diff --git a/locale/ca/LC_MESSAGES/user_manual/drawing_tablets.po b/locale/ca/LC_MESSAGES/user_manual/drawing_tablets.po index 6e6e3877b..75b3038bc 100644 --- a/locale/ca/LC_MESSAGES/user_manual/drawing_tablets.po +++ b/locale/ca/LC_MESSAGES/user_manual/drawing_tablets.po @@ -1,363 +1,434 @@ # Translation of docs_krita_org_user_manual___drawing_tablets.po to Catalan # Copyright (C) 2019 This_file_is_part_of_KDE # This file is distributed under the license LGPL version 2.1 or # version 3 or later versions approved by the membership of KDE e.V. # # Antoni Bella Pérez , 2019. msgid "" msgstr "" "Project-Id-Version: docs_krita_org_user_manual___drawing_tablets\n" "Report-Msgid-Bugs-To: \n" "POT-Creation-Date: 2019-03-12 03:34+0100\n" -"PO-Revision-Date: 2019-03-15 19:26+0100\n" +"PO-Revision-Date: 2019-03-16 16:18+0100\n" "Last-Translator: Antoni Bella Pérez \n" "Language-Team: Catalan \n" "Language: ca\n" "MIME-Version: 1.0\n" "Content-Type: text/plain; charset=UTF-8\n" "Content-Transfer-Encoding: 8bit\n" "Plural-Forms: nplurals=2; plural=n != 1;\n" "X-Generator: Lokalize 18.12.3\n" #: ../../user_manual/drawing_tablets.rst:0 msgid ".. image:: images/en/Krita_tablet_stylus.png" msgstr ".. image:: images/en/Krita_tablet_stylus.png" #: ../../user_manual/drawing_tablets.rst:1 msgid "" "Basic page describing drawing tablets, how to set them up for Krita and how " "to troubleshoot common tablet issues." msgstr "" "Pàgina bàsica que descriu el dibuixar en les tauletes, com configurar-les " "per al Krita i com resoldre els problemes habituals en la tauleta." #: ../../user_manual/drawing_tablets.rst:18 msgid "Drawing Tablets" msgstr "Dibuixar en tauletes" #: ../../user_manual/drawing_tablets.rst:20 msgid "" "This page is about drawing tablets, what they are, how they work, and where " "things can go wrong." msgstr "" "Aquesta pàgina tracta sobre dibuixar en les tauletes, què són, com treballar-" "hi i on poden anar malament les coses." #: ../../user_manual/drawing_tablets.rst:24 msgid "What are tablets?" msgstr "Què són les tauletes?" #: ../../user_manual/drawing_tablets.rst:26 msgid "" "Drawing with a mouse can be unintuitive and difficult compared to pencil and " "paper. Even worse, extended mouse use can result in carpal tunnel syndrome. " "That’s why most people who draw digitally use a specialized piece of " "hardware known as a drawing tablet." msgstr "" "El dibuix amb un ratolí pot ser poc intuïtiu i difícil en comparació amb el " "llapis i el paper. Encara pitjor, l'ús estès del ratolí pot provocar la " "síndrome del túnel carpià. Per això, la majoria de les persones que dibuixen " "digitalment utilitzen una peça especialitzada de maquinari coneguda com a " "tauleta de dibuix." #: ../../user_manual/drawing_tablets.rst:32 msgid ".. image:: images/en/Krita_tablet_types.png" msgstr ".. image:: images/en/Krita_tablet_types.png" #: ../../user_manual/drawing_tablets.rst:33 msgid "" "A drawing tablet is a piece of hardware that you can plug into your machine, " "much like a keyboard or mouse. It usually looks like a plastic pad, with a " "stylus. Another popular format is a computer monitor with stylus used to " "draw directly on the screen. These are better to use than a mouse because " "it’s more natural to draw with a stylus and generally better for your wrists." msgstr "" "Una tauleta de dibuix és una peça de maquinari que podeu connectar amb la " "vostra màquina, com un teclat o un ratolí. Normalment sembla un coixí de " -"plàstic, amb un llapis. Un altre format popular és el monitor d’ordinador " +"plàstic, amb un llapis. Un altre format popular és el monitor d'ordinador " "amb llapis per a dibuixar directament a la pantalla. És millor que utilitzar " "un ratolí, ja que és més natural dibuixar amb un llapis i, en general, " "millor per als vostres canells." #: ../../user_manual/drawing_tablets.rst:40 msgid "" "With a properly installed tablet stylus, Krita can use information like " "pressure sensitivity, allowing you to make strokes that get bigger or " "smaller depending on the pressure you put on them, to create richer and more " "interesting strokes." msgstr "" "Amb una placa de tauleta amb llapis correctament instal·lada, el Krita podrà " "utilitzar la informació com la sensibilitat a la pressió, el qual us " "permetrà fer traços cada cop més grans o petits, depenent de la pressió que " "feu, per a crear traços més rics i interessants." #: ../../user_manual/drawing_tablets.rst:46 msgid "" "Sometimes, people confuse finger-touch styluses with a proper tablet. You " "can tell the difference because a drawing tablet stylus usually has a pointy " "nib, while a stylus made for finger-touch has a big rubbery round nib, like " "a finger. These tablets may not give good results and a pressure-sensitive " "tablet is recommended." msgstr "" "De vegades, les persones confonen els estils de tocar amb els dits amb una " "tauleta adequada. Podeu dir-los-hi la diferència, ja que una tauleta de " "dibuix amb llapis normalment té un punta punxeguda, mentre que un llapis " "dissenyat per al contacte amb el dit té una gran punta de goma rodona, com " "un dit. És possible que aquestes tauletes no donin bons resultats i es " "recomana una tauleta sensible a la pressió." #: ../../user_manual/drawing_tablets.rst:51 msgid "Drivers and Pressure Sensitivity" msgstr "Controladors i sensibilitat a la pressió" #: ../../user_manual/drawing_tablets.rst:53 msgid "" "So you have bought a tablet, a real drawing tablet. And you wanna get it to " "work with Krita! So you plug in the USB cable, start up Krita and... It " "doesn’t work! Or well, you can make strokes, but that pressure sensitivity " "you heard so much about doesn’t seem to work." msgstr "" "Així que heu comprat una tauleta, una veritable tauleta de dibuix. I voleu " "que funcioni amb el Krita! Així doncs, connecteu el cable USB, inicieu el " "Krita i... No funciona! O bé, podeu fer traços, però la sensibilitat a la " "pressió de la que tant heu sentit parlar no sembla funcionar." #: ../../user_manual/drawing_tablets.rst:58 msgid "" "This is because you need to install a program called a ‘driver’. Usually you " "can find the driver on a CD that was delivered alongside your tablet, or on " "the website of the manufacturer. Go install it, and while you wait, we’ll go " "into the details of what it is!" msgstr "" "Això es deu a que necessiteu instal·lar un programa anomenat «controlador». " "Normalment, El trobareu en un CD lliurat al costat de la tauleta o al lloc " "web del fabricant. Instal·leu-lo i, mentre espereu, anirem als detalls del " "que és!" #: ../../user_manual/drawing_tablets.rst:63 msgid "" "Running on your computer is a basic system doing all the tricky bits of " "running a computer for you. This is the operating system, or OS. Most people " "use an operating system called Windows, but people on an Apple device have " "an operating system called MacOS, and some people, including many of the " "developers use a system called Linux." msgstr "" "S'executa en el vostre ordinador, es tracta d'un sistema bàsic que fa per " "vosaltres totes les coses difícils d'utilitzar un ordinador. Aquest és el " "sistema operatiu o SO. La majoria de la gent utilitza un sistema operatiu " "anomenat Windows, però la gent d'un dispositiu Apple té un sistema operatiu " "anomenat MacOS, i algunes persones, incloent-hi molts dels desenvolupadors, " "utilitzen un sistema anomenat Linux." #: ../../user_manual/drawing_tablets.rst:69 msgid "" "The base principle of all of these systems is the same though. You would " "like to run programs like Krita, called software, on your computer, and you " "want Krita to be able to communicate with the hardware, like your drawing " "tablet. But to have those two communicate can be really difficult - so the " "operating system, works as a glue between the two." msgstr "" "El principi base de tots aquests sistemes és el mateix. Voleu executar " "programes com el Krita, el qual s'anomena programari, al vostre ordinador, i " "voleu que el Krita pugui comunicar-se amb el maquinari, com la vostra " "tauleta de dibuix. Però tenir aquestes dues comunicacions pot ser realment " "difícil, de manera que el sistema operatiu funciona com una cola entre els " "dos." #: ../../user_manual/drawing_tablets.rst:75 msgid "" "Whenever you start Krita, Krita will first make connections with the " "operating system, so it can ask it for a lot of these things: It would like " "to display things, and use the memory, and so on. Most importantly, it would " "like to get information from the tablet!" msgstr "" -"Sempre que inicieu el Krita, el Krita primer crearà les connexions amb el " -"sistema operatiu, de manera que podrà demanar per a un munt d'aquestes " -"coses: Vol mostrar les coses, emprar la memòria i així successivament. El " -"més important és que voldrà obtenir la informació de la tauleta!" +"Sempre que inicieu el Krita, primer es crearan les connexions amb el sistema " +"operatiu, de manera que podrà demanar per a un munt d'aquestes coses: Vol " +"mostrar les coses, emprar la memòria i així successivament. El més important " +"és que voldrà obtenir la informació de la tauleta!" #: ../../user_manual/drawing_tablets.rst:81 msgid ".. image:: images/en/Krita_tablet_drivermissing.png" msgstr ".. image:: images/en/Krita_tablet_drivermissing.png" #: ../../user_manual/drawing_tablets.rst:82 msgid "" "But it can’t! Turns out your operating system doesn’t know much about " "tablets. That’s what drivers are for. Installing a driver gives the " "operating system enough information so the OS can provide Krita with the " "right information about the tablet. The hardware manufacturer's job is to " "write a proper driver for each operating system." msgstr "" +"Però no pot! Resulta que el vostre sistema operatiu no sap gaire sobre les- " +"tauletes. Per això estan els controladors. Instal·lar un controlador " +"proporciona al sistema operatiu prou informació perquè el sistema operatiu " +"pugui proporcionar al Krita la informació adequada sobre la tauleta. El " +"treball del fabricant de maquinari és escriure un controlador adequat per a " +"cada sistema operatiu." #: ../../user_manual/drawing_tablets.rst:89 msgid "" "Because drivers modify the operating system a little, you will always need " "to restart your computer when installing or deinstalling a driver, so don’t " "forget to do this! Conversely, because Krita isn’t a driver, you don’t need " "to even deinstall it to reset the configuration, just rename or delete the " "configuration file." msgstr "" +"Com que els controladors modifiquen una mica el sistema operatiu, sempre " +"haureu de reiniciar l'ordinador quan n'instal·leu o desinstal·leu un, de " +"manera que no us oblideu de fer-ho! Per contra, perquè el Krita no és un " +"controlador, no us caldrà desinstal·lar-lo per a restablir la configuració, " +"simplement reanomeneu o suprimiu el fitxer de configuració." #: ../../user_manual/drawing_tablets.rst:92 msgid "Where it can go wrong: Windows" msgstr "On pot anar malament: Windows" #: ../../user_manual/drawing_tablets.rst:94 msgid "" "Krita automatically connects to your tablet if the drivers are installed. " "When things go wrong, usually the problem isn't with Krita." msgstr "" +"El Krita es connectarà automàticament amb la tauleta si els controladors " +"estan instal·lats. Quan les coses van malament, normalment el problema no és " +"amb el Krita." #: ../../user_manual/drawing_tablets.rst:98 msgid "Surface pro tablets need two drivers" msgstr "Les tauletes Surface Pro necessiten dos controladors" #: ../../user_manual/drawing_tablets.rst:100 msgid "" "Certain tablets using n-trig, like the Surface Pro, have two types of " "drivers. One is native, n-trig and the other one is called wintab. Since " "3.3, Krita can use Windows Ink style drivers, just go to :menuselection:" "`Settings --> Configure Krita --> Tablet Settings` and toggle the :guilabel:" "`Windows 8+ Pointer Input` there. You don't need to install the wintab " "drivers anymore for n-trig based pens." msgstr "" +"Algunes tauletes que utilitzen «n-trig», com la Surface Pro, tenen dos tipus " +"de controladors. Un és natiu, «n-trig» i l'altre s'anomena «wintab». Des de " +"la versió 3.3, el Krita pot utilitzar controladors per a l'estil de tinta " +"del Windows, només cal anar a :menuselection:`Arranjament --> Configura el " +"Krita --> Ajustaments per a la tauleta` i canvieu l'opció :guilabel:`Entrada " +"de l'apuntador de Windows 8+`. No necessiteu instal·lar més els controladors " +"«wintab» per a llapis basats en «n-trig»." #: ../../user_manual/drawing_tablets.rst:108 msgid "Windows 10 updates" msgstr "Actualitzacions del Windows 10" #: ../../user_manual/drawing_tablets.rst:110 msgid "" "Sometimes a Windows 10 update can mess up tablet drivers. In that case, " "reinstalling the drivers should work." msgstr "" +"De vegades, una actualització de Windows 10 pot espatllar els controladors de " +"les tauletes. En aquest cas, el reinstal·lar els controladors sol funcionar." #: ../../user_manual/drawing_tablets.rst:114 msgid "Wacom Tablets" msgstr "Tauletes Wacom" #: ../../user_manual/drawing_tablets.rst:116 msgid "There are two known problems with Wacom tablets and Windows." -msgstr "" +msgstr "Hi ha dos problemes coneguts amb les tauletes Wacom i el Windows." #: ../../user_manual/drawing_tablets.rst:118 msgid "" "The first is that if you have customized the driver settings, then " "sometimes, often after a driver update, but that is not necessary, the " "driver breaks. Resetting the driver to the default settings and then loading " "your settings from a backup will solve this problem." msgstr "" +"El primer és que si heu personalitzat els ajustaments del controlador, de " +"vegades, sovint després d'una actualització del controlador, però això no és " +"necessari, el controlador es trenca. El restablir el controlador als " +"ajustaments predeterminats i després carregar els vostres ajustaments des " +"d'una còpia de seguretat solucionarà aquest problema." #: ../../user_manual/drawing_tablets.rst:123 msgid "" "The second is that for some reason it might be necessary to change the " "display priority order. You might have to make your Cintiq screen your " "primary screen, or, on the other hand, make it the secondary screen. Double " "check in the Wacom settings utility that the tablet in the Cintiq is " "associated with the Cintiq screen." msgstr "" +"El segon és que, per alguna raó, podria ser necessari canviar l'ordre de " +"prioritat de mostrar. És possible que hagueu de fer que la vostra pantalla " +"de «Cintiq» sigui la pantalla principal o, d'altra banda, convertir-la en la " +"pantalla secundària. Comproveu a la utilitat d'ajustaments de Wacom que la " +"tauleta de «Cintiq» estigui associada amb la pantalla de «Cintiq»." #: ../../user_manual/drawing_tablets.rst:130 msgid "Broken Drivers" msgstr "Controladors trencats" #: ../../user_manual/drawing_tablets.rst:132 msgid "" "Tablet drivers need to be made by the manufacturer. Sometimes, with really " "cheap tablets, the hardware is fine, but the driver is badly written, which " "means that the driver just doesn’t work well. We cannot do anything about " "this, sadly. You will have to send a complaint to the manufacturer for this, " "or buy a better tablet with better quality drivers." msgstr "" +"Els controladors de la tauleta han d'estar fabricats pel fabricant. De " +"vegades, amb tauletes realment barates, el maquinari està bé, però el " +"controlador està escrit malament, el qual vol dir que el controlador " +"simplement no funcionarà bé. Lamentablement no podem fer res referent a " +"això. Haureu d'enviar una queixa al fabricant, o comprar una tauleta millor " +"amb controladors de millor qualitat." #: ../../user_manual/drawing_tablets.rst:140 msgid "Conflicting Drivers" msgstr "Controladors conflictius" #: ../../user_manual/drawing_tablets.rst:142 msgid "" "On Windows, you can only have a single wintab-style driver installed at a " "time. So be sure to deinstall the previous driver before installing the one " "that comes with the tablet you want to use. Other operating systems are a " "bit better about this, but even Linux, where the drivers are often " "preinstalled, can't run two tablets with different drivers at once." msgstr "" +"A Windows, només podreu tenir instal·lat alhora un únic controlador d'estil " +"«wintab». Així que assegureu-vos de desinstal·lar el controlador antic abans " +"d'instal·lar el que ve amb la tauleta que voleu utilitzar. Altres sistemes " +"operatius són una mica millors referent a això, però fins i tot Linux, on " +"els controladors sovint estan preinstal·lats, no es poden executar dues " +"tauletes amb diferents controladors alhora." #: ../../user_manual/drawing_tablets.rst:150 msgid "Interfering software" msgstr "Programari que interfereix" #: ../../user_manual/drawing_tablets.rst:152 msgid "" "Sometimes, there's software that tries to make a security layer between " "Krita and the operating system. Sandboxie is an example of this. However, " "Krita cannot always connect to certain parts of the operating system while " "sandboxed, so it will often break in programs like sandboxie. Similarly, " "certain mouse software, like Razer utilities can also affect whether Krita " "can talk to the operating system, converting tablet information to mouse " "information. This type of software should be configured to leave Krita " "alone, or be deinstalled." msgstr "" +"De vegades, hi ha programari que intenta crear una capa de seguretat entre el " +"Krita i el sistema operatiu. El Sandboxie n'és un exemple. No obstant això, " +"el Krita no sempre podrà connectar-se amb certes parts del sistema operatiu " +"mentre es trobi en un espai aïllat, de manera que sovint s'interromp front a " +"programes com el Sandboxie. De manera similar, algun programari de ratolí, " +"com les utilitats de Razer, també pot afectar en si el Krita podrà parlar " +"amb el sistema operatiu, convertint la informació de la tauleta en " +"informació del ratolí. Aquest tipus de programari s'haurà de configurar o " +"desinstal·lar per a deixar que el Krita faci sol." #: ../../user_manual/drawing_tablets.rst:161 msgid "" "The following software has been reported to interfere with tablet events to " "Krita:" msgstr "" -"S'ha informat que el següent programari interfereix al Krita amb els " +"S'ha informat que el següent programari interfereix el Krita amb els " "esdeveniments de la tauleta:" #: ../../user_manual/drawing_tablets.rst:164 msgid "Sandboxie" -msgstr "" +msgstr "Sandboxie" #: ../../user_manual/drawing_tablets.rst:165 msgid "Razer mouse utilities" -msgstr "" +msgstr "Utilitats del ratolí de Razer" #: ../../user_manual/drawing_tablets.rst:166 msgid "AMD catalyst “game mode” (this broke the right click for someone)" -msgstr "" +msgstr "«Mode joc» de l'«AMD catalyst» (aquest va trencar el clic dret a algú)" #: ../../user_manual/drawing_tablets.rst:169 msgid "Flicks (Wait circle showing up and then calling the popup palette)" msgstr "" +"Flicks (espera el cercle que apareix i després crida la paleta emergent)" #: ../../user_manual/drawing_tablets.rst:171 msgid "" "If you have a situation where trying to draw keeps bringing up the pop-up " "palette on Windows, then the problem might be flicks. These are a type of " "gesture, a bit of Windows functionality that allows you to make a motion to " "serve as a keyboard shortcut. Windows automatically turns these on when you " "install tablet drivers, because the people who made this part of Windows " "forgot that people also draw with computers. So you will need to turn it off " "in the Windows flicks configuration." msgstr "" +"Si us trobeu amb una situació en la que intentant dibuixar es continua " +"mostrant la paleta emergent al Windows, llavors el problema pot ser el " +"«Flicks». Aquests són un tipus de gest, una mica de funcionalitat del " +"Windows que permet fer un moviment de manera que serveixi com a drecera del " +"teclat. El Windows els activa de manera automàtica quan instal·la els " +"controladors de la tauleta, perquè les persones que van fer aquesta part del " +"Windows van oblidar que la gent també dibuixa amb els ordinadors. Per tant, " +"haureu de desactivar-lo a la configuració del «Flicks» de Windows." #: ../../user_manual/drawing_tablets.rst:180 msgid "Wacom Double Click Sensitivity (Straight starts of lines)" -msgstr "" +msgstr "Sensibilitat del doble clic de Wacom (l'inici recte de les línies)" #: ../../user_manual/drawing_tablets.rst:182 msgid "" "If you experience an issue where the start of the stroke is straight, and " "have a wacom tablet, it could be caused by the Wacom driver double-click " "detection." msgstr "" +"Si experimenteu un problema en el que l'inici del traç és recte i teniu una " +"tauleta de Wacom, pot estar provocat per la detecció del doble clic del " +"controlador de Wacom." #: ../../user_manual/drawing_tablets.rst:186 msgid "" "To fix this, go to the Wacom settings utility and lower the double click " "sensitivity." msgstr "" +"Per a solucionar aquest problema, aneu a la utilitat d'ajustaments de Wacom i " +"baixeu la sensibilitat al doble clic." #: ../../user_manual/drawing_tablets.rst:190 msgid "Supported Tablets" -msgstr "Tauletes compatibles" +msgstr "Tauletes acceptades" #: ../../user_manual/drawing_tablets.rst:192 msgid "" "Supported tablets are the ones of which Krita developers have a version " "themselves, so they can reliably fix bugs with them. :ref:`We maintain a " "list of those here `." msgstr "" +"Les tauletes acceptades són aquelles en les que els desenvolupadors del Krita " +"tenen una versió, de manera que poden corregir els errors de forma fiable. " +":ref:`Aquí mantenim una llista de les que són `." diff --git a/locale/ca/LC_MESSAGES/user_manual/getting_started/basic_concepts.po b/locale/ca/LC_MESSAGES/user_manual/getting_started/basic_concepts.po index 6ea46cb28..e4b41e734 100644 --- a/locale/ca/LC_MESSAGES/user_manual/getting_started/basic_concepts.po +++ b/locale/ca/LC_MESSAGES/user_manual/getting_started/basic_concepts.po @@ -1,1488 +1,1488 @@ # Translation of docs_krita_org_user_manual___getting_started___basic_concepts.po to Catalan # Copyright (C) 2019 This_file_is_part_of_KDE # This file is distributed under the license LGPL version 2.1 or # version 3 or later versions approved by the membership of KDE e.V. # # Antoni Bella Pérez , 2019. msgid "" msgstr "" -"Project-Id-Version: docs_krita_org_user_manual___getting_started___basic_conce" -"pts\n" +"Project-Id-Version: " +"docs_krita_org_user_manual___getting_started___basic_concepts\n" "Report-Msgid-Bugs-To: \n" "POT-Creation-Date: 2019-02-25 03:36+0100\n" "PO-Revision-Date: 2019-03-15 19:00+0100\n" "Last-Translator: Antoni Bella Pérez \n" "Language-Team: Catalan \n" "Language: ca\n" "MIME-Version: 1.0\n" "Content-Type: text/plain; charset=UTF-8\n" "Content-Transfer-Encoding: 8bit\n" "Plural-Forms: nplurals=2; plural=n != 1;\n" "X-Generator: Lokalize 18.12.3\n" #: ../../user_manual/getting_started/basic_concepts.rst:None msgid ".. image:: images/en/Pixels-brushstroke.png" msgstr ".. image:: images/en/Pixels-brushstroke.png" #: ../../user_manual/getting_started/basic_concepts.rst:None msgid ".. image:: images/en/Dockers.png" msgstr ".. image:: images/en/Dockers.png" #: ../../user_manual/getting_started/basic_concepts.rst:None msgid ".. image:: images/en/Multi-window.png" msgstr ".. image:: images/en/Multi-window.png" #: ../../user_manual/getting_started/basic_concepts.rst:None msgid ".. image:: images/en/Canvas-krita.png" msgstr ".. image:: images/en/Canvas-krita.png" #: ../../user_manual/getting_started/basic_concepts.rst:None msgid ".. image:: images/en/Krita_ghostlady_1.png" msgstr ".. image:: images/en/Krita_ghostlady_1.png" #: ../../user_manual/getting_started/basic_concepts.rst:None msgid ".. image:: images/en/Krita_ghostlady_2.png" msgstr ".. image:: images/en/Krita_ghostlady_2.png" #: ../../user_manual/getting_started/basic_concepts.rst:None msgid ".. image:: images/en/Krita_ghostlady_3.png" msgstr ".. image:: images/en/Krita_ghostlady_3.png" #: ../../user_manual/getting_started/basic_concepts.rst:None msgid ".. image:: images/en/Krita_transforms_free.png" msgstr ".. image:: images/en/Krita_transforms_free.png" #: ../../user_manual/getting_started/basic_concepts.rst:None msgid ".. image:: images/en/Introduction_to_animation_walkcycle_02.gif" msgstr ".. image:: images/en/Introduction_to_animation_walkcycle_02.gif" #: ../../user_manual/getting_started/basic_concepts.rst:1 msgid "An overview of the basic concepts of Krita." msgstr "Una visió general dels conceptes bàsics del Krita." #: ../../user_manual/getting_started/basic_concepts.rst:20 msgid "Basic Concepts" msgstr "Conceptes bàsics" #: ../../user_manual/getting_started/basic_concepts.rst:22 msgid "" "If this is your first foray into digital painting, this page should give you " "a brief introduction to the basic but important concepts required for " "getting started with digital painting in Krita." msgstr "" "Si aquesta és la vostra primera incursió en la pintura digital, aquesta " "pàgina us hauria d'oferir una breu introducció als conceptes bàsics però " "importants necessaris per a començar amb la pintura digital al Krita." #: ../../user_manual/getting_started/basic_concepts.rst:24 msgid "" "This page is very, very long because it tries to cover all the important " "things you should know Krita is capable of, and Krita is really powerful. So " "this page can also be considered a guide through Krita's most important " "functionality. Hopefully, it will help you grasp what buttons are for, even " "if you don't know the exact purpose of them." msgstr "" "Aquesta pàgina és molt, molt llarga perquè tracta de cobrir totes les coses " "importants que heu de saber que el Krita és capaç de fer, i el Krita és " "realment poderós. De manera que aquesta pàgina també es pot considerar una " "guia a través de la funcionalitat més important del Krita. Amb sort, us " "ajudarà a comprendre els botons, fins i tot si no coneixeu el seu propòsit " "exacte." #: ../../user_manual/getting_started/basic_concepts.rst:26 msgid "Contents" msgstr "Contingut" #: ../../user_manual/getting_started/basic_concepts.rst:29 msgid "Raster and Vector" msgstr "Rasteritzat i vectors" #: ../../user_manual/getting_started/basic_concepts.rst:31 msgid "" "Even though Krita is primarily a raster based application, it has some " "vector editing capabilities as well. If you are new to Digital painting " "medium, it is necessary that you know the concepts of raster and Vector." msgstr "" "Tot i que el Krita és principalment una aplicació basada en rasteritzat, " "també té algunes capacitats d'edició vectorial. Si sou nou al mitjà de la " "pintura digital, és necessari que conegueu els conceptes del rasteritzat i " "dels vectors." #: ../../user_manual/getting_started/basic_concepts.rst:33 msgid "" "In digital imaging, a pixel (Picture Element) is a basic and lowest element " "of an Image. It is basically a grid of points each displaying specific " "color. Raster editing is manipulating and editing these pixels. For example " "when you take a 1-pixel brush which is colored black and painting on the " "white canvas in Krita you are actually changing the color of the pixel " "beneath your brush from white to black. When you zoom in and see a brush " "stroke you can notice many small squares with colors, these are pixels" msgstr "" "A les imatges digitals, un píxel (element de la imatge) és un element bàsic " "i el més baix d'una imatge. Bàsicament es tracta d'una quadrícula de punts " "on cadascun mostra un color específic. L'edició rasteritzada és la " "manipulació i edició d'aquests píxels. Per exemple, quan agafeu un pinzell " "de píxels d'1 píxel que és de color negre i pinteu sobre el llenç blanc del " "Krita, en realitat estareu canviant el color blanc del píxel sota el pinzell " "a negre. En fer apropament i veure un traç del pinzell, podreu observar " "molts quadrats petits amb colors, aquests són els píxels." # skip-rule: barb-uns #: ../../user_manual/getting_started/basic_concepts.rst:38 msgid "" "In contrast, vector graphic work is based on mathematical expressions. They " "are independent of the pixel. For example, when you draw a rectangle on a " "vector layer in Krita you are actually drawing paths passing through points " "called nodes which are located on specific coordinates on the 'x' and 'y' " "axes. When you re-size or move these points the computer calculates and " "redraws the path and displays the newly formed shape to you. Hence you can " "re-size the vector shape to any extent without any loss in quality." msgstr "" "En canvi, el treball gràfic vectorial es basa en expressions matemàtiques. " "Aquestes són independents del píxel. Per exemple, quan dibuixeu un rectangle " "en una capa vectorial en el Krita, en realitat, dibuixeu trajectes que " "passen per punts anomenats nodes que es troben en unes coordenades " "específiques dels eixos «X» i «Y». Quan torneu a reamidar o moure aquests " "punts, l'ordinador calcularà i tornarà a dibuixar el trajecte i us mostrarà " "la forma que ha pres. Per tant, podeu tornar a reamidar la forma vectorial " "en qualsevol mesura sense cap pèrdua de qualitat." #: ../../user_manual/getting_started/basic_concepts.rst:40 msgid "In Krita, everything which is not on a vector layer is raster based." msgstr "" "Al Krita, tot el que no es troba en una capa vectorial està basat en " "rasteritzat." #: ../../user_manual/getting_started/basic_concepts.rst:43 msgid "Images, Views and Windows" msgstr "Imatges, vistes i finestres" #: ../../user_manual/getting_started/basic_concepts.rst:45 msgid "" "In a painting program, there are three major containers that make up your " "work-space." msgstr "" "En un programa de pintura, hi ha tres contenidors principals que conformen " "el vostre espai de treball." #: ../../user_manual/getting_started/basic_concepts.rst:48 msgid "Image" msgstr "Imatge" #: ../../user_manual/getting_started/basic_concepts.rst:50 msgid "The most important one is the **Image**." msgstr "El més important és la **imatge**." # skip-rule: t-sp_2p,t-2p_sp,t-acc_obe #: ../../user_manual/getting_started/basic_concepts.rst:52 msgid "" "This is an individual copy of the image you opened or made via the file " "dialog, and where you edit your file. Krita can allow you to open the file " "as a new copy via the :guilabel:`File` menu, or to save it as a new file, or " "make an incremental save. An image contains layers, a color space, a canvas " "size and metadata such as creator, data created, and DPI. Krita can open " "multiple images at once, you can switch between them via the :guilabel:" "`Window` menu." msgstr "" "Aquesta és una còpia individual de la imatge que heu obert o fet mitjançant " "el diàleg de fitxer i on editareu el vostre fitxer. El Krita permet obrir el " "fitxer com a una còpia nova a través del menú :guilabel:`Fitxer`, desar-lo " "com a fitxer nou o fer un desament incremental. Una imatge conté capes, un " "espai de color, una mida del llenç i metadades com ara el creador, dades " "creades i PPP. El Krita pot obrir múltiples imatges alhora, podreu canviar " "entre elles mitjançant el menú :guilabel:`Finestra`." #: ../../user_manual/getting_started/basic_concepts.rst:54 msgid "" "Because the image is a working copy of the image on the hard drive, you can " "do a lot of little saving tricks with it:" msgstr "" "A causa que la imatge és una còpia de treball de la imatge en el disc dur, " "podreu fer molts petits trucs de desament amb ella:" #: ../../user_manual/getting_started/basic_concepts.rst:56 msgid "New" msgstr "Nova" # skip-rule: t-sp_2p,t-2p_sp,t-acc_obe #: ../../user_manual/getting_started/basic_concepts.rst:57 msgid "" "Makes a new image. When you press :menuselection:`Save`, you make a new file " "on the hard drive." msgstr "" "Crea una imatge nova. Quan premeu :menuselection:`Desa`, creareu un fitxer " "nou al disc dur." #: ../../user_manual/getting_started/basic_concepts.rst:58 msgid "Open" msgstr "Obre" # skip-rule: t-sp_2p,t-2p_sp,t-acc_obe #: ../../user_manual/getting_started/basic_concepts.rst:59 msgid "" "Makes an internal copy of an existing image. When you press :menuselection:" "`Save`, you will overwrite the original existing image with your working " "copy." msgstr "" "Crea una còpia interna d'una imatge existent. Quan premeu :menuselection:" "`Desa`, sobreescriureu la imatge original existent amb la vostra còpia de " "treball." #: ../../user_manual/getting_started/basic_concepts.rst:60 msgid "Open existing Document as Untitled Document" msgstr "Obre un document existent com a un document sense títol" # skip-rule: t-sp_2p,t-2p_sp,t-acc_obe #: ../../user_manual/getting_started/basic_concepts.rst:61 msgid "" "Similar to :menuselection:`Open`, however, :menuselection:`Save` will " "request you to specify a saving location: you're making a new copy. This is " "similar to :menuselection:`Import` in other programs." msgstr "" "Similar a :menuselection:`Obre`, malgrat això, :menuselection:`Desa` us " "demanarà que especifiqueu una ubicació de desament: creareu una còpia nova. " "Això és similar a :menuselection:`Importa` en altres programes." #: ../../user_manual/getting_started/basic_concepts.rst:62 msgid "Create Copy From Current Image" msgstr "Crea una còpia des de la imatge actual" # skip-rule: t-sp_2p,t-2p_sp,t-acc_obe #: ../../user_manual/getting_started/basic_concepts.rst:63 msgid "" "Similar to :menuselection:`Open existing Document as Untitled Document` but " "with the currently selected image." msgstr "" "Similar a :menuselection:`Obre un document existent com a un document sense " "títol` però amb la imatge actualment seleccionada." #: ../../user_manual/getting_started/basic_concepts.rst:65 msgid "Save incremental" msgstr "Desament incremental" # skip-rule: kct-snapshot #: ../../user_manual/getting_started/basic_concepts.rst:65 msgid "" "Allows you to quickly make a snapshot of the current image by making a new " "file with a version number added to it." msgstr "" "Permet fer una instantània ràpida de la imatge actual creant un fitxer nou " "amb un número de versió afegit." #: ../../user_manual/getting_started/basic_concepts.rst:67 msgid "" "These options are great for people doing production work, who need to switch " "between files quickly or have backup files in case they do something " "extreme. Krita also has a file backup system in the form of auto-saves and " "back files and crash recovery. You can configure these in the general " "settings." msgstr "" "Aquestes opcions són excel·lents per a les persones que realitzen treballs " "de producció, les quals necessiten canviar entre fitxers amb rapidesa o " "tenir fitxers de còpia de seguretat en cas de fer quelcom extrem. El Krita " "també té un sistema de còpia de seguretat dels fitxers en forma de desament " "automàtic i fitxers de resguard i per a la recuperació de bloqueigs. Podeu " "configurar-los als ajustaments generals." #: ../../user_manual/getting_started/basic_concepts.rst:69 msgid "You view the image via a **View**." msgstr "Veureu la imatge a través d'una **vista**." #: ../../user_manual/getting_started/basic_concepts.rst:72 msgid "View" msgstr "Vista" # skip-rule: t-sp_2p,t-2p_sp,t-acc_obe #: ../../user_manual/getting_started/basic_concepts.rst:74 msgid "" "A view is a window onto your image. Krita allows you to have multiple views, " "and you can manipulate the view to zoom, rotate and mirror and modify the " "color of the way you see an image without editing the image itself. This is " "very useful for artists, as changing the way they view the image is a common " "way to diagnose mistakes, like skewing to one side. Mirroring with :kbd:`M` " "makes such skewing easy to identify." msgstr "" "Una vista és una finestra amb la vostra imatge. El Krita permet tenir " "múltiples vistes i podreu manipular la vista per fer zoom, girar, emmirallar " "i modificar el color de manera que veureu la imatge sense editar-la. Això és " "molt útil per als artistes, ja que canviar la manera de veure la imatge és " "una manera comuna de diagnosticar els errors, com ara inclinar-se cap a un " "costat. Emmirallar amb :kbd:`M` fa que aquesta inclinació sigui fàcil " "d'identificar." #: ../../user_manual/getting_started/basic_concepts.rst:77 msgid "" "If you have trouble drawing certain curves you will enjoy using rotation for " "drawing, and of course, there is zooming in and out for precision and rough " "work." msgstr "" "Si teniu problemes per a dibuixar determinades corbes, gaudireu utilitzant " "la rotació per a dibuixar i, per descomptat, hi ha un zoom per a més " "precisió i el treball rude." #: ../../user_manual/getting_started/basic_concepts.rst:82 msgid ".. image:: images/en/Krita_multiple_views.png" msgstr ".. image:: images/en/Krita_multiple_views.png" #: ../../user_manual/getting_started/basic_concepts.rst:82 msgid "Multiple views of the same image in Krita" msgstr "Múltiples vistes de la mateixa imatge en el Krita" # skip-rule: t-sp_2p,t-2p_sp,t-acc_obe,kct-tab #: ../../user_manual/getting_started/basic_concepts.rst:84 msgid "" "Multiple views are possible in Krita via :menuselection:`Window --> New view " "--> image name`. You can switch between them via the :guilabel:`Window` " "menu, or :kbd:`Ctrl + Tab`, or keep them in the same area when **subwindow** " "mode is active in the :ref:`settings `, via :menuselection:" "`Window --> Tile`." msgstr "" "Múltiples visites són possibles en el Krita mitjançant :menuselection:" "`Finestra --> Vista nova --> nom_imatge`. Podreu canviar entre elles " "mitjançant el menú :guilabel:`Finestra`, la drecera :kbd:`Ctrl + Tab` o " "manteniu-les a la mateixa àrea quan estigui activat el mode **subfinestra** " "als :ref:`ajustaments `, mitjançant :menuselection:" "`Finestra --> Mosaic`." #: ../../user_manual/getting_started/basic_concepts.rst:87 msgid "Dockers" msgstr "Acobladors" # skip-rule: t-sp_2p,t-2p_sp,t-acc_obe #: ../../user_manual/getting_started/basic_concepts.rst:89 msgid "" "Dockers are little subwindows in :ref:`Krita's interface `. They " "contain useful tools, like the color selector, layer stack, tool options etc." msgstr "" "Els acobladors són petites subfinestres a la :ref:`interfície del Krita " "`. Contenen eines útils, com ara el selector de color, la pila " "de capes, les opcions de les eines, etc." #: ../../user_manual/getting_started/basic_concepts.rst:94 msgid "The image above shows some of the dockers in Krita" msgstr "La imatge de dalt mostra alguns dels acobladors al Krita." #: ../../user_manual/getting_started/basic_concepts.rst:96 msgid "All the views and the dockers are held inside **Windows**" msgstr "Totes les vistes i els acobladors es troben dins de les **finestres**" #: ../../user_manual/getting_started/basic_concepts.rst:99 msgid "Window" msgstr "Finestra" #: ../../user_manual/getting_started/basic_concepts.rst:101 msgid "" "If you've used a computer before, you know what windows are: They are big " "containers for your computer programs." msgstr "" "Si heu utilitzat un ordinador abans, ja sabeu què són les finestres: són " "contenidors grans per als vostres programes d'ordinador." # skip-rule: t-sp_2p,t-2p_sp,t-acc_obe #: ../../user_manual/getting_started/basic_concepts.rst:103 msgid "" "Krita allows you to have multiple windows via :menuselection:`Window --> New " "Window`. You can then drag this to another monitor for multi-monitor use." msgstr "" "El Krita permet tenir múltiples finestres mitjançant :menuselection:" "`Finestra -> Finestra nova`. A continuació, podreu arrossegar-la a un altre " "monitor per utilitzar-ho amb múltiples monitors." #: ../../user_manual/getting_started/basic_concepts.rst:105 msgid "The image below shows an example of multiple windows in Krita." msgstr "La imatge següent mostra un exemple de múltiples finestres al Krita." #: ../../user_manual/getting_started/basic_concepts.rst:111 msgid "Canvas in Krita" msgstr "Llenç en el Krita" #: ../../user_manual/getting_started/basic_concepts.rst:113 msgid "" "When you create a new document in Krita for the first time you will see a " "rectangular white area. This is called a canvas. You can see it in the image " "below. The area marked by a red rectangle is a canvas." msgstr "" "Quan creeu un document nou en el Krita per primera vegada, veureu una àrea " "blanca rectangular. Això s'anomena un llenç. Podeu veure-ho a la imatge de " "sota. L'àrea marcada per un rectangle vermell és un llenç." #: ../../user_manual/getting_started/basic_concepts.rst:118 msgid "" "When you save the painting as jpg, png etc or take a print out of the " "painting, only the content inside this area is taken into consideration. " "Anything beyond it is ignored. Krita does store information beyond this " "area, you just won't be able to see it. This data is stored in the " "**Layers**." msgstr "" "Quan deseu la pintura com a JPG, PNG, etc. o quan feu una impressió de la " "pintura, només es tindrà en compte el contingut d'aquesta àrea. Qualsevol " "cosa més enllà serà ignorada. El Krita emmagatzema informació més enllà " "d'aquesta àrea, simplement no la podeu veure. Aquestes dades s'emmagatzemen " "a les **capes**." #: ../../user_manual/getting_started/basic_concepts.rst:122 msgid "Layers and Compositing" msgstr "Capes i composició" #: ../../user_manual/getting_started/basic_concepts.rst:124 msgid "" "Like a landscape painter will first paint the sky and then the furthest away " "elements before slowly working his way to the foreground elements, computers " "will do the same with all the things you tell them to draw. So, if you tell " "them to draw a circle after a square on the same spot, the circle will " "always be drawn later. This is called the **Drawing Order**." msgstr "" "Així com un pintor de paisatges, primer pintaria el cel i després els " "elements més allunyats abans de treballar lentament amb els elements en " "primer pla, els ordinadors faran el mateix amb totes les coses que els hi " "digueu que dibuixin. Per tant, si indiqueu que es dibuixi un cercle després " "d'un quadrat en el mateix lloc, el cercle sempre es dibuixarà després. Això " "s'anomena **ordre del dibuix**." #: ../../user_manual/getting_started/basic_concepts.rst:126 msgid "" "The layer stack is a way for you to separate elements of a drawing and " "manipulate the drawing order by showing you which layers are drawn when, and " "allowing you to change the order they are drawn in, and all sorts of other " "effects. This is called **Compositing**." msgstr "" "La pila de capes és una manera per a que separeu els elements d'un dibuix i " "en manipuleu l'ordre per a mostrar quines capes es dibuixaran quan, el qual " "us permetrà canviar l'ordre en què estan dibuixades i tot tipus d'altres " "efectes. Això s'anomena **composició**." #: ../../user_manual/getting_started/basic_concepts.rst:128 msgid "" "This allows you to have line art above the colors, or trees before the " "mountains, and edit each without affecting the other." msgstr "" "Això us permet tenir art lineal sobre els colors o arbres al davant de les " "muntanyes, i editar-ne cadascun sense afectar a l'altre." #: ../../user_manual/getting_started/basic_concepts.rst:130 msgid "Krita has many layer-types, each doing a slightly different thing:" msgstr "" "El Krita disposa de molts tipus de capes, cadascuna fa quelcom una mica " "diferent:" # skip-rule: t-acc_obe #: ../../user_manual/getting_started/basic_concepts.rst:132 msgid ":ref:`paint_layers`" msgstr ":ref:`paint_layers`" #: ../../user_manual/getting_started/basic_concepts.rst:133 msgid "" "Also known as raster layers, and the most common layer type, you will be " "painting on these." msgstr "" "També conegudes com a capes de rasteritzat i el tipus de capa més comú, " "pintareu sobre aquestes." # skip-rule: t-acc_obe #: ../../user_manual/getting_started/basic_concepts.rst:134 msgid ":ref:`vector_layers`" msgstr ":ref:`vector_layers`" #: ../../user_manual/getting_started/basic_concepts.rst:135 msgid "" "This is a layer type on which you draw vector graphics. Vector graphics are " "typically more simple than raster graphics and with the benefit that you can " "deform them with less blurriness." msgstr "" "Aquestes són un tipus de capa on dibuixareu els gràfics vectorials. Els " "gràfics vectorials solen ser més senzills que els gràfics de rasteritzat i " "amb el benefici que els podreu deformar amb menys borrositat." # skip-rule: t-acc_obe #: ../../user_manual/getting_started/basic_concepts.rst:136 msgid ":ref:`group_layers`" msgstr ":ref:`group_layers`" #: ../../user_manual/getting_started/basic_concepts.rst:137 msgid "" "These allow you to group several layers via drag and drop, so you can " "organize, move, apply masks and perform other actions on them together." msgstr "" "Aquestes us permeten agrupar diverses capes mitjançant l'acció arrossega i " "deixa anar, de manera que podreu organitzar, moure, aplicar màscares i " "realitzar altres accions." # skip-rule: t-acc_obe #: ../../user_manual/getting_started/basic_concepts.rst:138 msgid ":ref:`clone_layers`" msgstr ":ref:`clone_layers`" #: ../../user_manual/getting_started/basic_concepts.rst:139 msgid "" "These are copies of the layer you selected when making them. They get " "updated automatically when changing the original." msgstr "" "Aquestes són còpies de la capa que heu seleccionat al crear-les. " "S'actualitzen automàticament quan es canvia l'original." # skip-rule: t-acc_obe #: ../../user_manual/getting_started/basic_concepts.rst:140 msgid ":ref:`file_layers`" msgstr ":ref:`file_layers`" #: ../../user_manual/getting_started/basic_concepts.rst:141 msgid "" "These refer to an outside existing image, and update as soon as the outside " "image updates. Useful for logos and emblems that change a lot." msgstr "" "Aquestes es refereixen a una imatge existent a l'exterior i s'actualitzen " "tan aviat com s'actualitza la imatge externa. Útil per a logotips i emblemes " "que canvien molt." # skip-rule: t-acc_obe #: ../../user_manual/getting_started/basic_concepts.rst:142 msgid ":ref:`fill_layers`" msgstr ":ref:`fill_layers`" #: ../../user_manual/getting_started/basic_concepts.rst:143 msgid "" "These layers are filled with something that Krita can make up on the fly, " "like colors or patterns." msgstr "" "Aquestes capes estan omplides d'alguna cosa que el Krita pot fer sobre la " "marxa, com ara colors o patrons." # skip-rule: t-acc_obe #: ../../user_manual/getting_started/basic_concepts.rst:145 msgid ":ref:`filter_layers`" msgstr ":ref:`filter_layers`" #: ../../user_manual/getting_started/basic_concepts.rst:145 msgid "Adding a filter in the layer-stack. We discuss these later on." msgstr "Afegir un filtre a la pila de capes. Parlarem d'això més endavant." #: ../../user_manual/getting_started/basic_concepts.rst:147 msgid "You can manipulate the content of the layers with **Tools**." msgstr "Podeu manipular el contingut de les capes amb les **eines**." #: ../../user_manual/getting_started/basic_concepts.rst:150 msgid "Tools" msgstr "Eines" #: ../../user_manual/getting_started/basic_concepts.rst:152 msgid "" "Tools help you manipulate the image data. The most common one is of course, " "the freehand brush, which is the default when you open Krita. There are " "roughly five types of tools in Krita:" msgstr "" "Les eines us permeten manipular les dades de la imatge. La més comuna és, " "per descomptat, el pinzell a mà alçada, la qual és la predeterminada quan " "obriu el Krita. Aproximadament hi ha cinc tipus d'eines al Krita:" #: ../../user_manual/getting_started/basic_concepts.rst:154 msgid "Paint Tools" msgstr "Eines de pintura" #: ../../user_manual/getting_started/basic_concepts.rst:155 msgid "" "These are tools for painting on paint layers. They describe shapes, like " "rectangles, circles and straight lines, but also freehand paths. These " "shapes then get used by the Brush engines to make shapes and drawing effects." msgstr "" "Són eines per a pintar sobre capes de pintura. Descriuen formes, com ara " "rectangles, cercles i línies rectes, però també traçats a mà alçada. " "Aquestes formes són utilitzades pels motors de pinzells per a crear formes i " "efectes de dibuix." #: ../../user_manual/getting_started/basic_concepts.rst:156 msgid "Vector Tools" msgstr "Eines vectorials" #: ../../user_manual/getting_started/basic_concepts.rst:157 msgid "" "This is the upper row of tools, which are used to edit vectors. " "Interestingly enough, all paint tools except the freehand brush allow you to " "draw shapes on the vector layers. These don't get a brush engine effect " "applied to them, though." msgstr "" "Aquesta és la fila superior d'eines, les quals s'utilitzen per editar els " "vectors. Curiosament, totes les eines de pintura, excepte el pinzell a mà " "alçada, permeten dibuixar formes a les capes vectorials. No obstant això, a " "aquests no se'ls aplica un efecte del motor de pinzells." #: ../../user_manual/getting_started/basic_concepts.rst:158 msgid "Selection Tools" msgstr "Eines de selecció" #: ../../user_manual/getting_started/basic_concepts.rst:159 msgid "" "Selections allow you to edit a very specific area of the layer you are " "working on without affecting the others. The selection tools allow you " "modify the current selection. This is not unlike using masking-fluids in " "traditional painting, but whereas using masking fluids and film is often " "messy and delicate, selections are far easier to use." msgstr "" "Les seleccions permeten editar una àrea molt específica de la capa en la " "qual esteu treballant sense afectar a les altres. Les eines de selecció " "permeten modificar la selecció actual. Això no és diferent de l'ús de fluids " "d'emmascarament en la pintura tradicional, però mentre que emprar fluids i " "pel·lícula per a l'emmascarament sovint és desordenat i delicat, les " "seleccions són molt més fàcils d'emprar." #: ../../user_manual/getting_started/basic_concepts.rst:160 msgid "Guide Tools" msgstr "Eines de guia" #: ../../user_manual/getting_started/basic_concepts.rst:161 msgid "These are tools like grids and assistants." msgstr "Aquestes són les eines com quadrícules i assistents." #: ../../user_manual/getting_started/basic_concepts.rst:163 msgid "Transform Tools" msgstr "Eines de transformació" #: ../../user_manual/getting_started/basic_concepts.rst:163 msgid "" "These are tools that allow you to transform your image. More on that later." msgstr "" "Aquestes són les eines que permeten transformar la imatge. Més sobre això " "més endavant." #: ../../user_manual/getting_started/basic_concepts.rst:165 msgid "" "All tools can be found in the toolbox, and information can be found in the " "tools section of the manual." msgstr "" "Totes les eines es troben al quadre d'eines i trobareu la informació a la " "secció d'eines del manual." #: ../../user_manual/getting_started/basic_concepts.rst:168 msgid "Brush Engines" msgstr "Motors de pinzells" #: ../../user_manual/getting_started/basic_concepts.rst:170 msgid "" "Brush engines, like mentioned before, take a path and tablet information and " "add effects to it, making a stroke." msgstr "" "Els motors de pinzells, com s'ha mencionat anteriorment, prenen informació " "d'un traç i de la tauleta i li afegeixen els efectes, fent-ho en un traç." #: ../../user_manual/getting_started/basic_concepts.rst:172 msgid "" "Engine is a term programmers use to describe a complex interacting set of " "code that is the core for a certain functionality, and is highly " "configurable. In short, like the engine of your car drives your car, and the " "type of engine and its configuration affects how you use your car, the brush " "engine drives the look and feel of the brush, and different brush engines " "have different results." msgstr "" "El motor és un terme que els programadors utilitzen per a descriure un " "conjunt complex de codi interactiu que és el nucli d'una determinada " "característica i és altament configurable. En resum, com el motor del cotxe " "que conduïu; el cotxe, el tipus de motor i la seva configuració afectarà a " "la forma en què l'utilitzeu, el motor del pinzell impulsa l'aspecte i el " "comportament del pinzell i diferents motors de pinzell tenen resultats " "diferents." # skip-rule: t-2p_sp,t-acc_obe #: ../../user_manual/getting_started/basic_concepts.rst:174 msgid "" "Krita has :ref:`a LOT of different brush engines `, " "all with different effects." msgstr "" "El Krita disposa d':ref:`un munt de motors diferents de pinzell " "`, tots amb efectes diferents." #: ../../user_manual/getting_started/basic_concepts.rst:179 msgid ".. image:: images/en/Krita_example_differentbrushengines.png" msgstr ".. image:: images/en/Krita_example_differentbrushengines.png" #: ../../user_manual/getting_started/basic_concepts.rst:179 msgid "" "**Left:** pixel brush, **Center:** color smudge brush, **Right:** sketch " "brush" msgstr "" "**Esquerra:** pinzell de píxels, **Centre:** pinzell d'esborronat del color, " "**Dreta** pinzell d'esbós" #: ../../user_manual/getting_started/basic_concepts.rst:181 msgid "" "For example, the pixel-brush engine is simple and allows you to do most of " "your basic work, but if you do a lot of painting, the color smudge brush " "engine might be more useful. Even though it's slower to use than the Pixel " "Brush engine, its mixing of colors allows you to work faster." msgstr "" "Per exemple, el motor del pinzell de píxels és senzill i permet fer la major " "part del vostre treball bàsic, però si feu una gran quantitat de pintura, el " "motor del pinzell d'esborronat del color pot ser més útil. Encara que sigui " "més lent que utilitzar el motor del pinzell de píxels, la seva barreja de " "colors us permetrà treballar més ràpidament." #: ../../user_manual/getting_started/basic_concepts.rst:183 msgid "" "If you want something totally different from that, the sketch brush engine " "helps with making messy lines, and the shape brush engine allows you to make " "big flats quickly. There are a lot of cool effects inside Krita's brush " "engines, so try them all out, and be sure to check the chapters on each." msgstr "" "Si voleu alguna cosa totalment diferent d'això, el motor del pinzell d'esbós " "ajuda a fer línies desordenades i el motor de pinzell de formes permet fer " "plans grans ràpidament. Hi ha molts efectes interessants als motors de " "pinzells del Krita, de manera que proveu-los tots i assegureu-vos de " "comprovar els capítols de cadascun." # skip-rule: t-sp_2p,t-2p_sp,t-acc_obe #: ../../user_manual/getting_started/basic_concepts.rst:185 msgid "" "You can configure these effects via the Brush Settings drop-down, which can " "be quickly accessed via :kbd:`F5`. These configurations can then be saved " "into presets, which you can quickly access with :kbd:`F6` or the Brush " "Presets docker." msgstr "" "Podeu configurar aquests efectes mitjançant el menú desplegable Ajustaments " "del pinzell, al qual es pot accedir ràpidament amb la drecera :kbd:`F5`. " "Aquestes configuracions es poden desar en valors predefinits, als quals " "accedireu ràpidament amb la drecera :kbd:`F6` o l'acoblador Valors " "predefinits del pinzell." #: ../../user_manual/getting_started/basic_concepts.rst:187 msgid "Brushes draw with colors, but how do computers understand colors?" msgstr "" "Els pinzells dibuixen amb colors, però com poden entendre'ls els ordinadors?" #: ../../user_manual/getting_started/basic_concepts.rst:190 msgid "Colors" msgstr "Colors" #: ../../user_manual/getting_started/basic_concepts.rst:192 msgid "" "Humans can see a few million colors, which are combinations of " "electromagnetic waves (light) bouncing off a surface, where the surface " "absorbs some of it." msgstr "" "Els humans poden veure alguns milions de colors, els quals són combinacions " "d'ones electromagnètiques (llum) que reboten sobre una superfície, on la " "superfície n'absorbeix una part." #: ../../user_manual/getting_started/basic_concepts.rst:197 msgid ".. image:: images/en/Krita_basics_primaries.png" msgstr ".. image:: images/en/Krita_basics_primaries.png" #: ../../user_manual/getting_started/basic_concepts.rst:197 msgid "" "Subtractive CMY colors on the left and additive RGB colors on the right. " "This difference means that printers benefit from color conversion before " "printing" msgstr "" "Els colors CMY subtractius a l'esquerra i els colors RGB additius a la " "dreta. Aquesta diferència significa que les impressores es beneficien de la " "conversió del color abans d'imprimir." #: ../../user_manual/getting_started/basic_concepts.rst:199 msgid "" "When painting traditionally, we use pigments which also absorb the right " "light-waves for the color we want it to have, but the more pigments you " "combine, the more light is absorbed, leading to a kind of murky black. This " "is why we call the mixing of paints **subtractive**, as it subtracts light " "the more pigments you put together. Because of that, in traditional pigment " "mixing, our most efficient primaries are three fairly light colors: Cyan " "blue and Magenta red and Yellow (CMY)." msgstr "" "Quan pintem de la manera tradicional, utilitzem pigments que també " "absorbeixen les ones de llum adequades per al color que volem que tingui, " "però com més pigments es combinin, més llum s'absorbirà, donant lloc a una " "mena de negre tou. Per aquesta raó, anomenem la barreja **substractiva** de " "pintures, ja que resta llum quan més pigments agrupeu. Per això, en la " "barreja tradicional de pigments, els primaris més eficients són tres colors " "força lleugers: blau cian, vermell magenta i groc (Cyan blue, Magenta red " "and Yellow -CMY-)." #: ../../user_manual/getting_started/basic_concepts.rst:201 msgid "" "A computer also uses three primaries and uses a specific amount of each " "primary in a color as the way it stores color. However, a computer is a " "screen that emits light. So it makes more light, which means it needs to do " "**additive** mixing, where adding more and more colored lights result in " "white. This is why the three most efficient primaries, as used by computers " "are Red, Green and Blue (RGB)." msgstr "" "Un ordinador també utilitza els tres primaris i utilitza una quantitat " "específica de cadascun en un color a mesura que emmagatzema el color. No " "obstant això, un ordinador és una pantalla que emet llum. De manera que fa " "més llum, el qual vol dir que haurà de fer una barreja **additiva**, on " "l'addició de més i més llums de color resultarà en blanc. Per aquest motiu, " "els tres primaris més eficients, tal com els utilitzen els ordinadors són " "vermell, verd i blau (Red, Green and Blue -RGB-)." #: ../../user_manual/getting_started/basic_concepts.rst:203 msgid "" "Per pixel, a computer then stores the value of each of these primaries, with " "the maximum depending on the bit-depth. These are called the **components** " "or **channels** depending on who you talk to." msgstr "" "Per píxel, un ordinador emmagatzemarà el valor de cadascun d'aquests " "primaris, amb el màxim depenent de la profunditat de bits. Aquests són els " "anomenats **components** o **canals** segons amb qui parleu." #: ../../user_manual/getting_started/basic_concepts.rst:208 msgid ".. image:: images/en/Krita_basic_channel_rose.png" msgstr ".. image:: images/en/Krita_basic_channel_rose.png" #: ../../user_manual/getting_started/basic_concepts.rst:208 msgid "" "This is the red-channel of an image of a red rose. As you can see, the " "petals are white here, indicating that those areas contain full red. The " "leaves are much darker, indicating a lack of red, which is to be expected, " "as they are green." msgstr "" "Aquest és el canal vermell d'una imatge d'una rosa vermella. Com podeu " "veure, els pètals són blancs, indicant que aquestes àrees contenen vermell " "complet. Les fulles són molt més fosques, indicant una falta de vermell, el " "qual és d'esperar, ja que són verdes." #: ../../user_manual/getting_started/basic_concepts.rst:210 msgid "" "Though by default computers use RGB, they can also convert to CMYK (the " "subtractive model), or a perceptual model like LAB. In all cases this is " "just a different way of indicating how the colors relate to each other, and " "each time it usually has 3 components. The exception here is grayscale, " "because the computer only needs to remember how white a color is. This is " "why grayscale is more efficient memory-wise." msgstr "" "Tot i que, de manera predeterminada, els ordinadors empren RGB, també poden " "convertir-se a CMYK (el model subtractiu) o un model perceptiu com LAB. En " "tots els casos, això només és una manera diferent d'indicar com es " "relacionen els colors entre si, i cada vegada se solen tenir 3 components. " "L'excepció aquí és l'escala de grisos, perquè l'ordinador només necessita " "recordar com és un color blanc. Per això, amb l'escala de grisos és més " "eficient en memòria." #: ../../user_manual/getting_started/basic_concepts.rst:212 msgid "" "In fact, if you look at each channel separately, they also look like " "grayscale images, but instead white just means how much Red, Green or Blue " "there is." msgstr "" "De fet, si observeu cada canal per separat, també les veureu com a imatges " "en escala de grisos, però en blanc voldrà dir només la quantitat de vermell, " "verd o blau que hi ha." # skip-rule: t-sp_2p,t-2p_sp,t-acc_obe #: ../../user_manual/getting_started/basic_concepts.rst:214 msgid "" "Krita has a very complex color management system, which you can read more " "about :ref:`here `." msgstr "" "El Krita té un sistema per a la gestió del color molt complex, del qual " "podeu llegir més :ref:`aquí `." #: ../../user_manual/getting_started/basic_concepts.rst:217 msgid "Transparency" msgstr "Transparència" #: ../../user_manual/getting_started/basic_concepts.rst:219 msgid "" "Just like Red, Green and Blue, the computer can also store how transparent a " "pixel is. This is important for **compositing** as mentioned before. After " "all, there's no point in having multiple layers if you can't have " "transparency." msgstr "" "Igual que el vermell, el verd i el blau, l'ordinador també pot emmagatzemar " "la transparència d'un píxel. Això és important per a la **composició** tal " "com s'ha esmentat anteriorment. Després de tot, no té sentit tenir múltiples " "capes si no es pot tenir transparència." #: ../../user_manual/getting_started/basic_concepts.rst:221 msgid "" "Transparency is stored in the same way as colors, meaning that it's also a " "channel. We usually call this channel the **alpha channel** or **alpha** for " "short. The reason behind this is that the letter 'α' is used to represent it " "in programming." msgstr "" "La transparència s'emmagatzema de la mateixa manera que els colors, el qual " "significa que també és un canal. Normalment l'anomenem **canal alfa** o " "**alfa** per escurçar. La raó d'això és que la lletra «α» s'utilitza per a " "representar-la en la programació." # skip-rule: t-sp_2p,t-2p_sp,t-acc_obe #: ../../user_manual/getting_started/basic_concepts.rst:223 msgid "" "Some older programs don't always have transparency by default. Krita is the " "opposite: it doesn't understand images that don't track transparency, and " "will always add a transparency channel to images. When a given pixel is " "completely transparent on all layers, Krita will instead show a checkerboard " "pattern, like the rose image to the left." msgstr "" "Alguns programes antics no sempre tenen transparència de manera " "predeterminada. El Krita fa el contrari: no entén les imatges que no " "segueixen la transparència, i sempre afegirà un canal de transparència a les " "imatges. Quan un píxel donat és completament transparent a totes les capes, " "el Krita mostrarà un patró de tauler d'escacs, com la imatge de la rosa que " "hi ha a l'esquerra." #: ../../user_manual/getting_started/basic_concepts.rst:226 msgid "Blending modes" msgstr "Modes de barreja" #: ../../user_manual/getting_started/basic_concepts.rst:228 msgid "" "Because colors are stored as numbers you can do maths with them. We call " "this **Blending Modes** or **Compositing Modes**." msgstr "" "Com que els colors s'emmagatzemen com a números, podreu fer matemàtiques amb " "ells. Això ho anomenem **Modes de barreja** o **Modes de composició**." #: ../../user_manual/getting_started/basic_concepts.rst:230 msgid "" "Blending modes can be done per layer or per brush stroke, and thus are also " "part of the compositing of layers." msgstr "" "Els modes de barreja es poden fer per capa o pel traç del pinzell i, per " "tant, també formen part de la composició de les capes." #: ../../user_manual/getting_started/basic_concepts.rst:233 msgid "Multiply" msgstr "Multiplicar" # skip-rule: t-sp_2p,t-2p_sp,t-acc_obe #: ../../user_manual/getting_started/basic_concepts.rst:233 msgid "" "A commonly used blending mode is for example :menuselection:`Multiply` which " "multiplies the components, leading to darker colors. This allows you to " "simulate the subtractive mixing, and thus makes painting shadows much easier." msgstr "" "Un mode de barreja que s'utilitza habitualment és, per exemple :" "menuselection:`Multiplica`, el qual multiplicarà els components, donant lloc " "a colors més foscos. Això permet simular la barreja substractiva i, per " "tant, facilitarà molt les ombres en la pintura." #: ../../user_manual/getting_started/basic_concepts.rst:235 msgid "Addition" msgstr "Sumar" # skip-rule: t-sp_2p,t-2p_sp,t-acc_obe #: ../../user_manual/getting_started/basic_concepts.rst:236 msgid "" "Another common one is :menuselection:`Addition`, which adds one layer's " "components to the other, making it perfect for special glow effects." msgstr "" "Un altre ús habitual és :menuselection:`Suma`, el qual afegirà els " "components d'una capa a l'altra, el qual es perfecte per a efectes especials " "de lluïssor." #: ../../user_manual/getting_started/basic_concepts.rst:237 msgid "Erasing" msgstr "Esborrar" # skip-rule: t-sp_2p,t-2p_sp,t-acc_obe #: ../../user_manual/getting_started/basic_concepts.rst:238 msgid "" ":menuselection:`Erasing` is a blending mode in Krita. There is no eraser " "tool, but you can toggle on the brush quickly with :kbd:`E` to become an " "eraser. You can also use it on layers. Unlike the other blending modes, this " "one only affects the alpha channel, making things more transparent." msgstr "" ":menuselection:`Esborra` és un mode de barreja al Krita. No hi ha cap eina " "d'esborrador, però podeu alternar ràpidament el pinzell amb la drecera :kbd:" "`E` per a convertir-la en un goma d'esborrar. També podeu utilitzar-la en " "les capes. A diferència dels altres modes de barreja, aquest només afectarà " "el canal alfa, fent que les coses siguin més transparents." #: ../../user_manual/getting_started/basic_concepts.rst:240 msgid "Normal" msgstr "Normal" # skip-rule: t-sp_2p,t-2p_sp,t-acc_obe #: ../../user_manual/getting_started/basic_concepts.rst:240 msgid "" "The :menuselection:`Normal` blend mode just averages between colors " "depending on how transparent the topmost color is." msgstr "" "El mode de barreja :menuselection:`Normal` només fa la mitjana entre els " "colors depenent de quina sigui la transparència al color de sobre." # skip-rule: t-sp_2p,t-2p_sp,t-acc_obe #: ../../user_manual/getting_started/basic_concepts.rst:242 msgid "" "Krita has 76 blending modes, each doing slightly different things. Head over " "to the :ref:`blending_modes` to learn more." msgstr "" "El Krita disposa de 76 modes de barreja, cadascun fa les coses una mica " "diferents. Aneu cap als :ref:`blending_modes` per obtenir més informació." #: ../../user_manual/getting_started/basic_concepts.rst:244 msgid "" "Because we can see channels as grayscale images, we can convert grayscale " "images into channels. Like for example, we can use a grayscale image for the " "transparency. We call these **Masks**." msgstr "" "Com que podem veure els canals com a imatges en escala de grisos, podrem " "convertir les imatges en escala de grisos a canals. Com, per exemple, podrem " "utilitzar una imatge en escala de grisos per a la transparència. Ho anomenem " "**màscares**." #: ../../user_manual/getting_started/basic_concepts.rst:247 msgid "Masks" msgstr "Màscares" #: ../../user_manual/getting_started/basic_concepts.rst:249 msgid "" "Masks are a type of sub-effect applied to a layer, usually driven by a " "grayscale image." msgstr "" "Les màscares són un tipus de subefecte aplicat a una capa, generalment " "provinent d'una imatge en escala de grisos." # skip-rule: t-sp_2p,t-2p_sp,t-acc_obe #: ../../user_manual/getting_started/basic_concepts.rst:251 msgid "" "The primary types of mask are :ref:`transparency_masks`, which allow you to " "use a grayscale image to determine the transparency, where black makes " "everything transparent and white makes the pixel fully opaque." msgstr "" "Els tipus principals de màscara són :ref:`transparency_masks`, els quals " "permeten utilitzar una imatge en escala de grisos per a determinar la " "transparència, on el negre farà que tot sigui transparent i el blanc farà " "que el píxel sigui completament opac." #: ../../user_manual/getting_started/basic_concepts.rst:253 msgid "" "You can paint on masks with any of the brushes, or convert a normal paint-" "layer to a mask. The big benefit of masks is that you can make things " "transparent without removing the underlying pixels. Furthermore, you can use " "masks to reveal or hide a whole group layer at once!" msgstr "" "Podeu pintar sobre les màscares amb qualsevol dels pinzells, o convertir una " "capa de pintura normal en una màscara. El gran benefici de les màscares és " "que podreu fer les coses transparents sense eliminar els píxels subjacents. " "A més, podreu fer servir les màscares per a revelar o ocultar tot un grup de " "capes alhora." #: ../../user_manual/getting_started/basic_concepts.rst:255 msgid "For example, we have a white ghost lady here:" msgstr "Per exemple, aquí tenim una dama fantasma de blanc:" #: ../../user_manual/getting_started/basic_concepts.rst:260 msgid "" "But you can't really tell whether she's a ghost lady or just really really " "white. If only we could give the idea that she floats... We right-click the " "layer and add a transparency mask. Then, we select that mask and draw with a " "black and white linear gradient so that the black is below." msgstr "" "Però en realitat no es pot saber si és una dama fantasma o simplement que en " "realitat és blanca. Si només poguéssim donar-nos la idea que flota... Fem " "clic dret a la capa i afegim una màscara de transparència. Després, " "seleccionem aquesta màscara i dibuixem amb un degradat lineal en blanc i " "negre, de manera que el negre estarà a sota." #: ../../user_manual/getting_started/basic_concepts.rst:266 msgid "" "Wherever the black is, there the lady now becomes transparent, turning her " "into a real ghost!" msgstr "" "On se vulga que es trobi el negre, allà la dama es tornarà transparent. " "Convertint-la en un veritable fantasma!" #: ../../user_manual/getting_started/basic_concepts.rst:268 msgid "" "The name mask comes from traditional masking fluid and film. You may recall " "the earlier comparison of selections to traditional masking fluid. " "Selections too are stored internally as grayscale images, and you can save " "them as a local selection which is kind of like a mask, or convert them to a " "transparency mask." msgstr "" "El nom de màscara prové del fluid i pel·lícula de l'emmascarament " "tradicional. Pot recordar la comparació anterior de seleccions amb el fluid " "per a l'emmascarament tradicional. Les seleccions també s'emmagatzemen " "internament com a imatges en escala de grisos, i podeu desar-les com una " "selecció local, el qual serà com una màscara, o convertir-ho en una màscara " "de transparència." #: ../../user_manual/getting_started/basic_concepts.rst:271 msgid "Filters" msgstr "Filtres" #: ../../user_manual/getting_started/basic_concepts.rst:273 msgid "" "We mentioned earlier that you can do maths with colors. But you can also do " "maths with pixels, or groups of pixels or whole layers. In fact, you can " "make Krita do all sorts of little operations on layers. We call these " "operations **Filters**." msgstr "" "Anteriorment hem esmentat que podeu fer matemàtiques amb els colors. Però " "també podeu fer matemàtiques amb els píxels, grups de píxels o capes " "senceres. De fet, podeu fer que el Krita faci tot tipus de petites " "operacions sobre les capes. A aquestes operacions les anomenem **filtres**." #: ../../user_manual/getting_started/basic_concepts.rst:275 msgid "Examples of such operations are:" msgstr "Exemples d'aquestes operacions són:" #: ../../user_manual/getting_started/basic_concepts.rst:277 msgid "Desaturate" msgstr "Dessatura" #: ../../user_manual/getting_started/basic_concepts.rst:278 msgid "This makes all the pixels turn gray." msgstr "Això fa que tots els píxels es tornin grisos." #: ../../user_manual/getting_started/basic_concepts.rst:279 msgid "Blur" msgstr "Difuminat" #: ../../user_manual/getting_started/basic_concepts.rst:280 msgid "" "This averages the pixels with their neighbors, which removes sharp contrasts " "and makes the whole image look blurry." msgstr "" "Això fa la mitjana dels píxels amb els seus veïns, el qual eliminarà els " "contrastos més definits i farà que la imatge sencera quedi borrosa." #: ../../user_manual/getting_started/basic_concepts.rst:281 msgid "Sharpen" msgstr "Aguditza" #: ../../user_manual/getting_started/basic_concepts.rst:282 msgid "" "This increases the contrast between pixels that had a pretty high contrast " "to begin with." msgstr "" "Això farà augmentar el contrast entre els píxels que tenien un contrast " "força alt en començar." #: ../../user_manual/getting_started/basic_concepts.rst:284 msgid "Color to Alpha" msgstr "Color a alfa" #: ../../user_manual/getting_started/basic_concepts.rst:284 msgid "A popular filter which makes all of the chosen color transparent." msgstr "Un filtre popular que fa que tot el color escollit sigui transparent." #: ../../user_manual/getting_started/basic_concepts.rst:289 msgid ".. image:: images/en/Krita_basic_filter_brush.png" msgstr ".. image:: images/en/Krita_basic_filter_brush.png" #: ../../user_manual/getting_started/basic_concepts.rst:289 msgid "Different filter brushes being used on different parts of the image." msgstr "" "Diferents pinzells de filtratge que s'utilitzen en diferents parts de la " "imatge." # skip-rule: t-sp_2p,t-2p_sp,t-acc_obe #: ../../user_manual/getting_started/basic_concepts.rst:291 msgid "" "Krita has many more filters available: read about them :ref:`here `." msgstr "" "El Krita disposa de molts més filtres disponibles: llegiu sobre seu :ref:" "`aquí `." # skip-rule: t-acc_obe #: ../../user_manual/getting_started/basic_concepts.rst:294 msgid ":ref:`filter_brush_engine`" msgstr ":ref:`filter_brush_engine`" # skip-rule: t-sp_2p,t-2p_sp,t-acc_obe #: ../../user_manual/getting_started/basic_concepts.rst:296 msgid "" "Because many of these operations are per pixel, Krita allows you to use the " "filter as part of the :ref:`filter_brush_engine`." msgstr "" "Com que moltes d'aquestes operacions són per píxel, el Krita permet " "utilitzar el filtre com a part del :ref:`filter_brush_engine`." #: ../../user_manual/getting_started/basic_concepts.rst:298 msgid "" "In most image manipulation software, these are separate tools, but Krita has " "it as a brush engine, allowing much more customization than usual." msgstr "" "En la majoria del programari per a la manipulació d'imatges, aquestes són " "eines separades, però el Krita les té com a motor de pinzells, permetent una " "major personalització del que és habitual." #: ../../user_manual/getting_started/basic_concepts.rst:300 msgid "" "This means you can make a brush that desaturates pixels, or a brush that " "changes the hue of the pixels underneath." msgstr "" "Això vol dir que podeu crear un pinzell que dessatura els píxels o un " "pinzell que canvia el to dels píxels per sota." #: ../../user_manual/getting_started/basic_concepts.rst:303 msgid "Filter Layers, Filter Masks and Layer Styles" msgstr "Capes de filtratge, màscares de filtratge i estils de capa" # skip-rule: t-sp_2p,t-2p_sp,t-acc_obe #: ../../user_manual/getting_started/basic_concepts.rst:305 msgid "" "Krita also allows you to let the Filters be part of the layer stack, via :" "ref:`filter_layers` and :ref:`filter_masks`. Filter Layers affect all the " "layers underneath it in the same hierarchy. Transparency and transparency " "masks on Filter Layers affect where the layer is applied." msgstr "" "El Krita també permet deixar que els filtres formin part de la pila de " "capes, mitjançant les :ref:`filter_layers` i :ref:`filter_masks`. Les capes " "del filtratge afectaran a totes les capes situades sota seu en la mateixa " "jerarquia. La transparència i les màscares de transparència a sobre de les " "capes de filtratge afectaran on s'apliqui la capa." #: ../../user_manual/getting_started/basic_concepts.rst:307 msgid "" "Masks, on the other hand, can affect one single layer and are driven by a " "grayscale image. They will also affect all layers in a group, much like a " "transparency mask." msgstr "" "Les màscares, d'altra banda, poden afectar una sola capa i provenen d'una " "imatge en escala de grisos. També afectaran a totes les capes d'un grup, " "igual que una màscara de transparència." # skip-rule: t-apo_ini #: ../../user_manual/getting_started/basic_concepts.rst:309 msgid "" "We can use these filters to make our ghost lady look even more ethereal, by " "selecting the ghost lady's layer, and then creating a clone layer. We then " "right click and add a filter mask and use gaussian blur set to 10 or so " "pixels. The clone layer is then put behind the original layer, and set to " "the blending mode '**Color Dodge**', giving her a definite spooky glow. You " "can keep on painting on the original layer and everything will get updated " "automatically!" msgstr "" "Podem utilitzar aquests filtres per a fer que la nostra dama fantasma es " "vegi encara més etèria, seleccionant la capa de la dama fantasma i després " "creant una capa clonada. Després fem clic dret, afegim una màscara de " "filtratge i fem servir el conjunt de difuminat gaussià establert a 10 píxels " "o així. La capa clonada es col·locarà al darrere de la capa original i " "s'establirà en el mode barreja «**Esvaïment del color**», el qual li donarà " "una lluïssor esgarrifosament definida. Podeu continuar pintant a la capa " "original i tot s'actualitzarà automàticament!" # skip-rule: t-sp_2p,t-2p_sp,t-acc_obe #: ../../user_manual/getting_started/basic_concepts.rst:314 msgid "" "Layer Effects or Layer Styles are :program:`Photoshop's` unique brand of " "Filter Masks that are a little faster than regular masks, but not as " "versatile. They are available by right clicking a layer and selecting 'layer " "style'." msgstr "" "Els efectes de capa o els estils de capa són marca exclusiva de :program:" "`Photoshop`. Les màscares de filtratge són una mica més ràpides que les " "màscares estàndard, però no tan versàtils. Estan disponibles fent clic dret " "sobre una capa i seleccionant «estil de capa»." #: ../../user_manual/getting_started/basic_concepts.rst:317 msgid "Transformations" msgstr "Transformacions" #: ../../user_manual/getting_started/basic_concepts.rst:319 msgid "" "**Transformations** are kind of like filters, in that these are operations " "done on the pixels of an image. We have a regular image and layer wide " "transformations in the image and layer top menus, so that you may resize, " "flip and rotate the whole image." msgstr "" "Les **transformacions** són tipus de filtres, en aquests es tracta " "d'operacions realitzades sobre els píxels d'una imatge. Tenim una imatge " "estàndard i una capa àmplia de transformacions en els menús de la imatge i " "la capa de a sobre, de manera que podreu reamidar, invertir i girar tota la " "imatge." # skip-rule: t-sp_2p,t-2p_sp,t-acc_obe #: ../../user_manual/getting_started/basic_concepts.rst:321 msgid "" "We also have the :ref:`crop_tool`, which only affects the canvas size, and " "the :ref:`move_tool` which only moves a given layer. However, if you want " "more control, Krita offers a :ref:`transform_tool`." msgstr "" "També tenim l':ref:`crop_tool`, la qual només afectarà a la mida del llenç, " "i l':ref:`move_tool`, la qual només mourà una capa determinada. Tanmateix, " "si voleu més control, el Krita ofereix una :ref:`transform_tool`." #: ../../user_manual/getting_started/basic_concepts.rst:327 msgid "" "With this tool you can rotate and resize on the canvas, or put it in " "perspective. Or you can use advanced transform tools, like the warp, cage " "and liquify, which allow you to transform by drawing custom points or even " "by pretending it's a transforming brush." msgstr "" "Amb aquesta eina podeu girar i reamidar la mida del llenç o posar-lo en " "perspectiva. O podeu utilitzar les eines de transformació avançada, com ara " "la deformació, gàbia i liqüescent, les quals permeten transformar dibuixant " "punts personalitzats o fins i tot fingint que es tracta d'un pinzell de " "transformació." # skip-rule: t-acc_obe #: ../../user_manual/getting_started/basic_concepts.rst:330 msgid ":ref:`deform_brush_engine`" msgstr ":ref:`deform_brush_engine`" #: ../../user_manual/getting_started/basic_concepts.rst:332 msgid "" "Like the filter brush engine, Krita also has a Deform Brush Engine, which " "allows you to transform with a brush. The deform is like a much faster " "version of the Liquify transform tool mode, but in exchange, its results are " "of much lower quality." msgstr "" "Igual que el motor del pinzell de filtratge, el Krita també disposa d'un " "motor del pinzell de deformació, el qual permet transformar amb un pinzell. " "La deformació és com una versió molt més ràpida del mode d'eina de " "transformació liqüescent, però en canvi, els seus resultats són de molta " "menor qualitat." #: ../../user_manual/getting_started/basic_concepts.rst:337 msgid ".. image:: images/en/Krita_transforms_deformvsliquefy.png" msgstr ".. image:: images/en/Krita_transforms_deformvsliquefy.png" #: ../../user_manual/getting_started/basic_concepts.rst:337 msgid "" "Apple transformed into a pear with liquify on the left and deform brush on " "the right." msgstr "" "Una poma transformada en una pera amb liqüescent a l'esquerra i el pinzell " "de deformació a la dreta." #: ../../user_manual/getting_started/basic_concepts.rst:339 msgid "" "Furthermore, you can't apply the deform brush as a non-destructive mask." msgstr "" "A més, no podreu aplicar el pinzell de deformació com a una màscara no " "destructiva." # skip-rule: t-acc_obe #: ../../user_manual/getting_started/basic_concepts.rst:342 msgid ":ref:`transformation_masks`" msgstr ":ref:`transformation_masks`" #: ../../user_manual/getting_started/basic_concepts.rst:344 msgid "" "Like filters, transforms can be applied as a non-destructive operation that " "is part of the layer stack. Unlike filter and transparency masks however, " "transform masks can't be driven by a grayscale image, for technical reasons. " "You can use transform masks to deform clone and file layers as well." msgstr "" "Igual que els filtres, les transformacions es poden aplicar com a una " "operació no destructiva que formi part de la pila de capes. A diferència de " "les màscares de filtratge i de transparència, per raons tècniques, les " "màscares de transformació no poden provenir d'una imatge en escala de " "grisos. També podeu utilitzar màscares de transformació per a deformar capes " "clonades i de fitxer." # skip-rule: t-acc_obe #: ../../user_manual/getting_started/basic_concepts.rst:348 msgid ":ref:`animation`" msgstr ":ref:`animation`" #: ../../user_manual/getting_started/basic_concepts.rst:353 msgid "" "In 3.0, Krita got raster animation support. You can use the timeline, " "animation and onionskin dockers, plus Krita's amazing variety of brushes to " "do raster based animations, export those, and then turn them into movies or " "gifs." msgstr "" "En el 3.0, el Krita va aconseguir una implementació de l'animació " "rasteritzada. Podeu utilitzar els acobladors de la línia de temps, animació " "i pell de ceba, a més de l'increïble varietat de pinzells del Krita per a " "crear animacions basades en el rasteritzat; exportar-les i després convertir-" "les en pel·lícules o GIF." #: ../../user_manual/getting_started/basic_concepts.rst:356 msgid "Assistants, Grids and Guides" msgstr "Assistents, quadrícules i guies" #: ../../user_manual/getting_started/basic_concepts.rst:358 msgid "" "With all this technical stuff, you might forget that Krita is a painting " "program. Like how an illustrator in real life can have all sorts of " "equipment to make drawing easier, Krita also offers a variety of tools:" msgstr "" "Amb tot aquest material tècnic, podríeu oblidar que el Krita és un programa " "de pintura. Igual que un il·lustrador a la vida real pot tenir tot tipus " "d'equipament per a facilitar el dibuix, el Krita també ofereix una varietat " "d'eines:" #: ../../user_manual/getting_started/basic_concepts.rst:363 msgid ".. image:: images/en/Krita_basic_assistants.png" msgstr ".. image:: images/en/Krita_basic_assistants.png" #: ../../user_manual/getting_started/basic_concepts.rst:363 msgid "Krita's vanishing point assistants in action" msgstr "Assistents del punt de fuga del Krita en acció." # skip-rule: t-acc_obe #: ../../user_manual/getting_started/basic_concepts.rst:365 msgid ":ref:`grids_and_guides_docker`" msgstr ":ref:`grids_and_guides_docker`" #: ../../user_manual/getting_started/basic_concepts.rst:366 msgid "" "Very straightforward guiding tool which shows grids or guiding lines that " "can be configured." msgstr "" "Eina de guia molt senzilla que mostra les quadrícules o línies guia que es " "poden configurar." # skip-rule: t-acc_obe #: ../../user_manual/getting_started/basic_concepts.rst:367 msgid ":ref:`snapping`" msgstr ":ref:`snapping`" #: ../../user_manual/getting_started/basic_concepts.rst:368 msgid "" "You can snap to all sorts of things. Grids, guides, extensions, orthogonals, " "image centers and bounding boxes." msgstr "" "Podeu ajustar-vos a tot tipus de coses. Quadrícules, guies, extensions, " "ortogonals, centres d'imatge i contenidors." # skip-rule: t-acc_obe #: ../../user_manual/getting_started/basic_concepts.rst:370 msgid ":ref:`painting_with_assistants`" msgstr ":ref:`painting_with_assistants`" #: ../../user_manual/getting_started/basic_concepts.rst:370 msgid "" "Because you can hardly put a ruler against your tablet to help you draw, the " "assistants are there to help you draw concentric circles, perspectives, " "parallel lines and other easily forgotten but tricky to draw details. Krita " "allows you to snap to these via the tool options as well." msgstr "" "Com que difícilment podreu posar una regla a la vostra tauleta per ajudar-" "vos a dibuixar, els assistents us ajudaran a dibuixar cercles concèntrics, " "perspectives, línies paral·leles i altres fàcilment oblidats, però difícils " "de dibuixar. El Krita també permet ajustar-les mitjançant les opcions de " "l'eina." #: ../../user_manual/getting_started/basic_concepts.rst:372 msgid "" "These guides are saved into Krita's native format, which means you can pick " "up your work easily afterwards." msgstr "" "Aquestes guies es desen en el format natiu del Krita, el qual vol dir que " "després podreu reprendre el vostre treball amb facilitat." #: ../../user_manual/getting_started/basic_concepts.rst:375 msgid "Customization" msgstr "Personalitzar" #: ../../user_manual/getting_started/basic_concepts.rst:377 msgid "This leads to the final concept: customization." msgstr "Això ens porta al concepte final: la personalització." # skip-rule: t-sp_2p,t-2p_sp,t-acc_obe #: ../../user_manual/getting_started/basic_concepts.rst:379 msgid "" "In addition to rearranging the dockers according to your preferences, Krita " "provides and saves your configurations as :ref:`resource_workspaces`. This " "is the button at the top right." msgstr "" "A més de tornar a ordenar els acobladors segons les vostres preferències, el " "Krita proporciona i desa les configuracions com a :ref:" "`resource_workspaces`. Aquest és el botó situat a la part superior dreta." # skip-rule: t-sp_2p,t-2p_sp,t-acc_obe #: ../../user_manual/getting_started/basic_concepts.rst:381 msgid "" "You can also configure the toolbar via :menuselection:`Settings --> " "Configure Toolbars`, as well as the shortcuts under both :menuselection:" "`Settings --> Configure Krita --> Configure Shortcuts` and :menuselection:" "`Settings --> Configure Krita --> Canvas Input Settings`." msgstr "" "També podeu configurar la barra d'eines mitjançant :menuselection:" "`Arranjament --> Configura les barres d'eines`, així com les dreceres sota :" "menuselection:`Arranjament --> Configura el Krita --> Configura les " "dreceres` i :menuselection:`Arranjament --> Configura el Krita --> " "Arranjament de l'entrada del llenç`." diff --git a/locale/ca/LC_MESSAGES/user_manual/introduction_from_other_software/introduction_from_photoshop.po b/locale/ca/LC_MESSAGES/user_manual/introduction_from_other_software/introduction_from_photoshop.po index 6224d8f5c..3209cb3a2 100644 --- a/locale/ca/LC_MESSAGES/user_manual/introduction_from_other_software/introduction_from_photoshop.po +++ b/locale/ca/LC_MESSAGES/user_manual/introduction_from_other_software/introduction_from_photoshop.po @@ -1,1187 +1,1187 @@ # Translation of docs_krita_org_user_manual___introduction_from_other_software___introduction_from_photoshop.po to Catalan # Copyright (C) 2019 This_file_is_part_of_KDE # This file is distributed under the license LGPL version 2.1 or # version 3 or later versions approved by the membership of KDE e.V. # # Antoni Bella Pérez , 2019. msgid "" msgstr "" -"Project-Id-Version: docs_krita_org_user_manual___introduction_from_other_softw" -"are___introduction_from_photoshop\n" +"Project-Id-Version: " +"docs_krita_org_user_manual___introduction_from_other_software___introduction_from_photoshop\n" "Report-Msgid-Bugs-To: \n" "POT-Creation-Date: 2019-03-06 03:37+0100\n" "PO-Revision-Date: 2019-03-15 18:42+0100\n" "Last-Translator: Antoni Bella Pérez \n" "Language-Team: Catalan \n" "Language: ca\n" "MIME-Version: 1.0\n" "Content-Type: text/plain; charset=UTF-8\n" "Content-Transfer-Encoding: 8bit\n" "Plural-Forms: nplurals=2; plural=n != 1;\n" "X-Generator: Lokalize 18.12.3\n" # skip-rule: t-sp_2p #: ../../:2 msgid "" ".. image:: images/icons/Krita_mouse_left.png\n" " :alt: mouseleft" msgstr "" ".. image:: images/icons/Krita_mouse_left.png\n" " :alt: mouseleft" # skip-rule: t-sp_2p #: ../../:4 msgid "" ".. image:: images/icons/Krita_mouse_right.png\n" " :alt: mouseright" msgstr "" ".. image:: images/icons/Krita_mouse_right.png\n" " :alt: mouseright" # skip-rule: t-sp_2p #: ../../:6 msgid "" ".. image:: images/icons/Krita_mouse_middle.png\n" " :alt: mousemiddle" msgstr "" ".. image:: images/icons/Krita_mouse_middle.png\n" " :alt: mousemiddle" # skip-rule: t-sp_2p #: ../../:8 msgid "" ".. image:: images/icons/Krita_mouse_scroll.png\n" " :alt: mousescroll" msgstr "" ".. image:: images/icons/Krita_mouse_scroll.png\n" " :alt: mousescroll" #: ../../user_manual/introduction_from_other_software/introduction_from_photoshop.rst:None msgid ".. image:: images/en/Settings-curves.jpg" msgstr ".. image:: images/en/Settings-curves.jpg" #: ../../user_manual/introduction_from_other_software/introduction_from_photoshop.rst:None msgid ".. image:: images/en/Krita-popuppalette.png" msgstr ".. image:: images/en/Krita-popuppalette.png" #: ../../user_manual/introduction_from_other_software/introduction_from_photoshop.rst:None msgid ".. image:: images/en/Krita-incremental-saves.png" msgstr ".. image:: images/en/Krita-incremental-saves.png" #: ../../user_manual/introduction_from_other_software/introduction_from_photoshop.rst:None msgid ".. image:: images/en/Krita-color-to-alpha.png" msgstr ".. image:: images/en/Krita-color-to-alpha.png" #: ../../user_manual/introduction_from_other_software/introduction_from_photoshop.rst:None msgid ".. image:: images/en/Krita-multibrush.png" msgstr ".. image:: images/en/Krita-multibrush.png" #: ../../user_manual/introduction_from_other_software/introduction_from_photoshop.rst:None msgid ".. image:: images/en/Krita_Color_Selector_Types.png" msgstr ".. image:: images/en/Krita_Color_Selector_Types.png" #: ../../user_manual/introduction_from_other_software/introduction_from_photoshop.rst:1 msgid "This is a introduction to Krita for users coming from Photoshop." msgstr "" "Aquesta és una introducció al Krita per als usuaris que vénen del Photoshop." #: ../../user_manual/introduction_from_other_software/introduction_from_photoshop.rst:20 msgid "Introduction to Krita coming from Photoshop" msgstr "Introducció al Krita si es ve del Photoshop" #: ../../user_manual/introduction_from_other_software/introduction_from_photoshop.rst:23 msgid "Introduction" msgstr "Introducció" #: ../../user_manual/introduction_from_other_software/introduction_from_photoshop.rst:25 msgid "" "This document gives an introduction to Krita for users who have been using " "Photoshop. The intention is to make you productive in Krita as fast as " "possible and ease the conversion of old habits into new ones. This " "introduction is written with Krita version 2.9 and Photoshop CS2 and CS3 in " "mind. But even though things may change in the future, the basics will most " "likely remain the same. The first thing to remember is that Krita is a 2D " "paint application while Photoshop (PS) is an image manipulation program. " "This means that PS has more features than Krita in general, but Krita has " "the tools that are relevant to digital painting. When you get used to Krita, " "you will find that Krita has some features that are not part of PS." msgstr "" "Aquest document proporciona una introducció al Krita per als usuaris que han " "estat emprant el Photoshop. La intenció és fer-vos productiu en el Krita el " "més ràpid possible i facilitar la conversió dels vells hàbits en altres de " "nous. Aquesta introducció està escrita amb el Krita versió 2.9 i el " "Photoshop CS2 i CS3 en ment. Però encara que les coses puguin canviar en el " "futur, el més probable és que segueixin sent les mateixes. El primer que cal " "recordar és que el Krita és una aplicació de pintura en 2D, mentre que el " "Photoshop (PS) és un programa per a la manipulació d'imatges. Això vol dir " "que en general el PS té més característiques que el Krita en general, però " "el Krita disposa d'eines que són rellevants per a la pintura digital. Quan " "us acostumeu al Krita, veureu que el Krita té algunes característiques que " "no formen part del PS." #: ../../user_manual/introduction_from_other_software/introduction_from_photoshop.rst:30 msgid "Krita Basics" msgstr "Conceptes bàsics del Krita" #: ../../user_manual/introduction_from_other_software/introduction_from_photoshop.rst:32 msgid "" "This chapter covers how you use Krita in the basic operations compared to PS." msgstr "" "Aquest capítol tracta sobre com utilitzar el Krita en les operacions " "bàsiques en comparació amb el PS." #: ../../user_manual/introduction_from_other_software/introduction_from_photoshop.rst:35 msgid "View and Display" msgstr "Veure i mostrar" #: ../../user_manual/introduction_from_other_software/introduction_from_photoshop.rst:38 msgid "Navigation" msgstr "Navegació" #: ../../user_manual/introduction_from_other_software/introduction_from_photoshop.rst:40 msgid "In Krita you can navigate your document using all these methods:" msgstr "" "Al Krita podeu navegar pel vostre document emprant tots aquests mètodes:" #: ../../user_manual/introduction_from_other_software/introduction_from_photoshop.rst:42 msgid "" "'*Mouse wheel*': |mousescroll| down and up for zoom, and press |mousemiddle| " "down to pan your document." msgstr "" "'*Roda del ratolí*': |mousescroll| avall i amunt per fer zoom i premeu el |" "mousemiddle| per a desplaçar el vostre document." #: ../../user_manual/introduction_from_other_software/introduction_from_photoshop.rst:43 msgid "'*Keyboard*': with :kbd:`+` and :kbd:`-` on your numpad keyboard" msgstr "'*Teclat*': amb :kbd:`+` i :kbd:`-` en el vostre teclat numèric." #: ../../user_manual/introduction_from_other_software/introduction_from_photoshop.rst:44 msgid "" "As in Photoshop, Painter, Manga Studio: :kbd:`Ctrl + Space` to zoom, and :" "kbd:`Space` to pan." msgstr "" "Com al Photoshop, Painter, Manga Studio: :kbd:`Ctrl + Espai` per a fer zoom, " "i :kbd:`Espai` per a desplaçar." #: ../../user_manual/introduction_from_other_software/introduction_from_photoshop.rst:48 msgid "" "If you add :kbd:`Alt` and so do a :kbd:`Ctrl + Alt + Space` you’ll have a " "discrete zoom." msgstr "" "Si afegiu :kbd:`Alt` i feu un :kbd:`Ctrl + Alt + Espai` obtindreu un zoom " "discret." #: ../../user_manual/introduction_from_other_software/introduction_from_photoshop.rst:51 msgid "Rotation" msgstr "Rotació" #: ../../user_manual/introduction_from_other_software/introduction_from_photoshop.rst:53 msgid "" "Rotate the canvas with :kbd:`Shift + Space`, or :kbd:`Ctrl + [` and :kbd:" "`Ctrl + ]` or with 4 or 6. Reset the rotation with 5." msgstr "" "Gireu el llenç amb :kbd:`Majús. + Espai` o :kbd:`Ctrl + [ i :kbd:`Ctrl +]`, " "o amb 4 o 6. Reinicieu la rotació amb 5." #: ../../user_manual/introduction_from_other_software/introduction_from_photoshop.rst:56 msgid "Mirror" msgstr "Mirall" #: ../../user_manual/introduction_from_other_software/introduction_from_photoshop.rst:58 msgid "" "Press :kbd:`M` to see your drawing or painting mirrored in the viewport." msgstr "" "Premeu :kbd:`M` per a veure el dibuix o la pintura reflectits a la finestra." #: ../../user_manual/introduction_from_other_software/introduction_from_photoshop.rst:61 msgid "Move and Transform" msgstr "Moure i transformar" #: ../../user_manual/introduction_from_other_software/introduction_from_photoshop.rst:63 msgid "" "Moving and Transformation of contents is done using tools in Krita. You can " "then find them in the toolbar. If you are familiar with the way to move " "layers in PS by holding down :kbd:`Ctrl`, you can do the same in Krita by " "pressing the :kbd:`T` key for the move tool (think ‘T’ranslate) or :kbd:" "`Ctrl + T` for transform tool." msgstr "" "El moviment i la transformació del contingut es realitza utilitzant les " "eines del Krita. Les trobareu a la barra d'eines. Si esteu familiaritzat amb " "la manera de moure les capes al PS, mantenint premuda la tecla :kbd:`Ctrl`, " "podeu fer el mateix al Krita prement la tecla :kbd:`T` per a l'eina de moure " "(penseu en «T»raducció) o :kbd:`Ctrl + T` per a l'eina de transformació." #: ../../user_manual/introduction_from_other_software/introduction_from_photoshop.rst:66 msgid "" "Press :kbd:`B` to go back to the brush tool when the transformation or " "translation is done. To find how to make advanced deformations using the :" "guilabel:`Transform` tool, do not right-click on the on-canvas widget: all " "the option are in the :guilabel:`Tool Options` docker." msgstr "" "Premeu :kbd:`B` per tornar a l'eina de pinzell quan es fa la transformació o " "la traducció. Per a trobar com fer deformacions avançades utilitzant l'eina :" "guilabel:`Transformació`, no feu clic dret sobre l'estri del llenç: totes " "les opcions es trobaran a l'acoblador :guilabel:`Opcions d'eines`." #: ../../user_manual/introduction_from_other_software/introduction_from_photoshop.rst:69 msgid "Changes can be applied with :kbd:`Enter` for the Transform tool." msgstr "" "Els canvis es poden aplicar amb :kbd:`Intro` per a l'eina Transformació." #: ../../user_manual/introduction_from_other_software/introduction_from_photoshop.rst:73 msgid "Move tool changes are auto-applied." msgstr "Els canvis a l'eina de moure seran aplicats automàticament." #: ../../user_manual/introduction_from_other_software/introduction_from_photoshop.rst:76 msgid "Selections" msgstr "Seleccions" #: ../../user_manual/introduction_from_other_software/introduction_from_photoshop.rst:78 msgid "" "Like in PS, you can use :kbd:`Alt` or :kbd:`Shift` during a selection to " "remove or add selection to the active selection. Krita also offers sub tools " "for this, and you can select them in the :guilabel:`Tool Options` if a " "select tool is active. These sub tools are represented as icons. You can " "switch to those sub modes by pressing:" msgstr "" "Com en el PS, podeu utilitzar :kbd:`Alt` o :kbd:`Majús.