the :" "guilabel:`Save New Preset` dialog and Krita will save the new brush." msgstr "" "完成命名和图标后，在 :guilabel:`保存为新笔刷预设` 对话框点击 :guilabel:`保存" "`，Krita 就会把这个新笔刷保存到硬盘。" #: ../../user_manual/loading_saving_brushes.rst:167 msgid "Section B - The Preset Chooser" msgstr "B 区 - 预设选择器" #: ../../user_manual/loading_saving_brushes.rst:169 msgid "" "The preset chooser is much the same as the preset docker and the preset drop-" "down on :kbd:`F6`. It's unique in that it allows you to filter by engine and " "this is also where you can create brushes for an engine from scratch." msgstr "" "此预设选择器和笔刷预设工具面板还有按 :kbd:`F6` 弹出的预设下拉面板差不多，它的" "独特之处是可以按照笔刷引擎对预设进行过滤。你在这里选择一个需要的笔刷引擎，然" "后开始制作笔刷。" #: ../../user_manual/loading_saving_brushes.rst:174 msgid "" "It is by default collapsed, so you will need to press the arrow at the top " "left of the brush engine to show it." msgstr "它默认是折叠状态，你可以在笔刷选项面板的左上方点击左箭头按钮展开它。" #: ../../user_manual/loading_saving_brushes.rst:177 msgid "" "The top drop-down is set to “all” by default, which means it shows all " "engines. It then shows a tag section where you can select the tags, the " "preset list and the search bar." msgstr "" "笔刷引擎下拉菜单默认选中了“全部”，这样会显示全部笔刷引擎。接下来的是标签列" "表、预设列表和搜索框。" #: ../../user_manual/loading_saving_brushes.rst:181 msgid "" "Underneath that there's a plus icon, which when pressed gives you the full " "list of Krita's engines. Selecting an engine from the list will show the " "brushes for that engine." msgstr "" "再下面是一个 “+” 按钮，点击后会列出 Krita 的全部笔刷引擎，从中选取一个引擎，" "界面中间的 E 区就会显示该引擎的笔刷选项。" #: ../../user_manual/loading_saving_brushes.rst:185 msgid "" "The trashcan icon does the same as it does in the preset docker: delete, or " "rather, blacklist a preset so it won't show up in the list." msgstr "" "垃圾桶按钮的作用跟预设工具面板里面的一样：删除选中的预设 (实际上是添加到黑名" "单)，使它不再出现在列表中。" #: ../../user_manual/loading_saving_brushes.rst:189 msgid "Section C - The Scratch pad" msgstr "C 区 - 绘图区" #: ../../user_manual/loading_saving_brushes.rst:191 msgid "" "When you tweak your brushes, you want to be able to check what each setting " "does. That's why, to the right of the settings drop-down, there is a scratch " "pad." msgstr "" "在调试笔刷时，你需要检查每个选项的效果如何，所以我们在笔刷选项下拉面板的右边" "准备了一个绘图区。" #: ../../user_manual/loading_saving_brushes.rst:195 msgid "" "It is by default collapsed, so you will have to press the arrow at the top " "right of the brush settings to show it." msgstr "它默认是折叠状态，你可以在笔刷选项面板的右上方点击右箭头按钮展开它。" #: ../../user_manual/loading_saving_brushes.rst:198 msgid "" "When saving a new preset, you can choose to get the icon from the scratch " "pad, this will load the dash area into the mini scratch pad of the Save New " "Preset dialog." msgstr "" "留意绘画区被虚线圈起的正方形区域，在保存新笔刷预设时可以把这个区域内的图像用" "作预设图标。在“保存为新笔刷”对话框里面，有一个按钮可以把此区域加载到它的迷你" "绘图。" #: ../../user_manual/loading_saving_brushes.rst:202 msgid "The scratch pad has five buttons underneath it. These are in order for:" msgstr "绘图区下面有 4 个按钮，它们依次是：" #: ../../user_manual/loading_saving_brushes.rst:204 msgid "Showing the current brush image" msgstr "将当前笔刷图像加载到缩略图区" #: ../../user_manual/loading_saving_brushes.rst:206 msgid "Adding a gradient to the scratch pad (useful for smudge brushes)" msgstr "添加渐变作为绘图区底色 (对于涂抹笔刷有用)" #: ../../user_manual/loading_saving_brushes.rst:207 msgid "Filling with the background color" msgstr "填充背景色" #: ../../user_manual/loading_saving_brushes.rst:208 #, fuzzy #| msgid "Clearing everything on the scratch pad." msgid "Clearing everything on the scratch pad" msgstr "清空绘图区画面" #: ../../user_manual/loading_saving_brushes.rst:211 msgid "Section D - The Options List" msgstr "D 区 - 选项列表" #: ../../user_manual/loading_saving_brushes.rst:213 msgid "" "The options, as stated above, are different per brush engine. These " "represent the different parameters, toggles and knobs that you can turn to " "make a brush preset unique. For a couple of options, the main things to " "change are sliders and check boxes, but for a lot of them, they use curves " "instead." msgstr "" "每个笔刷引擎具有不同的选项，你能够控制的参数、开关、滑动条等都不尽相同，使得" "每个引擎的效果各具特色。一般来说，主要的选项多是滑动条和复选框，但也有不少选" "项是通过响应曲线控制的。" #: ../../user_manual/loading_saving_brushes.rst:219 msgid "" "Some options can be toggled, as noted by the little check boxes next to " "them, but others, like flow and opacity are so fundamental to how the brush " "works, that they are always on." msgstr "" "带有复选框的选项可以被打开或者关闭。但流量和不透明度等最基础的笔刷选项则会一" "直生效。" #: ../../user_manual/loading_saving_brushes.rst:223 msgid "" "The little padlock icon next to the options is for locking the brush. This " "has its own page." msgstr "选项右侧的锁形图标可以锁定对应的笔刷选项。我们以后会另文介绍。" #: ../../user_manual/loading_saving_brushes.rst:227 msgid "Section E - Option Configuration Widget" msgstr "E 区 - 选项调整窗" #: ../../user_manual/loading_saving_brushes.rst:229 msgid "" "Where section D is the list of options, section E is the widget where you " "can change things." msgstr "" "前面的 D 区是选项的列表，而 E 区则是选项的具体内容，你可以在这里更改它们。" #: ../../user_manual/loading_saving_brushes.rst:233 msgid "Using sensor curves" msgstr "使用传感器曲线" #: ../../user_manual/loading_saving_brushes.rst:235 msgid "" "One of the big important things that make art unique to the artist who " "created it is the style of the strokes. Strokes are different because they " "differ in speed, rotation, direction, and the amount of pressure put onto " "the stylus. Because these are so important, we would want to customize how " "these values are understood in detail. The best way to do this is to use " "curves." msgstr "" "每个画手的作品都有各自的风格，这在相当程度上是通过笔画的风格体现的。画手施加" "给压感笔的速度、旋转、方向和压力都会影响笔画的风格。这些特性是如此重要，我们" "都会希望能精确控制软件如何解读这些信息。而做到这一点最好的办法就是使用响应曲" "线。" #: ../../user_manual/loading_saving_brushes.rst:242 msgid "" "Curves show up with the size widget for example. With an inking brush, we " "want to have size mapped to pressure. Just toggling the size option in the " "option list will do that." msgstr "" "以笔刷大小选项为例，对于一个描线笔刷，如需把笔刷的大小与压力关联起来，可在选" "项列表中勾选“大小”选项。" #: ../../user_manual/loading_saving_brushes.rst:246 msgid "" "However, different people have different wrists and thus will press " "differently on their stylus. Someone who presses softly tends to find it " "easy to make thin strokes, but very difficult to make thick strokes. " "Conversely, someone who presses hard on their stylus naturally will have a " "hard time making thin strokes, but easily makes thick ones." msgstr "" "每个人的用笔手法并不相同。有些人习惯使用轻柔的笔触，他们画起细线来很拿手，可" "是要画粗线时就很吃力。而有些人的手劲大的很，他们画细线时难以控制，可画起粗线" "来却毫不费劲。" #: ../../user_manual/loading_saving_brushes.rst:252 msgid "" "Such a situation can be improved by using the curves to map pressure to " "output thinner lines or thicker ones." msgstr "" "我们可以指定一条弯曲的压力响应曲线，使得同等压力下画出的线条更粗或者更细。" #: ../../user_manual/loading_saving_brushes.rst:255 msgid "" "The brush settings curves even have quick curve buttons for these at the " "top. Someone who has a hard time making small strokes should try the second " "to last concave button, while someone who has a hard time making thick " "strokes should try the third button, the S shape." msgstr "" "笔刷选项中的曲线控制区的顶部有一系列常用的曲线按钮，只要点击一下即可切换。画" "细线有困难的人可以使用倒数第二个按钮，它是一条下凹的斜线；而画粗线有困难的可" "以使用第三个按钮，它是一条 S 形线。" #: ../../user_manual/loading_saving_brushes.rst:260 msgid "Underneath the curve widget there are two more options:" msgstr "在曲线图下方还有两个选项：" #: ../../user_manual/loading_saving_brushes.rst:263 msgid "" "This is for the list of sensors. Toggling this will make all the sensors use " "the same curve. Unchecked, all checked sensors will have separate curves." msgstr "" "此选项影响列表中的各个传感器。勾选此选项，则所有传感器将使用相同的曲线。取消" "勾选，则每个被启用的传感器将使用各自独立的曲线。" #: ../../user_manual/loading_saving_brushes.rst:264 msgid "Share Curves across all settings" msgstr "所有传感器统一曲线" #: ../../user_manual/loading_saving_brushes.rst:267 msgid "" "This indicates how the multiple values of the sensor curves are used. The " "curves always go from 0 to 1.0, so if one curve outputs 0.5 and the other " "0.7, then..." msgstr "" "此选项控制不同传感器曲线的协同效果。曲线数值总是从 0 到 1.0 分布，如果一条曲" "线的输出是 0.5，另外一条曲线的输出是 0.7，那么……" #: ../../user_manual/loading_saving_brushes.rst:271 msgid "Multiply" msgstr "相乘" #: ../../user_manual/loading_saving_brushes.rst:272 #, fuzzy #| msgid "Will multiply the two values, 0.5\\*0.7 = 0.35" msgid "Will multiply the two values, 0.5\\*0.7 = 0.35." msgstr "把两者数值相乘，0.5 x 0.7 = 0.35" #: ../../user_manual/loading_saving_brushes.rst:274 msgid "Addition" msgstr "相加" #: ../../user_manual/loading_saving_brushes.rst:274 msgid "" "Will add the two to a maximum of 1.0, so 0.5+0.7 = 1.2, which is then capped " "at 1.0." msgstr "把两者数值相加，最大值是 1.0。因为 0.5 + 0.7 = 1.2，因此截为 1.0。" #: ../../user_manual/loading_saving_brushes.rst:277 msgid "Maximum" msgstr "最大值" #: ../../user_manual/loading_saving_brushes.rst:277 msgid "" "Will compare the two and pick the largest. So in the case of 0.5 and 0.7, " "the result is 0.7." msgstr "" "比较两者数值，取其中最大值。此例子中数值为 0.5 和 0.7，因此结果为 0.7。" #: ../../user_manual/loading_saving_brushes.rst:280 msgid "Minimum" msgstr "最小值" #: ../../user_manual/loading_saving_brushes.rst:280 msgid "" "Will compare the two and pick the smallest. So in the case of 0.5 and 0.7, " "the result is 0.5." msgstr "" "比较两者数值，取其中最小值。此例子中数值为 0.5 和 0.7，因此结果为 0.5。" #: ../../user_manual/loading_saving_brushes.rst:283 #, fuzzy #| msgid "Will subtract the smallest value from the largest, so 0.7-0.5 = 0.2" msgid "Will subtract the smallest value from the largest, so 0.7-0.5 = 0.2." msgstr "用两者数值的最大值减去最小值，因此 0.7 - 0.5 = 0.2。" #: ../../user_manual/loading_saving_brushes.rst:284 msgid "Curves Calculation Mode" msgstr "曲线计算方式" #: ../../user_manual/loading_saving_brushes.rst:284 msgid "Difference" msgstr "差值" #: ../../user_manual/loading_saving_brushes.rst:286 msgid "It's maybe better to see with the following example:" msgstr "下面我们用更直观的方式进行说明：" #: ../../user_manual/loading_saving_brushes.rst:289 msgid ".. image:: images/en/Krita_4_0_brush_curve_calculation_mode.png" msgstr ".. image:: images/en/Krita_4_0_brush_curve_calculation_mode.png" #: ../../user_manual/loading_saving_brushes.rst:290 msgid "" "The first two are regular, the rest with different multiplication types." msgstr "第 1、2 组是常规曲线，其余的则应用了不同的计算模式。" #: ../../user_manual/loading_saving_brushes.rst:292 msgid "Is a brush with size set to the distance sensor." msgstr "笔刷大小与距离传感器关联。" #: ../../user_manual/loading_saving_brushes.rst:293 msgid "Is a brush with the size set to the fade sensor." msgstr "笔刷大小与淡入传感器相关联。" #: ../../user_manual/loading_saving_brushes.rst:294 msgid "The size is calculated from the fade and distance sensors multiplied." msgstr "笔刷大小与淡入、距离传感器数值的相乘结果相关联。" #: ../../user_manual/loading_saving_brushes.rst:295 msgid "" "The size is calculated from the fade and distance sensors added to each " "other. Notice how thick it is." msgstr "笔刷大小与淡入、距离传感器数值的相加结果相关联。可以看到线条明显更粗。" #: ../../user_manual/loading_saving_brushes.rst:297 msgid "" "The size takes the maximum value from the values of the fade and distance " "sensors." msgstr "笔刷大小与淡入、距离传感器数值里面的最大值相关联。" #: ../../user_manual/loading_saving_brushes.rst:299 msgid "" "The size takes the minimum value from the values of the fade and distance " "sensors." msgstr "笔刷大小与淡入、距离传感器数值里面的最小值相关联。" #: ../../user_manual/loading_saving_brushes.rst:301 msgid "" "The size is calculated by having the largest of the values subtracted with " "the smallest of the values." msgstr "笔刷大小与淡入、距离传感器数值两者的差值相关联。" #: ../../user_manual/loading_saving_brushes.rst:305 msgid "Section F - Miscellaneous options" msgstr "F 区 - 其他选项" #: ../../user_manual/loading_saving_brushes.rst:308 msgid "" "This enables dirty presets. Dirty presets store the tweaks you make as long " "as this session of Krita is active. After that, they revert to default. " "Dirtied presets can be recognized by the icon in the top-left of the preset." msgstr "" "勾选此选项后，预设被修改过的选项将会暂时保留到当前 Krita 会话结束。在那之后预" "设选项将恢复为默认值。如果当前预设选项已被改动，它们在笔刷预设面板中的图标左" "上角会显示一个角标。" #: ../../user_manual/loading_saving_brushes.rst:316 msgid "Temporarily Save Tweaks to Preset (Dirty Presets)" msgstr "临时保存选项修改 (被更改过的预设)" #: ../../user_manual/loading_saving_brushes.rst:316 msgid "" "The icon in the top left of the first two presets indicate it is “Dirty”, " "meaning there are tweaks made to the preset." msgstr "上图中间两个预设图标左上角显示了“已修改”角标，表示它们的选项已被修改。" #: ../../user_manual/loading_saving_brushes.rst:319 msgid "Eraser Switch Size" msgstr "擦除模式独立大小" #: ../../user_manual/loading_saving_brushes.rst:319 msgid "" "This switches the brush to a separately stored size when using the :kbd:`E` " "key." msgstr "勾选此选项后，按 :kbd:`E` 切换的擦除模式将独立保存笔刷大小。" #: ../../user_manual/loading_saving_brushes.rst:321 msgid "Eraser Switch Opacity" msgstr "擦除模式独立不透明度" #: ../../user_manual/loading_saving_brushes.rst:322 msgid "Same as above, but then with Eraser opacity." msgstr "和上面一样，但控制的是擦除模式的不透明度。" #: ../../user_manual/loading_saving_brushes.rst:324 msgid "" "This allows you to toggle instant preview on the brush. The Instant Preview " "has a super-secret feature: when you press the instant preview label, and " "then right click it, it will show a threshold slider. This slider determines " "at what brush size instant preview is activated for the brush. This is " "useful because small brushes can be slower with instant preview, so the " "threshold ensures it only activates when necessary." msgstr "" "勾选此选项将启用笔刷的即时预览功能。在此选项的文字处右键单击可以调出该功能的" "阈值滑动条，它用来控制即时预览功能生效的最小笔刷大小。这是因为即时预览模式会" "造成延迟，所以我们要确保此功能只在需要时被触发。" #: ../../user_manual/loading_saving_brushes.rst:330 msgid "Instant Preview" msgstr "即时预览" #: ../../user_manual/loading_saving_brushes.rst:333 msgid "The On-canvas brush settings" msgstr "在画布上修改笔刷选项" #: ../../user_manual/loading_saving_brushes.rst:335 msgid "" "There are on-canvas brush settings. If you open up the pop-up palette, there " "should be an icon on the bottom-right. Press that to show the on-canvas " "brush settings. You will see several sliders here, to quickly make small " "changes." msgstr "" "在画布上右键单击打开浮动画具板，在它的右下角有一个右箭头按钮。点开它就可以随" "时在画布上修改笔刷选项了。你可以看到一些主要选项的滑动条。" #: ../../user_manual/loading_saving_brushes.rst:340 msgid "" "At the top it shows the currently active preset. Next to that is a settings " "button, click that to get a list of settings that can be shown and organized " "for the given brush engine. You can use the up and down arrows to order " "their position, and then left and right arrows to add or remove from the " "list. You can also drag and drop." msgstr "" "该面板的顶部显示了当前活动的笔刷预设。单击右上角的按钮可以显示能够添加到此面" "板的滑动条列表。你可以用该对话框的上下左右按钮移动项目，也可以直接拖放它们。" #: ../../user_manual/loading_saving_brushes.rst:347 msgid "Making a Brush Preset" msgstr "制作笔刷预设" #: ../../user_manual/loading_saving_brushes.rst:349 msgid "Now, let's make a simple brush to test the waters with:" msgstr "现在是时候制作一个简单的笔刷以检验我们的学习成果了：" #: ../../user_manual/loading_saving_brushes.rst:352 msgid "Getting a default for the brush engine." msgstr "获取笔刷引擎默认选项" #: ../../user_manual/loading_saving_brushes.rst:354 msgid "First, open the settings with :kbd:`F5`." msgstr "首先，按 :kbd:`F5` 打开笔刷选项面板。" #: ../../user_manual/loading_saving_brushes.rst:356 msgid "" "Then, press the arrow on the upper left to open the preset chooser. There, " "press the “+” icon to get a list of engines. For this brush we're gonna make " "a pixel brush." msgstr "" "点击面板左上的左箭头按钮，展开笔刷预设选择器。在选择器的左下角单击 “+” 按钮，" "打开可用引擎列表。在这个例子里我们将制作一个像素笔刷。" #: ../../user_manual/loading_saving_brushes.rst:361 msgid "Example: Making an inking brush" msgstr "范例：制作一个描线笔刷" #: ../../user_manual/loading_saving_brushes.rst:363 msgid "" "Draw on the scratch pad to see what the current brush looks like. If done " "correctly, you should have a 5px wide brush that has pressure set to opacity." msgstr "" "在笔刷选项面板右侧的绘图区感受一下当前笔刷的效果。如果一切正常，笔刷的直径应" "该为 5px，压感笔的压力控制笔刷的不透明度。" #: ../../user_manual/loading_saving_brushes.rst:366 msgid "" "Let us turn off the opacity first. Click on the :ref:`opacity " "` option in the right-hand list. The settings should " "now be changed to a big curve. This is the sensor curve." msgstr "" "让我们先把不透明度选项关闭。在笔刷预设选择器右边的列表找到 :ref:`opacity " "` 选项，你会发现面板中间的选项变成了曲线图，这是压感笔" "传感器的响应曲线。" #: ../../user_manual/loading_saving_brushes.rst:370 msgid "Uncheck the :guilabel:`Enable Pen Settings` checkbox." msgstr "取消勾选 :guilabel:`启用压感笔选项`。" #: ../../user_manual/loading_saving_brushes.rst:371 msgid "" "Test on the scratch pad... there still seems to be something affecting " "opacity. This is due to the :ref:`flow ` option." msgstr "" "在绘图区试用一下，你会发现还有一些东西在影响不透明度，这是 :ref:`flow " "` 选项在作怪。" #: ../../user_manual/loading_saving_brushes.rst:375 msgid "" "Select the Flow option from the list on the right hand. Flow is like " "Opacity, except that Flow is per dab, and opacity is per stroke." msgstr "" "从刚才的列表中找到流量选项。流量的作用和不透明度相似。不过流量按每次笔尖印迹" "生效，而透明度按每次完整的笔画生效。" #: ../../user_manual/loading_saving_brushes.rst:377 msgid "" "Uncheck the :guilabel:`Enable Pen Settings` checkbox here as well. Test " "again." msgstr "" "取消勾选流量选项中的 :guilabel:`启用压感笔选项`。现在再到绘图区试试效果。" #: ../../user_manual/loading_saving_brushes.rst:378 msgid "" "Now you should be getting somewhere towards an inking brush. It is still too " "small however, and kinda grainy looking. Click :ref:`Brush Tip " "` in the brush engine options." msgstr "" "现在这个笔刷的效果开始像是个描线笔刷了。不过它还是太细了，而且边缘也显得太硬" "了。要改善这些地方，单击笔刷引擎选项列表中的 :ref:`笔尖 ` " "选项。" #: ../../user_manual/loading_saving_brushes.rst:381 msgid "" "Here, the diameter is the size of the brush-tip. You can touch the slider " "change the size, or right-click it and type in a value. Set it to 25 and " "test again. It should be much better." msgstr "" "在这个选项页面里，直径选项控制笔尖大小。