diff --git a/locale/ca/LC_MESSAGES/contributors_manual/krita_manual_conventions.po b/locale/ca/LC_MESSAGES/contributors_manual/krita_manual_conventions.po index f4c3d09e9..bb03b4a6a 100644 --- a/locale/ca/LC_MESSAGES/contributors_manual/krita_manual_conventions.po +++ b/locale/ca/LC_MESSAGES/contributors_manual/krita_manual_conventions.po @@ -1,1400 +1,1400 @@ # Translation of docs_krita_org_contributors_manual___krita_manual_conventions.po to Catalan # Copyright (C) 2019 This_file_is_part_of_KDE # This file is distributed under the license LGPL version 2.1 or # version 3 or later versions approved by the membership of KDE e.V. # # Antoni Bella Pérez , 2019. msgid "" msgstr "" "Project-Id-Version: contributors_manual\n" "Report-Msgid-Bugs-To: \n" "POT-Creation-Date: 2019-06-23 03:14+0200\n" -"PO-Revision-Date: 2019-06-22 19:54+0200\n" +"PO-Revision-Date: 2019-06-23 23:28+0200\n" "Last-Translator: Antoni Bella Pérez \n" "Language-Team: Catalan \n" "Language: ca\n" "MIME-Version: 1.0\n" "Content-Type: text/plain; charset=UTF-8\n" "Content-Transfer-Encoding: 8bit\n" "Plural-Forms: nplurals=2; plural=n != 1;\n" "X-Generator: Lokalize 19.07.70\n" #: ../../:2 msgid "" ".. image:: images/icons/Krita_mouse_left.png\n" " :alt: mouseleft" msgstr "" ".. image:: images/icons/Krita_mouse_left.png\n" " :alt: mouseleft" #: ../../:4 msgid "" ".. image:: images/icons/Krita_mouse_right.png\n" " :alt: mouseright" msgstr "" ".. image:: images/icons/Krita_mouse_right.png\n" " :alt: mouseright" #: ../../:6 msgid "" ".. image:: images/icons/Krita_mouse_middle.png\n" " :alt: mousemiddle" msgstr "" ".. image:: images/icons/Krita_mouse_middle.png\n" " :alt: mousemiddle" #: ../../:8 msgid "" ".. image:: images/icons/Krita_mouse_scroll.png\n" " :alt: mousescroll" msgstr "" ".. image:: images/icons/Krita_mouse_scroll.png\n" " :alt: mousescroll" #: ../../contributors_manual/krita_manual_conventions.rst:None msgid "Horizontal Rulers" msgstr "Regles horitzontals" #: ../../contributors_manual/krita_manual_conventions.rst:0 msgid "" ".. image:: images/sample.png\n" " :alt: an image." msgstr "" ".. image:: images/sample.png\n" " :alt: una imatge." #: ../../contributors_manual/krita_manual_conventions.rst:1 msgid "reStructuredText conventions for the Krita Manual" msgstr "Convencions del reStructuredText per al Manual del Krita" #: ../../contributors_manual/krita_manual_conventions.rst:16 msgid "Mark-up conventions for the Krita Manual" -msgstr "Convencions del marcatge per al manual del Krita" +msgstr "Convencions del marcatge per al Manual del Krita" #: ../../contributors_manual/krita_manual_conventions.rst:18 msgid "" "This details the style conventions for using restructured text for the Krita " "Manual." msgstr "" "Aquí es detallen les convencions d'estil per a utilitzar text reestructurat " "per al Manual del Krita." #: ../../contributors_manual/krita_manual_conventions.rst:20 msgid "" "It's recommended to look over the `official specification `_ for reStructuredText, and given it lives on " "sourceforge, to save a copy to your harddrive (sourceforge has, at this time " "of writing, some issues with server uptime):" msgstr "" "Es recomana consultar l'`especificació oficial `_ per a reStructuredText, i atès que es troba a SourceForge, " +"net/rst.html>`_ per a «reStructuredText», i atès que es troba a SourceForge, " "deseu-ne una còpia al vostre disc dur (el SourceForge, en el moment " -"d'escriure això, alguns problemes amb el temps d'activitat del servidor):" +"d'escriure això, té alguns problemes amb el temps d'activitat del servidor):" #: ../../contributors_manual/krita_manual_conventions.rst:23 msgid "" "`Primer `_" msgstr "" "`Llibre elemental `_" #: ../../contributors_manual/krita_manual_conventions.rst:24 msgid "User Manual:" msgstr "Manual d'usuari:" #: ../../contributors_manual/krita_manual_conventions.rst:24 msgid "" "`Quick Ref `_" msgstr "" "`Referència ràpida `_" #: ../../contributors_manual/krita_manual_conventions.rst:25 msgid "" "`Text Cheatsheet `_" msgstr "" "`Full amb trucs de text `_" #: ../../contributors_manual/krita_manual_conventions.rst:27 msgid "" "`Introduction `_" msgstr "" "`Introducció `_" #: ../../contributors_manual/krita_manual_conventions.rst:28 msgid "" "`Markup `_" msgstr "" "`Marcatge `_" #: ../../contributors_manual/krita_manual_conventions.rst:29 msgid "Reference Documentation:" msgstr "Documentació de referència:" #: ../../contributors_manual/krita_manual_conventions.rst:29 msgid "" "`Directives `_" msgstr "" "`Directives `_" #: ../../contributors_manual/krita_manual_conventions.rst:30 msgid "`Roles `_" msgstr "`Regles `_" #: ../../contributors_manual/krita_manual_conventions.rst:32 msgid "Sphinx specific docs:" msgstr "Documentació específica de Sphinx:" #: ../../contributors_manual/krita_manual_conventions.rst:32 msgid "" "`Sphinx' page on restructured text `_ -- This is useful for the specific " "sphinx directives and roles it uses to generate for example table of " "contents." msgstr "" "`Pàgina de Sphinx sobre text reestructurat `_ : és útil per a les directives " +"master/usage/restructuredtext/index.html>`_: és útil per a les directives " "específiques de Sphinx i les regles que utilitza per a generar, p. ex., el " "contingut d'una taula." #: ../../contributors_manual/krita_manual_conventions.rst:34 msgid "" "There are differences between the official reStructuredText and the sphinx " "docs multiple ways to do things. This document specifies the suggested " "conventions to go with." msgstr "" -"Hi ha diferències entre el reStructuredText oficial i les múltiples maneres " -"de la documentació de Sphinx per a fer les coses. Aquest document especifica " +"Hi ha diferències entre el «reStructuredText» oficial i les múltiples maneres " +"en la documentació de Sphinx per a fer les coses. Aquest document especifica " "les convencions aconsellades que cal seguir." #: ../../contributors_manual/krita_manual_conventions.rst:36 msgid "Contents" msgstr "Contingut" #: ../../contributors_manual/krita_manual_conventions.rst:39 msgid "Meta data" msgstr "Metadades" #: ../../contributors_manual/krita_manual_conventions.rst:41 msgid "Each page should start with the following three things:" msgstr "Cada pàgina haurà de començar amb les següents tres coses:" #: ../../contributors_manual/krita_manual_conventions.rst:44 msgid "" "This is a general description of the page. It will be converted to an html " "meta tag which will be used by search engines::" msgstr "" "Aquesta serà una descripció general de la pàgina. Es convertirà en una " "metaetiqueta HTML, la qual utilitzaran els motors de cerca::" #: ../../contributors_manual/krita_manual_conventions.rst:46 msgid "" ".. meta::\n" " :description:\n" " Description." msgstr "" ".. meta::\n" " :description:\n" " Descripció." #: ../../contributors_manual/krita_manual_conventions.rst:49 msgid "A meta description" msgstr "Una metadescripció" #: ../../contributors_manual/krita_manual_conventions.rst:52 msgid "" "This is just to keep track of who edited the page and to give credit. It " "should be in a comment so that it will not end up being easily readable by " "machines. The license of the whole manual is GDL 1.3 and should also be " "mentioned here::" msgstr "" "Simplement només és per a fer un seguiment de qui va editar la pàgina i per " "donar crèdit. Haurà d'aparèixer en un comentari de manera que les màquines " "no puguin llegir-lo amb facilitat. La llicència de tot el manual és GDL 1.3 " "i també cal esmentar-ho aquí:" #: ../../contributors_manual/krita_manual_conventions.rst:54 msgid "" ".. metadata-placeholder\n" "\n" " :authors: - Author 1\n" " - Author 2\n" " :license: GNU free documentation license 1.3 or later." msgstr "" ".. metadata-placeholder\n" "\n" " :authors: - Autor 1\n" " - Autor 2\n" " :license: GNU free documentation license 1.3 or later." #: ../../contributors_manual/krita_manual_conventions.rst:58 msgid "A list of authors and a license." msgstr "Una llista dels autors i la llicència" #: ../../contributors_manual/krita_manual_conventions.rst:61 msgid "" "These are comma-separated terms under which the page will be indexed in :ref:" "`genindex`. The generated index is quite useful for both pdf as well as " "people who are not sure what the exact name is of the term they are looking " "for. They are defined as follows::" msgstr "" "Aquests són termes separats per comes sota els quals la pàgina serà indexada " "a l':ref:`genindex`. L'índex generat és força útil tant per al PDF com per a " "les persones que no tenen la certesa de quin és el nom exacte del terme que " "estan cercant. Es defineixen de la següent manera::" #: ../../contributors_manual/krita_manual_conventions.rst:63 msgid "Indexing terms." msgstr "Indexar el termes" #: ../../contributors_manual/krita_manual_conventions.rst:63 msgid ".. index:: Keyword, Keyword with Spaces, ! Main Definition Keyword" msgstr "" ".. index:: Paraula clau, Paraula clau amb espais, ! Paraula clau de la " "definició principal" #: ../../contributors_manual/krita_manual_conventions.rst:66 msgid "" "This is so we can easily link to the page using ``:ref:`label_name```. Try " "to make this a nice variable name::" msgstr "" "Serveix per a que puguem enllaçar amb facilitat la pàgina utilitzant ``:ref:" "`nom_etiqueta```. Intenteu que sigui un nom de variable bonic::" #: ../../contributors_manual/krita_manual_conventions.rst:68 msgid ".. _label_name:" msgstr ".. _nom_etiqueta:" #: ../../contributors_manual/krita_manual_conventions.rst:70 msgid "" "After the label you will need to add a heading, as ``:ref:`label_name``` " "will refer to the heading to fill out its link-text." msgstr "" "Després de l'etiqueta, haureu d'afegir una capçalera, ja que ``:ref:" "`nom_etiqueta``` farà referència a la capçalera per a completar amb el seu " "text enllaçat." #: ../../contributors_manual/krita_manual_conventions.rst:71 msgid "A label." msgstr "Una etiqueta" #: ../../contributors_manual/krita_manual_conventions.rst:74 msgid "Headings" msgstr "Capçaleres" #: ../../contributors_manual/krita_manual_conventions.rst:76 msgid "Headings will be done in the following order::" msgstr "Les capçaleres es realitzaran en el següent ordre::" #: ../../contributors_manual/krita_manual_conventions.rst:78 msgid "" "############\n" "Part/Section\n" "############\n" "\n" "For pages that have a lot of subpages.\n" "\n" "=========\n" "Heading 1\n" "=========\n" "\n" "Start most manual pages with this.\n" "\n" "Heading 2\n" "---------\n" "\n" "Heading 3\n" "~~~~~~~~~\n" "\n" "Heading 4\n" "^^^^^^^^^\n" "\n" "Heading 5\n" "'''''''''\n" "\n" "Heading 6\n" "\"\"\"\"\"\"\"\"\"" msgstr "" -"############\n" +"###########\n" "Part/Secció\n" -"############\n" +"###########\n" "\n" "Per a les pàgines que tenen un munt de subpàgines.\n" "\n" -"=========\n" +"===========\n" "Capçalera 1\n" -"=========\n" +"===========\n" "\n" "Comenceu així la majoria de les pàgines del manual.\n" "\n" "Capçalera 2\n" -"---------\n" +"-----------\n" "\n" "Capçalera 3\n" -"~~~~~~~~~\n" +"~~~~~~~~~~~\n" "\n" "Capçalera 4\n" -"^^^^^^^^^\n" +"^^^^^^^^^^^\n" "\n" "Capçalera 5\n" -"'''''''''\n" +"'''''''''''\n" "\n" "Capçalera 6\n" -"\"\"\"\"\"\"\"\"\"" +"\"\"\"\"\"\"\"\"\"\"\"" #: ../../contributors_manual/krita_manual_conventions.rst:105 msgid "" "These conventions were more or less decided by pandoc's mediawiki to " "reStructuredText conversion. If you need more than 4 headings, ask yourself " "first if the page hasn't gotten too complicated and needs splitting up." msgstr "" "Aquestes convencions van ser més o menys decidides al mediawiki de `Pandoc " -"`_ per a la conversió a reStructuredText. Si necessiteu " -"més de 4 capçaleres, pregunteu-vos primer si no s'ha complicat la pàgina i " -"necessita dividir-se." +"`_ per a la conversió a «reStructuredText». Si " +"necessiteu més de 4 capçaleres, pregunteu-vos primer si no s'ha complicat la " +"pàgina i necessita dividir-se." #: ../../contributors_manual/krita_manual_conventions.rst:107 msgid "" "Sometimes you need to link to a subsection of a page, add a label above the " "heading in that case." msgstr "" "A vegades és necessari enllaçar amb la subsecció d'una pàgina, en aquest cas " "afegiu una etiqueta per sobre de la capçalera." #: ../../contributors_manual/krita_manual_conventions.rst:109 msgid "" "Headers should not end with punctuation, as the header will be used as the " "link name when linking to a label." msgstr "" "Les capçaleres no hauran d'acabar amb puntuació, ja que la capçalera " "s'utilitzarà com el nom de l'enllaç en vincular amb una etiqueta." #: ../../contributors_manual/krita_manual_conventions.rst:112 msgid "Linking" msgstr "Enllaçar" #: ../../contributors_manual/krita_manual_conventions.rst:114 msgid "" "Linking is done with ``:ref:`label_name```. When you need an alternative " "link text, you use ``:ref:`actual text shown ```." msgstr "" -"L'enllaçar es realitza amb ``:ref:`nom_etiqueta```. Quan necessiteu un text " -"alternatiu per a l'enllaç, utilitzeu``:ref:`text real que es mostrarà " +"L'enllaça es realitza amb ``:ref:`nom_etiqueta```. Quan necessiteu un text " +"alternatiu per a l'enllaç, utilitzeu ``:ref:`text real que es mostrarà " "```." #: ../../contributors_manual/krita_manual_conventions.rst:116 msgid "" "Linking to external pages is done with ```url`_`` and ```link name " "`_``, which'll become `link name `_." msgstr "" "Enllaçar amb pàgines externes es realitza amb ```url`_`` i ```nom enllaç " "`_``, els quals es convertiran en el `nom de l'enllaç `_." #: ../../contributors_manual/krita_manual_conventions.rst:118 msgid "" "Pandoc likes to turn these into ```link name`__`` and then add `` .. __ :url " "`` at the end of the document. This is a so-called 'anonymous hyperlink', " "meaning that depending on the order of the links appearing in the text the " "order of the links at the end of the text are associated with one another. " "If this sounds confusing and difficult, it is because it is. That is also " "the exact reason why we'd like to avoid links like these." msgstr "" "A `Pandoc `_ li agrada convertir-los en " -"```nom_enllaç`__`` i després afegir `` .. __ :url `` al final del document. " +"```nom_enllaç`__`` i després afegir ``.. __ :url`` al final del document. " "Aquest és l'anomenat «hipervincle anònim», vol dir que depenent de l'ordre " "en que apareixen els enllaços en el text, l'ordre dels enllaços al final del " "text hi estarà associat. Si això sona confús i difícil, és perquè ho és. " "Aquesta també és la raó exacta per la qual ens agradaria evitar enllaços com " "aquests." #: ../../contributors_manual/krita_manual_conventions.rst:121 msgid "Footnotes and further reading" msgstr "Notes a peu de pàgina i lectura addicional" #: ../../contributors_manual/krita_manual_conventions.rst:123 msgid "" "Footnotes can be made in 3 ways, the most common one is with autonumbering, " "as per reference:" msgstr "" "Les notes a peu de pàgina es poden fer de tres maneres, la més comuna és " "disposar un recompte automàtic, segons la referència:" #: ../../contributors_manual/krita_manual_conventions.rst:125 msgid "" "[#]_ is a reference to footnote 1, and [#]_ is a reference to footnote 2." msgstr "" "[#]_ és una referència a la nota a peu de pàgina 1, i [#]_ és una referència " "a la nota a peu de pàgina 2." #: ../../contributors_manual/krita_manual_conventions.rst:128 msgid "This is footnote 1." msgstr "Aquesta és una nota a peu de pàgina 1." #: ../../contributors_manual/krita_manual_conventions.rst:129 msgid "This is footnote 2." msgstr "Aquesta és una nota a peu de pàgina 2." #: ../../contributors_manual/krita_manual_conventions.rst:130 msgid "This is footnote 3." msgstr "Aquesta és una nota a peu de pàgina 3." #: ../../contributors_manual/krita_manual_conventions.rst:132 msgid "[#]_ is a reference to footnote 3." msgstr "[#]_ és una referència a la nota a peu de pàgina 3." #: ../../contributors_manual/krita_manual_conventions.rst:134 msgid "Here is a citation reference: [CIT2002]_ ." msgstr "Aquesta és una referència de la cita: [CIT2002]_." #: ../../contributors_manual/krita_manual_conventions.rst:136 msgid "" "This is the citation. It's just like a footnote, except the label is " "textual." msgstr "" "Aquesta és la cita. És com una nota a peu de pàgina, excepte que l’etiqueta " "és de text." #: ../../contributors_manual/krita_manual_conventions.rst:139 msgid "Citation can also be referenced with `citation `_" -msgstr "També s'hi pot fer referència amb `cita `_." +msgstr "També s'hi pot fer referència amb ```cita `_``." #: ../../contributors_manual/krita_manual_conventions.rst:141 msgid "" "We don't actually use footnotes in the manual due to the fact that it is a " "little bit too academical for our readers. However, we do collect documents " "and links that give a little bit more information on a topic at the end of a " "page. Sphinx has the ``.. seealso::`` directive for linking to external " "links, while reStructuredText suggests to use ``.. rubic:: Footnotes`` for " "specifically collecting footnotes as that plays nice with LaTeX." msgstr "" "En realitat, en aquest manual no fem servir les notes a peu de pàgina perquè " "és una mica massa acadèmic per als nostres lectors. No obstant això, sí " "recollim documents i enllaços al final d'una pàgina que ofereixen una mica " "més d'informació sobre un tema. L'Sphinx té la directiva ``.. seealso::`` " -"per enllaçar amb enllaços externs, mentre que reStructuredText aconsella " +"per enllaçar amb enllaços externs, mentre que «reStructuredText» aconsella " "utilitzar ``.. rubic:: Notes al peu de pàgina`` per a recopilar " "específicament les notes a peu de pàgina, ja que això es veu bonic amb el " "LaTeX." #: ../../contributors_manual/krita_manual_conventions.rst:145 msgid "Images" msgstr "Imatges" #: ../../contributors_manual/krita_manual_conventions.rst:147 msgid "Use the image directive for images without captions::" msgstr "Utilitzeu la directiva «image» per a les imatges sense llegenda::" #: ../../contributors_manual/krita_manual_conventions.rst:149 msgid "" ".. image:: /images/sample.png\n" " :width: 800\n" " :align: center\n" " :alt: an image." msgstr "" ".. image:: /images/sample.png\n" " :width: 800\n" " :align: center\n" " :alt: una imatge." #: ../../contributors_manual/krita_manual_conventions.rst:154 msgid "And figure directives for images with captions::" msgstr "I la directiva «figure» per a les imatges amb llegenda::" #: ../../contributors_manual/krita_manual_conventions.rst:156 msgid "" ".. figure:: /images/sample.png\n" " :figwidth: 800\n" " :align: center\n" " :alt: an image.\n" "\n" " A caption -- notice how the first letter is aligned with the :figwidth: " "option." msgstr "" ".. figure:: /images/sample.png\n" " :figwidth: 800\n" " :align: center\n" " :alt: una imatge.\n" "\n" " Una llegenda: observeu com la primera lletra de la llegenda s'alinea amb " "l'opció «:figwidth:»." #: ../../contributors_manual/krita_manual_conventions.rst:163 msgid "The latter gives:" msgstr "Aquesta última ens donarà:" #: ../../contributors_manual/krita_manual_conventions.rst:170 msgid "" "A caption -- notice how the first letter of the caption in the directive is " "aligned with the :figwidth: option." msgstr "" "Una llegenda: observeu com la primera lletra de la llegenda s'alinea amb " "l'opció «:figwidth:»." #: ../../contributors_manual/krita_manual_conventions.rst:172 msgid "" "Images should go into the ``/images`` folder. By using ``/images`` instead " "of ``images``, sphinx will know the filepath isn't relative." msgstr "" "Les imatges hauran d'anar a la carpeta ``/images``. En emprar ``/images`` en " "lloc de ``images``, l'Sphinx sabrà que el camí del fitxer no és relatiu." #: ../../contributors_manual/krita_manual_conventions.rst:175 msgid "In-text Markup" msgstr "Marcatge al text" #: ../../contributors_manual/krita_manual_conventions.rst:177 msgid "" "You can make text *emphasized* and **strong** with a single asterisk and " "double respectively::" msgstr "" "Podeu fer que el text estigui *emfatitzat* i **fort** amb un sol asterisc i " "doble respectivament::" #: ../../contributors_manual/krita_manual_conventions.rst:179 msgid "" "*emphasize*\n" "**strong**" msgstr "" "*emfatitzat*\n" "**fort**" #: ../../contributors_manual/krita_manual_conventions.rst:182 msgid "You cannot do both ***emphasized and strong***, so take a pick." msgstr "No podreu fer ambdues coses, ***emfatitzat i fort***, així que trieu." #: ../../contributors_manual/krita_manual_conventions.rst:184 msgid "" "You can :sub:`subscript text` and :sup:`superscript text` by using ``:sub:" "`text``` and ``:sup:`text```" msgstr "" "Podeu crear text :sub:`amb subscript` i :sup:`amb superscript` emprant ``:" "sub:`text``` i ``:sup:`text```." #: ../../contributors_manual/krita_manual_conventions.rst:186 msgid "" "However, use these super-sparingly! It is preferred to use the existing " "semantic markup in sphinx in any case, because that makes it easier for " "translators to make decisions about the nature of the text::" msgstr "" "No obstant això, utilitzeu-ho amb moderació! En qualsevol cas, es prefereix " "utilitzar el marcatge semàntic existent a l'Sphinx, perquè aquest facilita " "que els traductors prenguin decisions sobre la naturalesa del text::" #: ../../contributors_manual/krita_manual_conventions.rst:188 msgid "" ":menuselection:`Settings --> Configure Krita`\n" ":guilabel:`File`\n" ":kbd:`Ctrl + Z`\n" ":program:`Krita`" msgstr "" ":menuselection:`Settings --> Configure Krita`\n" ":guilabel:`File`\n" ":kbd:`Ctrl + Z`\n" ":program:`Krita`" #: ../../contributors_manual/krita_manual_conventions.rst:193 msgid "" "Avoid randomly bolding words. It does *not* make the text easier or " "friendlier to read." msgstr "" "Eviteu paraules en negreta a l'atzar. *No* farà que el text sigui més fàcil " "o més amigable de llegir." #: ../../contributors_manual/krita_manual_conventions.rst:196 msgid "Substitution References" msgstr "Substitució de les referències" #: ../../contributors_manual/krita_manual_conventions.rst:198 msgid "" "You can create a sort of shorthand for a piece of text or an image by doing::" msgstr "" "Podeu crear una mena de transcripció per a un fragment de text o una imatge " "fent el següent::" #: ../../contributors_manual/krita_manual_conventions.rst:200 msgid ".. |shorthand| replace:: something or the other." msgstr ".. |transcripció| replace:: una cosa o l'altra." #: ../../contributors_manual/krita_manual_conventions.rst:202 msgid "" "which means that if you use ``|shorthand|``, in the text, it'll be replaced " "with 'something or the other'. This is useful for images and text that needs " "to be formatted in a complicated way, like in the case of \"LaTeX\"." msgstr "" -"El qual vol dir que si empreu |transcripció| en el text, serà substituït " +"El qual vol dir que si empreu |transcripció| en el text, serà substituït per " "«una cosa o l'altra». És útil per a les imatges i text que necessiteu " -"formatar de manera complicada, com en el cas de «LaTeX»." +"formatar de manera complicada, com en el cas de LaTeX." #: ../../contributors_manual/krita_manual_conventions.rst:204 msgid "" "The krita documentation has ``|mouseleft|``, ``|mousemiddle|``, ``|" "mousescroll|`` and ``|mouseright|``, which'll turn into |mouseleft|, |" "mousemiddle|, |mousescroll| and |mouseright| respectively. These are defined " "in the sphinx conf.py, and are appended to each rst file." msgstr "" "La documentació del Krita té ``|mouseleft|``, ``|mousemiddle|``, ``|" "mousescroll|`` i ``|mouseright|``, els quals es convertiran en |mouseleft|, |" "mousemiddle|, |mousescroll| i |mouseright| respectivament. Aquests estan " "definits al fitxer «conf.py» de l'Sphinx i s'afegeixen a cada fitxer RST." #: ../../contributors_manual/krita_manual_conventions.rst:206 msgid "" "For links, if you reuse the same link over and over, you can write something " "like the following at the end of the file::" msgstr "" "Per als enllaços, si reutilitzeu el mateix un cop i un altre, podeu escriure " "una cosa com la següent al final del fitxer:" #: ../../contributors_manual/krita_manual_conventions.rst:208 msgid "" ".. _bugzilla: https://bugs.kde.org/\n" ".. _Krita Manual: https://docs.krita.org/" msgstr "" ".. _Bugzilla: https://bugs.kde.org/\n" ".. _Krita Manual: https://docs.krita.org/" #: ../../contributors_manual/krita_manual_conventions.rst:211 msgid "" "Then, when typing a link, you can just use ```bugzilla`_`` to link to " "bugzilla with \"bugzilla\" used as the text of the link. ```Krita Manual`_`` " "will in turn link to docs.krita.org with the text \"Krita Manual\"." msgstr "" "Després, en escriure un enllaç, podreu emprar ```Bugzilla`_`` per enllaçar-" "hi i amb «Bugzilla» com a text de l'enllaç. ```Krita Manual`_`` al seu torn " "enllaçarà amb el web docs.krita.org amb el text «Krita Manual»." #: ../../contributors_manual/krita_manual_conventions.rst:214 msgid "Lists" msgstr "Llistes" #: ../../contributors_manual/krita_manual_conventions.rst:217 msgid "Ordinated lists" msgstr "Llistes ordenades" #: ../../contributors_manual/krita_manual_conventions.rst:219 msgid "Apple" msgstr "Poma" #: ../../contributors_manual/krita_manual_conventions.rst:220 msgid "Pear" msgstr "Pera" #: ../../contributors_manual/krita_manual_conventions.rst:221 msgid "Banana" msgstr "Plàtan" #: ../../contributors_manual/krita_manual_conventions.rst:223 msgid "Or..." msgstr "O..." #: ../../contributors_manual/krita_manual_conventions.rst:225 msgid "Table" msgstr "Taula" #: ../../contributors_manual/krita_manual_conventions.rst:226 msgid "Chair" msgstr "Cadira" #: ../../contributors_manual/krita_manual_conventions.rst:227 msgid "Wardrobe." msgstr "Armari" #: ../../contributors_manual/krita_manual_conventions.rst:229 msgid "Augustus" msgstr "August" #: ../../contributors_manual/krita_manual_conventions.rst:230 msgid "Nero" msgstr "Neró" #: ../../contributors_manual/krita_manual_conventions.rst:231 msgid "Caligula" msgstr "Calígula" #: ../../contributors_manual/krita_manual_conventions.rst:232 msgid "Trajan" msgstr "Trajà" #: ../../contributors_manual/krita_manual_conventions.rst:234 msgid "They can be defined as follows::" msgstr "Es poden definir de la següent manera::" #: ../../contributors_manual/krita_manual_conventions.rst:236 msgid "" "1. Apple\n" "2. Pear\n" "3. Banana\n" "\n" "#. Apple\n" "#. Pear\n" "#. Banana\n" "\n" "A. Table\n" "B. Chair\n" "C. Wardrobe\n" "\n" "A. Table\n" "#. Chair\n" "#. Wardrobe\n" "\n" "I. Augustus\n" "#. Nero\n" "#. Caligula\n" "#. Trajan" msgstr "" "1. Poma\n" "2. Pera\n" "3. Plàtan\n" "\n" "#. Poma\n" "#. Pera\n" "#. Plàtan\n" "\n" "A. Taula\n" "B. Cadira\n" "C. Armari\n" "\n" "A. Taula\n" "#. Cadira\n" "#. Armari\n" "\n" "I. August\n" "#. Neró\n" "#. Calígula\n" "#. Trajà" #: ../../contributors_manual/krita_manual_conventions.rst:258 msgid "Unordered lists" msgstr "Llistes desordenades" #: ../../contributors_manual/krita_manual_conventions.rst:260 msgid "red" msgstr "vermell" #: ../../contributors_manual/krita_manual_conventions.rst:261 msgid "yellow" msgstr "groc" #: ../../contributors_manual/krita_manual_conventions.rst:263 msgid "seagreen" msgstr "verd marí" #: ../../contributors_manual/krita_manual_conventions.rst:264 msgid "verdigris" msgstr "verdet" #: ../../contributors_manual/krita_manual_conventions.rst:265 msgid "teal" msgstr "xarxet" #: ../../contributors_manual/krita_manual_conventions.rst:266 msgid "veridian" msgstr "viridian" #: ../../contributors_manual/krita_manual_conventions.rst:268 msgid "dark emerald" msgstr "maragda fosc" #: ../../contributors_manual/krita_manual_conventions.rst:269 msgid "green" msgstr "verd" #: ../../contributors_manual/krita_manual_conventions.rst:269 msgid "emerald" msgstr "maragda" #: ../../contributors_manual/krita_manual_conventions.rst:269 msgid "light emerald" msgstr "maragda clar" #: ../../contributors_manual/krita_manual_conventions.rst:270 msgid "very light emerald." msgstr "maragda molt clar" #: ../../contributors_manual/krita_manual_conventions.rst:271 msgid "blue" msgstr "blau" #: ../../contributors_manual/krita_manual_conventions.rst:273 msgid "Defined as such::" msgstr "Es defineix de la següent manera::" #: ../../contributors_manual/krita_manual_conventions.rst:275 msgid "" "- red\n" "- yellow\n" "- green\n" " - seagreen\n" " - verdigris\n" " - teal\n" " - veridian\n" " - emerald\n" " - dark emerald\n" " - light emerald\n" " - very light emerald.\n" "- blue" msgstr "" "- vermell\n" "- groc\n" "- verd\n" " - verd marí\n" " - verdet\n" " - xarxet\n" " - viridian\n" " - maragda\n" " - maragda fosc\n" " - maragda clar\n" " - maragda molt clar\n" "- blau" #: ../../contributors_manual/krita_manual_conventions.rst:289 msgid "Definition Lists" msgstr "Llistes de definicions" #: ../../contributors_manual/krita_manual_conventions.rst:291 msgid "" "A favourite! Definition lists are especially useful when dealing with " "enumerating all the options in a docker and trying to add a simple " "explanation behind them." msgstr "" "Un preferit! Les llistes de definicions són especialment útils quan es " "tracta d'enumerar totes les opcions en un acoblador, per a després intentar " "afegir una explicació senzilla." #: ../../contributors_manual/krita_manual_conventions.rst:293 msgid "Definition" msgstr "Definició" #: ../../contributors_manual/krita_manual_conventions.rst:294 msgid "explanation." msgstr "Explicació." #: ../../contributors_manual/krita_manual_conventions.rst:296 msgid "Another option" msgstr "Una altra opció" #: ../../contributors_manual/krita_manual_conventions.rst:296 msgid "Explanation." msgstr "Explicació." #: ../../contributors_manual/krita_manual_conventions.rst:299 msgid "You can make them like this::" msgstr "Per a crear-les farem el següent::" #: ../../contributors_manual/krita_manual_conventions.rst:301 msgid "" "Definition\n" " explanation.\n" "Another option\n" " Explanation." msgstr "" "Definició\n" " Explicació.\n" "Una altra opció\n" " Explicació." #: ../../contributors_manual/krita_manual_conventions.rst:304 msgid "To make them." msgstr "Per a crear-les." #: ../../contributors_manual/krita_manual_conventions.rst:307 msgid "Tables" msgstr "Taules" #: ../../contributors_manual/krita_manual_conventions.rst:310 msgid "Purpose" msgstr "Propòsit" #: ../../contributors_manual/krita_manual_conventions.rst:310 msgid "Table type" msgstr "Tipus de taula" #: ../../contributors_manual/krita_manual_conventions.rst:312 msgid "listing shortcuts" msgstr "Llistar les dreceres" #: ../../contributors_manual/krita_manual_conventions.rst:312 msgid "Simple table" msgstr "Taula senzilla" #: ../../contributors_manual/krita_manual_conventions.rst:313 msgid "lots of colspans" msgstr "Un munt de «colspan»" #: ../../contributors_manual/krita_manual_conventions.rst:313 msgid "Grid table" msgstr "Taula de quadrícula" #: ../../contributors_manual/krita_manual_conventions.rst:314 msgid "Simple but long" msgstr "Senzill però llarg" #: ../../contributors_manual/krita_manual_conventions.rst:314 msgid "List Table" msgstr "Taula de llista" #: ../../contributors_manual/krita_manual_conventions.rst:317 msgid "Done as follows::" msgstr "Es fa de la següent manera::" #: ../../contributors_manual/krita_manual_conventions.rst:319 msgid "" "================== ============\n" "Purpose Table type\n" "================== ============\n" "listing shortcuts Simple table\n" "lots of colspans Grid table\n" "Simple but long List Table\n" "================== ============\n" "\n" "+-----------------+------------+\n" "|Purpose |Table Type |\n" "+=================+============+\n" "|listing shortcuts|Simple table|\n" "+-----------------+------------+\n" "|lots of colspans |Grid table |\n" "+-----------------+------------+\n" "|Simple but long |List table |\n" "+-----------------+------------+\n" "\n" ".. list-table::\n" " :header-rows: 1\n" "\n" " - * Purpose\n" " * Table Type\n" " - * listing shortcuts\n" " * simple table\n" " - * lots of colspans\n" " * grid table\n" " - * simple but long\n" " * list table" msgstr "" "====================== =====================\n" "Propòsit Tipus de taula\n" "====================== =====================\n" "Llistar les dreceres Taula senzilla\n" "Un munt de «colspan» Taula de quadrícula\n" "Senzill però llarg Taula de llista\n" "================== =========================\n" "\n" "+---------------------+---------------------+\n" "|Propòsit |Tipus de taula |\n" "+=====================+=====================+\n" "|Llistar les dreceres |Taula senzilla |\n" "+---------------------+---------------------+\n" "|Un munt de «colspan» |Taula de quadrícula |\n" "+---------------------+---------------------+\n" "|Senzill però llarg | Taula de llista |\n" "+---------------------+---------------------+\n" "\n" ".. list-table::\n" " :header-rows: 1\n" "\n" " - * Propòsit\n" " * Tipus de taula\n" " - * Llistar les dreceres\n" " * Taula senzilla\n" " - * Un munt de «colspan»\n" " * Taula de quadrícula\n" " - * Senzill però llarg\n" " * Taula de llista" #: ../../contributors_manual/krita_manual_conventions.rst:349 msgid "" "Full grid tables are best for when you need all features like complex column " "and row spans, but they're tricky to make. For that reason, small tables are " "best off being done with the simple syntax, while really long tables are " "best done with a list directive because that is just much easier to write " "and maintain." msgstr "" -"Les taules de quadrícula són les millors per quan es necessiten totes les " +"Les taules de quadrícula són les millors per a quan es necessiten totes les " "característiques, com columnes i files complexes, però són difícils de " "crear. Per aquesta raó, les taules petites es fan millor amb una sintaxi " "senzilla, mentre que les taules realment llargues es fan millor amb una " "directiva de llista perquè és molt més fàcil d'escriure i mantenir." #: ../../contributors_manual/krita_manual_conventions.rst:352 msgid "Admonishments and asides" msgstr "Amonestacions i aparts" #: ../../contributors_manual/krita_manual_conventions.rst:356 msgid "" "Admonishments are sort of like a separate section that the reader needs to " "pay attention to." msgstr "" "Les amonestacions són una mena de secció separada a la qual el lector haurà " "de prestar atenció." #: ../../contributors_manual/krita_manual_conventions.rst:358 msgid "" "Admonishments that can be used are the following (in order of seriousness):" msgstr "" "Les amonestacions que es poden utilitzar són les següents (per ordre de " "serietat):" #: ../../contributors_manual/krita_manual_conventions.rst:362 msgid "" "Hints are useful to give a little bit more information on a topic than is " "useful in the main text. Like, hint: these packages are named differently in " "openSuse versus Debian." msgstr "" "Els suggeriments són útils per a proporcionar una mica més d'informació " "sobre un tema que és útil en el text principal. Com ara, «Aquests paquets " "s'anomenen de diferent manera a openSUSE en comparació amb Debian»." #: ../../contributors_manual/krita_manual_conventions.rst:366 msgid "" "Extra information on how to do something, like, \"you can make a template of " "your favourite document setup\", or \"use m to mirror the canvas and see " "errors more easily in your drawing\"." msgstr "" "Informació addicional sobre com fer alguna cosa, com ara, «Podeu crear una " "plantilla de la configuració del vostre document preferit» o «Utilitzeu m " "per emmirallar el llenç i veure els errors al vostre dibuix amb més " "facilitat»." #: ../../contributors_manual/krita_manual_conventions.rst:370 msgid "Something that is important to note, but is not necessarily negative." msgstr "" "Alguna cosa que és important tenir en compte, però no que no haurà de ser " "necessàriament negativa." #: ../../contributors_manual/krita_manual_conventions.rst:374 msgid "This is in general when something is negative." msgstr "En general, quan alguna cosa és negativa." #: ../../contributors_manual/krita_manual_conventions.rst:378 msgid "" "General attention grabber. Use this when the subject is more important than " "warning, but not as important that is could get a dataloss." msgstr "" "Captador general de l'atenció. Feu-la servir quan el tema sigui més " "important que una avís, però no tan important com per obtenir una pèrdua de " "les dades." #: ../../contributors_manual/krita_manual_conventions.rst:382 msgid "" "This is for things that could cause dataloss, like forgetting to save, or " "that python currently has no undo functionality." msgstr "" "És per a coses que poden provocar pèrdua de les dades, com oblidar-vos de " "desar o que el Python no disposa actualment de la funcionalitat de desfer." #: ../../contributors_manual/krita_manual_conventions.rst:386 msgid "" "This should be for things that are dangerous for the computer in general, " "this includes things that can cause out of memory style freezes." msgstr "" "Hauria de ser per a coses perilloses per a l’ordinador en general, això " "inclou coses que poden provocar que es congeli l’estil de la memòria." #: ../../contributors_manual/krita_manual_conventions.rst:390 msgid "" "This one is probably not relevant for a manual. Sphinx can create these " "manually given some situations, but our configuration does not do so by " "default." msgstr "" "Probablement aquesta no sigui rellevant per a un manual. L'Sphinx pot crear-" "les manualment indicant algunes situacions, però la nostra configuració no " "ho fa de manera predeterminada." #: ../../contributors_manual/krita_manual_conventions.rst:392 msgid "generic admonition that can have any text." msgstr "Amonestació genèrica que pot contenir qualsevol text" #: ../../contributors_manual/krita_manual_conventions.rst:394 msgid "This looks like the following::" msgstr "Aquesta podria semblar-se al següent:" #: ../../contributors_manual/krita_manual_conventions.rst:396 msgid "" ".. admonition:: generic admonition that can have any text.\n" "\n" " Text" msgstr "" ".. admonition:: Amonestació genèrica que pot contenir qualsevol text\n" "\n" " Text." #: ../../contributors_manual/krita_manual_conventions.rst:402 msgid "Sphinx also adds::" msgstr "L'Sphinx també afegeix::" #: ../../contributors_manual/krita_manual_conventions.rst:404 msgid "" ".. seealso::\n" "\n" " Which is useful to collect external links and references." msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:412 msgid "" "Horizontal rulers are usually used when the topic switches rather directly. " "This is very common in more narrative based writing, such as history or " "fiction. The Krita manual is more instruction and reference style writing, " "that is to say, we don't usually tell a long story to indicate how different " "elements come together, but rather long stories are there to motivate why " "certain steps are taken in a certain manner. Topic changes then usually " "happen because we go into a new section, rather than switching to a related " "section. It is therefore better to use headings or the ``.. Topic::`` " "directive. Headings also make it easier to read." msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:416 msgid "That said, horizontal rulers can be made with ``----``." msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:419 msgid "The rubric directive." msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:420 msgid "" "The rubric directive is a heading directive that at first glance looks like " "\"topic\", but where the topic is over several paragraphs, rubric itself " "only deals with the header, like so::" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:422 msgid ".. rubric:: The rubric directive." msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:426 msgid "So, when to use these?" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:427 msgid "" "Only use them when you think the subject is too minor to have a proper " "heading." msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:429 msgid "Topic" msgstr "Tema" #: ../../contributors_manual/krita_manual_conventions.rst:430 msgid "" "When the text is separated from the flow, so it goes into a different " "subject than the text itself is naturally going to." msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:431 msgid "Rubric" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:432 msgid "" "When the text isn't separated from the flow, but it does not need a header " "either." msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:434 msgid "Admonishments" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:434 msgid "" "Only when they fit semantically. This is especially necessary for the danger " "and warning admonishments, as seeing them too often can make users blind to " "them." msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:437 msgid "Code Snippets" msgstr "Retalls de codi" #: ../../contributors_manual/krita_manual_conventions.rst:439 msgid "``Inline code snippets`` are done with ````backticks````." msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:441 msgid "" "Multi-line code snippets are done by ending the previous section with ``::" "``, which'll look like this::" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:443 msgid "" "This is a paragraph, and we define a preformated snippet like so::\n" "\n" " Be sure to add a white space and a tab afterwards before starting the " "snippet." msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:447 msgid "" "You can also use the ``.. code::`` directive. If you add the language name " "after it, it'll do the appropriate syntax highlighting::" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:449 msgid "" ".. code:: python\n" "\n" " def my_function():\n" " # comment\n" " alist = []\n" " alist.append(1)\n" " string = \"hello world\"" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:457 msgid "Becomes" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:466 msgid "" "def my_function():\n" " # comment\n" " alist = []\n" " alist.append(1)\n" " string = \"hello world\"" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:467 msgid "some more..." msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:480 msgid "" "int myFunction(int i) {\n" " i += 1;\n" "\n" " // Check if more than 12\n" " if (i>12) {\n" " i = 0;\n" " }\n" " return i;\n" "}" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:494 msgid "" "body {\n" " margin: 0 auto;\n" " /* is 800 still sensible? */\n" " max-width:800px;\n" " font-size:16px;\n" " color:#333;\n" " background-color: #eee;\n" " padding:1em;\n" " font-family:serif;\n" " line-height: 1.4;\n" "}" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:498 msgid "" "

this is a " "paragraph.

" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:500 msgid "Other preformatted text" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:503 msgid "One can" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:504 msgid "preformat" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:505 msgid "text by" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:506 msgid "prepending" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:507 msgid "each line" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:508 msgid "with a pipe" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:509 msgid "symbol" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:511 msgid "Like so::" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:513 msgid "" "| One can\n" "| preformat\n" "| text by\n" "| prepending\n" "| each line\n" "| with a pipe\n" "| symbol" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:521 msgid "We don't actually use this anywhere in the manual." msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:524 msgid "Glossaries, Terms and Index" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:526 msgid "These are sphinx features." msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:528 msgid "" "Index is used in the top section, right now only single index entries are " "used." msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:530 msgid "" "Glossaries are used for some of the menu entry sections, but not all of them." msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:533 msgid "Quotes" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:535 msgid "Quotes are done like this::" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:537 msgid "" "I am not sure why you'd need quotes in a user manual...\n" "\n" "-- Wolthera" msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:541 msgid "This becomes a blockquote." msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:543 msgid "I am not sure why you'd need quotes in a user manual..." msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:547 msgid "" "We do actually use quotes in some places. Try to add a link to the name to " "define where it came from." msgstr "" #: ../../contributors_manual/krita_manual_conventions.rst:548 msgid "Wolthera" msgstr "Wolthera" diff --git a/locale/es/LC_MESSAGES/general_concepts/colors/color_managed_workflow.po b/locale/es/LC_MESSAGES/general_concepts/colors/color_managed_workflow.po index de7c965ec..48a871118 100644 --- a/locale/es/LC_MESSAGES/general_concepts/colors/color_managed_workflow.po +++ b/locale/es/LC_MESSAGES/general_concepts/colors/color_managed_workflow.po @@ -1,1079 +1,1079 @@ # Spanish translations for docs_krita_org_general_concepts___colors___color_managed_workflow.po package. # Copyright (C) licensed under the GNU Free Documentation License 1.3+ unless stated otherwise # This file is distributed under the same license as the Krita Manual package. # # Automatically generated, 2019. # Eloy Cuadra , 2019. # Sofia Priego , %Y. msgid "" msgstr "" "Project-Id-Version: " "docs_krita_org_general_concepts___colors___color_managed_workflow\n" "Report-Msgid-Bugs-To: \n" -"POT-Creation-Date: 2019-06-17 03:13+0200\n" +"POT-Creation-Date: 2019-06-23 13:49+0200\n" "PO-Revision-Date: 2019-02-19 19:58+0100\n" "Last-Translator: Sofia Priego \n" "Language-Team: Spanish \n" "Language: es\n" "MIME-Version: 1.0\n" "Content-Type: text/plain; charset=UTF-8\n" "Content-Transfer-Encoding: 8bit\n" "Plural-Forms: nplurals=2; plural=n != 1;\n" "X-Generator: Lokalize 18.12.2\n" -#: ../../general_concepts/colors/color_managed_workflow.rst:0 -msgid ".. image:: images/color_category/Kiki_matrix_profile.png" -msgstr "" - -#: ../../general_concepts/colors/color_managed_workflow.rst:0 -msgid ".. image:: images/color_category/Kiki_cLUTprofiles.png" -msgstr "" - #: ../../general_concepts/colors/color_managed_workflow.rst:None msgid ".. image:: images/color_category/Krita_2_9_colormanagement_group1.png" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:None msgid ".. image:: images/color_category/Krita_2_9_colormanagement_group2.png" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:None msgid ".. image:: images/color_category/Krita_2_9_colormanagement_group3.png" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:None msgid ".. image:: images/color_category/Krita_2_9_colormanagement_group4.png" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:None msgid ".. image:: images/dockers/LUT_Management_Docker.png" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:None msgid ".. image:: images/color_category/Krita_HDR_1.svg" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:None msgid ".. image:: images/color_category/Krita_HDR2.svg" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:None msgid "" ".. image:: images/color_category/Krita-colormanaged-workflow_webcomic.svg" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:None msgid ".. image:: images/color_category/Krita-colormanaged-workflow_print.svg" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:None msgid ".. image:: images/color_category/Krita-colormanaged-workflow_games.svg" msgstr "" +#: ../../general_concepts/colors/color_managed_workflow.rst:0 +msgid ".. image:: images/color_category/Kiki_matrix_profile.png" +msgstr "" + +#: ../../general_concepts/colors/color_managed_workflow.rst:0 +msgid ".. image:: images/color_category/Kiki_cLUTprofiles.png" +msgstr "" + #: ../../general_concepts/colors/color_managed_workflow.rst:1 msgid "How a color managed workflow works." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:12 msgid "Color" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:12 #, fuzzy #| msgid "What is colour management?" msgid "Color Management" msgstr "¿Qué es la gestión de colores?" #: ../../general_concepts/colors/color_managed_workflow.rst:12 #, fuzzy #| msgid "Icc profiles" msgid "ICC Profiles" msgstr "Perfiles Icc" #: ../../general_concepts/colors/color_managed_workflow.rst:12 msgid "OCIO" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:17 msgid "Color Managed Workflow" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:19 msgid "" "You may have heard that Krita has something called color-management. Or " "maybe you just wondered what all these 'color model' and 'color profile' " "things you can find in the menus mean. Color management is pretty useful for " "people who work in digital imaging professionally, and hopefully this page " "will explain why." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:22 msgid "Basic Info" msgstr "Información básica" #: ../../general_concepts/colors/color_managed_workflow.rst:24 msgid "" "If you've never worked with color management before, and have no clue what " "it is, then know that you've probably been working in the 8bit RGB color " "space with the sRGB profile. This means you can choose for *sRGB built-in* " "or *sRGB-elle-v2-srgbtrc.icc*. With the new color space browser this profile " "is marked with *(default)* when using 8bit." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:26 msgid "" "We'll go into what these terms mean in the theory, but if you're here only " "for trying to figure out which is the default, you now know it. Maybe, after " "reading this, you may feel like changing the default, to get new and " "interesting results from filters, blending modes, or just the color smudge " "brush." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:29 msgid "What is the problem?" msgstr "¿Cuál es el problema?" #: ../../general_concepts/colors/color_managed_workflow.rst:31 msgid "" "To explain the point of color management, you'd first need to learn which " "problem color management tries to solve." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:33 msgid "Let us imagine a kinder garden:" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:35 msgid "" "The class of 28 children is subdivided in groups of 7. Each group has its " "own table." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:37 msgid "" "The teacher gives them a painting assignment: They need to paint a red " "triangle, a blue square, a green circle and put a yellow border around the " "three. The kids are very experienced with painting already, so the teacher " "can confidently leave the smarter ones to their own devices, and spent more " "time on those who need help." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:40 msgid "The following results come from painting:" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:42 msgid "" "Even though all groups had the same assignment, each group's result looks " "different." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:49 msgid "" "Group 1 had vermillion red, citron yellow and ultramarine blue to their " "disposal. This means their triangle looks nice and red, but their circle's " "green is muddy. This is because ultramarine is too dark of a blue to create " "nice greens with." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:56 msgid "" "Group 2 had magenta red, citron yellow and cerulean blue. Magenta is a type " "of red that is closer to pink, opposed to vermillion, which is closer to " "orange. However, their green looks nice because cerulean is a much lighter " "blue." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:64 msgid "" "Group 3 had vermillion red, citron yellow, emerald green and cerulean blue. " "They didn't mix their green, and thus ended up with a purer color." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:71 msgid "" "Finally, group 4 has vermillion red, citron yellow and cerulean blue. Their " "colors probably look like what you imagined." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:73 msgid "" "Now, these are kindergarteners, so this isn't the largest problem in the " "world. However, imagine that something like this happened at a printing " "company? Imagine four printers printing the same magazine with wildly " "different results? That would be disastrous!" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:75 msgid "For this purpose, we invented color management." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:78 #, fuzzy #| msgid "What is colour management?" msgid "What is color management?" msgstr "¿Qué es la gestión de colores?" #: ../../general_concepts/colors/color_managed_workflow.rst:80 msgid "" "Color management is, dryly put, a set of systems that tries to have the same " "color translate properly between color devices." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:82 msgid "" "It usually works by attempting to covert a color to the reference color " "space XYZ. XYZ is a coordinate system that has a spot for all colors that " "the average human eye can see." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:84 msgid "" "From XYZ it can then be translated back into another device space, such as " "RGB (for screens), or CMYK (for printers)." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:86 msgid "" "Krita has two systems dedicated to color management. On the one hand, we " "have **lcms2**, which deal with ICC profiles, and on the other, we have " "**OCIO**, which deal with LUT color management." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:88 msgid "" "To give a crude estimate, ICC profiles deal with keeping colors consistent " "over many interpretations of devices (screens, printers) by using a " "reference space, and OCIO deals with manipulating the interpretation of said " "colors." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:90 msgid "Within both we can identify the following color spaces:" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:93 msgid "" "Device spaces are those describing your monitor, and have to be made using a " "little device that is called \"colorimeter\". This device, in combination " "with the right software, measures the strongest red, green and blue your " "screen can produce, as well as the white, black and gray it produces. Using " "these and several other measurements it creates an ICC profile unique to " "your screen. You set these in Krita's color management tab. By default we " "assume sRGB for screens, but it's very likely that your screen isn't exactly " "fitting sRGB, especially if you have a high quality screen, where it may be " "a bigger space instead. Device spaces are also why you should first consult " "with your printer what profile they expect. Many printing houses have their " "own device profiles for their printers, or may prefer doing color conversion " "themselves. You can read more about colorimeter usage :ref:`here " "`." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:94 msgid "Device spaces" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:96 msgid "Working spaces" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:97 msgid "" "These are delivered alongside Krita for ICC, and downloadable from the OCIO " "website for OCIO. Working spaces are particularly nice to do color " "calculations in, which programs like Krita do often. It's therefore " "recommended to have a working space profile for your image." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:99 msgid "Aesthetic or Look spaces" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:99 msgid "" "These are special spaces that have been deformed to give a certain look to " "an image. Krita doesn't deliver Look profiles for ICC, nor does it yet " "support Look spaces for OCIO." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:102 msgid "Color managed workflow" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:104 msgid "" "Knowing this about these spaces of course doesn't give you an idea of how to " "use them, but it does make it easier to explain how to use them. So let us " "look at a typical color management workflow:" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:110 msgid ".. image:: images/color_category/Krita-colormanaged-workflow_text.svg" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:110 msgid "" "A typical example of a color managed workflow. We have input from scanners " "and cameras, which we convert to a working space that can be used between " "different editing software, and is converted to an output space for viewing " "on screen or printing." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:112 msgid "" "In a traditional color managed workflow, we usually think in terms of real " "world colors being converted to computer colors and the other way around. " "So, for example photos from a camera or scanned in images. If you have a " "device space of such a device, we first assign said device space to the " "image, and then convert it to a working space." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:114 msgid "" "We then do all our editing in the working space, and use the working space " "to communicate between editing programs. In Krita's case, due to it having " "two color management systems, we use ICC profiles between programs like GIMP " "2.9+, Inkscape, digiKam and Scribus, and OCIO configuration between Blender " "and Natron." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:116 msgid "" "You also store your working files in the working space, just like how you " "have the layers unmerged in the working file, or have it at a very high " "resolution." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:118 msgid "" "Sometimes, we apply aesthetic or 'look' spaces to an image as part of the " "editing process. This is rather advanced, and probably not something to " "worry about in Krita's case." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:120 msgid "" "Then, when we're done editing, we try to convert to an output space, which " "is another device space. This can be CMYK for printers or a special screen " "RGB profile. When you are dealing with professional printing houses, it is " "best to ask them about this step. They have a lot of experience with doing " "the best conversion, and may prefer to do the conversion from your working " "space to the device space of their printers." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:122 msgid "" "Another form of output is the way your screen displays the color. Unlike " "regular output, this one is done all the time during editing: After all, you " "need to be able to see what you are doing, but your screen is still a device " "with a device space, so it does distort how the image looks. In this manner, " "you can see your screen as a set of binoculars you have to look through to " "see your image at all." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:124 msgid "" "Therefore, without a profiled monitor, you actually don't know what the " "actual colors you are working with are like, because the computer doesn't " "know the relevant properties of your screen. So if you profiled your " "monitor, give Krita the profile in the settings, and select the sRGB space " "to draw in, you are for the first time seeing the actual colors of the sRGB " "space." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:127 msgid "So what does this mean?" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:133 msgid "" ".. image:: images/color_category/Krita-colormanaged-workflow_krita_text.svg" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:133 msgid "" "When we paint from scratch, we can see our screen profile as the input " "space, because we use it to determine what colors to pick. This somewhat " "simplifies the workflow, but makes the screen profile and viewing conditions " "more important." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:135 msgid "" "Now, photographers and people who do a tricky discipline of VFX called " "'color grading' will go completely mad over trying to get the colors they " "put in to come out 100% correctly, and will even count in factors like the " "time of day and the color they painted their walls. For example, if the wall " "behind your computer is pure red, your eyes will adjust to be less sensitive " "to red, which means that the colors they pick in the program could come out " "redder. We call these the *viewing conditions*." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:137 msgid "" "Thankfully, artists have to worry a slight bit less about this. As " "illustrations are fully handmade, we are able to identify the important bits " "and make appropriate contrasts between colors. This means that even if our " "images turn out to be slightly redder than intended, it is less likely the " "whole image is ruined. If we look back at the kindergarten example above, we " "still understand what the image was supposed to look like, despite there " "being different colors on each image. Furthermore, because the colors in " "illustrations are deliberately picked, we can correct them more easily on a " "later date. Yet, at the same time, it is of course a big drag to do this, " "and we might have had much more flexibility had we taken viewing conditions " "under consideration." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:139 msgid "" "That said, for artists it is also very useful to understand the working " "spaces. Different working spaces give different results with filters and " "mixing, and only some working spaces can be used for advanced technology " "like HDR." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:141 msgid "" "Similarly, Krita, as a program intended to make images from scratch, doesn't " "really worry about assigning workspaces after having made the image. But " "because you are using the screen as a binocular to look at your image, and " "to pick colors, you can see your screen's device space as an input space to " "the image. Hence why profiling your monitor and giving the profile to Krita " "in the settings can help with preparing your work for print and future " "ventures in the long run." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:143 msgid "" "Overall, it is kinda useful to keep things like viewing conditions in the " "back of your mind. Many professional artists use a mid-gray color as their " "default canvas background because they find they create much more dynamic " "images due to having improved their viewing conditions. It is also why a lot " "of graphics programs, including Krita, come with a dark theme nowadays. " "(Though, of course this might also be because dark themes can be considered " "cool, who knows.)" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:148 #, fuzzy #| msgid "Icc profiles" msgid "ICC profiles" msgstr "Perfiles Icc" #: ../../general_concepts/colors/color_managed_workflow.rst:150 msgid "" "An ICC profile is a set of coordinates describing the extremities of the " "device space within XYZ, and it is the color management data you use to " "communicate your working space to printers and applications that are " "designed for the print industry, such as GIMP, Scribus, Photoshop, " "Illustrator, Inkscape, Digikam, RawTheraphee, etc. You have two types of ICC " "profiles:" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:153 msgid "" "These are delivered alongside Krita. Matrix shaper profiles are made by " "setting parameters and interpolating between these to get the exact size of " "the color space. Due to this, Krita's color space browser can give you a lot " "of information on these profiles. Such profiles are also preferable as " "working space." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:159 msgid "Matrix Shaper profiles." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:159 msgid "" "Matrix shaper profiles have a few parameters that describe the color space " "which are then interpolated between, this requires a lot of maths." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:162 msgid "" "These are fairly rare, and primarily used to describe printer profiles, such " "as CMYK. cLUT, or Color Look-up Table profiles store far more data than " "Matrix shaper profiles, so they can hold data of little particularities " "caused by, for example, unexpected results from mixing pigments. This is a " "far more organic approach to describing a color space, hence why a lot of " "programs that don't care for color management much don't support these." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:168 msgid "" "cLUT profiles work by holding tables of each color in a color space and " "their respective coordinates in a reference space. For CMYK this is " "typically L\\*A\\*B\\* and for the rest XYZ. These tables are tricky to " "make, which means these profiles are a lot rarer." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:169 msgid "cLUT profiles" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:171 msgid "" "The interesting thing about ICC profiles is that your working space can be " "larger than your device space. This is generally not bad. However, when " "converting, you do end up with the question of how to translate the working " "space values." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:174 msgid "Perceptual" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:174 msgid "" "This just squishes the values of the working space into the space it's " "converted to. It's a nice method to see all possible values in this, but not " "so good if you want accurate color reproduction. Use this if you want to see " "all colors in an image, or want to express all possible contrasts. Doesn't " "work with Matrix Shaper profiles, defaults to relative colorimetric." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:177 msgid "Absolute Colorimetric." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:177 msgid "" "The opposite to Perceptual, Absolute colorimetric will attempt to retain all " "the correct colors at whatever cost, which may result in awful looking " "colors. Recommended only for reproduction work. Doesn't work with Matrix " "Shaper profiles in Krita due to ICC v4 workflow standards." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:180 msgid "Relative Colorimetric" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:180 msgid "" "An in between solution between perceptual and absolute, relative will try to " "fit whatever colors it can match between color spaces. It does this by " "aligning the white and black points. It cuts off the rest to their " "respective borders. This is what all matrix shaper profiles default to " "during conversion, because the ICC v4 workflow specifies to only use " "Relative Colorimetric for matrix shaper profiles." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:183 msgid "Saturation" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:183 msgid "" "Does anything to retain colorfulness, even hue will be sacrificed. Used in " "infographics. Doesn't work with Matrix Shaper profiles, defaults to relative " "colorimetric." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:185 msgid "" "*ICC profile version* is the last thing to keep in mind when dealing with " "ICC profiles. Krita delivers both Version 2 and Version 4 profiles, with the " "later giving better results in doing color maths, but the former being more " "widely supported (as seen below in 'Interaction with other applications'). " "This is also why Krita defaults to V2, and we recommend using V2 when you " "aren't certain if the other programs you are using support V4." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:188 msgid "LUT docker and HDR imaging" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:196 msgid "" "The :ref:`lut_docker` is the second important bit of color management in " "Krita that is shared between Krita and programs like Blender, Natron and " "Nuke, and only uses Look Up Tables that are configured via a config file." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:198 msgid "" "You can set the workingspace of the image under input color space, and the " "display to sRGB or your own LUT if you have added it to the configuration. " "View in this case is for proofing transforms to a certain display device." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:200 msgid "" "Component, exposure, gamma, whitepoint and blackpoint are knobs which allows " "you to modify the display filter." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:208 msgid "" "As explained before, we can see our monitor as a telescope or binocular into " "the world of our picture. Which means it distorts our view of the image a " "little. But we can modify this binocular, or display filter to see our image " "in a different way. For example, to allow us to see the white in an image " "that are whiter than the white of our screen. To explain what that means, we " "need to think about what white is." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:210 msgid "" "For example, white, on our monitor is full red, full green and full blue. " "But it's certainly different from white on our paper, or the color of milk, " "white from the sun, or even the white of our cell-phone displays." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:212 msgid "" "Black similarly, is brighter on a LCD display than a LED one, and " "incomparable with the black of a carefully sealed room." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:214 msgid "" "This means that there's potentially blacker blacks than screen black, and " "white whites than screen white. However, for simplicity's sake we still " "assign the black-point and the white-point to certain values. From there, we " "can determine whether a white is whiter than the white point, or a black " "blacker than the black-point." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:216 msgid "" "The LUT docker allows us to control this display-filter and modify the " "distortion. This is useful when we start modifying images that are made with " "scene referred values, such as HDR photos, or images coming out of a render " "engine." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:224 msgid "" "So, for example, we can choose to scale whiter-than-screen-white to our " "screen-white so we can see the contrasts there." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:226 msgid "" "The point of this is that you can take advantage of more lightness detail in " "an image. While you can't see the difference between screen white and whiter-" "than-screen-white (because your screen can't show the difference), graphics " "programs can certainly use it." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:228 msgid "" "A common example is matching the lighting between a 3d model and a real " "world scene. Others are advanced photo retouching, with much more contrast " "information available to the user. In painting itself, this allows you to " "create an image where you can be flippant with the contrast, and allow " "yourself to go as bright as you'd like." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:230 msgid "" "LUT docker manipulations are per view, so you can create a new view and set " "it to luminosity. This way you can see the image in both color as well as " "grayscale and keep a good eye on your values." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:232 msgid "" "Another example is to carefully watch the gradients in a certain section." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:234 msgid "" "Like ICC, the LUT Docker allows you to create a profile of sorts for your " "device. In this case it's the 'lut', which stands for 'Look Up Table', and " "which can be added to OCIO by modifying the configuration file. When OCIO is " "turned on, the configuration in :menuselection:`Settings --> Configure Krita " "--> Color Management` is turned off, unless you are using the :guilabel:" "`Internal` color engine." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:237 msgid "In summary" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:239 #, fuzzy #| msgid "What is colour management?" msgid "Krita has two modes of color management:" msgstr "¿Qué es la gestión de colores?" #: ../../general_concepts/colors/color_managed_workflow.rst:241 msgid "" "ICC works in terms of spaces relative to the CIEXYZ space, and requires an " "ICC profile." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:242 msgid "OCIO works in terms of interpretation, and makes use of luts." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:243 msgid "both can be made with a colorimeter." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:244 msgid "" "If you want to have a properly color managed workflow, you have one made " "customary for the input device (your screen) and the output devices (your " "printer, or target screen). For web the output is always sRGB." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:245 msgid "" "Set up your screen profiles under :menuselection:`Settings --> Configure " "Krita --> Color management`." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:246 msgid "" "Do NOT use screen profiles or other device profiles to draw in. Use a " "working space profile such as any of the elle profiles for this, as the " "color maths will be much more predictable and pleasant. Krita will convert " "between your screen and working space on the fly, allowing you to pick the " "correct colors. This turns your screen into binoculars to view the image." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:247 msgid "" "Use the appropriate color management for the appropriate workflow. If you " "are working with Blender, you will be better off using OCIO, than ICC. If " "you are working with Scribus or Photoshop, use ICC." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:249 msgid "" "Krita does a lot of color maths, often concerning the blending of colors. " "This color maths works best in linear color space, and linear color space " "requires a bit depth of at the least 16bit to work correctly. The " "disadvantage is that linear space can be confusing to work in." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:251 msgid "" "If you like painting, have a decent amount of RAM, and are looking to start " "your baby-steps in taking advantage of Krita's color management, try " "upgrading from having all your images in sRGB built-in to sRGB-v2-elle-g10." "icc or rec2020-v2-elle-g10.icc at 16bit float. This'll give you better color " "blending while opening up the possibility for you to start working in hdr!" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:256 msgid "" "Some graphics cards, such as those of the NVidia-brand actually have the " "best performance under 16bit float, because NVidia cards convert to floating " "point internally. When it does not need to do that, it speeds up!" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:260 msgid "" "No amount of color management in the world can make the image on your screen " "and the image out of the printer have 100% the same color." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:263 msgid "Exporting" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:265 msgid "" "When you have finished your image and are ready to export it, you can modify " "the color space to optimize it:" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:267 msgid "If you are preparing an image for the web:" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:269 msgid "" "If you use 16bit color depth or higher, convert the image to 8bit color " "depth. This will make the image much smaller." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:271 msgid "" "Krita doesn't have built-in dithering currently, which means that 16 to " "18bit conversions can come out a bit banded. But you can simulate it by " "adding a fill layer with a pattern, set this fill layer to overlay, and to " "5% opacity. Then flatten the whole image and convert it to 8bit. The pattern " "will function as dithering giving a smoother look to gradients." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:273 msgid "If it's a gray-scale image, convert it to gray-scale." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:274 msgid "" "If it's a color image, keep it in the working space profile: Many web " "browsers these days support color profiles embedded into images. Firefox, " "for example, will try to convert your image to fit the color profile of the " "other monitor (if they have one). That way, the image will look almost " "exactly the same on your screen and on other profiled monitors." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:279 msgid "" "In some versions of Firefox, the colors actually look strange: This is a bug " "in Firefox, which is because its `color management system is incomplete " "`_, save your png, jpg or tiff without an embedded profile to work " "around this." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:281 msgid "If you are preparing for print:" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:283 msgid "" "You hopefully made the picture in a working space profile instead of the " "actual custom profile of your screen, if not, convert it to something like " "adobe rgb, sRGB or rec2020." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:284 msgid "" "Check with the printer what kind of image they expect. Maybe they expect " "sRGB color space, or perhaps they have their own profile." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:287 msgid "Interaction with other applications" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:290 msgid "Blender" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:292 msgid "" "If you wish to use krita's OCIO functionality, and in particular in " "combination with Blender's color management, you can try to have it use " "Blender's OCIO config." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:294 msgid "" "Blender's OCIO config is under ``/version number/datafiles/" "colormanagement``. Set the LUT docker to use the OCIO engine, and select the " "config from the above path. This will give you blender's input and screen " "spaces, but not the looks, as those aren't supported in Krita yet." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:298 msgid "Windows Photo Viewer" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:300 msgid "" "You might encounter some issues when using different applications together. " "One important thing to note is that the standard Windows Photo Viewer " "application does not handle modern ICC profiles. Krita uses version 4 " "profiles; Photo Viewer can only handle version 2 profiles. If you export to " "JPEG with an embedded profile, Photo Viewer will display your image much too " "dark." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:303 msgid "Example workflows" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:305 msgid "" "Here are some example workflows to get a feeling of how your color " "management workflow may look like." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:307 msgid "" "As mentioned before, input for your screen is set via :menuselection:" "`Settings --> Configure Krita --> Color management`, or via the LUT docker's " "'screen space'. Working space is set via new file per document, or in the " "LUT docker via 'input space'." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:310 msgid "Webcomic" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:317 #: ../../general_concepts/colors/color_managed_workflow.rst:339 #: ../../general_concepts/colors/color_managed_workflow.rst:357 msgid "Input" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:318 #: ../../general_concepts/colors/color_managed_workflow.rst:340 #: ../../general_concepts/colors/color_managed_workflow.rst:358 msgid "Your screen profile. (You pick colors via your screen)" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:319 #: ../../general_concepts/colors/color_managed_workflow.rst:341 #: ../../general_concepts/colors/color_managed_workflow.rst:359 msgid "Workingspace" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:320 msgid "" "sRGB (the default screen profile) or any larger profile if you can spare the " "bit depth and like working in them." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:322 #: ../../general_concepts/colors/color_managed_workflow.rst:344 #: ../../general_concepts/colors/color_managed_workflow.rst:362 msgid "Output" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:322 msgid "" "sRGB, ICC version 2, sRGB TRC for the internet, and a specialized CMYK " "profile from the printing house for the printed images." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:324 msgid "" "Use the sRGB-elle-V2-srgbtrc.icc for going between Inkscape, Photoshop, " "Painttool Sai, Illustrator, GIMP, Manga Studio, Paintstorm Studio, MyPaint, " "Artrage, Scribus, etc. and Krita." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:326 msgid "" "If you are using a larger space via ICC, you will only be able to " "interchange it between Krita, Photoshop, Illustrator, GIMP 2.9, Manga Studio " "and Scribus. All others assume sRGB for your space, no matter what, because " "they don't have color management." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:328 msgid "" "If you are going between Krita and Blender, Nuke or Natron, use OCIO and set " "the input space to 'sRGB', but make sure to select the sRGB profile for ICC " "when creating a new file." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:330 msgid "" "For the final for the web, convert the image to sRGB 8bit, srgbtrc, do not " "embed the ICC profile. Then, if using png, put it through something like " "pngcrush or other png optimizers. sRGB in this case is chosen because you " "can assume the vast majority of your audience hasn't profiled their screen, " "nor do they have screens that are advanced enough for the wide gamut stuff. " "So hence why we convert to the screen default for the internet, sRGB." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:333 msgid "Print" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:342 msgid "sRGB or rec2020 if you can afford the bit-depth being 16bit." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:344 msgid "" "Specialized CMYK profile from the printing house for the printed images." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:346 msgid "" "The CMYK profiles are different per printer, and even per paper or ink-type " "so don't be presumptuous and ask ahead for them, instead of doing something " "like trying to paint in any random CMYK profile. As mentioned in the viewing " "conditions section, you want to keep your options open." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:348 msgid "" "You can set the advanced color selector to transform to a given profile via :" "menuselection:`Settings --> Configure Krita --> Color Selector Settings`. " "There, tick :guilabel:`Color Selector Uses Different Color Space than Image` " "and select the CMYK profile you are aiming for. This will limit your colors " "a little bit, but keep all the nice filter and blending options from RGB." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:351 msgid "Games" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:360 msgid "sRGB or grayscale linear for roughness and specular maps." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:362 msgid "" "This one is tricky, but in the end it'll be sRGB for the regular player." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:364 msgid "" "So this one is tricky. You can use OCIO and ICC between programs, but " "recommended is to have your images to the engine in sRGB or grayscale. Many " "physically based renderers these days allow you to set whether an image " "should be read as a linear or srgbtrc image, and this is even vital to have " "the images being considered properly in the physically based calculations of " "the game renderer." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:366 msgid "" "While game engines need to have optimized content, and it's recommended to " "stay within 8bit, future screens may have higher bit depths, and when " "renderers will start supporting those, it may be beneficial to develop a " "workflow where the working-space files are rather unnecessarily big and you " "run some scripts to optimize them for your current render needs, making " "updating the game in the future for fancier screens less of a drag." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:368 msgid "" "Normal maps and heightmaps are officially supposed to be defined with a 'non-" "color data' working space, but you'll find that most engines will not care " "much for this. Instead, tell the game engine not to do any conversion on the " "file when importing." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:370 msgid "" "Specular, glossiness, metalness and roughness maps are all based on linear " "calculations, and when you find that certain material has a metalness of " "0.3, this is 30% gray in a linear space. Therefore, make sure to tell the " "game engine renderer that this is a linear space image (or at the very " "least, should NOT be converted)." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:374 msgid "" "`Visualizing the XYZ color space `_" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:375 msgid "" "`Basics of gamma correction `_" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:376 msgid "" "`Panda3d example of how an image that has gamma encoded without the 3d " "renderer being notified of it having gamma-encoding can result in too dark " "images `_" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:377 msgid "" "`2d examples of the effect of gamma-encoding on color maths `_" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:378 msgid "" "`Basic overview of color management from argylcms manual `_" msgstr "" diff --git a/locale/fr/LC_MESSAGES/general_concepts/colors/color_managed_workflow.po b/locale/fr/LC_MESSAGES/general_concepts/colors/color_managed_workflow.po index a2952e57b..dd9841853 100644 --- a/locale/fr/LC_MESSAGES/general_concepts/colors/color_managed_workflow.po +++ b/locale/fr/LC_MESSAGES/general_concepts/colors/color_managed_workflow.po @@ -1,1068 +1,1068 @@ msgid "" msgstr "" "Project-Id-Version: Krita Manual 4.1\n" "Report-Msgid-Bugs-To: \n" -"POT-Creation-Date: 2019-06-17 03:13+0200\n" +"POT-Creation-Date: 2019-06-23 13:49+0200\n" "PO-Revision-Date: 2019-02-27 00:50+0100\n" "Last-Translator: KDE Francophone \n" "Language-Team: KDE Francophone \n" "Language: fr\n" "MIME-Version: 1.0\n" "Content-Type: text/plain; charset=UTF-8\n" "Content-Transfer-Encoding: 8bit\n" "Plural-Forms: nplurals=2; plural=(n > 1);\n" "X-Generator: Lokalize 1.5\n" "X-Accelerator-Marker: &\n" "X-Text-Markup: kde4\n" "X-Environment: kde\n" "X-Language: fr_FR\n" "X-Qt-Contexts: true\n" "Generated-By: Babel 0.9.6\n" "X-Source-Language: C\n" -#: ../../general_concepts/colors/color_managed_workflow.rst:0 -msgid ".. image:: images/color_category/Kiki_matrix_profile.png" -msgstr "" - -#: ../../general_concepts/colors/color_managed_workflow.rst:0 -msgid ".. image:: images/color_category/Kiki_cLUTprofiles.png" -msgstr "" - #: ../../general_concepts/colors/color_managed_workflow.rst:None msgid ".. image:: images/color_category/Krita_2_9_colormanagement_group1.png" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:None msgid ".. image:: images/color_category/Krita_2_9_colormanagement_group2.png" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:None msgid ".. image:: images/color_category/Krita_2_9_colormanagement_group3.png" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:None msgid ".. image:: images/color_category/Krita_2_9_colormanagement_group4.png" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:None msgid ".. image:: images/dockers/LUT_Management_Docker.png" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:None msgid ".. image:: images/color_category/Krita_HDR_1.svg" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:None msgid ".. image:: images/color_category/Krita_HDR2.svg" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:None msgid "" ".. image:: images/color_category/Krita-colormanaged-workflow_webcomic.svg" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:None msgid ".. image:: images/color_category/Krita-colormanaged-workflow_print.svg" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:None msgid ".. image:: images/color_category/Krita-colormanaged-workflow_games.svg" msgstr "" +#: ../../general_concepts/colors/color_managed_workflow.rst:0 +msgid ".. image:: images/color_category/Kiki_matrix_profile.png" +msgstr "" + +#: ../../general_concepts/colors/color_managed_workflow.rst:0 +msgid ".. image:: images/color_category/Kiki_cLUTprofiles.png" +msgstr "" + #: ../../general_concepts/colors/color_managed_workflow.rst:1 msgid "How a color managed workflow works." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:12 msgid "Color" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:12 msgid "Color Management" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:12 msgid "ICC Profiles" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:12 msgid "OCIO" msgstr "OCIO" #: ../../general_concepts/colors/color_managed_workflow.rst:17 msgid "Color Managed Workflow" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:19 msgid "" "You may have heard that Krita has something called color-management. Or " "maybe you just wondered what all these 'color model' and 'color profile' " "things you can find in the menus mean. Color management is pretty useful for " "people who work in digital imaging professionally, and hopefully this page " "will explain why." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:22 msgid "Basic Info" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:24 msgid "" "If you've never worked with color management before, and have no clue what " "it is, then know that you've probably been working in the 8bit RGB color " "space with the sRGB profile. This means you can choose for *sRGB built-in* " "or *sRGB-elle-v2-srgbtrc.icc*. With the new color space browser this profile " "is marked with *(default)* when using 8bit." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:26 msgid "" "We'll go into what these terms mean in the theory, but if you're here only " "for trying to figure out which is the default, you now know it. Maybe, after " "reading this, you may feel like changing the default, to get new and " "interesting results from filters, blending modes, or just the color smudge " "brush." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:29 msgid "What is the problem?" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:31 msgid "" "To explain the point of color management, you'd first need to learn which " "problem color management tries to solve." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:33 msgid "Let us imagine a kinder garden:" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:35 msgid "" "The class of 28 children is subdivided in groups of 7. Each group has its " "own table." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:37 msgid "" "The teacher gives them a painting assignment: They need to paint a red " "triangle, a blue square, a green circle and put a yellow border around the " "three. The kids are very experienced with painting already, so the teacher " "can confidently leave the smarter ones to their own devices, and spent more " "time on those who need help." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:40 msgid "The following results come from painting:" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:42 msgid "" "Even though all groups had the same assignment, each group's result looks " "different." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:49 msgid "" "Group 1 had vermillion red, citron yellow and ultramarine blue to their " "disposal. This means their triangle looks nice and red, but their circle's " "green is muddy. This is because ultramarine is too dark of a blue to create " "nice greens with." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:56 msgid "" "Group 2 had magenta red, citron yellow and cerulean blue. Magenta is a type " "of red that is closer to pink, opposed to vermillion, which is closer to " "orange. However, their green looks nice because cerulean is a much lighter " "blue." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:64 msgid "" "Group 3 had vermillion red, citron yellow, emerald green and cerulean blue. " "They didn't mix their green, and thus ended up with a purer color." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:71 msgid "" "Finally, group 4 has vermillion red, citron yellow and cerulean blue. Their " "colors probably look like what you imagined." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:73 msgid "" "Now, these are kindergarteners, so this isn't the largest problem in the " "world. However, imagine that something like this happened at a printing " "company? Imagine four printers printing the same magazine with wildly " "different results? That would be disastrous!" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:75 msgid "For this purpose, we invented color management." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:78 msgid "What is color management?" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:80 msgid "" "Color management is, dryly put, a set of systems that tries to have the same " "color translate properly between color devices." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:82 msgid "" "It usually works by attempting to covert a color to the reference color " "space XYZ. XYZ is a coordinate system that has a spot for all colors that " "the average human eye can see." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:84 msgid "" "From XYZ it can then be translated back into another device space, such as " "RGB (for screens), or CMYK (for printers)." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:86 msgid "" "Krita has two systems dedicated to color management. On the one hand, we " "have **lcms2**, which deal with ICC profiles, and on the other, we have " "**OCIO**, which deal with LUT color management." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:88 msgid "" "To give a crude estimate, ICC profiles deal with keeping colors consistent " "over many interpretations of devices (screens, printers) by using a " "reference space, and OCIO deals with manipulating the interpretation of said " "colors." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:90 msgid "Within both we can identify the following color spaces:" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:93 msgid "" "Device spaces are those describing your monitor, and have to be made using a " "little device that is called \"colorimeter\". This device, in combination " "with the right software, measures the strongest red, green and blue your " "screen can produce, as well as the white, black and gray it produces. Using " "these and several other measurements it creates an ICC profile unique to " "your screen. You set these in Krita's color management tab. By default we " "assume sRGB for screens, but it's very likely that your screen isn't exactly " "fitting sRGB, especially if you have a high quality screen, where it may be " "a bigger space instead. Device spaces are also why you should first consult " "with your printer what profile they expect. Many printing houses have their " "own device profiles for their printers, or may prefer doing color conversion " "themselves. You can read more about colorimeter usage :ref:`here " "`." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:94 msgid "Device spaces" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:96 msgid "Working spaces" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:97 msgid "" "These are delivered alongside Krita for ICC, and downloadable from the OCIO " "website for OCIO. Working spaces are particularly nice to do color " "calculations in, which programs like Krita do often. It's therefore " "recommended to have a working space profile for your image." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:99 msgid "Aesthetic or Look spaces" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:99 msgid "" "These are special spaces that have been deformed to give a certain look to " "an image. Krita doesn't deliver Look profiles for ICC, nor does it yet " "support Look spaces for OCIO." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:102 msgid "Color managed workflow" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:104 msgid "" "Knowing this about these spaces of course doesn't give you an idea of how to " "use them, but it does make it easier to explain how to use them. So let us " "look at a typical color management workflow:" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:110 msgid ".. image:: images/color_category/Krita-colormanaged-workflow_text.svg" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:110 msgid "" "A typical example of a color managed workflow. We have input from scanners " "and cameras, which we convert to a working space that can be used between " "different editing software, and is converted to an output space for viewing " "on screen or printing." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:112 msgid "" "In a traditional color managed workflow, we usually think in terms of real " "world colors being converted to computer colors and the other way around. " "So, for example photos from a camera or scanned in images. If you have a " "device space of such a device, we first assign said device space to the " "image, and then convert it to a working space." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:114 msgid "" "We then do all our editing in the working space, and use the working space " "to communicate between editing programs. In Krita's case, due to it having " "two color management systems, we use ICC profiles between programs like GIMP " "2.9+, Inkscape, digiKam and Scribus, and OCIO configuration between Blender " "and Natron." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:116 msgid "" "You also store your working files in the working space, just like how you " "have the layers unmerged in the working file, or have it at a very high " "resolution." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:118 msgid "" "Sometimes, we apply aesthetic or 'look' spaces to an image as part of the " "editing process. This is rather advanced, and probably not something to " "worry about in Krita's case." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:120 msgid "" "Then, when we're done editing, we try to convert to an output space, which " "is another device space. This can be CMYK for printers or a special screen " "RGB profile. When you are dealing with professional printing houses, it is " "best to ask them about this step. They have a lot of experience with doing " "the best conversion, and may prefer to do the conversion from your working " "space to the device space of their printers." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:122 msgid "" "Another form of output is the way your screen displays the color. Unlike " "regular output, this one is done all the time during editing: After all, you " "need to be able to see what you are doing, but your screen is still a device " "with a device space, so it does distort how the image looks. In this manner, " "you can see your screen as a set of binoculars you have to look through to " "see your image at all." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:124 msgid "" "Therefore, without a profiled monitor, you actually don't know what the " "actual colors you are working with are like, because the computer doesn't " "know the relevant properties of your screen. So if you profiled your " "monitor, give Krita the profile in the settings, and select the sRGB space " "to draw in, you are for the first time seeing the actual colors of the sRGB " "space." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:127 msgid "So what does this mean?" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:133 msgid "" ".. image:: images/color_category/Krita-colormanaged-workflow_krita_text.svg" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:133 msgid "" "When we paint from scratch, we can see our screen profile as the input " "space, because we use it to determine what colors to pick. This somewhat " "simplifies the workflow, but makes the screen profile and viewing conditions " "more important." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:135 msgid "" "Now, photographers and people who do a tricky discipline of VFX called " "'color grading' will go completely mad over trying to get the colors they " "put in to come out 100% correctly, and will even count in factors like the " "time of day and the color they painted their walls. For example, if the wall " "behind your computer is pure red, your eyes will adjust to be less sensitive " "to red, which means that the colors they pick in the program could come out " "redder. We call these the *viewing conditions*." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:137 msgid "" "Thankfully, artists have to worry a slight bit less about this. As " "illustrations are fully handmade, we are able to identify the important bits " "and make appropriate contrasts between colors. This means that even if our " "images turn out to be slightly redder than intended, it is less likely the " "whole image is ruined. If we look back at the kindergarten example above, we " "still understand what the image was supposed to look like, despite there " "being different colors on each image. Furthermore, because the colors in " "illustrations are deliberately picked, we can correct them more easily on a " "later date. Yet, at the same time, it is of course a big drag to do this, " "and we might have had much more flexibility had we taken viewing conditions " "under consideration." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:139 msgid "" "That said, for artists it is also very useful to understand the working " "spaces. Different working spaces give different results with filters and " "mixing, and only some working spaces can be used for advanced technology " "like HDR." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:141 msgid "" "Similarly, Krita, as a program intended to make images from scratch, doesn't " "really worry about assigning workspaces after having made the image. But " "because you are using the screen as a binocular to look at your image, and " "to pick colors, you can see your screen's device space as an input space to " "the image. Hence why profiling your monitor and giving the profile to Krita " "in the settings can help with preparing your work for print and future " "ventures in the long run." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:143 msgid "" "Overall, it is kinda useful to keep things like viewing conditions in the " "back of your mind. Many professional artists use a mid-gray color as their " "default canvas background because they find they create much more dynamic " "images due to having improved their viewing conditions. It is also why a lot " "of graphics programs, including Krita, come with a dark theme nowadays. " "(Though, of course this might also be because dark themes can be considered " "cool, who knows.)" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:148 msgid "ICC profiles" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:150 msgid "" "An ICC profile is a set of coordinates describing the extremities of the " "device space within XYZ, and it is the color management data you use to " "communicate your working space to printers and applications that are " "designed for the print industry, such as GIMP, Scribus, Photoshop, " "Illustrator, Inkscape, Digikam, RawTheraphee, etc. You have two types of ICC " "profiles:" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:153 msgid "" "These are delivered alongside Krita. Matrix shaper profiles are made by " "setting parameters and interpolating between these to get the exact size of " "the color space. Due to this, Krita's color space browser can give you a lot " "of information on these profiles. Such profiles are also preferable as " "working space." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:159 msgid "Matrix Shaper profiles." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:159 msgid "" "Matrix shaper profiles have a few parameters that describe the color space " "which are then interpolated between, this requires a lot of maths." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:162 msgid "" "These are fairly rare, and primarily used to describe printer profiles, such " "as CMYK. cLUT, or Color Look-up Table profiles store far more data than " "Matrix shaper profiles, so they can hold data of little particularities " "caused by, for example, unexpected results from mixing pigments. This is a " "far more organic approach to describing a color space, hence why a lot of " "programs that don't care for color management much don't support these." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:168 msgid "" "cLUT profiles work by holding tables of each color in a color space and " "their respective coordinates in a reference space. For CMYK this is " "typically L\\*A\\*B\\* and for the rest XYZ. These tables are tricky to " "make, which means these profiles are a lot rarer." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:169 msgid "cLUT profiles" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:171 msgid "" "The interesting thing about ICC profiles is that your working space can be " "larger than your device space. This is generally not bad. However, when " "converting, you do end up with the question of how to translate the working " "space values." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:174 msgid "Perceptual" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:174 msgid "" "This just squishes the values of the working space into the space it's " "converted to. It's a nice method to see all possible values in this, but not " "so good if you want accurate color reproduction. Use this if you want to see " "all colors in an image, or want to express all possible contrasts. Doesn't " "work with Matrix Shaper profiles, defaults to relative colorimetric." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:177 msgid "Absolute Colorimetric." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:177 msgid "" "The opposite to Perceptual, Absolute colorimetric will attempt to retain all " "the correct colors at whatever cost, which may result in awful looking " "colors. Recommended only for reproduction work. Doesn't work with Matrix " "Shaper profiles in Krita due to ICC v4 workflow standards." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:180 msgid "Relative Colorimetric" msgstr "Colorimétrie relative" #: ../../general_concepts/colors/color_managed_workflow.rst:180 msgid "" "An in between solution between perceptual and absolute, relative will try to " "fit whatever colors it can match between color spaces. It does this by " "aligning the white and black points. It cuts off the rest to their " "respective borders. This is what all matrix shaper profiles default to " "during conversion, because the ICC v4 workflow specifies to only use " "Relative Colorimetric for matrix shaper profiles." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:183 msgid "Saturation" msgstr "Saturation" #: ../../general_concepts/colors/color_managed_workflow.rst:183 msgid "" "Does anything to retain colorfulness, even hue will be sacrificed. Used in " "infographics. Doesn't work with Matrix Shaper profiles, defaults to relative " "colorimetric." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:185 msgid "" "*ICC profile version* is the last thing to keep in mind when dealing with " "ICC profiles. Krita delivers both Version 2 and Version 4 profiles, with the " "later giving better results in doing color maths, but the former being more " "widely supported (as seen below in 'Interaction with other applications'). " "This is also why Krita defaults to V2, and we recommend using V2 when you " "aren't certain if the other programs you are using support V4." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:188 msgid "LUT docker and HDR imaging" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:196 msgid "" "The :ref:`lut_docker` is the second important bit of color management in " "Krita that is shared between Krita and programs like Blender, Natron and " "Nuke, and only uses Look Up Tables that are configured via a config file." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:198 msgid "" "You can set the workingspace of the image under input color space, and the " "display to sRGB or your own LUT if you have added it to the configuration. " "View in this case is for proofing transforms to a certain display device." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:200 msgid "" "Component, exposure, gamma, whitepoint and blackpoint are knobs which allows " "you to modify the display filter." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:208 msgid "" "As explained before, we can see our monitor as a telescope or binocular into " "the world of our picture. Which means it distorts our view of the image a " "little. But we can modify this binocular, or display filter to see our image " "in a different way. For example, to allow us to see the white in an image " "that are whiter than the white of our screen. To explain what that means, we " "need to think about what white is." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:210 msgid "" "For example, white, on our monitor is full red, full green and full blue. " "But it's certainly different from white on our paper, or the color of milk, " "white from the sun, or even the white of our cell-phone displays." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:212 msgid "" "Black similarly, is brighter on a LCD display than a LED one, and " "incomparable with the black of a carefully sealed room." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:214 msgid "" "This means that there's potentially blacker blacks than screen black, and " "white whites than screen white. However, for simplicity's sake we still " "assign the black-point and the white-point to certain values. From there, we " "can determine whether a white is whiter than the white point, or a black " "blacker than the black-point." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:216 msgid "" "The LUT docker allows us to control this display-filter and modify the " "distortion. This is useful when we start modifying images that are made with " "scene referred values, such as HDR photos, or images coming out of a render " "engine." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:224 msgid "" "So, for example, we can choose to scale whiter-than-screen-white to our " "screen-white so we can see the contrasts there." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:226 msgid "" "The point of this is that you can take advantage of more lightness detail in " "an image. While you can't see the difference between screen white and whiter-" "than-screen-white (because your screen can't show the difference), graphics " "programs can certainly use it." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:228 msgid "" "A common example is matching the lighting between a 3d model and a real " "world scene. Others are advanced photo retouching, with much more contrast " "information available to the user. In painting itself, this allows you to " "create an image where you can be flippant with the contrast, and allow " "yourself to go as bright as you'd like." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:230 msgid "" "LUT docker manipulations are per view, so you can create a new view and set " "it to luminosity. This way you can see the image in both color as well as " "grayscale and keep a good eye on your values." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:232 msgid "" "Another example is to carefully watch the gradients in a certain section." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:234 msgid "" "Like ICC, the LUT Docker allows you to create a profile of sorts for your " "device. In this case it's the 'lut', which stands for 'Look Up Table', and " "which can be added to OCIO by modifying the configuration file. When OCIO is " "turned on, the configuration in :menuselection:`Settings --> Configure Krita " "--> Color Management` is turned off, unless you are using the :guilabel:" "`Internal` color engine." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:237 msgid "In summary" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:239 msgid "Krita has two modes of color management:" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:241 msgid "" "ICC works in terms of spaces relative to the CIEXYZ space, and requires an " "ICC profile." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:242 msgid "OCIO works in terms of interpretation, and makes use of luts." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:243 msgid "both can be made with a colorimeter." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:244 msgid "" "If you want to have a properly color managed workflow, you have one made " "customary for the input device (your screen) and the output devices (your " "printer, or target screen). For web the output is always sRGB." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:245 msgid "" "Set up your screen profiles under :menuselection:`Settings --> Configure " "Krita --> Color management`." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:246 msgid "" "Do NOT use screen profiles or other device profiles to draw in. Use a " "working space profile such as any of the elle profiles for this, as the " "color maths will be much more predictable and pleasant. Krita will convert " "between your screen and working space on the fly, allowing you to pick the " "correct colors. This turns your screen into binoculars to view the image." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:247 msgid "" "Use the appropriate color management for the appropriate workflow. If you " "are working with Blender, you will be better off using OCIO, than ICC. If " "you are working with Scribus or Photoshop, use ICC." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:249 msgid "" "Krita does a lot of color maths, often concerning the blending of colors. " "This color maths works best in linear color space, and linear color space " "requires a bit depth of at the least 16bit to work correctly. The " "disadvantage is that linear space can be confusing to work in." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:251 msgid "" "If you like painting, have a decent amount of RAM, and are looking to start " "your baby-steps in taking advantage of Krita's color management, try " "upgrading from having all your images in sRGB built-in to sRGB-v2-elle-g10." "icc or rec2020-v2-elle-g10.icc at 16bit float. This'll give you better color " "blending while opening up the possibility for you to start working in hdr!" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:256 msgid "" "Some graphics cards, such as those of the NVidia-brand actually have the " "best performance under 16bit float, because NVidia cards convert to floating " "point internally. When it does not need to do that, it speeds up!" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:260 msgid "" "No amount of color management in the world can make the image on your screen " "and the image out of the printer have 100% the same color." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:263 msgid "Exporting" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:265 msgid "" "When you have finished your image and are ready to export it, you can modify " "the color space to optimize it:" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:267 msgid "If you are preparing an image for the web:" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:269 msgid "" "If you use 16bit color depth or higher, convert the image to 8bit color " "depth. This will make the image much smaller." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:271 msgid "" "Krita doesn't have built-in dithering currently, which means that 16 to " "18bit conversions can come out a bit banded. But you can simulate it by " "adding a fill layer with a pattern, set this fill layer to overlay, and to " "5% opacity. Then flatten the whole image and convert it to 8bit. The pattern " "will function as dithering giving a smoother look to gradients." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:273 msgid "If it's a gray-scale image, convert it to gray-scale." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:274 msgid "" "If it's a color image, keep it in the working space profile: Many web " "browsers these days support color profiles embedded into images. Firefox, " "for example, will try to convert your image to fit the color profile of the " "other monitor (if they have one). That way, the image will look almost " "exactly the same on your screen and on other profiled monitors." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:279 msgid "" "In some versions of Firefox, the colors actually look strange: This is a bug " "in Firefox, which is because its `color management system is incomplete " "`_, save your png, jpg or tiff without an embedded profile to work " "around this." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:281 msgid "If you are preparing for print:" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:283 msgid "" "You hopefully made the picture in a working space profile instead of the " "actual custom profile of your screen, if not, convert it to something like " "adobe rgb, sRGB or rec2020." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:284 msgid "" "Check with the printer what kind of image they expect. Maybe they expect " "sRGB color space, or perhaps they have their own profile." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:287 msgid "Interaction with other applications" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:290 msgid "Blender" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:292 msgid "" "If you wish to use krita's OCIO functionality, and in particular in " "combination with Blender's color management, you can try to have it use " "Blender's OCIO config." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:294 msgid "" "Blender's OCIO config is under ``/version number/datafiles/" "colormanagement``. Set the LUT docker to use the OCIO engine, and select the " "config from the above path. This will give you blender's input and screen " "spaces, but not the looks, as those aren't supported in Krita yet." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:298 msgid "Windows Photo Viewer" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:300 msgid "" "You might encounter some issues when using different applications together. " "One important thing to note is that the standard Windows Photo Viewer " "application does not handle modern ICC profiles. Krita uses version 4 " "profiles; Photo Viewer can only handle version 2 profiles. If you export to " "JPEG with an embedded profile, Photo Viewer will display your image much too " "dark." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:303 msgid "Example workflows" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:305 msgid "" "Here are some example workflows to get a feeling of how your color " "management workflow may look like." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:307 msgid "" "As mentioned before, input for your screen is set via :menuselection:" "`Settings --> Configure Krita --> Color management`, or via the LUT docker's " "'screen space'. Working space is set via new file per document, or in the " "LUT docker via 'input space'." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:310 msgid "Webcomic" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:317 #: ../../general_concepts/colors/color_managed_workflow.rst:339 #: ../../general_concepts/colors/color_managed_workflow.rst:357 msgid "Input" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:318 #: ../../general_concepts/colors/color_managed_workflow.rst:340 #: ../../general_concepts/colors/color_managed_workflow.rst:358 msgid "Your screen profile. (You pick colors via your screen)" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:319 #: ../../general_concepts/colors/color_managed_workflow.rst:341 #: ../../general_concepts/colors/color_managed_workflow.rst:359 msgid "Workingspace" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:320 msgid "" "sRGB (the default screen profile) or any larger profile if you can spare the " "bit depth and like working in them." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:322 #: ../../general_concepts/colors/color_managed_workflow.rst:344 #: ../../general_concepts/colors/color_managed_workflow.rst:362 msgid "Output" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:322 msgid "" "sRGB, ICC version 2, sRGB TRC for the internet, and a specialized CMYK " "profile from the printing house for the printed images." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:324 msgid "" "Use the sRGB-elle-V2-srgbtrc.icc for going between Inkscape, Photoshop, " "Painttool Sai, Illustrator, GIMP, Manga Studio, Paintstorm Studio, MyPaint, " "Artrage, Scribus, etc. and Krita." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:326 msgid "" "If you are using a larger space via ICC, you will only be able to " "interchange it between Krita, Photoshop, Illustrator, GIMP 2.9, Manga Studio " "and Scribus. All others assume sRGB for your space, no matter what, because " "they don't have color management." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:328 msgid "" "If you are going between Krita and Blender, Nuke or Natron, use OCIO and set " "the input space to 'sRGB', but make sure to select the sRGB profile for ICC " "when creating a new file." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:330 msgid "" "For the final for the web, convert the image to sRGB 8bit, srgbtrc, do not " "embed the ICC profile. Then, if using png, put it through something like " "pngcrush or other png optimizers. sRGB in this case is chosen because you " "can assume the vast majority of your audience hasn't profiled their screen, " "nor do they have screens that are advanced enough for the wide gamut stuff. " "So hence why we convert to the screen default for the internet, sRGB." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:333 msgid "Print" msgstr "Imprimer" #: ../../general_concepts/colors/color_managed_workflow.rst:342 msgid "sRGB or rec2020 if you can afford the bit-depth being 16bit." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:344 msgid "" "Specialized CMYK profile from the printing house for the printed images." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:346 msgid "" "The CMYK profiles are different per printer, and even per paper or ink-type " "so don't be presumptuous and ask ahead for them, instead of doing something " "like trying to paint in any random CMYK profile. As mentioned in the viewing " "conditions section, you want to keep your options open." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:348 msgid "" "You can set the advanced color selector to transform to a given profile via :" "menuselection:`Settings --> Configure Krita --> Color Selector Settings`. " "There, tick :guilabel:`Color Selector Uses Different Color Space than Image` " "and select the CMYK profile you are aiming for. This will limit your colors " "a little bit, but keep all the nice filter and blending options from RGB." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:351 msgid "Games" msgstr "Jeux" #: ../../general_concepts/colors/color_managed_workflow.rst:360 msgid "sRGB or grayscale linear for roughness and specular maps." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:362 msgid "" "This one is tricky, but in the end it'll be sRGB for the regular player." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:364 msgid "" "So this one is tricky. You can use OCIO and ICC between programs, but " "recommended is to have your images to the engine in sRGB or grayscale. Many " "physically based renderers these days allow you to set whether an image " "should be read as a linear or srgbtrc image, and this is even vital to have " "the images being considered properly in the physically based calculations of " "the game renderer." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:366 msgid "" "While game engines need to have optimized content, and it's recommended to " "stay within 8bit, future screens may have higher bit depths, and when " "renderers will start supporting those, it may be beneficial to develop a " "workflow where the working-space files are rather unnecessarily big and you " "run some scripts to optimize them for your current render needs, making " "updating the game in the future for fancier screens less of a drag." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:368 msgid "" "Normal maps and heightmaps are officially supposed to be defined with a 'non-" "color data' working space, but you'll find that most engines will not care " "much for this. Instead, tell the game engine not to do any conversion on the " "file when importing." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:370 msgid "" "Specular, glossiness, metalness and roughness maps are all based on linear " "calculations, and when you find that certain material has a metalness of " "0.3, this is 30% gray in a linear space. Therefore, make sure to tell the " "game engine renderer that this is a linear space image (or at the very " "least, should NOT be converted)." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:374 msgid "" "`Visualizing the XYZ color space `_" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:375 msgid "" "`Basics of gamma correction `_" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:376 msgid "" "`Panda3d example of how an image that has gamma encoded without the 3d " "renderer being notified of it having gamma-encoding can result in too dark " "images `_" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:377 msgid "" "`2d examples of the effect of gamma-encoding on color maths `_" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:378 msgid "" "`Basic overview of color management from argylcms manual `_" msgstr "" diff --git a/locale/fr/LC_MESSAGES/tutorials/flat-coloring.po b/locale/fr/LC_MESSAGES/tutorials/flat-coloring.po index faa4831e1..28b3adc87 100644 --- a/locale/fr/LC_MESSAGES/tutorials/flat-coloring.po +++ b/locale/fr/LC_MESSAGES/tutorials/flat-coloring.po @@ -1,760 +1,760 @@ msgid "" msgstr "" "Project-Id-Version: Krita Manual 4.1\n" "Report-Msgid-Bugs-To: \n" -"POT-Creation-Date: 2019-06-23 03:14+0200\n" +"POT-Creation-Date: 2019-06-23 13:49+0200\n" "PO-Revision-Date: 2019-02-27 08:22+0100\n" "Last-Translator: KDE Francophone \n" "Language-Team: KDE Francophone \n" "Language: fr\n" "MIME-Version: 1.0\n" "Content-Type: text/plain; charset=UTF-8\n" "Content-Transfer-Encoding: 8bit\n" "Plural-Forms: nplurals=2; plural=(n > 1);\n" "X-Generator: Lokalize 1.5\n" "X-Accelerator-Marker: &\n" "X-Text-Markup: kde4\n" "X-Environment: kde\n" "X-Language: fr_FR\n" "X-Qt-Contexts: true\n" "Generated-By: Babel 0.9.6\n" "X-Source-Language: C\n" #: ../../:2 msgid "" ".. image:: images/icons/Krita_mouse_left.png\n" " :alt: mouseleft" msgstr "" #: ../../:4 msgid "" ".. image:: images/icons/Krita_mouse_right.png\n" " :alt: mouseright" msgstr "" -#: ../../tutorials/flat-coloring.rst:0 -msgid ".. image:: images/flat-coloring/Krita_filling_lineart_selection_1.png" -msgstr "" - -#: ../../tutorials/flat-coloring.rst:0 -msgid ".. image:: images/flat-coloring/Krita_filling_lineart_selection_2.png" -msgstr "" - -#: ../../tutorials/flat-coloring.rst:0 -msgid ".. image:: images/flat-coloring/Krita_filling_lineart_mask_1.png" -msgstr "" - -#: ../../tutorials/flat-coloring.rst:0 -msgid ".. image:: images/flat-coloring/Krita_filling_lineart_mask_2.png" -msgstr "" - -#: ../../tutorials/flat-coloring.rst:0 -msgid ".. image:: images/flat-coloring/Krita_filling_lineart_mask_3.png" -msgstr "" - #: ../../tutorials/flat-coloring.rst:None msgid "" ".. image:: images/flat-coloring/Krita_filling_lineart14.png\n" " :alt: layer structure for flatting in krita" msgstr "" #: ../../tutorials/flat-coloring.rst:None msgid "" ".. image:: images/flat-coloring/Krita_filling_lineart1.png\n" " :alt: blend mode setup of line art flat coloring" msgstr "" #: ../../tutorials/flat-coloring.rst:None msgid "" ".. image:: images/flat-coloring/Krita_filling_lineart2.png\n" " :alt: effects of multiply blend mode" msgstr "" #: ../../tutorials/flat-coloring.rst:None msgid "" ".. image:: images/icons/fill_tool.svg\n" " :alt: fill-tool icon" msgstr "" #: ../../tutorials/flat-coloring.rst:None msgid "" ".. image:: images/flat-coloring/Krita_filling_lineart7.png\n" " :alt: colors filled with fill tool" msgstr "" #: ../../tutorials/flat-coloring.rst:None msgid "" ".. image:: images/flat-coloring/Krita_filling_lineart15.png\n" " :alt: selecting with selection tools for filling color" msgstr "" #: ../../tutorials/flat-coloring.rst:None msgid "" ".. image:: images/flat-coloring/Krita_filling_lineart16.png\n" " :alt: selection mask in Krita" msgstr "" #: ../../tutorials/flat-coloring.rst:None msgid "" ".. image:: images/flat-coloring/Krita_filling_lineart17.png\n" " :alt: filling color in selection" msgstr "" #: ../../tutorials/flat-coloring.rst:None msgid "" ".. image:: images/flat-coloring/Krita_filling_lineart18.png\n" " :alt: result of coloring made with the help of selection tools" msgstr "" #: ../../tutorials/flat-coloring.rst:None msgid "" ".. image:: images/flat-coloring/Krita_filling_lineart8.png\n" " :alt: filling color in line art using path tool" msgstr "" #: ../../tutorials/flat-coloring.rst:None msgid "" ".. image:: images/flat-coloring/Krita_filling_lineart9.png\n" " :alt: erasing with path tool" msgstr "" #: ../../tutorials/flat-coloring.rst:None msgid "" ".. image:: images/flat-coloring/Krita_filling_lineart10.png\n" " :alt: coloring with colorize mask" msgstr "" #: ../../tutorials/flat-coloring.rst:None msgid "" ".. image:: images/flat-coloring/Krita_filling_lineart11.png\n" " :alt: result from the colorize mask" msgstr "" #: ../../tutorials/flat-coloring.rst:None msgid "" ".. image:: images/flat-coloring/Krita_filling_lineart12.png\n" " :alt: slitting colors into islands" msgstr "" #: ../../tutorials/flat-coloring.rst:None msgid "" ".. image:: images/flat-coloring/Krita_filling_lineart13.png\n" " :alt: resulting color islands from split layers" msgstr "" +#: ../../tutorials/flat-coloring.rst:0 +msgid ".. image:: images/flat-coloring/Krita_filling_lineart_selection_1.png" +msgstr "" + +#: ../../tutorials/flat-coloring.rst:0 +msgid ".. image:: images/flat-coloring/Krita_filling_lineart_selection_2.png" +msgstr "" + +#: ../../tutorials/flat-coloring.rst:0 +msgid ".. image:: images/flat-coloring/Krita_filling_lineart_mask_1.png" +msgstr "" + +#: ../../tutorials/flat-coloring.rst:0 +msgid ".. image:: images/flat-coloring/Krita_filling_lineart_mask_2.png" +msgstr "" + +#: ../../tutorials/flat-coloring.rst:0 +msgid ".. image:: images/flat-coloring/Krita_filling_lineart_mask_3.png" +msgstr "" + #: ../../tutorials/flat-coloring.rst:1 msgid "Common workflows used in Krita" msgstr "" #: ../../tutorials/flat-coloring.rst:13 msgid "Flat Coloring" msgstr "" #: ../../tutorials/flat-coloring.rst:15 msgid "" "So you've got a cool black on white drawing, and now you want to color it! " "The thing we’ll aim for in this tutorial is to get your line art colored in " "with flat colors. So no shading just yet. We’ll be going through some " "techniques for preparing the line art, and we’ll be using the layer docker " "to put each color on a separate layer, so we can easily access each color " "when we add shading." msgstr "" #: ../../tutorials/flat-coloring.rst:17 msgid "" "This tutorial is adapted from this `tutorial `_ by " "the original author." msgstr "" #: ../../tutorials/flat-coloring.rst:20 msgid "Understanding Layers" msgstr "" #: ../../tutorials/flat-coloring.rst:22 msgid "" "To fill line art comfortably, it's best to take advantage of the layerstack. " "The layer stack is pretty awesome, and it's one of those features that make " "digital art super-convenient." msgstr "" #: ../../tutorials/flat-coloring.rst:24 msgid "" "In traditional art, it is not uncommon to first draw the full background " "before drawing the subject. Or to first draw a line art and then color it " "in. Computers have a similar way of working." msgstr "" #: ../../tutorials/flat-coloring.rst:26 msgid "" "In programming, if you tell a computer to draw a red circle, and then " "afterwards tell it to draw a smaller yellow circle, you will see the small " "yellow circle overlap the red circle. Switch the commands around, and you " "will not see the yellow circle at all: it was drawn before the red circle " "and thus ‘behind’ it." msgstr "" #: ../../tutorials/flat-coloring.rst:28 msgid "" "This is referred to as the “drawing order”. So like the traditional artist, " "the computer will first draw the images that are behind everything, and " "layer the subject and foreground on top of it. The layer docker is a way for " "you to control the drawing order of multiple images, so for example, you can " "have your line art drawn later than your colors, meaning that the lines will " "be drawn over the colors, making it easier to make it neat!" msgstr "" #: ../../tutorials/flat-coloring.rst:30 msgid "" "Other things that a layer stack can do are blending the colors of different " "layers differently with blending modes, using a filter in the layer stack, " "or using a mask that allows you to make parts transparent." msgstr "" #: ../../tutorials/flat-coloring.rst:32 msgid "" "Programmers talk about transparency as ''Alpha'', which is because the 'a' " "symbol is used to present transparency in the algorithms for painting one " "color on top of another. Usually when you see the word ''Alpha'' in a " "graphics program, just think of it as affecting the transparency." msgstr "" #: ../../tutorials/flat-coloring.rst:35 msgid "Preparing your line art" msgstr "" #: ../../tutorials/flat-coloring.rst:37 msgid "" "Put the new layer underneath the layer containing the line art (drag and " "drop or use the up/down arrows for that), and draw on it." msgstr "" #: ../../tutorials/flat-coloring.rst:42 msgid "" "…And notice nothing happening. This is because the white isn’t transparent. " "You wouldn’t really want it to either, how else would you make convincing " "highlights? So what we first need to do to color in our drawing is prepare " "our line art. There’s several methods of doing so, each with varying " "qualities." msgstr "" #: ../../tutorials/flat-coloring.rst:45 msgid "The Multiply Blending Mode" msgstr "" #: ../../tutorials/flat-coloring.rst:47 msgid "" "So, typically, to get a black and white line art usable for coloring, you " "can set the blending mode of the line art layer to Multiply. You do this by " "selecting the layer and going to the drop-down that says **Normal** and " "setting that to **Multiply**." msgstr "" #: ../../tutorials/flat-coloring.rst:52 msgid "And then you should be able to see your colors!" msgstr "" #: ../../tutorials/flat-coloring.rst:54 msgid "" "Multiply is not a perfect solution however. For example, if through some " "image editing magic I make the line art blue, it results into this:" msgstr "" #: ../../tutorials/flat-coloring.rst:59 msgid "" "This is because multiply literally multiplies the colors. So it uses maths!" msgstr "" #: ../../tutorials/flat-coloring.rst:61 msgid "" "What it first does is take the values of the RGB channels, then divides them " "by the max (because we're in 8bit, this is 255), a process we call " "normalising. Then it multiplies the normalized values. Finally, it takes the " "result and multiplies it with 255 again to get the result values." msgstr "" #: ../../tutorials/flat-coloring.rst:67 msgid "Pink" msgstr "Rose" #: ../../tutorials/flat-coloring.rst:68 msgid "Pink (normalized)" msgstr "" #: ../../tutorials/flat-coloring.rst:69 ../../tutorials/flat-coloring.rst:87 msgid "Blue" msgstr "" #: ../../tutorials/flat-coloring.rst:70 msgid "Blue (normalized)" msgstr "" #: ../../tutorials/flat-coloring.rst:71 msgid "Normalized, multiplied" msgstr "" #: ../../tutorials/flat-coloring.rst:72 msgid "Result" msgstr "Résultat" #: ../../tutorials/flat-coloring.rst:73 msgid "Red" msgstr "Rouge" #: ../../tutorials/flat-coloring.rst:74 msgid "222" msgstr "" #: ../../tutorials/flat-coloring.rst:75 msgid "0.8705" msgstr "" #: ../../tutorials/flat-coloring.rst:76 msgid "92" msgstr "" #: ../../tutorials/flat-coloring.rst:77 msgid "0.3607" msgstr "" #: ../../tutorials/flat-coloring.rst:78 msgid "0.3139" msgstr "" #: ../../tutorials/flat-coloring.rst:79 msgid "80" msgstr "" #: ../../tutorials/flat-coloring.rst:80 msgid "Green" msgstr "Vert" #: ../../tutorials/flat-coloring.rst:81 msgid "144" msgstr "" #: ../../tutorials/flat-coloring.rst:82 msgid "0.5647" msgstr "" #: ../../tutorials/flat-coloring.rst:83 msgid "176" msgstr "" #: ../../tutorials/flat-coloring.rst:84 msgid "0.6902" msgstr "" #: ../../tutorials/flat-coloring.rst:85 msgid "0.3897" msgstr "" #: ../../tutorials/flat-coloring.rst:86 msgid "99" msgstr "" #: ../../tutorials/flat-coloring.rst:88 msgid "123" msgstr "" #: ../../tutorials/flat-coloring.rst:89 msgid "0.4823" msgstr "" #: ../../tutorials/flat-coloring.rst:90 msgid "215" msgstr "" #: ../../tutorials/flat-coloring.rst:91 msgid "0.8431" msgstr "" #: ../../tutorials/flat-coloring.rst:92 msgid "0.4066" msgstr "" #: ../../tutorials/flat-coloring.rst:93 msgid "103" msgstr "" #: ../../tutorials/flat-coloring.rst:95 msgid "" "This isn't completely undesirable, and a lot of artists use this effect to " "add a little richness to their colors." msgstr "" #: ../../tutorials/flat-coloring.rst:98 ../../tutorials/flat-coloring.rst:127 #: ../../tutorials/flat-coloring.rst:154 ../../tutorials/flat-coloring.rst:173 #: ../../tutorials/flat-coloring.rst:210 ../../tutorials/flat-coloring.rst:247 #: ../../tutorials/flat-coloring.rst:275 ../../tutorials/flat-coloring.rst:317 msgid "Advantages" msgstr "" #: ../../tutorials/flat-coloring.rst:100 msgid "" "Easy, can work to your benefit even with colored lines by softening the look " "of the lines while keeping nice contrast." msgstr "" #: ../../tutorials/flat-coloring.rst:103 ../../tutorials/flat-coloring.rst:132 #: ../../tutorials/flat-coloring.rst:159 ../../tutorials/flat-coloring.rst:178 #: ../../tutorials/flat-coloring.rst:215 ../../tutorials/flat-coloring.rst:252 #: ../../tutorials/flat-coloring.rst:280 ../../tutorials/flat-coloring.rst:322 msgid "Disadvantages" msgstr "" #: ../../tutorials/flat-coloring.rst:105 msgid "Not actually transparent. Is a little funny with colored lines." msgstr "" #: ../../tutorials/flat-coloring.rst:108 msgid "Using Selections" msgstr "" #: ../../tutorials/flat-coloring.rst:110 msgid "" "The second method is one where we'll make it actually transparent. In other " "programs this would be done via the channel docker, but Krita doesn't do " "custom channels, instead it uses Selection Masks to store custom selections." msgstr "" #: ../../tutorials/flat-coloring.rst:112 msgid "Duplicate your line art layer." msgstr "" #: ../../tutorials/flat-coloring.rst:114 msgid "" "Convert the duplicate to a selection mask. |mouseright| the layer, then :" "menuselection:`Convert --> to Selection Mask`." msgstr "" #: ../../tutorials/flat-coloring.rst:118 msgid "" "Invert the selection mask. :menuselection:`Select --> Invert Selection`." msgstr "" #: ../../tutorials/flat-coloring.rst:120 msgid "" "Make a new layer, and do :menuselection:`Edit --> Fill with Foreground " "Color`." msgstr "" #: ../../tutorials/flat-coloring.rst:124 msgid "And you should now have the line art on a separate layer." msgstr "" #: ../../tutorials/flat-coloring.rst:129 msgid "Actual transparency." msgstr "" #: ../../tutorials/flat-coloring.rst:134 msgid "Doesn't work when the line art is colored." msgstr "" #: ../../tutorials/flat-coloring.rst:137 msgid "Using Masks" msgstr "" #: ../../tutorials/flat-coloring.rst:139 msgid "This is a simpler variation of the above." msgstr "" #: ../../tutorials/flat-coloring.rst:141 msgid "Make a filled layer underneath the line art layer." msgstr "" #: ../../tutorials/flat-coloring.rst:145 msgid "" "Convert the line art layer to a transparency mask |mouseright| the layer, " "then :menuselection:`Convert --> to Transparency Mask`." msgstr "" #: ../../tutorials/flat-coloring.rst:149 msgid "" "Invert the transparency mask by going to :menuselection:`Filter --> Adjust --" "> Invert`" msgstr "" #: ../../tutorials/flat-coloring.rst:156 msgid "" "Actual transparency. You can also very easily doodle a pattern on the filled " "layer where the mask is on without affecting the transparency." msgstr "" #: ../../tutorials/flat-coloring.rst:161 msgid "" "Doesn't work when the line art is colored already. We can still get faster." msgstr "" #: ../../tutorials/flat-coloring.rst:164 msgid "Using Color to Alpha" msgstr "" #: ../../tutorials/flat-coloring.rst:166 msgid "By far the fastest way to get transparent line art." msgstr "" #: ../../tutorials/flat-coloring.rst:168 msgid "" "Select the line art layer and apply the color to alpha filter. :" "menuselection:`Filter --> Colors --> Color to Alpha`. The default values " "should be sufficient for line art." msgstr "" #: ../../tutorials/flat-coloring.rst:171 msgid "" ".. image:: images/flat-coloring/Krita_filling_lineart_color_to_alpha.png" msgstr "" #: ../../tutorials/flat-coloring.rst:175 msgid "" "Actual transparency. Works with colored line art as well, because it removes " "the white specifically." msgstr "" #: ../../tutorials/flat-coloring.rst:180 msgid "" "You'll have to lock the layer transparency or separate out the alpha via the " "right-click menu if you want to easily color it." msgstr "" #: ../../tutorials/flat-coloring.rst:184 msgid "Coloring the image" msgstr "" #: ../../tutorials/flat-coloring.rst:186 msgid "" "Much like preparing the line art, there are many different ways of coloring " "a layer." msgstr "" #: ../../tutorials/flat-coloring.rst:188 msgid "" "You could for example fill in everything by hand, but while that is very " "precise it also takes a lot of work. Let's take a look at the other options, " "shall we?" msgstr "" #: ../../tutorials/flat-coloring.rst:191 msgid "Fill Tool" msgstr "Remplir" #: ../../tutorials/flat-coloring.rst:196 msgid "" "In most cases the fill-tool can’t deal with the anti-aliasing (the soft edge " "in your line art to make it more smooth when zoomed out) In Krita you have " "the grow-shrink option. Setting that to say… 2 expands the color two pixels." msgstr "" #: ../../tutorials/flat-coloring.rst:198 msgid "" "Threshold decides when the fill-tool should consider a different color pixel " "to be a border. And the feathering adds an extra soft border to the fill." msgstr "" #: ../../tutorials/flat-coloring.rst:200 msgid "" "Now, if you click on a gapless-part of the image with your preferred color… " "(Remember to set the opacity to 1.0!)" msgstr "" #: ../../tutorials/flat-coloring.rst:202 msgid "" "Depending on your line art, you can do flats pretty quickly. But setting the " "threshold low can result in little artifacts around where lines meet:" msgstr "" #: ../../tutorials/flat-coloring.rst:207 msgid "" "However, setting the threshold high can end with the fill not recognizing " "some of the lighter lines. Besides these little artifacts can be removed " "with the brush easily." msgstr "" #: ../../tutorials/flat-coloring.rst:212 msgid "Pretty darn quick depending on the available settings." msgstr "" #: ../../tutorials/flat-coloring.rst:217 msgid "" "Again, not great with gaps or details. And it works best with aliased line " "art." msgstr "" #: ../../tutorials/flat-coloring.rst:220 msgid "Selections" msgstr "Sélections" #: ../../tutorials/flat-coloring.rst:222 msgid "Selections work using the selection tools." msgstr "" #: ../../tutorials/flat-coloring.rst:227 msgid "" "For example with the :ref:`bezier_curve_selection_tool` you can easily " "select a curved area, and the with :kbd:`Shift` + |mouseleft| (not |" "mouseleft| + :kbd:`Shift`, there's a difference!) you can easily add to an " "existing selection." msgstr "" #: ../../tutorials/flat-coloring.rst:232 msgid "" "You can also edit the selection if you have :menuselection:`Select --> Show " "Global Selection Mask` turned on. Then you can select the global selection " "mask, and paint on it. (Above with the alternative selection mode, activated " "in the lower-left corner of the stats bar)" msgstr "" #: ../../tutorials/flat-coloring.rst:234 msgid "" "When done, select the color you want to fill it with and press :kbd:`Shift` " "+ `backspace`." msgstr "" #: ../../tutorials/flat-coloring.rst:239 msgid "" "You can save selections in selection masks by |mouseright| a layer, and then " "going to :menuselection:`Add --> Local Selection`. You first need to " "deactivate a selection by pressing the circle before adding a new selection." msgstr "" #: ../../tutorials/flat-coloring.rst:241 msgid "" "This can serve as an alternative way to split out different parts of the " "image, which is good for more painterly pieces:" msgstr "" #: ../../tutorials/flat-coloring.rst:249 msgid "A bit more precise than filling." msgstr "" #: ../../tutorials/flat-coloring.rst:254 msgid "Previewing your color isn't as easy." msgstr "" #: ../../tutorials/flat-coloring.rst:257 msgid "Geometric tools" msgstr "" #: ../../tutorials/flat-coloring.rst:259 msgid "" "So you have a tool for making rectangles or circles. And in the case of " "Krita, a tool for bezier curves. Select the path tool (|path tool|), and set " "the tool options to fill=foreground and outline=none. Make sure that your " "opacity is set to 1.00 (fully opaque)." msgstr "" #: ../../tutorials/flat-coloring.rst:262 msgid "" ".. image:: images/icons/bezier_curve.svg\n" " :alt: path tool" msgstr "" #: ../../tutorials/flat-coloring.rst:264 msgid "" "By clicking and holding, you can influence how curvy a line draw with the " "path tool is going to be. Letting go of the mouse button confirms the " "action, and then you’re free to draw the next point." msgstr "" #: ../../tutorials/flat-coloring.rst:269 msgid "" "You can also erase with a geometric tool. Just press :kbd:`E` or the eraser " "button." msgstr "" #: ../../tutorials/flat-coloring.rst:277 msgid "" "Quicker than using the brush or selections. Also decent with line art that " "contains gaps." msgstr "" #: ../../tutorials/flat-coloring.rst:282 msgid "" "Fiddly details aren’t easy to fill in with this. So I recommend skipping " "those and filling them in later with a brush." msgstr "" #: ../../tutorials/flat-coloring.rst:285 msgid "Colorize Mask" msgstr "Masque de colorisation" #: ../../tutorials/flat-coloring.rst:287 msgid "" "So, this is a bit of an odd one. In the original tutorial, you'll see I'm " "suggesting using G'Mic, but that was a few years ago, and G'Mic is a little " "unstable on windows. Therefore, the Krita developers have been attempting to " "make an internal tool doing the same." msgstr "" #: ../../tutorials/flat-coloring.rst:289 msgid "" "It is disabled in 3.1, but if you use 4.0 or later, it is in the toolbox. " "Check the Colorize Mask for more information." msgstr "" #: ../../tutorials/flat-coloring.rst:291 msgid "So it works like this:" msgstr "" #: ../../tutorials/flat-coloring.rst:293 msgid "Select the colorize mask tool." msgstr "" #: ../../tutorials/flat-coloring.rst:294 msgid "Tick the layer you're using." msgstr "" #: ../../tutorials/flat-coloring.rst:295 msgid "Paint the colors you want to use on the colorize mask" msgstr "" #: ../../tutorials/flat-coloring.rst:296 msgid "Click update to see the results:" msgstr "" #: ../../tutorials/flat-coloring.rst:301 msgid "" "When you are satisfied, |mouseright| the colorize mask, and go to :" "menuselection:`Convert --> Paint Layer`. This will turn the colorize mask to " "a generic paint layer. Then, you can fix the last issues by making the line " "art semi-transparent and painting the flaws away with a pixel art brush." msgstr "" #: ../../tutorials/flat-coloring.rst:306 msgid "" "Then, when you are done, split the layers via :menuselection:`Layer --> " "Split --> Split Layer`. There are a few options you can choose, but the " "following should be fine:" msgstr "" #: ../../tutorials/flat-coloring.rst:311 msgid "" "Finally, press **Ok** and you should get the following. Each color patch it " "on a different layer, named by the palette in the menu and alpha locked, so " "you can start painting right away!" msgstr "" #: ../../tutorials/flat-coloring.rst:319 msgid "" "Works with anti-aliased line art. Really quick to get the base work done. " "Can auto-close gaps." msgstr "" #: ../../tutorials/flat-coloring.rst:324 msgid "" "No anti-aliasing of its own. You have to choose between getting details " "right or the gaps auto-closed." msgstr "" #: ../../tutorials/flat-coloring.rst:327 msgid "Conclusion" msgstr "Conclusion" #: ../../tutorials/flat-coloring.rst:329 msgid "" "I hope this has given you a good idea of how to fill in flats using the " "various techniques, as well as getting a hand of different Krita features. " "Remember that a good flat filled line art is better than a badly shaded one, " "so keep practicing to get the best out of these techniques!" msgstr "" diff --git a/locale/ja/LC_MESSAGES/general_concepts/colors/color_managed_workflow.po b/locale/ja/LC_MESSAGES/general_concepts/colors/color_managed_workflow.po index dec4dcc5f..2a96addaf 100644 --- a/locale/ja/LC_MESSAGES/general_concepts/colors/color_managed_workflow.po +++ b/locale/ja/LC_MESSAGES/general_concepts/colors/color_managed_workflow.po @@ -1,1062 +1,1062 @@ msgid "" msgstr "" "Project-Id-Version: Krita Manual 4.1\n" "Report-Msgid-Bugs-To: \n" -"POT-Creation-Date: 2019-06-17 03:13+0200\n" +"POT-Creation-Date: 2019-06-23 13:49+0200\n" "PO-Revision-Date: 2019-03-02 16:12-0800\n" "Last-Translator: Japanese KDE translation team \n" "Language-Team: Japanese \n" "Language: ja\n" "MIME-Version: 1.0\n" "Content-Type: text/plain; charset=UTF-8\n" "Content-Transfer-Encoding: 8bit\n" "Plural-Forms: nplurals=2; plural=n != 1;\n" "X-Accelerator-Marker: &\n" "X-Text-Markup: kde4\n" -#: ../../general_concepts/colors/color_managed_workflow.rst:0 -msgid ".. image:: images/color_category/Kiki_matrix_profile.png" -msgstr "" - -#: ../../general_concepts/colors/color_managed_workflow.rst:0 -msgid ".. image:: images/color_category/Kiki_cLUTprofiles.png" -msgstr "" - #: ../../general_concepts/colors/color_managed_workflow.rst:None msgid ".. image:: images/color_category/Krita_2_9_colormanagement_group1.png" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:None msgid ".. image:: images/color_category/Krita_2_9_colormanagement_group2.png" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:None msgid ".. image:: images/color_category/Krita_2_9_colormanagement_group3.png" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:None msgid ".. image:: images/color_category/Krita_2_9_colormanagement_group4.png" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:None msgid ".. image:: images/dockers/LUT_Management_Docker.png" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:None msgid ".. image:: images/color_category/Krita_HDR_1.svg" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:None msgid ".. image:: images/color_category/Krita_HDR2.svg" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:None msgid "" ".. image:: images/color_category/Krita-colormanaged-workflow_webcomic.svg" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:None msgid ".. image:: images/color_category/Krita-colormanaged-workflow_print.svg" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:None msgid ".. image:: images/color_category/Krita-colormanaged-workflow_games.svg" msgstr "" +#: ../../general_concepts/colors/color_managed_workflow.rst:0 +msgid ".. image:: images/color_category/Kiki_matrix_profile.png" +msgstr "" + +#: ../../general_concepts/colors/color_managed_workflow.rst:0 +msgid ".. image:: images/color_category/Kiki_cLUTprofiles.png" +msgstr "" + #: ../../general_concepts/colors/color_managed_workflow.rst:1 msgid "How a color managed workflow works." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:12 msgid "Color" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:12 msgid "Color Management" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:12 msgid "ICC Profiles" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:12 msgid "OCIO" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:17 msgid "Color Managed Workflow" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:19 msgid "" "You may have heard that Krita has something called color-management. Or " "maybe you just wondered what all these 'color model' and 'color profile' " "things you can find in the menus mean. Color management is pretty useful for " "people who work in digital imaging professionally, and hopefully this page " "will explain why." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:22 msgid "Basic Info" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:24 msgid "" "If you've never worked with color management before, and have no clue what " "it is, then know that you've probably been working in the 8bit RGB color " "space with the sRGB profile. This means you can choose for *sRGB built-in* " "or *sRGB-elle-v2-srgbtrc.icc*. With the new color space browser this profile " "is marked with *(default)* when using 8bit." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:26 msgid "" "We'll go into what these terms mean in the theory, but if you're here only " "for trying to figure out which is the default, you now know it. Maybe, after " "reading this, you may feel like changing the default, to get new and " "interesting results from filters, blending modes, or just the color smudge " "brush." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:29 msgid "What is the problem?" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:31 msgid "" "To explain the point of color management, you'd first need to learn which " "problem color management tries to solve." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:33 msgid "Let us imagine a kinder garden:" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:35 msgid "" "The class of 28 children is subdivided in groups of 7. Each group has its " "own table." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:37 msgid "" "The teacher gives them a painting assignment: They need to paint a red " "triangle, a blue square, a green circle and put a yellow border around the " "three. The kids are very experienced with painting already, so the teacher " "can confidently leave the smarter ones to their own devices, and spent more " "time on those who need help." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:40 msgid "The following results come from painting:" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:42 msgid "" "Even though all groups had the same assignment, each group's result looks " "different." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:49 msgid "" "Group 1 had vermillion red, citron yellow and ultramarine blue to their " "disposal. This means their triangle looks nice and red, but their circle's " "green is muddy. This is because ultramarine is too dark of a blue to create " "nice greens with." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:56 msgid "" "Group 2 had magenta red, citron yellow and cerulean blue. Magenta is a type " "of red that is closer to pink, opposed to vermillion, which is closer to " "orange. However, their green looks nice because cerulean is a much lighter " "blue." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:64 msgid "" "Group 3 had vermillion red, citron yellow, emerald green and cerulean blue. " "They didn't mix their green, and thus ended up with a purer color." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:71 msgid "" "Finally, group 4 has vermillion red, citron yellow and cerulean blue. Their " "colors probably look like what you imagined." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:73 msgid "" "Now, these are kindergarteners, so this isn't the largest problem in the " "world. However, imagine that something like this happened at a printing " "company? Imagine four printers printing the same magazine with wildly " "different results? That would be disastrous!" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:75 msgid "For this purpose, we invented color management." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:78 msgid "What is color management?" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:80 msgid "" "Color management is, dryly put, a set of systems that tries to have the same " "color translate properly between color devices." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:82 msgid "" "It usually works by attempting to covert a color to the reference color " "space XYZ. XYZ is a coordinate system that has a spot for all colors that " "the average human eye can see." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:84 msgid "" "From XYZ it can then be translated back into another device space, such as " "RGB (for screens), or CMYK (for printers)." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:86 msgid "" "Krita has two systems dedicated to color management. On the one hand, we " "have **lcms2**, which deal with ICC profiles, and on the other, we have " "**OCIO**, which deal with LUT color management." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:88 msgid "" "To give a crude estimate, ICC profiles deal with keeping colors consistent " "over many interpretations of devices (screens, printers) by using a " "reference space, and OCIO deals with manipulating the interpretation of said " "colors." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:90 msgid "Within both we can identify the following color spaces:" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:93 msgid "" "Device spaces are those describing your monitor, and have to be made using a " "little device that is called \"colorimeter\". This device, in combination " "with the right software, measures the strongest red, green and blue your " "screen can produce, as well as the white, black and gray it produces. Using " "these and several other measurements it creates an ICC profile unique to " "your screen. You set these in Krita's color management tab. By default we " "assume sRGB for screens, but it's very likely that your screen isn't exactly " "fitting sRGB, especially if you have a high quality screen, where it may be " "a bigger space instead. Device spaces are also why you should first consult " "with your printer what profile they expect. Many printing houses have their " "own device profiles for their printers, or may prefer doing color conversion " "themselves. You can read more about colorimeter usage :ref:`here " "`." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:94 msgid "Device spaces" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:96 msgid "Working spaces" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:97 msgid "" "These are delivered alongside Krita for ICC, and downloadable from the OCIO " "website for OCIO. Working spaces are particularly nice to do color " "calculations in, which programs like Krita do often. It's therefore " "recommended to have a working space profile for your image." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:99 msgid "Aesthetic or Look spaces" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:99 msgid "" "These are special spaces that have been deformed to give a certain look to " "an image. Krita doesn't deliver Look profiles for ICC, nor does it yet " "support Look spaces for OCIO." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:102 msgid "Color managed workflow" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:104 msgid "" "Knowing this about these spaces of course doesn't give you an idea of how to " "use them, but it does make it easier to explain how to use them. So let us " "look at a typical color management workflow:" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:110 msgid ".. image:: images/color_category/Krita-colormanaged-workflow_text.svg" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:110 msgid "" "A typical example of a color managed workflow. We have input from scanners " "and cameras, which we convert to a working space that can be used between " "different editing software, and is converted to an output space for viewing " "on screen or printing." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:112 msgid "" "In a traditional color managed workflow, we usually think in terms of real " "world colors being converted to computer colors and the other way around. " "So, for example photos from a camera or scanned in images. If you have a " "device space of such a device, we first assign said device space to the " "image, and then convert it to a working space." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:114 msgid "" "We then do all our editing in the working space, and use the working space " "to communicate between editing programs. In Krita's case, due to it having " "two color management systems, we use ICC profiles between programs like GIMP " "2.9+, Inkscape, digiKam and Scribus, and OCIO configuration between Blender " "and Natron." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:116 msgid "" "You also store your working files in the working space, just like how you " "have the layers unmerged in the working file, or have it at a very high " "resolution." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:118 msgid "" "Sometimes, we apply aesthetic or 'look' spaces to an image as part of the " "editing process. This is rather advanced, and probably not something to " "worry about in Krita's case." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:120 msgid "" "Then, when we're done editing, we try to convert to an output space, which " "is another device space. This can be CMYK for printers or a special screen " "RGB profile. When you are dealing with professional printing houses, it is " "best to ask them about this step. They have a lot of experience with doing " "the best conversion, and may prefer to do the conversion from your working " "space to the device space of their printers." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:122 msgid "" "Another form of output is the way your screen displays the color. Unlike " "regular output, this one is done all the time during editing: After all, you " "need to be able to see what you are doing, but your screen is still a device " "with a device space, so it does distort how the image looks. In this manner, " "you can see your screen as a set of binoculars you have to look through to " "see your image at all." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:124 msgid "" "Therefore, without a profiled monitor, you actually don't know what the " "actual colors you are working with are like, because the computer doesn't " "know the relevant properties of your screen. So if you profiled your " "monitor, give Krita the profile in the settings, and select the sRGB space " "to draw in, you are for the first time seeing the actual colors of the sRGB " "space." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:127 msgid "So what does this mean?" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:133 msgid "" ".. image:: images/color_category/Krita-colormanaged-workflow_krita_text.svg" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:133 msgid "" "When we paint from scratch, we can see our screen profile as the input " "space, because we use it to determine what colors to pick. This somewhat " "simplifies the workflow, but makes the screen profile and viewing conditions " "more important." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:135 msgid "" "Now, photographers and people who do a tricky discipline of VFX called " "'color grading' will go completely mad over trying to get the colors they " "put in to come out 100% correctly, and will even count in factors like the " "time of day and the color they painted their walls. For example, if the wall " "behind your computer is pure red, your eyes will adjust to be less sensitive " "to red, which means that the colors they pick in the program could come out " "redder. We call these the *viewing conditions*." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:137 msgid "" "Thankfully, artists have to worry a slight bit less about this. As " "illustrations are fully handmade, we are able to identify the important bits " "and make appropriate contrasts between colors. This means that even if our " "images turn out to be slightly redder than intended, it is less likely the " "whole image is ruined. If we look back at the kindergarten example above, we " "still understand what the image was supposed to look like, despite there " "being different colors on each image. Furthermore, because the colors in " "illustrations are deliberately picked, we can correct them more easily on a " "later date. Yet, at the same time, it is of course a big drag to do this, " "and we might have had much more flexibility had we taken viewing conditions " "under consideration." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:139 msgid "" "That said, for artists it is also very useful to understand the working " "spaces. Different working spaces give different results with filters and " "mixing, and only some working spaces can be used for advanced technology " "like HDR." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:141 msgid "" "Similarly, Krita, as a program intended to make images from scratch, doesn't " "really worry about assigning workspaces after having made the image. But " "because you are using the screen as a binocular to look at your image, and " "to pick colors, you can see your screen's device space as an input space to " "the image. Hence why profiling your monitor and giving the profile to Krita " "in the settings can help with preparing your work for print and future " "ventures in the long run." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:143 msgid "" "Overall, it is kinda useful to keep things like viewing conditions in the " "back of your mind. Many professional artists use a mid-gray color as their " "default canvas background because they find they create much more dynamic " "images due to having improved their viewing conditions. It is also why a lot " "of graphics programs, including Krita, come with a dark theme nowadays. " "(Though, of course this might also be because dark themes can be considered " "cool, who knows.)" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:148 msgid "ICC profiles" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:150 msgid "" "An ICC profile is a set of coordinates describing the extremities of the " "device space within XYZ, and it is the color management data you use to " "communicate your working space to printers and applications that are " "designed for the print industry, such as GIMP, Scribus, Photoshop, " "Illustrator, Inkscape, Digikam, RawTheraphee, etc. You have two types of ICC " "profiles:" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:153 msgid "" "These are delivered alongside Krita. Matrix shaper profiles are made by " "setting parameters and interpolating between these to get the exact size of " "the color space. Due to this, Krita's color space browser can give you a lot " "of information on these profiles. Such profiles are also preferable as " "working space." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:159 msgid "Matrix Shaper profiles." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:159 msgid "" "Matrix shaper profiles have a few parameters that describe the color space " "which are then interpolated between, this requires a lot of maths." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:162 msgid "" "These are fairly rare, and primarily used to describe printer profiles, such " "as CMYK. cLUT, or Color Look-up Table profiles store far more data than " "Matrix shaper profiles, so they can hold data of little particularities " "caused by, for example, unexpected results from mixing pigments. This is a " "far more organic approach to describing a color space, hence why a lot of " "programs that don't care for color management much don't support these." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:168 msgid "" "cLUT profiles work by holding tables of each color in a color space and " "their respective coordinates in a reference space. For CMYK this is " "typically L\\*A\\*B\\* and for the rest XYZ. These tables are tricky to " "make, which means these profiles are a lot rarer." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:169 msgid "cLUT profiles" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:171 msgid "" "The interesting thing about ICC profiles is that your working space can be " "larger than your device space. This is generally not bad. However, when " "converting, you do end up with the question of how to translate the working " "space values." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:174 msgid "Perceptual" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:174 msgid "" "This just squishes the values of the working space into the space it's " "converted to. It's a nice method to see all possible values in this, but not " "so good if you want accurate color reproduction. Use this if you want to see " "all colors in an image, or want to express all possible contrasts. Doesn't " "work with Matrix Shaper profiles, defaults to relative colorimetric." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:177 msgid "Absolute Colorimetric." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:177 msgid "" "The opposite to Perceptual, Absolute colorimetric will attempt to retain all " "the correct colors at whatever cost, which may result in awful looking " "colors. Recommended only for reproduction work. Doesn't work with Matrix " "Shaper profiles in Krita due to ICC v4 workflow standards." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:180 msgid "Relative Colorimetric" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:180 msgid "" "An in between solution between perceptual and absolute, relative will try to " "fit whatever colors it can match between color spaces. It does this by " "aligning the white and black points. It cuts off the rest to their " "respective borders. This is what all matrix shaper profiles default to " "during conversion, because the ICC v4 workflow specifies to only use " "Relative Colorimetric for matrix shaper profiles." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:183 msgid "Saturation" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:183 msgid "" "Does anything to retain colorfulness, even hue will be sacrificed. Used in " "infographics. Doesn't work with Matrix Shaper profiles, defaults to relative " "colorimetric." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:185 msgid "" "*ICC profile version* is the last thing to keep in mind when dealing with " "ICC profiles. Krita delivers both Version 2 and Version 4 profiles, with the " "later giving better results in doing color maths, but the former being more " "widely supported (as seen below in 'Interaction with other applications'). " "This is also why Krita defaults to V2, and we recommend using V2 when you " "aren't certain if the other programs you are using support V4." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:188 msgid "LUT docker and HDR imaging" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:196 msgid "" "The :ref:`lut_docker` is the second important bit of color management in " "Krita that is shared between Krita and programs like Blender, Natron and " "Nuke, and only uses Look Up Tables that are configured via a config file." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:198 msgid "" "You can set the workingspace of the image under input color space, and the " "display to sRGB or your own LUT if you have added it to the configuration. " "View in this case is for proofing transforms to a certain display device." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:200 msgid "" "Component, exposure, gamma, whitepoint and blackpoint are knobs which allows " "you to modify the display filter." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:208 msgid "" "As explained before, we can see our monitor as a telescope or binocular into " "the world of our picture. Which means it distorts our view of the image a " "little. But we can modify this binocular, or display filter to see our image " "in a different way. For example, to allow us to see the white in an image " "that are whiter than the white of our screen. To explain what that means, we " "need to think about what white is." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:210 msgid "" "For example, white, on our monitor is full red, full green and full blue. " "But it's certainly different from white on our paper, or the color of milk, " "white from the sun, or even the white of our cell-phone displays." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:212 msgid "" "Black similarly, is brighter on a LCD display than a LED one, and " "incomparable with the black of a carefully sealed room." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:214 msgid "" "This means that there's potentially blacker blacks than screen black, and " "white whites than screen white. However, for simplicity's sake we still " "assign the black-point and the white-point to certain values. From there, we " "can determine whether a white is whiter than the white point, or a black " "blacker than the black-point." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:216 msgid "" "The LUT docker allows us to control this display-filter and modify the " "distortion. This is useful when we start modifying images that are made with " "scene referred values, such as HDR photos, or images coming out of a render " "engine." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:224 msgid "" "So, for example, we can choose to scale whiter-than-screen-white to our " "screen-white so we can see the contrasts there." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:226 msgid "" "The point of this is that you can take advantage of more lightness detail in " "an image. While you can't see the difference between screen white and whiter-" "than-screen-white (because your screen can't show the difference), graphics " "programs can certainly use it." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:228 msgid "" "A common example is matching the lighting between a 3d model and a real " "world scene. Others are advanced photo retouching, with much more contrast " "information available to the user. In painting itself, this allows you to " "create an image where you can be flippant with the contrast, and allow " "yourself to go as bright as you'd like." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:230 msgid "" "LUT docker manipulations are per view, so you can create a new view and set " "it to luminosity. This way you can see the image in both color as well as " "grayscale and keep a good eye on your values." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:232 msgid "" "Another example is to carefully watch the gradients in a certain section." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:234 msgid "" "Like ICC, the LUT Docker allows you to create a profile of sorts for your " "device. In this case it's the 'lut', which stands for 'Look Up Table', and " "which can be added to OCIO by modifying the configuration file. When OCIO is " "turned on, the configuration in :menuselection:`Settings --> Configure Krita " "--> Color Management` is turned off, unless you are using the :guilabel:" "`Internal` color engine." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:237 msgid "In summary" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:239 msgid "Krita has two modes of color management:" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:241 msgid "" "ICC works in terms of spaces relative to the CIEXYZ space, and requires an " "ICC profile." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:242 msgid "OCIO works in terms of interpretation, and makes use of luts." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:243 msgid "both can be made with a colorimeter." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:244 msgid "" "If you want to have a properly color managed workflow, you have one made " "customary for the input device (your screen) and the output devices (your " "printer, or target screen). For web the output is always sRGB." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:245 msgid "" "Set up your screen profiles under :menuselection:`Settings --> Configure " "Krita --> Color management`." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:246 msgid "" "Do NOT use screen profiles or other device profiles to draw in. Use a " "working space profile such as any of the elle profiles for this, as the " "color maths will be much more predictable and pleasant. Krita will convert " "between your screen and working space on the fly, allowing you to pick the " "correct colors. This turns your screen into binoculars to view the image." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:247 msgid "" "Use the appropriate color management for the appropriate workflow. If you " "are working with Blender, you will be better off using OCIO, than ICC. If " "you are working with Scribus or Photoshop, use ICC." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:249 msgid "" "Krita does a lot of color maths, often concerning the blending of colors. " "This color maths works best in linear color space, and linear color space " "requires a bit depth of at the least 16bit to work correctly. The " "disadvantage is that linear space can be confusing to work in." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:251 msgid "" "If you like painting, have a decent amount of RAM, and are looking to start " "your baby-steps in taking advantage of Krita's color management, try " "upgrading from having all your images in sRGB built-in to sRGB-v2-elle-g10." "icc or rec2020-v2-elle-g10.icc at 16bit float. This'll give you better color " "blending while opening up the possibility for you to start working in hdr!" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:256 msgid "" "Some graphics cards, such as those of the NVidia-brand actually have the " "best performance under 16bit float, because NVidia cards convert to floating " "point internally. When it does not need to do that, it speeds up!" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:260 msgid "" "No amount of color management in the world can make the image on your screen " "and the image out of the printer have 100% the same color." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:263 msgid "Exporting" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:265 msgid "" "When you have finished your image and are ready to export it, you can modify " "the color space to optimize it:" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:267 msgid "If you are preparing an image for the web:" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:269 msgid "" "If you use 16bit color depth or higher, convert the image to 8bit color " "depth. This will make the image much smaller." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:271 msgid "" "Krita doesn't have built-in dithering currently, which means that 16 to " "18bit conversions can come out a bit banded. But you can simulate it by " "adding a fill layer with a pattern, set this fill layer to overlay, and to " "5% opacity. Then flatten the whole image and convert it to 8bit. The pattern " "will function as dithering giving a smoother look to gradients." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:273 msgid "If it's a gray-scale image, convert it to gray-scale." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:274 msgid "" "If it's a color image, keep it in the working space profile: Many web " "browsers these days support color profiles embedded into images. Firefox, " "for example, will try to convert your image to fit the color profile of the " "other monitor (if they have one). That way, the image will look almost " "exactly the same on your screen and on other profiled monitors." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:279 msgid "" "In some versions of Firefox, the colors actually look strange: This is a bug " "in Firefox, which is because its `color management system is incomplete " "`_, save your png, jpg or tiff without an embedded profile to work " "around this." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:281 msgid "If you are preparing for print:" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:283 msgid "" "You hopefully made the picture in a working space profile instead of the " "actual custom profile of your screen, if not, convert it to something like " "adobe rgb, sRGB or rec2020." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:284 msgid "" "Check with the printer what kind of image they expect. Maybe they expect " "sRGB color space, or perhaps they have their own profile." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:287 msgid "Interaction with other applications" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:290 msgid "Blender" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:292 msgid "" "If you wish to use krita's OCIO functionality, and in particular in " "combination with Blender's color management, you can try to have it use " "Blender's OCIO config." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:294 msgid "" "Blender's OCIO config is under ``/version number/datafiles/" "colormanagement``. Set the LUT docker to use the OCIO engine, and select the " "config from the above path. This will give you blender's input and screen " "spaces, but not the looks, as those aren't supported in Krita yet." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:298 msgid "Windows Photo Viewer" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:300 msgid "" "You might encounter some issues when using different applications together. " "One important thing to note is that the standard Windows Photo Viewer " "application does not handle modern ICC profiles. Krita uses version 4 " "profiles; Photo Viewer can only handle version 2 profiles. If you export to " "JPEG with an embedded profile, Photo Viewer will display your image much too " "dark." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:303 msgid "Example workflows" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:305 msgid "" "Here are some example workflows to get a feeling of how your color " "management workflow may look like." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:307 msgid "" "As mentioned before, input for your screen is set via :menuselection:" "`Settings --> Configure Krita --> Color management`, or via the LUT docker's " "'screen space'. Working space is set via new file per document, or in the " "LUT docker via 'input space'." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:310 msgid "Webcomic" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:317 #: ../../general_concepts/colors/color_managed_workflow.rst:339 #: ../../general_concepts/colors/color_managed_workflow.rst:357 msgid "Input" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:318 #: ../../general_concepts/colors/color_managed_workflow.rst:340 #: ../../general_concepts/colors/color_managed_workflow.rst:358 msgid "Your screen profile. (You pick colors via your screen)" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:319 #: ../../general_concepts/colors/color_managed_workflow.rst:341 #: ../../general_concepts/colors/color_managed_workflow.rst:359 msgid "Workingspace" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:320 msgid "" "sRGB (the default screen profile) or any larger profile if you can spare the " "bit depth and like working in them." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:322 #: ../../general_concepts/colors/color_managed_workflow.rst:344 #: ../../general_concepts/colors/color_managed_workflow.rst:362 msgid "Output" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:322 msgid "" "sRGB, ICC version 2, sRGB TRC for the internet, and a specialized CMYK " "profile from the printing house for the printed images." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:324 msgid "" "Use the sRGB-elle-V2-srgbtrc.icc for going between Inkscape, Photoshop, " "Painttool Sai, Illustrator, GIMP, Manga Studio, Paintstorm Studio, MyPaint, " "Artrage, Scribus, etc. and Krita." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:326 msgid "" "If you are using a larger space via ICC, you will only be able to " "interchange it between Krita, Photoshop, Illustrator, GIMP 2.9, Manga Studio " "and Scribus. All others assume sRGB for your space, no matter what, because " "they don't have color management." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:328 msgid "" "If you are going between Krita and Blender, Nuke or Natron, use OCIO and set " "the input space to 'sRGB', but make sure to select the sRGB profile for ICC " "when creating a new file." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:330 msgid "" "For the final for the web, convert the image to sRGB 8bit, srgbtrc, do not " "embed the ICC profile. Then, if using png, put it through something like " "pngcrush or other png optimizers. sRGB in this case is chosen because you " "can assume the vast majority of your audience hasn't profiled their screen, " "nor do they have screens that are advanced enough for the wide gamut stuff. " "So hence why we convert to the screen default for the internet, sRGB." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:333 msgid "Print" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:342 msgid "sRGB or rec2020 if you can afford the bit-depth being 16bit." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:344 msgid "" "Specialized CMYK profile from the printing house for the printed images." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:346 msgid "" "The CMYK profiles are different per printer, and even per paper or ink-type " "so don't be presumptuous and ask ahead for them, instead of doing something " "like trying to paint in any random CMYK profile. As mentioned in the viewing " "conditions section, you want to keep your options open." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:348 msgid "" "You can set the advanced color selector to transform to a given profile via :" "menuselection:`Settings --> Configure Krita --> Color Selector Settings`. " "There, tick :guilabel:`Color Selector Uses Different Color Space than Image` " "and select the CMYK profile you are aiming for. This will limit your colors " "a little bit, but keep all the nice filter and blending options from RGB." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:351 msgid "Games" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:360 msgid "sRGB or grayscale linear for roughness and specular maps." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:362 msgid "" "This one is tricky, but in the end it'll be sRGB for the regular player." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:364 msgid "" "So this one is tricky. You can use OCIO and ICC between programs, but " "recommended is to have your images to the engine in sRGB or grayscale. Many " "physically based renderers these days allow you to set whether an image " "should be read as a linear or srgbtrc image, and this is even vital to have " "the images being considered properly in the physically based calculations of " "the game renderer." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:366 msgid "" "While game engines need to have optimized content, and it's recommended to " "stay within 8bit, future screens may have higher bit depths, and when " "renderers will start supporting those, it may be beneficial to develop a " "workflow where the working-space files are rather unnecessarily big and you " "run some scripts to optimize them for your current render needs, making " "updating the game in the future for fancier screens less of a drag." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:368 msgid "" "Normal maps and heightmaps are officially supposed to be defined with a 'non-" "color data' working space, but you'll find that most engines will not care " "much for this. Instead, tell the game engine not to do any conversion on the " "file when importing." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:370 msgid "" "Specular, glossiness, metalness and roughness maps are all based on linear " "calculations, and when you find that certain material has a metalness of " "0.3, this is 30% gray in a linear space. Therefore, make sure to tell the " "game engine renderer that this is a linear space image (or at the very " "least, should NOT be converted)." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:374 msgid "" "`Visualizing the XYZ color space `_" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:375 msgid "" "`Basics of gamma correction `_" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:376 msgid "" "`Panda3d example of how an image that has gamma encoded without the 3d " "renderer being notified of it having gamma-encoding can result in too dark " "images `_" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:377 msgid "" "`2d examples of the effect of gamma-encoding on color maths `_" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:378 msgid "" "`Basic overview of color management from argylcms manual `_" msgstr "" diff --git a/locale/ja/LC_MESSAGES/tutorials/flat-coloring.po b/locale/ja/LC_MESSAGES/tutorials/flat-coloring.po index f68cab11a..91d03ef20 100644 --- a/locale/ja/LC_MESSAGES/tutorials/flat-coloring.po +++ b/locale/ja/LC_MESSAGES/tutorials/flat-coloring.po @@ -1,754 +1,754 @@ msgid "" msgstr "" "Project-Id-Version: Krita Manual 4.1\n" "Report-Msgid-Bugs-To: \n" -"POT-Creation-Date: 2019-06-23 03:14+0200\n" +"POT-Creation-Date: 2019-06-23 13:49+0200\n" "PO-Revision-Date: 2019-03-02 16:12-0800\n" "Last-Translator: Japanese KDE translation team \n" "Language-Team: Japanese \n" "Language: ja\n" "MIME-Version: 1.0\n" "Content-Type: text/plain; charset=UTF-8\n" "Content-Transfer-Encoding: 8bit\n" "Plural-Forms: nplurals=2; plural=n != 1;\n" "X-Accelerator-Marker: &\n" "X-Text-Markup: kde4\n" #: ../../:2 msgid "" ".. image:: images/icons/Krita_mouse_left.png\n" " :alt: mouseleft" msgstr "" #: ../../:4 msgid "" ".. image:: images/icons/Krita_mouse_right.png\n" " :alt: mouseright" msgstr "" -#: ../../tutorials/flat-coloring.rst:0 -msgid ".. image:: images/flat-coloring/Krita_filling_lineart_selection_1.png" -msgstr "" - -#: ../../tutorials/flat-coloring.rst:0 -msgid ".. image:: images/flat-coloring/Krita_filling_lineart_selection_2.png" -msgstr "" - -#: ../../tutorials/flat-coloring.rst:0 -msgid ".. image:: images/flat-coloring/Krita_filling_lineart_mask_1.png" -msgstr "" - -#: ../../tutorials/flat-coloring.rst:0 -msgid ".. image:: images/flat-coloring/Krita_filling_lineart_mask_2.png" -msgstr "" - -#: ../../tutorials/flat-coloring.rst:0 -msgid ".. image:: images/flat-coloring/Krita_filling_lineart_mask_3.png" -msgstr "" - #: ../../tutorials/flat-coloring.rst:None msgid "" ".. image:: images/flat-coloring/Krita_filling_lineart14.png\n" " :alt: layer structure for flatting in krita" msgstr "" #: ../../tutorials/flat-coloring.rst:None msgid "" ".. image:: images/flat-coloring/Krita_filling_lineart1.png\n" " :alt: blend mode setup of line art flat coloring" msgstr "" #: ../../tutorials/flat-coloring.rst:None msgid "" ".. image:: images/flat-coloring/Krita_filling_lineart2.png\n" " :alt: effects of multiply blend mode" msgstr "" #: ../../tutorials/flat-coloring.rst:None msgid "" ".. image:: images/icons/fill_tool.svg\n" " :alt: fill-tool icon" msgstr "" #: ../../tutorials/flat-coloring.rst:None msgid "" ".. image:: images/flat-coloring/Krita_filling_lineart7.png\n" " :alt: colors filled with fill tool" msgstr "" #: ../../tutorials/flat-coloring.rst:None msgid "" ".. image:: images/flat-coloring/Krita_filling_lineart15.png\n" " :alt: selecting with selection tools for filling color" msgstr "" #: ../../tutorials/flat-coloring.rst:None msgid "" ".. image:: images/flat-coloring/Krita_filling_lineart16.png\n" " :alt: selection mask in Krita" msgstr "" #: ../../tutorials/flat-coloring.rst:None msgid "" ".. image:: images/flat-coloring/Krita_filling_lineart17.png\n" " :alt: filling color in selection" msgstr "" #: ../../tutorials/flat-coloring.rst:None msgid "" ".. image:: images/flat-coloring/Krita_filling_lineart18.png\n" " :alt: result of coloring made with the help of selection tools" msgstr "" #: ../../tutorials/flat-coloring.rst:None msgid "" ".. image:: images/flat-coloring/Krita_filling_lineart8.png\n" " :alt: filling color in line art using path tool" msgstr "" #: ../../tutorials/flat-coloring.rst:None msgid "" ".. image:: images/flat-coloring/Krita_filling_lineart9.png\n" " :alt: erasing with path tool" msgstr "" #: ../../tutorials/flat-coloring.rst:None msgid "" ".. image:: images/flat-coloring/Krita_filling_lineart10.png\n" " :alt: coloring with colorize mask" msgstr "" #: ../../tutorials/flat-coloring.rst:None msgid "" ".. image:: images/flat-coloring/Krita_filling_lineart11.png\n" " :alt: result from the colorize mask" msgstr "" #: ../../tutorials/flat-coloring.rst:None msgid "" ".. image:: images/flat-coloring/Krita_filling_lineart12.png\n" " :alt: slitting colors into islands" msgstr "" #: ../../tutorials/flat-coloring.rst:None msgid "" ".. image:: images/flat-coloring/Krita_filling_lineart13.png\n" " :alt: resulting color islands from split layers" msgstr "" +#: ../../tutorials/flat-coloring.rst:0 +msgid ".. image:: images/flat-coloring/Krita_filling_lineart_selection_1.png" +msgstr "" + +#: ../../tutorials/flat-coloring.rst:0 +msgid ".. image:: images/flat-coloring/Krita_filling_lineart_selection_2.png" +msgstr "" + +#: ../../tutorials/flat-coloring.rst:0 +msgid ".. image:: images/flat-coloring/Krita_filling_lineart_mask_1.png" +msgstr "" + +#: ../../tutorials/flat-coloring.rst:0 +msgid ".. image:: images/flat-coloring/Krita_filling_lineart_mask_2.png" +msgstr "" + +#: ../../tutorials/flat-coloring.rst:0 +msgid ".. image:: images/flat-coloring/Krita_filling_lineart_mask_3.png" +msgstr "" + #: ../../tutorials/flat-coloring.rst:1 msgid "Common workflows used in Krita" msgstr "" #: ../../tutorials/flat-coloring.rst:13 msgid "Flat Coloring" msgstr "" #: ../../tutorials/flat-coloring.rst:15 msgid "" "So you've got a cool black on white drawing, and now you want to color it! " "The thing we’ll aim for in this tutorial is to get your line art colored in " "with flat colors. So no shading just yet. We’ll be going through some " "techniques for preparing the line art, and we’ll be using the layer docker " "to put each color on a separate layer, so we can easily access each color " "when we add shading." msgstr "" #: ../../tutorials/flat-coloring.rst:17 msgid "" "This tutorial is adapted from this `tutorial `_ by " "the original author." msgstr "" #: ../../tutorials/flat-coloring.rst:20 msgid "Understanding Layers" msgstr "" #: ../../tutorials/flat-coloring.rst:22 msgid "" "To fill line art comfortably, it's best to take advantage of the layerstack. " "The layer stack is pretty awesome, and it's one of those features that make " "digital art super-convenient." msgstr "" #: ../../tutorials/flat-coloring.rst:24 msgid "" "In traditional art, it is not uncommon to first draw the full background " "before drawing the subject. Or to first draw a line art and then color it " "in. Computers have a similar way of working." msgstr "" #: ../../tutorials/flat-coloring.rst:26 msgid "" "In programming, if you tell a computer to draw a red circle, and then " "afterwards tell it to draw a smaller yellow circle, you will see the small " "yellow circle overlap the red circle. Switch the commands around, and you " "will not see the yellow circle at all: it was drawn before the red circle " "and thus ‘behind’ it." msgstr "" #: ../../tutorials/flat-coloring.rst:28 msgid "" "This is referred to as the “drawing order”. So like the traditional artist, " "the computer will first draw the images that are behind everything, and " "layer the subject and foreground on top of it. The layer docker is a way for " "you to control the drawing order of multiple images, so for example, you can " "have your line art drawn later than your colors, meaning that the lines will " "be drawn over the colors, making it easier to make it neat!" msgstr "" #: ../../tutorials/flat-coloring.rst:30 msgid "" "Other things that a layer stack can do are blending the colors of different " "layers differently with blending modes, using a filter in the layer stack, " "or using a mask that allows you to make parts transparent." msgstr "" #: ../../tutorials/flat-coloring.rst:32 msgid "" "Programmers talk about transparency as ''Alpha'', which is because the 'a' " "symbol is used to present transparency in the algorithms for painting one " "color on top of another. Usually when you see the word ''Alpha'' in a " "graphics program, just think of it as affecting the transparency." msgstr "" #: ../../tutorials/flat-coloring.rst:35 msgid "Preparing your line art" msgstr "" #: ../../tutorials/flat-coloring.rst:37 msgid "" "Put the new layer underneath the layer containing the line art (drag and " "drop or use the up/down arrows for that), and draw on it." msgstr "" #: ../../tutorials/flat-coloring.rst:42 msgid "" "…And notice nothing happening. This is because the white isn’t transparent. " "You wouldn’t really want it to either, how else would you make convincing " "highlights? So what we first need to do to color in our drawing is prepare " "our line art. There’s several methods of doing so, each with varying " "qualities." msgstr "" #: ../../tutorials/flat-coloring.rst:45 msgid "The Multiply Blending Mode" msgstr "" #: ../../tutorials/flat-coloring.rst:47 msgid "" "So, typically, to get a black and white line art usable for coloring, you " "can set the blending mode of the line art layer to Multiply. You do this by " "selecting the layer and going to the drop-down that says **Normal** and " "setting that to **Multiply**." msgstr "" #: ../../tutorials/flat-coloring.rst:52 msgid "And then you should be able to see your colors!" msgstr "" #: ../../tutorials/flat-coloring.rst:54 msgid "" "Multiply is not a perfect solution however. For example, if through some " "image editing magic I make the line art blue, it results into this:" msgstr "" #: ../../tutorials/flat-coloring.rst:59 msgid "" "This is because multiply literally multiplies the colors. So it uses maths!" msgstr "" #: ../../tutorials/flat-coloring.rst:61 msgid "" "What it first does is take the values of the RGB channels, then divides them " "by the max (because we're in 8bit, this is 255), a process we call " "normalising. Then it multiplies the normalized values. Finally, it takes the " "result and multiplies it with 255 again to get the result values." msgstr "" #: ../../tutorials/flat-coloring.rst:67 msgid "Pink" msgstr "" #: ../../tutorials/flat-coloring.rst:68 msgid "Pink (normalized)" msgstr "" #: ../../tutorials/flat-coloring.rst:69 ../../tutorials/flat-coloring.rst:87 msgid "Blue" msgstr "" #: ../../tutorials/flat-coloring.rst:70 msgid "Blue (normalized)" msgstr "" #: ../../tutorials/flat-coloring.rst:71 msgid "Normalized, multiplied" msgstr "" #: ../../tutorials/flat-coloring.rst:72 msgid "Result" msgstr "" #: ../../tutorials/flat-coloring.rst:73 msgid "Red" msgstr "" #: ../../tutorials/flat-coloring.rst:74 msgid "222" msgstr "" #: ../../tutorials/flat-coloring.rst:75 msgid "0.8705" msgstr "" #: ../../tutorials/flat-coloring.rst:76 msgid "92" msgstr "" #: ../../tutorials/flat-coloring.rst:77 msgid "0.3607" msgstr "" #: ../../tutorials/flat-coloring.rst:78 msgid "0.3139" msgstr "" #: ../../tutorials/flat-coloring.rst:79 msgid "80" msgstr "" #: ../../tutorials/flat-coloring.rst:80 msgid "Green" msgstr "" #: ../../tutorials/flat-coloring.rst:81 msgid "144" msgstr "" #: ../../tutorials/flat-coloring.rst:82 msgid "0.5647" msgstr "" #: ../../tutorials/flat-coloring.rst:83 msgid "176" msgstr "" #: ../../tutorials/flat-coloring.rst:84 msgid "0.6902" msgstr "" #: ../../tutorials/flat-coloring.rst:85 msgid "0.3897" msgstr "" #: ../../tutorials/flat-coloring.rst:86 msgid "99" msgstr "" #: ../../tutorials/flat-coloring.rst:88 msgid "123" msgstr "" #: ../../tutorials/flat-coloring.rst:89 msgid "0.4823" msgstr "" #: ../../tutorials/flat-coloring.rst:90 msgid "215" msgstr "" #: ../../tutorials/flat-coloring.rst:91 msgid "0.8431" msgstr "" #: ../../tutorials/flat-coloring.rst:92 msgid "0.4066" msgstr "" #: ../../tutorials/flat-coloring.rst:93 msgid "103" msgstr "" #: ../../tutorials/flat-coloring.rst:95 msgid "" "This isn't completely undesirable, and a lot of artists use this effect to " "add a little richness to their colors." msgstr "" #: ../../tutorials/flat-coloring.rst:98 ../../tutorials/flat-coloring.rst:127 #: ../../tutorials/flat-coloring.rst:154 ../../tutorials/flat-coloring.rst:173 #: ../../tutorials/flat-coloring.rst:210 ../../tutorials/flat-coloring.rst:247 #: ../../tutorials/flat-coloring.rst:275 ../../tutorials/flat-coloring.rst:317 msgid "Advantages" msgstr "" #: ../../tutorials/flat-coloring.rst:100 msgid "" "Easy, can work to your benefit even with colored lines by softening the look " "of the lines while keeping nice contrast." msgstr "" #: ../../tutorials/flat-coloring.rst:103 ../../tutorials/flat-coloring.rst:132 #: ../../tutorials/flat-coloring.rst:159 ../../tutorials/flat-coloring.rst:178 #: ../../tutorials/flat-coloring.rst:215 ../../tutorials/flat-coloring.rst:252 #: ../../tutorials/flat-coloring.rst:280 ../../tutorials/flat-coloring.rst:322 msgid "Disadvantages" msgstr "" #: ../../tutorials/flat-coloring.rst:105 msgid "Not actually transparent. Is a little funny with colored lines." msgstr "" #: ../../tutorials/flat-coloring.rst:108 msgid "Using Selections" msgstr "" #: ../../tutorials/flat-coloring.rst:110 msgid "" "The second method is one where we'll make it actually transparent. In other " "programs this would be done via the channel docker, but Krita doesn't do " "custom channels, instead it uses Selection Masks to store custom selections." msgstr "" #: ../../tutorials/flat-coloring.rst:112 msgid "Duplicate your line art layer." msgstr "" #: ../../tutorials/flat-coloring.rst:114 msgid "" "Convert the duplicate to a selection mask. |mouseright| the layer, then :" "menuselection:`Convert --> to Selection Mask`." msgstr "" #: ../../tutorials/flat-coloring.rst:118 msgid "" "Invert the selection mask. :menuselection:`Select --> Invert Selection`." msgstr "" #: ../../tutorials/flat-coloring.rst:120 msgid "" "Make a new layer, and do :menuselection:`Edit --> Fill with Foreground " "Color`." msgstr "" #: ../../tutorials/flat-coloring.rst:124 msgid "And you should now have the line art on a separate layer." msgstr "" #: ../../tutorials/flat-coloring.rst:129 msgid "Actual transparency." msgstr "" #: ../../tutorials/flat-coloring.rst:134 msgid "Doesn't work when the line art is colored." msgstr "" #: ../../tutorials/flat-coloring.rst:137 msgid "Using Masks" msgstr "" #: ../../tutorials/flat-coloring.rst:139 msgid "This is a simpler variation of the above." msgstr "" #: ../../tutorials/flat-coloring.rst:141 msgid "Make a filled layer underneath the line art layer." msgstr "" #: ../../tutorials/flat-coloring.rst:145 msgid "" "Convert the line art layer to a transparency mask |mouseright| the layer, " "then :menuselection:`Convert --> to Transparency Mask`." msgstr "" #: ../../tutorials/flat-coloring.rst:149 msgid "" "Invert the transparency mask by going to :menuselection:`Filter --> Adjust --" "> Invert`" msgstr "" #: ../../tutorials/flat-coloring.rst:156 msgid "" "Actual transparency. You can also very easily doodle a pattern on the filled " "layer where the mask is on without affecting the transparency." msgstr "" #: ../../tutorials/flat-coloring.rst:161 msgid "" "Doesn't work when the line art is colored already. We can still get faster." msgstr "" #: ../../tutorials/flat-coloring.rst:164 msgid "Using Color to Alpha" msgstr "" #: ../../tutorials/flat-coloring.rst:166 msgid "By far the fastest way to get transparent line art." msgstr "" #: ../../tutorials/flat-coloring.rst:168 msgid "" "Select the line art layer and apply the color to alpha filter. :" "menuselection:`Filter --> Colors --> Color to Alpha`. The default values " "should be sufficient for line art." msgstr "" #: ../../tutorials/flat-coloring.rst:171 msgid "" ".. image:: images/flat-coloring/Krita_filling_lineart_color_to_alpha.png" msgstr "" #: ../../tutorials/flat-coloring.rst:175 msgid "" "Actual transparency. Works with colored line art as well, because it removes " "the white specifically." msgstr "" #: ../../tutorials/flat-coloring.rst:180 msgid "" "You'll have to lock the layer transparency or separate out the alpha via the " "right-click menu if you want to easily color it." msgstr "" #: ../../tutorials/flat-coloring.rst:184 msgid "Coloring the image" msgstr "" #: ../../tutorials/flat-coloring.rst:186 msgid "" "Much like preparing the line art, there are many different ways of coloring " "a layer." msgstr "" #: ../../tutorials/flat-coloring.rst:188 msgid "" "You could for example fill in everything by hand, but while that is very " "precise it also takes a lot of work. Let's take a look at the other options, " "shall we?" msgstr "" #: ../../tutorials/flat-coloring.rst:191 msgid "Fill Tool" msgstr "" #: ../../tutorials/flat-coloring.rst:196 msgid "" "In most cases the fill-tool can’t deal with the anti-aliasing (the soft edge " "in your line art to make it more smooth when zoomed out) In Krita you have " "the grow-shrink option. Setting that to say… 2 expands the color two pixels." msgstr "" #: ../../tutorials/flat-coloring.rst:198 msgid "" "Threshold decides when the fill-tool should consider a different color pixel " "to be a border. And the feathering adds an extra soft border to the fill." msgstr "" #: ../../tutorials/flat-coloring.rst:200 msgid "" "Now, if you click on a gapless-part of the image with your preferred color… " "(Remember to set the opacity to 1.0!)" msgstr "" #: ../../tutorials/flat-coloring.rst:202 msgid "" "Depending on your line art, you can do flats pretty quickly. But setting the " "threshold low can result in little artifacts around where lines meet:" msgstr "" #: ../../tutorials/flat-coloring.rst:207 msgid "" "However, setting the threshold high can end with the fill not recognizing " "some of the lighter lines. Besides these little artifacts can be removed " "with the brush easily." msgstr "" #: ../../tutorials/flat-coloring.rst:212 msgid "Pretty darn quick depending on the available settings." msgstr "" #: ../../tutorials/flat-coloring.rst:217 msgid "" "Again, not great with gaps or details. And it works best with aliased line " "art." msgstr "" #: ../../tutorials/flat-coloring.rst:220 msgid "Selections" msgstr "" #: ../../tutorials/flat-coloring.rst:222 msgid "Selections work using the selection tools." msgstr "" #: ../../tutorials/flat-coloring.rst:227 msgid "" "For example with the :ref:`bezier_curve_selection_tool` you can easily " "select a curved area, and the with :kbd:`Shift` + |mouseleft| (not |" "mouseleft| + :kbd:`Shift`, there's a difference!) you can easily add to an " "existing selection." msgstr "" #: ../../tutorials/flat-coloring.rst:232 msgid "" "You can also edit the selection if you have :menuselection:`Select --> Show " "Global Selection Mask` turned on. Then you can select the global selection " "mask, and paint on it. (Above with the alternative selection mode, activated " "in the lower-left corner of the stats bar)" msgstr "" #: ../../tutorials/flat-coloring.rst:234 msgid "" "When done, select the color you want to fill it with and press :kbd:`Shift` " "+ `backspace`." msgstr "" #: ../../tutorials/flat-coloring.rst:239 msgid "" "You can save selections in selection masks by |mouseright| a layer, and then " "going to :menuselection:`Add --> Local Selection`. You first need to " "deactivate a selection by pressing the circle before adding a new selection." msgstr "" #: ../../tutorials/flat-coloring.rst:241 msgid "" "This can serve as an alternative way to split out different parts of the " "image, which is good for more painterly pieces:" msgstr "" #: ../../tutorials/flat-coloring.rst:249 msgid "A bit more precise than filling." msgstr "" #: ../../tutorials/flat-coloring.rst:254 msgid "Previewing your color isn't as easy." msgstr "" #: ../../tutorials/flat-coloring.rst:257 msgid "Geometric tools" msgstr "" #: ../../tutorials/flat-coloring.rst:259 msgid "" "So you have a tool for making rectangles or circles. And in the case of " "Krita, a tool for bezier curves. Select the path tool (|path tool|), and set " "the tool options to fill=foreground and outline=none. Make sure that your " "opacity is set to 1.00 (fully opaque)." msgstr "" #: ../../tutorials/flat-coloring.rst:262 msgid "" ".. image:: images/icons/bezier_curve.svg\n" " :alt: path tool" msgstr "" #: ../../tutorials/flat-coloring.rst:264 msgid "" "By clicking and holding, you can influence how curvy a line draw with the " "path tool is going to be. Letting go of the mouse button confirms the " "action, and then you’re free to draw the next point." msgstr "" #: ../../tutorials/flat-coloring.rst:269 msgid "" "You can also erase with a geometric tool. Just press :kbd:`E` or the eraser " "button." msgstr "" #: ../../tutorials/flat-coloring.rst:277 msgid "" "Quicker than using the brush or selections. Also decent with line art that " "contains gaps." msgstr "" #: ../../tutorials/flat-coloring.rst:282 msgid "" "Fiddly details aren’t easy to fill in with this. So I recommend skipping " "those and filling them in later with a brush." msgstr "" #: ../../tutorials/flat-coloring.rst:285 msgid "Colorize Mask" msgstr "" #: ../../tutorials/flat-coloring.rst:287 msgid "" "So, this is a bit of an odd one. In the original tutorial, you'll see I'm " "suggesting using G'Mic, but that was a few years ago, and G'Mic is a little " "unstable on windows. Therefore, the Krita developers have been attempting to " "make an internal tool doing the same." msgstr "" #: ../../tutorials/flat-coloring.rst:289 msgid "" "It is disabled in 3.1, but if you use 4.0 or later, it is in the toolbox. " "Check the Colorize Mask for more information." msgstr "" #: ../../tutorials/flat-coloring.rst:291 msgid "So it works like this:" msgstr "" #: ../../tutorials/flat-coloring.rst:293 msgid "Select the colorize mask tool." msgstr "" #: ../../tutorials/flat-coloring.rst:294 msgid "Tick the layer you're using." msgstr "" #: ../../tutorials/flat-coloring.rst:295 msgid "Paint the colors you want to use on the colorize mask" msgstr "" #: ../../tutorials/flat-coloring.rst:296 msgid "Click update to see the results:" msgstr "" #: ../../tutorials/flat-coloring.rst:301 msgid "" "When you are satisfied, |mouseright| the colorize mask, and go to :" "menuselection:`Convert --> Paint Layer`. This will turn the colorize mask to " "a generic paint layer. Then, you can fix the last issues by making the line " "art semi-transparent and painting the flaws away with a pixel art brush." msgstr "" #: ../../tutorials/flat-coloring.rst:306 msgid "" "Then, when you are done, split the layers via :menuselection:`Layer --> " "Split --> Split Layer`. There are a few options you can choose, but the " "following should be fine:" msgstr "" #: ../../tutorials/flat-coloring.rst:311 msgid "" "Finally, press **Ok** and you should get the following. Each color patch it " "on a different layer, named by the palette in the menu and alpha locked, so " "you can start painting right away!" msgstr "" #: ../../tutorials/flat-coloring.rst:319 msgid "" "Works with anti-aliased line art. Really quick to get the base work done. " "Can auto-close gaps." msgstr "" #: ../../tutorials/flat-coloring.rst:324 msgid "" "No anti-aliasing of its own. You have to choose between getting details " "right or the gaps auto-closed." msgstr "" #: ../../tutorials/flat-coloring.rst:327 msgid "Conclusion" msgstr "" #: ../../tutorials/flat-coloring.rst:329 msgid "" "I hope this has given you a good idea of how to fill in flats using the " "various techniques, as well as getting a hand of different Krita features. " "Remember that a good flat filled line art is better than a badly shaded one, " "so keep practicing to get the best out of these techniques!" msgstr "" diff --git a/locale/lt/LC_MESSAGES/general_concepts/colors/color_managed_workflow.po b/locale/lt/LC_MESSAGES/general_concepts/colors/color_managed_workflow.po index c47085572..a313ec5f6 100644 --- a/locale/lt/LC_MESSAGES/general_concepts/colors/color_managed_workflow.po +++ b/locale/lt/LC_MESSAGES/general_concepts/colors/color_managed_workflow.po @@ -1,1066 +1,1066 @@ # Lithuanian translations for Krita Manual package. # Copyright (C) licensed under the GNU Free Documentation License 1.3+ unless stated otherwise # This file is distributed under the same license as the Krita Manual package. # Automatically generated, 2019. # msgid "" msgstr "" "Project-Id-Version: Krita Manual 4.1\n" "Report-Msgid-Bugs-To: \n" -"POT-Creation-Date: 2019-06-17 03:13+0200\n" +"POT-Creation-Date: 2019-06-23 13:49+0200\n" "PO-Revision-Date: 2019-04-23 03:45+0200\n" "Last-Translator: Automatically generated\n" "Language-Team: lt\n" "Language: lt\n" "MIME-Version: 1.0\n" "Content-Type: text/plain; charset=UTF-8\n" "Content-Transfer-Encoding: 8bit\n" "Plural-Forms: nplurals=4; plural=(n==1 ? 0 : n%10>=2 && (n%100<10 || n" "%100>=20) ? 1 : n%10==0 || (n%100>10 && n%100<20) ? 2 : 3);\n" -#: ../../general_concepts/colors/color_managed_workflow.rst:0 -msgid ".. image:: images/color_category/Kiki_matrix_profile.png" -msgstr "" - -#: ../../general_concepts/colors/color_managed_workflow.rst:0 -msgid ".. image:: images/color_category/Kiki_cLUTprofiles.png" -msgstr "" - #: ../../general_concepts/colors/color_managed_workflow.rst:None msgid ".. image:: images/color_category/Krita_2_9_colormanagement_group1.png" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:None msgid ".. image:: images/color_category/Krita_2_9_colormanagement_group2.png" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:None msgid ".. image:: images/color_category/Krita_2_9_colormanagement_group3.png" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:None msgid ".. image:: images/color_category/Krita_2_9_colormanagement_group4.png" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:None msgid ".. image:: images/dockers/LUT_Management_Docker.png" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:None msgid ".. image:: images/color_category/Krita_HDR_1.svg" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:None msgid ".. image:: images/color_category/Krita_HDR2.svg" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:None msgid "" ".. image:: images/color_category/Krita-colormanaged-workflow_webcomic.svg" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:None msgid ".. image:: images/color_category/Krita-colormanaged-workflow_print.svg" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:None msgid ".. image:: images/color_category/Krita-colormanaged-workflow_games.svg" msgstr "" +#: ../../general_concepts/colors/color_managed_workflow.rst:0 +msgid ".. image:: images/color_category/Kiki_matrix_profile.png" +msgstr "" + +#: ../../general_concepts/colors/color_managed_workflow.rst:0 +msgid ".. image:: images/color_category/Kiki_cLUTprofiles.png" +msgstr "" + #: ../../general_concepts/colors/color_managed_workflow.rst:1 msgid "How a color managed workflow works." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:12 msgid "Color" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:12 msgid "Color Management" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:12 msgid "ICC Profiles" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:12 msgid "OCIO" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:17 msgid "Color Managed Workflow" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:19 msgid "" "You may have heard that Krita has something called color-management. Or " "maybe you just wondered what all these 'color model' and 'color profile' " "things you can find in the menus mean. Color management is pretty useful for " "people who work in digital imaging professionally, and hopefully this page " "will explain why." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:22 msgid "Basic Info" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:24 msgid "" "If you've never worked with color management before, and have no clue what " "it is, then know that you've probably been working in the 8bit RGB color " "space with the sRGB profile. This means you can choose for *sRGB built-in* " "or *sRGB-elle-v2-srgbtrc.icc*. With the new color space browser this profile " "is marked with *(default)* when using 8bit." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:26 msgid "" "We'll go into what these terms mean in the theory, but if you're here only " "for trying to figure out which is the default, you now know it. Maybe, after " "reading this, you may feel like changing the default, to get new and " "interesting results from filters, blending modes, or just the color smudge " "brush." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:29 msgid "What is the problem?" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:31 msgid "" "To explain the point of color management, you'd first need to learn which " "problem color management tries to solve." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:33 msgid "Let us imagine a kinder garden:" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:35 msgid "" "The class of 28 children is subdivided in groups of 7. Each group has its " "own table." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:37 msgid "" "The teacher gives them a painting assignment: They need to paint a red " "triangle, a blue square, a green circle and put a yellow border around the " "three. The kids are very experienced with painting already, so the teacher " "can confidently leave the smarter ones to their own devices, and spent more " "time on those who need help." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:40 msgid "The following results come from painting:" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:42 msgid "" "Even though all groups had the same assignment, each group's result looks " "different." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:49 msgid "" "Group 1 had vermillion red, citron yellow and ultramarine blue to their " "disposal. This means their triangle looks nice and red, but their circle's " "green is muddy. This is because ultramarine is too dark of a blue to create " "nice greens with." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:56 msgid "" "Group 2 had magenta red, citron yellow and cerulean blue. Magenta is a type " "of red that is closer to pink, opposed to vermillion, which is closer to " "orange. However, their green looks nice because cerulean is a much lighter " "blue." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:64 msgid "" "Group 3 had vermillion red, citron yellow, emerald green and cerulean blue. " "They didn't mix their green, and thus ended up with a purer color." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:71 msgid "" "Finally, group 4 has vermillion red, citron yellow and cerulean blue. Their " "colors probably look like what you imagined." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:73 msgid "" "Now, these are kindergarteners, so this isn't the largest problem in the " "world. However, imagine that something like this happened at a printing " "company? Imagine four printers printing the same magazine with wildly " "different results? That would be disastrous!" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:75 msgid "For this purpose, we invented color management." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:78 msgid "What is color management?" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:80 msgid "" "Color management is, dryly put, a set of systems that tries to have the same " "color translate properly between color devices." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:82 msgid "" "It usually works by attempting to covert a color to the reference color " "space XYZ. XYZ is a coordinate system that has a spot for all colors that " "the average human eye can see." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:84 msgid "" "From XYZ it can then be translated back into another device space, such as " "RGB (for screens), or CMYK (for printers)." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:86 msgid "" "Krita has two systems dedicated to color management. On the one hand, we " "have **lcms2**, which deal with ICC profiles, and on the other, we have " "**OCIO**, which deal with LUT color management." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:88 msgid "" "To give a crude estimate, ICC profiles deal with keeping colors consistent " "over many interpretations of devices (screens, printers) by using a " "reference space, and OCIO deals with manipulating the interpretation of said " "colors." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:90 msgid "Within both we can identify the following color spaces:" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:93 msgid "" "Device spaces are those describing your monitor, and have to be made using a " "little device that is called \"colorimeter\". This device, in combination " "with the right software, measures the strongest red, green and blue your " "screen can produce, as well as the white, black and gray it produces. Using " "these and several other measurements it creates an ICC profile unique to " "your screen. You set these in Krita's color management tab. By default we " "assume sRGB for screens, but it's very likely that your screen isn't exactly " "fitting sRGB, especially if you have a high quality screen, where it may be " "a bigger space instead. Device spaces are also why you should first consult " "with your printer what profile they expect. Many printing houses have their " "own device profiles for their printers, or may prefer doing color conversion " "themselves. You can read more about colorimeter usage :ref:`here " "`." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:94 msgid "Device spaces" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:96 msgid "Working spaces" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:97 msgid "" "These are delivered alongside Krita for ICC, and downloadable from the OCIO " "website for OCIO. Working spaces are particularly nice to do color " "calculations in, which programs like Krita do often. It's therefore " "recommended to have a working space profile for your image." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:99 msgid "Aesthetic or Look spaces" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:99 msgid "" "These are special spaces that have been deformed to give a certain look to " "an image. Krita doesn't deliver Look profiles for ICC, nor does it yet " "support Look spaces for OCIO." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:102 msgid "Color managed workflow" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:104 msgid "" "Knowing this about these spaces of course doesn't give you an idea of how to " "use them, but it does make it easier to explain how to use them. So let us " "look at a typical color management workflow:" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:110 msgid ".. image:: images/color_category/Krita-colormanaged-workflow_text.svg" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:110 msgid "" "A typical example of a color managed workflow. We have input from scanners " "and cameras, which we convert to a working space that can be used between " "different editing software, and is converted to an output space for viewing " "on screen or printing." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:112 msgid "" "In a traditional color managed workflow, we usually think in terms of real " "world colors being converted to computer colors and the other way around. " "So, for example photos from a camera or scanned in images. If you have a " "device space of such a device, we first assign said device space to the " "image, and then convert it to a working space." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:114 msgid "" "We then do all our editing in the working space, and use the working space " "to communicate between editing programs. In Krita's case, due to it having " "two color management systems, we use ICC profiles between programs like GIMP " "2.9+, Inkscape, digiKam and Scribus, and OCIO configuration between Blender " "and Natron." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:116 msgid "" "You also store your working files in the working space, just like how you " "have the layers unmerged in the working file, or have it at a very high " "resolution." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:118 msgid "" "Sometimes, we apply aesthetic or 'look' spaces to an image as part of the " "editing process. This is rather advanced, and probably not something to " "worry about in Krita's case." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:120 msgid "" "Then, when we're done editing, we try to convert to an output space, which " "is another device space. This can be CMYK for printers or a special screen " "RGB profile. When you are dealing with professional printing houses, it is " "best to ask them about this step. They have a lot of experience with doing " "the best conversion, and may prefer to do the conversion from your working " "space to the device space of their printers." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:122 msgid "" "Another form of output is the way your screen displays the color. Unlike " "regular output, this one is done all the time during editing: After all, you " "need to be able to see what you are doing, but your screen is still a device " "with a device space, so it does distort how the image looks. In this manner, " "you can see your screen as a set of binoculars you have to look through to " "see your image at all." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:124 msgid "" "Therefore, without a profiled monitor, you actually don't know what the " "actual colors you are working with are like, because the computer doesn't " "know the relevant properties of your screen. So if you profiled your " "monitor, give Krita the profile in the settings, and select the sRGB space " "to draw in, you are for the first time seeing the actual colors of the sRGB " "space." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:127 msgid "So what does this mean?" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:133 msgid "" ".. image:: images/color_category/Krita-colormanaged-workflow_krita_text.svg" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:133 msgid "" "When we paint from scratch, we can see our screen profile as the input " "space, because we use it to determine what colors to pick. This somewhat " "simplifies the workflow, but makes the screen profile and viewing conditions " "more important." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:135 msgid "" "Now, photographers and people who do a tricky discipline of VFX called " "'color grading' will go completely mad over trying to get the colors they " "put in to come out 100% correctly, and will even count in factors like the " "time of day and the color they painted their walls. For example, if the wall " "behind your computer is pure red, your eyes will adjust to be less sensitive " "to red, which means that the colors they pick in the program could come out " "redder. We call these the *viewing conditions*." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:137 msgid "" "Thankfully, artists have to worry a slight bit less about this. As " "illustrations are fully handmade, we are able to identify the important bits " "and make appropriate contrasts between colors. This means that even if our " "images turn out to be slightly redder than intended, it is less likely the " "whole image is ruined. If we look back at the kindergarten example above, we " "still understand what the image was supposed to look like, despite there " "being different colors on each image. Furthermore, because the colors in " "illustrations are deliberately picked, we can correct them more easily on a " "later date. Yet, at the same time, it is of course a big drag to do this, " "and we might have had much more flexibility had we taken viewing conditions " "under consideration." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:139 msgid "" "That said, for artists it is also very useful to understand the working " "spaces. Different working spaces give different results with filters and " "mixing, and only some working spaces can be used for advanced technology " "like HDR." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:141 msgid "" "Similarly, Krita, as a program intended to make images from scratch, doesn't " "really worry about assigning workspaces after having made the image. But " "because you are using the screen as a binocular to look at your image, and " "to pick colors, you can see your screen's device space as an input space to " "the image. Hence why profiling your monitor and giving the profile to Krita " "in the settings can help with preparing your work for print and future " "ventures in the long run." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:143 msgid "" "Overall, it is kinda useful to keep things like viewing conditions in the " "back of your mind. Many professional artists use a mid-gray color as their " "default canvas background because they find they create much more dynamic " "images due to having improved their viewing conditions. It is also why a lot " "of graphics programs, including Krita, come with a dark theme nowadays. " "(Though, of course this might also be because dark themes can be considered " "cool, who knows.)" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:148 msgid "ICC profiles" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:150 msgid "" "An ICC profile is a set of coordinates describing the extremities of the " "device space within XYZ, and it is the color management data you use to " "communicate your working space to printers and applications that are " "designed for the print industry, such as GIMP, Scribus, Photoshop, " "Illustrator, Inkscape, Digikam, RawTheraphee, etc. You have two types of ICC " "profiles:" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:153 msgid "" "These are delivered alongside Krita. Matrix shaper profiles are made by " "setting parameters and interpolating between these to get the exact size of " "the color space. Due to this, Krita's color space browser can give you a lot " "of information on these profiles. Such profiles are also preferable as " "working space." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:159 msgid "Matrix Shaper profiles." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:159 msgid "" "Matrix shaper profiles have a few parameters that describe the color space " "which are then interpolated between, this requires a lot of maths." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:162 msgid "" "These are fairly rare, and primarily used to describe printer profiles, such " "as CMYK. cLUT, or Color Look-up Table profiles store far more data than " "Matrix shaper profiles, so they can hold data of little particularities " "caused by, for example, unexpected results from mixing pigments. This is a " "far more organic approach to describing a color space, hence why a lot of " "programs that don't care for color management much don't support these." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:168 msgid "" "cLUT profiles work by holding tables of each color in a color space and " "their respective coordinates in a reference space. For CMYK this is " "typically L\\*A\\*B\\* and for the rest XYZ. These tables are tricky to " "make, which means these profiles are a lot rarer." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:169 msgid "cLUT profiles" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:171 msgid "" "The interesting thing about ICC profiles is that your working space can be " "larger than your device space. This is generally not bad. However, when " "converting, you do end up with the question of how to translate the working " "space values." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:174 msgid "Perceptual" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:174 msgid "" "This just squishes the values of the working space into the space it's " "converted to. It's a nice method to see all possible values in this, but not " "so good if you want accurate color reproduction. Use this if you want to see " "all colors in an image, or want to express all possible contrasts. Doesn't " "work with Matrix Shaper profiles, defaults to relative colorimetric." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:177 msgid "Absolute Colorimetric." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:177 msgid "" "The opposite to Perceptual, Absolute colorimetric will attempt to retain all " "the correct colors at whatever cost, which may result in awful looking " "colors. Recommended only for reproduction work. Doesn't work with Matrix " "Shaper profiles in Krita due to ICC v4 workflow standards." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:180 msgid "Relative Colorimetric" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:180 msgid "" "An in between solution between perceptual and absolute, relative will try to " "fit whatever colors it can match between color spaces. It does this by " "aligning the white and black points. It cuts off the rest to their " "respective borders. This is what all matrix shaper profiles default to " "during conversion, because the ICC v4 workflow specifies to only use " "Relative Colorimetric for matrix shaper profiles." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:183 msgid "Saturation" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:183 msgid "" "Does anything to retain colorfulness, even hue will be sacrificed. Used in " "infographics. Doesn't work with Matrix Shaper profiles, defaults to relative " "colorimetric." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:185 msgid "" "*ICC profile version* is the last thing to keep in mind when dealing with " "ICC profiles. Krita delivers both Version 2 and Version 4 profiles, with the " "later giving better results in doing color maths, but the former being more " "widely supported (as seen below in 'Interaction with other applications'). " "This is also why Krita defaults to V2, and we recommend using V2 when you " "aren't certain if the other programs you are using support V4." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:188 msgid "LUT docker and HDR imaging" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:196 msgid "" "The :ref:`lut_docker` is the second important bit of color management in " "Krita that is shared between Krita and programs like Blender, Natron and " "Nuke, and only uses Look Up Tables that are configured via a config file." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:198 msgid "" "You can set the workingspace of the image under input color space, and the " "display to sRGB or your own LUT if you have added it to the configuration. " "View in this case is for proofing transforms to a certain display device." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:200 msgid "" "Component, exposure, gamma, whitepoint and blackpoint are knobs which allows " "you to modify the display filter." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:208 msgid "" "As explained before, we can see our monitor as a telescope or binocular into " "the world of our picture. Which means it distorts our view of the image a " "little. But we can modify this binocular, or display filter to see our image " "in a different way. For example, to allow us to see the white in an image " "that are whiter than the white of our screen. To explain what that means, we " "need to think about what white is." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:210 msgid "" "For example, white, on our monitor is full red, full green and full blue. " "But it's certainly different from white on our paper, or the color of milk, " "white from the sun, or even the white of our cell-phone displays." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:212 msgid "" "Black similarly, is brighter on a LCD display than a LED one, and " "incomparable with the black of a carefully sealed room." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:214 msgid "" "This means that there's potentially blacker blacks than screen black, and " "white whites than screen white. However, for simplicity's sake we still " "assign the black-point and the white-point to certain values. From there, we " "can determine whether a white is whiter than the white point, or a black " "blacker than the black-point." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:216 msgid "" "The LUT docker allows us to control this display-filter and modify the " "distortion. This is useful when we start modifying images that are made with " "scene referred values, such as HDR photos, or images coming out of a render " "engine." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:224 msgid "" "So, for example, we can choose to scale whiter-than-screen-white to our " "screen-white so we can see the contrasts there." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:226 msgid "" "The point of this is that you can take advantage of more lightness detail in " "an image. While you can't see the difference between screen white and whiter-" "than-screen-white (because your screen can't show the difference), graphics " "programs can certainly use it." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:228 msgid "" "A common example is matching the lighting between a 3d model and a real " "world scene. Others are advanced photo retouching, with much more contrast " "information available to the user. In painting itself, this allows you to " "create an image where you can be flippant with the contrast, and allow " "yourself to go as bright as you'd like." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:230 msgid "" "LUT docker manipulations are per view, so you can create a new view and set " "it to luminosity. This way you can see the image in both color as well as " "grayscale and keep a good eye on your values." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:232 msgid "" "Another example is to carefully watch the gradients in a certain section." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:234 msgid "" "Like ICC, the LUT Docker allows you to create a profile of sorts for your " "device. In this case it's the 'lut', which stands for 'Look Up Table', and " "which can be added to OCIO by modifying the configuration file. When OCIO is " "turned on, the configuration in :menuselection:`Settings --> Configure Krita " "--> Color Management` is turned off, unless you are using the :guilabel:" "`Internal` color engine." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:237 msgid "In summary" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:239 msgid "Krita has two modes of color management:" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:241 msgid "" "ICC works in terms of spaces relative to the CIEXYZ space, and requires an " "ICC profile." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:242 msgid "OCIO works in terms of interpretation, and makes use of luts." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:243 msgid "both can be made with a colorimeter." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:244 msgid "" "If you want to have a properly color managed workflow, you have one made " "customary for the input device (your screen) and the output devices (your " "printer, or target screen). For web the output is always sRGB." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:245 msgid "" "Set up your screen profiles under :menuselection:`Settings --> Configure " "Krita --> Color management`." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:246 msgid "" "Do NOT use screen profiles or other device profiles to draw in. Use a " "working space profile such as any of the elle profiles for this, as the " "color maths will be much more predictable and pleasant. Krita will convert " "between your screen and working space on the fly, allowing you to pick the " "correct colors. This turns your screen into binoculars to view the image." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:247 msgid "" "Use the appropriate color management for the appropriate workflow. If you " "are working with Blender, you will be better off using OCIO, than ICC. If " "you are working with Scribus or Photoshop, use ICC." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:249 msgid "" "Krita does a lot of color maths, often concerning the blending of colors. " "This color maths works best in linear color space, and linear color space " "requires a bit depth of at the least 16bit to work correctly. The " "disadvantage is that linear space can be confusing to work in." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:251 msgid "" "If you like painting, have a decent amount of RAM, and are looking to start " "your baby-steps in taking advantage of Krita's color management, try " "upgrading from having all your images in sRGB built-in to sRGB-v2-elle-g10." "icc or rec2020-v2-elle-g10.icc at 16bit float. This'll give you better color " "blending while opening up the possibility for you to start working in hdr!" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:256 msgid "" "Some graphics cards, such as those of the NVidia-brand actually have the " "best performance under 16bit float, because NVidia cards convert to floating " "point internally. When it does not need to do that, it speeds up!" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:260 msgid "" "No amount of color management in the world can make the image on your screen " "and the image out of the printer have 100% the same color." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:263 msgid "Exporting" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:265 msgid "" "When you have finished your image and are ready to export it, you can modify " "the color space to optimize it:" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:267 msgid "If you are preparing an image for the web:" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:269 msgid "" "If you use 16bit color depth or higher, convert the image to 8bit color " "depth. This will make the image much smaller." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:271 msgid "" "Krita doesn't have built-in dithering currently, which means that 16 to " "18bit conversions can come out a bit banded. But you can simulate it by " "adding a fill layer with a pattern, set this fill layer to overlay, and to " "5% opacity. Then flatten the whole image and convert it to 8bit. The pattern " "will function as dithering giving a smoother look to gradients." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:273 msgid "If it's a gray-scale image, convert it to gray-scale." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:274 msgid "" "If it's a color image, keep it in the working space profile: Many web " "browsers these days support color profiles embedded into images. Firefox, " "for example, will try to convert your image to fit the color profile of the " "other monitor (if they have one). That way, the image will look almost " "exactly the same on your screen and on other profiled monitors." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:279 msgid "" "In some versions of Firefox, the colors actually look strange: This is a bug " "in Firefox, which is because its `color management system is incomplete " "`_, save your png, jpg or tiff without an embedded profile to work " "around this." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:281 msgid "If you are preparing for print:" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:283 msgid "" "You hopefully made the picture in a working space profile instead of the " "actual custom profile of your screen, if not, convert it to something like " "adobe rgb, sRGB or rec2020." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:284 msgid "" "Check with the printer what kind of image they expect. Maybe they expect " "sRGB color space, or perhaps they have their own profile." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:287 msgid "Interaction with other applications" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:290 msgid "Blender" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:292 msgid "" "If you wish to use krita's OCIO functionality, and in particular in " "combination with Blender's color management, you can try to have it use " "Blender's OCIO config." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:294 msgid "" "Blender's OCIO config is under ``/version number/datafiles/" "colormanagement``. Set the LUT docker to use the OCIO engine, and select the " "config from the above path. This will give you blender's input and screen " "spaces, but not the looks, as those aren't supported in Krita yet." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:298 msgid "Windows Photo Viewer" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:300 msgid "" "You might encounter some issues when using different applications together. " "One important thing to note is that the standard Windows Photo Viewer " "application does not handle modern ICC profiles. Krita uses version 4 " "profiles; Photo Viewer can only handle version 2 profiles. If you export to " "JPEG with an embedded profile, Photo Viewer will display your image much too " "dark." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:303 msgid "Example workflows" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:305 msgid "" "Here are some example workflows to get a feeling of how your color " "management workflow may look like." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:307 msgid "" "As mentioned before, input for your screen is set via :menuselection:" "`Settings --> Configure Krita --> Color management`, or via the LUT docker's " "'screen space'. Working space is set via new file per document, or in the " "LUT docker via 'input space'." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:310 msgid "Webcomic" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:317 #: ../../general_concepts/colors/color_managed_workflow.rst:339 #: ../../general_concepts/colors/color_managed_workflow.rst:357 msgid "Input" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:318 #: ../../general_concepts/colors/color_managed_workflow.rst:340 #: ../../general_concepts/colors/color_managed_workflow.rst:358 msgid "Your screen profile. (You pick colors via your screen)" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:319 #: ../../general_concepts/colors/color_managed_workflow.rst:341 #: ../../general_concepts/colors/color_managed_workflow.rst:359 msgid "Workingspace" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:320 msgid "" "sRGB (the default screen profile) or any larger profile if you can spare the " "bit depth and like working in them." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:322 #: ../../general_concepts/colors/color_managed_workflow.rst:344 #: ../../general_concepts/colors/color_managed_workflow.rst:362 msgid "Output" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:322 msgid "" "sRGB, ICC version 2, sRGB TRC for the internet, and a specialized CMYK " "profile from the printing house for the printed images." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:324 msgid "" "Use the sRGB-elle-V2-srgbtrc.icc for going between Inkscape, Photoshop, " "Painttool Sai, Illustrator, GIMP, Manga Studio, Paintstorm Studio, MyPaint, " "Artrage, Scribus, etc. and Krita." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:326 msgid "" "If you are using a larger space via ICC, you will only be able to " "interchange it between Krita, Photoshop, Illustrator, GIMP 2.9, Manga Studio " "and Scribus. All others assume sRGB for your space, no matter what, because " "they don't have color management." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:328 msgid "" "If you are going between Krita and Blender, Nuke or Natron, use OCIO and set " "the input space to 'sRGB', but make sure to select the sRGB profile for ICC " "when creating a new file." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:330 msgid "" "For the final for the web, convert the image to sRGB 8bit, srgbtrc, do not " "embed the ICC profile. Then, if using png, put it through something like " "pngcrush or other png optimizers. sRGB in this case is chosen because you " "can assume the vast majority of your audience hasn't profiled their screen, " "nor do they have screens that are advanced enough for the wide gamut stuff. " "So hence why we convert to the screen default for the internet, sRGB." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:333 msgid "Print" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:342 msgid "sRGB or rec2020 if you can afford the bit-depth being 16bit." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:344 msgid "" "Specialized CMYK profile from the printing house for the printed images." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:346 msgid "" "The CMYK profiles are different per printer, and even per paper or ink-type " "so don't be presumptuous and ask ahead for them, instead of doing something " "like trying to paint in any random CMYK profile. As mentioned in the viewing " "conditions section, you want to keep your options open." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:348 msgid "" "You can set the advanced color selector to transform to a given profile via :" "menuselection:`Settings --> Configure Krita --> Color Selector Settings`. " "There, tick :guilabel:`Color Selector Uses Different Color Space than Image` " "and select the CMYK profile you are aiming for. This will limit your colors " "a little bit, but keep all the nice filter and blending options from RGB." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:351 msgid "Games" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:360 msgid "sRGB or grayscale linear for roughness and specular maps." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:362 msgid "" "This one is tricky, but in the end it'll be sRGB for the regular player." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:364 msgid "" "So this one is tricky. You can use OCIO and ICC between programs, but " "recommended is to have your images to the engine in sRGB or grayscale. Many " "physically based renderers these days allow you to set whether an image " "should be read as a linear or srgbtrc image, and this is even vital to have " "the images being considered properly in the physically based calculations of " "the game renderer." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:366 msgid "" "While game engines need to have optimized content, and it's recommended to " "stay within 8bit, future screens may have higher bit depths, and when " "renderers will start supporting those, it may be beneficial to develop a " "workflow where the working-space files are rather unnecessarily big and you " "run some scripts to optimize them for your current render needs, making " "updating the game in the future for fancier screens less of a drag." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:368 msgid "" "Normal maps and heightmaps are officially supposed to be defined with a 'non-" "color data' working space, but you'll find that most engines will not care " "much for this. Instead, tell the game engine not to do any conversion on the " "file when importing." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:370 msgid "" "Specular, glossiness, metalness and roughness maps are all based on linear " "calculations, and when you find that certain material has a metalness of " "0.3, this is 30% gray in a linear space. Therefore, make sure to tell the " "game engine renderer that this is a linear space image (or at the very " "least, should NOT be converted)." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:374 msgid "" "`Visualizing the XYZ color space `_" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:375 msgid "" "`Basics of gamma correction `_" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:376 msgid "" "`Panda3d example of how an image that has gamma encoded without the 3d " "renderer being notified of it having gamma-encoding can result in too dark " "images `_" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:377 msgid "" "`2d examples of the effect of gamma-encoding on color maths `_" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:378 msgid "" "`Basic overview of color management from argylcms manual `_" msgstr "" diff --git a/locale/lt/LC_MESSAGES/tutorials/flat-coloring.po b/locale/lt/LC_MESSAGES/tutorials/flat-coloring.po index 5d11c7195..1aa118b51 100644 --- a/locale/lt/LC_MESSAGES/tutorials/flat-coloring.po +++ b/locale/lt/LC_MESSAGES/tutorials/flat-coloring.po @@ -1,758 +1,758 @@ # Lithuanian translations for Krita Manual package. # Copyright (C) licensed under the GNU Free Documentation License 1.3+ unless stated otherwise # This file is distributed under the same license as the Krita Manual package. # Automatically generated, 2019. # msgid "" msgstr "" "Project-Id-Version: Krita Manual 4.1\n" "Report-Msgid-Bugs-To: \n" -"POT-Creation-Date: 2019-06-23 03:14+0200\n" +"POT-Creation-Date: 2019-06-23 13:49+0200\n" "PO-Revision-Date: 2019-04-16 03:38+0200\n" "Last-Translator: Automatically generated\n" "Language-Team: lt\n" "Language: lt\n" "MIME-Version: 1.0\n" "Content-Type: text/plain; charset=UTF-8\n" "Content-Transfer-Encoding: 8bit\n" "Plural-Forms: nplurals=4; plural=(n==1 ? 0 : n%10>=2 && (n%100<10 || n" "%100>=20) ? 1 : n%10==0 || (n%100>10 && n%100<20) ? 2 : 3);\n" #: ../../:2 msgid "" ".. image:: images/icons/Krita_mouse_left.png\n" " :alt: mouseleft" msgstr "" #: ../../:4 msgid "" ".. image:: images/icons/Krita_mouse_right.png\n" " :alt: mouseright" msgstr "" -#: ../../tutorials/flat-coloring.rst:0 -msgid ".. image:: images/flat-coloring/Krita_filling_lineart_selection_1.png" -msgstr "" - -#: ../../tutorials/flat-coloring.rst:0 -msgid ".. image:: images/flat-coloring/Krita_filling_lineart_selection_2.png" -msgstr "" - -#: ../../tutorials/flat-coloring.rst:0 -msgid ".. image:: images/flat-coloring/Krita_filling_lineart_mask_1.png" -msgstr "" - -#: ../../tutorials/flat-coloring.rst:0 -msgid ".. image:: images/flat-coloring/Krita_filling_lineart_mask_2.png" -msgstr "" - -#: ../../tutorials/flat-coloring.rst:0 -msgid ".. image:: images/flat-coloring/Krita_filling_lineart_mask_3.png" -msgstr "" - #: ../../tutorials/flat-coloring.rst:None msgid "" ".. image:: images/flat-coloring/Krita_filling_lineart14.png\n" " :alt: layer structure for flatting in krita" msgstr "" #: ../../tutorials/flat-coloring.rst:None msgid "" ".. image:: images/flat-coloring/Krita_filling_lineart1.png\n" " :alt: blend mode setup of line art flat coloring" msgstr "" #: ../../tutorials/flat-coloring.rst:None msgid "" ".. image:: images/flat-coloring/Krita_filling_lineart2.png\n" " :alt: effects of multiply blend mode" msgstr "" #: ../../tutorials/flat-coloring.rst:None msgid "" ".. image:: images/icons/fill_tool.svg\n" " :alt: fill-tool icon" msgstr "" #: ../../tutorials/flat-coloring.rst:None msgid "" ".. image:: images/flat-coloring/Krita_filling_lineart7.png\n" " :alt: colors filled with fill tool" msgstr "" #: ../../tutorials/flat-coloring.rst:None msgid "" ".. image:: images/flat-coloring/Krita_filling_lineart15.png\n" " :alt: selecting with selection tools for filling color" msgstr "" #: ../../tutorials/flat-coloring.rst:None msgid "" ".. image:: images/flat-coloring/Krita_filling_lineart16.png\n" " :alt: selection mask in Krita" msgstr "" #: ../../tutorials/flat-coloring.rst:None msgid "" ".. image:: images/flat-coloring/Krita_filling_lineart17.png\n" " :alt: filling color in selection" msgstr "" #: ../../tutorials/flat-coloring.rst:None msgid "" ".. image:: images/flat-coloring/Krita_filling_lineart18.png\n" " :alt: result of coloring made with the help of selection tools" msgstr "" #: ../../tutorials/flat-coloring.rst:None msgid "" ".. image:: images/flat-coloring/Krita_filling_lineart8.png\n" " :alt: filling color in line art using path tool" msgstr "" #: ../../tutorials/flat-coloring.rst:None msgid "" ".. image:: images/flat-coloring/Krita_filling_lineart9.png\n" " :alt: erasing with path tool" msgstr "" #: ../../tutorials/flat-coloring.rst:None msgid "" ".. image:: images/flat-coloring/Krita_filling_lineart10.png\n" " :alt: coloring with colorize mask" msgstr "" #: ../../tutorials/flat-coloring.rst:None msgid "" ".. image:: images/flat-coloring/Krita_filling_lineart11.png\n" " :alt: result from the colorize mask" msgstr "" #: ../../tutorials/flat-coloring.rst:None msgid "" ".. image:: images/flat-coloring/Krita_filling_lineart12.png\n" " :alt: slitting colors into islands" msgstr "" #: ../../tutorials/flat-coloring.rst:None msgid "" ".. image:: images/flat-coloring/Krita_filling_lineart13.png\n" " :alt: resulting color islands from split layers" msgstr "" +#: ../../tutorials/flat-coloring.rst:0 +msgid ".. image:: images/flat-coloring/Krita_filling_lineart_selection_1.png" +msgstr "" + +#: ../../tutorials/flat-coloring.rst:0 +msgid ".. image:: images/flat-coloring/Krita_filling_lineart_selection_2.png" +msgstr "" + +#: ../../tutorials/flat-coloring.rst:0 +msgid ".. image:: images/flat-coloring/Krita_filling_lineart_mask_1.png" +msgstr "" + +#: ../../tutorials/flat-coloring.rst:0 +msgid ".. image:: images/flat-coloring/Krita_filling_lineart_mask_2.png" +msgstr "" + +#: ../../tutorials/flat-coloring.rst:0 +msgid ".. image:: images/flat-coloring/Krita_filling_lineart_mask_3.png" +msgstr "" + #: ../../tutorials/flat-coloring.rst:1 msgid "Common workflows used in Krita" msgstr "" #: ../../tutorials/flat-coloring.rst:13 msgid "Flat Coloring" msgstr "" #: ../../tutorials/flat-coloring.rst:15 msgid "" "So you've got a cool black on white drawing, and now you want to color it! " "The thing we’ll aim for in this tutorial is to get your line art colored in " "with flat colors. So no shading just yet. We’ll be going through some " "techniques for preparing the line art, and we’ll be using the layer docker " "to put each color on a separate layer, so we can easily access each color " "when we add shading." msgstr "" #: ../../tutorials/flat-coloring.rst:17 msgid "" "This tutorial is adapted from this `tutorial `_ by " "the original author." msgstr "" #: ../../tutorials/flat-coloring.rst:20 msgid "Understanding Layers" msgstr "" #: ../../tutorials/flat-coloring.rst:22 msgid "" "To fill line art comfortably, it's best to take advantage of the layerstack. " "The layer stack is pretty awesome, and it's one of those features that make " "digital art super-convenient." msgstr "" #: ../../tutorials/flat-coloring.rst:24 msgid "" "In traditional art, it is not uncommon to first draw the full background " "before drawing the subject. Or to first draw a line art and then color it " "in. Computers have a similar way of working." msgstr "" #: ../../tutorials/flat-coloring.rst:26 msgid "" "In programming, if you tell a computer to draw a red circle, and then " "afterwards tell it to draw a smaller yellow circle, you will see the small " "yellow circle overlap the red circle. Switch the commands around, and you " "will not see the yellow circle at all: it was drawn before the red circle " "and thus ‘behind’ it." msgstr "" #: ../../tutorials/flat-coloring.rst:28 msgid "" "This is referred to as the “drawing order”. So like the traditional artist, " "the computer will first draw the images that are behind everything, and " "layer the subject and foreground on top of it. The layer docker is a way for " "you to control the drawing order of multiple images, so for example, you can " "have your line art drawn later than your colors, meaning that the lines will " "be drawn over the colors, making it easier to make it neat!" msgstr "" #: ../../tutorials/flat-coloring.rst:30 msgid "" "Other things that a layer stack can do are blending the colors of different " "layers differently with blending modes, using a filter in the layer stack, " "or using a mask that allows you to make parts transparent." msgstr "" #: ../../tutorials/flat-coloring.rst:32 msgid "" "Programmers talk about transparency as ''Alpha'', which is because the 'a' " "symbol is used to present transparency in the algorithms for painting one " "color on top of another. Usually when you see the word ''Alpha'' in a " "graphics program, just think of it as affecting the transparency." msgstr "" #: ../../tutorials/flat-coloring.rst:35 msgid "Preparing your line art" msgstr "" #: ../../tutorials/flat-coloring.rst:37 msgid "" "Put the new layer underneath the layer containing the line art (drag and " "drop or use the up/down arrows for that), and draw on it." msgstr "" #: ../../tutorials/flat-coloring.rst:42 msgid "" "…And notice nothing happening. This is because the white isn’t transparent. " "You wouldn’t really want it to either, how else would you make convincing " "highlights? So what we first need to do to color in our drawing is prepare " "our line art. There’s several methods of doing so, each with varying " "qualities." msgstr "" #: ../../tutorials/flat-coloring.rst:45 msgid "The Multiply Blending Mode" msgstr "" #: ../../tutorials/flat-coloring.rst:47 msgid "" "So, typically, to get a black and white line art usable for coloring, you " "can set the blending mode of the line art layer to Multiply. You do this by " "selecting the layer and going to the drop-down that says **Normal** and " "setting that to **Multiply**." msgstr "" #: ../../tutorials/flat-coloring.rst:52 msgid "And then you should be able to see your colors!" msgstr "" #: ../../tutorials/flat-coloring.rst:54 msgid "" "Multiply is not a perfect solution however. For example, if through some " "image editing magic I make the line art blue, it results into this:" msgstr "" #: ../../tutorials/flat-coloring.rst:59 msgid "" "This is because multiply literally multiplies the colors. So it uses maths!" msgstr "" #: ../../tutorials/flat-coloring.rst:61 msgid "" "What it first does is take the values of the RGB channels, then divides them " "by the max (because we're in 8bit, this is 255), a process we call " "normalising. Then it multiplies the normalized values. Finally, it takes the " "result and multiplies it with 255 again to get the result values." msgstr "" #: ../../tutorials/flat-coloring.rst:67 msgid "Pink" msgstr "" #: ../../tutorials/flat-coloring.rst:68 msgid "Pink (normalized)" msgstr "" #: ../../tutorials/flat-coloring.rst:69 ../../tutorials/flat-coloring.rst:87 msgid "Blue" msgstr "" #: ../../tutorials/flat-coloring.rst:70 msgid "Blue (normalized)" msgstr "" #: ../../tutorials/flat-coloring.rst:71 msgid "Normalized, multiplied" msgstr "" #: ../../tutorials/flat-coloring.rst:72 msgid "Result" msgstr "" #: ../../tutorials/flat-coloring.rst:73 msgid "Red" msgstr "" #: ../../tutorials/flat-coloring.rst:74 msgid "222" msgstr "" #: ../../tutorials/flat-coloring.rst:75 msgid "0.8705" msgstr "" #: ../../tutorials/flat-coloring.rst:76 msgid "92" msgstr "" #: ../../tutorials/flat-coloring.rst:77 msgid "0.3607" msgstr "" #: ../../tutorials/flat-coloring.rst:78 msgid "0.3139" msgstr "" #: ../../tutorials/flat-coloring.rst:79 msgid "80" msgstr "" #: ../../tutorials/flat-coloring.rst:80 msgid "Green" msgstr "" #: ../../tutorials/flat-coloring.rst:81 msgid "144" msgstr "" #: ../../tutorials/flat-coloring.rst:82 msgid "0.5647" msgstr "" #: ../../tutorials/flat-coloring.rst:83 msgid "176" msgstr "" #: ../../tutorials/flat-coloring.rst:84 msgid "0.6902" msgstr "" #: ../../tutorials/flat-coloring.rst:85 msgid "0.3897" msgstr "" #: ../../tutorials/flat-coloring.rst:86 msgid "99" msgstr "" #: ../../tutorials/flat-coloring.rst:88 msgid "123" msgstr "" #: ../../tutorials/flat-coloring.rst:89 msgid "0.4823" msgstr "" #: ../../tutorials/flat-coloring.rst:90 msgid "215" msgstr "" #: ../../tutorials/flat-coloring.rst:91 msgid "0.8431" msgstr "" #: ../../tutorials/flat-coloring.rst:92 msgid "0.4066" msgstr "" #: ../../tutorials/flat-coloring.rst:93 msgid "103" msgstr "" #: ../../tutorials/flat-coloring.rst:95 msgid "" "This isn't completely undesirable, and a lot of artists use this effect to " "add a little richness to their colors." msgstr "" #: ../../tutorials/flat-coloring.rst:98 ../../tutorials/flat-coloring.rst:127 #: ../../tutorials/flat-coloring.rst:154 ../../tutorials/flat-coloring.rst:173 #: ../../tutorials/flat-coloring.rst:210 ../../tutorials/flat-coloring.rst:247 #: ../../tutorials/flat-coloring.rst:275 ../../tutorials/flat-coloring.rst:317 msgid "Advantages" msgstr "" #: ../../tutorials/flat-coloring.rst:100 msgid "" "Easy, can work to your benefit even with colored lines by softening the look " "of the lines while keeping nice contrast." msgstr "" #: ../../tutorials/flat-coloring.rst:103 ../../tutorials/flat-coloring.rst:132 #: ../../tutorials/flat-coloring.rst:159 ../../tutorials/flat-coloring.rst:178 #: ../../tutorials/flat-coloring.rst:215 ../../tutorials/flat-coloring.rst:252 #: ../../tutorials/flat-coloring.rst:280 ../../tutorials/flat-coloring.rst:322 msgid "Disadvantages" msgstr "" #: ../../tutorials/flat-coloring.rst:105 msgid "Not actually transparent. Is a little funny with colored lines." msgstr "" #: ../../tutorials/flat-coloring.rst:108 msgid "Using Selections" msgstr "" #: ../../tutorials/flat-coloring.rst:110 msgid "" "The second method is one where we'll make it actually transparent. In other " "programs this would be done via the channel docker, but Krita doesn't do " "custom channels, instead it uses Selection Masks to store custom selections." msgstr "" #: ../../tutorials/flat-coloring.rst:112 msgid "Duplicate your line art layer." msgstr "" #: ../../tutorials/flat-coloring.rst:114 msgid "" "Convert the duplicate to a selection mask. |mouseright| the layer, then :" "menuselection:`Convert --> to Selection Mask`." msgstr "" #: ../../tutorials/flat-coloring.rst:118 msgid "" "Invert the selection mask. :menuselection:`Select --> Invert Selection`." msgstr "" #: ../../tutorials/flat-coloring.rst:120 msgid "" "Make a new layer, and do :menuselection:`Edit --> Fill with Foreground " "Color`." msgstr "" #: ../../tutorials/flat-coloring.rst:124 msgid "And you should now have the line art on a separate layer." msgstr "" #: ../../tutorials/flat-coloring.rst:129 msgid "Actual transparency." msgstr "" #: ../../tutorials/flat-coloring.rst:134 msgid "Doesn't work when the line art is colored." msgstr "" #: ../../tutorials/flat-coloring.rst:137 msgid "Using Masks" msgstr "" #: ../../tutorials/flat-coloring.rst:139 msgid "This is a simpler variation of the above." msgstr "" #: ../../tutorials/flat-coloring.rst:141 msgid "Make a filled layer underneath the line art layer." msgstr "" #: ../../tutorials/flat-coloring.rst:145 msgid "" "Convert the line art layer to a transparency mask |mouseright| the layer, " "then :menuselection:`Convert --> to Transparency Mask`." msgstr "" #: ../../tutorials/flat-coloring.rst:149 msgid "" "Invert the transparency mask by going to :menuselection:`Filter --> Adjust --" "> Invert`" msgstr "" #: ../../tutorials/flat-coloring.rst:156 msgid "" "Actual transparency. You can also very easily doodle a pattern on the filled " "layer where the mask is on without affecting the transparency." msgstr "" #: ../../tutorials/flat-coloring.rst:161 msgid "" "Doesn't work when the line art is colored already. We can still get faster." msgstr "" #: ../../tutorials/flat-coloring.rst:164 msgid "Using Color to Alpha" msgstr "" #: ../../tutorials/flat-coloring.rst:166 msgid "By far the fastest way to get transparent line art." msgstr "" #: ../../tutorials/flat-coloring.rst:168 msgid "" "Select the line art layer and apply the color to alpha filter. :" "menuselection:`Filter --> Colors --> Color to Alpha`. The default values " "should be sufficient for line art." msgstr "" #: ../../tutorials/flat-coloring.rst:171 msgid "" ".. image:: images/flat-coloring/Krita_filling_lineart_color_to_alpha.png" msgstr "" #: ../../tutorials/flat-coloring.rst:175 msgid "" "Actual transparency. Works with colored line art as well, because it removes " "the white specifically." msgstr "" #: ../../tutorials/flat-coloring.rst:180 msgid "" "You'll have to lock the layer transparency or separate out the alpha via the " "right-click menu if you want to easily color it." msgstr "" #: ../../tutorials/flat-coloring.rst:184 msgid "Coloring the image" msgstr "" #: ../../tutorials/flat-coloring.rst:186 msgid "" "Much like preparing the line art, there are many different ways of coloring " "a layer." msgstr "" #: ../../tutorials/flat-coloring.rst:188 msgid "" "You could for example fill in everything by hand, but while that is very " "precise it also takes a lot of work. Let's take a look at the other options, " "shall we?" msgstr "" #: ../../tutorials/flat-coloring.rst:191 msgid "Fill Tool" msgstr "" #: ../../tutorials/flat-coloring.rst:196 msgid "" "In most cases the fill-tool can’t deal with the anti-aliasing (the soft edge " "in your line art to make it more smooth when zoomed out) In Krita you have " "the grow-shrink option. Setting that to say… 2 expands the color two pixels." msgstr "" #: ../../tutorials/flat-coloring.rst:198 msgid "" "Threshold decides when the fill-tool should consider a different color pixel " "to be a border. And the feathering adds an extra soft border to the fill." msgstr "" #: ../../tutorials/flat-coloring.rst:200 msgid "" "Now, if you click on a gapless-part of the image with your preferred color… " "(Remember to set the opacity to 1.0!)" msgstr "" #: ../../tutorials/flat-coloring.rst:202 msgid "" "Depending on your line art, you can do flats pretty quickly. But setting the " "threshold low can result in little artifacts around where lines meet:" msgstr "" #: ../../tutorials/flat-coloring.rst:207 msgid "" "However, setting the threshold high can end with the fill not recognizing " "some of the lighter lines. Besides these little artifacts can be removed " "with the brush easily." msgstr "" #: ../../tutorials/flat-coloring.rst:212 