` durant una selecció " "per eliminar o afegir la selecció a la selecció activa. El Krita també " "ofereix subeines per a això, i podeu seleccionar-les a les :guilabel:" "`Opcions d'eina` si hi ha activa una eina de selecció. Aquestes subeines " "estan representades com a icones. Podeu canviar a aquests submodes prement:" #: ../../user_manual/introduction_from_other_software/introduction_from_photoshop.rst:81 msgid ":kbd:`R` to replace selection" msgstr ":kbd:`R` per a substituir la selecció." #: ../../user_manual/introduction_from_other_software/introduction_from_photoshop.rst:82 msgid ":kbd:`T` to intersect" msgstr ":kbd:`T` per a intersectar." #: ../../user_manual/introduction_from_other_software/introduction_from_photoshop.rst:83 msgid "" ":kbd:`A` to add to the selection (this is the one you will want to use often)" msgstr "" ":kbd:`A` per afegir a la selecció (aquesta és la que voldreu utilitzar " "sovint)." #: ../../user_manual/introduction_from_other_software/introduction_from_photoshop.rst:84 msgid ":kbd:`S` to subtract from the selection (the other one popular)" msgstr ":kbd:`S` per a restar de la selecció (una altra de popular)." #: ../../user_manual/introduction_from_other_software/introduction_from_photoshop.rst:86 msgid "Or hold:" msgstr "O manteniu premuda:" #: ../../user_manual/introduction_from_other_software/introduction_from_photoshop.rst:88 msgid ":kbd:`Alt` to subtract from the selection" msgstr ":kbd:`Alt` per a restar de la selecció." #: ../../user_manual/introduction_from_other_software/introduction_from_photoshop.rst:89 msgid ":kbd:`Shift` to add to the selection" msgstr ":kbd:`Majús.` per afegir a la selecció." #: ../../user_manual/introduction_from_other_software/introduction_from_photoshop.rst:90 msgid ":kbd:`Alt + Shift` to intersect" msgstr ":kbd:`Alt + Majús.` per a intersectar." #: ../../user_manual/introduction_from_other_software/introduction_from_photoshop.rst:94 msgid "" "You cannot press :kbd:`Ctrl` to move the content of the selection (you have " "to press :kbd:`T` or select the :guilabel:`Move Tool`)." msgstr "" "No podeu prémer :kbd:`Ctrl` per a moure el contingut de la selecció (heu de " "prémer :kbd:` T` o seleccioneu l'eina :guilabel:`Eina de moure`)." #: ../../user_manual/introduction_from_other_software/introduction_from_photoshop.rst:96 msgid "Some other tips:" msgstr "Alguns altres consells:" #: ../../user_manual/introduction_from_other_software/introduction_from_photoshop.rst:98 msgid "" "If you want to convert a layer to a selection (to select the visible " "pixels), right-click on the layer docker, and choose :guilabel:`Select " "Opaque`." msgstr "" "Si voleu convertir una capa a una selecció (per a seleccionar els píxels " "visibles), feu clic dret sobre l'acoblador de la capa i trieu :guilabel:" "`Selecciona opac`." #: ../../user_manual/introduction_from_other_software/introduction_from_photoshop.rst:99 msgid "" "If you use a polygonal selection tool, or a selection which needs to be " "‘closed’, you will be able to do it or by using a double-click, or by using " "a :kbd:`Shift` - |mouseleft| ." msgstr "" "Si utilitzeu una eina de selecció poligonal o una selecció en la qual s'ha " "de «tancar», podreu fer-ho fent doble clic o bé utilitzant una :kbd:`Majús.` " "- |mouseleft|." #: ../../user_manual/introduction_from_other_software/introduction_from_photoshop.rst:101 msgid "" "You can scale selection. To do this, choose :menuselection:`Select --> " "Scale`." msgstr "" "Podeu escalar la selecció. Per a fer-ho, trieu :menuselection:`Selecciona --" "> Escala`." #: ../../user_manual/introduction_from_other_software/introduction_from_photoshop.rst:105 msgid "" "Also, in the :guilabel:`Select` menu there are more classical options to " "grow, shrink, feather, border, etc." msgstr "" "A més, al menú :guilabel:`Selecciona` hi ha més opcions clàssiques per " "augmentar, encongir, suavitzar, vora, etc." #: ../../user_manual/introduction_from_other_software/introduction_from_photoshop.rst:107 msgid "" "If you enable :guilabel:`Show Global Selection Mask` (:guilabel:`Select` " "menu) you can scale/rotate/transform/move or paint on selection like on " "regular greyscale layer." msgstr "" "Si habiliteu :guilabel:`Mostra la màscara de selecció global` (menú :" "guilabel:`Selecciona`) podreu escalar/girar/transformar/moure o pintar sobre " "la selecció com en la capa en escala de grisos regular." #: ../../user_manual/introduction_from_other_software/introduction_from_photoshop.rst:109 msgid ":kbd:`Ctrl + H`: Show / Hide selection (same shortcut)" msgstr ":kbd:`Ctrl + H`: Mostra / Oculta la selecció (la mateixa drecera)." #: ../../user_manual/introduction_from_other_software/introduction_from_photoshop.rst:110 msgid ":kbd:`Ctrl + A`: Select All" msgstr ":kbd:`Ctrl + A`: Selecciona-ho tot." #: ../../user_manual/introduction_from_other_software/introduction_from_photoshop.rst:111 msgid "" ":kbd:`Ctrl + Shift + A`: deselect All (and not :kbd:`Ctrl + D` as in PS)" msgstr "" ":kbd:`Ctrl + Majús. + A`: desselecciona-ho tot (i no el :kbd:`Ctrl + D` com " "en el PS)." #: ../../user_manual/introduction_from_other_software/introduction_from_photoshop.rst:113 msgid "" "Note for Gimp user: Krita auto-expands and auto defloats new layers created " "from a selection after a :kbd:`Ctrl + C`, :kbd:`Ctrl + V` so you do not have " "to worry about not being able to paint outside the pasted element." msgstr "" "Nota per als usuaris del Gimp: El Krita s'expandirà i desenvoluparà " "automàticament les noves capes creades a partir d'una selecció després d'una " "drecera :kbd:`Ctrl + C`, :kbd:`Ctrl + V`, de manera que no us haureu de " "preocupar de no poder pintar fora de l'element enganxat." #: ../../user_manual/introduction_from_other_software/introduction_from_photoshop.rst:117 msgid "" "This doesn't work as intended right now. Intersect is a selection mode which " "uses :kbd:`T` as the shortcut. However :kbd:`T` is also used to switch to " "the :guilabel:`Move tool` so this shortcut is not functional right now. You " "have to use the button on the :guilabel:`Tool Options`." msgstr "" "Per ara això no funciona com es pretén. Interseca és un mode de selecció que " "utilitza la drecera :kbd:`T`. No obstant això, :kbd:`T` també s'utilitza per " "canviar a l':guilabel:`Eina de moure`, de manera que aquesta drecera en " "aquest moment no funciona. Haureu d'utilitzar el botó a :guilabel:`Opcions " "de l'eina`." #: ../../user_manual/introduction_from_other_software/introduction_from_photoshop.rst:120 msgid "Layer Handling" msgstr "Manegar les capes" #: ../../user_manual/introduction_from_other_software/introduction_from_photoshop.rst:122 msgid "The most common shortcuts are very similar in PS and Krita:" msgstr "Les dreceres més habituals són molt similars entre el PS i el Krita:" #: ../../user_manual/introduction_from_other_software/introduction_from_photoshop.rst:124 msgid ":kbd:`Ctrl + J`: duplicate" msgstr ":kbd:`Ctrl + J`: duplica." #: ../../user_manual/introduction_from_other_software/introduction_from_photoshop.rst:125 msgid ":kbd:`Ctrl + E`: merge down" msgstr ":kbd:`Ctrl + E`: fusiona cap avall." #: ../../user_manual/introduction_from_other_software/introduction_from_photoshop.rst:126 msgid "" ":kbd:`Ctrl + Shift + E`: flattens all (not :kbd:`Ctrl + Shift + M` as in PS)" msgstr "" ":kbd:`Ctrl + Majús. + E`: aplana-ho tot (no :kbd:`Ctrl + Majús. + M` com en " "el PS)." #: ../../user_manual/introduction_from_other_software/introduction_from_photoshop.rst:127 msgid ":kbd:`Ins`: insert a new paint layer" msgstr ":kbd:`Inser.`: insereix una capa de pintura nova." #: ../../user_manual/introduction_from_other_software/introduction_from_photoshop.rst:128 msgid "" ":kbd:`Ctrl + G`: create new layer group and move selected layers to this " "group" msgstr "" ":kbd:`Ctrl + G`: Creeu un grup de capes nou i mou les capes seleccionades a " "aquest grup." #: ../../user_manual/introduction_from_other_software/introduction_from_photoshop.rst:131 msgid "Groups and Blending Mode (Composite Mode):" msgstr "Grups i mode de barreja (mode de composició):" #: ../../user_manual/introduction_from_other_software/introduction_from_photoshop.rst:133 msgid "" "The group blending mode in Krita has priority over child layers and " "overrides it. This can be surprising for Photoshop users. On Photoshop you " "can use groups to just clean your layer stack and keep blending mode of your " "layer compositing through all the stack. In Krita the compositing will " "happen at first level inside the group, then taking into account the " "blending mode of the group itself. Both systems have pros and cons. Krita’s " "way is more predictable according to some artists, compositing-wise. The PS " "way leads to a cleaner and better ordered layer stack visually wise." msgstr "" "El mode de barreja de grups en el Krita té prioritat sobre les capes filles " "i les sobreescriu. Això pot ser sorprenent per als usuaris del Photoshop. Al " "Photoshop podeu utilitzar grups per a netejar la vostra pila de capes i " "mantenir el mode de barreja de la capa composició a través de tota la pila. " "Al Krita, la composició passarà al primer nivell dins del grup, tenint en " "compte el mode de barreja del mateix grup. Ambdós sistemes tenen pros i " "contres. La manera del Krita és més predictible segons alguns artistes, " "composició sàvia. La manera del PS condueix a una millor neteja i ordenació " "visual de la pila de capes." #: ../../user_manual/introduction_from_other_software/introduction_from_photoshop.rst:137 msgid "Multi Layer Transform or Move" msgstr "Transformar o moure múltiples capes" #: ../../user_manual/introduction_from_other_software/introduction_from_photoshop.rst:139 msgid "" "You can select multiple layers on the stack by holding down :kbd:`Shift` as " "in PS, and if you move the layer inside a group you can move or transform " "the whole group - including doing selection on the group and cut all the sub " "layers inside on the fly. You can not apply filters to group to affect " "multiple layers." msgstr "" "Podeu seleccionar múltiples capes a la pila mantenint premuda :kbd:`Majús.` " "com al PS, i si moveu la capa dins d'un grup, podreu moure o transformar tot " "el grup, fins i tot fent la selecció al grup i retallant totes les subcapes " "a l'interior sobre la marxa. No podreu aplicar filtres al grup per afectar " "múltiples capes." #: ../../user_manual/introduction_from_other_software/introduction_from_photoshop.rst:142 msgid "Clipping Masks" msgstr "Màscares de retallat" #: ../../user_manual/introduction_from_other_software/introduction_from_photoshop.rst:144 msgid "" "Krita has no clipping mask, but there is a workaround involving layer groups " "and :guilabel:`Inherit alpha` (see the alpha icon). Place a layer with the " "shape you want to clip the other with at the bottom of a group and layers " "above with the :guilabel:`Inherit alpha` option. This will create the same " "effect as the “clipping mask” PS feature." msgstr "" "El Krita no té màscara de retallat, però hi ha una solució que implica grups " "de capa i :guilabel:`Hereta l'alfa` (vegeu la icona alfa). Col·loqueu una " "capa amb la forma que voleu escurçar l'altra amb la part inferior d'un grup " "i les capes a sobre amb l'opció :guilabel:`Hereta l'alfa`. Això crearà el " "mateix efecte que la característica «màscara de retallat» del PS." #: ../../user_manual/introduction_from_other_software/introduction_from_photoshop.rst:146 msgid "" "This process of arranging groups for inherit alpha can be done automatically " "by :kbd:`Ctrl + Shift + G` shortcut. It creates a group with base layer and " "a layer above it with inherit alpha option checked by default." msgstr "" "Aquest procés ordenarà els grups per heretar l'alfa, es pot fer " "automàticament amb la drecera :kbd:`Ctrl + Majús. + G`. Això crearà un grup " "amb capa base i una capa sobre seu amb l'opció hereta l'alfa marcada de " "manera predeterminada." #: ../../user_manual/introduction_from_other_software/introduction_from_photoshop.rst:149 msgid "Pass-through mode" msgstr "Mode curtcircuitat" #: ../../user_manual/introduction_from_other_software/introduction_from_photoshop.rst:151 msgid "" "This is available in Krita, but not implemented as a blending mode. Rather, " "it is an option next to ‘inherit alpha’ on group layers." msgstr "" "Això està disponible al Krita, però no s'ha implementat com a mode de " "barreja. Al contrari, és una opció al costat d'«hereta l'alfa» sobre les " "capes de grup." #: ../../user_manual/introduction_from_other_software/introduction_from_photoshop.rst:154 msgid "Smart Layers" msgstr "Capes intel·ligents" #: ../../user_manual/introduction_from_other_software/introduction_from_photoshop.rst:156 msgid "" "Instead of having smart layers that you can do non-destructive transforms " "on, Krita has the following set of functionality:" msgstr "" "En comptes de tenir capes intel·ligents amb les que podríeu fer " "transformacions no destructives, el Krita té el següent conjunt de " "característiques:" #: ../../user_manual/introduction_from_other_software/introduction_from_photoshop.rst:158 msgid "File Layers" msgstr "Capes de fitxer" #: ../../user_manual/introduction_from_other_software/introduction_from_photoshop.rst:159 msgid "" "These are layers which point to an outside file, and will get automatically " "updated if the outside file changes." msgstr "" "Aquestes són capes que apunten a un fitxer extern, i s'actualitzaran " "automàticament si aquest canvia." #: ../../user_manual/introduction_from_other_software/introduction_from_photoshop.rst:160 msgid "Clone Layers" msgstr "Capes clonades" #: ../../user_manual/introduction_from_other_software/introduction_from_photoshop.rst:161 msgid "" "These are layers that are an ‘instance’ of the layer you had selected when " "creating them. They get updated automatically when the original layer " "updates." msgstr "" "Aquestes capes són una «instància» de la capa que heu seleccionat en crear-" "les. S'actualitzen automàticament quan s'actualitza la capa original." #: ../../user_manual/introduction_from_other_software/introduction_from_photoshop.rst:162 msgid "Transform Masks" msgstr "Màscares de transformació" #: ../../user_manual/introduction_from_other_software/introduction_from_photoshop.rst:163 msgid "" "These can be used to non-destructive transform all layer types, including " "the file and clone layers." msgstr "" "Es poden utilitzar per a la transformació no destructiva de tots els tipus " "de capa, incloses les capes de fitxer i clonada." #: ../../user_manual/introduction_from_other_software/introduction_from_photoshop.rst:165 msgid "Filter Masks" msgstr "Màscares de filtratge" #: ../../user_manual/introduction_from_other_software/introduction_from_photoshop.rst:165 msgid "" "Like adjustment layers, these can apply filters non-destructively to all " "layer types, including file and clone layers." msgstr "" "Igual que les capes d'ajust, aquestes poden aplicar filtres no destructius a " "tots els tipus de capa, incloses les capes de fitxer i clonada." #: ../../user_manual/introduction_from_other_software/introduction_from_photoshop.rst:168 msgid "Layer styles" msgstr "Estils de capa" #: ../../user_manual/introduction_from_other_software/introduction_from_photoshop.rst:170 msgid "" "You can apply Photoshop layerstyles in Krita by right clicking any given " "layer type and selecting ‘layer style’ from the context menu. Krita can open " "and save ASL files, but not all layer style functionality is there yet." msgstr "" "Podeu aplicar els estils de capa del Photoshop al Krita fent clic dret a " "qualsevol tipus de capa indicada i seleccionant «estil de la capa» des del " "menú contextual. El Krita pot obrir i desar els fitxers ASL, però encara no " "hi ha cap característica per a l'estil de la capa." #: ../../user_manual/introduction_from_other_software/introduction_from_photoshop.rst:173 #: ../../user_manual/introduction_from_other_software/introduction_from_photoshop.rst:384 msgid "Other" msgstr "Altres" #: ../../user_manual/introduction_from_other_software/introduction_from_photoshop.rst:175 msgid "" "Layers and groups can be exported. See the :guilabel:`Layer` top menu for " "this and many other options." msgstr "" "Es poden exportar les capes i els grups. Vegeu la part superior del menú :" "guilabel:`Capa` per a aquesta i moltes altres opcions." #: ../../user_manual/introduction_from_other_software/introduction_from_photoshop.rst:177 msgid "" "Krita has at least 5 times more blending modes than PS. They are sorted by " "categories in the drop down menu. You can use the checkbox to add your most " "used to the Favorite categories." msgstr "" "El Krita té almenys 5 vegades més modes de barreja que el PS. Estan ordenats " "per categories a la llista desplegable. Podeu utilitzar la casella de " "selecció per afegir les categories més utilitzades a les Categories " "preferides." #: ../../user_manual/introduction_from_other_software/introduction_from_photoshop.rst:180 msgid "Paint tools" msgstr "Eines de pintura" #: ../../user_manual/introduction_from_other_software/introduction_from_photoshop.rst:182 msgid "" "This is Krita's strong point. There are many paint tools and they have a lot " "of options." msgstr "" "Aquest és el punt fort del Krita. Hi ha moltes eines de pintura i tenen " "moltes opcions." #: ../../user_manual/introduction_from_other_software/introduction_from_photoshop.rst:185 msgid "Tools" msgstr "Eines" #: ../../user_manual/introduction_from_other_software/introduction_from_photoshop.rst:187 msgid "" "In Krita, there is a totally different paradigm for defining what ‘tools’ " "are compared to PS. Unlike in PS, you will not find the brush, eraser, " "clone, blur tool, etc. Instead, you will find a *way to trace* your strokes " "on the canvas: freehand, line, rectangle, circle, multiple brush, etc. When " "you have selected the ‘way to trace’ you can choose the *way to paint*: " "erasing / cloning / blurring, etc are all part of *way it paint* managed by " "the brush-engines options. These brush engine options are saved into so-" "called *presets*, which you can find on :guilabel:`Brush presets`. You can " "fine tune, and build your own presets using the :guilabel:`Edit Brush " "Settings` icon on the top tool bar." msgstr "" "Al Krita hi ha un paradigma totalment diferent per a definir quines «eines» " "es comparen amb el PS. A diferència del PS, no trobareu les eines de " "pinzell, esborrador, clona, difuminat, etc. En canvi, trobareu una *manera " "de traçar* els vostres traços al llenç: a mà alçada, línia, rectangle, " "cercle, múltiples pinzells, etc. Quan hagueu seleccionat la «manera de " "traçar», podreu triar la *manera de pintar*:esborrar/clonar/difuminar, etc. " "formen part de *manera en què es pinta* gestionada per les opcions dels " "motors de pinzell. Aquestes opcions del motor de pinzells es desen en els " "anomenats *valors predefinits*, els quals trobareu a :guilabel:`Valors " "predefinits del pinzell`. Podeu afinar i crear els vostres propis valors " "predefinits utilitzant la següent icona :guilabel:`Edita els ajustaments del " "pinzell` que hi ha a la part superior de la barra d'eines." #: ../../user_manual/introduction_from_other_software/introduction_from_photoshop.rst:190 msgid "Erasing" msgstr "Esborrar" #: ../../user_manual/introduction_from_other_software/introduction_from_photoshop.rst:192 msgid "" "In Krita, the eraser is not a tool, it is a Blending mode (or Composite " "mode). You can change each brush you have to erase by pressing :kbd:`E`. By " "pressing :kbd:`E` again you’ll be back to the last blending mode you had " "selected before pressing :kbd:`E` the first time." msgstr "" "A Krita, l'esborrador no és una eina, és un mode de barreja (o mode de " "composició). Podeu canviar cada pinzell si teniu que esborrar prement :kbd:" "`E`. Prement :kbd:`E` tornarà a estar en l'últim mode de barreja que heu " "seleccionat abans de prémer :kbd:`E` la primera vegada." #: ../../user_manual/introduction_from_other_software/introduction_from_photoshop.rst:195 msgid "Useful shortcuts" msgstr "Dreceres d'utilitat" #: ../../user_manual/introduction_from_other_software/introduction_from_photoshop.rst:197 msgid "" ":kbd:`Shift`: Grow or Shrink the brush size (or :kbd:`[` and :kbd:`]`)." msgstr "" ":kbd:`Majús.`: feu augmentar o encongir la mida del pinzell (o :kbd:`[` i :" "kbd:`]`)." #: ../../user_manual/introduction_from_other_software/introduction_from_photoshop.rst:198 msgid "" ":kbd:`/`: Switch last preset selected and current (ex: a pencil preset, and " "an eraser preset)." msgstr "" ":kbd:`/`: alterna el darrer valor predefinit que està seleccionat i l'actual " "(p. ex., un llapis i un esborrador predefinits)." #: ../../user_manual/introduction_from_other_software/introduction_from_photoshop.rst:199 msgid "" ":kbd:`K` and :kbd:`L`: increment Darker and Lighter value of the active " "color" msgstr "" ":kbd:`K` i :kbd:`L`: incrementa els valors Més fosc i Més clar del color " "actiu." #: ../../user_manual/introduction_from_other_software/introduction_from_photoshop.rst:200 msgid ":kbd:`I` and :kbd:`O`: increment opacity plus or minus." msgstr ":kbd:`I` i :kbd:`O`: incrementa més o menys l'opacitat." #: ../../user_manual/introduction_from_other_software/introduction_from_photoshop.rst:201 msgid ":kbd:`D`: Reset color to black/foreground and white/background" msgstr ":kbd:`D`: restableix el color a negre/primer pla i blanc/fons." #: ../../user_manual/introduction_from_other_software/introduction_from_photoshop.rst:202 msgid ":kbd:`X`: Switch background and foreground colors" msgstr ":kbd:`X`: alterna els colors de fons i de primer pla." #: ../../user_manual/introduction_from_other_software/introduction_from_photoshop.rst:203 msgid "" ":kbd:`Shift + I` / :kbd:`Shift + N` / :kbd:`Shift + M`: a set of default " "keyboard shortcuts for accessing the on-canvas color selector." msgstr "" ":kbd:`Majús. + I` / :kbd:`Majús. + N` / :kbd:`Majús. + M`: un conjunt de " "dreceres de teclat predeterminades per accedir al selector de color del " "llenç." #: ../../user_manual/introduction_from_other_software/introduction_from_photoshop.rst:207 msgid "" "Some people regard these shortcuts as somewhat unfortunate. The reason is " "that they are meant to be used during painting and left-:kbd:`Shift` is at " "the opposite end of the keyboard from :kbd:`I`, :kbd:`M` and :kbd:`N`. So " "for a right-handed painter, this is very difficult to do while using the " "stylus with a right hand. Note that you can reassign any shortcut by using " "the shortcut configuration in :menuselection:`Settings --> Configure " "Shortcuts`." msgstr "" "Alguns consideren que aquestes dreceres són un xic desafortunades. La raó és " "que estan destinades a ser utilitzades durant la pintura i la tecla :kbd:" "`Majús.` esquerra es troba en l'extrem oposat del teclat des de :kbd:`I`, :" "kbd:`M` i :kbd:`N`. De manera que per a un pintor dretà, serà molt difícil " "fer-ho mentre utilitza el llapis amb la mà dreta. Tingueu en compte que " "podeu tornar a assignar qualsevol drecera utilitzant la configuració de les " "dreceres a :menuselection:`Arranjament --> Configura les dreceres`." #: ../../user_manual/introduction_from_other_software/introduction_from_photoshop.rst:210 msgid "Stabilization / Path Smoothing" msgstr "Estabilització / Suavitzat del traç" #: ../../user_manual/introduction_from_other_software/introduction_from_photoshop.rst:212 msgid "" "Using the freehand ‘paint with brush’ tool that you can find on the Tool " "Options, more settings for smoothing the path and stabilization of your " "brush strokes are available." msgstr "" "Utilitzant l'eina «pintar amb pinzell» a mà alçada que trobareu a les " "Opcions de l'eina, hi ha més ajustaments per a suavitzar i estabilitzar les " "pinzellades." #: ../../user_manual/introduction_from_other_software/introduction_from_photoshop.rst:215 msgid "Global pressure curve" msgstr "Corba de pressió global" #: ../../user_manual/introduction_from_other_software/introduction_from_photoshop.rst:217 msgid "" "If you find the feeling of Krita too hard or too soft regarding the pressure " "when you paint, you can set a softer or harder curve here: :menuselection:" "`Settings --> Configure Krita --> Tablet settings`" msgstr "" "Si teniu la sensació que el Krita és massa dur o suau respecte a la pressió " "quan pinteu, podreu establir una corba més suau o dura aquí: :menuselection:" "`Arranjament --> Configura el Krita --> Arranjament de la tauleta`" #: ../../user_manual/introduction_from_other_software/introduction_from_photoshop.rst:220 msgid "Adjustment" msgstr "Ajust" #: ../../user_manual/introduction_from_other_software/introduction_from_photoshop.rst:222 msgid "" "Like in PS, you can use the classic filters to adjust many things while " "painting:" msgstr "" "Igual que al PS, podeu utilitzar els filtres clàssics per ajustar moltes " "coses mentre pinteu:" #: ../../user_manual/introduction_from_other_software/introduction_from_photoshop.rst:224 msgid ":kbd:`Ctrl + L` : Levels" msgstr ":kbd:`Ctrl + L` : nivells." #: ../../user_manual/introduction_from_other_software/introduction_from_photoshop.rst:225 msgid ":kbd:`Ctrl + U`: HSV adjustment" msgstr ":kbd:`Ctrl + U`: ajustament HSV." #: ../../user_manual/introduction_from_other_software/introduction_from_photoshop.rst:226 msgid ":kbd:`Ctrl + I`: Invert" msgstr ":kbd:`Ctrl + I`: inverteix." #: ../../user_manual/introduction_from_other_software/introduction_from_photoshop.rst:229 msgid "Dodge / Burn / Blur Tools" msgstr "Eines Esvaeix / Crema / Difuminat" #: ../../user_manual/introduction_from_other_software/introduction_from_photoshop.rst:231 msgid "" "Unlike Photoshop, where these are separate tools, in Krita, they are " "available via the Filter Brush Engine, which allows you to apply the " "majority of Krita's filters in brush form." msgstr "" "A diferència del Photoshop, on es tracta d'eines separades, al Krita, " "aquestes estan disponibles a través del motor del pinzell de filtratge, el " "qual permet aplicar la majoria dels filtres del Krita en forma de pinzell." #: ../../user_manual/introduction_from_other_software/introduction_from_photoshop.rst:234 msgid "Themes" msgstr "Temes" #: ../../user_manual/introduction_from_other_software/introduction_from_photoshop.rst:235 msgid "" "If you don’t like the dark default theme of Krita go to: :menuselection:" "`Settings --> Themes`, and choose a brighter or darker theme. If you don’t " "like the color outside your viewport go to: :menuselection:`Settings --> " "Configure Krita --> Display`, and change the Canvas border color." msgstr "" "Si no us agrada el tema predeterminat fosc del Krita, aneu a: :menuselection:" "`Arranjament --> Temes` i trieu un tema més brillant o més fosc. Si no us " "agrada el color fora de l'àrea de visualització, aneu a: :menuselection:" "`Arranjament --> Configura el Krita --> Mostra` i canvieu el color de la " "vora del llenç." #: ../../user_manual/introduction_from_other_software/introduction_from_photoshop.rst:239 msgid "What Krita Has Over Photoshop" msgstr "Allò que té el Krita sobre el Photoshop" #: ../../user_manual/introduction_from_other_software/introduction_from_photoshop.rst:241 msgid "" "As mentioned in the introduction, Krita is a specialized paint application. " "Thus, it also has specialized tools for painting. Similar tools are not " "found in more generalized image manipulation applications such as PS. Here " "is a short list of the most important ones." msgstr "" "Com s'ha esmentat en la introducció, el Krita és una aplicació de pintura " "especialitzada. Així, també compta amb eines especialitzades per a la " "pintura. No es troben eines similars en aplicacions de manipulació d'imatges " "més generals, com el PS. Aquí teniu una breu llista de les més importants." #: ../../user_manual/introduction_from_other_software/introduction_from_photoshop.rst:244 msgid "Brush Engines" msgstr "Motors de pinzells" #: ../../user_manual/introduction_from_other_software/introduction_from_photoshop.rst:246 msgid "" "Krita has a lot of different so-called brush engines. These brush engines " "define various methods on how the pixels end up on your canvas. Brush " "engines with names like Grid, Particles, Sketch and others will bring you " "new experiences on how the brushes work and a new landscape of possible " "results. You can start customizing brushes by using the brush-settings " "editor, which is accessible via the toolbar, but it's much easier to just " "press :kbd:`F5`." msgstr "" "El Krita té un munt de diferents motors de pinzells. Aquests motors de " "pinzells defineixen diversos mètodes sobre com tracen els píxels al vostre " "llenç. Els motors de pinzell amb noms com Quadrícula, Partícules, Esbós i " "altres us portaran noves experiències sobre com funcionen els pinzells i un " "nou panorama de possibles resultats. Podeu començar a personalitzar els " "pinzells mitjançant l'editor dels ajustaments del pinzell, el qual és " "accessible a través de la barra d'eines, però és molt més senzill prémer :" "kbd:`F5`." #: ../../user_manual/introduction_from_other_software/introduction_from_photoshop.rst:249 msgid "Tags for brush presets" msgstr "Etiquetes per a valors predefinits del pinzell" #: ../../user_manual/introduction_from_other_software/introduction_from_photoshop.rst:251 msgid "" "This is a very useful way to configure brush presets. Each brush can have " "any amount of tags and be in any group. You can make tag for blending " "brushes, for texture brushes, for effect brushes, favorites etc." msgstr "" "Aquesta és una manera molt útil de configurar els valors predefinits del " "pinzell. Cada pinzell pot tenir qualsevol quantitat d'etiquetes i estar en " "qualsevol grup. Podeu crear una etiqueta per a pinzells de barreja, per a " "pinzells de textura, per a pinzells d'efecte, preferits, etc." #: ../../user_manual/introduction_from_other_software/introduction_from_photoshop.rst:254 msgid "Settings curves" msgstr "Ajustaments de les corbes" #: ../../user_manual/introduction_from_other_software/introduction_from_photoshop.rst:256 msgid "" "You can set setting to pressure (speed/distance/tilt/random/etc.) relation " "for each brush setting." msgstr "" "Podeu establir l'ajustament a la relació de pressió (velocitat/distància/" "inclinació/aleatori, etc.) per a cada ajustament del pinzell." #: ../../user_manual/introduction_from_other_software/introduction_from_photoshop.rst:262 msgid "The Pop-up Palette" msgstr "La paleta emergent" #: ../../user_manual/introduction_from_other_software/introduction_from_photoshop.rst:267 msgid "" "Easily to be found on |mouseright|, the pop-up palette allows you to quickly " "access brushes, color history and a color selector within arm's reach. The " "brushes are determined by tag, and pressing the lower-right configure button " "calls a drop-down to change tags. This allows you to tag brushes in the " "preset docker by workflow, and quickly access the right brushes for the " "workflow you need for your image." msgstr "" "Fàcil de trobar amb el |mouseright|, la paleta emergent permet accedir amb " "rapidesa als pinzells, a l'historial de colors i a un selector de color a " "l'abast de la ma. Els pinzells es determinen per etiqueta i, al prémer el " "botó de configuració de la part inferior dreta, es cridarà una llista " "desplegable per a canviar les etiquetes. Això permet que etiqueteu els " "pinzells als valors predefinits de l'acoblador per al flux de treball i " "accedir ràpidament als pinzells adequats durant el flux de treball que " "necessiteu per a la vostra imatge." #: ../../user_manual/introduction_from_other_software/introduction_from_photoshop.rst:270 msgid "Transformations" msgstr "Transformacions" #: ../../user_manual/introduction_from_other_software/introduction_from_photoshop.rst:272 msgid "" "The Krita transformation tool can perform transformations on a group and " "affect child layers. There are several modes, like free, perspective, warp, " "the powerful cage and even liquify. Furthermore, you can use transformation " "masks to apply transforms non-destructively to any layer type, raster, " "vector group, you name it." msgstr "" "L'eina de transformació del Krita pot realitzar transformacions sobre un " "grup i afectar les capes filles. Hi ha diversos modes, com ara lliure, " "perspectiva, deformació, la potent gàbia i fins i tot liqüescent. A més, " "podeu utilitzar màscares de transformació per aplicar transformacions de " "forma no destructiva a qualsevol tipus de capa, rasterització, grup de " "vectors, el vostre nom." #: ../../user_manual/introduction_from_other_software/introduction_from_photoshop.rst:279 msgid ".. image:: images/en/Krita-transform-mask.png" msgstr ".. image:: images/en/Krita-transform-mask.png" #: ../../user_manual/introduction_from_other_software/introduction_from_photoshop.rst:279 msgid "Transform masks allows non-destructive transforms" msgstr "Les màscares de transformació permeten transformacions no destructives" #: ../../user_manual/introduction_from_other_software/introduction_from_photoshop.rst:282 msgid "Incremental Save" msgstr "Desament incremental" #: ../../user_manual/introduction_from_other_software/introduction_from_photoshop.rst:284 msgid "" "You can save your artwork with the pattern : myartworksname_001.kra , " "myartworksname_002.kra, myartworksname_003.kra etc, by pressing a single " "key on the keyboard. Krita will increment the final number if the pattern " "\"_XXX\" is recognized at the end of the file's name." msgstr "" "Podeu desar les vostres obres d'art amb el patró: " "nom_obra_artística_meva_001.kra, nom_obra_artística_meva_002.kra, " "nom_obra_artística_meva_003.kra, etc, prement una sola tecla al teclat. El " "Krita augmentarà el número final si es reconeix el patró «_XXX» al final del " "nom del fitxer." #: ../../user_manual/introduction_from_other_software/introduction_from_photoshop.rst:289 msgid "" "This feature allows you to avoid overwriting your files, and keep track to " "your older version and work in progress steps." msgstr "" "Aquesta característica permet evitar sobreescriure els vostres fitxers i fer " "un seguiment de la vostra versió anterior i treballar en els passos del " "progrés." #: ../../user_manual/introduction_from_other_software/introduction_from_photoshop.rst:292 msgid "Color to alpha Filter" msgstr "Filtre de color a alfa" #: ../../user_manual/introduction_from_other_software/introduction_from_photoshop.rst:294 msgid "" "If you want to delete the white of the paper from a scanned artwork, you can " "use this filter. It takes a color and turns it into pure transparency." msgstr "" "Si voleu eliminar el blanc del paper d'una obra d'art escanejada, podeu " "utilitzar aquest filtre. Pren un color i el converteix a transparència pura." #: ../../user_manual/introduction_from_other_software/introduction_from_photoshop.rst:300 msgid "Many Blending Modes" msgstr "Molts modes de barreja" #: ../../user_manual/introduction_from_other_software/introduction_from_photoshop.rst:302 msgid "" "If you like using blending modes, Krita has many of them -- over 70! You " "have plenty of room for experimentation. A special system of favorite " "blending modes has been created to let you have fast access to the ones you " "use the most." msgstr "" "Si us agrada fer servir modes de barreja, el Krita en té molts. Més de 70! " "Teniu molt espai per a l'experimentació. S'ha creat un sistema especial de " "modes de barreja preferits per a permetre-vos accedir amb rapidesa als que " "més utilitzeu." #: ../../user_manual/introduction_from_other_software/introduction_from_photoshop.rst:306 msgid "Painting Assistants" msgstr "Assistents de pintura" #: ../../user_manual/introduction_from_other_software/introduction_from_photoshop.rst:308 msgid "" "Krita has many painting assistants. This is a special type vector shapes " "with a magnetic influence on your brush strokes. You can use them as rulers, " "but with other shapes than just straight." msgstr "" "El Krita té molts assistents de pintura. Es tracta d'un tipus especial de " "formes vectorials amb una influència magnètica en les pinzellades. Podeu " "emprar-los com a regles, però amb altres formes que no siguin rectes." #: ../../user_manual/introduction_from_other_software/introduction_from_photoshop.rst:314 msgid ".. image:: images/en/Krita_basic_assistants.png" msgstr ".. image:: images/en/Krita_basic_assistants.png" #: ../../user_manual/introduction_from_other_software/introduction_from_photoshop.rst:314 msgid "Krita's vanishing point assistants in action" msgstr "Assistents del punt de fuga del Krita en acció." #: ../../user_manual/introduction_from_other_software/introduction_from_photoshop.rst:317 msgid "Multibrushes: Symmetry / Parallel / Mirrored / Snowflake" msgstr "Múltiples pinzells: Simetria / Paral·lel / Emmirallat / Floc de neu" #: ../../user_manual/introduction_from_other_software/introduction_from_photoshop.rst:319 msgid "" "Krita's Multibrush tool allows you to paint with multiple brushes at the " "same time. Movements of the brushes other than the main brush is created by " "mirroring what you paint, or duplicating it by any number around any axis. " "They can also be used in parallel mode." msgstr "" "L'eina Múltiples pinzells del Krita permet pintar amb múltiples pinzells " "alhora. Els moviments dels pinzells que no siguin el pinzell principal es " "crearan reflectint el que pinteu, o duplicant per qualsevol número al " "voltant de qualsevol eix. També es poden utilitzar en mode paral·lel." #: ../../user_manual/introduction_from_other_software/introduction_from_photoshop.rst:325 msgid "A Wide Variety of Color Selectors" msgstr "Una àmplia varietat de selectors de color" #: ../../user_manual/introduction_from_other_software/introduction_from_photoshop.rst:327 msgid "" "The :guilabel:`Advanced Color Selector` docker offer you a wide choice of " "color selectors." msgstr "" "L'acoblador :guilabel:`Selector avançat del color` ofereix una àmplia " "selecció de selectors de color." #: ../../user_manual/introduction_from_other_software/introduction_from_photoshop.rst:333 msgid "View dependent color filters" msgstr "Vista dependent dels filtres de color" #: ../../user_manual/introduction_from_other_software/introduction_from_photoshop.rst:334 msgid "" "Using the LUT docker, Krita allows you to have a separate color correction " "filter per view. While this is certainly useful to people who do color " "correction in daily life, to the artist this allows for seeing a copy of the " "image in luminance grayscale, so that they instantly know the values of the " "image." msgstr "" "Utilitzant l'acoblador LUT, el Krita permet tenir un filtre de correcció del " "color separat. Si bé això és certament útil per a les persones que realitzen " "correccions de color a la vida quotidiana, per a l'artista, això permet " "veure una còpia de la imatge en escala de grisos amb luminància, de manera " "que coneixereu immediatament els valors de la imatge." #: ../../user_manual/introduction_from_other_software/introduction_from_photoshop.rst:340 msgid ".. image:: images/en/Krita-view-dependant-lut-management.png" msgstr ".. image:: images/en/Krita-view-dependant-lut-management.png" #: ../../user_manual/introduction_from_other_software/introduction_from_photoshop.rst:340 msgid "Using the LUT docker to change the colors per view" msgstr "Utilitzar l'acoblador LUT per a canviar els colors per cada vista" #: ../../user_manual/introduction_from_other_software/introduction_from_photoshop.rst:343 msgid "HDR color painting" msgstr "Pintura en color HDR" #: ../../user_manual/introduction_from_other_software/introduction_from_photoshop.rst:345 msgid "" "This same LUT docker is the controller for painting with HDR colors. Using " "the LUT docker to change the exposure on the view, Krita allows you to paint " "with HDR colors, and has native open exr support!" msgstr "" "Aquest mateix acoblador LUT és el controlador per a pintar amb colors HDR. " "Utilitzant l'acoblador LUT per a canviar l'exposició sobre la vista, el " "Krita permet pintar amb colors HDR i compta amb suport EXR natiu!" #: ../../user_manual/introduction_from_other_software/introduction_from_photoshop.rst:351 msgid ".. image:: images/en/Krita-hdr-painting.png" msgstr ".. image:: images/en/Krita-hdr-painting.png" #: ../../user_manual/introduction_from_other_software/introduction_from_photoshop.rst:351 msgid "Painting with HDR colors" msgstr "Pintura amb colors HDR" #: ../../user_manual/introduction_from_other_software/introduction_from_photoshop.rst:354 msgid "What Krita Does Not Have" msgstr "El que el Krita no té" #: ../../user_manual/introduction_from_other_software/introduction_from_photoshop.rst:356 msgid "" "Again, Krita is a digital paint application and Photoshop is an image " "manipulation program with some painting features. This means that there are " "things you can do in PS that you cannot do in Krita. This section gives a " "short list of these features." msgstr "" "Una vegada més, el Krita és una aplicació de pintura digital i el Photoshop " "és un programa per a la manipulació d'imatges amb algunes característiques " "de pintura. Això vol dir que hi ha coses que podeu fer al PS que no podeu " "fer al Krita. Aquesta secció ofereix una breu llista d'aquestes " "característiques." #: ../../user_manual/introduction_from_other_software/introduction_from_photoshop.rst:359 msgid "Filters" msgstr "Filtres" #: ../../user_manual/introduction_from_other_software/introduction_from_photoshop.rst:361 msgid "" "Krita has a pretty impressive pack of filters available, but you will " "probably miss one or two of the special filters or color adjustment tools " "you often use in Photoshop. For example, there is no possibility to tweak a " "specific color in HSV adjustment." msgstr "" "El Krita té un paquet de filtres molt impressionant, però probablement " "trobareu a faltar un o dos dels filtres especials o les eines d'ajustament " "del color que utilitzeu sovint en el Photoshop. Per exemple, no hi ha " "possibilitat de modificar un color específic en l'ajustament de HSV." #: ../../user_manual/introduction_from_other_software/introduction_from_photoshop.rst:364 msgid "Automatic healing tool" msgstr "Eina automàtica de guariment" #: ../../user_manual/introduction_from_other_software/introduction_from_photoshop.rst:366 msgid "" "Krita does not have an automatic healing tool. It does, however, have a so-" "called clone tool which can be used to do a healing correction, although not " "automatically." msgstr "" "El Krita no té una eina automàtica de guariment. Tanmateix, disposa d'una " "eina de clonatge que es pot utilitzar per a fer una correcció de guariment, " "encara que no de manera automàtica." #: ../../user_manual/introduction_from_other_software/introduction_from_photoshop.rst:369 msgid "Macro Recording" msgstr "Enregistrar macros" #: ../../user_manual/introduction_from_other_software/introduction_from_photoshop.rst:371 msgid "" "Macro recording and playback exists in Krita, but it is not working well at " "this time." msgstr "" "L'enregistrament i la reproducció de macros existeix en el Krita, però en " "aquest moment no està funcionant bé." #: ../../user_manual/introduction_from_other_software/introduction_from_photoshop.rst:374 msgid "Text Tool" msgstr "Eina de text" #: ../../user_manual/introduction_from_other_software/introduction_from_photoshop.rst:376 msgid "" "The text tool in Krita is less advanced than the similar tool in Photoshop." msgstr "" "L'eina de text al Krita és menys avançada que l'eina similar al Photoshop." #: ../../user_manual/introduction_from_other_software/introduction_from_photoshop.rst:379 msgid "Blending Modes While Transforming" msgstr "Modes de barreja mentre es transforma" #: ../../user_manual/introduction_from_other_software/introduction_from_photoshop.rst:381 msgid "" "When you transform a layer or a selection in Krita, the transformation " "appears on the top of your layer stack ignoring the layer blending mode." msgstr "" "Quan transformeu una capa o una selecció al Krita, la transformació " "apareixerà a la part superior de la pila de capes ignorant el mode de " "barreja de capes." #: ../../user_manual/introduction_from_other_software/introduction_from_photoshop.rst:386 msgid "" "Also, you cannot ‘Export for web’, ‘Image Ready’ for Gif frame or slicing " "web image, etc" msgstr "" "A més, no podreu «Exporta per al web», «Imatge llesta» per al fotograma GIF " "o retallar una imatge del web, etc." #: ../../user_manual/introduction_from_other_software/introduction_from_photoshop.rst:389 msgid "Conclusion" msgstr "Conclusió" #: ../../user_manual/introduction_from_other_software/introduction_from_photoshop.rst:391 msgid "" "Using these tips you will probably be up to speed with Krita in a short " "time. If you find other things worth mentioning in this document we, the " "authors, would be interested in hearing about them. Krita develops fast, so " "we believe that the list of things possible in Photoshop but not in Krita " "will become shorter in time. We will maintain this document as this happens." msgstr "" "Amb aquests consells, probablement estareu corrent amb el Krita en poc " "temps. Si trobeu altres coses que cal esmentar en aquest document, " "nosaltres, els autors, estem interessats a escoltar-les. El Krita es " "desenvolupa ràpidament, per la qual cosa creiem que la llista de coses " "possibles al Photoshop, però no al Krita, serà més curta en el temps. " "Mantindrem aquest document mentre això succeeix." diff --git a/locale/ca/LC_MESSAGES/user_manual/introduction_from_other_software/introduction_from_sai.po b/locale/ca/LC_MESSAGES/user_manual/introduction_from_other_software/introduction_from_sai.po index 82f9cf4e1..0ab372bc1 100644 --- a/locale/ca/LC_MESSAGES/user_manual/introduction_from_other_software/introduction_from_sai.po +++ b/locale/ca/LC_MESSAGES/user_manual/introduction_from_other_software/introduction_from_sai.po @@ -1,725 +1,719 @@ # Translation of docs_krita_org_user_manual___introduction_from_other_software___introduction_from_sai.po to Catalan # Copyright (C) 2019 This_file_is_part_of_KDE # This file is distributed under the license LGPL version 2.1 or # version 3 or later versions approved by the membership of KDE e.V. # # Antoni Bella Pérez , 2019. msgid "" msgstr "" "Project-Id-Version: docs_krita_org_user_manual___introduction_from_other_softw" "are___introduction_from_sai\n" "Report-Msgid-Bugs-To: \n" "POT-Creation-Date: 2019-03-15 03:36+0100\n" -"PO-Revision-Date: 2019-03-15 18:30+0100\n" +"PO-Revision-Date: 2019-03-16 18:05+0100\n" "Last-Translator: Antoni Bella Pérez \n" "Language-Team: Catalan \n" "Language: ca\n" "MIME-Version: 1.0\n" "Content-Type: text/plain; charset=UTF-8\n" "Content-Transfer-Encoding: 8bit\n" "Plural-Forms: nplurals=2; plural=n != 1;\n" "X-Generator: Lokalize 18.12.3\n" # skip-rule: t-sp_2p #: ../../:2 msgid "" ".. image:: images/icons/Krita_mouse_left.png\n" " :alt: mouseleft" msgstr "" ".. image:: images/icons/Krita_mouse_left.png\n" " :alt: mouseleft" # skip-rule: t-sp_2p #: ../../:4 msgid "" ".. image:: images/icons/Krita_mouse_right.png\n" " :alt: mouseright" msgstr "" ".. image:: images/icons/Krita_mouse_right.png\n" " :alt: mouseright" # skip-rule: t-sp_2p #: ../../:6 msgid "" ".. image:: images/icons/Krita_mouse_middle.png\n" " :alt: mousemiddle" msgstr "" ".. image:: images/icons/Krita_mouse_middle.png\n" " :alt: mousemiddle" #: ../../user_manual/introduction_from_other_software/introduction_from_sai.rst:None msgid ".. image:: images/en/Krita-color-to-alpha.png" msgstr ".. image:: images/en/Krita-color-to-alpha.png" #: ../../user_manual/introduction_from_other_software/introduction_from_sai.rst:None msgid ".. image:: images/en/Krita_Color_Selector_Types.png" msgstr ".. image:: images/en/Krita_Color_Selector_Types.png" #: ../../user_manual/introduction_from_other_software/introduction_from_sai.rst:None msgid ".. image:: images/en/Krita-multibrush.png" msgstr ".. image:: images/en/Krita-multibrush.png" #: ../../user_manual/introduction_from_other_software/introduction_from_sai.rst:None msgid ".. image:: images/en/Krita-view-dependant-lut-management.png" msgstr ".. image:: images/en/Krita-view-dependant-lut-management.png" #: ../../user_manual/introduction_from_other_software/introduction_from_sai.rst:None msgid ".. image:: images/en/Krita_transforms_recursive.png" msgstr ".. image:: images/en/Krita_transforms_recursive.png" #: ../../user_manual/introduction_from_other_software/introduction_from_sai.rst:None msgid ".. image:: images/en/Krita_ghostlady_3.png" msgstr ".. image:: images/en/Krita_ghostlady_3.png" #: ../../user_manual/introduction_from_other_software/introduction_from_sai.rst:None msgid ".. image:: images/en/Krita-popuppalette.png" msgstr ".. image:: images/en/Krita-popuppalette.png" #: ../../user_manual/introduction_from_other_software/introduction_from_sai.rst:1 msgid "This is a introduction to Krita for users coming from Paint Tool Sai." msgstr "" "Aquesta és una introducció al Krita per als usuaris que vénen del Paint Tool " "Sai." #: ../../user_manual/introduction_from_other_software/introduction_from_sai.rst:17 msgid "Introduction to Krita coming from Paint Tool Sai" msgstr "Introducció al Krita si es ve del Paint Tool Sai" #: ../../user_manual/introduction_from_other_software/introduction_from_sai.rst:20 msgid "How do you do that in Krita?" msgstr "Com es fa això en el Krita?" #: ../../user_manual/introduction_from_other_software/introduction_from_sai.rst:22 msgid "" "This section goes over the functionalities that Krita and Paint Tool Sai " "share, but shows how they slightly differ." msgstr "" "Aquesta secció tracta sobre funcionalitats que comparteixen el Krita i el " "Paint Tool Sai, però mostra com es diferencien lleugerament." #: ../../user_manual/introduction_from_other_software/introduction_from_sai.rst:25 msgid "Canvas navigation" msgstr "Navegar pel llenç" #: ../../user_manual/introduction_from_other_software/introduction_from_sai.rst:27 msgid "" "Krita, just like Sai, allows you to flip, rotate and duplicate the view. " "Unlike Sai, these are tied to keyboard keys." msgstr "" "El Krita, igual que el Sai, permet invertir, girar i duplicar la vista. A " "diferència del Sai, aquestes accions estan lligades a dreceres de teclat." #: ../../user_manual/introduction_from_other_software/introduction_from_sai.rst:29 msgid "Mirror" msgstr "Emmiralla" #: ../../user_manual/introduction_from_other_software/introduction_from_sai.rst:30 msgid "This is tied to :kbd:`M` to flip." msgstr "Està lligada a :kbd:`M` per invertir." #: ../../user_manual/introduction_from_other_software/introduction_from_sai.rst:31 msgid "Rotate" msgstr "Gira" #: ../../user_manual/introduction_from_other_software/introduction_from_sai.rst:32 msgid "" "There's a couple of possibilities here: either :kbd:`4` and :kbd:`6`, or :" "kbd:`Ctrl + [` and :kbd:`Ctrl + ]` for basic 15 degrees rotation left and " "right. But you can also have more sophisticated rotation with :kbd:`Shift + " "Space` + drag or :kbd:`Shift` + |mousemiddle| + drag. To reset the rotation, " "press :kbd:`5`." msgstr "" "Aquí hi ha algunes possibilitats: ja sigui :kbd:`4` i :kbd:`6`, o: kbd:`Ctrl " "+ [` i :kbd:`Ctrl +]` per a la rotació bàsica de 15 graus a l'esquerra i " "dreta. Però també podeu tenir una rotació més sofisticada amb :kbd:`Majús. + " "Espai` + arrossega o :kbd:`Majús.` + |mousemiddle| + arrossega. Per a " "restablir la rotació, premeu :kbd:`5`." #: ../../user_manual/introduction_from_other_software/introduction_from_sai.rst:34 msgid "Zoom" msgstr "Zoom" #: ../../user_manual/introduction_from_other_software/introduction_from_sai.rst:34 msgid "" "You can use :kbd:`+` and :kbd:`-` to zoom out and in, or use :kbd:`Ctrl` + |" "mousemiddle|. Use 1, 2 or 3 to reset the zoom, fit the zoom to page or fit " "the zoom to page width." msgstr "" "Podeu utilitzar :kbd:`+` i :kbd:`-` per allunyar i apropar, o utilitzar :kbd:" "`Ctrl` + |mousemiddle|. Utilitzeu 1, 2 o 3 per a restablir el zoom, ajustar " "el zoom a la pàgina o ajustar el zoom a l'amplada de la pàgina." #: ../../user_manual/introduction_from_other_software/introduction_from_sai.rst:36 msgid "" "You can use the Overview docker in :menuselection:`Settings --> Dockers` to " "quickly navigate over your image." msgstr "" "Podeu utilitzar el connector Resum a :menuselection:`Arranjament --> " "Acobladors` per a navegar ràpidament per sobre de la vostra imatge." #: ../../user_manual/introduction_from_other_software/introduction_from_sai.rst:38 msgid "" "You can also put these commands on the toolbar, so it'll feel a little like " "Sai. Go to :menuselection:`Settings --> Configure Toolbars`. There are two " "toolbars, but we'll add to the file toolbar." msgstr "" -"També podeu posar aquestes ordres a la barra d’eines, de manera que " -"s’assimilarà una mica al Sai. Aneu a :menuselection:`Arranjament --> " -"Configura les barres d’eines`. Hi ha dues barres d’eines, però l'afegirem a " -"la barra d’eines de fitxers." +"També podeu posar aquestes ordres a la barra d'eines, de manera que " +"s'assimilarà una mica al Sai. Aneu a :menuselection:`Arranjament --> " +"Configura les barres d'eines`. Hi ha dues barres d'eines, però l'afegirem a " +"la barra d'eines de fitxers." #: ../../user_manual/introduction_from_other_software/introduction_from_sai.rst:40 msgid "" "Then, you can type in something in the left column to search for it. So, for " "example, 'undo'. Then select the action 'undo freehand stroke' and drag it " "to the right. Select the action to the right, and click :menuselection:" "`Change text`. There, toggle :menuselection:`Hide text when toolbar shows " "action alongside icon` to prevent the action from showing the text. Then " "press :guilabel:`OK`. When done right, the :guilabel:`Undo` should now be " "sandwiched between the save and the gradient icon." msgstr "" "Llavors, podeu escriure quelcom a la columna esquerra per a cercar-la. Així, " -"per exemple, «desfés». Després seleccioneu l’acció «desfés el traç a mà " +"per exemple, «desfés». Després seleccioneu l'acció «desfés el traç a mà " "alçada» i arrossegueu-la cap a la dreta. Seleccioneu l'acció a la dreta i " "feu clic a :menuselection:`Canvia el text`. Allà, alterneu :menuselection:" "`Oculta el text quan la barra d'eines mostri el text al costat de les " -"icones` per evitar que l’acció mostri el text. A continuació, premeu :" +"icones` per evitar que l'acció mostri el text. A continuació, premeu :" "guilabel:`D'acord`. Quan hàgiu acabat, el :guilabel:`Desfés` hauria de ser " "intercalat entre la icona de desa i la de degradat." #: ../../user_manual/introduction_from_other_software/introduction_from_sai.rst:42 msgid "" "You can do the same for :guilabel:`Redo`, :guilabel:`Deselect`, :guilabel:" "`Invert Selection`, :guilabel:`Zoom out`, :guilabel:`Zoom in`, :guilabel:" "`Reset zoom`, :guilabel:`Rotate left`, :guilabel:`Rotate right`, :guilabel:" "`Mirror view` and perhaps :guilabel:`Smoothing: basic` and :guilabel:" "`Smoothing: stabilizer` to get nearly all the functionality of Sai's top bar " "in Krita's top bar. (Though, on smaller screens this will cause all the " "things in the brushes toolbar to hide inside a drop down to the right, so " "you need to experiment a little)." msgstr "" "Podeu fer el mateix amb :guilabel:`Refés`, :guilabel:`Desselecciona`, :" "guilabel:`Inverteix la selecció`, :guilabel:`Allunya`, :guilabel:`Apropa`, :" "guilabel:`Reinicia el zoom`, :guilabel:`Gira a l'esquerra`, :guilabel:`Gira " "a la dreta`, :guilabel:`Visualització en mirall` i potser :guilabel:" "`Suavitzat: Bàsic` i :guilabel:`Suavitzat: Estabilitzador` per obtenir " "gairebé totes les característiques de la barra superior del Sai a la barra " "superior del Krita. (Tot i que, a les pantalles més petites, això farà que " -"totes les coses de la barra d’eines dels pinzells s’ocultin dins d’una " +"totes les coses de la barra d'eines dels pinzells s'ocultin dins d'una " "llista desplegable a la dreta, de manera que necessiteu experimentar una " "mica)." #: ../../user_manual/introduction_from_other_software/introduction_from_sai.rst:44 msgid "" ":guilabel:`Hide Selection`, :guilabel:`Reset Rotation` are currently not " "available via the Toolbar configuration, you'll need to use the shortcuts :" "kbd:`Ctrl + H` and :kbd:`5` to toggle these." msgstr "" "Actualment, les ordres :guilabel:`Oculta la selecció`, :guilabel:`Reinicia " "el gir` no estan disponibles a través de la configuració de la barra " -"d’eines, haureu d’utilitzar les dreceres :kbd:`Ctrl + H` i :kbd:`5` per " +"d'eines, haureu d'utilitzar les dreceres :kbd:`Ctrl + H` i :kbd:`5` per " "alternar-les." #: ../../user_manual/introduction_from_other_software/introduction_from_sai.rst:48 msgid "" "Krita 3.0 currently doesn't allow changing the text in the toolbar, we're " "working on it." msgstr "" "Actualment, el Krita 3.0 no permet canviar el text a la barra d'eines, ja hi " "estem treballant." #: ../../user_manual/introduction_from_other_software/introduction_from_sai.rst:51 msgid "Right click color picker" msgstr "Clic dret per al selector de color" #: ../../user_manual/introduction_from_other_software/introduction_from_sai.rst:53 msgid "" "You can actually set this in :menuselection:`Settings --> Configure Krita --" "> Canvas input settings --> Alternate invocation`. Just double-click the " "entry that says :kbd:`Ctrl` + |mouseleft| before :guilabel:`Pick foreground " "color from image` to get a window to set it to |mouseright|." msgstr "" "En realitat, ho podeu establir a :menuselection:`Arranjament --> Configura " "el Krita --> Arranjament d'entrada del llenç --> Invocació alternativa`. " "Simplement feu doble clic a l'entrada que digui :kbd:`Ctrl` + |mouseleft| " "abans de :guilabel:`Tria el color del primer pla des de la imatge` per " "obtenir un diàleg per establir-la a |mouseright|." #: ../../user_manual/introduction_from_other_software/introduction_from_sai.rst:57 msgid "" "Krita 3.0 actually has a Paint-tool Sai-compatible input sheet shipped by " "default. Combine these with the shortcut sheet for Paint tool Sai to get " "most of the functionality on familiar hotkeys." msgstr "" -"El Krita 3.0 en realitat té un full d’entrada compatible amb el Paint-tool " +"El Krita 3.0 en realitat té un full d'entrada compatible amb el Paint-tool " "Sai. Combineu-los amb la drecera de full per al Paint tool Sai per obtenir " -"la major part de la funcionalitat a les tecles d’accés ràpid conegudes." +"la major part de la funcionalitat a les tecles d'accés ràpid conegudes." #: ../../user_manual/introduction_from_other_software/introduction_from_sai.rst:60 msgid "Stabilizer" msgstr "Estabilitzador" #: ../../user_manual/introduction_from_other_software/introduction_from_sai.rst:62 msgid "" "This is in the tool options docker of the freehand brush. Use Basic " "Smoothing for more advanced tablets, and Stabilizer is much like Paint Tool " "Sai's. Just turn off :guilabel:`Delay` so that the dead-zone disappears." msgstr "" "Aquest és l'acoblador per a les opcions de l'eina del pinzell a mà alçada. " "Utilitzeu el Suavitzat bàsic per a les tauletes més avançades i si " -"l’estabilitzador s’assembla molt al de Paint Tool Sai. Simplement desactiveu " +"l'estabilitzador s'assembla molt al de Paint Tool Sai. Simplement desactiveu " "el :guilabel:`Retard` de manera que desaparegui la zona morta." #: ../../user_manual/introduction_from_other_software/introduction_from_sai.rst:65 msgid "Transparency" msgstr "Transparència" #: ../../user_manual/introduction_from_other_software/introduction_from_sai.rst:67 msgid "" "So one of the things that throw a lot of Paint Tool Sai users off is that " "Krita uses checkers to display transparency, which is actually not that " "uncommon. Still, if you want to have the canvas background to be white, this " "is possible. Just choose :guilabel:`Background: As Canvas Color` in the new " "image dialogue and the image background will be white. You can turn it back " "to transparent via :menuselection:`Image --> Change image background color`. " "If you export a PNG or JPG, make sure to uncheck :guilabel:`Save " "transparency` and to make the background color white (it's black by default)." msgstr "" "Així que una de les coses que tiren a molts als usuaris del Paint Tool Sai " "és que el Krita fa servir els comprovadors per a mostrar la transparència, " "el qual en realitat no és tan infreqüent. Tot i així, si voleu que el fons " "del llenç sigui blanc, això serà possible. Simplement trieu :guilabel:`Fons: " "Com a color del llenç` al nou diàleg de la imatge i el fons de la imatge " "serà blanc. Es pot tornar transparent mitjançant :menuselection:`Imatge --> " "Canvia el color de fons de la imatge`. Si exporteu a PNG o JPG, assegureu-" "vos de desmarcar :guilabel:`Desa la transparència` i feu que el color de " "fons sigui blanc (de manera predeterminada és negre)." #: ../../user_manual/introduction_from_other_software/introduction_from_sai.rst:72 msgid "" "Like Sai, you can quickly turn a black and white image to black and " "transparent with the :menuselection:`Color to Alpha Filter` under :" "menuselection:`Filters --> Colors --> Color to Alpha`" msgstr "" "Com en el Sai, podeu convertir amb rapidesa una imatge en blanc i negre a " "negre i transparent amb l'opció :menuselection:`Filtre de color a alfa` " "sota :menuselection:`Filtres --> Colors --> Color a alfa`." #: ../../user_manual/introduction_from_other_software/introduction_from_sai.rst:75 msgid "Brush Settings" msgstr "Ajustaments del pinzell" #: ../../user_manual/introduction_from_other_software/introduction_from_sai.rst:77 msgid "" "Another, somewhat amusing misconception is that Krita's brush engine is not " "very complex. After all, you can only change the Size, Flow and Opacity from " "the top bar." msgstr "" "Un altre concepte erroni, és que el motor de pinzells del Krita no és molt " "complex. Després de tot, des de la barra superior només podeu canviar la " -"Mida, el Flux i l’Opacitat." +"Mida, el Flux i l'Opacitat." #: ../../user_manual/introduction_from_other_software/introduction_from_sai.rst:79 msgid "" "This is not quite true. It's rather that we don't have our brush settings in " "a docker but a drop-down on the toolbar. The easiest way to access this is " "with :kbd:`F5`. As you can see, it's actually quite complex. We have more " "than a dozen brush engines, which are a type of brush you can make. The ones " "you are used to from Paint Tool Sai are the Pixel Brush (ink), The Color " "Smudge Brush (brush) and the filter brush (dodge, burn)." msgstr "" "Això no és cert. Més aviat és que no tenim els ajustaments del nostre " -"pinzell en un acoblador, sinó en una llista desplegable a la barra d’eines. " -"La manera més fàcil d’accedir-hi és :kbd:`F5`. Com podeu veure, en realitat " -"és força complex. Tenim més d’una dotzena de motors de pinzells, els quals " +"pinzell en un acoblador, sinó en una llista desplegable a la barra d'eines. " +"La manera més fàcil d'accedir-hi és :kbd:`F5`. Com podeu veure, en realitat " +"és força complex. Tenim més d'una dotzena de motors de pinzells, els quals " "són un tipus de pinzell que podeu crear. El que estàveu acostumat al Paint " "Tool Sai són el Pinzell de píxels (tinta), El pinzell d'esborronat del color " "(pinzell) i el Pinzell de filtratge (esvaïment, crema)." #: ../../user_manual/introduction_from_other_software/introduction_from_sai.rst:81 -#| msgid "" -#| "A simple inking brush recipe for example is to take a pixel brush, " -#| "uncheck the 'enable pen-settings' on opacity and flow, and uncheck " -#| "everything but size from the option list. Then, go into brush-tip, pick :" -#| "ref:`auto_brush_tip` from the tabs, and set the size to 25 (right-click a " -#| "blue bar if you want to input numbers), turn on anti-aliasing under the " -#| "brush icon, and set fade to 0.9. Then, as a final touch, set spacing to " -#| "'auto' and the spacing number to 0.8." msgid "" "A simple inking brush recipe for example is to take a pixel brush, uncheck " "the :guilabel:`Enable Pen Settings` on opacity and flow, and uncheck " "everything but size from the option list. Then, go into brush-tip, pick :ref:" "`auto_brush_tip` from the tabs, and set the size to 25 (right-click a blue " "bar if you want to input numbers), turn on anti-aliasing under the brush " "icon, and set fade to 0.9. Then, as a final touch, set spacing to 'auto' and " "the spacing number to 0.8." msgstr "" "Per exemple, una senzilla recepta del pinzell de tinta és prendre un pinzell " "de píxels, desmarqueu l'opció :guilabel:`Habilita els ajustaments de la " "ploma` en l'opacitat i el flux, i desmarqueu-ho tot excepte la mida a la " -"llista d'opcions. A continuació, aneu a la punta del pinzell, escolliu " -":ref:`auto_brush_tip` des de les pestanyes i establiu la mida a 25 (feu clic " -"dret a la barra blava si voleu introduir algun número), activeu " -"l’antialiàsing sota la icona del pinzell, i establiu l'ombra 0,9. A " -"continuació, com a últim toc, establiu el tipus d'espaiat a «Automàtic» i el " -"número de l’espaiat a 0,8." +"llista d'opcions. A continuació, aneu a la punta del pinzell, escolliu :ref:" +"`auto_brush_tip` des de les pestanyes i establiu la mida a 25 (feu clic dret " +"a la barra blava si voleu introduir algun número), activeu l'antialiàsing " +"sota la icona del pinzell, i establiu l'ombra 0,9. A continuació, com a " +"últim toc, establiu el tipus d'espaiat a «Automàtic» i el número de " +"l'espaiat a 0,8." #: ../../user_manual/introduction_from_other_software/introduction_from_sai.rst:83 msgid "" "You can configure the brushes in a lot of detail, and share the packs with " "others. Importing of packs and brushes can be done via the :menuselection:" "`Settings --> Manage Resources`, where you can import .bundle files or .kpp " "files." msgstr "" "Podeu configurar els pinzells amb molts detalls i compartir els paquets amb " "altres usuaris. La importació de paquets i pinzells es pot fer a través del :" "menuselection:`Arranjament --> Gestió de recursos`, des d'on podreu importar " "els fitxers «.bundle» o «.kpp»." #: ../../user_manual/introduction_from_other_software/introduction_from_sai.rst:86 msgid "Erasing" msgstr "Esborrar" +# skip-rule: punctuation-3period #: ../../user_manual/introduction_from_other_software/introduction_from_sai.rst:88 msgid "" "Erasing is a blending mode in Krita, much like the transparency mode of " "Paint Tool Sai. It's activated with :kbd:`E` or you can select it from the " "Blending Mode drop-down..." msgstr "" "L'esborrament és un mode de barreja en el Krita, igual que el mode de " "transparència del Paint Tool Sai. S'activa amb :kbd:`E` o el podeu " "seleccionar des del menú desplegable «Mode de barreja...»." #: ../../user_manual/introduction_from_other_software/introduction_from_sai.rst:91 msgid "Blending Modes" msgstr "Modes de barreja" #: ../../user_manual/introduction_from_other_software/introduction_from_sai.rst:93 msgid "" "Krita has a lot of Blending modes, and thankfully all of Paint Tool Sai's " "are amongst them except binary. To manage the blending modes, each of them " "has a little check-box that you can tick to add them to the favorites." msgstr "" "El Krita té molts modes de barreja i, per sort, s'hi troben tots els del " "Paint Tool Sai, excepte els binaris. Per a gestionar els modes de barreja, " "cadascun d'ells té una casella de selecció que podeu marcar per afegir-los " "als preferits." #: ../../user_manual/introduction_from_other_software/introduction_from_sai.rst:95 msgid "" "Multiple, Screen, Overlay and Normal are amongst the favorites. Krita's " "Luminosity is actually slightly different from Paint Tool Sai's and it " "replaces the relative brightness of color with the relative brightness of " "the color of the layer." msgstr "" "Múltiples, Pantalla, Superposició i Normal es troben entre els preferits. La " "lluminositat del Krita, en realitat és una mica diferent de la del Paint " "Tool Sai i substitueix la brillantor relativa del color amb la brillantor " "relativa del color de la capa." #: ../../user_manual/introduction_from_other_software/introduction_from_sai.rst:98 msgid "" "Sai's Luminosity mode is actually the same as Krita's *Addition* or *linear " "dodge* mode. The Shade mode is the same as *Color Burn* and *Hard Mix* is " "the same as the lumi and shade mode." msgstr "" "El mode de lluminositat del Sai, en realitat és la mateixa que el mode " "*Addició* o *Esvaïment lineal* del Krita. El mode Ombra és el mateix que el " -"*Cremat dels colors* i *Barreja forta* és el mateix que el mode Luminància i " +"*Cremat del color* i *Barreja forta* és el mateix que el mode Luminància i " "Ombra." #: ../../user_manual/introduction_from_other_software/introduction_from_sai.rst:101 msgid "Layers" msgstr "Capes" #: ../../user_manual/introduction_from_other_software/introduction_from_sai.rst:103 msgid "Lock Alpha" msgstr "Bloqueja l'alfa" #: ../../user_manual/introduction_from_other_software/introduction_from_sai.rst:104 msgid "This is the checker box icon next to every layer." msgstr "" "Aquesta és la icona del quadre de selecció que hi ha al costat de cada capa." #: ../../user_manual/introduction_from_other_software/introduction_from_sai.rst:105 msgid "Clipping group" msgstr "Grup de retall" #: ../../user_manual/introduction_from_other_software/introduction_from_sai.rst:106 msgid "" "For Clipping masks in Krita you'll need to put all your images in a single " "layer, and then press the 'a' icon, or press :kbd:`Ctrl + Shift + G`" msgstr "" "Per a les màscares de retallat en el Krita, haureu de col·locar totes les " "vostres imatges en una sola capa i després prémer la icona «a» o prémer la " "drecera :kbd:`Ctrl + Majús. + G`." #: ../../user_manual/introduction_from_other_software/introduction_from_sai.rst:107 msgid "Ink layer" msgstr "Capa de tintura" #: ../../user_manual/introduction_from_other_software/introduction_from_sai.rst:108 msgid "This is a vector layer in Krita, and also holds the text." msgstr "Aquesta és una capa vectorial al Krita, i també conté el text." #: ../../user_manual/introduction_from_other_software/introduction_from_sai.rst:109 msgid "Masks" msgstr "Màscares" #: ../../user_manual/introduction_from_other_software/introduction_from_sai.rst:110 msgid "" "These grayscale layers that allow you to affect the transparency are called " "transparency masks in Krita, and like Paint Tool Sai, they can be applied to " "groups as well as layers. If you have a selection and make a transparency " "mask, it will use the selection as a base." msgstr "" "Aquestes capes amb escala de grisos que permeten afectar la transparència, " -"s’anomenen màscares de transparència en el Krita i, com al Paint Tool Sai, " +"s'anomenen màscares de transparència en el Krita i, com al Paint Tool Sai, " "es poden aplicar tant a grups com a capes. Si teniu una selecció i feu una " "màscara de transparència, s'utilitzarà la selecció com a base." #: ../../user_manual/introduction_from_other_software/introduction_from_sai.rst:112 msgid "Clearing a layer" msgstr "Netejar una capa" #: ../../user_manual/introduction_from_other_software/introduction_from_sai.rst:112 msgid "" "This is under :menuselection:`Edit --> Clear`, but you can also just press :" "kbd:`Del`." msgstr "" "Això està sota :menuselection:`Edita -> Neteja`, però també podeu prémer la " "drecera :kbd:`Supr.