你可以拖动滑动条调整笔刷大小，也可以" "右键单击然后输入一个数值。将它设为 25 然后再到绘图区试试看。现在效果应该大为" "改观。" #: ../../user_manual/loading_saving_brushes.rst:384 msgid "" "Now to make the brush feel a bit softer, turn down the fade parameter to " "about 0.9. This'll give the *brush mask* a softer edge." msgstr "" "现在我们要把笔刷边缘变得柔和一些。把“柔化”参数设为 0.9 左右。这样会给 *笔刷蒙" "版* 一个更加柔和的边缘。" #: ../../user_manual/loading_saving_brushes.rst:386 msgid "" "If you test again, you'll notice the fade doesn't seem to have much effect. " "This has to do with the spacing of the dabs: The closer they are together, " "the harder the line is. By default, this is 0.1, which is a bit low. If you " "set it to 10 and test, you'll see what kind of effect spacing has. The :ref:" "`Auto ` checkbox changes the way the spacing is calculated, " "and Auto Spacing with a value of 0.8 is the best value for inking brushes. " "Don't forget that you can use right-click to type in a value." msgstr "" "然而这次修改后效果却不太明显。这是因为笔尖印迹间距太近造成的：笔尖印迹间距越" "小，笔尖印迹就会相互重叠，造成硬边效果。笔尖间距默认为 0.1，这是比较小的。如" "果你把它设为 10，就会明白其中奥妙了。勾选间距参数的 :ref:`自动 " "` 复选框，将间距设为 0.8，这就是描线笔刷的最佳数值。别忘了可" "以右键单击直接输入数字哦。" #: ../../user_manual/loading_saving_brushes.rst:395 msgid "" "Now, when you test, the fade seems to have a normal effect... except on the " "really small sizes, which look pixelly. To get rid of that, check the anti-" "aliasing check box. If you test again, the lines should be much nicer now." msgstr "" "现在线条的边缘看起来已经软硬适中了，只是笔刷尺寸调小之后线条会有锯齿。我们可" "以勾选“抗锯齿”复选框，这样就可以画出令人满意的线条了。" #: ../../user_manual/loading_saving_brushes.rst:401 msgid "Saving the new Brush" msgstr "保存新笔刷" #: ../../user_manual/loading_saving_brushes.rst:403 msgid "" "When you're satisfied, go to the upper left and select :guilabel::`Save new " "preset`." msgstr "" "你对结果感到满意后，可到笔刷选项面板右上角，单击 :guilabel::`保存为新笔刷` 按" "钮。" #: ../../user_manual/loading_saving_brushes.rst:406 msgid "" "You will get the save preset dialog. Name the brush something like “My " "Preset”. Then, select :guilabel:`Load from Icon Library` to get the icon " "library. Choose a nice tool icon and press :guilabel:`OK`." msgstr "" "你将打开“保存新笔刷预设”。将笔刷名称改为“你想要的笔刷名称”。然后单击 :" "guilabel:`从图标库载入缩略图`，打开预设图标库。选择一个好看的工具图标，然后单" "击 :guilabel:`确定`。" #: ../../user_manual/loading_saving_brushes.rst:410 msgid "" "The icon will be loaded into the mini scratch pad on the left. Now doodle a " "nice stroke next to it. If you feel you messed up, just go back to the icon " "library to load a new icon." msgstr "" "刚才选取的图标将会被载入到左边的迷你绘图区。现在你可以直接在迷你绘图区作画，" "在工具图标的笔尖下面画出一个示意的笔画。如果不小心给画残了，就重新打开图标库" "载入新的图标，重新尝试。" #: ../../user_manual/loading_saving_brushes.rst:414 msgid "Finally press :guilabel:`Save`, and your brush should be done." msgstr "最后，单击 :guilabel:`保存` 按钮，你的笔刷预设就制作完毕了！" #: ../../user_manual/loading_saving_brushes.rst:416 msgid "You can further modify your inking brush by..." msgstr "你还可以进一步调整这个描线笔刷：" #: ../../user_manual/loading_saving_brushes.rst:419 msgid "" "Changing the amount of pressure you need to put on a brush to make it full " "size." msgstr "调整画出最大直径所需压力" #: ../../user_manual/loading_saving_brushes.rst:419 msgid "" "To do this, select the :ref:`size ` option, and press the " "pressure sensor from the list next to the curve. The curve should look like " "a straight line. Now if you want a brush that gets big with little pressure, " "tick on the curve to make a point, and drag the point to the upper-left. The " "more the point is to the upper-left, the more extreme the effect. If you " "want instead a brush that you have to press really hard on to get to full " "size, drag the dot to the lower-right. Such a brush is useful for fine " "details. Don't forget to save the changes to your brush when done." msgstr "" "在笔刷引擎选项列表里面，进入 :ref:`大小 ` 页面，确保已经在曲线" "图左边的传感器列表里勾选了“压力”选项。如果你想要施加很小的压力就可以画出全宽" "度的线条，先在曲线上点击，这样可以创建一个节点，把这个节点拉到曲线图偏左上的" "位置。节点越靠近左上角，效果就越明显。如果你想要施加再大的压力也不会画得太" "粗，就反过来把节点向右下角拉。这样的笔刷适合勾画细节。调整满意后，别忘了保存" "或者覆盖你的笔刷预设。" #: ../../user_manual/loading_saving_brushes.rst:422 msgid "Making the fine lines look even softer by using the flow option." msgstr "用流量选项让细线变得更为柔和" #: ../../user_manual/loading_saving_brushes.rst:422 msgid "" "To do this, select the flow option, and turn back on the :guilabel:`Enable " "Pen Settings` check box. Now if you test this, it is indeed a bit softer, " "but maybe a bit too much. Click on the curve to make a dot, and drag that " "dot to the top-left, half-way the horizontal of the first square of the " "grid. Now, if you test, the thin lines are much softer, but the hard your " "press, the harder the brush becomes." msgstr "" "在笔刷引擎选项列表里面，进入 :ref:`流量 ` 页面。把刚才取消的 :" "guilabel:`启用压感笔选项` 重新勾选。现在你会发现笔画貌似变得太柔和了。在曲线" "上点击以创建一个节点，把这个节点拉到曲线图左上角网格的底边的中间点附近。现在" "当你用轻柔的压力绘制时，线条会更加柔和，而当你加大压力时，线条边缘又会变得硬" "朗起来。" #: ../../user_manual/loading_saving_brushes.rst:425 msgid "Sharing Brushes" msgstr "分享笔刷预设" #: ../../user_manual/loading_saving_brushes.rst:427 msgid "" "Okay, so you've made a new brush and want to share it. There are several " "ways to share a brush preset." msgstr "" "好了，你现在终于制作了一个笔刷。如果你想要分享它，你可以通过下面几种方式来分" "享笔刷预设。" #: ../../user_manual/loading_saving_brushes.rst:430 msgid "" "The recommended way to share brushes and presets is by using the resource " "bundle system. We have detailed instructions on how to use them on the :ref:" "`resource management page `." msgstr "" "我们推荐你使用资源包系统来分享笔刷以及其他预设。我们在 :ref:`资源管理页面 " "` 对此进行了详细介绍。" #: ../../user_manual/loading_saving_brushes.rst:434 msgid "" "However, there are various old-fashioned ways of sharing brushes that can be " "useful when importing and loading very old packs:" msgstr "" "不过我们也可以使用一些比较老派的方式来分享笔刷，这在导入或者载入比较老旧的资" "源包时说不定还能派上用场：" #: ../../user_manual/loading_saving_brushes.rst:438 msgid "Sharing a single preset" msgstr "分享单一预设" #: ../../user_manual/loading_saving_brushes.rst:440 msgid "There are three types of resources a single preset can take:" msgstr "单一预设文件可以保存三种资源：" #: ../../user_manual/loading_saving_brushes.rst:442 msgid "" "A Paintoppreset file: This is the preset proper, with the icon and the " "curves stored inside." msgstr "单一 Paintoppreset 文件：这是一个完整的预设文件，内含图标和响应曲线。" #: ../../user_manual/loading_saving_brushes.rst:444 msgid "" "A Brush file: This is the brush tip. When using masked brushes, there's two " "of these." msgstr "单一笔刷文件：只含笔尖，如果使用的是蒙版笔刷，则内含两个笔尖。" #: ../../user_manual/loading_saving_brushes.rst:446 msgid "A Pattern file: this is when you are using textures." msgstr "单一图案文件：在使用纹理时会用得到。" #: ../../user_manual/loading_saving_brushes.rst:448 msgid "" "So when you have a brush that uses unique predefined tips for either brush " "tip or masked brush, or unique textures you will need to share those " "resources as well with the other person." msgstr "" "如果你的笔刷的笔尖或者蒙版笔刷使用了独特的预制笔尖形状，或者用到了材质时，你" "就要把相关的资源也跟对方分享。" #: ../../user_manual/loading_saving_brushes.rst:452 msgid "" "To find those resources, go to :menuselection:`Settings --> Manage Resources " "--> Open Resource Folder`." msgstr "" "要找到这些资源，可到顶部菜单的 :menuselection:`设置 --> 管理资源 --> 打开资源" "文件夹`。" #: ../../user_manual/loading_saving_brushes.rst:454 msgid "" "There, the preset file will be inside paintoppresets, the brush tips inside " "brushes and the texture inside patterns." msgstr "" "在这个文件夹里，预设文件被保存在 paintoppresets 子文件夹，笔尖被保存在 " "brushes 子文件夹，材质被保存在 patterns 子文件夹。" #: ../../user_manual/loading_saving_brushes.rst:458 msgid "Importing a single KPP file." msgstr "导入单一 KPP 文件。" #: ../../user_manual/loading_saving_brushes.rst:460 msgid "" "Now, if you want to use the single preset, you should go to the preset " "chooser on :kbd:`F6` and press the folder icon there. This will give a file " "dialog. Navigate to the kpp file and open it to import it." msgstr "" "如果你想要使用单一预设，你可以按 :kbd:`F6` 打开预设选择器，单击左下角的文件夹" "按钮，这样会弹出打开文件对话框，在里面找到所需的 KPP 文件，将它导入。" #: ../../user_manual/loading_saving_brushes.rst:464 msgid "" "If there are brush tips and patterns coming with the file, do the same with " "pattern via the pattern docker, and for the brush-tip go to the settings " "drop-down (:kbd:`F5`) and then go to the “brush-tip” option. There, select " "predefined brush, and then the “import” button to call up the file dialog." msgstr "" "如果该预设文件有配套的笔尖和图案，你还要在图案工具面板导入图案，在笔刷选项面" "板 (:kbd:`F5`) 的“笔尖”选项处选中“预制形状”，在该页单击“导入”按钮导入笔尖文" "件。" #: ../../user_manual/loading_saving_brushes.rst:471 msgid "Sharing via ZIP (old-fashioned)" msgstr "通过 ZIP 文件分享 (老办法)" #: ../../user_manual/loading_saving_brushes.rst:473 msgid "" "Sharing via ZIP should be replaced with resource bundles, but older brush " "packs are stored in zip files." msgstr "" "其实 ZIP 分享法早就应该被新版资源包给代替掉了，不过的确也有一些老旧的笔刷包是" "用 ZIP 保存的。" #: ../../user_manual/loading_saving_brushes.rst:477 msgid "Using a ZIP with the relevant files." msgstr "如何使用 ZIP 打包的资源文件" #: ../../user_manual/loading_saving_brushes.rst:479 msgid "" "Go to :menuselection:`Settings --> Manage Resources --> Open Resource " "Folder` to open the resource folder." msgstr "顶部菜单 :menuselection:`设置 --> 管理资源 --> 打开资源文件夹`。" #: ../../user_manual/loading_saving_brushes.rst:480 msgid "Then, open up the zip file." msgstr "打开你的 ZIP 压缩包。" #: ../../user_manual/loading_saving_brushes.rst:481 msgid "" "Copy the brushes, paintoppresets and patterns folders from the zip file to " "the resource folder. You should get a prompt to merge the folders, agree to " "this." msgstr "" "用压缩包里面的文件夹覆盖资源文件夹里面的同名文件夹，如果提示是否合并，请同" "意。" #: ../../user_manual/loading_saving_brushes.rst:484 #, fuzzy #| msgid "Restart Krita" msgid "Restart Krita." msgstr "重新启动 Krita" #: ../../user_manual/loading_saving_brushes.rst:485 msgid "Enjoy your brushes!" msgstr "尽情使用新笔刷吧！" diff --git a/locale/zh_TW/LC_MESSAGES/general_concepts/colors/color_managed_workflow.po b/locale/zh_TW/LC_MESSAGES/general_concepts/colors/color_managed_workflow.po index 71f8a2a26..09e5bc919 100644 --- a/locale/zh_TW/LC_MESSAGES/general_concepts/colors/color_managed_workflow.po +++ b/locale/zh_TW/LC_MESSAGES/general_concepts/colors/color_managed_workflow.po @@ -1,1058 +1,1058 @@ # SOME DESCRIPTIVE TITLE. # Copyright (C) licensed under the GNU Free Documentation License 1.3+ unless stated otherwise # This file is distributed under the same license as the Krita Manual package. # FIRST AUTHOR , YEAR. # msgid "" msgstr "" "Project-Id-Version: Krita Manual 4.1\n" "Report-Msgid-Bugs-To: \n" -"POT-Creation-Date: 2019-04-13 03:33+0200\n" +"POT-Creation-Date: 2019-04-14 03:33+0200\n" "PO-Revision-Date: YEAR-MO-DA HO:MI+ZONE\n" "Last-Translator: FULL NAME \n" "Language-Team: Chinese \n" "Language: zh\n" "MIME-Version: 1.0\n" "Content-Type: text/plain; charset=UTF-8\n" "Content-Transfer-Encoding: 8bit\n" "Plural-Forms: nplurals=1; plural=0;\n" +#: ../../general_concepts/colors/color_managed_workflow.rst:0 +msgid ".. image:: images/en/color_category/Kiki_matrix_profile.png" +msgstr "" + +#: ../../general_concepts/colors/color_managed_workflow.rst:0 +msgid ".. image:: images/en/color_category/Kiki_cLUTprofiles.png" +msgstr "" + #: ../../general_concepts/colors/color_managed_workflow.rst:None msgid "" ".. image:: images/en/color_category/Krita_2_9_colormanagement_group1.png" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:None msgid "" ".. image:: images/en/color_category/Krita_2_9_colormanagement_group2.png" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:None msgid "" ".. image:: images/en/color_category/Krita_2_9_colormanagement_group3.png" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:None msgid "" ".. image:: images/en/color_category/Krita_2_9_colormanagement_group4.png" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:None msgid ".. image:: images/en/LUT_Management_Docker.png" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:None msgid ".. image:: images/en/color_category/Krita_HDR_1.svg" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:None msgid ".. image:: images/en/color_category/Krita_HDR2.svg" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:None msgid "" ".. image:: images/en/color_category/Krita-colormanaged-workflow_webcomic.svg" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:None msgid "" ".. image:: images/en/color_category/Krita-colormanaged-workflow_print.svg" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:None msgid "" ".. image:: images/en/color_category/Krita-colormanaged-workflow_games.svg" msgstr "" -#: ../../general_concepts/colors/color_managed_workflow.rst:0 -msgid ".. image:: images/en/color_category/Kiki_matrix_profile.png" -msgstr "" - -#: ../../general_concepts/colors/color_managed_workflow.rst:0 -msgid ".. image:: images/en/color_category/Kiki_cLUTprofiles.png" -msgstr "" - #: ../../general_concepts/colors/color_managed_workflow.rst:1 msgid "How a color managed workflow works." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:17 msgid "Color Managed Workflow" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:19 msgid "" "You may have heard that Krita has something called color-management. Or " "maybe you just wondered what all these 'color model' and 'color profile' " "things you can find in the menus mean. Color management is pretty useful for " "people who work in digital imaging professionally, and hopefully this page " "will explain why." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:22 msgid "Basic Info" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:24 msgid "" "If you've never worked with color management before, and have no clue what " "it is, then know that you've probably been working in the 8bit RGB color " "space with the sRGB profile. This means you can choose for *sRGB built-in* " "or *sRGB-elle-v2-srgbtrc.icc*. With the new color space browser this profile " "is marked with *(default)* when using 8bit." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:26 msgid "" "We'll go into what these terms mean in the theory, but if you're here only " "for trying to figure out which is the default, you now know it. Maybe, after " "reading this, you may feel like changing the default, to get new and " "interesting results from filters, blending modes, or just the color smudge " "brush." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:29 msgid "What is the problem?" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:31 msgid "" "To explain the point of color management, you'd first need to learn which " "problem color management tries to solve." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:33 msgid "Let us imagine a kinder garden:" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:35 msgid "" "The class of 28 children is subdivided in groups of 7. Each group has its " "own table." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:37 msgid "" "The teacher gives them a painting assignment: They need to paint a red " "triangle, a blue square, a green circle and put a yellow border around the " "three. The kids are very experienced with painting already, so the teacher " "can confidently leave the smarter ones to their own devices, and spent more " "time on those who need help." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:40 msgid "The following results come from painting:" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:42 msgid "" "Even though all groups had the same assignment, each group's result looks " "different." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:49 msgid "" "Group 1 had vermillion red, citron yellow and ultramarine blue to their " "disposal. This means their triangle looks nice and red, but their circle's " "green is muddy. This is because ultramarine is too dark of a blue to create " "nice greens with." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:56 msgid "" "Group 2 had magenta red, citron yellow and cerulean blue. Magenta is a type " "of red that is closer to pink, opposed to vermillion, which is closer to " "orange. However, their green looks nice because cerulean is a much lighter " "blue." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:64 msgid "" "Group 3 had vermillion red, citron yellow, emerald green and cerulean blue. " "They didn't mix their green, and thus ended up with a purer color." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:71 msgid "" "Finally, group 4 has vermillion red, citron yellow and cerulean blue. Their " "colors probably look like what you imagined." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:73 msgid "" "Now, these are kindergarteners, so this isn't the largest problem in the " "world. However, imagine that something like this happened at a printing " "company? Imagine four printers printing the same magazine with wildly " "different results? That would be disastrous!" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:75 msgid "For this purpose, we invented color management." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:78 msgid "What is color management?" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:80 msgid "" "Color management is, dryly put, a set of systems that tries to have the same " "color translate properly between color devices." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:82 msgid "" "It usually works by attempting to covert a color to the reference color " "space XYZ. XYZ is a coordinate system that has a spot for all colors that " "the average human eye can see." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:84 msgid "" "From XYZ it can then be translated back into another device space, such as " "RGB (for screens), or CMYK (for printers)." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:86 msgid "" "Krita has two systems dedicated to color management. On the one hand, we " "have **lcms2**, which deal with ICC profiles, and on the other, we have " "**OCIO**, which deal with LUT color management." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:88 msgid "" "To give a crude estimate, ICC profiles deal with keeping colors consistent " "over many interpretations of devices (screens, printers) by using a " "reference space, and OCIO deals with manipulating the interpretation of said " "colors." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:90 msgid "Within both we can identify the following color spaces:" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:93 msgid "" "Device spaces are those describing your monitor, and have to be made using a " "little device that is called \"colorimeter\". This device, in combination " "with the right software, measures the strongest red, green and blue your " "screen can produce, as well as the white, black and grey it produces. Using " "these and several other measurements it creates an ICC profile unique to " "your screen. You set these in Krita's color management tab. By default we " "assume sRGB for screens, but it's very likely that your screen isn't exactly " "fitting sRGB, especially if you have a high quality screen, where it may be " "a bigger space instead. Device spaces are also why you should first consult " "with your printer what profile they expect. Many printing houses have their " "own device profiles for their printers, or may prefer doing color conversion " "themselves. You can read more about colorimeter usage :ref:`here " "`." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:94 msgid "Device spaces" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:96 msgid "Working spaces" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:97 msgid "" "These are delivered alongside Krita for ICC, and downloadable from the OCIO " "website for OCIO. Working spaces are particularly nice to do color " "calculations in, which programs like Krita do often. It's therefore " "recommended to have a working space profile for your image." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:99 msgid "Aesthetic or Look spaces" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:99 msgid "" "These are special spaces that have been deformed to give a certain look to " "an image. Krita doesn't deliver Look profiles for ICC, nor does it yet " "support Look spaces for OCIO." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:102 msgid "Color managed workflow" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:104 msgid "" "Knowing this about these spaces of course doesn't give you an idea of how to " "use them, but it does make it easier to explain how to use them. So let us " "look at a typical color management workflow:" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:110 msgid "" ".. image:: images/en/color_category/Krita-colormanaged-workflow_text.svg" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:110 msgid "" "A typical example of a color managed workflow. We have input from scanners " "and cameras, which we convert to a working space that can be used between " "different editing software, and is converted to an output space for viewing " "on screen or printing." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:112 msgid "" "In a traditional color managed workflow, we usually think in terms of real " "world colors being converted to computer colors and the other way around. " "So, for example photos from a camera or scanned in images. If you have a " "device space of such a device, we first assign said device space to the " "image, and then convert it to a working space." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:114 msgid "" "We then do all our editing in the working space, and use the working space " "to communicate between editing programs. In Krita's case, due to it having " "two color management systems, we use ICC profiles between programs like GIMP " "2.9+, Inkscape, digiKam and Scribus, and OCIO configuration between Blender " "and Natron." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:116 msgid "" "You also store your working files in the working space, just like how you " "have the layers unmerged in the working file, or have it at a very high " "resolution." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:118 msgid "" "Sometimes, we apply aesthetic or 'look' spaces to an image as part of the " "editing process. This is rather advanced, and probably not something to " "worry about in Krita's case." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:120 msgid "" "Then, when we're done editing, we try to convert to an output space, which " "is another device space. This can be CMYK for printers or a special screen " "RGB profile. When you are dealing with professional printing houses, it is " "best to ask them about this step. They have a lot of experience with doing " "the best conversion, and may prefer to do the conversion from your working " "space to the device space of their printers." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:122 msgid "" "Another form of output is the way your screen displays the color. Unlike " "regular output, this one is done all the time during editing: After all, you " "need to be able to see what you are doing, but your screen is still a device " "with a device space, so it does distort how the image looks. In this manner, " "you can see your screen as a set of binoculars you have to look through to " "see your image at all." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:124 msgid "" "Therefore, without a profiled monitor, you actually don't know what the " "actual colors you are working with are like, because the computer doesn't " "know the relevant properties of your screen. So if you profiled your " "monitor, give Krita the profile in the settings, and select the sRGB space " "to draw in, you are for the first time seeing the actual colors of the sRGB " "space." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:127 msgid "So what does this mean?" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:133 msgid "" ".. image:: images/en/color_category/Krita-colormanaged-workflow_krita_text." "svg" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:133 msgid "" "When we paint from scratch, we can see our screen profile as the input " "space, because we use it to determine what colors to pick. This somewhat " "simplifies the workflow, but makes the screen profile and viewing conditions " "more important." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:135 msgid "" "Now, photographers and people who do a tricky discipline of VFX called " "'color grading' will go completely mad over trying to get the colors they " "put in to come out 100% correctly, and will even count in factors like the " "time of day and the color they painted their walls. For example, if the wall " "behind your computer is pure red, your eyes will adjust to be less sensitive " "to red, which means that the colors they pick in the program could come out " "redder. We call these the *viewing conditions*." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:137 msgid "" "Thankfully, artists have to worry a slight bit less about this. As " "illustrations are fully handmade, we are able to identify the important bits " "and make appropriate contrasts between colors. This means that even if our " "images turn out to be slightly redder than intended, it is less likely the " "whole image is ruined. If we look back at the kindergarten example above, we " "still understand what the image was supposed to look like, despite there " "being different colors on each image. Furthermore, because the colors in " "illustrations are deliberately picked, we can correct them more easily on a " "later date. Yet, at the same time, it is of course a big drag to do this, " "and we might have had much more flexibility had we taken viewing conditions " "under consideration." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:139 msgid "" "That said, for artists it is also very useful to understand the working " "spaces. Different working spaces give different results with filters and " "mixing, and only some working spaces can be used for advanced technology " "like HDR." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:141 msgid "" "Similarly, Krita, as a program intended to make images from scratch, doesn't " "really worry about assigning workspaces after having made the image. But " "because you are using the screen as a binocular to look at your image, and " "to pick colors, you can see your screen's device space as an input space to " "the image. Hence why profiling your monitor and giving the profile to Krita " "in the settings can help with preparing your work for print and future " "ventures in the long run." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:143 msgid "" "Overall, it is kinda useful to keep things like viewing conditions in the " "back of your mind. Many professional artists use a mid-grey color as their " "default canvas background because they find they create much more dynamic " "images due to having improved their viewing conditions. It is also why a lot " "of graphics programs, including Krita, come with a dark theme nowadays. " "(Though, of course this might also be because dark themes can be considered " "cool, who knows.)" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:148 msgid "ICC profiles" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:150 msgid "" "An ICC profile is a set of coordinates describing the extremities of the " "device space within XYZ, and it is the color management data you use to " "communicate your working space to printers and applications that are " "designed for the print industry, such as GIMP, Scribus, Photoshop, " "Illustrator, Inkscape, Digikam, RawTheraphee, etc. You have two types of ICC " "profiles:" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:153 msgid "" "These are delivered alongside Krita. Matrix shaper profiles are made by " "setting parameters and interpolating between these to get the exact size of " "the color space. Due to this, Krita's color space browser can give you a lot " "of information on these profiles. Such profiles are also preferable as " "working space." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:159 msgid "Matrix Shaper profiles." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:159 msgid "" "Matrix shaper profiles have a few parameters that describe the color space " "which are then interpolated between, this requires a lot of maths." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:162 msgid "" "These are fairly rare, and primarily used to describe printer profiles, such " "as CMYK. cLUT, or Color Look-up Table profiles store far more data than " "Matrix shaper profiles, so they can hold data of little particularities " "caused by, for example, unexpected results from mixing pigments. This is a " "far more organic approach to describing a color space, hence why a lot of " "programs that don't care for color management much don't support these." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:168 msgid "" "cLUT profiles work by holding tables of each color in a color space and " "their respective coordinates in a reference space. For CMYK this is " "typically L\\*A\\*B\\* and for the rest XYZ. These tables are tricky to " "make, which means these profiles are a lot rarer." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:169 msgid "cLUT profiles" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:171 msgid "" "The interesting thing about ICC profiles is that your working space can be " "larger than your device space. This is generally not bad. However, when " "converting, you do end up with the question of how to translate the working " "space values." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:174 msgid "Perceptual" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:174 msgid "" "This just squishes the values of the working space into the space it's " "converted to. It's a nice method to see all possible values in this, but not " "so good if you want accurate color reproduction. Use this if you want to see " "all colors in an image, or want to express all possible contrasts. Doesn't " "work with Matrix Shaper profiles, defaults to relative colorimetric." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:177 msgid "Absolute Colorimetric." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:177 msgid "" "The opposite to Perceptual, Absolute colorimetric will attempt to retain all " "the correct colors at whatever cost, which may result in awful looking " "colors. Recommended only for reproduction work. Doesn't work with Matrix " "Shaper profiles in Krita due to ICC v4 workflow standards." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:180 msgid "Relative Colorimetric" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:180 msgid "" "An in between solution between perceptual and absolute, relative will try to " "fit whatever colors it can match between color spaces. It does this by " "aligning the white and black points. It cuts off the rest to their " "respective borders. This is what all matrix shaper profiles default to " "during conversion, because the ICC v4 workflow specifies to only use " "Relative Colorimetric for matrix shaper profiles." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:183 msgid "Saturation" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:183 msgid "" "Does anything to retain colorfulness, even hue will be sacrificed. Used in " "infographics. Doesn't work with Matrix Shaper profiles, defaults to relative " "colorimetric." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:185 msgid "" "*ICC profile version* is the last thing to keep in mind when dealing with " "ICC profiles. Krita delivers both Version 2 and Version 4 profiles, with the " "later giving better results in doing color maths, but the former being more " "widely supported (as seen below in 'interoperability with other programs'. " "This is also why Krita defaults to V2, and we recommend using V2 when you " "aren't certain if the other programs you are using support V4." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:188 msgid "LUT docker and HDR imaging" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:196 msgid "" "The :ref:`lut_docker` is the second important bit of color management in " "Krita that is shared between Krita and programs like Blender, Natron and " "Nuke, and only uses Look Up Tables that are configured via a config file." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:198 msgid "" "You can set the workingspace of the image under input color space, and the " "display to sRGB or your own LUT if you have added it to the configuration. " "View in this case is for proofing transforms to a certain display device." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:200 msgid "" "Component, exposure, gamma, whitepoint and blackpoint are knobs which allows " "you to modify the display filter." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:208 msgid "" "As explained before, we can see our monitor as a telescope or binocular into " "the world of our picture. Which means it distorts our view of the image a " "little. But we can modify this binocular, or display filter to see our image " "in a different way. For example, to allow us to see the white in an image " "that are whiter than the white of our screen. To explain what that means, we " "need to think about what white is." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:210 msgid "" "For example, white, on our monitor is full red, full green and full blue. " "But it's certainly different from white on our paper, or the color of milk, " "white from the sun, or even the white of our cell-phone displays." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:212 msgid "" "Black similarly, is brighter on a LCD display than a LED one, and " "incomparable with the black of a carefully sealed room." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:214 msgid "" "This means that there's potentially blacker blacks than screen black, and " "white whites than screen white. However, for simplicity's sake we still " "assign the black-point and the white-point to certain values. From there, we " "can determine whether a white is whiter than the white point, or a black " "blacker than the black-point." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:216 msgid "" "The LUT docker allows us to control this display-filter and modify the " "distortion. This is useful when we start modifying images that are made with " "scene referred values, such as HDR photos, or images coming out of a render " "engine." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:224 msgid "" "So, for example, we can choose to scale whiter-than-screen-white to our " "screen-white so we can see the contrasts there." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:226 msgid "" "The point of this is that you can take advantage of more lightness detail in " "an image. While you can't see the difference between screen white and whiter-" "than-screen-white (because your screen can't show the difference), graphics " "programs can certainly use it." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:228 msgid "" "A common example is matching the lighting between a 3d model and a real " "world scene. Others are advanced photo retouching, with much more contrast " "information available to the user. In painting itself, this allows you to " "create an image where you can be flippant with the contrast, and allow " "yourself to go as bright as you'd like." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:230 msgid "" "LUT docker manipulations are per view, so you can create a new view and set " "it to luminosity. This way you can see the image in both color as well as " "grayscale and keep a good eye on your values." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:232 msgid "" "Another example is to carefully watch the gradients in a certain section." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:234 msgid "" "Like ICC, the LUT Docker allows you to create a profile of sorts for your " "device. In this case it's the 'lut', which stands for 'Look Up Table', and " "which can be added to OCIO by modifying the configuration file. When OCIO is " "turned on, the configuration in :menuselection:`Settings --> Configure Krita " "--> Color Management` is turned off, unless you are using the :guilabel:" "`Internal` color engine." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:237 msgid "In summary" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:239 msgid "Krita has two modes of color management:" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:241 msgid "" "ICC works in terms of spaces relative to the CIEXYZ space, and requires an " "ICC profile." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:242 msgid "OCIO works in terms of interpretation, and makes use of luts." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:243 msgid "both can be made with a colorimeter." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:244 msgid "" "If you want to have a properly color managed workflow, you have one made " "customary for the input device (your screen) and the output devices (your " "printer, or target screen). For web the output is always sRGB." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:245 msgid "" "Set up your screen profiles under :menuselection:`Settings --> Configure " "Krita --> Color management`." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:246 msgid "" "Do NOT use screen profiles or other device profiles to draw in. Use a " "working space profile such as any of the elle profiles for this, as the " "color maths will be much more predictable and pleasant. Krita will convert " "between your screen and working space on the fly, allowing you to pick the " "correct colors. This turns your screen into binoculars to view the image." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:247 msgid "" "Use the appropriate color management for the appropriate workflow. If you " "are working with Blender, you will be better off using OCIO, than ICC. If " "you are working with Scribus or Photoshop, use ICC." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:249 msgid "" "Krita does a lot of color maths, often concerning the blending of colors. " "This color maths works best in linear color space, and linear color space " "requires a bit depth of at the least 16bit to work correctly. The " "disadvantage is that linear space can be confusing to work in." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:251 msgid "" "If you like painting, have a decent amount of RAM, and are looking to start " "your baby-steps in taking advantage of Krita's color management, try " "upgrading from having all your images in sRGB built-in to sRGB-v2-elle-g10." "icc or rec2020-v2-elle-g10.icc at 16bit float. This'll give you better color " "blending while opening up the possibility for you to start working in hdr!" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:256 msgid "" "Some graphics cards, such as those of the NVidia-brand actually have the " "best performance under 16bit float, because NVidia cards convert to floating " "point internally. When it does not need to do that, it speeds up!" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:260 msgid "" "No amount of color management in the world can make the image on your screen " "and the image out of the printer have 100% the same color." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:263 msgid "Exporting" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:265 msgid "" "When you have finished your image and are ready to export it, you can modify " "the color space to optimize it:" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:267 msgid "If you are preparing an image for the web:" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:269 msgid "" "If you use 16bit color depth or higher, convert the image to 8bit color " "depth. This will make the image much smaller." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:271 msgid "" "Krita doesn't have built-in dithering currently, which means that 16 to " "18bit conversions can come out a bit banded. But you can simulate it by " "adding a fill layer with a pattern, set this fill layer to overlay, and to " "5% opacity. Then flatten the whole image and convert it to 8bit. The pattern " "will function as dithering giving a smoother look to gradients." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:273 msgid "If it's a gray-scale image, convert it to gray-scale." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:274 msgid "" "If it's a color image, keep it in the working space profile: Many web " "browsers these days support color profiles embedded into images. Firefox, " "for example, will try to convert your image to fit the color profile of the " "other monitor (if they have one). That way, the image will look almost " "exactly the same on your screen and on other profiled monitors." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:279 msgid "" "In some versions of Firefox, the colors actually look strange: This is a bug " "in Firefox, which is because its `color management system is incomplete " "`_, save your png, jpg or tiff without an embedded profile to work " "around this." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:281 msgid "If you are preparing for print:" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:283 msgid "" "You hopefully made the picture in a working space profile instead of the " "actual custom profile of your screen, if not, convert it to something like " "adobe rgb, sRGB or rec2020." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:284 msgid "" "Check with the printer what kind of image they expect. Maybe they expect " "sRGB color space, or perhaps they have their own profile." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:287 msgid "Interaction with other applications" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:290 msgid "Blender" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:292 msgid "" "If you wish to use krita's OCIO functionality, and in particular in " "combination with Blender's color management, you can try to have it use " "Blender's OCIO config." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:294 msgid "" "Blender's OCIO config is under ``/version number/datafiles/" "colormanagement``. Set the LUT docker to use the OCIO engine, and select the " "config from the above path. This will give you blender's input and screen " "spaces, but not the looks, as those aren't supported in Krita yet." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:298 msgid "Windows Photo Viewer" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:300 msgid "" "You might encounter some issues when using different applications together. " "One important thing to note is that the standard Windows Photo Viewer " "application does not handle modern ICC profiles. Krita uses version 4 " "profiles; Photo Viewer can only handle version 2 profiles. If you export to " "JPEG with an embedded profile, Photo Viewer will display your image much too " "dark." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:303 msgid "Example workflows" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:305 msgid "" "Here are some example workflows to get a feeling of how your color " "management workflow may look like." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:307 msgid "" "As mentioned before, input for your screen is set via :menuselection:" "`Settings --> Configure Krita --> Color management`, or via the LUT docker's " "'screen space'. Working space is set via new file per document, or in the " "LUT docker via 'input space'." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:310 msgid "Webcomic" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:317 #: ../../general_concepts/colors/color_managed_workflow.rst:339 #: ../../general_concepts/colors/color_managed_workflow.rst:357 msgid "Input" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:318 #: ../../general_concepts/colors/color_managed_workflow.rst:340 #: ../../general_concepts/colors/color_managed_workflow.rst:358 msgid "Your screen profile. (You pick colors via your screen)" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:319 #: ../../general_concepts/colors/color_managed_workflow.rst:341 #: ../../general_concepts/colors/color_managed_workflow.rst:359 msgid "Workingspace" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:320 msgid "" "sRGB (the default screen profile) or any larger profile if you can spare the " "bit depth and like working in them." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:322 #: ../../general_concepts/colors/color_managed_workflow.rst:344 #: ../../general_concepts/colors/color_managed_workflow.rst:362 msgid "Output" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:322 msgid "" "sRGB, ICC version 2, sRGB TRC for the internet, and a specialized CMYK " "profile from the printing house for the printed images." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:324 msgid "" "Use the sRGB-elle-V2-srgbtrc.icc for going between Inkscape, Photoshop, " "Painttool Sai, Illustrator, GIMP, Manga Studio, Paintstorm Studio, MyPaint, " "Artrage, Scribus, etc. and Krita." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:326 msgid "" "If you are using a larger space via ICC, you will only be able to " "interchange it between Krita, Photoshop, Illustrator, GIMP 2.9, Manga Studio " "and Scribus. All others assume sRGB for your space, no matter what, because " "they don't have color management." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:328 msgid "" "If you are going between Krita and Blender, Nuke or Natron, use OCIO and set " "the input space to 'sRGB', but make sure to select the sRGB profile for ICC " "when creating a new file." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:330 msgid "" "For the final for the web, convert the image to sRGB 8bit, srgbtrc, do not " "embed the ICC profile. Then, if using png, put it through something like " "pngcrush or other png optimizers. sRGB in this case is chosen because you " "can assume the vast majority of your audience hasn't profiled their screen, " "nor do they have screens that are advanced enough for the wide gamut stuff. " "So hence why we convert to the screen default for the internet, sRGB." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:333 msgid "Print" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:342 msgid "sRGB or rec2020 if you can afford the bit-depth being 16bit." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:344 msgid "" "Specialized CMYK profile from the printing house for the printed images." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:346 msgid "" "The CMYK profiles are different per printer, and even per paper or ink-type " "so don't be presumptuous and ask ahead for them, instead of doing something " "like trying to paint in any random CMYK profile. As mentioned in the viewing " "conditions section, you want to keep your options open." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:348 msgid "" "You can set the advanced color selector to transform to a given profile via :" "menuselection:`Settings --> Configure Krita --> Advanced color selector " "settings`. There, tick :guilabel:`Color selector uses a different color " "space than the image` and select the CMYK profile you are aiming for. This " "will limit your colors a little bit, but keep all the nice filter and " "blending options from RGB." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:351 msgid "Games" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:360 msgid "sRGB or grayscale linear for roughness and specular maps." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:362 msgid "" "This one is tricky, but in the end it'll be sRGB for the regular player." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:364 msgid "" "So this one is tricky. You can use OCIO and ICC between programs, but " "recommended is to have your images to the engine in sRGB or grayscale. Many " "physically based renderers these days allow you to set whether an image " "should be read as a linear or srgbtrc image, and this is even vital to have " "the images being considered properly in the physically based calculations of " "the game renderer." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:366 msgid "" "While game engines need to have optimized content, and it's recommended to " "stay within 8bit, future screens may have higher bit depths, and when " "renderers will start supporting those, it may be beneficial to develop a " "workflow where the working-space files are rather unnecessarily big and you " "run some scripts to optimize them for your current render needs, making " "updating the game in the future for fancier screens less of a drag." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:368 msgid "" "Normal maps and heightmaps are officially supposed to be defined with a 'non-" "color data' working space, but you'll find that most engines will not care " "much for this. Instead, tell the game engine not to do any conversion on the " "file when importing." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:370 msgid "" "Specular, glossiness, metalness and roughness maps are all based on linear " "calculations, and when you find that certain material has a metalness of " "0.3, this is 30% gray in a linear space. Therefore, make sure to tell the " "game engine renderer that this is a linear space image (or at the very " "least, should NOT be converted)." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:374 msgid "" "`Visualizing the XYZ color space `_" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:375 msgid "" "`Basics of gamma correction `_" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:376 msgid "" "`Panda3d example of how an image that has gamma encoded without the 3d " "renderer being notified of it having gamma-encoding can result in too dark " "images `_" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:377 msgid "" "`2d examples of the effect of gamma-encoding on color maths `_" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:378 msgid "" "`Basic overview of color management from argylcms manual `_" msgstr "" diff --git a/locale/zh_TW/LC_MESSAGES/reference_manual/tools/colorize_mask.po b/locale/zh_TW/LC_MESSAGES/reference_manual/tools/colorize_mask.po index 3dc387715..0ec1d2b1a 100644 --- a/locale/zh_TW/LC_MESSAGES/reference_manual/tools/colorize_mask.po +++ b/locale/zh_TW/LC_MESSAGES/reference_manual/tools/colorize_mask.po @@ -1,440 +1,440 @@ # SOME DESCRIPTIVE TITLE. # Copyright (C) licensed under the GNU Free Documentation License 1.3+ unless stated otherwise # This file is distributed under the same license as the Krita Manual package. # FIRST AUTHOR , YEAR. # msgid "" msgstr "" "Project-Id-Version: Krita Manual 4.1\n" "Report-Msgid-Bugs-To: \n" -"POT-Creation-Date: 2019-04-12 03:34+0200\n" +"POT-Creation-Date: 2019-04-14 03:33+0200\n" "PO-Revision-Date: YEAR-MO-DA HO:MI+ZONE\n" "Last-Translator: FULL NAME \n" "Language-Team: Chinese \n" "Language: zh\n" "MIME-Version: 1.0\n" "Content-Type: text/plain; charset=UTF-8\n" "Content-Transfer-Encoding: 8bit\n" "Plural-Forms: nplurals=1; plural=0;\n" #: ../../:2 msgid "" ".. image:: images/icons/Krita_mouse_left.png\n" " :alt: mouseleft" msgstr "" #: ../../:4 msgid "" ".. image:: images/icons/Krita_mouse_right.png\n" " :alt: mouseright" msgstr "" #: ../../:8 msgid "" ".. image:: images/icons/Krita_mouse_scroll.png\n" " :alt: mousescroll" msgstr "" #: ../../:60 msgid "" ".. image:: images/icons/colorizemask_tool.svg\n" " :alt: toolcolorizemask" msgstr "" +#: ../../reference_manual/tools/colorize_mask.rst:0 +msgid "" +".. image:: images/en/Krita_4_0_colorize_mask_show_output_edit_strokes.png" +msgstr "" + +#: ../../reference_manual/tools/colorize_mask.rst:0 +msgid ".. image:: images/en/Krita_4_0_colorize_mask_edge_detection.png" +msgstr "" + +#: ../../reference_manual/tools/colorize_mask.rst:0 +msgid ".. image:: images/en/Krita_4_0_colorize_mask_gap_close_hint.png" +msgstr "" + +#: ../../reference_manual/tools/colorize_mask.rst:0 +msgid ".. image:: images/en/Krita_4_0_colorize_mask_clean_up.png" +msgstr "" + #: ../../reference_manual/tools/colorize_mask.rst:None msgid ".. image:: images/en/Krita_4_0_colorize_mask_usage_01.png" msgstr "" #: ../../reference_manual/tools/colorize_mask.rst:None msgid ".. image:: images/en/Krita_4_0_colorize_mask_usage_02.png" msgstr "" #: ../../reference_manual/tools/colorize_mask.rst:None msgid ".. image:: images/en/Krita_4_0_colorize_mask_usage_03.png" msgstr "" #: ../../reference_manual/tools/colorize_mask.rst:None msgid ".. image:: images/en/Krita_4_0_colorize_mask_usage_04.png" msgstr "" #: ../../reference_manual/tools/colorize_mask.rst:None msgid ".. image:: images/en/Krita_4_0_colorize_mask_usage_05.png" msgstr "" #: ../../reference_manual/tools/colorize_mask.rst:None msgid ".. image:: images/en/Krita_4_0_colorize_mask_usage_06.png" msgstr "" #: ../../reference_manual/tools/colorize_mask.rst:None msgid ".. image:: images/en/Krita_4_0_colorize_mask_usage_07.png" msgstr "" #: ../../reference_manual/tools/colorize_mask.rst:None msgid ".. image:: images/en/Krita_4_0_colorize_mask_usage_08.png" msgstr "" #: ../../reference_manual/tools/colorize_mask.rst:None msgid ".. image:: images/en/Krita_4_0_colorize_mask_usage_09.png" msgstr "" #: ../../reference_manual/tools/colorize_mask.rst:None msgid ".. image:: images/en/Krita_4_0_colorize_mask_usage_10.png" msgstr "" #: ../../reference_manual/tools/colorize_mask.rst:None msgid ".. image:: images/en/Krita_4_0_colorize_mask_usage_11.png" msgstr "" #: ../../reference_manual/tools/colorize_mask.rst:None msgid ".. image:: images/en/Krita_4_0_colorize_mask_usage_12.png" msgstr "" -#: ../../reference_manual/tools/colorize_mask.rst:0 -msgid "" -".. image:: images/en/Krita_4_0_colorize_mask_show_output_edit_strokes.png" -msgstr "" - -#: ../../reference_manual/tools/colorize_mask.rst:0 -msgid ".. image:: images/en/Krita_4_0_colorize_mask_edge_detection.png" -msgstr "" - -#: ../../reference_manual/tools/colorize_mask.rst:0 -msgid ".. image:: images/en/Krita_4_0_colorize_mask_gap_close_hint.png" -msgstr "" - -#: ../../reference_manual/tools/colorize_mask.rst:0 -msgid ".. image:: images/en/Krita_4_0_colorize_mask_clean_up.png" -msgstr "" - #: ../../reference_manual/tools/colorize_mask.rst:1 msgid "How to use the colorize mask in Krita." msgstr "" #: ../../reference_manual/tools/colorize_mask.rst:16 msgid "Colorize Mask" msgstr "" #: ../../reference_manual/tools/colorize_mask.rst:18 msgid "|toolcolorizemask|" msgstr "" #: ../../reference_manual/tools/colorize_mask.rst:20 msgid "" "A tool for quickly coloring line art, the Colorize Mask Editing tool can be " "found next to the gradient tool on your toolbox." msgstr "" #: ../../reference_manual/tools/colorize_mask.rst:22 msgid "" "This feature is technically already in 3.1, but disabled by default because " "we had not optimized the filling algorithm for production use yet. To enable " "it, find your krita configuration file, open it in notepad, and add " "\"disableColorizeMaskFeature=false\" to the top. Then restart Krita. Its " "official incarnation is in 4.0." msgstr "" #: ../../reference_manual/tools/colorize_mask.rst:26 msgid "Usage" msgstr "" #: ../../reference_manual/tools/colorize_mask.rst:28 msgid "" "This tool works in conjunction with the colorize mask, and the usage is as " "follows:" msgstr "" #: ../../reference_manual/tools/colorize_mask.rst:30 msgid "" "For this example, we'll be using the ghost lady also used to explain masks " "on :ref:`the basic concepts page `." msgstr "" #: ../../reference_manual/tools/colorize_mask.rst:36 msgid "" "This image has the line art for the lady separated from the background, and " "what's more, the background is made up of two layers: one main and one for " "the details." msgstr "" #: ../../reference_manual/tools/colorize_mask.rst:38 msgid "" "First, select the colorize mask editing tool while having the line art layer " "selected. |mouseleft| the canvas will add a colorize mask to the layer. You " "can also |mouseright| the line art layer, and then :menuselection:`Add --> " "Colorize Mask`. The line art will suddenly become really weird, this is the " "prefiltering which are filters through which we put the line art to make the " "algorithm easier to use. The tool options overview below shows which options " "control that." msgstr "" #: ../../reference_manual/tools/colorize_mask.rst:45 msgid "" "Now, you make strokes with brush colors, press :guilabel:`Update` in the " "tool options, or tick the last icon of the colorize mask properties. In the " "layer docker, you will be able to see a little progress bar appear on the " "colorize mask indicating how long it takes. The bigger your file, the longer " "it will take." msgstr "" #: ../../reference_manual/tools/colorize_mask.rst:51 msgid "" "We want to have the blue transparent. In the tool options of the colorize " "editing tool you will see a small palette. These are the colors already " "used. You can remove colors here, or mark a single color as standing for " "transparent, by selecting it and pressing \"transparent\". Updating the mask " "will still show the blue stroke, but the result will be transparent:" msgstr "" #: ../../reference_manual/tools/colorize_mask.rst:57 msgid "" "Because the colorize mask algorithm is slow, and we only need a part of our " "layer to be filled to fill the whole ghost lady figure, we can make use of :" "guilabel:`Limit to layer bounds`. This will limit Colorize Mask to use the " "combined size of the line art and the coloring key strokes. Therefore, make " "sure that the colorizing keystrokes only take up as much as they really need." msgstr "" #: ../../reference_manual/tools/colorize_mask.rst:63 msgid "" "Now the algorithm will be possibly a lot faster, allowing us to add strokes " "and press :guilabel:`Update` in rapid succession:" msgstr "" #: ../../reference_manual/tools/colorize_mask.rst:69 msgid "" "To see the final result, disable :guilabel:`Edit Key Strokes` or toggle the " "second to last icon on the colorize mask." msgstr "" #: ../../reference_manual/tools/colorize_mask.rst:75 msgid "" "If you want to edit the strokes again, re-enable :guilabel:`Edit Key " "Strokes`." msgstr "" #: ../../reference_manual/tools/colorize_mask.rst:77 msgid "" "Now, the colorize mask, being a mask, can also be added to a group of line " "art layers. It will then use the composition of the whole group as the line " "art. This is perfect for our background which has two separate line art " "layers. It also means that the colorize mask will be disabled when added to " "a group with pass-through enabled, because those have no final composition. " "You can recognize a disabled colorize mask because its name is stricken " "through." msgstr "" #: ../../reference_manual/tools/colorize_mask.rst:79 msgid "" "To add a colorize mask to a group, select the group and |mouseleft| the " "canvas with the Colorize Mask editing tool, or |mouseright| the layer to :" "menuselection:`Add --> Colorize Mask`." msgstr "" #: ../../reference_manual/tools/colorize_mask.rst:85 msgid "" "Now, we add strokes to the background quickly. We do not need to use the :" "menuselection:`Limit to Layer Bounds` because the background covers the " "whole image." msgstr "" #: ../../reference_manual/tools/colorize_mask.rst:91 msgid "" "For the record, you can use other brushes and tools also work on the " "colorize mask as long as they can draw. The Colorize Mask Editing tool is " "just the most convenient because you can get to the algorithm options." msgstr "" #: ../../reference_manual/tools/colorize_mask.rst:93 msgid "Out final result looks like this:" msgstr "" #: ../../reference_manual/tools/colorize_mask.rst:99 msgid "" "Now we are done, |mouseright| the colorize mask and :menuselection:`Convert " "--> to Paint Layer`. Then, :menuselection:`Layer --> Split --> Split Layer`. " "This will give separate color islands that you can easily edit:" msgstr "" #: ../../reference_manual/tools/colorize_mask.rst:105 msgid "" "This way we can very quickly paint the image. Due to the colorize mask going " "from the first image to the following took only 30 minutes, and would've " "taken quite a bit longer." msgstr "" #: ../../reference_manual/tools/colorize_mask.rst:111 msgid "" "The colorize masks are saved to the .kra file, so as long as you don't save " "and open to a different file format, nor convert the colorize mask to a " "paintlayer, you can keep working adjust the results." msgstr "" #: ../../reference_manual/tools/colorize_mask.rst:114 msgid "Tool Options" msgstr "" #: ../../reference_manual/tools/colorize_mask.rst:116 #: ../../reference_manual/tools/colorize_mask.rst:172 msgid "Update" msgstr "" #: ../../reference_manual/tools/colorize_mask.rst:117 msgid "" "Run the colorize mask algorithm. The progress bar for updates on a colorize " "mask shows only in the layer docker." msgstr "" #: ../../reference_manual/tools/colorize_mask.rst:118 #: ../../reference_manual/tools/colorize_mask.rst:169 msgid "Edit key strokes" msgstr "" #: ../../reference_manual/tools/colorize_mask.rst:119 msgid "" "Put the mask into edit mode. In edit mode, it will also show the " "'prefiltering' on the line art, which is for example a blur filter for gap " "closing." msgstr "" #: ../../reference_manual/tools/colorize_mask.rst:121 msgid "" "Show the output of the colorize mask. If :guilabel:`Edit key strokes` is " "active, this will be shown semi-transparently, so it will be easy to " "recognize the difference between the strokes and the output." msgstr "" #: ../../reference_manual/tools/colorize_mask.rst:127 #: ../../reference_manual/tools/colorize_mask.rst:165 msgid "Show output" msgstr "" #: ../../reference_manual/tools/colorize_mask.rst:127 msgid "" "On the **Left**: :guilabel:`Show Output` is on, :guilabel:`Edit Key Strokes` " "is off. In the **Middle**: :guilabel:`Show Output` and :guilabel:`Edit Key " "Strokes` are on. On the **Right**: :guilabel:`Show Output` is off and :" "guilabel:`Edit Key Strokes` is on." msgstr "" #: ../../reference_manual/tools/colorize_mask.rst:129 msgid "Limit to layer bounds" msgstr "" #: ../../reference_manual/tools/colorize_mask.rst:130 msgid "" "Limit the colorize mask to the combined layer bounds of the strokes and the " "line art it is filling. This can speed up the use of the mask on complicated " "compositions, such as comic pages." msgstr "" #: ../../reference_manual/tools/colorize_mask.rst:132 msgid "" "Activate this for line art with large solid areas, for example shadows on an " "object. For the best use, set the value to the thinnest lines on the image. " "In the image below, note how edge detection affects the big black areas:" msgstr "" #: ../../reference_manual/tools/colorize_mask.rst:138 msgid "Edge detection" msgstr "" #: ../../reference_manual/tools/colorize_mask.rst:138 msgid "" "From left to right: an example with big black shadows on an object but no " "edge detection, the same example without the edit key strokes enabled. Then " "the same example with edge detection enabled and set to 2px, and that same " "example without edit key strokes enabled." msgstr "" #: ../../reference_manual/tools/colorize_mask.rst:141 msgid "" "While the algorithm is pretty good against gaps in contours, this will " "improve the gap recognition. The higher this value is, the bigger the gaps " "it will try to close, but a too high value can lead to other errors. Note " "how the prefiltered line art (that's the blurry haze) affects the color " "patches." msgstr "" #: ../../reference_manual/tools/colorize_mask.rst:146 msgid "Gap close hint" msgstr "" #: ../../reference_manual/tools/colorize_mask.rst:147 msgid "" "On the **Left**: :guilabel:`Gap close hint` is 0px. In the **Middle**: :" "guilabel:`Gap close hint` is 15px (the lines are 10px). On the **Right**: :" "guilabel:`Gap close hint` is 275px." msgstr "" #: ../../reference_manual/tools/colorize_mask.rst:149 msgid "" "This will attempt to handle messy strokes that overlap the line art where " "they shouldn't. At 0 no clean up is done, at 100% the clean-up is most " "aggressive." msgstr "" #: ../../reference_manual/tools/colorize_mask.rst:153 msgid "Clean up" msgstr "" #: ../../reference_manual/tools/colorize_mask.rst:155 msgid "Key strokes" msgstr "" #: ../../reference_manual/tools/colorize_mask.rst:156 msgid "" "This palette keeps track of the colors used by the strokes. This is useful " "so you can switch back to colors easily. You can increase the swatch size by " "hovering over it with the mouse, and doing :kbd:`Ctrl +` |mousescroll|." msgstr "" #: ../../reference_manual/tools/colorize_mask.rst:158 msgid "Transparent" msgstr "" #: ../../reference_manual/tools/colorize_mask.rst:158 msgid "" "This button is under the keystrokes palette, you can mark the selected color " "to be interpreted a 'transparent' with this. In the clean-up screenshot " "above, cyan had been marked as transparent." msgstr "" #: ../../reference_manual/tools/colorize_mask.rst:161 msgid "Layer properties" msgstr "" #: ../../reference_manual/tools/colorize_mask.rst:163 msgid "" "The colorize mask layer has four properties. They are all the buttons on the " "right side of the layer:" msgstr "" #: ../../reference_manual/tools/colorize_mask.rst:166 msgid "" "The first button, it allows you to toggle whether you'll see the output from " "the colorize algorithm." msgstr "" #: ../../reference_manual/tools/colorize_mask.rst:167 msgid "Lock" msgstr "" #: ../../reference_manual/tools/colorize_mask.rst:168 msgid "Stops the mask from being edited." msgstr "" #: ../../reference_manual/tools/colorize_mask.rst:170 msgid "" "Whether the colorize mask is in edit mode. In edit mode it'll show the " "strokes, and the output will be semi-transparent." msgstr "" #: ../../reference_manual/tools/colorize_mask.rst:172 msgid "" "The last button will force the colorize mask to update, even when you're in " "a different tool." msgstr "" #: ../../reference_manual/tools/colorize_mask.rst:174 msgid "Colorize masks cannot be animated." msgstr "" diff --git a/locale/zh_TW/LC_MESSAGES/tutorials/flat-coloring.po b/locale/zh_TW/LC_MESSAGES/tutorials/flat-coloring.po index c450736f7..5dda17d63 100644 --- a/locale/zh_TW/LC_MESSAGES/tutorials/flat-coloring.po +++ b/locale/zh_TW/LC_MESSAGES/tutorials/flat-coloring.po @@ -1,759 +1,759 @@ # SOME DESCRIPTIVE TITLE. # Copyright (C) licensed under the GNU Free Documentation License 1.3+ unless stated otherwise # This file is distributed under the same license as the Krita Manual package. # FIRST AUTHOR , YEAR. # msgid "" msgstr "" "Project-Id-Version: Krita Manual 4.1\n" "Report-Msgid-Bugs-To: \n" -"POT-Creation-Date: 2019-04-13 03:33+0200\n" +"POT-Creation-Date: 2019-04-14 03:33+0200\n" "PO-Revision-Date: YEAR-MO-DA HO:MI+ZONE\n" "Last-Translator: FULL NAME \n" "Language-Team: Chinese \n" "Language: zh\n" "MIME-Version: 1.0\n" "Content-Type: text/plain; charset=UTF-8\n" "Content-Transfer-Encoding: 8bit\n" "Plural-Forms: nplurals=1; plural=0;\n" #: ../../:2 msgid "" ".. image:: images/icons/Krita_mouse_left.png\n" " :alt: mouseleft" msgstr "" #: ../../:4 msgid "" ".. image:: images/icons/Krita_mouse_right.png\n" " :alt: mouseright" msgstr "" +#: ../../tutorials/flat-coloring.rst:0 +msgid "" +".. image:: images/en/flat-coloring/Krita_filling_lineart_selection_1.png" +msgstr "" + +#: ../../tutorials/flat-coloring.rst:0 +msgid "" +".. image:: images/en/flat-coloring/Krita_filling_lineart_selection_2.png" +msgstr "" + +#: ../../tutorials/flat-coloring.rst:0 +msgid ".. image:: images/en/flat-coloring/Krita_filling_lineart_mask_1.png" +msgstr "" + +#: ../../tutorials/flat-coloring.rst:0 +msgid ".. image:: images/en/flat-coloring/Krita_filling_lineart_mask_2.png" +msgstr "" + +#: ../../tutorials/flat-coloring.rst:0 +msgid ".. image:: images/en/flat-coloring/Krita_filling_lineart_mask_3.png" +msgstr "" + #: ../../tutorials/flat-coloring.rst:None msgid "" ".. image:: images/en/flat-coloring/Krita_filling_lineart14.png\n" " :alt: layer structure for flatting in krita" msgstr "" #: ../../tutorials/flat-coloring.rst:None msgid "" ".. image:: images/en/flat-coloring/Krita_filling_lineart1.png\n" " :alt: blend mode setup of line art flat coloring" msgstr "" #: ../../tutorials/flat-coloring.rst:None msgid "" ".. image:: images/en/flat-coloring/Krita_filling_lineart2.png\n" " :alt: effects of multiply blend mode" msgstr "" #: ../../tutorials/flat-coloring.rst:None msgid "" ".. image:: images/icons/fill_tool.svg\n" " :alt: fill-tool icon" msgstr "" #: ../../tutorials/flat-coloring.rst:None msgid "" ".. image:: images/en/flat-coloring/Krita_filling_lineart7.png\n" " :alt: colors filled with fill tool" msgstr "" #: ../../tutorials/flat-coloring.rst:None msgid "" ".. image:: images/en/flat-coloring/Krita_filling_lineart15.png\n" " :alt: selecting with selection tools for filling color" msgstr "" #: ../../tutorials/flat-coloring.rst:None msgid "" ".. image:: images/en/flat-coloring/Krita_filling_lineart16.png\n" " :alt: selection mask in Krita" msgstr "" #: ../../tutorials/flat-coloring.rst:None msgid "" ".. image:: images/en/flat-coloring/Krita_filling_lineart17.png\n" " :alt: filling color in selection" msgstr "" #: ../../tutorials/flat-coloring.rst:None msgid "" ".. image:: images/en/flat-coloring/Krita_filling_lineart18.png\n" " :alt: result of coloring made with the help of selection tools" msgstr "" #: ../../tutorials/flat-coloring.rst:None msgid "" ".. image:: images/en/flat-coloring/Krita_filling_lineart8.png\n" " :alt: filling color in line art using path tool" msgstr "" #: ../../tutorials/flat-coloring.rst:None msgid "" ".. image:: images/en/flat-coloring/Krita_filling_lineart9.png\n" " :alt: erasing with path tool" msgstr "" #: ../../tutorials/flat-coloring.rst:None msgid "" ".. image:: images/en/flat-coloring/Krita_filling_lineart10.png\n" " :alt: coloring with colorize mask" msgstr "" #: ../../tutorials/flat-coloring.rst:None msgid "" ".. image:: images/en/flat-coloring/Krita_filling_lineart11.png\n" " :alt: result from the colorize mask" msgstr "" #: ../../tutorials/flat-coloring.rst:None msgid "" ".. image:: images/en/flat-coloring/Krita_filling_lineart12.png\n" " :alt: slitting colors into islands" msgstr "" #: ../../tutorials/flat-coloring.rst:None msgid "" ".. image:: images/en/flat-coloring/Krita_filling_lineart13.png\n" " :alt: resulting color islands from split layers" msgstr "" -#: ../../tutorials/flat-coloring.rst:0 -msgid "" -".. image:: images/en/flat-coloring/Krita_filling_lineart_selection_1.png" -msgstr "" - -#: ../../tutorials/flat-coloring.rst:0 -msgid "" -".. image:: images/en/flat-coloring/Krita_filling_lineart_selection_2.png" -msgstr "" - -#: ../../tutorials/flat-coloring.rst:0 -msgid ".. image:: images/en/flat-coloring/Krita_filling_lineart_mask_1.png" -msgstr "" - -#: ../../tutorials/flat-coloring.rst:0 -msgid ".. image:: images/en/flat-coloring/Krita_filling_lineart_mask_2.png" -msgstr "" - -#: ../../tutorials/flat-coloring.rst:0 -msgid ".. image:: images/en/flat-coloring/Krita_filling_lineart_mask_3.png" -msgstr "" - #: ../../tutorials/flat-coloring.rst:1 msgid "Common workflows used in Krita" msgstr "" #: ../../tutorials/flat-coloring.rst:13 msgid "Flat Coloring" msgstr "" #: ../../tutorials/flat-coloring.rst:15 msgid "" "So you've got a cool black on white drawing, and now you want to color it! " "The thing we’ll aim for in this tutorial is to get your line art colored in " "with flat colors. So no shading just yet. We’ll be going through some " "techniques for preparing the line art, and we’ll be using the layer docker " "to put each color on a separate layer, so we can easily access each color " "when we add shading." msgstr "" #: ../../tutorials/flat-coloring.rst:17 msgid "" "This tutorial is adapted from this `tutorial `_ by " "the original author." msgstr "" #: ../../tutorials/flat-coloring.rst:20 msgid "Understanding Layers" msgstr "" #: ../../tutorials/flat-coloring.rst:22 msgid "" "To fill line art comfortably, it's best to take advantage of the layerstack. " "The layer stack is pretty awesome, and it's one of those features that make " "digital art super-convenient." msgstr "" #: ../../tutorials/flat-coloring.rst:24 msgid "" "In traditional art, it is not uncommon to first draw the full background " "before drawing the subject. Or to first draw a line art and then color it " "in. Computers have a similar way of working." msgstr "" #: ../../tutorials/flat-coloring.rst:26 msgid "" "In programming, if you tell a computer to draw a red circle, and then " "afterwards tell it to draw a smaller yellow circle, you will see the small " "yellow circle overlap the red circle. Switch the commands around, and you " "will not see the yellow circle at all: it was drawn before the red circle " "and thus ‘behind’ it." msgstr "" #: ../../tutorials/flat-coloring.rst:28 msgid "" "This is referred to as the “drawing order”. So like the traditional artist, " "the computer will first draw the images that are behind everything, and " "layer the subject and foreground on top of it. The layer docker is a way for " "you to control the drawing order of multiple images, so for example, you can " "have your line art drawn later than your colors, meaning that the lines will " "be drawn over the colors, making it easier to make it neat!" msgstr "" #: ../../tutorials/flat-coloring.rst:30 msgid "" "Other things that a layer stack can do are blending the colors of different " "layers differently with blending modes, using a filter in the layer stack, " "or using a mask that allows you to make parts transparent." msgstr "" #: ../../tutorials/flat-coloring.rst:32 msgid "" "Programmers talk about transparency as ''Alpha'', which is because the 'a' " "symbol is used to present transparency in the algorithms for painting one " "color on top of another. Usually when you see the word ''Alpha'' in a " "graphics program, just think of it as affecting the transparency." msgstr "" #: ../../tutorials/flat-coloring.rst:35 msgid "Preparing your line art" msgstr "" #: ../../tutorials/flat-coloring.rst:37 msgid "" "Put the new layer underneath the layer containing the line art (drag and " "drop or use the up/down arrows for that), and draw on it." msgstr "" #: ../../tutorials/flat-coloring.rst:42 msgid "" "…And notice nothing happening. This is because the white isn’t transparent. " "You wouldn’t really want it to either, how else would you make convincing " "highlights? So what we first need to do to color in our drawing is prepare " "our line art. There’s several methods of doing so, each with varying " "qualities." msgstr "" #: ../../tutorials/flat-coloring.rst:45 msgid "The Multiply Blending Mode" msgstr "" #: ../../tutorials/flat-coloring.rst:47 msgid "" "So, typically, to get a black and white line art usable for coloring, you " "can set the blending mode of the line art layer to Multiply. You do this by " "selecting the layer and going to the drop-down that says **Normal** and " "setting that to **Multiply**." msgstr "" #: ../../tutorials/flat-coloring.rst:52 msgid "And then you should be able to see your colors!" msgstr "" #: ../../tutorials/flat-coloring.rst:54 msgid "" "Multiply is not a perfect solution however. For example, if through some " "image editing magic I make the line art blue, it results into this:" msgstr "" #: ../../tutorials/flat-coloring.rst:59 msgid "" "This is because multiply literally multiplies the colors. So it uses maths!" msgstr "" #: ../../tutorials/flat-coloring.rst:61 msgid "" "What it first does is take the values of the RGB channels, then divides them " "by the max (because we're in 8bit, this is 255), a process we call " "normalising. Then it multiplies the normalised values. Finally, it takes the " "result and multiplies it with 255 again to get the result values." msgstr "" #: ../../tutorials/flat-coloring.rst:67 msgid "Pink" msgstr "" #: ../../tutorials/flat-coloring.rst:68 msgid "Pink (normalised)" msgstr "" #: ../../tutorials/flat-coloring.rst:69 ../../tutorials/flat-coloring.rst:87 msgid "Blue" msgstr "" #: ../../tutorials/flat-coloring.rst:70 msgid "Blue (normalised)" msgstr "" #: ../../tutorials/flat-coloring.rst:71 msgid "Normalised, multiplied" msgstr "" #: ../../tutorials/flat-coloring.rst:72 msgid "Result" msgstr "" #: ../../tutorials/flat-coloring.rst:73 msgid "Red" msgstr "" #: ../../tutorials/flat-coloring.rst:74 msgid "222" msgstr "" #: ../../tutorials/flat-coloring.rst:75 msgid "0.8705" msgstr "" #: ../../tutorials/flat-coloring.rst:76 msgid "92" msgstr "" #: ../../tutorials/flat-coloring.rst:77 msgid "0.3607" msgstr "" #: ../../tutorials/flat-coloring.rst:78 msgid "0.3139" msgstr "" #: ../../tutorials/flat-coloring.rst:79 msgid "80" msgstr "" #: ../../tutorials/flat-coloring.rst:80 msgid "Green" msgstr "" #: ../../tutorials/flat-coloring.rst:81 msgid "144" msgstr "" #: ../../tutorials/flat-coloring.rst:82 msgid "0.5647" msgstr "" #: ../../tutorials/flat-coloring.rst:83 msgid "176" msgstr "" #: ../../tutorials/flat-coloring.rst:84 msgid "0.6902" msgstr "" #: ../../tutorials/flat-coloring.rst:85 msgid "0.3897" msgstr "" #: ../../tutorials/flat-coloring.rst:86 msgid "99" msgstr "" #: ../../tutorials/flat-coloring.rst:88 msgid "123" msgstr "" #: ../../tutorials/flat-coloring.rst:89 msgid "0.4823" msgstr "" #: ../../tutorials/flat-coloring.rst:90 msgid "215" msgstr "" #: ../../tutorials/flat-coloring.rst:91 msgid "0.8431" msgstr "" #: ../../tutorials/flat-coloring.rst:92 msgid "0.4066" msgstr "" #: ../../tutorials/flat-coloring.rst:93 msgid "103" msgstr "" #: ../../tutorials/flat-coloring.rst:95 msgid "" "This isn't completely undesirable, and a lot of artists use this effect to " "add a little richness to their colors." msgstr "" #: ../../tutorials/flat-coloring.rst:98 ../../tutorials/flat-coloring.rst:127 #: ../../tutorials/flat-coloring.rst:154 ../../tutorials/flat-coloring.rst:173 #: ../../tutorials/flat-coloring.rst:210 ../../tutorials/flat-coloring.rst:247 #: ../../tutorials/flat-coloring.rst:275 ../../tutorials/flat-coloring.rst:317 msgid "Advantages" msgstr "" #: ../../tutorials/flat-coloring.rst:100 msgid "" "Easy, can work to your benefit even with colored lines by softening the look " "of the lines while keeping nice contrast." msgstr "" #: ../../tutorials/flat-coloring.rst:103 ../../tutorials/flat-coloring.rst:132 #: ../../tutorials/flat-coloring.rst:159 ../../tutorials/flat-coloring.rst:178 #: ../../tutorials/flat-coloring.rst:215 ../../tutorials/flat-coloring.rst:252 #: ../../tutorials/flat-coloring.rst:280 ../../tutorials/flat-coloring.rst:322 msgid "Disadvantages" msgstr "" #: ../../tutorials/flat-coloring.rst:105 msgid "Not actually transparent. Is a little funny with colored lines." msgstr "" #: ../../tutorials/flat-coloring.rst:108 msgid "Using Selections" msgstr "" #: ../../tutorials/flat-coloring.rst:110 msgid "" "The second method is one where we'll make it actually transparent. In other " "programs this would be done via the channel docker, but Krita doesn't do " "custom channels, instead it uses Selection Masks to store custom selections." msgstr "" #: ../../tutorials/flat-coloring.rst:112 msgid "Duplicate your line art layer." msgstr "" #: ../../tutorials/flat-coloring.rst:114 msgid "" "Convert the duplicate to a selection mask. |mouseright| the layer, then :" "menuselection:`Convert --> to Selection Mask`." msgstr "" #: ../../tutorials/flat-coloring.rst:118 msgid "" "Invert the selection mask. :menuselection:`Select --> Invert Selection`." msgstr "" #: ../../tutorials/flat-coloring.rst:120 msgid "" "Make a new layer, and do :menuselection:`Edit --> Fill with Foreground " "Color`." msgstr "" #: ../../tutorials/flat-coloring.rst:124 msgid "And you should now have the line art on a separate layer." msgstr "" #: ../../tutorials/flat-coloring.rst:129 msgid "Actual transparency." msgstr "" #: ../../tutorials/flat-coloring.rst:134 msgid "Doesn't work when the line art is colored." msgstr "" #: ../../tutorials/flat-coloring.rst:137 msgid "Using Masks" msgstr "" #: ../../tutorials/flat-coloring.rst:139 msgid "This is a simpler variation of the above." msgstr "" #: ../../tutorials/flat-coloring.rst:141 msgid "Make a filled layer underneath the line art layer." msgstr "" #: ../../tutorials/flat-coloring.rst:145 msgid "" "Convert the line art layer to a transparency mask |mouseright| the layer, " "then :menuselection:`Convert --> to Transparency Mask`." msgstr "" #: ../../tutorials/flat-coloring.rst:149 msgid "" "Invert the transparency mask by going to :menuselection:`Filter --> Adjust --" "> Invert`" msgstr "" #: ../../tutorials/flat-coloring.rst:156 msgid "" "Actual transparency. You can also very easily doodle a pattern on the filled " "layer where the mask is on without affecting the transparency." msgstr "" #: ../../tutorials/flat-coloring.rst:161 msgid "" "Doesn't work when the line art is colored already. We can still get faster." msgstr "" #: ../../tutorials/flat-coloring.rst:164 msgid "Using Color to Alpha" msgstr "" #: ../../tutorials/flat-coloring.rst:166 msgid "By far the fastest way to get transparent line art." msgstr "" #: ../../tutorials/flat-coloring.rst:168 msgid "" "Select the line art layer and apply the color to alpha filter. :" "menuselection:`Filter --> Colors --> Color to Alpha`. The default values " "should be sufficient for line art." msgstr "" #: ../../tutorials/flat-coloring.rst:171 msgid "" ".. image:: images/en/flat-coloring/Krita_filling_lineart_color_to_alpha.png" msgstr "" #: ../../tutorials/flat-coloring.rst:175 msgid "" "Actual transparency. Works with colored line art as well, because it removes " "the white specifically." msgstr "" #: ../../tutorials/flat-coloring.rst:180 msgid "" "You'll have to lock the layer transparency or separate out the alpha via the " "right-click menu if you want to easily color it." msgstr "" #: ../../tutorials/flat-coloring.rst:184 msgid "Coloring the image" msgstr "" #: ../../tutorials/flat-coloring.rst:186 msgid "" "Much like preparing the line art, there are many different ways of coloring " "a layer." msgstr "" #: ../../tutorials/flat-coloring.rst:188 msgid "" "You could for example fill in everything by hand, but while that is very " "precise it also takes a lot of work. Let's take a look at the other options, " "shall we?" msgstr "" #: ../../tutorials/flat-coloring.rst:191 msgid "Fill Tool" msgstr "" #: ../../tutorials/flat-coloring.rst:196 msgid "" "In most cases the fill-tool can’t deal with the anti-aliasing (the soft edge " "in your line art to make it more smooth when zoomed out) In Krita you have " "the grow-shrink option. Setting that to say… 2 expands the color two pixels." msgstr "" #: ../../tutorials/flat-coloring.rst:198 msgid "" "Threshold decides when the fill-tool should consider a different color pixel " "to be a border. And the feathering adds an extra soft border to the fill." msgstr "" #: ../../tutorials/flat-coloring.rst:200 msgid "" "Now, if you click on a gapless-part of the image with your preferred color… " "(Remember to set the opacity to 1.0!)" msgstr "" #: ../../tutorials/flat-coloring.rst:202 msgid "" "Depending on your line art, you can do flats pretty quickly. But setting the " "threshold low can result in little artifacts around where lines meet:" msgstr "" #: ../../tutorials/flat-coloring.rst:207 msgid "" "However, setting the threshold high can end with the fill not recognizing " "some of the lighter lines. Besides these little artifacts can be removed " "with the brush easily." msgstr "" #: ../../tutorials/flat-coloring.rst:212 msgid "Pretty darn quick depending on the available settings." msgstr "" #: ../../tutorials/flat-coloring.rst:217 msgid "" "Again, not great with gaps or details. And it works best with aliased line " "art." msgstr "" #: ../../tutorials/flat-coloring.rst:220 msgid "Selections" msgstr "" #: ../../tutorials/flat-coloring.rst:222 msgid "Selections work using the selection tools." msgstr "" #: ../../tutorials/flat-coloring.rst:227 msgid "" "For example with the :ref:`bezier_curve_selection_tool` you can easily " "select a curved area, and the with :kbd:`Shift` + |mouseleft| (not |" "mouseleft| + :kbd:`Shift`, there's a difference!) you can easily add to an " "existing selection." msgstr "" #: ../../tutorials/flat-coloring.rst:232 msgid "" "You can also edit the selection if you have :menuselection:`Select --> Show " "Global Selection Mask` turned on. Then you can select the global selection " "mask, and paint on it. (Above with the alternative selection mode, activated " "in the lower-left corner of the stats bar)" msgstr "" #: ../../tutorials/flat-coloring.rst:234 msgid "" "When done, select the color you want to fill it with and press :kbd:`Shift` " "+ `backspace`." msgstr "" #: ../../tutorials/flat-coloring.rst:239 msgid "" "You can save selections in selection masks by |mouseright| a layer, and then " "going to :menuselection:`Add --> Local Selection`. You first need to " "deactivate a selection by pressing the circle before adding a new selection." msgstr "" #: ../../tutorials/flat-coloring.rst:241 msgid "" "This can serve as an alternative way to split out different parts of the " "image, which is good for more painterly pieces:" msgstr "" #: ../../tutorials/flat-coloring.rst:249 msgid "A bit more precise than filling." msgstr "" #: ../../tutorials/flat-coloring.rst:254 msgid "Previewing your color isn't as easy." msgstr "" #: ../../tutorials/flat-coloring.rst:257 msgid "Geometric tools" msgstr "" #: ../../tutorials/flat-coloring.rst:259 msgid "" "So you have a tool for making rectangles or circles. And in the case of " "Krita, a tool for bezier curves. Select the path tool (|path tool|), and set " "the tool options to fill=foreground and outline=none. Make sure that your " "opacity is set to 1.00 (fully opaque)." msgstr "" #: ../../tutorials/flat-coloring.rst:262 msgid "" ".. image:: images/icons/bezier_curve.svg\n" " :alt: path tool" msgstr "" #: ../../tutorials/flat-coloring.rst:264 msgid "" "By clicking and holding, you can influence how curvy a line draw with the " "path tool is going to be. Letting go of the mouse button confirms the " "action, and then you’re free to draw the next point." msgstr "" #: ../../tutorials/flat-coloring.rst:269 msgid "" "You can also erase with a geometric tool. Just press :kbd:`E` or the eraser " "button." msgstr "" #: ../../tutorials/flat-coloring.rst:277 msgid "" "Quicker than using the brush or selections. Also decent with line art that " "contains gaps." msgstr "" #: ../../tutorials/flat-coloring.rst:282 msgid "" "Fiddly details aren’t easy to fill in with