msgid "Pretty darn quick depending on the available settings." msgstr "" #: ../../tutorials/flat-coloring.rst:217 msgid "" "Again, not great with gaps or details. And it works best with aliased line " "art." msgstr "" #: ../../tutorials/flat-coloring.rst:220 msgid "Selections" msgstr "" #: ../../tutorials/flat-coloring.rst:222 msgid "Selections work using the selection tools." msgstr "" #: ../../tutorials/flat-coloring.rst:227 msgid "" "For example with the :ref:`bezier_curve_selection_tool` you can easily " "select a curved area, and the with :kbd:`Shift` + |mouseleft| (not |" "mouseleft| + :kbd:`Shift`, there's a difference!) you can easily add to an " "existing selection." msgstr "" #: ../../tutorials/flat-coloring.rst:232 msgid "" "You can also edit the selection if you have :menuselection:`Select --> Show " "Global Selection Mask` turned on. Then you can select the global selection " "mask, and paint on it. (Above with the alternative selection mode, activated " "in the lower-left corner of the stats bar)" msgstr "" #: ../../tutorials/flat-coloring.rst:234 msgid "" "When done, select the color you want to fill it with and press :kbd:`Shift` " "+ `backspace`." msgstr "" #: ../../tutorials/flat-coloring.rst:239 msgid "" "You can save selections in selection masks by |mouseright| a layer, and then " "going to :menuselection:`Add --> Local Selection`. You first need to " "deactivate a selection by pressing the circle before adding a new selection." msgstr "" #: ../../tutorials/flat-coloring.rst:241 msgid "" "This can serve as an alternative way to split out different parts of the " "image, which is good for more painterly pieces:" msgstr "" #: ../../tutorials/flat-coloring.rst:249 msgid "A bit more precise than filling." msgstr "" #: ../../tutorials/flat-coloring.rst:254 msgid "Previewing your color isn't as easy." msgstr "" #: ../../tutorials/flat-coloring.rst:257 msgid "Geometric tools" msgstr "" #: ../../tutorials/flat-coloring.rst:259 msgid "" "So you have a tool for making rectangles or circles. And in the case of " "Krita, a tool for bezier curves. Select the path tool (|path tool|), and set " "the tool options to fill=foreground and outline=none. Make sure that your " "opacity is set to 1.00 (fully opaque)." msgstr "" #: ../../tutorials/flat-coloring.rst:262 msgid "" ".. image:: images/icons/bezier_curve.svg\n" " :alt: path tool" msgstr "" #: ../../tutorials/flat-coloring.rst:264 msgid "" "By clicking and holding, you can influence how curvy a line draw with the " "path tool is going to be. Letting go of the mouse button confirms the " "action, and then you’re free to draw the next point." msgstr "" #: ../../tutorials/flat-coloring.rst:269 msgid "" "You can also erase with a geometric tool. Just press :kbd:`E` or the eraser " "button." msgstr "" #: ../../tutorials/flat-coloring.rst:277 msgid "" "Quicker than using the brush or selections. Also decent with line art that " "contains gaps." msgstr "" #: ../../tutorials/flat-coloring.rst:282 msgid "" "Fiddly details aren’t easy to fill in with this. So I recommend skipping " "those and filling them in later with a brush." msgstr "" #: ../../tutorials/flat-coloring.rst:285 msgid "Colorize Mask" msgstr "" #: ../../tutorials/flat-coloring.rst:287 msgid "" "So, this is a bit of an odd one. In the original tutorial, you'll see I'm " "suggesting using G'Mic, but that was a few years ago, and G'Mic is a little " "unstable on windows. Therefore, the Krita developers have been attempting to " "make an internal tool doing the same." msgstr "" #: ../../tutorials/flat-coloring.rst:289 msgid "" "It is disabled in 3.1, but if you use 4.0 or later, it is in the toolbox. " "Check the Colorize Mask for more information." msgstr "" #: ../../tutorials/flat-coloring.rst:291 msgid "So it works like this:" msgstr "" #: ../../tutorials/flat-coloring.rst:293 msgid "Select the colorize mask tool." msgstr "" #: ../../tutorials/flat-coloring.rst:294 msgid "Tick the layer you're using." msgstr "" #: ../../tutorials/flat-coloring.rst:295 msgid "Paint the colors you want to use on the colorize mask" msgstr "" #: ../../tutorials/flat-coloring.rst:296 msgid "Click update to see the results:" msgstr "" #: ../../tutorials/flat-coloring.rst:301 msgid "" "When you are satisfied, |mouseright| the colorize mask, and go to :" "menuselection:`Convert --> Paint Layer`. This will turn the colorize mask to " "a generic paint layer. Then, you can fix the last issues by making the line " "art semi-transparent and painting the flaws away with a pixel art brush." msgstr "" #: ../../tutorials/flat-coloring.rst:306 msgid "" "Then, when you are done, split the layers via :menuselection:`Layer --> " "Split --> Split Layer`. There are a few options you can choose, but the " "following should be fine:" msgstr "" #: ../../tutorials/flat-coloring.rst:311 msgid "" "Finally, press **Ok** and you should get the following. Each color patch it " "on a different layer, named by the palette in the menu and alpha locked, so " "you can start painting right away!" msgstr "" #: ../../tutorials/flat-coloring.rst:319 msgid "" "Works with anti-aliased line art. Really quick to get the base work done. " "Can auto-close gaps." msgstr "" #: ../../tutorials/flat-coloring.rst:324 msgid "" "No anti-aliasing of its own. You have to choose between getting details " "right or the gaps auto-closed." msgstr "" #: ../../tutorials/flat-coloring.rst:327 msgid "Conclusion" msgstr "" #: ../../tutorials/flat-coloring.rst:329 msgid "" "I hope this has given you a good idea of how to fill in flats using the " "various techniques, as well as getting a hand of different Krita features. " "Remember that a good flat filled line art is better than a badly shaded one, " "so keep practicing to get the best out of these techniques!" msgstr "" diff --git a/locale/nl/LC_MESSAGES/general_concepts/colors/color_managed_workflow.po b/locale/nl/LC_MESSAGES/general_concepts/colors/color_managed_workflow.po index 77349d39b..04f4aa440 100644 --- a/locale/nl/LC_MESSAGES/general_concepts/colors/color_managed_workflow.po +++ b/locale/nl/LC_MESSAGES/general_concepts/colors/color_managed_workflow.po @@ -1,1500 +1,1500 @@ # Dutch translations for Krita Manual package # Nederlandse vertalingen voor het pakket Krita Manual. # Copyright (C) licensed under the GNU Free Documentation License 1.3+ unless stated otherwise # This file is distributed under the same license as the Krita Manual package. # # Automatically generated, 2019. # Freek de Kruijf , 2019. # Lo Fernchu , 2019. msgid "" msgstr "" "Project-Id-Version: Krita Manual 4.1\n" "Report-Msgid-Bugs-To: \n" -"POT-Creation-Date: 2019-06-17 03:13+0200\n" +"POT-Creation-Date: 2019-06-23 13:49+0200\n" "PO-Revision-Date: 2019-06-01 22:56+0200\n" "Last-Translator: Freek de Kruijf \n" "Language-Team: Dutch \n" "Language: nl\n" "MIME-Version: 1.0\n" "Content-Type: text/plain; charset=UTF-8\n" "Content-Transfer-Encoding: 8bit\n" "Plural-Forms: nplurals=2; plural=n != 1;\n" "X-Generator: Lokalize 19.04.1\n" -#: ../../general_concepts/colors/color_managed_workflow.rst:0 -msgid ".. image:: images/color_category/Kiki_matrix_profile.png" -msgstr ".. image:: images/color_category/Kiki_matrix_profile.png" - -#: ../../general_concepts/colors/color_managed_workflow.rst:0 -msgid ".. image:: images/color_category/Kiki_cLUTprofiles.png" -msgstr ".. image:: images/color_category/Kiki_cLUTprofiles.png" - #: ../../general_concepts/colors/color_managed_workflow.rst:None msgid ".. image:: images/color_category/Krita_2_9_colormanagement_group1.png" msgstr ".. image:: images/color_category/Krita_2_9_colormanagement_group1.png" #: ../../general_concepts/colors/color_managed_workflow.rst:None msgid ".. image:: images/color_category/Krita_2_9_colormanagement_group2.png" msgstr ".. image:: images/color_category/Krita_2_9_colormanagement_group2.png" #: ../../general_concepts/colors/color_managed_workflow.rst:None msgid ".. image:: images/color_category/Krita_2_9_colormanagement_group3.png" msgstr ".. image:: images/color_category/Krita_2_9_colormanagement_group3.png" #: ../../general_concepts/colors/color_managed_workflow.rst:None msgid ".. image:: images/color_category/Krita_2_9_colormanagement_group4.png" msgstr ".. image:: images/color_category/Krita_2_9_colormanagement_group4.png" #: ../../general_concepts/colors/color_managed_workflow.rst:None msgid ".. image:: images/dockers/LUT_Management_Docker.png" msgstr ".. image:: images/dockers/LUT_Management_Docker.png" #: ../../general_concepts/colors/color_managed_workflow.rst:None msgid ".. image:: images/color_category/Krita_HDR_1.svg" msgstr ".. image:: images/color_category/Krita_HDR_1.svg" #: ../../general_concepts/colors/color_managed_workflow.rst:None msgid ".. image:: images/color_category/Krita_HDR2.svg" msgstr ".. image:: images/color_category/Krita_HDR2.svg" #: ../../general_concepts/colors/color_managed_workflow.rst:None msgid "" ".. image:: images/color_category/Krita-colormanaged-workflow_webcomic.svg" msgstr "" ".. image:: images/color_category/Krita-colormanaged-workflow_webcomic.svg" #: ../../general_concepts/colors/color_managed_workflow.rst:None msgid ".. image:: images/color_category/Krita-colormanaged-workflow_print.svg" msgstr ".. image:: images/color_category/Krita-colormanaged-workflow_print.svg" #: ../../general_concepts/colors/color_managed_workflow.rst:None msgid ".. image:: images/color_category/Krita-colormanaged-workflow_games.svg" msgstr ".. image:: images/color_category/Krita-colormanaged-workflow_games.svg" +#: ../../general_concepts/colors/color_managed_workflow.rst:0 +msgid ".. image:: images/color_category/Kiki_matrix_profile.png" +msgstr ".. image:: images/color_category/Kiki_matrix_profile.png" + +#: ../../general_concepts/colors/color_managed_workflow.rst:0 +msgid ".. image:: images/color_category/Kiki_cLUTprofiles.png" +msgstr ".. image:: images/color_category/Kiki_cLUTprofiles.png" + #: ../../general_concepts/colors/color_managed_workflow.rst:1 msgid "How a color managed workflow works." msgstr "Hoe de workflow voor kleurbeheer werkt." #: ../../general_concepts/colors/color_managed_workflow.rst:12 msgid "Color" msgstr "Kleur" #: ../../general_concepts/colors/color_managed_workflow.rst:12 msgid "Color Management" msgstr "Kleurenbeheer" #: ../../general_concepts/colors/color_managed_workflow.rst:12 msgid "ICC Profiles" msgstr "ICC-profielen" #: ../../general_concepts/colors/color_managed_workflow.rst:12 msgid "OCIO" msgstr "OCIO" #: ../../general_concepts/colors/color_managed_workflow.rst:17 msgid "Color Managed Workflow" msgstr "Workflow kleurbeheer" #: ../../general_concepts/colors/color_managed_workflow.rst:19 msgid "" "You may have heard that Krita has something called color-management. Or " "maybe you just wondered what all these 'color model' and 'color profile' " "things you can find in the menus mean. Color management is pretty useful for " "people who work in digital imaging professionally, and hopefully this page " "will explain why." msgstr "" "U heeft misschien gehoord dat Krita iets heeft wat ze kleurbeheer noemen. Of " "vroeg u zichzelf af wat al die 'kleurmodel' en 'kleurprofiel' dingen zijn " "die u tegenkomt in de menus. Voor mensen die professioneel met digitale " "afbeeldingen werken is kleurbeheer erg handig, en hopelijk legt deze pagina " "uit waarom." #: ../../general_concepts/colors/color_managed_workflow.rst:22 msgid "Basic Info" msgstr "Basisinformatie" #: ../../general_concepts/colors/color_managed_workflow.rst:24 msgid "" "If you've never worked with color management before, and have no clue what " "it is, then know that you've probably been working in the 8bit RGB color " "space with the sRGB profile. This means you can choose for *sRGB built-in* " "or *sRGB-elle-v2-srgbtrc.icc*. With the new color space browser this profile " "is marked with *(default)* when using 8bit." msgstr "" "Als u nog nooit eerder met kleurbeheer heeft gewerkt, en u heeft geen idee " "wat het is, dan heeft u waarschijnlijk in de 8bit RGB kleurruimte met het " "sRGB profiel gewerkt. Dit houd in dat u kan kiezen voor de *ingebouwde sRGB* " "of de *sRGB-elle-v2-srgbtrc.icc*. In de nieuwe kleurruimte-browser is dit " "profiel gemaskeerd met *(default)* als u 8 bit gebruikt." #: ../../general_concepts/colors/color_managed_workflow.rst:26 msgid "" "We'll go into what these terms mean in the theory, but if you're here only " "for trying to figure out which is the default, you now know it. Maybe, after " "reading this, you may feel like changing the default, to get new and " "interesting results from filters, blending modes, or just the color smudge " "brush." msgstr "" "We zullen later kijken wat deze termen in theorie betekenen, maar als u hier " "alleen maar bent om erachter te komen wat welke de standaardinstelling is, " "dan weet u dan nu. Misschien, wilt u na het lezen van dit de " "standaardinstelling wijzigen, om nieuwe en interessante resultaten uit de " "filters, mengmodus, of allen maar van de kleur uitsmeer-kwast te krijgen." #: ../../general_concepts/colors/color_managed_workflow.rst:29 msgid "What is the problem?" msgstr "Wat is het probleem?" #: ../../general_concepts/colors/color_managed_workflow.rst:31 msgid "" "To explain the point of color management, you'd first need to learn which " "problem color management tries to solve." msgstr "" "Om het idee van kleurbeheer uit te leggen, moet u eerst weten welk probleem " "kleurbeheer probeert op te lossen." #: ../../general_concepts/colors/color_managed_workflow.rst:33 msgid "Let us imagine a kinder garden:" msgstr "Stelt u zich een kleuterschool voor:" #: ../../general_concepts/colors/color_managed_workflow.rst:35 msgid "" "The class of 28 children is subdivided in groups of 7. Each group has its " "own table." msgstr "" "De klas met 28 kinderen is verdeelt in groepjes van 7. Elke groep heeft zijn " "eigen tafel." #: ../../general_concepts/colors/color_managed_workflow.rst:37 msgid "" "The teacher gives them a painting assignment: They need to paint a red " "triangle, a blue square, a green circle and put a yellow border around the " "three. The kids are very experienced with painting already, so the teacher " "can confidently leave the smarter ones to their own devices, and spent more " "time on those who need help." msgstr "" "De leraar geeft ze een schilder-opdracht: ze moeten een rode driehoek, een " "blauw vierkant, een groene cirkel met om alles een gele rand schilderen. De " "kinderen hebben al veel geschilderd, dus de leraar kan de slimmere kleuters " "zelf laten schilderen zodat hij de andere meer hulp kan geven." #: ../../general_concepts/colors/color_managed_workflow.rst:40 msgid "The following results come from painting:" msgstr "Ze schilderen de volgende resultaten:" #: ../../general_concepts/colors/color_managed_workflow.rst:42 msgid "" "Even though all groups had the same assignment, each group's result looks " "different." msgstr "" "Alhoewel elke groep dezelfde opdracht heeft, is het resultaat van elke groep " "toch verschillend." #: ../../general_concepts/colors/color_managed_workflow.rst:49 msgid "" "Group 1 had vermillion red, citron yellow and ultramarine blue to their " "disposal. This means their triangle looks nice and red, but their circle's " "green is muddy. This is because ultramarine is too dark of a blue to create " "nice greens with." msgstr "" "Groep 1 had scharlaken rood, citroen geel en ultramarijn blauw om mee te " "schilderen. Dit zorgde ervoor dat hun driehoek prettig rood uitzag, maar hun " "groene cirkel zag er modderig uit. Dit kwam omdat ultramarijn te donker is " "om mooi groen mee te maken." #: ../../general_concepts/colors/color_managed_workflow.rst:56 msgid "" "Group 2 had magenta red, citron yellow and cerulean blue. Magenta is a type " "of red that is closer to pink, opposed to vermillion, which is closer to " "orange. However, their green looks nice because cerulean is a much lighter " "blue." msgstr "" "Groep 2 had magenta rood, citroen geel en hemels blauw. Magenta is een soort " "rood dat meer roze is, in tegenstelling tot scharlaken rood, wat meer oranje " "is. Maar, hun groen is mooier omdat hemels blauw een veel lichter blauw is." #: ../../general_concepts/colors/color_managed_workflow.rst:64 msgid "" "Group 3 had vermillion red, citron yellow, emerald green and cerulean blue. " "They didn't mix their green, and thus ended up with a purer color." msgstr "" "Groep 3 had scharlaken rood, citroen geel, smaragdgroen en hemels blauw. Zij " "mengde hun groen niet en eindigde dus met een pure kleur." #: ../../general_concepts/colors/color_managed_workflow.rst:71 msgid "" "Finally, group 4 has vermillion red, citron yellow and cerulean blue. Their " "colors probably look like what you imagined." msgstr "" "En tenslotte had groep 4 scharlaken rood, citroen geel en hemels blauw. Hun " "kleuren lijken waarschijnlijk het meest op wat u in gedachten had." #: ../../general_concepts/colors/color_managed_workflow.rst:73 msgid "" "Now, these are kindergarteners, so this isn't the largest problem in the " "world. However, imagine that something like this happened at a printing " "company? Imagine four printers printing the same magazine with wildly " "different results? That would be disastrous!" msgstr "" "Nu is dit een kleuterklas, dus is dit geen groot probleem. Maar stelt u zich " "voor dat dit gebeurt in een drukkerij? Stelt u zich voor dat vier printers " "hetzelfde tijdschrift drukken met sterk verschillende resultaten? Dat zou " "een ramp zijn!" #: ../../general_concepts/colors/color_managed_workflow.rst:75 msgid "For this purpose, we invented color management." msgstr "hiervoor hebben we kleurbeheer bedacht." #: ../../general_concepts/colors/color_managed_workflow.rst:78 msgid "What is color management?" msgstr "Wat is kleurenbeheer?" #: ../../general_concepts/colors/color_managed_workflow.rst:80 msgid "" "Color management is, dryly put, a set of systems that tries to have the same " "color translate properly between color devices." msgstr "" "Kleurbeheer is eenvoudig gezegd een verzameling systemen dat probeert " "dezelfde kleur te vertalen tussen kleur-weergaven." #: ../../general_concepts/colors/color_managed_workflow.rst:82 msgid "" "It usually works by attempting to covert a color to the reference color " "space XYZ. XYZ is a coordinate system that has a spot for all colors that " "the average human eye can see." msgstr "" "Dit gebeurt meestal door te proberen een kleur een plaats in het " "referentiekleurruimte XYZ te plaatsen. XYZ is een coördinatiesysteem dat " "voor alle kleuren dat het menselijke oog kan zien een plekje heeft." #: ../../general_concepts/colors/color_managed_workflow.rst:84 msgid "" "From XYZ it can then be translated back into another device space, such as " "RGB (for screens), or CMYK (for printers)." msgstr "" "Van XYZ kan het terugvertaald worden naar een ander apparaatruimte, zoals " "RGB (voor schermen), of CMYK (voor printers)." #: ../../general_concepts/colors/color_managed_workflow.rst:86 msgid "" "Krita has two systems dedicated to color management. On the one hand, we " "have **lcms2**, which deal with ICC profiles, and on the other, we have " "**OCIO**, which deal with LUT color management." msgstr "" "Krita heeft twee systemen speciaal voor kleurenbeheer. Aan de ene kant " "hebben we **lcms2**, die voor ICC profielen is, en aan de andere kant hebben " "we **OCIO**, die voor LUT kleurenbeheer is." #: ../../general_concepts/colors/color_managed_workflow.rst:88 msgid "" "To give a crude estimate, ICC profiles deal with keeping colors consistent " "over many interpretations of devices (screens, printers) by using a " "reference space, and OCIO deals with manipulating the interpretation of said " "colors." msgstr "" "Om een ruwe indruk te geven, ICC profielen zorgen ervoor dat kleuren " "consistent blijven bij de vele omzettingen naar apparaten (schermen, " "printers) door een referentie ruimte te gebruiken, en OCIO zorgt voor de " "omzettingen van de genoemde kleuren." #: ../../general_concepts/colors/color_managed_workflow.rst:90 msgid "Within both we can identify the following color spaces:" msgstr "In beide kunnen we de volgende kleurruimtes vinden:" #: ../../general_concepts/colors/color_managed_workflow.rst:93 msgid "" "Device spaces are those describing your monitor, and have to be made using a " "little device that is called \"colorimeter\". This device, in combination " "with the right software, measures the strongest red, green and blue your " "screen can produce, as well as the white, black and gray it produces. Using " "these and several other measurements it creates an ICC profile unique to " "your screen. You set these in Krita's color management tab. By default we " "assume sRGB for screens, but it's very likely that your screen isn't exactly " "fitting sRGB, especially if you have a high quality screen, where it may be " "a bigger space instead. Device spaces are also why you should first consult " "with your printer what profile they expect. Many printing houses have their " "own device profiles for their printers, or may prefer doing color conversion " "themselves. You can read more about colorimeter usage :ref:`here " "`." msgstr "" "Apparaatruimten zijn dat wat uw monitor beschrijft, en moet gemaakt worden " "met een klein apparaatje genaamd \"colorimeter\". Dit apparaat, in " "combinatie met de juiste software, meet de sterkste rood, groen en blauw dat " "uw scherm kan produceren, maar ook het geproduceerde wit, zwart en grijs. " "Met deze en verschillende andere metingen creëert het een ICC profiel uniek " "voor uw scherm. U kan deze in Krita's kleurbeheer tab bekijken. We nemen " "standaard sRGB aan voor schermen, maar het is waarschijnlijker dat uw scherm " "niet precies met sRGB overeenkomt, met name als u een duur scherm heeft, dat " "het een groter bereik kan hebben. U moet vanwege de apparaatruimten eerst de " "gegevens van uw printer controleren voor welk profiel het verwacht. Veel " "printerfabrikanten hebben hun eigen profielen voor hun printers, of willen " "de kleur-conversie liever zelf doen. U kunt :ref:`hier " "` meer over de colorimeter lezen." #: ../../general_concepts/colors/color_managed_workflow.rst:94 msgid "Device spaces" msgstr "Apparaatruimten" #: ../../general_concepts/colors/color_managed_workflow.rst:96 msgid "Working spaces" msgstr "Werkruimten" #: ../../general_concepts/colors/color_managed_workflow.rst:97 msgid "" "These are delivered alongside Krita for ICC, and downloadable from the OCIO " "website for OCIO. Working spaces are particularly nice to do color " "calculations in, which programs like Krita do often. It's therefore " "recommended to have a working space profile for your image." msgstr "" "Voor ICC worden ze meegeleverd met Krita, en voor de OCIO kunt u ze " "downloaden van de OCIO website. Werkruimten zijn met name handig bij kleur-" "bewerkingen, wat programma's zoals Krita vaak uitvoeren. Wij raden daarom " "aan om voor uw afbeelding een werkend ruimteprofiel te hebben." #: ../../general_concepts/colors/color_managed_workflow.rst:99 msgid "Aesthetic or Look spaces" msgstr "Aesthetic of Look ruimtes" #: ../../general_concepts/colors/color_managed_workflow.rst:99 msgid "" "These are special spaces that have been deformed to give a certain look to " "an image. Krita doesn't deliver Look profiles for ICC, nor does it yet " "support Look spaces for OCIO." msgstr "" "Dit zijn speciale plekken waar de afbeelding is verandert om de afbeelding " "een specifiek uiterlijk te geven. Bij Krita worden geen Look profielen voor " "ICC meegeleverd, en het kan ook niet met Look spaces voor OCIO werken." #: ../../general_concepts/colors/color_managed_workflow.rst:102 msgid "Color managed workflow" msgstr "Workflow kleurbeheer" #: ../../general_concepts/colors/color_managed_workflow.rst:104 msgid "" "Knowing this about these spaces of course doesn't give you an idea of how to " "use them, but it does make it easier to explain how to use them. So let us " "look at a typical color management workflow:" msgstr "" "Als u van deze ruimten af weet dan heeft u nog geen idee hoe u ze moet " "gebruiken, maar het maakt het wel makkelijker om het uit te leggen hoe u ze " "moet gebruiken. Laten we daarom eens kijken hoe een vaak voorkomende " "workflow van kleurbeheer verloopt:" #: ../../general_concepts/colors/color_managed_workflow.rst:110 msgid ".. image:: images/color_category/Krita-colormanaged-workflow_text.svg" msgstr ".. image:: images/color_category/Krita-colormanaged-workflow_text.svg" #: ../../general_concepts/colors/color_managed_workflow.rst:110 msgid "" "A typical example of a color managed workflow. We have input from scanners " "and cameras, which we convert to a working space that can be used between " "different editing software, and is converted to an output space for viewing " "on screen or printing." msgstr "" "Een gewoon voorbeeld van een workflow voor kleurbeheer. We hebben invoer van " "scanners en cameras, wat we omzetten naar een werkruimte dat we afwisselend " "kunnen gebruiken tussen meerdere bewerkingssoftware, en dat is omgezet naar " "een uitvoerruimte om dit op het scherm te kunnen bekijken of te kunnen " "printen." #: ../../general_concepts/colors/color_managed_workflow.rst:112 msgid "" "In a traditional color managed workflow, we usually think in terms of real " "world colors being converted to computer colors and the other way around. " "So, for example photos from a camera or scanned in images. If you have a " "device space of such a device, we first assign said device space to the " "image, and then convert it to a working space." msgstr "" "In een traditionele workflow voor kleurbeheer, denken we meestal in termen " "over echte kleuren die worden omgezet naar computer kleuren en omgezet. " "Bijvoorbeeld foto's van een camera of gescande afbeeldingen. Als u een " "apparaatruimte van een dergelijk apparaat heeft, dan koppelen we eerst de " "apparaatruimte aan de afbeelding, en zetten het dan om naar een werkruimte." #: ../../general_concepts/colors/color_managed_workflow.rst:114 msgid "" "We then do all our editing in the working space, and use the working space " "to communicate between editing programs. In Krita's case, due to it having " "two color management systems, we use ICC profiles between programs like GIMP " "2.9+, Inkscape, digiKam and Scribus, and OCIO configuration between Blender " "and Natron." msgstr "" "We voeren vervolgens al onze bewerkingen uit in de werkruimte, en gebruiken " "de werkruimte voor de communicatie tussen de bewerkingssoftware. In het " "geval van Krita, omdat we twee kleurbeheer systemen hebben, gebruiken we ICC " "profielen tussen programma's zoals GIMP 2.9+, Inkscape, digiKam en Scribus, " "en OCIO configuratie tussen Blender en Natron." #: ../../general_concepts/colors/color_managed_workflow.rst:116 msgid "" "You also store your working files in the working space, just like how you " "have the layers unmerged in the working file, or have it at a very high " "resolution." msgstr "" "U slaat ook u werk-bestanden op in de werkruimte, net zoals hoe u de niet " "samengevoegde lagen in het werk-bestand opslaat, of ze op een zeer hoge " "resolutie heeft." #: ../../general_concepts/colors/color_managed_workflow.rst:118 msgid "" "Sometimes, we apply aesthetic or 'look' spaces to an image as part of the " "editing process. This is rather advanced, and probably not something to " "worry about in Krita's case." msgstr "" "Soms passen we aesthetic of 'look' ruimtes toe bij een afbeelding als " "onderdeel van het bewerkingsproces. Dit is nogal geavanceerd, en " "waarschijnlijk niet iets waarover u zich zorgen moet maken bij het gebruik " "van Krita." #: ../../general_concepts/colors/color_managed_workflow.rst:120 msgid "" "Then, when we're done editing, we try to convert to an output space, which " "is another device space. This can be CMYK for printers or a special screen " "RGB profile. When you are dealing with professional printing houses, it is " "best to ask them about this step. They have a lot of experience with doing " "the best conversion, and may prefer to do the conversion from your working " "space to the device space of their printers." msgstr "" "En als we dan klaar zijn met bewerken, proberen we het om te zetten naar een " "uitvoerruimte, wat een andere apparaatruimte is. Dit kan CMYK zijn voor " "printers of een speciaal RGB profiel voor een beeldscherm. Als u met " "professionele drukkerijen werkt, dan kunt u hierover het beste aan hun " "vragen. Zij hebben meestal veel ervaring met hoe u het beste kunt " "converteren, en geven er misschien de voorkeur aan dat ze zelf de omzetting " "doen van uw werkruimte naar de apparaatruimte van hun printers." #: ../../general_concepts/colors/color_managed_workflow.rst:122 msgid "" "Another form of output is the way your screen displays the color. Unlike " "regular output, this one is done all the time during editing: After all, you " "need to be able to see what you are doing, but your screen is still a device " "with a device space, so it does distort how the image looks. In this manner, " "you can see your screen as a set of binoculars you have to look through to " "see your image at all." msgstr "" "Een andere form van uitvoer is de manier waarop uw beeldscherm de kleur laat " "zien. in tegenstelling tot normale uitvoer, gebeurt dit voortdurend tijdens " "het bewerken: tenslotte moet u kunnen zien wat u doet, maar uw scherm is nog " "steeds een apparaat met een apparaatruimte, het vervormt hoe de afbeelding " "eruit ziet. Op deze manier bekeken, kunt u uw scherm zien als een " "verrekijker waar u door moet kijken om uw afbeelding te kunnen zien." #: ../../general_concepts/colors/color_managed_workflow.rst:124 msgid "" "Therefore, without a profiled monitor, you actually don't know what the " "actual colors you are working with are like, because the computer doesn't " "know the relevant properties of your screen. So if you profiled your " "monitor, give Krita the profile in the settings, and select the sRGB space " "to draw in, you are for the first time seeing the actual colors of the sRGB " "space." msgstr "" "Daarom, zal u zonder een gekalibreerd beeldscherm, eigenlijk niet kunnen " "weten wat de eigenlijke kleuren zijn die u bewerkt, omdat de computer de " "relevante eigenschappen van uw beeldscherm niet kent. Als u voor uw " "beeldscherm een profiel heeft gemaakt, moet u in de instellingen van Krita " "het profiel geven, en de sRGB selecteren om in te tekenen, dan zal u voor " "het eerst de eigenlijke kleuren van de sRGB kunnen zien." #: ../../general_concepts/colors/color_managed_workflow.rst:127 msgid "So what does this mean?" msgstr "Wat houd dit in?" #: ../../general_concepts/colors/color_managed_workflow.rst:133 msgid "" ".. image:: images/color_category/Krita-colormanaged-workflow_krita_text.svg" msgstr "" ".. image:: images/color_category/Krita-colormanaged-workflow_krita_text.svg" #: ../../general_concepts/colors/color_managed_workflow.rst:133 msgid "" "When we paint from scratch, we can see our screen profile as the input " "space, because we use it to determine what colors to pick. This somewhat " "simplifies the workflow, but makes the screen profile and viewing conditions " "more important." msgstr "" "Als we in een leeg vlak gaan schilderen, dan kunnen we ons scherm-profiel " "als invoer-ruimte zien, omdat we het gebruiken om te bepalen welke kleuren " "we selecteren. Dit vereenvoudigt de workflow enigszins, maar maakt het " "scherm-profiel en kijk-condities belangrijker." #: ../../general_concepts/colors/color_managed_workflow.rst:135 msgid "" "Now, photographers and people who do a tricky discipline of VFX called " "'color grading' will go completely mad over trying to get the colors they " "put in to come out 100% correctly, and will even count in factors like the " "time of day and the color they painted their walls. For example, if the wall " "behind your computer is pure red, your eyes will adjust to be less sensitive " "to red, which means that the colors they pick in the program could come out " "redder. We call these the *viewing conditions*." msgstr "" "Welnu, fotografen en mensen die het lastige vak van VFX genaamd " "'kleurbepaling' doen gaan helemaal door het dak als ze proberen om de " "kleuren 100% correct te krijgen, en nemen zelfs factoren in overweging zoals " "het moment van de dag en in welke kleur de muren geschilderd zijn. " "Bijvoorbeeld, als de muur achter uw computer helemaal rood is, dan zal uw " "ogen zich aanpassen zodat ze minder gevoelig voor rood zijn, wat betekent " "dat de kleuren die ze in het programma selecteren roder zullen zijn. We " "noemen dat de *kijk-condities*." #: ../../general_concepts/colors/color_managed_workflow.rst:137 msgid "" "Thankfully, artists have to worry a slight bit less about this. As " "illustrations are fully handmade, we are able to identify the important bits " "and make appropriate contrasts between colors. This means that even if our " "images turn out to be slightly redder than intended, it is less likely the " "whole image is ruined. If we look back at the kindergarten example above, we " "still understand what the image was supposed to look like, despite there " "being different colors on each image. Furthermore, because the colors in " "illustrations are deliberately picked, we can correct them more easily on a " "later date. Yet, at the same time, it is of course a big drag to do this, " "and we might have had much more flexibility had we taken viewing conditions " "under consideration." msgstr "" "Gelukkig hoeven artiesten zich minder zorgen daarover te maken. Omdat " "illustraties volledig handgemaakt zijn, kunnen we de belangrijke stukken " "identificeren en de juiste contrast tussen de kleuren instellen. Dit " "betekent dat zelfs als uw afbeeldingen een beetje roder zijn dan bedoeld, " "het minder waarschijnlijk is dat de hele afbeelding mislukt is. Als we nog " "een keertje naar het kleuterschool-voorbeeld van hierboven kijken, dan " "begrijpen we nog steeds hoe de afbeelding eruit had moeten zien, ondanks dat " "er op elke afbeelding andere kleuren gebruikt zijn. Bovendien, omdat de " "kleuren in de illustraties speciaal gekozen zijn, kunnen we ze op een later " "moment makkelijker corrigeren. Maar tegelijkertijd, is dit natuurlijk " "vervelend om te doen, en hadden we veel meer flexibiliteit als we de kijk-" "condities in overweging hadden genomen." #: ../../general_concepts/colors/color_managed_workflow.rst:139 msgid "" "That said, for artists it is also very useful to understand the working " "spaces. Different working spaces give different results with filters and " "mixing, and only some working spaces can be used for advanced technology " "like HDR." msgstr "" "Dat gezegd hebbende, het is ook voor artiesten erg handig om de werkruimten " "te begrijpen. Verschillende werkruimten geven bij het mengen en bij het " "filteren verschillende resultaten, en u kunt voor geavanceerde technologie " "zoals HDR alleen sommige werkruimten gebruiken." #: ../../general_concepts/colors/color_managed_workflow.rst:141 msgid "" "Similarly, Krita, as a program intended to make images from scratch, doesn't " "really worry about assigning workspaces after having made the image. But " "because you are using the screen as a binocular to look at your image, and " "to pick colors, you can see your screen's device space as an input space to " "the image. Hence why profiling your monitor and giving the profile to Krita " "in the settings can help with preparing your work for print and future " "ventures in the long run." msgstr "" "Vergelijkbaar zal Krita, als programma bedoeld om in een leeg vlak " "illustraties te maken, zich niet druk maken over het toewijzen van " "werkruimten na de creatie van de illustratie. Maar omdat u het scherm " "gebruikt als verrekijker om naar uw afbeelding te kijken en om kleuren te " "selecteren, kunt u de apparaatruimte van uw beeldscherm zien als " "invoerruimte voor de afbeelding. Daarom is het verstandig om een profiel van " "uw monitor te maken en dit profiel via de instellingen aan Krita ter " "beschikking te stellen zodat het daarna u helpt met het voorbereiden van uw " "werk voor het afdrukken en andere projecten." #: ../../general_concepts/colors/color_managed_workflow.rst:143 msgid "" "Overall, it is kinda useful to keep things like viewing conditions in the " "back of your mind. Many professional artists use a mid-gray color as their " "default canvas background because they find they create much more dynamic " "images due to having improved their viewing conditions. It is also why a lot " "of graphics programs, including Krita, come with a dark theme nowadays. " "(Though, of course this might also be because dark themes can be considered " "cool, who knows.)" msgstr "" "Samengevat is het nogal handig om zaken zoals kijk-condities in uw " "achterhoofd te houden. Veel professionele artiesten gebruiken een neutrale " "grijze kleur als de standaard achtergrond van de werkruimte omdat ze vinden " "dat ze dan veel dynamischer afbeeldingen creëren omdat ze hun kijk-condities " "hebben verbetert. Dit is ook waarom veel grafische programma's zoals Krita, " "tegenwoordig met een donkere thema komen. (Maar dit kan natuurlijk ook zijn " "omdat tegenwoordig donkere thema's als cool worden gezien, wie weet.)" #: ../../general_concepts/colors/color_managed_workflow.rst:148 msgid "ICC profiles" msgstr "ICC profielen" #: ../../general_concepts/colors/color_managed_workflow.rst:150 msgid "" "An ICC profile is a set of coordinates describing the extremities of the " "device space within XYZ, and it is the color management data you use to " "communicate your working space to printers and applications that are " "designed for the print industry, such as GIMP, Scribus, Photoshop, " "Illustrator, Inkscape, Digikam, RawTheraphee, etc. You have two types of ICC " "profiles:" msgstr "" "Een ICC profiel is een set coördinaten die in XYZ de grenzen van " "apparaatruimte beschrijven, en dit is de kleurbeheer dat die u gebruikt bij " "de communicatie van uw werkruimte naar de printers en programma's die " "bedoelt zijn voor de grafische industrie, zoals GIMP, Scribus, Photoshop, " "Illustrator, Inkscape, Digikam, RawTheraphee, enz. Er zijn twee soorten van " "ICC profielen:" #: ../../general_concepts/colors/color_managed_workflow.rst:153 msgid "" "These are delivered alongside Krita. Matrix shaper profiles are made by " "setting parameters and interpolating between these to get the exact size of " "the color space. Due to this, Krita's color space browser can give you a lot " "of information on these profiles. Such profiles are also preferable as " "working space." msgstr "" "Deze worden met Krita meegeleverd. Matrix shaper profielen worden gemaakt " "door parameters in te stellen waarna men door interpolatie daartussen de " "precieze afmetingen van de kleurruimte verkrijgt. Hierdoor kan de browser " "voor kleurruimte van Krita u veel informatie over deze profielen geven. Voor " "werkruimte wordt de voorkeur gegeven aan deze profielen." #: ../../general_concepts/colors/color_managed_workflow.rst:159 msgid "Matrix Shaper profiles." msgstr "Matrix Shaper profielen." #: ../../general_concepts/colors/color_managed_workflow.rst:159 msgid "" "Matrix shaper profiles have a few parameters that describe the color space " "which are then interpolated between, this requires a lot of maths." msgstr "" "Matrix shaper profielen hebben een paar parameters die de kleurruimte " "beschrijven waarna een interpolatie daartussen volgt, dit vereist veel " "rekenwerk." #: ../../general_concepts/colors/color_managed_workflow.rst:162 msgid "" "These are fairly rare, and primarily used to describe printer profiles, such " "as CMYK. cLUT, or Color Look-up Table profiles store far more data than " "Matrix shaper profiles, so they can hold data of little particularities " "caused by, for example, unexpected results from mixing pigments. This is a " "far more organic approach to describing a color space, hence why a lot of " "programs that don't care for color management much don't support these." msgstr "" "Ze worden vrij weinig gebruikt, en worden voornamelijk gebruikt voor printer-" "profielen, zoals CMYK. cLUT, of Color Look-up Tabel profielen slaan veel " "meer data op dan Matrix shaper profielen, zodat ze ook data kunnen hebben " "over kleine afwijkingen veroorzaakt door, bijvoorbeeld, onverwachte " "resultaten van het mengen van pigmenten. Dit is een veel natuurlijker " "benadering voor het beschrijven van een kleurruimte, waarom veel programma's " "die kleurbeheer niet zo belangrijk vinden deze niet ondersteunen." #: ../../general_concepts/colors/color_managed_workflow.rst:168 msgid "" "cLUT profiles work by holding tables of each color in a color space and " "their respective coordinates in a reference space. For CMYK this is " "typically L\\*A\\*B\\* and for the rest XYZ. These tables are tricky to " "make, which means these profiles are a lot rarer." msgstr "" "cLUT profielen werken door in een kleurruimte voor elke kleur een tabel aan " "te maken met coördinaten in een bijbehorende referentieruimte. Voor CMYK is " "dit standaard L\\*A\\*B\\* en voor de rest XYZ. Deze tabellen zijn moeilijk " "om te maken, wat inhoud dat deze profielen nog veel minder gebruikt worden." #: ../../general_concepts/colors/color_managed_workflow.rst:169 msgid "cLUT profiles" msgstr "cLUT profielen" #: ../../general_concepts/colors/color_managed_workflow.rst:171 msgid "" "The interesting thing about ICC profiles is that your working space can be " "larger than your device space. This is generally not bad. However, when " "converting, you do end up with the question of how to translate the working " "space values." msgstr "" "Het meest interessante aan ICC profielen is dat uw werkruimte groter kan " "zijn dat uw apparaatruimte. Dit is in het algemeen niet slecht. Maar, bij " "het converteren, heeft u wel de vraag hoe u waarden vanuit de werkruimte " "moet vertalen." #: ../../general_concepts/colors/color_managed_workflow.rst:174 msgid "Perceptual" msgstr "Op waarneming" #: ../../general_concepts/colors/color_managed_workflow.rst:174 msgid "" "This just squishes the values of the working space into the space it's " "converted to. It's a nice method to see all possible values in this, but not " "so good if you want accurate color reproduction. Use this if you want to see " "all colors in an image, or want to express all possible contrasts. Doesn't " "work with Matrix Shaper profiles, defaults to relative colorimetric." msgstr "" "Dit perst de waarden uit de werkruimte in de ruimte waarnaar het wordt " "geconverteerd. Dit is een handige methode om alle mogelijke waarden te " "kunnen zien, maar niet zo goed als u een accurate kleuren reproductie wilt. " "Gebruik deze als u alle kleuren van een afbeelding wilt zien, of alle " "mogelijke contrasten wilt tonen. Werkt niet met Matrix Shaper profielen, " "werkt standaard met relatieve colorimetric." #: ../../general_concepts/colors/color_managed_workflow.rst:177 msgid "Absolute Colorimetric." msgstr "Absoluut colorimetrisch." #: ../../general_concepts/colors/color_managed_workflow.rst:177 msgid "" "The opposite to Perceptual, Absolute colorimetric will attempt to retain all " "the correct colors at whatever cost, which may result in awful looking " "colors. Recommended only for reproduction work. Doesn't work with Matrix " "Shaper profiles in Krita due to ICC v4 workflow standards." msgstr "" "Als tegenovergestelde van Op waarneming, zal Absoluut colorimetrisch " "proberen om ten koste van alles de correcte kleuren te bewaren, wat kan " "resulteren in verschrikkelijk uitziende kleuren. Wordt alleen aanbevolen " "voor reproductiewerk. Werkt niet met Matrix Shaper profielen in Krita " "vanwege ICC v4 workflow standaarden." #: ../../general_concepts/colors/color_managed_workflow.rst:180 msgid "Relative Colorimetric" msgstr "Relatief colorimetrisch" #: ../../general_concepts/colors/color_managed_workflow.rst:180 msgid "" "An in between solution between perceptual and absolute, relative will try to " "fit whatever colors it can match between color spaces. It does this by " "aligning the white and black points. It cuts off the rest to their " "respective borders. This is what all matrix shaper profiles default to " "during conversion, because the ICC v4 workflow specifies to only use " "Relative Colorimetric for matrix shaper profiles." msgstr "" "Als tussenoplossing ergens tussen Op waarneming en Absoluut, zal relatief " "proberen om alle tussen de kleurruimten overeenkomende kleuren om te zetten. " "Het doet dit door de witte en zwarte punten uit te lijnen. Het snijdt de " "rest af bij hun respectievelijke grenzen. Dit is wat alle matrix shaper " "profielen standaard doen tijdens een conversie, omdat de ICC v4 workflow " "specificeert om alleen Relatieve Colorimetric te gebruiken bij matrix shaper " "profielen." #: ../../general_concepts/colors/color_managed_workflow.rst:183 msgid "Saturation" msgstr "Verzadiging" #: ../../general_concepts/colors/color_managed_workflow.rst:183 msgid "" "Does anything to retain colorfulness, even hue will be sacrificed. Used in " "infographics. Doesn't work with Matrix Shaper profiles, defaults to relative " "colorimetric." msgstr "" "Zal ten koste van alles proberen om de kleur te bewaren, zelfs de tint zal " "worden opgeofferd. Gebruikt bij infographics. Werkt niet met Matrix Shaper " "profielen, werkt standaard met Relatief colorimetrisch." #: ../../general_concepts/colors/color_managed_workflow.rst:185 msgid "" "*ICC profile version* is the last thing to keep in mind when dealing with " "ICC profiles. Krita delivers both Version 2 and Version 4 profiles, with the " "later giving better results in doing color maths, but the former being more " "widely supported (as seen below in 'Interaction with other applications'). " "This is also why Krita defaults to V2, and we recommend using V2 when you " "aren't certain if the other programs you are using support V4." msgstr "" "*ICC profiel versie* is het eerste dat u in gedachte moet houden als u ICC " "profielen in de weer gaat. Krita kan zowel Versie 2 en Versie 4 profiles " "leveren, waarbij versie 4 betere resultaten levert wat betreft " "kleurberekeningen, maar versie 2 door meer programma's gebruikt wordt (zoals " "u kunt zien in 'interactie met andere toepassingen'. Dit is de reden waarom " "Krita standaard op V2 staat ingesteld, en we aanbevelen om V2 te gebruiken " "als u er niet zeker van bent dat de andere door u gebruikte programma's V4 " "aankunnen." #: ../../general_concepts/colors/color_managed_workflow.rst:188 msgid "LUT docker and HDR imaging" msgstr "LUT docker en HDR-afbeelding" #: ../../general_concepts/colors/color_managed_workflow.rst:196 msgid "" "The :ref:`lut_docker` is the second important bit of color management in " "Krita that is shared between Krita and programs like Blender, Natron and " "Nuke, and only uses Look Up Tables that are configured via a config file." msgstr "" "De :ref:`lut_docker` is het tweede belangrijke gedeelte van kleurbeheer in " "Krita dat wordt gedeelte tussen Krita en programma's zoals Blender, Natron " "en Nuke, en gebruikt alleen de Look Up Tables die via een " "configuratiebestand zijn ingesteld." #: ../../general_concepts/colors/color_managed_workflow.rst:198 msgid "" "You can set the workingspace of the image under input color space, and the " "display to sRGB or your own LUT if you have added it to the configuration. " "View in this case is for proofing transforms to a certain display device." msgstr "" "U kunt de werkruimte van de afbeelding onder de kleurruimte plaatsen, en de " "weergave naar sRGB of uw eigen LUT als u deze aan de configuratie heeft " "toegevoegd. Kijk in dit geval voor de controle van de omzetting naar een " "bepaald weergave-apparaat." #: ../../general_concepts/colors/color_managed_workflow.rst:200 msgid "" "Component, exposure, gamma, whitepoint and blackpoint are knobs which allows " "you to modify the display filter." msgstr "" "Componenten, belichting, gamma, witpunt en zwartpunt zijn knoppen waarmee u " "het beeldscherm filter kunt wijzigen." #: ../../general_concepts/colors/color_managed_workflow.rst:208 msgid "" "As explained before, we can see our monitor as a telescope or binocular into " "the world of our picture. Which means it distorts our view of the image a " "little. But we can modify this binocular, or display filter to see our image " "in a different way. For example, to allow us to see the white in an image " "that are whiter than the white of our screen. To explain what that means, we " "need to think about what white is." msgstr "" "Zoals eerder uitgelegd, we kunnen ons beeldscherm zien als een telescoop of " "verrekijker waarmee we naar onze afbeelding kijken. Wat betekent dat het ons " "beeld van de afbeelding een beetje verstoort. Maar we kunnen onze " "verrekijker aanpassen, of een filter gebruiken om onze afbeelding op een " "andere wijze te bekijken. Bijvoorbeeld, door het wit in een afbeelding te " "bekijken dat witter is dan het wit van ons scherm. Om uit te leggen wat dat " "inhoud, moeten we bedenken wat wit eigenlijk is." #: ../../general_concepts/colors/color_managed_workflow.rst:210 msgid "" "For example, white, on our monitor is full red, full green and full blue. " "But it's certainly different from white on our paper, or the color of milk, " "white from the sun, or even the white of our cell-phone displays." msgstr "" "Bijvoorbeeld, wit is op onze monitor volledig rood, volledig groen en " "volledig blauw. Maar het is heel anders dan het wit van ons papier, of de " "kleur van melk, wit van de zon, of zelfs het wit van het scherm op onze GSM." #: ../../general_concepts/colors/color_managed_workflow.rst:212 msgid "" "Black similarly, is brighter on a LCD display than a LED one, and " "incomparable with the black of a carefully sealed room." msgstr "" " Vergelijkbaar is zwart helderder op een LCD display dan op een LED display, " "en onvergelijkbaar met het zwart van zorgvuldig verduisterde kamer." #: ../../general_concepts/colors/color_managed_workflow.rst:214 msgid "" "This means that there's potentially blacker blacks than screen black, and " "white whites than screen white. However, for simplicity's sake we still " "assign the black-point and the white-point to certain values. From there, we " "can determine whether a white is whiter than the white point, or a black " "blacker than the black-point." msgstr "" "Dit betekent dat er mogelijk zwart dat zwarter is dan het beeldscherm-zwart, " "en wit dat witter is dan het beeldscherm-wit. Maar voor de eenvoud koppelen " "we toch de zwartpunt en de witpunt aan bepaalde waarden. Van daaruit kunnen " "we bepalen of een wit witter is dan het witpunt, of een zwart zwarter is dan " "het zwartpunt." #: ../../general_concepts/colors/color_managed_workflow.rst:216 msgid "" "The LUT docker allows us to control this display-filter and modify the " "distortion. This is useful when we start modifying images that are made with " "scene referred values, such as HDR photos, or images coming out of a render " "engine." msgstr "" "In de LUT docker kunt u dit display-filter instellen en de vervorming " "wijzigen. Dit is handig bij het wijzigen van afbeeldingen die zijn gemaakt " "met bij een scene horende waarden, zoals HDR fotos, of afbeeldingen die uit " "een render engine komen." #: ../../general_concepts/colors/color_managed_workflow.rst:224 msgid "" "So, for example, we can choose to scale whiter-than-screen-white to our " "screen-white so we can see the contrasts there." msgstr "" "Als voorbeeld, kunnen we ervoor kiezen om de witter dan het scherm-wit naar " "onze scherm-wit te verschalen zodat we het contrast daar kunnen zien." #: ../../general_concepts/colors/color_managed_workflow.rst:226 msgid "" "The point of this is that you can take advantage of more lightness detail in " "an image. While you can't see the difference between screen white and whiter-" "than-screen-white (because your screen can't show the difference), graphics " "programs can certainly use it." msgstr "" "Het idee hierachter is dat u gebruik kunt maken van de lichtere details in " "een afbeelding. Terwijl u het verschil niet kunt zien tussen scherm-wit en " "witter-dan-scherm-wit (omdat uw scherm het verschil niet kan laten zien), " "kunnen grafische programma's dit zeker gebruiken." #: ../../general_concepts/colors/color_managed_workflow.rst:228 msgid "" "A common example is matching the lighting between a 3d model and a real " "world scene. Others are advanced photo retouching, with much more contrast " "information available to the user. In painting itself, this allows you to " "create an image where you can be flippant with the contrast, and allow " "yourself to go as bright as you'd like." msgstr "" "Een bekend voorbeeld is om de verlichting in een 3d model overeen te laten " "komen met de foto van een scene in de echte wereld. Een andere is het betere " "retoucheren van een foto, met veel meer voor de gebruiker beschikbare " "contrast-informatie. Bij het schilderen zelf kunt u een afbeelding maken " "waar u met de contrast net zoveel kunt spelen als u wilt, en kunt het net zo " "helder maken als u wilt." #: ../../general_concepts/colors/color_managed_workflow.rst:230 msgid "" "LUT docker manipulations are per view, so you can create a new view and set " "it to luminosity. This way you can see the image in both color as well as " "grayscale and keep a good eye on your values." msgstr "" "LUT docker bewerkingen zijn per weergave, u kunt daarom een nieuwe weergave " "creëren en het op lichtkracht instellen. Op deze manier kunt u de afbeelding " "zowel in kleur als in grijswaarden zien en uw instellingen in de gaten " "houden." #: ../../general_concepts/colors/color_managed_workflow.rst:232 msgid "" "Another example is to carefully watch the gradients in a certain section." msgstr "" "Een ander voorbeeld is het nauwkeurig bestuderen van het kleurverloop in een " "bepaald gedeelte." #: ../../general_concepts/colors/color_managed_workflow.rst:234 msgid "" "Like ICC, the LUT Docker allows you to create a profile of sorts for your " "device. In this case it's the 'lut', which stands for 'Look Up Table', and " "which can be added to OCIO by modifying the configuration file. When OCIO is " "turned on, the configuration in :menuselection:`Settings --> Configure Krita " "--> Color Management` is turned off, unless you are using the :guilabel:" "`Internal` color engine." msgstr "" "Net zoals met ICC, kunt u met de LUT Docker voor uw apparaten profielen " "maken. In dat geval is het de 'lut', wat staat voor 'Look Up Table', en wat " "u aan de OCIO kunt toevoegen door de configuratiebestanden aan te passen. " "Als OCIO is ingeschakeld, dan is de configuratie in :menuselection:" "`Instellingen --> Krita instellen--> Kleurbeheer` uitgeschakeld, tenzij u " "de :guilabel:`Interne` kleur-machine gebruikt." #: ../../general_concepts/colors/color_managed_workflow.rst:237 msgid "In summary" msgstr "Samenvattend" #: ../../general_concepts/colors/color_managed_workflow.rst:239 msgid "Krita has two modes of color management:" msgstr "Krita heeft twee methoden voor kleurbeheer:" #: ../../general_concepts/colors/color_managed_workflow.rst:241 msgid "" "ICC works in terms of spaces relative to the CIEXYZ space, and requires an " "ICC profile." msgstr "" "ICC werkt met ruimtes relatief ten opzichte van de CIEXYZ ruimte, en heeft " "een ICC profiel nodig." #: ../../general_concepts/colors/color_managed_workflow.rst:242 msgid "OCIO works in terms of interpretation, and makes use of luts." msgstr "OCIO werkt met omzettingen, en maakt gebruik van luts." #: ../../general_concepts/colors/color_managed_workflow.rst:243 msgid "both can be made with a colorimeter." msgstr "beide kunt u met een colorimeter maken." #: ../../general_concepts/colors/color_managed_workflow.rst:244 msgid "" "If you want to have a properly color managed workflow, you have one made " "customary for the input device (your screen) and the output devices (your " "printer, or target screen). For web the output is always sRGB." msgstr "" "Als u een goede workflow voor kleurbeheer wilt hebben, dan heeft u er een " "gemaakt die is aangepast aan uw invoerapparaat (uw beeldscherm) en de " "uitvoer-apparaten (uw printer, of het doelscherm). Voor web is de uitvoer " "altijd sRGB." #: ../../general_concepts/colors/color_managed_workflow.rst:245 msgid "" "Set up your screen profiles under :menuselection:`Settings --> Configure " "Krita --> Color management`." msgstr "" "Stel u scherm-profielen in :menuselection:`Instellingen --> Krita instellen " "--> Kleurbeheer`." #: ../../general_concepts/colors/color_managed_workflow.rst:246 msgid "" "Do NOT use screen profiles or other device profiles to draw in. Use a " "working space profile such as any of the elle profiles for this, as the " "color maths will be much more predictable and pleasant. Krita will convert " "between your screen and working space on the fly, allowing you to pick the " "correct colors. This turns your screen into binoculars to view the image." msgstr "" "Gebruik NIET scherm-profielen of andere apparaat-profielen om in te tekenen. " "Gebruik een werkruimte-profiel zoals een van de elle profielen hiervoor, " "omdat de kleurberekeningen veel voorspelbaarder en prettiger zijn. Krita zal " "tussen uw scherm en werkruimte de omzettingen doen, zodat u de juiste " "kleuren kunt selecteren. Dit verandert u scherm in een verrekijker voor het " "bekijken van de afbeelding." #: ../../general_concepts/colors/color_managed_workflow.rst:247 msgid "" "Use the appropriate color management for the appropriate workflow. If you " "are working with Blender, you will be better off using OCIO, than ICC. If " "you are working with Scribus or Photoshop, use ICC." msgstr "" "Gebruik een geschikte kleurbeheer voor de juiste workflow. Als u werkt met " "Blender, dan bent u beter af door OCIO te gebruiken dan met ICC. Als u werkt " "met Scribus of Photoshop, gebruik dan ICC." #: ../../general_concepts/colors/color_managed_workflow.rst:249 msgid "" "Krita does a lot of color maths, often concerning the blending of colors. " "This color maths works best in linear color space, and linear color space " "requires a bit depth of at the least 16bit to work correctly. The " "disadvantage is that linear space can be confusing to work in." msgstr "" "Krita voert veel kleurberekeningen uit, vaak betreft het mengen van kleuren. " "Deze kleurberekeningen gaan het best in een lineaire kleurruimte, en een " "lineaire kleurruimte vereist een bit diepte van tenminste 16bit om correct " "te kunnen werken. Het nadeel is dat het verwarrend kan zijn om in een " "lineaire kleurruimte te werken." #: ../../general_concepts/colors/color_managed_workflow.rst:251 msgid "" "If you like painting, have a decent amount of RAM, and are looking to start " "your baby-steps in taking advantage of Krita's color management, try " "upgrading from having all your images in sRGB built-in to sRGB-v2-elle-g10." "icc or rec2020-v2-elle-g10.icc at 16bit float. This'll give you better color " "blending while opening up the possibility for you to start working in hdr!" msgstr "" "Als u van schilderen houdt, en u heeft genoeg RAM, en u wilt bij uw eerste " "stapjes voordeel hebben van het kleurbeheer van Krita, probeer dan al uw " "afbeeldingen om te zetten van de ingebouwde sRGB naar sRGB-v2-elle-g10.icc " "of rec2020-v2-elle-g10.icc met 16bit drijvende komma. Hierdoor kunt u beter " "kleur mengen terwijl u de mogelijkheid heeft om in hdr te gaan werken!" #: ../../general_concepts/colors/color_managed_workflow.rst:256 msgid "" "Some graphics cards, such as those of the NVidia-brand actually have the " "best performance under 16bit float, because NVidia cards convert to floating " "point internally. When it does not need to do that, it speeds up!" msgstr "" "Sommige grafische kaarten zoals die van het NVidia-merk werken het best met " "16 bit drijvende komma, omdat NVidia kaarten intern naar de drijvende komma " "omzetten. Als het da niet meer hoeft te doen dan werkt het sneller!" #: ../../general_concepts/colors/color_managed_workflow.rst:260 msgid "" "No amount of color management in the world can make the image on your screen " "and the image out of the printer have 100% the same color." msgstr "" "Hoeveel kleurbeheer u ook gebruikt, de afbeelding van het scherm en de " "afbeelding uit de printer zullen nooit 100% dezelfde kleur hebben." #: ../../general_concepts/colors/color_managed_workflow.rst:263 msgid "Exporting" msgstr "Exporteren" #: ../../general_concepts/colors/color_managed_workflow.rst:265 msgid "" "When you have finished your image and are ready to export it, you can modify " "the color space to optimize it:" msgstr "" "Als uw afbeelding klaar is en u wilt het exporteren, dan kunt u de " "kleurruimte wijzigen om het te optimaliseren:" #: ../../general_concepts/colors/color_managed_workflow.rst:267 msgid "If you are preparing an image for the web:" msgstr "Als u een afbeelding klaarmaakt voor het web:" #: ../../general_concepts/colors/color_managed_workflow.rst:269 msgid "" "If you use 16bit color depth or higher, convert the image to 8bit color " "depth. This will make the image much smaller." msgstr "" "Als u 16 bit of meer kleurdiepte gebruikt, converteer dan de afbeelding naar " "8 bit kleurdiepte. Dit maakt de de opslag-grootte van de afbeelding veel " "kleiner." #: ../../general_concepts/colors/color_managed_workflow.rst:271 msgid "" "Krita doesn't have built-in dithering currently, which means that 16 to " "18bit conversions can come out a bit banded. But you can simulate it by " "adding a fill layer with a pattern, set this fill layer to overlay, and to " "5% opacity. Then flatten the whole image and convert it to 8bit. The pattern " "will function as dithering giving a smoother look to gradients." msgstr "" "Krita heeft op dit moment geen ingebouwde dithering, wat inhoud dat 16 naar " "18 bit conversies zaagtandpatronen kunnen geven. Maar u kunt dit simuleren " "door een fill layer met een patroon toe te voegen, deze fill layer in te " "stellen op to overlay, en op 5% dekking. Maak de hele afbeelding plat en " "converteer het naar 8bit. Het patroon zal functioneren als dithering wat de " "kleurverloop gladder maakt." #: ../../general_concepts/colors/color_managed_workflow.rst:273 msgid "If it's a gray-scale image, convert it to gray-scale." msgstr "" "Als het een grijswaardeafbeelding is, converteer het naar grijswaarden." #: ../../general_concepts/colors/color_managed_workflow.rst:274 msgid "" "If it's a color image, keep it in the working space profile: Many web " "browsers these days support color profiles embedded into images. Firefox, " "for example, will try to convert your image to fit the color profile of the " "other monitor (if they have one). That way, the image will look almost " "exactly the same on your screen and on other profiled monitors." msgstr "" "Als het een afbeelding in kleur is, bewaar het dan in de ruimteprofiel " "waarin u bewerkte: heden ten dage ondersteunen veel web browsers het gebruik " "van de kleurprofielen die in de afbeelding zijn ingebed. Firefox, " "bijvoorbeeld, zal proberen om uw afbeelding te converteren zodat het past in " "het kleurprofiel van de andere monitor (als die er een heeft). Op die manier " "zal de afbeelding bijna hetzelfde op uw scherm en op de andere van een " "profiel voorziene monitoren er uit zien." #: ../../general_concepts/colors/color_managed_workflow.rst:279 msgid "" "In some versions of Firefox, the colors actually look strange: This is a bug " "in Firefox, which is because its `color management system is incomplete " "`_, save your png, jpg or tiff without an embedded profile to work " "around this." msgstr "" "In sommige versies van Firefox zien de kleuren er raar uit: dit is een bug " "in Firefox, wat wordt veroorzaakt doordat zijn `kleurbeheer systeem " "incompleet is `_, sla uw png, jpg of tiff zonder een ingebed profiel op om " "dit op te lossen." #: ../../general_concepts/colors/color_managed_workflow.rst:281 msgid "If you are preparing for print:" msgstr "Als u klaarmaakt voor afdrukken:" #: ../../general_concepts/colors/color_managed_workflow.rst:283 msgid "" "You hopefully made the picture in a working space profile instead of the " "actual custom profile of your screen, if not, convert it to something like " "adobe rgb, sRGB or rec2020." msgstr "" "Hopelijk bewerkte u de afbeelding met een werkruimte-profiel en niet met de " "echte profiel van uw scherm, als u dat niet heeft gedaan, converteer het " "naar iets zoals adobe rgb, sRGB of rec2020." #: ../../general_concepts/colors/color_managed_workflow.rst:284 msgid "" "Check with the printer what kind of image they expect. Maybe they expect " "sRGB color space, or perhaps they have their own profile." msgstr "" "Controleer wat voor soort afbeelding de printer verwacht. Misschien verwacht " "het sRGB kleurruimte, of heeft het een eigen profiel." #: ../../general_concepts/colors/color_managed_workflow.rst:287 msgid "Interaction with other applications" msgstr "Interactie met andere programma´s" #: ../../general_concepts/colors/color_managed_workflow.rst:290 msgid "Blender" msgstr "Blender" #: ../../general_concepts/colors/color_managed_workflow.rst:292 msgid "" "If you wish to use krita's OCIO functionality, and in particular in " "combination with Blender's color management, you can try to have it use " "Blender's OCIO config." msgstr "" "Als u de functionaliteit van krita's OCIO wilt gebruiken, en speciaal in " "combinatie met Blender's kleurbeheer, dan kunt u proberen om het in " "combinatie met Blender's OCIO config te gebruiken." #: ../../general_concepts/colors/color_managed_workflow.rst:294 msgid "" "Blender's OCIO config is under ``/version number/datafiles/" "colormanagement``. Set the LUT docker to use the OCIO engine, and select the " "config from the above path. This will give you blender's input and screen " "spaces, but not the looks, as those aren't supported in Krita yet." msgstr "" "Blender's OCIO config is te vinden in ``/version number/" "datafiles/colormanagement``. Stel de LUT docker in op het gebruik van de " "OCIO engine, en selecteer de config in op bovengenoemde pad. Dit zal u " "blender's invoer en scherm-ruimte geven, maar niet het uiterlijk, omdat deze " "nog niet door Krita worden ondersteund." #: ../../general_concepts/colors/color_managed_workflow.rst:298 msgid "Windows Photo Viewer" msgstr "Windows Photo Viewer" #: ../../general_concepts/colors/color_managed_workflow.rst:300 msgid "" "You might encounter some issues when using different applications together. " "One important thing to note is that the standard Windows Photo Viewer " "application does not handle modern ICC profiles. Krita uses version 4 " "profiles; Photo Viewer can only handle version 2 profiles. If you export to " "JPEG with an embedded profile, Photo Viewer will display your image much too " "dark." msgstr "" "U kunt problemen tegenkomen als u verschillende programma's samen gebruikt. " "Een belangrijk gegeven is dat de standaard Windows Photo Viewer programma " "niet met moderne ICC profielen overweg kan. Krita gebruikt versie 4 " "profielen; Photo Viewer kan alleen met versie 2 profielen overweg. Als u " "naar JPEG met een ingebouwde profiel exporteert, dan zal Photo Viewer uw " "afbeelding veel te donker tonen." #: ../../general_concepts/colors/color_managed_workflow.rst:303 msgid "Example workflows" msgstr "Voorbeeld workflow" #: ../../general_concepts/colors/color_managed_workflow.rst:305 msgid "" "Here are some example workflows to get a feeling of how your color " "management workflow may look like." msgstr "" "Hier zijn enkele voorbeeld workflows om een idee te krijgen hoe uw " "kleurbeheer workflow er kan uit zien." #: ../../general_concepts/colors/color_managed_workflow.rst:307 msgid "" "As mentioned before, input for your screen is set via :menuselection:" "`Settings --> Configure Krita --> Color management`, or via the LUT docker's " "'screen space'. Working space is set via new file per document, or in the " "LUT docker via 'input space'." msgstr "" "Zoals al eerder vermeld, kunt u de invoer voor uw scherm instellen in :" "menuselection:`Instellen --> Krita instellen --> Kleurbeheer`, of via de LUT " "docker's 'scherm ruimte'. Werkruimte kunt u per document via nieuw bestand " "instellen, of in de LUT docker via 'invoerruimte'." #: ../../general_concepts/colors/color_managed_workflow.rst:310 msgid "Webcomic" msgstr "Webcomic" #: ../../general_concepts/colors/color_managed_workflow.rst:317 #: ../../general_concepts/colors/color_managed_workflow.rst:339 #: ../../general_concepts/colors/color_managed_workflow.rst:357 msgid "Input" msgstr "Invoer" #: ../../general_concepts/colors/color_managed_workflow.rst:318 #: ../../general_concepts/colors/color_managed_workflow.rst:340 #: ../../general_concepts/colors/color_managed_workflow.rst:358 msgid "Your screen profile. (You pick colors via your screen)" msgstr "Uw scherm-profiel. (u selecteert de kleuren via uw scherm)" #: ../../general_concepts/colors/color_managed_workflow.rst:319 #: ../../general_concepts/colors/color_managed_workflow.rst:341 #: ../../general_concepts/colors/color_managed_workflow.rst:359 msgid "Workingspace" msgstr "Werkruimte" #: ../../general_concepts/colors/color_managed_workflow.rst:320 msgid "" "sRGB (the default screen profile) or any larger profile if you can spare the " "bit depth and like working in them." msgstr "" "sRGB (het standaard scherm profiel) of elk groter profiel als u genoeg " "geheugen heeft en er graag mee werkt." #: ../../general_concepts/colors/color_managed_workflow.rst:322 #: ../../general_concepts/colors/color_managed_workflow.rst:344 #: ../../general_concepts/colors/color_managed_workflow.rst:362 msgid "Output" msgstr "Uitvoer" #: ../../general_concepts/colors/color_managed_workflow.rst:322 msgid "" "sRGB, ICC version 2, sRGB TRC for the internet, and a specialized CMYK " "profile from the printing house for the printed images." msgstr "" "sRGB, ICC version 2, sRGB TRC voor het internet, en een gespecialiseerd CMYK " "profiel van de drukkerij voor de af te drukken afbeeldingen." #: ../../general_concepts/colors/color_managed_workflow.rst:324 msgid "" "Use the sRGB-elle-V2-srgbtrc.icc for going between Inkscape, Photoshop, " "Painttool Sai, Illustrator, GIMP, Manga Studio, Paintstorm Studio, MyPaint, " "Artrage, Scribus, etc. and Krita." msgstr "" "Gebruik de sRGB-elle-V2-srgbtrc.icc voor de uitwisseling tussen Inkscape, " "Photoshop, Painttool Sai, Illustrator, GIMP, Manga Studio, Paintstorm " "Studio, MyPaint, Artrage, Scribus, enz. en Krita." #: ../../general_concepts/colors/color_managed_workflow.rst:326 msgid "" "If you are using a larger space via ICC, you will only be able to " "interchange it between Krita, Photoshop, Illustrator, GIMP 2.9, Manga Studio " "and Scribus. All others assume sRGB for your space, no matter what, because " "they don't have color management." msgstr "" "Als u via ICC een grote ruimte gebruikt, dan kunt u het alleen uitwisselen " "met Krita, Photoshop, Illustrator, GIMP 2.9, Manga Studio en Scribus. Alle " "anderen nemen aan dat u sRGB als ruimte gebruikt, onafhankelijk van alles " "omdat ze geen kleurbeheer hebben." #: ../../general_concepts/colors/color_managed_workflow.rst:328 msgid "" "If you are going between Krita and Blender, Nuke or Natron, use OCIO and set " "the input space to 'sRGB', but make sure to select the sRGB profile for ICC " "when creating a new file." msgstr "" "Als u gaat uitwisselen tussen Krita en Blender, Nuke of Natron, gebruik dan " "OCIO en stel de invoer in op 'sRGB', maar zorg er voor dat u voor ICC het " "sRGB profiel selecteert bij het creëren van een nieuw bestand." #: ../../general_concepts/colors/color_managed_workflow.rst:330 msgid "" "For the final for the web, convert the image to sRGB 8bit, srgbtrc, do not " "embed the ICC profile. Then, if using png, put it through something like " "pngcrush or other png optimizers. sRGB in this case is chosen because you " "can assume the vast majority of your audience hasn't profiled their screen, " "nor do they have screens that are advanced enough for the wide gamut stuff. " "So hence why we convert to the screen default for the internet, sRGB." msgstr "" "En tenslotte voor het web, converteer de afbeelding naar sRGB 8bit, srgbtrc, " "bed het ICC profiel niet in. En dan, als u png gebruikt, haal het door een " "programma zoals pngcrush of een andere png optimizer. Er is in dit geval " "voor sRGB gekozen omdat u kunt aannemen dat het grootste gedeelte van uw " "publiek voor hun scherm geen profiel heeft gemaakt, en dat ze geen scherm " "hebben dat geavanceerd genoeg is voor al dat gamut spul. Daarom converteren " "we naar het standaard scherm van het internet, sRGB." #: ../../general_concepts/colors/color_managed_workflow.rst:333 msgid "Print" msgstr "Afdrukken" #: ../../general_concepts/colors/color_managed_workflow.rst:342 msgid "sRGB or rec2020 if you can afford the bit-depth being 16bit." msgstr "" "sRGB of rec2020 als u het zich kan veroorloven dat de bit-diepte 16 bit is." #: ../../general_concepts/colors/color_managed_workflow.rst:344 msgid "" "Specialized CMYK profile from the printing house for the printed images." msgstr "" "Gespecialiseerd CMYK profiel van de drukkerij voor de af te drukken " "afbeeldingen." #: ../../general_concepts/colors/color_managed_workflow.rst:346 msgid "" "The CMYK profiles are different per printer, and even per paper or ink-type " "so don't be presumptuous and ask ahead for them, instead of doing something " "like trying to paint in any random CMYK profile. As mentioned in the viewing " "conditions section, you want to keep your options open." msgstr "" "De CMYK profielen verschillen per printer, en zelfs per papiersoort of " "inkttype wees dus niet roekeloos en vraag van te voren naar deze profielen, " "in plaats van iets te doen zoals het tekenen in een willekeurig CMYK " "profiel. Zoals al vermeld in de sectie over kijk-condities, wilt u uw opties " "geopend houden." #: ../../general_concepts/colors/color_managed_workflow.rst:348 msgid "" "You can set the advanced color selector to transform to a given profile via :" "menuselection:`Settings --> Configure Krita --> Color Selector Settings`. " "There, tick :guilabel:`Color Selector Uses Different Color Space than Image` " "and select the CMYK profile you are aiming for. This will limit your colors " "a little bit, but keep all the nice filter and blending options from RGB." msgstr "" "U kunt de geavanceerde kleurenkiezer zo instellen dat het naar een gekozen " "profiel converteert via :menuselection:`Instellingen --> Krita configureren " "--> Instellingen kleurenkiezer`. Schakel daar :guilabel:`Kleurenkiezer " "gebruikt een andere kleurruimte dan afbeelding` in en selecteer het gewenste " "CMYK profiel. Dit beperkt uw kleuren enigszins, maar houd wel alle filters- " "en mengopties van RGB." #: ../../general_concepts/colors/color_managed_workflow.rst:351 msgid "Games" msgstr "Spellen" #: ../../general_concepts/colors/color_managed_workflow.rst:360 msgid "sRGB or grayscale linear for roughness and specular maps." msgstr "sRGB of lineaire grijswaarden voor roughness en specular maps." #: ../../general_concepts/colors/color_managed_workflow.rst:362 msgid "" "This one is tricky, but in the end it'll be sRGB for the regular player." msgstr "" "Dit is een moeilijke, maar aan het eind is het sRGB voor de gewone speler." #: ../../general_concepts/colors/color_managed_workflow.rst:364 msgid "" "So this one is tricky. You can use OCIO and ICC between programs, but " "recommended is to have your images to the engine in sRGB or grayscale. Many " "physically based renderers these days allow you to set whether an image " "should be read as a linear or srgbtrc image, and this is even vital to have " "the images being considered properly in the physically based calculations of " "the game renderer." msgstr "" "Dus dit is een moeilijke. U kunt tussen programma's OCIO en ICC gebruiken, " "maar het wordt aangeraden om de afbeeldingen naar de engine in sRGB of " "grijswaarden te sturen. Dezer dagen staan veel op fysiek gebaseerde " "renderers toe dat u instelt of een afbeelding ingelezen moet worden als een " "lineaire of srgbtrc afbeelding, en dit is van vitaal belang zodat de " "afbeelding goed wordt geïnterpreteerd in de fysiek gebaseerde berekeningen " "van de game renderer." #: ../../general_concepts/colors/color_managed_workflow.rst:366 msgid "" "While game engines need to have optimized content, and it's recommended to " "stay within 8bit, future screens may have higher bit depths, and when " "renderers will start supporting those, it may be beneficial to develop a " "workflow where the working-space files are rather unnecessarily big and you " "run some scripts to optimize them for your current render needs, making " "updating the game in the future for fancier screens less of a drag." msgstr "" "Omdat game engines geoptimaliseerde content moeten hebben, en het daarom " "wordt aanbevolen om in 8bit te blijven, kunnen toekomstige schermen hogere " "bitdieptes hebben, en als renderers dit beginnen te ondersteunen, dan kan " "het handig zijn om een workflow te ontwikkelen waar de werkruimte bestanden " "onnodig groot zijn en u enkele scripts gebruikt om ze te optimaliseren voor " "uw huidige render gebruik, wat in de toekomst het updaten van het spel voor " "betere schermen veel minder omslachtig maakt." #: ../../general_concepts/colors/color_managed_workflow.rst:368 msgid "" "Normal maps and heightmaps are officially supposed to be defined with a 'non-" "color data' working space, but you'll find that most engines will not care " "much for this. Instead, tell the game engine not to do any conversion on the " "file when importing." msgstr "" "Normal maps en heightmaps worden officieel geacht te zijn gedefinieerd met " "'non-color data' werkruimte, maar u zult merken dat de meeste engines daar " "helemaal niet om geven. Draag in plaats daarvan de game engine op om bij het " "importeren van het bestand geen conversie uit te voeren." #: ../../general_concepts/colors/color_managed_workflow.rst:370 msgid "" "Specular, glossiness, metalness and roughness maps are all based on linear " "calculations, and when you find that certain material has a metalness of " "0.3, this is 30% gray in a linear space. Therefore, make sure to tell the " "game engine renderer that this is a linear space image (or at the very " "least, should NOT be converted)." msgstr "" "Specular, glossiness, metalness en roughness maps zijn allemaal gebaseerd op " "lineaire berekeningen, en als u denkt dat een bepaald materiaal een " "metalness van 0.3 heeft, dan is dat 30% grijs in een lineaire ruimte. Zorg " "er daarom voor dat de game engine renderer weet dat dit een lineaire ruimte " "afbeelding is (of tenminste, dat het niet moet worden geconverteerd)." #: ../../general_concepts/colors/color_managed_workflow.rst:374 msgid "" "`Visualizing the XYZ color space `_" msgstr "" "`De XYZ kleurruimte visualiseren `_" #: ../../general_concepts/colors/color_managed_workflow.rst:375 msgid "" "`Basics of gamma correction `_" msgstr "" "`Inleiding tot gamma correctie `_" #: ../../general_concepts/colors/color_managed_workflow.rst:376 msgid "" "`Panda3d example of how an image that has gamma encoded without the 3d " "renderer being notified of it having gamma-encoding can result in too dark " "images `_" msgstr "" "`Panda3d voorbeeld van hoe een afbeelding dat is gamma gecodeerd zonder dat " "de 3d renderer weet dat het gamma-codering heeft kan resulteren in te " "donkere afbeeldingen `_" #: ../../general_concepts/colors/color_managed_workflow.rst:377 msgid "" "`2d examples of the effect of gamma-encoding on color maths `_" msgstr "" "`2d voorbeelden van het effect van gamma-codering van kleur-berekeningen " "`_" #: ../../general_concepts/colors/color_managed_workflow.rst:378 msgid "" "`Basic overview of color management from argylcms manual `_" msgstr "" "`Basis inleiding over kleurbeheer uit argylcms handleiding `_" diff --git a/locale/nl/LC_MESSAGES/reference_manual/blending_modes/mix.po b/locale/nl/LC_MESSAGES/reference_manual/blending_modes/mix.po index b1c8b8022..ae2408b97 100644 --- a/locale/nl/LC_MESSAGES/reference_manual/blending_modes/mix.po +++ b/locale/nl/LC_MESSAGES/reference_manual/blending_modes/mix.po @@ -1,528 +1,534 @@ # Dutch translations for Krita Manual package # Nederlandse vertalingen voor het pakket Krita Manual. # Copyright (C) licensed under the GNU Free Documentation License 1.3+ unless stated otherwise # This file is distributed under the same license as the Krita Manual package. # # Automatically generated, 2019. # Freek de Kruijf , 2019. msgid "" msgstr "" "Project-Id-Version: Krita Manual 4.1\n" "Report-Msgid-Bugs-To: \n" "POT-Creation-Date: 2019-06-15 03:16+0200\n" -"PO-Revision-Date: 2019-05-05 17:31+0200\n" +"PO-Revision-Date: 2019-06-23 15:00+0200\n" "Last-Translator: Freek de Kruijf \n" "Language-Team: Dutch \n" "Language: nl\n" "MIME-Version: 1.0\n" "Content-Type: text/plain; charset=UTF-8\n" "Content-Transfer-Encoding: 8bit\n" "Plural-Forms: nplurals=2; plural=n != 1;\n" -"X-Generator: Lokalize 19.04.0\n" +"X-Generator: Lokalize 19.04.2\n" #: ../../reference_manual/blending_modes/mix.rst:None msgid ".. image:: images/blending_modes/mix/Greaterblendmode.gif" msgstr ".. image:: images/blending_modes/mix/Greaterblendmode.gif" #: ../../reference_manual/blending_modes/mix.rst:1 msgid "" "Page about the mix blending modes in Krita: Allanon, Alpha Darken, Behind, " "Erase, Geometric Mean, Grain Extract, Grain Merge, Greater, Hard Mix, Hard " "Overlay, Interpolation, Interpolation2x, Normal, Overlay, Parallel, Penumbra " "A, B, C and D." msgstr "" +"Pagina over de serie mengmodi in Krita: Allanon, Alpha Darken, Behind, " +"Erase, Geometric Mean, Grain Extract, Grain Merge, Greater, Hard Mix, Hard " +"Overlay, Interpolation, Interpolation2x, Normal, Overlay, Parallel, Penumbra " +"A, B, C en D." #: ../../reference_manual/blending_modes/mix.rst:16 msgid "Mix" msgstr "Mengsel" #: ../../reference_manual/blending_modes/mix.rst:18 #: ../../reference_manual/blending_modes/mix.rst:22 msgid "Allanon" msgstr "Allanon" #: ../../reference_manual/blending_modes/mix.rst:24 msgid "" "Blends the upper layer as half-transparent with the lower. (It add the two " "layers together and then halves the value)." msgstr "" +"Mengt de bovenste laag als half-transparant met de lagere. (Het telt de " +"twee lagen op en halveert daarna de waarde)." #: ../../reference_manual/blending_modes/mix.rst:29 msgid "" ".. image:: images/blending_modes/mix/" "Blending_modes_Allanon_Sample_image_with_dots.png" msgstr "" ".. image:: images/blending_modes/mix/" "Blending_modes_Allanon_Sample_image_with_dots.png" #: ../../reference_manual/blending_modes/mix.rst:29 msgid "Left: **Normal**. Right: **Allanon**." -msgstr "" +msgstr "Links: **Normaal**. Rechts: **Allanon**." #: ../../reference_manual/blending_modes/mix.rst:31 #: ../../reference_manual/blending_modes/mix.rst:35 msgid "Interpolation" msgstr "" #: ../../reference_manual/blending_modes/mix.rst:37 msgid "" "Subtract 0.5f by 1/4 of cosine of base layer subtracted by 1/4 of cosine of " "blend layer assuming 0-1 range. The result is similar to Allanon mode, but " "with more contrast and functional difference to 50% opacity." msgstr "" #: ../../reference_manual/blending_modes/mix.rst:43 msgid "" ".. image:: images/blending_modes/mix/" "Blending_modes_Interpolation_Sample_image_with_dots.png" msgstr "" ".. image:: images/blending_modes/mix/" "Blending_modes_Interpolation_Sample_image_with_dots.png" #: ../../reference_manual/blending_modes/mix.rst:43 msgid "Left: **Normal**. Right: **Interpolation**." msgstr "" #: ../../reference_manual/blending_modes/mix.rst:45 msgid "Interpolation2x" msgstr "" #: ../../reference_manual/blending_modes/mix.rst:49 msgid "Interpolation - 2X" msgstr "" #: ../../reference_manual/blending_modes/mix.rst:51 msgid "" "Applies Interpolation blend mode to base and blend layers, then duplicate to " "repeat interpolation blending." msgstr "" #: ../../reference_manual/blending_modes/mix.rst:56 msgid "" ".. image:: images/blending_modes/mix/" "Blending_modes_Interpolation_X2_Sample_image_with_dots.png" msgstr "" ".. image:: images/blending_modes/mix/" "Blending_modes_Interpolation_X2_Sample_image_with_dots.png" #: ../../reference_manual/blending_modes/mix.rst:56 msgid "Left: **Normal**. Right: **Interpolation - 2X**." msgstr "" #: ../../reference_manual/blending_modes/mix.rst:58 #: ../../reference_manual/blending_modes/mix.rst:62 msgid "Alpha Darken" msgstr "Alfa verdonkeren" #: ../../reference_manual/blending_modes/mix.rst:64 msgid "" "As far as I can tell this seems to premultiply the alpha, as is common in " "some file-formats." msgstr "" #: ../../reference_manual/blending_modes/mix.rst:69 msgid "" ".. image:: images/blending_modes/mix/" "Blending_modes_Alpha_Darken_Sample_image_with_dots.png" msgstr "" ".. image:: images/blending_modes/mix/" "Blending_modes_Alpha_Darken_Sample_image_with_dots.png" #: ../../reference_manual/blending_modes/mix.rst:69 msgid "Left: **Normal**. Right: **Alpha Darken**." msgstr "" #: ../../reference_manual/blending_modes/mix.rst:71 #: ../../reference_manual/blending_modes/mix.rst:75 msgid "Behind" msgstr "Achter" #: ../../reference_manual/blending_modes/mix.rst:77 msgid "" "Does the opposite of normal, and tries to have the upper layer rendered " "below the lower layer." msgstr "" #: ../../reference_manual/blending_modes/mix.rst:82 msgid "" ".. image:: images/blending_modes/mix/" "Blending_modes_Behind_Sample_image_with_dots.png" msgstr "" ".. image:: images/blending_modes/mix/" "Blending_modes_Behind_Sample_image_with_dots.png" #: ../../reference_manual/blending_modes/mix.rst:82 msgid "Left: **Normal**. Right: **Behind**." msgstr "" #: ../../reference_manual/blending_modes/mix.rst:84 msgid "Erase (Blending Mode)" msgstr "" #: ../../reference_manual/blending_modes/mix.rst:88 msgid "Erase" msgstr "Wissen" #: ../../reference_manual/blending_modes/mix.rst:90 msgid "" "This subtracts the opaque pixels of the upper layer from the lower layer, " "effectively erasing." msgstr "" #: ../../reference_manual/blending_modes/mix.rst:95 msgid "" ".. image:: images/blending_modes/mix/" "Blending_modes_Erase_Sample_image_with_dots.png" msgstr "" ".. image:: images/blending_modes/mix/" "Blending_modes_Erase_Sample_image_with_dots.png" #: ../../reference_manual/blending_modes/mix.rst:95 msgid "Left: **Normal**. Right: **Erase**." msgstr "" #: ../../reference_manual/blending_modes/mix.rst:97 #: ../../reference_manual/blending_modes/mix.rst:101 msgid "Geometric Mean" msgstr "Meetkundig gemiddelde" #: ../../reference_manual/blending_modes/mix.rst:103 msgid "" "This blending mode multiplies the top layer with the bottom, and then " "outputs the square root of that." msgstr "" #: ../../reference_manual/blending_modes/mix.rst:108 msgid "" ".. image:: images/blending_modes/mix/" "Blending_modes_Geometric_Mean_Sample_image_with_dots.png" msgstr "" ".. image:: images/blending_modes/mix/" "Blending_modes_Geometric_Mean_Sample_image_with_dots.png" #: ../../reference_manual/blending_modes/mix.rst:108 msgid "Left: **Normal**. Right: **Geometric Mean**." msgstr "" #: ../../reference_manual/blending_modes/mix.rst:110 #: ../../reference_manual/blending_modes/mix.rst:114 msgid "Grain Extract" msgstr "Grain Extract" #: ../../reference_manual/blending_modes/mix.rst:116 msgid "" "Similar to subtract, the colors of the upper layer are subtracted from the " "colors of the lower layer, and then 50% gray is added." msgstr "" #: ../../reference_manual/blending_modes/mix.rst:121 msgid "" ".. image:: images/blending_modes/mix/" "Blending_modes_Grain_Extract_Sample_image_with_dots.png" msgstr "" ".. image:: images/blending_modes/mix/" "Blending_modes_Grain_Extract_Sample_image_with_dots.png" #: ../../reference_manual/blending_modes/mix.rst:121 msgid "Left: **Normal**. Right: **Grain Extract**." msgstr "" #: ../../reference_manual/blending_modes/mix.rst:123 #: ../../reference_manual/blending_modes/mix.rst:127 msgid "Grain Merge" msgstr "Grain Merge" #: ../../reference_manual/blending_modes/mix.rst:129 msgid "" "Similar to addition, the colors of the upper layer are added to the colors, " "and then 50% gray is subtracted." msgstr "" #: ../../reference_manual/blending_modes/mix.rst:134 msgid "" ".. image:: images/blending_modes/mix/" "Blending_modes_Grain_Merge_Sample_image_with_dots.png" msgstr "" ".. image:: images/blending_modes/mix/" "Blending_modes_Grain_Merge_Sample_image_with_dots.png" #: ../../reference_manual/blending_modes/mix.rst:134 msgid "Left: **Normal**. Right: **Grain Merge**." msgstr "" #: ../../reference_manual/blending_modes/mix.rst:136 msgid "Greater (Blending Mode)" msgstr "" #: ../../reference_manual/blending_modes/mix.rst:140 msgid "Greater" msgstr "Groter" #: ../../reference_manual/blending_modes/mix.rst:142 msgid "" "A blending mode which checks whether the painted color is painted with a " "higher opacity than the existing colors. If so, it paints over them, if not, " "it doesn't paint at all." msgstr "" #: ../../reference_manual/blending_modes/mix.rst:147 #: ../../reference_manual/blending_modes/mix.rst:151 msgid "Hard Mix" msgstr "Harde mix" #: ../../reference_manual/blending_modes/mix.rst:153 msgid "Similar to Overlay." msgstr "" #: ../../reference_manual/blending_modes/mix.rst:155 msgid "" "Mixes both Color Dodge and Burn blending modes. If the color of the upper " "layer is darker than 50%, the blending mode will be Burn, if not the " "blending mode will be Color Dodge." msgstr "" #: ../../reference_manual/blending_modes/mix.rst:161 msgid "" ".. image:: images/blending_modes/mix/" "Blending_modes_Hard_Mix_Sample_image_with_dots.png" msgstr "" ".. image:: images/blending_modes/mix/" "Blending_modes_Hard_Mix_Sample_image_with_dots.png" #: ../../reference_manual/blending_modes/mix.rst:161 msgid "Left: **Normal**. Right: **Hard Mix**." msgstr "" #: ../../reference_manual/blending_modes/mix.rst:166 msgid "Hard Mix (Photoshop)" msgstr "Harde mix (Photoshop)" #: ../../reference_manual/blending_modes/mix.rst:168 msgid "This is the hard mix blending mode as it is implemented in photoshop." msgstr "" #: ../../reference_manual/blending_modes/mix.rst:174 msgid ".. image:: images/blending_modes/mix/Krita_4_0_hard_mix_ps.png" msgstr ".. image:: images/blending_modes/mix/Krita_4_0_hard_mix_ps.png" #: ../../reference_manual/blending_modes/mix.rst:174 msgid "" "**Left**: Dots are mixed in with the normal blending mode, on the **Right**: " "Dots are mixed in with hardmix." msgstr "" #: ../../reference_manual/blending_modes/mix.rst:176 msgid "" "This add the two values, and then checks if the value is above the maximum. " "If so it will output the maximum, otherwise the minimum." msgstr "" #: ../../reference_manual/blending_modes/mix.rst:178 msgid "Hard OVerlay" msgstr "Hard OVerlay" #: ../../reference_manual/blending_modes/mix.rst:182 msgid "Hard Overlay" msgstr "Hard over elkaar" #: ../../reference_manual/blending_modes/mix.rst:186 msgid "" "Similar to Hard light but hard light use Screen when the value is above 50%. " "Divide gives better results than Screen, especially on floating point images." msgstr "" #: ../../reference_manual/blending_modes/mix.rst:191 msgid "" ".. image:: images/blending_modes/mix/" "Blending_modes_Hard_Overlay_Sample_image_with_dots.png" msgstr "" ".. image:: images/blending_modes/mix/" "Blending_modes_Hard_Overlay_Sample_image_with_dots.png" #: ../../reference_manual/blending_modes/mix.rst:191 msgid "Left: **Normal**. Right: **Hard Overlay**." msgstr "" #: ../../reference_manual/blending_modes/mix.rst:193 msgid "Normal (Blending Mode)" msgstr "" #: ../../reference_manual/blending_modes/mix.rst:193 msgid "Source Over" msgstr "" #: ../../reference_manual/blending_modes/mix.rst:197 msgid "Normal" msgstr "Normaal" #: ../../reference_manual/blending_modes/mix.rst:199 msgid "" "As you may have guessed this is the default Blending mode for all layers." msgstr "" #: ../../reference_manual/blending_modes/mix.rst:201 msgid "" "In this mode, the computer checks on the upper layer how transparent a pixel " "is, which color it is, and then mixes the color of the upper layer with the " "lower layer proportional to the transparency." msgstr "" #: ../../reference_manual/blending_modes/mix.rst:206 msgid "" ".. image:: images/blending_modes/mix/" "Blending_modes_Normal_50_Opacity_Sample_image_with_dots.png" msgstr "" ".. image:: images/blending_modes/mix/" "Blending_modes_Normal_50_Opacity_Sample_image_with_dots.png" #: ../../reference_manual/blending_modes/mix.rst:206 msgid "Left: **Normal** 100% Opacity. Right: **Normal** 50% Opacity." msgstr "" #: ../../reference_manual/blending_modes/mix.rst:208 msgid "Overlay (Blending Mode)" msgstr "" #: ../../reference_manual/blending_modes/mix.rst:212 msgid "Overlay" msgstr "Overlay" #: ../../reference_manual/blending_modes/mix.rst:214 msgid "" "A combination of the Multiply and Screen blending modes, switching between " "both at a middle-lightness." msgstr "" #: ../../reference_manual/blending_modes/mix.rst:216 msgid "" "Overlay checks if the color on the upperlayer has a lightness above 0.5. If " "so, the pixel is blended like in Screen mode, if not the pixel is blended " "like in Multiply mode." msgstr "" #: ../../reference_manual/blending_modes/mix.rst:218 msgid "This is useful for deepening shadows and highlights." msgstr "" #: ../../reference_manual/blending_modes/mix.rst:223 msgid "" ".. image:: images/blending_modes/mix/" "Blending_modes_Overlay_Sample_image_with_dots.png" msgstr "" ".. image:: images/blending_modes/mix/" "Blending_modes_Overlay_Sample_image_with_dots.png" #: ../../reference_manual/blending_modes/mix.rst:223 msgid "Left: **Normal**. Right: **Overlay**." msgstr "" #: ../../reference_manual/blending_modes/mix.rst:225 #: ../../reference_manual/blending_modes/mix.rst:229 msgid "Parallel" msgstr "Parallel" #: ../../reference_manual/blending_modes/mix.rst:231 msgid "" "This one first takes the percentage in two decimal behind the comma for both " "layers. It then adds the two values. Divides 2 by the sum." msgstr "" #: ../../reference_manual/blending_modes/mix.rst:238 msgid "" ".. image:: images/blending_modes/mix/" "Blending_modes_Parallel_Sample_image_with_dots.png" msgstr "" ".. image:: images/blending_modes/mix/" "Blending_modes_Parallel_Sample_image_with_dots.png" #: ../../reference_manual/blending_modes/mix.rst:238 msgid "Left: **Normal**. Right: **Parallel**." msgstr "" #: ../../reference_manual/blending_modes/mix.rst:240 #: ../../reference_manual/blending_modes/mix.rst:244 msgid "Penumbra A" msgstr "Penumbra A" #: ../../reference_manual/blending_modes/mix.rst:246 msgid "" "Creates a linear penumbra falloff. This means most tones will be in the " "midtone ranges." msgstr "" #: ../../reference_manual/blending_modes/mix.rst:251 msgid "" ".. image:: images/blending_modes/mix/" "Blending_modes_Penumbra_A_Sample_image_with_dots.png" msgstr "" ".. image:: images/blending_modes/mix/" "Blending_modes_Penumbra_A_Sample_image_with_dots.png" #: ../../reference_manual/blending_modes/mix.rst:251 msgid "Left: **Normal**. Right: **Penumbra A**." msgstr "" #: ../../reference_manual/blending_modes/mix.rst:253 #: ../../reference_manual/blending_modes/mix.rst:257 msgid "Penumbra B" msgstr "Penumbra B" #: ../../reference_manual/blending_modes/mix.rst:259 msgid "Penumbra A with source and destination layer swapped." msgstr "" #: ../../reference_manual/blending_modes/mix.rst:264 msgid "" ".. image:: images/blending_modes/mix/" "Blending_modes_Penumbra_B_Sample_image_with_dots.png" msgstr "" ".. image:: images/blending_modes/mix/" "Blending_modes_Penumbra_B_Sample_image_with_dots.png" #: ../../reference_manual/blending_modes/mix.rst:264 msgid "Left: **Normal**. Right: **Penumbra B**." msgstr "" #: ../../reference_manual/blending_modes/mix.rst:266 #: ../../reference_manual/blending_modes/mix.rst:270 msgid "Penumbra C" msgstr "Penumbra C" #: ../../reference_manual/blending_modes/mix.rst:272 msgid "" "Creates a penumbra-like falloff using arc-tangent formula. This means most " "tones will be in the midtone ranges." msgstr "" #: ../../reference_manual/blending_modes/mix.rst:277 msgid "" ".. image:: images/blending_modes/mix/" "Blending_modes_Penumbra_C_Sample_image_with_dots.png" msgstr "" ".. image:: images/blending_modes/mix/" "Blending_modes_Penumbra_C_Sample_image_with_dots.png" #: ../../reference_manual/blending_modes/mix.rst:277 msgid "Left: **Normal**. Right: **Penumbra C**." msgstr "" #: ../../reference_manual/blending_modes/mix.rst:279 #: ../../reference_manual/blending_modes/mix.rst:283 msgid "Penumbra D" msgstr "Penumbra D" #: ../../reference_manual/blending_modes/mix.rst:285 msgid "Penumbra C with source and destination layer swapped." msgstr "" #: ../../reference_manual/blending_modes/mix.rst:290 msgid "" ".. image:: images/blending_modes/mix/" "Blending_modes_Penumbra_D_Sample_image_with_dots.png" msgstr "" ".. image:: images/blending_modes/mix/" "Blending_modes_Penumbra_D_Sample_image_with_dots.png" #: ../../reference_manual/blending_modes/mix.rst:290 msgid "Left: **Normal**. Right: **Penumbra D**." msgstr "" diff --git a/locale/nl/LC_MESSAGES/reference_manual/blending_modes/modulo.po b/locale/nl/LC_MESSAGES/reference_manual/blending_modes/modulo.po index d22d8741c..4186adc67 100644 --- a/locale/nl/LC_MESSAGES/reference_manual/blending_modes/modulo.po +++ b/locale/nl/LC_MESSAGES/reference_manual/blending_modes/modulo.po @@ -1,183 +1,183 @@ # Copyright (C) licensed under the GNU Free Documentation License 1.3+ unless stated otherwise # This file is distributed under the same license as the Krita Manual package. # # Freek de Kruijf , 2019. msgid "" msgstr "" "Project-Id-Version: Krita Manual 4.2\n" "Report-Msgid-Bugs-To: \n" "POT-Creation-Date: 2019-05-09 03:41+0200\n" -"PO-Revision-Date: 2019-05-05 17:35+0200\n" +"PO-Revision-Date: 2019-06-23 15:05+0200\n" "Last-Translator: Freek de Kruijf \n" "Language-Team: Dutch \n" "Language: nl\n" "MIME-Version: 1.0\n" "Content-Type: text/plain; charset=UTF-8\n" "Content-Transfer-Encoding: 8bit\n" "Plural-Forms: nplurals=2; plural=n != 1;\n" -"X-Generator: Lokalize 19.04.0\n" +"X-Generator: Lokalize 19.04.2\n" #: ../../reference_manual/blending_modes/modulo.rst:1 msgid "Page about the modulo blending modes in Krita:" -msgstr "" +msgstr "Pagina over de modulo mengmodi in Krita:" #: ../../reference_manual/blending_modes/modulo.rst:10 #: ../../reference_manual/blending_modes/modulo.rst:14 #: ../../reference_manual/blending_modes/modulo.rst:47 #: ../../reference_manual/blending_modes/modulo.rst:51 msgid "Modulo" msgstr "Modulo" #: ../../reference_manual/blending_modes/modulo.rst:16 msgid "" "Modulo modes are special class of blending modes which loops values when the " "value of channel blend layer is less than the value of channel in base " "layers. All modes in modulo modes retains the absolute of the remainder if " "the value is greater than the maximum value or the value is less than " "minimum value. Continuous modes assume if the calculated value before modulo " "operation is within the range between a odd number to even number, then " "values are inverted in the end result, so values are perceived to be wave-" "like." msgstr "" #: ../../reference_manual/blending_modes/modulo.rst:18 msgid "" "Furthermore, this would imply that modulo modes are beneficial for abstract " "art, and manipulation of gradients." msgstr "" #: ../../reference_manual/blending_modes/modulo.rst:20 #: ../../reference_manual/blending_modes/modulo.rst:24 msgid "Divisive Modulo" -msgstr "" +msgstr "Gedeelde modulo" #: ../../reference_manual/blending_modes/modulo.rst:26 msgid "" "First, Base Layer is divided by the sum of blend layer and the minimum " "possible value after zero. Then, performs a modulo calculation using the " "value found with the sum of blend layer and the minimum possible value after " "zero." msgstr "" #: ../../reference_manual/blending_modes/modulo.rst:31 msgid "" ".. image:: images/blending_modes/modulo/" "Blending_modes_Divisive_Modulo_Gradient_Comparison.png" msgstr "" #: ../../reference_manual/blending_modes/modulo.rst:31 msgid "" "Left: **Base Layer**. Middle: **Blend Layer**. Right: **Divisive Modulo**." msgstr "" #: ../../reference_manual/blending_modes/modulo.rst:33 #: ../../reference_manual/blending_modes/modulo.rst:38 msgid "Divisive Modulo - Continuous" -msgstr "" +msgstr "Verdeelde modulo - doorlopend" #: ../../reference_manual/blending_modes/modulo.rst:40 msgid "" "First, Base Layer is divided by the sum of blend layer and the minimum " "possible value after zero. Then, performs a modulo calculation using the " "value found with the sum of blend layer and the minimum possible value after " "zero. As this is a continuous mode, anything between odd to even numbers are " "inverted." msgstr "" #: ../../reference_manual/blending_modes/modulo.rst:45 msgid "" ".. image:: images/blending_modes/modulo/" "Blending_modes_Divisive_Modulo_Continuous_Gradient_Comparison.png" msgstr "" #: ../../reference_manual/blending_modes/modulo.rst:45 msgid "" "Left: **Base Layer**. Middle: **Blend Layer**. Right: **Divisive Modulo - " "Continuous**." msgstr "" #: ../../reference_manual/blending_modes/modulo.rst:53 msgid "" "Performs a modulo calculation using the sum of blend layer and the minimum " "possible value after zero." msgstr "" #: ../../reference_manual/blending_modes/modulo.rst:58 msgid "" ".. image:: images/blending_modes/modulo/" "Blending_modes_Modulo_Gradient_Comparison.png" msgstr "" #: ../../reference_manual/blending_modes/modulo.rst:58 msgid "Left: **Base Layer**. Middle: **Blend Layer**. Right: **Modulo**." msgstr "" #: ../../reference_manual/blending_modes/modulo.rst:60 #: ../../reference_manual/blending_modes/modulo.rst:64 msgid "Modulo - Continuous" -msgstr "" +msgstr "Modulo - doorlopend" #: ../../reference_manual/blending_modes/modulo.rst:66 msgid "" "Performs a modulo calculation using the sum of blend layer and the minimum " "possible value after zero. As this is a continuous mode, anything between " "odd to even numbers are inverted." msgstr "" #: ../../reference_manual/blending_modes/modulo.rst:71 msgid "" ".. image:: images/blending_modes/modulo/" "Blending_modes_Modulo_Continuous_Gradient_Comparison.png" msgstr "" #: ../../reference_manual/blending_modes/modulo.rst:71 msgid "" "Left: **Base Layer**. Middle: **Blend Layer**. Right: **Modulo - " "Continuous**." msgstr "" #: ../../reference_manual/blending_modes/modulo.rst:73 #: ../../reference_manual/blending_modes/modulo.rst:77 msgid "Modulo Shift" -msgstr "" +msgstr "Modulo verschoven" #: ../../reference_manual/blending_modes/modulo.rst:79 msgid "" "Performs a modulo calculation with the result of the sum of base and blend " "layer by the sum of blend layer with the minimum possible value after zero." msgstr "" #: ../../reference_manual/blending_modes/modulo.rst:85 msgid "" ".. image:: images/blending_modes/modulo/" "Blending_modes_Modulo_Shift_Gradient_Comparison.png" msgstr "" #: ../../reference_manual/blending_modes/modulo.rst:85 msgid "Left: **Base Layer**. Middle: **Blend Layer**. Right: **Modulo Shift**." msgstr "" #: ../../reference_manual/blending_modes/modulo.rst:87 #: ../../reference_manual/blending_modes/modulo.rst:91 msgid "Modulo Shift - Continuous" -msgstr "" +msgstr "Modulo verschoven - doorlopend" #: ../../reference_manual/blending_modes/modulo.rst:93 msgid "" "Performs a modulo calculation with the result of the sum of base and blend " "layer by the sum of blend layer with the minimum possible value after zero. " "As this is a continuous mode, anything between odd to even numbers are " "inverted." msgstr "" #: ../../reference_manual/blending_modes/modulo.rst:98 msgid "" ".. image:: images/blending_modes/modulo/" "Blending_modes_Modulo_Shift_Continuous_Gradient_Comparison.png" msgstr "" #: ../../reference_manual/blending_modes/modulo.rst:98 msgid "" "Left: **Base Layer**. Middle: **Blend Layer**. Right: **Modulo Shift - " "Continuous**." msgstr "" diff --git a/locale/nl/LC_MESSAGES/reference_manual/brushes/brush_engines/chalk_engine.po b/locale/nl/LC_MESSAGES/reference_manual/brushes/brush_engines/chalk_engine.po index 65f03b257..b395f08d6 100644 --- a/locale/nl/LC_MESSAGES/reference_manual/brushes/brush_engines/chalk_engine.po +++ b/locale/nl/LC_MESSAGES/reference_manual/brushes/brush_engines/chalk_engine.po @@ -1,67 +1,75 @@ # Dutch translations for Krita Manual package # Nederlandse vertalingen voor het pakket Krita Manual. # Copyright (C) licensed under the GNU Free Documentation License 1.3+ unless stated otherwise # This file is distributed under the same license as the Krita Manual package. # # Automatically generated, 2019. # Freek de Kruijf , 2019. msgid "" msgstr "" "Project-Id-Version: Krita Manual 4.1\n" "Report-Msgid-Bugs-To: \n" "POT-Creation-Date: 2019-05-04 03:33+0200\n" -"PO-Revision-Date: 2019-06-21 13:01+0200\n" +"PO-Revision-Date: 2019-06-23 15:15+0200\n" "Last-Translator: Freek de Kruijf \n" "Language-Team: Dutch \n" "Language: nl\n" "MIME-Version: 1.0\n" "Content-Type: text/plain; charset=UTF-8\n" "Content-Transfer-Encoding: 8bit\n" "Plural-Forms: nplurals=2; plural=n != 1;\n" "X-Generator: Lokalize 19.04.2\n" #: ../../reference_manual/brushes/brush_engines/chalk_engine.rst:1 msgid "The Chalk Brush Engine manual page." msgstr "De handleidingpagina van kalkpenseel-engine." #: ../../reference_manual/brushes/brush_engines/chalk_engine.rst:17 msgid "Chalk Brush Engine" msgstr "Kalkpenseel-engine" #: ../../reference_manual/brushes/brush_engines/chalk_engine.rst:21 msgid "" "This brush engine has been removed in 4.0. There are other brush engines " "such as pixel that can do everything this can...plus more." msgstr "" "Deze penseel-engine is verwijderd in 4.0. Er zijn andere penseel-engines " "zoals pixel die alles als deze kunnen doen... plus meer." #: ../../reference_manual/brushes/brush_engines/chalk_engine.rst:23 msgid "" "Apparently, the Bristle brush engine is derived from this brush engine. Now, " "all of :program:`Krita's` brushes have a great variety of uses, so you must " "have tried out the Chalk brush and wondered what it is for. Is it nothing " "but a pixel brush with opacity and saturation fade options? As per the " "developers this brush uses a different algorithm than the Pixel Brush, and " "they left it in here as a simple demonstration of the capabilities of :" "program:`Krita's` brush engines." msgstr "" +"Kennelijk is de Borstel penseelengine afgeleid van deze penseelengine. Nu, " +"alle penselen van :program:`Krita` hebben een grote variëteit van gebruik, " +"u moet dus de Kalkpenseel hebben gebruikt en zich afgevraagd waar is het " +"voor. Is het niets anders dan een pixelpenseel met vervagingsopties voor " +"dekking en verzadiging? Volgens de ontwikkelaars gebruikt dit penseel een " +"ander algoritme dan het Pixelpenseel en ze hebben het hier in gelaten als " +"een eenvoudige demonstratie van de mogelijkheden van de penseelengines van " +":program:`Krita`." #: ../../reference_manual/brushes/brush_engines/chalk_engine.rst:26 msgid "" "So there you go, this brush is here for algorithmic demonstration purposes. " "Don't lose sleep because you can't figure out what it's for, it Really " "doesn't do much. For the sake of description, here's what it does:" msgstr "" #: ../../reference_manual/brushes/brush_engines/chalk_engine.rst:29 msgid ".. image:: images/brushes/Krita-tutorial7-C.png" msgstr ".. image:: images/brushes/Krita-tutorial7-C.png" #: ../../reference_manual/brushes/brush_engines/chalk_engine.rst:30 msgid "" "Yeah, that's it, a round brush with some chalky texture, and the option to " "fade in opacity and saturation. That's it." msgstr "" "Ja, dat is het, een rond penseel met enige kalkachtige textuur en de optie " "om dekking en verzadiging te laten vervagen. Dat is het." diff --git a/locale/nl/LC_MESSAGES/tutorials/flat-coloring.po b/locale/nl/LC_MESSAGES/tutorials/flat-coloring.po index 159ab4777..477754349 100644 --- a/locale/nl/LC_MESSAGES/tutorials/flat-coloring.po +++ b/locale/nl/LC_MESSAGES/tutorials/flat-coloring.po @@ -1,775 +1,775 @@ # Dutch translations for Krita Manual package # Nederlandse vertalingen voor het pakket Krita Manual. # Copyright (C) licensed under the GNU Free Documentation License 1.3+ unless stated otherwise # This file is distributed under the same license as the Krita Manual package. # # Automatically generated, 2019. # Freek de Kruijf , 2019. msgid "" msgstr "" "Project-Id-Version: Krita Manual 4.1\n" "Report-Msgid-Bugs-To: \n" -"POT-Creation-Date: 2019-06-23 03:14+0200\n" +"POT-Creation-Date: 2019-06-23 13:49+0200\n" "PO-Revision-Date: 2019-05-06 12:45+0200\n" "Last-Translator: Freek de Kruijf \n" "Language-Team: Dutch \n" "Language: nl\n" "MIME-Version: 1.0\n" "Content-Type: text/plain; charset=UTF-8\n" "Content-Transfer-Encoding: 8bit\n" "Plural-Forms: nplurals=2; plural=n != 1;\n" "X-Generator: Lokalize 19.04.0\n" #: ../../:2 msgid "" ".. image:: images/icons/Krita_mouse_left.png\n" " :alt: mouseleft" msgstr "" ".. image:: images/icons/Krita_mouse_left.png\n" " :alt: muislinks" #: ../../:4 msgid "" ".. image:: images/icons/Krita_mouse_right.png\n" " :alt: mouseright" msgstr "" ".. image:: images/icons/Krita_mouse_right.png\n" " :alt: muisrechts" -#: ../../tutorials/flat-coloring.rst:0 -msgid ".. image:: images/flat-coloring/Krita_filling_lineart_selection_1.png" -msgstr "" - -#: ../../tutorials/flat-coloring.rst:0 -msgid ".. image:: images/flat-coloring/Krita_filling_lineart_selection_2.png" -msgstr "" - -#: ../../tutorials/flat-coloring.rst:0 -msgid ".. image:: images/flat-coloring/Krita_filling_lineart_mask_1.png" -msgstr "" - -#: ../../tutorials/flat-coloring.rst:0 -msgid ".. image:: images/flat-coloring/Krita_filling_lineart_mask_2.png" -msgstr "" - -#: ../../tutorials/flat-coloring.rst:0 -msgid ".. image:: images/flat-coloring/Krita_filling_lineart_mask_3.png" -msgstr "" - #: ../../tutorials/flat-coloring.rst:None msgid "" ".. image:: images/flat-coloring/Krita_filling_lineart14.png\n" " :alt: layer structure for flatting in krita" msgstr "" ".. image:: images/flat-coloring/Krita_filling_lineart14.png\n" " :alt: laagstructuur voor samenvoegen in Krita" #: ../../tutorials/flat-coloring.rst:None msgid "" ".. image:: images/flat-coloring/Krita_filling_lineart1.png\n" " :alt: blend mode setup of line art flat coloring" msgstr "" ".. image:: images/flat-coloring/Krita_filling_lineart1.png\n" " :alt: modusopzet van lijntekeningen mengen met vlakke kleuring" #: ../../tutorials/flat-coloring.rst:None msgid "" ".. image:: images/flat-coloring/Krita_filling_lineart2.png\n" " :alt: effects of multiply blend mode" msgstr "" ".. image:: images/flat-coloring/Krita_filling_lineart2.png\n" " :alt: effecten van mengmodus vermenigvuldigen" #: ../../tutorials/flat-coloring.rst:None msgid "" ".. image:: images/icons/fill_tool.svg\n" " :alt: fill-tool icon" msgstr "" #: ../../tutorials/flat-coloring.rst:None msgid "" ".. image:: images/flat-coloring/Krita_filling_lineart7.png\n" " :alt: colors filled with fill tool" msgstr "" #: ../../tutorials/flat-coloring.rst:None msgid "" ".. image:: images/flat-coloring/Krita_filling_lineart15.png\n" " :alt: selecting with selection tools for filling color" msgstr "" #: ../../tutorials/flat-coloring.rst:None msgid "" ".. image:: images/flat-coloring/Krita_filling_lineart16.png\n" " :alt: selection mask in Krita" msgstr "" #: ../../tutorials/flat-coloring.rst:None msgid "" ".. image:: images/flat-coloring/Krita_filling_lineart17.png\n" " :alt: filling color in selection" msgstr "" #: ../../tutorials/flat-coloring.rst:None msgid "" ".. image:: images/flat-coloring/Krita_filling_lineart18.png\n" " :alt: result of coloring made with the help of selection tools" msgstr "" #: ../../tutorials/flat-coloring.rst:None msgid "" ".. image:: images/flat-coloring/Krita_filling_lineart8.png\n" " :alt: filling color in line art using path tool" msgstr "" #: ../../tutorials/flat-coloring.rst:None msgid "" ".. image:: images/flat-coloring/Krita_filling_lineart9.png\n" " :alt: erasing with path tool" msgstr "" #: ../../tutorials/flat-coloring.rst:None msgid "" ".. image:: images/flat-coloring/Krita_filling_lineart10.png\n" " :alt: coloring with colorize mask" msgstr "" ".. image:: images/flat-coloring/Krita_filling_lineart10.png\n" " :alt: kleuren met kleurmasker" #: ../../tutorials/flat-coloring.rst:None msgid "" ".. image:: images/flat-coloring/Krita_filling_lineart11.png\n" " :alt: result from the colorize mask" msgstr "" ".. image:: images/flat-coloring/Krita_filling_lineart11.png\n" " :alt: resultaat van het kleurmasker" #: ../../tutorials/flat-coloring.rst:None msgid "" ".. image:: images/flat-coloring/Krita_filling_lineart12.png\n" " :alt: slitting colors into islands" msgstr "" #: ../../tutorials/flat-coloring.rst:None msgid "" ".. image:: images/flat-coloring/Krita_filling_lineart13.png\n" " :alt: resulting color islands from split layers" msgstr "" +#: ../../tutorials/flat-coloring.rst:0 +msgid ".. image:: images/flat-coloring/Krita_filling_lineart_selection_1.png" +msgstr "" + +#: ../../tutorials/flat-coloring.rst:0 +msgid ".. image:: images/flat-coloring/Krita_filling_lineart_selection_2.png" +msgstr "" + +#: ../../tutorials/flat-coloring.rst:0 +msgid ".. image:: images/flat-coloring/Krita_filling_lineart_mask_1.png" +msgstr "" + +#: ../../tutorials/flat-coloring.rst:0 +msgid ".. image:: images/flat-coloring/Krita_filling_lineart_mask_2.png" +msgstr "" + +#: ../../tutorials/flat-coloring.rst:0 +msgid ".. image:: images/flat-coloring/Krita_filling_lineart_mask_3.png" +msgstr "" + #: ../../tutorials/flat-coloring.rst:1 msgid "Common workflows used in Krita" msgstr "" #: ../../tutorials/flat-coloring.rst:13 msgid "Flat Coloring" msgstr "" #: ../../tutorials/flat-coloring.rst:15 msgid "" "So you've got a cool black on white drawing, and now you want to color it! " "The thing we’ll aim for in this tutorial is to get your line art colored in " "with flat colors. So no shading just yet. We’ll be going through some " "techniques for preparing the line art, and we’ll be using the layer docker " "to put each color on a separate layer, so we can easily access each color " "when we add shading." msgstr "" #: ../../tutorials/flat-coloring.rst:17 msgid "" "This tutorial is adapted from this `tutorial `_ by " "the original author." msgstr "" #: ../../tutorials/flat-coloring.rst:20 msgid "Understanding Layers" msgstr "" #: ../../tutorials/flat-coloring.rst:22 msgid "" "To fill line art comfortably, it's best to take advantage of the layerstack. " "The layer stack is pretty awesome, and it's one of those features that make " "digital art super-convenient." msgstr "" #: ../../tutorials/flat-coloring.rst:24 msgid "" "In traditional art, it is not uncommon to first draw the full background " "before drawing the subject. Or to first draw a line art and then color it " "in. Computers have a similar way of working." msgstr "" #: ../../tutorials/flat-coloring.rst:26 msgid "" "In programming, if you tell a computer to draw a red circle, and then " "afterwards tell it to draw a smaller yellow circle, you will see the small " "yellow circle overlap the red circle. Switch the commands around, and you " "will not see the yellow circle at all: it was drawn before the red circle " "and thus ‘behind’ it." msgstr "" #: ../../tutorials/flat-coloring.rst:28 msgid "" "This is referred to as the “drawing order”. So like the traditional artist, " "the computer will first draw the images that are behind everything, and " "layer the subject and foreground on top of it. The layer docker is a way for " "you to control the drawing order of multiple images, so for example, you can " "have your line art drawn later than your colors, meaning that the lines will " "be drawn over the colors, making it easier to make it neat!" msgstr "" #: ../../tutorials/flat-coloring.rst:30 msgid "" "Other things that a layer stack can do are blending the colors of different " "layers differently with blending modes, using a filter in the layer stack, " "or using a mask that allows you to make parts transparent." msgstr "" #: ../../tutorials/flat-coloring.rst:32 msgid "" "Programmers talk about transparency as ''Alpha'', which is because the 'a' " "symbol is used to present transparency in the algorithms for painting one " "color on top of another. Usually when you see the word ''Alpha'' in a " "graphics program, just think of it as affecting the transparency." msgstr "" #: ../../tutorials/flat-coloring.rst:35 msgid "Preparing your line art" msgstr "" #: ../../tutorials/flat-coloring.rst:37 msgid "" "Put the new layer underneath the layer containing the line art (drag and " "drop or use the up/down arrows for that), and draw on it." msgstr "" #: ../../tutorials/flat-coloring.rst:42 msgid "" "…And notice nothing happening. This is because the white isn’t transparent. " "You wouldn’t really want it to either, how else would you make convincing " "highlights? So what we first need to do to color in our drawing is prepare " "our line art. There’s several methods of doing so, each with varying " "qualities." msgstr "" #: ../../tutorials/flat-coloring.rst:45 msgid "The Multiply Blending Mode" msgstr "" #: ../../tutorials/flat-coloring.rst:47 msgid "" "So, typically, to get a black and white line art usable for coloring, you " "can set the blending mode of the line art layer to Multiply. You do this by " "selecting the layer and going to the drop-down that says **Normal** and " "setting that to **Multiply**." msgstr "" #: ../../tutorials/flat-coloring.rst:52 msgid "And then you should be able to see your colors!" msgstr "" #: ../../tutorials/flat-coloring.rst:54 msgid "" "Multiply is not a perfect solution however. For example, if through some " "image editing magic I make the line art blue, it results into this:" msgstr "" #: ../../tutorials/flat-coloring.rst:59 msgid "" "This is because multiply literally multiplies the colors. So it uses maths!" msgstr "" #: ../../tutorials/flat-coloring.rst:61 msgid "" "What it first does is take the values of the RGB channels, then divides them " "by the max (because we're in 8bit, this is 255), a process we call " "normalising. Then it multiplies the normalized values. Finally, it takes the " "result and multiplies it with 255 again to get the result values." msgstr "" #: ../../tutorials/flat-coloring.rst:67 msgid "Pink" msgstr "Roze" #: ../../tutorials/flat-coloring.rst:68 msgid "Pink (normalized)" msgstr "" #: ../../tutorials/flat-coloring.rst:69 ../../tutorials/flat-coloring.rst:87 msgid "Blue" msgstr "Blauw" #: ../../tutorials/flat-coloring.rst:70 msgid "Blue (normalized)" msgstr "Blauw (genormaliseerd)" #: ../../tutorials/flat-coloring.rst:71 msgid "Normalized, multiplied" msgstr "Genormaliseerd, vermenigvuldigd" #: ../../tutorials/flat-coloring.rst:72 msgid "Result" msgstr "Resultaat" #: ../../tutorials/flat-coloring.rst:73 msgid "Red" msgstr "Rood" #: ../../tutorials/flat-coloring.rst:74 msgid "222" msgstr "222" #: ../../tutorials/flat-coloring.rst:75 msgid "0.8705" msgstr "0.8705" #: ../../tutorials/flat-coloring.rst:76 msgid "92" msgstr "92" #: ../../tutorials/flat-coloring.rst:77 msgid "0.3607" msgstr "0.3607" #: ../../tutorials/flat-coloring.rst:78 msgid "0.3139" msgstr "0.3139" #: ../../tutorials/flat-coloring.rst:79 msgid "80" msgstr "80" #: ../../tutorials/flat-coloring.rst:80 msgid "Green" msgstr "Groen" #: ../../tutorials/flat-coloring.rst:81 msgid "144" msgstr "144" #: ../../tutorials/flat-coloring.rst:82 msgid "0.5647" msgstr "0.5647" #: ../../tutorials/flat-coloring.rst:83 msgid "176" msgstr "176" #: ../../tutorials/flat-coloring.rst:84 msgid "0.6902" msgstr "0.6902" #: ../../tutorials/flat-coloring.rst:85 msgid "0.3897" msgstr "0.3897" #: ../../tutorials/flat-coloring.rst:86 msgid "99" msgstr "99" #: ../../tutorials/flat-coloring.rst:88 msgid "123" msgstr "123" #: ../../tutorials/flat-coloring.rst:89 msgid "0.4823" msgstr "0.4823" #: ../../tutorials/flat-coloring.rst:90 msgid "215" msgstr "215" #: ../../tutorials/flat-coloring.rst:91 msgid "0.8431" msgstr "0.8431" #: ../../tutorials/flat-coloring.rst:92 msgid "0.4066" msgstr "0.4066" #: ../../tutorials/flat-coloring.rst:93 msgid "103" msgstr "103" #: ../../tutorials/flat-coloring.rst:95 msgid "" "This isn't completely undesirable, and a lot of artists use this effect to " "add a little richness to their colors." msgstr "" #: ../../tutorials/flat-coloring.rst:98 ../../tutorials/flat-coloring.rst:127 #: ../../tutorials/flat-coloring.rst:154 ../../tutorials/flat-coloring.rst:173 #: ../../tutorials/flat-coloring.rst:210 ../../tutorials/flat-coloring.rst:247 #: ../../tutorials/flat-coloring.rst:275 ../../tutorials/flat-coloring.rst:317 msgid "Advantages" msgstr "" #: ../../tutorials/flat-coloring.rst:100 msgid "" "Easy, can work to your benefit even with colored lines by softening the look " "of the lines while keeping nice contrast." msgstr "" #: ../../tutorials/flat-coloring.rst:103 ../../tutorials/flat-coloring.rst:132 #: ../../tutorials/flat-coloring.rst:159 ../../tutorials/flat-coloring.rst:178 #: ../../tutorials/flat-coloring.rst:215 ../../tutorials/flat-coloring.rst:252 #: ../../tutorials/flat-coloring.rst:280 ../../tutorials/flat-coloring.rst:322 msgid "Disadvantages" msgstr "Nadelen" #: ../../tutorials/flat-coloring.rst:105 msgid "Not actually transparent. Is a little funny with colored lines." msgstr "" #: ../../tutorials/flat-coloring.rst:108 msgid "Using Selections" msgstr "" #: ../../tutorials/flat-coloring.rst:110 msgid "" "The second method is one where we'll make it actually transparent. In other " "programs this would be done via the channel docker, but Krita doesn't do " "custom channels, instead it uses Selection Masks to store custom selections." msgstr "" #: ../../tutorials/flat-coloring.rst:112 msgid "Duplicate your line art layer." msgstr "" #: ../../tutorials/flat-coloring.rst:114 msgid "" "Convert the duplicate to a selection mask. |mouseright| the layer, then :" "menuselection:`Convert --> to Selection Mask`." msgstr "" #: ../../tutorials/flat-coloring.rst:118 msgid "" "Invert the selection mask. :menuselection:`Select --> Invert Selection`." msgstr "" #: ../../tutorials/flat-coloring.rst:120 msgid "" "Make a new layer, and do :menuselection:`Edit --> Fill with Foreground " "Color`." msgstr "" #: ../../tutorials/flat-coloring.rst:124 msgid "And you should now have the line art on a separate layer." msgstr "" #: ../../tutorials/flat-coloring.rst:129 msgid "Actual transparency." msgstr "" #: ../../tutorials/flat-coloring.rst:134 msgid "Doesn't work when the line art is colored." msgstr "" #: ../../tutorials/flat-coloring.rst:137 msgid "Using Masks" msgstr "" #: ../../tutorials/flat-coloring.rst:139 msgid "This is a simpler variation of the above." msgstr "" #: ../../tutorials/flat-coloring.rst:141 msgid "Make a filled layer underneath the line art layer." msgstr "" #: ../../tutorials/flat-coloring.rst:145 msgid "" "Convert the line art layer to a transparency mask |mouseright| the layer, " "then :menuselection:`Convert --> to Transparency Mask`." msgstr "" #: ../../tutorials/flat-coloring.rst:149 msgid "" "Invert the transparency mask by going to :menuselection:`Filter --> Adjust --" "> Invert`" msgstr "" #: ../../tutorials/flat-coloring.rst:156 msgid "" "Actual transparency. You can also very easily doodle a pattern on the filled " "layer where the mask is on without affecting the transparency." msgstr "" #: ../../tutorials/flat-coloring.rst:161 msgid "" "Doesn't work when the line art is colored already. We can still get faster." msgstr "" #: ../../tutorials/flat-coloring.rst:164 msgid "Using Color to Alpha" msgstr "" #: ../../tutorials/flat-coloring.rst:166 msgid "By far the fastest way to get transparent line art." msgstr "" #: ../../tutorials/flat-coloring.rst:168 msgid "" "Select the line art layer and apply the color to alpha filter. :" "menuselection:`Filter --> Colors --> Color to Alpha`. The default values " "should be sufficient for line art." msgstr "" #: ../../tutorials/flat-coloring.rst:171 msgid "" ".. image:: images/flat-coloring/Krita_filling_lineart_color_to_alpha.png" msgstr "" ".. image:: images/flat-coloring/Krita_filling_lineart_color_to_alpha.png" #: ../../tutorials/flat-coloring.rst:175 msgid "" "Actual transparency. Works with colored line art as well, because it removes " "the white specifically." msgstr "" #: ../../tutorials/flat-coloring.rst:180 msgid "" "You'll have to lock the layer transparency or separate out the alpha via the " "right-click menu if you want to easily color it." msgstr "" #: ../../tutorials/flat-coloring.rst:184 msgid "Coloring the image" msgstr "" #: ../../tutorials/flat-coloring.rst:186 msgid "" "Much like preparing the line art, there are many different ways of coloring " "a layer." msgstr "" #: ../../tutorials/flat-coloring.rst:188 msgid "" "You could for example fill in everything by hand, but while that is very " "precise it also takes a lot of work. Let's take a look at the other options, " "shall we?" msgstr "" #: ../../tutorials/flat-coloring.rst:191 msgid "Fill Tool" msgstr "Hulpmiddel voor vullen" #: ../../tutorials/flat-coloring.rst:196 msgid "" "In most cases the fill-tool can’t deal with the anti-aliasing (the soft edge " "in your line art to make it more smooth when zoomed out) In Krita you have " "the grow-shrink option. Setting that to say… 2 expands the color two pixels." msgstr "" #: ../../tutorials/flat-coloring.rst:198 msgid "" "Threshold decides when the fill-tool should consider a different color pixel " "to be a border. And the feathering adds an extra soft border to the fill." msgstr "" #: ../../tutorials/flat-coloring.rst:200 msgid "" "Now, if you click on a gapless-part of the image with your preferred color… " "(Remember to set the opacity to 1.0!)" msgstr "" #: ../../tutorials/flat-coloring.rst:202 msgid "" "Depending on your line art, you can do flats pretty quickly. But setting the " "threshold low can result in little artifacts around where lines meet:" msgstr "" #: ../../tutorials/flat-coloring.rst:207 msgid "" "However, setting the threshold high can end with the fill not recognizing " "some of the lighter lines. Besides these little artifacts can be removed " "with the brush easily." msgstr "" #: ../../tutorials/flat-coloring.rst:212 msgid "Pretty darn quick depending on the available settings." msgstr "" #: ../../tutorials/flat-coloring.rst:217 msgid "" "Again, not great with gaps or details. And it works best with aliased line " "art." msgstr "" #: ../../tutorials/flat-coloring.rst:220 msgid "Selections" msgstr "Selecties" #: ../../tutorials/flat-coloring.rst:222 msgid "Selections work using the selection tools." msgstr "" #: ../../tutorials/flat-coloring.rst:227 msgid "" "For example with the :ref:`bezier_curve_selection_tool` you can easily " "select a curved area, and the with :kbd:`Shift` + |mouseleft| (not |" "mouseleft| + :kbd:`Shift`, there's a difference!) you can easily add to an " "existing selection." msgstr "" #: ../../tutorials/flat-coloring.rst:232 msgid "" "You can also edit the selection if you have :menuselection:`Select --> Show " "Global Selection Mask` turned on. Then you can select the global selection " "mask, and paint on it. (Above with the alternative selection mode, activated " "in the lower-left corner of the stats bar)" msgstr "" #: ../../tutorials/flat-coloring.rst:234 msgid "" "When done, select the color you want to fill it with and press :kbd:`Shift` " "+ `backspace`." msgstr "" #: ../../tutorials/flat-coloring.rst:239 msgid "" "You can save selections in selection masks by |mouseright| a layer, and then " "going to :menuselection:`Add --> Local Selection`. You first need to " "deactivate a selection by pressing the circle before adding a new selection." msgstr "" #: ../../tutorials/flat-coloring.rst:241 msgid "" "This can serve as an alternative way to split out different parts of the " "image, which is good for more painterly pieces:" msgstr "" #: ../../tutorials/flat-coloring.rst:249 msgid "A bit more precise than filling." msgstr "" #: ../../tutorials/flat-coloring.rst:254 msgid "Previewing your color isn't as easy." msgstr "" #: ../../tutorials/flat-coloring.rst:257 msgid "Geometric tools" msgstr "" #: ../../tutorials/flat-coloring.rst:259 msgid "" "So you have a tool for making rectangles or circles. And in the case of " "Krita, a tool for bezier curves. Select the path tool (|path tool|), and set " "the tool options to fill=foreground and outline=none. Make sure that your " "opacity is set to 1.00 (fully opaque)." msgstr "" #: ../../tutorials/flat-coloring.rst:262 msgid "" ".. image:: images/icons/bezier_curve.svg\n" " :alt: path tool" msgstr "" #: ../../tutorials/flat-coloring.rst:264 msgid "" "By clicking and holding, you can influence how curvy a line draw with the " "path tool is going to be. Letting go of the mouse button confirms the " "action, and then you’re free to draw the next point." msgstr "" #: ../../tutorials/flat-coloring.rst:269 msgid "" "You can also erase with a geometric tool. Just press :kbd:`E` or the eraser " "button." msgstr "" #: ../../tutorials/flat-coloring.rst:277 msgid "" "Quicker than using the brush or selections. Also decent with line art that " "contains gaps." msgstr "" #: ../../tutorials/flat-coloring.rst:282 msgid "" "Fiddly details aren’t easy to fill in with this. So I recommend skipping " "those and filling them in later with a brush." msgstr "" #: ../../tutorials/flat-coloring.rst:285 msgid "Colorize Mask" msgstr "Inkleurmasker" #: ../../tutorials/flat-coloring.rst:287 msgid "" "So, this is a bit of an odd one. In the original tutorial, you'll see I'm " "suggesting using G'Mic, but that was a few years ago, and G'Mic is a little " "unstable on windows. Therefore, the Krita developers have been attempting to " "make an internal tool doing the same." msgstr "" #: ../../tutorials/flat-coloring.rst:289 msgid "" "It is disabled in 3.1, but if you use 4.0 or later, it is in the toolbox. " "Check the Colorize Mask for more information." msgstr "" #: ../../tutorials/flat-coloring.rst:291 msgid "So it works like this:" msgstr "" #: ../../tutorials/flat-coloring.rst:293 msgid "Select the colorize mask tool." msgstr "" #: ../../tutorials/flat-coloring.rst:294 msgid "Tick the layer you're using." msgstr "" #: ../../tutorials/flat-coloring.rst:295 msgid "Paint the colors you want to use on the colorize mask" msgstr "" #: ../../tutorials/flat-coloring.rst:296 msgid "Click update to see the results:" msgstr "" #: ../../tutorials/flat-coloring.rst:301 msgid "" "When you are satisfied, |mouseright| the colorize mask, and go to :" "menuselection:`Convert --> Paint Layer`. This will turn the colorize mask to " "a generic paint layer. Then, you can fix the last issues by making the line " "art semi-transparent and painting the flaws away with a pixel art brush." msgstr "" #: ../../tutorials/flat-coloring.rst:306 msgid "" "Then, when you are done, split the layers via :menuselection:`Layer --> " "Split --> Split Layer`. There are a few options you can choose, but the " "following should be fine:" msgstr "" #: ../../tutorials/flat-coloring.rst:311 msgid "" "Finally, press **Ok** and you should get the following. Each color patch it " "on a different layer, named by the palette in the menu and alpha locked, so " "you can start painting right away!" msgstr "" #: ../../tutorials/flat-coloring.rst:319 msgid "" "Works with anti-aliased line art. Really quick to get the base work done. " "Can auto-close gaps." msgstr "" #: ../../tutorials/flat-coloring.rst:324 msgid "" "No anti-aliasing of its own. You have to choose between getting details " "right or the gaps auto-closed." msgstr "" #: ../../tutorials/flat-coloring.rst:327 msgid "Conclusion" msgstr "Conclusie" #: ../../tutorials/flat-coloring.rst:329 msgid "" "I hope this has given you a good idea of how to fill in flats using the " "various techniques, as well as getting a hand of different Krita features. " "Remember that a good flat filled line art is better than a badly shaded one, " "so keep practicing to get the best out of these techniques!" msgstr "" diff --git a/locale/pt_PT/LC_MESSAGES/general_concepts/colors/color_managed_workflow.po b/locale/pt_PT/LC_MESSAGES/general_concepts/colors/color_managed_workflow.po index ab7406d4e..1f3fbb3bb 100644 --- a/locale/pt_PT/LC_MESSAGES/general_concepts/colors/color_managed_workflow.po +++ b/locale/pt_PT/LC_MESSAGES/general_concepts/colors/color_managed_workflow.po @@ -1,1522 +1,1522 @@ # SOME DESCRIPTIVE TITLE. # Copyright (C) licensed under the GNU Free Documentation License 1.3+ unless stated otherwise # This file is distributed under the same license as the Krita Manual package. # FIRST AUTHOR , YEAR. # msgid "" msgstr "" "Project-Id-Version: Krita Manual 4.1\n" "Report-Msgid-Bugs-To: \n" -"POT-Creation-Date: 2019-06-17 03:13+0200\n" +"POT-Creation-Date: 2019-06-23 13:49+0200\n" "PO-Revision-Date: 2019-05-20 00:22+0100\n" "Last-Translator: José Nuno Coelho Pires \n" "Language-Team: Portuguese \n" "Language: pt\n" "MIME-Version: 1.0\n" "Content-Type: text/plain; charset=UTF-8\n" "Content-Transfer-Encoding: 8bit\n" "Plural-Forms: nplurals=2; plural=n != 1;\n" "X-POFile-IgnoreConsistency: Blender\n" "X-POFile-SpellExtra: OCIO en LUT HDR workflowwebcomic menuselection\n" "X-POFile-SpellExtra: Argylcms colormanagementgroup Nuke lutdocker images\n" "X-POFile-SpellExtra: srgbtrc MyPaint KritaHDR TRC workflowtext CMYK CIEXYZ\n" "X-POFile-SpellExtra: Studio rec Kikimatrixprofile ref image cLUT\n" "X-POFile-SpellExtra: workflowgames Artrage Illustrator Photoshop ICC\n" "X-POFile-SpellExtra: Scribus NVidia workflowprint elle colormanaged icc\n" "X-POFile-SpellExtra: infogramas Viewer LED workflowkritatext Painttool\n" "X-POFile-SpellExtra: colorcategory LUTManagementDocker Krita Photo XYZ\n" "X-POFile-SpellExtra: Paintstorm Natron KikicLUTprofiles sRGB cerúleo\n" "X-POFile-SpellExtra: Blender Inkscape lcms guilabel númeroversão\n" "X-POFile-SpellExtra: RawTheraphee VFX digiKam datafiles Look pngcrush Up\n" "X-POFile-SpellExtra: lut colormanagement Color up JPG optimizadores\n" "X-POFile-SpellExtra: Digikam Table dockers\n" -#: ../../general_concepts/colors/color_managed_workflow.rst:0 -msgid ".. image:: images/color_category/Kiki_matrix_profile.png" -msgstr ".. image:: images/color_category/Kiki_matrix_profile.png" - -#: ../../general_concepts/colors/color_managed_workflow.rst:0 -msgid ".. image:: images/color_category/Kiki_cLUTprofiles.png" -msgstr ".. image:: images/color_category/Kiki_cLUTprofiles.png" - #: ../../general_concepts/colors/color_managed_workflow.rst:None msgid ".. image:: images/color_category/Krita_2_9_colormanagement_group1.png" msgstr ".. image:: images/color_category/Krita_2_9_colormanagement_group1.png" #: ../../general_concepts/colors/color_managed_workflow.rst:None msgid ".. image:: images/color_category/Krita_2_9_colormanagement_group2.png" msgstr ".. image:: images/color_category/Krita_2_9_colormanagement_group2.png" #: ../../general_concepts/colors/color_managed_workflow.rst:None msgid ".. image:: images/color_category/Krita_2_9_colormanagement_group3.png" msgstr ".. image:: images/color_category/Krita_2_9_colormanagement_group3.png" #: ../../general_concepts/colors/color_managed_workflow.rst:None msgid ".. image:: images/color_category/Krita_2_9_colormanagement_group4.png" msgstr ".. image:: images/color_category/Krita_2_9_colormanagement_group4.png" #: ../../general_concepts/colors/color_managed_workflow.rst:None msgid ".. image:: images/dockers/LUT_Management_Docker.png" msgstr ".. image:: images/dockers/LUT_Management_Docker.png" #: ../../general_concepts/colors/color_managed_workflow.rst:None msgid ".. image:: images/color_category/Krita_HDR_1.svg" msgstr ".. image:: images/color_category/Krita_HDR_1.svg" #: ../../general_concepts/colors/color_managed_workflow.rst:None msgid ".. image:: images/color_category/Krita_HDR2.svg" msgstr ".. image:: images/color_category/Krita_HDR2.svg" #: ../../general_concepts/colors/color_managed_workflow.rst:None msgid "" ".. image:: images/color_category/Krita-colormanaged-workflow_webcomic.svg" msgstr "" ".. image:: images/color_category/Krita-colormanaged-workflow_webcomic.svg" #: ../../general_concepts/colors/color_managed_workflow.rst:None msgid ".. image:: images/color_category/Krita-colormanaged-workflow_print.svg" msgstr ".. image:: images/color_category/Krita-colormanaged-workflow_print.svg" #: ../../general_concepts/colors/color_managed_workflow.rst:None msgid ".. image:: images/color_category/Krita-colormanaged-workflow_games.svg" msgstr ".. image:: images/color_category/Krita-colormanaged-workflow_games.svg" +#: ../../general_concepts/colors/color_managed_workflow.rst:0 +msgid ".. image:: images/color_category/Kiki_matrix_profile.png" +msgstr ".. image:: images/color_category/Kiki_matrix_profile.png" + +#: ../../general_concepts/colors/color_managed_workflow.rst:0 +msgid ".. image:: images/color_category/Kiki_cLUTprofiles.png" +msgstr ".. image:: images/color_category/Kiki_cLUTprofiles.png" + #: ../../general_concepts/colors/color_managed_workflow.rst:1 msgid "How a color managed workflow works." msgstr "Como funciona um processo gerido por cores." #: ../../general_concepts/colors/color_managed_workflow.rst:12 msgid "Color" msgstr "Cor" #: ../../general_concepts/colors/color_managed_workflow.rst:12 msgid "Color Management" msgstr "Gestão de Cores" #: ../../general_concepts/colors/color_managed_workflow.rst:12 msgid "ICC Profiles" msgstr "Perfis de ICC" #: ../../general_concepts/colors/color_managed_workflow.rst:12 msgid "OCIO" msgstr "OCIO" #: ../../general_concepts/colors/color_managed_workflow.rst:17 msgid "Color Managed Workflow" msgstr "Processos Geridos por Cores" #: ../../general_concepts/colors/color_managed_workflow.rst:19 msgid "" "You may have heard that Krita has something called color-management. Or " "maybe you just wondered what all these 'color model' and 'color profile' " "things you can find in the menus mean. Color management is pretty useful for " "people who work in digital imaging professionally, and hopefully this page " "will explain why." msgstr "" "Poderá ter ouvido falar que o Krita tem algo chamado de gestão de cores. Ou " "provavelmente poderá ter pensado o que são essas coisas de 'modelos de " "cores' e 'perfis de cores' que encontra nos menus. A gestão de cores é " "bastante útil para as pessoas que trabalham profissionalmente nas imagens " "digitais, e felizmente esta página irá explicar porquê." #: ../../general_concepts/colors/color_managed_workflow.rst:22 msgid "Basic Info" msgstr "Informação Básica" #: ../../general_concepts/colors/color_managed_workflow.rst:24 msgid "" "If you've never worked with color management before, and have no clue what " "it is, then know that you've probably been working in the 8bit RGB color " "space with the sRGB profile. This means you can choose for *sRGB built-in* " "or *sRGB-elle-v2-srgbtrc.icc*. With the new color space browser this profile " "is marked with *(default)* when using 8bit." msgstr "" "Se nunca tiver trabalhado anteriormente com a gestão de cores, e não fizer a " "menor ideia o que é, então é porque provavelmente tem estado a trabalhar no " "espaço de cores RGB de 8 bits com o perfil sRGB. Isto significa que poderá " "escolher o *sRGB incorporado* ou o *sRGB-elle-v2-srgbtrc.icc*. Com o novo " "selector de espaços de cores, este perfil está marcado como *(predefinição)* " "ao usar os 8 bits." #: ../../general_concepts/colors/color_managed_workflow.rst:26 msgid "" "We'll go into what these terms mean in the theory, but if you're here only " "for trying to figure out which is the default, you now know it. Maybe, after " "reading this, you may feel like changing the default, to get new and " "interesting results from filters, blending modes, or just the color smudge " "brush." msgstr "" "Iremos ver o que significam estes termos em teoria, mas se estiver aqui só " "para tentar perceber qual é o predefinido, agora já sabe. Talvez, depois de " "ler isto, se possa sentir como se estiver a alterar a predefinição, para " "obter resultados novos e interessantes dos filtros, modos de mistura ou " "simplesmente o pincel de manchas a cores." #: ../../general_concepts/colors/color_managed_workflow.rst:29 msgid "What is the problem?" msgstr "Qual é o problema?" #: ../../general_concepts/colors/color_managed_workflow.rst:31 msgid "" "To explain the point of color management, you'd first need to learn which " "problem color management tries to solve." msgstr "" "Para explicar o objectivo da gestão de cores, terá de primeiro de aprender " "qual é o problema que a gestão de cores está a tentar resolver." #: ../../general_concepts/colors/color_managed_workflow.rst:33 msgid "Let us imagine a kinder garden:" msgstr "Imaginemos um infantário:" #: ../../general_concepts/colors/color_managed_workflow.rst:35 msgid "" "The class of 28 children is subdivided in groups of 7. Each group has its " "own table." msgstr "" "A turma de 28 crianças está dividida em grupos de 7. Cada grupo tem a sua " "própria mesa." #: ../../general_concepts/colors/color_managed_workflow.rst:37 msgid "" "The teacher gives them a painting assignment: They need to paint a red " "triangle, a blue square, a green circle and put a yellow border around the " "three. The kids are very experienced with painting already, so the teacher " "can confidently leave the smarter ones to their own devices, and spent more " "time on those who need help." msgstr "" "O professor deu-lhes uma tarefa de pintura: Elas precisam de pintar um " "triângulo vermelho, um quadrado azul, um círculo verde e colocar um contorno " "amarelo em torno dos três. As crianças já são muito experientes com a " "pintura, pelo que o professor pode deixar os mais inteligentes à confiança " "com os seus próprios dispositivos, gastando mais tempo com os que precisam " "de ajuda." #: ../../general_concepts/colors/color_managed_workflow.rst:40 msgid "The following results come from painting:" msgstr "Os seguintes resultados vêm da pintura:" #: ../../general_concepts/colors/color_managed_workflow.rst:42 msgid "" "Even though all groups had the same assignment, each group's result looks " "different." msgstr "" "Ainda que todos os grupos tenham a mesma tarefa, o resultado de cada grupo " "parece diferente." #: ../../general_concepts/colors/color_managed_workflow.rst:49 msgid "" "Group 1 had vermillion red, citron yellow and ultramarine blue to their " "disposal. This means their triangle looks nice and red, but their circle's " "green is muddy. This is because ultramarine is too dark of a blue to create " "nice greens with." msgstr "" "O grupo 1 tem vermelhão, amarelo cítrico e azul ultramarino ao seu dispor. " "Isto significa que o seu triângulo parece bonito e vermelho, mas o verde do " "círculo deles está feito. Isto é porque o ultramarino é um azul demasiado " "escuro para criar verdes bonitos com ele." #: ../../general_concepts/colors/color_managed_workflow.rst:56 msgid "" "Group 2 had magenta red, citron yellow and cerulean blue. Magenta is a type " "of red that is closer to pink, opposed to vermillion, which is closer to " "orange. However, their green looks nice because cerulean is a much lighter " "blue." msgstr "" "O grupo 2 tem um vermelho magenta, um amarelo cítrico e um azul cerúleo. O " "magenta é um tipo de vermelho que se aproxima mais do rosa, em oposição ao " "vermelhão, que é mais próximo do laranja. Contudo, o verde deles parece " "melhor porque o cerúleo é um azul muito mais claro." #: ../../general_concepts/colors/color_managed_workflow.rst:64 msgid "" "Group 3 had vermillion red, citron yellow, emerald green and cerulean blue. " "They didn't mix their green, and thus ended up with a purer color." msgstr "" "O grupo 3 tinha o vermelhão, o amarelo cítrico, o verde esmeralda e o azul " "cerúleo. Não misturaram o verde deles, e por isso ficaram com um verde mais " "puro." #: ../../general_concepts/colors/color_managed_workflow.rst:71 msgid "" "Finally, group 4 has vermillion red, citron yellow and cerulean blue. Their " "colors probably look like what you imagined." msgstr "" "Finalmente, o grupo 4 tinha o vermelhão, o amarelo cítrico e o azul cerúleo. " "As cores deles provavelmente pareciam-se mais com o que tinha imaginado." #: ../../general_concepts/colors/color_managed_workflow.rst:73 msgid "" "Now, these are kindergarteners, so this isn't the largest problem in the " "world. However, imagine that something like this happened at a printing " "company? Imagine four printers printing the same magazine with wildly " "different results? That would be disastrous!" msgstr "" "Agora, eles são alunos de infantário, pelo que isto não será um grande " "problema para o mundo. Contudo, imagine que algo como isto se passava numa " "empresa de impressões? Imagine quatro impressoras a imprimir a mesma revista " "com resultados radicalmente diferentes? Isso seria um desastre!" #: ../../general_concepts/colors/color_managed_workflow.rst:75 msgid "For this purpose, we invented color management." msgstr "Para esse fim, inventámos a gestão de cores." #: ../../general_concepts/colors/color_managed_workflow.rst:78 msgid "What is color management?" msgstr "O que é a gestão de cores?" #: ../../general_concepts/colors/color_managed_workflow.rst:80 msgid "" "Color management is, dryly put, a set of systems that tries to have the same " "color translate properly between color devices." msgstr "" "A gestão de cores é, por assim dizer, um conjunto de sistemas que tentam ter " "a mesma cor a ser traduzida de forma adequada entre os dispositivos a cores." #: ../../general_concepts/colors/color_managed_workflow.rst:82 msgid "" "It usually works by attempting to covert a color to the reference color " "space XYZ. XYZ is a coordinate system that has a spot for all colors that " "the average human eye can see." msgstr "" "Normalmente funciona ao tentar converter uma cor para o espaço de referência " "de cores XYZ. O XYZ é um sistema de coordenadas que tem um ponto para todas " "as cores que o olho humano consegue ver." #: ../../general_concepts/colors/color_managed_workflow.rst:84 msgid "" "From XYZ it can then be translated back into another device space, such as " "RGB (for screens), or CMYK (for printers)." msgstr "" "A partir do XYZ, poderá então ser traduzido para outro espaço do " "dispositivo, como o RGB (para os ecrãs) ou o CMYK (para as impressoras)." #: ../../general_concepts/colors/color_managed_workflow.rst:86 msgid "" "Krita has two systems dedicated to color management. On the one hand, we " "have **lcms2**, which deal with ICC profiles, and on the other, we have " "**OCIO**, which deal with LUT color management." msgstr "" "O Krita tem dois sistemas dedicados à gestão de cores. Por um lado, temos o " "**lcms2**, que lida com os perfis ICC, e por outro temos o **OCIO**, que " "lida com a gestão de cores por LUT's." #: ../../general_concepts/colors/color_managed_workflow.rst:88 msgid "" "To give a crude estimate, ICC profiles deal with keeping colors consistent " "over many interpretations of devices (screens, printers) by using a " "reference space, and OCIO deals with manipulating the interpretation of said " "colors." msgstr "" "Para dar uma estimativa por alto, os perfis de ICC lidam com a manutenção " "das cores consistentes centre as várias interpretações dos dispositivos " "(ecrãs, impressoras), usando um espaço de referência, e o OCIO lida com a " "manipulação da interpretação dessas cores." #: ../../general_concepts/colors/color_managed_workflow.rst:90 msgid "Within both we can identify the following color spaces:" msgstr "Dentro de ambos, podemos identificar os seguintes espaços de cores:" #: ../../general_concepts/colors/color_managed_workflow.rst:93 msgid "" "Device spaces are those describing your monitor, and have to be made using a " "little device that is called \"colorimeter\". This device, in combination " "with the right software, measures the strongest red, green and blue your " "screen can produce, as well as the white, black and gray it produces. Using " "these and several other measurements it creates an ICC profile unique to " "your screen. You set these in Krita's color management tab. By default we " "assume sRGB for screens, but it's very likely that your screen isn't exactly " "fitting sRGB, especially if you have a high quality screen, where it may be " "a bigger space instead. Device spaces are also why you should first consult " "with your printer what profile they expect. Many printing houses have their " "own device profiles for their printers, or may prefer doing color conversion " "themselves. You can read more about colorimeter usage :ref:`here " "`." msgstr "" "Os espaços de dispositivos são os que descrevem o seu monitor, e terão de " "ser criados com um pequeno dispositivo chamado de \"colorímetro\". Este " "dispositivo, em conjunto com a aplicação correcta, mede o valor mais forte " "de vermelho, verde e azul que o seu ecrã consegue produzir, assim como o " "branco, preto e cinzento que produz. Ao usar esta e outras medidas, irá " "criar um perfil ICC único para o seu ecrã. Poderá configurar estes na página " "de gestão de cores do Krita. Por omissão, assumimos o sRGB para os ecrãs, " "mas é muito provável que o seu ecrã não se ajuste perfeitamente ao sRGB, " "especialmente se tiver um ecrã de alta qualidade, onde poderá ter um espaço " "ainda maior. Os espaços dos dispositivos são também a razão pela qual deverá " "consultar primeiro com a sua impressora o perfil que ela está à espera. " "Muitas casas de impressão têm os seus próprios perfis de dispositivos para " "as suas impressoras, ou poderão preferir fazer eles mesmos a conversão de " "cores. Poderá ler mais sobre a utilização do colorímetro :ref:`aqui " "`." #: ../../general_concepts/colors/color_managed_workflow.rst:94 msgid "Device spaces" msgstr "Espaços do dispositivo" #: ../../general_concepts/colors/color_managed_workflow.rst:96 msgid "Working spaces" msgstr "Espaços de trabalho" #: ../../general_concepts/colors/color_managed_workflow.rst:97 msgid "" "These are delivered alongside Krita for ICC, and downloadable from the OCIO " "website for OCIO. Working spaces are particularly nice to do color " "calculations in, which programs like Krita do often. It's therefore " "recommended to have a working space profile for your image." msgstr "" "Estes são entregues em conjunto com o Krita para o ICC, e podem ser " "transferidos a partir da página Web do OCIO para o OCIO. Os espaços de " "trabalho são particularmente bons para fazer os cálculos de cores neles, os " "quais os programas como o Krita fazem com frequência. Como tal, é altamente " "recomendado que tenha um perfil do espaço de trabalho para a sua imagem." #: ../../general_concepts/colors/color_managed_workflow.rst:99 msgid "Aesthetic or Look spaces" msgstr "Espaços estéticos ou de aparência" #: ../../general_concepts/colors/color_managed_workflow.rst:99 msgid "" "These are special spaces that have been deformed to give a certain look to " "an image. Krita doesn't deliver Look profiles for ICC, nor does it yet " "support Look spaces for OCIO." msgstr "" "Estes são espaços especiais que foram deformados para dar um dado aspecto a " "uma imagem. O Krita não oferece perfis de aparência no ICC, nem suporta " "espaços de aparência ainda no OCIO." #: ../../general_concepts/colors/color_managed_workflow.rst:102 msgid "Color managed workflow" msgstr "Processo gerido pela cor" #: ../../general_concepts/colors/color_managed_workflow.rst:104 msgid "" "Knowing this about these spaces of course doesn't give you an idea of how to " "use them, but it does make it easier to explain how to use them. So let us " "look at a typical color management workflow:" msgstr "" "Saber algo sobre estes espaços não lhe dá uma ideia de como usá-los, mas " "torna mais fácil explicar como os usar. Como tal, vejamos um processo de " "gestão de cores típico:" #: ../../general_concepts/colors/color_managed_workflow.rst:110 msgid ".. image:: images/color_category/Krita-colormanaged-workflow_text.svg" msgstr ".. image:: images/color_category/Krita-colormanaged-workflow_text.svg" #: ../../general_concepts/colors/color_managed_workflow.rst:110 msgid "" "A typical example of a color managed workflow. We have input from scanners " "and cameras, which we convert to a working space that can be used between " "different editing software, and is converted to an output space for viewing " "on screen or printing." msgstr "" "Um exemplo típico de um processo de gestão de cores. Temos dados " "provenientes de 'scanners' e máquinas fotográficas, os quais são convertidos " "para um espaço de trabalho que possa ser usado entre as várias aplicações de " "edição, sendo convertidos para um espaço de saída para ver no ecrã ou para " "imprimir." #: ../../general_concepts/colors/color_managed_workflow.rst:112 msgid "" "In a traditional color managed workflow, we usually think in terms of real " "world colors being converted to computer colors and the other way around. " "So, for example photos from a camera or scanned in images. If you have a " "device space of such a device, we first assign said device space to the " "image, and then convert it to a working space." msgstr "" "Num processo de gestão de cores tradicional, iremos pensar normalmente em " "termos de cores no mundo real a serem convertidas para cores do computador e " "vice-versa. Como tal, para algumas fotografias de exemplo de uma câmara ou " "para imagens digitalizadas. Se tiver um espaço de cores para um desses " "dispositivos, primeiro iremos atribuir o espaço desses dispositivo à imagem, " "e depois convertê-lo para um espaço de trabalho." #: ../../general_concepts/colors/color_managed_workflow.rst:114 msgid "" "We then do all our editing in the working space, and use the working space " "to communicate between editing programs. In Krita's case, due to it having " "two color management systems, we use ICC profiles between programs like GIMP " "2.9+, Inkscape, digiKam and Scribus, and OCIO configuration between Blender " "and Natron." msgstr "" "Depois faremos todas as nossas edições no espaço de trabalho, usando o " "espaço em questão para comunicar entre os programas de edição. No caso do " "Krita, devido ao facto de termos dois sistemas de gestão de cores, usamos os " "perfis de ICC entre os programas como o GIMP 2.9+, o Inkscape, o digiKam e o " "Scribus, e a configuração do OCIO entre o Blender e o Natron." #: ../../general_concepts/colors/color_managed_workflow.rst:116 msgid "" "You also store your working files in the working space, just like how you " "have the layers unmerged in the working file, or have it at a very high " "resolution." msgstr "" "Também irá guardar os seus ficheiros de trabalho no espaço de trabalho, como " "iria ter as camadas não unidas no ficheiro de trabalho, ou tê-lo com uma " "resolução muito elevada." #: ../../general_concepts/colors/color_managed_workflow.rst:118 msgid "" "Sometimes, we apply aesthetic or 'look' spaces to an image as part of the " "editing process. This is rather advanced, and probably not something to " "worry about in Krita's case." msgstr "" "Em alguns casos, aplicamos espaços estéticos ou de 'aparência' a uma imagem " "como parte do processo de edição. Isto é relativamente avançado e " "provavelmente não será algo com que se tenha de preocupar no caso do Krita." #: ../../general_concepts/colors/color_managed_workflow.rst:120 msgid "" "Then, when we're done editing, we try to convert to an output space, which " "is another device space. This can be CMYK for printers or a special screen " "RGB profile. When you are dealing with professional printing houses, it is " "best to ask them about this step. They have a lot of experience with doing " "the best conversion, and may prefer to do the conversion from your working " "space to the device space of their printers." msgstr "" "Assim, quando acabarmos de editar, tentamos converter para um espaço de " "saída, que será o espaço de outro dispositivo. Este poderá ser o CMYK para " "as impressoras ou um perfil RGB especial para um ecrã. Quando estiver a " "lidar com casas de impressão profissionais, é melhor perguntar a eles sobre " "este passo. Eles têm bastante experiência em fazer a melhor conversão, e " "poderão preferir fazer a conversão a partir do seu espaço de trabalho para o " "espaço de trabalho das suas impressoras." #: ../../general_concepts/colors/color_managed_workflow.rst:122 msgid "" "Another form of output is the way your screen displays the color. Unlike " "regular output, this one is done all the time during editing: After all, you " "need to be able to see what you are doing, but your screen is still a device " "with a device space, so it does distort how the image looks. In this manner, " "you can see your screen as a set of binoculars you have to look through to " "see your image at all." msgstr "" "Outra forma de saída é a forma como o seu ecrã mostra a cor. Ao contrário " "das saídas normais, esta é feita a toda a hora durante a edição: Afinal de " "contas, precisa de ser capaz de ver o que está a fazer, mas o seu ecrã " "continua a ser um dispositivo com um espaço próprio, pelo que distorce a " "forma como aparece a imagem. Desta maneira, poderá ver o seu ecrã como um " "conjunto de binóculos que terá de usar e ver através deles para conseguir " "ver de todo a sua imagem." #: ../../general_concepts/colors/color_managed_workflow.rst:124 msgid "" "Therefore, without a profiled monitor, you actually don't know what the " "actual colors you are working with are like, because the computer doesn't " "know the relevant properties of your screen. So if you profiled your " "monitor, give Krita the profile in the settings, and select the sRGB space " "to draw in, you are for the first time seeing the actual colors of the sRGB " "space." msgstr "" "Como tal, sem um monitor com um perfil, não sabe de facto como é que são as " "cores com que está a trabalhar, porque o computador não conhece as " "propriedades relevantes do seu ecrã. Como tal, se tiver criado um perfil do " "seu monitor, indique ao Krita o perfil na configuração, seleccionando o " "espaço sRGB onde desenhar, e estará pela primeira vez a ver as cores reais " "do espaço sRGB." #: ../../general_concepts/colors/color_managed_workflow.rst:127 msgid "So what does this mean?" msgstr "Então o que significa isto?" #: ../../general_concepts/colors/color_managed_workflow.rst:133 msgid "" ".. image:: images/color_category/Krita-colormanaged-workflow_krita_text.svg" msgstr "" ".. image:: images/color_category/Krita-colormanaged-workflow_krita_text.svg" #: ../../general_concepts/colors/color_managed_workflow.rst:133 msgid "" "When we paint from scratch, we can see our screen profile as the input " "space, because we use it to determine what colors to pick. This somewhat " "simplifies the workflow, but makes the screen profile and viewing conditions " "more important." msgstr "" "Quando pintarmos do zero, podemos ver o perfil do nosso monitor como o " "espaço de entrada, dado que o usamos para determinar quais as cores a " "escolher. Isto de certa forma simplifica o processo, mas torna o perfil do " "ecrã e as condições de visualização mais importantes." #: ../../general_concepts/colors/color_managed_workflow.rst:135 msgid "" "Now, photographers and people who do a tricky discipline of VFX called " "'color grading' will go completely mad over trying to get the colors they " "put in to come out 100% correctly, and will even count in factors like the " "time of day and the color they painted their walls. For example, if the wall " "behind your computer is pure red, your eyes will adjust to be less sensitive " "to red, which means that the colors they pick in the program could come out " "redder. We call these the *viewing conditions*." msgstr "" "Agora, os fotógrafos e as pessoas que trazem uma grande disciplina dos VFX " "chamada 'graduação de cores', ficarão completamente malucos a tentar obter " "as cores que usam e que saiam 100% correctas, e isso irá ter em conta " "factores como a hora do dia e a cor com que eles pintaram as suas paredes. " "Por exemplo, se a parede atrás do seu computador for um vermelho vivo, os " "seus olhos ajustar-se-ão para ficarem menos sensíveis ao vermelho, o que " "significa que as cores que eles escolherem no programa serão mais " "avermelhadas. Nós chamamos a isso as *condições de apresentação*." #: ../../general_concepts/colors/color_managed_workflow.rst:137 msgid "" "Thankfully, artists have to worry a slight bit less about this. As " "illustrations are fully handmade, we are able to identify the important bits " "and make appropriate contrasts between colors. This means that even if our " "images turn out to be slightly redder than intended, it is less likely the " "whole image is ruined. If we look back at the kindergarten example above, we " "still understand what the image was supposed to look like, despite there " "being different colors on each image. Furthermore, because the colors in " "illustrations are deliberately picked, we can correct them more easily on a " "later date. Yet, at the same time, it is of course a big drag to do this, " "and we might have had much more flexibility had we taken viewing conditions " "under consideration." msgstr "" "Felizmente, os artistas têm de se preocupar um pouco menos com isso. Dado " "que as ilustrações são completamente feitas à mão, é possível identificar as " "partes importantes e criar contrastes apropriados entre cores. Isto " "significa que, mesmo que as nossas imagens se tornem um pouco mais vermelhas " "que o pretendido, é menos provável que toda a imagem tenha ficado " "danificada. Se olharmos para o nosso exemplo do infantário acima, " "continuamos a compreender ao que era suposto ficar parecida a imagem, apesar " "de existirem cores diferentes para cada imagem. Para além disso, dado que as " "cores nas ilustrações são deliberadamente escolhidas, poderemos corrigi-las " "com maior facilidade numa data posterior. Mesmo assim, ao mesmo tempo, " "obviamente que é um grande incómodo fazer isto, dado que teríamos tido muita " "mais flexibilidade se tivéssemos tido as condições de visualização em " "consideração." #: ../../general_concepts/colors/color_managed_workflow.rst:139 msgid "" "That said, for artists it is also very useful to understand the working " "spaces. Different working spaces give different results with filters and " "mixing, and only some working spaces can be used for advanced technology " "like HDR." msgstr "" "Posto isto, para os artistas também é bastante útil compreender os espaços " "de trabalho. Os diferentes espaços de trabalho irão gerar resultados " "diferentes com os filtros e a mistura, e só alguns espaços de trabalho " "poderão ser usados para tecnologias avançadas, como o HDR." #: ../../general_concepts/colors/color_managed_workflow.rst:141 msgid "" "Similarly, Krita, as a program intended to make images from scratch, doesn't " "really worry about assigning workspaces after having made the image. But " "because you are using the screen as a binocular to look at your image, and " "to pick colors, you can see your screen's device space as an input space to " "the image. Hence why profiling your monitor and giving the profile to Krita " "in the settings can help with preparing your work for print and future " "ventures in the long run." msgstr "" "De forma semelhante, o Krita, como um programa que pretende criar imagens do " "zero, não se preocupa realmente sobre a atribuição de espaços de trabalho " "depois de ter criado a imagem. Contudo, dado que está a usar o ecrã como " "binóculos para olhar para a sua imagem e para escolher cores, poderá ver o " "espaço do dispositivo do seu ecrã como um espaço de entrada para a imagem. É " "por isso que a geração do perfil do seu monitor e a atribuição do perfil ao " "Krita na configuração poderá ajudar o seu trabalho para a impressão e para " "actividades futuras a longo prazo." #: ../../general_concepts/colors/color_managed_workflow.rst:143 msgid "" "Overall, it is kinda useful to keep things like viewing conditions in the " "back of your mind. Many professional artists use a mid-gray color as their " "default canvas background because they find they create much more dynamic " "images due to having improved their viewing conditions. It is also why a lot " "of graphics programs, including Krita, come with a dark theme nowadays. " "(Though, of course this might also be because dark themes can be considered " "cool, who knows.)" msgstr "" "De um modo geral, é relativamente útil manter as coisas, como as condições " "de visualização, sempre presentes na sua mente. Muitos artistas " "profissionais usam uma cor cinzenta intermédia como fundo por omissão das " "suas telas, porque concluem que criam imagens muito mais dinâmicas devido a " "ter melhorado as suas condições de visualização. Também é por isso que uma " "grande quantidade de programas gráficos, incluindo o Krita, vêm com um tema " "escuro nos dias de hoje. (Ainda que, como é óbvio, possa ser porque achem " "que os temas escuros possam ter estilo - quem sabe?)" #: ../../general_concepts/colors/color_managed_workflow.rst:148 msgid "ICC profiles" msgstr "Perfis ICC" #: ../../general_concepts/colors/color_managed_workflow.rst:150 msgid "" "An ICC profile is a set of coordinates describing the extremities of the " "device space within XYZ, and it is the color management data you use to " "communicate your working space to printers and applications that are " "designed for the print industry, such as GIMP, Scribus, Photoshop, " "Illustrator, Inkscape, Digikam, RawTheraphee, etc. You have two types of ICC " "profiles:" msgstr "" "Um perfil ICC é um conjunto de coordenadas que descreve as extremidades do " "espaço do dispositivo dentro do XYZ, e são os dados de gestão de cores que " "usa para comunicar o seu espaço de trabalho com as impressoras e as " "aplicações que estão desenhadas para a indústria da impressão, como o GIMP, " "o Scribus, o Photoshop, o Illustrator, o Inkscape, o Digikam, o " "RawTheraphee, etc. Tem dois tipos de perfis ICC:" #: ../../general_concepts/colors/color_managed_workflow.rst:153 msgid "" "These are delivered alongside Krita. Matrix shaper profiles are made by " "setting parameters and interpolating between these to get the exact size of " "the color space. Due to this, Krita's color space browser can give you a lot " "of information on these profiles. Such profiles are also preferable as " "working space." msgstr "" "Estes são fornecidos com o Krita. Os perfis em matriz são criados através da " "definição dos parâmetros e da interpolação entre eles para obter o tamanho " "exacto do espaço de cores. Devido a este facto, o navegador do espaço de " "cores do Krita poder-lhe-á dar bastantes informações sobre estes perfis. Os " "perfis em questão também são preferíveis como espaços de trabalho." #: ../../general_concepts/colors/color_managed_workflow.rst:159 msgid "Matrix Shaper profiles." msgstr "Perfis em Forma de Matriz." #: ../../general_concepts/colors/color_managed_workflow.rst:159 msgid "" "Matrix shaper profiles have a few parameters that describe the color space " "which are then interpolated between, this requires a lot of maths." msgstr "" "Os perfis em forma de matriz têm alguns parâmetros que descrevem o espaço de " "cores entre os quais são interpolados; isto necessita de bastantes contas " "matemáticas." #: ../../general_concepts/colors/color_managed_workflow.rst:162 msgid "" "These are fairly rare, and primarily used to describe printer profiles, such " "as CMYK. cLUT, or Color Look-up Table profiles store far more data than " "Matrix shaper profiles, so they can hold data of little particularities " "caused by, for example, unexpected results from mixing pigments. This is a " "far more organic approach to describing a color space, hence why a lot of " "programs that don't care for color management much don't support these." msgstr "" "Estes são relativamente raros e são usados principalmente para descrever os " "perfis da impressora, como o CMYK. Os perfis cLUT (Color Look-up Table) " "guardam muito mais dados que os perfis em matriz, pelo que poderão guardar " "dados sobre as pequenas particularidades causadas, por exemplo, por " "resultados inesperados provenientes da mistura de pigmentos. Esta é uma " "abordagem muito mais orgânica para descrever um espaço de cores, e é por " "isso que uma data de programas que não se preocupam com a gestão de cores " "não os suportam." #: ../../general_concepts/colors/color_managed_workflow.rst:168 msgid "" "cLUT profiles work by holding tables of each color in a color space and " "their respective coordinates in a reference space. For CMYK this is " "typically L\\*A\\*B\\* and for the rest XYZ. These tables are tricky to " "make, which means these profiles are a lot rarer." msgstr "" "Os perfis do cLUT funcionam através do registo de tabelas de cada cor num " "espaço de cores, bem como das suas coordenadas num espaço de referência. No " "caso do CMYK, este é tipicamente o L\\*A\\*B\\* e, para os restantes, o XYZ. " "Estas tabelas são difíceis de criar, o que significa que estes perfis são um " "bocado mais raros." #: ../../general_concepts/colors/color_managed_workflow.rst:169 msgid "cLUT profiles" msgstr "Perfis do cLUT" #: ../../general_concepts/colors/color_managed_workflow.rst:171 msgid "" "The interesting thing about ICC profiles is that your working space can be " "larger than your device space. This is generally not bad. However, when " "converting, you do end up with the question of how to translate the working " "space values." msgstr "" "O ponto interessante sobre os perfis ICC é que o seu espaço de trabalho pode " "ser maior que o espaço do seu dispositivo. De um modo geral, isto não é mau. " "Contudo, ao converter, ficará com a questão de como traduzir os valores do " "espaço de trabalho." #: ../../general_concepts/colors/color_managed_workflow.rst:174 msgid "Perceptual" msgstr "Percepção" #: ../../general_concepts/colors/color_managed_workflow.rst:174 msgid "" "This just squishes the values of the working space into the space it's " "converted to. It's a nice method to see all possible values in this, but not " "so good if you want accurate color reproduction. Use this if you want to see " "all colors in an image, or want to express all possible contrasts. Doesn't " "work with Matrix Shaper profiles, defaults to relative colorimetric." msgstr "" "Isto apenas esmaga os valores do espaço de trabalho para o espaço que será " "convertido. É um método bom para ver todos os valores possíveis nisto, mas " "não tão bom se quiser uma reprodução de cores exacta. Use isto se quiser ver " "todos os valores numa imagem ou se quiser exprimir todos os contrastes " "possíveis. Não funciona com os perfis em Matriz, usando por omissão a " "colorimétrica relativa." #: ../../general_concepts/colors/color_managed_workflow.rst:177 msgid "Absolute Colorimetric." msgstr "Colorimétrica Absoluta." #: ../../general_concepts/colors/color_managed_workflow.rst:177 msgid "" "The opposite to Perceptual, Absolute colorimetric will attempt to retain all " "the correct colors at whatever cost, which may result in awful looking " "colors. Recommended only for reproduction work. Doesn't work with Matrix " "Shaper profiles in Krita due to ICC v4 workflow standards." msgstr "" "Sendo o oposto da Percepção, a Colorimétrica Absoluta irá tentar reter todos " "os valores correctos a qualquer custo, o que poderá resultar em cores com um " "aspecto horrível. Recomendado apenas para trabalhos de reprodução. Não " "funciona com os perfis em Matriz no Krita, devido às normas do processo ICC " "v4." #: ../../general_concepts/colors/color_managed_workflow.rst:180 msgid "Relative Colorimetric" msgstr "Colorimétrica Relativa" #: ../../general_concepts/colors/color_managed_workflow.rst:180 msgid "" "An in between solution between perceptual and absolute, relative will try to " "fit whatever colors it can match between color spaces. It does this by " "aligning the white and black points. It cuts off the rest to their " "respective borders. This is what all matrix shaper profiles default to " "during conversion, because the ICC v4 workflow specifies to only use " "Relative Colorimetric for matrix shaper profiles." msgstr "" "Sendo uma solução intermédia entre a percepção e a absoluta, a relativa irá " "tentar ajustar as cores que conseguir corresponder entre espaços de cores. " "Irá tentar fazer isso através do alinhamento dos pontos preto e branco. Irá " "cortar o resto no que respeita aos seus extremos respectivos. Isto é o que " "todos os perfis em matriz fazem por omissão durante a conversão, porque o " "processo do ICC v4 define que só é usada a Colorimétrica Relativa para os " "perfis em matriz." #: ../../general_concepts/colors/color_managed_workflow.rst:183 msgid "Saturation" msgstr "Saturação" #: ../../general_concepts/colors/color_managed_workflow.rst:183 msgid "" "Does anything to retain colorfulness, even hue will be sacrificed. Used in " "infographics. Doesn't work with Matrix Shaper profiles, defaults to relative " "colorimetric." msgstr "" "Faz tudo para manter as cores, mesmo às custas de sacrificar a matiz. É " "usada em infogramas. Não funciona com os perfis em forma de matriz, recaindo " "por omissão na colorimétrica relativa." #: ../../general_concepts/colors/color_managed_workflow.rst:185 msgid "" "*ICC profile version* is the last thing to keep in mind when dealing with " "ICC profiles. Krita delivers both Version 2 and Version 4 profiles, with the " "later giving better results in doing color maths, but the former being more " "widely supported (as seen below in 'Interaction with other applications'). " "This is also why Krita defaults to V2, and we recommend using V2 when you " "aren't certain if the other programs you are using support V4." msgstr "" "A *versão do perfil ICC* é a última coisa a ter em mente ao lidar com os " "perfis ICC. O Krita fornece tanto os perfis na versão 2 como na versão 4, " "sendo que os últimos dão melhores resultados nos cálculos matemáticos, mas " "os primeiros são mais suportados (como pode ser visto abaixo na " "'interoperabilidade com outros programas'. Também é por isso que o Krita usa " "por omissão a V2, e recomendamos que use a V2 a menos que não tenha a " "certeza se os outros programas que usa suportam a V4." #: ../../general_concepts/colors/color_managed_workflow.rst:188 msgid "LUT docker and HDR imaging" msgstr "Área do LUT e imagens HDR" #: ../../general_concepts/colors/color_managed_workflow.rst:196 msgid "" "The :ref:`lut_docker` is the second important bit of color management in " "Krita that is shared between Krita and programs like Blender, Natron and " "Nuke, and only uses Look Up Tables that are configured via a config file." msgstr "" "A :ref:`lut_docker` é a segunda parte importante da gestão de cores no Krita " "que é partilhada entre o Krita e os programas como o Blender, o Natron e o " "Nuke, e só usa as tabelas de pesquisa (LUT's) que estejam configuradas " "através de um ficheiro." #: ../../general_concepts/colors/color_managed_workflow.rst:198 msgid "" "You can set the workingspace of the image under input color space, and the " "display to sRGB or your own LUT if you have added it to the configuration. " "View in this case is for proofing transforms to a certain display device." msgstr "" "Poderá definir o espaço de trabalho da imagem sob o espaço de cores de " "entrada, e o ecrã como sRGB ou usando a sua própria LUT, caso a tenha " "adicionado à configuração. A janela neste caso serve para testar as " "transformações para um dado dispositivo de visualização." #: ../../general_concepts/colors/color_managed_workflow.rst:200 msgid "" "Component, exposure, gamma, whitepoint and blackpoint are knobs which allows " "you to modify the display filter." msgstr "" "A Componente, exposição, gama, ponto-branco e ponto-preto são parâmetros " "ajustáveis que lhe permitem modificar o filtro de visualização." #: ../../general_concepts/colors/color_managed_workflow.rst:208 msgid "" "As explained before, we can see our monitor as a telescope or binocular into " "the world of our picture. Which means it distorts our view of the image a " "little. But we can modify this binocular, or display filter to see our image " "in a different way. For example, to allow us to see the white in an image " "that are whiter than the white of our screen. To explain what that means, we " "need to think about what white is." msgstr "" "Como foi explicado anteriormente, poderemos ver o nosso monitor como um " "telescópio ou como binóculos para o mundo da nossa imagem. Isto significa " "que distorce a nossa vista da imagem um pouco. Contudo, podemos modificar " "estes binóculos ou apresentar um filtro que vê a nossa imagem de uma forma " "diferente. Por exemplo, para nos permitir ver o branco numa imagem que tem " "um branco mais branco que o branco do nosso ecrã. Para explicar o que isto " "significa, precisamos de pensar sobre o que é o branco." #: ../../general_concepts/colors/color_managed_workflow.rst:210 msgid "" "For example, white, on our monitor is full red, full green and full blue. " "But it's certainly different from white on our paper, or the color of milk, " "white from the sun, or even the white of our cell-phone displays." msgstr "" "Por exemplo, o branco no nosso monitor é um vermelho total, um verde total e " "um azul total. Mas é certamente diferente do branco no nosso papel, na cor " "do leite, no branco do Sol ou até no branco dos ecrãs dos nossos telemóveis." #: ../../general_concepts/colors/color_managed_workflow.rst:212 msgid "" "Black similarly, is brighter on a LCD display than a LED one, and " "incomparable with the black of a carefully sealed room." msgstr "" "O preto, de forma semelhante, é mais claro num ecrã LCD que num ecrã LED, e " "é incomparável com o preto de uma sala devidamente selada." #: ../../general_concepts/colors/color_managed_workflow.rst:214 msgid "" "This means that there's potentially blacker blacks than screen black, and " "white whites than screen white. However, for simplicity's sake we still " "assign the black-point and the white-point to certain values. From there, we " "can determine whether a white is whiter than the white point, or a black " "blacker than the black-point." msgstr "" "Isto significa que provavelmente também existem pretos mais pretos que o " "preto do ecrã, e brancos mais brancos que o branco do ecrã. Contudo, para " "fins de simplicidade, podemos à mesma atribuir o ponto-preto e o ponto-" "branco para determinados valores. A partir daí, podemos determinar se um " "branco é mais branco que o ponto branco, ou um preto mais preto que o ponto " "preto." #: ../../general_concepts/colors/color_managed_workflow.rst:216 msgid "" "The LUT docker allows us to control this display-filter and modify the " "distortion. This is useful when we start modifying images that are made with " "scene referred values, such as HDR photos, or images coming out of a render " "engine." msgstr "" "A área do LUT permite-nos controlar este filtro de visualização e modificar " "a distorção. Isto é útil quando começamos a modificar as imagens que foram " "feitas com alguns valores referentes a cenas, como as fotografias HDR, ou de " "imagens que provêm de um motor de desenho." #: ../../general_concepts/colors/color_managed_workflow.rst:224 msgid "" "So, for example, we can choose to scale whiter-than-screen-white to our " "screen-white so we can see the contrasts there." msgstr "" "Por isso, por exemplo, podemos optar por escalar o branco-mais-branco-que-o-" "branco-do-ecrã para o nosso branco-do-ecrã, para que possamos ver lá os " "contrastes." #: ../../general_concepts/colors/color_managed_workflow.rst:226 msgid "" "The point of this is that you can take advantage of more lightness detail in " "an image. While you can't see the difference between screen white and whiter-" "than-screen-white (because your screen can't show the difference), graphics " "programs can certainly use it." msgstr "" "O intuito disto é que poderá tirar partido de mais detalhe de iluminação " "numa imagem. Embora não consiga ver a diferença entre o branco do ecrã e o " "branco-mais-branco-que-o-branco-do-ecrã (porque o seu ecrã não consegue " "mostrar a diferença), os programas gráficos conseguirão decerto usá-lo." #: ../../general_concepts/colors/color_managed_workflow.rst:228 msgid "" "A common example is matching the lighting between a 3d model and a real " "world scene. Others are advanced photo retouching, with much more contrast " "information available to the user. In painting itself, this allows you to " "create an image where you can be flippant with the contrast, and allow " "yourself to go as bright as you'd like." msgstr "" "Um exemplo comum é corresponder a iluminação entre um modelo 3D e uma cena " "do mundo