`." #: ../../user_manual/introduction_from_other_software/introduction_from_sai.rst:115 msgid "Mixing between two colors" msgstr "Barrejar entre dos colors" #: ../../user_manual/introduction_from_other_software/introduction_from_sai.rst:117 msgid "" "If you liked this docker in Paint Tool Sai, Krita's Digital Color Selector " "docker will be able to help you. Dragging the sliders will change how much " "of a color is mixed in." msgstr "" "Si us ha agradat aquest acoblador al Paint Tool Sai, l'acoblador Selector de " "color digital del Krita us ajudarà. Arrossegar els controls lliscants " "canviarà la quantitat de color que es barreja." #: ../../user_manual/introduction_from_other_software/introduction_from_sai.rst:120 msgid "What do you get extra when using Krita?" msgstr "Què obtindreu de més quan empreu el Krita?" #: ../../user_manual/introduction_from_other_software/introduction_from_sai.rst:123 msgid "More brush customization" msgstr "Més personalització del pinzell" #: ../../user_manual/introduction_from_other_software/introduction_from_sai.rst:125 msgid "" "You already met the brush settings editor. Sketch brushes, grid brushes, " "deform brushes, clone brushes, brushes that are textures, brushes that " "respond to tilt, rotation, speed, brushes that draw hatches and brushes that " "deform the colors. Krita's variety is quite big." msgstr "" -"Ja heu conegut l’editor dels ajustaments del pinzell. Els pinzells d'esbós, " +"Ja heu conegut l'editor dels ajustaments del pinzell. Els pinzells d'esbós, " "els pinzells de reixa, Pinzells de deformació, pinzells de clonat, pinzells " "que són textures, pinzells que responen a la inclinació, rotació, velocitat, " "pinzells que dibuixen escotilles i pinzells que deformen els colors. La " "varietat al Krita és molt gran." #: ../../user_manual/introduction_from_other_software/introduction_from_sai.rst:128 msgid "More color selectors" msgstr "Més selectors de color" #: ../../user_manual/introduction_from_other_software/introduction_from_sai.rst:130 msgid "" "You can have HSV sliders, RGB sliders, triangle in a hue ring. But you can " "also have HSI, HSL or HSY' sliders, CMYK sliders, palettes, round selectors, " "square selectors, tiny selectors, big selectors, color history and shade " "selectors. Just go into :menuselection:`Settings --> Configure Krita --> " "Advanced Color Selector Settings` to change the shape and type of the main " "big color selector." msgstr "" -"Podeu tenir controls lliscants HSV, controls lliscants RGB, un triangle en un " -"anell de to. Però també podeu tenir controls lliscants HSI, HSL o HSY, " +"Podeu tenir controls lliscants HSV, controls lliscants RGB, un triangle en " +"un anell de to. Però també podeu tenir controls lliscants HSI, HSL o HSY, " "controls lliscants CMYK, paletes, selectors rodons, selectors quadrats, " "selectors diminuts, selectors grans, historial del color i selectors " "d'ombra. Només cal anar a :menuselection:`Arranjament --> Configura el Krita " "--> Ajustaments per al selector avançat del color` per a canviar la forma i " "el tipus del gran selector de color principal." #: ../../user_manual/introduction_from_other_software/introduction_from_sai.rst:135 msgid "" "You can call the color history with :kbd:`H`, common colors with :kbd:`U` " "and the two shade selectors with :kbd:`Shift + N` and :kbd:`Shift + M`. The " "big selector can be called with :kbd:`Shift + I` on canvas." msgstr "" -"Podeu cridar l’historial del color amb la drecera :kbd:`H`, colors comuns amb " -":kbd:`U` i els dos selectors d’ombra amb :kbd:`Majús. + N` i :kbd:`Majús. + " -"M`. El selector gran es pot cridar amb :kbd:`Majús. + I` sobre el llenç." +"Podeu cridar l'historial del color amb la drecera :kbd:`H`, colors comuns " +"amb :kbd:`U` i els dos selectors d'ombra amb :kbd:`Majús. + N` i :kbd:" +"`Majús. + M`. El selector gran es pot cridar amb :kbd:`Majús. + I` sobre el " +"llenç." #: ../../user_manual/introduction_from_other_software/introduction_from_sai.rst:138 msgid "Geometric Tools" msgstr "Eines geomètriques" #: ../../user_manual/introduction_from_other_software/introduction_from_sai.rst:140 msgid "Circles, rectangles, paths, Krita allows you to draw these easily." msgstr "" "Cercles, rectangles, trajectes, el Krita permet dibuixar-los amb facilitat." #: ../../user_manual/introduction_from_other_software/introduction_from_sai.rst:143 msgid "Multibrush, Mirror Symmetry and Wrap Around" msgstr "Múltiples pinzells, simetria del mirall i ajust cíclic" # Nota: https://ca.wikipedia.org/wiki/Mandala #: ../../user_manual/introduction_from_other_software/introduction_from_sai.rst:145 msgid "" "These tools allow you to quickly paint a mirrored image, mandala or tiled " "texture in no time. Useful for backgrounds and abstract vignettes." msgstr "" "Aquestes eines permeten pintar amb rapidesa una imatge reflectida, una " "textura de mandala o en mosaic. Útil per a fons i vinyetes abstractes." #: ../../user_manual/introduction_from_other_software/introduction_from_sai.rst:151 msgid "Assistants" msgstr "Assistents" #: ../../user_manual/introduction_from_other_software/introduction_from_sai.rst:153 msgid "" "The painting assistants can help you to set up a perspective, or a " "concentric circle and snap to them with the brush." msgstr "" "Els assistents de pintura poden ajudar-vos a configurar una perspectiva, o " "un cercle concèntric i enganxar-los amb el pinzell." #: ../../user_manual/introduction_from_other_software/introduction_from_sai.rst:159 msgid "" ".. image:: images/en/Krita_basic_assistants.png\n" " :alt: Krita's vanishing point assistants in action" msgstr "" ".. image:: images/en/Krita_basic_assistants.png\n" " :alt: Assistents del punt de fuga del Krita en acció" #: ../../user_manual/introduction_from_other_software/introduction_from_sai.rst:159 msgid "Krita's vanishing point assistants in action" msgstr "Assistents del punt de fuga del Krita en acció." #: ../../user_manual/introduction_from_other_software/introduction_from_sai.rst:162 msgid "Locking the Layer" msgstr "Bloquejar la capa" #: ../../user_manual/introduction_from_other_software/introduction_from_sai.rst:164 msgid "Lock the layer with the padlock so you don't draw on it." msgstr "Bloquejar la capa amb el cadenat per a que no s'hi dibuixi." #: ../../user_manual/introduction_from_other_software/introduction_from_sai.rst:167 msgid "Quick Layer select" msgstr "Seleccionar ràpidament la capa" #: ../../user_manual/introduction_from_other_software/introduction_from_sai.rst:169 msgid "" "If you hold :kbd:`R` and press a spot on your drawing, Krita will select the " "layer underneath the cursor. Really useful when dealing with a large number " "of layers." msgstr "" -"Si manteniu premuda la drecera :kbd:`R` i premeu un punt al vostre dibuix, el " -"Krita seleccionarà la capa que hi ha sota el cursor. Molt útil quan es " +"Si manteniu premuda la drecera :kbd:`R` i premeu un punt al vostre dibuix, " +"el Krita seleccionarà la capa que hi ha sota el cursor. Molt útil quan es " "tracta amb una gran quantitat de capes." #: ../../user_manual/introduction_from_other_software/introduction_from_sai.rst:172 msgid "Color Management" msgstr "Gestió del color" #: ../../user_manual/introduction_from_other_software/introduction_from_sai.rst:174 msgid "" "This allows you to prepare your work for print, or to do tricks with the LUT " "docker so you can diagnose your image better. For example, using the LUT " "docker to turn the colors grayscale in a separate view, so you can see the " "values instantly." msgstr "" "Això us permetrà preparar el vostre treball per imprimir o fer trucs amb " -"l'ancorador LUT, de manera que pugueu diagnosticar millor la vostra imatge. " -"Per exemple, utilitzant l'ancorador LUT per a convertir els colors a escala " +"l'acoblador LUT, de manera que pugueu diagnosticar millor la vostra imatge. " +"Per exemple, utilitzant l'acoblador LUT per a convertir els colors a escala " "de grisos en una vista independent, de manera que pugueu veure els valors a " "l'instant." #: ../../user_manual/introduction_from_other_software/introduction_from_sai.rst:180 msgid "Advanced Transform Tools" msgstr "Eines avançades de transformació" #: ../../user_manual/introduction_from_other_software/introduction_from_sai.rst:182 msgid "" "Not just rotate and scale, but also cage, wrap, liquify and non-destructive " "transforms with the transform tool and masks." msgstr "" "No només girar i escalar, sinó també les transformacions de gàbia, ajusta, " "liqüescent i no destructives amb l'eina de transformació i les màscares." #: ../../user_manual/introduction_from_other_software/introduction_from_sai.rst:188 msgid "More Filters and non-destructive filter layers and masks" msgstr "Més filtres, mascares i capes de filtratge no destructives" #: ../../user_manual/introduction_from_other_software/introduction_from_sai.rst:190 msgid "" "With filters like color balance and curves you can make easy shadow layers. " "In fact, with the filter layers and layer masks you can make them apply on " "the fly as you draw underneath." msgstr "" "Amb filtres com l'equilibri de color i les corbes, podeu crear capes d'ombra " "senzilles. De fet, amb les capes de filtratge i les màscares de capa, podreu " "crear-les i aplicar-les sobre la marxa mentre dibuixeu per sota." #: ../../user_manual/introduction_from_other_software/introduction_from_sai.rst:196 msgid "Pop-up palette" msgstr "Paleta emergent" #: ../../user_manual/introduction_from_other_software/introduction_from_sai.rst:198 msgid "" "This is the little circular thing that is by default on the right click. You " "can organize your brushes in tags, and use those tags to fill up the pop-up " "palette. It also keeps a little color selector and color history, so you can " "switch brushes on the fly." msgstr "" -"Aquesta és la petita cosa circular que de manera predeterminada trobareu fent " -"clic dret. Podeu organitzar els vostres pinzells amb etiquetes i " +"Aquesta és la petita cosa circular que de manera predeterminada trobareu " +"fent clic dret. Podeu organitzar els vostres pinzells amb etiquetes i " "utilitzar-les per omplir la paleta emergent. També manté el selector de " "color i historial del color, de manera que podreu canviar els pinzells sobre " "la marxa." #: ../../user_manual/introduction_from_other_software/introduction_from_sai.rst:204 msgid "What does Krita lack compared to Paint Tool Sai?" msgstr "Què falta en el Krita en comparació amb el Paint Tool Sai?" #: ../../user_manual/introduction_from_other_software/introduction_from_sai.rst:206 msgid "Variable width vector lines" msgstr "Línies vectorials d'amplada variable." #: ../../user_manual/introduction_from_other_software/introduction_from_sai.rst:207 msgid "The selection source option for layers" msgstr "L'opció de selecció de la font per a les capes" #: ../../user_manual/introduction_from_other_software/introduction_from_sai.rst:208 msgid "Dynamic hard-edges for strokes (the fringe effect)" -msgstr "Vores dinàmiques dures per als traços (l'efecte de franja)" +msgstr "Vores dinàmiques sòlides per als traços (l'efecte de franja)" #: ../../user_manual/introduction_from_other_software/introduction_from_sai.rst:209 msgid "No mix-docker." msgstr "No hi ha cap acoblador de barreja." #: ../../user_manual/introduction_from_other_software/introduction_from_sai.rst:210 msgid "No Preset-tied stabilizer." msgstr "No hi ha lligat cap estabilitzador predefinit." #: ../../user_manual/introduction_from_other_software/introduction_from_sai.rst:211 msgid "No per-preset hotkeys." -msgstr "No hi ha tecles d’accés ràpid predefinides." +msgstr "No hi ha tecles d'accés ràpid predefinides." #: ../../user_manual/introduction_from_other_software/introduction_from_sai.rst:214 msgid "Conclusion" msgstr "Conclusió" #: ../../user_manual/introduction_from_other_software/introduction_from_sai.rst:216 msgid "" "I hope this introduction got you a little more excited to use Krita, if not " "feel a little more at home." msgstr "" "Espero que aquesta introducció us hagi entusiasmat una mica més per emprar " "el Krita, de no ser així, que us trobeu una mica més a casa." diff --git a/locale/es/LC_MESSAGES/contributors_manual/krita_manual_conventions.po b/locale/es/LC_MESSAGES/contributors_manual/krita_manual_conventions.po index 8f78c6f18..f484afb44 100644 --- a/locale/es/LC_MESSAGES/contributors_manual/krita_manual_conventions.po +++ b/locale/es/LC_MESSAGES/contributors_manual/krita_manual_conventions.po @@ -1,875 +1,875 @@ # Spanish translations for docs_krita_org_contributors_manual___krita_manual_conventions.po package. # Copyright (C) licensed under the GNU Free Documentation License 1.3+ unless stated otherwise # This file is distributed under the same license as the Krita Manual package. # # Automatically generated, 2019. # Eloy Cuadra , 2019. # Sofia Priego , %Y. msgid "" msgstr "" "Project-Id-Version: " "docs_krita_org_contributors_manual___krita_manual_conventions\n" "Report-Msgid-Bugs-To: \n" -"POT-Creation-Date: 2019-03-15 03:36+0100\n" +"POT-Creation-Date: 2019-03-16 03:28+0100\n" "PO-Revision-Date: 2019-02-19 19:50+0100\n" "Last-Translator: Sofia Priego \n" "Language-Team: Spanish \n" "Language: es\n" "MIME-Version: 1.0\n" "Content-Type: text/plain; charset=UTF-8\n" "Content-Transfer-Encoding: 8bit\n" "Plural-Forms: nplurals=2; plural=n != 1;\n" "X-Generator: Lokalize 18.12.2\n" #: ../../:2 msgid "" ".. image:: images/icons/Krita_mouse_left.png\n" " :alt: mouseleft" msgstr "" #: ../../:4 msgid "" ".. image:: images/icons/Krita_mouse_right.png\n" " :alt: mouseright" msgstr "" #: ../../:6 msgid "" ".. image:: images/icons/Krita_mouse_middle.png\n" " :alt: mousemiddle" msgstr "" #: ../../:8 msgid "" ".. image:: images/icons/Krita_mouse_scroll.png\n" " :alt: mousescroll" msgstr "" -#: ../../contributors_manual/krita_manual_conventions.rst:None -msgid "Horizontal Rulers" -msgstr "Reglas horizontales" - #: ../../contributors_manual/krita_manual_conventions.rst:0 msgid "" ".. image:: images/en/sample.png\n" " :alt: an image." msgstr "" +#: ../../contributors_manual/krita_manual_conventions.rst:None +msgid "Horizontal Rulers" +msgstr "Reglas horizontales" + #: ../../contributors_manual/krita_manual_conventions.rst:1 msgid "reStructuredText conventions for the Krita Manual" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:16 msgid "Mark-up conventions for the Krita Manual" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:18 msgid "" "This details the style conventions for using restructured text for the Krita " "Manual." msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:20 msgid "" "It's recommended to look over the `official specification `_ for reStructuredText, and given it lives on " "sourceforge, to save a copy to your harddrive (sourceforge has, at this time " "of writing, some issues with server uptime):" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:23 msgid "" "`Primer `_" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:24 msgid "User Manual:" msgstr "Manual del usuario:" #: ../../contributors_manual/krita_manual_conventions.rst:24 msgid "" "`Quick Ref `_" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:25 msgid "" "`Text Cheatsheet `_" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:27 msgid "" "`Introduction `_" msgstr "" "`Introducción `_" #: ../../contributors_manual/krita_manual_conventions.rst:28 msgid "" "`Markup `_" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:29 msgid "Reference Documentation:" msgstr "Documentación de referencia:" #: ../../contributors_manual/krita_manual_conventions.rst:29 msgid "" "`Directives `_" msgstr "" "`Directivas `_" #: ../../contributors_manual/krita_manual_conventions.rst:30 msgid "`Roles `_" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:32 msgid "Sphinx specific docs:" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:32 msgid "" "`Sphinx' page on restructured text `_ -- This is useful for the specific " "sphinx directives and roles it uses to generate for example table of " "contents." msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:34 msgid "" "There are differences between the official reStructuredText and the sphinx " "docs multiple ways to do things. This document specifies the suggested " "conventions to go with." msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:36 msgid "Contents" msgstr "Contenido" #: ../../contributors_manual/krita_manual_conventions.rst:39 msgid "Meta data" msgstr "Metadatos" #: ../../contributors_manual/krita_manual_conventions.rst:41 msgid "Each page should start with the following three things:" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:44 msgid "" "This is a general description of the page. It will be converted to an html " "meta tag which will be used by search engines::" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:49 msgid "A meta description" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:52 msgid "" "This is just to keep track of who edited the page and to give credit. It " "should be in a comment so that it will not end up being easily readable by " "machines. The license of the whole manual is GDL 1.3 and should also be " "mentioned here::" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:58 msgid "A list of authors and a license." msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:61 msgid "" "These are comma-separated terms under which the page will be indexed in :ref:" "`genindex`. The generated index is quite useful for both pdf as well as " "people who are not sure what the exact name is of the term they are looking " "for. They are defined as follows::" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:63 msgid "Indexing terms." msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:66 msgid "" "This is so we can easily link to the page using ``:ref:`label_name```. Try " "to make this a nice variable name::" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:70 msgid "" "After the label you will need to add a heading, as ``:ref:`label_name``` " "will refer to the heading to fill out it's link-text." msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:71 msgid "A label." msgstr "Una etiqueta." #: ../../contributors_manual/krita_manual_conventions.rst:74 msgid "Headings" msgstr "Cabeceras" #: ../../contributors_manual/krita_manual_conventions.rst:76 msgid "Headings will be done in the following order::" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:105 msgid "" "These conventions were more or less decided by pandoc's mediawiki to " "reStructuredText conversion. If you need more than 4 headings, ask yourself " "first if the page hasn't gotten too complicated and needs splitting up." msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:107 msgid "" "Sometimes you need to link to a subsection of a page, add a label above the " "heading in that case." msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:109 msgid "" "Headers should not end with punctuation, as the header will be used as the " "link name when linking to a label." msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:112 msgid "Linking" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:114 msgid "" "Linking is done with ``:ref:`label_name```. When you need an alternative " "link text, you use ``:ref:`actual text shown ```." msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:116 msgid "" "Linking to external pages is done with ```url`_`` and ```link name " "`_``, which'll become `link name `_." msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:118 msgid "" "Pandoc likes to turn these into ```link name`__`` and then add `` .. __ :url " "`` at the end of the document. This is a so-called 'anonymous hyperlink', " "meaning that depending on the order of the links appearing in the text the " "order of the links at the end of the text are associated with one another. " "If this sounds confusing and difficult, it is because it is. That is also " "the exact reason why we'd like to avoid links like these." msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:121 msgid "Footnotes and further reading" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:123 msgid "" "Footnotes can be made in 3 ways, the most common one is with autonumbering, " "as per reference:" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:125 msgid "" "[#]_ is a reference to footnote 1, and [#]_ is a reference to footnote 2." msgstr "" "[#]_ es una referencia a la nota al pie 1, y [#]_ es una referencia a la " "nota al pie 2." #: ../../contributors_manual/krita_manual_conventions.rst:128 msgid "This is footnote 1." msgstr "Esta es la nota al pie 1." #: ../../contributors_manual/krita_manual_conventions.rst:129 msgid "This is footnote 2." msgstr "Esta es la nota al pie 2." #: ../../contributors_manual/krita_manual_conventions.rst:130 msgid "This is footnote 3." msgstr "Esta es la nota al pie 3." #: ../../contributors_manual/krita_manual_conventions.rst:132 msgid "[#]_ is a reference to footnote 3." msgstr "[#]_ es una referencia a la nota al pie 3." #: ../../contributors_manual/krita_manual_conventions.rst:134 msgid "Here is a citation reference: [CIT2002]_ ." msgstr "Esto es una referencia a una cita: [CIT2002]_ ." #: ../../contributors_manual/krita_manual_conventions.rst:136 msgid "" "This is the citation. It's just like a footnote, except the label is " "textual." msgstr "" "Esto es una cita. Es como una nota al pie, excepto que la etiqueta es de " "texto." #: ../../contributors_manual/krita_manual_conventions.rst:139 msgid "Citation can also be referenced with `citation `_" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:141 msgid "" "We don't actually use footnotes in the manual due to the fact that it is a " "little bit too academical for our readers. However, we do collect documents " "and links that give a little bit more information on a topic at the end of a " "page. Sphinx has the ``.. seealso::`` directive for linking to external " "links, while reStructuredText suggests to use ``.. rubic:: Footnotes`` for " "specifically collecting footnotes as that plays nice with LaTeX." msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:145 msgid "Images" msgstr "Imágenes" #: ../../contributors_manual/krita_manual_conventions.rst:147 msgid "Use the image directive for images without captions::" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:154 msgid "And figure directives for images with captions::" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:163 msgid "The latter gives:" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:170 msgid "" "A caption -- notice how the first letter of the caption in the directive is " "aligned with the :figwidth: option." msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:172 msgid "" "Images should go into the ``/images/en`` folder. By using ``/images`` " "instead of ``images``, sphinx will know the filepath isn't relative." msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:175 msgid "In-text Markup" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:177 msgid "" "You can make text *emphasized* and **strong** with a single asterisk and " "double respectively::" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:182 msgid "You cannot do both ***emphasized and strong***, so take a pick." msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:184 msgid "" "You can :sub:`subscript text` and :sup:`superscript text` by using ``:sub:" "`text``` and ``:sup:`text```" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:186 msgid "" "However, use these super-sparingly! It is preferred to use the existing " "semantic markup in sphinx in any case, because that makes it easier for " "translators to make decisions about the nature of the text::" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:193 msgid "" "Avoid randomly bolding words. It does *not* make the text easier or " "friendlier to read." msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:196 msgid "Substitution References" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:198 msgid "" "You can create a sort of shorthand for a piece of text or an image by doing::" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:202 msgid "" "which means that if you use ``|shorthand|``, in the text, it'll be replaced " "with 'something or the other'. This is useful for, images and text that " "needs to be formatted in a complicated way, like in the case of \"LaTeX\"." msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:204 msgid "" "The krita documentation has ``|mouseleft|``, ``|mousemiddle|``, ``|" "mousescroll|`` and ``|mouseright|``, which'll turn into |mouseleft|, |" "mousemiddle|, |mousescroll| and |mouseright| respectively. These are defined " "in the sphinx conf.py, and are appended to each rst file." msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:206 msgid "" "For links, if you reuse the same link over and over, you can write something " "like the following at the end of the file::" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:211 msgid "" "Then, when typing a link, you can just use ```bugzilla`_`` to link to " "bugzilla with \"bugzilla\" used as the text of the link. ```Krita Manual`_`` " "will in turn link to docs.krita.org with the text \"Krita Manual\"." msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:214 msgid "Lists" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:217 msgid "Ordinated lists" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:219 msgid "Apple" msgstr "Manzana" #: ../../contributors_manual/krita_manual_conventions.rst:220 msgid "Pear" msgstr "Pera" #: ../../contributors_manual/krita_manual_conventions.rst:221 msgid "Banana" msgstr "Banana" #: ../../contributors_manual/krita_manual_conventions.rst:223 msgid "Or..." msgstr "O..." #: ../../contributors_manual/krita_manual_conventions.rst:225 msgid "Table" msgstr "Mesa" #: ../../contributors_manual/krita_manual_conventions.rst:226 msgid "Chair" msgstr "Silla" #: ../../contributors_manual/krita_manual_conventions.rst:227 msgid "Wardrobe." msgstr "Armario." #: ../../contributors_manual/krita_manual_conventions.rst:229 msgid "Augustus" msgstr "Augusto" #: ../../contributors_manual/krita_manual_conventions.rst:230 msgid "Nero" msgstr "Nerón" #: ../../contributors_manual/krita_manual_conventions.rst:231 msgid "Caligula" msgstr "Calígula" #: ../../contributors_manual/krita_manual_conventions.rst:232 msgid "Trajan" msgstr "Trajano" #: ../../contributors_manual/krita_manual_conventions.rst:234 msgid "They can be defined as follows::" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:258 msgid "Unordered lists" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:260 msgid "red" msgstr "rojo" #: ../../contributors_manual/krita_manual_conventions.rst:261 msgid "yellow" msgstr "amarillo" #: ../../contributors_manual/krita_manual_conventions.rst:263 msgid "seagreen" msgstr "verdemar" #: ../../contributors_manual/krita_manual_conventions.rst:264 msgid "verdigris" msgstr "verdegris" #: ../../contributors_manual/krita_manual_conventions.rst:265 msgid "teal" msgstr "verde azulado" #: ../../contributors_manual/krita_manual_conventions.rst:266 msgid "veridian" msgstr "verde esmeralda" #: ../../contributors_manual/krita_manual_conventions.rst:268 msgid "dark emerald" msgstr "esmeralda oscuro" #: ../../contributors_manual/krita_manual_conventions.rst:269 msgid "green" msgstr "verde" #: ../../contributors_manual/krita_manual_conventions.rst:269 msgid "emerald" msgstr "esmeralda" #: ../../contributors_manual/krita_manual_conventions.rst:269 msgid "light emerald" msgstr "esmeralda claro" #: ../../contributors_manual/krita_manual_conventions.rst:270 msgid "very light emerald." msgstr "esmeralda muy claro." #: ../../contributors_manual/krita_manual_conventions.rst:271 msgid "blue" msgstr "azul" #: ../../contributors_manual/krita_manual_conventions.rst:273 msgid "Defined as such::" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:289 msgid "Definition Lists" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:291 msgid "" "A favourite! Definition lists are especially useful when dealing with " "enumerating all the options in a docker and trying to add a simple " "explanation behind them." msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:293 msgid "Definition" msgstr "Definición" #: ../../contributors_manual/krita_manual_conventions.rst:294 msgid "explanation." msgstr "explicación." #: ../../contributors_manual/krita_manual_conventions.rst:296 msgid "Another option" msgstr "Otra opción" #: ../../contributors_manual/krita_manual_conventions.rst:296 msgid "Explanation." msgstr "Explicación." #: ../../contributors_manual/krita_manual_conventions.rst:299 msgid "You can make them like this::" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:304 msgid "To make them." msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:307 msgid "Tables" msgstr "Tablas" #: ../../contributors_manual/krita_manual_conventions.rst:310 msgid "Purpose" msgstr "Propósito" #: ../../contributors_manual/krita_manual_conventions.rst:310 msgid "Table type" msgstr "Tipo de tabla" #: ../../contributors_manual/krita_manual_conventions.rst:312 msgid "listing shortcuts" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:312 msgid "Simple table" msgstr "Tabla simple" #: ../../contributors_manual/krita_manual_conventions.rst:313 msgid "lots of colspans" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:313 msgid "Grid table" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:314 msgid "Simple but long" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:314 msgid "List Table" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:317 msgid "Done as follows::" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:349 msgid "" "Full grid tables are best for when you need all features like complex column " "and row spans, but they're tricky to make. For that reason, small tables are " "best off being done with the simple syntax, while really long tables are " "best done with a list directive because that is just much easier to write " "and maintain." msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:352 #, fuzzy #| msgid "Admonishments and asides." msgid "Admonishments and asides" msgstr "Amonestaciones y comentarios al margen." #: ../../contributors_manual/krita_manual_conventions.rst:356 msgid "" "Admonishments are sort of like a separate section that the reader needs to " "pay attention to." msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:358 msgid "" "Admonishments that can be used are the following (in order of seriousness):" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:362 msgid "" "Hints are useful to give a little bit more information on a topic than is " "useful in the main text. Like, hint: these packages are named differently in " "openSuse versus Debian." msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:366 msgid "" "Extra information on how to do something, like, \"you can make a template of " "your favourite document setup\", or \"use m to mirror the canvas and see " "errors more easily in your drawing\"." msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:370 msgid "Something that is important to note, but is not necessarily negative." msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:374 msgid "This is in general when something is negative." msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:378 msgid "" "General attention grabber. Use this when the subject is more important than " "warning, but not as important that is could get a dataloss." msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:382 msgid "" "This is for things that could cause dataloss, like forgetting to save, or " "that python currently has no undo functionality." msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:386 msgid "" "This should be for things that are dangerous for the computer in general, " "this includes things that can cause out of memory style freezes." msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:390 msgid "" "This one is probably not relevant for a manual. Sphinx can create these " "manually given some situations, but our configuration does not do so by " "default." msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:392 msgid "generic admonition that can have any text." msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:394 msgid "This looks like the following::" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:402 msgid "Sphinx also adds::" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:412 msgid "" "Horizontal rulers are usually used when the topic switches rather directly. " "This is very common in more narrative based writing, such as history or " "fiction. The Krita manual is more instruction and reference style writing, " "that is to say, we don't usually tell a long story to indicate how different " "elements come together, but rather long stories are there to motivate why " "certain steps are taken in a certain manner. Topic changes then usually " "happen because we go into a new section, rather than switching to a related " "section. It is therefore better to use headings or the ``.. Topic::`` " "directive. Headings also make it easier to read." msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:416 msgid "That said, horizontal rulers can be made with ``----``." msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:419 msgid "The rubric directive." msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:420 msgid "" "The rubric directive is a heading directive that at first glance looks like " "\"topic\", but where the topic is over several paragraphs, rubric itself " "only deals with the header, like so::" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:426 msgid "So, when to use these?" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:427 msgid "" "Only use them when you think the subject is too minor to have a proper " "heading." msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:429 msgid "Topic" msgstr "Tema" #: ../../contributors_manual/krita_manual_conventions.rst:430 msgid "" "When the text is separated from the flow, so it goes into a different " "subject than the text itself is naturally going to." msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:431 msgid "Rubric" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:432 msgid "" "When the text isn't separated from the flow, but it does not need a header " "either." msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:434 msgid "Admonishments" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:434 msgid "" "Only when they fit semantically. This is especially necessary for the danger " "and warning admonishments, as seeing them too often can make users blind to " "them." msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:437 #, fuzzy #| msgid "Code Snippets:" msgid "Code Snippets" msgstr "Fragmentos de código:" #: ../../contributors_manual/krita_manual_conventions.rst:439 msgid "``Inline code snippets`` are done with ````backticks````." msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:441 msgid "" "Multi-line code snippets are done by ending the previous section with ``::" "``, which'll look like this::" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:447 msgid "" "You can also use the ``.. code::`` directive. If you add the language name " "after it, it'll do the appropriate syntax highlighting::" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:457 msgid "Becomes" msgstr "Se convierte en" #: ../../contributors_manual/krita_manual_conventions.rst:467 msgid "some more..." msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:500 #, fuzzy #| msgid "Other preformatted text." msgid "Other preformatted text" msgstr "Otro texto preformateado." #: ../../contributors_manual/krita_manual_conventions.rst:503 msgid "One can" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:504 msgid "preformat" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:505 msgid "text by" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:506 msgid "prepending" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:507 msgid "each line" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:508 msgid "with a pipe" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:509 msgid "symbol" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:511 msgid "Like so::" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:521 msgid "We don't actually use this anywhere in the manual." msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:524 msgid "Glossaries, Terms and Index" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:526 msgid "These are sphinx features." msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:528 msgid "" "Index is used in the top section, right now only single index entries are " "used." msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:530 msgid "" "Glossaries are used for some of the menu entry sections, but not all of them." msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:533 msgid "Quotes" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:535 msgid "Quotes are done like this::" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:541 msgid "This becomes a blockquote." msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:543 msgid "I am not sure why you'd need quotes in a user manual..." msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:547 msgid "" "We do actually use quotes in some places. Try to add a link to the name to " "define where it came from." msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:548 msgid "Wolthera" msgstr "Wolthera" diff --git a/locale/es/LC_MESSAGES/general_concepts/colors/color_managed_workflow.po b/locale/es/LC_MESSAGES/general_concepts/colors/color_managed_workflow.po index dfe28283d..c65b206cc 100644 --- a/locale/es/LC_MESSAGES/general_concepts/colors/color_managed_workflow.po +++ b/locale/es/LC_MESSAGES/general_concepts/colors/color_managed_workflow.po @@ -1,1063 +1,1063 @@ # Spanish translations for docs_krita_org_general_concepts___colors___color_managed_workflow.po package. # Copyright (C) licensed under the GNU Free Documentation License 1.3+ unless stated otherwise # This file is distributed under the same license as the Krita Manual package. # # Automatically generated, 2019. # Eloy Cuadra , 2019. # Sofia Priego , %Y. msgid "" msgstr "" "Project-Id-Version: " "docs_krita_org_general_concepts___colors___color_managed_workflow\n" "Report-Msgid-Bugs-To: \n" -"POT-Creation-Date: 2019-03-15 03:36+0100\n" +"POT-Creation-Date: 2019-03-16 03:28+0100\n" "PO-Revision-Date: 2019-02-19 19:58+0100\n" "Last-Translator: Sofia Priego \n" "Language-Team: Spanish \n" "Language: es\n" "MIME-Version: 1.0\n" "Content-Type: text/plain; charset=UTF-8\n" "Content-Transfer-Encoding: 8bit\n" "Plural-Forms: nplurals=2; plural=n != 1;\n" "X-Generator: Lokalize 18.12.2\n" -#: ../../general_concepts/colors/color_managed_workflow.rst:0 -msgid ".. image:: images/en/color_category/Kiki_matrix_profile.png" -msgstr "" - -#: ../../general_concepts/colors/color_managed_workflow.rst:0 -msgid ".. image:: images/en/color_category/Kiki_cLUTprofiles.png" -msgstr "" - #: ../../general_concepts/colors/color_managed_workflow.rst:None msgid "" ".. image:: images/en/color_category/Krita_2_9_colormanagement_group1.png" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:None msgid "" ".. image:: images/en/color_category/Krita_2_9_colormanagement_group2.png" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:None msgid "" ".. image:: images/en/color_category/Krita_2_9_colormanagement_group3.png" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:None msgid "" ".. image:: images/en/color_category/Krita_2_9_colormanagement_group4.png" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:None msgid ".. image:: images/en/LUT_Management_Docker.png" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:None msgid ".. image:: images/en/color_category/Krita_HDR_1.svg" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:None msgid ".. image:: images/en/color_category/Krita_HDR2.svg" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:None msgid "" ".. image:: images/en/color_category/Krita-colormanaged-workflow_webcomic.svg" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:None msgid "" ".. image:: images/en/color_category/Krita-colormanaged-workflow_print.svg" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:None msgid "" ".. image:: images/en/color_category/Krita-colormanaged-workflow_games.svg" msgstr "" +#: ../../general_concepts/colors/color_managed_workflow.rst:0 +msgid ".. image:: images/en/color_category/Kiki_matrix_profile.png" +msgstr "" + +#: ../../general_concepts/colors/color_managed_workflow.rst:0 +msgid ".. image:: images/en/color_category/Kiki_cLUTprofiles.png" +msgstr "" + #: ../../general_concepts/colors/color_managed_workflow.rst:1 msgid "How a color managed workflow works." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:17 msgid "Color Managed Workflow" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:19 msgid "" "You may have heard that Krita has something called color-management. Or " "maybe you just wondered what all these 'color model' and 'color profile' " "things you can find in the menus mean. Color management is pretty useful for " "people who work in digital imaging professionally, and hopefully this page " "will explain why." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:22 msgid "Basic Info" msgstr "Información básica" #: ../../general_concepts/colors/color_managed_workflow.rst:24 msgid "" "If you've never worked with color management before, and have no clue what " "it is, then know that you've probably been working in the 8bit RGB colour " "space with the sRGB profile. This means you can choose for *sRGB built-in* " "or *sRGB-elle-v2-srgbtrc.icc*. With the new color space browser this profile " "is marked with *(default)* when using 8bit." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:26 msgid "" "We'll go into what these terms mean in the theory, but if you're here only " "for trying to figure out which is the default, you now know it. Maybe, after " "reading this, you may feel like changing the default, to get new and " "interesting results from filters, blending modes, or just the color smudge " "brush." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:29 msgid "What is the problem?" msgstr "¿Cuál es el problema?" #: ../../general_concepts/colors/color_managed_workflow.rst:31 msgid "" "To explain the point of color management, you'd first need to learn which " "problem color management tries to solve." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:33 msgid "Let us imagine a kinder garden:" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:35 msgid "" "The class of 28 children is subdivided in groups of 7. Each group has its " "own table." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:37 msgid "" "The teacher gives them a painting assignment: They need to paint a red " "triangle, a blue square, a green circle and put a yellow border around the " "three. The kids are very experienced with painting already, so the teacher " "can confidently leave the smarter ones to their own devices, and spent more " "time on those who need help." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:40 msgid "The following results come from painting:" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:42 msgid "" "Even though all groups had the same assignment, each group's result looks " "different." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:49 msgid "" "Group 1 had vermillion red, citron yellow and ultramarine blue to their " "disposal. This means their triangle looks nice and red, but their circle's " "green is muddy. This is because ultramarine is too dark of a blue to create " "nice greens with." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:56 msgid "" "Group 2 had magenta red, citron yellow and cerulean blue. Magenta is a type " "of red that is closer to pink, opposed to vermillion, which is closer to " "orange. However, their green looks nice because cerulean is a much lighter " "blue." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:64 msgid "" "Group 3 had vermillion red, citron yellow, emerald green and cerulean blue. " "They didn't mix their green, and thus ended up with a purer colour." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:71 msgid "" "Finally, group 4 has Vermillion red, citron yellow and cerulean blue. Their " "colours probably look like what you imagined." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:73 msgid "" "Now, these are kindergarteners, so this isn't the largest problem in the " "world. However, imagine that something like this happened at a printing " "company? Imagine four printers printing the same magazine with wildly " "different results? That would be disastrous!" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:75 msgid "For this purpose, we invented color management." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:78 msgid "What is colour management?" msgstr "¿Qué es la gestión de colores?" #: ../../general_concepts/colors/color_managed_workflow.rst:80 msgid "" "Color management is, dryly put, a set of systems that tries to have the same " "colour translate properly between color devices." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:82 msgid "" "It usually works by attempting to covert a colour to the reference colour " "space XYZ. XYZ is a coordinate system that has a spot for all colours that " "the average human eye can see." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:84 msgid "" "From XYZ it can then be translated back into another device space, such as " "RGB (for screens), or CMYK (for printers)." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:86 msgid "" "Krita has two systems dedicated to colour management. On one hand we have " "**lcms2**, which deal with Icc-profiles, and on the other we have **OCIO**, " "which deal with LUT color management." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:88 msgid "" "To give a crude estimate, ICC profiles deal with keeping colours consistent " "over many interpretations of devices (screens, printers) by using a " "reference space, and OCIO deals with manipulating the interpretation of said " "colours." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:90 msgid "Within both we can identify the following color spaces:" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:93 msgid "" "Device spaces are those describing your monitor, and have to be made using a " "little device that is called \"colorimeter\". This device, in combination " "with the right software, measures the strongest red, green and blue your " "screen can produce, as well as the white, black and grey it produces. Using " "these and several other measurements it creates an icc profile unique to " "your screen. You set these in Krita's colour management tab. By default we " "assume sRGB for screens, but it's very likely that your screen isn't exactly " "fitting sRGB, especially if you have a high quality screen, where it may be " "a bigger space instead. Device spaces are also why you should first consult " "with your printer what profile they expect. Many printing houses have their " "own device profiles for their printers, or may prefer doing color conversion " "themselves. You can read more about colorimeter usage :ref:`here " "`." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:94 msgid "Device spaces" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:96 msgid "Working spaces" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:97 msgid "" "These are delivered alongside Krita for ICC, and downloadable from the OCIO " "website for OCIO. Working spaces are particularly nice to do color " "calculations in, which programs like Krita do often. It's therefore " "recommended to have a working space profile for your image." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:99 msgid "Aesthetic or Look spaces" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:99 msgid "" "These are special spaces that have been deformed to give a certain look to " "an image. Krita doesn't deliver Look profiles for ICC, nor does it yet " "support Look spaces for OCIO." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:102 msgid "Color managed workflow" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:104 msgid "" "Knowing this about these spaces of course doesn't give you an idea how to " "use them, but it does make it easier to explain how to use them. So let us " "look at a typical color management workflow:" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:110 msgid "" ".. image:: images/en/color_category/Krita-colormanaged-workflow_text.svg" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:110 msgid "" "A typical example of a color managed workflow. We have input from scanners " "and cameras, which we convert to a working space that can be used between " "different editing software, and is converted to an output space for viewing " "on screen or printing." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:112 msgid "" "In a traditional color managed workflow, we usually think in terms of real " "world colors being converted to computer colors and the other way around. " "So, for example photos from a camera or scanned in images. If you have a " "device space of such a device, we first assign said device space to the " "image, and then convert it to a working space." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:114 msgid "" "We then do all our editing in the working space, and use the working space " "to communicate between editing programs. In Krita's case, due to it having " "two color management systems, we use ICC profiles between programs like Gimp " "2.9+, Inkscape, Digikam and Scribus, and OCIO configuration between Blender " "and Natron." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:116 msgid "" "You also store your working files in the working space, just like how you " "have the layers unmerged in the working file, or have it at a very high " "resolution." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:118 msgid "" "Sometimes, we apply aesthetic or 'look' spaces to an image as part of the " "editing process. This is rather advanced, and probably not something to " "worry about in Krita's case." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:120 msgid "" "Then, when we're done editing, we try to convert to an output space, which " "is another device space. This can be CMYK for printers or a special screen " "RGB profile. When you are dealing with professional printing houses, it is " "best to ask them about this step. They have a lot of experience with doing " "the best conversion, and may prefer to do the conversion from your working " "space to the device space of their printers." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:122 msgid "" "Another form of output is the way your screen displays the color. Unlike " "regular output, this one is done all the time during editing: After all, you " "need to be able to see what you are doing, but your screen is still a device " "with a device space, so it does distort how the image looks. In this manner, " "you can see your screen as a set of binoculars you have to look through to " "see your image at all." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:124 msgid "" "Therefore, without a profiled monitor, you actually don't know what the " "actual colors you are working with are like, because the computer doesn't " "know the relevant properties of your screen. So if you profiled your " "monitor, give Krita the profile in the settings, and select the sRGB space " "to draw in, you are for the first time seeing the actual colors of the sRGB " "space." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:127 msgid "So what does this mean?" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:133 msgid "" ".. image:: images/en/color_category/Krita-colormanaged-workflow_krita_text." "svg" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:133 msgid "" "When we paint from scratch, we can see our screen profile as the input " "space, because we use it to determine what colors to pick. This somewhat " "simplifies the workflow, but makes the screen profile and viewing conditions " "more important." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:135 msgid "" "Now, photographers and people who do a tricky discipline of VFX called " "'color grading' will go completely mad over trying to get the colors they " "put in to come out 100% correctly, and will even count in factors like the " "time of day and the color they painted their walls. For example, if the wall " "behind your computer is pure red, your eyes will adjust to be less sensitive " "to red, which means that the colors they pick in the program could come out " "redder. We call these the *viewing conditions*." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:137 msgid "" "Thankfully, artists have to worry a slight bit less about this. As " "illustrations are fully handmade, we are able to identify the important bits " "and make appropriate contrasts between colors. This means that even if our " "images turn out to be slightly redder than intended, it is less likely the " "whole image is ruined. If we look back at the kindergarten example above, we " "still understand what the image was supposed to look like, despite there " "being different colors on each image. Furthermore, because the colors in " "illustrations are deliberately picked, we can correct them more easily on a " "later date. Yet, at the same time, it is of course a big drag to do this, " "and we might have had much more flexibility had we taken viewing conditions " "under consideration." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:139 msgid "" "That said, for artists it is also very useful to understand the working " "spaces. Different working spaces give different results with filters and " "mixing, and only some working spaces can be used for advanced technology " "like HDR." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:141 msgid "" "Similarly, Krita, as a program intended to make images from scratch, doesn't " "really worry about assigning workspaces after having made the image. But " "because you are using the screen as a binocular to look at your image, and " "to pick colors, you can see your screen's device space as an input space to " "the image. Hence why profiling your monitor and giving the profile to Krita " "in the settings can help with preparing your work for print and future " "ventures in the long run." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:143 msgid "" "Overall, it is kinda useful to keep things like viewing conditions in the " "back of your mind. Many professional artists use a mid-grey color as their " "default canvas background because they find they create much more dynamic " "images due to having improved their viewing conditions. It is also why a lot " "of graphics programs, including Krita, come with a dark theme nowadays. " "(Though, of course this might also be because dark themes can be considered " "cool, who knows.)" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:148 msgid "Icc profiles" msgstr "Perfiles Icc" #: ../../general_concepts/colors/color_managed_workflow.rst:150 msgid "" "An Icc profile is a set of coordinates describing the extremities of the " "device space within XYZ, and it is the color management data you use to " "communicate your working space to printers and applications that are " "designed for the print industry, such as GIMP, Scribus, Photoshop, " "Illustrator, Inkscape, Digikam, RawTheraphee, etc. You have two types of icc " "profiles:" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:153 msgid "" "These are delivered alongside Krita. Matrix shaper profiles are made by " "setting parameters and interpolating between these to get the exact size of " "the colour space. Due to this, Krita's color space browser can give you a " "lot of information on these profiles. Such profiles are also preferable as " "working space." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:159 msgid "Matrix Shaper profiles." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:159 msgid "" "Matrix shaper profiles have a few parameters that describe the color space " "which are then interpolated between, this requires a lot of maths." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:162 msgid "" "These are fairly rare, and primarily used to describe printer profiles, such " "as CMYK. cLUT, or Color Look-up Table profiles store far more data than " "Matrix shaper profiles, so they can hold data of little particularities " "caused by, for example, unexpected results from mixing pigments. This is a " "far more organic approach to describing a color space, hence why a lot of " "programs that don't care for color management much don't support these." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:168 msgid "" "cLUT profiles work by holding tables of each color in a colorspace and their " "respective coordinates in a reference space. For CMYK this is typically L\\*A" "\\*B\\* and for the rest XYZ. These tables are tricky to make, which means " "these profiles are a lot rarer." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:169 msgid "cLUT profiles" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:171 msgid "" "The interesting thing about icc profiles is that your working space can be " "larger than your device space. This is generally not bad. However, when " "converting, you do end up with the question of how to translate the working " "space values." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:174 msgid "Perceptual" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:174 msgid "" "This just squishes the values of the working space into the space it's " "converted to. It's a nice method to see all possible values in this, but not " "so good if you want accurate colour reproduction. Use this if you want to " "see all colours in an image, or want to express all possible contrasts. " "Doesn't work with Matrix Shaper profiles, defaults to relative colorimetric." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:177 msgid "Absolute Colorimetric." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:177 msgid "" "The opposite to Perceptual, Absolute colorimetric will attempt to retain all " "the correct colours at whatever cost, which may result in awful looking " "colours. Recommended only for reproduction work. Doesn't work with Matrix " "Shaper profiles in Krita due to ICC v4 workflow standards." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:180 msgid "Relative Colorimetric" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:180 msgid "" "A in between solution between perceptual and absolute, relative will try to " "fit whatever colours it can match between colour spaces. It does this by " "aligning the white and black points. It cuts off the rest to their " "respective borders. This is what all matrix shaper profiles default to " "during conversion, because the ICC v4 workflow specifies to only use " "Relative Colorimetric for matrix shaper profiles." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:183 msgid "Saturation" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:183 msgid "" "Does anything to retain colourfulness, even hue will be sacrificed. Used in " "infographics. Doesn't work with Matrix Shaper profiles, defaults to relative " "colorimetric." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:185 msgid "" "*ICC profile version* is the last thing to keep in mind when dealing with " "ICC profiles. Krita delivers both Version 2 and Version 4 profiles, with the " "later giving better results in doing color maths, but the former being more " "widely supported (as seen below in 'interoperability with other programs'. " "This is also why Krita defaults to V2, and we recommend using V2 when you " "aren't certain if the other programs you are using support V4." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:188 msgid "LUT docker and HDR imaging" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:196 msgid "" "The :ref:`lut_docker` is the second important bit of colour management in " "Krita that is shared between Krita and programs like Blender, Natron and " "Nuke, and only uses Look Up Tables that are configured via a config file." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:198 msgid "" "You can set the workingspace of the image under input color space, and the " "display to sRGB or your own LUT if you have added it to the configuration. " "View in this case is for proofing transforms to a certain display device." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:200 msgid "" "Component, exposure, gamma, whitepoint and blackpoint are knobs which allows " "you to modify the display filter." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:208 msgid "" "As explained before, we can see our monitor as a telescope or binocular into " "the world of our picture. Which means it distorts our view of the image a " "little. But we can modify this binocular, or display filter to see our image " "in a different way. For example, to allow us to see the white in an image " "that are whiter than the white of our screen. To explain what that means, we " "need to think about what white is." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:210 msgid "" "For example, white, on our monitor is full red, full green and full blue. " "But it's certainly different from white on our paper, or the colour of milk, " "white from the sun, or even the white of our cell-phone displays." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:212 msgid "" "Black similarly, is brighter on a LCD display than a LED one, and " "incomparable with the black of a carefully sealed room." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:214 msgid "" "This means that there's potentially blacker blacks than screen black, and " "white whites than screen white. However, for simplicity's sake we still " "assign the black-point and the white-point to certain values. From there, we " "can determine whether a white is whiter than the white point, or a black " "blacker than the black-point." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:216 msgid "" "The LUT docker allows us to control this display-filter and modify the " "distortion. This is useful when we start modifying images that are made with " "scene referred values, such as HDR photos, or images coming out of a render " "engine." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:224 msgid "" "So, for example, we can choose to scale whiter-than-screen-white to our " "screen-white so we can see the contrasts there." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:226 msgid "" "The point of this is that you can take advantage of more lightness detail in " "an image. While you can't see the difference between screen white and whiter-" "than-screen-white (because your screen can't show the difference), graphics " "programs can certainly use it." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:228 msgid "" "A common example is matching the lighting between a 3d model and a real " "world scene. Others are advanced photo retouching, with much more contrast " "information available to the user. In painting itself, this allows you to " "create an image where you can be flippant with the contrast, and allow " "yourself to go as bright as you'd like." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:230 msgid "" "LUT docker manipulations are per view, so you can create a new view and set " "it to luminosity. This way you can see the image in both color as well as " "grayscale and keep a good eye on your values." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:232 msgid "" "Another example is to carefully watch the gradients in a certain section." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:234 msgid "" "Like Icc, the LUT Docker allows you to create a profile of sorts for your " "device. In this case it's the 'lut', which stands for 'Look Up Table', and " "which can be added to OCIO by modifying the configuration file. When OCIO is " "turned on, the configuration in :menuselection:`Settings --> Configure Krita " "--> Color Management` is turned off, unless you are using the :guilabel:" "`Internal` color engine." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:237 msgid "In summary" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:239 msgid "Krita has two modes of colour management:" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:241 msgid "" "Icc works in terms of spaces relative to the CIEXYZ space, and requires an " "icc profile." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:242 msgid "OCIO works in terms of interpretation, and makes use of luts." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:243 msgid "both can be made with a colorimeter." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:244 msgid "" "If you want to have a properly color managed workflow, you have one made " "customly for the input device (your screen) and the output devices (your " "printer, or target screen). For web the output is always sRGB." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:245 msgid "" "Set up your screen profiles under :menuselection:`Settings --> Configure " "Krita --> Color management`." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:246 msgid "" "Do NOT use screen profiles or other device profiles to draw in. Use a " "working space profile such as any of the elle profiles for this, as the " "color maths will be much more predictable and pleasant. Krita will convert " "between your screen and working space on the fly, allowing you to pick the " "correct colors. This turns your screen into binoculars to view the image." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:247 msgid "" "Use the appropriate color management for the appropriate workflow. If you " "are working with Blender, you will be better off using OCIO, than ICC. IF " "you are working with Scribus or Photoshop, use ICC." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:249 msgid "" "Krita does a lot of colour maths, often concerning the blending of colours. " "This colour maths works best in linear colour space, and linear colour space " "requires a bit depth of at the least 16bit to work correctly. The " "disadvantage is that linear space can be confusing to work in." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:251 msgid "" "If you like painting, have a decent amount of ram, and are looking to start " "your baby-steps in taking advantage of Krita's colour management, try " "upgrading from having all your images in sRGB built-in to sRGB-v2-elle-g10." "icc or rec2020-v2-elle-g10.icc at 16bit float. This'll give you better " "colour blending while opening up the possibility for you to start working in " "hdr!" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:256 msgid "" "Some graphics cards, such as those of the Nvidia-brand actually have the " "best performance under 16bit float, because Nvidia cards convert to floating " "point internally. When it does not need to do that, it speeds up!" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:260 msgid "" "No amount of color management in the world can make the image on your screen " "and the image out of the printer have 100% the same color." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:263 msgid "Exporting" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:265 msgid "" "when you have finished your image and are ready to export it, you can modify " "the color space to optimize it:" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:267 msgid "If you are preparing an image for the web:" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:269 msgid "" "If you use 16bit color depth or higher, convert the image to 8bit color " "depth. This will make the image much smaller." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:271 msgid "" "Krita doesn't have built-in dithering currently, which means that 16 to " "18bit conversions can come out a bit banded. But you can simulate it by " "adding a fill layer with a pattern, set this fill layer to overlay, and to " "5% opacity. Then flatten the whole image and convert it to 8bit. The pattern " "will function as dithering giving a smoother look to gradients." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:273 msgid "If it's a gray-scale image, convert it to gray-scale." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:274 msgid "" "If it's a color image, keep it in the working space profile: Many web " "browsers these days support color profiles embedded into images. Firefox, " "for example, will try to convert your image to fit the color profile of the " "other's monitor (if they have one). That way, the image will look almost " "exactly the same on your screen and on other profiled monitors." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:279 msgid "" "In some versions of Firefox, the colours actually look strange: This is a " "bug in Firefox, which is because its `color management system is incomplete " "`_, save your png, jpg or tiff without an embedded profile to work " "around this." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:281 msgid "If you are preparing for print:" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:283 msgid "" "You hopefully made the picture in a working space profile instead of the " "actual custom profile of your screen, if not, convert it to something like " "adobe rgb, sRGB or rec2020." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:284 msgid "" "Check with the printer what kind of image they expect. Maybe they expect " "sRGB color space, or perhaps they have their own profile." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:287 msgid "Interaction with other applications" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:290 msgid "Blender" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:292 msgid "" "If you wish to use krita's OCIO functionality, and in particular in " "combination with Blender's color management, you can try to have it use " "Blender's OCIO config." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:294 msgid "" "Blender's OCIO config is under ``/version number/datafiles/" "colormanagement``. Set the LUT docker to use the OCIO engine, and select the " "config from the above path. This will give you blender's input and screen " "spaces, but not the looks, as those aren't supported in Krita yet." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:298 msgid "Windows Photo Viewer" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:300 msgid "" "You might encounter some issues when using different applications together. " "One important thing to note is that the standard Windows Photo Viewer " "application does not handle modern ICC profiles. Krita uses version 4 " "profiles; Photo Viewer can only handle version 2 profiles. If you export to " "JPEG with an embedded profile, Photo Viewer will display your image much too " "dark." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:303 msgid "Example workflows" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:305 msgid "" "Here are some example workflows to get a feeling of how your color " "management workflow may look like." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:307 msgid "" "As mentioned before, input for your screen is set via :menuselection:" "`Settings --> Configure Krita --> Color management`, or via the LUT docker's " "'screen space'. Working space is set via new file per document, or in the " "LUT docker via 'input space'." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:310 msgid "Webcomic" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:317 #: ../../general_concepts/colors/color_managed_workflow.rst:339 #: ../../general_concepts/colors/color_managed_workflow.rst:357 msgid "Input" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:318 #: ../../general_concepts/colors/color_managed_workflow.rst:340 #: ../../general_concepts/colors/color_managed_workflow.rst:358 msgid "Your screen profile. (You pick colors via your screen)" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:319 #: ../../general_concepts/colors/color_managed_workflow.rst:341 #: ../../general_concepts/colors/color_managed_workflow.rst:359 msgid "Workingspace" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:320 msgid "" "sRGB (the default screen profile) or any larger profile if you can spare the " "bitdepth and like working in them." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:322 #: ../../general_concepts/colors/color_managed_workflow.rst:344 #: ../../general_concepts/colors/color_managed_workflow.rst:362 msgid "Output" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:322 msgid "" "sRGB, icc version 2, sRGB trc for the internet, and a specialised CMYK " "profile from the printing house for the printed images." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:324 msgid "" "Use the sRGB-elle-V2-srgbtrc.icc for going between inkscape, photoshop, " "painttool sai, illustrator, Gimp, mypaint, mangastudio, paintstorm studio, " "mypaint, artrage, scribus, etc. and Krita." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:326 msgid "" "If you are using a larger space via ICC, you will only be able to " "interchange it between Krita, Photoshop, Illustrator, GIMP 2.9, mangastudio " "and scribus. All others assume sRGB for your space, no matter what, because " "they don't have color management." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:328 msgid "" "If you are going between Krita and Blender, Nuke or Natron, use OCIO and set " "the input space to 'sRGB', but make sure to select the sRGB profile for icc " "when creating a new file." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:330 msgid "" "For the final for the web, convert the image to sRGB 8bit, srgbtrc, do not " "embed the icc profile. Then, if using png, put it through something like " "pngcrush or other png optimisers. sRGB in this case is chosen because you " "can assume the vast majority of your audience hasn't profiled their screen, " "nor do they have screens that are advanced enough for the wide gamut stuff. " "So hence why we convert to the screen default for the internet, sRGB." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:333 msgid "Print" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:342 msgid "sRGB or rec2020 if you can afford the bit-depth being 16bit." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:344 msgid "" "Specialised CMYK profile from the printing house for the printed images." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:346 msgid "" "The CMYK profiles are different per printer, and even per paper or ink-type " "so don't be presumptuous and ask ahead for them, instead of doing something " "like trying to paint in any random CMYK profile. As mentioned in the viewing " "conditions section, you want to keep your options open." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:348 msgid "" "You can set the advanced color selector to transform to a given profile via :" "menuselection:`Settings --> Configure Krita --> Advanced color selector " "settings`. There, tick :guilabel:`Color selector uses a different color " "space than the image` and select the CMYK profile you are aiming for. This " "will limit your colors a little bit, but keep all the nice filter and " "blending options from RGB." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:351 msgid "Games" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:360 msgid "sRGB or grayscale linear for roughness and specular maps." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:362 msgid "" "This one is tricky, but in the end it'll be sRGB for the regular player." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:364 msgid "" "So this one is tricky. You can use OCIO and ICC between programs, but " "recommended is to have your images to the engine in sRGB or grayscale. Many " "physically based renderers these days allow you to set whether an image " "should be read as a linear or srgbtrc image, and this is even vital to have " "the images being considered properly in the physically based calculations of " "the game renderer." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:366 msgid "" "While game engines need to have optimised content, and it's recommended to " "stay within 8bit, future screens may have higher bitdepths, and when " "renderers will start supporting those, it may be beneficial to develop a " "workflow where the working-space files are rather unnecessarily big and you " "run some scripts to optimise them for your current render needs, making " "updating the game in the future for fancier screens less of a drag." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:368 msgid "" "Normal maps and heightmaps are officially supposed to be defined with a 'non-" "color data' working space, but you'll find that most engines will not care " "much for this. Instead, tell the game engine not to do any conversion on the " "file when importing." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:370 msgid "" "Specular, glossiness, metalness and roughness maps are all based on linear " "calculations, and when you find that certain material has a metalness of " "0.3, this is 30% gray in a linear space. Therefore, make sure to tell the " "game engine renderer that this is a linear space image (or at the very " "least, should NOT be converted)." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:374 msgid "" "`Visualising the XYZ colorspace `_" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:375 msgid "" "`Basics of gamma correction `_" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:376 msgid "" "`Panda3d example of how an image that has gamma encoded without the 3d " "renderer being notified of it having gamma-encoding can result in too dark " "images `_" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:377 msgid "" "`2d examples of the effect of gamma-encoding on color maths `_" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:378 msgid "" "`Basic overview colormanagement from argylcms manual `_" msgstr "" diff --git a/locale/fr/LC_MESSAGES/contributors_manual/krita_manual_conventions.po b/locale/fr/LC_MESSAGES/contributors_manual/krita_manual_conventions.po index 6d93d8076..835d8b63f 100644 --- a/locale/fr/LC_MESSAGES/contributors_manual/krita_manual_conventions.po +++ b/locale/fr/LC_MESSAGES/contributors_manual/krita_manual_conventions.po @@ -1,861 +1,861 @@ msgid "" msgstr "" "Project-Id-Version: Krita Manual 4.1\n" "Report-Msgid-Bugs-To: \n" -"POT-Creation-Date: 2019-03-15 03:36+0100\n" +"POT-Creation-Date: 2019-03-16 03:28+0100\n" "PO-Revision-Date: 2019-02-27 00:46+0100\n" "Last-Translator: KDE Francophone \n" "Language-Team: KDE Francophone \n" "Language: fr\n" "MIME-Version: 1.0\n" "Content-Type: text/plain; charset=UTF-8\n" "Content-Transfer-Encoding: 8bit\n" "Plural-Forms: nplurals=2; plural=(n > 1);\n" "X-Generator: Lokalize 1.5\n" "X-Accelerator-Marker: &\n" "X-Text-Markup: kde4\n" "X-Environment: kde\n" "X-Language: fr_FR\n" "X-Qt-Contexts: true\n" "Generated-By: Babel 0.9.6\n" "X-Source-Language: C\n" #: ../../:2 msgid "" ".. image:: images/icons/Krita_mouse_left.png\n" " :alt: mouseleft" msgstr "" #: ../../:4 msgid "" ".. image:: images/icons/Krita_mouse_right.png\n" " :alt: mouseright" msgstr "" #: ../../:6 msgid "" ".. image:: images/icons/Krita_mouse_middle.png\n" " :alt: mousemiddle" msgstr "" #: ../../:8 msgid "" ".. image:: images/icons/Krita_mouse_scroll.png\n" " :alt: mousescroll" msgstr "" -#: ../../contributors_manual/krita_manual_conventions.rst:None -msgid "Horizontal Rulers" -msgstr "" - #: ../../contributors_manual/krita_manual_conventions.rst:0 msgid "" ".. image:: images/en/sample.png\n" " :alt: an image." msgstr "" +#: ../../contributors_manual/krita_manual_conventions.rst:None +msgid "Horizontal Rulers" +msgstr "" + #: ../../contributors_manual/krita_manual_conventions.rst:1 msgid "reStructuredText conventions for the Krita Manual" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:16 msgid "Mark-up conventions for the Krita Manual" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:18 msgid "" "This details the style conventions for using restructured text for the Krita " "Manual." msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:20 msgid "" "It's recommended to look over the `official specification `_ for reStructuredText, and given it lives on " "sourceforge, to save a copy to your harddrive (sourceforge has, at this time " "of writing, some issues with server uptime):" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:23 msgid "" "`Primer `_" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:24 msgid "User Manual:" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:24 msgid "" "`Quick Ref `_" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:25 msgid "" "`Text Cheatsheet `_" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:27 msgid "" "`Introduction `_" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:28 msgid "" "`Markup `_" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:29 msgid "Reference Documentation:" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:29 msgid "" "`Directives `_" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:30 msgid "`Roles `_" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:32 msgid "Sphinx specific docs:" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:32 msgid "" "`Sphinx' page on restructured text `_ -- This is useful for the specific " "sphinx directives and roles it uses to generate for example table of " "contents." msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:34 msgid "" "There are differences between the official reStructuredText and the sphinx " "docs multiple ways to do things. This document specifies the suggested " "conventions to go with." msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:36 msgid "Contents" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:39 msgid "Meta data" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:41 msgid "Each page should start with the following three things:" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:44 msgid "" "This is a general description of the page. It will be converted to an html " "meta tag which will be used by search engines::" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:49 msgid "A meta description" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:52 msgid "" "This is just to keep track of who edited the page and to give credit. It " "should be in a comment so that it will not end up being easily readable by " "machines. The license of the whole manual is GDL 1.3 and should also be " "mentioned here::" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:58 msgid "A list of authors and a license." msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:61 msgid "" "These are comma-separated terms under which the page will be indexed in :ref:" "`genindex`. The generated index is quite useful for both pdf as well as " "people who are not sure what the exact name is of the term they are looking " "for. They are defined as follows::" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:63 msgid "Indexing terms." msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:66 msgid "" "This is so we can easily link to the page using ``:ref:`label_name```. Try " "to make this a nice variable name::" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:70 msgid "" "After the label you will need to add a heading, as ``:ref:`label_name``` " "will refer to the heading to fill out it's link-text." msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:71 msgid "A label." msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:74 msgid "Headings" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:76 msgid "Headings will be done in the following order::" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:105 msgid "" "These conventions were more or less decided by pandoc's mediawiki to " "reStructuredText conversion. If you need more than 4 headings, ask yourself " "first if the page hasn't gotten too complicated and needs splitting up." msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:107 msgid "" "Sometimes you need to link to a subsection of a page, add a label above the " "heading in that case." msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:109 msgid "" "Headers should not end with punctuation, as the header will be used as the " "link name when linking to a label." msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:112 msgid "Linking" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:114 msgid "" "Linking is done with ``:ref:`label_name```. When you need an alternative " "link text, you use ``:ref:`actual text shown ```." msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:116 msgid "" "Linking to external pages is done with ```url`_`` and ```link name " "`_``, which'll become `link name `_." msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:118 msgid "" "Pandoc likes to turn these into ```link name`__`` and then add `` .. __ :url " "`` at the end of the document. This is a so-called 'anonymous hyperlink', " "meaning that depending on the order of the links appearing in the text the " "order of the links at the end of the text are associated with one another. " "If this sounds confusing and difficult, it is because it is. That is also " "the exact reason why we'd like to avoid links like these." msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:121 msgid "Footnotes and further reading" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:123 msgid "" "Footnotes can be made in 3 ways, the most common one is with autonumbering, " "as per reference:" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:125 msgid "" "[#]_ is a reference to footnote 1, and [#]_ is a reference to footnote 2." msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:128 msgid "This is footnote 1." msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:129 msgid "This is footnote 2." msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:130 msgid "This is footnote 3." msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:132 msgid "[#]_ is a reference to footnote 3." msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:134 msgid "Here is a citation reference: [CIT2002]_ ." msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:136 msgid "" "This is the citation. It's just like a footnote, except the label is " "textual." msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:139 msgid "Citation can also be referenced with `citation `_" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:141 msgid "" "We don't actually use footnotes in the manual due to the fact that it is a " "little bit too academical for our readers. However, we do collect documents " "and links that give a little bit more information on a topic at the end of a " "page. Sphinx has the ``.. seealso::`` directive for linking to external " "links, while reStructuredText suggests to use ``.. rubic:: Footnotes`` for " "specifically collecting footnotes as that plays nice with LaTeX." msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:145 msgid "Images" msgstr "Images" #: ../../contributors_manual/krita_manual_conventions.rst:147 msgid "Use the image directive for images without captions::" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:154 msgid "And figure directives for images with captions::" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:163 msgid "The latter gives:" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:170 msgid "" "A caption -- notice how the first letter of the caption in the directive is " "aligned with the :figwidth: option." msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:172 msgid "" "Images should go into the ``/images/en`` folder. By using ``/images`` " "instead of ``images``, sphinx will know the filepath isn't relative." msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:175 msgid "In-text Markup" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:177 msgid "" "You can make text *emphasized* and **strong** with a single asterisk and " "double respectively::" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:182 msgid "You cannot do both ***emphasized and strong***, so take a pick." msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:184 msgid "" "You can :sub:`subscript text` and :sup:`superscript text` by using ``:sub:" "`text``` and ``:sup:`text```" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:186 msgid "" "However, use these super-sparingly! It is preferred to use the existing " "semantic markup in sphinx in any case, because that makes it easier for " "translators to make decisions about the nature of the text::" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:193 msgid "" "Avoid randomly bolding words. It does *not* make the text easier or " "friendlier to read." msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:196 msgid "Substitution References" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:198 msgid "" "You can create a sort of shorthand for a piece of text or an image by doing::" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:202 msgid "" "which means that if you use ``|shorthand|``, in the text, it'll be replaced " "with 'something or the other'. This is useful for, images and text that " "needs to be formatted in a complicated way, like in the case of \"LaTeX\"." msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:204 msgid "" "The krita documentation has ``|mouseleft|``, ``|mousemiddle|``, ``|" "mousescroll|`` and ``|mouseright|``, which'll turn into |mouseleft|, |" "mousemiddle|, |mousescroll| and |mouseright| respectively. These are defined " "in the sphinx conf.py, and are appended to each rst file." msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:206 msgid "" "For links, if you reuse the same link over and over, you can write something " "like the following at the end of the file::" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:211 msgid "" "Then, when typing a link, you can just use ```bugzilla`_`` to link to " "bugzilla with \"bugzilla\" used as the text of the link. ```Krita Manual`_`` " "will in turn link to docs.krita.org with the text \"Krita Manual\"." msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:214 msgid "Lists" msgstr "Listes" #: ../../contributors_manual/krita_manual_conventions.rst:217 msgid "Ordinated lists" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:219 msgid "Apple" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:220 msgid "Pear" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:221 msgid "Banana" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:223 msgid "Or..." msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:225 msgid "Table" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:226 msgid "Chair" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:227 msgid "Wardrobe." msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:229 msgid "Augustus" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:230 msgid "Nero" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:231 msgid "Caligula" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:232 msgid "Trajan" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:234 msgid "They can be defined as follows::" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:258 msgid "Unordered lists" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:260 msgid "red" msgstr "rouge" #: ../../contributors_manual/krita_manual_conventions.rst:261 msgid "yellow" msgstr "jaune" #: ../../contributors_manual/krita_manual_conventions.rst:263 msgid "seagreen" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:264 msgid "verdigris" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:265 msgid "teal" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:266 msgid "veridian" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:268 msgid "dark emerald" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:269 msgid "green" msgstr "vert" #: ../../contributors_manual/krita_manual_conventions.rst:269 msgid "emerald" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:269 msgid "light emerald" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:270 msgid "very light emerald." msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:271 msgid "blue" msgstr "bleu" #: ../../contributors_manual/krita_manual_conventions.rst:273 msgid "Defined as such::" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:289 msgid "Definition Lists" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:291 msgid "" "A favourite! Definition lists are especially useful when dealing with " "enumerating all the options in a docker and trying to add a simple " "explanation behind them." msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:293 msgid "Definition" msgstr "Définition" #: ../../contributors_manual/krita_manual_conventions.rst:294 msgid "explanation." msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:296 msgid "Another option" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:296 msgid "Explanation." msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:299 msgid "You can make them like this::" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:304 msgid "To make them." msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:307 msgid "Tables" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:310 msgid "Purpose" msgstr "Motif" #: ../../contributors_manual/krita_manual_conventions.rst:310 msgid "Table type" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:312 msgid "listing shortcuts" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:312 msgid "Simple table" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:313 msgid "lots of colspans" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:313 msgid "Grid table" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:314 msgid "Simple but long" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:314 msgid "List Table" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:317 msgid "Done as follows::" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:349 msgid "" "Full grid tables are best for when you need all features like complex column " "and row spans, but they're tricky to make. For that reason, small tables are " "best off being done with the simple syntax, while really long tables are " "best done with a list directive because that is just much easier to write " "and maintain." msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:352 msgid "Admonishments and asides" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:356 msgid "" "Admonishments are sort of like a separate section that the reader needs to " "pay attention to." msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:358 msgid "" "Admonishments that can be used are the following (in order of seriousness):" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:362 msgid "" "Hints are useful to give a little bit more information on a topic than is " "useful in the main text. Like, hint: these packages are named differently in " "openSuse versus Debian." msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:366 msgid "" "Extra information on how to do something, like, \"you can make a template of " "your favourite document setup\", or \"use m to mirror the canvas and see " "errors more easily in your drawing\"." msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:370 msgid "Something that is important to note, but is not necessarily negative." msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:374 msgid "This is in general when something is negative." msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:378 msgid "" "General attention grabber. Use this when the subject is more important than " "warning, but not as important that is could get a dataloss." msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:382 msgid "" "This is for things that could cause dataloss, like forgetting to save, or " "that python currently has no undo functionality." msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:386 msgid "" "This should be for things that are dangerous for the computer in general, " "this includes things that can cause out of memory style freezes." msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:390 msgid "" "This one is probably not relevant for a manual. Sphinx can create these " "manually given some situations, but our configuration does not do so by " "default." msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:392 msgid "generic admonition that can have any text." msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:394 msgid "This looks like the following::" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:402 msgid "Sphinx also adds::" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:412 msgid "" "Horizontal rulers are usually used when the topic switches rather directly. " "This is very common in more narrative based writing, such as history or " "fiction. The Krita manual is more instruction and reference style writing, " "that is to say, we don't usually tell a long story to indicate how different " "elements come together, but rather long stories are there to motivate why " "certain steps are taken in a certain manner. Topic changes then usually " "happen because we go into a new section, rather than switching to a related " "section. It is therefore better to use headings or the ``.. Topic::`` " "directive. Headings also make it easier to read." msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:416 msgid "That said, horizontal rulers can be made with ``----``." msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:419 msgid "The rubric directive." msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:420 msgid "" "The rubric directive is a heading directive that at first glance looks like " "\"topic\", but where the topic is over several paragraphs, rubric itself " "only deals with the header, like so::" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:426 msgid "So, when to use these?" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:427 msgid "" "Only use them when you think the subject is too minor to have a proper " "heading." msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:429 msgid "Topic" msgstr "Sujet" #: ../../contributors_manual/krita_manual_conventions.rst:430 msgid "" "When the text is separated from the flow, so it goes into a different " "subject than the text itself is naturally going to." msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:431 msgid "Rubric" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:432 msgid "" "When the text isn't separated from the flow, but it does not need a header " "either." msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:434 msgid "Admonishments" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:434 msgid "" "Only when they fit semantically. This is especially necessary for the danger " "and warning admonishments, as seeing them too often can make users blind to " "them." msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:437 msgid "Code Snippets" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:439 msgid "``Inline code snippets`` are done with ````backticks````." msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:441 msgid "" "Multi-line code snippets are done by ending the previous section with ``::" "``, which'll look like this::" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:447 msgid "" "You can also use the ``.. code::`` directive. If you add the language name " "after it, it'll do the appropriate syntax highlighting::" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:457 msgid "Becomes" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:467 msgid "some more..." msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:500 msgid "Other preformatted text" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:503 msgid "One can" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:504 msgid "preformat" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:505 msgid "text by" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:506 msgid "prepending" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:507 msgid "each line" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:508 msgid "with a pipe" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:509 msgid "symbol" msgstr "symbole" #: ../../contributors_manual/krita_manual_conventions.rst:511 msgid "Like so::" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:521 msgid "We don't actually use this anywhere in the manual." msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:524 msgid "Glossaries, Terms and Index" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:526 msgid "These are sphinx features." msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:528 msgid "" "Index is used in the top section, right now only single index entries are " "used." msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:530 msgid "" "Glossaries are used for some of the menu entry sections, but not all of them." msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:533 msgid "Quotes" msgstr "Guillemets" #: ../../contributors_manual/krita_manual_conventions.rst:535 msgid "Quotes are done like this::" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:541 msgid "This becomes a blockquote." msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:543 msgid "I am not sure why you'd need quotes in a user manual..." msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:547 msgid "" "We do actually use quotes in some places. Try to add a link to the name to " "define where it came from." msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:548 msgid "Wolthera" msgstr "" diff --git a/locale/fr/LC_MESSAGES/general_concepts/colors/color_managed_workflow.po b/locale/fr/LC_MESSAGES/general_concepts/colors/color_managed_workflow.po index 1ce4cafd9..334992565 100644 --- a/locale/fr/LC_MESSAGES/general_concepts/colors/color_managed_workflow.po +++ b/locale/fr/LC_MESSAGES/general_concepts/colors/color_managed_workflow.po @@ -1,1062 +1,1062 @@ msgid "" msgstr "" "Project-Id-Version: Krita Manual 4.1\n" "Report-Msgid-Bugs-To: \n" -"POT-Creation-Date: 2019-03-15 03:36+0100\n" +"POT-Creation-Date: 2019-03-16 03:28+0100\n" "PO-Revision-Date: 2019-02-27 00:50+0100\n" "Last-Translator: KDE Francophone \n" "Language-Team: KDE Francophone \n" "Language: fr\n" "MIME-Version: 1.0\n" "Content-Type: text/plain; charset=UTF-8\n" "Content-Transfer-Encoding: 8bit\n" "Plural-Forms: nplurals=2; plural=(n > 1);\n" "X-Generator: Lokalize 1.5\n" "X-Accelerator-Marker: &\n" "X-Text-Markup: kde4\n" "X-Environment: kde\n" "X-Language: fr_FR\n" "X-Qt-Contexts: true\n" "Generated-By: Babel 0.9.6\n" "X-Source-Language: C\n" -#: ../../general_concepts/colors/color_managed_workflow.rst:0 -msgid ".. image:: images/en/color_category/Kiki_matrix_profile.png" -msgstr "" - -#: ../../general_concepts/colors/color_managed_workflow.rst:0 -msgid ".. image:: images/en/color_category/Kiki_cLUTprofiles.png" -msgstr "" - #: ../../general_concepts/colors/color_managed_workflow.rst:None msgid "" ".. image:: images/en/color_category/Krita_2_9_colormanagement_group1.png" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:None msgid "" ".. image:: images/en/color_category/Krita_2_9_colormanagement_group2.png" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:None msgid "" ".. image:: images/en/color_category/Krita_2_9_colormanagement_group3.png" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:None msgid "" ".. image:: images/en/color_category/Krita_2_9_colormanagement_group4.png" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:None msgid ".. image:: images/en/LUT_Management_Docker.png" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:None msgid ".. image:: images/en/color_category/Krita_HDR_1.svg" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:None msgid ".. image:: images/en/color_category/Krita_HDR2.svg" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:None msgid "" ".. image:: images/en/color_category/Krita-colormanaged-workflow_webcomic.svg" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:None msgid "" ".. image:: images/en/color_category/Krita-colormanaged-workflow_print.svg" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:None msgid "" ".. image:: images/en/color_category/Krita-colormanaged-workflow_games.svg" msgstr "" +#: ../../general_concepts/colors/color_managed_workflow.rst:0 +msgid ".. image:: images/en/color_category/Kiki_matrix_profile.png" +msgstr "" + +#: ../../general_concepts/colors/color_managed_workflow.rst:0 +msgid ".. image:: images/en/color_category/Kiki_cLUTprofiles.png" +msgstr "" + #: ../../general_concepts/colors/color_managed_workflow.rst:1 msgid "How a color managed workflow works." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:17 msgid "Color Managed Workflow" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:19 msgid "" "You may have heard that Krita has something called color-management. Or " "maybe you just wondered what all these 'color model' and 'color profile' " "things you can find in the menus mean. Color management is pretty useful for " "people who work in digital imaging professionally, and hopefully this page " "will explain why." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:22 msgid "Basic Info" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:24 msgid "" "If you've never worked with color management before, and have no clue what " "it is, then know that you've probably been working in the 8bit RGB colour " "space with the sRGB profile. This means you can choose for *sRGB built-in* " "or *sRGB-elle-v2-srgbtrc.icc*. With the new color space browser this profile " "is marked with *(default)* when using 8bit." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:26 msgid "" "We'll go into what these terms mean in the theory, but if you're here only " "for trying to figure out which is the default, you now know it. Maybe, after " "reading this, you may feel like changing the default, to get new and " "interesting results from filters, blending modes, or just the color smudge " "brush." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:29 msgid "What is the problem?" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:31 msgid "" "To explain the point of color management, you'd first need to learn which " "problem color management tries to solve." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:33 msgid "Let us imagine a kinder garden:" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:35 msgid "" "The class of 28 children is subdivided in groups of 7. Each group has its " "own table." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:37 msgid "" "The teacher gives them a painting assignment: They need to paint a red " "triangle, a blue square, a green circle and put a yellow border around the " "three. The kids are very experienced with painting already, so the teacher " "can confidently leave the smarter ones to their own devices, and spent more " "time on those who need help." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:40 msgid "The following results come from painting:" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:42 msgid "" "Even though all groups had the same assignment, each group's result looks " "different." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:49 msgid "" "Group 1 had vermillion red, citron yellow and ultramarine blue to their " "disposal. This means their triangle looks nice and red, but their circle's " "green is muddy. This is because ultramarine is too dark of a blue to create " "nice greens with." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:56 msgid "" "Group 2 had magenta red, citron yellow and cerulean blue. Magenta is a type " "of red that is closer to pink, opposed to vermillion, which is closer to " "orange. However, their green looks nice because cerulean is a much lighter " "blue." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:64 msgid "" "Group 3 had vermillion red, citron yellow, emerald green and cerulean blue. " "They didn't mix their green, and thus ended up with a purer colour." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:71 msgid "" "Finally, group 4 has Vermillion red, citron yellow and cerulean blue. Their " "colours probably look like what you imagined." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:73 msgid "" "Now, these are kindergarteners, so this isn't the largest problem in the " "world. However, imagine that something like this happened at a printing " "company? Imagine four printers printing the same magazine with wildly " "different results? That would be disastrous!" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:75 msgid "For this purpose, we invented color management." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:78 msgid "What is colour management?" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:80 msgid "" "Color management is, dryly put, a set of systems that tries to have the same " "colour translate properly between color devices." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:82 msgid "" "It usually works by attempting to covert a colour to the reference colour " "space XYZ. XYZ is a coordinate system that has a spot for all colours that " "the average human eye can see." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:84 msgid "" "From XYZ it can then be translated back into another device space, such as " "RGB (for screens), or CMYK (for printers)." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:86 msgid "" "Krita has two systems dedicated to colour management. On one hand we have " "**lcms2**, which deal with Icc-profiles, and on the other we have **OCIO**, " "which deal with LUT color management." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:88 msgid "" "To give a crude estimate, ICC profiles deal with keeping colours consistent " "over many interpretations of devices (screens, printers) by using a " "reference space, and OCIO deals with manipulating the interpretation of said " "colours." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:90 msgid "Within both we can identify the following color spaces:" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:93 msgid "" "Device spaces are those describing your monitor, and have to be made using a " "little device that is called \"colorimeter\". This device, in combination " "with the right software, measures the strongest red, green and blue your " "screen can produce, as well as the white, black and grey it produces. Using " "these and several other measurements it creates an icc profile unique to " "your screen. You set these in Krita's colour management tab. By default we " "assume sRGB for screens, but it's very likely that your screen isn't exactly " "fitting sRGB, especially if you have a high quality screen, where it may be " "a bigger space instead. Device spaces are also why you should first consult " "with your printer what profile they expect. Many printing houses have their " "own device profiles for their printers, or may prefer doing color conversion " "themselves. You can read more about colorimeter usage :ref:`here " "`." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:94 msgid "Device spaces" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:96 msgid "Working spaces" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:97 msgid "" "These are delivered alongside Krita for ICC, and downloadable from the OCIO " "website for OCIO. Working spaces are particularly nice to do color " "calculations in, which programs like Krita do often. It's therefore " "recommended to have a working space profile for your image." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:99 msgid "Aesthetic or Look spaces" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:99 msgid "" "These are special spaces that have been deformed to give a certain look to " "an image. Krita doesn't deliver Look profiles for ICC, nor does it yet " "support Look spaces for OCIO." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:102 msgid "Color managed workflow" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:104 msgid "" "Knowing this about these spaces of course doesn't give you an idea how to " "use them, but it does make it easier to explain how to use them. So let us " "look at a typical color management workflow:" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:110 msgid "" ".. image:: images/en/color_category/Krita-colormanaged-workflow_text.svg" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:110 msgid "" "A typical example of a color managed workflow. We have input from scanners " "and cameras, which we convert to a working space that can be used between " "different editing software, and is converted to an output space for viewing " "on screen or printing." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:112 msgid "" "In a traditional color managed workflow, we usually think in terms of real " "world colors being converted to computer colors and the other way around. " "So, for example photos from a camera or scanned in images. If you have a " "device space of such a device, we first assign said device space to the " "image, and then convert it to a working space." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:114 msgid "" "We then do all our editing in the working space, and use the working space " "to communicate between editing programs. In Krita's case, due to it having " "two color management systems, we use ICC profiles between programs like Gimp " "2.9+, Inkscape, Digikam and Scribus, and OCIO configuration between Blender " "and Natron." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:116 msgid "" "You also store your working files in the working space, just like how you " "have the layers unmerged in the working file, or have it at a very high " "resolution." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:118 msgid "" "Sometimes, we apply aesthetic or 'look' spaces to an image as part of the " "editing process. This is rather advanced, and probably not something to " "worry about in Krita's case." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:120 msgid "" "Then, when we're done editing, we try to convert to an output space, which " "is another device space. This can be CMYK for printers or a special screen " "RGB profile. When you are dealing with professional printing houses, it is " "best to ask them about this step. They have a lot of experience with doing " "the best conversion, and may prefer to do the conversion from your working " "space to the device space of their printers." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:122 msgid "" "Another form of output is the way your screen displays the color. Unlike " "regular output, this one is done all the time during editing: After all, you " "need to be able to see what you are doing, but your screen is still a device " "with a device space, so it does distort how the image looks. In this manner, " "you can see your screen as a set of binoculars you have to look through to " "see your image at all." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:124 msgid "" "Therefore, without a profiled monitor, you actually don't know what the " "actual colors you are working with are like, because the computer doesn't " "know the relevant properties of your screen. So if you profiled your " "monitor, give Krita the profile in the settings, and select the sRGB space " "to draw in, you are for the first time seeing the actual colors of the sRGB " "space." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:127 msgid "So what does this mean?" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:133 msgid "" ".. image:: images/en/color_category/Krita-colormanaged-workflow_krita_text." "svg" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:133 msgid "" "When we paint from scratch, we can see our screen profile as the input " "space, because we use it to determine what colors to pick. This somewhat " "simplifies the workflow, but makes the screen profile and viewing conditions " "more important." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:135 msgid "" "Now, photographers and people who do a tricky discipline of VFX called " "'color grading' will go completely mad over trying to get the colors they " "put in to come out 100% correctly, and will even count in factors like the " "time of day and the color they painted their walls. For example, if the wall " "behind your computer is pure red, your eyes will adjust to be less sensitive " "to red, which means that the colors they pick in the program could come out " "redder. We call these the *viewing conditions*." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:137 msgid "" "Thankfully, artists have to worry a slight bit less about this. As " "illustrations are fully handmade, we are able to identify the important bits " "and make appropriate contrasts between colors. This means that even if our " "images turn out to be slightly redder than intended, it is less likely the " "whole image is ruined. If we look back at the kindergarten example above, we " "still understand what the image was supposed to look like, despite there " "being different colors on each image. Furthermore, because the colors in " "illustrations are deliberately picked, we can correct them more easily on a " "later date. Yet, at the same time, it is of course a big drag to do this, " "and we might have had much more flexibility had we taken viewing conditions " "under consideration." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:139 msgid "" "That said, for artists it is also very useful to understand the working " "spaces. Different working spaces give different results with filters and " "mixing, and only some working spaces can be used for advanced technology " "like HDR." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:141 msgid "" "Similarly, Krita, as a program intended to make images from scratch, doesn't " "really worry about assigning workspaces after having made the image. But " "because you are using the screen as a binocular to look at your image, and " "to pick colors, you can see your screen's device space as an input space to " "the image. Hence why profiling your monitor and giving the profile to Krita " "in the settings can help with preparing your work for print and future " "ventures in the long run." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:143 msgid "" "Overall, it is kinda useful to keep things like viewing conditions in the " "back of your mind. Many professional artists use a mid-grey color as their " "default canvas background because they find they create much more dynamic " "images due to having improved their viewing conditions. It is also why a lot " "of graphics programs, including Krita, come with a dark theme nowadays. " "(Though, of course this might also be because dark themes can be considered " "cool, who knows.)" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:148 msgid "Icc profiles" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:150 msgid "" "An Icc profile is a set of coordinates describing the extremities of the " "device space within XYZ, and it is the color management data you use to " "communicate your working space to printers and applications that are " "designed for the print industry, such as GIMP, Scribus, Photoshop, " "Illustrator, Inkscape, Digikam, RawTheraphee, etc. You have two types of icc " "profiles:" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:153 msgid "" "These are delivered alongside Krita. Matrix shaper profiles are made by " "setting parameters and interpolating between these to get the exact size of " "the colour space. Due to this, Krita's color space browser can give you a " "lot of information on these profiles. Such profiles are also preferable as " "working space." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:159 msgid "Matrix Shaper profiles." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:159 msgid "" "Matrix shaper profiles have a few parameters that describe the color space " "which are then interpolated between, this requires a lot of maths." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:162 msgid "" "These are fairly rare, and primarily used to describe printer profiles, such " "as CMYK. cLUT, or Color Look-up Table profiles store far more data than " "Matrix shaper profiles, so they can hold data of little particularities " "caused by, for example, unexpected results from mixing pigments. This is a " "far more organic approach to describing a color space, hence why a lot of " "programs that don't care for color management much don't support these." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:168 msgid "" "cLUT profiles work by holding tables of each color in a colorspace and their " "respective coordinates in a reference space. For CMYK this is typically L\\*A" "\\*B\\* and for the rest XYZ. These tables are tricky to make, which means " "these profiles are a lot rarer." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:169 msgid "cLUT profiles" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:171 msgid "" "The interesting thing about icc profiles is that your working space can be " "larger than your device space. This is generally not bad. However, when " "converting, you do end up with the question of how to translate the working " "space values." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:174 msgid "Perceptual" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:174 msgid "" "This just squishes the values of the working space into the space it's " "converted to. It's a nice method to see all possible values in this, but not " "so good if you want accurate colour reproduction. Use this if you want to " "see all colours in an image, or want to express all possible contrasts. " "Doesn't work with Matrix Shaper profiles, defaults to relative colorimetric." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:177 msgid "Absolute Colorimetric." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:177 msgid "" "The opposite to Perceptual, Absolute colorimetric will attempt to retain all " "the correct colours at whatever cost, which may result in awful looking " "colours. Recommended only for reproduction work. Doesn't work with Matrix " "Shaper profiles in Krita due to ICC v4 workflow standards." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:180 msgid "Relative Colorimetric" msgstr "Colorimétrie relative" #: ../../general_concepts/colors/color_managed_workflow.rst:180 msgid "" "A in between solution between perceptual and absolute, relative will try to " "fit whatever colours it can match between colour spaces. It does this by " "aligning the white and black points. It cuts off the rest to their " "respective borders. This is what all matrix shaper profiles default to " "during conversion, because the ICC v4 workflow specifies to only use " "Relative Colorimetric for matrix shaper profiles." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:183 msgid "Saturation" msgstr "Saturation" #: ../../general_concepts/colors/color_managed_workflow.rst:183 msgid "" "Does anything to retain colourfulness, even hue will be sacrificed. Used in " "infographics. Doesn't work with Matrix Shaper profiles, defaults to relative " "colorimetric." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:185 msgid "" "*ICC profile version* is the last thing to keep in mind when dealing with " "ICC profiles. Krita delivers both Version 2 and Version 4 profiles, with the " "later giving better results in doing color maths, but the former being more " "widely supported (as seen below in 'interoperability with other programs'. " "This is also why Krita defaults to V2, and we recommend using V2 when you " "aren't certain if the other programs you are using support V4." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:188 msgid "LUT docker and HDR imaging" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:196 msgid "" "The :ref:`lut_docker` is the second important bit of colour management in " "Krita that is shared between Krita and programs like Blender, Natron and " "Nuke, and only uses Look Up Tables that are configured via a config file." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:198 msgid "" "You can set the workingspace of the image under input color space, and the " "display to sRGB or your own LUT if you have added it to the configuration. " "View in this case is for proofing transforms to a certain display device." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:200 msgid "" "Component, exposure, gamma, whitepoint and blackpoint are knobs which allows " "you to modify the display filter." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:208 msgid "" "As explained before, we can see our monitor as a telescope or binocular into " "the world of our picture. Which means it distorts our view of the image a " "little. But we can modify this binocular, or display filter to see our image " "in a different way. For example, to allow us to see the white in an image " "that are whiter than the white of our screen. To explain what that means, we " "need to think about what white is." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:210 msgid "" "For example, white, on our monitor is full red, full green and full blue. " "But it's certainly different from white on our paper, or the colour of milk, " "white from the sun, or even the white of our cell-phone displays." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:212 msgid "" "Black similarly, is brighter on a LCD display than a LED one, and " "incomparable with the black of a carefully sealed room." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:214 msgid "" "This means that there's potentially blacker blacks than screen black, and " "white whites than screen white. However, for simplicity's sake we still " "assign the black-point and the white-point to certain values. From there, we " "can determine whether a white is whiter than the white point, or a black " "blacker than the black-point." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:216 msgid "" "The LUT docker allows us to control this display-filter and modify the " "distortion. This is useful when we start modifying images that are made with " "scene referred values, such as HDR photos, or images coming out of a render " "engine." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:224 msgid "" "So, for example, we can choose to scale whiter-than-screen-white to our " "screen-white so we can see the contrasts there." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:226 msgid "" "The point of this is that you can take advantage of more lightness detail in " "an image. While you can't see the difference between screen white and whiter-" "than-screen-white (because your screen can't show the difference), graphics " "programs can certainly use it." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:228 msgid "" "A common example is matching the lighting between a 3d model and a real " "world scene. Others are advanced photo retouching, with much more contrast " "information available to the user. In painting itself, this allows you to " "create an image where you can be flippant with the contrast, and allow " "yourself to go as bright as you'd like." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:230 msgid "" "LUT docker manipulations are per view, so you can create a new view and set " "it to luminosity. This way you can see the image in both color as well as " "grayscale and keep a good eye on your values." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:232 msgid "" "Another example is to carefully watch the gradients in a certain section." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:234 msgid "" "Like Icc, the LUT Docker allows you to create a profile of sorts for your " "device. In this case it's the 'lut', which stands for 'Look Up Table', and " "which can be added to OCIO by modifying the configuration file. When OCIO is " "turned on, the configuration in :menuselection:`Settings --> Configure Krita " "--> Color Management` is turned off, unless you are using the :guilabel:" "`Internal` color engine." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:237 msgid "In summary" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:239 msgid "Krita has two modes of colour management:" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:241 msgid "" "Icc works in terms of spaces relative to the CIEXYZ space, and requires an " "icc profile." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:242 msgid "OCIO works in terms of interpretation, and makes use of luts." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:243 msgid "both can be made with a colorimeter." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:244 msgid "" "If you want to have a properly color managed workflow, you have one made " "customly for the input device (your screen) and the output devices (your " "printer, or target screen). For web the output is always sRGB." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:245 msgid "" "Set up your screen profiles under :menuselection:`Settings --> Configure " "Krita --> Color management`." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:246 msgid "" "Do NOT use screen profiles or other device profiles to draw in. Use a " "working space profile such as any of the elle profiles for this, as the " "color maths will be much more predictable and pleasant. Krita will convert " "between your screen and working space on the fly, allowing you to pick the " "correct colors. This turns your screen into binoculars to view the image." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:247 msgid "" "Use the appropriate color management for the appropriate workflow. If you " "are working with Blender, you will be better off using OCIO, than ICC. IF " "you are working with Scribus or Photoshop, use ICC." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:249 msgid "" "Krita does a lot of colour maths, often concerning the blending of colours. " "This colour maths works best in linear colour space, and linear colour space " "requires a bit depth of at the least 16bit to work correctly. The " "disadvantage is that linear space can be confusing to work in." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:251 msgid "" "If you like painting, have a decent amount of ram, and are looking to start " "your baby-steps in taking advantage of Krita's colour management, try " "upgrading from having all your images in sRGB built-in to sRGB-v2-elle-g10." "icc or rec2020-v2-elle-g10.icc at 16bit float. This'll give you better " "colour blending while opening up the possibility for you to start working in " "hdr!" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:256 msgid "" "Some graphics cards, such as those of the Nvidia-brand actually have the " "best performance under 16bit float, because Nvidia cards convert to floating " "point internally. When it does not need to do that, it speeds up!" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:260 msgid "" "No amount of color management in the world can make the image on your screen " "and the image out of the printer have 100% the same color." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:263 msgid "Exporting" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:265 msgid "" "when you have finished your image and are ready to export it, you can modify " "the color space to optimize it:" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:267 msgid "If you are preparing an image for the web:" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:269 msgid "" "If you use 16bit color depth or higher, convert the image to 8bit color " "depth. This will make the image much smaller." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:271 msgid "" "Krita doesn't have built-in dithering currently, which means that 16 to " "18bit conversions can come out a bit banded. But you can simulate it by " "adding a fill layer with a pattern, set this fill layer to overlay, and to " "5% opacity. Then flatten the whole image and convert it to 8bit. The pattern " "will function as dithering giving a smoother look to gradients." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:273 msgid "If it's a gray-scale image, convert it to gray-scale." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:274 msgid "" "If it's a color image, keep it in the working space profile: Many web " "browsers these days support color profiles embedded into images. Firefox, " "for example, will try to convert your image to fit the color profile of the " "other's monitor (if they have one). That way, the image will look almost " "exactly the same on your screen and on other profiled monitors." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:279 msgid "" "In some versions of Firefox, the colours actually look strange: This is a " "bug in Firefox, which is because its `color management system is incomplete " "`_, save your png, jpg or tiff without an embedded profile to work " "around this." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:281 msgid "If you are preparing for print:" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:283 msgid "" "You hopefully made the picture in a working space profile instead of the " "actual custom profile of your screen, if not, convert it to something like " "adobe rgb, sRGB or rec2020." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:284 msgid "" "Check with the printer what kind of image they expect. Maybe they expect " "sRGB color space, or perhaps they have their own profile." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:287 msgid "Interaction with other applications" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:290 msgid "Blender" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:292 msgid "" "If you wish to use krita's OCIO functionality, and in particular in " "combination with Blender's color management, you can try to have it use " "Blender's OCIO config." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:294 msgid "" "Blender's OCIO config is under ``/version number/datafiles/" "colormanagement``. Set the LUT docker to use the OCIO engine, and select the " "config from the above path. This will give you blender's input and screen " "spaces, but not the looks, as those aren't supported in Krita yet." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:298 msgid "Windows Photo Viewer" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:300 msgid "" "You might encounter some issues when using different applications together. " "One important thing to note is that the standard Windows Photo Viewer " "application does not handle modern ICC profiles. Krita uses version 4 " "profiles; Photo Viewer can only handle version 2 profiles. If you export to " "JPEG with an embedded profile, Photo Viewer will display your image much too " "dark." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:303 msgid "Example workflows" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:305 msgid "" "Here are some example workflows to get a feeling of how your color " "management workflow may look like." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:307 msgid "" "As mentioned before, input for your screen is set via :menuselection:" "`Settings --> Configure Krita --> Color management`, or via the LUT docker's " "'screen space'. Working space is set via new file per document, or in the " "LUT docker via 'input space'." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:310 msgid "Webcomic" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:317 #: ../../general_concepts/colors/color_managed_workflow.rst:339 #: ../../general_concepts/colors/color_managed_workflow.rst:357 msgid "Input" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:318 #: ../../general_concepts/colors/color_managed_workflow.rst:340 #: ../../general_concepts/colors/color_managed_workflow.rst:358 msgid "Your screen profile. (You pick colors via your screen)" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:319 #: ../../general_concepts/colors/color_managed_workflow.rst:341 #: ../../general_concepts/colors/color_managed_workflow.rst:359 msgid "Workingspace" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:320 msgid "" "sRGB (the default screen profile) or any larger profile if you can spare the " "bitdepth and like working in them." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:322 #: ../../general_concepts/colors/color_managed_workflow.rst:344 #: ../../general_concepts/colors/color_managed_workflow.rst:362 msgid "Output" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:322 msgid "" "sRGB, icc version 2, sRGB trc for the internet, and a specialised CMYK " "profile from the printing house for the printed images." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:324 msgid "" "Use the sRGB-elle-V2-srgbtrc.icc for going between inkscape, photoshop, " "painttool sai, illustrator, Gimp, mypaint, mangastudio, paintstorm studio, " "mypaint, artrage, scribus, etc. and Krita." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:326 msgid "" "If you are using a larger space via ICC, you will only be able to " "interchange it between Krita, Photoshop, Illustrator, GIMP 2.9, mangastudio " "and scribus. All others assume sRGB for your space, no matter what, because " "they don't have color management." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:328 msgid "" "If you are going between Krita and Blender, Nuke or Natron, use OCIO and set " "the input space to 'sRGB', but make sure to select the sRGB profile for icc " "when creating a new file." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:330 msgid "" "For the final for the web, convert the image to sRGB 8bit, srgbtrc, do not " "embed the icc profile. Then, if using png, put it through something like " "pngcrush or other png optimisers. sRGB in this case is chosen because you " "can assume the vast majority of your audience hasn't profiled their screen, " "nor do they have screens that are advanced enough for the wide gamut stuff. " "So hence why we convert to the screen default for the internet, sRGB." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:333 msgid "Print" msgstr "Imprimer" #: ../../general_concepts/colors/color_managed_workflow.rst:342 msgid "sRGB or rec2020 if you can afford the bit-depth being 16bit." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:344 msgid "" "Specialised CMYK profile from the printing house for the printed images." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:346 msgid "" "The CMYK profiles are different per printer, and even per paper or ink-type " "so don't be presumptuous and ask ahead for them, instead of doing something " "like trying to paint in any random CMYK profile. As mentioned in the viewing " "conditions section, you want to keep your options open." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:348 msgid "" "You can set the advanced color selector to transform to a given profile via :" "menuselection:`Settings --> Configure Krita --> Advanced color selector " "settings`. There, tick :guilabel:`Color selector uses a different color " "space than the image` and select the CMYK profile you are aiming for. This " "will limit your colors a little bit, but keep all the nice filter and " "blending options from RGB." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:351 msgid "Games" msgstr "Jeux" #: ../../general_concepts/colors/color_managed_workflow.rst:360 msgid "sRGB or grayscale linear for roughness and specular maps." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:362 msgid "" "This one is tricky, but in the end it'll be sRGB for the regular player." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:364 msgid "" "So this one is tricky. You can use OCIO and ICC between programs, but " "recommended is to have your images to the engine in sRGB or grayscale. Many " "physically based renderers these days allow you to set whether an image " "should be read as a linear or srgbtrc image, and this is even vital to have " "the images being considered properly in the physically based calculations of " "the game renderer." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:366 msgid "" "While game engines need to have optimised content, and it's recommended to " "stay within 8bit, future screens may have higher bitdepths, and when " "renderers will start supporting those, it may be beneficial to develop a " "workflow where the working-space files are rather unnecessarily big and you " "run some scripts to optimise them for your current render needs, making " "updating the game in the future for fancier screens less of a drag." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:368 msgid "" "Normal maps and heightmaps are officially supposed to be defined with a 'non-" "color data' working space, but you'll find that most engines will not care " "much for this. Instead, tell the game engine not to do any conversion on the " "file when importing." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:370 msgid "" "Specular, glossiness, metalness and roughness maps are all based on linear " "calculations, and when you find that certain material has a metalness of " "0.3, this is 30% gray in a linear space. Therefore, make sure to tell the " "game engine renderer that this is a linear space image (or at the very " "least, should NOT be converted)." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:374 msgid "" "`Visualising the XYZ colorspace `_" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:375 msgid "" "`Basics of gamma correction `_" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:376 msgid "" "`Panda3d example of how an image that has gamma encoded without the 3d " "renderer being notified of it having gamma-encoding can result in too dark " "images `_" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:377 msgid "" "`2d examples of the effect of gamma-encoding on color maths `_" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:378 msgid "" "`Basic overview colormanagement from argylcms manual `_" msgstr "" diff --git a/locale/fr/LC_MESSAGES/reference_manual/brushes/brush_settings/masked_brush.po b/locale/fr/LC_MESSAGES/reference_manual/brushes/brush_settings/masked_brush.po index d3dafc9c5..d066a8689 100644 --- a/locale/fr/LC_MESSAGES/reference_manual/brushes/brush_settings/masked_brush.po +++ b/locale/fr/LC_MESSAGES/reference_manual/brushes/brush_settings/masked_brush.po @@ -1,140 +1,140 @@ msgid "" msgstr "" "Project-Id-Version: Krita Manual 4.1\n" "Report-Msgid-Bugs-To: \n" -"POT-Creation-Date: 2019-03-15 03:36+0100\n" +"POT-Creation-Date: 2019-03-16 03:28+0100\n" "PO-Revision-Date: 2019-02-27 01:27+0100\n" "Last-Translator: KDE Francophone \n" "Language-Team: KDE Francophone \n" "Language: fr\n" "MIME-Version: 1.0\n" "Content-Type: text/plain; charset=UTF-8\n" "Content-Transfer-Encoding: 8bit\n" "Plural-Forms: nplurals=2; plural=(n > 1);\n" "X-Generator: Lokalize 1.5\n" "X-Accelerator-Marker: &\n" "X-Text-Markup: kde4\n" "X-Environment: kde\n" "X-Language: fr_FR\n" "X-Qt-Contexts: true\n" "Generated-By: Babel 0.9.6\n" "X-Source-Language: C\n" +#: ../../reference_manual/brushes/brush_settings/masked_brush.rst:0 +msgid ".. image:: images/en/Masking-brush2.jpg" +msgstr "" + #: ../../reference_manual/brushes/brush_settings/masked_brush.rst:None msgid ".. image:: images/en/Masking-brush1.jpg" msgstr "" #: ../../reference_manual/brushes/brush_settings/masked_brush.rst:None msgid "Difference from :ref:`option_texture`" msgstr "" -#: ../../reference_manual/brushes/brush_settings/masked_brush.rst:0 -msgid ".. image:: images/en/Masking-brush2.jpg" -msgstr "" - #: ../../reference_manual/brushes/brush_settings/masked_brush.rst:1 msgid "" "How to use the masked brush functionality in Krita. This functionality is " "not unlike the dual brush option from photoshop." msgstr "" #: ../../reference_manual/brushes/brush_settings/masked_brush.rst:18 msgid "Masked Brush" msgstr "" #: ../../reference_manual/brushes/brush_settings/masked_brush.rst:23 msgid "" "Masked brush is new feature that is only available in the :ref:" "`pixel_brush_engine`. They are additional settings you will see in the brush " "editor. Masked brushes allow you to combine two brush tips in one stroke. " "One brush tip will be a mask for your primary brush tip. A masked brush is a " "good alternative to texture for creating expressive and textured brushes." msgstr "" #: ../../reference_manual/brushes/brush_settings/masked_brush.rst:29 msgid "" "due to technological constraints, the masked brush only works in the wash " "painting mode. However, do remember that flow works as opacity does in the " "build-up painting mode." msgstr "" #: ../../reference_manual/brushes/brush_settings/masked_brush.rst:32 msgid "" "Like with normal brush tip you can choose any brush tip and change it size, " "spacing, and rotation. Masking brush size is relative to main brush size. " "This means when you change your brush size masking tip will be changed to " "keep the ratio." msgstr "" #: ../../reference_manual/brushes/brush_settings/masked_brush.rst:35 msgid ":ref:`Blending mode (dropdown inside Brush tip)`:" msgstr "" #: ../../reference_manual/brushes/brush_settings/masked_brush.rst:35 msgid "Blending modes changes how tips are combined." msgstr "" #: ../../reference_manual/brushes/brush_settings/masked_brush.rst:38 msgid ":ref:`option_brush_tip`" msgstr "" #: ../../reference_manual/brushes/brush_settings/masked_brush.rst:40 msgid ":ref:`option_size`" msgstr "" #: ../../reference_manual/brushes/brush_settings/masked_brush.rst:41 msgid "The size sensor option of the second tip." msgstr "" #: ../../reference_manual/brushes/brush_settings/masked_brush.rst:42 msgid ":ref:`option_opacity_n_flow`" msgstr "" #: ../../reference_manual/brushes/brush_settings/masked_brush.rst:43 msgid "" "The opacity and flow of the second tip. This is mapped to a sensor by " "default. Flow can be quite aggressive on subtract mode, so it might be an " "idea to turn it off there." msgstr "" #: ../../reference_manual/brushes/brush_settings/masked_brush.rst:44 msgid ":ref:`option_ratio`" msgstr "" #: ../../reference_manual/brushes/brush_settings/masked_brush.rst:45 msgid "This affects the brush ratio on a given brush." msgstr "" #: ../../reference_manual/brushes/brush_settings/masked_brush.rst:46 msgid ":ref:`option_mirror`" msgstr "" #: ../../reference_manual/brushes/brush_settings/masked_brush.rst:47 msgid "The Mirror option of the second tip." msgstr "" #: ../../reference_manual/brushes/brush_settings/masked_brush.rst:48 msgid ":ref:`option_rotation`" msgstr "" #: ../../reference_manual/brushes/brush_settings/masked_brush.rst:49 msgid "The rotation option of the second tip. Best set to \"fuzzy dab\"." msgstr "" #: ../../reference_manual/brushes/brush_settings/masked_brush.rst:51 msgid ":ref:`option_scatter`" msgstr "" #: ../../reference_manual/brushes/brush_settings/masked_brush.rst:51 msgid "" "The scatter option. The default is quite high, so don't forget to turn it " "lower." msgstr "" #: ../../reference_manual/brushes/brush_settings/masked_brush.rst:55 msgid "" "You don’t need seamless texture to make cool looking brush Stroke generates " "on the fly, it always different Brush strokes looks same on any brush size " "Easier to fill some areas with solid color but harder to make it hard " "textured" msgstr "" diff --git a/locale/fr/LC_MESSAGES/tutorials/flat-coloring.po b/locale/fr/LC_MESSAGES/tutorials/flat-coloring.po index 13c54b727..308f410c2 100644 --- a/locale/fr/LC_MESSAGES/tutorials/flat-coloring.po +++ b/locale/fr/LC_MESSAGES/tutorials/flat-coloring.po @@ -1,763 +1,763 @@ msgid "" msgstr "" "Project-Id-Version: Krita Manual 4.1\n" "Report-Msgid-Bugs-To: \n" -"POT-Creation-Date: 2019-03-14 03:27+0100\n" +"POT-Creation-Date: 2019-03-16 03:28+0100\n" "PO-Revision-Date: 2019-02-27 08:22+0100\n" "Last-Translator: KDE Francophone \n" "Language-Team: KDE Francophone \n" "Language: fr\n" "MIME-Version: 1.0\n" "Content-Type: text/plain; charset=UTF-8\n" "Content-Transfer-Encoding: 8bit\n" "Plural-Forms: nplurals=2; plural=(n > 1);\n" "X-Generator: Lokalize 1.5\n" "X-Accelerator-Marker: &\n" "X-Text-Markup: kde4\n" "X-Environment: kde\n" "X-Language: fr_FR\n" "X-Qt-Contexts: true\n" "Generated-By: Babel 0.9.6\n" "X-Source-Language: C\n" #: ../../:2 msgid "" ".. image:: images/icons/Krita_mouse_left.png\n" " :alt: mouseleft" msgstr "" #: ../../:4 msgid "" ".. image:: images/icons/Krita_mouse_right.png\n" " :alt: mouseright" msgstr "" -#: ../../tutorials/flat-coloring.rst:0 -msgid "" -".. image:: images/en/flat-coloring/Krita_filling_lineart_selection_1.png" -msgstr "" - -#: ../../tutorials/flat-coloring.rst:0 -msgid "" -".. image:: images/en/flat-coloring/Krita_filling_lineart_selection_2.png" -msgstr "" - -#: ../../tutorials/flat-coloring.rst:0 -msgid ".. image:: images/en/flat-coloring/Krita_filling_lineart_mask_1.png" -msgstr "" - -#: ../../tutorials/flat-coloring.rst:0 -msgid ".. image:: images/en/flat-coloring/Krita_filling_lineart_mask_2.png" -msgstr "" - -#: ../../tutorials/flat-coloring.rst:0 -msgid ".. image:: images/en/flat-coloring/Krita_filling_lineart_mask_3.png" -msgstr "" - #: ../../tutorials/flat-coloring.rst:None msgid "" ".. image:: images/en/flat-coloring/Krita_filling_lineart14.png\n" " :alt: layer structure for flatting in krita" msgstr "" #: ../../tutorials/flat-coloring.rst:None msgid "" ".. image:: images/en/flat-coloring/Krita_filling_lineart1.png\n" " :alt: blend mode setup of lineart flat coloring" msgstr "" #: ../../tutorials/flat-coloring.rst:None msgid "" ".. image:: images/en/flat-coloring/Krita_filling_lineart2.png\n" " :alt: effects of multiply blend mode" msgstr "" #: ../../tutorials/flat-coloring.rst:None msgid "" ".. image:: images/icons/fill_tool.svg\n" " :alt: fill-tool icon" msgstr "" #: ../../tutorials/flat-coloring.rst:None msgid "" ".. image:: images/en/flat-coloring/Krita_filling_lineart7.png\n" " :alt: colors filled with fill tool" msgstr "" #: ../../tutorials/flat-coloring.rst:None msgid "" ".. image:: images/en/flat-coloring/Krita_filling_lineart15.png\n" " :alt: selecting with selection tools for filling color" msgstr "" #: ../../tutorials/flat-coloring.rst:None msgid "" ".. image:: images/en/flat-coloring/Krita_filling_lineart16.png\n" " :alt: selection mask in Krita" msgstr "" #: ../../tutorials/flat-coloring.rst:None msgid "" ".. image:: images/en/flat-coloring/Krita_filling_lineart17.png\n" " :alt: filling color in selection" msgstr "" #: ../../tutorials/flat-coloring.rst:None msgid "" ".. image:: images/en/flat-coloring/Krita_filling_lineart18.png\n" " :alt: result of coloring made with the help of selection tools" msgstr "" #: ../../tutorials/flat-coloring.rst:None msgid "" ".. image:: images/en/flat-coloring/Krita_filling_lineart8.png\n" " :alt: filling color in lineart using path tool" msgstr "" #: ../../tutorials/flat-coloring.rst:None msgid "" ".. image:: images/en/flat-coloring/Krita_filling_lineart9.png\n" " :alt: erasing with path tool" msgstr "" #: ../../tutorials/flat-coloring.rst:None msgid "" ".. image:: images/en/flat-coloring/Krita_filling_lineart10.png\n" " :alt: coloring with colorise mask" msgstr "" #: ../../tutorials/flat-coloring.rst:None msgid "" ".. image:: images/en/flat-coloring/Krita_filling_lineart11.png\n" " :alt: result from the colorise mask" msgstr "" #: ../../tutorials/flat-coloring.rst:None msgid "" ".. image:: images/en/flat-coloring/Krita_filling_lineart12.png\n" " :alt: slitting colors into islands" msgstr "" #: ../../tutorials/flat-coloring.rst:None msgid "" ".. image:: images/en/flat-coloring/Krita_filling_lineart13.png\n" " :alt: resulting color islands from split layers" msgstr "" +#: ../../tutorials/flat-coloring.rst:0 +msgid "" +".. image:: images/en/flat-coloring/Krita_filling_lineart_selection_1.png" +msgstr "" + +#: ../../tutorials/flat-coloring.rst:0 +msgid "" +".. image:: images/en/flat-coloring/Krita_filling_lineart_selection_2.png" +msgstr "" + +#: ../../tutorials/flat-coloring.rst:0 +msgid ".. image:: images/en/flat-coloring/Krita_filling_lineart_mask_1.png" +msgstr "" + +#: ../../tutorials/flat-coloring.rst:0 +msgid ".. image:: images/en/flat-coloring/Krita_filling_lineart_mask_2.png" +msgstr "" + +#: ../../tutorials/flat-coloring.rst:0 +msgid ".. image:: images/en/flat-coloring/Krita_filling_lineart_mask_3.png" +msgstr "" + #: ../../tutorials/flat-coloring.rst:1 msgid "Common workflows used in Krita" msgstr "" #: ../../tutorials/flat-coloring.rst:13 msgid "Flat Coloring" msgstr "" #: ../../tutorials/flat-coloring.rst:15 msgid "" "So you've got a cool black on white drawing, and now you want to color it! " "The thing we’ll aim for in this tutorial is to get your lineart colored in " "with flat colors. So no shading just yet. We’ll be going through some " "techniques for preparing the lineart, and we’ll be using the layer docker to " "put each colour on a separate layer, so we can easily access each colour " "when we add shading." msgstr "" #: ../../tutorials/flat-coloring.rst:17 msgid "" "This tutorial is adapted from this `tutorial `_ by " "the original author." msgstr "" #: ../../tutorials/flat-coloring.rst:20 msgid "Understanding Layers" msgstr "" #: ../../tutorials/flat-coloring.rst:22 msgid "" "To fill lineart comfortably, it's best to take advantage of the layerstack. " "The layer stack is pretty awesome, and it's one of those features that make " "digital art super-convenient." msgstr "" #: ../../tutorials/flat-coloring.rst:24 msgid "" "In traditional art, it is not uncommon to first draw the full background " "before drawing the subject. Or to first draw a line art and then colour it " "in. Computers have a similar way of working." msgstr "" #: ../../tutorials/flat-coloring.rst:26 msgid "" "In programming, if you tell a computer to draw a red circle, and then " "afterwards tell it to draw a smaller yellow circle, you will see the small " "yellow circle overlap the red circle. Switch the commands around, and you " "will not see the yellow circle at all: it was drawn before the red circle " "and thus ‘behind’ it." msgstr "" #: ../../tutorials/flat-coloring.rst:28 msgid "" "This is referred to as the “drawing order”. So like the traditional artist, " "the computer will first draw the images that are behind everything, and " "layer the subject and foreground on top of it. The layer docker is a way for " "you to control the drawing order of multiple images, so for example, you can " "have your lineart drawn later than your colors, meaning that the lines will " "be drawn over the colors, making it easier to make it neat!" msgstr "" #: ../../tutorials/flat-coloring.rst:30 msgid "" "Other things that a layer stack can do are blending the colors of different " "layers differently with blending modes, using a filter in the layer stack, " "or using a mask that allows you to make parts transparent." msgstr "" #: ../../tutorials/flat-coloring.rst:32 msgid "" "Programmers talk about transparency as ''Alpha'', which is because the 'a' " "symbol is used to present transparency in the algorithms for painting one " "color on top of another. Usually when you see the word ''Alpha'' in a " "graphics program, just think of it as affecting the transparency." msgstr "" #: ../../tutorials/flat-coloring.rst:35 msgid "Preparing your line-art" msgstr "" #: ../../tutorials/flat-coloring.rst:37 msgid "" "Put the new layer underneath the layer containing the lineart (drag and drop " "or use the up/down arrows for that), and draw on it." msgstr "" #: ../../tutorials/flat-coloring.rst:42 msgid "" "…And notice nothing happening. This is because the white isn’t transparent. " "You wouldn’t really want it to either, how else would you make convincing " "highlights? So what we first need to do to colour in our drawing is prepare " "our lineart. There’s several methods of doing so, each with varying " "qualities." msgstr "" #: ../../tutorials/flat-coloring.rst:45 msgid "The Multiply Blending Mode" msgstr "" #: ../../tutorials/flat-coloring.rst:47 msgid "" "So, typically, to get a black and white lineart usable for colouring, you " "can set the blending mode of the lineart layer to Multiply. You do this by " "selecting the layer and going to the drop down that says **Normal** and " "setting that to **Multiply**." msgstr "" #: ../../tutorials/flat-coloring.rst:52 msgid "And then you should be able to see your colors!" msgstr "" #: ../../tutorials/flat-coloring.rst:54 msgid "" "Multiply is not a perfect solution however. For example, if through some " "image editing magic I make the lineart blue, it results into this:" msgstr "" #: ../../tutorials/flat-coloring.rst:59 msgid "" "This is because multiply literally multiplies the colors. So it uses maths!" msgstr "" #: ../../tutorials/flat-coloring.rst:61 msgid "" "What it first does is take the values of the RGB channels, then divides them " "by the max (because we're in 8bit, this is 255), a process we call " "normalising. Then it multiplies the normalised values. Finally, it takes the " "result and multiplies it with 255 again to get the result values." msgstr "" #: ../../tutorials/flat-coloring.rst:67 msgid "Pink" msgstr "Rose" #: ../../tutorials/flat-coloring.rst:68 msgid "Pink (normalised)" msgstr "" #: ../../tutorials/flat-coloring.rst:69 ../../tutorials/flat-coloring.rst:87 msgid "Blue" msgstr "" #: ../../tutorials/flat-coloring.rst:70 msgid "Blue (normalised)" msgstr "" #: ../../tutorials/flat-coloring.rst:71 msgid "Normalised, multiplied" msgstr "" #: ../../tutorials/flat-coloring.rst:72 msgid "Result" msgstr "Résultat" #: ../../tutorials/flat-coloring.rst:73 msgid "Red" msgstr "Rouge" #: ../../tutorials/flat-coloring.rst:74 msgid "222" msgstr "" #: ../../tutorials/flat-coloring.rst:75 msgid "0.8705" msgstr "" #: ../../tutorials/flat-coloring.rst:76 msgid "92" msgstr "" #: ../../tutorials/flat-coloring.rst:77 msgid "0.3607" msgstr "" #: ../../tutorials/flat-coloring.rst:78 msgid "0.3139" msgstr "" #: ../../tutorials/flat-coloring.rst:79 msgid "80" msgstr "" #: ../../tutorials/flat-coloring.rst:80 msgid "Green" msgstr "Vert" #: ../../tutorials/flat-coloring.rst:81 msgid "144" msgstr "" #: ../../tutorials/flat-coloring.rst:82 msgid "0.5647" msgstr "" #: ../../tutorials/flat-coloring.rst:83 msgid "176" msgstr "" #: ../../tutorials/flat-coloring.rst:84 msgid "0.6902" msgstr "" #: ../../tutorials/flat-coloring.rst:85 msgid "0.3897" msgstr "" #: ../../tutorials/flat-coloring.rst:86 msgid "99" msgstr "" #: ../../tutorials/flat-coloring.rst:88 msgid "123" msgstr "" #: ../../tutorials/flat-coloring.rst:89 msgid "0.4823" msgstr "" #: ../../tutorials/flat-coloring.rst:90 msgid "215" msgstr "" #: ../../tutorials/flat-coloring.rst:91 msgid "0.8431" msgstr "" #: ../../tutorials/flat-coloring.rst:92 msgid "0.4066" msgstr "" #: ../../tutorials/flat-coloring.rst:93 msgid "103" msgstr "" #: ../../tutorials/flat-coloring.rst:95 msgid "" "This isn't completely undesirable, and a lot of artists use this effect to " "add a little richness to their colors." msgstr "" #: ../../tutorials/flat-coloring.rst:98 ../../tutorials/flat-coloring.rst:127 #: ../../tutorials/flat-coloring.rst:154 ../../tutorials/flat-coloring.rst:173 #: ../../tutorials/flat-coloring.rst:210 ../../tutorials/flat-coloring.rst:247 #: ../../tutorials/flat-coloring.rst:275 ../../tutorials/flat-coloring.rst:317 msgid "Advantages" msgstr "" #: ../../tutorials/flat-coloring.rst:100 msgid "" "Easy, can work to your benefit even with coloured lines by softening the " "look of the lines while keeping nice contrast." msgstr "" #: ../../tutorials/flat-coloring.rst:103 ../../tutorials/flat-coloring.rst:132 #: ../../tutorials/flat-coloring.rst:159 ../../tutorials/flat-coloring.rst:178 #: ../../tutorials/flat-coloring.rst:215 ../../tutorials/flat-coloring.rst:252 #: ../../tutorials/flat-coloring.rst:280 ../../tutorials/flat-coloring.rst:322 msgid "Disadvantages" msgstr "" #: ../../tutorials/flat-coloring.rst:105 msgid "Not actually transparent. Is a little funny with coloured lines." msgstr "" #: ../../tutorials/flat-coloring.rst:108 msgid "Using Selections" msgstr "" #: ../../tutorials/flat-coloring.rst:110 msgid "" "The second method is one where we'll make it actually transparent. In other " "programs this would be done via the channel docker, but Krita doesn't do " "custom channels, instead it uses Selection Masks to store custom selections." msgstr "" #: ../../tutorials/flat-coloring.rst:112 msgid "duplicate your lineart layer." msgstr "" #: ../../tutorials/flat-coloring.rst:114 msgid "" "convert the duplicate to a selection mask. |mouseright| the layer, then :" "menuselection:`Convert --> to Selection Mask`." msgstr "" #: ../../tutorials/flat-coloring.rst:118 msgid "" "Invert the selection mask. :menuselection:`Select --> Invert Selection`." msgstr "" #: ../../tutorials/flat-coloring.rst:120 msgid "" "Make a new layer, and do :menuselection:`Edit --> Fill with foreground " "color`." msgstr "" #: ../../tutorials/flat-coloring.rst:124 msgid "And you should now have the line art on a separate layer." msgstr "" #: ../../tutorials/flat-coloring.rst:129 msgid "Actual transparency." msgstr "" #: ../../tutorials/flat-coloring.rst:134 msgid "Doesn't work when the lineart is coloured." msgstr "" #: ../../tutorials/flat-coloring.rst:137 msgid "Using Masks" msgstr "" #: ../../tutorials/flat-coloring.rst:139 msgid "This is a simpler variation of the above." msgstr "" #: ../../tutorials/flat-coloring.rst:141 msgid "Make a filled layer underneath the lineart layer." msgstr "" #: ../../tutorials/flat-coloring.rst:145 msgid "" "Convert the lineart layer to a transparency mask |mouseright| the layer, " "then :menuselection:`Convert --> to Transparency Mask`." msgstr "" #: ../../tutorials/flat-coloring.rst:149 msgid "" "Invert the transparency mask by going to :menuselection:`Filter --> Adjust --" "> Invert`" msgstr "" #: ../../tutorials/flat-coloring.rst:156 msgid "" "Actual transparency. You can also very easily doodle a pattern on the filled " "layer where the mask is on without affecting the transparency." msgstr "" #: ../../tutorials/flat-coloring.rst:161 msgid "" "Doesn't work when the lineart is coloured already. We can still get faster." msgstr "" #: ../../tutorials/flat-coloring.rst:164 msgid "Using Color to Alpha" msgstr "" #: ../../tutorials/flat-coloring.rst:166 msgid "By far the fastest way to get transparent lineart." msgstr "" #: ../../tutorials/flat-coloring.rst:168 msgid "" "Select the line art layer and apply the color to alpha filter. :" "menuselection:`Filter --> Colors --> Color to Alpha`. The default values " "should be sufficient for lineart." msgstr "" #: ../../tutorials/flat-coloring.rst:171 msgid "" ".. image:: images/en/flat-coloring/Krita_filling_lineart_color_to_alpha.png" msgstr "" #: ../../tutorials/flat-coloring.rst:175 msgid "" "Actual transparency. Works with coloured line art as well, because it " "removes the white specifically." msgstr "" #: ../../tutorials/flat-coloring.rst:180 msgid "" "You'll have to lock the layer transparency or separate out the alpha via the " "right-click menu if you want to easily color it." msgstr "" #: ../../tutorials/flat-coloring.rst:184 msgid "Colouring the image" msgstr "" #: ../../tutorials/flat-coloring.rst:186 msgid "" "Much like preparing the line art, there's many different ways of colouring a " "layer." msgstr "" #: ../../tutorials/flat-coloring.rst:188 msgid "" "You could for example fill in everything by hand, but while that is very " "precise it also takes a lot of work. Let's take a look at the other options, " "shall we?" msgstr "" #: ../../tutorials/flat-coloring.rst:191 msgid "Fill Tool" msgstr "Remplir" #: ../../tutorials/flat-coloring.rst:196 msgid "" "In most cases the fill-tool can’t deal with the anti-aliasing (the soft edge " "in your lineart to make it more smooth when zoomed out) In Krita you have " "the grow-shrink option. Setting that to say… 2 expands the colour two pixels." msgstr "" #: ../../tutorials/flat-coloring.rst:198 msgid "" "Threshold decides when the fill-tool should consider a different colour " "pixel to be a border. And the feathering adds a extra soft border to the " "fill." msgstr "" #: ../../tutorials/flat-coloring.rst:200 msgid "" "Now, if you click on a gapless-part of the image with your preferred colour…" "(Remember to set the opacity to 1.0!)" msgstr "" #: ../../tutorials/flat-coloring.rst:202 msgid "" "Depending on your lineart, you can do flats pretty quickly. But setting the " "threshold low can result in little artifacts around where lines meet:" msgstr "" #: ../../tutorials/flat-coloring.rst:207 msgid "" "However, setting the threshold high can end with the fill not recognising " "some of the lighter lines. Besides these little artifacts can be removed " "with the brush easily." msgstr "" #: ../../tutorials/flat-coloring.rst:212 msgid "Pretty darn quick depending on the available settings." msgstr "" #: ../../tutorials/flat-coloring.rst:217 msgid "" "Again, not great with gaps or details. And it works best with aliased line-" "art." msgstr "" #: ../../tutorials/flat-coloring.rst:220 msgid "Selections" msgstr "Sélections" #: ../../tutorials/flat-coloring.rst:222 msgid "Selections work using the selection tools." msgstr "" #: ../../tutorials/flat-coloring.rst:227 msgid "" "For example with the :ref:`bezier_curve_selection_tool` you can easily " "select a curved area, and the with :kbd:`Shift` + |mouseleft| (not |" "mouseleft| + :kbd:`Shift`, there's a difference!) you can easily add to an " "existing selection." msgstr "" #: ../../tutorials/flat-coloring.rst:232 msgid "" "You can also edit the selection if you have :menuselection:`Select --> Show " "Global Selection Mask` turned on. Then you can select the global selection " "mask, and paint on it. (Above with the alternative selection mode, activated " "in the lower-left corner of the stats bar)" msgstr "" #: ../../tutorials/flat-coloring.rst:234 msgid "" "When done, select the color you want to fill it with and press :kbd:`Shift` " "+ `backspace`." msgstr "" #: ../../tutorials/flat-coloring.rst:239 msgid "" "You can save selections in selection masks by |mouseright| a layer, and then " "going to :menuselection:`Add --> Local Selection`. You first need to " "deactivate a selection by pressing the circle before adding a new selection." msgstr "" #: ../../tutorials/flat-coloring.rst:241 msgid "" "This can serve as an alternative way to split out different parts of the " "image, which is good for more painterly pieces:" msgstr "" #: ../../tutorials/flat-coloring.rst:249 msgid "A bit more precise than filling." msgstr "" #: ../../tutorials/flat-coloring.rst:254 msgid "Previewing your color isn't as easy." msgstr "" #: ../../tutorials/flat-coloring.rst:257 msgid "Geometric tools" msgstr "" #: ../../tutorials/flat-coloring.rst:259 msgid "" "So you have a tool for making rectangles or circles. And in the case of " "Krita, a tool for bezier curves. Select the path tool (|path tool|), and set " "the tool options to fill=foreground and outline=none. Make sure that your " "opacity is set to 1.00 (fully opaque)." msgstr "" #: ../../tutorials/flat-coloring.rst:262 msgid "" ".. image:: images/icons/bezier_curve.svg\n" " :alt: path tool" msgstr "" #: ../../tutorials/flat-coloring.rst:264 msgid "" "By clicking and holding, you can influence how curvy a line draw with the " "path tool is going to be. Letting go of the mouse button confirms the " "action, and then you’re free to draw the next point." msgstr "" #: ../../tutorials/flat-coloring.rst:269 msgid "" "You can also erase with a geometric tool. Just press :kbd:`E` or the eraser " "button." msgstr "" #: ../../tutorials/flat-coloring.rst:277 msgid "" "Quicker than using the brush or selections. Also decent with lineart that " "contains gaps." msgstr "" #: ../../tutorials/flat-coloring.rst:282 msgid "" "Fiddly details aren’t easy to fill in with this. So I recommend skipping " "those and filling them in later with a brush." msgstr "" #: ../../tutorials/flat-coloring.rst:285 msgid "Colorize Mask" msgstr "Masque de colorisation" #: ../../tutorials/flat-coloring.rst:287 msgid "" "So, this is a bit of an odd one. In the original tutorial, you'll see I'm " "suggesting using G'Mic, but that was a few years ago, and g'mic is a little " "unstable on windows. Therefore, the Krita developers have been attempting to " "make an internal tool doing the same." msgstr "" #: ../../tutorials/flat-coloring.rst:289 msgid "" "It is disabled in 3.1, but if you use 4.0 or later, it is in the toolbox. " "Check the Colorize Mask for more information." msgstr "" #: ../../tutorials/flat-coloring.rst:291 msgid "So it works like this:" msgstr "" #: ../../tutorials/flat-coloring.rst:293 msgid "Select the colorize mask tool." msgstr "" #: ../../tutorials/flat-coloring.rst:294 msgid "Tick the layer you're using." msgstr "" #: ../../tutorials/flat-coloring.rst:295 msgid "Paint the colors your want to use on the colorize mask" msgstr "" #: ../../tutorials/flat-coloring.rst:296 msgid "Click update to see the results:" msgstr "" #: ../../tutorials/flat-coloring.rst:301 msgid "" "When you are satisfied, |mouseright| the colorize mask, and go to :" "menuselection:`Convert --> Paint Layer`. This will turn the colorize mask to " "a generic paint layer. Then, you can fix the last issues by aking the " "lineart semi-transparent and painting the flaws away with a pixel art brush." msgstr "" #: ../../tutorials/flat-coloring.rst:306 msgid "" "Then, when you are done, split the layers via :menuselection:`Layers --> " "Split --> Split Layer`. There's a few options you can choose, but the " "following should be fine:" msgstr "" #: ../../tutorials/flat-coloring.rst:311 msgid "" "Finally, press **Ok** and you should get the following. Each color patch it " "on a different layer, named by the palette in the menu and alpha locked, so " "you can start painting right away!" msgstr "" #: ../../tutorials/flat-coloring.rst:319 msgid "" "Works with anti aliased lineart. Really quick to get the base work done. Can " "auto-close gaps." msgstr "" #: ../../tutorials/flat-coloring.rst:324 msgid "" "No anti aliasing of it’s own. You have to choose between getting details " "right or the gaps auto-closed." msgstr "" #: ../../tutorials/flat-coloring.rst:327 msgid "Conclusion" msgstr "Conclusion" #: ../../tutorials/flat-coloring.rst:329 msgid "" "I hope this has given you a good idea of how to fill in flats using the " "various techniques, as well as getting a hand of different Krita features. " "Remember that a good flat filled lineart is better than a badly shaded one, " "so keep practising to get the best out of these techniques!" msgstr "" diff --git a/locale/ja/LC_MESSAGES/contributors_manual/krita_manual_conventions.po b/locale/ja/LC_MESSAGES/contributors_manual/krita_manual_conventions.po index 06e546c64..1bef2b4d2 100644 --- a/locale/ja/LC_MESSAGES/contributors_manual/krita_manual_conventions.po +++ b/locale/ja/LC_MESSAGES/contributors_manual/krita_manual_conventions.po @@ -1,855 +1,855 @@ msgid "" msgstr "" "Project-Id-Version: Krita Manual 4.1\n" "Report-Msgid-Bugs-To: \n" -"POT-Creation-Date: 2019-03-15 03:36+0100\n" +"POT-Creation-Date: 2019-03-16 03:28+0100\n" "PO-Revision-Date: 2019-03-02 16:12-0800\n" "Last-Translator: Japanese KDE translation team \n" "Language-Team: Japanese \n" "Language: ja\n" "MIME-Version: 1.0\n" "Content-Type: text/plain; charset=UTF-8\n" "Content-Transfer-Encoding: 8bit\n" "Plural-Forms: nplurals=2; plural=n != 1;\n" "X-Accelerator-Marker: &\n" "X-Text-Markup: kde4\n" #: ../../:2 msgid "" ".. image:: images/icons/Krita_mouse_left.png\n" " :alt: mouseleft" msgstr "" #: ../../:4 msgid "" ".. image:: images/icons/Krita_mouse_right.png\n" " :alt: mouseright" msgstr "" #: ../../:6 msgid "" ".. image:: images/icons/Krita_mouse_middle.png\n" " :alt: mousemiddle" msgstr "" #: ../../:8 msgid "" ".. image:: images/icons/Krita_mouse_scroll.png\n" " :alt: mousescroll" msgstr "" -#: ../../contributors_manual/krita_manual_conventions.rst:None -msgid "Horizontal Rulers" -msgstr "" - #: ../../contributors_manual/krita_manual_conventions.rst:0 msgid "" ".. image:: images/en/sample.png\n" " :alt: an image." msgstr "" +#: ../../contributors_manual/krita_manual_conventions.rst:None +msgid "Horizontal Rulers" +msgstr "" + #: ../../contributors_manual/krita_manual_conventions.rst:1 msgid "reStructuredText conventions for the Krita Manual" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:16 msgid "Mark-up conventions for the Krita Manual" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:18 msgid "" "This details the style conventions for using restructured text for the Krita " "Manual." msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:20 msgid "" "It's recommended to look over the `official specification `_ for reStructuredText, and given it lives on " "sourceforge, to save a copy to your harddrive (sourceforge has, at this time " "of writing, some issues with server uptime):" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:23 msgid "" "`Primer `_" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:24 msgid "User Manual:" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:24 msgid "" "`Quick Ref `_" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:25 msgid "" "`Text Cheatsheet `_" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:27 msgid "" "`Introduction `_" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:28 msgid "" "`Markup `_" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:29 msgid "Reference Documentation:" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:29 msgid "" "`Directives `_" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:30 msgid "`Roles `_" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:32 msgid "Sphinx specific docs:" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:32 msgid "" "`Sphinx' page on restructured text `_ -- This is useful for the specific " "sphinx directives and roles it uses to generate for example table of " "contents." msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:34 msgid "" "There are differences between the official reStructuredText and the sphinx " "docs multiple ways to do things. This document specifies the suggested " "conventions to go with." msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:36 msgid "Contents" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:39 msgid "Meta data" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:41 msgid "Each page should start with the following three things:" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:44 msgid "" "This is a general description of the page. It will be converted to an html " "meta tag which will be used by search engines::" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:49 msgid "A meta description" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:52 msgid "" "This is just to keep track of who edited the page and to give credit. It " "should be in a comment so that it will not end up being easily readable by " "machines. The license of the whole manual is GDL 1.3 and should also be " "mentioned here::" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:58 msgid "A list of authors and a license." msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:61 msgid "" "These are comma-separated terms under which the page will be indexed in :ref:" "`genindex`. The generated index is quite useful for both pdf as well as " "people who are not sure what the exact name is of the term they are looking " "for. They are defined as follows::" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:63 msgid "Indexing terms." msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:66 msgid "" "This is so we can easily link to the page using ``:ref:`label_name```. Try " "to make this a nice variable name::" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:70 msgid "" "After the label you will need to add a heading, as ``:ref:`label_name``` " "will refer to the heading to fill out it's link-text." msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:71 msgid "A label." msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:74 msgid "Headings" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:76 msgid "Headings will be done in the following order::" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:105 msgid "" "These conventions were more or less decided by pandoc's mediawiki to " "reStructuredText conversion. If you need more than 4 headings, ask yourself " "first if the page hasn't gotten too complicated and needs splitting up." msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:107 msgid "" "Sometimes you need to link to a subsection of a page, add a label above the " "heading in that case." msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:109 msgid "" "Headers should not end with punctuation, as the header will be used as the " "link name when linking to a label." msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:112 msgid "Linking" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:114 msgid "" "Linking is done with ``:ref:`label_name```. When you need an alternative " "link text, you use ``:ref:`actual text shown ```." msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:116 msgid "" "Linking to external pages is done with ```url`_`` and ```link name " "`_``, which'll become `link name `_." msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:118 msgid "" "Pandoc likes to turn these into ```link name`__`` and then add `` .. __ :url " "`` at the end of the document. This is a so-called 'anonymous hyperlink', " "meaning that depending on the order of the links appearing in the text the " "order of the links at the end of the text are associated with one another. " "If this sounds confusing and difficult, it is because it is. That is also " "the exact reason why we'd like to avoid links like these." msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:121 msgid "Footnotes and further reading" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:123 msgid "" "Footnotes can be made in 3 ways, the most common one is with autonumbering, " "as per reference:" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:125 msgid "" "[#]_ is a reference to footnote 1, and [#]_ is a reference to footnote 2." msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:128 msgid "This is footnote 1." msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:129 msgid "This is footnote 2." msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:130 msgid "This is footnote 3." msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:132 msgid "[#]_ is a reference to footnote 3." msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:134 msgid "Here is a citation reference: [CIT2002]_ ." msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:136 msgid "" "This is the citation. It's just like a footnote, except the label is " "textual." msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:139 msgid "Citation can also be referenced with `citation `_" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:141 msgid "" "We don't actually use footnotes in the manual due to the fact that it is a " "little bit too academical for our readers. However, we do collect documents " "and links that give a little bit more information on a topic at the end of a " "page. Sphinx has the ``.. seealso::`` directive for linking to external " "links, while reStructuredText suggests to use ``.. rubic:: Footnotes`` for " "specifically collecting footnotes as that plays nice with LaTeX." msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:145 msgid "Images" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:147 msgid "Use the image directive for images without captions::" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:154 msgid "And figure directives for images with captions::" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:163 msgid "The latter gives:" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:170 msgid "" "A caption -- notice how the first letter of the caption in the directive is " "aligned with the :figwidth: option." msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:172 msgid "" "Images should go into the ``/images/en`` folder. By using ``/images`` " "instead of ``images``, sphinx will know the filepath isn't relative." msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:175 msgid "In-text Markup" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:177 msgid "" "You can make text *emphasized* and **strong** with a single asterisk and " "double respectively::" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:182 msgid "You cannot do both ***emphasized and strong***, so take a pick." msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:184 msgid "" "You can :sub:`subscript text` and :sup:`superscript text` by using ``:sub:" "`text``` and ``:sup:`text```" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:186 msgid "" "However, use these super-sparingly! It is preferred to use the existing " "semantic markup in sphinx in any case, because that makes it easier for " "translators to make decisions about the nature of the text::" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:193 msgid "" "Avoid randomly bolding words. It does *not* make the text easier or " "friendlier to read." msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:196 msgid "Substitution References" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:198 msgid "" "You can create a sort of shorthand for a piece of text or an image by doing::" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:202 msgid "" "which means that if you use ``|shorthand|``, in the text, it'll be replaced " "with 'something or the other'. This is useful for, images and text that " "needs to be formatted in a complicated way, like in the case of \"LaTeX\"." msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:204 msgid "" "The krita documentation has ``|mouseleft|``, ``|mousemiddle|``, ``|" "mousescroll|`` and ``|mouseright|``, which'll turn into |mouseleft|, |" "mousemiddle|, |mousescroll| and |mouseright| respectively. These are defined " "in the sphinx conf.py, and are appended to each rst file." msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:206 msgid "" "For links, if you reuse the same link over and over, you can write something " "like the following at the end of the file::" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:211 msgid "" "Then, when typing a link, you can just use ```bugzilla`_`` to link to " "bugzilla with \"bugzilla\" used as the text of the link. ```Krita Manual`_`` " "will in turn link to docs.krita.org with the text \"Krita Manual\"." msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:214 msgid "Lists" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:217 msgid "Ordinated lists" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:219 msgid "Apple" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:220 msgid "Pear" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:221 msgid "Banana" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:223 msgid "Or..." msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:225 msgid "Table" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:226 msgid "Chair" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:227 msgid "Wardrobe." msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:229 msgid "Augustus" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:230 msgid "Nero" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:231 msgid "Caligula" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:232 msgid "Trajan" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:234 msgid "They can be defined as follows::" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:258 msgid "Unordered lists" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:260 msgid "red" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:261 msgid "yellow" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:263 msgid "seagreen" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:264 msgid "verdigris" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:265 msgid "teal" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:266 msgid "veridian" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:268 msgid "dark emerald" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:269 msgid "green" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:269 msgid "emerald" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:269 msgid "light emerald" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:270 msgid "very light emerald." msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:271 msgid "blue" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:273 msgid "Defined as such::" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:289 msgid "Definition Lists" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:291 msgid "" "A favourite! Definition lists are especially useful when dealing with " "enumerating all the options in a docker and trying to add a simple " "explanation behind them." msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:293 msgid "Definition" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:294 msgid "explanation." msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:296 msgid "Another option" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:296 msgid "Explanation." msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:299 msgid "You can make them like this::" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:304 msgid "To make them." msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:307 msgid "Tables" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:310 msgid "Purpose" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:310 msgid "Table type" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:312 msgid "listing shortcuts" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:312 msgid "Simple table" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:313 msgid "lots of colspans" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:313 msgid "Grid table" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:314 msgid "Simple but long" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:314 msgid "List Table" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:317 msgid "Done as follows::" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:349 msgid "" "Full grid tables are best for when you need all features like complex column " "and row spans, but they're tricky to make. For that reason, small tables are " "best off being done with the simple syntax, while really long tables are " "best done with a list directive because that is just much easier to write " "and maintain." msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:352 msgid "Admonishments and asides" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:356 msgid "" "Admonishments are sort of like a separate section that the reader needs to " "pay attention to." msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:358 msgid "" "Admonishments that can be used are the following (in order of seriousness):" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:362 msgid "" "Hints are useful to give a little bit more information on a topic than is " "useful in the main text. Like, hint: these packages are named differently in " "openSuse versus Debian." msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:366 msgid "" "Extra information on how to do something, like, \"you can make a template of " "your favourite document setup\", or \"use m to mirror the canvas and see " "errors more easily in your drawing\"." msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:370 msgid "Something that is important to note, but is not necessarily negative." msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:374 msgid "This is in general when something is negative." msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:378 msgid "" "General attention grabber. Use this when the subject is more important than " "warning, but not as important that is could get a dataloss." msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:382 msgid "" "This is for things that could cause dataloss, like forgetting to save, or " "that python currently has no undo functionality." msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:386 msgid "" "This should be for things that are dangerous for the computer in general, " "this includes things that can cause out of memory style freezes." msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:390 msgid "" "This one is probably not relevant for a manual. Sphinx can create these " "manually given some situations, but our configuration does not do so by " "default." msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:392 msgid "generic admonition that can have any text." msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:394 msgid "This looks like the following::" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:402 msgid "Sphinx also adds::" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:412 msgid "" "Horizontal rulers are usually used when the topic switches rather directly. " "This is very common in more narrative based writing, such as history or " "fiction. The Krita manual is more instruction and reference style writing, " "that is to say, we don't usually tell a long story to indicate how different " "elements come together, but rather long stories are there to motivate why " "certain steps are taken in a certain manner. Topic changes then usually " "happen because we go into a new section, rather than switching to a related " "section. It is therefore better to use headings or the ``.. Topic::`` " "directive. Headings also make it easier to read." msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:416 msgid "That said, horizontal rulers can be made with ``----``." msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:419 msgid "The rubric directive." msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:420 msgid "" "The rubric directive is a heading directive that at first glance looks like " "\"topic\", but where the topic is over several paragraphs, rubric itself " "only deals with the header, like so::" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:426 msgid "So, when to use these?" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:427 msgid "" "Only use them when you think the subject is too minor to have a proper " "heading." msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:429 msgid "Topic" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:430 msgid "" "When the text is separated from the flow, so it goes into a different " "subject than the text itself is naturally going to." msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:431 msgid "Rubric" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:432 msgid "" "When the text isn't separated from the flow, but it does not need a header " "either." msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:434 msgid "Admonishments" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:434 msgid "" "Only when they fit semantically. This is especially necessary for the danger " "and warning admonishments, as seeing them too often can make users blind to " "them." msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:437 msgid "Code Snippets" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:439 msgid "``Inline code snippets`` are done with ````backticks````." msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:441 msgid "" "Multi-line code snippets are done by ending the previous section with ``::" "``, which'll look like this::" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:447 msgid "" "You can also use the ``.. code::`` directive. If you add the language name " "after it, it'll do the appropriate syntax highlighting::" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:457 msgid "Becomes" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:467 msgid "some more..." msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:500 msgid "Other preformatted text" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:503 msgid "One can" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:504 msgid "preformat" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:505 msgid "text by" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:506 msgid "prepending" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:507 msgid "each line" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:508 msgid "with a pipe" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:509 msgid "symbol" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:511 msgid "Like so::" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:521 msgid "We don't actually use this anywhere in the manual." msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:524 msgid "Glossaries, Terms and Index" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:526 msgid "These are sphinx features." msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:528 msgid "" "Index is used in the top section, right now only single index entries are " "used." msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:530 msgid "" "Glossaries are used for some of the menu entry sections, but not all of them." msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:533 msgid "Quotes" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:535 msgid "Quotes are done like this::" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:541 msgid "This becomes a blockquote." msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:543 msgid "I am not sure why you'd need quotes in a user manual..." msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:547 msgid "" "We do actually use quotes in some places. Try to add a link to the name to " "define where it came from." msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:548 msgid "Wolthera" msgstr "" diff --git a/locale/ja/LC_MESSAGES/general_concepts/colors/color_managed_workflow.po b/locale/ja/LC_MESSAGES/general_concepts/colors/color_managed_workflow.po index 01df37451..8357c478e 100644 --- a/locale/ja/LC_MESSAGES/general_concepts/colors/color_managed_workflow.po +++ b/locale/ja/LC_MESSAGES/general_concepts/colors/color_managed_workflow.po @@ -1,1056 +1,1056 @@ msgid "" msgstr "" "Project-Id-Version: Krita Manual 4.1\n" "Report-Msgid-Bugs-To: \n" -"POT-Creation-Date: 2019-03-15 03:36+0100\n" +"POT-Creation-Date: 2019-03-16 03:28+0100\n" "PO-Revision-Date: 2019-03-02 16:12-0800\n" "Last-Translator: Japanese KDE translation team \n" "Language-Team: Japanese \n" "Language: ja\n" "MIME-Version: 1.0\n" "Content-Type: text/plain; charset=UTF-8\n" "Content-Transfer-Encoding: 8bit\n" "Plural-Forms: nplurals=2; plural=n != 1;\n" "X-Accelerator-Marker: &\n" "X-Text-Markup: kde4\n" -#: ../../general_concepts/colors/color_managed_workflow.rst:0 -msgid ".. image:: images/en/color_category/Kiki_matrix_profile.png" -msgstr "" - -#: ../../general_concepts/colors/color_managed_workflow.rst:0 -msgid ".. image:: images/en/color_category/Kiki_cLUTprofiles.png" -msgstr "" - #: ../../general_concepts/colors/color_managed_workflow.rst:None msgid "" ".. image:: images/en/color_category/Krita_2_9_colormanagement_group1.png" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:None msgid "" ".. image:: images/en/color_category/Krita_2_9_colormanagement_group2.png" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:None msgid "" ".. image:: images/en/color_category/Krita_2_9_colormanagement_group3.png" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:None msgid "" ".. image:: images/en/color_category/Krita_2_9_colormanagement_group4.png" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:None msgid ".. image:: images/en/LUT_Management_Docker.png" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:None msgid ".. image:: images/en/color_category/Krita_HDR_1.svg" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:None msgid ".. image:: images/en/color_category/Krita_HDR2.svg" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:None msgid "" ".. image:: images/en/color_category/Krita-colormanaged-workflow_webcomic.svg" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:None msgid "" ".. image:: images/en/color_category/Krita-colormanaged-workflow_print.svg" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:None msgid "" ".. image:: images/en/color_category/Krita-colormanaged-workflow_games.svg" msgstr "" +#: ../../general_concepts/colors/color_managed_workflow.rst:0 +msgid ".. image:: images/en/color_category/Kiki_matrix_profile.png" +msgstr "" + +#: ../../general_concepts/colors/color_managed_workflow.rst:0 +msgid ".. image:: images/en/color_category/Kiki_cLUTprofiles.png" +msgstr "" + #: ../../general_concepts/colors/color_managed_workflow.rst:1 msgid "How a color managed workflow works." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:17 msgid "Color Managed Workflow" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:19 msgid "" "You may have heard that Krita has something called color-management. Or " "maybe you just wondered what all these 'color model' and 'color profile' " "things you can find in the menus mean. Color management is pretty useful for " "people who work in digital imaging professionally, and hopefully this page " "will explain why." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:22 msgid "Basic Info" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:24 msgid "" "If you've never worked with color management before, and have no clue what " "it is, then know that you've probably been working in the 8bit RGB colour " "space with the sRGB profile. This means you can choose for *sRGB built-in* " "or *sRGB-elle-v2-srgbtrc.icc*. With the new color space browser this profile " "is marked with *(default)* when using 8bit." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:26 msgid "" "We'll go into what these terms mean in the theory, but if you're here only " "for trying to figure out which is the default, you now know it. Maybe, after " "reading this, you may feel like changing the default, to get new and " "interesting results from filters, blending modes, or just the color smudge " "brush." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:29 msgid "What is the problem?" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:31 msgid "" "To explain the point of color management, you'd first need to learn which " "problem color management tries to solve." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:33 msgid "Let us imagine a kinder garden:" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:35 msgid "" "The class of 28 children is subdivided in groups of 7. Each group has its " "own table." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:37 msgid "" "The teacher gives them a painting assignment: They need to paint a red " "triangle, a blue square, a green circle and put a yellow border around the " "three. The kids are very experienced with painting already, so the teacher " "can confidently leave the smarter ones to their own devices, and spent more " "time on those who need help." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:40 msgid "The following results come from painting:" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:42 msgid "" "Even though all groups had the same assignment, each group's result looks " "different." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:49 msgid "" "Group 1 had vermillion red, citron yellow and ultramarine blue to their " "disposal. This means their triangle looks nice and red, but their circle's " "green is muddy. This is because ultramarine is too dark of a blue to create " "nice greens with." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:56 msgid "" "Group 2 had magenta red, citron yellow and cerulean blue. Magenta is a type " "of red that is closer to pink, opposed to vermillion, which is closer to " "orange. However, their green looks nice because cerulean is a much lighter " "blue." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:64 msgid "" "Group 3 had vermillion red, citron yellow, emerald green and cerulean blue. " "They didn't mix their green, and thus ended up with a purer colour." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:71 msgid "" "Finally, group 4 has Vermillion red, citron yellow and cerulean blue. Their " "colours probably look like what you imagined." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:73 msgid "" "Now, these are kindergarteners, so this isn't the largest problem in the " "world. However, imagine that something like this happened at a printing " "company? Imagine four printers printing the same magazine with wildly " "different results? That would be disastrous!" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:75 msgid "For this purpose, we invented color management." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:78 msgid "What is colour management?" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:80 msgid "" "Color management is, dryly put, a set of systems that tries to have the same " "colour translate properly between color devices." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:82 msgid "" "It usually works by attempting to covert a colour to the reference colour " "space XYZ. XYZ is a coordinate system that has a spot for all colours that " "the average human eye can see." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:84 msgid "" "From XYZ it can then be translated back into another device space, such as " "RGB (for screens), or CMYK (for printers)." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:86 msgid "" "Krita has two systems dedicated to colour management. On one hand we have " "**lcms2**, which deal with Icc-profiles, and on the other we have **OCIO**, " "which deal with LUT color management." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:88 msgid "" "To give a crude estimate, ICC profiles deal with keeping colours consistent " "over many interpretations of devices (screens, printers) by using a " "reference space, and OCIO deals with manipulating the interpretation of said " "colours." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:90 msgid "Within both we can identify the following color spaces:" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:93 msgid "" "Device spaces are those describing your monitor, and have to be made using a " "little device that is called \"colorimeter\". This device, in combination " "with the right software, measures the strongest red, green and blue your " "screen can produce, as well as the white, black and grey it produces. Using " "these and several other measurements it creates an icc profile unique to " "your screen. You set these in Krita's colour management tab. By default we " "assume sRGB for screens, but it's very likely that your screen isn't exactly " "fitting sRGB, especially if you have a high quality screen, where it may be " "a bigger space instead. Device spaces are also why you should first consult " "with your printer what profile they expect. Many printing houses have their " "own device profiles for their printers, or may prefer doing color conversion " "themselves. You can read more about colorimeter usage :ref:`here " "`." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:94 msgid "Device spaces" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:96 msgid "Working spaces" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:97 msgid "" "These are delivered alongside Krita for ICC, and downloadable from the OCIO " "website for OCIO. Working spaces are particularly nice to do color " "calculations in, which programs like Krita do often. It's therefore " "recommended to have a working space profile for your image." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:99 msgid "Aesthetic or Look spaces" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:99 msgid "" "These are special spaces that have been deformed to give a certain look to " "an image. Krita doesn't deliver Look profiles for ICC, nor does it yet " "support Look spaces for OCIO." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:102 msgid "Color managed workflow" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:104 msgid "" "Knowing this about these spaces of course doesn't give you an idea how to " "use them, but it does make it easier to explain how to use them. So let us " "look at a typical color management workflow:" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:110 msgid "" ".. image:: images/en/color_category/Krita-colormanaged-workflow_text.svg" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:110 msgid "" "A typical example of a color managed workflow. We have input from scanners " "and cameras, which we convert to a working space that can be used between " "different editing software, and is converted to an output space for viewing " "on screen or printing." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:112 msgid "" "In a traditional color managed workflow, we usually think in terms of real " "world colors being converted to computer colors and the other way around. " "So, for example photos from a camera or scanned in images. If you have a " "device space of such a device, we first assign said device space to the " "image, and then convert it to a working space." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:114 msgid "" "We then do all our editing in the working space, and use the working space " "to communicate between editing programs. In Krita's case, due to it having " "two color management systems, we use ICC profiles between programs like Gimp " "2.9+, Inkscape, Digikam and Scribus, and OCIO configuration between Blender " "and Natron." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:116 msgid "" "You also store your working files in the working space, just like how you " "have the layers unmerged in the working file, or have it at a very high " "resolution." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:118 msgid "" "Sometimes, we apply aesthetic or 'look' spaces to an image as part of the " "editing process. This is rather advanced, and probably not something to " "worry about in Krita's case." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:120 msgid "" "Then, when we're done editing, we try to convert to an output space, which " "is another device space. This can be CMYK for printers or a special screen " "RGB profile. When you are dealing with professional printing houses, it is " "best to ask them about this step. They have a lot of experience with doing " "the best conversion, and may prefer to do the conversion from your working " "space to the device space of their printers." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:122 msgid "" "Another form of output is the way your screen displays the color. Unlike " "regular output, this one is done all the time during editing: After all, you " "need to be able to see what you are doing, but your screen is still a device " "with a device space, so it does distort how the image looks. In this manner, " "you can see your screen as a set of binoculars you have to look through to " "see your image at all." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:124 msgid "" "Therefore, without a profiled monitor, you actually don't know what the " "actual colors you are working with are like, because the computer doesn't " "know the relevant properties of your screen. So if you profiled your " "monitor, give Krita the profile in the settings, and select the sRGB space " "to draw in, you are for the first time seeing the actual colors of the sRGB " "space." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:127 msgid "So what does this mean?" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:133 msgid "" ".. image:: images/en/color_category/Krita-colormanaged-workflow_krita_text." "svg" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:133 msgid "" "When we paint from scratch, we can see our screen profile as the input " "space, because we use it to determine what colors to pick. This somewhat " "simplifies the workflow, but makes the screen profile and viewing conditions " "more important." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:135 msgid "" "Now, photographers and people who do a tricky discipline of VFX called " "'color grading' will go completely mad over trying to get the colors they " "put in to come out 100% correctly, and will even count in factors like the " "time of day and the color they painted their walls. For example, if the wall " "behind your computer is pure red, your eyes will adjust to be less sensitive " "to red, which means that the colors they pick in the program could come out " "redder. We call these the *viewing conditions*." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:137 msgid "" "Thankfully, artists have to worry a slight bit less about this. As " "illustrations are fully handmade, we are able to identify the important bits " "and make appropriate contrasts between colors. This means that even if our " "images turn out to be slightly redder than intended, it is less likely the " "whole image is ruined. If we look back at the kindergarten example above, we " "still understand what the image was supposed to look like, despite there " "being different colors on each image. Furthermore, because the colors in " "illustrations are deliberately picked, we can correct them more easily on a " "later date. Yet, at the same time, it is of course a big drag to do this, " "and we might have had much more flexibility had we taken viewing conditions " "under consideration." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:139 msgid "" "That said, for artists it is also very useful to understand the working " "spaces. Different working spaces give different results with filters and " "mixing, and only some working spaces can be used for advanced technology " "like HDR." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:141 msgid "" "Similarly, Krita, as a program intended to make images from scratch, doesn't " "really worry about assigning workspaces after having made the image. But " "because you are using the screen as a binocular to look at your image, and " "to pick colors, you can see your screen's device space as an input space to " "the image. Hence why profiling your monitor and giving the profile to Krita " "in the settings can help with preparing your work for print and future " "ventures in the long run." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:143 msgid "" "Overall, it is kinda useful to keep things like viewing conditions in the " "back of your mind. Many professional artists use a mid-grey color as their " "default canvas background because they find they create much more dynamic " "images due to having improved their viewing conditions. It is also why a lot " "of graphics programs, including Krita, come with a dark theme nowadays. " "(Though, of course this might also be because dark themes can be considered " "cool, who knows.)" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:148 msgid "Icc profiles" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:150 msgid "" "An Icc profile is a set of coordinates describing the extremities of the " "device space within XYZ, and it is the color management data you use to " "communicate your working space to printers and applications that are " "designed for the print industry, such as GIMP, Scribus, Photoshop, " "Illustrator, Inkscape, Digikam, RawTheraphee, etc. You have two types of icc " "profiles:" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:153 msgid "" "These are delivered alongside Krita. Matrix shaper profiles are made by " "setting parameters and interpolating between these to get the exact size of " "the colour space. Due to this, Krita's color space browser can give you a " "lot of information on these profiles. Such profiles are also preferable as " "working space." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:159 msgid "Matrix Shaper profiles." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:159 msgid "" "Matrix shaper profiles have a few parameters that describe the color space " "which are then interpolated between, this requires a lot of maths." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:162 msgid "" "These are fairly rare, and primarily used to describe printer profiles, such " "as CMYK. cLUT, or Color Look-up Table profiles store far more data than " "Matrix shaper profiles, so they can hold data of little particularities " "caused by, for example, unexpected results from mixing pigments. This is a " "far more organic approach to describing a color space, hence why a lot of " "programs that don't care for color management much don't support these." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:168 msgid "" "cLUT profiles work by holding tables of each color in a colorspace and their " "respective coordinates in a reference space. For CMYK this is typically L\\*A" "\\*B\\* and for the rest XYZ. These tables are tricky to make, which means " "these profiles are a lot rarer." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:169 msgid "cLUT profiles" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:171 msgid "" "The interesting thing about icc profiles is that your working space can be " "larger than your device space. This is generally not bad. However, when " "converting, you do end up with the question of how to translate the working " "space values." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:174 msgid "Perceptual" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:174 msgid "" "This just squishes the values of the working space into the space it's " "converted to. It's a nice method to see all possible values in this, but not " "so good if you want accurate colour reproduction. Use this if you want to " "see all colours in an image, or want to express all possible contrasts. " "Doesn't work with Matrix Shaper profiles, defaults to relative colorimetric." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:177 msgid "Absolute Colorimetric." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:177 msgid "" "The opposite to Perceptual, Absolute colorimetric will attempt to retain all " "the correct colours at whatever cost, which may result in awful looking " "colours. Recommended only for reproduction work. Doesn't work with Matrix " "Shaper profiles in Krita due to ICC v4 workflow standards." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:180 msgid "Relative Colorimetric" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:180 msgid "" "A in between solution between perceptual and absolute, relative will try to " "fit whatever colours it can match between colour spaces. It does this by " "aligning the white and black points. It cuts off the rest to their " "respective borders. This is what all matrix shaper profiles default to " "during conversion, because the ICC v4 workflow specifies to only use " "Relative Colorimetric for matrix shaper profiles." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:183 msgid "Saturation" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:183 msgid "" "Does anything to retain colourfulness, even hue will be sacrificed. Used in " "infographics. Doesn't work with Matrix Shaper profiles, defaults to relative " "colorimetric." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:185 msgid "" "*ICC profile version* is the last thing to keep in mind when dealing with " "ICC profiles. Krita delivers both Version 2 and Version 4 profiles, with the " "later giving better results in doing color maths, but the former being more " "widely supported (as seen below in 'interoperability with other programs'. " "This is also why Krita defaults to V2, and we recommend using V2 when you " "aren't certain if the other programs you are using support V4." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:188 msgid "LUT docker and HDR imaging" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:196 msgid "" "The :ref:`lut_docker` is the second important bit of colour management in " "Krita that is shared between Krita and programs like Blender, Natron and " "Nuke, and only uses Look Up Tables that are configured via a config file." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:198 msgid "" "You can set the workingspace of the image under input color space, and the " "display to sRGB or your own LUT if you have added it to the configuration. " "View in this case is for proofing transforms to a certain display device." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:200 msgid "" "Component, exposure, gamma, whitepoint and blackpoint are knobs which allows " "you to modify the display filter." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:208 msgid "" "As explained before, we can see our monitor as a telescope or binocular into " "the world of our picture. Which means it distorts our view of the image a " "little. But we can modify this binocular, or display filter to see our image " "in a different way. For example, to allow us to see the white in an image " "that are whiter than the white of our screen. To explain what that means, we " "need to think about what white is." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:210 msgid "" "For example, white, on our monitor is full red, full green and full blue. " "But it's certainly different from white on our paper, or the colour of milk, " "white from the sun, or even the white of our cell-phone displays." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:212 msgid "" "Black similarly, is brighter on a LCD display than a LED one, and " "incomparable with the black of a carefully sealed room." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:214 msgid "" "This means that there's potentially blacker blacks than screen black, and " "white whites than screen white. However, for simplicity's sake we still " "assign the black-point and the white-point to certain values. From there, we " "can determine whether a white is whiter than the white point, or a black " "blacker than the black-point." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:216 msgid "" "The LUT docker allows us to control this display-filter and modify the " "distortion. This is useful when we start modifying images that are made with " "scene referred values, such as HDR photos, or images coming out of a render " "engine." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:224 msgid "" "So, for example, we can choose to scale whiter-than-screen-white to our " "screen-white so we can see the contrasts there." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:226 msgid "" "The point of this is that you can take advantage of more lightness detail in " "an image. While you can't see the difference between screen white and whiter-" "than-screen-white (because your screen can't show the difference), graphics " "programs can certainly use it." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:228 msgid "" "A common example is matching the lighting between a 3d model and a real " "world scene. Others are advanced photo retouching, with much more contrast " "information available to the user. In painting itself, this allows you to " "create an image where you can be flippant with the contrast, and allow " "yourself to go as bright as you'd like." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:230 msgid "" "LUT docker manipulations are per view, so you can create a new view and set " "it to luminosity. This way you can see the image in both color as well as " "grayscale and keep a good eye on your values." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:232 msgid "" "Another example is to carefully watch the gradients in a certain section." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:234 msgid "" "Like Icc, the LUT Docker allows you to create a profile of sorts for your " "device. In this case it's the 'lut', which stands for 'Look Up Table', and " "which can be added to OCIO by modifying the configuration file. When OCIO is " "turned on, the configuration in :menuselection:`Settings --> Configure Krita " "--> Color Management` is turned off, unless you are using the :guilabel:" "`Internal` color engine." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:237 msgid "In summary" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:239 msgid "Krita has two modes of colour management:" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:241 msgid "" "Icc works in terms of spaces relative to the CIEXYZ space, and requires an " "icc profile." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:242 msgid "OCIO works in terms of interpretation, and makes use of luts." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:243 msgid "both can be made with a colorimeter." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:244 msgid "" "If you want to have a properly color managed workflow, you have one made " "customly for the input device (your screen) and the output devices (your " "printer, or target screen). For web the output is always sRGB." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:245 msgid "" "Set up your screen profiles under :menuselection:`Settings --> Configure " "Krita --> Color management`." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:246 msgid "" "Do NOT use screen profiles or other device profiles to draw in. Use a " "working space profile such as any of the elle profiles for this, as the " "color maths will be much more predictable and pleasant. Krita will convert " "between your screen and working space on the fly, allowing you to pick the " "correct colors. This turns your screen into binoculars to view the image." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:247 msgid "" "Use the appropriate color management for the appropriate workflow. If you " "are working with Blender, you will be better off using OCIO, than ICC. IF " "you are working with Scribus or Photoshop, use ICC." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:249 msgid "" "Krita does a lot of colour maths, often concerning the blending of colours. " "This colour maths works best in linear colour space, and linear colour space " "requires a bit depth of at the least 16bit to work correctly. The " "disadvantage is that linear space can be confusing to work in." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:251 msgid "" "If you like painting, have a decent amount of ram, and are looking to start " "your baby-steps in taking advantage of Krita's colour management, try " "upgrading from having all your images in sRGB built-in to sRGB-v2-elle-g10." "icc or rec2020-v2-elle-g10.icc at 16bit float. This'll give you better " "colour blending while opening up the possibility for you to start working in " "hdr!" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:256 msgid "" "Some graphics cards, such as those of the Nvidia-brand actually have the " "best performance under 16bit float, because Nvidia cards convert to floating " "point internally. When it does not need to do that, it speeds up!" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:260 msgid "" "No amount of color management in the world can make the image on your screen " "and the image out of the printer have 100% the same color." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:263 msgid "Exporting" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:265 msgid "" "when you have finished your image and are ready to export it, you can modify " "the color space to optimize it:" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:267 msgid "If you are preparing an image for the web:" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:269 msgid "" "If you use 16bit color depth or higher, convert the image to 8bit color " "depth. This will make the image much smaller." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:271 msgid "" "Krita doesn't have built-in dithering currently, which means that 16 to " "18bit conversions can come out a bit banded. But you can simulate it by " "adding a fill layer with a pattern, set this fill layer to overlay, and to " "5% opacity. Then flatten the whole image and convert it to 8bit. The pattern " "will function as dithering giving a smoother look to gradients." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:273 msgid "If it's a gray-scale image, convert it to gray-scale." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:274 msgid "" "If it's a color image, keep it in the working space profile: Many web " "browsers these days support color profiles embedded into images. Firefox, " "for example, will try to convert your image to fit the color profile of the " "other's monitor (if they have one). That way, the image will look almost " "exactly the same on your screen and on other profiled monitors." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:279 msgid "" "In some versions of Firefox, the colours actually look strange: This is a " "bug in Firefox, which is because its `color management system is incomplete " "`_, save your png, jpg or tiff without an embedded profile to work " "around this." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:281 msgid "If you are preparing for print:" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:283 msgid "" "You hopefully made the picture in a working space profile instead of the " "actual custom profile of your screen, if not, convert it to something like " "adobe rgb, sRGB or rec2020." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:284 msgid "" "Check with the printer what kind of image they expect. Maybe they expect " "sRGB color space, or perhaps they have their own profile." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:287 msgid "Interaction with other applications" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:290 msgid "Blender" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:292 msgid "" "If you wish to use krita's OCIO functionality, and in particular in " "combination with Blender's color management, you can try to have it use " "Blender's OCIO config." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:294 msgid "" "Blender's OCIO config is under ``/version number/datafiles/" "colormanagement``. Set the LUT docker to use the OCIO engine, and select the " "config from the above path. This will give you blender's input and screen " "spaces, but not the looks, as those aren't supported in Krita yet." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:298 msgid "Windows Photo Viewer" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:300 msgid "" "You might encounter some issues when using different applications together. " "One important thing to note is that the standard Windows Photo Viewer " "application does not handle modern ICC profiles. Krita uses version 4 " "profiles; Photo Viewer can only handle version 2 profiles. If you export to " "JPEG with an embedded profile, Photo Viewer will display your image much too " "dark." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:303 msgid "Example workflows" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:305 msgid "" "Here are some example workflows to get a feeling of how your color " "management workflow may look like." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:307 msgid "" "As mentioned before, input for your screen is set via :menuselection:" "`Settings --> Configure Krita --> Color management`, or via the LUT docker's " "'screen space'. Working space is set via new file per document, or in the " "LUT docker via 'input space'." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:310 msgid "Webcomic" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:317 #: ../../general_concepts/colors/color_managed_workflow.rst:339 #: ../../general_concepts/colors/color_managed_workflow.rst:357 msgid "Input" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:318 #: ../../general_concepts/colors/color_managed_workflow.rst:340 #: ../../general_concepts/colors/color_managed_workflow.rst:358 msgid "Your screen profile. (You pick colors via your screen)" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:319 #: ../../general_concepts/colors/color_managed_workflow.rst:341 #: ../../general_concepts/colors/color_managed_workflow.rst:359 msgid "Workingspace" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:320 msgid "" "sRGB (the default screen profile) or any larger profile if you can spare the " "bitdepth and like working in them." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:322 #: ../../general_concepts/colors/color_managed_workflow.rst:344 #: ../../general_concepts/colors/color_managed_workflow.rst:362 msgid "Output" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:322 msgid "" "sRGB, icc version 2, sRGB trc for the internet, and a specialised CMYK " "profile from the printing house for the printed images." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:324 msgid "" "Use the sRGB-elle-V2-srgbtrc.icc for going between inkscape, photoshop, " "painttool sai, illustrator, Gimp, mypaint, mangastudio, paintstorm studio, " "mypaint, artrage, scribus, etc. and Krita." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:326 msgid "" "If you are using a larger space via ICC, you will only be able to " "interchange it between Krita, Photoshop, Illustrator, GIMP 2.9, mangastudio " "and scribus. All others assume sRGB for your space, no matter what, because " "they don't have color management." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:328 msgid "" "If you are going between Krita and Blender, Nuke or Natron, use OCIO and set " "the input space to 'sRGB', but make sure to select the sRGB profile for icc " "when creating a new file." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:330 msgid "" "For the final for the web, convert the image to sRGB 8bit, srgbtrc, do not " "embed the icc profile. Then, if using png, put it through something like " "pngcrush or other png optimisers. sRGB in this case is chosen because you " "can assume the vast majority of your audience hasn't profiled their screen, " "nor do they have screens that are advanced enough for the wide gamut stuff. " "So hence why we convert to the screen default for the internet, sRGB." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:333 msgid "Print" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:342 msgid "sRGB or rec2020 if you can afford the bit-depth being 16bit." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:344 msgid "" "Specialised CMYK profile from the printing house for the printed images." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:346 msgid "" "The CMYK profiles are different per printer, and even per paper or ink-type " "so don't be presumptuous and ask ahead for them, instead of doing something " "like trying to paint in any random CMYK profile. As mentioned in the viewing " "conditions section, you want to keep your options open." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:348 msgid "" "You can set the advanced color selector to transform to a given profile via :" "menuselection:`Settings --> Configure Krita --> Advanced color selector " "settings`. There, tick :guilabel:`Color selector uses a different color " "space than the image` and select the CMYK profile you are aiming for. This " "will limit your colors a little bit, but keep all the nice filter and " "blending options from RGB." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:351 msgid "Games" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:360 msgid "sRGB or grayscale linear for roughness and specular maps." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:362 msgid "" "This one is tricky, but in the end it'll be sRGB for the regular player." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:364 msgid "" "So this one is tricky. You can use OCIO and ICC between programs, but " "recommended is to have your images to the engine in sRGB or grayscale. Many " "physically based renderers these days allow you to set whether an image " "should be read as a linear or srgbtrc image, and this is even vital to have " "the images being considered properly in the physically based calculations of " "the game renderer." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:366 msgid "" "While game engines need to have optimised content, and it's recommended to " "stay within 8bit, future screens may have higher bitdepths, and when " "renderers will start supporting those, it may be beneficial to develop a " "workflow where the working-space files are rather unnecessarily big and you " "run some scripts to optimise them for your current render needs, making " "updating the game in the future for fancier screens less of a drag." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:368 msgid "" "Normal maps and heightmaps are officially supposed to be defined with a 'non-" "color data' working space, but you'll find that most engines will not care " "much for this. Instead, tell the game engine not to do any conversion on the " "file when importing." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:370 msgid "" "Specular, glossiness, metalness and roughness maps are all based on linear " "calculations, and when you find that certain material has a metalness of " "0.3, this is 30% gray in a linear space. Therefore, make sure to tell the " "game engine renderer that this is a linear space image (or at the very " "least, should NOT be converted)." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:374 msgid "" "`Visualising the XYZ colorspace `_" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:375 msgid "" "`Basics of gamma correction `_" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:376 msgid "" "`Panda3d example of how an image that has gamma encoded without the 3d " "renderer being notified of it having gamma-encoding can result in too dark " "images `_" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:377 msgid "" "`2d examples of the effect of gamma-encoding on color maths `_" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:378 msgid "" "`Basic overview colormanagement from argylcms manual `_" msgstr "" diff --git a/locale/ja/LC_MESSAGES/reference_manual/brushes/brush_settings/masked_brush.po b/locale/ja/LC_MESSAGES/reference_manual/brushes/brush_settings/masked_brush.po index bbdaf3237..0f427d83d 100644 --- a/locale/ja/LC_MESSAGES/reference_manual/brushes/brush_settings/masked_brush.po +++ b/locale/ja/LC_MESSAGES/reference_manual/brushes/brush_settings/masked_brush.po @@ -1,134 +1,134 @@ msgid "" msgstr "" "Project-Id-Version: Krita Manual 4.1\n" "Report-Msgid-Bugs-To: \n" -"POT-Creation-Date: 2019-03-15 03:36+0100\n" +"POT-Creation-Date: 2019-03-16 03:28+0100\n" "PO-Revision-Date: 2019-03-02 16:12-0800\n" "Last-Translator: Japanese KDE translation team \n" "Language-Team: Japanese \n" "Language: ja\n" "MIME-Version: 1.0\n" "Content-Type: text/plain; charset=UTF-8\n" "Content-Transfer-Encoding: 8bit\n" "Plural-Forms: nplurals=2; plural=n != 1;\n" "X-Accelerator-Marker: &\n" "X-Text-Markup: kde4\n" +#: ../../reference_manual/brushes/brush_settings/masked_brush.rst:0 +msgid ".. image:: images/en/Masking-brush2.jpg" +msgstr "" + #: ../../reference_manual/brushes/brush_settings/masked_brush.rst:None msgid ".. image:: images/en/Masking-brush1.jpg" msgstr "" #: ../../reference_manual/brushes/brush_settings/masked_brush.rst:None msgid "Difference from :ref:`option_texture`" msgstr "" -#: ../../reference_manual/brushes/brush_settings/masked_brush.rst:0 -msgid ".. image:: images/en/Masking-brush2.jpg" -msgstr "" - #: ../../reference_manual/brushes/brush_settings/masked_brush.rst:1 msgid "" "How to use the masked brush functionality in Krita. This functionality is " "not unlike the dual brush option from photoshop." msgstr "" #: ../../reference_manual/brushes/brush_settings/masked_brush.rst:18 msgid "Masked Brush" msgstr "" #: ../../reference_manual/brushes/brush_settings/masked_brush.rst:23 msgid "" "Masked brush is new feature that is only available in the :ref:" "`pixel_brush_engine`. They are additional settings you will see in the brush " "editor. Masked brushes allow you to combine two brush tips in one stroke. " "One brush tip will be a mask for your primary brush tip. A masked brush is a " "good alternative to texture for creating expressive and textured brushes." msgstr "" #: ../../reference_manual/brushes/brush_settings/masked_brush.rst:29 msgid "" "due to technological constraints, the masked brush only works in the wash " "painting mode. However, do remember that flow works as opacity does in the " "build-up painting mode." msgstr "" #: ../../reference_manual/brushes/brush_settings/masked_brush.rst:32 msgid "" "Like with normal brush tip you can choose any brush tip and change it size, " "spacing, and rotation. Masking brush size is relative to main brush size. " "This means when you change your brush size masking tip will be changed to " "keep the ratio." msgstr "" #: ../../reference_manual/brushes/brush_settings/masked_brush.rst:35 msgid ":ref:`Blending mode (dropdown inside Brush tip)`:" msgstr "" #: ../../reference_manual/brushes/brush_settings/masked_brush.rst:35 msgid "Blending modes changes how tips are combined." msgstr "" #: ../../reference_manual/brushes/brush_settings/masked_brush.rst:38 msgid ":ref:`option_brush_tip`" msgstr "" #: ../../reference_manual/brushes/brush_settings/masked_brush.rst:40 msgid ":ref:`option_size`" msgstr "" #: ../../reference_manual/brushes/brush_settings/masked_brush.rst:41 msgid "The size sensor option of the second tip." msgstr "" #: ../../reference_manual/brushes/brush_settings/masked_brush.rst:42 msgid ":ref:`option_opacity_n_flow`" msgstr "" #: ../../reference_manual/brushes/brush_settings/masked_brush.rst:43 msgid "" "The opacity and flow of the second tip. This is mapped to a sensor by " "default. Flow can be quite aggressive on subtract mode, so it might be an " "idea to turn it off there." msgstr "" #: ../../reference_manual/brushes/brush_settings/masked_brush.rst:44 msgid ":ref:`option_ratio`" msgstr "" #: ../../reference_manual/brushes/brush_settings/masked_brush.rst:45 msgid "This affects the brush ratio on a given brush." msgstr "" #: ../../reference_manual/brushes/brush_settings/masked_brush.rst:46 msgid ":ref:`option_mirror`" msgstr "" #: ../../reference_manual/brushes/brush_settings/masked_brush.rst:47 msgid "The Mirror option of the second tip." msgstr "" #: ../../reference_manual/brushes/brush_settings/masked_brush.rst:48 msgid ":ref:`option_rotation`" msgstr "" #: ../../reference_manual/brushes/brush_settings/masked_brush.rst:49 msgid "The rotation option of the second tip. Best set to \"fuzzy dab\"." msgstr "" #: ../../reference_manual/brushes/brush_settings/masked_brush.rst:51 msgid ":ref:`option_scatter`" msgstr "" #: ../../reference_manual/brushes/brush_settings/masked_brush.rst:51 msgid "" "The scatter option. The default is quite high, so don't forget to turn it " "lower." msgstr "" #: ../../reference_manual/brushes/brush_settings/masked_brush.rst:55 msgid "" "You don’t need seamless texture to make cool looking brush Stroke generates " "on the fly, it always different Brush strokes looks same on any brush size " "Easier to fill some areas with solid color but harder to make it hard " "textured" msgstr "" diff --git a/locale/ja/LC_MESSAGES/tutorials/flat-coloring.po b/locale/ja/LC_MESSAGES/tutorials/flat-coloring.po index 46226fd91..c63e1da04 100644 --- a/locale/ja/LC_MESSAGES/tutorials/flat-coloring.po +++ b/locale/ja/LC_MESSAGES/tutorials/flat-coloring.po @@ -1,757 +1,757 @@ msgid "" msgstr "" "Project-Id-Version: Krita Manual 4.1\n" "Report-Msgid-Bugs-To: \n" -"POT-Creation-Date: 2019-03-14 03:27+0100\n" +"POT-Creation-Date: 2019-03-16 03:28+0100\n" "PO-Revision-Date: 2019-03-02 16:12-0800\n" "Last-Translator: Japanese KDE translation team \n" "Language-Team: Japanese \n" "Language: ja\n" "MIME-Version: 1.0\n" "Content-Type: text/plain; charset=UTF-8\n" "Content-Transfer-Encoding: 8bit\n" "Plural-Forms: nplurals=2; plural=n != 1;\n" "X-Accelerator-Marker: &\n" "X-Text-Markup: kde4\n" #: ../../:2 msgid "" ".. image:: images/icons/Krita_mouse_left.png\n" " :alt: mouseleft" msgstr "" #: ../../:4 msgid "" ".. image:: images/icons/Krita_mouse_right.png\n" " :alt: mouseright" msgstr "" -#: ../../tutorials/flat-coloring.rst:0 -msgid "" -".. image:: images/en/flat-coloring/Krita_filling_lineart_selection_1.png" -msgstr "" - -#: ../../tutorials/flat-coloring.rst:0 -msgid "" -".. image:: images/en/flat-coloring/Krita_filling_lineart_selection_2.png" -msgstr "" - -#: ../../tutorials/flat-coloring.rst:0 -msgid ".. image:: images/en/flat-coloring/Krita_filling_lineart_mask_1.png" -msgstr "" - -#: ../../tutorials/flat-coloring.rst:0 -msgid ".. image:: images/en/flat-coloring/Krita_filling_lineart_mask_2.png" -msgstr "" - -#: ../../tutorials/flat-coloring.rst:0 -msgid ".. image:: images/en/flat-coloring/Krita_filling_lineart_mask_3.png" -msgstr "" - #: ../../tutorials/flat-coloring.rst:None msgid "" ".. image:: images/en/flat-coloring/Krita_filling_lineart14.png\n" " :alt: layer structure for flatting in krita" msgstr "" #: ../../tutorials/flat-coloring.rst:None msgid "" ".. image:: images/en/flat-coloring/Krita_filling_lineart1.png\n" " :alt: blend mode setup of lineart flat coloring" msgstr "" #: ../../tutorials/flat-coloring.rst:None msgid "" ".. image:: images/en/flat-coloring/Krita_filling_lineart2.png\n" " :alt: effects of multiply blend mode" msgstr "" #: ../../tutorials/flat-coloring.rst:None msgid "" ".. image:: images/icons/fill_tool.svg\n" " :alt: fill-tool icon" msgstr "" #: ../../tutorials/flat-coloring.rst:None msgid "" ".. image:: images/en/flat-coloring/Krita_filling_lineart7.png\n" " :alt: colors filled with fill tool" msgstr "" #: ../../tutorials/flat-coloring.rst:None msgid "" ".. image:: images/en/flat-coloring/Krita_filling_lineart15.png\n" " :alt: selecting with selection tools for filling color" msgstr "" #: ../../tutorials/flat-coloring.rst:None msgid "" ".. image:: images/en/flat-coloring/Krita_filling_lineart16.png\n" " :alt: selection mask in Krita" msgstr "" #: ../../tutorials/flat-coloring.rst:None msgid "" ".. image:: images/en/flat-coloring/Krita_filling_lineart17.png\n" " :alt: filling color in selection" msgstr "" #: ../../tutorials/flat-coloring.rst:None msgid "" ".. image:: images/en/flat-coloring/Krita_filling_lineart18.png\n" " :alt: result of coloring made with the help of selection tools" msgstr "" #: ../../tutorials/flat-coloring.rst:None msgid "" ".. image:: images/en/flat-coloring/Krita_filling_lineart8.png\n" " :alt: filling color in lineart using path tool" msgstr "" #: ../../tutorials/flat-coloring.rst:None msgid "" ".. image:: images/en/flat-coloring/Krita_filling_lineart9.png\n" " :alt: erasing with path tool" msgstr "" #: ../../tutorials/flat-coloring.rst:None msgid "" ".. image:: images/en/flat-coloring/Krita_filling_lineart10.png\n" " :alt: coloring with colorise mask" msgstr "" #: ../../tutorials/flat-coloring.rst:None msgid "" ".. image:: images/en/flat-coloring/Krita_filling_lineart11.png\n" " :alt: result from the colorise mask" msgstr "" #: ../../tutorials/flat-coloring.rst:None msgid "" ".. image:: images/en/flat-coloring/Krita_filling_lineart12.png\n" " :alt: slitting colors into islands" msgstr "" #: ../../tutorials/flat-coloring.rst:None msgid "" ".. image:: images/en/flat-coloring/Krita_filling_lineart13.png\n" " :alt: resulting color islands from split layers" msgstr "" +#: ../../tutorials/flat-coloring.rst:0 +msgid "" +".. image:: images/en/flat-coloring/Krita_filling_lineart_selection_1.png" +msgstr "" + +#: ../../tutorials/flat-coloring.rst:0 +msgid "" +".. image:: images/en/flat-coloring/Krita_filling_lineart_selection_2.png" +msgstr "" + +#: ../../tutorials/flat-coloring.rst:0 +msgid ".. image:: images/en/flat-coloring/Krita_filling_lineart_mask_1.png" +msgstr "" + +#: ../../tutorials/flat-coloring.rst:0 +msgid ".. image:: images/en/flat-coloring/Krita_filling_lineart_mask_2.png" +msgstr "" + +#: ../../tutorials/flat-coloring.rst:0 +msgid ".. image:: images/en/flat-coloring/Krita_filling_lineart_mask_3.png" +msgstr "" + #: ../../tutorials/flat-coloring.rst:1 msgid "Common workflows used in Krita" msgstr "" #: ../../tutorials/flat-coloring.rst:13 msgid "Flat Coloring" msgstr "" #: ../../tutorials/flat-coloring.rst:15 msgid "" "So you've got a cool black on white drawing, and now you want to color it! " "The thing we’ll aim for in this tutorial is to get your lineart colored in " "with flat colors. So no shading just yet. We’ll be going through some " "techniques for preparing the lineart, and we’ll be using the layer docker to " "put each colour on a separate layer, so we can easily access each colour " "when we add shading." msgstr "" #: ../../tutorials/flat-coloring.rst:17 msgid "" "This tutorial is adapted from this `tutorial `_ by " "the original author." msgstr "" #: ../../tutorials/flat-coloring.rst:20 msgid "Understanding Layers" msgstr "" #: ../../tutorials/flat-coloring.rst:22 msgid "" "To fill lineart comfortably, it's best to take advantage of the layerstack. " "The layer stack is pretty awesome, and it's one of those features that make " "digital art super-convenient." msgstr "" #: ../../tutorials/flat-coloring.rst:24 msgid "" "In traditional art, it is not uncommon to first draw the full background " "before drawing the subject. Or to first draw a line art and then colour it " "in. Computers have a similar way of working." msgstr "" #: ../../tutorials/flat-coloring.rst:26 msgid "" "In programming, if you tell a computer to draw a red circle, and then " "afterwards tell it to draw a smaller yellow circle, you will see the small " "yellow circle overlap the red circle. Switch the commands around, and you " "will not see the yellow circle at all: it was drawn before the red circle " "and thus ‘behind’ it." msgstr "" #: ../../tutorials/flat-coloring.rst:28 msgid "" "This is referred to as the “drawing order”. So like the traditional artist, " "the computer will first draw the images that are behind everything, and " "layer the subject and foreground on top of it. The layer docker is a way for " "you to control the drawing order of multiple images, so for example, you can " "have your lineart drawn later than your colors, meaning that the lines will " "be drawn over the colors, making it easier to make it neat!" msgstr "" #: ../../tutorials/flat-coloring.rst:30 msgid "" "Other things that a layer stack can do are blending the colors of different " "layers differently with blending modes, using a filter in the layer stack, " "or using a mask that allows you to make parts transparent." msgstr "" #: ../../tutorials/flat-coloring.rst:32 msgid "" "Programmers talk about transparency as ''Alpha'', which is because the 'a' " "symbol is used to present transparency in the algorithms for painting one " "color on top of another. Usually when you see the word ''Alpha'' in a " "graphics program, just think of it as affecting the transparency." msgstr "" #: ../../tutorials/flat-coloring.rst:35 msgid "Preparing your line-art" msgstr "" #: ../../tutorials/flat-coloring.rst:37 msgid "" "Put the new layer underneath the layer containing the lineart (drag and drop " "or use the up/down arrows for that), and draw on it." msgstr "" #: ../../tutorials/flat-coloring.rst:42 msgid "" "…And notice nothing happening. This is because the white isn’t transparent. " "You wouldn’t really want it to either, how else would you make convincing " "highlights? So what we first need to do to colour in our drawing is prepare " "our lineart. There’s several methods of doing so, each with varying " "qualities." msgstr "" #: ../../tutorials/flat-coloring.rst:45 msgid "The Multiply Blending Mode" msgstr "" #: ../../tutorials/flat-coloring.rst:47 msgid "" "So, typically, to get a black and white lineart usable for colouring, you " "can set the blending mode of the lineart layer to Multiply. You do this by " "selecting the layer and going to the drop down that says **Normal** and " "setting that to **Multiply**." msgstr "" #: ../../tutorials/flat-coloring.rst:52 msgid "And then you should be able to see your colors!" msgstr "" #: ../../tutorials/flat-coloring.rst:54 msgid "" "Multiply is not a perfect solution however. For example, if through some " "image editing magic I make the lineart blue, it results into this:" msgstr "" #: ../../tutorials/flat-coloring.rst:59 msgid "" "This is because multiply literally multiplies the colors. So it uses maths!" msgstr "" #: ../../tutorials/flat-coloring.rst:61 msgid "" "What it first does is take the values of the RGB channels, then divides them " "by the max (because we're in 8bit, this is 255), a process we call " "normalising. Then it multiplies the normalised values. Finally, it takes the " "result and multiplies it with 255 again to get the result values." msgstr "" #: ../../tutorials/flat-coloring.rst:67 msgid "Pink" msgstr "" #: ../../tutorials/flat-coloring.rst:68 msgid "Pink (normalised)" msgstr "" #: ../../tutorials/flat-coloring.rst:69 ../../tutorials/flat-coloring.rst:87 msgid "Blue" msgstr "" #: ../../tutorials/flat-coloring.rst:70 msgid "Blue (normalised)" msgstr "" #: ../../tutorials/flat-coloring.rst:71 msgid "Normalised, multiplied" msgstr "" #: ../../tutorials/flat-coloring.rst:72 msgid "Result" msgstr "" #: ../../tutorials/flat-coloring.rst:73 msgid "Red" msgstr "" #: ../../tutorials/flat-coloring.rst:74 msgid "222" msgstr "" #: ../../tutorials/flat-coloring.rst:75 msgid "0.8705" msgstr "" #: ../../tutorials/flat-coloring.rst:76 msgid "92" msgstr "" #: ../../tutorials/flat-coloring.rst:77 msgid "0.3607" msgstr "" #: ../../tutorials/flat-coloring.rst:78 msgid "0.3139" msgstr "" #: ../../tutorials/flat-coloring.rst:79 msgid "80" msgstr "" #: ../../tutorials/flat-coloring.rst:80 msgid "Green" msgstr "" #: ../../tutorials/flat-coloring.rst:81 msgid "144" msgstr "" #: ../../tutorials/flat-coloring.rst:82 msgid "0.5647" msgstr "" #: ../../tutorials/flat-coloring.rst:83 msgid "176" msgstr "" #: ../../tutorials/flat-coloring.rst:84 msgid "0.6902" msgstr "" #: ../../tutorials/flat-coloring.rst:85 msgid "0.3897" msgstr "" #: ../../tutorials/flat-coloring.rst:86 msgid "99" msgstr "" #: ../../tutorials/flat-coloring.rst:88 msgid "123" msgstr "" #: ../../tutorials/flat-coloring.rst:89 msgid "0.4823" msgstr "" #: ../../tutorials/flat-coloring.rst:90 msgid "215" msgstr "" #: ../../tutorials/flat-coloring.rst:91 msgid "0.8431" msgstr "" #: ../../tutorials/flat-coloring.rst:92 msgid "0.4066" msgstr "" #: ../../tutorials/flat-coloring.rst:93 msgid "103" msgstr "" #: ../../tutorials/flat-coloring.rst:95 msgid "" "This isn't completely undesirable, and a lot of artists use this effect to " "add a little richness to their colors." msgstr "" #: ../../tutorials/flat-coloring.rst:98 ../../tutorials/flat-coloring.rst:127 #: ../../tutorials/flat-coloring.rst:154 ../../tutorials/flat-coloring.rst:173 #: ../../tutorials/flat-coloring.rst:210 ../../tutorials/flat-coloring.rst:247 #: ../../tutorials/flat-coloring.rst:275 ../../tutorials/flat-coloring.rst:317 msgid "Advantages" msgstr "" #: ../../tutorials/flat-coloring.rst:100 msgid "" "Easy, can work to your benefit even with coloured lines by softening the " "look of the lines while keeping nice contrast." msgstr "" #: ../../tutorials/flat-coloring.rst:103 ../../tutorials/flat-coloring.rst:132 #: ../../tutorials/flat-coloring.rst:159 ../../tutorials/flat-coloring.rst:178 #: ../../tutorials/flat-coloring.rst:215 ../../tutorials/flat-coloring.rst:252 #: ../../tutorials/flat-coloring.rst:280 ../../tutorials/flat-coloring.rst:322 msgid "Disadvantages" msgstr "" #: ../../tutorials/flat-coloring.rst:105 msgid "Not actually transparent. Is a little funny with coloured lines." msgstr "" #: ../../tutorials/flat-coloring.rst:108 msgid "Using Selections" msgstr "" #: ../../tutorials/flat-coloring.rst:110 msgid "" "The second method is one where we'll make it actually transparent. In other " "programs this would be done via the channel docker, but Krita doesn't do " "custom channels, instead it uses Selection Masks to store custom selections." msgstr "" #: ../../tutorials/flat-coloring.rst:112 msgid "duplicate your lineart layer." msgstr "" #: ../../tutorials/flat-coloring.rst:114 msgid "" "convert the duplicate to a selection mask. |mouseright| the layer, then :" "menuselection:`Convert --> to Selection Mask`." msgstr "" #: ../../tutorials/flat-coloring.rst:118 msgid "" "Invert the selection mask. :menuselection:`Select --> Invert Selection`." msgstr "" #: ../../tutorials/flat-coloring.rst:120 msgid "" "Make a new layer, and do :menuselection:`Edit --> Fill with foreground " "color`." msgstr "" #: ../../tutorials/flat-coloring.rst:124 msgid "And you should now have the line art on a separate layer." msgstr "" #: ../../tutorials/flat-coloring.rst:129 msgid "Actual transparency." msgstr "" #: ../../tutorials/flat-coloring.rst:134 msgid "Doesn't work when the lineart is coloured." msgstr "" #: ../../tutorials/flat-coloring.rst:137 msgid "Using Masks" msgstr "" #: ../../tutorials/flat-coloring.rst:139 msgid "This is a simpler variation of the above." msgstr "" #: ../../tutorials/flat-coloring.rst:141 msgid "Make a filled layer underneath the lineart layer." msgstr "" #: ../../tutorials/flat-coloring.rst:145 msgid "" "Convert the lineart layer to a transparency mask |mouseright| the layer, " "then :menuselection:`Convert --> to Transparency Mask`." msgstr "" #: ../../tutorials/flat-coloring.rst:149 msgid "" "Invert the transparency mask by going to :menuselection:`Filter --> Adjust --" "> Invert`" msgstr "" #: ../../tutorials/flat-coloring.rst:156 msgid "" "Actual transparency. You can also very easily doodle a pattern on the filled " "layer where the mask is on without affecting the transparency." msgstr "" #: ../../tutorials/flat-coloring.rst:161 msgid "" "Doesn't work when the lineart is coloured already. We can still get faster." msgstr "" #: ../../tutorials/flat-coloring.rst:164 msgid "Using Color to Alpha" msgstr "" #: ../../tutorials/flat-coloring.rst:166 msgid "By far the fastest way to get transparent lineart." msgstr "" #: ../../tutorials/flat-coloring.rst:168 msgid "" "Select the line art layer and apply the color to alpha filter. :" "menuselection:`Filter --> Colors --> Color to Alpha`. The default values " "should be sufficient for lineart." msgstr "" #: ../../tutorials/flat-coloring.rst:171 msgid "" ".. image:: images/en/flat-coloring/Krita_filling_lineart_color_to_alpha.png" msgstr "" #: ../../tutorials/flat-coloring.rst:175 msgid "" "Actual transparency. Works with coloured line art as well, because it " "removes the white specifically." msgstr "" #: ../../tutorials/flat-coloring.rst:180 msgid "" "You'll have to lock the layer transparency or separate out the alpha via the " "right-click menu if you want to easily color it." msgstr "" #: ../../tutorials/flat-coloring.rst:184 msgid "Colouring the image" msgstr "" #: ../../tutorials/flat-coloring.rst:186 msgid "" "Much like preparing the line art, there's many different ways of colouring a " "layer." msgstr "" #: ../../tutorials/flat-coloring.rst:188 msgid "" "You could for example fill in everything by hand, but while that is very " "precise it also takes a lot of work. Let's take a look at the other options, " "shall we?" msgstr "" #: ../../tutorials/flat-coloring.rst:191 msgid "Fill Tool" msgstr "" #: ../../tutorials/flat-coloring.rst:196 msgid "" "In most cases the fill-tool can’t deal with the anti-aliasing (the soft edge " "in your lineart to make it more smooth when zoomed out) In Krita you have " "the grow-shrink option. Setting that to say… 2 expands the colour two pixels." msgstr "" #: ../../tutorials/flat-coloring.rst:198 msgid "" "Threshold decides when the fill-tool should consider a different colour " "pixel to be a border. And the feathering adds a extra soft border to the " "fill." msgstr "" #: ../../tutorials/flat-coloring.rst:200 msgid "" "Now, if you click on a gapless-part of the image with your preferred colour…" "(Remember to set the opacity to 1.0!)" msgstr "" #: ../../tutorials/flat-coloring.rst:202 msgid "" "Depending on your lineart, you can do flats pretty quickly. But setting the " "threshold low can result in little artifacts around where lines meet:" msgstr "" #: ../../tutorials/flat-coloring.rst:207 msgid "" "However, setting the threshold high can end with the fill not recognising " "some of the lighter lines. Besides these little artifacts can be removed " "with the brush easily." msgstr "" #: ../../tutorials/flat-coloring.rst:212 msgid "Pretty darn quick depending on the available settings." msgstr "" #: ../../tutorials/flat-coloring.rst:217 msgid "" "Again, not great with gaps or details. And it works best with aliased line-" "art." msgstr "" #: ../../tutorials/flat-coloring.rst:220 msgid "Selections" msgstr "" #: ../../tutorials/flat-coloring.rst:222 msgid "Selections work using the selection tools." msgstr "" #: ../../tutorials/flat-coloring.rst:227 msgid "" "For example with the :ref:`bezier_curve_selection_tool` you can easily " "select a curved area, and the with :kbd:`Shift` + |mouseleft| (not |" "mouseleft| + :kbd:`Shift`, there's a difference!) you can easily add to an " "existing selection." msgstr "" #: ../../tutorials/flat-coloring.rst:232 msgid "" "You can also edit the selection if you have :menuselection:`Select --> Show " "Global Selection Mask` turned on. Then you can select the global selection " "mask, and paint on it. (Above with the alternative selection mode, activated " "in the lower-left corner of the stats bar)" msgstr "" #: ../../tutorials/flat-coloring.rst:234 msgid "" "When done, select the color you want to fill it with and press :kbd:`Shift` " "+ `backspace`." msgstr "" #: ../../tutorials/flat-coloring.rst:239 msgid "" "You can save selections in selection masks by |mouseright| a layer, and then " "going to :menuselection:`Add --> Local Selection`. You first need to " "deactivate a selection by pressing the circle before adding a new selection." msgstr "" #: ../../tutorials/flat-coloring.rst:241 msgid "" "This can serve as an alternative way to split out different parts of the " "image, which is good for more painterly pieces:" msgstr "" #: ../../tutorials/flat-coloring.rst:249 msgid "A bit more precise than filling." msgstr "" #: ../../tutorials/flat-coloring.rst:254 msgid "Previewing your color isn't as easy." msgstr "" #: ../../tutorials/flat-coloring.rst:257 msgid "Geometric tools" msgstr "" #: ../../tutorials/flat-coloring.rst:259 msgid "" "So you have a tool for making rectangles or circles. And in the case of " "Krita, a tool for bezier curves. Select the path tool (|path tool|), and set " "the tool options to fill=foreground and outline=none. Make sure that your " "opacity is set to 1.00 (fully opaque)." msgstr "" #: ../../tutorials/flat-coloring.rst:262 msgid "" ".. image:: images/icons/bezier_curve.svg\n" " :alt: path tool" msgstr "" #: ../../tutorials/flat-coloring.rst:264 msgid "" "By clicking and holding, you can influence how curvy a line draw with the " "path tool is going to be. Letting go of the mouse button confirms the " "action, and then you’re free to draw the next point." msgstr "" #: ../../tutorials/flat-coloring.rst:269 msgid "" "You can also erase with a geometric tool. Just press :kbd:`E` or the eraser " "button." msgstr "" #: ../../tutorials/flat-coloring.rst:277 msgid "" "Quicker than using the brush or selections. Also decent with lineart that " "contains gaps." msgstr "" #: ../../tutorials/flat-coloring.rst:282 msgid "" "Fiddly details aren’t easy to fill in with this. So I recommend skipping " "those and filling them in later with a brush." msgstr "" #: ../../tutorials/flat-coloring.rst:285 msgid "Colorize Mask" msgstr "" #: ../../tutorials/flat-coloring.rst:287 msgid "" "So, this is a bit of an odd one. In the original tutorial, you'll see I'm " "suggesting using G'Mic, but that was a few years ago, and g'mic is a little " "unstable on windows. Therefore, the Krita developers have been attempting to " "make an internal tool doing the same." msgstr "" #: ../../tutorials/flat-coloring.rst:289 msgid "" "It is disabled in 3.1, but if you use 4.0 or later, it is in the toolbox. " "Check the Colorize Mask for more information." msgstr "" #: ../../tutorials/flat-coloring.rst:291 msgid "So it works like this:" msgstr "" #: ../../tutorials/flat-coloring.rst:293 msgid "Select the colorize mask tool." msgstr "" #: ../../tutorials/flat-coloring.rst:294 msgid "Tick the layer you're using." msgstr "" #: ../../tutorials/flat-coloring.rst:295 msgid "Paint the colors your want to use on the colorize mask" msgstr "" #: ../../tutorials/flat-coloring.rst:296 msgid "Click update to see the results:" msgstr "" #: ../../tutorials/flat-coloring.rst:301 msgid "" "When you are satisfied, |mouseright| the colorize mask, and go to :" "menuselection:`Convert --> Paint Layer`. This will turn the colorize mask to " "a generic paint layer. Then, you can fix the last issues by aking the " "lineart semi-transparent and painting the flaws away with a pixel art brush." msgstr "" #: ../../tutorials/flat-coloring.rst:306 msgid "" "Then, when you are done, split the layers via :menuselection:`Layers --> " "Split --> Split Layer`. There's a few options you can choose, but the " "following should be fine:" msgstr "" #: ../../tutorials/flat-coloring.rst:311 msgid "" "Finally, press **Ok** and you should get the following. Each color patch it " "on a different layer, named by the palette in the menu and alpha locked, so " "you can start painting right away!" msgstr "" #: ../../tutorials/flat-coloring.rst:319 msgid "" "Works with anti aliased lineart. Really quick to get the base work done. Can " "auto-close gaps." msgstr "" #: ../../tutorials/flat-coloring.rst:324 msgid "" "No anti aliasing of it’s own. You have to choose between getting details " "right or the gaps auto-closed." msgstr "" #: ../../tutorials/flat-coloring.rst:327 msgid "Conclusion" msgstr "" #: ../../tutorials/flat-coloring.rst:329 msgid "" "I hope this has given you a good idea of how to fill in flats using the " "various techniques, as well as getting a hand of different Krita features. " "Remember that a good flat filled lineart is better than a badly shaded one, " "so keep practising to get the best out of these techniques!" msgstr "" diff --git a/locale/nl/LC_MESSAGES/contributors_manual/krita_manual_conventions.po b/locale/nl/LC_MESSAGES/contributors_manual/krita_manual_conventions.po index f27919852..0f29a94f7 100644 --- a/locale/nl/LC_MESSAGES/contributors_manual/krita_manual_conventions.po +++ b/locale/nl/LC_MESSAGES/contributors_manual/krita_manual_conventions.po @@ -1,871 +1,871 @@ # Dutch translations for Krita Manual package # Nederlandse vertalingen voor het pakket Krita Manual. # Copyright (C) licensed under the GNU Free Documentation License 1.3+ unless stated otherwise # This file is distributed under the same license as the Krita Manual package. # # Automatically generated, 2019. # Freek de Kruijf , 2019. msgid "" msgstr "" "Project-Id-Version: Krita Manual 4.1\n" "Report-Msgid-Bugs-To: \n" -"POT-Creation-Date: 2019-03-15 03:36+0100\n" +"POT-Creation-Date: 2019-03-16 03:28+0100\n" "PO-Revision-Date: 2019-03-06 12:26+0100\n" "Last-Translator: Freek de Kruijf \n" "Language-Team: Dutch \n" "Language: nl\n" "MIME-Version: 1.0\n" "Content-Type: text/plain; charset=UTF-8\n" "Content-Transfer-Encoding: 8bit\n" "Plural-Forms: nplurals=2; plural=n != 1;\n" "X-Generator: Lokalize 18.12.2\n" #: ../../:2 msgid "" ".. image:: images/icons/Krita_mouse_left.png\n" " :alt: mouseleft" msgstr "" ".. image:: images/icons/Krita_mouse_left.png\n" " :alt: muislinks" #: ../../:4 msgid "" ".. image:: images/icons/Krita_mouse_right.png\n" " :alt: mouseright" msgstr "" ".. image:: images/icons/Krita_mouse_right.png\n" " :alt: muis rechts" #: ../../:6 msgid "" ".. image:: images/icons/Krita_mouse_middle.png\n" " :alt: mousemiddle" msgstr "" ".. image:: images/icons/Krita_mouse_middle.png\n" " :alt: muis midden" #: ../../:8 msgid "" ".. image:: images/icons/Krita_mouse_scroll.png\n" " :alt: mousescroll" msgstr "" ".. image:: images/icons/Krita_mouse_scroll.png\n" " :alt: mousescroll" -#: ../../contributors_manual/krita_manual_conventions.rst:None -msgid "Horizontal Rulers" -msgstr "Horizontale linialen" - #: ../../contributors_manual/krita_manual_conventions.rst:0 msgid "" ".. image:: images/en/sample.png\n" " :alt: an image." msgstr "" ".. image:: images/en/sample.png\n" " :alt: een afbeelding." +#: ../../contributors_manual/krita_manual_conventions.rst:None +msgid "Horizontal Rulers" +msgstr "Horizontale linialen" + #: ../../contributors_manual/krita_manual_conventions.rst:1 msgid "reStructuredText conventions for the Krita Manual" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:16 msgid "Mark-up conventions for the Krita Manual" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:18 msgid "" "This details the style conventions for using restructured text for the Krita " "Manual." msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:20 msgid "" "It's recommended to look over the `official specification `_ for reStructuredText, and given it lives on " "sourceforge, to save a copy to your harddrive (sourceforge has, at this time " "of writing, some issues with server uptime):" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:23 msgid "" "`Primer `_" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:24 msgid "User Manual:" msgstr "Gebruikershandleiding:" #: ../../contributors_manual/krita_manual_conventions.rst:24 msgid "" "`Quick Ref `_" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:25 msgid "" "`Text Cheatsheet `_" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:27 msgid "" "`Introduction `_" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:28 msgid "" "`Markup `_" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:29 msgid "Reference Documentation:" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:29 msgid "" "`Directives `_" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:30 msgid "`Roles `_" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:32 msgid "Sphinx specific docs:" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:32 msgid "" "`Sphinx' page on restructured text `_ -- This is useful for the specific " "sphinx directives and roles it uses to generate for example table of " "contents." msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:34 msgid "" "There are differences between the official reStructuredText and the sphinx " "docs multiple ways to do things. This document specifies the suggested " "conventions to go with." msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:36 msgid "Contents" msgstr "Inhoud" #: ../../contributors_manual/krita_manual_conventions.rst:39 msgid "Meta data" msgstr "Metagegevens" #: ../../contributors_manual/krita_manual_conventions.rst:41 msgid "Each page should start with the following three things:" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:44 msgid "" "This is a general description of the page. It will be converted to an html " "meta tag which will be used by search engines::" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:49 msgid "A meta description" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:52 msgid "" "This is just to keep track of who edited the page and to give credit. It " "should be in a comment so that it will not end up being easily readable by " "machines. The license of the whole manual is GDL 1.3 and should also be " "mentioned here::" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:58 msgid "A list of authors and a license." msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:61 msgid "" "These are comma-separated terms under which the page will be indexed in :ref:" "`genindex`. The generated index is quite useful for both pdf as well as " "people who are not sure what the exact name is of the term they are looking " "for. They are defined as follows::" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:63 msgid "Indexing terms." msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:66 msgid "" "This is so we can easily link to the page using ``:ref:`label_name```. Try " "to make this a nice variable name::" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:70 msgid "" "After the label you will need to add a heading, as ``:ref:`label_name``` " "will refer to the heading to fill out it's link-text." msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:71 msgid "A label." msgstr "Een label." #: ../../contributors_manual/krita_manual_conventions.rst:74 msgid "Headings" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:76 msgid "Headings will be done in the following order::" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:105 msgid "" "These conventions were more or less decided by pandoc's mediawiki to " "reStructuredText conversion. If you need more than 4 headings, ask yourself " "first if the page hasn't gotten too complicated and needs splitting up." msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:107 msgid "" "Sometimes you need to link to a subsection of a page, add a label above the " "heading in that case." msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:109 msgid "" "Headers should not end with punctuation, as the header will be used as the " "link name when linking to a label." msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:112 msgid "Linking" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:114 msgid "" "Linking is done with ``:ref:`label_name```. When you need an alternative " "link text, you use ``:ref:`actual text shown ```." msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:116 msgid "" "Linking to external pages is done with ```url`_`` and ```link name " "`_``, which'll become `link name `_." msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:118 msgid "" "Pandoc likes to turn these into ```link name`__`` and then add `` .. __ :url " "`` at the end of the document. This is a so-called 'anonymous hyperlink', " "meaning that depending on the order of the links appearing in the text the " "order of the links at the end of the text are associated with one another. " "If this sounds confusing and difficult, it is because it is. That is also " "the exact reason why we'd like to avoid links like these." msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:121 msgid "Footnotes and further reading" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:123 msgid "" "Footnotes can be made in 3 ways, the most common one is with autonumbering, " "as per reference:" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:125 msgid "" "[#]_ is a reference to footnote 1, and [#]_ is a reference to footnote 2." msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:128 msgid "This is footnote 1." msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:129 msgid "This is footnote 2." msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:130 msgid "This is footnote 3." msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:132 msgid "[#]_ is a reference to footnote 3." msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:134 msgid "Here is a citation reference: [CIT2002]_ ." msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:136 msgid "" "This is the citation. It's just like a footnote, except the label is " "textual." msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:139 msgid "Citation can also be referenced with `citation `_" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:141 msgid "" "We don't actually use footnotes in the manual due to the fact that it is a " "little bit too academical for our readers. However, we do collect documents " "and links that give a little bit more information on a topic at the end of a " "page. Sphinx has the ``.. seealso::`` directive for linking to external " "links, while reStructuredText suggests to use ``.. rubic:: Footnotes`` for " "specifically collecting footnotes as that plays nice with LaTeX." msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:145 msgid "Images" msgstr "Afbeeldingen" #: ../../contributors_manual/krita_manual_conventions.rst:147 msgid "Use the image directive for images without captions::" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:154 msgid "And figure directives for images with captions::" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:163 msgid "The latter gives:" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:170 msgid "" "A caption -- notice how the first letter of the caption in the directive is " "aligned with the :figwidth: option." msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:172 msgid "" "Images should go into the ``/images/en`` folder. By using ``/images`` " "instead of ``images``, sphinx will know the filepath isn't relative." msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:175 msgid "In-text Markup" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:177 msgid "" "You can make text *emphasized* and **strong** with a single asterisk and " "double respectively::" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:182 msgid "You cannot do both ***emphasized and strong***, so take a pick." msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:184 msgid "" "You can :sub:`subscript text` and :sup:`superscript text` by using ``:sub:" "`text``` and ``:sup:`text```" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:186 msgid "" "However, use these super-sparingly! It is preferred to use the existing " "semantic markup in sphinx in any case, because that makes it easier for " "translators to make decisions about the nature of the text::" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:193 msgid "" "Avoid randomly bolding words. It does *not* make the text easier or " "friendlier to read." msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:196 msgid "Substitution References" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:198 msgid "" "You can create a sort of shorthand for a piece of text or an image by doing::" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:202 msgid "" "which means that if you use ``|shorthand|``, in the text, it'll be replaced " "with 'something or the other'. This is useful for, images and text that " "needs to be formatted in a complicated way, like in the case of \"LaTeX\"." msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:204 msgid "" "The krita documentation has ``|mouseleft|``, ``|mousemiddle|``, ``|" "mousescroll|`` and ``|mouseright|``, which'll turn into |mouseleft|, |" "mousemiddle|, |mousescroll| and |mouseright| respectively. These are defined " "in the sphinx conf.py, and are appended to each rst file." msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:206 msgid "" "For links, if you reuse the same link over and over, you can write something " "like the following at the end of the file::" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:211 msgid "" "Then, when typing a link, you can just use ```bugzilla`_`` to link to " "bugzilla with \"bugzilla\" used as the text of the link. ```Krita Manual`_`` " "will in turn link to docs.krita.org with the text \"Krita Manual\"." msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:214 msgid "Lists" msgstr "Lijsten" #: ../../contributors_manual/krita_manual_conventions.rst:217 msgid "Ordinated lists" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:219 msgid "Apple" msgstr "Appel" #: ../../contributors_manual/krita_manual_conventions.rst:220 msgid "Pear" msgstr "Peer" #: ../../contributors_manual/krita_manual_conventions.rst:221 msgid "Banana" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:223 msgid "Or..." msgstr "Of..." #: ../../contributors_manual/krita_manual_conventions.rst:225 msgid "Table" msgstr "Tabel" #: ../../contributors_manual/krita_manual_conventions.rst:226 msgid "Chair" msgstr "Voorzitter" #: ../../contributors_manual/krita_manual_conventions.rst:227 msgid "Wardrobe." msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:229 msgid "Augustus" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:230 msgid "Nero" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:231 msgid "Caligula" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:232 msgid "Trajan" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:234 msgid "They can be defined as follows::" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:258 msgid "Unordered lists" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:260 msgid "red" msgstr "rood" #: ../../contributors_manual/krita_manual_conventions.rst:261 msgid "yellow" msgstr "geel" #: ../../contributors_manual/krita_manual_conventions.rst:263 msgid "seagreen" msgstr "zeegroen" #: ../../contributors_manual/krita_manual_conventions.rst:264 msgid "verdigris" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:265 msgid "teal" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:266 msgid "veridian" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:268 msgid "dark emerald" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:269 msgid "green" msgstr "groen" #: ../../contributors_manual/krita_manual_conventions.rst:269 msgid "emerald" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:269 msgid "light emerald" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:270 msgid "very light emerald." msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:271 msgid "blue" msgstr "blauw" #: ../../contributors_manual/krita_manual_conventions.rst:273 msgid "Defined as such::" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:289 msgid "Definition Lists" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:291 msgid "" "A favourite! Definition lists are especially useful when dealing with " "enumerating all the options in a docker and trying to add a simple " "explanation behind them." msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:293 msgid "Definition" msgstr "Definitie" #: ../../contributors_manual/krita_manual_conventions.rst:294 msgid "explanation." msgstr "uitleg." #: ../../contributors_manual/krita_manual_conventions.rst:296 msgid "Another option" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:296 msgid "Explanation." msgstr "Uitleg." #: ../../contributors_manual/krita_manual_conventions.rst:299 msgid "You can make them like this::" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:304 msgid "To make them." msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:307 msgid "Tables" msgstr "Tabellen" #: ../../contributors_manual/krita_manual_conventions.rst:310 msgid "Purpose" msgstr "Omschrijving" #: ../../contributors_manual/krita_manual_conventions.rst:310 msgid "Table type" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:312 msgid "listing shortcuts" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:312 msgid "Simple table" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:313 msgid "lots of colspans" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:313 msgid "Grid table" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:314 msgid "Simple but long" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:314 msgid "List Table" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:317 msgid "Done as follows::" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:349 msgid "" "Full grid tables are best for when you need all features like complex column " "and row spans, but they're tricky to make. For that reason, small tables are " "best off being done with the simple syntax, while really long tables are " "best done with a list directive because that is just much easier to write " "and maintain." msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:352 msgid "Admonishments and asides" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:356 msgid "" "Admonishments are sort of like a separate section that the reader needs to " "pay attention to." msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:358 msgid "" "Admonishments that can be used are the following (in order of seriousness):" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:362 msgid "" "Hints are useful to give a little bit more information on a topic than is " "useful in the main text. Like, hint: these packages are named differently in " "openSuse versus Debian." msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:366 msgid "" "Extra information on how to do something, like, \"you can make a template of " "your favourite document setup\", or \"use m to mirror the canvas and see " "errors more easily in your drawing\"." msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:370 msgid "Something that is important to note, but is not necessarily negative." msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:374 msgid "This is in general when something is negative." msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:378 msgid "" "General attention grabber. Use this when the subject is more important than " "warning, but not as important that is could get a dataloss." msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:382 msgid "" "This is for things that could cause dataloss, like forgetting to save, or " "that python currently has no undo functionality." msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:386 msgid "" "This should be for things that are dangerous for the computer in general, " "this includes things that can cause out of memory style freezes." msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:390 msgid "" "This one is probably not relevant for a manual. Sphinx can create these " "manually given some situations, but our configuration does not do so by " "default." msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:392 msgid "generic admonition that can have any text." msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:394 msgid "This looks like the following::" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:402 msgid "Sphinx also adds::" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:412 msgid "" "Horizontal rulers are usually used when the topic switches rather directly. " "This is very common in more narrative based writing, such as history or " "fiction. The Krita manual is more instruction and reference style writing, " "that is to say, we don't usually tell a long story to indicate how different " "elements come together, but rather long stories are there to motivate why " "certain steps are taken in a certain manner. Topic changes then usually " "happen because we go into a new section, rather than switching to a related " "section. It is therefore better to use headings or the ``.. Topic::`` " "directive. Headings also make it easier to read." msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:416 msgid "That said, horizontal rulers can be made with ``----``." msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:419 msgid "The rubric directive." msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:420 msgid "" "The rubric directive is a heading directive that at first glance looks like " "\"topic\", but where the topic is over several paragraphs, rubric itself " "only deals with the header, like so::" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:426 msgid "So, when to use these?" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:427 msgid "" "Only use them when you think the subject is too minor to have a proper " "heading." msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:429 msgid "Topic" msgstr "Onderwerp" #: ../../contributors_manual/krita_manual_conventions.rst:430 msgid "" "When the text is separated from the flow, so it goes into a different " "subject than the text itself is naturally going to." msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:431 msgid "Rubric" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:432 msgid "" "When the text isn't separated from the flow, but it does not need a header " "either." msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:434 msgid "Admonishments" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:434 msgid "" "Only when they fit semantically. This is especially necessary for the danger " "and warning admonishments, as seeing them too often can make users blind to " "them." msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:437 msgid "Code Snippets" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:439 msgid "``Inline code snippets`` are done with ````backticks````." msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:441 msgid "" "Multi-line code snippets are done by ending the previous section with ``::" "``, which'll look like this::" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:447 msgid "" "You can also use the ``.. code::`` directive. If you add the language name " "after it, it'll do the appropriate syntax highlighting::" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:457 msgid "Becomes" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:467 msgid "some more..." msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:500 msgid "Other preformatted text" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:503 msgid "One can" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:504 msgid "preformat" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:505 msgid "text by" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:506 msgid "prepending" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:507 msgid "each line" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:508 msgid "with a pipe" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:509 msgid "symbol" msgstr "symbool" #: ../../contributors_manual/krita_manual_conventions.rst:511 msgid "Like so::" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:521 msgid "We don't actually use this anywhere in the manual." msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:524 msgid "Glossaries, Terms and Index" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:526 msgid "These are sphinx features." msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:528 msgid "" "Index is used in the top section, right now only single index entries are " "used." msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:530 msgid "" "Glossaries are used for some of the menu entry sections, but not all of them." msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:533 msgid "Quotes" msgstr "Aanhalingstekens" #: ../../contributors_manual/krita_manual_conventions.rst:535 msgid "Quotes are done like this::" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:541 msgid "This becomes a blockquote." msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:543 msgid "I am not sure why you'd need quotes in a user manual..." msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:547 msgid "" "We do actually use quotes in some places. Try to add a link to the name to " "define where it came from." msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:548 msgid "Wolthera" msgstr "" diff --git a/locale/nl/LC_MESSAGES/general_concepts/colors/color_managed_workflow.po b/locale/nl/LC_MESSAGES/general_concepts/colors/color_managed_workflow.po index 38d63d5cb..40a3b0c8d 100644 --- a/locale/nl/LC_MESSAGES/general_concepts/colors/color_managed_workflow.po +++ b/locale/nl/LC_MESSAGES/general_concepts/colors/color_managed_workflow.po @@ -1,1068 +1,1068 @@ # Dutch translations for Krita Manual package # Nederlandse vertalingen voor het pakket Krita Manual. # Copyright (C) licensed under the GNU Free Documentation License 1.3+ unless stated otherwise # This file is distributed under the same license as the Krita Manual package. # # Automatically generated, 2019. # Freek de Kruijf , 2019. msgid "" msgstr "" "Project-Id-Version: Krita Manual 4.1\n" "Report-Msgid-Bugs-To: \n" -"POT-Creation-Date: 2019-03-15 03:36+0100\n" +"POT-Creation-Date: 2019-03-16 03:28+0100\n" "PO-Revision-Date: 2019-02-19 17:04+0100\n" "Last-Translator: Freek de Kruijf \n" "Language-Team: Dutch \n" "Language: nl\n" "MIME-Version: 1.0\n" "Content-Type: text/plain; charset=UTF-8\n" "Content-Transfer-Encoding: 8bit\n" "Plural-Forms: nplurals=2; plural=n != 1;\n" "X-Generator: Lokalize 18.12.2\n" -#: ../../general_concepts/colors/color_managed_workflow.rst:0 -msgid ".. image:: images/en/color_category/Kiki_matrix_profile.png" -msgstr "" - -#: ../../general_concepts/colors/color_managed_workflow.rst:0 -msgid ".. image:: images/en/color_category/Kiki_cLUTprofiles.png" -msgstr "" - #: ../../general_concepts/colors/color_managed_workflow.rst:None msgid "" ".. image:: images/en/color_category/Krita_2_9_colormanagement_group1.png" msgstr "" ".. image:: images/en/color_category/Krita_2_9_colormanagement_group1.png" #: ../../general_concepts/colors/color_managed_workflow.rst:None msgid "" ".. image:: images/en/color_category/Krita_2_9_colormanagement_group2.png" msgstr "" ".. image:: images/en/color_category/Krita_2_9_colormanagement_group2.png" #: ../../general_concepts/colors/color_managed_workflow.rst:None msgid "" ".. image:: images/en/color_category/Krita_2_9_colormanagement_group3.png" msgstr "" ".. image:: images/en/color_category/Krita_2_9_colormanagement_group3.png" #: ../../general_concepts/colors/color_managed_workflow.rst:None msgid "" ".. image:: images/en/color_category/Krita_2_9_colormanagement_group4.png" msgstr "" ".. image:: images/en/color_category/Krita_2_9_colormanagement_group4.png" #: ../../general_concepts/colors/color_managed_workflow.rst:None msgid ".. image:: images/en/LUT_Management_Docker.png" msgstr ".. image:: images/en/LUT_Management_Docker.png" #: ../../general_concepts/colors/color_managed_workflow.rst:None msgid ".. image:: images/en/color_category/Krita_HDR_1.svg" msgstr ".. image:: images/en/color_category/Krita_HDR_1.svg" #: ../../general_concepts/colors/color_managed_workflow.rst:None msgid ".. image:: images/en/color_category/Krita_HDR2.svg" msgstr ".. image:: images/en/color_category/Krita_HDR2.svg" #: ../../general_concepts/colors/color_managed_workflow.rst:None msgid "" ".. image:: images/en/color_category/Krita-colormanaged-workflow_webcomic.svg" msgstr "" ".. image:: images/en/color_category/Krita-colormanaged-workflow_webcomic.svg" #: ../../general_concepts/colors/color_managed_workflow.rst:None msgid "" ".. image:: images/en/color_category/Krita-colormanaged-workflow_print.svg" msgstr "" ".. image:: images/en/color_category/Krita-colormanaged-workflow_print.svg" #: ../../general_concepts/colors/color_managed_workflow.rst:None msgid "" ".. image:: images/en/color_category/Krita-colormanaged-workflow_games.svg" msgstr "" +#: ../../general_concepts/colors/color_managed_workflow.rst:0 +msgid ".. image:: images/en/color_category/Kiki_matrix_profile.png" +msgstr "" + +#: ../../general_concepts/colors/color_managed_workflow.rst:0 +msgid ".. image:: images/en/color_category/Kiki_cLUTprofiles.png" +msgstr "" + #: ../../general_concepts/colors/color_managed_workflow.rst:1 msgid "How a color managed workflow works." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:17 msgid "Color Managed Workflow" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:19 msgid "" "You may have heard that Krita has something called color-management. Or " "maybe you just wondered what all these 'color model' and 'color profile' " "things you can find in the menus mean. Color management is pretty useful for " "people who work in digital imaging professionally, and hopefully this page " "will explain why." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:22 msgid "Basic Info" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:24 msgid "" "If you've never worked with color management before, and have no clue what " "it is, then know that you've probably been working in the 8bit RGB colour " "space with the sRGB profile. This means you can choose for *sRGB built-in* " "or *sRGB-elle-v2-srgbtrc.icc*. With the new color space browser this profile " "is marked with *(default)* when using 8bit." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:26 msgid "" "We'll go into what these terms mean in the theory, but if you're here only " "for trying to figure out which is the default, you now know it. Maybe, after " "reading this, you may feel like changing the default, to get new and " "interesting results from filters, blending modes, or just the color smudge " "brush." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:29 msgid "What is the problem?" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:31 msgid "" "To explain the point of color management, you'd first need to learn which " "problem color management tries to solve." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:33 msgid "Let us imagine a kinder garden:" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:35 msgid "" "The class of 28 children is subdivided in groups of 7. Each group has its " "own table." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:37 msgid "" "The teacher gives them a painting assignment: They need to paint a red " "triangle, a blue square, a green circle and put a yellow border around the " "three. The kids are very experienced with painting already, so the teacher " "can confidently leave the smarter ones to their own devices, and spent more " "time on those who need help." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:40 msgid "The following results come from painting:" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:42 msgid "" "Even though all groups had the same assignment, each group's result looks " "different." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:49 msgid "" "Group 1 had vermillion red, citron yellow and ultramarine blue to their " "disposal. This means their triangle looks nice and red, but their circle's " "green is muddy. This is because ultramarine is too dark of a blue to create " "nice greens with." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:56 msgid "" "Group 2 had magenta red, citron yellow and cerulean blue. Magenta is a type " "of red that is closer to pink, opposed to vermillion, which is closer to " "orange. However, their green looks nice because cerulean is a much lighter " "blue." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:64 msgid "" "Group 3 had vermillion red, citron yellow, emerald green and cerulean blue. " "They didn't mix their green, and thus ended up with a purer colour." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:71 msgid "" "Finally, group 4 has Vermillion red, citron yellow and cerulean blue. Their " "colours probably look like what you imagined." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:73 msgid "" "Now, these are kindergarteners, so this isn't the largest problem in the " "world. However, imagine that something like this happened at a printing " "company? Imagine four printers printing the same magazine with wildly " "different results? That would be disastrous!" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:75 msgid "For this purpose, we invented color management." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:78 msgid "What is colour management?" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:80 msgid "" "Color management is, dryly put, a set of systems that tries to have the same " "colour translate properly between color devices." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:82 msgid "" "It usually works by attempting to covert a colour to the reference colour " "space XYZ. XYZ is a coordinate system that has a spot for all colours that " "the average human eye can see." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:84 msgid "" "From XYZ it can then be translated back into another device space, such as " "RGB (for screens), or CMYK (for printers)." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:86 msgid "" "Krita has two systems dedicated to colour management. On one hand we have " "**lcms2**, which deal with Icc-profiles, and on the other we have **OCIO**, " "which deal with LUT color management." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:88 msgid "" "To give a crude estimate, ICC profiles deal with keeping colours consistent " "over many interpretations of devices (screens, printers) by using a " "reference space, and OCIO deals with manipulating the interpretation of said " "colours." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:90 msgid "Within both we can identify the following color spaces:" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:93 msgid "" "Device spaces are those describing your monitor, and have to be made using a " "little device that is called \"colorimeter\". This device, in combination " "with the right software, measures the strongest red, green and blue your " "screen can produce, as well as the white, black and grey it produces. Using " "these and several other measurements it creates an icc profile unique to " "your screen. You set these in Krita's colour management tab. By default we " "assume sRGB for screens, but it's very likely that your screen isn't exactly " "fitting sRGB, especially if you have a high quality screen, where it may be " "a bigger space instead. Device spaces are also why you should first consult " "with your printer what profile they expect. Many printing houses have their " "own device profiles for their printers, or may prefer doing color conversion " "themselves. You can read more about colorimeter usage :ref:`here " "`." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:94 msgid "Device spaces" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:96 msgid "Working spaces" msgstr "Werkruimten" #: ../../general_concepts/colors/color_managed_workflow.rst:97 msgid "" "These are delivered alongside Krita for ICC, and downloadable from the OCIO " "website for OCIO. Working spaces are particularly nice to do color " "calculations in, which programs like Krita do often. It's therefore " "recommended to have a working space profile for your image." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:99 msgid "Aesthetic or Look spaces" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:99 msgid "" "These are special spaces that have been deformed to give a certain look to " "an image. Krita doesn't deliver Look profiles for ICC, nor does it yet " "support Look spaces for OCIO." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:102 msgid "Color managed workflow" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:104 msgid "" "Knowing this about these spaces of course doesn't give you an idea how to " "use them, but it does make it easier to explain how to use them. So let us " "look at a typical color management workflow:" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:110 msgid "" ".. image:: images/en/color_category/Krita-colormanaged-workflow_text.svg" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:110 msgid "" "A typical example of a color managed workflow. We have input from scanners " "and cameras, which we convert to a working space that can be used between " "different editing software, and is converted to an output space for viewing " "on screen or printing." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:112 msgid "" "In a traditional color managed workflow, we usually think in terms of real " "world colors being converted to computer colors and the other way around. " "So, for example photos from a camera or scanned in images. If you have a " "device space of such a device, we first assign said device space to the " "image, and then convert it to a working space." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:114 msgid "" "We then do all our editing in the working space, and use the working space " "to communicate between editing programs. In Krita's case, due to it having " "two color management systems, we use ICC profiles between programs like Gimp " "2.9+, Inkscape, Digikam and Scribus, and OCIO configuration between Blender " "and Natron." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:116 msgid "" "You also store your working files in the working space, just like how you " "have the layers unmerged in the working file, or have it at a very high " "resolution." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:118 msgid "" "Sometimes, we apply aesthetic or 'look' spaces to an image as part of the " "editing process. This is rather advanced, and probably not something to " "worry about in Krita's case." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:120 msgid "" "Then, when we're done editing, we try to convert to an output space, which " "is another device space. This can be CMYK for printers or a special screen " "RGB profile. When you are dealing with professional printing houses, it is " "best to ask them about this step. They have a lot of experience with doing " "the best conversion, and may prefer to do the conversion from your working " "space to the device space of their printers." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:122 msgid "" "Another form of output is the way your screen displays the color. Unlike " "regular output, this one is done all the time during editing: After all, you " "need to be able to see what you are doing, but your screen is still a device " "with a device space, so it does distort how the image looks. In this manner, " "you can see your screen as a set of binoculars you have to look through to " "see your image at all." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:124 msgid "" "Therefore, without a profiled monitor, you actually don't know what the " "actual colors you are working with are like, because the computer doesn't " "know the relevant properties of your screen. So if you profiled your " "monitor, give Krita the profile in the settings, and select the sRGB space " "to draw in, you are for the first time seeing the actual colors of the sRGB " "space." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:127 msgid "So what does this mean?" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:133 msgid "" ".. image:: images/en/color_category/Krita-colormanaged-workflow_krita_text." "svg" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:133 msgid "" "When we paint from scratch, we can see our screen profile as the input " "space, because we use it to determine what colors to pick. This somewhat " "simplifies the workflow, but makes the screen profile and viewing conditions " "more important." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:135 msgid "" "Now, photographers and people who do a tricky discipline of VFX called " "'color grading' will go completely mad over trying to get the colors they " "put in to come out 100% correctly, and will even count in factors like the " "time of day and the color they painted their walls. For example, if the wall " "behind your computer is pure red, your eyes will adjust to be less sensitive " "to red, which means that the colors they pick in the program could come out " "redder. We call these the *viewing conditions*." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:137 msgid "" "Thankfully, artists have to worry a slight bit less about this. As " "illustrations are fully handmade, we are able to identify the important bits " "and make appropriate contrasts between colors. This means that even if our " "images turn out to be slightly redder than intended, it is less likely the " "whole image is ruined. If we look back at the kindergarten example above, we " "still understand what the image was supposed to look like, despite there " "being different colors on each image. Furthermore, because the colors in " "illustrations are deliberately picked, we can correct them more easily on a " "later date. Yet, at the same time, it is of course a big drag to do this, " "and we might have had much more flexibility had we taken viewing conditions " "under consideration." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:139 msgid "" "That said, for artists it is also very useful to understand the working " "spaces. Different working spaces give different results with filters and " "mixing, and only some working spaces can be used for advanced technology " "like HDR." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:141 msgid "" "Similarly, Krita, as a program intended to make images from scratch, doesn't " "really worry about assigning workspaces after having made the image. But " "because you are using the screen as a binocular to look at your image, and " "to pick colors, you can see your screen's device space as an input space to " "the image. Hence why profiling your monitor and giving the profile to Krita " "in the settings can help with preparing your work for print and future " "ventures in the long run." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:143 msgid "" "Overall, it is kinda useful to keep things like viewing conditions in the " "back of your mind. Many professional artists use a mid-grey color as their " "default canvas background because they find they create much more dynamic " "images due to having improved their viewing conditions. It is also why a lot " "of graphics programs, including Krita, come with a dark theme nowadays. " "(Though, of course this might also be because dark themes can be considered " "cool, who knows.)" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:148 msgid "Icc profiles" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:150 msgid "" "An Icc profile is a set of coordinates describing the extremities of the " "device space within XYZ, and it is the color management data you use to " "communicate your working space to printers and applications that are " "designed for the print industry, such as GIMP, Scribus, Photoshop, " "Illustrator, Inkscape, Digikam, RawTheraphee, etc. You have two types of icc " "profiles:" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:153 msgid "" "These are delivered alongside Krita. Matrix shaper profiles are made by " "setting parameters and interpolating between these to get the exact size of " "the colour space. Due to this, Krita's color space browser can give you a " "lot of information on these profiles. Such profiles are also preferable as " "working space." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:159 msgid "Matrix Shaper profiles." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:159 msgid "" "Matrix shaper profiles have a few parameters that describe the color space " "which are then interpolated between, this requires a lot of maths." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:162 msgid "" "These are fairly rare, and primarily used to describe printer profiles, such " "as CMYK. cLUT, or Color Look-up Table profiles store far more data than " "Matrix shaper profiles, so they can hold data of little particularities " "caused by, for example, unexpected results from mixing pigments. This is a " "far more organic approach to describing a color space, hence why a lot of " "programs that don't care for color management much don't support these." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:168 msgid "" "cLUT profiles work by holding tables of each color in a colorspace and their " "respective coordinates in a reference space. For CMYK this is typically L\\*A" "\\*B\\* and for the rest XYZ. These tables are tricky to make, which means " "these profiles are a lot rarer." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:169 msgid "cLUT profiles" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:171 msgid "" "The interesting thing about icc profiles is that your working space can be " "larger than your device space. This is generally not bad. However, when " "converting, you do end up with the question of how to translate the working " "space values." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:174 msgid "Perceptual" msgstr "Op waarneming" #: ../../general_concepts/colors/color_managed_workflow.rst:174 msgid "" "This just squishes the values of the working space into the space it's " "converted to. It's a nice method to see all possible values in this, but not " "so good if you want accurate colour reproduction. Use this if you want to " "see all colours in an image, or want to express all possible contrasts. " "Doesn't work with Matrix Shaper profiles, defaults to relative colorimetric." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:177 msgid "Absolute Colorimetric." msgstr "Absoluut colorimetrisch." #: ../../general_concepts/colors/color_managed_workflow.rst:177 msgid "" "The opposite to Perceptual, Absolute colorimetric will attempt to retain all " "the correct colours at whatever cost, which may result in awful looking " "colours. Recommended only for reproduction work. Doesn't work with Matrix " "Shaper profiles in Krita due to ICC v4 workflow standards." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:180 msgid "Relative Colorimetric" msgstr "Relatief colorimetrisch" #: ../../general_concepts/colors/color_managed_workflow.rst:180 msgid "" "A in between solution between perceptual and absolute, relative will try to " "fit whatever colours it can match between colour spaces. It does this by " "aligning the white and black points. It cuts off the rest to their " "respective borders. This is what all matrix shaper profiles default to " "during conversion, because the ICC v4 workflow specifies to only use " "Relative Colorimetric for matrix shaper profiles." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:183 msgid "Saturation" msgstr "Verzadiging" #: ../../general_concepts/colors/color_managed_workflow.rst:183 msgid "" "Does anything to retain colourfulness, even hue will be sacrificed. Used in " "infographics. Doesn't work with Matrix Shaper profiles, defaults to relative " "colorimetric." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:185 msgid "" "*ICC profile version* is the last thing to keep in mind when dealing with " "ICC profiles. Krita delivers both Version 2 and Version 4 profiles, with the " "later giving better results in doing color maths, but the former being more " "widely supported (as seen below in 'interoperability with other programs'. " "This is also why Krita defaults to V2, and we recommend using V2 when you " "aren't certain if the other programs you are using support V4." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:188 msgid "LUT docker and HDR imaging" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:196 msgid "" "The :ref:`lut_docker` is the second important bit of colour management in " "Krita that is shared between Krita and programs like Blender, Natron and " "Nuke, and only uses Look Up Tables that are configured via a config file." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:198 msgid "" "You can set the workingspace of the image under input color space, and the " "display to sRGB or your own LUT if you have added it to the configuration. " "View in this case is for proofing transforms to a certain display device." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:200 msgid "" "Component, exposure, gamma, whitepoint and blackpoint are knobs which allows " "you to modify the display filter." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:208 msgid "" "As explained before, we can see our monitor as a telescope or binocular into " "the world of our picture. Which means it distorts our view of the image a " "little. But we can modify this binocular, or display filter to see our image " "in a different way. For example, to allow us to see the white in an image " "that are whiter than the white of our screen. To explain what that means, we " "need to think about what white is." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:210 msgid "" "For example, white, on our monitor is full red, full green and full blue. " "But it's certainly different from white on our paper, or the colour of milk, " "white from the sun, or even the white of our cell-phone displays." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:212 msgid "" "Black similarly, is brighter on a LCD display than a LED one, and " "incomparable with the black of a carefully sealed room." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:214 msgid "" "This means that there's potentially blacker blacks than screen black, and " "white whites than screen white. However, for simplicity's sake we still " "assign the black-point and the white-point to certain values. From there, we " "can determine whether a white is whiter than the white point, or a black " "blacker than the black-point." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:216 msgid "" "The LUT docker allows us to control this display-filter and modify the " "distortion. This is useful when we start modifying images that are made with " "scene referred values, such as HDR photos, or images coming out of a render " "engine." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:224 msgid "" "So, for example, we can choose to scale whiter-than-screen-white to our " "screen-white so we can see the contrasts there." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:226 msgid "" "The point of this is that you can take advantage of more lightness detail in " "an image. While you can't see the difference between screen white and whiter-" "than-screen-white (because your screen can't show the difference), graphics " "programs can certainly use it." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:228 msgid "" "A common example is matching the lighting between a 3d model and a real " "world scene. Others are advanced photo retouching, with much more contrast " "information available to the user. In painting itself, this allows you to " "create an image where you can be flippant with the contrast, and allow " "yourself to go as bright as you'd like." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:230 msgid "" "LUT docker manipulations are per view, so you can create a new view and set " "it to luminosity. This way you can see the image in both color as well as " "grayscale and keep a good eye on your values." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:232 msgid "" "Another example is to carefully watch the gradients in a certain section." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:234 msgid "" "Like Icc, the LUT Docker allows you to create a profile of sorts for your " "device. In this case it's the 'lut', which stands for 'Look Up Table', and " "which can be added to OCIO by modifying the configuration file. When OCIO is " "turned on, the configuration in :menuselection:`Settings --> Configure Krita " "--> Color Management` is turned off, unless you are using the :guilabel:" "`Internal` color engine." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:237 msgid "In summary" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:239 msgid "Krita has two modes of colour management:" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:241 msgid "" "Icc works in terms of spaces relative to the CIEXYZ space, and requires an " "icc profile." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:242 msgid "OCIO works in terms of interpretation, and makes use of luts." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:243 msgid "both can be made with a colorimeter." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:244 msgid "" "If you want to have a properly color managed workflow, you have one made " "customly for the input device (your screen) and the output devices (your " "printer, or target screen). For web the output is always sRGB." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:245 msgid "" "Set up your screen profiles under :menuselection:`Settings --> Configure " "Krita --> Color management`." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:246 msgid "" "Do NOT use screen profiles or other device profiles to draw in. Use a " "working space profile such as any of the elle profiles for this, as the " "color maths will be much more predictable and pleasant. Krita will convert " "between your screen and working space on the fly, allowing you to pick the " "correct colors. This turns your screen into binoculars to view the image." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:247 msgid "" "Use the appropriate color management for the appropriate workflow. If you " "are working with Blender, you will be better off using OCIO, than ICC. IF " "you are working with Scribus or Photoshop, use ICC." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:249 msgid "" "Krita does a lot of colour maths, often concerning the blending of colours. " "This colour maths works best in linear colour space, and linear colour space " "requires a bit depth of at the least 16bit to work correctly. The " "disadvantage is that linear space can be confusing to work in." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:251 msgid "" "If you like painting, have a decent amount of ram, and are looking to start " "your baby-steps in taking advantage of Krita's colour management, try " "upgrading from having all your images in sRGB built-in to sRGB-v2-elle-g10." "icc or rec2020-v2-elle-g10.icc at 16bit float. This'll give you better " "colour blending while opening up the possibility for you to start working in " "hdr!" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:256 msgid "" "Some graphics cards, such as those of the Nvidia-brand actually have the " "best performance under 16bit float, because Nvidia cards convert to floating " "point internally. When it does not need to do that, it speeds up!" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:260 msgid "" "No amount of color management in the world can make the image on your screen " "and the image out of the printer have 100% the same color." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:263 msgid "Exporting" msgstr "Exporteren" #: ../../general_concepts/colors/color_managed_workflow.rst:265 msgid "" "when you have finished your image and are ready to export it, you can modify " "the color space to optimize it:" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:267 msgid "If you are preparing an image for the web:" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:269 msgid "" "If you use 16bit color depth or higher, convert the image to 8bit color " "depth. This will make the image much smaller." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:271 msgid "" "Krita doesn't have built-in dithering currently, which means that 16 to " "18bit conversions can come out a bit banded. But you can simulate it by " "adding a fill layer with a pattern, set this fill layer to overlay, and to " "5% opacity. Then flatten the whole image and convert it to 8bit. The pattern " "will function as dithering giving a smoother look to gradients." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:273 msgid "If it's a gray-scale image, convert it to gray-scale." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:274 msgid "" "If it's a color image, keep it in the working space profile: Many web " "browsers these days support color profiles embedded into images. Firefox, " "for example, will try to convert your image to fit the color profile of the " "other's monitor (if they have one). That way, the image will look almost " "exactly the same on your screen and on other profiled monitors." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:279 msgid "" "In some versions of Firefox, the colours actually look strange: This is a " "bug in Firefox, which is because its `color management system is incomplete " "`_, save your png, jpg or tiff without an embedded profile to work " "around this." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:281 msgid "If you are preparing for print:" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:283 msgid "" "You hopefully made the picture in a working space profile instead of the " "actual custom profile of your screen, if not, convert it to something like " "adobe rgb, sRGB or rec2020." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:284 msgid "" "Check with the printer what kind of image they expect. Maybe they expect " "sRGB color space, or perhaps they have their own profile." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:287 msgid "Interaction with other applications" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:290 msgid "Blender" msgstr "Blender" #: ../../general_concepts/colors/color_managed_workflow.rst:292 msgid "" "If you wish to use krita's OCIO functionality, and in particular in " "combination with Blender's color management, you can try to have it use " "Blender's OCIO config." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:294 msgid "" "Blender's OCIO config is under ``/version number/datafiles/" "colormanagement``. Set the LUT docker to use the OCIO engine, and select the " "config from the above path. This will give you blender's input and screen " "spaces, but not the looks, as those aren't supported in Krita yet." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:298 msgid "Windows Photo Viewer" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:300 msgid "" "You might encounter some issues when using different applications together. " "One important thing to note is that the standard Windows Photo Viewer " "application does not handle modern ICC profiles. Krita uses version 4 " "profiles; Photo Viewer can only handle version 2 profiles. If you export to " "JPEG with an embedded profile, Photo Viewer will display your image much too " "dark." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:303 msgid "Example workflows" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:305 msgid "" "Here are some example workflows to get a feeling of how your color " "management workflow may look like." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:307 msgid "" "As mentioned before, input for your screen is set via :menuselection:" "`Settings --> Configure Krita --> Color management`, or via the LUT docker's " "'screen space'. Working space is set via new file per document, or in the " "LUT docker via 'input space'." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:310 msgid "Webcomic" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:317 #: ../../general_concepts/colors/color_managed_workflow.rst:339 #: ../../general_concepts/colors/color_managed_workflow.rst:357 msgid "Input" msgstr "Invoer" #: ../../general_concepts/colors/color_managed_workflow.rst:318 #: ../../general_concepts/colors/color_managed_workflow.rst:340 #: ../../general_concepts/colors/color_managed_workflow.rst:358 msgid "Your screen profile. (You pick colors via your screen)" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:319 #: ../../general_concepts/colors/color_managed_workflow.rst:341 #: ../../general_concepts/colors/color_managed_workflow.rst:359 msgid "Workingspace" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:320 msgid "" "sRGB (the default screen profile) or any larger profile if you can spare the " "bitdepth and like working in them." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:322 #: ../../general_concepts/colors/color_managed_workflow.rst:344 #: ../../general_concepts/colors/color_managed_workflow.rst:362 msgid "Output" msgstr "Uitvoer" #: ../../general_concepts/colors/color_managed_workflow.rst:322 msgid "" "sRGB, icc version 2, sRGB trc for the internet, and a specialised CMYK " "profile from the printing house for the printed images." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:324 msgid "" "Use the sRGB-elle-V2-srgbtrc.icc for going between inkscape, photoshop, " "painttool sai, illustrator, Gimp, mypaint, mangastudio, paintstorm studio, " "mypaint, artrage, scribus, etc. and Krita." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:326 msgid "" "If you are using a larger space via ICC, you will only be able to " "interchange it between Krita, Photoshop, Illustrator, GIMP 2.9, mangastudio " "and scribus. All others assume sRGB for your space, no matter what, because " "they don't have color management." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:328 msgid "" "If you are going between Krita and Blender, Nuke or Natron, use OCIO and set " "the input space to 'sRGB', but make sure to select the sRGB profile for icc " "when creating a new file." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:330 msgid "" "For the final for the web, convert the image to sRGB 8bit, srgbtrc, do not " "embed the icc profile. Then, if using png, put it through something like " "pngcrush or other png optimisers. sRGB in this case is chosen because you " "can assume the vast majority of your audience hasn't profiled their screen, " "nor do they have screens that are advanced enough for the wide gamut stuff. " "So hence why we convert to the screen default for the internet, sRGB." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:333 msgid "Print" msgstr "Afdrukken" #: ../../general_concepts/colors/color_managed_workflow.rst:342 msgid "sRGB or rec2020 if you can afford the bit-depth being 16bit." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:344 msgid "" "Specialised CMYK profile from the printing house for the printed images." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:346 msgid "" "The CMYK profiles are different per printer, and even per paper or ink-type " "so don't be presumptuous and ask ahead for them, instead of doing something " "like trying to paint in any random CMYK profile. As mentioned in the viewing " "conditions section, you want to keep your options open." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:348 msgid "" "You can set the advanced color selector to transform to a given profile via :" "menuselection:`Settings --> Configure Krita --> Advanced color selector " "settings`. There, tick :guilabel:`Color selector uses a different color " "space than the image` and select the CMYK profile you are aiming for. This " "will limit your colors a little bit, but keep all the nice filter and " "blending options from RGB." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:351 msgid "Games" msgstr "Spellen" #: ../../general_concepts/colors/color_managed_workflow.rst:360 msgid "sRGB or grayscale linear for roughness and specular maps." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:362 msgid "" "This one is tricky, but in the end it'll be sRGB for the regular player." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:364 msgid "" "So this one is tricky. You can use OCIO and ICC between programs, but " "recommended is to have your images to the engine in sRGB or grayscale. Many " "physically based renderers these days allow you to set whether an image " "should be read as a linear or srgbtrc image, and this is even vital to have " "the images being considered properly in the physically based calculations of " "the game renderer." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:366 msgid "" "While game engines need to have optimised content, and it's recommended to " "stay within 8bit, future screens may have higher bitdepths, and when " "renderers will start supporting those, it may be beneficial to develop a " "workflow where the working-space files are rather unnecessarily big and you " "run some scripts to optimise them for your current render needs, making " "updating the game in the future for fancier screens less of a drag." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:368 msgid "" "Normal maps and heightmaps are officially supposed to be defined with a 'non-" "color data' working space, but you'll find that most engines will not care " "much for this. Instead, tell the game engine not to do any conversion on the " "file when importing." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:370 msgid "" "Specular, glossiness, metalness and roughness maps are all based on linear " "calculations, and when you find that certain material has a metalness of " "0.3, this is 30% gray in a linear space. Therefore, make sure to tell the " "game engine renderer that this is a linear space image (or at the very " "least, should NOT be converted)." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:374 msgid "" "`Visualising the XYZ colorspace `_" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:375 msgid "" "`Basics of gamma correction `_" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:376 msgid "" "`Panda3d example of how an image that has gamma encoded without the 3d " "renderer being notified of it having gamma-encoding can result in too dark " "images `_" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:377 msgid "" "`2d examples of the effect of gamma-encoding on color maths `_" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:378 msgid "" "`Basic overview colormanagement from argylcms manual `_" msgstr "" diff --git a/locale/nl/LC_MESSAGES/reference_manual/brushes/brush_settings/masked_brush.po b/locale/nl/LC_MESSAGES/reference_manual/brushes/brush_settings/masked_brush.po index d9f7dda9f..ce2b081e9 100644 --- a/locale/nl/LC_MESSAGES/reference_manual/brushes/brush_settings/masked_brush.po +++ b/locale/nl/LC_MESSAGES/reference_manual/brushes/brush_settings/masked_brush.po @@ -1,140 +1,140 @@ # Dutch translations for Krita Manual package # Nederlandse vertalingen voor het pakket Krita Manual. # Copyright (C) licensed under the GNU Free Documentation License 1.3+ unless stated otherwise # This file is distributed under the same license as the Krita Manual package. # # Automatically generated, 2019. # Freek de Kruijf , 2019. msgid "" msgstr "" "Project-Id-Version: Krita Manual 4.1\n" "Report-Msgid-Bugs-To: \n" -"POT-Creation-Date: 2019-03-15 03:36+0100\n" +"POT-Creation-Date: 2019-03-16 03:28+0100\n" "PO-Revision-Date: 2019-02-22 11:36+0100\n" "Last-Translator: Freek de Kruijf \n" "Language-Team: Dutch \n" "Language: nl\n" "MIME-Version: 1.0\n" "Content-Type: text/plain; charset=UTF-8\n" "Content-Transfer-Encoding: 8bit\n" "Plural-Forms: nplurals=2; plural=n != 1;\n" "X-Generator: Lokalize 18.12.2\n" +#: ../../reference_manual/brushes/brush_settings/masked_brush.rst:0 +msgid ".. image:: images/en/Masking-brush2.jpg" +msgstr ".. image:: images/en/Masking-brush2.jpg" + #: ../../reference_manual/brushes/brush_settings/masked_brush.rst:None msgid ".. image:: images/en/Masking-brush1.jpg" msgstr ".. image:: images/en/Masking-brush1.jpg" #: ../../reference_manual/brushes/brush_settings/masked_brush.rst:None msgid "Difference from :ref:`option_texture`" msgstr "Verschil met :ref:`option_texture`" -#: ../../reference_manual/brushes/brush_settings/masked_brush.rst:0 -msgid ".. image:: images/en/Masking-brush2.jpg" -msgstr ".. image:: images/en/Masking-brush2.jpg" - #: ../../reference_manual/brushes/brush_settings/masked_brush.rst:1 msgid "" "How to use the masked brush functionality in Krita. This functionality is " "not unlike the dual brush option from photoshop." msgstr "" #: ../../reference_manual/brushes/brush_settings/masked_brush.rst:18 msgid "Masked Brush" msgstr "Gemaskeerd penseel" #: ../../reference_manual/brushes/brush_settings/masked_brush.rst:23 msgid "" "Masked brush is new feature that is only available in the :ref:" "`pixel_brush_engine`. They are additional settings you will see in the brush " "editor. Masked brushes allow you to combine two brush tips in one stroke. " "One brush tip will be a mask for your primary brush tip. A masked brush is a " "good alternative to texture for creating expressive and textured brushes." msgstr "" #: ../../reference_manual/brushes/brush_settings/masked_brush.rst:29 msgid "" "due to technological constraints, the masked brush only works in the wash " "painting mode. However, do remember that flow works as opacity does in the " "build-up painting mode." msgstr "" #: ../../reference_manual/brushes/brush_settings/masked_brush.rst:32 msgid "" "Like with normal brush tip you can choose any brush tip and change it size, " "spacing, and rotation. Masking brush size is relative to main brush size. " "This means when you change your brush size masking tip will be changed to " "keep the ratio." msgstr "" #: ../../reference_manual/brushes/brush_settings/masked_brush.rst:35 msgid ":ref:`Blending mode (dropdown inside Brush tip)`:" msgstr "" #: ../../reference_manual/brushes/brush_settings/masked_brush.rst:35 msgid "Blending modes changes how tips are combined." msgstr "" #: ../../reference_manual/brushes/brush_settings/masked_brush.rst:38 msgid ":ref:`option_brush_tip`" msgstr "" #: ../../reference_manual/brushes/brush_settings/masked_brush.rst:40 msgid ":ref:`option_size`" msgstr "" #: ../../reference_manual/brushes/brush_settings/masked_brush.rst:41 msgid "The size sensor option of the second tip." msgstr "" #: ../../reference_manual/brushes/brush_settings/masked_brush.rst:42 msgid ":ref:`option_opacity_n_flow`" msgstr "" #: ../../reference_manual/brushes/brush_settings/masked_brush.rst:43 msgid "" "The opacity and flow of the second tip. This is mapped to a sensor by " "default. Flow can be quite aggressive on subtract mode, so it might be an " "idea to turn it off there." msgstr "" #: ../../reference_manual/brushes/brush_settings/masked_brush.rst:44 msgid ":ref:`option_ratio`" msgstr "" #: ../../reference_manual/brushes/brush_settings/masked_brush.rst:45 msgid "This affects the brush ratio on a given brush." msgstr "" #: ../../reference_manual/brushes/brush_settings/masked_brush.rst:46 msgid ":ref:`option_mirror`" msgstr "" #: ../../reference_manual/brushes/brush_settings/masked_brush.rst:47 msgid "The Mirror option of the second tip." msgstr "" #: ../../reference_manual/brushes/brush_settings/masked_brush.rst:48 msgid ":ref:`option_rotation`" msgstr "" #: ../../reference_manual/brushes/brush_settings/masked_brush.rst:49 msgid "The rotation option of the second tip. Best set to \"fuzzy dab\"." msgstr "" #: ../../reference_manual/brushes/brush_settings/masked_brush.rst:51 msgid ":ref:`option_scatter`" msgstr "" #: ../../reference_manual/brushes/brush_settings/masked_brush.rst:51 msgid "" "The scatter option. The default is quite high, so don't forget to turn it " "lower." msgstr "" #: ../../reference_manual/brushes/brush_settings/masked_brush.rst:55 msgid "" "You don’t need seamless texture to make cool looking brush Stroke generates " "on the fly, it always different Brush strokes looks same on any brush size " "Easier to fill some areas with solid color but harder to make it hard " "textured" msgstr "" diff --git a/locale/nl/LC_MESSAGES/reference_manual/preferences/general_settings.po b/locale/nl/LC_MESSAGES/reference_manual/preferences/general_settings.po index 3d5054bb8..08db4baf8 100644 --- a/locale/nl/LC_MESSAGES/reference_manual/preferences/general_settings.po +++ b/locale/nl/LC_MESSAGES/reference_manual/preferences/general_settings.po @@ -1,582 +1,581 @@ # Dutch translations for Krita Manual package # Nederlandse vertalingen voor het pakket Krita Manual. # Copyright (C) licensed under the GNU Free Documentation License 1.3+ unless stated otherwise # This file is distributed under the same license as the Krita Manual package. # # Automatically generated, 2019. # Freek de Kruijf , 2019. msgid "" msgstr "" "Project-Id-Version: Krita Manual 4.1\n" "Report-Msgid-Bugs-To: \n" "POT-Creation-Date: 2019-03-15 03:36+0100\n" "PO-Revision-Date: 2019-03-15 11:48+0100\n" "Last-Translator: Freek de Kruijf \n" "Language-Team: Dutch \n" "Language: nl\n" "MIME-Version: 1.0\n" "Content-Type: text/plain; charset=UTF-8\n" "Content-Transfer-Encoding: 8bit\n" "Plural-Forms: nplurals=2; plural=n != 1;\n" "X-Generator: Lokalize 18.12.3\n" #: ../../:1 msgid "Recalculate animation cache in background." msgstr "Animatiecache in achtergrond opnieuw berekenen." #: ../../reference_manual/preferences/general_settings.rst:0 msgid ".. image:: images/en/Krita_Preferences_General.png" msgstr ".. image:: images/en/Krita_Preferences_General.png" #: ../../reference_manual/preferences/general_settings.rst:0 msgid ".. image:: images/en/Settings_cursor_tool_icon.png" msgstr ".. image:: images/en/Settings_cursor_tool_icon.png" #: ../../reference_manual/preferences/general_settings.rst:0 msgid ".. image:: images/en/Settings_cursor_arrow.png" msgstr ".. image:: images/en/Settings_cursor_arrow.png" #: ../../reference_manual/preferences/general_settings.rst:0 msgid ".. image:: images/en/Settings_cursor_crosshair.png" msgstr ".. image:: images/en/Settings_cursor_crosshair.png" #: ../../reference_manual/preferences/general_settings.rst:0 msgid ".. image:: images/en/Settings_cursor_small_circle.png" msgstr ".. image:: images/en/Settings_cursor_small_circle.png" #: ../../reference_manual/preferences/general_settings.rst:0 msgid ".. image:: images/en/Settings_cursor_no_cursor.png" msgstr ".. image:: images/en/Settings_cursor_no_cursor.png" #: ../../reference_manual/preferences/general_settings.rst:0 msgid ".. image:: images/en/Settings_cursor_triangle_righthanded.png" msgstr ".. image:: images/en/Settings_cursor_triangle_righthanded.png" #: ../../reference_manual/preferences/general_settings.rst:0 msgid ".. image:: images/en/Settings_cursor_triangle_lefthanded.png" msgstr ".. image:: images/en/Settings_cursor_triangle_lefthanded.png" #: ../../reference_manual/preferences/general_settings.rst:0 msgid ".. image:: images/en/Settings_cursor_black_pixel.png" msgstr ".. image:: images/en/Settings_cursor_black_pixel.png" #: ../../reference_manual/preferences/general_settings.rst:0 msgid ".. image:: images/en/Settings_cursor_white_pixel.png" msgstr ".. image:: images/en/Settings_cursor_white_pixel.png" #: ../../reference_manual/preferences/general_settings.rst:0 msgid ".. image:: images/en/Krita_4_0_kinetic_scrolling.gif" msgstr ".. image:: images/en/Krita_4_0_kinetic_scrolling.gif" #: ../../reference_manual/preferences/general_settings.rst:1 msgid "General Preferences in Krita." msgstr "Algemene voorkeuren in Krita." #: ../../reference_manual/preferences/general_settings.rst:17 msgid "General Settings" msgstr "Algemene instellingen" #: ../../reference_manual/preferences/general_settings.rst:19 msgid "" "You can access the General Category of the preferences by first going to :" "menuselection:`Settings --> Configure Krita`." msgstr "" "U krijgt toegang tot de Algemene categorie van de voorkeuren door eerst te " "gaan naar :menuselection:`Instellingen --> Krita configureren`." #: ../../reference_manual/preferences/general_settings.rst:24 msgid "Cursor Settings" msgstr "" #: ../../reference_manual/preferences/general_settings.rst:26 msgid "Customize the drawing cursor here:" msgstr "" #: ../../reference_manual/preferences/general_settings.rst:29 msgid "Cursor Shape" msgstr "Vorm aanwijzer" #: ../../reference_manual/preferences/general_settings.rst:31 msgid "" "Select a cursor shape to use while the brush tools are used. This cursor " "will always be visible on the canvas. It is usually set to a type exactly " "where your pen nib is at. The available cursor types are shown below." msgstr "" #: ../../reference_manual/preferences/general_settings.rst:34 msgid "Shows the currently selected tool icon, even for the freehand brush." msgstr "" #: ../../reference_manual/preferences/general_settings.rst:36 msgid "Tool Icon" msgstr "" #: ../../reference_manual/preferences/general_settings.rst:39 msgid "Shows a generic cursor." msgstr "" #: ../../reference_manual/preferences/general_settings.rst:41 msgid "Arrow" msgstr "Pijl" #: ../../reference_manual/preferences/general_settings.rst:44 msgid "Shows a precision reticule." msgstr "" #: ../../reference_manual/preferences/general_settings.rst:46 msgid "Crosshair" msgstr "Draadkruis" #: ../../reference_manual/preferences/general_settings.rst:48 msgid "Small circle" msgstr "Kleine cirkel" #: ../../reference_manual/preferences/general_settings.rst:50 msgid "Shows a small white dot with a black outline." msgstr "" #: ../../reference_manual/preferences/general_settings.rst:55 msgid "Show no cursor, useful for tablet-monitors." msgstr "" #: ../../reference_manual/preferences/general_settings.rst:57 msgid "No Cursor" msgstr "Geen cursor" #: ../../reference_manual/preferences/general_settings.rst:59 msgid "Triangle Right-Handed." msgstr "" #: ../../reference_manual/preferences/general_settings.rst:61 msgid "Gives a small white triangle with a black border." msgstr "" #: ../../reference_manual/preferences/general_settings.rst:66 msgid "Same as above but mirrored." msgstr "" #: ../../reference_manual/preferences/general_settings.rst:68 msgid "Triangle Left-Handed." msgstr "" #: ../../reference_manual/preferences/general_settings.rst:71 msgid "Gives a single black pixel." msgstr "" #: ../../reference_manual/preferences/general_settings.rst:73 msgid "Black Pixel" msgstr "Zwart pixel" #: ../../reference_manual/preferences/general_settings.rst:76 msgid "Gives a single white pixel." msgstr "" #: ../../reference_manual/preferences/general_settings.rst:79 msgid "White Pixel" msgstr "Wit pixel" #: ../../reference_manual/preferences/general_settings.rst:82 msgid "Outline Shape" msgstr "Vorm van omlijning" #: ../../reference_manual/preferences/general_settings.rst:84 msgid "" "Select an outline shape to use while the brush tools are used. This cursor " "shape will optionally show in the middle of a painting stroke as well. The " "available outline shape types are shown below.