this. So I recommend skipping " "those and filling them in later with a brush." msgstr "" #: ../../tutorials/flat-coloring.rst:285 msgid "Colorize Mask" msgstr "" #: ../../tutorials/flat-coloring.rst:287 msgid "" "So, this is a bit of an odd one. In the original tutorial, you'll see I'm " "suggesting using G'Mic, but that was a few years ago, and g'mic is a little " "unstable on windows. Therefore, the Krita developers have been attempting to " "make an internal tool doing the same." msgstr "" #: ../../tutorials/flat-coloring.rst:289 msgid "" "It is disabled in 3.1, but if you use 4.0 or later, it is in the toolbox. " "Check the Colorize Mask for more information." msgstr "" #: ../../tutorials/flat-coloring.rst:291 msgid "So it works like this:" msgstr "" #: ../../tutorials/flat-coloring.rst:293 msgid "Select the colorize mask tool." msgstr "" #: ../../tutorials/flat-coloring.rst:294 msgid "Tick the layer you're using." msgstr "" #: ../../tutorials/flat-coloring.rst:295 msgid "Paint the colors you want to use on the colorize mask" msgstr "" #: ../../tutorials/flat-coloring.rst:296 msgid "Click update to see the results:" msgstr "" #: ../../tutorials/flat-coloring.rst:301 msgid "" "When you are satisfied, |mouseright| the colorize mask, and go to :" "menuselection:`Convert --> Paint Layer`. This will turn the colorize mask to " "a generic paint layer. Then, you can fix the last issues by making the line " "art semi-transparent and painting the flaws away with a pixel art brush." msgstr "" #: ../../tutorials/flat-coloring.rst:306 msgid "" "Then, when you are done, split the layers via :menuselection:`Layer --> " "Split --> Split Layer`. There are a few options you can choose, but the " "following should be fine:" msgstr "" #: ../../tutorials/flat-coloring.rst:311 msgid "" "Finally, press **Ok** and you should get the following. Each color patch it " "on a different layer, named by the palette in the menu and alpha locked, so " "you can start painting right away!" msgstr "" #: ../../tutorials/flat-coloring.rst:319 msgid "" "Works with anti-aliased line art. Really quick to get the base work done. " "Can auto-close gaps." msgstr "" #: ../../tutorials/flat-coloring.rst:324 msgid "" "No anti-aliasing of its own. You have to choose between getting details " "right or the gaps auto-closed." msgstr "" #: ../../tutorials/flat-coloring.rst:327 msgid "Conclusion" msgstr "" #: ../../tutorials/flat-coloring.rst:329 msgid "" "I hope this has given you a good idea of how to fill in flats using the " "various techniques, as well as getting a hand of different Krita features. " "Remember that a good flat filled line art is better than a badly shaded one, " "so keep practicing to get the best out of these techniques!" msgstr "" diff --git a/locale/zh_TW/LC_MESSAGES/user_manual/loading_saving_brushes.po b/locale/zh_TW/LC_MESSAGES/user_manual/loading_saving_brushes.po index f8cc48e96..4d7871d1b 100644 --- a/locale/zh_TW/LC_MESSAGES/user_manual/loading_saving_brushes.po +++ b/locale/zh_TW/LC_MESSAGES/user_manual/loading_saving_brushes.po @@ -1,945 +1,945 @@ # SOME DESCRIPTIVE TITLE. # Copyright (C) licensed under the GNU Free Documentation License 1.3+ unless stated otherwise # This file is distributed under the same license as the Krita Manual package. # FIRST AUTHOR , YEAR. # msgid "" msgstr "" "Project-Id-Version: Krita Manual 4.1\n" "Report-Msgid-Bugs-To: \n" -"POT-Creation-Date: 2019-04-13 03:33+0200\n" +"POT-Creation-Date: 2019-04-14 03:33+0200\n" "PO-Revision-Date: YEAR-MO-DA HO:MI+ZONE\n" "Last-Translator: FULL NAME \n" "Language-Team: Chinese \n" "Language: zh\n" "MIME-Version: 1.0\n" "Content-Type: text/plain; charset=UTF-8\n" "Content-Transfer-Encoding: 8bit\n" "Plural-Forms: nplurals=1; plural=0;\n" -#: ../../user_manual/loading_saving_brushes.rst:None -msgid ".. image:: images/en/Krita_4_0_Brush_Settings_Layout.svg" -msgstr "" - #: ../../user_manual/loading_saving_brushes.rst:0 msgid ".. image:: images/en/Krita_4_0_dirty_preset_icon.png" msgstr "" +#: ../../user_manual/loading_saving_brushes.rst:None +msgid ".. image:: images/en/Krita_4_0_Brush_Settings_Layout.svg" +msgstr "" + #: ../../user_manual/loading_saving_brushes.rst:1 msgid "" "Detailed guide on the brush settings dialog in Krita as well as how to make " "your own brushes and how to share them." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:17 msgid "Loading and Saving Brushes" msgstr "" #: ../../user_manual/loading_saving_brushes.rst:19 msgid "" "In the real world, when painting or drawing, you don't just use one tool. " "You use pencils, erasers, paintbrushes, different types of paint, inks, " "crayons, etc. All these have different ways of making marks." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:23 msgid "" "In a digital program like Krita you have something similar. We call this a " "brush engine. And much like how cars have different engines that give " "different feels when driving, or how pencils make distinctly different marks " "than rollerball pens, different brush engines have totally different feels." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:29 msgid "" "The brush engines have a lot of different settings as well. So, you can save " "those settings into presets." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:32 msgid "" "Unlike Photoshop, Krita makes a difference between brush-tips and brush-" "presets. Tips are only a stamp of sorts, while the preset uses a tip and " "many other settings to create the full brush." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:37 msgid "The Brush settings drop-down" msgstr "" #: ../../user_manual/loading_saving_brushes.rst:39 msgid "" "To start, the Brush Settings Editor panel can be accessed in the toolbar, " "between the :guilabel:`Blending Modes` button on the right and the :guilabel:" "`Patterns` button on the left. Alternately, you can use the function key :" "kbd:`F5` to open it." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:44 msgid "" "When you open Brush Settings Editor panel you will see something like this:" msgstr "" #: ../../user_manual/loading_saving_brushes.rst:48 msgid "Tour of the brush settings drop-down" msgstr "" #: ../../user_manual/loading_saving_brushes.rst:53 msgid "The brush settings drop-down is divided into six areas," msgstr "" #: ../../user_manual/loading_saving_brushes.rst:56 msgid "Section A - General Information" msgstr "" #: ../../user_manual/loading_saving_brushes.rst:58 msgid "" "This contains the **Preset Icon**, **Live Brush Preview**, the **Preset " "Name**, the **Engine** name, and several buttons for saving, renaming, and " "reloading." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:62 msgid "" "Krita's brush settings are stored into the metadata of a 200x200 png (the " "KPP file), where the image in the png file becomes the preset icon. This " "icon is used everywhere in Krita, and is useful for differentiating brushes " "in ways that the live preview cannot." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:67 msgid "" "The live preview shows a stroke of the current brush as a little s-curve " "wiggle, with the pressure being non-existent on the left, and increasing to " "full pressure as it goes to the right. It can thus show the effect of the " "Pressure, Drawing Angle, Distance, Fade and Fuzzy Dab sensors, but none of " "the others. For some brush engines it cannot show anything. For the color " "smudge, filter brush and clone tool, it shows an alternating line pattern " "because these brush engines use the pixels already on canvas to change their " "effect." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:75 msgid "" "After the preset name, there's a button for **renaming** the brush. This " "will save the brush as a new brush and blacklist the previous name." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:79 msgid "Engine" msgstr "" #: ../../user_manual/loading_saving_brushes.rst:81 msgid "" "The engine of a brush is the underlying programming that generates the " "stroke from a brush. What that means is that different brush engines have " "different options and different results. You can see this as the difference " "between using crayons, pencils and inks, but because computers are maths " "devices, most of our brush engines produce different things in a more " "mathematical way." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:88 msgid "" "For most artists the mathematical nature doesn't matter as much as the " "different textures and marks each brush engine, and each brush engine has " "its own distinct flavor and use, and can be further customized by modifying " "the options." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:94 msgid "Reloading" msgstr "" #: ../../user_manual/loading_saving_brushes.rst:96 msgid "" "If you change a preset, an icon will appear behind the engine name. This is " "the :guilabel:`reload` button. You can use it to revert to the original " "brush settings." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:101 msgid "Saving a preset" msgstr "" #: ../../user_manual/loading_saving_brushes.rst:103 msgid "" "On the right, there's :guilabel:`Save New Brush Preset` and :guilabel:" "`Overwrite Brush`." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:106 msgid "" "This will only enable if there are any changes. Pressing this will override " "the current preset with the new settings, keeping the name and the icon " "intact. It will always make a timestamped back up in the resources folder." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:108 msgid "Overwrite Brush" msgstr "" #: ../../user_manual/loading_saving_brushes.rst:111 msgid "" "Will take the current preset and all its changes and save it as a new " "preset. If no change was made, you will be making a copy of the current " "preset." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:113 msgid "Save New Brush Preset" msgstr "" #: ../../user_manual/loading_saving_brushes.rst:115 msgid "" "Save new preset will call up the following window, with a mini scratch pad, " "and all sorts of options to change the preset icon:" msgstr "" #: ../../user_manual/loading_saving_brushes.rst:119 msgid ".. image:: images/en/Krita_4_0_Save_New_Brush_Preset_Dialog.png" msgstr "" #: ../../user_manual/loading_saving_brushes.rst:120 msgid "" "The image on the left is a mini scratchpad, you can draw on it with the " "current brush, allowing small modifications on the fly." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:124 msgid "" "The Name of your brush. This is also used for the KPP file. If there's " "already a brush with that name, it will effectively overwrite it." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:125 msgid "Brush Name" msgstr "" #: ../../user_manual/loading_saving_brushes.rst:127 msgid "Load Existing Thumbnail" msgstr "" #: ../../user_manual/loading_saving_brushes.rst:128 msgid "This will load the existing thumbnail inside the preset." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:130 msgid "Load scratch pad thumbnail" msgstr "" #: ../../user_manual/loading_saving_brushes.rst:130 msgid "" "This will load the dashed area from the big scratch pad (Section C) into the " "thumbnail area." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:132 msgid "Load Image" msgstr "" #: ../../user_manual/loading_saving_brushes.rst:133 msgid "With this you can choose an image from disk to load as a thumbnail." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:134 msgid "Load from Icon Library" msgstr "" #: ../../user_manual/loading_saving_brushes.rst:135 msgid "This opens up the icon library." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:137 msgid "Clear Thumbnail" msgstr "" #: ../../user_manual/loading_saving_brushes.rst:137 msgid "This will make the mini scratch pad white." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:140 msgid "The Icon Library" msgstr "" #: ../../user_manual/loading_saving_brushes.rst:142 msgid "To make making presets icons faster, Krita got an icon library." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:145 msgid ".. image:: images/en/Krita_4_0_Preset_Icon_Library_Dialog.png" msgstr "" #: ../../user_manual/loading_saving_brushes.rst:146 msgid "" "It allows you to select tool icons, and an optional small emblem. When you " "press :guilabel:`OK` it will load the resulting combination into the mini " "scratch pad and you can draw in the stroke." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:150 msgid "" "If you go to your resources folder, there's a folder there called \"preset" "\\_icons\", and in this folder there are \"tool\\_icons\" and \"emblem" "\\_icons\". You can add semi-transparent pngs here and Krita will load those " "into the icon library as well so you can customize your icons even more!" msgstr "" #: ../../user_manual/loading_saving_brushes.rst:156 msgid "" "At the top right of the icon library, there are three sliders. They allow " "you to adjust the tool icon. The top two are the same Hue and Saturation as " "in HSL adjustment, and the lowest slider is a super simple levels filter. " "This is done this way because the levels filter allows maintaining the " "darkest shadows and brightest highlights on a tool icon, making it much " "better for quick adjustments." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:163 msgid "" "If you're done with everything, you can press :guilabel:`Save` in the :" "guilabel:`Save New Preset` dialog and Krita will save the new brush." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:167 msgid "Section B - The Preset Chooser" msgstr "" #: ../../user_manual/loading_saving_brushes.rst:169 msgid "" "The preset chooser is much the same as the preset docker and the preset drop-" "down on :kbd:`F6`. It's unique in that it allows you to filter by engine and " "this is also where you can create brushes for an engine from scratch." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:174 msgid "" "It is by default collapsed, so you will need to press the arrow at the top " "left of the brush engine to show it." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:177 msgid "" "The top drop-down is set to “all” by default, which means it shows all " "engines. It then shows a tag section where you can select the tags, the " "preset list and the search bar." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:181 msgid "" "Underneath that there's a plus icon, which when pressed gives you the full " "list of Krita's engines. Selecting an engine from the list will show the " "brushes for that engine." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:185 msgid "" "The trashcan icon does the same as it does in the preset docker: delete, or " "rather, blacklist a preset so it won't show up in the list." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:189 msgid "Section C - The Scratch pad" msgstr "" #: ../../user_manual/loading_saving_brushes.rst:191 msgid "" "When you tweak your brushes, you want to be able to check what each setting " "does. That's why, to the right of the settings drop-down, there is a scratch " "pad." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:195 msgid "" "It is by default collapsed, so you will have to press the arrow at the top " "right of the brush settings to show it." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:198 msgid "" "When saving a new preset, you can choose to get the icon from the scratch " "pad, this will load the dash area into the mini scratch pad of the Save New " "Preset dialog." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:202 msgid "The scratch pad has five buttons underneath it. These are in order for:" msgstr "" #: ../../user_manual/loading_saving_brushes.rst:204 msgid "Showing the current brush image" msgstr "" #: ../../user_manual/loading_saving_brushes.rst:206 msgid "Adding a gradient to the scratch pad (useful for smudge brushes)" msgstr "" #: ../../user_manual/loading_saving_brushes.rst:207 msgid "Filling with the background color" msgstr "" #: ../../user_manual/loading_saving_brushes.rst:208 msgid "Clearing everything on the scratch pad" msgstr "" #: ../../user_manual/loading_saving_brushes.rst:211 msgid "Section D - The Options List" msgstr "" #: ../../user_manual/loading_saving_brushes.rst:213 msgid "" "The options, as stated above, are different per brush engine. These " "represent the different parameters, toggles and knobs that you can turn to " "make a brush preset unique. For a couple of options, the main things to " "change are sliders and check boxes, but for a lot of them, they use curves " "instead." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:219 msgid "" "Some options can be toggled, as noted by the little check boxes next to " "them, but others, like flow and opacity are so fundamental to how the brush " "works, that they are always on." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:223 msgid "" "The little padlock icon next to the options is for locking the brush. This " "has its own page." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:227 msgid "Section E - Option Configuration Widget" msgstr "" #: ../../user_manual/loading_saving_brushes.rst:229 msgid "" "Where section D is the list of options, section E is the widget where you " "can change things." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:233 msgid "Using sensor curves" msgstr "" #: ../../user_manual/loading_saving_brushes.rst:235 msgid "" "One of the big important things that make art unique to the artist who " "created it is the style of the strokes. Strokes are different because they " "differ in speed, rotation, direction, and the amount of pressure put onto " "the stylus. Because these are so important, we would want to customize how " "these values are understood in detail. The best way to do this is to use " "curves." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:242 msgid "" "Curves show up with the size widget for example. With an inking brush, we " "want to have size mapped to pressure. Just toggling the size option in the " "option list will do that." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:246 msgid "" "However, different people have different wrists and thus will press " "differently on their stylus. Someone who presses softly tends to find it " "easy to make thin strokes, but very difficult to make thick strokes. " "Conversely, someone who presses hard on their stylus naturally will have a " "hard time making thin strokes, but easily makes thick ones." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:252 msgid "" "Such a situation can be improved by using the curves to map pressure to " "output thinner lines or thicker ones." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:255 msgid "" "The brush settings curves even have quick curve buttons for these at the " "top. Someone who has a hard time making small strokes should try the second " "to last concave button, while someone who has a hard time making thick " "strokes should try the third button, the S shape." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:260 msgid "Underneath the curve widget there are two more options:" msgstr "" #: ../../user_manual/loading_saving_brushes.rst:263 msgid "" "This is for the list of sensors. Toggling this will make all the sensors use " "the same curve. Unchecked, all checked sensors will have separate curves." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:264 msgid "Share Curves across all settings" msgstr "" #: ../../user_manual/loading_saving_brushes.rst:267 msgid "" "This indicates how the multiple values of the sensor curves are used. The " "curves always go from 0 to 1.0, so if one curve outputs 0.5 and the other " "0.7, then..." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:271 msgid "Multiply" msgstr "" #: ../../user_manual/loading_saving_brushes.rst:272 msgid "Will multiply the two values, 0.5\\*0.7 = 0.35." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:274 msgid "Addition" msgstr "" #: ../../user_manual/loading_saving_brushes.rst:274 msgid "" "Will add the two to a maximum of 1.0, so 0.5+0.7 = 1.2, which is then capped " "at 1.0." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:277 msgid "Maximum" msgstr "" #: ../../user_manual/loading_saving_brushes.rst:277 msgid "" "Will compare the two and pick the largest. So in the case of 0.5 and 0.7, " "the result is 0.7." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:280 msgid "Minimum" msgstr "" #: ../../user_manual/loading_saving_brushes.rst:280 msgid "" "Will compare the two and pick the smallest. So in the case of 0.5 and 0.7, " "the result is 0.5." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:283 msgid "Will subtract the smallest value from the largest, so 0.7-0.5 = 0.2." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:284 msgid "Curves Calculation Mode" msgstr "" #: ../../user_manual/loading_saving_brushes.rst:284 msgid "Difference" msgstr "" #: ../../user_manual/loading_saving_brushes.rst:286 msgid "It's maybe better to see with the following example:" msgstr "" #: ../../user_manual/loading_saving_brushes.rst:289 msgid ".. image:: images/en/Krita_4_0_brush_curve_calculation_mode.png" msgstr "" #: ../../user_manual/loading_saving_brushes.rst:290 msgid "" "The first two are regular, the rest with different multiplication types." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:292 msgid "Is a brush with size set to the distance sensor." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:293 msgid "Is a brush with the size set to the fade sensor." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:294 msgid "The size is calculated from the fade and distance sensors multiplied." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:295 msgid "" "The size is calculated from the fade and distance sensors added to each " "other. Notice how thick it is." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:297 msgid "" "The size takes the maximum value from the values of the fade and distance " "sensors." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:299 msgid "" "The size takes the minimum value from the values of the fade and distance " "sensors." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:301 msgid "" "The size is calculated by having the largest of the values subtracted with " "the smallest of the values." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:305 msgid "Section F - Miscellaneous options" msgstr "" #: ../../user_manual/loading_saving_brushes.rst:308 msgid "" "This enables dirty presets. Dirty presets store the tweaks you make as long " "as this session of Krita is active. After that, they revert to default. " "Dirtied presets can be recognized by the icon in the top-left of the preset." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:316 msgid "Temporarily Save Tweaks to Preset (Dirty Presets)" msgstr "" #: ../../user_manual/loading_saving_brushes.rst:316 msgid "" "The icon in the top left of the first two presets indicate it is “Dirty”, " "meaning there are tweaks made to the preset." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:319 msgid "Eraser Switch Size" msgstr "" #: ../../user_manual/loading_saving_brushes.rst:319 msgid "" "This switches the brush to a separately stored size when using the :kbd:`E` " "key." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:321 msgid "Eraser Switch Opacity" msgstr "" #: ../../user_manual/loading_saving_brushes.rst:322 msgid "Same as above, but then with Eraser opacity." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:324 msgid "" "This allows you to toggle instant preview on the brush. The Instant Preview " "has a super-secret feature: when you press the instant preview label, and " "then right click it, it will show a threshold slider. This slider determines " "at what brush size instant preview is activated for the brush. This is " "useful because small brushes can be slower with instant preview, so the " "threshold ensures it only activates when necessary." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:330 msgid "Instant Preview" msgstr "" #: ../../user_manual/loading_saving_brushes.rst:333 msgid "The On-canvas brush settings" msgstr "" #: ../../user_manual/loading_saving_brushes.rst:335 msgid "" "There are on-canvas brush settings. If you open up the pop-up palette, there " "should be an icon on the bottom-right. Press that to show the on-canvas " "brush settings. You will see several sliders here, to quickly make small " "changes." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:340 msgid "" "At the top it shows the currently active preset. Next to that is a settings " "button, click that to get a list of settings that can be shown and organized " "for the given brush engine. You can use the up and down arrows to order " "their position, and then left and right arrows to add or remove from the " "list. You can also drag and drop." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:347 msgid "Making a Brush Preset" msgstr "" #: ../../user_manual/loading_saving_brushes.rst:349 msgid "Now, let's make a simple brush to test the waters with:" msgstr "" #: ../../user_manual/loading_saving_brushes.rst:352 msgid "Getting a default for the brush engine." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:354 msgid "First, open the settings with :kbd:`F5`." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:356 msgid "" "Then, press the arrow on the upper left to open the preset chooser. There, " "press the “+” icon to get a list of engines. For this brush we're gonna make " "a pixel brush." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:361 msgid "Example: Making an inking brush" msgstr "" #: ../../user_manual/loading_saving_brushes.rst:363 msgid "" "Draw on the scratch pad to see what the current brush looks like. If done " "correctly, you should have a 5px wide brush that has pressure set to opacity." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:366 msgid "" "Let us turn off the opacity first. Click on the :ref:`opacity " "` option in the right-hand list. The settings should " "now be changed to a big curve. This is the sensor curve." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:370 msgid "Uncheck the :guilabel:`Enable Pen Settings` checkbox." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:371 msgid "" "Test on the scratch pad... there still seems to be something affecting " "opacity. This is due to the :ref:`flow ` option." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:375 msgid "" "Select the Flow option from the list on the right hand. Flow is like " "Opacity, except that Flow is per dab, and opacity is per stroke." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:377 msgid "" "Uncheck the :guilabel:`Enable Pen Settings` checkbox here as well. Test " "again." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:378 msgid "" "Now you should be getting somewhere towards an inking brush. It is still too " "small however, and kinda grainy looking. Click :ref:`Brush Tip " "` in the brush engine options." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:381 msgid "" "Here, the diameter is the size of the brush-tip. You can touch the slider " "change the size, or right-click it and type in a value. Set it to 25 and " "test again. It should be much better." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:384 msgid "" "Now to make the brush feel a bit softer, turn down the fade parameter to " "about 0.9. This'll give the *brush mask* a softer edge." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:386 msgid "" "If you test again, you'll notice the fade doesn't seem to have much effect. " "This has to do with the spacing of the dabs: The closer they are together, " "the harder the line is. By default, this is 0.1, which is a bit low. If you " "set it to 10 and test, you'll see what kind of effect spacing has. The :ref:" "`Auto ` checkbox changes the way the spacing is calculated, " "and Auto Spacing with a value of 0.8 is the best value for inking brushes. " "Don't forget that you can use right-click to type in a value." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:395 msgid "" "Now, when you test, the fade seems to have a normal effect... except on the " "really small sizes, which look pixelly. To get rid of that, check the anti-" "aliasing check box. If you test again, the lines should be much nicer now." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:401 msgid "Saving the new Brush" msgstr "" #: ../../user_manual/loading_saving_brushes.rst:403 msgid "" "When you're satisfied, go to the upper left and select :guilabel::`Save new " "preset`." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:406 msgid "" "You will get the save preset dialog. Name the brush something like “My " "Preset”. Then, select :guilabel:`Load from Icon Library` to get the icon " "library. Choose a nice tool icon and press :guilabel:`OK`." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:410 msgid "" "The icon will be loaded into the mini scratch pad on the left. Now doodle a " "nice stroke next to it. If you feel you messed up, just go back to the icon " "library to load a new icon." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:414 msgid "Finally press :guilabel:`Save`, and your brush should be done." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:416 msgid "You can further modify your inking brush by..." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:419 msgid "" "Changing the amount of pressure you need to put on a brush to make it full " "size." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:419 msgid "" "To do this, select the :ref:`size ` option, and press the " "pressure sensor from the list next to the curve. The curve should look like " "a straight line. Now if you want a brush that gets big with little pressure, " "tick on the curve to make a point, and drag the point to the upper-left. The " "more the point is to the upper-left, the more extreme the effect. If you " "want instead a brush that you have to press really hard on to get to full " "size, drag the dot to the lower-right. Such a brush is useful for fine " "details. Don't forget to save the changes to your brush when done." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:422 msgid "Making the fine lines look even softer by using the flow option." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:422 msgid "" "To do this, select the flow option, and turn back on the :guilabel:`Enable " "Pen Settings` check box. Now if you test this, it is indeed a bit softer, " "but maybe a bit too much. Click on the curve to make a dot, and drag that " "dot to the top-left, half-way the horizontal of the first square of the " "grid. Now, if you test, the thin lines are much softer, but the hard your " "press, the harder the brush becomes." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:425 msgid "Sharing Brushes" msgstr "" #: ../../user_manual/loading_saving_brushes.rst:427 msgid "" "Okay, so you've made a new brush and want to share it. There are several " "ways to share a brush preset." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:430 msgid "" "The recommended way to share brushes and presets is by using the resource " "bundle system. We have detailed instructions on how to use them on the :ref:" "`resource management page `." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:434 msgid "" "However, there are various old-fashioned ways of sharing brushes that can be " "useful when importing and loading very old packs:" msgstr "" #: ../../user_manual/loading_saving_brushes.rst:438 msgid "Sharing a single preset" msgstr "" #: ../../user_manual/loading_saving_brushes.rst:440 msgid "There are three types of resources a single preset can take:" msgstr "" #: ../../user_manual/loading_saving_brushes.rst:442 msgid "" "A Paintoppreset file: This is the preset proper, with the icon and the " "curves stored inside." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:444 msgid "" "A Brush file: This is the brush tip. When using masked brushes, there's two " "of these." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:446 msgid "A Pattern file: this is when you are using textures." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:448 msgid "" "So when you have a brush that uses unique predefined tips for either brush " "tip or masked brush, or unique textures you will need to share those " "resources as well with the other person." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:452 msgid "" "To find those resources, go to :menuselection:`Settings --> Manage Resources " "--> Open Resource Folder`." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:454 msgid "" "There, the preset file will be inside paintoppresets, the brush tips inside " "brushes and the texture inside patterns." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:458 msgid "Importing a single KPP file." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:460 msgid "" "Now, if you want to use the single preset, you should go to the preset " "chooser on :kbd:`F6` and press the folder icon there. This will give a file " "dialog. Navigate to the kpp file and open it to import it." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:464 msgid "" "If there are brush tips and patterns coming with the file, do the same with " "pattern via the pattern docker, and for the brush-tip go to the settings " "drop-down (:kbd:`F5`) and then go to the “brush-tip” option. There, select " "predefined brush, and then the “import” button to call up the file dialog." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:471 msgid "Sharing via ZIP (old-fashioned)" msgstr "" #: ../../user_manual/loading_saving_brushes.rst:473 msgid "" "Sharing via ZIP should be replaced with resource bundles, but older brush " "packs are stored in zip files." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:477 msgid "Using a ZIP with the relevant files." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:479 msgid "" "Go to :menuselection:`Settings --> Manage Resources --> Open Resource " "Folder` to open the resource folder." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:480 msgid "Then, open up the zip file." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:481 msgid "" "Copy the brushes, paintoppresets and patterns folders from the zip file to " "the resource folder. You should get a prompt to merge the folders, agree to " "this." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:484 msgid "Restart Krita." msgstr "" #: ../../user_manual/loading_saving_brushes.rst:485 msgid "Enjoy your brushes!" msgstr ""