real. Os outros são os retoques avançados de fotografias, com muito " "mais informações de contraste disponíveis para o utilizador. Na pintura " "propriamente dita, isto permite-lhe criar uma imagem onde poderá mexer à " "vontade no contraste e aumentar o brilho tanto quanto desejar." #: ../../general_concepts/colors/color_managed_workflow.rst:230 msgid "" "LUT docker manipulations are per view, so you can create a new view and set " "it to luminosity. This way you can see the image in both color as well as " "grayscale and keep a good eye on your values." msgstr "" "As manipulações na área da LUT são por janela, pelo que poderá criar uma " "nova janela e configurá-la com a luminosidade. Desta forma, poderá ver a " "imagem a cores e em tons de cinzento, e manter um olho firme sobre os seus " "valores." #: ../../general_concepts/colors/color_managed_workflow.rst:232 msgid "" "Another example is to carefully watch the gradients in a certain section." msgstr "Outro exemplo é ver cuidadosamente os gradientes numa dada secção." #: ../../general_concepts/colors/color_managed_workflow.rst:234 msgid "" "Like ICC, the LUT Docker allows you to create a profile of sorts for your " "device. In this case it's the 'lut', which stands for 'Look Up Table', and " "which can be added to OCIO by modifying the configuration file. When OCIO is " "turned on, the configuration in :menuselection:`Settings --> Configure Krita " "--> Color Management` is turned off, unless you are using the :guilabel:" "`Internal` color engine." msgstr "" "Como o ICC, a Área do LUT permite-lhe criar uma espécie de perfil para o seu " "dispositivo. Neste caso, será o 'lut', que significa 'Look Up Table' (Tabela " "de Consulta), e que poderá ser adicionado pelo OCIO, mudando o ficheiro de " "configuração. Quando o OCIO for ligado, a configuração em :menuselection:" "`Configuração --> Configurar o Krita --> Gestão de Cores` ficará desligada, " "a menos que use o motor de cores :guilabel:`Interno`." #: ../../general_concepts/colors/color_managed_workflow.rst:237 msgid "In summary" msgstr "Em resumo" #: ../../general_concepts/colors/color_managed_workflow.rst:239 msgid "Krita has two modes of color management:" msgstr "O Krita tem dois modos de gestão de cores:" #: ../../general_concepts/colors/color_managed_workflow.rst:241 msgid "" "ICC works in terms of spaces relative to the CIEXYZ space, and requires an " "ICC profile." msgstr "" "O ICC funciona em termos de espaços relativos ao espaço CIEXYZ, e precisa de " "um perfil ICC." #: ../../general_concepts/colors/color_managed_workflow.rst:242 msgid "OCIO works in terms of interpretation, and makes use of luts." msgstr "O OCIO funciona em termos de interpretação, e tira partido das LUT's." #: ../../general_concepts/colors/color_managed_workflow.rst:243 msgid "both can be made with a colorimeter." msgstr "ambos podem ser compostos com um colorímetro." #: ../../general_concepts/colors/color_managed_workflow.rst:244 msgid "" "If you want to have a properly color managed workflow, you have one made " "customary for the input device (your screen) and the output devices (your " "printer, or target screen). For web the output is always sRGB." msgstr "" "Se quiser ter um processo de gestão de cores adequado, terá um feito à " "medida para o dispositivo de entrada (o seu ecrã e os dispositivos de saída " "(a sua impressora ou ecrã de destino). Para a Web, o resultado é sempre o " "sRGB." #: ../../general_concepts/colors/color_managed_workflow.rst:245 msgid "" "Set up your screen profiles under :menuselection:`Settings --> Configure " "Krita --> Color management`." msgstr "" "Configure os perfis dos seus monitores em :menuselection:`Configuração --> " "Configurar o Krita --> Gestão de cores`." #: ../../general_concepts/colors/color_managed_workflow.rst:246 msgid "" "Do NOT use screen profiles or other device profiles to draw in. Use a " "working space profile such as any of the elle profiles for this, as the " "color maths will be much more predictable and pleasant. Krita will convert " "between your screen and working space on the fly, allowing you to pick the " "correct colors. This turns your screen into binoculars to view the image." msgstr "" "NÃO use os perfis do ecrã ou outros perfis de dispositivos onde desenhar. " "Use um perfil de espaço de trabalho como um dos perfis 'elle' para esse fim, " "dado que as contas de cores serão muito mais previsíveis e agradáveis. O " "Krita irá converter entre o espaço do seu ecrã e o espaço de trabalho na " "hora, permitindo-lhe escolher as cores correctas. Isto transforma o seu ecrã " "em binóculos para ver a imagem." #: ../../general_concepts/colors/color_managed_workflow.rst:247 msgid "" "Use the appropriate color management for the appropriate workflow. If you " "are working with Blender, you will be better off using OCIO, than ICC. If " "you are working with Scribus or Photoshop, use ICC." msgstr "" "Use a gestão de cores apropriada para o processo apropriado. Se estiver a " "trabalhar com o Blender, estará melhor servido com o OCIO do que com o ICC. " "Se estiver a trabalhar com o Scribus ou o Photoshop, use o ICC." #: ../../general_concepts/colors/color_managed_workflow.rst:249 msgid "" "Krita does a lot of color maths, often concerning the blending of colors. " "This color maths works best in linear color space, and linear color space " "requires a bit depth of at the least 16bit to work correctly. The " "disadvantage is that linear space can be confusing to work in." msgstr "" "O Krita faz uma grande quantidade de contas, muitas delas respeitantes à " "mistura das cores. Estas contas funcionam melhor num espaço de cores linear, " "e estes espaços lineares precisam de uma profundidade de cor com pelo menos " "16 bits para funcionar correctamente. A desvantagem é que o espaço linear " "poderá ser confuso de trabalhar nele." #: ../../general_concepts/colors/color_managed_workflow.rst:251 msgid "" "If you like painting, have a decent amount of RAM, and are looking to start " "your baby-steps in taking advantage of Krita's color management, try " "upgrading from having all your images in sRGB built-in to sRGB-v2-elle-g10." "icc or rec2020-v2-elle-g10.icc at 16bit float. This'll give you better color " "blending while opening up the possibility for you to start working in hdr!" msgstr "" "Se gostar de pintura, tiver uma quantidade decente de RAM e estiver a pensar " "em iniciar com calma a tirar partido da gestão de cores do Krita, tente " "actualizar as suas imagens no sRGB incorporado para o sRGB-v2-elle-g10.icc " "ou rec2020-v2-elle-g10.icc com 16 bits de vírgula flutuante. Isto dar-lhe-á " "uma melhor mistura de cores, enquanto abre a possibilidade de você começar a " "trabalhar com HDR!" #: ../../general_concepts/colors/color_managed_workflow.rst:256 msgid "" "Some graphics cards, such as those of the NVidia-brand actually have the " "best performance under 16bit float, because NVidia cards convert to floating " "point internally. When it does not need to do that, it speeds up!" msgstr "" "Algumas placas gráficas, como as da marca NVidia, de facto têm a melhor " "performance com 16 bits de vírgula flutuante, porque as placas da NVidia " "convertem internamente para vírgula flutuante. Quando não precisa de o " "fazer, funciona mais depressa!" #: ../../general_concepts/colors/color_managed_workflow.rst:260 msgid "" "No amount of color management in the world can make the image on your screen " "and the image out of the printer have 100% the same color." msgstr "" "Nem toda a gestão de cores do mundo poderá fazer com que a imagem no seu " "ecrã e a imagem que sai na impressora tenham as cores 100% iguais." #: ../../general_concepts/colors/color_managed_workflow.rst:263 msgid "Exporting" msgstr "Exportação" #: ../../general_concepts/colors/color_managed_workflow.rst:265 msgid "" "When you have finished your image and are ready to export it, you can modify " "the color space to optimize it:" msgstr "" "Quando tiver terminado a sua imagem e estiver pronto para a exportar, poderá " "modificar o espaço de cores para a optimizar:" #: ../../general_concepts/colors/color_managed_workflow.rst:267 msgid "If you are preparing an image for the web:" msgstr "Se estiver a preparar uma imagem para a Web:" #: ../../general_concepts/colors/color_managed_workflow.rst:269 msgid "" "If you use 16bit color depth or higher, convert the image to 8bit color " "depth. This will make the image much smaller." msgstr "" "Se usar uma profundidade de cor de 16bits ou superior, converta a imagem " "para uma profundidade de cor de 8 bits. Isto irá tornar a imagem muito mais " "pequena." #: ../../general_concepts/colors/color_managed_workflow.rst:271 msgid "" "Krita doesn't have built-in dithering currently, which means that 16 to " "18bit conversions can come out a bit banded. But you can simulate it by " "adding a fill layer with a pattern, set this fill layer to overlay, and to " "5% opacity. Then flatten the whole image and convert it to 8bit. The pattern " "will function as dithering giving a smoother look to gradients." msgstr "" "O Krita não tem desenhos em meios-tons incorporados de momento, o que " "significa que as conversões de 16 para 18 bits poderão ter alguns cortes. " "Mas poderá simular isso se adicionar uma camada de preenchimento com um " "padrão, definir esta camada de preenchimento como sobreposição e com 5% de " "opacidade. Depois achate a imagem completa e converta-a para 8 bits. O " "padrão irá funcionar como meios-tons, dando um aspecto mais suave para os " "gradientes." #: ../../general_concepts/colors/color_managed_workflow.rst:273 msgid "If it's a gray-scale image, convert it to gray-scale." msgstr "" "Se for uma imagem em tons de cinzento, converta-a para tons de cinzento." #: ../../general_concepts/colors/color_managed_workflow.rst:274 msgid "" "If it's a color image, keep it in the working space profile: Many web " "browsers these days support color profiles embedded into images. Firefox, " "for example, will try to convert your image to fit the color profile of the " "other monitor (if they have one). That way, the image will look almost " "exactly the same on your screen and on other profiled monitors." msgstr "" "Se for uma imagem a cores, mantenha-a no perfil do espaço de trabalho: " "Muitos navegadores Web dos doas de hoje suportam perfis de cores " "incorporados nas imagens. O Firefox, por exemplo, irá tentar converter a sua " "imagem para corresponder o perfil de cores do outro monitor (se tiverem um). " "Desta forma, a imagem irá parecer quase igual no seu ecrã e noutros " "monitores com perfis." #: ../../general_concepts/colors/color_managed_workflow.rst:279 msgid "" "In some versions of Firefox, the colors actually look strange: This is a bug " "in Firefox, which is because its `color management system is incomplete " "`_, save your png, jpg or tiff without an embedded profile to work " "around this." msgstr "" "Em algumas versões do Firefox, as cores realmente parecem estranhas: Isto é " "um erro no Firefox, e é por isso que o seu `sistema de gestão de cores está " "incompleto `_; grave o seu PNG, JPG ou TIFF sem perfis incorporados para dar a " "volta a isto." #: ../../general_concepts/colors/color_managed_workflow.rst:281 msgid "If you are preparing for print:" msgstr "Se estiver a preparar-se para imprimir:" #: ../../general_concepts/colors/color_managed_workflow.rst:283 msgid "" "You hopefully made the picture in a working space profile instead of the " "actual custom profile of your screen, if not, convert it to something like " "adobe rgb, sRGB or rec2020." msgstr "" "Provavelmente criou a imagem num perfil de espaço de trabalho em vez do " "perfil personalizado actual do seu ecrã; caso contrário, converta-o para " "algo como o Adobe RGB, sRGB ou rec2020." #: ../../general_concepts/colors/color_managed_workflow.rst:284 msgid "" "Check with the printer what kind of image they expect. Maybe they expect " "sRGB color space, or perhaps they have their own profile." msgstr "" "Verifique com a impressora qual o tipo de imagem que ela está à espera. " "Talvez estejam à espera de sRGB ou talvez tenham o seu próprio perfil." #: ../../general_concepts/colors/color_managed_workflow.rst:287 msgid "Interaction with other applications" msgstr "Interacção com outras aplicações" #: ../../general_concepts/colors/color_managed_workflow.rst:290 msgid "Blender" msgstr "Blender" #: ../../general_concepts/colors/color_managed_workflow.rst:292 msgid "" "If you wish to use krita's OCIO functionality, and in particular in " "combination with Blender's color management, you can try to have it use " "Blender's OCIO config." msgstr "" "Se quiser usar a funcionalidade do OCIO no Krita, e particularmente em " "conjunto com a gestão de cores do Blender, poderá tentar ter o Krita a usar " "a configuração do OCIO no Blender." #: ../../general_concepts/colors/color_managed_workflow.rst:294 msgid "" "Blender's OCIO config is under ``/version number/datafiles/" "colormanagement``. Set the LUT docker to use the OCIO engine, and select the " "config from the above path. This will give you blender's input and screen " "spaces, but not the looks, as those aren't supported in Krita yet." msgstr "" "A configuração de OCIO do Blender está debaixo de ``/" "número_versão/datafiles/colormanagement``. Configure a área do LUT para usar " "o motor do OCIO e seleccione a configuração na pasta acima. Isto dar-lhe-á o " "espaço de entrada do Blender e do ecrã, mas não as aparências, dado que " "estas não são suportadas ainda no Krita." #: ../../general_concepts/colors/color_managed_workflow.rst:298 msgid "Windows Photo Viewer" msgstr "Windows Photo Viewer" #: ../../general_concepts/colors/color_managed_workflow.rst:300 msgid "" "You might encounter some issues when using different applications together. " "One important thing to note is that the standard Windows Photo Viewer " "application does not handle modern ICC profiles. Krita uses version 4 " "profiles; Photo Viewer can only handle version 2 profiles. If you export to " "JPEG with an embedded profile, Photo Viewer will display your image much too " "dark." msgstr "" "Poderá encontrar alguns problemas quando usar as diferentes aplicações em " "conjunto. Um ponto importante a notar é que a aplicação-padrão Windows Photo " "Viewer não lida com os perfis de ICC recentes. O Krita usa os perfis na " "versão 4; o Photo Viewer só consegue lidar com perfis na versão 2. Se " "exportar para JPEG com um perfil incorporado, o Photo Viewer irá mostrar a " "sua imagem demasiado escura." #: ../../general_concepts/colors/color_managed_workflow.rst:303 msgid "Example workflows" msgstr "Processos de exemplo" #: ../../general_concepts/colors/color_managed_workflow.rst:305 msgid "" "Here are some example workflows to get a feeling of how your color " "management workflow may look like." msgstr "" "Aqui estão alguns processos de exemplo para ter uma ideia de como poderá " "ficar o seu processo de gestão de cores." #: ../../general_concepts/colors/color_managed_workflow.rst:307 msgid "" "As mentioned before, input for your screen is set via :menuselection:" "`Settings --> Configure Krita --> Color management`, or via the LUT docker's " "'screen space'. Working space is set via new file per document, or in the " "LUT docker via 'input space'." msgstr "" "Como foi mencionado anteriormente, a entrada para o seu ecrã é definida com " "a opção :menuselection:`Configuração --> Configurar o Krita --> Gestão de " "cores`, ou através do 'espaço do ecrã' da área de LUT's. O espaço de " "trabalho é definido através de um novo ficheiro por cada documento, ou na " "área de LUT's pelo 'espaço de entrada'." #: ../../general_concepts/colors/color_managed_workflow.rst:310 msgid "Webcomic" msgstr "Banda desenhada da Web" #: ../../general_concepts/colors/color_managed_workflow.rst:317 #: ../../general_concepts/colors/color_managed_workflow.rst:339 #: ../../general_concepts/colors/color_managed_workflow.rst:357 msgid "Input" msgstr "Entrada" #: ../../general_concepts/colors/color_managed_workflow.rst:318 #: ../../general_concepts/colors/color_managed_workflow.rst:340 #: ../../general_concepts/colors/color_managed_workflow.rst:358 msgid "Your screen profile. (You pick colors via your screen)" msgstr "O perfil do se ecrã. (Irá escolher as cores com o seu ecrã)" #: ../../general_concepts/colors/color_managed_workflow.rst:319 #: ../../general_concepts/colors/color_managed_workflow.rst:341 #: ../../general_concepts/colors/color_managed_workflow.rst:359 msgid "Workingspace" msgstr "Espaço de trabalho" #: ../../general_concepts/colors/color_managed_workflow.rst:320 msgid "" "sRGB (the default screen profile) or any larger profile if you can spare the " "bit depth and like working in them." msgstr "" "sRGB (o perfil por omissão do ecrã) ou qualquer perfil maior, caso tenha ao " "seu dispor o espaço ocupado pela profundidade de cor e goste de trabalhar " "nele." #: ../../general_concepts/colors/color_managed_workflow.rst:322 #: ../../general_concepts/colors/color_managed_workflow.rst:344 #: ../../general_concepts/colors/color_managed_workflow.rst:362 msgid "Output" msgstr "Resultado" #: ../../general_concepts/colors/color_managed_workflow.rst:322 msgid "" "sRGB, ICC version 2, sRGB TRC for the internet, and a specialized CMYK " "profile from the printing house for the printed images." msgstr "" "sRGB, ICC versão 2, TRC de sRGB para a Internet e um perfil CMYK " "especializado da casa de impressão para as imagens impressas." #: ../../general_concepts/colors/color_managed_workflow.rst:324 msgid "" "Use the sRGB-elle-V2-srgbtrc.icc for going between Inkscape, Photoshop, " "Painttool Sai, Illustrator, GIMP, Manga Studio, Paintstorm Studio, MyPaint, " "Artrage, Scribus, etc. and Krita." msgstr "" "Use o sRGB-elle-V2-srgbtrc.icc para circular entre o Inkscape, Photoshop, " "Painttool Sai, Illustrator, GIMP, Manga Studio, Paintstorm Studio, MyPaint, " "Artrage, Scribus, etc e o Krita." #: ../../general_concepts/colors/color_managed_workflow.rst:326 msgid "" "If you are using a larger space via ICC, you will only be able to " "interchange it between Krita, Photoshop, Illustrator, GIMP 2.9, Manga Studio " "and Scribus. All others assume sRGB for your space, no matter what, because " "they don't have color management." msgstr "" "Se estiver a usar um espaço maior com o ICC, só será capaz de o trocar entre " "o Krita, o Photoshop, o Illustrator, o GIMP 2.9, o Manga Studio e o Scribus. " "Todos os outros assumem o sRGB para o seu espaço, seja ele qual for, porque " "não têm gestão de cores." #: ../../general_concepts/colors/color_managed_workflow.rst:328 msgid "" "If you are going between Krita and Blender, Nuke or Natron, use OCIO and set " "the input space to 'sRGB', but make sure to select the sRGB profile for ICC " "when creating a new file." msgstr "" "Se estiver a integrar o Krita com o Blender, Nuke ou Natron, use o OCIO e " "configure o espaço de entrada como 'sRGB', mas certifique-se que selecciona " "o perfil do sRGB para o ICC ao criar um novo ficheiro." #: ../../general_concepts/colors/color_managed_workflow.rst:330 msgid "" "For the final for the web, convert the image to sRGB 8bit, srgbtrc, do not " "embed the ICC profile. Then, if using png, put it through something like " "pngcrush or other png optimizers. sRGB in this case is chosen because you " "can assume the vast majority of your audience hasn't profiled their screen, " "nor do they have screens that are advanced enough for the wide gamut stuff. " "So hence why we convert to the screen default for the internet, sRGB." msgstr "" "Para a versão final para a Web, converta a imagem para sRGB a 8bits, " "srgbtrc, não incorporando o perfil ICC. Depois, se estiver a usar o PNG, " "passe-o por algo como o 'pngcrush' ou outros optimizadores do PNG. O sRGB " "nesse caso será escolhido porque poderá assumir que a maioria da sua " "audiência não criou um perfil para o ecrã deles, nem que eles têm ecrãs " "avançados o suficiente para as coisas de gamute amplo. É por isso que " "convertemos para as predefinições de ecrãs para a Internet, o sRGB." #: ../../general_concepts/colors/color_managed_workflow.rst:333 msgid "Print" msgstr "Imprimir" #: ../../general_concepts/colors/color_managed_workflow.rst:342 msgid "sRGB or rec2020 if you can afford the bit-depth being 16bit." msgstr "" "sRGB ou rec2020 se conseguir usar a profundidade de cor como sendo a 16 bits." #: ../../general_concepts/colors/color_managed_workflow.rst:344 msgid "" "Specialized CMYK profile from the printing house for the printed images." msgstr "Perfil CMYK especializado da casa de impressão das imagens impressas." #: ../../general_concepts/colors/color_managed_workflow.rst:346 msgid "" "The CMYK profiles are different per printer, and even per paper or ink-type " "so don't be presumptuous and ask ahead for them, instead of doing something " "like trying to paint in any random CMYK profile. As mentioned in the viewing " "conditions section, you want to keep your options open." msgstr "" "Os perfis CMYK são diferentes por cada impressora, e até mesmo por papel ou " "tipo de tinta, por isso não seja presunçoso no que respeita a pedi-los por " "antecipação, em vez de fazer algo como tentar pintar sobre qualquer perfil " "de CMYK aleatório. Como foi mencionado na secção de condições de " "visualização, poderá querer manter as suas opções em aberto." #: ../../general_concepts/colors/color_managed_workflow.rst:348 msgid "" "You can set the advanced color selector to transform to a given profile via :" "menuselection:`Settings --> Configure Krita --> Color Selector Settings`. " "There, tick :guilabel:`Color Selector Uses Different Color Space than Image` " "and select the CMYK profile you are aiming for. This will limit your colors " "a little bit, but keep all the nice filter and blending options from RGB." msgstr "" "Poderá configurar o selector de cores avançado para transformar para um " "determinado perfil com o :menuselection:`Configuração --> Configurar o Krita " "--> Configuração do Selector Avançado de Cores`. Aí, assinale a opção :" "guilabel:`O selector de cores usa um espaço de cores diferente da imagem` e " "seleccione o perfil CMYK que pretende. Isto irá limitar um pouco as suas " "cores, mas mantém todas as opções de filtros e misturas do RGB." #: ../../general_concepts/colors/color_managed_workflow.rst:351 msgid "Games" msgstr "Jogos" #: ../../general_concepts/colors/color_managed_workflow.rst:360 msgid "sRGB or grayscale linear for roughness and specular maps." msgstr "" "sRGB ou tons de cinzento linear, para os mapas de texturas e especulares." #: ../../general_concepts/colors/color_managed_workflow.rst:362 msgid "" "This one is tricky, but in the end it'll be sRGB for the regular player." msgstr "" "Este é mais complicado, mas no fim de tudo será o sRGB para o leitor normal." #: ../../general_concepts/colors/color_managed_workflow.rst:364 msgid "" "So this one is tricky. You can use OCIO and ICC between programs, but " "recommended is to have your images to the engine in sRGB or grayscale. Many " "physically based renderers these days allow you to set whether an image " "should be read as a linear or srgbtrc image, and this is even vital to have " "the images being considered properly in the physically based calculations of " "the game renderer." msgstr "" "Isto tem truques. Poderá usar o OCIO e o ICC entre programas, mas recomenda-" "se que tenha as suas imagens no motor em sRGB ou tons de cinzento. Muitos " "dos sistemas de desenho baseados na física destes dias permitem-lhe definir " "se uma imagem deve ser lida como uma imagem linear ou 'srgbtrc', e isto é " "mesmo vital para ter as imagens em consideração de forma adequada nos " "cálculos baseados na física do motor do jogo." #: ../../general_concepts/colors/color_managed_workflow.rst:366 msgid "" "While game engines need to have optimized content, and it's recommended to " "stay within 8bit, future screens may have higher bit depths, and when " "renderers will start supporting those, it may be beneficial to develop a " "workflow where the working-space files are rather unnecessarily big and you " "run some scripts to optimize them for your current render needs, making " "updating the game in the future for fancier screens less of a drag." msgstr "" "Embora os motores de jogos precisem de ter conteúdo optimizado, e se " "recomende que permaneça dentro dos 8 bits, os ecrãs futuros poderão ter " "profundidades de cor mias elevadas, e quando os sistemas de desenho comecem " "a suportá-los, poderá ser benéfico desenvolver um processo em que os " "ficheiros do espaço de trabalho se tornem demasiado grandes e que possa " "correr alguns programas para os optimizar para as suas necessidades de " "desenho, tornando a actualização do jogo no futuro para melhores monitores " "um incómodo muito menor." #: ../../general_concepts/colors/color_managed_workflow.rst:368 msgid "" "Normal maps and heightmaps are officially supposed to be defined with a 'non-" "color data' working space, but you'll find that most engines will not care " "much for this. Instead, tell the game engine not to do any conversion on the " "file when importing." msgstr "" "Os mapas da normal e os mapas da altura supostamente estão definidos com um " "espaço de cores com 'dados sem cor', mas irá descobrir que a maioria dos " "motores não querem saber muito disto. Em vez disso, dizem ao motor do jogo " "para não fazer nenhuma conversão sobre o ficheiro ao importar." #: ../../general_concepts/colors/color_managed_workflow.rst:370 msgid "" "Specular, glossiness, metalness and roughness maps are all based on linear " "calculations, and when you find that certain material has a metalness of " "0.3, this is 30% gray in a linear space. Therefore, make sure to tell the " "game engine renderer that this is a linear space image (or at the very " "least, should NOT be converted)." msgstr "" "Os mapas especulares, de brilho, metalização e rugosidade são todos baseados " "em cálculos lineares e quando descobrir que um dado material tem um " "coeficiente metálico de 03, isto corresponde a 30% de cinzento num espaço " "linear. Como tal, certifique-se que indica ao sistema de desenho do motor do " "jogo que esta é uma imagem de um espaço linear (ou, pelo menos, que NÃO deve " "ser convertida)." #: ../../general_concepts/colors/color_managed_workflow.rst:374 msgid "" "`Visualizing the XYZ color space `_" msgstr "" "`Visualização do espaço de cores XYZ `_" #: ../../general_concepts/colors/color_managed_workflow.rst:375 msgid "" "`Basics of gamma correction `_" msgstr "" "`Conceitos básicos da correcção do gama `_" #: ../../general_concepts/colors/color_managed_workflow.rst:376 msgid "" "`Panda3d example of how an image that has gamma encoded without the 3d " "renderer being notified of it having gamma-encoding can result in too dark " "images `_" msgstr "" "`Exemplo do Panda3d com uma imagem com codificação do gama, sem o motor 3D " "ter sido notificado desse facto, pelo que resultará em imagens demasiado " "escuras `_" #: ../../general_concepts/colors/color_managed_workflow.rst:377 msgid "" "`2d examples of the effect of gamma-encoding on color maths `_" msgstr "" "`Exemplos 2d do efeito da codificação do gama nas contas das cores `_" #: ../../general_concepts/colors/color_managed_workflow.rst:378 msgid "" "`Basic overview of color management from argylcms manual `_" msgstr "" "`Introdução básica à gestão de cores do manual do Argylcms `_" diff --git a/locale/pt_PT/LC_MESSAGES/tutorials/flat-coloring.po b/locale/pt_PT/LC_MESSAGES/tutorials/flat-coloring.po index 82608ec5d..8b10d4155 100644 --- a/locale/pt_PT/LC_MESSAGES/tutorials/flat-coloring.po +++ b/locale/pt_PT/LC_MESSAGES/tutorials/flat-coloring.po @@ -1,972 +1,972 @@ # SOME DESCRIPTIVE TITLE. # Copyright (C) licensed under the GNU Free Documentation License 1.3+ unless stated otherwise # This file is distributed under the same license as the Krita Manual package. # FIRST AUTHOR , YEAR. # msgid "" msgstr "" "Project-Id-Version: Krita Manual 4.1\n" "Report-Msgid-Bugs-To: \n" -"POT-Creation-Date: 2019-06-23 03:14+0200\n" +"POT-Creation-Date: 2019-06-23 13:49+0200\n" "PO-Revision-Date: 2019-05-20 00:26+0100\n" "Last-Translator: José Nuno Coelho Pires \n" "Language-Team: Portuguese \n" "Language: pt\n" "MIME-Version: 1.0\n" "Content-Type: text/plain; charset=UTF-8\n" "Content-Transfer-Encoding: 8bit\n" "Plural-Forms: nplurals=2; plural=n != 1;\n" "X-POFile-SpellExtra: en image Kritamouseleft menuselection kbd\n" "X-POFile-SpellExtra: Kritafillinglineartmask images alt\n" "X-POFile-SpellExtra: Kritafillinglineartcolortoalpha coloring icons\n" "X-POFile-SpellExtra: backspace beziercurve Kritafillinglineartselection\n" "X-POFile-SpellExtra: ref Mic flat Kritafillinglineart tool Bézier path\n" "X-POFile-SpellExtra: mouseright Krita filltool Kritamouseright\n" "X-POFile-SpellExtra: beziercurveselectiontool mouseleft\n" #: ../../:2 msgid "" ".. image:: images/icons/Krita_mouse_left.png\n" " :alt: mouseleft" msgstr "" ".. image:: images/icons/Krita_mouse_left.png\n" " :alt: botão esquerdo" #: ../../:4 msgid "" ".. image:: images/icons/Krita_mouse_right.png\n" " :alt: mouseright" msgstr "" ".. image:: images/icons/Krita_mouse_right.png\n" " :alt: botão direito" -#: ../../tutorials/flat-coloring.rst:0 -msgid ".. image:: images/flat-coloring/Krita_filling_lineart_selection_1.png" -msgstr ".. image:: images/flat-coloring/Krita_filling_lineart_selection_1.png" - -#: ../../tutorials/flat-coloring.rst:0 -msgid ".. image:: images/flat-coloring/Krita_filling_lineart_selection_2.png" -msgstr ".. image:: images/flat-coloring/Krita_filling_lineart_selection_2.png" - -#: ../../tutorials/flat-coloring.rst:0 -msgid ".. image:: images/flat-coloring/Krita_filling_lineart_mask_1.png" -msgstr ".. image:: images/flat-coloring/Krita_filling_lineart_mask_1.png" - -#: ../../tutorials/flat-coloring.rst:0 -msgid ".. image:: images/flat-coloring/Krita_filling_lineart_mask_2.png" -msgstr ".. image:: images/flat-coloring/Krita_filling_lineart_mask_2.png" - -#: ../../tutorials/flat-coloring.rst:0 -msgid ".. image:: images/flat-coloring/Krita_filling_lineart_mask_3.png" -msgstr ".. image:: images/flat-coloring/Krita_filling_lineart_mask_3.png" - #: ../../tutorials/flat-coloring.rst:None msgid "" ".. image:: images/flat-coloring/Krita_filling_lineart14.png\n" " :alt: layer structure for flatting in krita" msgstr "" ".. image:: images/flat-coloring/Krita_filling_lineart14.png\n" " :alt: estrutura de camadas para alisamento no Krita" #: ../../tutorials/flat-coloring.rst:None msgid "" ".. image:: images/flat-coloring/Krita_filling_lineart1.png\n" " :alt: blend mode setup of line art flat coloring" msgstr "" ".. image:: images/flat-coloring/Krita_filling_lineart1.png\n" " :alt: configuração do modo de mistura da coloração plana do desenho de " "linhas" #: ../../tutorials/flat-coloring.rst:None msgid "" ".. image:: images/flat-coloring/Krita_filling_lineart2.png\n" " :alt: effects of multiply blend mode" msgstr "" ".. image:: images/flat-coloring/Krita_filling_lineart2.png\n" " :alt: efeitos do modo de mistura por multiplicação" #: ../../tutorials/flat-coloring.rst:None msgid "" ".. image:: images/icons/fill_tool.svg\n" " :alt: fill-tool icon" msgstr "" ".. image:: images/icons/fill_tool.svg\n" " :alt: ícone da ferramenta de preenchimento" #: ../../tutorials/flat-coloring.rst:None msgid "" ".. image:: images/flat-coloring/Krita_filling_lineart7.png\n" " :alt: colors filled with fill tool" msgstr "" ".. image:: images/flat-coloring/Krita_filling_lineart7.png\n" " :alt: cores preenchidas com a ferramenta de preenchimento" #: ../../tutorials/flat-coloring.rst:None msgid "" ".. image:: images/flat-coloring/Krita_filling_lineart15.png\n" " :alt: selecting with selection tools for filling color" msgstr "" ".. image:: images/flat-coloring/Krita_filling_lineart15.png\n" " :alt: selecção com as ferramentas de selecção para o preenchimento com cor" #: ../../tutorials/flat-coloring.rst:None msgid "" ".. image:: images/flat-coloring/Krita_filling_lineart16.png\n" " :alt: selection mask in Krita" msgstr "" ".. image:: images/flat-coloring/Krita_filling_lineart16.png\n" " :alt: máscara de selecção no Krita" #: ../../tutorials/flat-coloring.rst:None msgid "" ".. image:: images/flat-coloring/Krita_filling_lineart17.png\n" " :alt: filling color in selection" msgstr "" ".. image:: images/flat-coloring/Krita_filling_lineart17.png\n" " :alt: preenchimento da cor na selecção" #: ../../tutorials/flat-coloring.rst:None msgid "" ".. image:: images/flat-coloring/Krita_filling_lineart18.png\n" " :alt: result of coloring made with the help of selection tools" msgstr "" ".. image:: images/flat-coloring/Krita_filling_lineart18.png\n" " :alt: resultado da coloração feita com a ajuda das ferramentas de selecção" #: ../../tutorials/flat-coloring.rst:None msgid "" ".. image:: images/flat-coloring/Krita_filling_lineart8.png\n" " :alt: filling color in line art using path tool" msgstr "" ".. image:: images/flat-coloring/Krita_filling_lineart8.png\n" " :alt: preenchimento com cor nos desenhos de linhas, com a ferramenta do " "caminho" #: ../../tutorials/flat-coloring.rst:None msgid "" ".. image:: images/flat-coloring/Krita_filling_lineart9.png\n" " :alt: erasing with path tool" msgstr "" ".. image:: images/flat-coloring/Krita_filling_lineart9.png\n" " :alt: limpeza com a ferramenta do caminho" #: ../../tutorials/flat-coloring.rst:None msgid "" ".. image:: images/flat-coloring/Krita_filling_lineart10.png\n" " :alt: coloring with colorize mask" msgstr "" ".. image:: images/flat-coloring/Krita_filling_lineart10.png\n" " :alt: coloração com a máscara de coloração" #: ../../tutorials/flat-coloring.rst:None msgid "" ".. image:: images/flat-coloring/Krita_filling_lineart11.png\n" " :alt: result from the colorize mask" msgstr "" ".. image:: images/flat-coloring/Krita_filling_lineart11.png\n" " :alt: resultado da máscara de coloração" #: ../../tutorials/flat-coloring.rst:None msgid "" ".. image:: images/flat-coloring/Krita_filling_lineart12.png\n" " :alt: slitting colors into islands" msgstr "" ".. image:: images/flat-coloring/Krita_filling_lineart12.png\n" " :alt: divisão das cores em ilhas" #: ../../tutorials/flat-coloring.rst:None msgid "" ".. image:: images/flat-coloring/Krita_filling_lineart13.png\n" " :alt: resulting color islands from split layers" msgstr "" ".. image:: images/flat-coloring/Krita_filling_lineart13.png\n" " :alt: ilhas de cores resultantes da divisão das camadas" +#: ../../tutorials/flat-coloring.rst:0 +msgid ".. image:: images/flat-coloring/Krita_filling_lineart_selection_1.png" +msgstr ".. image:: images/flat-coloring/Krita_filling_lineart_selection_1.png" + +#: ../../tutorials/flat-coloring.rst:0 +msgid ".. image:: images/flat-coloring/Krita_filling_lineart_selection_2.png" +msgstr ".. image:: images/flat-coloring/Krita_filling_lineart_selection_2.png" + +#: ../../tutorials/flat-coloring.rst:0 +msgid ".. image:: images/flat-coloring/Krita_filling_lineart_mask_1.png" +msgstr ".. image:: images/flat-coloring/Krita_filling_lineart_mask_1.png" + +#: ../../tutorials/flat-coloring.rst:0 +msgid ".. image:: images/flat-coloring/Krita_filling_lineart_mask_2.png" +msgstr ".. image:: images/flat-coloring/Krita_filling_lineart_mask_2.png" + +#: ../../tutorials/flat-coloring.rst:0 +msgid ".. image:: images/flat-coloring/Krita_filling_lineart_mask_3.png" +msgstr ".. image:: images/flat-coloring/Krita_filling_lineart_mask_3.png" + #: ../../tutorials/flat-coloring.rst:1 msgid "Common workflows used in Krita" msgstr "Fluxos de trabalho comuns usados no Krita" #: ../../tutorials/flat-coloring.rst:13 msgid "Flat Coloring" msgstr "Coloração Plana" #: ../../tutorials/flat-coloring.rst:15 msgid "" "So you've got a cool black on white drawing, and now you want to color it! " "The thing we’ll aim for in this tutorial is to get your line art colored in " "with flat colors. So no shading just yet. We’ll be going through some " "techniques for preparing the line art, and we’ll be using the layer docker " "to put each color on a separate layer, so we can easily access each color " "when we add shading." msgstr "" "Agora tem um desenho bonito em preto sobre branco, e agora deseja colori-lo! " "O objectivo deste tutorial é ficar com o seu desenho de linhas colorido com " "cores planas. Como tal, sem qualquer sombreado envolvido ainda. Iremos " "percorrer algumas técnicas para preparar o desenho de linhas e iremos usar a " "área de camadas para colocar cada uma das cores numa camada separada, para " "que facilmente consigamos aceder a cada uma das cores quando adicionarmos o " "sombreado." #: ../../tutorials/flat-coloring.rst:17 msgid "" "This tutorial is adapted from this `tutorial `_ by " "the original author." msgstr "" "Este tutorial é uma adaptação deste `tutorial `_ do " "autor original." #: ../../tutorials/flat-coloring.rst:20 msgid "Understanding Layers" msgstr "Compreender as Camadas" #: ../../tutorials/flat-coloring.rst:22 msgid "" "To fill line art comfortably, it's best to take advantage of the layerstack. " "The layer stack is pretty awesome, and it's one of those features that make " "digital art super-convenient." msgstr "" "Para preencher um desenho de linhas de forma confortável, é melhor tirar " "partido da pilha de camadas. A mesma é óptima e é uma daquelas " "funcionalidades que tornam a arte digital bastante conveniente." #: ../../tutorials/flat-coloring.rst:24 msgid "" "In traditional art, it is not uncommon to first draw the full background " "before drawing the subject. Or to first draw a line art and then color it " "in. Computers have a similar way of working." msgstr "" "Na arte tradicional, é normal desenhar primeiro o fundo completo antes de " "desenhar o assunto. Ou fazer primeiro um rascunho com linhas e depois pintá-" "lo. Os computadores têm uma forma de funcionar semelhante." #: ../../tutorials/flat-coloring.rst:26 msgid "" "In programming, if you tell a computer to draw a red circle, and then " "afterwards tell it to draw a smaller yellow circle, you will see the small " "yellow circle overlap the red circle. Switch the commands around, and you " "will not see the yellow circle at all: it was drawn before the red circle " "and thus ‘behind’ it." msgstr "" "Na programação, se diz a computador para pintar um círculo vermelho, e " "depois lhe diz para pintar um círculo amarelo mais pequeno, irá ver o " "pequeno círculo amarelo a sobrepor-se ao vermelho. Mude os comandos e não " "verá o círculo amarelo de todo: foi desenhado antes do vermelho e, como tal, " "ficou ‘atrás’ dele." #: ../../tutorials/flat-coloring.rst:28 msgid "" "This is referred to as the “drawing order”. So like the traditional artist, " "the computer will first draw the images that are behind everything, and " "layer the subject and foreground on top of it. The layer docker is a way for " "you to control the drawing order of multiple images, so for example, you can " "have your line art drawn later than your colors, meaning that the lines will " "be drawn over the colors, making it easier to make it neat!" msgstr "" "Isto é referido como sendo a “ordem de desenho”. Por isso, como o artista " "tradicional, o computador irá desenhar primeiro as imagens que estejam atrás " "de tudo, colocando o assunto e os objectos principais sobre ele. A área de " "camadas é uma forma de você controlar a ordem de desenho das várias imagens; " "por isso, por exemplo, poderá ter o seu desenho de linhas desenhado depois " "das suas cores, o que significa que as linhas serão desenhadas sobre as " "cores, sendo mais simples de deixar o resultado bonito!" #: ../../tutorials/flat-coloring.rst:30 msgid "" "Other things that a layer stack can do are blending the colors of different " "layers differently with blending modes, using a filter in the layer stack, " "or using a mask that allows you to make parts transparent." msgstr "" "Outras coisas que uma pilha de camadas consegue fazer é misturar as cores de " "diferentes camadas de forma diferente com os modos de mistura, usando um " "filtro na pilha de camadas ou usando uma máscara que lhe permita tornar " "algumas partes transparentes." #: ../../tutorials/flat-coloring.rst:32 msgid "" "Programmers talk about transparency as ''Alpha'', which is because the 'a' " "symbol is used to present transparency in the algorithms for painting one " "color on top of another. Usually when you see the word ''Alpha'' in a " "graphics program, just think of it as affecting the transparency." msgstr "" "Os programadores referem-se à transparência como ''Alfa'', porque o símbolo " "'a' é usado para representar a transparência nos algoritmos para pintar uma " "cor sobre outra. Normalmente, quando vê a palavra ''Alfa'' num programa " "gráfico, pense nela como afectando a transparência." #: ../../tutorials/flat-coloring.rst:35 msgid "Preparing your line art" msgstr "Preparar o seu desenho de linhas" #: ../../tutorials/flat-coloring.rst:37 msgid "" "Put the new layer underneath the layer containing the line art (drag and " "drop or use the up/down arrows for that), and draw on it." msgstr "" "Coloque a nova camada por baixo da camada que contém o desenho de linhas " "(arraste e largue ou use as setas para cima/baixo para esse fim) e desenhe " "sobre ele." #: ../../tutorials/flat-coloring.rst:42 msgid "" "…And notice nothing happening. This is because the white isn’t transparent. " "You wouldn’t really want it to either, how else would you make convincing " "highlights? So what we first need to do to color in our drawing is prepare " "our line art. There’s several methods of doing so, each with varying " "qualities." msgstr "" "…E repare que nada aconteceu. Isto acontece porque o branco não é " "transparente. Também não desejaria que o fosse, senão como iria obter tons " "claros convincentes? Por isso, primeiro precisamos de fazer para colorir o " "nosso desenho é preparar o nosso desenho de linhas. Existem vários métodos " "para o fazer, cada um com qualidades variadas." #: ../../tutorials/flat-coloring.rst:45 msgid "The Multiply Blending Mode" msgstr "O Modo de Mistura por Multiplicação" #: ../../tutorials/flat-coloring.rst:47 msgid "" "So, typically, to get a black and white line art usable for coloring, you " "can set the blending mode of the line art layer to Multiply. You do this by " "selecting the layer and going to the drop-down that says **Normal** and " "setting that to **Multiply**." msgstr "" "Assim, tipicamente para obter um desenho de linhas a preto-e-branco apto " "para ser colorido, poderá definir o modo de mistura da camada de desenho " "como Multiplicação. Poderá fazer isto ao seleccionar a camada e depois ir à " "lista que diz **Normal** e mudar o valor para **Multiplicação**." #: ../../tutorials/flat-coloring.rst:52 msgid "And then you should be able to see your colors!" msgstr "E assim sendo deverá conseguir ver as suas cores!" #: ../../tutorials/flat-coloring.rst:54 msgid "" "Multiply is not a perfect solution however. For example, if through some " "image editing magic I make the line art blue, it results into this:" msgstr "" "A multiplicação não é contudo uma solução perfeita. Por exemplo, se por " "alguma magia na edição de imagens eu tiver tornado o desenho de linhas azul, " "irá resultar nisto:" #: ../../tutorials/flat-coloring.rst:59 msgid "" "This is because multiply literally multiplies the colors. So it uses maths!" msgstr "" "Isto é porque a multiplicação literalmente multiplica as cores. Como tal, " "faz contas matemáticas!" #: ../../tutorials/flat-coloring.rst:61 msgid "" "What it first does is take the values of the RGB channels, then divides them " "by the max (because we're in 8bit, this is 255), a process we call " "normalising. Then it multiplies the normalized values. Finally, it takes the " "result and multiplies it with 255 again to get the result values." msgstr "" "O que ele faz primeiro é pegar nos valores dos canais RGB, dividi-los pelo " "valor máximo (como estamos em 8 bits, corresponde a 255), chamando-se este " "processo de normalização. Depois, multiplica os valores normalizados. " "Finalmente, pega no resultado e multiplica de novo por 255 para obter os " "valores do resultado." #: ../../tutorials/flat-coloring.rst:67 msgid "Pink" msgstr "Rosa" #: ../../tutorials/flat-coloring.rst:68 msgid "Pink (normalized)" msgstr "Rosa (normalizado)" #: ../../tutorials/flat-coloring.rst:69 ../../tutorials/flat-coloring.rst:87 msgid "Blue" msgstr "Azul" #: ../../tutorials/flat-coloring.rst:70 msgid "Blue (normalized)" msgstr "Azul (normalizado)" #: ../../tutorials/flat-coloring.rst:71 msgid "Normalized, multiplied" msgstr "Normalizado, multiplicado" #: ../../tutorials/flat-coloring.rst:72 msgid "Result" msgstr "Resultado" #: ../../tutorials/flat-coloring.rst:73 msgid "Red" msgstr "Vermelho" #: ../../tutorials/flat-coloring.rst:74 msgid "222" msgstr "222" #: ../../tutorials/flat-coloring.rst:75 msgid "0.8705" msgstr "0,8705" #: ../../tutorials/flat-coloring.rst:76 msgid "92" msgstr "92" #: ../../tutorials/flat-coloring.rst:77 msgid "0.3607" msgstr "0,3607" #: ../../tutorials/flat-coloring.rst:78 msgid "0.3139" msgstr "0,3139" #: ../../tutorials/flat-coloring.rst:79 msgid "80" msgstr "80" #: ../../tutorials/flat-coloring.rst:80 msgid "Green" msgstr "Verde" #: ../../tutorials/flat-coloring.rst:81 msgid "144" msgstr "144" #: ../../tutorials/flat-coloring.rst:82 msgid "0.5647" msgstr "0,5647" #: ../../tutorials/flat-coloring.rst:83 msgid "176" msgstr "176" #: ../../tutorials/flat-coloring.rst:84 msgid "0.6902" msgstr "0,6902" #: ../../tutorials/flat-coloring.rst:85 msgid "0.3897" msgstr "0,3897" #: ../../tutorials/flat-coloring.rst:86 msgid "99" msgstr "99" #: ../../tutorials/flat-coloring.rst:88 msgid "123" msgstr "123" #: ../../tutorials/flat-coloring.rst:89 msgid "0.4823" msgstr "0,4823" #: ../../tutorials/flat-coloring.rst:90 msgid "215" msgstr "215" #: ../../tutorials/flat-coloring.rst:91 msgid "0.8431" msgstr "0,8431" #: ../../tutorials/flat-coloring.rst:92 msgid "0.4066" msgstr "0,4066" #: ../../tutorials/flat-coloring.rst:93 msgid "103" msgstr "103" #: ../../tutorials/flat-coloring.rst:95 msgid "" "This isn't completely undesirable, and a lot of artists use this effect to " "add a little richness to their colors." msgstr "" "Isto não é totalmente indesejável, e muitos artistas usam este efeito para " "atribuir alguma riqueza às suas cores." #: ../../tutorials/flat-coloring.rst:98 ../../tutorials/flat-coloring.rst:127 #: ../../tutorials/flat-coloring.rst:154 ../../tutorials/flat-coloring.rst:173 #: ../../tutorials/flat-coloring.rst:210 ../../tutorials/flat-coloring.rst:247 #: ../../tutorials/flat-coloring.rst:275 ../../tutorials/flat-coloring.rst:317 msgid "Advantages" msgstr "Vantagens" #: ../../tutorials/flat-coloring.rst:100 msgid "" "Easy, can work to your benefit even with colored lines by softening the look " "of the lines while keeping nice contrast." msgstr "" "Simples e pode funcionar em seu benefício, mesmo com linhas coloridas, " "suavizando a aparência das linhas, embora mantenha um bom contraste." #: ../../tutorials/flat-coloring.rst:103 ../../tutorials/flat-coloring.rst:132 #: ../../tutorials/flat-coloring.rst:159 ../../tutorials/flat-coloring.rst:178 #: ../../tutorials/flat-coloring.rst:215 ../../tutorials/flat-coloring.rst:252 #: ../../tutorials/flat-coloring.rst:280 ../../tutorials/flat-coloring.rst:322 msgid "Disadvantages" msgstr "Desvantagens" #: ../../tutorials/flat-coloring.rst:105 msgid "Not actually transparent. Is a little funny with colored lines." msgstr "" "Não é de facto transparente. Fica um pouco engraçado com as linhas coloridas." #: ../../tutorials/flat-coloring.rst:108 msgid "Using Selections" msgstr "Usar as Selecções" #: ../../tutorials/flat-coloring.rst:110 msgid "" "The second method is one where we'll make it actually transparent. In other " "programs this would be done via the channel docker, but Krita doesn't do " "custom channels, instead it uses Selection Masks to store custom selections." msgstr "" "O segundo método é um em que o iremos tornar realmente transparente. Noutros " "programas, isto seria feito com a área de canais, mas o Krita não possui " "canais personalizados; em vez disso, usa Máscaras de Selecção para guardar " "as selecções personalizadas." #: ../../tutorials/flat-coloring.rst:112 msgid "Duplicate your line art layer." msgstr "Duplique a sua camada do desenho de linhas." #: ../../tutorials/flat-coloring.rst:114 msgid "" "Convert the duplicate to a selection mask. |mouseright| the layer, then :" "menuselection:`Convert --> to Selection Mask`." msgstr "" "Converta o duplicado para uma máscara de selecção. Use o |mouseright| sobre " "a camada, e depois :menuselection:`Converter --> para Máscara de Selecção`." #: ../../tutorials/flat-coloring.rst:118 msgid "" "Invert the selection mask. :menuselection:`Select --> Invert Selection`." msgstr "" "Inverta a máscara de selecção. :menuselection:`Seleccionar --> Inverter a " "Selecção`." #: ../../tutorials/flat-coloring.rst:120 msgid "" "Make a new layer, and do :menuselection:`Edit --> Fill with Foreground " "Color`." msgstr "" "Crie uma nova camada e invoque o :menuselection:`Editar --> Preencher com a " "Cor Principal`." #: ../../tutorials/flat-coloring.rst:124 msgid "And you should now have the line art on a separate layer." msgstr "E agora deverá ter o seu desenho de linhas numa camada separada." #: ../../tutorials/flat-coloring.rst:129 msgid "Actual transparency." msgstr "Transparência actual." #: ../../tutorials/flat-coloring.rst:134 msgid "Doesn't work when the line art is colored." msgstr "Não resulta quando o desenho de linhas é colorido." #: ../../tutorials/flat-coloring.rst:137 msgid "Using Masks" msgstr "Usar as Máscaras" #: ../../tutorials/flat-coloring.rst:139 msgid "This is a simpler variation of the above." msgstr "Esta é uma versão mais simplificada da anterior." #: ../../tutorials/flat-coloring.rst:141 msgid "Make a filled layer underneath the line art layer." msgstr "Crie uma camada preenchida por baixo da camada do desenho de linhas." #: ../../tutorials/flat-coloring.rst:145 msgid "" "Convert the line art layer to a transparency mask |mouseright| the layer, " "then :menuselection:`Convert --> to Transparency Mask`." msgstr "" "Converta a camada do desenho de linhas para uma máscara de transparência com " "o |mouseright| sobre a camada e depois invocando :menuselection:`Converter --" "> para Máscara de Transparência`." #: ../../tutorials/flat-coloring.rst:149 msgid "" "Invert the transparency mask by going to :menuselection:`Filter --> Adjust --" "> Invert`" msgstr "" "Inverta a máscara de transparência com a opção :menuselection:`Filtro --> " "Ajustar --> Inverter`" #: ../../tutorials/flat-coloring.rst:156 msgid "" "Actual transparency. You can also very easily doodle a pattern on the filled " "layer where the mask is on without affecting the transparency." msgstr "" "Transparência actual. Também poderá aplicar facilmente um padrão sobre a " "camada preenchida, onde a máscara esteja activa sem afectar a transparência." #: ../../tutorials/flat-coloring.rst:161 msgid "" "Doesn't work when the line art is colored already. We can still get faster." msgstr "" "Não funciona quando o desenho de linhas já é colorido. Também podemos " "conseguir acelerar o processo." #: ../../tutorials/flat-coloring.rst:164 msgid "Using Color to Alpha" msgstr "Usar a Cor para o Alfa" #: ../../tutorials/flat-coloring.rst:166 msgid "By far the fastest way to get transparent line art." msgstr "" "De longe a forma mais rápida de tornar um desenho de linhas transparente." #: ../../tutorials/flat-coloring.rst:168 msgid "" "Select the line art layer and apply the color to alpha filter. :" "menuselection:`Filter --> Colors --> Color to Alpha`. The default values " "should be sufficient for line art." msgstr "" "Seleccione a camada do desenho de linhas e aplique o filtro de cor para " "alfa. :menuselection:`Filtro --> Cores --> Cor para o Alfa`. Os valores " "predefinidos deverão ser suficientes para o desenho de linhas." #: ../../tutorials/flat-coloring.rst:171 msgid "" ".. image:: images/flat-coloring/Krita_filling_lineart_color_to_alpha.png" msgstr "" ".. image:: images/flat-coloring/Krita_filling_lineart_color_to_alpha.png" #: ../../tutorials/flat-coloring.rst:175 msgid "" "Actual transparency. Works with colored line art as well, because it removes " "the white specifically." msgstr "" "Transparência actual. Funciona também com desenhos coloridos, porque remove " "o branco em particular." #: ../../tutorials/flat-coloring.rst:180 msgid "" "You'll have to lock the layer transparency or separate out the alpha via the " "right-click menu if you want to easily color it." msgstr "" "Terá de bloquear a transparência da camada ou separar o alfa através do menu " "do botão direito, caso queira colori-lo facilmente." #: ../../tutorials/flat-coloring.rst:184 msgid "Coloring the image" msgstr "Colorir a imagem" #: ../../tutorials/flat-coloring.rst:186 msgid "" "Much like preparing the line art, there are many different ways of coloring " "a layer." msgstr "" "Tal como na preparação do desenho de linhas, existem muitas formas de " "colorir uma camada." #: ../../tutorials/flat-coloring.rst:188 msgid "" "You could for example fill in everything by hand, but while that is very " "precise it also takes a lot of work. Let's take a look at the other options, " "shall we?" msgstr "" "Poderá por exemplo preencher tudo à mão, mas embora isso seja muito preciso, " "também dá muito trabalho. Vejamos as outras opções, ok?" #: ../../tutorials/flat-coloring.rst:191 msgid "Fill Tool" msgstr "Ferramenta de Preenchimento" #: ../../tutorials/flat-coloring.rst:196 msgid "" "In most cases the fill-tool can’t deal with the anti-aliasing (the soft edge " "in your line art to make it more smooth when zoomed out) In Krita you have " "the grow-shrink option. Setting that to say… 2 expands the color two pixels." msgstr "" "Na maioria dos casos a ferramenta de preenchimento não consegue lidar com a " "suavização (as arestas no seu desenho de linhas tendem a ficar mais suaves " "quando reduz a ampliação). No Krita, tem a opção para 'crescimento/" "diminuição'. Se configurar esse valor para p.ex. … 2 expande a cor em dois " "pixels." #: ../../tutorials/flat-coloring.rst:198 msgid "" "Threshold decides when the fill-tool should consider a different color pixel " "to be a border. And the feathering adds an extra soft border to the fill." msgstr "" "O limite decide quando a ferramenta de preenchimento deverá considerar uma " "cor diferente como sendo um contorno. E a suavização ainda atribuir uma " "camada extra suave ao preenchimento." #: ../../tutorials/flat-coloring.rst:200 msgid "" "Now, if you click on a gapless-part of the image with your preferred color… " "(Remember to set the opacity to 1.0!)" msgstr "" "Agora, se carregar numa parte sem lacunas da imagem com a sua cor preferida… " "(Lembre-se de configurar a opacidade como 1,0!)" #: ../../tutorials/flat-coloring.rst:202 msgid "" "Depending on your line art, you can do flats pretty quickly. But setting the " "threshold low can result in little artifacts around where lines meet:" msgstr "" "Dependendo do seu desenho de linhas, poderá fazer pinturas planas de forma " "bastante rápida. Mas a definição do limite como baixo poderá resultar em " "pequenos artefactos aqui e ali onde as linhas se encontram:" #: ../../tutorials/flat-coloring.rst:207 msgid "" "However, setting the threshold high can end with the fill not recognizing " "some of the lighter lines. Besides these little artifacts can be removed " "with the brush easily." msgstr "" "Contudo, a definição do limite como alto poderá fazer com que o " "preenchimento não reconheça algumas das linhas mais claras. Para além disso, " "estes pequenos artefactos poderão ser removidos facilmente com o pincel." #: ../../tutorials/flat-coloring.rst:212 msgid "Pretty darn quick depending on the available settings." msgstr "Bastante rápido, dependendo da configuração disponível." #: ../../tutorials/flat-coloring.rst:217 msgid "" "Again, not great with gaps or details. And it works best with aliased line " "art." msgstr "" "Mais uma vez, não é óptimo com as lacunas ou detalhes. E funciona melhor com " "desenhos de linhas não-suavizados." #: ../../tutorials/flat-coloring.rst:220 msgid "Selections" msgstr "Selecções" #: ../../tutorials/flat-coloring.rst:222 msgid "Selections work using the selection tools." msgstr "As selecções funcionam com as ferramentas de selecção." #: ../../tutorials/flat-coloring.rst:227 msgid "" "For example with the :ref:`bezier_curve_selection_tool` you can easily " "select a curved area, and the with :kbd:`Shift` + |mouseleft| (not |" "mouseleft| + :kbd:`Shift`, there's a difference!) you can easily add to an " "existing selection." msgstr "" "Por exemplo, com a :ref:`bezier_curve_selection_tool`, poderá seleccionar " "facilmente uma área curvada, e com o :kbd:`Shift` + |mouseleft| (não é |" "mouseleft| + :kbd:`Shift`, há uma diferença!), poderá facilmente adicionar " "uma selecção existente." #: ../../tutorials/flat-coloring.rst:232 msgid "" "You can also edit the selection if you have :menuselection:`Select --> Show " "Global Selection Mask` turned on. Then you can select the global selection " "mask, and paint on it. (Above with the alternative selection mode, activated " "in the lower-left corner of the stats bar)" msgstr "" "Poderá também editar a selecção se tiver a opção :menuselection:`Seleccionar " "--> Mostrar a Máscara de Selecção Global` activada. Depois poderá " "seleccionar a máscara de selecção global e pintar sobre ela. (Como acima, " "com o modo de selecção alternativo, activado no canto inferior-esquerdo da " "barra de estado)" #: ../../tutorials/flat-coloring.rst:234 msgid "" "When done, select the color you want to fill it with and press :kbd:`Shift` " "+ `backspace`." msgstr "" "Quando terminar, seleccione a cor com que deseja preencher e carregue em :" "kbd:`Shift` + `backspace`." #: ../../tutorials/flat-coloring.rst:239 msgid "" "You can save selections in selection masks by |mouseright| a layer, and then " "going to :menuselection:`Add --> Local Selection`. You first need to " "deactivate a selection by pressing the circle before adding a new selection." msgstr "" "Poderá gravar as selecções como máscaras de selecção com o |mouseright| " "sobre uma camada e depois ir a :menuselection:`Adicionar --> Selecção " "Local`. Primeiro precisa de desactivar uma selecção, carregando no círculo " "antes de adicionar uma nova selecção." #: ../../tutorials/flat-coloring.rst:241 msgid "" "This can serve as an alternative way to split out different parts of the " "image, which is good for more painterly pieces:" msgstr "" "Isto pode servir como uma alternativa para dividir as diferentes partes da " "imagem, o que é bom para peças com mais pinturas:" #: ../../tutorials/flat-coloring.rst:249 msgid "A bit more precise than filling." msgstr "Um pouco mais preciso que o preenchimento." #: ../../tutorials/flat-coloring.rst:254 msgid "Previewing your color isn't as easy." msgstr "A antevisão da sua cor não é simples." #: ../../tutorials/flat-coloring.rst:257 msgid "Geometric tools" msgstr "Ferramentas geométricas" #: ../../tutorials/flat-coloring.rst:259 msgid "" "So you have a tool for making rectangles or circles. And in the case of " "Krita, a tool for bezier curves. Select the path tool (|path tool|), and set " "the tool options to fill=foreground and outline=none. Make sure that your " "opacity is set to 1.00 (fully opaque)." msgstr "" "Bem, tem uma ferramenta para criar rectângulos ou círculos. E, no caso do " "Krita, uma ferramenta para curvas Bézier. Seleccione a ferramenta do caminho " "(|path tool|), e configure as opções da ferramenta para " "preenchimento=principal e contorno=nenhum. Certifique-se que a sua opacidade " "está configurada como 1,00 (completamente opaca)." #: ../../tutorials/flat-coloring.rst:262 msgid "" ".. image:: images/icons/bezier_curve.svg\n" " :alt: path tool" msgstr "" ".. image:: images/icons/bezier_curve.svg\n" " :alt: ferramenta do caminho" #: ../../tutorials/flat-coloring.rst:264 msgid "" "By clicking and holding, you can influence how curvy a line draw with the " "path tool is going to be. Letting go of the mouse button confirms the " "action, and then you’re free to draw the next point." msgstr "" "Ao carregar e manter carregado, poderá influenciar quão curva ficará uma " "linha desenhada pela ferramenta do caminho. Se largar o botão do rato, irá " "confirmar a acção, ficando livre para desenhar o ponto seguinte." #: ../../tutorials/flat-coloring.rst:269 msgid "" "You can also erase with a geometric tool. Just press :kbd:`E` or the eraser " "button." msgstr "" "Também poderá apagar com uma ferramenta geométrica. Basta carregar em :kbd:" "`E` ou no botão da borracha." #: ../../tutorials/flat-coloring.rst:277 msgid "" "Quicker than using the brush or selections. Also decent with line art that " "contains gaps." msgstr "" "Mais rápido do que usar o pincel ou as selecções. Também é decente com " "desenhos de linhas que contenham lacunas." #: ../../tutorials/flat-coloring.rst:282 msgid "" "Fiddly details aren’t easy to fill in with this. So I recommend skipping " "those and filling them in later with a brush." msgstr "" "Alguns detalhes serão mais complicados de preencher com isto. Como tal, " "recomenda-se que os deixe e os preencha mais tarde com um pincel." #: ../../tutorials/flat-coloring.rst:285 msgid "Colorize Mask" msgstr "Máscara de Coloração" #: ../../tutorials/flat-coloring.rst:287 msgid "" "So, this is a bit of an odd one. In the original tutorial, you'll see I'm " "suggesting using G'Mic, but that was a few years ago, and G'Mic is a little " "unstable on windows. Therefore, the Krita developers have been attempting to " "make an internal tool doing the same." msgstr "" "Bem, esta é um pouco estranha. No tutorial original, verá que estou a " "sugerir o uso do G'Mic, mas isso já foi há alguns anos, e o G'Mic tornou-se " "um pouco instável no Windows. Como tal, os programadores do Krita têm estado " "a tentar criar uma ferramenta interna que faça o mesmo." #: ../../tutorials/flat-coloring.rst:289 msgid "" "It is disabled in 3.1, but if you use 4.0 or later, it is in the toolbox. " "Check the Colorize Mask for more information." msgstr "" "Está desactivada no 3.1, mas se usar a 4.0 ou posterior, encontra-se na área " "de ferramentas. Veja mais informações na Máscara de Coloração." #: ../../tutorials/flat-coloring.rst:291 msgid "So it works like this:" msgstr "Sendo assim, funciona da seguinte forma:" #: ../../tutorials/flat-coloring.rst:293 msgid "Select the colorize mask tool." msgstr "Seleccione a máscara de coloração." #: ../../tutorials/flat-coloring.rst:294 msgid "Tick the layer you're using." msgstr "Carregue na camada que está a usar." #: ../../tutorials/flat-coloring.rst:295 msgid "Paint the colors you want to use on the colorize mask" msgstr "Pinte as cores que quer usar na máscara de coloração" #: ../../tutorials/flat-coloring.rst:296 msgid "Click update to see the results:" msgstr "Carregue em Actualizar para ver os resultados:" #: ../../tutorials/flat-coloring.rst:301 msgid "" "When you are satisfied, |mouseright| the colorize mask, and go to :" "menuselection:`Convert --> Paint Layer`. This will turn the colorize mask to " "a generic paint layer. Then, you can fix the last issues by making the line " "art semi-transparent and painting the flaws away with a pixel art brush." msgstr "" "Quando estiver satisfeito, carregue com o |mouseright| sobre a máscara de " "coloração e vá a :menuselection:`Converter --> Camada de Pintura`. Isto irá " "transformar a máscara de coloração numa máscara de pintura genérica. Depois, " "poderá corrigir os últimos problemas, tornando o desenho de linhas semi-" "transparente e pintando os defeitos com um pincel de pixels." #: ../../tutorials/flat-coloring.rst:306 msgid "" "Then, when you are done, split the layers via :menuselection:`Layer --> " "Split --> Split Layer`. There are a few options you can choose, but the " "following should be fine:" msgstr "" "Depois, quando terminar, divida as camadas com a opção :menuselection:" "`Camadas --> Dividir --> Dividir a Camada`. Existem algumas opções que " "poderá escolher, mas as seguintes deverão ser suficientes:" #: ../../tutorials/flat-coloring.rst:311 msgid "" "Finally, press **Ok** and you should get the following. Each color patch it " "on a different layer, named by the palette in the menu and alpha locked, so " "you can start painting right away!" msgstr "" "Finalmente, carregue em **Ok** para obter o seguinte. Cada padrão de cor " "ficou numa camada diferente, com o nome da paleta no menu e bloqueada no " "alfa, para que possa começar a pintar desde já!" #: ../../tutorials/flat-coloring.rst:319 msgid "" "Works with anti-aliased line art. Really quick to get the base work done. " "Can auto-close gaps." msgstr "" "Funciona com desenhos de linhas suavizados. É bastante rápido para ter o " "trabalho de base feito. Pode fechar automaticamente as lacunas." #: ../../tutorials/flat-coloring.rst:324 msgid "" "No anti-aliasing of its own. You have to choose between getting details " "right or the gaps auto-closed." msgstr "" "Sem suavização própria. Terá de optar entre ficar com os detalhes corrigidos " "ou as lacunas fechadas automaticamente." #: ../../tutorials/flat-coloring.rst:327 msgid "Conclusion" msgstr "Conclusão" #: ../../tutorials/flat-coloring.rst:329 msgid "" "I hope this has given you a good idea of how to fill in flats using the " "various techniques, as well as getting a hand of different Krita features. " "Remember that a good flat filled line art is better than a badly shaded one, " "so keep practicing to get the best out of these techniques!" msgstr "" "Espero que isto lhe tenha dado uma boa ideia de como preencher partes planas " "com várias técnicas, assim como passar a conhecer um conjunto de " "funcionalidades diferentes do Krita. Lembre-se que um bom desenho de linhas " "bem preenchido é melhor que um mal-feito, por isso continue a praticar para " "desfrutar ao máximo destas técnicas!" diff --git a/locale/sk/LC_MESSAGES/general_concepts/colors/color_managed_workflow.po b/locale/sk/LC_MESSAGES/general_concepts/colors/color_managed_workflow.po index c66cdfa5d..e4087cbbe 100644 --- a/locale/sk/LC_MESSAGES/general_concepts/colors/color_managed_workflow.po +++ b/locale/sk/LC_MESSAGES/general_concepts/colors/color_managed_workflow.po @@ -1,1070 +1,1070 @@ # translation of docs_krita_org_general_concepts___colors___color_managed_workflow.po to Slovak # Roman Paholik , 2019. msgid "" msgstr "" "Project-Id-Version: " "docs_krita_org_general_concepts___colors___color_managed_workflow\n" "Report-Msgid-Bugs-To: \n" -"POT-Creation-Date: 2019-06-17 03:13+0200\n" +"POT-Creation-Date: 2019-06-23 13:49+0200\n" "PO-Revision-Date: 2019-03-01 13:05+0100\n" "Last-Translator: Roman Paholik \n" "Language-Team: Slovak \n" "Language: sk\n" "MIME-Version: 1.0\n" "Content-Type: text/plain; charset=UTF-8\n" "Content-Transfer-Encoding: 8bit\n" "X-Generator: Lokalize 2.0\n" "Plural-Forms: nplurals=3; plural=(n==1) ? 0 : (n>=2 && n<=4) ? 1 : 2;\n" -#: ../../general_concepts/colors/color_managed_workflow.rst:0 -msgid ".. image:: images/color_category/Kiki_matrix_profile.png" -msgstr "" - -#: ../../general_concepts/colors/color_managed_workflow.rst:0 -msgid ".. image:: images/color_category/Kiki_cLUTprofiles.png" -msgstr "" - #: ../../general_concepts/colors/color_managed_workflow.rst:None msgid ".. image:: images/color_category/Krita_2_9_colormanagement_group1.png" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:None msgid ".. image:: images/color_category/Krita_2_9_colormanagement_group2.png" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:None msgid ".. image:: images/color_category/Krita_2_9_colormanagement_group3.png" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:None msgid ".. image:: images/color_category/Krita_2_9_colormanagement_group4.png" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:None msgid ".. image:: images/dockers/LUT_Management_Docker.png" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:None msgid ".. image:: images/color_category/Krita_HDR_1.svg" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:None msgid ".. image:: images/color_category/Krita_HDR2.svg" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:None msgid "" ".. image:: images/color_category/Krita-colormanaged-workflow_webcomic.svg" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:None msgid ".. image:: images/color_category/Krita-colormanaged-workflow_print.svg" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:None msgid ".. image:: images/color_category/Krita-colormanaged-workflow_games.svg" msgstr "" +#: ../../general_concepts/colors/color_managed_workflow.rst:0 +msgid ".. image:: images/color_category/Kiki_matrix_profile.png" +msgstr "" + +#: ../../general_concepts/colors/color_managed_workflow.rst:0 +msgid ".. image:: images/color_category/Kiki_cLUTprofiles.png" +msgstr "" + #: ../../general_concepts/colors/color_managed_workflow.rst:1 msgid "How a color managed workflow works." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:12 msgid "Color" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:12 #, fuzzy #| msgid "What is colour management?" msgid "Color Management" msgstr "Čo je správa farieb?" #: ../../general_concepts/colors/color_managed_workflow.rst:12 msgid "ICC Profiles" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:12 msgid "OCIO" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:17 msgid "Color Managed Workflow" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:19 msgid "" "You may have heard that Krita has something called color-management. Or " "maybe you just wondered what all these 'color model' and 'color profile' " "things you can find in the menus mean. Color management is pretty useful for " "people who work in digital imaging professionally, and hopefully this page " "will explain why." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:22 msgid "Basic Info" msgstr "Základné informácie" #: ../../general_concepts/colors/color_managed_workflow.rst:24 msgid "" "If you've never worked with color management before, and have no clue what " "it is, then know that you've probably been working in the 8bit RGB color " "space with the sRGB profile. This means you can choose for *sRGB built-in* " "or *sRGB-elle-v2-srgbtrc.icc*. With the new color space browser this profile " "is marked with *(default)* when using 8bit." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:26 msgid "" "We'll go into what these terms mean in the theory, but if you're here only " "for trying to figure out which is the default, you now know it. Maybe, after " "reading this, you may feel like changing the default, to get new and " "interesting results from filters, blending modes, or just the color smudge " "brush." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:29 msgid "What is the problem?" msgstr "Aký je problém?" #: ../../general_concepts/colors/color_managed_workflow.rst:31 msgid "" "To explain the point of color management, you'd first need to learn which " "problem color management tries to solve." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:33 msgid "Let us imagine a kinder garden:" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:35 msgid "" "The class of 28 children is subdivided in groups of 7. Each group has its " "own table." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:37 msgid "" "The teacher gives them a painting assignment: They need to paint a red " "triangle, a blue square, a green circle and put a yellow border around the " "three. The kids are very experienced with painting already, so the teacher " "can confidently leave the smarter ones to their own devices, and spent more " "time on those who need help." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:40 msgid "The following results come from painting:" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:42 msgid "" "Even though all groups had the same assignment, each group's result looks " "different." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:49 msgid "" "Group 1 had vermillion red, citron yellow and ultramarine blue to their " "disposal. This means their triangle looks nice and red, but their circle's " "green is muddy. This is because ultramarine is too dark of a blue to create " "nice greens with." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:56 msgid "" "Group 2 had magenta red, citron yellow and cerulean blue. Magenta is a type " "of red that is closer to pink, opposed to vermillion, which is closer to " "orange. However, their green looks nice because cerulean is a much lighter " "blue." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:64 msgid "" "Group 3 had vermillion red, citron yellow, emerald green and cerulean blue. " "They didn't mix their green, and thus ended up with a purer color." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:71 msgid "" "Finally, group 4 has vermillion red, citron yellow and cerulean blue. Their " "colors probably look like what you imagined." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:73 msgid "" "Now, these are kindergarteners, so this isn't the largest problem in the " "world. However, imagine that something like this happened at a printing " "company? Imagine four printers printing the same magazine with wildly " "different results? That would be disastrous!" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:75 msgid "For this purpose, we invented color management." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:78 #, fuzzy #| msgid "What is colour management?" msgid "What is color management?" msgstr "Čo je správa farieb?" #: ../../general_concepts/colors/color_managed_workflow.rst:80 msgid "" "Color management is, dryly put, a set of systems that tries to have the same " "color translate properly between color devices." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:82 msgid "" "It usually works by attempting to covert a color to the reference color " "space XYZ. XYZ is a coordinate system that has a spot for all colors that " "the average human eye can see." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:84 msgid "" "From XYZ it can then be translated back into another device space, such as " "RGB (for screens), or CMYK (for printers)." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:86 msgid "" "Krita has two systems dedicated to color management. On the one hand, we " "have **lcms2**, which deal with ICC profiles, and on the other, we have " "**OCIO**, which deal with LUT color management." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:88 msgid "" "To give a crude estimate, ICC profiles deal with keeping colors consistent " "over many interpretations of devices (screens, printers) by using a " "reference space, and OCIO deals with manipulating the interpretation of said " "colors." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:90 msgid "Within both we can identify the following color spaces:" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:93 msgid "" "Device spaces are those describing your monitor, and have to be made using a " "little device that is called \"colorimeter\". This device, in combination " "with the right software, measures the strongest red, green and blue your " "screen can produce, as well as the white, black and gray it produces. Using " "these and several other measurements it creates an ICC profile unique to " "your screen. You set these in Krita's color management tab. By default we " "assume sRGB for screens, but it's very likely that your screen isn't exactly " "fitting sRGB, especially if you have a high quality screen, where it may be " "a bigger space instead. Device spaces are also why you should first consult " "with your printer what profile they expect. Many printing houses have their " "own device profiles for their printers, or may prefer doing color conversion " "themselves. You can read more about colorimeter usage :ref:`here " "`." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:94 msgid "Device spaces" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:96 msgid "Working spaces" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:97 msgid "" "These are delivered alongside Krita for ICC, and downloadable from the OCIO " "website for OCIO. Working spaces are particularly nice to do color " "calculations in, which programs like Krita do often. It's therefore " "recommended to have a working space profile for your image." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:99 msgid "Aesthetic or Look spaces" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:99 msgid "" "These are special spaces that have been deformed to give a certain look to " "an image. Krita doesn't deliver Look profiles for ICC, nor does it yet " "support Look spaces for OCIO." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:102 msgid "Color managed workflow" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:104 msgid "" "Knowing this about these spaces of course doesn't give you an idea of how to " "use them, but it does make it easier to explain how to use them. So let us " "look at a typical color management workflow:" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:110 msgid ".. image:: images/color_category/Krita-colormanaged-workflow_text.svg" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:110 msgid "" "A typical example of a color managed workflow. We have input from scanners " "and cameras, which we convert to a working space that can be used between " "different editing software, and is converted to an output space for viewing " "on screen or printing." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:112 msgid "" "In a traditional color managed workflow, we usually think in terms of real " "world colors being converted to computer colors and the other way around. " "So, for example photos from a camera or scanned in images. If you have a " "device space of such a device, we first assign said device space to the " "image, and then convert it to a working space." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:114 msgid "" "We then do all our editing in the working space, and use the working space " "to communicate between editing programs. In Krita's case, due to it having " "two color management systems, we use ICC profiles between programs like GIMP " "2.9+, Inkscape, digiKam and Scribus, and OCIO configuration between Blender " "and Natron." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:116 msgid "" "You also store your working files in the working space, just like how you " "have the layers unmerged in the working file, or have it at a very high " "resolution." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:118 msgid "" "Sometimes, we apply aesthetic or 'look' spaces to an image as part of the " "editing process. This is rather advanced, and probably not something to " "worry about in Krita's case." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:120 msgid "" "Then, when we're done editing, we try to convert to an output space, which " "is another device space. This can be CMYK for printers or a special screen " "RGB profile. When you are dealing with professional printing houses, it is " "best to ask them about this step. They have a lot of experience with doing " "the best conversion, and may prefer to do the conversion from your working " "space to the device space of their printers." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:122 msgid "" "Another form of output is the way your screen displays the color. Unlike " "regular output, this one is done all the time during editing: After all, you " "need to be able to see what you are doing, but your screen is still a device " "with a device space, so it does distort how the image looks. In this manner, " "you can see your screen as a set of binoculars you have to look through to " "see your image at all." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:124 msgid "" "Therefore, without a profiled monitor, you actually don't know what the " "actual colors you are working with are like, because the computer doesn't " "know the relevant properties of your screen. So if you profiled your " "monitor, give Krita the profile in the settings, and select the sRGB space " "to draw in, you are for the first time seeing the actual colors of the sRGB " "space." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:127 msgid "So what does this mean?" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:133 msgid "" ".. image:: images/color_category/Krita-colormanaged-workflow_krita_text.svg" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:133 msgid "" "When we paint from scratch, we can see our screen profile as the input " "space, because we use it to determine what colors to pick. This somewhat " "simplifies the workflow, but makes the screen profile and viewing conditions " "more important." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:135 msgid "" "Now, photographers and people who do a tricky discipline of VFX called " "'color grading' will go completely mad over trying to get the colors they " "put in to come out 100% correctly, and will even count in factors like the " "time of day and the color they painted their walls. For example, if the wall " "behind your computer is pure red, your eyes will adjust to be less sensitive " "to red, which means that the colors they pick in the program could come out " "redder. We call these the *viewing conditions*." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:137 msgid "" "Thankfully, artists have to worry a slight bit less about this. As " "illustrations are fully handmade, we are able to identify the important bits " "and make appropriate contrasts between colors. This means that even if our " "images turn out to be slightly redder than intended, it is less likely the " "whole image is ruined. If we look back at the kindergarten example above, we " "still understand what the image was supposed to look like, despite there " "being different colors on each image. Furthermore, because the colors in " "illustrations are deliberately picked, we can correct them more easily on a " "later date. Yet, at the same time, it is of course a big drag to do this, " "and we might have had much more flexibility had we taken viewing conditions " "under consideration." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:139 msgid "" "That said, for artists it is also very useful to understand the working " "spaces. Different working spaces give different results with filters and " "mixing, and only some working spaces can be used for advanced technology " "like HDR." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:141 msgid "" "Similarly, Krita, as a program intended to make images from scratch, doesn't " "really worry about assigning workspaces after having made the image. But " "because you are using the screen as a binocular to look at your image, and " "to pick colors, you can see your screen's device space as an input space to " "the image. Hence why profiling your monitor and giving the profile to Krita " "in the settings can help with preparing your work for print and future " "ventures in the long run." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:143 msgid "" "Overall, it is kinda useful to keep things like viewing conditions in the " "back of your mind. Many professional artists use a mid-gray color as their " "default canvas background because they find they create much more dynamic " "images due to having improved their viewing conditions. It is also why a lot " "of graphics programs, including Krita, come with a dark theme nowadays. " "(Though, of course this might also be because dark themes can be considered " "cool, who knows.)" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:148 msgid "ICC profiles" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:150 msgid "" "An ICC profile is a set of coordinates describing the extremities of the " "device space within XYZ, and it is the color management data you use to " "communicate your working space to printers and applications that are " "designed for the print industry, such as GIMP, Scribus, Photoshop, " "Illustrator, Inkscape, Digikam, RawTheraphee, etc. You have two types of ICC " "profiles:" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:153 msgid "" "These are delivered alongside Krita. Matrix shaper profiles are made by " "setting parameters and interpolating between these to get the exact size of " "the color space. Due to this, Krita's color space browser can give you a lot " "of information on these profiles. Such profiles are also preferable as " "working space." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:159 msgid "Matrix Shaper profiles." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:159 msgid "" "Matrix shaper profiles have a few parameters that describe the color space " "which are then interpolated between, this requires a lot of maths." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:162 msgid "" "These are fairly rare, and primarily used to describe printer profiles, such " "as CMYK. cLUT, or Color Look-up Table profiles store far more data than " "Matrix shaper profiles, so they can hold data of little particularities " "caused by, for example, unexpected results from mixing pigments. This is a " "far more organic approach to describing a color space, hence why a lot of " "programs that don't care for color management much don't support these." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:168 msgid "" "cLUT profiles work by holding tables of each color in a color space and " "their respective coordinates in a reference space. For CMYK this is " "typically L\\*A\\*B\\* and for the rest XYZ. These tables are tricky to " "make, which means these profiles are a lot rarer." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:169 msgid "cLUT profiles" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:171 msgid "" "The interesting thing about ICC profiles is that your working space can be " "larger than your device space. This is generally not bad. However, when " "converting, you do end up with the question of how to translate the working " "space values." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:174 msgid "Perceptual" msgstr "Vnemový" #: ../../general_concepts/colors/color_managed_workflow.rst:174 msgid "" "This just squishes the values of the working space into the space it's " "converted to. It's a nice method to see all possible values in this, but not " "so good if you want accurate color reproduction. Use this if you want to see " "all colors in an image, or want to express all possible contrasts. Doesn't " "work with Matrix Shaper profiles, defaults to relative colorimetric." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:177 msgid "Absolute Colorimetric." msgstr "Absolútna kolorimetria" #: ../../general_concepts/colors/color_managed_workflow.rst:177 msgid "" "The opposite to Perceptual, Absolute colorimetric will attempt to retain all " "the correct colors at whatever cost, which may result in awful looking " "colors. Recommended only for reproduction work. Doesn't work with Matrix " "Shaper profiles in Krita due to ICC v4 workflow standards." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:180 msgid "Relative Colorimetric" msgstr "Relatívna kolometria" #: ../../general_concepts/colors/color_managed_workflow.rst:180 msgid "" "An in between solution between perceptual and absolute, relative will try to " "fit whatever colors it can match between color spaces. It does this by " "aligning the white and black points. It cuts off the rest to their " "respective borders. This is what all matrix shaper profiles default to " "during conversion, because the ICC v4 workflow specifies to only use " "Relative Colorimetric for matrix shaper profiles." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:183 msgid "Saturation" msgstr "Sýtosť" #: ../../general_concepts/colors/color_managed_workflow.rst:183 msgid "" "Does anything to retain colorfulness, even hue will be sacrificed. Used in " "infographics. Doesn't work with Matrix Shaper profiles, defaults to relative " "colorimetric." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:185 msgid "" "*ICC profile version* is the last thing to keep in mind when dealing with " "ICC profiles. Krita delivers both Version 2 and Version 4 profiles, with the " "later giving better results in doing color maths, but the former being more " "widely supported (as seen below in 'Interaction with other applications'). " "This is also why Krita defaults to V2, and we recommend using V2 when you " "aren't certain if the other programs you are using support V4." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:188 msgid "LUT docker and HDR imaging" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:196 msgid "" "The :ref:`lut_docker` is the second important bit of color management in " "Krita that is shared between Krita and programs like Blender, Natron and " "Nuke, and only uses Look Up Tables that are configured via a config file." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:198 msgid "" "You can set the workingspace of the image under input color space, and the " "display to sRGB or your own LUT if you have added it to the configuration. " "View in this case is for proofing transforms to a certain display device." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:200 msgid "" "Component, exposure, gamma, whitepoint and blackpoint are knobs which allows " "you to modify the display filter." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:208 msgid "" "As explained before, we can see our monitor as a telescope or binocular into " "the world of our picture. Which means it distorts our view of the image a " "little. But we can modify this binocular, or display filter to see our image " "in a different way. For example, to allow us to see the white in an image " "that are whiter than the white of our screen. To explain what that means, we " "need to think about what white is." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:210 msgid "" "For example, white, on our monitor is full red, full green and full blue. " "But it's certainly different from white on our paper, or the color of milk, " "white from the sun, or even the white of our cell-phone displays." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:212 msgid "" "Black similarly, is brighter on a LCD display than a LED one, and " "incomparable with the black of a carefully sealed room." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:214 msgid "" "This means that there's potentially blacker blacks than screen black, and " "white whites than screen white. However, for simplicity's sake we still " "assign the black-point and the white-point to certain values. From there, we " "can determine whether a white is whiter than the white point, or a black " "blacker than the black-point." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:216 msgid "" "The LUT docker allows us to control this display-filter and modify the " "distortion. This is useful when we start modifying images that are made with " "scene referred values, such as HDR photos, or images coming out of a render " "engine." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:224 msgid "" "So, for example, we can choose to scale whiter-than-screen-white to our " "screen-white so we can see the contrasts there." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:226 msgid "" "The point of this is that you can take advantage of more lightness detail in " "an image. While you can't see the difference between screen white and whiter-" "than-screen-white (because your screen can't show the difference), graphics " "programs can certainly use it." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:228 msgid "" "A common example is matching the lighting between a 3d model and a real " "world scene. Others are advanced photo retouching, with much more contrast " "information available to the user. In painting itself, this allows you to " "create an image where you can be flippant with the contrast, and allow " "yourself to go as bright as you'd like." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:230 msgid "" "LUT docker manipulations are per view, so you can create a new view and set " "it to luminosity. This way you can see the image in both color as well as " "grayscale and keep a good eye on your values." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:232 msgid "" "Another example is to carefully watch the gradients in a certain section." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:234 msgid "" "Like ICC, the LUT Docker allows you to create a profile of sorts for your " "device. In this case it's the 'lut', which stands for 'Look Up Table', and " "which can be added to OCIO by modifying the configuration file. When OCIO is " "turned on, the configuration in :menuselection:`Settings --> Configure Krita " "--> Color Management` is turned off, unless you are using the :guilabel:" "`Internal` color engine." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:237 msgid "In summary" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:239 #, fuzzy #| msgid "What is colour management?" msgid "Krita has two modes of color management:" msgstr "Čo je správa farieb?" #: ../../general_concepts/colors/color_managed_workflow.rst:241 msgid "" "ICC works in terms of spaces relative to the CIEXYZ space, and requires an " "ICC profile." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:242 msgid "OCIO works in terms of interpretation, and makes use of luts." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:243 msgid "both can be made with a colorimeter." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:244 msgid "" "If you want to have a properly color managed workflow, you have one made " "customary for the input device (your screen) and the output devices (your " "printer, or target screen). For web the output is always sRGB." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:245 msgid "" "Set up your screen profiles under :menuselection:`Settings --> Configure " "Krita --> Color management`." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:246 msgid "" "Do NOT use screen profiles or other device profiles to draw in. Use a " "working space profile such as any of the elle profiles for this, as the " "color maths will be much more predictable and pleasant. Krita will convert " "between your screen and working space on the fly, allowing you to pick the " "correct colors. This turns your screen into binoculars to view the image." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:247 msgid "" "Use the appropriate color management for the appropriate workflow. If you " "are working with Blender, you will be better off using OCIO, than ICC. If " "you are working with Scribus or Photoshop, use ICC." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:249 msgid "" "Krita does a lot of color maths, often concerning the blending of colors. " "This color maths works best in linear color space, and linear color space " "requires a bit depth of at the least 16bit to work correctly. The " "disadvantage is that linear space can be confusing to work in." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:251 msgid "" "If you like painting, have a decent amount of RAM, and are looking to start " "your baby-steps in taking advantage of Krita's color management, try " "upgrading from having all your images in sRGB built-in to sRGB-v2-elle-g10." "icc or rec2020-v2-elle-g10.icc at 16bit float. This'll give you better color " "blending while opening up the possibility for you to start working in hdr!" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:256 msgid "" "Some graphics cards, such as those of the NVidia-brand actually have the " "best performance under 16bit float, because NVidia cards convert to floating " "point internally. When it does not need to do that, it speeds up!" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:260 msgid "" "No amount of color management in the world can make the image on your screen " "and the image out of the printer have 100% the same color." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:263 msgid "Exporting" msgstr "Exportujem" #: ../../general_concepts/colors/color_managed_workflow.rst:265 msgid "" "When you have finished your image and are ready to export it, you can modify " "the color space to optimize it:" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:267 msgid "If you are preparing an image for the web:" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:269 msgid "" "If you use 16bit color depth or higher, convert the image to 8bit color " "depth. This will make the image much smaller." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:271 msgid "" "Krita doesn't have built-in dithering currently, which means that 16 to " "18bit conversions can come out a bit banded. But you can simulate it by " "adding a fill layer with a pattern, set this fill layer to overlay, and to " "5% opacity. Then flatten the whole image and convert it to 8bit. The pattern " "will function as dithering giving a smoother look to gradients." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:273 msgid "If it's a gray-scale image, convert it to gray-scale." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:274 msgid "" "If it's a color image, keep it in the working space profile: Many web " "browsers these days support color profiles embedded into images. Firefox, " "for example, will try to convert your image to fit the color profile of the " "other monitor (if they have one). That way, the image will look almost " "exactly the same on your screen and on other profiled monitors." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:279 msgid "" "In some versions of Firefox, the colors actually look strange: This is a bug " "in Firefox, which is because its `color management system is incomplete " "`_, save your png, jpg or tiff without an embedded profile to work " "around this." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:281 msgid "If you are preparing for print:" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:283 msgid "" "You hopefully made the picture in a working space profile instead of the " "actual custom profile of your screen, if not, convert it to something like " "adobe rgb, sRGB or rec2020." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:284 msgid "" "Check with the printer what kind of image they expect. Maybe they expect " "sRGB color space, or perhaps they have their own profile." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:287 msgid "Interaction with other applications" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:290 msgid "Blender" msgstr "Blender" #: ../../general_concepts/colors/color_managed_workflow.rst:292 msgid "" "If you wish to use krita's OCIO functionality, and in particular in " "combination with Blender's color management, you can try to have it use " "Blender's OCIO config." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:294 msgid "" "Blender's OCIO config is under ``/version number/datafiles/" "colormanagement``. Set the LUT docker to use the OCIO engine, and select the " "config from the above path. This will give you blender's input and screen " "spaces, but not the looks, as those aren't supported in Krita yet." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:298 msgid "Windows Photo Viewer" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:300 msgid "" "You might encounter some issues when using different applications together. " "One important thing to note is that the standard Windows Photo Viewer " "application does not handle modern ICC profiles. Krita uses version 4 " "profiles; Photo Viewer can only handle version 2 profiles. If you export to " "JPEG with an embedded profile, Photo Viewer will display your image much too " "dark." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:303 msgid "Example workflows" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:305 msgid "" "Here are some example workflows to get a feeling of how your color " "management workflow may look like." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:307 msgid "" "As mentioned before, input for your screen is set via :menuselection:" "`Settings --> Configure Krita --> Color management`, or via the LUT docker's " "'screen space'. Working space is set via new file per document, or in the " "LUT docker via 'input space'." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:310 msgid "Webcomic" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:317 #: ../../general_concepts/colors/color_managed_workflow.rst:339 #: ../../general_concepts/colors/color_managed_workflow.rst:357 msgid "Input" msgstr "Vstup" #: ../../general_concepts/colors/color_managed_workflow.rst:318 #: ../../general_concepts/colors/color_managed_workflow.rst:340 #: ../../general_concepts/colors/color_managed_workflow.rst:358 msgid "Your screen profile. (You pick colors via your screen)" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:319 #: ../../general_concepts/colors/color_managed_workflow.rst:341 #: ../../general_concepts/colors/color_managed_workflow.rst:359 msgid "Workingspace" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:320 msgid "" "sRGB (the default screen profile) or any larger profile if you can spare the " "bit depth and like working in them." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:322 #: ../../general_concepts/colors/color_managed_workflow.rst:344 #: ../../general_concepts/colors/color_managed_workflow.rst:362 msgid "Output" msgstr "Výstup" #: ../../general_concepts/colors/color_managed_workflow.rst:322 msgid "" "sRGB, ICC version 2, sRGB TRC for the internet, and a specialized CMYK " "profile from the printing house for the printed images." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:324 msgid "" "Use the sRGB-elle-V2-srgbtrc.icc for going between Inkscape, Photoshop, " "Painttool Sai, Illustrator, GIMP, Manga Studio, Paintstorm Studio, MyPaint, " "Artrage, Scribus, etc. and Krita." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:326 msgid "" "If you are using a larger space via ICC, you will only be able to " "interchange it between Krita, Photoshop, Illustrator, GIMP 2.9, Manga Studio " "and Scribus. All others assume sRGB for your space, no matter what, because " "they don't have color management." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:328 msgid "" "If you are going between Krita and Blender, Nuke or Natron, use OCIO and set " "the input space to 'sRGB', but make sure to select the sRGB profile for ICC " "when creating a new file." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:330 msgid "" "For the final for the web, convert the image to sRGB 8bit, srgbtrc, do not " "embed the ICC profile. Then, if using png, put it through something like " "pngcrush or other png optimizers. sRGB in this case is chosen because you " "can assume the vast majority of your audience hasn't profiled their screen, " "nor do they have screens that are advanced enough for the wide gamut stuff. " "So hence why we convert to the screen default for the internet, sRGB." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:333 msgid "Print" msgstr "Tlačiť" #: ../../general_concepts/colors/color_managed_workflow.rst:342 msgid "sRGB or rec2020 if you can afford the bit-depth being 16bit." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:344 msgid "" "Specialized CMYK profile from the printing house for the printed images." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:346 msgid "" "The CMYK profiles are different per printer, and even per paper or ink-type " "so don't be presumptuous and ask ahead for them, instead of doing something " "like trying to paint in any random CMYK profile. As mentioned in the viewing " "conditions section, you want to keep your options open." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:348 msgid "" "You can set the advanced color selector to transform to a given profile via :" "menuselection:`Settings --> Configure Krita --> Color Selector Settings`. " "There, tick :guilabel:`Color Selector Uses Different Color Space than Image` " "and select the CMYK profile you are aiming for. This will limit your colors " "a little bit, but keep all the nice filter and blending options from RGB." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:351 msgid "Games" msgstr "Hry" #: ../../general_concepts/colors/color_managed_workflow.rst:360 msgid "sRGB or grayscale linear for roughness and specular maps." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:362 msgid "" "This one is tricky, but in the end it'll be sRGB for the regular player." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:364 msgid "" "So this one is tricky. You can use OCIO and ICC between programs, but " "recommended is to have your images to the engine in sRGB or grayscale. Many " "physically based renderers these days allow you to set whether an image " "should be read as a linear or srgbtrc image, and this is even vital to have " "the images being considered properly in the physically based calculations of " "the game renderer." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:366 msgid "" "While game engines need to have optimized content, and it's recommended to " "stay within 8bit, future screens may have higher bit depths, and when " "renderers will start supporting those, it may be beneficial to develop a " "workflow where the working-space files are rather unnecessarily big and you " "run some scripts to optimize them for your current render needs, making " "updating the game in the future for fancier screens less of a drag." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:368 msgid "" "Normal maps and heightmaps are officially supposed to be defined with a 'non-" "color data' working space, but you'll find that most engines will not care " "much for this. Instead, tell the game engine not to do any conversion on the " "file when importing." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:370 msgid "" "Specular, glossiness, metalness and roughness maps are all based on linear " "calculations, and when you find that certain material has a metalness of " "0.3, this is 30% gray in a linear space. Therefore, make sure to tell the " "game engine renderer that this is a linear space image (or at the very " "least, should NOT be converted)." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:374 msgid "" "`Visualizing the XYZ color space `_" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:375 msgid "" "`Basics of gamma correction `_" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:376 msgid "" "`Panda3d example of how an image that has gamma encoded without the 3d " "renderer being notified of it having gamma-encoding can result in too dark " "images `_" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:377 msgid "" "`2d examples of the effect of gamma-encoding on color maths `_" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:378 msgid "" "`Basic overview of color management from argylcms manual `_" msgstr "" diff --git a/locale/sk/LC_MESSAGES/tutorials/flat-coloring.po b/locale/sk/LC_MESSAGES/tutorials/flat-coloring.po index 6f1f8fcfe..334320dbc 100644 --- a/locale/sk/LC_MESSAGES/tutorials/flat-coloring.po +++ b/locale/sk/LC_MESSAGES/tutorials/flat-coloring.po @@ -1,859 +1,859 @@ # translation of docs_krita_org_tutorials___flat-coloring.po to Slovak # Roman Paholik , 2019. msgid "" msgstr "" "Project-Id-Version: docs_krita_org_tutorials___flat-coloring\n" "Report-Msgid-Bugs-To: \n" -"POT-Creation-Date: 2019-06-23 03:14+0200\n" +"POT-Creation-Date: 2019-06-23 13:49+0200\n" "PO-Revision-Date: 2019-03-22 09:23+0100\n" "Last-Translator: Roman Paholik \n" "Language-Team: Slovak \n" "Language: sk\n" "MIME-Version: 1.0\n" "Content-Type: text/plain; charset=UTF-8\n" "Content-Transfer-Encoding: 8bit\n" "X-Generator: Lokalize 2.0\n" "Plural-Forms: nplurals=3; plural=(n==1) ? 0 : (n>=2 && n<=4) ? 1 : 2;\n" #: ../../:2 msgid "" ".. image:: images/icons/Krita_mouse_left.png\n" " :alt: mouseleft" msgstr "" ".. image:: images/icons/Krita_mouse_left.png\n" " :alt: mouseleft" #: ../../:4 msgid "" ".. image:: images/icons/Krita_mouse_right.png\n" " :alt: mouseright" msgstr "" ".. image:: images/icons/Krita_mouse_right.png\n" " :alt: mouseright" -#: ../../tutorials/flat-coloring.rst:0 -#, fuzzy -#| msgid "" -#| ".. image:: images/en/flat-coloring/Krita_filling_lineart_color_to_alpha." -#| "png" -msgid ".. image:: images/flat-coloring/Krita_filling_lineart_selection_1.png" -msgstr "" -".. image:: images/en/flat-coloring/Krita_filling_lineart_color_to_alpha.png" - -#: ../../tutorials/flat-coloring.rst:0 -#, fuzzy -#| msgid "" -#| ".. image:: images/en/flat-coloring/Krita_filling_lineart_color_to_alpha." -#| "png" -msgid ".. image:: images/flat-coloring/Krita_filling_lineart_selection_2.png" -msgstr "" -".. image:: images/en/flat-coloring/Krita_filling_lineart_color_to_alpha.png" - -#: ../../tutorials/flat-coloring.rst:0 -#, fuzzy -#| msgid "" -#| ".. image:: images/en/flat-coloring/Krita_filling_lineart_color_to_alpha." -#| "png" -msgid ".. image:: images/flat-coloring/Krita_filling_lineart_mask_1.png" -msgstr "" -".. image:: images/en/flat-coloring/Krita_filling_lineart_color_to_alpha.png" - -#: ../../tutorials/flat-coloring.rst:0 -#, fuzzy -#| msgid "" -#| ".. image:: images/en/flat-coloring/Krita_filling_lineart_color_to_alpha." -#| "png" -msgid ".. image:: images/flat-coloring/Krita_filling_lineart_mask_2.png" -msgstr "" -".. image:: images/en/flat-coloring/Krita_filling_lineart_color_to_alpha.png" - -#: ../../tutorials/flat-coloring.rst:0 -#, fuzzy -#| msgid "" -#| ".. image:: images/en/flat-coloring/Krita_filling_lineart_color_to_alpha." -#| "png" -msgid ".. image:: images/flat-coloring/Krita_filling_lineart_mask_3.png" -msgstr "" -".. image:: images/en/flat-coloring/Krita_filling_lineart_color_to_alpha.png" - #: ../../tutorials/flat-coloring.rst:None #, fuzzy #| msgid "" #| ".. image:: images/en/flat-coloring/Krita_filling_lineart_color_to_alpha." #| "png" msgid "" ".. image:: images/flat-coloring/Krita_filling_lineart14.png\n" " :alt: layer structure for flatting in krita" msgstr "" ".. image:: images/en/flat-coloring/Krita_filling_lineart_color_to_alpha.png" #: ../../tutorials/flat-coloring.rst:None #, fuzzy #| msgid "" #| ".. image:: images/en/flat-coloring/Krita_filling_lineart_color_to_alpha." #| "png" msgid "" ".. image:: images/flat-coloring/Krita_filling_lineart1.png\n" " :alt: blend mode setup of line art flat coloring" msgstr "" ".. image:: images/en/flat-coloring/Krita_filling_lineart_color_to_alpha.png" #: ../../tutorials/flat-coloring.rst:None #, fuzzy #| msgid "" #| ".. image:: images/en/flat-coloring/Krita_filling_lineart_color_to_alpha." #| "png" msgid "" ".. image:: images/flat-coloring/Krita_filling_lineart2.png\n" " :alt: effects of multiply blend mode" msgstr "" ".. image:: images/en/flat-coloring/Krita_filling_lineart_color_to_alpha.png" #: ../../tutorials/flat-coloring.rst:None msgid "" ".. image:: images/icons/fill_tool.svg\n" " :alt: fill-tool icon" msgstr "" #: ../../tutorials/flat-coloring.rst:None #, fuzzy #| msgid "" #| ".. image:: images/en/flat-coloring/Krita_filling_lineart_color_to_alpha." #| "png" msgid "" ".. image:: images/flat-coloring/Krita_filling_lineart7.png\n" " :alt: colors filled with fill tool" msgstr "" ".. image:: images/en/flat-coloring/Krita_filling_lineart_color_to_alpha.png" #: ../../tutorials/flat-coloring.rst:None #, fuzzy #| msgid "" #| ".. image:: images/en/flat-coloring/Krita_filling_lineart_color_to_alpha." #| "png" msgid "" ".. image:: images/flat-coloring/Krita_filling_lineart15.png\n" " :alt: selecting with selection tools for filling color" msgstr "" ".. image:: images/en/flat-coloring/Krita_filling_lineart_color_to_alpha.png" #: ../../tutorials/flat-coloring.rst:None #, fuzzy #| msgid "" #| ".. image:: images/en/flat-coloring/Krita_filling_lineart_color_to_alpha." #| "png" msgid "" ".. image:: images/flat-coloring/Krita_filling_lineart16.png\n" " :alt: selection mask in Krita" msgstr "" ".. image:: images/en/flat-coloring/Krita_filling_lineart_color_to_alpha.png" #: ../../tutorials/flat-coloring.rst:None #, fuzzy #| msgid "" #| ".. image:: images/en/flat-coloring/Krita_filling_lineart_color_to_alpha." #| "png" msgid "" ".. image:: images/flat-coloring/Krita_filling_lineart17.png\n" " :alt: filling color in selection" msgstr "" ".. image:: images/en/flat-coloring/Krita_filling_lineart_color_to_alpha.png" #: ../../tutorials/flat-coloring.rst:None #, fuzzy #| msgid "" #| ".. image:: images/en/flat-coloring/Krita_filling_lineart_color_to_alpha." #| "png" msgid "" ".. image:: images/flat-coloring/Krita_filling_lineart18.png\n" " :alt: result of coloring made with the help of selection tools" msgstr "" ".. image:: images/en/flat-coloring/Krita_filling_lineart_color_to_alpha.png" #: ../../tutorials/flat-coloring.rst:None #, fuzzy #| msgid "" #| ".. image:: images/en/flat-coloring/Krita_filling_lineart_color_to_alpha." #| "png" msgid "" ".. image:: images/flat-coloring/Krita_filling_lineart8.png\n" " :alt: filling color in line art using path tool" msgstr "" ".. image:: images/en/flat-coloring/Krita_filling_lineart_color_to_alpha.png" #: ../../tutorials/flat-coloring.rst:None #, fuzzy #| msgid "" #| ".. image:: images/en/flat-coloring/Krita_filling_lineart_color_to_alpha." #| "png" msgid "" ".. image:: images/flat-coloring/Krita_filling_lineart9.png\n" " :alt: erasing with path tool" msgstr "" ".. image:: images/en/flat-coloring/Krita_filling_lineart_color_to_alpha.png" #: ../../tutorials/flat-coloring.rst:None #, fuzzy #| msgid "" #| ".. image:: images/en/flat-coloring/Krita_filling_lineart_color_to_alpha." #| "png" msgid "" ".. image:: images/flat-coloring/Krita_filling_lineart10.png\n" " :alt: coloring with colorize mask" msgstr "" ".. image:: images/en/flat-coloring/Krita_filling_lineart_color_to_alpha.png" #: ../../tutorials/flat-coloring.rst:None #, fuzzy #| msgid "" #| ".. image:: images/en/flat-coloring/Krita_filling_lineart_color_to_alpha." #| "png" msgid "" ".. image:: images/flat-coloring/Krita_filling_lineart11.png\n" " :alt: result from the colorize mask" msgstr "" ".. image:: images/en/flat-coloring/Krita_filling_lineart_color_to_alpha.png" #: ../../tutorials/flat-coloring.rst:None #, fuzzy #| msgid "" #| ".. image:: images/en/flat-coloring/Krita_filling_lineart_color_to_alpha." #| "png" msgid "" ".. image:: images/flat-coloring/Krita_filling_lineart12.png\n" " :alt: slitting colors into islands" msgstr "" ".. image:: images/en/flat-coloring/Krita_filling_lineart_color_to_alpha.png" #: ../../tutorials/flat-coloring.rst:None #, fuzzy #| msgid "" #| ".. image:: images/en/flat-coloring/Krita_filling_lineart_color_to_alpha." #| "png" msgid "" ".. image:: images/flat-coloring/Krita_filling_lineart13.png\n" " :alt: resulting color islands from split layers" msgstr "" ".. image:: images/en/flat-coloring/Krita_filling_lineart_color_to_alpha.png" +#: ../../tutorials/flat-coloring.rst:0 +#, fuzzy +#| msgid "" +#| ".. image:: images/en/flat-coloring/Krita_filling_lineart_color_to_alpha." +#| "png" +msgid ".. image:: images/flat-coloring/Krita_filling_lineart_selection_1.png" +msgstr "" +".. image:: images/en/flat-coloring/Krita_filling_lineart_color_to_alpha.png" + +#: ../../tutorials/flat-coloring.rst:0 +#, fuzzy +#| msgid "" +#| ".. image:: images/en/flat-coloring/Krita_filling_lineart_color_to_alpha." +#| "png" +msgid ".. image:: images/flat-coloring/Krita_filling_lineart_selection_2.png" +msgstr "" +".. image:: images/en/flat-coloring/Krita_filling_lineart_color_to_alpha.png" + +#: ../../tutorials/flat-coloring.rst:0 +#, fuzzy +#| msgid "" +#| ".. image:: images/en/flat-coloring/Krita_filling_lineart_color_to_alpha." +#| "png" +msgid ".. image:: images/flat-coloring/Krita_filling_lineart_mask_1.png" +msgstr "" +".. image:: images/en/flat-coloring/Krita_filling_lineart_color_to_alpha.png" + +#: ../../tutorials/flat-coloring.rst:0 +#, fuzzy +#| msgid "" +#| ".. image:: images/en/flat-coloring/Krita_filling_lineart_color_to_alpha." +#| "png" +msgid ".. image:: images/flat-coloring/Krita_filling_lineart_mask_2.png" +msgstr "" +".. image:: images/en/flat-coloring/Krita_filling_lineart_color_to_alpha.png" + +#: ../../tutorials/flat-coloring.rst:0 +#, fuzzy +#| msgid "" +#| ".. image:: images/en/flat-coloring/Krita_filling_lineart_color_to_alpha." +#| "png" +msgid ".. image:: images/flat-coloring/Krita_filling_lineart_mask_3.png" +msgstr "" +".. image:: images/en/flat-coloring/Krita_filling_lineart_color_to_alpha.png" + #: ../../tutorials/flat-coloring.rst:1 msgid "Common workflows used in Krita" msgstr "" #: ../../tutorials/flat-coloring.rst:13 msgid "Flat Coloring" msgstr "" #: ../../tutorials/flat-coloring.rst:15 msgid "" "So you've got a cool black on white drawing, and now you want to color it! " "The thing we’ll aim for in this tutorial is to get your line art colored in " "with flat colors. So no shading just yet. We’ll be going through some " "techniques for preparing the line art, and we’ll be using the layer docker " "to put each color on a separate layer, so we can easily access each color " "when we add shading." msgstr "" #: ../../tutorials/flat-coloring.rst:17 msgid "" "This tutorial is adapted from this `tutorial `_ by " "the original author." msgstr "" #: ../../tutorials/flat-coloring.rst:20 msgid "Understanding Layers" msgstr "" #: ../../tutorials/flat-coloring.rst:22 msgid "" "To fill line art comfortably, it's best to take advantage of the layerstack. " "The layer stack is pretty awesome, and it's one of those features that make " "digital art super-convenient." msgstr "" #: ../../tutorials/flat-coloring.rst:24 msgid "" "In traditional art, it is not uncommon to first draw the full background " "before drawing the subject. Or to first draw a line art and then color it " "in. Computers have a similar way of working." msgstr "" #: ../../tutorials/flat-coloring.rst:26 msgid "" "In programming, if you tell a computer to draw a red circle, and then " "afterwards tell it to draw a smaller yellow circle, you will see the small " "yellow circle overlap the red circle. Switch the commands around, and you " "will not see the yellow circle at all: it was drawn before the red circle " "and thus ‘behind’ it." msgstr "" #: ../../tutorials/flat-coloring.rst:28 msgid "" "This is referred to as the “drawing order”. So like the traditional artist, " "the computer will first draw the images that are behind everything, and " "layer the subject and foreground on top of it. The layer docker is a way for " "you to control the drawing order of multiple images, so for example, you can " "have your line art drawn later than your colors, meaning that the lines will " "be drawn over the colors, making it easier to make it neat!" msgstr "" #: ../../tutorials/flat-coloring.rst:30 msgid "" "Other things that a layer stack can do are blending the colors of different " "layers differently with blending modes, using a filter in the layer stack, " "or using a mask that allows you to make parts transparent." msgstr "" #: ../../tutorials/flat-coloring.rst:32 msgid "" "Programmers talk about transparency as ''Alpha'', which is because the 'a' " "symbol is used to present transparency in the algorithms for painting one " "color on top of another. Usually when you see the word ''Alpha'' in a " "graphics program, just think of it as affecting the transparency." msgstr "" #: ../../tutorials/flat-coloring.rst:35 msgid "Preparing your line art" msgstr "" #: ../../tutorials/flat-coloring.rst:37 msgid "" "Put the new layer underneath the layer containing the line art (drag and " "drop or use the up/down arrows for that), and draw on it." msgstr "" #: ../../tutorials/flat-coloring.rst:42 msgid "" "…And notice nothing happening. This is because the white isn’t transparent. " "You wouldn’t really want it to either, how else would you make convincing " "highlights? So what we first need to do to color in our drawing is prepare " "our line art. There’s several methods of doing so, each with varying " "qualities." msgstr "" #: ../../tutorials/flat-coloring.rst:45 msgid "The Multiply Blending Mode" msgstr "" #: ../../tutorials/flat-coloring.rst:47 msgid "" "So, typically, to get a black and white line art usable for coloring, you " "can set the blending mode of the line art layer to Multiply. You do this by " "selecting the layer and going to the drop-down that says **Normal** and " "setting that to **Multiply**." msgstr "" #: ../../tutorials/flat-coloring.rst:52 msgid "And then you should be able to see your colors!" msgstr "" #: ../../tutorials/flat-coloring.rst:54 msgid "" "Multiply is not a perfect solution however. For example, if through some " "image editing magic I make the line art blue, it results into this:" msgstr "" #: ../../tutorials/flat-coloring.rst:59 msgid "" "This is because multiply literally multiplies the colors. So it uses maths!" msgstr "" #: ../../tutorials/flat-coloring.rst:61 msgid "" "What it first does is take the values of the RGB channels, then divides them " "by the max (because we're in 8bit, this is 255), a process we call " "normalising. Then it multiplies the normalized values. Finally, it takes the " "result and multiplies it with 255 again to get the result values." msgstr "" #: ../../tutorials/flat-coloring.rst:67 msgid "Pink" msgstr "Ružová" #: ../../tutorials/flat-coloring.rst:68 msgid "Pink (normalized)" msgstr "" #: ../../tutorials/flat-coloring.rst:69 ../../tutorials/flat-coloring.rst:87 msgid "Blue" msgstr "Modrá" #: ../../tutorials/flat-coloring.rst:70 msgid "Blue (normalized)" msgstr "" #: ../../tutorials/flat-coloring.rst:71 msgid "Normalized, multiplied" msgstr "" #: ../../tutorials/flat-coloring.rst:72 msgid "Result" msgstr "Výsledok" #: ../../tutorials/flat-coloring.rst:73 msgid "Red" msgstr "Červená" #: ../../tutorials/flat-coloring.rst:74 msgid "222" msgstr "222" #: ../../tutorials/flat-coloring.rst:75 msgid "0.8705" msgstr "0.8705" #: ../../tutorials/flat-coloring.rst:76 msgid "92" msgstr "92" #: ../../tutorials/flat-coloring.rst:77 msgid "0.3607" msgstr "0.3607" #: ../../tutorials/flat-coloring.rst:78 msgid "0.3139" msgstr "0.3139" #: ../../tutorials/flat-coloring.rst:79 msgid "80" msgstr "80" #: ../../tutorials/flat-coloring.rst:80 msgid "Green" msgstr "Zelená" #: ../../tutorials/flat-coloring.rst:81 msgid "144" msgstr "144" #: ../../tutorials/flat-coloring.rst:82 msgid "0.5647" msgstr "0.5647" #: ../../tutorials/flat-coloring.rst:83 msgid "176" msgstr "176" #: ../../tutorials/flat-coloring.rst:84 msgid "0.6902" msgstr "0.6902" #: ../../tutorials/flat-coloring.rst:85 msgid "0.3897" msgstr "0.3897" #: ../../tutorials/flat-coloring.rst:86 msgid "99" msgstr "99" #: ../../tutorials/flat-coloring.rst:88 msgid "123" msgstr "123" #: ../../tutorials/flat-coloring.rst:89 msgid "0.4823" msgstr "0.4823" #: ../../tutorials/flat-coloring.rst:90 msgid "215" msgstr "215" #: ../../tutorials/flat-coloring.rst:91 msgid "0.8431" msgstr "0.8431" #: ../../tutorials/flat-coloring.rst:92 msgid "0.4066" msgstr "0.4066" #: ../../tutorials/flat-coloring.rst:93 msgid "103" msgstr "103" #: ../../tutorials/flat-coloring.rst:95 msgid "" "This isn't completely undesirable, and a lot of artists use this effect to " "add a little richness to their colors." msgstr "" #: ../../tutorials/flat-coloring.rst:98 ../../tutorials/flat-coloring.rst:127 #: ../../tutorials/flat-coloring.rst:154 ../../tutorials/flat-coloring.rst:173 #: ../../tutorials/flat-coloring.rst:210 ../../tutorials/flat-coloring.rst:247 #: ../../tutorials/flat-coloring.rst:275 ../../tutorials/flat-coloring.rst:317 msgid "Advantages" msgstr "" #: ../../tutorials/flat-coloring.rst:100 msgid "" "Easy, can work to your benefit even with colored lines by softening the look " "of the lines while keeping nice contrast." msgstr "" #: ../../tutorials/flat-coloring.rst:103 ../../tutorials/flat-coloring.rst:132 #: ../../tutorials/flat-coloring.rst:159 ../../tutorials/flat-coloring.rst:178 #: ../../tutorials/flat-coloring.rst:215 ../../tutorials/flat-coloring.rst:252 #: ../../tutorials/flat-coloring.rst:280 ../../tutorials/flat-coloring.rst:322 msgid "Disadvantages" msgstr "" #: ../../tutorials/flat-coloring.rst:105 msgid "Not actually transparent. Is a little funny with colored lines." msgstr "" #: ../../tutorials/flat-coloring.rst:108 msgid "Using Selections" msgstr "" #: ../../tutorials/flat-coloring.rst:110 msgid "" "The second method is one where we'll make it actually transparent. In other " "programs this would be done via the channel docker, but Krita doesn't do " "custom channels, instead it uses Selection Masks to store custom selections." msgstr "" #: ../../tutorials/flat-coloring.rst:112 msgid "Duplicate your line art layer." msgstr "" #: ../../tutorials/flat-coloring.rst:114 msgid "" "Convert the duplicate to a selection mask. |mouseright| the layer, then :" "menuselection:`Convert --> to Selection Mask`." msgstr "" #: ../../tutorials/flat-coloring.rst:118 msgid "" "Invert the selection mask. :menuselection:`Select --> Invert Selection`." msgstr "" #: ../../tutorials/flat-coloring.rst:120 msgid "" "Make a new layer, and do :menuselection:`Edit --> Fill with Foreground " "Color`." msgstr "" #: ../../tutorials/flat-coloring.rst:124 msgid "And you should now have the line art on a separate layer." msgstr "" #: ../../tutorials/flat-coloring.rst:129 msgid "Actual transparency." msgstr "" #: ../../tutorials/flat-coloring.rst:134 msgid "Doesn't work when the line art is colored." msgstr "" #: ../../tutorials/flat-coloring.rst:137 msgid "Using Masks" msgstr "" #: ../../tutorials/flat-coloring.rst:139 msgid "This is a simpler variation of the above." msgstr "" #: ../../tutorials/flat-coloring.rst:141 msgid "Make a filled layer underneath the line art layer." msgstr "" #: ../../tutorials/flat-coloring.rst:145 msgid "" "Convert the line art layer to a transparency mask |mouseright| the layer, " "then :menuselection:`Convert --> to Transparency Mask`." msgstr "" #: ../../tutorials/flat-coloring.rst:149 msgid "" "Invert the transparency mask by going to :menuselection:`Filter --> Adjust --" "> Invert`" msgstr "" #: ../../tutorials/flat-coloring.rst:156 msgid "" "Actual transparency. You can also very easily doodle a pattern on the filled " "layer where the mask is on without affecting the transparency." msgstr "" #: ../../tutorials/flat-coloring.rst:161 msgid "" "Doesn't work when the line art is colored already. We can still get faster." msgstr "" #: ../../tutorials/flat-coloring.rst:164 msgid "Using Color to Alpha" msgstr "" #: ../../tutorials/flat-coloring.rst:166 msgid "By far the fastest way to get transparent line art." msgstr "" #: ../../tutorials/flat-coloring.rst:168 msgid "" "Select the line art layer and apply the color to alpha filter. :" "menuselection:`Filter --> Colors --> Color to Alpha`. The default values " "should be sufficient for line art." msgstr "" #: ../../tutorials/flat-coloring.rst:171 #, fuzzy #| msgid "" #| ".. image:: images/en/flat-coloring/Krita_filling_lineart_color_to_alpha." #| "png" msgid "" ".. image:: images/flat-coloring/Krita_filling_lineart_color_to_alpha.png" msgstr "" ".. image:: images/en/flat-coloring/Krita_filling_lineart_color_to_alpha.png" #: ../../tutorials/flat-coloring.rst:175 msgid "" "Actual transparency. Works with colored line art as well, because it removes " "the white specifically." msgstr "" #: ../../tutorials/flat-coloring.rst:180 msgid "" "You'll have to lock the layer transparency or separate out the alpha via the " "right-click menu if you want to easily color it." msgstr "" #: ../../tutorials/flat-coloring.rst:184 msgid "Coloring the image" msgstr "" #: ../../tutorials/flat-coloring.rst:186 msgid "" "Much like preparing the line art, there are many different ways of coloring " "a layer." msgstr "" #: ../../tutorials/flat-coloring.rst:188 msgid "" "You could for example fill in everything by hand, but while that is very " "precise it also takes a lot of work. Let's take a look at the other options, " "shall we?" msgstr "" #: ../../tutorials/flat-coloring.rst:191 msgid "Fill Tool" msgstr "Nástroj výplne" #: ../../tutorials/flat-coloring.rst:196 msgid "" "In most cases the fill-tool can’t deal with the anti-aliasing (the soft edge " "in your line art to make it more smooth when zoomed out) In Krita you have " "the grow-shrink option. Setting that to say… 2 expands the color two pixels." msgstr "" #: ../../tutorials/flat-coloring.rst:198 msgid "" "Threshold decides when the fill-tool should consider a different color pixel " "to be a border. And the feathering adds an extra soft border to the fill." msgstr "" #: ../../tutorials/flat-coloring.rst:200 msgid "" "Now, if you click on a gapless-part of the image with your preferred color… " "(Remember to set the opacity to 1.0!)" msgstr "" #: ../../tutorials/flat-coloring.rst:202 msgid "" "Depending on your line art, you can do flats pretty quickly. But setting the " "threshold low can result in little artifacts around where lines meet:" msgstr "" #: ../../tutorials/flat-coloring.rst:207 msgid "" "However, setting the threshold high can end with the fill not recognizing " "some of the lighter lines. Besides these little artifacts can be removed " "with the brush easily." msgstr "" #: ../../tutorials/flat-coloring.rst:212 msgid "Pretty darn quick depending on the available settings." msgstr "" #: ../../tutorials/flat-coloring.rst:217 msgid "" "Again, not great with gaps or details. And it works best with aliased line " "art." msgstr "" #: ../../tutorials/flat-coloring.rst:220 msgid "Selections" msgstr "Výbery" #: ../../tutorials/flat-coloring.rst:222 msgid "Selections work using the selection tools." msgstr "" #: ../../tutorials/flat-coloring.rst:227 msgid "" "For example with the :ref:`bezier_curve_selection_tool` you can easily " "select a curved area, and the with :kbd:`Shift` + |mouseleft| (not |" "mouseleft| + :kbd:`Shift`, there's a difference!) you can easily add to an " "existing selection." msgstr "" #: ../../tutorials/flat-coloring.rst:232 msgid "" "You can also edit the selection if you have :menuselection:`Select --> Show " "Global Selection Mask` turned on. Then you can select the global selection " "mask, and paint on it. (Above with the alternative selection mode, activated " "in the lower-left corner of the stats bar)" msgstr "" #: ../../tutorials/flat-coloring.rst:234 msgid "" "When done, select the color you want to fill it with and press :kbd:`Shift` " "+ `backspace`." msgstr "" #: ../../tutorials/flat-coloring.rst:239 msgid "" "You can save selections in selection masks by |mouseright| a layer, and then " "going to :menuselection:`Add --> Local Selection`. You first need to " "deactivate a selection by pressing the circle before adding a new selection." msgstr "" #: ../../tutorials/flat-coloring.rst:241 msgid "" "This can serve as an alternative way to split out different parts of the " "image, which is good for more painterly pieces:" msgstr "" #: ../../tutorials/flat-coloring.rst:249 msgid "A bit more precise than filling." msgstr "" #: ../../tutorials/flat-coloring.rst:254 msgid "Previewing your color isn't as easy." msgstr "" #: ../../tutorials/flat-coloring.rst:257 msgid "Geometric tools" msgstr "" #: ../../tutorials/flat-coloring.rst:259 msgid "" "So you have a tool for making rectangles or circles. And in the case of " "Krita, a tool for bezier curves. Select the path tool (|path tool|), and set " "the tool options to fill=foreground and outline=none. Make sure that your " "opacity is set to 1.00 (fully opaque)." msgstr "" #: ../../tutorials/flat-coloring.rst:262 msgid "" ".. image:: images/icons/bezier_curve.svg\n" " :alt: path tool" msgstr "" #: ../../tutorials/flat-coloring.rst:264 msgid "" "By clicking and holding, you can influence how curvy a line draw with the " "path tool is going to be. Letting go of the mouse button confirms the " "action, and then you’re free to draw the next point." msgstr "" #: ../../tutorials/flat-coloring.rst:269 msgid "" "You can also erase with a geometric tool. Just press :kbd:`E` or the eraser " "button." msgstr "" #: ../../tutorials/flat-coloring.rst:277 msgid "" "Quicker than using the brush or selections. Also decent with line art that " "contains gaps." msgstr "" #: ../../tutorials/flat-coloring.rst:282 msgid "" "Fiddly details aren’t easy to fill in with this. So I recommend skipping " "those and filling them in later with a brush." msgstr "" #: ../../tutorials/flat-coloring.rst:285 msgid "Colorize Mask" msgstr "Maska zafarbenia" #: ../../tutorials/flat-coloring.rst:287 msgid "" "So, this is a bit of an odd one. In the original tutorial, you'll see I'm " "suggesting using G'Mic, but that was a few years ago, and G'Mic is a little " "unstable on windows. Therefore, the Krita developers have been attempting to " "make an internal tool doing the same." msgstr "" #: ../../tutorials/flat-coloring.rst:289 msgid "" "It is disabled in 3.1, but if you use 4.0 or later, it is in the toolbox. " "Check the Colorize Mask for more information." msgstr "" #: ../../tutorials/flat-coloring.rst:291 msgid "So it works like this:" msgstr "" #: ../../tutorials/flat-coloring.rst:293 msgid "Select the colorize mask tool." msgstr "" #: ../../tutorials/flat-coloring.rst:294 msgid "Tick the layer you're using." msgstr "" #: ../../tutorials/flat-coloring.rst:295 msgid "Paint the colors you want to use on the colorize mask" msgstr "" #: ../../tutorials/flat-coloring.rst:296 msgid "Click update to see the results:" msgstr "" #: ../../tutorials/flat-coloring.rst:301 msgid "" "When you are satisfied, |mouseright| the colorize mask, and go to :" "menuselection:`Convert --> Paint Layer`. This will turn the colorize mask to " "a generic paint layer. Then, you can fix the last issues by making the line " "art semi-transparent and painting the flaws away with a pixel art brush." msgstr "" #: ../../tutorials/flat-coloring.rst:306 msgid "" "Then, when you are done, split the layers via :menuselection:`Layer --> " "Split --> Split Layer`. There are a few options you can choose, but the " "following should be fine:" msgstr "" #: ../../tutorials/flat-coloring.rst:311 msgid "" "Finally, press **Ok** and you should get the following. Each color patch it " "on a different layer, named by the palette in the menu and alpha locked, so " "you can start painting right away!" msgstr "" #: ../../tutorials/flat-coloring.rst:319 msgid "" "Works with anti-aliased line art. Really quick to get the base work done. " "Can auto-close gaps." msgstr "" #: ../../tutorials/flat-coloring.rst:324 msgid "" "No anti-aliasing of its own. You have to choose between getting details " "right or the gaps auto-closed." msgstr "" #: ../../tutorials/flat-coloring.rst:327 msgid "Conclusion" msgstr "Záver" #: ../../tutorials/flat-coloring.rst:329 msgid "" "I hope this has given you a good idea of how to fill in flats using the " "various techniques, as well as getting a hand of different Krita features. " "Remember that a good flat filled line art is better than a badly shaded one, " "so keep practicing to get the best out of these techniques!" msgstr "" diff --git a/locale/sv/LC_MESSAGES/reference_manual/blending_modes/darken.po b/locale/sv/LC_MESSAGES/reference_manual/blending_modes/darken.po index 4b3854c33..dcef178b3 100644 --- a/locale/sv/LC_MESSAGES/reference_manual/blending_modes/darken.po +++ b/locale/sv/LC_MESSAGES/reference_manual/blending_modes/darken.po @@ -1,346 +1,373 @@ # Copyright (C) licensed under the GNU Free Documentation License 1.3+ unless stated otherwise # This file is distributed under the same license as the Krita Manual package. # # Stefan Asserhäll , 2019. msgid "" msgstr "" "Project-Id-Version: Krita Manual 4.1\n" "Report-Msgid-Bugs-To: \n" "POT-Creation-Date: 2019-06-15 03:16+0200\n" -"PO-Revision-Date: 2019-05-05 08:47+0100\n" +"PO-Revision-Date: 2019-06-23 21:35+0100\n" "Last-Translator: Stefan Asserhäll \n" "Language-Team: Swedish \n" "Language: sv\n" "MIME-Version: 1.0\n" "Content-Type: text/plain; charset=UTF-8\n" "Content-Transfer-Encoding: 8bit\n" "Plural-Forms: nplurals=2; plural=n != 1;\n" "X-Generator: Lokalize 2.0\n" #: ../../reference_manual/blending_modes/darken.rst:1 msgid "" "Page about the darken blending modes in Krita: Darken, Burn, Easy Burn, Fog " "Darken, Darker Color, Gamma Dark, Linear Burn and Shade." msgstr "" +"Sida om de mörkande blandningslägena i Krita: Gör mörkare, Bränn, Enkel" +" bränning, Mörkare dimma, Mörkare färg, Mörk gamma, Linjär bränning och" +" Skugga." #: ../../reference_manual/blending_modes/darken.rst:16 #: ../../reference_manual/blending_modes/darken.rst:75 #: ../../reference_manual/blending_modes/darken.rst:79 msgid "Darken" msgstr "Gör mörkare" #: ../../reference_manual/blending_modes/darken.rst:18 msgid "Color Burn" -msgstr "" +msgstr "Färgbränning" #: ../../reference_manual/blending_modes/darken.rst:18 msgid "burn" -msgstr "" +msgstr "bränn" #: ../../reference_manual/blending_modes/darken.rst:23 msgid "Burn" msgstr "Bränn" #: ../../reference_manual/blending_modes/darken.rst:25 msgid "A variation on Divide, sometimes called 'Color Burn' in some programs." -msgstr "" +msgstr "En variant av dividera, ibland kallad 'Färgbränning' i vissa program." #: ../../reference_manual/blending_modes/darken.rst:27 msgid "" "This inverts the bottom layer, then divides it by the top layer, and inverts " "the result. This results in a darkened effect that takes the colors of the " "lower layer into account, similar to the burn technique used in traditional " "darkroom photography." msgstr "" +"Det här inverterar det understa lagret, och dividerar det sedan med det" +" översta lagret, och inverterar resultatet. Det ger en mörk effekt som tar" +" hänsyn till färgerna i det undre lagret, på liknande sätt som bränneffekter" +" använda i traditionell mörkrumsfotografering." #: ../../reference_manual/blending_modes/darken.rst:30 msgid "" "1_{[1_Darker Gray(0.4, 0.4, 0.4)] / Lighter Gray(0.5, 0.5, 0.5)} = (-0.2, " "-0.2, -0.2) → Black(0, 0, 0)" msgstr "" +"1_{[1_mörkgrå(0.4, 0.4, 0.4)] / ljusgrå(0.5, 0.5, 0.5)} = (-0.2, -0.2, -0.2)" +" → svart(0, 0, 0)" #: ../../reference_manual/blending_modes/darken.rst:35 msgid "" ".. image:: images/blending_modes/darken/" "Blending_modes_Burn_Gray_0.4_and_Gray_0.5_n.png" msgstr "" ".. image:: images/blending_modes/darken/" "Blending_modes_Burn_Gray_0.4_and_Gray_0.5_n.png" #: ../../reference_manual/blending_modes/darken.rst:35 #: ../../reference_manual/blending_modes/darken.rst:42 #: ../../reference_manual/blending_modes/darken.rst:47 msgid "Left: **Normal**. Right: **Burn**." -msgstr "" +msgstr "Vänster: **Normal**. Höger: **Bränn**." #: ../../reference_manual/blending_modes/darken.rst:37 msgid "" "1_{[1_Light Blue(0.1608, 0.6274, 0.8274)] / Orange(1, 0.5961, 0.0706)} = " "(0.1608, 0.3749, -1.4448) → Green(0.1608, 0.3749, 0)" msgstr "" +"1_{[1_ljusblå(0.1608, 0.6274, 0.8274)] / orange(1, 0.5961, 0.0706)} =" +" (0.1608, 0.3749, -1.4448) → grön(0.1608, 0.3749, 0)" #: ../../reference_manual/blending_modes/darken.rst:42 msgid "" ".. image:: images/blending_modes/darken/" "Blending_modes_Burn_Light_blue_and_Orange.png" msgstr "" ".. image:: images/blending_modes/darken/" "Blending_modes_Burn_Light_blue_and_Orange.png" #: ../../reference_manual/blending_modes/darken.rst:47 msgid "" ".. image:: images/blending_modes/darken/" "Blending_modes_Burn_Sample_image_with_dots.png" msgstr "" ".. image:: images/blending_modes/darken/" "Blending_modes_Burn_Sample_image_with_dots.png" #: ../../reference_manual/blending_modes/darken.rst:49 #: ../../reference_manual/blending_modes/darken.rst:53 msgid "Easy Burn" msgstr "Enkel bränning" #: ../../reference_manual/blending_modes/darken.rst:55 msgid "" "Aims to solve issues with Color Burn blending mode by using a formula which " "falloff is similar to Dodge, but the falloff rate is softer. It is within " "the range of 0.0f and 1.0f unlike Color Burn mode." msgstr "" #: ../../reference_manual/blending_modes/darken.rst:60 msgid "" ".. image:: images/blending_modes/darken/" "Blending_modes_Easy_Burn_Sample_image_with_dots.png" msgstr "" ".. image:: images/blending_modes/darken/" "Blending_modes_Easy_Burn_Sample_image_with_dots.png" #: ../../reference_manual/blending_modes/darken.rst:60 msgid "Left: **Normal**. Right: **Easy Burn**" -msgstr "" +msgstr "Vänster: **Normal**. Höger: **Enkel bränn**" #: ../../reference_manual/blending_modes/darken.rst:62 msgid "Fog Darken" -msgstr "Mörknande dimma" +msgstr "Mörkare dimma" #: ../../reference_manual/blending_modes/darken.rst:66 msgid "Fog Darken (IFS Illusions)" -msgstr "" +msgstr "Mörkare dimma (IFS Illusions)" #: ../../reference_manual/blending_modes/darken.rst:68 msgid "" "Darken the image in a way that there is a 'fog' in the end result. This is " "due to the unique property of fog darken in which midtones combined are " "lighter than non-midtones blend." msgstr "" #: ../../reference_manual/blending_modes/darken.rst:73 msgid "" ".. image:: images/blending_modes/darken/" "Blending_modes_Fog_Darken_Sample_image_with_dots.png" msgstr "" ".. image:: images/blending_modes/darken/" "Blending_modes_Fog_Darken_Sample_image_with_dots.png" #: ../../reference_manual/blending_modes/darken.rst:73 msgid "Left: **Normal**. Right: **Fog Darken** (exactly the same as Addition)." msgstr "" +"Vänster: **Normal**. Höger: **Mörkare dimma** (exakt samma sak som addition)." #: ../../reference_manual/blending_modes/darken.rst:81 msgid "" "With the darken, the upper layer's colors are checked for their lightness. " "Only if they are darker than the underlying color on the lower layer, will " "they be visible." msgstr "" #: ../../reference_manual/blending_modes/darken.rst:83 msgid "" "Is Lighter Gray(0.5, 0.5, 0.5) darker than Darker Gray(0.4, 0.4, 0.4)? = " "(no, no, no) → Darker Gray(0.4, 0.4, 0.4)" msgstr "" +"Är ljusgrå(0.5, 0.5, 0.5) mörkare än mörkgrå(0.4, 0.4, 0.4)? = (nej, nej," +" nej) → mörkgrå(0.4, 0.4, 0.4)" #: ../../reference_manual/blending_modes/darken.rst:88 msgid "" ".. image:: images/blending_modes/darken/" "Blending_modes_Darken_Gray_0.4_and_Gray_0.5_n.png" msgstr "" ".. image:: images/blending_modes/darken/" "Blending_modes_Darken_Gray_0.4_and_Gray_0.5_n.png" #: ../../reference_manual/blending_modes/darken.rst:88 #: ../../reference_manual/blending_modes/darken.rst:95 #: ../../reference_manual/blending_modes/darken.rst:100 msgid "Left: **Normal**. Right: **Darken**." -msgstr "" +msgstr "Vänster: **Normal**. Höger: **Gör mörkare**." #: ../../reference_manual/blending_modes/darken.rst:90 msgid "" "Is Orange(1, 0.5961, 0.0706) darker than Light Blue(0.1608, 0.6274, 0.8274)? " "= (no, yes, yes) → Green(0.1608, 0.5961, 0.0706)" msgstr "" +"Är orange(1, 0.5961, 0.0706) mörkare än ljusblå(0.1608, 0.6274, 0.8274)? =" +" (nej, ja, ja) → grön(0.1608, 0.5961, 0.0706)" #: ../../reference_manual/blending_modes/darken.rst:95 msgid "" ".. image:: images/blending_modes/darken/" "Blending_modes_Darken_Light_blue_and_Orange.png" msgstr "" ".. image:: images/blending_modes/darken/" "Blending_modes_Darken_Light_blue_and_Orange.png" #: ../../reference_manual/blending_modes/darken.rst:100 msgid "" ".. image:: images/blending_modes/darken/" "Blending_modes_Darken_Sample_image_with_dots.png" msgstr "" ".. image:: images/blending_modes/darken/" "Blending_modes_Darken_Sample_image_with_dots.png" #: ../../reference_manual/blending_modes/darken.rst:102 #: ../../reference_manual/blending_modes/darken.rst:106 msgid "Darker Color" msgstr "Mörkare färg" #: ../../reference_manual/blending_modes/darken.rst:111 msgid "" ".. image:: images/blending_modes/darken/" "Blending_modes_Darker_Color_Sample_image_with_dots.png" msgstr "" ".. image:: images/blending_modes/darken/" "Blending_modes_Darker_Color_Sample_image_with_dots.png" #: ../../reference_manual/blending_modes/darken.rst:111 msgid "Left: **Normal**. Right: **Darker Color**." -msgstr "" +msgstr "Vänster: **Normal**. Höger: **Mörkare färg**." #: ../../reference_manual/blending_modes/darken.rst:113 #: ../../reference_manual/blending_modes/darken.rst:117 msgid "Gamma Dark" msgstr "Mörk gamma" #: ../../reference_manual/blending_modes/darken.rst:119 msgid "" "Divides 1 by the upper layer, and calculates the end result using that as " "the power of the lower layer." msgstr "" +"Dividerar 1 med det översta lagret, och beräknar slutresultatet genom att" +" använda det som det undre lagrets exponent." #: ../../reference_manual/blending_modes/darken.rst:121 msgid "" "Darker Gray(0.4, 0.4, 0.4)^[1 / Lighter Gray(0.5, 0.5, 0.5)] = Even Darker " "Gray(0.1600, 0.1600, 0.1600)" msgstr "" +"Mörkgrå(0.4, 0.4, 0.4)^[1 / ljusgrå(0.5, 0.5, 0.5)] = Ännu mörkare" +" grå(0.1600, 0.1600, 0.1600)" #: ../../reference_manual/blending_modes/darken.rst:126 msgid "" ".. image:: images/blending_modes/darken/" "Blending_modes_Gamma_Dark_Gray_0.4_and_Gray_0.5_n.png" msgstr "" ".. image:: images/blending_modes/darken/" "Blending_modes_Gamma_Dark_Gray_0.4_and_Gray_0.5_n.png" #: ../../reference_manual/blending_modes/darken.rst:126 #: ../../reference_manual/blending_modes/darken.rst:133 #: ../../reference_manual/blending_modes/darken.rst:138 msgid "Left: **Normal**. Right: **Gamma Dark**." -msgstr "" +msgstr "Vänster: **Normal**. Höger: **Mörk gamma**." #: ../../reference_manual/blending_modes/darken.rst:128 msgid "" "Light Blue(0.1608, 0.6274, 0.8274)^[1 / Orange(1, 0.5961, 0.0706)] = " "Green(0.1608, 0.4575, 0.0683)" msgstr "" +"Ljusblå(0.1608, 0.6274, 0.8274)^[1 / orange(1, 0.5961, 0.0706)] =" +" grön(0.1608, 0.4575, 0.0683)" #: ../../reference_manual/blending_modes/darken.rst:133 msgid "" ".. image:: images/blending_modes/darken/" "Blending_modes_Gamma_Dark_Light_blue_and_Orange.png" msgstr "" ".. image:: images/blending_modes/darken/" "Blending_modes_Gamma_Dark_Light_blue_and_Orange.png" #: ../../reference_manual/blending_modes/darken.rst:138 msgid "" ".. image:: images/blending_modes/darken/" "Blending_modes_Gamma_Dark_Sample_image_with_dots.png" msgstr "" ".. image:: images/blending_modes/darken/" "Blending_modes_Gamma_Dark_Sample_image_with_dots.png" #: ../../reference_manual/blending_modes/darken.rst:140 #: ../../reference_manual/blending_modes/darken.rst:144 msgid "Linear Burn" -msgstr "Linjär bränn" +msgstr "Linjär bränning" #: ../../reference_manual/blending_modes/darken.rst:146 msgid "" "Adds the values of the two layers together and then subtracts 1. Seems to " "produce the same result as :ref:`bm_inverse_subtract`." msgstr "" #: ../../reference_manual/blending_modes/darken.rst:148 msgid "" "[Darker Gray(0.4, 0.4, 0.4) + Lighter Gray(0.5, 0.5, 0.5)]_1 = (-0.1000, " "-0.1000, -0.1000) → Black(0, 0, 0)" msgstr "" +"[mörkgrå(0.4, 0.4, 0.4) + ljusgrå(0.5, 0.5, 0.5)]_1 = (-0.1000, -0.1000," +" -0.1000) → svart(0, 0, 0)" #: ../../reference_manual/blending_modes/darken.rst:153 msgid "" ".. image:: images/blending_modes/darken/" "Blending_modes_Linear_Burn_Gray_0.4_and_Gray_0.5.png" msgstr "" ".. image:: images/blending_modes/darken/" "Blending_modes_Linear_Burn_Gray_0.4_and_Gray_0.5.png" #: ../../reference_manual/blending_modes/darken.rst:153 #: ../../reference_manual/blending_modes/darken.rst:160 #: ../../reference_manual/blending_modes/darken.rst:165 msgid "Left: **Normal**. Right: **Linear Burn**." -msgstr "" +msgstr "Vänster: **Normal**. Höger: **Linjär bränning**." #: ../../reference_manual/blending_modes/darken.rst:155 msgid "" "[Light Blue(0.1608, 0.6274, 0.8274) + Orange(1, 0.5961, 0.0706)]_1 = " "(0.1608, 0.2235, -0.1020) → Dark Green(0.1608, 0.2235, 0)" msgstr "" +"[ljusblå(0.1608, 0.6274, 0.8274) + orange(1, 0.5961, 0.0706)]_1 = (0.1608," +" 0.2235, -0.1020) → mörkgrön(0.1608, 0.2235, 0)" #: ../../reference_manual/blending_modes/darken.rst:160 msgid "" ".. image:: images/blending_modes/darken/" "Blending_modes_Linear_Burn_Light_blue_and_Orange.png" msgstr "" ".. image:: images/blending_modes/darken/" "Blending_modes_Linear_Burn_Light_blue_and_Orange.png" #: ../../reference_manual/blending_modes/darken.rst:165 msgid "" ".. image:: images/blending_modes/darken/" "Blending_modes_Linear_Burn_Sample_image_with_dots.png" msgstr "" ".. image:: images/blending_modes/darken/" "Blending_modes_Linear_Burn_Sample_image_with_dots.png" #: ../../reference_manual/blending_modes/darken.rst:167 msgid "Shade" -msgstr "" +msgstr "Skugga" #: ../../reference_manual/blending_modes/darken.rst:171 msgid "Shade (IFS Illusions)" -msgstr "" +msgstr "Skugga (IFS Illusions)" #: ../../reference_manual/blending_modes/darken.rst:173 msgid "" "Basically, the blending mode only ends in shades of shades. This means that " "it's very useful for painting shading colors while still in the range of " "shades." msgstr "" #: ../../reference_manual/blending_modes/darken.rst:179 msgid "" ".. image:: images/blending_modes/darken/" "Blending_modes_Shade_Sample_image_with_dots.png" msgstr "" ".. image:: images/blending_modes/darken/" "Blending_modes_Shade_Sample_image_with_dots.png" #: ../../reference_manual/blending_modes/darken.rst:179 msgid "Left: **Normal**. Right: **Shade**." -msgstr "" +msgstr "Vänster: **Normal**. Höger: **Skugga**." + diff --git a/locale/sv/LC_MESSAGES/reference_manual/brushes/brush_engines/curve_engine.po b/locale/sv/LC_MESSAGES/reference_manual/brushes/brush_engines/curve_engine.po index bdbd691c3..576b329a5 100644 --- a/locale/sv/LC_MESSAGES/reference_manual/brushes/brush_engines/curve_engine.po +++ b/locale/sv/LC_MESSAGES/reference_manual/brushes/brush_engines/curve_engine.po @@ -1,244 +1,296 @@ # Copyright (C) licensed under the GNU Free Documentation License 1.3+ unless stated otherwise # This file is distributed under the same license as the Krita Manual package. # # Stefan Asserhäll , 2019. msgid "" msgstr "" "Project-Id-Version: Krita Manual 4.1\n" "Report-Msgid-Bugs-To: \n" "POT-Creation-Date: 2019-05-04 03:33+0200\n" -"PO-Revision-Date: 2019-05-05 08:46+0100\n" +"PO-Revision-Date: 2019-06-23 15:02+0100\n" "Last-Translator: Stefan Asserhäll \n" "Language-Team: Swedish \n" "Language: sv\n" "MIME-Version: 1.0\n" "Content-Type: text/plain; charset=UTF-8\n" "Content-Transfer-Encoding: 8bit\n" "Plural-Forms: nplurals=2; plural=n != 1;\n" "X-Generator: Lokalize 2.0\n" #: ../../:1 msgid ".. image:: images/brushes/Krita-tutorial6-I.2-4.png" msgstr ".. image:: images/brushes/Krita-tutorial6-I.2-4.png" #: ../../reference_manual/brushes/brush_engines/curve_engine.rst:1 msgid "The Curve Brush Engine manual page." msgstr "Handbokssidan för kurvpenselgränssnittet." #: ../../reference_manual/brushes/brush_engines/curve_engine.rst:13 #: ../../reference_manual/brushes/brush_engines/curve_engine.rst:18 msgid "Curve Brush Engine" msgstr "Kurvpenselgränssnitt" #: ../../reference_manual/brushes/brush_engines/curve_engine.rst:13 msgid "Brush Engine" msgstr "Penselgränssnitt" #: ../../reference_manual/brushes/brush_engines/curve_engine.rst:21 msgid ".. image:: images/icons/curvebrush.svg" msgstr ".. image:: images/icons/curvebrush.svg" #: ../../reference_manual/brushes/brush_engines/curve_engine.rst:22 msgid "" "The curve brush is a brush engine which creates strokes made of evenly " "spaced lines. It has, among other things been used as a replacement for " "pressure sensitive strokes in lieu of a tablet." msgstr "" +"Kurvpenseln är ett penselgränssnitt som skapar penseldrag som består av jämnt" +" fördelade linjer. Den har bland annat används som en ersättning för" +" tryckkänsliga drag i avsaknad av ritplatta." #: ../../reference_manual/brushes/brush_engines/curve_engine.rst:25 msgid "Settings" msgstr "Inställningar" #: ../../reference_manual/brushes/brush_engines/curve_engine.rst:27 msgid "" "First off, the line produced by the Curve brush is made up of 2 sections:" msgstr "" +"För det första, består linjen som skapas av kurvpenseln av två sektioner:" #: ../../reference_manual/brushes/brush_engines/curve_engine.rst:29 msgid "The connection line, which is the main line drawn by your mouse" -msgstr "" +msgstr "Sammanbindningslinjen, som är huvudlinjen som ritas med musen" #: ../../reference_manual/brushes/brush_engines/curve_engine.rst:31 msgid "" "The curve lines I think, which are the extra fancy lines that form at " "curves. The curve lines are formed by connecting one point of the curve to a " "point earlier on the curve. This also means that if you are drawing a " "straight line, these lines won't be visible, since they'll overlap with the " "connection line. Drawing faster gives you wider curves areas." msgstr "" +"Kurvlinjerna tror jag, som är de extra fina linjerna som skapas vid kurvor." +" Kurvlinjerna skapas genom att ansluta en punkt på kurvan till en punkt" +" tidigare på kurvan. Det betyder också att om man ritar en rät linje, är de" +" inte synliga, eftersom de överlappar med sammanbindningslinjen. Att rita" +" snabbare ger bredare kurvområden." #: ../../reference_manual/brushes/brush_engines/curve_engine.rst:35 msgid ".. image:: images/brushes/Krita-tutorial6-I.1-1.png" msgstr ".. image:: images/brushes/Krita-tutorial6-I.1-1.png" #: ../../reference_manual/brushes/brush_engines/curve_engine.rst:36 msgid "" "You have access to 3 settings from the Lines tab, as well as 2 corresponding " "dynamics:" msgstr "" +"Man har tillgång till tre inställningar från fliken Linjer, samt två" +" motsvarande typer av dynamik:" #: ../../reference_manual/brushes/brush_engines/curve_engine.rst:38 msgid "" "Line width: this applies to both the connection line and the curve lines." -msgstr "" +msgstr "Linjebredd: Den gäller både sammanbindningslinjen och kurvlinjerna." #: ../../reference_manual/brushes/brush_engines/curve_engine.rst:40 msgid "Line width dynamics: use this to vary line width dynamically." -msgstr "" +msgstr "Linjebreddynamik: Använd den för att variera linjebredden dynamiskt." #: ../../reference_manual/brushes/brush_engines/curve_engine.rst:42 msgid "" "History size: this determines the distance for the formation of curve lines." -msgstr "" +msgstr "Historikstorlek: Den bestämmer avståndet för att forma kurvlinjerna." #: ../../reference_manual/brushes/brush_engines/curve_engine.rst:44 msgid "" "If you set this at low values, then the curve lines can only form over a " "small distances, so they won't be too visible." msgstr "" +"Om man ställer in den till små värden kan kurvlinjerna bara formas över ett" +" kort avstånd, så de blir inte särskilt synliga." #: ../../reference_manual/brushes/brush_engines/curve_engine.rst:45 msgid "" "On the other hand, if you set this value too high, the curve lines will only " "start forming relatively \"late\"." msgstr "" +"Å andra sidan, om värdet ställs in för stort, börjar kurvlinjerna bara formas" +" relativt \"sent\"." #: ../../reference_manual/brushes/brush_engines/curve_engine.rst:46 msgid "" "So in fact, you'll get maximum curve lines area with a mid-value of say... " "40~60, which is about the default value. Unless you're drawing at really " "high resolutions." msgstr "" +"Så i själva verket får man maximalt område med kurvlinjer med ett mellanvärde" +" på ungefär ... " +"40 - 60, vilket är ungefär förvalt värde. Om man inte ritar med mycket hög" +" upplösning." #: ../../reference_manual/brushes/brush_engines/curve_engine.rst:48 msgid "" "Curves opacity: you can't set different line widths for the connection line " "and the curve lines, but you can set a different opacity for the curve " "lines. With low opacity, this will produce the illusion of thinner curve " "lines." msgstr "" +"Kurvogenomskinlighet: Man kan inte ställa in olika linjebredder för" +" sammanbindningslinjen och kurvlinjerna, men man kan ställa in en annan" +" ogenomskinlighet för kurvlinjerna. Med låg ogenomskinlighet, ger det en" +" illusion av tunnare kurvlinjer." #: ../../reference_manual/brushes/brush_engines/curve_engine.rst:50 msgid "Curves opacity dynamics: use this to vary Curves opacity dynamically." msgstr "" +"Kurvogenomskinlighetsdynamik: Använd den för att variera ogenomskinligheten" +" dynamiskt." #: ../../reference_manual/brushes/brush_engines/curve_engine.rst:52 msgid "In addition, you have access to two checkboxes:" -msgstr "" +msgstr "Dessutom har man tillgång till två kryssrutor:" #: ../../reference_manual/brushes/brush_engines/curve_engine.rst:54 msgid "" "Paint connection line, which toggles the visibility of the connection line" -msgstr "" +msgstr "Rita sammanbindningslinjen, som ändrar anslutningslinjens synlighet" #: ../../reference_manual/brushes/brush_engines/curve_engine.rst:55 msgid "" "Smoothing, which... I have no idea actually. I don't see any differences " "with or without it. Maybe it's for tablets?" msgstr "" +"Utjämning, som ... Jag har faktiskt ingen aning. Jag ser ingen skillnad med" +" eller utan det. Kanske för ritplattor?" #: ../../reference_manual/brushes/brush_engines/curve_engine.rst:58 msgid ".. image:: images/brushes/Krita-tutorial6-I.1-2.png" msgstr ".. image:: images/brushes/Krita-tutorial6-I.1-2.png" #: ../../reference_manual/brushes/brush_engines/curve_engine.rst:60 msgid "Drawing variable-width lines" msgstr "Rita linjer med variabel bredd" #: ../../reference_manual/brushes/brush_engines/curve_engine.rst:62 msgid "" "And here's the only section of this tutorial that anyone cares about: pretty " "lineart lines! For this:" msgstr "" +"Och här är avsnittet av handledningen som någon bryr sig om: snygga" +" grafiklinjer! För sådana:" #: ../../reference_manual/brushes/brush_engines/curve_engine.rst:64 msgid "" "Use the Draw Dynamically mode: I tend to increase drag to at least 50. Vary " "Mass and Drag until you get the feel that's most comfortable for you." msgstr "" +"Använd dynamiskt ritläge. Jag brukar öka drag till minst 50. Variera massa" +" och drag tills den mest komfortabel känslan erhålls." #: ../../reference_manual/brushes/brush_engines/curve_engine.rst:67 msgid ".. image:: images/brushes/Krita-tutorial6-I.2-1.png" msgstr ".. image:: images/brushes/Krita-tutorial6-I.2-1.png" #: ../../reference_manual/brushes/brush_engines/curve_engine.rst:68 msgid "" "Set line width to a higher value (ex.: 5), then turn line width dynamics on:" msgstr "" +"Ställ in linjebredden till ett större värde (t.ex. 5), och aktivera sedan" +" linjebreddsdynamik:" #: ../../reference_manual/brushes/brush_engines/curve_engine.rst:70 msgid "" "If you're a tablet user, just set this to Pressure (this should be selected " "by default so just turn on the Line Width dynamics). I can't check myself, " "but a tablet user confirmed to me that it works well enough with Draw " "Dynamically." msgstr "" +"Om du använder en ritplatta, ställ bara in det till Tryck (det ska normalt" +" vara inställt, så stäng bara av dynamik för linjebredd). Jag kan inte" +" kontrollera det själv, men en ritplatteanvändare bekräftade att det fungerar" +" bra nog med rita dynamiskt." #: ../../reference_manual/brushes/brush_engines/curve_engine.rst:71 msgid "" "If you're a mouse user hoping to get variable line width, set the Line Width " "dynamics to Speed." msgstr "" +"Om du är musanvändare och hoppas få variabel linjebredd, ställ in" +" linjebreddsdynamiken till Hastighet." #: ../../reference_manual/brushes/brush_engines/curve_engine.rst:74 msgid ".. image:: images/brushes/Krita-tutorial6-I.2-2.png" msgstr ".. image:: images/brushes/Krita-tutorial6-I.2-2.png" #: ../../reference_manual/brushes/brush_engines/curve_engine.rst:75 msgid "" "Set Curves opacity to 0: This is the simplest way to turn off the Curve " "lines. That said, leaving them on will get you more \"expressive\" lines." msgstr "" +"Ställ in kurvans ogenomskinlighet till 0: Det är det enklaste sättet att" +" stänga av kurvlinjerna. Trots det, att lämna dem på ger mer" +" \"uttrycksfulla\" linjer." #: ../../reference_manual/brushes/brush_engines/curve_engine.rst:78 msgid "Additional tips:" msgstr "Ytterligare tips:" #: ../../reference_manual/brushes/brush_engines/curve_engine.rst:80 msgid "Zig-zag a lot if you want a lot of extra curves lines." -msgstr "" +msgstr "Sicksacka mycket för att få många extra kurvlinjer." #: ../../reference_manual/brushes/brush_engines/curve_engine.rst:81 msgid "" "Use smooth, sweeping motions when you're using Draw Dynamically with Line " "Width set to Speed: abrupt speed transitions will cause abrupt size " "transitions. It takes a bit of practice, and the thicker the line, the more " "visible the deformities will be. Also, zoom in to increase control." msgstr "" +"Använd jämna, svepande rörelser när rita dynamiskt används med linjebredd" +" inställd till hastighet: plötsliga hastighetsändringar orsakar plötsliga" +" ändringar av linjebredd. Det kräver en del övning, och ju tjockare linjen är" +" desto synligare blir missbildningarna. Zooma också för bättre kontroll." #: ../../reference_manual/brushes/brush_engines/curve_engine.rst:82 msgid "" "If you need to vary between thin and thick lines, I suggest creating presets " "of different widths, since you can't vary the base line width from the " "canvas." msgstr "" +"Om man behöver byta mellan tunna och tjocka linjer, föreslår jag att skapa" +" förinställningar med olika bredder, eftersom man inte kan variera" +" baslinjebredden från duken." #: ../../reference_manual/brushes/brush_engines/curve_engine.rst:84 msgid "Alternative:" msgstr "Alternativ:" #: ../../reference_manual/brushes/brush_engines/curve_engine.rst:86 msgid "Use the Draw Dynamically mode" -msgstr "" +msgstr "Använd dynamiskt ritläge" #: ../../reference_manual/brushes/brush_engines/curve_engine.rst:87 msgid "Set Curves opacity to 100" -msgstr "" +msgstr "Ställer in kurvors ogenomskinlighet till 100" #: ../../reference_manual/brushes/brush_engines/curve_engine.rst:88 msgid "Optionally decrease History size to about 30" -msgstr "" +msgstr "Minskar valfritt historikstorleken till omkring 30" #: ../../reference_manual/brushes/brush_engines/curve_engine.rst:90 msgid "" "The curve lines will fill out the area they cover completely, resulting in a " "line with variable widths. Anyway, here are some comparisons:" msgstr "" +"Kurvlinjerna fyller i området de täcker fullständigt, vilket resulterar i en" +" linje med variabel bredd. Hur som helst, här är några jämförelser:" #: ../../reference_manual/brushes/brush_engines/curve_engine.rst:93 msgid ".. image:: images/brushes/Krita-tutorial6-I.2-3.png" msgstr ".. image:: images/brushes/Krita-tutorial6-I.2-3.png" #: ../../reference_manual/brushes/brush_engines/curve_engine.rst:94 msgid "And here are examples of what you can do with this brush:" -msgstr "" +msgstr "Och här är exempel på vad man kan göra med penseln:" + diff --git a/locale/sv/LC_MESSAGES/reference_manual/tools/rectangular_select.po b/locale/sv/LC_MESSAGES/reference_manual/tools/rectangular_select.po index 623ef847b..9ee296745 100644 --- a/locale/sv/LC_MESSAGES/reference_manual/tools/rectangular_select.po +++ b/locale/sv/LC_MESSAGES/reference_manual/tools/rectangular_select.po @@ -1,217 +1,255 @@ # Copyright (C) licensed under the GNU Free Documentation License 1.3+ unless stated otherwise # This file is distributed under the same license as the Krita Manual package. # # Stefan Asserhäll , 2019. msgid "" msgstr "" "Project-Id-Version: Krita Manual 4.1\n" "Report-Msgid-Bugs-To: \n" "POT-Creation-Date: 2019-06-15 03:16+0200\n" -"PO-Revision-Date: 2019-05-05 08:46+0100\n" +"PO-Revision-Date: 2019-06-23 13:43+0100\n" "Last-Translator: Stefan Asserhäll \n" "Language-Team: Swedish \n" "Language: sv\n" "MIME-Version: 1.0\n" "Content-Type: text/plain; charset=UTF-8\n" "Content-Transfer-Encoding: 8bit\n" "Plural-Forms: nplurals=2; plural=n != 1;\n" "X-Generator: Lokalize 2.0\n" #: ../../:2 msgid "" ".. image:: images/icons/Krita_mouse_left.png\n" " :alt: mouseleft" msgstr "" ".. image:: images/icons/Krita_mouse_left.png\n" " :alt: vänsterknapp" #: ../../:4 msgid "" ".. image:: images/icons/Krita_mouse_right.png\n" " :alt: mouseright" msgstr "" ".. image:: images/icons/Krita_mouse_right.png\n" " :alt: högerknapp" #: ../../:66 msgid "" ".. image:: images/icons/rectangular_select_tool.svg\n" " :alt: toolselectrect" msgstr "" +".. image:: images/icons/rectangular_select_tool.svg\n" +" :alt: Rektangelmarkeringsverktyg" #: ../../reference_manual/tools/rectangular_select.rst:1 msgid "Krita's rectangular selection tool reference." -msgstr "" +msgstr "Referens för Kritas rektangelmarkeringsverktyg." #: ../../reference_manual/tools/rectangular_select.rst:11 msgid "Tools" -msgstr "" +msgstr "Verktyg" #: ../../reference_manual/tools/rectangular_select.rst:11 msgid "Selection" -msgstr "" +msgstr "Markering" #: ../../reference_manual/tools/rectangular_select.rst:11 msgid "Rectangle" -msgstr "" +msgstr "Rektangel" #: ../../reference_manual/tools/rectangular_select.rst:11 msgid "Rectangular Selection" msgstr "Rektangelmarkering" #: ../../reference_manual/tools/rectangular_select.rst:16 msgid "Rectangular Selection Tool" msgstr "Rektangelmarkeringsverktyg" #: ../../reference_manual/tools/rectangular_select.rst:18 msgid "|toolselectrect|" -msgstr "" +msgstr "|toolselectrect|" #: ../../reference_manual/tools/rectangular_select.rst:20 msgid "" "This tool, represented by a rectangle with a dashed border, allows you to " "make :ref:`selections_basics` of a rectangular area. Simply click and drag " "around the section you wish to select." msgstr "" +"Verktyget, som representeras av en rektangel med streckad kant, låter dig" +" skapa :ref:`selections_basics` av ett rektangulärt område. Klicka och dra" +" helt enkelt omkring området som ska markeras." #: ../../reference_manual/tools/rectangular_select.rst:23 msgid "Hotkeys and Stickykeys" -msgstr "" +msgstr "Snabbtangenter och klistriga tangenter" #: ../../reference_manual/tools/rectangular_select.rst:25 msgid ":kbd:`J` selects this tool." -msgstr "" +msgstr ":kbd:`J` väljer verktyget." #: ../../reference_manual/tools/rectangular_select.rst:26 msgid "" ":kbd:`R` sets the selection to 'replace' in the tool options, this is the " "default mode." msgstr "" +":kbd:`R` ställer in markeringen till 'ersätt' i verktygsalternativen, vilket" +" är standardinställningen." #: ../../reference_manual/tools/rectangular_select.rst:27 msgid ":kbd:`A` sets the selection to 'add' in the tool options." -msgstr "" +msgstr ":kbd:`A` ställer in markeringen till 'addera' i verktygsalternativen." #: ../../reference_manual/tools/rectangular_select.rst:28 msgid ":kbd:`S` sets the selection to 'subtract' in the tool options." msgstr "" +":kbd:`S` ställer in markeringen till 'subtrahera' i verktygsalternativen." #: ../../reference_manual/tools/rectangular_select.rst:29 msgid "" ":kbd:`Shift` after starting the selection, constraints it to a perfect " "square." msgstr "" +":kbd:`Skift` efter att markeringen har påbörjats, begränsar den till en" +" perfekt cirkel." #: ../../reference_manual/tools/rectangular_select.rst:30 msgid "" ":kbd:`Ctrl` after starting the selection, makes the selection resize from " "center." msgstr "" +":kbd:`Ctrl` efter att markeringen har påbörjats, gör att markeringens storlek" +" ändras från centrum." #: ../../reference_manual/tools/rectangular_select.rst:31 msgid ":kbd:`Alt` after starting the selection, allows you to move it." msgstr "" +":kbd:`Alt` efter att markeringen har påbörjats, gör att den kan flyttas." #: ../../reference_manual/tools/rectangular_select.rst:32 msgid "" ":kbd:`Shift` + |mouseleft| sets the subsequent selection to 'add'. You can " "release the :kbd:`Shift` key while dragging, but it will still be set to " "'add'. Same for the others." msgstr "" +":kbd:`Skift` + vänster musknapp in markeringen till 'addera'. Man kan släppa" +" upp tangenten :kbd:`Skift` medan man drar, och den ställs ändå in till 'lägg" +" till'. Samma sak för de andra." #: ../../reference_manual/tools/rectangular_select.rst:33 msgid ":kbd:`Alt` + |mouseleft| sets the subsequent selection to 'subtract'." msgstr "" +":kbd:`Alt` + vänster musknapp ställer in efterföljande markering till" +" 'subtrahera'." #: ../../reference_manual/tools/rectangular_select.rst:34 msgid ":kbd:`Ctrl` + |mouseleft| sets the subsequent selection to 'replace'." msgstr "" +":kbd:`Ctrl` + vänster musknapp ställer in efterföljande markering till" +" 'ersätt'." #: ../../reference_manual/tools/rectangular_select.rst:35 msgid "" ":kbd:`Shift + Alt +` |mouseleft| sets the subsequent selection to " "'intersect'." msgstr "" +":kbd:`Shift + Alt +` vänster musknapp ställer in efterföljande markering till" +" 'snitt'." #: ../../reference_manual/tools/rectangular_select.rst:39 msgid "Hovering over a selection allows you to move it." -msgstr "" +msgstr "Att hålla musen över en markering göt det möjlig att flytta den." #: ../../reference_manual/tools/rectangular_select.rst:40 msgid "" "|mouseright| will open up a selection quick menu with amongst others the " "ability to edit the selection." msgstr "" +"Att klicka med höger musknapp visar en snabbvalsmeny med bland annat" +" möjlighet att redigera markeringen." #: ../../reference_manual/tools/rectangular_select.rst:44 msgid "" "So to subtract a perfect square, you do :kbd:`Alt +` |mouseleft|, then " "release the :kbd:`Alt` key while dragging and press :kbd:`Shift` to " "constrain." msgstr "" +"Så för att subtrahera en perfekt kvadrat, använder man :kbd:`Alt + vänster" +" musknapp, och släpper därefter tangenten :kbd:`Alt` medan man drar och" +" håller nere :kbd:`Shift` för begränsning." #: ../../reference_manual/tools/rectangular_select.rst:49 msgid "" "You can switch the behavior of the :kbd:`Alt` key to use :kbd:`Ctrl` instead " "by toggling the switch in the :ref:`general_settings`." msgstr "" +"Man kan ändra beteende hos tangenten :kbd:`Alt` så att :kbd:`Ctrl` används " +"istället genom att ställa om inställningen under :ref:`general_settings`." #: ../../reference_manual/tools/rectangular_select.rst:52 msgid "Tool Options" msgstr "Verktygsalternativ" #: ../../reference_manual/tools/rectangular_select.rst:54 msgid "Anti-aliasing" msgstr "Kantutjämning" #: ../../reference_manual/tools/rectangular_select.rst:55 msgid "" "This toggles whether or not to give selections feathered edges. Some people " "prefer hard-jagged edges for their selections." msgstr "" +"Ändrar om markeringar ska få vävkanter. Vissa människor föredrar skarpa" +" naggade kanter för sina markeringar." #: ../../reference_manual/tools/rectangular_select.rst:56 msgid "Width" msgstr "Bredd" #: ../../reference_manual/tools/rectangular_select.rst:57 msgid "" "Gives the current width. Use the lock to force the next selection made to " "this width." msgstr "" +"Ger den aktuella bredden. Använd lås för att tvinga nästa markering att få" +" den här bredden." #: ../../reference_manual/tools/rectangular_select.rst:58 msgid "Height" msgstr "Höjd" #: ../../reference_manual/tools/rectangular_select.rst:59 msgid "" "Gives the current height. Use the lock to force the next selection made to " "this height." msgstr "" +"Ger den aktuella höjden. Använd lås för att tvinga nästa markering att få den" +" här höjden." #: ../../reference_manual/tools/rectangular_select.rst:61 msgid "Ratio" msgstr "Förhållande" #: ../../reference_manual/tools/rectangular_select.rst:61 msgid "" "Gives the current ratio. Use the lock to force the next selection made to " "this ratio." msgstr "" +"Ger det aktuella förhållandet. Använd lås för att tvinga nästa markering att" +" få det här förhållandet." #: ../../reference_manual/tools/rectangular_select.rst:65 msgid "Round X" msgstr "Avrunda X" #: ../../reference_manual/tools/rectangular_select.rst:66 msgid "The horizontal radius of the rectangle corners." -msgstr "" +msgstr "Rektangelhörnens horisontella radie." #: ../../reference_manual/tools/rectangular_select.rst:67 msgid "Round Y" msgstr "Avrunda Y" #: ../../reference_manual/tools/rectangular_select.rst:68 msgid "The vertical radius of the rectangle corners." -msgstr "" +msgstr "Rektangelhörnens vertikala radie." + diff --git a/locale/sv/LC_MESSAGES/user_manual/vector_graphics.po b/locale/sv/LC_MESSAGES/user_manual/vector_graphics.po index 78f825c90..bd3fb1906 100644 --- a/locale/sv/LC_MESSAGES/user_manual/vector_graphics.po +++ b/locale/sv/LC_MESSAGES/user_manual/vector_graphics.po @@ -1,290 +1,309 @@ # Copyright (C) licensed under the GNU Free Documentation License 1.3+ unless stated otherwise # This file is distributed under the same license as the Krita Manual package. # # Stefan Asserhäll , 2019. msgid "" msgstr "" "Project-Id-Version: Krita Manual 4.1\n" "Report-Msgid-Bugs-To: \n" "POT-Creation-Date: 2019-05-04 03:33+0200\n" -"PO-Revision-Date: 2019-06-22 22:04+0100\n" +"PO-Revision-Date: 2019-06-23 13:40+0100\n" "Last-Translator: Stefan Asserhäll \n" "Language-Team: Swedish \n" "Language: sv\n" "MIME-Version: 1.0\n" "Content-Type: text/plain; charset=UTF-8\n" "Content-Transfer-Encoding: 8bit\n" "Plural-Forms: nplurals=2; plural=n != 1;\n" "X-Generator: Lokalize 2.0\n" #: ../../:4 msgid "" ".. image:: images/icons/Krita_mouse_right.png\n" " :alt: mouseright" msgstr "" ".. image:: images/icons/Krita_mouse_right.png\n" " :alt: högerknapp" #: ../../user_manual/vector_graphics.rst:1 msgid "Overview of vector graphics in Krita." msgstr "Översikt av vektorgrafik i Krita." #: ../../user_manual/vector_graphics.rst:11 msgid "Vector" msgstr "Vektor" #: ../../user_manual/vector_graphics.rst:16 msgid "Vector Graphics" msgstr "Vektorgrafik" #: ../../user_manual/vector_graphics.rst:18 msgid "" "Krita 4.0 has had a massive rewrite of the vector tools. So here's a page " "explaining the vector tools:" msgstr "" "I Krita 4.0 har en omfattande omskrivning av vektorverktygen gjorts. Här är" " en sida som förklarar vektorverktygen:" #: ../../user_manual/vector_graphics.rst:21 msgid "What are vector graphics?" msgstr "Vad är vektorgrafik?" #: ../../user_manual/vector_graphics.rst:23 msgid "" "Krita is primarily a raster graphics editing tool, which means that most of " "the editing changes the values of the pixels on the raster that makes up the " "image." msgstr "" "Krita är i huvudsak ett redigeringsverktyg av rastergrafik, vilket betyder" " att redigering mest ändrar bildpunktsvärden på rastret som utgör bilden." #: ../../user_manual/vector_graphics.rst:26 msgid ".. image:: images/Pixels-brushstroke.png" msgstr ".. image:: images/Pixels-brushstroke.png" #: ../../user_manual/vector_graphics.rst:27 msgid "" "Vector graphics on the other hand use mathematics to describe a shape. " "Because it uses a formula, vector graphics can be resized to any size." msgstr "" "Vektorgrafik använder å andra sidan matematik för att beskriva en form." " Eftersom den använder en formel, kan storleken på vektorgrafik ändras till" " vilken storlek som helst." #: ../../user_manual/vector_graphics.rst:29 msgid "" "On one hand, this makes vector graphics great for logos and banners. On the " "other hand, raster graphics are much easier to edit, so vectors tend to be " "the domain of deliberate design, using a lot of precision." msgstr "" "Å ena sidan gör det vektorgrafik utmärkt för logotyper och banderoller. Å" " andra sidan, är det mycket lättare att redigera rastergrafik, så domänen för" " vektorer brukar vara omsorgsfull design med användning av stor precision." #: ../../user_manual/vector_graphics.rst:32 msgid "Tools for making shapes" msgstr "Verktyg för att skapa former" #: ../../user_manual/vector_graphics.rst:34 msgid "" "You can start making vector graphics by first making a vector layer (press " "the arrow button next to the :guilabel:`+` in the layer docker to get extra " "layer types). Then, all the usual drawing tools outside of the freehand, " "dynamic and the multibrush tool can be used to draw shapes." msgstr "" "Man kan börja skapa vektorgrafik genom att först skapa ett vektorlager (tryck" " på piltangenten intill :guilabel:`+` i lagerpanelen för att få extra" " lagertyper). Sedan kan alla vanliga ritverktyg förutom verktygen frihands-," " dynamisk och multipensel användas för att rita former." #: ../../user_manual/vector_graphics.rst:36 msgid "" "The path and polyline tool are the tools you used most often on a vector " "layer, as they allow you to make the most dynamic of shapes." msgstr "" "Kontur- och flerlinjeverktygen är de som man oftast använder på ett" " vektorlager, eftersom de gör det möjligt att skapa de mest dynamiska" " formerna." #: ../../user_manual/vector_graphics.rst:38 msgid "" "On the other hand, the :guilabel:`Ellipse` and :guilabel:`Rectangle` tools " "allow you to draw special shapes, which then can be edited to make special " "pie shapes, or for easy rounded rectangles." msgstr "" "Å andra sidan låter verktygen :guilabel:`Ellips` och :guilabel:`Rektangel`" " dig rita speciella former, som sedan kan redigeras för att göra särskilda" " cirkelformer eller enkelt avrunda rektanglar." #: ../../user_manual/vector_graphics.rst:40 msgid "" "The calligraphy and text tool also make special vectors. The calligraphy " "tool is for producing strokes that are similar to brush strokes, while the " "text tool makes a text object that can be edited afterwards." msgstr "" "Kalligrafi- och textverktygen skapar också speciella vektorer." " Kalligrafiverktyget är till för att skapa streck som liknar penseldrag," " medan textverktyget skapar ett textobjekt som kan redigeras efteråt." #: ../../user_manual/vector_graphics.rst:42 msgid "" "All of these will use the current brush size to determine stroke thickness, " "as well as the current foreground and background color." msgstr "" "Alla dessa använder nuvarande penselstorlek för att bestämma dragets" " tjocklek, samt nuvarande förgrunds- och bakgrundsfärg." #: ../../user_manual/vector_graphics.rst:44 msgid "" "There is one last way to make vectors: the :guilabel:`Vector Image` tool. " "It allows you to add shapes that have been defined in an SVG file as " "symbols. Unlike the other tools, these have their own fill and stroke." msgstr "" "Det finns ett sista sätt att skapa vektorer, verktyget" " :guilabel:`Vektorbild`. Det låter dig lägga till former som har definierats" " i en SVG-fil som symboler. I motsats till andra verktyg, har de sina egna" " fyll och drag." #: ../../user_manual/vector_graphics.rst:47 msgid "Arranging Shapes" msgstr "Arrangera former" #: ../../user_manual/vector_graphics.rst:49 msgid "" "A vector layer has its own hierarchy of shapes, much like how the whole " "image has a hierarchy of layers. So shapes can be in front of one another. " "This can be modified with the arrange docker, or with the :guilabel:`Select " "Shapes` tool." msgstr "" "Ett vektorlager har sin egen hierarki av former, som påminner om hur hela" " bilden har en hierarki av lager. Så former kan vara framför varandra. Det" " kan ändras med arrangeringspanelen, eller med verktyget :guilabel:`Markera" " former`." #: ../../user_manual/vector_graphics.rst:51 msgid "" "The arrange docker also allows you to group and ungroup shapes. It also " "allows you to precisely align shapes, for example, have them aligned to the " "center, or have an even spacing between all the shapes." msgstr "" "Arrangeringspanelen låter dig också gruppera och dela upp former. Den låter" " dig också finjustera former, exempelvis centrera dem, eller ställa in lika" " stort mellanrum mellan alla formerna." #: ../../user_manual/vector_graphics.rst:54 msgid "Editing shapes" msgstr "Redigera former" #: ../../user_manual/vector_graphics.rst:56 msgid "" "Editing of vector shapes is done with the :guilabel:`Select Shapes` tool and " "the :guilabel:`Edit Shapes` tool." msgstr "" "Redigering av vektorformer görs med verktygen :guilabel:`Markera former` och" " :guilabel:`Redigera former`." #: ../../user_manual/vector_graphics.rst:58 msgid "" "The :guilabel:`Select Shapes` tool can be used to select vector shapes, to " "group them (via |mouseright|), ungroup them, to use booleans to combine or " "subtract shapes from one another (via |mouseright|), to move them up and " "down, or to do quick transforms." msgstr "" "Verktyget :guilabel:`Markera former` kan användas för att markera" " vektorformer för att gruppera dem (via höger musknapp), dela upp dem," " använda Booleska värden för att kombinera eller subtrahera former från" " varandra (via höger musknapp), flytta dem uppåt eller neråt, eller för att" " göra snabbtransformeringar." #: ../../user_manual/vector_graphics.rst:61 msgid "Fill" msgstr "Fyll" #: ../../user_manual/vector_graphics.rst:63 msgid "" "You can change the fill of a shape by selecting it and changing the active " "foreground color." msgstr "" +"Man kan ändra formers ifyllnad genom att markera den och ändra den aktiva" +" förgrundsfärgen." #: ../../user_manual/vector_graphics.rst:65 msgid "" "You can also change it by going into the tool options of the :guilabel:" "`Select Shapes` tool and going to the :guilabel:`Fill` tab." msgstr "" +"Man kan också ändra den genom att gå till verktygsalternativen för verktyget" +" :guilabel:`Markera former` och gå till fliken :guilabel:`Fyll`." #: ../../user_manual/vector_graphics.rst:67 msgid "" "Vector shapes can be filled with a solid color, a gradient or a pattern." msgstr "" "Vektorformer kan fyllas i med en viss färg, en toning eller ett mönster." #: ../../user_manual/vector_graphics.rst:70 msgid "Stroke" msgstr "Drag" #: ../../user_manual/vector_graphics.rst:72 msgid "Strokes can be filled with the same things as fills." msgstr "Drag kan fyllas i med samma saker som fyll." #: ../../user_manual/vector_graphics.rst:74 msgid "" "However, they can also be further changed. For example, you can add dashes " "and markers to the line." msgstr "" "Dock kan de också ändras ytterligare. Man kan exempelvis lägga till streck" " och markörer på linjen." #: ../../user_manual/vector_graphics.rst:77 msgid "Coordinates" msgstr "Koordinater" #: ../../user_manual/vector_graphics.rst:79 msgid "" "Shapes can be moved with the :guilabel:`Select Shapes` tool, and in the tool " "options you can specify the exact coordinates." msgstr "" "Former kan flyttas med verktyget :guilabel:`Markera former` och i" " verktygsalternativen kan man ange de exakta koordinaterna." #: ../../user_manual/vector_graphics.rst:82 msgid "Editing nodes and special parameters" msgstr "Redigera noder och specialparametrar" #: ../../user_manual/vector_graphics.rst:84 msgid "" "If you have a shape selected, you can double click it to get to the " "appropriate tool to edit it. Usually this is the :guilabel:`Edit Shape` " "tool, but for text this is the :guilabel:`Text` tool." msgstr "" +"Om en form är markerad kan man dubbelklicka på den för att komma till" +" lämpligt verktyg för att redigera den. Oftast är det verktyget" +" :guilabel:`Redigera form`, men för text är det verktyget :guilabel:`Text`." #: ../../user_manual/vector_graphics.rst:86 msgid "" "In the :guilabel:`Edit Shape` tool, you can move around nodes on the canvas " "for regular paths. For special paths, like the ellipse and the rectangle, " "you can move nodes and edit the specific parameters in the :guilabel:`Tool " "Options` docker." msgstr "" +"I verktyget :guilabel:`Redigera form` kan man flytta omkring noder på duken" +" för vanliga konturer. För speciella konturer, som ellipsen och rektangeln," +" kan man flytta noder och redigera de specifika parametrarna i panelen" +" :guilabel:`Verktygsalternativen`." #: ../../user_manual/vector_graphics.rst:89 msgid "Working together with other programs" msgstr "Arbeta tillsammans med andra program" #: ../../user_manual/vector_graphics.rst:91 msgid "" "One of the big things Krita 4.0 brought was moving from ODG to SVG. What " "this means is that Krita saves as SVG inside KRA files, and that means we " "can open SVGs just fine. This is important as SVG is the most popular vector " "format." msgstr "" +"En av de större saker som Krita 4.0 förde med sig var att gå från ODG till" +" SVG. Vad det innebär är att Krita sparar som SVG inne i KRA-filer, och det" +" betyder att vi kan öppna SVG:er utan problem. Det är viktigt, eftersom SVG" +" är det mest populära vektorformatet." #: ../../user_manual/vector_graphics.rst:94 msgid "Inkscape" msgstr "Inkscape" #: ../../user_manual/vector_graphics.rst:96 msgid "" "You can copy and paste vectors from Krita to Inkscape, or from Inkscape to " "Krita. Only the SVG 1.1 features are supported, so don't be surprised if a " "mesh gradient doesn't cross over very well." msgstr "" +"Man kan kopiera och klistra in vektorer från Krita i Inkscape, eller från" +" Inkscape i Krita. Bara funktionerna i SVG 1.1 stöds, så var inte förvånad om" +" nätverkstoningar inte överförs särskilt bra." + diff --git a/locale/uk_UA/LC_MESSAGES/general_concepts/colors/color_managed_workflow.po b/locale/uk_UA/LC_MESSAGES/general_concepts/colors/color_managed_workflow.po index 191a064b7..e459ab907 100644 --- a/locale/uk_UA/LC_MESSAGES/general_concepts/colors/color_managed_workflow.po +++ b/locale/uk_UA/LC_MESSAGES/general_concepts/colors/color_managed_workflow.po @@ -1,1529 +1,1529 @@ # Translation of docs_krita_org_general_concepts___colors___color_managed_workflow.po to Ukrainian # Copyright (C) 2019 This_file_is_part_of_KDE # This file is distributed under the license LGPL version 2.1 or # version 3 or later versions approved by the membership of KDE e.V. # # Yuri Chornoivan , 2019. msgid "" msgstr "" "Project-Id-Version: " "docs_krita_org_general_concepts___colors___color_managed_workflow\n" "Report-Msgid-Bugs-To: \n" -"POT-Creation-Date: 2019-06-17 03:13+0200\n" +"POT-Creation-Date: 2019-06-23 13:49+0200\n" "PO-Revision-Date: 2019-05-04 11:07+0300\n" "Last-Translator: Yuri Chornoivan \n" "Language-Team: Ukrainian \n" "Language: uk\n" "MIME-Version: 1.0\n" "Content-Type: text/plain; charset=UTF-8\n" "Content-Transfer-Encoding: 8bit\n" "Plural-Forms: nplurals=4; plural=n==1 ? 