(pictures will come soon)" msgstr "" #: ../../reference_manual/preferences/general_settings.rst:86 msgid "No Outline" msgstr "Geen omlijning" #: ../../reference_manual/preferences/general_settings.rst:87 msgid "No outline." msgstr "Geen omlijning." #: ../../reference_manual/preferences/general_settings.rst:88 msgid "Circle Outline" msgstr "Cirkelomtrek" #: ../../reference_manual/preferences/general_settings.rst:89 msgid "Gives a circular outline approximating the brush size." msgstr "" #: ../../reference_manual/preferences/general_settings.rst:90 msgid "Preview Outline" msgstr "Omlijning van voorbeeld" #: ../../reference_manual/preferences/general_settings.rst:91 msgid "Gives an outline based on the actual shape of the brush." msgstr "" #: ../../reference_manual/preferences/general_settings.rst:93 msgid "Gives a circular outline with a tilt-indicator." msgstr "" #: ../../reference_manual/preferences/general_settings.rst:95 msgid "Tilt Outline" msgstr "Omtrek van helling" #: ../../reference_manual/preferences/general_settings.rst:98 msgid "While Painting..." msgstr "Tijdens tekenen..." #: ../../reference_manual/preferences/general_settings.rst:101 msgid "" "This option when selected will show the brush outline while a stroke is " "being made. If unchecked the brush outline will not appear during stroke " "making, it will show up only after the brush stroke is finished. This option " "works only when Brush Outline is selected as the Cursor Shape." msgstr "" #: ../../reference_manual/preferences/general_settings.rst:105 msgid "Show Outline" msgstr "Omlijning tonen" #: ../../reference_manual/preferences/general_settings.rst:105 msgid "Used to be called \"Show Outline When Painting\"" msgstr "" #: ../../reference_manual/preferences/general_settings.rst:107 msgid "Use effective outline size" msgstr "Effectieve grootte omlijning gebruiken" #: ../../reference_manual/preferences/general_settings.rst:111 msgid "" "This makes sure that the outline size will always be the maximum possible " "brush diameter, and not the current one as affected by sensors such as " "pressure. This makes the cursor a little less noisy to use." msgstr "" #: ../../reference_manual/preferences/general_settings.rst:116 msgid "Window Settings" msgstr "Vensterinstellingen" #: ../../reference_manual/preferences/general_settings.rst:118 msgid "Multiple Document Mode" msgstr "Modus meerdere documenten" #: ../../reference_manual/preferences/general_settings.rst:119 msgid "" "This can be either tabbed like :program:`GIMP` or :program:`Painttool Sai`, " "or subwindows, like :program:`Photoshop`." msgstr "" #: ../../reference_manual/preferences/general_settings.rst:120 msgid "Background image" msgstr "Achtergrondafbeelding" #: ../../reference_manual/preferences/general_settings.rst:121 msgid "Allows you to set a picture background for subwindow mode." msgstr "" #: ../../reference_manual/preferences/general_settings.rst:122 msgid "Window Background" msgstr "Vensterachtergrond" #: ../../reference_manual/preferences/general_settings.rst:123 msgid "Set the colour of the subwindow canvas area." msgstr "" #: ../../reference_manual/preferences/general_settings.rst:124 msgid "Don't show contents when moving sub-windows" msgstr "Inhoud niet tonen bij verplaatsen van subvensters" #: ../../reference_manual/preferences/general_settings.rst:125 msgid "" "This gives an outline when moving windows to work around ugly glitches with " "certain graphics-cards." msgstr "" #: ../../reference_manual/preferences/general_settings.rst:126 msgid "Show on-canvas popup messages" msgstr "Pop-up berichten op het werkveld tonen" #: ../../reference_manual/preferences/general_settings.rst:127 msgid "" "Whether or not you want to see the on-canvas pop-up messages that tell you " "whether you are in tabbed mode, rotating the canvas, or mirroring it." msgstr "" #: ../../reference_manual/preferences/general_settings.rst:128 msgid "Enable Hi-DPI support" msgstr "Hi-DPI ondersteuning inschakelen" #: ../../reference_manual/preferences/general_settings.rst:129 msgid "" "Attempt to use the Hi-DPI support. It is an option because we are still " "experiencing bugs on windows." msgstr "" #: ../../reference_manual/preferences/general_settings.rst:131 msgid "Allow only one instance of Krita" msgstr "Slecht één exemplaar van Krita toestaan" #: ../../reference_manual/preferences/general_settings.rst:131 msgid "" "An instance is a single entry in your system's task manager. Turning this " "option makes sure that Krita will check if there's an instance of Krita open " "already when you instruct it to open new documents, and then have your " "documents opened in that single instance. There's some obscure uses to " "allowing multiple instances, but if you can't think of any, just keep this " "option on." msgstr "" #: ../../reference_manual/preferences/general_settings.rst:134 msgid "Tool options" msgstr "Hulpmiddelopties" #: ../../reference_manual/preferences/general_settings.rst:136 msgid "In docker (default)" msgstr "" #: ../../reference_manual/preferences/general_settings.rst:137 msgid "Gives you the tool options in a docker." msgstr "" #: ../../reference_manual/preferences/general_settings.rst:139 msgid "In toolbar" msgstr "" #: ../../reference_manual/preferences/general_settings.rst:139 msgid "" "Gives you the tool options in the toolbar, next to the brush settings. You " "can open it with :kbd:`\\\\`." msgstr "" #: ../../reference_manual/preferences/general_settings.rst:142 msgid "Switch Control/Alt Selection Modifiers" msgstr "" #: ../../reference_manual/preferences/general_settings.rst:142 msgid "" "This switches the function of the :kbd:`Ctrl` and :kbd:`Alt` buttons when " "modifying selections. Useful for those used to Gimp instead of Photoshop, or " "Lefties without a right-::kbd:`Alt` key on their keyboard." msgstr "" #: ../../reference_manual/preferences/general_settings.rst:145 msgid "Enable Touchpainting" msgstr "" #: ../../reference_manual/preferences/general_settings.rst:145 msgid "" "This allows finger painting with capacitive screens. Some devices have both " "capacitive touch and a stylus, and then this can interfere. In that case, " "just toggle this." msgstr "" #: ../../reference_manual/preferences/general_settings.rst:148 msgid "This enables kinetic scrolling for scrollable areas." msgstr "" #: ../../reference_manual/preferences/general_settings.rst:153 msgid "" "Kinetic scrolling on the brush chooser drop-down with activation mode set to " "`guilabel:`On Click Drag`, with this disabled all of these clicks would lead " "to a brush being selected regardless of drag motion." msgstr "" #: ../../reference_manual/preferences/general_settings.rst:156 msgid "How it is activated." msgstr "" #: ../../reference_manual/preferences/general_settings.rst:158 msgid "Disabled" msgstr "Uitgeschakeld" #: ../../reference_manual/preferences/general_settings.rst:159 msgid "Will never activated." msgstr "" #: ../../reference_manual/preferences/general_settings.rst:160 msgid "On Touch Drag" msgstr "Bij aanraken slepen" #: ../../reference_manual/preferences/general_settings.rst:161 msgid "Will activate if it can recognise a touch event. May not always work." msgstr "" #: ../../reference_manual/preferences/general_settings.rst:163 msgid "Activation" msgstr "Activatie" #: ../../reference_manual/preferences/general_settings.rst:163 msgid "On Click Drag" msgstr "Bij klikken slepen" #: ../../reference_manual/preferences/general_settings.rst:163 msgid "Will activate when it can recognise a click event, will always work." msgstr "" #: ../../reference_manual/preferences/general_settings.rst:165 msgid "Sensitivity" msgstr "Gevoeligheid" #: ../../reference_manual/preferences/general_settings.rst:166 msgid "" "How quickly the feature activates, this effective determines the length of " "the drag." msgstr "" #: ../../reference_manual/preferences/general_settings.rst:168 msgid "Kinetic Scrolling (Needs Restart)" msgstr "Kinetisch schuiven (herstart vereist)" #: ../../reference_manual/preferences/general_settings.rst:168 msgid "Show Scrollbar" msgstr "Schuifbalk tonen" #: ../../reference_manual/preferences/general_settings.rst:168 msgid "Whether to show scrollbars when doing this." msgstr "" #: ../../reference_manual/preferences/general_settings.rst:173 msgid "Miscellaneous" msgstr "Diversen" #: ../../reference_manual/preferences/general_settings.rst:176 msgid "" "This is the option for handling user sessions. It has the following options:" msgstr "" #: ../../reference_manual/preferences/general_settings.rst:178 msgid "Open Default Window" msgstr "Standaard venster openen" #: ../../reference_manual/preferences/general_settings.rst:179 msgid "This opens the regular empty window with the last used workspace." msgstr "" #: ../../reference_manual/preferences/general_settings.rst:180 msgid "Load Previous Session" msgstr "Vorige sessie laden" #: ../../reference_manual/preferences/general_settings.rst:181 msgid "" "Load the last opened session. If you have :guilabel:`Save session when Krita " "closes` toggled, this becomes the last files you had open and the like." msgstr "" #: ../../reference_manual/preferences/general_settings.rst:183 msgid "Show Session Manager" msgstr "Sessiebeheerder tonen" #: ../../reference_manual/preferences/general_settings.rst:183 msgid "Show the session manager directly so you can pick a session." msgstr "" #: ../../reference_manual/preferences/general_settings.rst:184 -#| msgid "When Krita Starts" msgid "When Krita starts" msgstr "Wanneer Krita start" #: ../../reference_manual/preferences/general_settings.rst:187 msgid "" "Save the current open windows, documents and the like into the current " "session when closing Krita so you can resume where you left off." msgstr "" #: ../../reference_manual/preferences/general_settings.rst:188 msgid "Save session when Krita closes" msgstr "Sessie opslaan wanneer Krita afsluit" #: ../../reference_manual/preferences/general_settings.rst:190 msgid "Autosave Every" msgstr "Automatisch opslaan elke" #: ../../reference_manual/preferences/general_settings.rst:191 msgid "" "Here the user can specify how often Krita should autosave the file, you can " "tick the checkbox to turn it off. For Windows these files are saved in the " "%TEMP% directory. If you are on Linux it is stored in /home/'username'." msgstr "" #: ../../reference_manual/preferences/general_settings.rst:192 msgid "Compress \\*.kra files more." msgstr "" #: ../../reference_manual/preferences/general_settings.rst:193 msgid "" "This increases the zip compression on the saved Krita files, which makes " "them lighter on disk, but this takes longer to load." msgstr "" #: ../../reference_manual/preferences/general_settings.rst:194 msgid "Upon importing Images as Layers, convert to the image color space." msgstr "" #: ../../reference_manual/preferences/general_settings.rst:195 msgid "" "This makes sure that layers are the same color space as the image, necessary " "for saving to PSD." msgstr "" #: ../../reference_manual/preferences/general_settings.rst:196 msgid "Undo Stack Size" msgstr "Grootte van stapel voor ongedaan maken" #: ../../reference_manual/preferences/general_settings.rst:197 msgid "" "This is the number of undo commands Krita remembers. You can set the value " "to 0 for unlimited undos." msgstr "" #: ../../reference_manual/preferences/general_settings.rst:198 msgid "Favorite Presets" msgstr "" #: ../../reference_manual/preferences/general_settings.rst:199 msgid "" "This determines the amount of presets that can be used in the pop-up palette." msgstr "" #: ../../reference_manual/preferences/general_settings.rst:200 msgid "Create Backup File" msgstr "Reservekopiebestand aanmaken" #: ../../reference_manual/preferences/general_settings.rst:201 msgid "When selected Krita will try to save a backup file in case of a crash." msgstr "" #: ../../reference_manual/preferences/general_settings.rst:202 msgid "Hide splash screen on startup." msgstr "Opstartscherm verbergen bij opstarten." #: ../../reference_manual/preferences/general_settings.rst:203 msgid "" "This'll hide the splash screen automatically once Krita is fully loaded." msgstr "" #: ../../reference_manual/preferences/general_settings.rst:204 msgid "Enable Native File Dialog" msgstr "" #: ../../reference_manual/preferences/general_settings.rst:205 msgid "" "This allows you to use the system file dialog. By default turned off because " "we cannot seem to get native file dialogues 100% bugfree." msgstr "" #: ../../reference_manual/preferences/general_settings.rst:206 msgid "Maximum brush size" msgstr "Maximale penseelgrootte" #: ../../reference_manual/preferences/general_settings.rst:207 msgid "" "This allows you to set the maximum brush size to a size of up to 10.000 " "pixels. Do be careful with using this, as a 10.000 size pixel can very " "quickly be a full gigabyte of data being manipulated, per dab. In other " "words, this might be slow." msgstr "" #: ../../reference_manual/preferences/general_settings.rst:209 msgid "Krita will recalculate the cache when you're not doing anything." msgstr "" #: ../../reference_manual/preferences/general_settings.rst:213 msgid "" "This is now in the :ref:`performance_settings` under :guilabel:`Animation " "Cache`." msgstr "" diff --git a/locale/nl/LC_MESSAGES/tutorials/flat-coloring.po b/locale/nl/LC_MESSAGES/tutorials/flat-coloring.po index dd0b34515..9eb7c251d 100644 --- a/locale/nl/LC_MESSAGES/tutorials/flat-coloring.po +++ b/locale/nl/LC_MESSAGES/tutorials/flat-coloring.po @@ -1,767 +1,767 @@ # Dutch translations for Krita Manual package # Nederlandse vertalingen voor het pakket Krita Manual. # Copyright (C) licensed under the GNU Free Documentation License 1.3+ unless stated otherwise # This file is distributed under the same license as the Krita Manual package. # # Automatically generated, 2019. # Freek de Kruijf , 2019. msgid "" msgstr "" "Project-Id-Version: Krita Manual 4.1\n" "Report-Msgid-Bugs-To: \n" -"POT-Creation-Date: 2019-03-14 03:27+0100\n" +"POT-Creation-Date: 2019-03-16 03:28+0100\n" "PO-Revision-Date: 2019-02-27 23:42+0100\n" "Last-Translator: Freek de Kruijf \n" "Language-Team: Dutch \n" "Language: nl\n" "MIME-Version: 1.0\n" "Content-Type: text/plain; charset=UTF-8\n" "Content-Transfer-Encoding: 8bit\n" "Plural-Forms: nplurals=2; plural=n != 1;\n" "X-Generator: Lokalize 18.12.2\n" #: ../../:2 msgid "" ".. image:: images/icons/Krita_mouse_left.png\n" " :alt: mouseleft" msgstr "" ".. image:: images/icons/Krita_mouse_left.png\n" " :alt: muislinks" #: ../../:4 msgid "" ".. image:: images/icons/Krita_mouse_right.png\n" " :alt: mouseright" msgstr "" ".. image:: images/icons/Krita_mouse_right.png\n" " :alt: muisrechts" -#: ../../tutorials/flat-coloring.rst:0 -msgid "" -".. image:: images/en/flat-coloring/Krita_filling_lineart_selection_1.png" -msgstr "" - -#: ../../tutorials/flat-coloring.rst:0 -msgid "" -".. image:: images/en/flat-coloring/Krita_filling_lineart_selection_2.png" -msgstr "" - -#: ../../tutorials/flat-coloring.rst:0 -msgid ".. image:: images/en/flat-coloring/Krita_filling_lineart_mask_1.png" -msgstr "" - -#: ../../tutorials/flat-coloring.rst:0 -msgid ".. image:: images/en/flat-coloring/Krita_filling_lineart_mask_2.png" -msgstr "" - -#: ../../tutorials/flat-coloring.rst:0 -msgid ".. image:: images/en/flat-coloring/Krita_filling_lineart_mask_3.png" -msgstr "" - #: ../../tutorials/flat-coloring.rst:None msgid "" ".. image:: images/en/flat-coloring/Krita_filling_lineart14.png\n" " :alt: layer structure for flatting in krita" msgstr "" #: ../../tutorials/flat-coloring.rst:None msgid "" ".. image:: images/en/flat-coloring/Krita_filling_lineart1.png\n" " :alt: blend mode setup of lineart flat coloring" msgstr "" #: ../../tutorials/flat-coloring.rst:None msgid "" ".. image:: images/en/flat-coloring/Krita_filling_lineart2.png\n" " :alt: effects of multiply blend mode" msgstr "" #: ../../tutorials/flat-coloring.rst:None msgid "" ".. image:: images/icons/fill_tool.svg\n" " :alt: fill-tool icon" msgstr "" #: ../../tutorials/flat-coloring.rst:None msgid "" ".. image:: images/en/flat-coloring/Krita_filling_lineart7.png\n" " :alt: colors filled with fill tool" msgstr "" #: ../../tutorials/flat-coloring.rst:None msgid "" ".. image:: images/en/flat-coloring/Krita_filling_lineart15.png\n" " :alt: selecting with selection tools for filling color" msgstr "" #: ../../tutorials/flat-coloring.rst:None msgid "" ".. image:: images/en/flat-coloring/Krita_filling_lineart16.png\n" " :alt: selection mask in Krita" msgstr "" #: ../../tutorials/flat-coloring.rst:None msgid "" ".. image:: images/en/flat-coloring/Krita_filling_lineart17.png\n" " :alt: filling color in selection" msgstr "" #: ../../tutorials/flat-coloring.rst:None msgid "" ".. image:: images/en/flat-coloring/Krita_filling_lineart18.png\n" " :alt: result of coloring made with the help of selection tools" msgstr "" #: ../../tutorials/flat-coloring.rst:None msgid "" ".. image:: images/en/flat-coloring/Krita_filling_lineart8.png\n" " :alt: filling color in lineart using path tool" msgstr "" #: ../../tutorials/flat-coloring.rst:None msgid "" ".. image:: images/en/flat-coloring/Krita_filling_lineart9.png\n" " :alt: erasing with path tool" msgstr "" #: ../../tutorials/flat-coloring.rst:None msgid "" ".. image:: images/en/flat-coloring/Krita_filling_lineart10.png\n" " :alt: coloring with colorise mask" msgstr "" #: ../../tutorials/flat-coloring.rst:None msgid "" ".. image:: images/en/flat-coloring/Krita_filling_lineart11.png\n" " :alt: result from the colorise mask" msgstr "" #: ../../tutorials/flat-coloring.rst:None msgid "" ".. image:: images/en/flat-coloring/Krita_filling_lineart12.png\n" " :alt: slitting colors into islands" msgstr "" #: ../../tutorials/flat-coloring.rst:None msgid "" ".. image:: images/en/flat-coloring/Krita_filling_lineart13.png\n" " :alt: resulting color islands from split layers" msgstr "" +#: ../../tutorials/flat-coloring.rst:0 +msgid "" +".. image:: images/en/flat-coloring/Krita_filling_lineart_selection_1.png" +msgstr "" + +#: ../../tutorials/flat-coloring.rst:0 +msgid "" +".. image:: images/en/flat-coloring/Krita_filling_lineart_selection_2.png" +msgstr "" + +#: ../../tutorials/flat-coloring.rst:0 +msgid ".. image:: images/en/flat-coloring/Krita_filling_lineart_mask_1.png" +msgstr "" + +#: ../../tutorials/flat-coloring.rst:0 +msgid ".. image:: images/en/flat-coloring/Krita_filling_lineart_mask_2.png" +msgstr "" + +#: ../../tutorials/flat-coloring.rst:0 +msgid ".. image:: images/en/flat-coloring/Krita_filling_lineart_mask_3.png" +msgstr "" + #: ../../tutorials/flat-coloring.rst:1 msgid "Common workflows used in Krita" msgstr "" #: ../../tutorials/flat-coloring.rst:13 msgid "Flat Coloring" msgstr "" #: ../../tutorials/flat-coloring.rst:15 msgid "" "So you've got a cool black on white drawing, and now you want to color it! " "The thing we’ll aim for in this tutorial is to get your lineart colored in " "with flat colors. So no shading just yet. We’ll be going through some " "techniques for preparing the lineart, and we’ll be using the layer docker to " "put each colour on a separate layer, so we can easily access each colour " "when we add shading." msgstr "" #: ../../tutorials/flat-coloring.rst:17 msgid "" "This tutorial is adapted from this `tutorial `_ by " "the original author." msgstr "" #: ../../tutorials/flat-coloring.rst:20 msgid "Understanding Layers" msgstr "" #: ../../tutorials/flat-coloring.rst:22 msgid "" "To fill lineart comfortably, it's best to take advantage of the layerstack. " "The layer stack is pretty awesome, and it's one of those features that make " "digital art super-convenient." msgstr "" #: ../../tutorials/flat-coloring.rst:24 msgid "" "In traditional art, it is not uncommon to first draw the full background " "before drawing the subject. Or to first draw a line art and then colour it " "in. Computers have a similar way of working." msgstr "" #: ../../tutorials/flat-coloring.rst:26 msgid "" "In programming, if you tell a computer to draw a red circle, and then " "afterwards tell it to draw a smaller yellow circle, you will see the small " "yellow circle overlap the red circle. Switch the commands around, and you " "will not see the yellow circle at all: it was drawn before the red circle " "and thus ‘behind’ it." msgstr "" #: ../../tutorials/flat-coloring.rst:28 msgid "" "This is referred to as the “drawing order”. So like the traditional artist, " "the computer will first draw the images that are behind everything, and " "layer the subject and foreground on top of it. The layer docker is a way for " "you to control the drawing order of multiple images, so for example, you can " "have your lineart drawn later than your colors, meaning that the lines will " "be drawn over the colors, making it easier to make it neat!" msgstr "" #: ../../tutorials/flat-coloring.rst:30 msgid "" "Other things that a layer stack can do are blending the colors of different " "layers differently with blending modes, using a filter in the layer stack, " "or using a mask that allows you to make parts transparent." msgstr "" #: ../../tutorials/flat-coloring.rst:32 msgid "" "Programmers talk about transparency as ''Alpha'', which is because the 'a' " "symbol is used to present transparency in the algorithms for painting one " "color on top of another. Usually when you see the word ''Alpha'' in a " "graphics program, just think of it as affecting the transparency." msgstr "" #: ../../tutorials/flat-coloring.rst:35 msgid "Preparing your line-art" msgstr "" #: ../../tutorials/flat-coloring.rst:37 msgid "" "Put the new layer underneath the layer containing the lineart (drag and drop " "or use the up/down arrows for that), and draw on it." msgstr "" #: ../../tutorials/flat-coloring.rst:42 msgid "" "…And notice nothing happening. This is because the white isn’t transparent. " "You wouldn’t really want it to either, how else would you make convincing " "highlights? So what we first need to do to colour in our drawing is prepare " "our lineart. There’s several methods of doing so, each with varying " "qualities." msgstr "" #: ../../tutorials/flat-coloring.rst:45 msgid "The Multiply Blending Mode" msgstr "" #: ../../tutorials/flat-coloring.rst:47 msgid "" "So, typically, to get a black and white lineart usable for colouring, you " "can set the blending mode of the lineart layer to Multiply. You do this by " "selecting the layer and going to the drop down that says **Normal** and " "setting that to **Multiply**." msgstr "" #: ../../tutorials/flat-coloring.rst:52 msgid "And then you should be able to see your colors!" msgstr "" #: ../../tutorials/flat-coloring.rst:54 msgid "" "Multiply is not a perfect solution however. For example, if through some " "image editing magic I make the lineart blue, it results into this:" msgstr "" #: ../../tutorials/flat-coloring.rst:59 msgid "" "This is because multiply literally multiplies the colors. So it uses maths!" msgstr "" #: ../../tutorials/flat-coloring.rst:61 msgid "" "What it first does is take the values of the RGB channels, then divides them " "by the max (because we're in 8bit, this is 255), a process we call " "normalising. Then it multiplies the normalised values. Finally, it takes the " "result and multiplies it with 255 again to get the result values." msgstr "" #: ../../tutorials/flat-coloring.rst:67 msgid "Pink" msgstr "Roze" #: ../../tutorials/flat-coloring.rst:68 msgid "Pink (normalised)" msgstr "" #: ../../tutorials/flat-coloring.rst:69 ../../tutorials/flat-coloring.rst:87 msgid "Blue" msgstr "Blauw" #: ../../tutorials/flat-coloring.rst:70 msgid "Blue (normalised)" msgstr "" #: ../../tutorials/flat-coloring.rst:71 msgid "Normalised, multiplied" msgstr "" #: ../../tutorials/flat-coloring.rst:72 msgid "Result" msgstr "Resultaat" #: ../../tutorials/flat-coloring.rst:73 msgid "Red" msgstr "Rood" #: ../../tutorials/flat-coloring.rst:74 msgid "222" msgstr "" #: ../../tutorials/flat-coloring.rst:75 msgid "0.8705" msgstr "" #: ../../tutorials/flat-coloring.rst:76 msgid "92" msgstr "" #: ../../tutorials/flat-coloring.rst:77 msgid "0.3607" msgstr "" #: ../../tutorials/flat-coloring.rst:78 msgid "0.3139" msgstr "" #: ../../tutorials/flat-coloring.rst:79 msgid "80" msgstr "" #: ../../tutorials/flat-coloring.rst:80 msgid "Green" msgstr "Groen" #: ../../tutorials/flat-coloring.rst:81 msgid "144" msgstr "" #: ../../tutorials/flat-coloring.rst:82 msgid "0.5647" msgstr "" #: ../../tutorials/flat-coloring.rst:83 msgid "176" msgstr "" #: ../../tutorials/flat-coloring.rst:84 msgid "0.6902" msgstr "" #: ../../tutorials/flat-coloring.rst:85 msgid "0.3897" msgstr "" #: ../../tutorials/flat-coloring.rst:86 msgid "99" msgstr "" #: ../../tutorials/flat-coloring.rst:88 msgid "123" msgstr "" #: ../../tutorials/flat-coloring.rst:89 msgid "0.4823" msgstr "" #: ../../tutorials/flat-coloring.rst:90 msgid "215" msgstr "" #: ../../tutorials/flat-coloring.rst:91 msgid "0.8431" msgstr "" #: ../../tutorials/flat-coloring.rst:92 msgid "0.4066" msgstr "" #: ../../tutorials/flat-coloring.rst:93 msgid "103" msgstr "" #: ../../tutorials/flat-coloring.rst:95 msgid "" "This isn't completely undesirable, and a lot of artists use this effect to " "add a little richness to their colors." msgstr "" #: ../../tutorials/flat-coloring.rst:98 ../../tutorials/flat-coloring.rst:127 #: ../../tutorials/flat-coloring.rst:154 ../../tutorials/flat-coloring.rst:173 #: ../../tutorials/flat-coloring.rst:210 ../../tutorials/flat-coloring.rst:247 #: ../../tutorials/flat-coloring.rst:275 ../../tutorials/flat-coloring.rst:317 msgid "Advantages" msgstr "" #: ../../tutorials/flat-coloring.rst:100 msgid "" "Easy, can work to your benefit even with coloured lines by softening the " "look of the lines while keeping nice contrast." msgstr "" #: ../../tutorials/flat-coloring.rst:103 ../../tutorials/flat-coloring.rst:132 #: ../../tutorials/flat-coloring.rst:159 ../../tutorials/flat-coloring.rst:178 #: ../../tutorials/flat-coloring.rst:215 ../../tutorials/flat-coloring.rst:252 #: ../../tutorials/flat-coloring.rst:280 ../../tutorials/flat-coloring.rst:322 msgid "Disadvantages" msgstr "Nadelen" #: ../../tutorials/flat-coloring.rst:105 msgid "Not actually transparent. Is a little funny with coloured lines." msgstr "" #: ../../tutorials/flat-coloring.rst:108 msgid "Using Selections" msgstr "" #: ../../tutorials/flat-coloring.rst:110 msgid "" "The second method is one where we'll make it actually transparent. In other " "programs this would be done via the channel docker, but Krita doesn't do " "custom channels, instead it uses Selection Masks to store custom selections." msgstr "" #: ../../tutorials/flat-coloring.rst:112 msgid "duplicate your lineart layer." msgstr "" #: ../../tutorials/flat-coloring.rst:114 msgid "" "convert the duplicate to a selection mask. |mouseright| the layer, then :" "menuselection:`Convert --> to Selection Mask`." msgstr "" #: ../../tutorials/flat-coloring.rst:118 msgid "" "Invert the selection mask. :menuselection:`Select --> Invert Selection`." msgstr "" #: ../../tutorials/flat-coloring.rst:120 msgid "" "Make a new layer, and do :menuselection:`Edit --> Fill with foreground " "color`." msgstr "" #: ../../tutorials/flat-coloring.rst:124 msgid "And you should now have the line art on a separate layer." msgstr "" #: ../../tutorials/flat-coloring.rst:129 msgid "Actual transparency." msgstr "" #: ../../tutorials/flat-coloring.rst:134 msgid "Doesn't work when the lineart is coloured." msgstr "" #: ../../tutorials/flat-coloring.rst:137 msgid "Using Masks" msgstr "" #: ../../tutorials/flat-coloring.rst:139 msgid "This is a simpler variation of the above." msgstr "" #: ../../tutorials/flat-coloring.rst:141 msgid "Make a filled layer underneath the lineart layer." msgstr "" #: ../../tutorials/flat-coloring.rst:145 msgid "" "Convert the lineart layer to a transparency mask |mouseright| the layer, " "then :menuselection:`Convert --> to Transparency Mask`." msgstr "" #: ../../tutorials/flat-coloring.rst:149 msgid "" "Invert the transparency mask by going to :menuselection:`Filter --> Adjust --" "> Invert`" msgstr "" #: ../../tutorials/flat-coloring.rst:156 msgid "" "Actual transparency. You can also very easily doodle a pattern on the filled " "layer where the mask is on without affecting the transparency." msgstr "" #: ../../tutorials/flat-coloring.rst:161 msgid "" "Doesn't work when the lineart is coloured already. We can still get faster." msgstr "" #: ../../tutorials/flat-coloring.rst:164 msgid "Using Color to Alpha" msgstr "" #: ../../tutorials/flat-coloring.rst:166 msgid "By far the fastest way to get transparent lineart." msgstr "" #: ../../tutorials/flat-coloring.rst:168 msgid "" "Select the line art layer and apply the color to alpha filter. :" "menuselection:`Filter --> Colors --> Color to Alpha`. The default values " "should be sufficient for lineart." msgstr "" #: ../../tutorials/flat-coloring.rst:171 msgid "" ".. image:: images/en/flat-coloring/Krita_filling_lineart_color_to_alpha.png" msgstr "" #: ../../tutorials/flat-coloring.rst:175 msgid "" "Actual transparency. Works with coloured line art as well, because it " "removes the white specifically." msgstr "" #: ../../tutorials/flat-coloring.rst:180 msgid "" "You'll have to lock the layer transparency or separate out the alpha via the " "right-click menu if you want to easily color it." msgstr "" #: ../../tutorials/flat-coloring.rst:184 msgid "Colouring the image" msgstr "" #: ../../tutorials/flat-coloring.rst:186 msgid "" "Much like preparing the line art, there's many different ways of colouring a " "layer." msgstr "" #: ../../tutorials/flat-coloring.rst:188 msgid "" "You could for example fill in everything by hand, but while that is very " "precise it also takes a lot of work. Let's take a look at the other options, " "shall we?" msgstr "" #: ../../tutorials/flat-coloring.rst:191 msgid "Fill Tool" msgstr "Hulpmiddel voor vullen" #: ../../tutorials/flat-coloring.rst:196 msgid "" "In most cases the fill-tool can’t deal with the anti-aliasing (the soft edge " "in your lineart to make it more smooth when zoomed out) In Krita you have " "the grow-shrink option. Setting that to say… 2 expands the colour two pixels." msgstr "" #: ../../tutorials/flat-coloring.rst:198 msgid "" "Threshold decides when the fill-tool should consider a different colour " "pixel to be a border. And the feathering adds a extra soft border to the " "fill." msgstr "" #: ../../tutorials/flat-coloring.rst:200 msgid "" "Now, if you click on a gapless-part of the image with your preferred colour…" "(Remember to set the opacity to 1.0!)" msgstr "" #: ../../tutorials/flat-coloring.rst:202 msgid "" "Depending on your lineart, you can do flats pretty quickly. But setting the " "threshold low can result in little artifacts around where lines meet:" msgstr "" #: ../../tutorials/flat-coloring.rst:207 msgid "" "However, setting the threshold high can end with the fill not recognising " "some of the lighter lines. Besides these little artifacts can be removed " "with the brush easily." msgstr "" #: ../../tutorials/flat-coloring.rst:212 msgid "Pretty darn quick depending on the available settings." msgstr "" #: ../../tutorials/flat-coloring.rst:217 msgid "" "Again, not great with gaps or details. And it works best with aliased line-" "art." msgstr "" #: ../../tutorials/flat-coloring.rst:220 msgid "Selections" msgstr "Selecties" #: ../../tutorials/flat-coloring.rst:222 msgid "Selections work using the selection tools." msgstr "" #: ../../tutorials/flat-coloring.rst:227 msgid "" "For example with the :ref:`bezier_curve_selection_tool` you can easily " "select a curved area, and the with :kbd:`Shift` + |mouseleft| (not |" "mouseleft| + :kbd:`Shift`, there's a difference!) you can easily add to an " "existing selection." msgstr "" #: ../../tutorials/flat-coloring.rst:232 msgid "" "You can also edit the selection if you have :menuselection:`Select --> Show " "Global Selection Mask` turned on. Then you can select the global selection " "mask, and paint on it. (Above with the alternative selection mode, activated " "in the lower-left corner of the stats bar)" msgstr "" #: ../../tutorials/flat-coloring.rst:234 msgid "" "When done, select the color you want to fill it with and press :kbd:`Shift` " "+ `backspace`." msgstr "" #: ../../tutorials/flat-coloring.rst:239 msgid "" "You can save selections in selection masks by |mouseright| a layer, and then " "going to :menuselection:`Add --> Local Selection`. You first need to " "deactivate a selection by pressing the circle before adding a new selection." msgstr "" #: ../../tutorials/flat-coloring.rst:241 msgid "" "This can serve as an alternative way to split out different parts of the " "image, which is good for more painterly pieces:" msgstr "" #: ../../tutorials/flat-coloring.rst:249 msgid "A bit more precise than filling." msgstr "" #: ../../tutorials/flat-coloring.rst:254 msgid "Previewing your color isn't as easy." msgstr "" #: ../../tutorials/flat-coloring.rst:257 msgid "Geometric tools" msgstr "" #: ../../tutorials/flat-coloring.rst:259 msgid "" "So you have a tool for making rectangles or circles. And in the case of " "Krita, a tool for bezier curves. Select the path tool (|path tool|), and set " "the tool options to fill=foreground and outline=none. Make sure that your " "opacity is set to 1.00 (fully opaque)." msgstr "" #: ../../tutorials/flat-coloring.rst:262 msgid "" ".. image:: images/icons/bezier_curve.svg\n" " :alt: path tool" msgstr "" #: ../../tutorials/flat-coloring.rst:264 msgid "" "By clicking and holding, you can influence how curvy a line draw with the " "path tool is going to be. Letting go of the mouse button confirms the " "action, and then you’re free to draw the next point." msgstr "" #: ../../tutorials/flat-coloring.rst:269 msgid "" "You can also erase with a geometric tool. Just press :kbd:`E` or the eraser " "button." msgstr "" #: ../../tutorials/flat-coloring.rst:277 msgid "" "Quicker than using the brush or selections. Also decent with lineart that " "contains gaps." msgstr "" #: ../../tutorials/flat-coloring.rst:282 msgid "" "Fiddly details aren’t easy to fill in with this. So I recommend skipping " "those and filling them in later with a brush." msgstr "" #: ../../tutorials/flat-coloring.rst:285 msgid "Colorize Mask" msgstr "Inkleurmasker" #: ../../tutorials/flat-coloring.rst:287 msgid "" "So, this is a bit of an odd one. In the original tutorial, you'll see I'm " "suggesting using G'Mic, but that was a few years ago, and g'mic is a little " "unstable on windows. Therefore, the Krita developers have been attempting to " "make an internal tool doing the same." msgstr "" #: ../../tutorials/flat-coloring.rst:289 msgid "" "It is disabled in 3.1, but if you use 4.0 or later, it is in the toolbox. " "Check the Colorize Mask for more information." msgstr "" #: ../../tutorials/flat-coloring.rst:291 msgid "So it works like this:" msgstr "" #: ../../tutorials/flat-coloring.rst:293 msgid "Select the colorize mask tool." msgstr "" #: ../../tutorials/flat-coloring.rst:294 msgid "Tick the layer you're using." msgstr "" #: ../../tutorials/flat-coloring.rst:295 msgid "Paint the colors your want to use on the colorize mask" msgstr "" #: ../../tutorials/flat-coloring.rst:296 msgid "Click update to see the results:" msgstr "" #: ../../tutorials/flat-coloring.rst:301 msgid "" "When you are satisfied, |mouseright| the colorize mask, and go to :" "menuselection:`Convert --> Paint Layer`. This will turn the colorize mask to " "a generic paint layer. Then, you can fix the last issues by aking the " "lineart semi-transparent and painting the flaws away with a pixel art brush." msgstr "" #: ../../tutorials/flat-coloring.rst:306 msgid "" "Then, when you are done, split the layers via :menuselection:`Layers --> " "Split --> Split Layer`. There's a few options you can choose, but the " "following should be fine:" msgstr "" #: ../../tutorials/flat-coloring.rst:311 msgid "" "Finally, press **Ok** and you should get the following. Each color patch it " "on a different layer, named by the palette in the menu and alpha locked, so " "you can start painting right away!" msgstr "" #: ../../tutorials/flat-coloring.rst:319 msgid "" "Works with anti aliased lineart. Really quick to get the base work done. Can " "auto-close gaps." msgstr "" #: ../../tutorials/flat-coloring.rst:324 msgid "" "No anti aliasing of it’s own. You have to choose between getting details " "right or the gaps auto-closed." msgstr "" #: ../../tutorials/flat-coloring.rst:327 msgid "Conclusion" msgstr "Conclusie" #: ../../tutorials/flat-coloring.rst:329 msgid "" "I hope this has given you a good idea of how to fill in flats using the " "various techniques, as well as getting a hand of different Krita features. " "Remember that a good flat filled lineart is better than a badly shaded one, " "so keep practising to get the best out of these techniques!" msgstr "" diff --git a/locale/pt_PT/LC_MESSAGES/contributors_manual/krita_manual_conventions.po b/locale/pt_PT/LC_MESSAGES/contributors_manual/krita_manual_conventions.po index 1f187e95d..9eac898d7 100644 --- a/locale/pt_PT/LC_MESSAGES/contributors_manual/krita_manual_conventions.po +++ b/locale/pt_PT/LC_MESSAGES/contributors_manual/krita_manual_conventions.po @@ -1,866 +1,866 @@ # SOME DESCRIPTIVE TITLE. # Copyright (C) licensed under the GNU Free Documentation License 1.3+ unless stated otherwise # This file is distributed under the same license as the Krita Manual package. # FIRST AUTHOR , YEAR. # msgid "" msgstr "" "Project-Id-Version: Krita Manual 4.1\n" "Report-Msgid-Bugs-To: \n" -"POT-Creation-Date: 2019-03-15 03:36+0100\n" +"POT-Creation-Date: 2019-03-16 03:28+0100\n" "PO-Revision-Date: 2019-02-19 09:58+0000\n" "Last-Translator: José Nuno Coelho Pires \n" "Language-Team: Portuguese \n" "Language: pt\n" "MIME-Version: 1.0\n" "Content-Type: text/plain; charset=UTF-8\n" "Content-Transfer-Encoding: 8bit\n" "Plural-Forms: nplurals=2; plural=n != 1;\n" #: ../../:2 msgid "" ".. image:: images/icons/Krita_mouse_left.png\n" " :alt: mouseleft" msgstr "" ".. image:: images/icons/Krita_mouse_left.png\n" " :alt: botão esquerdo" #: ../../:4 msgid "" ".. image:: images/icons/Krita_mouse_right.png\n" " :alt: mouseright" msgstr "" ".. image:: images/icons/Krita_mouse_right.png\n" " :alt: botão direito" #: ../../:6 msgid "" ".. image:: images/icons/Krita_mouse_middle.png\n" " :alt: mousemiddle" msgstr "" ".. image:: images/icons/Krita_mouse_middle.png\n" " :alt: botão do meio" #: ../../:8 msgid "" ".. image:: images/icons/Krita_mouse_scroll.png\n" " :alt: mousescroll" msgstr "" ".. image:: images/icons/Krita_mouse_scroll.png\n" " :alt: deslocamento do rato" -#: ../../contributors_manual/krita_manual_conventions.rst:None -msgid "Horizontal Rulers" -msgstr "" - #: ../../contributors_manual/krita_manual_conventions.rst:0 msgid "" ".. image:: images/en/sample.png\n" " :alt: an image." msgstr "" +#: ../../contributors_manual/krita_manual_conventions.rst:None +msgid "Horizontal Rulers" +msgstr "" + #: ../../contributors_manual/krita_manual_conventions.rst:1 msgid "reStructuredText conventions for the Krita Manual" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:16 msgid "Mark-up conventions for the Krita Manual" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:18 msgid "" "This details the style conventions for using restructured text for the Krita " "Manual." msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:20 msgid "" "It's recommended to look over the `official specification `_ for reStructuredText, and given it lives on " "sourceforge, to save a copy to your harddrive (sourceforge has, at this time " "of writing, some issues with server uptime):" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:23 msgid "" "`Primer `_" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:24 msgid "User Manual:" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:24 msgid "" "`Quick Ref `_" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:25 msgid "" "`Text Cheatsheet `_" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:27 msgid "" "`Introduction `_" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:28 msgid "" "`Markup `_" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:29 msgid "Reference Documentation:" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:29 msgid "" "`Directives `_" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:30 msgid "`Roles `_" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:32 msgid "Sphinx specific docs:" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:32 msgid "" "`Sphinx' page on restructured text `_ -- This is useful for the specific " "sphinx directives and roles it uses to generate for example table of " "contents." msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:34 msgid "" "There are differences between the official reStructuredText and the sphinx " "docs multiple ways to do things. This document specifies the suggested " "conventions to go with." msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:36 msgid "Contents" msgstr "Conteúdo" #: ../../contributors_manual/krita_manual_conventions.rst:39 msgid "Meta data" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:41 msgid "Each page should start with the following three things:" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:44 msgid "" "This is a general description of the page. It will be converted to an html " "meta tag which will be used by search engines::" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:49 msgid "A meta description" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:52 msgid "" "This is just to keep track of who edited the page and to give credit. It " "should be in a comment so that it will not end up being easily readable by " "machines. The license of the whole manual is GDL 1.3 and should also be " "mentioned here::" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:58 msgid "A list of authors and a license." msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:61 msgid "" "These are comma-separated terms under which the page will be indexed in :ref:" "`genindex`. The generated index is quite useful for both pdf as well as " "people who are not sure what the exact name is of the term they are looking " "for. They are defined as follows::" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:63 msgid "Indexing terms." msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:66 msgid "" "This is so we can easily link to the page using ``:ref:`label_name```. Try " "to make this a nice variable name::" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:70 msgid "" "After the label you will need to add a heading, as ``:ref:`label_name``` " "will refer to the heading to fill out it's link-text." msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:71 msgid "A label." msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:74 msgid "Headings" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:76 msgid "Headings will be done in the following order::" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:105 msgid "" "These conventions were more or less decided by pandoc's mediawiki to " "reStructuredText conversion. If you need more than 4 headings, ask yourself " "first if the page hasn't gotten too complicated and needs splitting up." msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:107 msgid "" "Sometimes you need to link to a subsection of a page, add a label above the " "heading in that case." msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:109 msgid "" "Headers should not end with punctuation, as the header will be used as the " "link name when linking to a label." msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:112 msgid "Linking" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:114 msgid "" "Linking is done with ``:ref:`label_name```. When you need an alternative " "link text, you use ``:ref:`actual text shown ```." msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:116 msgid "" "Linking to external pages is done with ```url`_`` and ```link name " "`_``, which'll become `link name `_." msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:118 msgid "" "Pandoc likes to turn these into ```link name`__`` and then add `` .. __ :url " "`` at the end of the document. This is a so-called 'anonymous hyperlink', " "meaning that depending on the order of the links appearing in the text the " "order of the links at the end of the text are associated with one another. " "If this sounds confusing and difficult, it is because it is. That is also " "the exact reason why we'd like to avoid links like these." msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:121 msgid "Footnotes and further reading" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:123 msgid "" "Footnotes can be made in 3 ways, the most common one is with autonumbering, " "as per reference:" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:125 msgid "" "[#]_ is a reference to footnote 1, and [#]_ is a reference to footnote 2." msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:128 msgid "This is footnote 1." msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:129 msgid "This is footnote 2." msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:130 msgid "This is footnote 3." msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:132 msgid "[#]_ is a reference to footnote 3." msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:134 msgid "Here is a citation reference: [CIT2002]_ ." msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:136 msgid "" "This is the citation. It's just like a footnote, except the label is " "textual." msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:139 msgid "Citation can also be referenced with `citation `_" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:141 msgid "" "We don't actually use footnotes in the manual due to the fact that it is a " "little bit too academical for our readers. However, we do collect documents " "and links that give a little bit more information on a topic at the end of a " "page. Sphinx has the ``.. seealso::`` directive for linking to external " "links, while reStructuredText suggests to use ``.. rubic:: Footnotes`` for " "specifically collecting footnotes as that plays nice with LaTeX." msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:145 msgid "Images" msgstr "Imagens" #: ../../contributors_manual/krita_manual_conventions.rst:147 msgid "Use the image directive for images without captions::" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:154 msgid "And figure directives for images with captions::" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:163 msgid "The latter gives:" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:170 msgid "" "A caption -- notice how the first letter of the caption in the directive is " "aligned with the :figwidth: option." msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:172 msgid "" "Images should go into the ``/images/en`` folder. By using ``/images`` " "instead of ``images``, sphinx will know the filepath isn't relative." msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:175 msgid "In-text Markup" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:177 msgid "" "You can make text *emphasized* and **strong** with a single asterisk and " "double respectively::" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:182 msgid "You cannot do both ***emphasized and strong***, so take a pick." msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:184 msgid "" "You can :sub:`subscript text` and :sup:`superscript text` by using ``:sub:" "`text``` and ``:sup:`text```" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:186 msgid "" "However, use these super-sparingly! It is preferred to use the existing " "semantic markup in sphinx in any case, because that makes it easier for " "translators to make decisions about the nature of the text::" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:193 msgid "" "Avoid randomly bolding words. It does *not* make the text easier or " "friendlier to read." msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:196 msgid "Substitution References" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:198 msgid "" "You can create a sort of shorthand for a piece of text or an image by doing::" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:202 msgid "" "which means that if you use ``|shorthand|``, in the text, it'll be replaced " "with 'something or the other'. This is useful for, images and text that " "needs to be formatted in a complicated way, like in the case of \"LaTeX\"." msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:204 msgid "" "The krita documentation has ``|mouseleft|``, ``|mousemiddle|``, ``|" "mousescroll|`` and ``|mouseright|``, which'll turn into |mouseleft|, |" "mousemiddle|, |mousescroll| and |mouseright| respectively. These are defined " "in the sphinx conf.py, and are appended to each rst file." msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:206 msgid "" "For links, if you reuse the same link over and over, you can write something " "like the following at the end of the file::" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:211 msgid "" "Then, when typing a link, you can just use ```bugzilla`_`` to link to " "bugzilla with \"bugzilla\" used as the text of the link. ```Krita Manual`_`` " "will in turn link to docs.krita.org with the text \"Krita Manual\"." msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:214 msgid "Lists" msgstr "Listas" #: ../../contributors_manual/krita_manual_conventions.rst:217 msgid "Ordinated lists" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:219 msgid "Apple" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:220 msgid "Pear" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:221 msgid "Banana" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:223 msgid "Or..." msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:225 msgid "Table" msgstr "Tabela" #: ../../contributors_manual/krita_manual_conventions.rst:226 msgid "Chair" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:227 msgid "Wardrobe." msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:229 msgid "Augustus" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:230 msgid "Nero" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:231 msgid "Caligula" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:232 msgid "Trajan" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:234 msgid "They can be defined as follows::" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:258 msgid "Unordered lists" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:260 msgid "red" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:261 msgid "yellow" msgstr "amarelo" #: ../../contributors_manual/krita_manual_conventions.rst:263 msgid "seagreen" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:264 msgid "verdigris" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:265 msgid "teal" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:266 msgid "veridian" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:268 msgid "dark emerald" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:269 msgid "green" msgstr "verde" #: ../../contributors_manual/krita_manual_conventions.rst:269 msgid "emerald" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:269 msgid "light emerald" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:270 msgid "very light emerald." msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:271 msgid "blue" msgstr "azul" #: ../../contributors_manual/krita_manual_conventions.rst:273 msgid "Defined as such::" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:289 msgid "Definition Lists" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:291 msgid "" "A favourite! Definition lists are especially useful when dealing with " "enumerating all the options in a docker and trying to add a simple " "explanation behind them." msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:293 msgid "Definition" msgstr "Definição" #: ../../contributors_manual/krita_manual_conventions.rst:294 msgid "explanation." msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:296 msgid "Another option" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:296 msgid "Explanation." msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:299 msgid "You can make them like this::" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:304 msgid "To make them." msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:307 msgid "Tables" msgstr "Tabelas" #: ../../contributors_manual/krita_manual_conventions.rst:310 msgid "Purpose" msgstr "Objectivo" #: ../../contributors_manual/krita_manual_conventions.rst:310 msgid "Table type" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:312 msgid "listing shortcuts" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:312 msgid "Simple table" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:313 msgid "lots of colspans" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:313 msgid "Grid table" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:314 msgid "Simple but long" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:314 msgid "List Table" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:317 msgid "Done as follows::" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:349 msgid "" "Full grid tables are best for when you need all features like complex column " "and row spans, but they're tricky to make. For that reason, small tables are " "best off being done with the simple syntax, while really long tables are " "best done with a list directive because that is just much easier to write " "and maintain." msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:352 msgid "Admonishments and asides" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:356 msgid "" "Admonishments are sort of like a separate section that the reader needs to " "pay attention to." msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:358 msgid "" "Admonishments that can be used are the following (in order of seriousness):" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:362 msgid "" "Hints are useful to give a little bit more information on a topic than is " "useful in the main text. Like, hint: these packages are named differently in " "openSuse versus Debian." msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:366 msgid "" "Extra information on how to do something, like, \"you can make a template of " "your favourite document setup\", or \"use m to mirror the canvas and see " "errors more easily in your drawing\"." msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:370 msgid "Something that is important to note, but is not necessarily negative." msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:374 msgid "This is in general when something is negative." msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:378 msgid "" "General attention grabber. Use this when the subject is more important than " "warning, but not as important that is could get a dataloss." msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:382 msgid "" "This is for things that could cause dataloss, like forgetting to save, or " "that python currently has no undo functionality." msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:386 msgid "" "This should be for things that are dangerous for the computer in general, " "this includes things that can cause out of memory style freezes." msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:390 msgid "" "This one is probably not relevant for a manual. Sphinx can create these " "manually given some situations, but our configuration does not do so by " "default." msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:392 msgid "generic admonition that can have any text." msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:394 msgid "This looks like the following::" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:402 msgid "Sphinx also adds::" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:412 msgid "" "Horizontal rulers are usually used when the topic switches rather directly. " "This is very common in more narrative based writing, such as history or " "fiction. The Krita manual is more instruction and reference style writing, " "that is to say, we don't usually tell a long story to indicate how different " "elements come together, but rather long stories are there to motivate why " "certain steps are taken in a certain manner. Topic changes then usually " "happen because we go into a new section, rather than switching to a related " "section. It is therefore better to use headings or the ``.. Topic::`` " "directive. Headings also make it easier to read." msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:416 msgid "That said, horizontal rulers can be made with ``----``." msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:419 msgid "The rubric directive." msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:420 msgid "" "The rubric directive is a heading directive that at first glance looks like " "\"topic\", but where the topic is over several paragraphs, rubric itself " "only deals with the header, like so::" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:426 msgid "So, when to use these?" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:427 msgid "" "Only use them when you think the subject is too minor to have a proper " "heading." msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:429 msgid "Topic" msgstr "Tópico" #: ../../contributors_manual/krita_manual_conventions.rst:430 msgid "" "When the text is separated from the flow, so it goes into a different " "subject than the text itself is naturally going to." msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:431 msgid "Rubric" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:432 msgid "" "When the text isn't separated from the flow, but it does not need a header " "either." msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:434 msgid "Admonishments" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:434 msgid "" "Only when they fit semantically. This is especially necessary for the danger " "and warning admonishments, as seeing them too often can make users blind to " "them." msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:437 msgid "Code Snippets" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:439 msgid "``Inline code snippets`` are done with ````backticks````." msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:441 msgid "" "Multi-line code snippets are done by ending the previous section with ``::" "``, which'll look like this::" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:447 msgid "" "You can also use the ``.. code::`` directive. If you add the language name " "after it, it'll do the appropriate syntax highlighting::" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:457 msgid "Becomes" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:467 msgid "some more..." msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:500 msgid "Other preformatted text" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:503 msgid "One can" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:504 msgid "preformat" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:505 msgid "text by" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:506 msgid "prepending" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:507 msgid "each line" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:508 msgid "with a pipe" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:509 msgid "symbol" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:511 msgid "Like so::" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:521 msgid "We don't actually use this anywhere in the manual." msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:524 msgid "Glossaries, Terms and Index" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:526 msgid "These are sphinx features." msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:528 msgid "" "Index is used in the top section, right now only single index entries are " "used." msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:530 msgid "" "Glossaries are used for some of the menu entry sections, but not all of them." msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:533 msgid "Quotes" msgstr "Aspas" #: ../../contributors_manual/krita_manual_conventions.rst:535 msgid "Quotes are done like this::" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:541 msgid "This becomes a blockquote." msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:543 msgid "I am not sure why you'd need quotes in a user manual..." msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:547 msgid "" "We do actually use quotes in some places. Try to add a link to the name to " "define where it came from." msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:548 msgid "Wolthera" msgstr "Wolthera" diff --git a/locale/pt_PT/LC_MESSAGES/general_concepts/colors/color_managed_workflow.po b/locale/pt_PT/LC_MESSAGES/general_concepts/colors/color_managed_workflow.po index 74c6ba323..66b8abc0e 100644 --- a/locale/pt_PT/LC_MESSAGES/general_concepts/colors/color_managed_workflow.po +++ b/locale/pt_PT/LC_MESSAGES/general_concepts/colors/color_managed_workflow.po @@ -1,1059 +1,1059 @@ # SOME DESCRIPTIVE TITLE. # Copyright (C) licensed under the GNU Free Documentation License 1.3+ unless stated otherwise # This file is distributed under the same license as the Krita Manual package. # FIRST AUTHOR , YEAR. # msgid "" msgstr "" "Project-Id-Version: Krita Manual 4.1\n" "Report-Msgid-Bugs-To: \n" -"POT-Creation-Date: 2019-03-15 03:36+0100\n" +"POT-Creation-Date: 2019-03-16 03:28+0100\n" "PO-Revision-Date: 2019-02-19 09:58+0000\n" "Last-Translator: José Nuno Coelho Pires \n" "Language-Team: Portuguese \n" "Language: pt\n" "MIME-Version: 1.0\n" "Content-Type: text/plain; charset=UTF-8\n" "Content-Transfer-Encoding: 8bit\n" "Plural-Forms: nplurals=2; plural=n != 1;\n" -#: ../../general_concepts/colors/color_managed_workflow.rst:0 -msgid ".. image:: images/en/color_category/Kiki_matrix_profile.png" -msgstr "" - -#: ../../general_concepts/colors/color_managed_workflow.rst:0 -msgid ".. image:: images/en/color_category/Kiki_cLUTprofiles.png" -msgstr "" - #: ../../general_concepts/colors/color_managed_workflow.rst:None msgid "" ".. image:: images/en/color_category/Krita_2_9_colormanagement_group1.png" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:None msgid "" ".. image:: images/en/color_category/Krita_2_9_colormanagement_group2.png" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:None msgid "" ".. image:: images/en/color_category/Krita_2_9_colormanagement_group3.png" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:None msgid "" ".. image:: images/en/color_category/Krita_2_9_colormanagement_group4.png" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:None msgid ".. image:: images/en/LUT_Management_Docker.png" msgstr ".. image:: images/en/LUT_Management_Docker.png" #: ../../general_concepts/colors/color_managed_workflow.rst:None msgid ".. image:: images/en/color_category/Krita_HDR_1.svg" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:None msgid ".. image:: images/en/color_category/Krita_HDR2.svg" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:None msgid "" ".. image:: images/en/color_category/Krita-colormanaged-workflow_webcomic.svg" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:None msgid "" ".. image:: images/en/color_category/Krita-colormanaged-workflow_print.svg" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:None msgid "" ".. image:: images/en/color_category/Krita-colormanaged-workflow_games.svg" msgstr "" +#: ../../general_concepts/colors/color_managed_workflow.rst:0 +msgid ".. image:: images/en/color_category/Kiki_matrix_profile.png" +msgstr "" + +#: ../../general_concepts/colors/color_managed_workflow.rst:0 +msgid ".. image:: images/en/color_category/Kiki_cLUTprofiles.png" +msgstr "" + #: ../../general_concepts/colors/color_managed_workflow.rst:1 msgid "How a color managed workflow works." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:17 msgid "Color Managed Workflow" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:19 msgid "" "You may have heard that Krita has something called color-management. Or " "maybe you just wondered what all these 'color model' and 'color profile' " "things you can find in the menus mean. Color management is pretty useful for " "people who work in digital imaging professionally, and hopefully this page " "will explain why." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:22 msgid "Basic Info" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:24 msgid "" "If you've never worked with color management before, and have no clue what " "it is, then know that you've probably been working in the 8bit RGB colour " "space with the sRGB profile. This means you can choose for *sRGB built-in* " "or *sRGB-elle-v2-srgbtrc.icc*. With the new color space browser this profile " "is marked with *(default)* when using 8bit." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:26 msgid "" "We'll go into what these terms mean in the theory, but if you're here only " "for trying to figure out which is the default, you now know it. Maybe, after " "reading this, you may feel like changing the default, to get new and " "interesting results from filters, blending modes, or just the color smudge " "brush." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:29 msgid "What is the problem?" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:31 msgid "" "To explain the point of color management, you'd first need to learn which " "problem color management tries to solve." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:33 msgid "Let us imagine a kinder garden:" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:35 msgid "" "The class of 28 children is subdivided in groups of 7. Each group has its " "own table." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:37 msgid "" "The teacher gives them a painting assignment: They need to paint a red " "triangle, a blue square, a green circle and put a yellow border around the " "three. The kids are very experienced with painting already, so the teacher " "can confidently leave the smarter ones to their own devices, and spent more " "time on those who need help." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:40 msgid "The following results come from painting:" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:42 msgid "" "Even though all groups had the same assignment, each group's result looks " "different." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:49 msgid "" "Group 1 had vermillion red, citron yellow and ultramarine blue to their " "disposal. This means their triangle looks nice and red, but their circle's " "green is muddy. This is because ultramarine is too dark of a blue to create " "nice greens with." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:56 msgid "" "Group 2 had magenta red, citron yellow and cerulean blue. Magenta is a type " "of red that is closer to pink, opposed to vermillion, which is closer to " "orange. However, their green looks nice because cerulean is a much lighter " "blue." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:64 msgid "" "Group 3 had vermillion red, citron yellow, emerald green and cerulean blue. " "They didn't mix their green, and thus ended up with a purer colour." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:71 msgid "" "Finally, group 4 has Vermillion red, citron yellow and cerulean blue. Their " "colours probably look like what you imagined." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:73 msgid "" "Now, these are kindergarteners, so this isn't the largest problem in the " "world. However, imagine that something like this happened at a printing " "company? Imagine four printers printing the same magazine with wildly " "different results? That would be disastrous!" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:75 msgid "For this purpose, we invented color management." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:78 msgid "What is colour management?" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:80 msgid "" "Color management is, dryly put, a set of systems that tries to have the same " "colour translate properly between color devices." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:82 msgid "" "It usually works by attempting to covert a colour to the reference colour " "space XYZ. XYZ is a coordinate system that has a spot for all colours that " "the average human eye can see." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:84 msgid "" "From XYZ it can then be translated back into another device space, such as " "RGB (for screens), or CMYK (for printers)." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:86 msgid "" "Krita has two systems dedicated to colour management. On one hand we have " "**lcms2**, which deal with Icc-profiles, and on the other we have **OCIO**, " "which deal with LUT color management." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:88 msgid "" "To give a crude estimate, ICC profiles deal with keeping colours consistent " "over many interpretations of devices (screens, printers) by using a " "reference space, and OCIO deals with manipulating the interpretation of said " "colours." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:90 msgid "Within both we can identify the following color spaces:" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:93 msgid "" "Device spaces are those describing your monitor, and have to be made using a " "little device that is called \"colorimeter\". This device, in combination " "with the right software, measures the strongest red, green and blue your " "screen can produce, as well as the white, black and grey it produces. Using " "these and several other measurements it creates an icc profile unique to " "your screen. You set these in Krita's colour management tab. By default we " "assume sRGB for screens, but it's very likely that your screen isn't exactly " "fitting sRGB, especially if you have a high quality screen, where it may be " "a bigger space instead. Device spaces are also why you should first consult " "with your printer what profile they expect. Many printing houses have their " "own device profiles for their printers, or may prefer doing color conversion " "themselves. You can read more about colorimeter usage :ref:`here " "`." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:94 msgid "Device spaces" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:96 msgid "Working spaces" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:97 msgid "" "These are delivered alongside Krita for ICC, and downloadable from the OCIO " "website for OCIO. Working spaces are particularly nice to do color " "calculations in, which programs like Krita do often. It's therefore " "recommended to have a working space profile for your image." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:99 msgid "Aesthetic or Look spaces" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:99 msgid "" "These are special spaces that have been deformed to give a certain look to " "an image. Krita doesn't deliver Look profiles for ICC, nor does it yet " "support Look spaces for OCIO." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:102 msgid "Color managed workflow" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:104 msgid "" "Knowing this about these spaces of course doesn't give you an idea how to " "use them, but it does make it easier to explain how to use them. So let us " "look at a typical color management workflow:" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:110 msgid "" ".. image:: images/en/color_category/Krita-colormanaged-workflow_text.svg" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:110 msgid "" "A typical example of a color managed workflow. We have input from scanners " "and cameras, which we convert to a working space that can be used between " "different editing software, and is converted to an output space for viewing " "on screen or printing." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:112 msgid "" "In a traditional color managed workflow, we usually think in terms of real " "world colors being converted to computer colors and the other way around. " "So, for example photos from a camera or scanned in images. If you have a " "device space of such a device, we first assign said device space to the " "image, and then convert it to a working space." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:114 msgid "" "We then do all our editing in the working space, and use the working space " "to communicate between editing programs. In Krita's case, due to it having " "two color management systems, we use ICC profiles between programs like Gimp " "2.9+, Inkscape, Digikam and Scribus, and OCIO configuration between Blender " "and Natron." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:116 msgid "" "You also store your working files in the working space, just like how you " "have the layers unmerged in the working file, or have it at a very high " "resolution." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:118 msgid "" "Sometimes, we apply aesthetic or 'look' spaces to an image as part of the " "editing process. This is rather advanced, and probably not something to " "worry about in Krita's case." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:120 msgid "" "Then, when we're done editing, we try to convert to an output space, which " "is another device space. This can be CMYK for printers or a special screen " "RGB profile. When you are dealing with professional printing houses, it is " "best to ask them about this step. They have a lot of experience with doing " "the best conversion, and may prefer to do the conversion from your working " "space to the device space of their printers." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:122 msgid "" "Another form of output is the way your screen displays the color. Unlike " "regular output, this one is done all the time during editing: After all, you " "need to be able to see what you are doing, but your screen is still a device " "with a device space, so it does distort how the image looks. In this manner, " "you can see your screen as a set of binoculars you have to look through to " "see your image at all." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:124 msgid "" "Therefore, without a profiled monitor, you actually don't know what the " "actual colors you are working with are like, because the computer doesn't " "know the relevant properties of your screen. So if you profiled your " "monitor, give Krita the profile in the settings, and select the sRGB space " "to draw in, you are for the first time seeing the actual colors of the sRGB " "space." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:127 msgid "So what does this mean?" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:133 msgid "" ".. image:: images/en/color_category/Krita-colormanaged-workflow_krita_text." "svg" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:133 msgid "" "When we paint from scratch, we can see our screen profile as the input " "space, because we use it to determine what colors to pick. This somewhat " "simplifies the workflow, but makes the screen profile and viewing conditions " "more important." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:135 msgid "" "Now, photographers and people who do a tricky discipline of VFX called " "'color grading' will go completely mad over trying to get the colors they " "put in to come out 100% correctly, and will even count in factors like the " "time of day and the color they painted their walls. For example, if the wall " "behind your computer is pure red, your eyes will adjust to be less sensitive " "to red, which means that the colors they pick in the program could come out " "redder. We call these the *viewing conditions*." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:137 msgid "" "Thankfully, artists have to worry a slight bit less about this. As " "illustrations are fully handmade, we are able to identify the important bits " "and make appropriate contrasts between colors. This means that even if our " "images turn out to be slightly redder than intended, it is less likely the " "whole image is ruined. If we look back at the kindergarten example above, we " "still understand what the image was supposed to look like, despite there " "being different colors on each image. Furthermore, because the colors in " "illustrations are deliberately picked, we can correct them more easily on a " "later date. Yet, at the same time, it is of course a big drag to do this, " "and we might have had much more flexibility had we taken viewing conditions " "under consideration." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:139 msgid "" "That said, for artists it is also very useful to understand the working " "spaces. Different working spaces give different results with filters and " "mixing, and only some working spaces can be used for advanced technology " "like HDR." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:141 msgid "" "Similarly, Krita, as a program intended to make images from scratch, doesn't " "really worry about assigning workspaces after having made the image. But " "because you are using the screen as a binocular to look at your image, and " "to pick colors, you can see your screen's device space as an input space to " "the image. Hence why profiling your monitor and giving the profile to Krita " "in the settings can help with preparing your work for print and future " "ventures in the long run." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:143 msgid "" "Overall, it is kinda useful to keep things like viewing conditions in the " "back of your mind. Many professional artists use a mid-grey color as their " "default canvas background because they find they create much more dynamic " "images due to having improved their viewing conditions. It is also why a lot " "of graphics programs, including Krita, come with a dark theme nowadays. " "(Though, of course this might also be because dark themes can be considered " "cool, who knows.)" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:148 msgid "Icc profiles" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:150 msgid "" "An Icc profile is a set of coordinates describing the extremities of the " "device space within XYZ, and it is the color management data you use to " "communicate your working space to printers and applications that are " "designed for the print industry, such as GIMP, Scribus, Photoshop, " "Illustrator, Inkscape, Digikam, RawTheraphee, etc. You have two types of icc " "profiles:" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:153 msgid "" "These are delivered alongside Krita. Matrix shaper profiles are made by " "setting parameters and interpolating between these to get the exact size of " "the colour space. Due to this, Krita's color space browser can give you a " "lot of information on these profiles. Such profiles are also preferable as " "working space." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:159 msgid "Matrix Shaper profiles." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:159 msgid "" "Matrix shaper profiles have a few parameters that describe the color space " "which are then interpolated between, this requires a lot of maths." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:162 msgid "" "These are fairly rare, and primarily used to describe printer profiles, such " "as CMYK. cLUT, or Color Look-up Table profiles store far more data than " "Matrix shaper profiles, so they can hold data of little particularities " "caused by, for example, unexpected results from mixing pigments. This is a " "far more organic approach to describing a color space, hence why a lot of " "programs that don't care for color management much don't support these." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:168 msgid "" "cLUT profiles work by holding tables of each color in a colorspace and their " "respective coordinates in a reference space. For CMYK this is typically L\\*A" "\\*B\\* and for the rest XYZ. These tables are tricky to make, which means " "these profiles are a lot rarer." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:169 msgid "cLUT profiles" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:171 msgid "" "The interesting thing about icc profiles is that your working space can be " "larger than your device space. This is generally not bad. However, when " "converting, you do end up with the question of how to translate the working " "space values." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:174 msgid "Perceptual" msgstr "Percepção" #: ../../general_concepts/colors/color_managed_workflow.rst:174 msgid "" "This just squishes the values of the working space into the space it's " "converted to. It's a nice method to see all possible values in this, but not " "so good if you want accurate colour reproduction. Use this if you want to " "see all colours in an image, or want to express all possible contrasts. " "Doesn't work with Matrix Shaper profiles, defaults to relative colorimetric." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:177 msgid "Absolute Colorimetric." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:177 msgid "" "The opposite to Perceptual, Absolute colorimetric will attempt to retain all " "the correct colours at whatever cost, which may result in awful looking " "colours. Recommended only for reproduction work. Doesn't work with Matrix " "Shaper profiles in Krita due to ICC v4 workflow standards." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:180 msgid "Relative Colorimetric" msgstr "Colorimétrica Relativa" #: ../../general_concepts/colors/color_managed_workflow.rst:180 msgid "" "A in between solution between perceptual and absolute, relative will try to " "fit whatever colours it can match between colour spaces. It does this by " "aligning the white and black points. It cuts off the rest to their " "respective borders. This is what all matrix shaper profiles default to " "during conversion, because the ICC v4 workflow specifies to only use " "Relative Colorimetric for matrix shaper profiles." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:183 msgid "Saturation" msgstr "Saturação" #: ../../general_concepts/colors/color_managed_workflow.rst:183 msgid "" "Does anything to retain colourfulness, even hue will be sacrificed. Used in " "infographics. Doesn't work with Matrix Shaper profiles, defaults to relative " "colorimetric." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:185 msgid "" "*ICC profile version* is the last thing to keep in mind when dealing with " "ICC profiles. Krita delivers both Version 2 and Version 4 profiles, with the " "later giving better results in doing color maths, but the former being more " "widely supported (as seen below in 'interoperability with other programs'. " "This is also why Krita defaults to V2, and we recommend using V2 when you " "aren't certain if the other programs you are using support V4." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:188 msgid "LUT docker and HDR imaging" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:196 msgid "" "The :ref:`lut_docker` is the second important bit of colour management in " "Krita that is shared between Krita and programs like Blender, Natron and " "Nuke, and only uses Look Up Tables that are configured via a config file." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:198 msgid "" "You can set the workingspace of the image under input color space, and the " "display to sRGB or your own LUT if you have added it to the configuration. " "View in this case is for proofing transforms to a certain display device." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:200 msgid "" "Component, exposure, gamma, whitepoint and blackpoint are knobs which allows " "you to modify the display filter." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:208 msgid "" "As explained before, we can see our monitor as a telescope or binocular into " "the world of our picture. Which means it distorts our view of the image a " "little. But we can modify this binocular, or display filter to see our image " "in a different way. For example, to allow us to see the white in an image " "that are whiter than the white of our screen. To explain what that means, we " "need to think about what white is." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:210 msgid "" "For example, white, on our monitor is full red, full green and full blue. " "But it's certainly different from white on our paper, or the colour of milk, " "white from the sun, or even the white of our cell-phone displays." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:212 msgid "" "Black similarly, is brighter on a LCD display than a LED one, and " "incomparable with the black of a carefully sealed room." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:214 msgid "" "This means that there's potentially blacker blacks than screen black, and " "white whites than screen white. However, for simplicity's sake we still " "assign the black-point and the white-point to certain values. From there, we " "can determine whether a white is whiter than the white point, or a black " "blacker than the black-point." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:216 msgid "" "The LUT docker allows us to control this display-filter and modify the " "distortion. This is useful when we start modifying images that are made with " "scene referred values, such as HDR photos, or images coming out of a render " "engine." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:224 msgid "" "So, for example, we can choose to scale whiter-than-screen-white to our " "screen-white so we can see the contrasts there." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:226 msgid "" "The point of this is that you can take advantage of more lightness detail in " "an image. While you can't see the difference between screen white and whiter-" "than-screen-white (because your screen can't show the difference), graphics " "programs can certainly use it." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:228 msgid "" "A common example is matching the lighting between a 3d model and a real " "world scene. Others are advanced photo retouching, with much more contrast " "information available to the user. In painting itself, this allows you to " "create an image where you can be flippant with the contrast, and allow " "yourself to go as bright as you'd like." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:230 msgid "" "LUT docker manipulations are per view, so you can create a new view and set " "it to luminosity. This way you can see the image in both color as well as " "grayscale and keep a good eye on your values." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:232 msgid "" "Another example is to carefully watch the gradients in a certain section." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:234 msgid "" "Like Icc, the LUT Docker allows you to create a profile of sorts for your " "device. In this case it's the 'lut', which stands for 'Look Up Table', and " "which can be added to OCIO by modifying the configuration file. When OCIO is " "turned on, the configuration in :menuselection:`Settings --> Configure Krita " "--> Color Management` is turned off, unless you are using the :guilabel:" "`Internal` color engine." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:237 msgid "In summary" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:239 msgid "Krita has two modes of colour management:" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:241 msgid "" "Icc works in terms of spaces relative to the CIEXYZ space, and requires an " "icc profile." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:242 msgid "OCIO works in terms of interpretation, and makes use of luts." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:243 msgid "both can be made with a colorimeter." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:244 msgid "" "If you want to have a properly color managed workflow, you have one made " "customly for the input device (your screen) and the output devices (your " "printer, or target screen). For web the output is always sRGB." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:245 msgid "" "Set up your screen profiles under :menuselection:`Settings --> Configure " "Krita --> Color management`." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:246 msgid "" "Do NOT use screen profiles or other device profiles to draw in. Use a " "working space profile such as any of the elle profiles for this, as the " "color maths will be much more predictable and pleasant. Krita will convert " "between your screen and working space on the fly, allowing you to pick the " "correct colors. This turns your screen into binoculars to view the image." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:247 msgid "" "Use the appropriate color management for the appropriate workflow. If you " "are working with Blender, you will be better off using OCIO, than ICC. IF " "you are working with Scribus or Photoshop, use ICC." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:249 msgid "" "Krita does a lot of colour maths, often concerning the blending of colours. " "This colour maths works best in linear colour space, and linear colour space " "requires a bit depth of at the least 16bit to work correctly. The " "disadvantage is that linear space can be confusing to work in." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:251 msgid "" "If you like painting, have a decent amount of ram, and are looking to start " "your baby-steps in taking advantage of Krita's colour management, try " "upgrading from having all your images in sRGB built-in to sRGB-v2-elle-g10." "icc or rec2020-v2-elle-g10.icc at 16bit float. This'll give you better " "colour blending while opening up the possibility for you to start working in " "hdr!" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:256 msgid "" "Some graphics cards, such as those of the Nvidia-brand actually have the " "best performance under 16bit float, because Nvidia cards convert to floating " "point internally. When it does not need to do that, it speeds up!" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:260 msgid "" "No amount of color management in the world can make the image on your screen " "and the image out of the printer have 100% the same color." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:263 msgid "Exporting" msgstr "A exportar" #: ../../general_concepts/colors/color_managed_workflow.rst:265 msgid "" "when you have finished your image and are ready to export it, you can modify " "the color space to optimize it:" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:267 msgid "If you are preparing an image for the web:" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:269 msgid "" "If you use 16bit color depth or higher, convert the image to 8bit color " "depth. This will make the image much smaller." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:271 msgid "" "Krita doesn't have built-in dithering currently, which means that 16 to " "18bit conversions can come out a bit banded. But you can simulate it by " "adding a fill layer with a pattern, set this fill layer to overlay, and to " "5% opacity. Then flatten the whole image and convert it to 8bit. The pattern " "will function as dithering giving a smoother look to gradients." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:273 msgid "If it's a gray-scale image, convert it to gray-scale." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:274 msgid "" "If it's a color image, keep it in the working space profile: Many web " "browsers these days support color profiles embedded into images. Firefox, " "for example, will try to convert your image to fit the color profile of the " "other's monitor (if they have one). That way, the image will look almost " "exactly the same on your screen and on other profiled monitors." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:279 msgid "" "In some versions of Firefox, the colours actually look strange: This is a " "bug in Firefox, which is because its `color management system is incomplete " "`_, save your png, jpg or tiff without an embedded profile to work " "around this." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:281 msgid "If you are preparing for print:" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:283 msgid "" "You hopefully made the picture in a working space profile instead of the " "actual custom profile of your screen, if not, convert it to something like " "adobe rgb, sRGB or rec2020." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:284 msgid "" "Check with the printer what kind of image they expect. Maybe they expect " "sRGB color space, or perhaps they have their own profile." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:287 msgid "Interaction with other applications" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:290 msgid "Blender" msgstr "Blender" #: ../../general_concepts/colors/color_managed_workflow.rst:292 msgid "" "If you wish to use krita's OCIO functionality, and in particular in " "combination with Blender's color management, you can try to have it use " "Blender's OCIO config." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:294 msgid "" "Blender's OCIO config is under ``/version number/datafiles/" "colormanagement``. Set the LUT docker to use the OCIO engine, and select the " "config from the above path. This will give you blender's input and screen " "spaces, but not the looks, as those aren't supported in Krita yet." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:298 msgid "Windows Photo Viewer" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:300 msgid "" "You might encounter some issues when using different applications together. " "One important thing to note is that the standard Windows Photo Viewer " "application does not handle modern ICC profiles. Krita uses version 4 " "profiles; Photo Viewer can only handle version 2 profiles. If you export to " "JPEG with an embedded profile, Photo Viewer will display your image much too " "dark." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:303 msgid "Example workflows" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:305 msgid "" "Here are some example workflows to get a feeling of how your color " "management workflow may look like." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:307 msgid "" "As mentioned before, input for your screen is set via :menuselection:" "`Settings --> Configure Krita --> Color management`, or via the LUT docker's " "'screen space'. Working space is set via new file per document, or in the " "LUT docker via 'input space'." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:310 msgid "Webcomic" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:317 #: ../../general_concepts/colors/color_managed_workflow.rst:339 #: ../../general_concepts/colors/color_managed_workflow.rst:357 msgid "Input" msgstr "Entrada" #: ../../general_concepts/colors/color_managed_workflow.rst:318 #: ../../general_concepts/colors/color_managed_workflow.rst:340 #: ../../general_concepts/colors/color_managed_workflow.rst:358 msgid "Your screen profile. (You pick colors via your screen)" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:319 #: ../../general_concepts/colors/color_managed_workflow.rst:341 #: ../../general_concepts/colors/color_managed_workflow.rst:359 msgid "Workingspace" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:320 msgid "" "sRGB (the default screen profile) or any larger profile if you can spare the " "bitdepth and like working in them." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:322 #: ../../general_concepts/colors/color_managed_workflow.rst:344 #: ../../general_concepts/colors/color_managed_workflow.rst:362 msgid "Output" msgstr "Resultado" #: ../../general_concepts/colors/color_managed_workflow.rst:322 msgid "" "sRGB, icc version 2, sRGB trc for the internet, and a specialised CMYK " "profile from the printing house for the printed images." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:324 msgid "" "Use the sRGB-elle-V2-srgbtrc.icc for going between inkscape, photoshop, " "painttool sai, illustrator, Gimp, mypaint, mangastudio, paintstorm studio, " "mypaint, artrage, scribus, etc. and Krita." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:326 msgid "" "If you are using a larger space via ICC, you will only be able to " "interchange it between Krita, Photoshop, Illustrator, GIMP 2.9, mangastudio " "and scribus. All others assume sRGB for your space, no matter what, because " "they don't have color management." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:328 msgid "" "If you are going between Krita and Blender, Nuke or Natron, use OCIO and set " "the input space to 'sRGB', but make sure to select the sRGB profile for icc " "when creating a new file." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:330 msgid "" "For the final for the web, convert the image to sRGB 8bit, srgbtrc, do not " "embed the icc profile. Then, if using png, put it through something like " "pngcrush or other png optimisers. sRGB in this case is chosen because you " "can assume the vast majority of your audience hasn't profiled their screen, " "nor do they have screens that are advanced enough for the wide gamut stuff. " "So hence why we convert to the screen default for the internet, sRGB." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:333 msgid "Print" msgstr "Imprimir" #: ../../general_concepts/colors/color_managed_workflow.rst:342 msgid "sRGB or rec2020 if you can afford the bit-depth being 16bit." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:344 msgid "" "Specialised CMYK profile from the printing house for the printed images." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:346 msgid "" "The CMYK profiles are different per printer, and even per paper or ink-type " "so don't be presumptuous and ask ahead for them, instead of doing something " "like trying to paint in any random CMYK profile. As mentioned in the viewing " "conditions section, you want to keep your options open." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:348 msgid "" "You can set the advanced color selector to transform to a given profile via :" "menuselection:`Settings --> Configure Krita --> Advanced color selector " "settings`. There, tick :guilabel:`Color selector uses a different color " "space than the image` and select the CMYK profile you are aiming for. This " "will limit your colors a little bit, but keep all the nice filter and " "blending options from RGB." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:351 msgid "Games" msgstr "Jogos" #: ../../general_concepts/colors/color_managed_workflow.rst:360 msgid "sRGB or grayscale linear for roughness and specular maps." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:362 msgid "" "This one is tricky, but in the end it'll be sRGB for the regular player." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:364 msgid "" "So this one is tricky. You can use OCIO and ICC between programs, but " "recommended is to have your images to the engine in sRGB or grayscale. Many " "physically based renderers these days allow you to set whether an image " "should be read as a linear or srgbtrc image, and this is even vital to have " "the images being considered properly in the physically based calculations of " "the game renderer." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:366 msgid "" "While game engines need to have optimised content, and it's recommended to " "stay within 8bit, future screens may have higher bitdepths, and when " "renderers will start supporting those, it may be beneficial to develop a " "workflow where the working-space files are rather unnecessarily big and you " "run some scripts to optimise them for your current render needs, making " "updating the game in the future for fancier screens less of a drag." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:368 msgid "" "Normal maps and heightmaps are officially supposed to be defined with a 'non-" "color data' working space, but you'll find that most engines will not care " "much for this. Instead, tell the game engine not to do any conversion on the " "file when importing." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:370 msgid "" "Specular, glossiness, metalness and roughness maps are all based on linear " "calculations, and when you find that certain material has a metalness of " "0.3, this is 30% gray in a linear space. Therefore, make sure to tell the " "game engine renderer that this is a linear space image (or at the very " "least, should NOT be converted)." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:374 msgid "" "`Visualising the XYZ colorspace `_" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:375 msgid "" "`Basics of gamma correction `_" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:376 msgid "" "`Panda3d example of how an image that has gamma encoded without the 3d " "renderer being notified of it having gamma-encoding can result in too dark " "images `_" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:377 msgid "" "`2d examples of the effect of gamma-encoding on color maths `_" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:378 msgid "" "`Basic overview colormanagement from argylcms manual `_" msgstr "" diff --git a/locale/pt_PT/LC_MESSAGES/general_concepts/colors/viewing_conditions.po b/locale/pt_PT/LC_MESSAGES/general_concepts/colors/viewing_conditions.po index 27ef93dcf..f81e4ed4b 100644 --- a/locale/pt_PT/LC_MESSAGES/general_concepts/colors/viewing_conditions.po +++ b/locale/pt_PT/LC_MESSAGES/general_concepts/colors/viewing_conditions.po @@ -1,331 +1,290 @@ # SOME DESCRIPTIVE TITLE. # Copyright (C) licensed under the GNU Free Documentation License 1.3+ unless stated otherwise # This file is distributed under the same license as the Krita Manual package. # FIRST AUTHOR , YEAR. # msgid "" msgstr "" "Project-Id-Version: Krita Manual 4.1\n" "Report-Msgid-Bugs-To: \n" "POT-Creation-Date: 2019-03-09 03:31+0100\n" -"PO-Revision-Date: 2019-03-03 23:07+0000\n" +"PO-Revision-Date: 2019-03-16 12:26+0000\n" "Last-Translator: José Nuno Coelho Pires \n" "Language-Team: Portuguese \n" "Language: pt\n" "MIME-Version: 1.0\n" "Content-Type: text/plain; charset=UTF-8\n" "Content-Transfer-Encoding: 8bit\n" "Plural-Forms: nplurals=2; plural=n != 1;\n" "X-POFile-SpellExtra: en LUT girassóis image metamerismo\n" "X-POFile-SpellExtra: Kritaexamplemetamerism images papoilas Shirt shirt\n" "X-POFile-SpellExtra: Vermeer MIC cLUT ICC Commons\n" "X-POFile-SpellExtra: Kritametamerismpresentation Meisjemetdeparelviewing\n" -"X-POFile-SpellExtra: colorcategory Whitepointmixupex Krita Maurits\n" +"X-POFile-SpellExtra: colorcategory Whitepointmixupex Krita Maurits OCIO\n" #: ../../general_concepts/colors/viewing_conditions.rst:None msgid ".. image:: images/en/color_category/Krita_example_metamerism.png" msgstr ".. image:: images/en/color_category/Krita_example_metamerism.png" #: ../../general_concepts/colors/viewing_conditions.rst:None msgid ".. image:: images/en/color_category/White_point_mix_up_ex1_01.svg" msgstr ".. image:: images/en/color_category/White_point_mix_up_ex1_01.svg" #: ../../general_concepts/colors/viewing_conditions.rst:None msgid ".. image:: images/en/color_category/White_point_mixup_ex1_02.png" msgstr ".. image:: images/en/color_category/White_point_mixup_ex1_02.png" #: ../../general_concepts/colors/viewing_conditions.rst:None msgid ".. image:: images/en/color_category/White_point_mix_up_ex1_03.svg" msgstr ".. image:: images/en/color_category/White_point_mix_up_ex1_03.svg" #: ../../general_concepts/colors/viewing_conditions.rst:None msgid ".. image:: images/en/color_category/Krita_metamerism_presentation.svg" msgstr ".. image:: images/en/color_category/Krita_metamerism_presentation.svg" #: ../../general_concepts/colors/viewing_conditions.rst:1 msgid "What are viewing conditions." msgstr "O que são as condições de visualização." #: ../../general_concepts/colors/viewing_conditions.rst:15 msgid "Viewing Conditions" msgstr "Condições de Visualização" #: ../../general_concepts/colors/viewing_conditions.rst:17 msgid "" "We mentioned viewing conditions before, but what does this have to do with " "'white points'?" msgstr "" "Mencionámos as condições de visualização anteriormente, mas o que é que isto " "tem a ver com os 'pontos brancos'?" #: ../../general_concepts/colors/viewing_conditions.rst:19 msgid "" "A lot actually, rather, white points describe a type of viewing condition." msgstr "" "Bastante, de facto. Os pontos brancos descrevem um dado tipo de condição de " "visualização." #: ../../general_concepts/colors/viewing_conditions.rst:21 msgid "" "So, usually what we mean by viewing conditions is the lighting and " "decoration of the room that you are viewing the image in. Our eyes try to " "make sense of both the colors that you are looking at actively (the colors " "of the image) and the colors you aren't looking at actively (the colors of " "the room), which means that both sets of colors affect how the image looks." msgstr "" "Como tal, o que normalmente chamados de condições de visualização é a " "iluminação e a decoração do quarto no qual está a ver a imagem. Os nossos " "olhos tentam tirar o sentido de ambas as cores que está a ver de forma " "activa (as cores da imagem) e das cores que não está a ver activamente (as " "cores da sala), o que significa que ambos os conjuntos de cores afectam a " "aparência da imagem." #: ../../general_concepts/colors/viewing_conditions.rst:27 msgid ".. image:: images/en/color_category/Meisje_met_de_parel_viewing.png" msgstr ".. image:: images/en/color_category/Meisje_met_de_parel_viewing.png" #: ../../general_concepts/colors/viewing_conditions.rst:27 -#, fuzzy -#| msgid "" -#| "**Left**: Let's ruin Vermeer by putting a bright purple background that " -#| "asks for more attention than the famous painting it self. **Center**: a " -#| "much more neutral backdrop that an interior decorator would hate but " -#| "brings out the colors. **Right**: The approximate color that this " -#| "painting is displayed against in real life in the Maurits House, at the " -#| "least, last time I was there. Original image from wikipedia commons." msgid "" "**Left**: Let's ruin Vermeer by putting a bright purple background that asks " "for more attention than the famous painting itself. **Center**: a much more " "neutral backdrop that an interior decorator would hate but brings out the " "colors. **Right**: The approximate color that this painting is displayed " "against in real life in the Maurits House, at the least, last time I was " "there. Original image from wikipedia commons." msgstr "" "**Esquerda**: Vamos arruinar um Vermeer, colocando um fundo roxo brilhante " "que chama mais a atenção que a famosa pintura em si. **Centro**: uma versão " "muito mais neutra que um decorador de interiores iria detestar mas que " "realça as cores. **Direita**: A cor aproximada com que esta pintura é " "apresentada na vida real na Casa de Maurits, na última vez que lá estive. A " "imagem original do Wikipédia Commons." #: ../../general_concepts/colors/viewing_conditions.rst:29 msgid "" "This is for example, the reason why museum exhibitioners can get really " "angry at the interior decorators when the walls of the museum are painted " "bright red or blue, because this will drastically change the way how the " "painting's colors look. (Which, if we are talking about a painter known for " "their colors like Vermeer, could result in a really bad experience)." msgstr "" "Isto é, por exemplo, a razão pela qual os criadores de exibições em museus " "podem ficar realmente irritados com os decoradores de interiores, quando as " "paredes do museu são pintadas com vermelho ou azul claro, porque essas cores " "irão mudar drasticamente a forma como as cores da pintura aparecem. (O que, " "se estivermos a falar sobre um pintor conhecido pelas suas cores, como era " "Vermeer, poderá resultar numa experiência realmente desagradável)." #: ../../general_concepts/colors/viewing_conditions.rst:37 -#, fuzzy -#| msgid "" -#| "Lighting is the other component of the viewing condition which can have " -#| "dramatic effects. Lighting in particular affects the way how all colors " -#| "look. For example, if you were to paint an image of sunflowers and " -#| "poppies, print that out, and shine a bright yellow light on it, the " -#| "sunflowers would become indistinguishable from the white background, and " -#| "the poppies would look orange. This is called [https://en.wikipedia.org/" -#| "wiki/Metamerism_%28color%29 metamerism], and it's generally something you " -#| "want to avoid in your color management pipeline." msgid "" "Lighting is the other component of the viewing condition which can have " "dramatic effects. Lighting in particular affects the way how all colors " "look. For example, if you were to paint an image of sunflowers and poppies, " "print that out, and shine a bright yellow light on it, the sunflowers would " "become indistinguishable from the white background, and the poppies would " "look orange. This is called `metamerism `_, and it's generally something you want to avoid in " "your color management pipeline." -msgstr "" -"A iluminação é o outro componente da condição de visualização que poderá " -"provocar efeitos dramáticos. A iluminação em particular afecta a forma como " -"todas as cores aparecem. Por exemplo, se fosse para pintar uma imagem com " -"girassóis e papoilas, imprimi-las e aplicasse uma luz amarela clara sobre " -"ela, os girassóis quase ficavam escondidos no meio do fundo branco, e as " -"papoilas iriam ficar alaranjadas. Este fenómeno chama-se [https://en." -"wikipedia.org/wiki/Metamerism_%28color%29 metamerismo], e normalmente é algo " -"que quer evitar no seu processo de gestão de cores." +msgstr "A iluminação é o outro componente da condição de visualização que poderá provocar efeitos dramáticos. A iluminação em particular afecta a forma como todas as cores aparecem. Por exemplo, se fosse para pintar uma imagem com girassóis e papoilas, imprimi-las e aplicasse uma luz amarela clara sobre ela, os girassóis quase ficavam escondidos no meio do fundo branco, e as papoilas iriam ficar alaranjadas. Este fenómeno chama-se `metamerismo `, e normalmente é algo que quer evitar no seu processo de gestão de cores." #: ../../general_concepts/colors/viewing_conditions.rst:39 msgid "" "Examples where metamerism could become a problem is when you start matching " "colors from different sources together." msgstr "" "Os exemplos onde o metamerismo pode-se tornar um problema é quando começar a " "corresponder cores de diferentes origens em conjunto." #: ../../general_concepts/colors/viewing_conditions.rst:46 msgid "" "For example, if you are designing a print for a red t-shirt that's not " "bright red, but not super greyish red either. And you want to make sure the " "colors of the print match the color of the t-shirt, so you make a dummy " "background layer that is approximately that red, as correctly as you can " "observe it, and paint on layers above that dummy layer. When you are done, " "you hide this dummy layer and sent the image with a transparent background " "to the press." msgstr "" "Por exemplo, se estiver a desenhar uma impressão para uma T-Shirt vermelha, " "que não é vermelha-clara, mas também não é um vermelho acinzentado. E você " "quer ter a certeza que as cores da impressão correspondem à cor da T-shirt, " "pelo que poderá criar um fundo de exemplo que tenha esse vermelho, mais ou " "menos tão correcto quando consegue observar, e pinte as camadas por cima da " "camada de testes. Quando terminar, poderá esconder essa camada de testes e " "enviar a imagem com um fundo transparente para a casa de impressão." #: ../../general_concepts/colors/viewing_conditions.rst:54 msgid "" "But when you get the t-shit from the printer, you notice that all your " "colors look off, mismatched, and maybe too yellowish (and when did that T-" "Shirt become purple?)." msgstr "" "Mas quando recebe a T-Shirt da impressora, irá reparar que todas as cores " "parecem desfasadas, sem correspondência e talvez um pouco amareladas (e " "desde quando a T-Shirt ficou púrpura?)." #: ../../general_concepts/colors/viewing_conditions.rst:56 msgid "This is where white points come in." msgstr "Isto é onde entram os pontos brancos." #: ../../general_concepts/colors/viewing_conditions.rst:58 msgid "" "You probably observed the t-shirt in a white room where there were " "incandescent lamps shining, because as a true artist, you started your work " "in the middle of the night, as that is when the best art is made. However, " "incandescent lamps have a black body temperature of roughly 2300-2800K, " "which makes them give a yellowish light, officially called White Point A." msgstr "" "Provavelmente observou a T-shirt numa sala branca onde existiam lâmpadas " "incandescentes a brilhar, já que como um verdadeiro artista, começou o seu " "trabalho a meio da noite, já que é a melhor hora em que as melhores obras " "são feitas. Contudo, as luzes incandescentes têm uma temperatura corporal de " "aproximadamente 2300-2800K, o que lhes atribui uma luz amarelada, sendo " "chamada oficialmente de Ponto Branco A." #: ../../general_concepts/colors/viewing_conditions.rst:61 msgid "" "Your computer screen on the other hand, has a black body temperature of " "6500K, also known as D65. Which is a far more blueish color of light than " "the lamps you are hanging." msgstr "" "O ecrã do seu computador, por outro lado, tem uma temperatura corporal do " "preto equivalente a 6500K, também conhecida por D65. O que corresponde a uma " "cor mais azulada da luz que as lâmpadas que possui." #: ../../general_concepts/colors/viewing_conditions.rst:63 msgid "" "What's worse, Printers print on the basis of using a white point of D50, the " "color of white paper under direct sunlight." msgstr "" "O que é pior ainda, as impressoras imprimem na base de usar um ponto branco " "D50, a cor do papel branco face à luz do Sol directa." #: ../../general_concepts/colors/viewing_conditions.rst:70 msgid "" "So, by eye-balling your t-shirt's color during the evening, you took its red " "color as transformed by the yellowish light. Had you made your observation " "in diffuse sunlight of an overcast (which is also roughly D65), or made it " "in direct sunlight light and painted your picture with a profile set to D50, " "the color would have been much closer, and thus your design would not be as " "yellowish." -msgstr "" -"Por isso, por observar a cor da sua T-shirt durante a noite, vocẽ observou a " -"sua cor vermelha transformada pela luz amarelada. Se tivesse feito a sua " -"observação à luz do Sol difusa numa tempestade (que também é aproximada à " -"D65), ou se a tivesse feito à luz do Sol directa e tivesse pintado a sua " -"imagem com um perfil associado ao D50, a cor teria sido muito mais próxima " -"e, como tal, o seu desenho não teria saído tão amarelado." +msgstr "Por isso, por observar a cor da sua T-shirt durante a noite, vocẽ observou a sua cor vermelha transformada pela luz amarelada. Se tivesse feito a sua observação à luz do Sol difusa numa tempestade (que também é aproximada à D65), ou se a tivesse feito à luz do Sol directa e tivesse pintado a sua imagem com um perfil associado ao D50, a cor teria sido muito mais próxima e, como tal, o seu desenho não teria saído tão amarelado." #: ../../general_concepts/colors/viewing_conditions.rst:77 msgid ".. image:: images/en/color_category/White_point_mixup_ex1_03.png" msgstr ".. image:: images/en/color_category/White_point_mixup_ex1_03.png" #: ../../general_concepts/colors/viewing_conditions.rst:77 msgid "" "Applying a white balance filter will sort of match the colors to the tone as " "in the middle, but you would have had a much better design had you designed " "against the actual color to begin with." msgstr "" "A aplicação de um filtro de balanceamento de branco irá de certa forma " "corresponder as cores à tonalidade como acontece no meio, mas iria ter um " "desenho muito melhor se tivesse desenhado com a cor actual, em primeiro " "lugar." #: ../../general_concepts/colors/viewing_conditions.rst:79 msgid "" "Now, you could technically quickly fix this by using a white balancing " "filter, like the ones in G'MIC, but because this error is caught at the end " "of the production process, you basically limited your use of possible colors " "when you were designing, which is a pity." -msgstr "" -"Agora, poderia tentar corrigir isto de forma técnica, usando um filtro de " -"balanceamento de brancos, como os existentes no G'MIC, mas dado que este " -"erro só é detectado no fim do proceso de produção, acabou por limitar o seu " -"uso de cores possíveis quando esteve a desenhar, o que é pena." +msgstr "Agora, poderia tentar corrigir isto de forma técnica, usando um filtro de balanceamento de brancos, como os existentes no G'MIC, mas dado que este erro só é detectado no fim do processo de produção, acabou por limitar o seu uso de cores possíveis quando esteve a desenhar, o que é pena." #: ../../general_concepts/colors/viewing_conditions.rst:81 msgid "" "Another example where metamerism messes things up is with screen projections." msgstr "" "Outro exemplo onde aparece o metamerismo a prejudicar é com os projectores " "de ecrãs." #: ../../general_concepts/colors/viewing_conditions.rst:83 msgid "" "We have a presentation where we mark one type of item with red, another with " "yellow and yet another with purple. On a computer the differences between " "the colors are very obvious." msgstr "" "Temos uma apresentação onde marcamos um tipo de item a vermelho, outro a " "amarelo e outro a roxo. Num computador, as diferenças entre as cores são " "bastante óbvias." #: ../../general_concepts/colors/viewing_conditions.rst:89 msgid "" "However, when we start projecting, the lights of the room aren't dimmed, " "which means that the tone scale of the colors becomes crunched, and yellow " "becomes near indistinguishable from white. Furthermore, because the light in " "the room is slightly yellowish, the purple is transformed into red, making " "it indistinguishable from the red. Meaning that the graphic is difficult to " "read." msgstr "" "Contudo, quando começamos a projectar, as luzes da sala não estão " "escurecidas, o que significa que a escala de tonalidades das cores fica " "afectada, o que significa que o amarelo fica quase igual ao branco. Para " "além disso, dado que a luz na sala é ligeiramente amarelada, o roxo fica " "transformado em vermelho, tornando-o quase igual ao vermelho. Finalmente, " "isto significa que a imagem é difícil de ler." #: ../../general_concepts/colors/viewing_conditions.rst:91 msgid "" "In both cases, you can use Krita's color management a little to help you, " "but mostly, you just need to be ''aware'' of it, as Krita can hardly fix " "that you are looking at colors at night, or the fact that the presentation " "hall owner refuses to turn off the lights." -msgstr "" -"Em ambos os casos, podeá usar a gestão de cores do Krita para o ajudar um " -"pouco, mas na maior parte dos casos, só precisa de estar ''a par'' disso, " -"dado que o Krita dificilmente consegue corrigir o que está à procura nas " -"cores à noite, ou o facto de o dono da sala onde decorrerá a apresentação se " -"recusar a desligar as luzes." +msgstr "Em ambos os casos, podeá usar a gestão de cores do Krita para o ajudar um pouco, mas na maior parte dos casos, só precisa de estar ''a par'' disso, dado que o Krita dificilmente consegue corrigir o que está à procura nas cores à noite, ou o facto de o dono da sala onde decorrerá a apresentação se recusar a desligar as luzes." #: ../../general_concepts/colors/viewing_conditions.rst:93 msgid "" "That said, unless you have a display profile that uses LUTs, such as an OCIO " "lut or a cLUT icc profile, white point won't matter much when choosing a " "working space, due to weirdness in the icc v4 workflow which always converts " "matrix profiles with relative colorimetric, meaning the white points are " "matched up." msgstr "" "Posto isto, a menos que tenha um perfil de visualização que use LUT's, como " "o do OCIO ou um perfil ICC do cLUT, o ponto branco não será muito relevante " "quando escolher um espaço de cores de trabalho, devido à estranheza do " "funcionamento do ICC v4, que converte sempre os perfis em matriz com a " "tentativa colorimétrica relativa, o que significa que os pontos brancos têm " "correspondência." diff --git a/locale/pt_PT/LC_MESSAGES/reference_manual/blending_modes/lighten.po b/locale/pt_PT/LC_MESSAGES/reference_manual/blending_modes/lighten.po index acf5ac623..f8b320628 100644 --- a/locale/pt_PT/LC_MESSAGES/reference_manual/blending_modes/lighten.po +++ b/locale/pt_PT/LC_MESSAGES/reference_manual/blending_modes/lighten.po @@ -1,344 +1,344 @@ # SOME DESCRIPTIVE TITLE. # Copyright (C) licensed under the GNU Free Documentation License 1.3+ unless stated otherwise # This file is distributed under the same license as the Krita Manual package. # FIRST AUTHOR , YEAR. # msgid "" msgstr "" "Project-Id-Version: Krita Manual 4.1\n" "Report-Msgid-Bugs-To: \n" "POT-Creation-Date: 2019-02-25 03:36+0100\n" "PO-Revision-Date: 2019-02-19 09:58+0000\n" "Last-Translator: José Nuno Coelho Pires \n" "Language-Team: Portuguese \n" "Language: pt\n" "MIME-Version: 1.0\n" "Content-Type: text/plain; charset=UTF-8\n" "Content-Transfer-Encoding: 8bit\n" "Plural-Forms: nplurals=2; plural=n != 1;\n" #: ../../reference_manual/blending_modes/lighten.rst:1 msgid "" "Page about the lighten blending modes in Krita: Color Dodge, Gamma Light, " "Hard Light, Lighten, Lighter Color, Linear Dodge, Linear Light, Pin Light, " "Screen, Soft Light and Vivid Light." msgstr "" #: ../../reference_manual/blending_modes/lighten.rst:15 #: ../../reference_manual/blending_modes/lighten.rst:68 msgid "Lighten" msgstr "Aclarar" #: ../../reference_manual/blending_modes/lighten.rst:17 msgid "Blending modes that lighten the image." msgstr "" #: ../../reference_manual/blending_modes/lighten.rst:23 msgid "Color Dodge" msgstr "Desvio da Cor" #: ../../reference_manual/blending_modes/lighten.rst:25 msgid "" "Similar to Divide. Inverts the top layer, and divides the lower layer by the " "inverted top layer. This results in a image with emphasized highlights, like " "Dodging would do in traditional darkroom photography." msgstr "" #: ../../reference_manual/blending_modes/lighten.rst:32 msgid "" ".. image:: images/blending_modes/" "Blending_modes_Color_Dodge_Sample_image_with_dots.png" msgstr "" #: ../../reference_manual/blending_modes/lighten.rst:32 msgid "Left: **Normal**. Right: **Color Dodge**." msgstr "" #: ../../reference_manual/blending_modes/lighten.rst:38 msgid "Gamma Light" msgstr "Luz do Gama" #: ../../reference_manual/blending_modes/lighten.rst:40 msgid "Outputs the upper layer as power of the lower layer." msgstr "" #: ../../reference_manual/blending_modes/lighten.rst:45 msgid "" ".. image:: images/blending_modes/" "Blending_modes_Gamma_Light_Sample_image_with_dots.png" msgstr "" #: ../../reference_manual/blending_modes/lighten.rst:45 msgid "Left: **Normal**. Right: **Gamma Light**." msgstr "" #: ../../reference_manual/blending_modes/lighten.rst:51 msgid "Hard Light" msgstr "Luz Forte" #: ../../reference_manual/blending_modes/lighten.rst:53 msgid "" "Similar to Overlay. A combination of the Multiply and Screen blending modes, " "switching between both at a middle-lightness." msgstr "" #: ../../reference_manual/blending_modes/lighten.rst:56 msgid "" "Hard light checks if the colour on the upperlayer has a lightness above 0.5. " "Unlike overlay, if the pixel is lighter than 0.5,it is blended like in " "Multiply mode, if not the pixel is blended like in Screen mode." msgstr "" #: ../../reference_manual/blending_modes/lighten.rst:58 msgid "Effectively, this decreases contrast." msgstr "" #: ../../reference_manual/blending_modes/lighten.rst:63 msgid "" ".. image:: images/blending_modes/" "Blending_modes_Hard_Light_Sample_image_with_dots.png" msgstr "" #: ../../reference_manual/blending_modes/lighten.rst:63 msgid "Left: **Normal**. Right: **Hard Light**." msgstr "" #: ../../reference_manual/blending_modes/lighten.rst:70 msgid "" "With the darken, the upper layer's colors are checked for their lightness. " "Only if they are Lighter than the underlying color on the lower layer, will " "they be visible." msgstr "" #: ../../reference_manual/blending_modes/lighten.rst:75 msgid "" ".. image:: images/blending_modes/" "Blending_modes_Lighten_Sample_image_with_dots.png" msgstr "" #: ../../reference_manual/blending_modes/lighten.rst:75 msgid "Left: **Normal**. Right: **Lighten**." msgstr "" #: ../../reference_manual/blending_modes/lighten.rst:80 msgid "Lighter Color" msgstr "Cor Mais Clara" #: ../../reference_manual/blending_modes/lighten.rst:85 msgid "" ".. image:: images/blending_modes/" "Blending_modes_Lighter_Color_Sample_image_with_dots.png" msgstr "" #: ../../reference_manual/blending_modes/lighten.rst:85 msgid "Left: **Normal**. Right: **Lighter Color**." msgstr "" #: ../../reference_manual/blending_modes/lighten.rst:91 msgid "Linear Dodge" msgstr "Desvio Linear" #: ../../reference_manual/blending_modes/lighten.rst:93 msgid "Exactly the same as :ref:`bm_addition`." msgstr "" #: ../../reference_manual/blending_modes/lighten.rst:95 msgid "Put in for compatibility purposes." msgstr "" #: ../../reference_manual/blending_modes/lighten.rst:100 msgid "" ".. image:: images/blending_modes/" "Blending_modes_Linear_Dodge_Sample_image_with_dots.png" msgstr "" #: ../../reference_manual/blending_modes/lighten.rst:100 msgid "" "Left: **Normal**. Right: **Linear Dodge** (exactly the same as Addition)." msgstr "" #: ../../reference_manual/blending_modes/lighten.rst:105 msgid "Linear Light" msgstr "Luz Linear" #: ../../reference_manual/blending_modes/lighten.rst:107 msgid "Similar to :ref:`bm_overlay`." msgstr "" #: ../../reference_manual/blending_modes/lighten.rst:109 msgid "" "Combines :ref:`bm_linear_dodge` and :ref:`bm_linear_burn`. When the " "lightness of the upper-pixel is higher than 0.5, it uses Linear dodge, if " "not, Linear burn to blend the pixels." msgstr "" #: ../../reference_manual/blending_modes/lighten.rst:114 msgid "" ".. image:: images/blending_modes/" "Blending_modes_Linear_Light_Gray_0.4_and_Gray_0.5.png" msgstr "" #: ../../reference_manual/blending_modes/lighten.rst:114 #: ../../reference_manual/blending_modes/lighten.rst:119 #: ../../reference_manual/blending_modes/lighten.rst:124 msgid "Left: **Normal**. Right: **Linear Light**." msgstr "" #: ../../reference_manual/blending_modes/lighten.rst:119 msgid "" ".. image:: images/blending_modes/" "Blending_modes_Linear_Light_Light_blue_and_Orange.png" msgstr "" #: ../../reference_manual/blending_modes/lighten.rst:124 msgid "" ".. image:: images/blending_modes/" "Blending_modes_Linear_Light_Sample_image_with_dots.png" msgstr "" #: ../../reference_manual/blending_modes/lighten.rst:129 msgid "Pin Light" msgstr "Luz Pontual" #: ../../reference_manual/blending_modes/lighten.rst:131 msgid "" "Checks which is darker the lower layer's pixel or the upper layer's double " "so bright. Then checks which is brighter of that result or the inversion of " "the doubled lower layer." msgstr "" #: ../../reference_manual/blending_modes/lighten.rst:137 msgid "" ".. image:: images/blending_modes/" "Blending_modes_Pin_Light_Gray_0.4_and_Gray_0.5.png" msgstr "" #: ../../reference_manual/blending_modes/lighten.rst:137 #: ../../reference_manual/blending_modes/lighten.rst:142 #: ../../reference_manual/blending_modes/lighten.rst:147 msgid "Left: **Normal**. Right: **Pin Light**." msgstr "" #: ../../reference_manual/blending_modes/lighten.rst:142 msgid "" ".. image:: images/blending_modes/" "Blending_modes_Pin_Light_Light_blue_and_Orange.png" msgstr "" #: ../../reference_manual/blending_modes/lighten.rst:147 msgid "" ".. image:: images/blending_modes/" "Blending_modes_Pin_Light_Sample_image_with_dots.png" msgstr "" #: ../../reference_manual/blending_modes/lighten.rst:152 msgid "Screen" msgstr "Ecrã" #: ../../reference_manual/blending_modes/lighten.rst:154 msgid "Perceptually the opposite of :ref:`bm_multiply`." msgstr "" #: ../../reference_manual/blending_modes/lighten.rst:156 msgid "" "Mathematically, Screen takes both layers, inverts them, then multiplies " "them, and finally inverts them again." msgstr "" #: ../../reference_manual/blending_modes/lighten.rst:158 msgid "" "This results in light tones being more opaque and dark tones transparent." msgstr "" #: ../../reference_manual/blending_modes/lighten.rst:163 msgid "" ".. image:: images/blending_modes/Blending_modes_Screen_Gray_0.4_and_Gray_0.5." "png" msgstr "" #: ../../reference_manual/blending_modes/lighten.rst:163 #: ../../reference_manual/blending_modes/lighten.rst:168 #: ../../reference_manual/blending_modes/lighten.rst:173 msgid "Left: **Normal**. Right: **Screen**." msgstr "" #: ../../reference_manual/blending_modes/lighten.rst:168 msgid "" ".. image:: images/blending_modes/Blending_modes_Screen_Light_blue_and_Orange." "png" msgstr "" #: ../../reference_manual/blending_modes/lighten.rst:173 msgid "" ".. image:: images/blending_modes/" "Blending_modes_Screen_Sample_image_with_dots.png" msgstr "" #: ../../reference_manual/blending_modes/lighten.rst:178 msgid "Soft Light (Photoshop) & Soft Light SVG" msgstr "" #: ../../reference_manual/blending_modes/lighten.rst:180 msgid "" "These are less harsh versions of Hard Light, not resulting in full black or " "full white." msgstr "" #: ../../reference_manual/blending_modes/lighten.rst:182 msgid "" "The SVG version is slightly different to the Photoshop version in that it " "uses a slightly different bit of formula when the lightness of the lower " "pixel is lower than 25%, this prevents the strength of the brightness " "increase." msgstr "" #: ../../reference_manual/blending_modes/lighten.rst:187 msgid "" ".. image:: images/blending_modes/" "Blending_modes_Soft_Light_Photoshop_Sample_image_with_dots.png" msgstr "" #: ../../reference_manual/blending_modes/lighten.rst:187 msgid "Left: **Normal**. Right: **Soft Light (Photoshop)**." msgstr "" #: ../../reference_manual/blending_modes/lighten.rst:193 msgid "" ".. image:: images/blending_modes/" "Blending_modes_Soft_Light_SVG_Sample_image_with_dots.png" msgstr "" #: ../../reference_manual/blending_modes/lighten.rst:193 msgid "Left: **Normal**. Right: **Soft Light (SVG)**." msgstr "" #: ../../reference_manual/blending_modes/lighten.rst:198 msgid "Vivid Light" msgstr "Luz Viva" #: ../../reference_manual/blending_modes/lighten.rst:200 msgid "Similar to Overlay." -msgstr "" +msgstr "Similar à Camada Sobreposta." #: ../../reference_manual/blending_modes/lighten.rst:202 msgid "" "Mixes both Color Dodge and Burn blending modes. If the color of the upper " "layer is darker than 50%, the blending mode will be Burn, if not the " "blending mode will be Color Dodge." -msgstr "" +msgstr "Mistura ambos os modos de Desvio de Cor e Queimadura. Se a cor da camada superior for mais escura que 50%, o modo de mistura será a Queimadura; caso contrário, será o Desvio de Cor." #: ../../reference_manual/blending_modes/lighten.rst:206 msgid "" "This algorithm doesn't use color dodge and burn, we don't know WHAT it does " "do but for Color Dodge and Burn you need to use :ref:`bm_hard_mix`" msgstr "" #: ../../reference_manual/blending_modes/lighten.rst:211 msgid "" ".. image:: images/blending_modes/" "Blending_modes_Vivid_Light_Sample_image_with_dots.png" msgstr "" #: ../../reference_manual/blending_modes/lighten.rst:211 msgid "Left: **Normal**. Right: **Vivid Light**." msgstr "" diff --git a/locale/pt_PT/LC_MESSAGES/reference_manual/blending_modes/mix.po b/locale/pt_PT/LC_MESSAGES/reference_manual/blending_modes/mix.po index 53fe360a7..7d1a27de7 100644 --- a/locale/pt_PT/LC_MESSAGES/reference_manual/blending_modes/mix.po +++ b/locale/pt_PT/LC_MESSAGES/reference_manual/blending_modes/mix.po @@ -1,331 +1,331 @@ # SOME DESCRIPTIVE TITLE. # Copyright (C) licensed under the GNU Free Documentation License 1.3+ unless stated otherwise # This file is distributed under the same license as the Krita Manual package. # FIRST AUTHOR , YEAR. # msgid "" msgstr "" "Project-Id-Version: Krita Manual 4.1\n" "Report-Msgid-Bugs-To: \n" "POT-Creation-Date: 2019-02-19 03:36+0100\n" -"PO-Revision-Date: 2019-02-19 09:59+0000\n" +"PO-Revision-Date: 2019-03-16 14:24+0000\n" "Last-Translator: José Nuno Coelho Pires \n" "Language-Team: Portuguese \n" "Language: pt\n" "MIME-Version: 1.0\n" "Content-Type: text/plain; charset=UTF-8\n" "Content-Transfer-Encoding: 8bit\n" "Plural-Forms: nplurals=2; plural=n != 1;\n" #: ../../reference_manual/blending_modes/mix.rst:None msgid ".. image:: images/blending_modes/Greaterblendmode.gif" -msgstr "" +msgstr ".. image:: images/blending_modes/Greaterblendmode.gif" #: ../../reference_manual/blending_modes/mix.rst:1 msgid "" "Page about the mix blending modes in Krita: Allanon, Alpha Darken, Behind, " "Erase, Geometric Mean, Grain Extract, Grain Merge, Greater, Hard Mix, Hard " "Overlay, Normal, Overlay and Parallel." -msgstr "" +msgstr "Página sobre os modos de mistura no Krita: Allanon, Escurecimento do Alfa, Atrás, Apagar, Média Geométrica, Extracção do Grão, Junção do Grão, Maior, Mistura Forte, Sobreposição Forte, Normal, Sobreposição e Paralela." #: ../../reference_manual/blending_modes/mix.rst:15 msgid "Mix" msgstr "Mistura" #: ../../reference_manual/blending_modes/mix.rst:21 msgid "Allanon" msgstr "Allanon" #: ../../reference_manual/blending_modes/mix.rst:23 msgid "" "Blends the upper layer as half-transparent with the lower. (It add the two " "layers together and then halves the value)" -msgstr "" +msgstr "Mistura a camada superior de forma semi-transparente com a inferior. (Adiciona as duas camadas em conjunto e depois calcula a metade do valor)" #: ../../reference_manual/blending_modes/mix.rst:29 msgid "" ".. image:: images/blending_modes/" "Blending_modes_Allanon_Sample_image_with_dots.png" -msgstr "" +msgstr ".. image:: images/blending_modes/Blending_modes_Allanon_Sample_image_with_dots.png" #: ../../reference_manual/blending_modes/mix.rst:29 msgid "Left: **Normal**. Right: **Allanon**." -msgstr "" +msgstr "Esquerda: **Normal**. Direita: **Allanon**." #: ../../reference_manual/blending_modes/mix.rst:35 msgid "Alpha Darken" msgstr "Escurecer o Alfa" #: ../../reference_manual/blending_modes/mix.rst:37 msgid "" "As far as I can tell this seems to premultiply the alpha, as is common in " "some file-formats." -msgstr "" +msgstr "Tanto quanto se sabe, isto parece pré-multiplicar o alfa, dado que é comum em alguns formatos de ficheiros." #: ../../reference_manual/blending_modes/mix.rst:42 msgid "" ".. image:: images/blending_modes/" "Blending_modes_Alpha_Darken_Sample_image_with_dots.png" -msgstr "" +msgstr ".. image:: images/blending_modes/Blending_modes_Alpha_Darken_Sample_image_with_dots.png" #: ../../reference_manual/blending_modes/mix.rst:42 msgid "Left: **Normal**. Right: **Alpha Darken**." -msgstr "" +msgstr "Esquerda: **Normal**. Direita: **Escurecimento do Alfa**." #: ../../reference_manual/blending_modes/mix.rst:48 msgid "Behind" msgstr "Atrás" #: ../../reference_manual/blending_modes/mix.rst:50 msgid "" "Does the opposite of normal, and tries to have the upper layer rendered " "below the lower layer." -msgstr "" +msgstr "Faz o oposto do normal e tentar ter a camada superior desenhada atrás da camada actual." #: ../../reference_manual/blending_modes/mix.rst:55 msgid "" ".. image:: images/blending_modes/" "Blending_modes_Behind_Sample_image_with_dots.png" -msgstr "" +msgstr ".. image:: images/blending_modes/Blending_modes_Behind_Sample_image_with_dots.png" #: ../../reference_manual/blending_modes/mix.rst:55 msgid "Left: **Normal**. Right: **Behind**." -msgstr "" +msgstr "Esquerda: **Normal**. Direita: **Atrás**." #: ../../reference_manual/blending_modes/mix.rst:61 msgid "Erase" msgstr "Apagar" #: ../../reference_manual/blending_modes/mix.rst:63 msgid "" "This subtracts the opaque pixels of the upper layer from the lower layer, " "effectively erasing." -msgstr "" +msgstr "Isto subtrai os pixels opacos da camada superior da camada inferior, apagando de facto." #: ../../reference_manual/blending_modes/mix.rst:68 msgid "" ".. image:: images/blending_modes/Blending_modes_Erase_Sample_image_with_dots." "png" -msgstr "" +msgstr ".. image:: images/blending_modes/Blending_modes_Erase_Sample_image_with_dots.png" #: ../../reference_manual/blending_modes/mix.rst:68 msgid "Left: **Normal**. Right: **Erase**." -msgstr "" +msgstr "Esquerda: **Normal**. Direita: **Apagar**." #: ../../reference_manual/blending_modes/mix.rst:74 msgid "Geometric Mean" msgstr "Média Geométrica" #: ../../reference_manual/blending_modes/mix.rst:76 msgid "" "This blending mode multiplies the top layer with the bottom, and then " "outputs the square root of that." -msgstr "" +msgstr "Este modo de mistura multiplica a camada superior com a inferior, calculando depois a raiz quadrada do valor." #: ../../reference_manual/blending_modes/mix.rst:81 msgid "" ".. image:: images/blending_modes/" "Blending_modes_Geometric_Mean_Sample_image_with_dots.png" -msgstr "" +msgstr ".. image:: images/blending_modes/Blending_modes_Geometric_Mean_Sample_image_with_dots.png" #: ../../reference_manual/blending_modes/mix.rst:81 msgid "Left: **Normal**. Right: **Geometric Mean**." -msgstr "" +msgstr "Esquerda: **Normal**. Direita: **Média Geométrica**." #: ../../reference_manual/blending_modes/mix.rst:87 msgid "Grain Extract" msgstr "Extracção do Grão" #: ../../reference_manual/blending_modes/mix.rst:89 msgid "" "Similar to subtract, the colors of the upper layer are subtracted from the " "colors of the lower layer, and then 50% grey is added." -msgstr "" +msgstr "Similar à subtracção, sendo que as cores da camada superior são subtraídas à camada inferior, sendo depois adicionado 50% de cinzento." #: ../../reference_manual/blending_modes/mix.rst:94 msgid "" ".. image:: images/blending_modes/" "Blending_modes_Grain_Extract_Sample_image_with_dots.png" -msgstr "" +msgstr ".. image:: images/blending_modes/Blending_modes_Grain_Extract_Sample_image_with_dots.png" #: ../../reference_manual/blending_modes/mix.rst:94 msgid "Left: **Normal**. Right: **Grain Extract**." -msgstr "" +msgstr "Esquerda: **Normal**. Direita: **Extracção do Grão**." #: ../../reference_manual/blending_modes/mix.rst:100 msgid "Grain Merge" msgstr "Junção do Grão" #: ../../reference_manual/blending_modes/mix.rst:102 msgid "" "Similar to addition, the colors of the upper layer are added to the colors, " "and then 50% grey is subtracted." -msgstr "" +msgstr "Similar à adição, sendo que as cores da camada superior são somadas à camada inferior, sendo depois subtraído 50% de cinzento." #: ../../reference_manual/blending_modes/mix.rst:107 msgid "" ".. image:: images/blending_modes/" "Blending_modes_Grain_Merge_Sample_image_with_dots.png" -msgstr "" +msgstr ".. image:: images/blending_modes/Blending_modes_Grain_Merge_Sample_image_with_dots.png" #: ../../reference_manual/blending_modes/mix.rst:107 msgid "Left: **Normal**. Right: **Grain Merge**." -msgstr "" +msgstr "Esquerda: **Normal**. Direita: **Junção do Grão**." #: ../../reference_manual/blending_modes/mix.rst:113 msgid "Greater" msgstr "Maior" #: ../../reference_manual/blending_modes/mix.rst:115 msgid "" "A blending mode which checks whether the painted color is painted with a " "higher opacity than the existing colors. If so, it paints over them, if not, " "it doesn't paint at all." -msgstr "" +msgstr "Um modo de mistura que verifica se a cor pintada é pintada com uma opacidade maior que as existentes. Se for o caso, pinta sobre elas, caso contrário não pinta de todo." #: ../../reference_manual/blending_modes/mix.rst:124 msgid "Hard Mix" msgstr "Mistura Forte" #: ../../reference_manual/blending_modes/mix.rst:126 msgid "Similar to Overlay." -msgstr "" +msgstr "Similar à Camada Sobreposta." #: ../../reference_manual/blending_modes/mix.rst:128 msgid "" "Mixes both Color Dodge and Burn blending modes. If the color of the upper " "layer is darker than 50%, the blending mode will be Burn, if not the " "blending mode will be Color Dodge." -msgstr "" +msgstr "Mistura ambos os modos de Desvio de Cor e Queimadura. Se a cor da camada superior for mais escura que 50%, o modo de mistura será a Queimadura; caso contrário, será o Desvio de Cor." #: ../../reference_manual/blending_modes/mix.rst:134 msgid "" ".. image:: images/blending_modes/" "Blending_modes_Hard_Mix_Sample_image_with_dots.png" -msgstr "" +msgstr ".. image:: images/blending_modes/Blending_modes_Hard_Mix_Sample_image_with_dots.png" #: ../../reference_manual/blending_modes/mix.rst:134 msgid "Left: **Normal**. Right: **Hard Mix**." -msgstr "" +msgstr "Esquerda: **Normal**. Direita: **Mistura Forte**." #: ../../reference_manual/blending_modes/mix.rst:139 msgid "Hard Mix (Photoshop)" msgstr "Mistura Forte (Photoshop)" #: ../../reference_manual/blending_modes/mix.rst:141 msgid "This is the hard mix blending mode as it is implemented in photoshop." -msgstr "" +msgstr "Este é o modo de mistura forte, tal como está implementado no Photoshop." #: ../../reference_manual/blending_modes/mix.rst:147 msgid ".. image:: images/blending_modes/Krita_4_0_hard_mix_ps.png" -msgstr "" +msgstr ".. image:: images/blending_modes/Krita_4_0_hard_mix_ps.png" #: ../../reference_manual/blending_modes/mix.rst:147 msgid "" "**Left**: Dots are mixed in with the normal blending mode, on the **Right**: " "Dots are mixed in with hardmix." -msgstr "" +msgstr "**Esquerda**: Os pontos estão misturados com o modo de mistura normal. **Direita**: Os pontos estão misturados com a mistura forte." #: ../../reference_manual/blending_modes/mix.rst:149 msgid "" "This add the two values, and then checks if the value is above the maximum. " "If so it will output the maximum, otherwise the minimum." -msgstr "" +msgstr "Isto adiciona os dois valores, verificando depois se o valor está acima do máximo. Se for o caso, devolve o valor máximo; cso contrário, devolve o mínimo." #: ../../reference_manual/blending_modes/mix.rst:155 msgid "Hard Overlay" msgstr "Sobreposição Forte" #: ../../reference_manual/blending_modes/mix.rst:159 msgid "" "Similar to Hard light but hard light use Screen when the value is above 50%. " "Divide gives better results than Screen, especially on floating point " "images.." -msgstr "" +msgstr "Semelhante à Luz Forte, mas a Luz Forte usa o Ecrã quando o valor for acima de 50%. A Divisão gera melhores resultados que o Ecrã, especialmente nas imagens de vírgula flutuante.." #: ../../reference_manual/blending_modes/mix.rst:164 msgid "" ".. image:: images/blending_modes/" "Blending_modes_Hard_Overlay_Sample_image_with_dots.png" -msgstr "" +msgstr ".. image:: images/blending_modes/Blending_modes_Hard_Overlay_Sample_image_with_dots.png" #: ../../reference_manual/blending_modes/mix.rst:164 msgid "Left: **Normal**. Right: **Hard Overlay**." -msgstr "" +msgstr "Esquerda: **Normal**. Direita: **Sobreposição Forte**." #: ../../reference_manual/blending_modes/mix.rst:170 msgid "Normal" msgstr "Normal" #: ../../reference_manual/blending_modes/mix.rst:172 msgid "" "As you may have guessed this is the default Blending mode for all layers." -msgstr "" +msgstr "Como poderá ter percebido, este é o modo de mistura predefinido para todas as camadas." #: ../../reference_manual/blending_modes/mix.rst:174 msgid "" "In this mode, the computer checks on the upper layer how transparent a pixel " "is, which colour it is, and then mixes the colour of the upper layer with " "the lower layer proportional to the transparency." -msgstr "" +msgstr "Neste modo, o computador verifica na camada superior quão transparente é um dado pixel, qual a sua cor, e então mistura a cor da camada superior com a camada inferior, na proporção da sua transparência." #: ../../reference_manual/blending_modes/mix.rst:179 msgid "" ".. image:: images/blending_modes/" "Blending_modes_Normal_50_Opacity_Sample_image_with_dots.png" -msgstr "" +msgstr ".. image:: images/blending_modes/Blending_modes_Normal_50_Opacity_Sample_image_with_dots.png" #: ../../reference_manual/blending_modes/mix.rst:179 msgid "Left: **Normal** 100% Opacity. Right: **Normal** 50% Opacity." -msgstr "" +msgstr "Esquerda: **Normal** 100% Opacidade. Direita: **Normal** 50% Opacidade." #: ../../reference_manual/blending_modes/mix.rst:185 msgid "Overlay" msgstr "Sobreposição" #: ../../reference_manual/blending_modes/mix.rst:187 msgid "" "A combination of the Multiply and Screen blending modes, switching between " "both at a middle-lightness." -msgstr "" +msgstr "Uma combinação dos modos de mistura Multiplicação e Ecrã, alternando entre ambos a meio da luminosidade." #: ../../reference_manual/blending_modes/mix.rst:189 msgid "" "Overlay checks if the colour on the upperlayer has a lightness above 0.5. If " "so, the pixel is blended like in Screen mode, if not the pixel is blended " "like in Multiply mode." -msgstr "" +msgstr "A Sobreposição verifica se a cor na camada superior tem uma luminosidade acima de 0,5. Se for o caso, o pixel é misturado como no modo do Ecrã; caso contrŕio, o pixel é misturado como no modo de Multiplicação." #: ../../reference_manual/blending_modes/mix.rst:191 msgid "This is useful for deepening shadows and highlights." -msgstr "" +msgstr "Isto é útil para aprofundar as sombras e os tons claros." #: ../../reference_manual/blending_modes/mix.rst:196 msgid "" ".. image:: images/blending_modes/" "Blending_modes_Overlay_Sample_image_with_dots.png" -msgstr "" +msgstr ".. image:: images/blending_modes/Blending_modes_Overlay_Sample_image_with_dots.png" #: ../../reference_manual/blending_modes/mix.rst:196 msgid "Left: **Normal**. Right: **Overlay**." -msgstr "" +msgstr "Esquerda: **Normal**. Direita: **Sobreposição**." #: ../../reference_manual/blending_modes/mix.rst:202 msgid "Parallel" msgstr "Paralela" #: ../../reference_manual/blending_modes/mix.rst:204 msgid "" "This one first takes the percentage in two decimal behind the comma for both " "layers. It then adds the two values. Divides 2 by the sum." -msgstr "" +msgstr "Este modo primeiro extrai a percentagem com duas casas decimais atrás da vírgula para ambas as camadas. Depois adiciona os dois valores e finalmente divide 2 pela soma." #: ../../reference_manual/blending_modes/mix.rst:211 msgid "" ".. image:: images/blending_modes/" "Blending_modes_Parallel_Sample_image_with_dots.png" -msgstr "" +msgstr ".. image:: images/blending_modes/Blending_modes_Parallel_Sample_image_with_dots.png" #: ../../reference_manual/blending_modes/mix.rst:211 msgid "Left: **Normal**. Right: **Parallel**." -msgstr "" +msgstr "Esquerda: **Normal**. Direita: **Paralela**." diff --git a/locale/pt_PT/LC_MESSAGES/reference_manual/brushes/brush_engines/bristle_engine.po b/locale/pt_PT/LC_MESSAGES/reference_manual/brushes/brush_engines/bristle_engine.po index e642cc531..252f8681b 100644 --- a/locale/pt_PT/LC_MESSAGES/reference_manual/brushes/brush_engines/bristle_engine.po +++ b/locale/pt_PT/LC_MESSAGES/reference_manual/brushes/brush_engines/bristle_engine.po @@ -1,322 +1,383 @@ # SOME DESCRIPTIVE TITLE. # Copyright (C) licensed under the GNU Free Documentation License 1.3+ unless stated otherwise # This file is distributed under the same license as the Krita Manual package. # FIRST AUTHOR , YEAR. # msgid "" msgstr "" "Project-Id-Version: Krita Manual 4.1\n" "Report-Msgid-Bugs-To: \n" "POT-Creation-Date: 2019-03-03 03:22+0100\n" "PO-Revision-Date: 2019-03-15 17:32+0000\n" "Last-Translator: José Nuno Coelho Pires \n" "Language-Team: Portuguese \n" "Language: pt\n" "MIME-Version: 1.0\n" "Content-Type: text/plain; charset=UTF-8\n" "Content-Transfer-Encoding: 8bit\n" "Plural-Forms: nplurals=2; plural=n != 1;\n" "X-POFile-SpellExtra: optionsize icons depleção demão image\n" "X-POFile-SpellExtra: optionrotation Depleção bristlebrush images ref\n" #: ../../:1 msgid "Weighted saturation." msgstr "Saturação ponderada." #: ../../reference_manual/brushes/brush_engines/bristle_engine.rst:0 msgid ".. image:: images/en/Krita-tutorial7-B.I.3-1.png" msgstr ".. image:: images/en/Krita-tutorial7-B.I.3-1.png" #: ../../reference_manual/brushes/brush_engines/bristle_engine.rst:0 msgid ".. image:: images/en/Krita-tutorial7-B.I.3-2.png" msgstr ".. image:: images/en/Krita-tutorial7-B.I.3-2.png" #: ../../reference_manual/brushes/brush_engines/bristle_engine.rst:1 msgid "The Bristle Brush Engine manual page." msgstr "A página de manual do Motor de Pincéis de Escova." #: ../../reference_manual/brushes/brush_engines/bristle_engine.rst:18 msgid "Bristle Brush Engine" msgstr "Motor de Pincéis em Escova" #: ../../reference_manual/brushes/brush_engines/bristle_engine.rst:21 msgid ".. image:: images/icons/bristlebrush.svg" msgstr ".. image:: images/icons/bristlebrush.svg" #: ../../reference_manual/brushes/brush_engines/bristle_engine.rst:22 msgid "" "A brush intended to mimic real-life brushes by drawing the trails of their " "lines or bristles." -msgstr "Um pincel que pretende imitar as escovas na vida real, desenhando os rastos das suas linhas ou pêlos." +msgstr "" +"Um pincel que pretende imitar as escovas na vida real, desenhando os rastos " +"das suas linhas ou pêlos." #: ../../reference_manual/brushes/brush_engines/bristle_engine.rst:25 msgid "Brush Tip" msgstr "Tamanho do Pincel" #: ../../reference_manual/brushes/brush_engines/bristle_engine.rst:27 msgid "Simply put:" msgstr "De forma simples:" #: ../../reference_manual/brushes/brush_engines/bristle_engine.rst:29 msgid "The brush tip defines the areas with bristles in them." msgstr "A ponta do pincel define as áreas com pêlos de escova neles." #: ../../reference_manual/brushes/brush_engines/bristle_engine.rst:30 msgid "" "Lower opacity areas have lower-opacity bristles. With this brush, this may " "give the illusion that lower-opacity areas have fewer bristles." -msgstr "As áreas com menores opacidades têm pêlos de menor opacidade. Com este pincel, isso dará a ilusão que as áreas com menor opacidade têm menos pêlos." +msgstr "" +"As áreas com menores opacidades têm pêlos de menor opacidade. Com este " +"pincel, isso dará a ilusão que as áreas com menor opacidade têm menos pêlos." #: ../../reference_manual/brushes/brush_engines/bristle_engine.rst:31 msgid "" "The :ref:`option_size` and :ref:`option_rotation` dynamics affect the brush " "tip, not the bristles." -msgstr "Os parâmetros dinâmicos :ref:`option_size` e :ref:`option_rotation` afectam a ponta do pincel, não os pêlos." +msgstr "" +"Os parâmetros dinâmicos :ref:`option_size` e :ref:`option_rotation` afectam " +"a ponta do pincel, não os pêlos." #: ../../reference_manual/brushes/brush_engines/bristle_engine.rst:33 msgid "You can:" msgstr "Poderá:" #: ../../reference_manual/brushes/brush_engines/bristle_engine.rst:35 msgid "" "Use different shapes for different effects.Be aware that complex brush " "shapes will draw more slowly though, while the effects aren't always visible " "(since in the end, you're passing over an area with a certain number of " "bristles)." -msgstr "Usa diferentes formas para diferentes efeitos. Tenha atenção que as formas complexas serão mais lentas para desenhar; embora os efeitos não estejam sempre visíveis (dado que, no fim, irá passar sobre uma área com um dado número de pêlos da escova)." +msgstr "" +"Usa diferentes formas para diferentes efeitos. Tenha atenção que as formas " +"complexas serão mais lentas para desenhar; embora os efeitos não estejam " +"sempre visíveis (dado que, no fim, irá passar sobre uma área com um dado " +"número de pêlos da escova)." #: ../../reference_manual/brushes/brush_engines/bristle_engine.rst:36 msgid "" "To decrease bristle density, you can also just use an autobrush and decrease " "the brush tip's density, or increase its randomness." -msgstr "Para diminuir a densidade das escovas, poderá também usar um pincel automático e diminuir a densidade da ponta do pincel, ou então aumentar a sua aleatoriedade." +msgstr "" +"Para diminuir a densidade das escovas, poderá também usar um pincel " +"automático e diminuir a densidade da ponta do pincel, ou então aumentar a " +"sua aleatoriedade." #: ../../reference_manual/brushes/brush_engines/bristle_engine.rst:39 msgid ".. image:: images/en/Krita-tutorial7-B.I.1.png" msgstr ".. image:: images/en/Krita-tutorial7-B.I.1.png" #: ../../reference_manual/brushes/brush_engines/bristle_engine.rst:41 msgid "Bristle Options" msgstr "Opções da Escova" #: ../../reference_manual/brushes/brush_engines/bristle_engine.rst:43 msgid "The core of this particular brush-engine." msgstr "As bases deste motor de pincéis em particular." #: ../../reference_manual/brushes/brush_engines/bristle_engine.rst:46 msgid "" "Think of it as pressing down on a brush to make the bristles further apart." -msgstr "Pense nisto como carregar com força num pincel para que os pêlos se afastem mais." +msgstr "" +"Pense nisto como carregar com força num pincel para que os pêlos se afastem " +"mais." #: ../../reference_manual/brushes/brush_engines/bristle_engine.rst:48 msgid "" "Larger values basically give you larger brushes and larger bristle spacing. " "For example, a value of 4 will multiply your base brush size by 4, but the " "bristles will be 4 times more spaced apart." -msgstr "Os valores mais elevados irão criar-lhe pincéis maiores e um espaço maior entre pêlos do pincel. Por exemplo, um valor igual a 4 irá multiplicar o tamanho do seu pincel de base por 4, mas os pêlos ficarão 4 vezes mais espaçados." +msgstr "" +"Os valores mais elevados irão criar-lhe pincéis maiores e um espaço maior " +"entre pêlos do pincel. Por exemplo, um valor igual a 4 irá multiplicar o " +"tamanho do seu pincel de base por 4, mas os pêlos ficarão 4 vezes mais " +"espaçados." #: ../../reference_manual/brushes/brush_engines/bristle_engine.rst:49 msgid "" "Use smaller values if you want a \"dense\" brush, i.e. you don't want to see " "so many bristles within the center." -msgstr "Use valores menores se quiser um pincel \"denso\", i.e. se não quiser ver tantas escovas perto do centro." +msgstr "" +"Use valores menores se quiser um pincel \"denso\", i.e. se não quiser ver " +"tantas escovas perto do centro." #: ../../reference_manual/brushes/brush_engines/bristle_engine.rst:50 msgid "Scale" msgstr "Escala" #: ../../reference_manual/brushes/brush_engines/bristle_engine.rst:50 msgid "" "Negative values have the same effect as corresponding positive values: -1.00 " "will look like 1.00, etc." -msgstr "Os valores negativos têm o mesmo efeito que os respectivos valores positivos; -1,00 terá o mesmo aspecto que 1,00, etc." +msgstr "" +"Os valores negativos têm o mesmo efeito que os respectivos valores " +"positivos; -1,00 terá o mesmo aspecto que 1,00, etc." #: ../../reference_manual/brushes/brush_engines/bristle_engine.rst:53 msgid "Adds a jaggy look to the trailing lines." msgstr "Adiciona um visual tremido às linhas finais." #: ../../reference_manual/brushes/brush_engines/bristle_engine.rst:55 msgid "At 0.00, all the bristles basically remain completely parallel." -msgstr "A 0,00, todos os pêlos das escovas ficam basicamente paralelos por completo." +msgstr "" +"A 0,00, todos os pêlos das escovas ficam basicamente paralelos por completo." #: ../../reference_manual/brushes/brush_engines/bristle_engine.rst:56 msgid "Random Offset" msgstr "Deslocamento Aleatório" #: ../../reference_manual/brushes/brush_engines/bristle_engine.rst:56 msgid "" "At other values, the bristles are offset randomly. Large values will " "increase the brush size a bit because of the bristles spreading around, but " "not by much." -msgstr "Com outros valores, os pêlos são desviados de forma aleatória. Os valores mais elevados irão aumentar um bocado o tamanho do pincel, devido ao facto de os pêlos se espalharem um pouco, mas não muito." +msgstr "" +"Com outros valores, os pêlos são desviados de forma aleatória. Os valores " +"mais elevados irão aumentar um bocado o tamanho do pincel, devido ao facto " +"de os pêlos se espalharem um pouco, mas não muito." #: ../../reference_manual/brushes/brush_engines/bristle_engine.rst:57 msgid "Negative values have the same effect as corresponding positive values." -msgstr "Os valores negativos têm o mesmo efeito que os respectivos valores positivos." +msgstr "" +"Os valores negativos têm o mesmo efeito que os respectivos valores positivos." #: ../../reference_manual/brushes/brush_engines/bristle_engine.rst:58 msgid "Shear" msgstr "Inclinar" #: ../../reference_manual/brushes/brush_engines/bristle_engine.rst:59 msgid "" "Shear introduces an angle to your brush, as though you're drawing with an " "oval brush (or the side of a round brush)." -msgstr "A inclinação introduz um ângulo ao seu pincel, como se estivesse a desenhar com um pincel oval (ou com a parte lateral de um pincel redondo)." +msgstr "" +"A inclinação introduz um ângulo ao seu pincel, como se estivesse a desenhar " +"com um pincel oval (ou com a parte lateral de um pincel redondo)." #: ../../reference_manual/brushes/brush_engines/bristle_engine.rst:61 msgid "Density" msgstr "Densidade" #: ../../reference_manual/brushes/brush_engines/bristle_engine.rst:61 msgid "" "This controls the density of bristles. Scale takes a number of bristles and " "expands or compresses them into a denser area, whereas density takes a fixed " "area and determines the number of bristles in it. See the difference?" -msgstr "Isto controla a densidade dos pêlos. A escala recebe um número de pêlos e expande-os ou comprime-os numa área mais densa, enquanto a densidade tem em conta uma área fixa e define o número de pêlos nela. Percebe a diferença?" +msgstr "" +"Isto controla a densidade dos pêlos. A escala recebe um número de pêlos e " +"expande-os ou comprime-os numa área mais densa, enquanto a densidade tem em " +"conta uma área fixa e define o número de pêlos nela. Percebe a diferença?" #: ../../reference_manual/brushes/brush_engines/bristle_engine.rst:64 msgid ".. image:: images/en/Krita-tutorial7-B.I.2-1.png" msgstr ".. image:: images/en/Krita-tutorial7-B.I.2-1.png" #: ../../reference_manual/brushes/brush_engines/bristle_engine.rst:66 msgid "" "This one maps \"Scale\" to mouse speed, thus simulating pressure with a " "graphics tablet!" -msgstr "Isto associa a \"Escala\" à velocidade do rato, simulando assim a pressão com uma tablete de desenho!" +msgstr "" +"Isto associa a \"Escala\" à velocidade do rato, simulando assim a pressão " +"com uma tablete de desenho!" #: ../../reference_manual/brushes/brush_engines/bristle_engine.rst:68 msgid "Mouse Pressure" msgstr "Pressão do Rato" #: ../../reference_manual/brushes/brush_engines/bristle_engine.rst:68 msgid "" "Rather, it uses the \"distance between two events\" to determine scale. " "Faster drawing, larger distances." -msgstr "Em vez disso, usa a \"distância entre dois eventos\" para determinar a escala. Quanto mais rápido o desenho, maiores as distâncias." +msgstr "" +"Em vez disso, usa a \"distância entre dois eventos\" para determinar a " +"escala. Quanto mais rápido o desenho, maiores as distâncias." #: ../../reference_manual/brushes/brush_engines/bristle_engine.rst:69 msgid "" "This doesn't influence the \"pressure\" input for anything else (size, " "opacity, rotation etc.) so you still have to map those independently to " "something else." -msgstr "Isto não influencia a variável de \"pressão\" para nada mais (tamanho, opacidade, rotação, etc.) pelo que terá de associar esses de forma independente para outra coisa qualquer." +msgstr "" +"Isto não influencia a variável de \"pressão\" para nada mais (tamanho, " +"opacidade, rotação, etc.) pelo que terá de associar esses de forma " +"independente para outra coisa qualquer." #: ../../reference_manual/brushes/brush_engines/bristle_engine.rst:70 msgid "Threshold" msgstr "Limiar" #: ../../reference_manual/brushes/brush_engines/bristle_engine.rst:71 msgid "" "This is a tablet feature. When you turn this on, only bristles that are able " "to \"touch the canvas\" will be painted." -msgstr "Esta é uma funcionalidade da tablete. Quando activar isto, só os pêlos\" que conseguem \"tocar na ára de desenho\" é que serão pintados." +msgstr "" +"Esta é uma funcionalidade da tablete. Quando activar isto, só os pêlos\" que " +"conseguem \"tocar na ára de desenho\" é que serão pintados." #: ../../reference_manual/brushes/brush_engines/bristle_engine.rst:72 msgid "Connect Hairs" msgstr "Ligar os Fios" #: ../../reference_manual/brushes/brush_engines/bristle_engine.rst:73 msgid "The bristles get connected. See for yourself." msgstr "Os pêlos da escova ficam ligados. Veja você mesmo." #: ../../reference_manual/brushes/brush_engines/bristle_engine.rst:74 msgid "Anti-Aliasing" msgstr "'Anti-Aliasing'" #: ../../reference_manual/brushes/brush_engines/bristle_engine.rst:75 msgid "This will decrease the jaggy-ness of the lines." msgstr "Isto irá diminuir as tremuras das linhas." #: ../../reference_manual/brushes/brush_engines/bristle_engine.rst:77 msgid "Composite Bristles" msgstr "Escovas Compostas" #: ../../reference_manual/brushes/brush_engines/bristle_engine.rst:77 msgid "" "This \"composes the bristle colors within one dab,\" but explains that the " "effect is \"probably subtle.\"" -msgstr "Isto \"compõe as cores dos pêlos das escovas dentro de uma demão\", mas convém explicar que o efeito será \"provavelmente subtil\"." +msgstr "" +"Isto \"compõe as cores dos pêlos das escovas dentro de uma demão\", mas " +"convém explicar que o efeito será \"provavelmente subtil\"." #: ../../reference_manual/brushes/brush_engines/bristle_engine.rst:80 msgid ".. image:: images/en/Krita-tutorial7-B.I.2-2.png" msgstr ".. image:: images/en/Krita-tutorial7-B.I.2-2.png" #: ../../reference_manual/brushes/brush_engines/bristle_engine.rst:82 msgid "Ink Depletion" msgstr "Depleção da Tinta" #: ../../reference_manual/brushes/brush_engines/bristle_engine.rst:84 msgid "" "This simulated ink depletion over drawing time. The value dictates how long " "it will take. The curve dictates the speed." -msgstr "Isto simula a depleção da tinta ao longo do tempo de desenho. O valor dita durante quanto tempo decorrerá o efeito. A curva dita a velocidade." +msgstr "" +"Isto simula a depleção da tinta ao longo do tempo de desenho. O valor dita " +"durante quanto tempo decorrerá o efeito. A curva dita a velocidade." #: ../../reference_manual/brushes/brush_engines/bristle_engine.rst:86 msgid "Opacity" msgstr "Opacidade" #: ../../reference_manual/brushes/brush_engines/bristle_engine.rst:87 msgid "The brush will go transparent to simulate ink-depletion." msgstr "O pincel ficará transparente para simular a depleção da tinta." #: ../../reference_manual/brushes/brush_engines/bristle_engine.rst:89 msgid "The brush will be desaturated to simulate ink-depletion." msgstr "O pincel perderá a saturação para simular a depleção da tinta." #: ../../reference_manual/brushes/brush_engines/bristle_engine.rst:91 msgid "Saturation" msgstr "Saturação" #: ../../reference_manual/brushes/brush_engines/bristle_engine.rst:94 msgid "" "The brush will pick up colors from other brushes. You don't need to have Ink " "depletion checked to activate this option, you just have to check Soak Ink. " "What this does is cause the bristles of the brush to take on the colors of " "the first area they touch. Since the Bristle brush is made up of independent " "bristles, you can basically take on several colors at the same time." -msgstr "O pincel irá apanhar as cores dos outros pincéis. Não será necessário ter assinalada a opção de Depleção da Tinta para activar esta opção, simplesmente tem de assinalar a Tinta Ensopada. O que isso origina é fazer com que os pêlos dos pincéis apanhem as cores da primeira área em que tocam. Dado que o pincel de Escova é composto por pêlos independentes, poderá basicamente apanhar diversas cores ao mesmo tempo." +msgstr "" +"O pincel irá apanhar as cores dos outros pincéis. Não será necessário ter " +"assinalada a opção de Depleção da Tinta para activar esta opção, " +"simplesmente tem de assinalar a Tinta Ensopada. O que isso origina é fazer " +"com que os pêlos dos pincéis apanhem as cores da primeira área em que tocam. " +"Dado que o pincel de Escova é composto por pêlos independentes, poderá " +"basicamente apanhar diversas cores ao mesmo tempo." #: ../../reference_manual/brushes/brush_engines/bristle_engine.rst:98 msgid "" "It will only take colors in the unscaled area of the brush, so if you're " "using a brush with 4.00 scale for example, it will only take the colors in " "the 1/4 area closest to the center." -msgstr "Só irá usar as cores na área sem escala do pincel; por isso, se estiver por exemplo a usar um pincel com uma escala de 4,00, só irá ter em conta as cores em 1/4 da área mais próximo do centro." +msgstr "" +"Só irá usar as cores na área sem escala do pincel; por isso, se estiver por " +"exemplo a usar um pincel com uma escala de 4,00, só irá ter em conta as " +"cores em 1/4 da área mais próximo do centro." #: ../../reference_manual/brushes/brush_engines/bristle_engine.rst:99 msgid "When the source is transparent, the bristles take black color." msgstr "Quando a origem é transparente, os pêlos usam a cor preta." #: ../../reference_manual/brushes/brush_engines/bristle_engine.rst:104 msgid "Soak Ink" msgstr "Tinta Ensopada" #: ../../reference_manual/brushes/brush_engines/bristle_engine.rst:104 msgid "" "Be aware that this feature is a bit buggy though. It's supposed to take the " "color from the current layer, but some buggy behavior causes it to often use " "the last layer you've painted on (with a non-Bristle brush?) as source. To " "avoid these weird behaviors, stick to just one layer, or paint something on " "the current active layer first with another brush (such as a Pixel brush)." -msgstr "Tenha atenção que esta funcionalidade tem alguns problemas. É suposto ter em conta a cor da camada actual, mas algum comportamento problemático faz com que ele use a última camada sobre a qual pintou (com um pincel não-Escova?) como origem. Para evitar estes comportamentos estranhos, fique apenas com uma camada, ou pinte algo sobre a camada activa de momento primeiro com outro pincel (como um pincel de Pixels)." +msgstr "" +"Tenha atenção que esta funcionalidade tem alguns problemas. É suposto ter em " +"conta a cor da camada actual, mas algum comportamento problemático faz com " +"que ele use a última camada sobre a qual pintou (com um pincel não-Escova?) " +"como origem. Para evitar estes comportamentos estranhos, fique apenas com " +"uma camada, ou pinte algo sobre a camada activa de momento primeiro com " +"outro pincel (como um pincel de Pixels)." #: ../../reference_manual/brushes/brush_engines/bristle_engine.rst:107 msgid "Works by modifying the saturation with the following:" msgstr "Funciona através da modificação da saturação com o seguinte:" #: ../../reference_manual/brushes/brush_engines/bristle_engine.rst:109 msgid "Pressure weight" msgstr "Peso da pressão" #: ../../reference_manual/brushes/brush_engines/bristle_engine.rst:110 msgid "Bristle length weight" msgstr "Peso do comprimento dos pêlos" #: ../../reference_manual/brushes/brush_engines/bristle_engine.rst:111 msgid "Bristle ink amount weight" msgstr "Peso da quantidade de tinta do espinho" #: ../../reference_manual/brushes/brush_engines/bristle_engine.rst:112 msgid "Ink depletion curve weight" msgstr "Peso da curva de depleção da tinta" diff --git a/locale/pt_PT/LC_MESSAGES/reference_manual/brushes/brush_engines/dyna_brush_engine.po b/locale/pt_PT/LC_MESSAGES/reference_manual/brushes/brush_engines/dyna_brush_engine.po index d8838b34b..390a7c4c8 100644 --- a/locale/pt_PT/LC_MESSAGES/reference_manual/brushes/brush_engines/dyna_brush_engine.po +++ b/locale/pt_PT/LC_MESSAGES/reference_manual/brushes/brush_engines/dyna_brush_engine.po @@ -1,185 +1,190 @@ # SOME DESCRIPTIVE TITLE. # Copyright (C) licensed under the GNU Free Documentation License 1.3+ unless stated otherwise # This file is distributed under the same license as the Krita Manual package. # FIRST AUTHOR , YEAR. # msgid "" msgstr "" "Project-Id-Version: Krita Manual 4.1\n" "Report-Msgid-Bugs-To: \n" "POT-Creation-Date: 2019-03-15 03:36+0100\n" "PO-Revision-Date: 2019-03-15 14:00+0000\n" "Last-Translator: José Nuno Coelho Pires \n" "Language-Team: Portuguese \n" "Language: pt\n" "MIME-Version: 1.0\n" "Content-Type: text/plain; charset=UTF-8\n" "Content-Transfer-Encoding: 8bit\n" "Plural-Forms: nplurals=2; plural=n != 1;\n" "X-POFile-SpellExtra: optionairbrush optionopacitynflow icons demão image\n" "X-POFile-SpellExtra: dynabrush optionsizedyna Dyna demãos images\n" "X-POFile-SpellExtra: blendingmodes ref\n" #: ../../:1 msgid "Paint Connection" msgstr "Ligação de Pintura" #: ../../reference_manual/brushes/brush_engines/dyna_brush_engine.rst:1 msgid "The Dyna Brush Engine manual page." msgstr "A página do manual do Motor de Pincéis Dyna." #: ../../reference_manual/brushes/brush_engines/dyna_brush_engine.rst:15 msgid "Dyna Brush Engine" msgstr "Motor de Pincéis Dyna" #: ../../reference_manual/brushes/brush_engines/dyna_brush_engine.rst:18 msgid ".. image:: images/icons/dynabrush.svg" msgstr ".. image:: images/icons/dynabrush.svg" #: ../../reference_manual/brushes/brush_engines/dyna_brush_engine.rst:19 msgid "" "Dyna brush uses dynamic setting like mass and drag to draw strokes. The " "results are fun and random spinning strokes. To experiment more with this " "brush you can play with values in 'dynamic settings' section of the brush " "editor under Dyna Brush." -msgstr "O pincel Dyna usa algumas definições dinâmicas, como a massa e o arrastamento para desenhar os traços. Os resultados são traços bonitos e rodados de forma aleatória. Para experimentar mais este pincel, poderá jogar com os valores na secção da 'configuração dinâmica' do editor de pincéis no Pincel Dyna." +msgstr "" +"O pincel Dyna usa algumas definições dinâmicas, como a massa e o " +"arrastamento para desenhar os traços. Os resultados são traços bonitos e " +"rodados de forma aleatória. Para experimentar mais este pincel, poderá jogar " +"com os valores na secção da 'configuração dinâmica' do editor de pincéis no " +"Pincel Dyna." #: ../../reference_manual/brushes/brush_engines/dyna_brush_engine.rst:23 msgid "" "This brush engine has been removed in 4.0. This engine mostly had smoothing " "results that the dyna brush tool has in the toolbox. The stabilizer settings " "can also give you further smoothing options from the tool options." msgstr "" "Este motor de pincéis foi removido no 4.0. Este motor tinha resultados " "principalmente que o pincel Dyna tem na área de ferramentas. A configuração " "da estabilização também lhe poderá dar mais opções de suavização a partir " "das opções da ferramenta." #: ../../reference_manual/brushes/brush_engines/dyna_brush_engine.rst:26 msgid "Options" msgstr "Opções" #: ../../reference_manual/brushes/brush_engines/dyna_brush_engine.rst:28 msgid ":ref:`option_size_dyna`" msgstr ":ref:`option_size_dyna`" #: ../../reference_manual/brushes/brush_engines/dyna_brush_engine.rst:29 msgid ":ref:`blending_modes`" msgstr ":ref:`blending_modes`" #: ../../reference_manual/brushes/brush_engines/dyna_brush_engine.rst:30 msgid ":ref:`option_opacity_n_flow`" msgstr ":ref:`option_opacity_n_flow`" #: ../../reference_manual/brushes/brush_engines/dyna_brush_engine.rst:31 msgid ":ref:`option_airbrush`" msgstr ":ref:`option_airbrush`" #: ../../reference_manual/brushes/brush_engines/dyna_brush_engine.rst:36 msgid "Brush Size (Dyna)" msgstr "Tamanho do Pincel (Dyna)" #: ../../reference_manual/brushes/brush_engines/dyna_brush_engine.rst:39 msgid "Dynamics Settings" msgstr "Configuração Dinâmica" #: ../../reference_manual/brushes/brush_engines/dyna_brush_engine.rst:41 msgid "Initial Width" msgstr "Espessura Inicial" #: ../../reference_manual/brushes/brush_engines/dyna_brush_engine.rst:42 msgid "Initial size of the dab." msgstr "O tamanho inicial da demão." #: ../../reference_manual/brushes/brush_engines/dyna_brush_engine.rst:43 msgid "Mass" msgstr "Massa" #: ../../reference_manual/brushes/brush_engines/dyna_brush_engine.rst:44 msgid "How much energy there is in the satellite like movement." msgstr "Quanta energia existe no movimento de satélite." #: ../../reference_manual/brushes/brush_engines/dyna_brush_engine.rst:45 msgid "Drag" msgstr "Arrastamento" #: ../../reference_manual/brushes/brush_engines/dyna_brush_engine.rst:46 msgid "How close the dabs follow the position of the brush-cursor." msgstr "Quão próximas são as demãos da posição do cursor do pincel." #: ../../reference_manual/brushes/brush_engines/dyna_brush_engine.rst:48 msgid "Width Range" msgstr "Intervalo de Espessura" #: ../../reference_manual/brushes/brush_engines/dyna_brush_engine.rst:48 msgid "How much the dab expands with speed." msgstr "Quanto é que a demão se expande com a velocidade." #: ../../reference_manual/brushes/brush_engines/dyna_brush_engine.rst:51 msgid "Shape" msgstr "Forma" #: ../../reference_manual/brushes/brush_engines/dyna_brush_engine.rst:53 msgid "Diameter" msgstr "Diâmetro" #: ../../reference_manual/brushes/brush_engines/dyna_brush_engine.rst:54 msgid "Size of the shape." msgstr "O tamanho da forma." #: ../../reference_manual/brushes/brush_engines/dyna_brush_engine.rst:55 msgid "Angle" msgstr "Ângulo" #: ../../reference_manual/brushes/brush_engines/dyna_brush_engine.rst:56 msgid "Angle of the shape. Requires Fixed Angle active to work." msgstr "O ângulo da forma. Obriga a activação do Ângulo Fixo para funcionar." #: ../../reference_manual/brushes/brush_engines/dyna_brush_engine.rst:57 msgid "Circle" msgstr "Círculo" #: ../../reference_manual/brushes/brush_engines/dyna_brush_engine.rst:58 msgid "Make a circular dab appear." msgstr "Faz aparecer uma demão circular." #: ../../reference_manual/brushes/brush_engines/dyna_brush_engine.rst:59 msgid "Two" msgstr "Dois" #: ../../reference_manual/brushes/brush_engines/dyna_brush_engine.rst:60 msgid "Draws an extra circle between other circles." msgstr "Desenha um círculo extra entre outros círculos." #: ../../reference_manual/brushes/brush_engines/dyna_brush_engine.rst:61 msgid "Line" msgstr "Linha" #: ../../reference_manual/brushes/brush_engines/dyna_brush_engine.rst:62 msgid "" "Connecting lines are drawn next to each other. The number boxes on the right " "allows you to set the spacing between the lines and how many are drawn." msgstr "" "As linhas ligadas são desenhadas umas a seguir às outras. Os campos " "numéricos à direita permitem-lhe definir o intervalo entre as linhas e " "quantas são desenhadas." #: ../../reference_manual/brushes/brush_engines/dyna_brush_engine.rst:63 msgid "Polygon" msgstr "Polígono" #: ../../reference_manual/brushes/brush_engines/dyna_brush_engine.rst:64 msgid "Draws a black polygon as dab." msgstr "Desenha um polígono preto como uma demão." #: ../../reference_manual/brushes/brush_engines/dyna_brush_engine.rst:65 msgid "Wire" msgstr "Linha" #: ../../reference_manual/brushes/brush_engines/dyna_brush_engine.rst:66 msgid "Draws the wireframe of the polygon." msgstr "Desenha uma linha-modelo do polígono." #: ../../reference_manual/brushes/brush_engines/dyna_brush_engine.rst:68 msgid "Draws the connection line." msgstr "Desenha a linha ligada." diff --git a/locale/pt_PT/LC_MESSAGES/reference_manual/brushes/brush_settings/masked_brush.po b/locale/pt_PT/LC_MESSAGES/reference_manual/brushes/brush_settings/masked_brush.po index 287b086d4..f7d57390e 100644 --- a/locale/pt_PT/LC_MESSAGES/reference_manual/brushes/brush_settings/masked_brush.po +++ b/locale/pt_PT/LC_MESSAGES/reference_manual/brushes/brush_settings/masked_brush.po @@ -1,168 +1,168 @@ # SOME DESCRIPTIVE TITLE. # Copyright (C) licensed under the GNU Free Documentation License 1.3+ unless stated otherwise # This file is distributed under the same license as the Krita Manual package. # FIRST AUTHOR , YEAR. # msgid "" msgstr "" "Project-Id-Version: Krita Manual 4.1\n" "Report-Msgid-Bugs-To: \n" -"POT-Creation-Date: 2019-03-15 03:36+0100\n" +"POT-Creation-Date: 2019-03-16 03:28+0100\n" "PO-Revision-Date: 2019-02-28 12:10+0000\n" "Last-Translator: José Nuno Coelho Pires \n" "Language-Team: Portuguese \n" "Language: pt\n" "MIME-Version: 1.0\n" "Content-Type: text/plain; charset=UTF-8\n" "Content-Transfer-Encoding: 8bit\n" "Plural-Forms: nplurals=2; plural=n != 1;\n" "X-POFile-SpellExtra: optionsize en optionopacitynflow optionrotation image\n" "X-POFile-SpellExtra: optionbrushtip jpg brush Masking images ref\n" "X-POFile-SpellExtra: optionmirror optiontexture Photoshop Krita demão\n" "X-POFile-SpellExtra: optionratio pixelbrushengine optionscatter\n" +#: ../../reference_manual/brushes/brush_settings/masked_brush.rst:0 +msgid ".. image:: images/en/Masking-brush2.jpg" +msgstr ".. image:: images/en/Masking-brush2.jpg" + #: ../../reference_manual/brushes/brush_settings/masked_brush.rst:None msgid ".. image:: images/en/Masking-brush1.jpg" msgstr ".. image:: images/en/Masking-brush1.jpg" #: ../../reference_manual/brushes/brush_settings/masked_brush.rst:None msgid "Difference from :ref:`option_texture`" msgstr "Diferenças da :ref:`option_texture`" -#: ../../reference_manual/brushes/brush_settings/masked_brush.rst:0 -msgid ".. image:: images/en/Masking-brush2.jpg" -msgstr ".. image:: images/en/Masking-brush2.jpg" - #: ../../reference_manual/brushes/brush_settings/masked_brush.rst:1 msgid "" "How to use the masked brush functionality in Krita. This functionality is " "not unlike the dual brush option from photoshop." msgstr "" "Como usar a funcionalidade do pincel com máscara no Krita. Esta " "funcionalidade não é muito diferente da opção de pincel duplo do Photoshop." #: ../../reference_manual/brushes/brush_settings/masked_brush.rst:18 msgid "Masked Brush" msgstr "Pincel Mascarado" #: ../../reference_manual/brushes/brush_settings/masked_brush.rst:23 msgid "" "Masked brush is new feature that is only available in the :ref:" "`pixel_brush_engine`. They are additional settings you will see in the brush " "editor. Masked brushes allow you to combine two brush tips in one stroke. " "One brush tip will be a mask for your primary brush tip. A masked brush is a " "good alternative to texture for creating expressive and textured brushes." msgstr "" "O pincel mascarado ou com máscara é uma nova funcionalidade que só está " "disponível no :ref:`pixel_brush_engine`. São opções adicionais que poderá " "ver no editor do pincel. Os pincéis com máscara permitem-lhe combinar duas " "pontas de pincel num único traço. Uma das pontas será uma máscara para a sua " "ponta principal. Um pincel com máscara é uma boa alternativa a uma textura " "para criar pincéis expressivos e com texturas." #: ../../reference_manual/brushes/brush_settings/masked_brush.rst:29 msgid "" "due to technological constraints, the masked brush only works in the wash " "painting mode. However, do remember that flow works as opacity does in the " "build-up painting mode." msgstr "" "devido a restrições tecnológicas, o pincel com máscara só funciona no modo " "de pintura por lavagem. Contudo, lembre-se que o fluxo funciona como a " "opacidade no modo de pintura por composição." #: ../../reference_manual/brushes/brush_settings/masked_brush.rst:32 msgid "" "Like with normal brush tip you can choose any brush tip and change it size, " "spacing, and rotation. Masking brush size is relative to main brush size. " "This means when you change your brush size masking tip will be changed to " "keep the ratio." msgstr "" "Como nas pontas de pincéis normais, poderá escolher qualquer ponta e mudar o " "seu tamanho, intervalo e rotação. O tamanho do pincel com máscara é relativo " "ao tamanho do pincel principal. Isto significa que, quando mudar o tamanho " "da ponta, a ponta da máscara será também mudada para manter as proporções." #: ../../reference_manual/brushes/brush_settings/masked_brush.rst:35 msgid ":ref:`Blending mode (dropdown inside Brush tip)`:" msgstr "" ":ref:`Modo de mistura (lista dentro da Ponta do Pincel)`:" #: ../../reference_manual/brushes/brush_settings/masked_brush.rst:35 msgid "Blending modes changes how tips are combined." msgstr "Os modos de mistura alteram como se combinam as pontas." #: ../../reference_manual/brushes/brush_settings/masked_brush.rst:38 msgid ":ref:`option_brush_tip`" msgstr ":ref:`option_brush_tip`" #: ../../reference_manual/brushes/brush_settings/masked_brush.rst:40 msgid ":ref:`option_size`" msgstr ":ref:`option_size`" #: ../../reference_manual/brushes/brush_settings/masked_brush.rst:41 msgid "The size sensor option of the second tip." msgstr "A opção do sensor do tamanho da segunda ponta." #: ../../reference_manual/brushes/brush_settings/masked_brush.rst:42 msgid ":ref:`option_opacity_n_flow`" msgstr ":ref:`option_opacity_n_flow`" #: ../../reference_manual/brushes/brush_settings/masked_brush.rst:43 msgid "" "The opacity and flow of the second tip. This is mapped to a sensor by " "default. Flow can be quite aggressive on subtract mode, so it might be an " "idea to turn it off there." msgstr "" "A opacidade e o fluxo da segunda ponta. Isto está associado por omissão a um " "sensor. O fluxo pode ser bastante agressivo no modo subtractivo, pelo que " "poderá ser uma boa ideia desligá-lo aí." #: ../../reference_manual/brushes/brush_settings/masked_brush.rst:44 msgid ":ref:`option_ratio`" msgstr ":ref:`option_ratio`" #: ../../reference_manual/brushes/brush_settings/masked_brush.rst:45 msgid "This affects the brush ratio on a given brush." msgstr "Isto afecta as proporções de tamanho do pincel para um dado pincel." #: ../../reference_manual/brushes/brush_settings/masked_brush.rst:46 msgid ":ref:`option_mirror`" msgstr ":ref:`option_mirror`" #: ../../reference_manual/brushes/brush_settings/masked_brush.rst:47 msgid "The Mirror option of the second tip." msgstr "A opção de Espelho da segunda ponta." #: ../../reference_manual/brushes/brush_settings/masked_brush.rst:48 msgid ":ref:`option_rotation`" msgstr ":ref:`option_rotation`" #: ../../reference_manual/brushes/brush_settings/masked_brush.rst:49 msgid "The rotation option of the second tip. Best set to \"fuzzy dab\"." msgstr "" "A opção de rotação da segunda ponta. Melhor se ficar configurado como " "\"demão difusa\"." #: ../../reference_manual/brushes/brush_settings/masked_brush.rst:51 msgid ":ref:`option_scatter`" msgstr ":ref:`option_scatter`" #: ../../reference_manual/brushes/brush_settings/masked_brush.rst:51 msgid "" "The scatter option. The default is quite high, so don't forget to turn it " "lower." msgstr "" "A opção de dispersão. Por omissão, é muito elevada, por isso não se esqueça " "de baixar o valor dela." #: ../../reference_manual/brushes/brush_settings/masked_brush.rst:55 msgid "" "You don’t need seamless texture to make cool looking brush Stroke generates " "on the fly, it always different Brush strokes looks same on any brush size " "Easier to fill some areas with solid color but harder to make it hard " "textured" msgstr "" "Não precisa de uma textura para criar pinceladas com bom aspecto na hora; " "ele cria traços diferentes do pincel para qualquer tamanho. Fica mais " "simples de preencher algumas áreas com uma única cor, mas fica mais difícil " "de a preencher com uma textura" diff --git a/locale/pt_PT/LC_MESSAGES/reference_manual/dr_minw_debugger.po b/locale/pt_PT/LC_MESSAGES/reference_manual/dr_minw_debugger.po index a9b9dd8b1..65eed78d2 100644 --- a/locale/pt_PT/LC_MESSAGES/reference_manual/dr_minw_debugger.po +++ b/locale/pt_PT/LC_MESSAGES/reference_manual/dr_minw_debugger.po @@ -1,237 +1,239 @@ # SOME DESCRIPTIVE TITLE. # Copyright (C) licensed under the GNU Free Documentation License 1.3+ unless stated otherwise # This file is distributed under the same license as the Krita Manual package. # FIRST AUTHOR , YEAR. # msgid "" msgstr "" "Project-Id-Version: Krita Manual 4.1\n" "Report-Msgid-Bugs-To: \n" "POT-Creation-Date: 2019-03-15 03:36+0100\n" "PO-Revision-Date: 2019-03-15 14:02+0000\n" "Last-Translator: José Nuno Coelho Pires \n" "Language-Team: Portuguese \n" "Language: pt\n" "MIME-Version: 1.0\n" "Content-Type: text/plain; charset=UTF-8\n" "Content-Transfer-Encoding: 8bit\n" "Plural-Forms: nplurals=2; plural=n != 1;\n" "X-POFile-SpellExtra: en image Enter share dbg LocalAppData images\n" "X-POFile-SpellExtra: kritacrash end log lib Notepad start bin crash\n" "X-POFile-SpellExtra: explorer screen occurred JIT Error path DrMingw MinW\n" "X-POFile-SpellExtra: on Krita Mingw dir kbd\n" #: ../../reference_manual/dr_minw_debugger.rst:0 msgid ".. image:: images/en/Mingw-crash-screen.png" msgstr ".. image:: images/en/Mingw-crash-screen.png" #: ../../reference_manual/dr_minw_debugger.rst:0 msgid ".. image:: images/en/Mingw-explorer-path.png" msgstr ".. image:: images/en/Mingw-explorer-path.png" #: ../../reference_manual/dr_minw_debugger.rst:0 msgid ".. image:: images/en/Mingw-crash-log-start.png" msgstr ".. image:: images/en/Mingw-crash-log-start.png" #: ../../reference_manual/dr_minw_debugger.rst:0 msgid ".. image:: images/en/Mingw-crash-log-end.png" msgstr ".. image:: images/en/Mingw-crash-log-end.png" #: ../../reference_manual/dr_minw_debugger.rst:0 msgid ".. image:: images/en/Mingw-dbg7zip.png" msgstr ".. image:: images/en/Mingw-dbg7zip.png" #: ../../reference_manual/dr_minw_debugger.rst:0 msgid ".. image:: images/en/Mingw-dbg7zip-dir.png" msgstr ".. image:: images/en/Mingw-dbg7zip-dir.png" #: ../../reference_manual/dr_minw_debugger.rst:1 msgid "How to get a backtrace in Krita using the dr. MinW debugger." msgstr "" "Como obter um registo de chamadas no Krita, usando o depurador dr. MinW." #: ../../reference_manual/dr_minw_debugger.rst:18 msgid "Dr. MinW Debugger" msgstr "Depurador Dr. MinW" #: ../../reference_manual/dr_minw_debugger.rst:22 msgid "" "The information on this page applies only to the Windows release of Krita " "3.1 Beta 3 (3.0.92) and later." msgstr "" "A informação nesta página aplica-se apenas à versão para Windows do Krita " "3.1 Beta 3 (3.0.92) e posteriores." #: ../../reference_manual/dr_minw_debugger.rst:26 msgid "Getting a Backtrace" msgstr "Obter um Registo de Chamadas" #: ../../reference_manual/dr_minw_debugger.rst:28 msgid "" "There are some additions to Krita which makes getting a backtrace much " "easier on Windows." msgstr "" "Existem algumas adições ao Krita que ajudam a obter um registo de chamadas " "de forma muito mais simples no Windows." #: ../../reference_manual/dr_minw_debugger.rst:32 msgid "" "When there is a crash, Krita might appear to be unresponsive for a short " "time, ranging from a few seconds to a few minutes, before the crash dialog " "appears." msgstr "" "Quando ocorre um estoiro, o Krita pode parecer que deixou de responder por " "algum tempo, desde alguns segundos até alguns minutos, antes de aparecer a " "janela do estoiro." #: ../../reference_manual/dr_minw_debugger.rst:36 msgid "An example of the crash dialog" msgstr "Um exemplo da janela do estoiro" #: ../../reference_manual/dr_minw_debugger.rst:38 msgid "" "If Krita keeps on being unresponsive for more than a few minutes, it might " "actually be locked up, which may not give a backtrace. In that situation, " "you have to close Krita manually. Continue to follow the following " "instructions to check whether it was a crash or not.
" msgstr "" "Se o Krita continuar sem responder por alguns minutos, poderá ter bloqueado " "de facto, o que não irá gerar um registo de chamadas. Nessa situação, terá " "de fechar o Krita manualmente. Continue a seguir as seguintes instruções " "para verificar se foi um estoiro ou não.
" #: ../../reference_manual/dr_minw_debugger.rst:40 msgid "" "Open Windows Explorer and type ``%LocalAppData%`` (without quotes) on the " "address bar and press :kbd:`Enter`." -msgstr "Abra o Explorador do Windows e escreva ``%LocalAppData%`` (sem aspas) na barra de endereços e carregue no :kbd:`Enter`." +msgstr "" +"Abra o Explorador do Windows e escreva ``%LocalAppData%`` (sem aspas) na " +"barra de endereços e carregue no :kbd:`Enter`." #: ../../reference_manual/dr_minw_debugger.rst:44 msgid "" "Find the file ``kritacrash.log`` (it might appear as simply ``kritacrash`` " "depending on your settings.)" msgstr "" "Descubra o ficheiro ``kritacrash.log`` (poderá aparecer apenas como " "``kritacrash``, dependendo da sua configuração.)" #: ../../reference_manual/dr_minw_debugger.rst:45 msgid "" "Open the file with Notepad and scroll to the bottom, then scroll up to the " "first occurrence of “Error occurred on