3 : n%10==1 && n%100!=11 ? 0 : n" "%10>=2 && n%10<=4 && (n%100<10 || n%100>=20) ? 1 : 2;\n" "X-Generator: Lokalize 19.03.70\n" -#: ../../general_concepts/colors/color_managed_workflow.rst:0 -msgid ".. image:: images/color_category/Kiki_matrix_profile.png" -msgstr ".. image:: images/color_category/Kiki_matrix_profile.png" - -#: ../../general_concepts/colors/color_managed_workflow.rst:0 -msgid ".. image:: images/color_category/Kiki_cLUTprofiles.png" -msgstr ".. image:: images/color_category/Kiki_cLUTprofiles.png" - #: ../../general_concepts/colors/color_managed_workflow.rst:None msgid ".. image:: images/color_category/Krita_2_9_colormanagement_group1.png" msgstr ".. image:: images/color_category/Krita_2_9_colormanagement_group1.png" #: ../../general_concepts/colors/color_managed_workflow.rst:None msgid ".. image:: images/color_category/Krita_2_9_colormanagement_group2.png" msgstr ".. image:: images/color_category/Krita_2_9_colormanagement_group2.png" #: ../../general_concepts/colors/color_managed_workflow.rst:None msgid ".. image:: images/color_category/Krita_2_9_colormanagement_group3.png" msgstr ".. image:: images/color_category/Krita_2_9_colormanagement_group3.png" #: ../../general_concepts/colors/color_managed_workflow.rst:None msgid ".. image:: images/color_category/Krita_2_9_colormanagement_group4.png" msgstr ".. image:: images/color_category/Krita_2_9_colormanagement_group4.png" #: ../../general_concepts/colors/color_managed_workflow.rst:None msgid ".. image:: images/dockers/LUT_Management_Docker.png" msgstr ".. image:: images/dockers/LUT_Management_Docker.png" #: ../../general_concepts/colors/color_managed_workflow.rst:None msgid ".. image:: images/color_category/Krita_HDR_1.svg" msgstr ".. image:: images/color_category/Krita_HDR_1.svg" #: ../../general_concepts/colors/color_managed_workflow.rst:None msgid ".. image:: images/color_category/Krita_HDR2.svg" msgstr ".. image:: images/color_category/Krita_HDR2.svg" #: ../../general_concepts/colors/color_managed_workflow.rst:None msgid "" ".. image:: images/color_category/Krita-colormanaged-workflow_webcomic.svg" msgstr "" ".. image:: images/color_category/Krita-colormanaged-workflow_webcomic.svg" #: ../../general_concepts/colors/color_managed_workflow.rst:None msgid ".. image:: images/color_category/Krita-colormanaged-workflow_print.svg" msgstr ".. image:: images/color_category/Krita-colormanaged-workflow_print.svg" #: ../../general_concepts/colors/color_managed_workflow.rst:None msgid ".. image:: images/color_category/Krita-colormanaged-workflow_games.svg" msgstr ".. image:: images/color_category/Krita-colormanaged-workflow_games.svg" +#: ../../general_concepts/colors/color_managed_workflow.rst:0 +msgid ".. image:: images/color_category/Kiki_matrix_profile.png" +msgstr ".. image:: images/color_category/Kiki_matrix_profile.png" + +#: ../../general_concepts/colors/color_managed_workflow.rst:0 +msgid ".. image:: images/color_category/Kiki_cLUTprofiles.png" +msgstr ".. image:: images/color_category/Kiki_cLUTprofiles.png" + #: ../../general_concepts/colors/color_managed_workflow.rst:1 msgid "How a color managed workflow works." msgstr "Як працювати із керуванням кольорами." #: ../../general_concepts/colors/color_managed_workflow.rst:12 msgid "Color" msgstr "Колір" #: ../../general_concepts/colors/color_managed_workflow.rst:12 msgid "Color Management" msgstr "Керування кольорами" #: ../../general_concepts/colors/color_managed_workflow.rst:12 msgid "ICC Profiles" msgstr "Профілі ICC" #: ../../general_concepts/colors/color_managed_workflow.rst:12 msgid "OCIO" msgstr "OCIO" #: ../../general_concepts/colors/color_managed_workflow.rst:17 msgid "Color Managed Workflow" msgstr "Процедура керування кольорами" #: ../../general_concepts/colors/color_managed_workflow.rst:19 msgid "" "You may have heard that Krita has something called color-management. Or " "maybe you just wondered what all these 'color model' and 'color profile' " "things you can find in the menus mean. Color management is pretty useful for " "people who work in digital imaging professionally, and hopefully this page " "will explain why." msgstr "" "Можливо, ви вже чули, що у Krita є щось, що називають «керування кольорами». " "Або, можливо, ви просто хочете дізнатися, що означають усі ці «моделі " "кольорів» та «профілі кольорів», які ви бачите у меню програми. Керування " "кольорами є доволі корисною річчю для тих, хто працює із цифровими " "зображеннями професійно. Сподіваємося, вміст цього розділу допоможе вам " "зрозуміти, чому це так." #: ../../general_concepts/colors/color_managed_workflow.rst:22 msgid "Basic Info" msgstr "Базові відомості" #: ../../general_concepts/colors/color_managed_workflow.rst:24 msgid "" "If you've never worked with color management before, and have no clue what " "it is, then know that you've probably been working in the 8bit RGB color " "space with the sRGB profile. This means you can choose for *sRGB built-in* " "or *sRGB-elle-v2-srgbtrc.icc*. With the new color space browser this profile " "is marked with *(default)* when using 8bit." msgstr "" "Якщо ви раніше ніколи не працювати із керуванням кольорами і гадки не маєте, " "що це таке, знайте — ви, ймовірно, працювали у 8-бітовому просторі кольорів " "RGB із профілем sRGB. Це означає, що ви можете вибрати *sRGB built-in* або " "*sRGB-elle-v2-srgbtrc.icc*. Якщо панель навігації просторами кольорів буде " "відкрито вперше, цей профіль буде позначено як *(типовий)*, якщо використано " "8-бітову глибину кольорів." #: ../../general_concepts/colors/color_managed_workflow.rst:26 msgid "" "We'll go into what these terms mean in the theory, but if you're here only " "for trying to figure out which is the default, you now know it. Maybe, after " "reading this, you may feel like changing the default, to get new and " "interesting results from filters, blending modes, or just the color smudge " "brush." msgstr "" "Ми розберемо теоретичне значення усіх згаданих вище термінів, але якщо ви " "відкрили цю сторінку, намагаючись визначити типові налаштування програми, " "тепер ви їх знаєте. Можливо, після прочитання цього розділу вам захочеться " "змінити типові параметри роботи, щоб отримати нові та цікаві результати від " "застосування фільтрів, режимів змішування або просто пензля розмазування " "кольорів." #: ../../general_concepts/colors/color_managed_workflow.rst:29 msgid "What is the problem?" msgstr "У чому проблема?" #: ../../general_concepts/colors/color_managed_workflow.rst:31 msgid "" "To explain the point of color management, you'd first need to learn which " "problem color management tries to solve." msgstr "" "Щоб зрозуміти пояснення щодо керування кольорами, вам спочатку слід " "розібратися із тим, яку проблему вирішує керування кольорами." #: ../../general_concepts/colors/color_managed_workflow.rst:33 msgid "Let us imagine a kinder garden:" msgstr "Уявімо собі дитячий садок:" #: ../../general_concepts/colors/color_managed_workflow.rst:35 msgid "" "The class of 28 children is subdivided in groups of 7. Each group has its " "own table." msgstr "" "Клас із 28 дітей поділено на групи по 7 дітей. У кожної групи є власна " "таблиця." #: ../../general_concepts/colors/color_managed_workflow.rst:37 msgid "" "The teacher gives them a painting assignment: They need to paint a red " "triangle, a blue square, a green circle and put a yellow border around the " "three. The kids are very experienced with painting already, so the teacher " "can confidently leave the smarter ones to their own devices, and spent more " "time on those who need help." msgstr "" "Вихователь дає завдання: треба намалювати червоний трикутник, синій квадрат, " "зелений круг і жовту рамку навколо усього намальованого. Діти вже добре " "обізнані у малюванні, отже вихователь може упевнено дозволити " "найдосвідченішим з них виконати роботу самостійно і може зосередитися на " "допомозі тим, хто її потребує." #: ../../general_concepts/colors/color_managed_workflow.rst:40 msgid "The following results come from painting:" msgstr "Малювання дає такі результати:" #: ../../general_concepts/colors/color_managed_workflow.rst:42 msgid "" "Even though all groups had the same assignment, each group's result looks " "different." msgstr "" "Хоча усі групи мали однакове завдання, результати у кожній групі виглядають " "по-різному." #: ../../general_concepts/colors/color_managed_workflow.rst:49 msgid "" "Group 1 had vermillion red, citron yellow and ultramarine blue to their " "disposal. This means their triangle looks nice and red, but their circle's " "green is muddy. This is because ultramarine is too dark of a blue to create " "nice greens with." msgstr "" "У групи 1 були у розпорядженні карміново-червоний, лимонно-жовтий та " "ультрамариновий синій. Це означає, що трикутники у них є красивими і " "червоними, але круг має дещо болотяний відтінок. Причина полягає у тому, що " "ультрамарин є надто темним відтінком синього, щоб у поєднанні із жовтим дати " "красивий зелений колір." #: ../../general_concepts/colors/color_managed_workflow.rst:56 msgid "" "Group 2 had magenta red, citron yellow and cerulean blue. Magenta is a type " "of red that is closer to pink, opposed to vermillion, which is closer to " "orange. However, their green looks nice because cerulean is a much lighter " "blue." msgstr "" "У групи 2 був малиновий червоний, лимонно-жовтий та лазурово-блакитний. " "Малиновий — різновид червоного кольору, який є ближчим до рожевого, на " "відміну від кармінового, який є ближчим до помаранчевого. Втім, зелений круг " "виглядає добре, оскільки лазуровий є набагато світлішим відтінком синього." #: ../../general_concepts/colors/color_managed_workflow.rst:64 msgid "" "Group 3 had vermillion red, citron yellow, emerald green and cerulean blue. " "They didn't mix their green, and thus ended up with a purer color." msgstr "" "У групи 3 був карміново-червоний, лимонно-жовтий, смарагдовий зелений та " "лазурово-блакитний. Цим дітям не довелося змішувати кольори для отримання " "зеленого, тому колір кругу є чистішим." #: ../../general_concepts/colors/color_managed_workflow.rst:71 msgid "" "Finally, group 4 has vermillion red, citron yellow and cerulean blue. Their " "colors probably look like what you imagined." msgstr "" "Нарешті, у групи 4 був карміново-червоний, лимонно-жовтий та лазурово-" "блакитний. Кольори дітей з цієї групи є, ймовірно, тими, які ви сподівалися " "побачити." #: ../../general_concepts/colors/color_managed_workflow.rst:73 msgid "" "Now, these are kindergarteners, so this isn't the largest problem in the " "world. However, imagine that something like this happened at a printing " "company? Imagine four printers printing the same magazine with wildly " "different results? That would be disastrous!" msgstr "" "Гаразд, це лише діти з дитячого садка, тому проблеми, які тут виникли, не " "мають значної ваги. Втім, уявіть собі, що щось подібне трапилося у " "видавництві. Уявіть чотири друкарські верстати, які друкують той самий " "журнал, але у зовсім різних кольорах. Це була б катастрофа!" #: ../../general_concepts/colors/color_managed_workflow.rst:75 msgid "For this purpose, we invented color management." msgstr "" "Саме для того, щоб уникнути цих проблем, і винайшли керування кольорами." #: ../../general_concepts/colors/color_managed_workflow.rst:78 msgid "What is color management?" msgstr "Що таке керування кольорами?" #: ../../general_concepts/colors/color_managed_workflow.rst:80 msgid "" "Color management is, dryly put, a set of systems that tries to have the same " "color translate properly between color devices." msgstr "" "Керування кольорами, якщо коротко, це набір правил, який допомагає належним " "чином переносити кольори між пристроями, які працюють із кольорами." #: ../../general_concepts/colors/color_managed_workflow.rst:82 msgid "" "It usually works by attempting to covert a color to the reference color " "space XYZ. XYZ is a coordinate system that has a spot for all colors that " "the average human eye can see." msgstr "" "Зазвичай, таке перенесення відбувається шляхом відображення кольорів до " "еталонного простору кольорів XYZ. XYZ — координатна система, у якій є точка " "для кожного кольору, який може бачити людське око." #: ../../general_concepts/colors/color_managed_workflow.rst:84 msgid "" "From XYZ it can then be translated back into another device space, such as " "RGB (for screens), or CMYK (for printers)." msgstr "" "Комп'ютер переносить дані з XYZ до простору іншого пристрою, зокрема до RGB " "(для екранів комп'ютерів) або CMYK (для принтерів)." #: ../../general_concepts/colors/color_managed_workflow.rst:86 msgid "" "Krita has two systems dedicated to color management. On the one hand, we " "have **lcms2**, which deal with ICC profiles, and on the other, we have " "**OCIO**, which deal with LUT color management." msgstr "" "У Krita передбачено дві системи для керування кольорами. З одного боку, у " "нас є **lcms2**, яка працює із профілями ICC, а з іншого — **OCIO**, яка " "працює із керуванням кольорами за таблицями пошуку (LUT)." #: ../../general_concepts/colors/color_managed_workflow.rst:88 msgid "" "To give a crude estimate, ICC profiles deal with keeping colors consistent " "over many interpretations of devices (screens, printers) by using a " "reference space, and OCIO deals with manipulating the interpretation of said " "colors." msgstr "" "Якщо грубо, профілі ICC призначено для підтримання сумісності кольорів між " "різновидами пристроїв (екранами, принтерами) на основі еталонного простору, " "а OCIO працює із інтерпретаціями відповідних кольорів." #: ../../general_concepts/colors/color_managed_workflow.rst:90 msgid "Within both we can identify the following color spaces:" msgstr "Для обох систем ми можемо говорити про такі простори кольорів:" #: ../../general_concepts/colors/color_managed_workflow.rst:93 msgid "" "Device spaces are those describing your monitor, and have to be made using a " "little device that is called \"colorimeter\". This device, in combination " "with the right software, measures the strongest red, green and blue your " "screen can produce, as well as the white, black and gray it produces. Using " "these and several other measurements it creates an ICC profile unique to " "your screen. You set these in Krita's color management tab. By default we " "assume sRGB for screens, but it's very likely that your screen isn't exactly " "fitting sRGB, especially if you have a high quality screen, where it may be " "a bigger space instead. Device spaces are also why you should first consult " "with your printer what profile they expect. Many printing houses have their " "own device profiles for their printers, or may prefer doing color conversion " "themselves. You can read more about colorimeter usage :ref:`here " "`." msgstr "" "Простори пристроїв — простори, які описують роботу, наприклад, вашого " "монітора. Їх створюють невеличкі пристрої, які називають колориметрами. Такі " "пристрої у поєднанні із належним програмним забезпеченням вимірюють " "найяскравіші червоний, зелений і синій кольори, які може бути відтворено " "екраном, а також параметри білого, чорного і сірого кольору. На основі цих " "та декількох інших вимірювань пристрій створює унікальний профіль ICC " "екрана. Такий профіль можна встановити за допомогою вкладки керування " "кольорами у Krita. Типово, програма припускає профіль sRGB для екранів, але, " "дуже ймовірно, що ваш екран не повністю відповідає sRGB, особливо якщо ви " "користуєтеся високоякісним екраном, який може відтворювати кольори із значно " "ширшого простору. Крім того, існування просторів пристроїв призводить до " "того, що перед друком слід обов'язково визначити, на який профіль кольорів " "розраховано ваш принтер. Багато виробників принтерів створюють власні " "профілі пристроїв для принтерів або реалізують перетворення кольорів за " "допомогою власних драйверів. Докладніший опис роботи з колориметрами " "наведено :ref:`тут `." #: ../../general_concepts/colors/color_managed_workflow.rst:94 msgid "Device spaces" msgstr "Простори пристроїв" #: ../../general_concepts/colors/color_managed_workflow.rst:96 msgid "Working spaces" msgstr "Робочі простори" #: ../../general_concepts/colors/color_managed_workflow.rst:97 msgid "" "These are delivered alongside Krita for ICC, and downloadable from the OCIO " "website for OCIO. Working spaces are particularly nice to do color " "calculations in, which programs like Krita do often. It's therefore " "recommended to have a working space profile for your image." msgstr "" "Ці простори є частиною пакунка Krita для ICC, а для OCIO їх можна отримати з " "сайта OCIO. У робочих просторах, зокрема, зручно виконувати обчислення з " "кольорами, які часто виконують програми, подібні до Krita. Тому рекомендуємо " "використовувати під час роботи з вашим зображенням профіль робочого простору." #: ../../general_concepts/colors/color_managed_workflow.rst:99 msgid "Aesthetic or Look spaces" msgstr "Естетичні простори або простори вигляду" #: ../../general_concepts/colors/color_managed_workflow.rst:99 msgid "" "These are special spaces that have been deformed to give a certain look to " "an image. Krita doesn't deliver Look profiles for ICC, nor does it yet " "support Look spaces for OCIO." msgstr "" "Це спеціальні простори, які викривлено так, щоб надати зображенню певного " "вигляду. До пакунка Krita не включено профілі вигляду для ICC, а у OCIO " "підтримку просторів вигляду ще не реалізовано." #: ../../general_concepts/colors/color_managed_workflow.rst:102 msgid "Color managed workflow" msgstr "Процедура керування кольорами" #: ../../general_concepts/colors/color_managed_workflow.rst:104 msgid "" "Knowing this about these spaces of course doesn't give you an idea of how to " "use them, but it does make it easier to explain how to use them. So let us " "look at a typical color management workflow:" msgstr "" "Загальні знання щодо цих просторів, звичайно ж, не нададуть вам уміння " "користуватися ними, але спростять пояснення способів їхнього використання. " "Отже, погляньмо на типову процедуру керування кольорами:" #: ../../general_concepts/colors/color_managed_workflow.rst:110 msgid ".. image:: images/color_category/Krita-colormanaged-workflow_text.svg" msgstr ".. image:: images/color_category/Krita-colormanaged-workflow_text.svg" #: ../../general_concepts/colors/color_managed_workflow.rst:110 msgid "" "A typical example of a color managed workflow. We have input from scanners " "and cameras, which we convert to a working space that can be used between " "different editing software, and is converted to an output space for viewing " "on screen or printing." msgstr "" "Типовий приклад робочого процесу із керуванням кольорами. Маємо вхідні дані " "зі сканерів та фотокамер, які ми перетворюємо до робочого простору, яким " "можна користуватися у різному програмному забезпеченні для редагування, " "потім перетворюємо дані до простору виведення даних для перегляду на екрані " "або друку." #: ../../general_concepts/colors/color_managed_workflow.rst:112 msgid "" "In a traditional color managed workflow, we usually think in terms of real " "world colors being converted to computer colors and the other way around. " "So, for example photos from a camera or scanned in images. If you have a " "device space of such a device, we first assign said device space to the " "image, and then convert it to a working space." msgstr "" "У традиційному робочому процесі із керуванням кольорами ми, зазвичай, " "працюємо із перетворенням природних кольорів на комп'ютерні кольори, і " "навпаки. Отже, розгляньмо, наприклад, фотографії з фотокамери або скановані " "зображення. Якщо є простір пристрою для вхідних даних, ми спочатку " "пов'язуємо відповідний простір пристрою із зображенням, а потім перетворюємо " "зображення до робочого простору." #: ../../general_concepts/colors/color_managed_workflow.rst:114 msgid "" "We then do all our editing in the working space, and use the working space " "to communicate between editing programs. In Krita's case, due to it having " "two color management systems, we use ICC profiles between programs like GIMP " "2.9+, Inkscape, digiKam and Scribus, and OCIO configuration between Blender " "and Natron." msgstr "" "Далі, виконуємо редагування у робочому просторі і використовуємо робочий " "простір для обміну даними між програмами. У випадку Krita, через існування " "двох систем керування кольорами ми використовуємо профілі ICC для обміну " "даними з програмами, зокрема GIMP 2.9+, Inkscape, digiKam та Scribus, і " "налаштування OCIO для обміну даними з Blender та Natron." #: ../../general_concepts/colors/color_managed_workflow.rst:116 msgid "" "You also store your working files in the working space, just like how you " "have the layers unmerged in the working file, or have it at a very high " "resolution." msgstr "" "Крім того, зберігаємо робочі файли у робочому просторі, подібно до того, як " "ви зберігаєте у робочому файлів роз'єднані шари або використовуєте у ньому " "високу роздільну здатність." #: ../../general_concepts/colors/color_managed_workflow.rst:118 msgid "" "Sometimes, we apply aesthetic or 'look' spaces to an image as part of the " "editing process. This is rather advanced, and probably not something to " "worry about in Krita's case." msgstr "" "Іноді, як частину процесу редагування, ми застосовуємо естетичні простори " "або простори вигляду до зображення. Це приклад доволі складного способу " "обробки, ймовірно, не варто ним перейматися у випадку Krita." #: ../../general_concepts/colors/color_managed_workflow.rst:120 msgid "" "Then, when we're done editing, we try to convert to an output space, which " "is another device space. This can be CMYK for printers or a special screen " "RGB profile. When you are dealing with professional printing houses, it is " "best to ask them about this step. They have a lot of experience with doing " "the best conversion, and may prefer to do the conversion from your working " "space to the device space of their printers." msgstr "" "Далі, коли редагування завершено, ми перетворюємо кольори до простору " "кольорів виведення, який є простором кольорів ще одного пристрою. Це може " "бути CMYK для принтерів або спеціальний профіль RGB екрана. Якщо ви маєте " "справу із професійною друкарнею, варто проконсультуватися там, перш ніж " "виконувати цей крок. Працівники друкарні мають більший досвід із " "перетворенням кольорів. Можливо, варто довіритися саме їм у перетворенні з " "робочого простору до простору пристроїв принтерів друкарні." #: ../../general_concepts/colors/color_managed_workflow.rst:122 msgid "" "Another form of output is the way your screen displays the color. Unlike " "regular output, this one is done all the time during editing: After all, you " "need to be able to see what you are doing, but your screen is still a device " "with a device space, so it does distort how the image looks. In this manner, " "you can see your screen as a set of binoculars you have to look through to " "see your image at all." msgstr "" "Іншою формою виведення даних є показ кольорів на дисплеях. На відміну від " "звичайного виведення даних воно виконується увесь час під час редагування: " "що б там не було, а вам завжди потрібно бачити результати роботи. Але екран " "теж є пристроєм зі своїм простором кольорів, тому він теж викривляє вигляд " "зображення. Ваш екран можна уявити як набір біноклів, крізь які ви дивитеся " "на ваше зображення." #: ../../general_concepts/colors/color_managed_workflow.rst:124 msgid "" "Therefore, without a profiled monitor, you actually don't know what the " "actual colors you are working with are like, because the computer doesn't " "know the relevant properties of your screen. So if you profiled your " "monitor, give Krita the profile in the settings, and select the sRGB space " "to draw in, you are for the first time seeing the actual colors of the sRGB " "space." msgstr "" "Тому, без профільованого монітора ви не матимете уявлення, як насправді " "виглядають кольори вашого зображення, оскільки комп'ютер не знає про " "відповідні властивості вашого екрана. Отже, якщо ви профілювали ваш монітор, " "надали Krita його профіль за допомогою параметрів програми і вибрали простір " "sRGB для малювання, ви вперше бачите справжні кольори простору sRGB." #: ../../general_concepts/colors/color_managed_workflow.rst:127 msgid "So what does this mean?" msgstr "Отже, що це все значить?" #: ../../general_concepts/colors/color_managed_workflow.rst:133 msgid "" ".. image:: images/color_category/Krita-colormanaged-workflow_krita_text.svg" msgstr "" ".. image:: images/color_category/Krita-colormanaged-workflow_krita_text.svg" #: ../../general_concepts/colors/color_managed_workflow.rst:133 msgid "" "When we paint from scratch, we can see our screen profile as the input " "space, because we use it to determine what colors to pick. This somewhat " "simplifies the workflow, but makes the screen profile and viewing conditions " "more important." msgstr "" "Якщо малювання виконується «з нуля», профіль екрана можна розглядати як " "вхідний простір кольорів, оскільки він використовується для вибору кольорів. " "Це дещо спрощує робочий процес, але робить профілювання екрана та умови " "перегляду важливішими." #: ../../general_concepts/colors/color_managed_workflow.rst:135 msgid "" "Now, photographers and people who do a tricky discipline of VFX called " "'color grading' will go completely mad over trying to get the colors they " "put in to come out 100% correctly, and will even count in factors like the " "time of day and the color they painted their walls. For example, if the wall " "behind your computer is pure red, your eyes will adjust to be less sensitive " "to red, which means that the colors they pick in the program could come out " "redder. We call these the *viewing conditions*." msgstr "" "Фотомитці та ті, хто володіє примхливим мистецтвом візуальних ефектів, яке " "називається «виправленням кольорів», можуть намагатися до запаморочення " "досягти 100% правильного вигляду кольорів, враховуючи навіть такі фактори, " "як пора доби чи кольори, у які пофарбовано стіни. Наприклад, якщо стіну за " "монітором пофарбовано у червоний колір, чутливість ваших очей до червоного " "кольору зменшиться, а це означає, що кольори на екрані здаватимуться " "червонішими. Це називається *умови перегляду*." #: ../../general_concepts/colors/color_managed_workflow.rst:137 msgid "" "Thankfully, artists have to worry a slight bit less about this. As " "illustrations are fully handmade, we are able to identify the important bits " "and make appropriate contrasts between colors. This means that even if our " "images turn out to be slightly redder than intended, it is less likely the " "whole image is ruined. If we look back at the kindergarten example above, we " "still understand what the image was supposed to look like, despite there " "being different colors on each image. Furthermore, because the colors in " "illustrations are deliberately picked, we can correct them more easily on a " "later date. Yet, at the same time, it is of course a big drag to do this, " "and we might have had much more flexibility had we taken viewing conditions " "under consideration." msgstr "" "На щастя, художникам не слід цим надто перейматися. Оскільки ілюстрації — " "повністю ручна робота, можна ідентифікувати важливі речі і створити " "відповідні контрасти між кольорами. Це означає, що навіть якщо наше " "зображення виглядатиме дещо червонішим, ніж ми сподівалися, ймовірність, що " "його буде зіпсовано, менша. Якщо повернутися до нашого прикладу із дитячим " "садком, неточні кольори не завадять нам зрозуміти, як мало виглядати " "зображення, хоча на кожному із його варіантів ми бачимо різні кольори. " "Більше того, оскільки кольори на ілюстраціях вибрано довільним чином, нам " "згодом буде просто їх виправити. Втім, одночасно, звичайно ж, було б добре " "мати правильні кольори, — у нас би був набагато ширший простір для маневрів, " "якби ми могли взяти до уваги умови перегляду." #: ../../general_concepts/colors/color_managed_workflow.rst:139 msgid "" "That said, for artists it is also very useful to understand the working " "spaces. Different working spaces give different results with filters and " "mixing, and only some working spaces can be used for advanced technology " "like HDR." msgstr "" "Звідси можна зробити висновок, що для художників теж дуже корисним є " "розуміння робочих просторів. Використання різних робочих просторів дає різні " "результати при фільтруванні та змішуванні, і лише деякі робочі простори " "можна використовувати разом із новітніми технологіями, зокрема для зображень " "із широким динамічним діапазоном (HDR)." #: ../../general_concepts/colors/color_managed_workflow.rst:141 msgid "" "Similarly, Krita, as a program intended to make images from scratch, doesn't " "really worry about assigning workspaces after having made the image. But " "because you are using the screen as a binocular to look at your image, and " "to pick colors, you can see your screen's device space as an input space to " "the image. Hence why profiling your monitor and giving the profile to Krita " "in the settings can help with preparing your work for print and future " "ventures in the long run." msgstr "" "Так само, Krita, як програма для створення зображень «з нуля», не " "переймається призначенням робочих просторів після створення зображення. Але " "оскільки ви використовуєте екран як бінокль для перегляду вашого зображення " "і вибору кольорів, ви можете розглядати простір кольорів пристрою вашого " "екрана як вхідний простір зображення. Ось чому профілювання вашого монітора " "і визначення його профілю у параметрах роботи Krita може допомогти у " "приготуванні вашої роботи до друку та подальшій роботі у довгостроковій " "перспективі." #: ../../general_concepts/colors/color_managed_workflow.rst:143 msgid "" "Overall, it is kinda useful to keep things like viewing conditions in the " "back of your mind. Many professional artists use a mid-gray color as their " "default canvas background because they find they create much more dynamic " "images due to having improved their viewing conditions. It is also why a lot " "of graphics programs, including Krita, come with a dark theme nowadays. " "(Though, of course this might also be because dark themes can be considered " "cool, who knows.)" msgstr "" "Загалом, корисно мати на увазі речі, подібні до умов перегляду. Багато " "професійних художників використовують помірно-сірий колір як типовий колір " "тла полотна, оскільки таким чином вони досягають динамічнішого ефекту на " "зображеннях через поліпшення умов перегляду. Це також одна з причин, чому " "багато програм для роботи з графікою, зокрема Krita, типово використовують " "темні теми оформлення інтерфейсу. (Втім, звичайно ж, причиною може бути і " "проста мода на темні теми, як знати.)" #: ../../general_concepts/colors/color_managed_workflow.rst:148 msgid "ICC profiles" msgstr "Профілі ICC" #: ../../general_concepts/colors/color_managed_workflow.rst:150 msgid "" "An ICC profile is a set of coordinates describing the extremities of the " "device space within XYZ, and it is the color management data you use to " "communicate your working space to printers and applications that are " "designed for the print industry, such as GIMP, Scribus, Photoshop, " "Illustrator, Inkscape, Digikam, RawTheraphee, etc. You have two types of ICC " "profiles:" msgstr "" "Профіль ICC є набором координат, які описують межі простору кольорів " "пристрою у XYZ, а також дані щодо керування кольорами, які використовують " "для надсилання даних з вашого робочого простору до принтерів та програм, які " "розроблено для друкарської справи, зокрема GIMP, Scribus, Photoshop, " "Illustrator, Inkscape, Digikam, RawTheraphee тощо. Передбачено два типи " "профілів ICC:" #: ../../general_concepts/colors/color_managed_workflow.rst:153 msgid "" "These are delivered alongside Krita. Matrix shaper profiles are made by " "setting parameters and interpolating between these to get the exact size of " "the color space. Due to this, Krita's color space browser can give you a lot " "of information on these profiles. Such profiles are also preferable as " "working space." msgstr "" "Ці профілі постачаються разом із Krita. Профілі Matrix shaper визначаються " "встановленням параметрів та інтерполяцією між ними для отримання точного " "розміру простору кольорів. Через це засіб навігації просторами кольорів " "Krita може надати вам багато інформації щодо цих профілів. Такі профілі " "також є пріоритетними як робочі простори." #: ../../general_concepts/colors/color_managed_workflow.rst:159 msgid "Matrix Shaper profiles." msgstr "Профілі Matrix Shaper" #: ../../general_concepts/colors/color_managed_workflow.rst:159 msgid "" "Matrix shaper profiles have a few parameters that describe the color space " "which are then interpolated between, this requires a lot of maths." msgstr "" "Профілі Matrix shaper визначаються декількома параметрами опису простору " "кольорів, між якими дані простору кольорів інтерполюють, а це вимагає " "значних математичних обчислень." #: ../../general_concepts/colors/color_managed_workflow.rst:162 msgid "" "These are fairly rare, and primarily used to describe printer profiles, such " "as CMYK. cLUT, or Color Look-up Table profiles store far more data than " "Matrix shaper profiles, so they can hold data of little particularities " "caused by, for example, unexpected results from mixing pigments. This is a " "far more organic approach to describing a color space, hence why a lot of " "programs that don't care for color management much don't support these." msgstr "" "Ці профілі є рідкісними. Їхнім основним призначенням є опис кольорів " "принтерів, зокрема CMYK. Профілі cLUT або профілі Color Look-up Table " "(пошуку кольорів за таблицею) містять набагато більше даних за профілі " "Matrix shaper. Там можуть зберігатися дані щодо незначних особливостей, які " "спричинено, наприклад, неочікуваними результатами змішування пігментів. Це " "набагато приземленіший шлях до опису простору кольорів, ось чому у багатьох " "програмах, розробники яких не переймаються керуванням кольорами, підтримки " "таких профілів не передбачено." #: ../../general_concepts/colors/color_managed_workflow.rst:168 msgid "" "cLUT profiles work by holding tables of each color in a color space and " "their respective coordinates in a reference space. For CMYK this is " "typically L\\*A\\*B\\* and for the rest XYZ. These tables are tricky to " "make, which means these profiles are a lot rarer." msgstr "" "Профілі cLUT працюють на основі таблиць для кожного з кольорів у просторі " "кольорів та даних щодо відносних координат кольорів у еталонному просторі. " "Для CMYK це, типово, L\\*A\\*B\\*, а для решти просторів кольорів — XYZ. " "Такі таблиці важко створити, тому профілі цього типу є дуже рідкісними." #: ../../general_concepts/colors/color_managed_workflow.rst:169 msgid "cLUT profiles" msgstr "Профілі cLUT" #: ../../general_concepts/colors/color_managed_workflow.rst:171 msgid "" "The interesting thing about ICC profiles is that your working space can be " "larger than your device space. This is generally not bad. However, when " "converting, you do end up with the question of how to translate the working " "space values." msgstr "" "Цікавою особливістю профілів ICC є те, що ваш робочий простір може бути " "ширшим за простір пристрою. Зазвичай, у цьому немає нічого поганого. Втім, " "під час перетворення між цими просторами кольорів виникає питання щодо того, " "як передавати значення з одного простору до іншого." #: ../../general_concepts/colors/color_managed_workflow.rst:174 msgid "Perceptual" msgstr "Придатне для сприйняття відтворення" #: ../../general_concepts/colors/color_managed_workflow.rst:174 msgid "" "This just squishes the values of the working space into the space it's " "converted to. It's a nice method to see all possible values in this, but not " "so good if you want accurate color reproduction. Use this if you want to see " "all colors in an image, or want to express all possible contrasts. Doesn't " "work with Matrix Shaper profiles, defaults to relative colorimetric." msgstr "" "У цьому режимі програма стискає значення з робочого простору до простору " "перетворення. Цей чудовий спосіб побачити усі можливі значення, але він не є " "надто точним у відтворенні кольорів. Користуйтеся ним, якщо ви хочете " "побачити усі кольори на зображенні або хочете виразити усі можливі " "контрасти. Цей режим не працює з профілями Matrix Shaper, типово " "перетворюючись на відносний колориметричний." #: ../../general_concepts/colors/color_managed_workflow.rst:177 msgid "Absolute Colorimetric." msgstr "Абсолютне колориметричне відтворення" #: ../../general_concepts/colors/color_managed_workflow.rst:177 msgid "" "The opposite to Perceptual, Absolute colorimetric will attempt to retain all " "the correct colors at whatever cost, which may result in awful looking " "colors. Recommended only for reproduction work. Doesn't work with Matrix " "Shaper profiles in Krita due to ICC v4 workflow standards." msgstr "" "Протилежність придатного до сприйняття. У режимі абсолютного " "колориметричного відтворення програма намагається зберегти усі правильні " "кольори за будь-яку ціну, що може призвести до жахливого вигляду кольорів. " "Рекомендовано використовувати лише для репродукцій. Не працює з профілями " "Matrix Shaper у Krita через дотримання програмою стандартів робочого процесу " "ICC v4." #: ../../general_concepts/colors/color_managed_workflow.rst:180 msgid "Relative Colorimetric" msgstr "Відносне колориметричне відтворення" #: ../../general_concepts/colors/color_managed_workflow.rst:180 msgid "" "An in between solution between perceptual and absolute, relative will try to " "fit whatever colors it can match between color spaces. It does this by " "aligning the white and black points. It cuts off the rest to their " "respective borders. This is what all matrix shaper profiles default to " "during conversion, because the ICC v4 workflow specifies to only use " "Relative Colorimetric for matrix shaper profiles." msgstr "" "Проміжний варіант між придатним для сприйняття та абсолютним " "колориметричним. У режимі відносного колориметричного відтворення програма " "намагається встановити найкращу відповідність між просторами кольорів. Це " "завдання виконується шляхом вирівнювання точок білого і чорного кольорів у " "просторах. Усе, що виходить за відповідні межі, обрізається. Це типовий " "режим перетворення для усіх профілів matrix shaper, оскільки робочим " "процесом ICC v4 передбачено використання для профілів matrix shaper лише " "відносного колориметричного відтворення." #: ../../general_concepts/colors/color_managed_workflow.rst:183 msgid "Saturation" msgstr "Насиченість" #: ../../general_concepts/colors/color_managed_workflow.rst:183 msgid "" "Does anything to retain colorfulness, even hue will be sacrificed. Used in " "infographics. Doesn't work with Matrix Shaper profiles, defaults to relative " "colorimetric." msgstr "" "Зберігає кольоровість за будь-яку ціну, навіть шляхом втрати відтінків. " "Використовується для інфографіки. Не працює із профілями Matrix Shaper, " "типовим відтворенням є відносне колориметричне." #: ../../general_concepts/colors/color_managed_workflow.rst:185 msgid "" "*ICC profile version* is the last thing to keep in mind when dealing with " "ICC profiles. Krita delivers both Version 2 and Version 4 profiles, with the " "later giving better results in doing color maths, but the former being more " "widely supported (as seen below in 'Interaction with other applications'). " "This is also why Krita defaults to V2, and we recommend using V2 when you " "aren't certain if the other programs you are using support V4." msgstr "" "*Версія профілю ICC* — це остання річ, яку слід взяти до уваги при роботі з " "профілями ICC. До складу пакунка Krita включено профілі версій 2 та 4. " "Останні дають кращі результати при виконання математичних дій з кольорами, а " "у перших ширша підтримка (як можна бачити у наведених нижче даних щодо " "сумісності з іншими програмами). Ось чому типовими для Krita є профілі " "версії 2. Ми рекомендуємо використовувати версію 2, якщо ви не певні щодо " "того, чи передбачено в інших програмах, якими ви користуєтеся підтримку " "версії 4." #: ../../general_concepts/colors/color_managed_workflow.rst:188 msgid "LUT docker and HDR imaging" msgstr "" "Бічна панель таблиці пошуку та робота із зображеннями із широким динамічним " "діапазоном" #: ../../general_concepts/colors/color_managed_workflow.rst:196 msgid "" "The :ref:`lut_docker` is the second important bit of color management in " "Krita that is shared between Krita and programs like Blender, Natron and " "Nuke, and only uses Look Up Tables that are configured via a config file." msgstr "" ":ref:`lut_docker` є другим важливим інструментом керування кольорами у " "Krita, інструментом, який є спільним для Krita і програм, подібних до " "Blender, Natron і Nuke, і який використовує лише таблиці пошуку (Look Up " "Tables), які визначено у файлі налаштувань." #: ../../general_concepts/colors/color_managed_workflow.rst:198 msgid "" "You can set the workingspace of the image under input color space, and the " "display to sRGB or your own LUT if you have added it to the configuration. " "View in this case is for proofing transforms to a certain display device." msgstr "" "Ви можете встановити робочий простір зображення у полі для простору кольорів " "вхідних даних і показати дані у дані зображення у sRGB або вашій власній " "LUT, якщо ви додали її у налаштуваннях. У цьому випадку перегляд буде у " "формі проби кольорів для певного пристрою для показу." #: ../../general_concepts/colors/color_managed_workflow.rst:200 msgid "" "Component, exposure, gamma, whitepoint and blackpoint are knobs which allows " "you to modify the display filter." msgstr "" "Кнопки компонента, експозиції, гамми, точки білого та точки чорного надають " "вам змогу змінити фільтр показу." #: ../../general_concepts/colors/color_managed_workflow.rst:208 msgid "" "As explained before, we can see our monitor as a telescope or binocular into " "the world of our picture. Which means it distorts our view of the image a " "little. But we can modify this binocular, or display filter to see our image " "in a different way. For example, to allow us to see the white in an image " "that are whiter than the white of our screen. To explain what that means, we " "need to think about what white is." msgstr "" "Як ми вже пояснювали, монітор можна розглядати як бінокль або телескоп, які " "спрямовано у світ нашого зображення. Це означає, що він певним чином " "викривляє вигляд зображення. Але ми можемо внести зміни до цього бінокля або " "додати фільтр перегляду, щоб бачити зображення інакше. Наприклад, це може " "надати нам змогу бачити білий колір на зображенні, де білий є білішим за " "білий колір на екрані. Щоб пояснити, як це працює, нам слід детальніше " "розглянути поняття «білий колір»." #: ../../general_concepts/colors/color_managed_workflow.rst:210 msgid "" "For example, white, on our monitor is full red, full green and full blue. " "But it's certainly different from white on our paper, or the color of milk, " "white from the sun, or even the white of our cell-phone displays." msgstr "" "Наприклад, білий на нашому моніторі складається із найяскравішого червоного, " "найяскравішого зеленого і найяскравішого синього. Але він, напевне, " "відрізняється від білого на нашому папері, кольору молока, білого на сонці " "або навіть білого на дисплеї мобільного телефону." #: ../../general_concepts/colors/color_managed_workflow.rst:212 msgid "" "Black similarly, is brighter on a LCD display than a LED one, and " "incomparable with the black of a carefully sealed room." msgstr "" "Чорний, так само, є яскравішим на рідкокристалічному дисплеї, ніж на " "електропроменевому дисплеї, його навіть не можна порівняти із чорним у " "належним чином світлоізольованій кімнаті." #: ../../general_concepts/colors/color_managed_workflow.rst:214 msgid "" "This means that there's potentially blacker blacks than screen black, and " "white whites than screen white. However, for simplicity's sake we still " "assign the black-point and the white-point to certain values. From there, we " "can determine whether a white is whiter than the white point, or a black " "blacker than the black-point." msgstr "" "Це означає, що потенційно існують чорніші за чорний колір на екрані чорні " "кольори і існують біліші за колір на екрані білі кольори. Втім, для " "простоти, ми все одно встановлюємо певні значення для точки чорного кольору " "і точки білого кольору. На основі цих значень ми можемо визначити, чи є " "білий білішим за точку білого або чи є чорний чорнішим за точку чорного." #: ../../general_concepts/colors/color_managed_workflow.rst:216 msgid "" "The LUT docker allows us to control this display-filter and modify the " "distortion. This is useful when we start modifying images that are made with " "scene referred values, such as HDR photos, or images coming out of a render " "engine." msgstr "" "Бічна панель пошуку за таблицею надає нам змогу керувати цим фільтром показу " "і змінювати викривлення. Це корисно, якщо ми почали вносити зміни до " "зображення, яке було створено із значеннями, які пов'язано зі сценою, " "зокрема до фотографій з широким динамічним діапазоном або зображень, які " "отримано від рушія просторового моделювання." #: ../../general_concepts/colors/color_managed_workflow.rst:224 msgid "" "So, for example, we can choose to scale whiter-than-screen-white to our " "screen-white so we can see the contrasts there." msgstr "" "Отже, наприклад, ми можемо вибрати масштабування кольору, який є білішим за " "білий на екрані, до білого на екрані так, щоб можна було бачити контрасти." #: ../../general_concepts/colors/color_managed_workflow.rst:226 msgid "" "The point of this is that you can take advantage of more lightness detail in " "an image. While you can't see the difference between screen white and whiter-" "than-screen-white (because your screen can't show the difference), graphics " "programs can certainly use it." msgstr "" "Суть у тому, що ви можете скористатися перевагами детальнішою освітленістю " "на зображенні. Хоча ви не зможете побачити різниці між білим на екрані та " "білішим-за-білий-на-екрані (оскільки ваш екран просто не може показати цієї " "різниці), графічні програми, звичайно ж, можуть використовувати цю різницю." #: ../../general_concepts/colors/color_managed_workflow.rst:228 msgid "" "A common example is matching the lighting between a 3d model and a real " "world scene. Others are advanced photo retouching, with much more contrast " "information available to the user. In painting itself, this allows you to " "create an image where you can be flippant with the contrast, and allow " "yourself to go as bright as you'd like." msgstr "" "Типовим прикладом є встановлення відповідності освітлення між просторовою " "моделлю та сценою з реального життя. Іншим прикладом є ретушування " "фотографій із ширшими даними щодо контрастності. У самому малюванні, це " "надає змогу створювати зображення, на якому ви можете використовувати шалені " "контрасти, де ви можете вибирати будь-яку яскравість." #: ../../general_concepts/colors/color_managed_workflow.rst:230 msgid "" "LUT docker manipulations are per view, so you can create a new view and set " "it to luminosity. This way you can see the image in both color as well as " "grayscale and keep a good eye on your values." msgstr "" "Дії на бічній панелі пошуку за таблицею стосуються окремої панелі перегляду, " "тому ви можете створити панель перегляду і встановити для неї канал " "світності. У такий спосіб ви бачитимете одночасно зображення у кольорі та " "відтінках сірого, отже зможете спостерігати за значеннями кольорів." #: ../../general_concepts/colors/color_managed_workflow.rst:232 msgid "" "Another example is to carefully watch the gradients in a certain section." msgstr "" "Іншим прикладом є доскіпливе стеження за градієнтами у певному перетині." #: ../../general_concepts/colors/color_managed_workflow.rst:234 msgid "" "Like ICC, the LUT Docker allows you to create a profile of sorts for your " "device. In this case it's the 'lut', which stands for 'Look Up Table', and " "which can be added to OCIO by modifying the configuration file. When OCIO is " "turned on, the configuration in :menuselection:`Settings --> Configure Krita " "--> Color Management` is turned off, unless you are using the :guilabel:" "`Internal` color engine." msgstr "" "Подібно до ICC, за допомогою бічної панелі пошуку за таблицею, ви можете " "створити певний профіль для вашого пристрою. У нашому прикладі це 'lut', " "скорочення від 'Look Up Table' (таблиця пошуку). Цей профіль можна додати до " "OCIO внесенням змін до файла налаштувань. Якщо увімкнено OCIO, налаштування " "на сторінці :menuselection:`Параметри --> Налаштувати Krita --> Керування " "кольорами` буде вимкнено, якщо ви не використовуєте рушій кольорів :guilabel:" "`Вбудований`." #: ../../general_concepts/colors/color_managed_workflow.rst:237 msgid "In summary" msgstr "Підсумок" #: ../../general_concepts/colors/color_managed_workflow.rst:239 msgid "Krita has two modes of color management:" msgstr "У Krita передбачено два режими керування кольорами:" #: ../../general_concepts/colors/color_managed_workflow.rst:241 msgid "" "ICC works in terms of spaces relative to the CIEXYZ space, and requires an " "ICC profile." msgstr "" "ICC працює у термінах просторів, відносних до простору CIEXYZ, і потребує " "профілю ICC." #: ../../general_concepts/colors/color_managed_workflow.rst:242 msgid "OCIO works in terms of interpretation, and makes use of luts." msgstr "OCIO працює у сенсі інтерпретації і використовує таблиці пошуку (LUT)." #: ../../general_concepts/colors/color_managed_workflow.rst:243 msgid "both can be made with a colorimeter." msgstr "обидва можна виконати за допомогою колориметра." #: ../../general_concepts/colors/color_managed_workflow.rst:244 msgid "" "If you want to have a properly color managed workflow, you have one made " "customary for the input device (your screen) and the output devices (your " "printer, or target screen). For web the output is always sRGB." msgstr "" "Якщо вам потрібен робочий процес із належним керуванням кольорами, вам " "знадобиться один нетиповий профіль для пристрою вхідних даних (вашого " "монітора) та профілі для пристроїв виведення даних (вашого принтера або " "екрана призначення). Для інтернету профілем виведення завжди буде sRGB." #: ../../general_concepts/colors/color_managed_workflow.rst:245 msgid "" "Set up your screen profiles under :menuselection:`Settings --> Configure " "Krita --> Color management`." msgstr "" "Налаштуйте ваші профілі екрана за допомогою пункту меню :menuselection:" "`Параметри --> Налаштувати Krita --> Керування кольорами`." #: ../../general_concepts/colors/color_managed_workflow.rst:246 msgid "" "Do NOT use screen profiles or other device profiles to draw in. Use a " "working space profile such as any of the elle profiles for this, as the " "color maths will be much more predictable and pleasant. Krita will convert " "between your screen and working space on the fly, allowing you to pick the " "correct colors. This turns your screen into binoculars to view the image." msgstr "" "**Не** використовуйте профілів екрана або інших пристроїв для малювання. " "Використовуйте для малювання профіль робочого простору, зокрема будь-який з " "профілів elle, оскільки з такими профілями дії з кольорами будуть набагато " "більш передбачуваними, а їхні наслідки виглядатимуть привабливіше. Krita " "виконуватиме перетворення між простором кольорів вашого екрана та робочим " "простором на льоту, надаючи вам змогу вибрати належні кольори. Це " "перетворить ваше екран на бінокль для перегляду зображення." #: ../../general_concepts/colors/color_managed_workflow.rst:247 msgid "" "Use the appropriate color management for the appropriate workflow. If you " "are working with Blender, you will be better off using OCIO, than ICC. If " "you are working with Scribus or Photoshop, use ICC." msgstr "" "Користуйтеся відповідним до робочого процесу керуванням кольорами. Якщо ви " "працюєте з Blender, варто скористатися OCIO, а не ICC. Якщо ви працюєте із " "Scribus або Photoshop, скористайтеся ICC." #: ../../general_concepts/colors/color_managed_workflow.rst:249 msgid "" "Krita does a lot of color maths, often concerning the blending of colors. " "This color maths works best in linear color space, and linear color space " "requires a bit depth of at the least 16bit to work correctly. The " "disadvantage is that linear space can be confusing to work in." msgstr "" "Krita виконує багато математичних дій із числовими характеристиками " "кольорів. Часто ці дії пов'язано зі змішуванням кольорів. Дії з кольорами " "найкраще виконувати у лінійному просторі кольорів, а для правильної роботи " "лінійного простору кольорів потрібна бітова глибина кольорів у принаймні 16 " "бітів. Недоліком використання лінійних просторів є те, що іноді робота у них " "є дещо незвичною." #: ../../general_concepts/colors/color_managed_workflow.rst:251 msgid "" "If you like painting, have a decent amount of RAM, and are looking to start " "your baby-steps in taking advantage of Krita's color management, try " "upgrading from having all your images in sRGB built-in to sRGB-v2-elle-g10." "icc or rec2020-v2-elle-g10.icc at 16bit float. This'll give you better color " "blending while opening up the possibility for you to start working in hdr!" msgstr "" "Якщо ви полюбляєте малювати, на вашому комп'ютері встановлено багато " "оперативної пам'яті і ви робите перші кроки у використанні усіх переваг " "керування кольорами у Krita, спробуйте перейти з використання у всіх ваших " "малюнках вбудованого профілю sRGB на профіль sRGB-v2-elle-g10.icc або " "rec2020-v2-elle-g10.icc із 16-бітовими дійсними значеннями для компонентів " "кольорів. Це надасть вам ширші можливості у змішуванні кольорів і відкриє " "для вас можливості роботи із широким динамічним діапазоном кольорів (HDR)!" #: ../../general_concepts/colors/color_managed_workflow.rst:256 msgid "" "Some graphics cards, such as those of the NVidia-brand actually have the " "best performance under 16bit float, because NVidia cards convert to floating " "point internally. When it does not need to do that, it speeds up!" msgstr "" "Деякі графічні картки, зокрема картки виробництва NVidia, демонструють кращу " "швидкодію із 16-бітовими дійсними значенням каналів кольорів, оскільки на " "картках NVidia на внутрішньому рівні виконується перетворення значень на " "дійсні числа. Якщо не потрібно виконувати додаткове перетворення, робота " "пришвидшується!" #: ../../general_concepts/colors/color_managed_workflow.rst:260 msgid "" "No amount of color management in the world can make the image on your screen " "and the image out of the printer have 100% the same color." msgstr "" "Немає жодної методики керування кольорами, яка могла б зробити зображення на " "вашому екрані і надруковане принтером зображення абсолютно однаковими за " "кольорами." #: ../../general_concepts/colors/color_managed_workflow.rst:263 msgid "Exporting" msgstr "Експортування" #: ../../general_concepts/colors/color_managed_workflow.rst:265 msgid "" "When you have finished your image and are ready to export it, you can modify " "the color space to optimize it:" msgstr "" "Коли роботу над вашим зображенням буде завершено, і ви будете готові " "експортувати його, ви можете змінити простір кольорів, щоб оптимізувати " "зображення:" #: ../../general_concepts/colors/color_managed_workflow.rst:267 msgid "If you are preparing an image for the web:" msgstr "Якщо ви готуєте зображення для використання у інтернеті:" #: ../../general_concepts/colors/color_managed_workflow.rst:269 msgid "" "If you use 16bit color depth or higher, convert the image to 8bit color " "depth. This will make the image much smaller." msgstr "" "Якщо ви використовуєте 16-бітову або більшу глибину кольорів, перетворіть " "зображення на зображення із 8-бітовою глибиною кольорів. Це значно зменшить " "розміри зображення." #: ../../general_concepts/colors/color_managed_workflow.rst:271 msgid "" "Krita doesn't have built-in dithering currently, which means that 16 to " "18bit conversions can come out a bit banded. But you can simulate it by " "adding a fill layer with a pattern, set this fill layer to overlay, and to " "5% opacity. Then flatten the whole image and convert it to 8bit. The pattern " "will function as dithering giving a smoother look to gradients." msgstr "" "У поточній версії Krita не передбачено вбудованого згладжування, що означає, " "що перетворення з 16- до 18-бітового зображення може призвести до появи " "смуг. Втім, ви можете імітувати його додаванням шару заповнення із " "візерунком, з наступним встановленням цього шару заповнення як накладки із " "5% непрозорістю. Далі, зведіть усе зображення і перетворіть його на 8-" "бітове. Візерунок працюватиме як згладжування, що надаватиме згладженого " "вигляду градієнтам." #: ../../general_concepts/colors/color_managed_workflow.rst:273 msgid "If it's a gray-scale image, convert it to gray-scale." msgstr "" "Якщо це зображення є зображенням у відтінках сірого, перетворіть його на " "зображення у відтінках сірого." #: ../../general_concepts/colors/color_managed_workflow.rst:274 msgid "" "If it's a color image, keep it in the working space profile: Many web " "browsers these days support color profiles embedded into images. Firefox, " "for example, will try to convert your image to fit the color profile of the " "other monitor (if they have one). That way, the image will look almost " "exactly the same on your screen and on other profiled monitors." msgstr "" "Якщо зображення є кольоровим, зберігайте його з профілем робочого простору: " "у багатьох сучасних браузерах передбачено підтримку вбудованих до файлів " "зображень профілів кольорів. Наприклад, Firefox намагатиметься перетворити " "ваше зображення до профілю кольорів іншого монітора (якщо у цього монітора є " "профіль). Таким чином, зображення виглядатиме майже тотожно на вашому " "моніторі і на інших моніторах із профілями." #: ../../general_concepts/colors/color_managed_workflow.rst:279 msgid "" "In some versions of Firefox, the colors actually look strange: This is a bug " "in Firefox, which is because its `color management system is incomplete " "`_, save your png, jpg or tiff without an embedded profile to work " "around this." msgstr "" "У деяких версіях Firefox кольори виглядають доволі дивно: це вада у Firefox, " "причиною якої є `неповнота системи керування кольорами `_. " "Збережіть png, jpg або tiff без вбудованого профілю, щоб обійти цю проблему." #: ../../general_concepts/colors/color_managed_workflow.rst:281 msgid "If you are preparing for print:" msgstr "Якщо ви готуєте зображення для друку:" #: ../../general_concepts/colors/color_managed_workflow.rst:283 msgid "" "You hopefully made the picture in a working space profile instead of the " "actual custom profile of your screen, if not, convert it to something like " "adobe rgb, sRGB or rec2020." msgstr "" "Ймовірно, зображення було створено вами у робочому профілі, замість " "справжнього нетипового профілю вашого екрана. Якщо це не так, перетворіть " "його до одного з таких профілів: adobe rgb, sRGB або rec2020." #: ../../general_concepts/colors/color_managed_workflow.rst:284 msgid "" "Check with the printer what kind of image they expect. Maybe they expect " "sRGB color space, or perhaps they have their own profile." msgstr "" "Перевірте, якого типу даних очікує принтер. Можливо, йому потрібні дані у " "просторі кольорів sRGB або у принтера є власний профіль кольорів." #: ../../general_concepts/colors/color_managed_workflow.rst:287 msgid "Interaction with other applications" msgstr "Взаємодія із іншими програмами" #: ../../general_concepts/colors/color_managed_workflow.rst:290 msgid "Blender" msgstr "Blender" #: ../../general_concepts/colors/color_managed_workflow.rst:292 msgid "" "If you wish to use krita's OCIO functionality, and in particular in " "combination with Blender's color management, you can try to have it use " "Blender's OCIO config." msgstr "" "Якщо ви хочете скористатися функціональними можливостями OCIO у Krita і " "зокрема у поєднанні із керуванням кольорами Blender, ви можете спробувати " "наказати програмі використовувати налаштування OCIO Blender." #: ../../general_concepts/colors/color_managed_workflow.rst:294 msgid "" "Blender's OCIO config is under ``/version number/datafiles/" "colormanagement``. Set the LUT docker to use the OCIO engine, and select the " "config from the above path. This will give you blender's input and screen " "spaces, but not the looks, as those aren't supported in Krita yet." msgstr "" "Налаштування OCIO Blender зберігаються у файлі ``<тека Blender>/version " "number/datafiles/colormanagement``. Встановіть на бічній панелі таблиці " "пошуку використання рушія OCIO і виберіть налаштування за вказаним вище " "шляхом. Це призведе до використання вхідного простору кольорів та простору " "кольорів показу Blender, але не простору вигляду, оскільки підтримки цих " "просторів у Krita ще не передбачено." #: ../../general_concepts/colors/color_managed_workflow.rst:298 msgid "Windows Photo Viewer" msgstr "Переглядач фотографій Windows" #: ../../general_concepts/colors/color_managed_workflow.rst:300 msgid "" "You might encounter some issues when using different applications together. " "One important thing to note is that the standard Windows Photo Viewer " "application does not handle modern ICC profiles. Krita uses version 4 " "profiles; Photo Viewer can only handle version 2 profiles. If you export to " "JPEG with an embedded profile, Photo Viewer will display your image much too " "dark." msgstr "" "У процесі спільного використання різних програм можуть виникнути певні " "проблеми. Одним із важливих факторів є те, що стандартна програма перегляду " "фотографій у Windows не обробляє сучасні профілі ICC. У Krita можна " "використовувати профілі версії 4, а переглядач фотографій може працювати " "лише з профілями версії 2. Якщо ви експортуєте JPEG з вбудованим профілем, " "переглядач фотографій покаже ваше зображення надто темним." #: ../../general_concepts/colors/color_managed_workflow.rst:303 msgid "Example workflows" msgstr "Приклади робочого процесу" #: ../../general_concepts/colors/color_managed_workflow.rst:305 msgid "" "Here are some example workflows to get a feeling of how your color " "management workflow may look like." msgstr "" "Ось декілька прикладів робочих процедур, за допомогою яких ви зможете " "зрозуміти, як може виглядати ваша робоча процедура із керування кольорами." #: ../../general_concepts/colors/color_managed_workflow.rst:307 msgid "" "As mentioned before, input for your screen is set via :menuselection:" "`Settings --> Configure Krita --> Color management`, or via the LUT docker's " "'screen space'. Working space is set via new file per document, or in the " "LUT docker via 'input space'." msgstr "" "Як уже згадувалося, вхідний профіль для вашого екрана встановлюється за " "допомогою сторінки :menuselection:`Параметри --> Налаштувати Krita --> " "Керування кольорами` або за допомогою пункту простору екрана на бічній " "панелі таблиці пошуку. Робочий простір встановлюється за допомогою панелі " "створення документа або за допомогою пункту вхідного простору бічної панелі " "таблиці пошуку." #: ../../general_concepts/colors/color_managed_workflow.rst:310 msgid "Webcomic" msgstr "Вебкомікси" #: ../../general_concepts/colors/color_managed_workflow.rst:317 #: ../../general_concepts/colors/color_managed_workflow.rst:339 #: ../../general_concepts/colors/color_managed_workflow.rst:357 msgid "Input" msgstr "Вхідні дані" #: ../../general_concepts/colors/color_managed_workflow.rst:318 #: ../../general_concepts/colors/color_managed_workflow.rst:340 #: ../../general_concepts/colors/color_managed_workflow.rst:358 msgid "Your screen profile. (You pick colors via your screen)" msgstr "Профіль вашого екрана. (Ви вибираєте кольори на вашому екрані)" #: ../../general_concepts/colors/color_managed_workflow.rst:319 #: ../../general_concepts/colors/color_managed_workflow.rst:341 #: ../../general_concepts/colors/color_managed_workflow.rst:359 msgid "Workingspace" msgstr "Робочий простір" #: ../../general_concepts/colors/color_managed_workflow.rst:320 msgid "" "sRGB (the default screen profile) or any larger profile if you can spare the " "bit depth and like working in them." msgstr "" "sRGB (типовий профіль екранів) або будь-який ширший профіль, якщо ви можете " "заощадити на бітовій глибині, і вам подобається з ними працювати." #: ../../general_concepts/colors/color_managed_workflow.rst:322 #: ../../general_concepts/colors/color_managed_workflow.rst:344 #: ../../general_concepts/colors/color_managed_workflow.rst:362 msgid "Output" msgstr "Вихідні дані" #: ../../general_concepts/colors/color_managed_workflow.rst:322 msgid "" "sRGB, ICC version 2, sRGB TRC for the internet, and a specialized CMYK " "profile from the printing house for the printed images." msgstr "" "sRGB, ICC версії 2, sRGB TRC для інтернету і спеціалізований профіль CMYK " "від виробника принтера для друку зображень." #: ../../general_concepts/colors/color_managed_workflow.rst:324 msgid "" "Use the sRGB-elle-V2-srgbtrc.icc for going between Inkscape, Photoshop, " "Painttool Sai, Illustrator, GIMP, Manga Studio, Paintstorm Studio, MyPaint, " "Artrage, Scribus, etc. and Krita." msgstr "" "Користуйтеся sRGB-elle-V2-srgbtrc.icc для перенесення даних між Inkscape, " "Photoshop, Painttool Sai, Illustrator, GIMP, Manga Studio, Paintstorm " "Studio, MyPaint, Artrage, Scribus тощо і Krita." #: ../../general_concepts/colors/color_managed_workflow.rst:326 msgid "" "If you are using a larger space via ICC, you will only be able to " "interchange it between Krita, Photoshop, Illustrator, GIMP 2.9, Manga Studio " "and Scribus. All others assume sRGB for your space, no matter what, because " "they don't have color management." msgstr "" "Якщо ви використовуєте простір кольорів, більший за ICC, ви зможете " "обмінюватися даними лише у наборі Krita, Photoshop, Illustrator, GIMP 2.9, " "Manga Studio і Scribus. В усіх інших програмах припускають простір кольорів " "sRGB, незалежно від визначеного у файлі, оскільки інші програми не " "використовують керування кольорами." #: ../../general_concepts/colors/color_managed_workflow.rst:328 msgid "" "If you are going between Krita and Blender, Nuke or Natron, use OCIO and set " "the input space to 'sRGB', but make sure to select the sRGB profile for ICC " "when creating a new file." msgstr "" "Якщо ви використовуєте Krita у поєднанні з Blender, Nuke або Natron, " "скористайтеся OCIO і встановіть для вхідних даних простір кольорів sRGB, але " "не забувайте вибрати профіль sRGB для ICC під час створення нового файла." #: ../../general_concepts/colors/color_managed_workflow.rst:330 msgid "" "For the final for the web, convert the image to sRGB 8bit, srgbtrc, do not " "embed the ICC profile. Then, if using png, put it through something like " "pngcrush or other png optimizers. sRGB in this case is chosen because you " "can assume the vast majority of your audience hasn't profiled their screen, " "nor do they have screens that are advanced enough for the wide gamut stuff. " "So hence why we convert to the screen default for the internet, sRGB." msgstr "" "Нарешті, щодо сумісності інтернет-переглядом: радимо вам перетворити " "зображення до 8-бітового простору sRGB, srgbtrc, і не вбудовувати профіль " "ICC. Далі, якщо ви використовуєте формат png, пропустіть дані крізь pngcrush " "або іншу програму для оптимізації png. sRGB у цьому випадку вибрано, " "оскільки можна припускати, що монітори більшості з ваших глядачів не буде " "профільовано. Крім того, ймовірно, що більшість глядачів не мають достатньо " "якісних екранів, щоб побачити усі кольори розширеної палітри. Ось чому слід " "використовувати типовий профіль для інтернету, sRGB." #: ../../general_concepts/colors/color_managed_workflow.rst:333 msgid "Print" msgstr "Друк" #: ../../general_concepts/colors/color_managed_workflow.rst:342 msgid "sRGB or rec2020 if you can afford the bit-depth being 16bit." msgstr "" "sRGB або rec2020, якщо ви можете працювати із бітовою глибиною у 16 бітів." #: ../../general_concepts/colors/color_managed_workflow.rst:344 msgid "" "Specialized CMYK profile from the printing house for the printed images." msgstr "" "Спеціалізований профіль CMYK від виробника принтера для друку зображень." #: ../../general_concepts/colors/color_managed_workflow.rst:346 msgid "" "The CMYK profiles are different per printer, and even per paper or ink-type " "so don't be presumptuous and ask ahead for them, instead of doing something " "like trying to paint in any random CMYK profile. As mentioned in the viewing " "conditions section, you want to keep your options open." msgstr "" "Профілі CMYK є різними для різних принтерів і навіть для різного паперу або " "типу чорнила, тому не будьте надто самовпевненими — попросіть надати вам ці " "профілі наперед, а не малюйте щось у випадковому профілі CMYK. Як ми вже " "згадували у розділі щодо умов перегляду, вам слід бути готовими до будь-яких " "варіантів." #: ../../general_concepts/colors/color_managed_workflow.rst:348 msgid "" "You can set the advanced color selector to transform to a given profile via :" "menuselection:`Settings --> Configure Krita --> Color Selector Settings`. " "There, tick :guilabel:`Color Selector Uses Different Color Space than Image` " "and select the CMYK profile you are aiming for. This will limit your colors " "a little bit, but keep all the nice filter and blending options from RGB." msgstr "" "Ви можете налаштувати засіб вибору кольору із розширеними можливостями на " "перетворення до вказаного профілю за допомогою пункту меню :menuselection:" "`Параметри --> Налаштувати Krita --> Параметри вибору кольору`. На " "відповідній сторінці позначте пункт :guilabel:`У засобі вибору кольорів " "використано не такий простір кольорів, як на зображенні` і виберіть " "відповідний профіль CMYK. Це дещо обмежить вибір кольорів, але надасть змогу " "використовувати усі фільтри та режими змішування з RGB." #: ../../general_concepts/colors/color_managed_workflow.rst:351 msgid "Games" msgstr "Ігри" #: ../../general_concepts/colors/color_managed_workflow.rst:360 msgid "sRGB or grayscale linear for roughness and specular maps." msgstr "sRGB або лінійні відтінки сірого для грубих і дзеркальних відображень." #: ../../general_concepts/colors/color_managed_workflow.rst:362 msgid "" "This one is tricky, but in the end it'll be sRGB for the regular player." msgstr "" "Тут все не так просто, але, врешті, для звичайного гравця результатом буде " "sRGB." #: ../../general_concepts/colors/color_managed_workflow.rst:364 msgid "" "So this one is tricky. You can use OCIO and ICC between programs, but " "recommended is to have your images to the engine in sRGB or grayscale. Many " "physically based renderers these days allow you to set whether an image " "should be read as a linear or srgbtrc image, and this is even vital to have " "the images being considered properly in the physically based calculations of " "the game renderer." msgstr "" "Отже, усе не так просто. Ви можете використовувати OCIO і ICC у різних " "програмах, але рекомендовано передавати ваші зображення рушію обробки у sRGB " "або відтінках сірого. У багатьох сучасних засобах обробки зображення з " "фізичним підґрунтям передбачено можливість визначення того, слід читати " "зображення як зображення у лінійному просторі чи як зображення у просторі " "srgbtrc. Для належного використання у рушії обробки зображень у грі на " "основі фізичних принципів ідентифікація зображень є навіть критичною." #: ../../general_concepts/colors/color_managed_workflow.rst:366 msgid "" "While game engines need to have optimized content, and it's recommended to " "stay within 8bit, future screens may have higher bit depths, and when " "renderers will start supporting those, it may be beneficial to develop a " "workflow where the working-space files are rather unnecessarily big and you " "run some scripts to optimize them for your current render needs, making " "updating the game in the future for fancier screens less of a drag." msgstr "" "Хоча у ігрових рушіях дані намагаються оптимізувати і рекомендують не " "виходити за межі 8-бітових каналів кольорів, можливо, у майбутньому екрани " "зможуть відтворювати кольори із більшою бітовою глибиною. Ймовірно, зараз " "варто працювати з файлами у робочому просторі, який буде надмірно широким, і " "оптимізувати отримані зображення до потреб сучасних засобів обробки, щоб " "коли у ігрових засобах обробки зображень буде реалізовано підтримку кольорів " "з великою бітовою глибиною, оновлення вашої роботи до нових, досконаліших " "моніторів було справою декількох секунд." #: ../../general_concepts/colors/color_managed_workflow.rst:368 msgid "" "Normal maps and heightmaps are officially supposed to be defined with a 'non-" "color data' working space, but you'll find that most engines will not care " "much for this. Instead, tell the game engine not to do any conversion on the " "file when importing." msgstr "" "Нормальні карти та карти висот офіційно визначаються у робочому просторі " "«без даних кольорів», але у більшість рушіїв ніяк це не враховує. Замість " "переведення у простір без кольорів, просто повідомте ігровому рушію, що не " "слід виконувати ніяких перетворень із файлом під час імпортування даних." #: ../../general_concepts/colors/color_managed_workflow.rst:370 msgid "" "Specular, glossiness, metalness and roughness maps are all based on linear " "calculations, and when you find that certain material has a metalness of " "0.3, this is 30% gray in a linear space. Therefore, make sure to tell the " "game engine renderer that this is a linear space image (or at the very " "least, should NOT be converted)." msgstr "" "Дзеркальні, глянсуваті, металічні карти та карти шерсткості засновано на " "лінійних обчисленнях. Отже, якщо певний матеріал має металічність 0.3, це " "означає, що він є на 30% сірим у лінійному просторі. Тому слід повідомити " "засобам обробки ігрового рушія, що зображення збережено у лінійному просторі " "(або, принаймні, що дані зображення не слід додатково перетворювати)." #: ../../general_concepts/colors/color_managed_workflow.rst:374 msgid "" "`Visualizing the XYZ color space `_" msgstr "" "`Візуалізація простору кольорів XYZ `_" #: ../../general_concepts/colors/color_managed_workflow.rst:375 msgid "" "`Basics of gamma correction `_" msgstr "" "`Основи виправлення гами `_" #: ../../general_concepts/colors/color_managed_workflow.rst:376 msgid "" "`Panda3d example of how an image that has gamma encoded without the 3d " "renderer being notified of it having gamma-encoding can result in too dark " "images `_" msgstr "" "`Приклад з Panda3d того, як зображення із закодованою гамою без 3D-обробки " "призводить до сповіщення щодо виконання кодування гами може призвести до " "надто темних зображень `_" #: ../../general_concepts/colors/color_managed_workflow.rst:377 msgid "" "`2d examples of the effect of gamma-encoding on color maths `_" msgstr "" "`Двовимірні приклади використання гама-кодування у математиці кольорів " "`_" #: ../../general_concepts/colors/color_managed_workflow.rst:378 msgid "" "`Basic overview of color management from argylcms manual `_" msgstr "" "`Базовий огляд керування кольорами з підручника з argylcms `_" diff --git a/locale/uk_UA/LC_MESSAGES/tutorials/flat-coloring.po b/locale/uk_UA/LC_MESSAGES/tutorials/flat-coloring.po index 75f869d9f..ad0a33209 100644 --- a/locale/uk_UA/LC_MESSAGES/tutorials/flat-coloring.po +++ b/locale/uk_UA/LC_MESSAGES/tutorials/flat-coloring.po @@ -1,969 +1,969 @@ # Translation of docs_krita_org_tutorials___flat-coloring.po to Ukrainian # Copyright (C) 2019 This_file_is_part_of_KDE # This file is distributed under the license LGPL version 2.1 or # version 3 or later versions approved by the membership of KDE e.V. # # Yuri Chornoivan , 2019. msgid "" msgstr "" "Project-Id-Version: docs_krita_org_tutorials___flat-coloring\n" "Report-Msgid-Bugs-To: \n" -"POT-Creation-Date: 2019-06-23 03:14+0200\n" +"POT-Creation-Date: 2019-06-23 13:49+0200\n" "PO-Revision-Date: 2019-05-04 13:41+0300\n" "Last-Translator: Yuri Chornoivan \n" "Language-Team: Ukrainian \n" "Language: uk\n" "MIME-Version: 1.0\n" "Content-Type: text/plain; charset=UTF-8\n" "Content-Transfer-Encoding: 8bit\n" "Plural-Forms: nplurals=4; plural=n==1 ? 3 : n%10==1 && n%100!=11 ? 0 : n" "%10>=2 && n%10<=4 && (n%100<10 || n%100>=20) ? 1 : 2;\n" "X-Generator: Lokalize 19.03.70\n" #: ../../:2 msgid "" ".. image:: images/icons/Krita_mouse_left.png\n" " :alt: mouseleft" msgstr "" ".. image:: images/icons/Krita_mouse_left.png\n" " :alt: mouseleft" #: ../../:4 msgid "" ".. image:: images/icons/Krita_mouse_right.png\n" " :alt: mouseright" msgstr "" ".. image:: images/icons/Krita_mouse_right.png\n" " :alt: mouseright" -#: ../../tutorials/flat-coloring.rst:0 -msgid ".. image:: images/flat-coloring/Krita_filling_lineart_selection_1.png" -msgstr ".. image:: images/flat-coloring/Krita_filling_lineart_selection_1.png" - -#: ../../tutorials/flat-coloring.rst:0 -msgid ".. image:: images/flat-coloring/Krita_filling_lineart_selection_2.png" -msgstr ".. image:: images/flat-coloring/Krita_filling_lineart_selection_2.png" - -#: ../../tutorials/flat-coloring.rst:0 -msgid ".. image:: images/flat-coloring/Krita_filling_lineart_mask_1.png" -msgstr ".. image:: images/flat-coloring/Krita_filling_lineart_mask_1.png" - -#: ../../tutorials/flat-coloring.rst:0 -msgid ".. image:: images/flat-coloring/Krita_filling_lineart_mask_2.png" -msgstr ".. image:: images/flat-coloring/Krita_filling_lineart_mask_2.png" - -#: ../../tutorials/flat-coloring.rst:0 -msgid ".. image:: images/flat-coloring/Krita_filling_lineart_mask_3.png" -msgstr ".. image:: images/flat-coloring/Krita_filling_lineart_mask_3.png" - #: ../../tutorials/flat-coloring.rst:None msgid "" ".. image:: images/flat-coloring/Krita_filling_lineart14.png\n" " :alt: layer structure for flatting in krita" msgstr "" ".. image:: images/flat-coloring/Krita_filling_lineart14.png\n" " :alt: Структура шарів для спрощення у krita" #: ../../tutorials/flat-coloring.rst:None msgid "" ".. image:: images/flat-coloring/Krita_filling_lineart1.png\n" " :alt: blend mode setup of line art flat coloring" msgstr "" ".. image:: images/flat-coloring/Krita_filling_lineart1.png\n" " :alt: Налаштовування режиму змішування для розфарбовування графіки" #: ../../tutorials/flat-coloring.rst:None msgid "" ".. image:: images/flat-coloring/Krita_filling_lineart2.png\n" " :alt: effects of multiply blend mode" msgstr "" ".. image:: images/flat-coloring/Krita_filling_lineart2.png\n" " :alt: ефекти режиму змішування множенням" #: ../../tutorials/flat-coloring.rst:None msgid "" ".. image:: images/icons/fill_tool.svg\n" " :alt: fill-tool icon" msgstr "" ".. image:: images/icons/fill_tool.svg\n" " :alt: Піктограма інструмента заповнення" #: ../../tutorials/flat-coloring.rst:None msgid "" ".. image:: images/flat-coloring/Krita_filling_lineart7.png\n" " :alt: colors filled with fill tool" msgstr "" ".. image:: images/flat-coloring/Krita_filling_lineart7.png\n" " :alt: Заповнення кольором за допомогою інструмента заповнення" #: ../../tutorials/flat-coloring.rst:None msgid "" ".. image:: images/flat-coloring/Krita_filling_lineart15.png\n" " :alt: selecting with selection tools for filling color" msgstr "" ".. image:: images/flat-coloring/Krita_filling_lineart15.png\n" " :alt: Позначення за допомогою інструментів позначення для заповнення " "кольором" #: ../../tutorials/flat-coloring.rst:None msgid "" ".. image:: images/flat-coloring/Krita_filling_lineart16.png\n" " :alt: selection mask in Krita" msgstr "" ".. image:: images/flat-coloring/Krita_filling_lineart16.png\n" " :alt: Маска позначення у Krita" #: ../../tutorials/flat-coloring.rst:None msgid "" ".. image:: images/flat-coloring/Krita_filling_lineart17.png\n" " :alt: filling color in selection" msgstr "" ".. image:: images/flat-coloring/Krita_filling_lineart17.png\n" " :alt: Заповнення кольором у позначеній області" #: ../../tutorials/flat-coloring.rst:None msgid "" ".. image:: images/flat-coloring/Krita_filling_lineart18.png\n" " :alt: result of coloring made with the help of selection tools" msgstr "" ".. image:: images/flat-coloring/Krita_filling_lineart18.png\n" " :alt: Результат розфарбовування за допомогою інструментів позначення" #: ../../tutorials/flat-coloring.rst:None msgid "" ".. image:: images/flat-coloring/Krita_filling_lineart8.png\n" " :alt: filling color in line art using path tool" msgstr "" ".. image:: images/flat-coloring/Krita_filling_lineart8.png\n" " :alt: Заповнення кольором графіки за допомогою інструмента контурів" #: ../../tutorials/flat-coloring.rst:None msgid "" ".. image:: images/flat-coloring/Krita_filling_lineart9.png\n" " :alt: erasing with path tool" msgstr "" ".. image:: images/flat-coloring/Krita_filling_lineart9.png\n" " :alt: Витирання за допомогою інструмента контуру" #: ../../tutorials/flat-coloring.rst:None msgid "" ".. image:: images/flat-coloring/Krita_filling_lineart10.png\n" " :alt: coloring with colorize mask" msgstr "" ".. image:: images/flat-coloring/Krita_filling_lineart10.png\n" " :alt: Зафарбовування за допомогою маски розфарбовування" #: ../../tutorials/flat-coloring.rst:None msgid "" ".. image:: images/flat-coloring/Krita_filling_lineart11.png\n" " :alt: result from the colorize mask" msgstr "" ".. image:: images/flat-coloring/Krita_filling_lineart11.png\n" " :alt: Результат застосування маски розфарбовування" #: ../../tutorials/flat-coloring.rst:None msgid "" ".. image:: images/flat-coloring/Krita_filling_lineart12.png\n" " :alt: slitting colors into islands" msgstr "" ".. image:: images/flat-coloring/Krita_filling_lineart12.png\n" " :alt: Розрізання кольорів на острови" #: ../../tutorials/flat-coloring.rst:None msgid "" ".. image:: images/flat-coloring/Krita_filling_lineart13.png\n" " :alt: resulting color islands from split layers" msgstr "" ".. image:: images/flat-coloring/Krita_filling_lineart13.png\n" " :alt: Кольорові острови — результати поділу шарів" +#: ../../tutorials/flat-coloring.rst:0 +msgid ".. image:: images/flat-coloring/Krita_filling_lineart_selection_1.png" +msgstr ".. image:: images/flat-coloring/Krita_filling_lineart_selection_1.png" + +#: ../../tutorials/flat-coloring.rst:0 +msgid ".. image:: images/flat-coloring/Krita_filling_lineart_selection_2.png" +msgstr ".. image:: images/flat-coloring/Krita_filling_lineart_selection_2.png" + +#: ../../tutorials/flat-coloring.rst:0 +msgid ".. image:: images/flat-coloring/Krita_filling_lineart_mask_1.png" +msgstr ".. image:: images/flat-coloring/Krita_filling_lineart_mask_1.png" + +#: ../../tutorials/flat-coloring.rst:0 +msgid ".. image:: images/flat-coloring/Krita_filling_lineart_mask_2.png" +msgstr ".. image:: images/flat-coloring/Krita_filling_lineart_mask_2.png" + +#: ../../tutorials/flat-coloring.rst:0 +msgid ".. image:: images/flat-coloring/Krita_filling_lineart_mask_3.png" +msgstr ".. image:: images/flat-coloring/Krita_filling_lineart_mask_3.png" + #: ../../tutorials/flat-coloring.rst:1 msgid "Common workflows used in Krita" msgstr "Типові робочі процедури у Krita" #: ../../tutorials/flat-coloring.rst:13 msgid "Flat Coloring" msgstr "Однотонне зафарбовування" #: ../../tutorials/flat-coloring.rst:15 msgid "" "So you've got a cool black on white drawing, and now you want to color it! " "The thing we’ll aim for in this tutorial is to get your line art colored in " "with flat colors. So no shading just yet. We’ll be going through some " "techniques for preparing the line art, and we’ll be using the layer docker " "to put each color on a separate layer, so we can easily access each color " "when we add shading." msgstr "" "Отже, нехай у вас є чудовий чорно-білий малюнок і ви хочете розфарбувати " "його! Питання, яке ми розглянемо у цьому розділі підручника, пов'язане із " "розфарбовуванням графіки простими кольорами. Отже, питання малювання тіней " "не розглядатимемо. Ми ознайомимося із декількома методиками приготування " "графіки, потім скористаємося бічною панеллю шарів для розташовування кожного " "з кольорів у окремому шарі, щоб полегшити до нього доступ і, згодом, додати " "тіні." #: ../../tutorials/flat-coloring.rst:17 msgid "" "This tutorial is adapted from this `tutorial `_ by " "the original author." msgstr "" "Цей розділ підручника написано на основі `цього підручника `_." #: ../../tutorials/flat-coloring.rst:20 msgid "Understanding Layers" msgstr "Поняття шарів" #: ../../tutorials/flat-coloring.rst:22 msgid "" "To fill line art comfortably, it's best to take advantage of the layerstack. " "The layer stack is pretty awesome, and it's one of those features that make " "digital art super-convenient." msgstr "" "Для зручного розмальовування графіки варто скористатися перевагами стосу " "шарів. Стос шарів є чудовим винаходом — це одна з можливостей, які роблять " "цифрове малювання надзвичайно зручним." #: ../../tutorials/flat-coloring.rst:24 msgid "" "In traditional art, it is not uncommon to first draw the full background " "before drawing the subject. Or to first draw a line art and then color it " "in. Computers have a similar way of working." msgstr "" "У традиційному малюванні доволі поширеними є методики малювання усього тла " "до малювання об'єкта картини. Також часто малюють графіку, а потім її " "розфарбовують. На комп'ютерах використовують подібні ж підходи до побудови " "картин." #: ../../tutorials/flat-coloring.rst:26 msgid "" "In programming, if you tell a computer to draw a red circle, and then " "afterwards tell it to draw a smaller yellow circle, you will see the small " "yellow circle overlap the red circle. Switch the commands around, and you " "will not see the yellow circle at all: it was drawn before the red circle " "and thus ‘behind’ it." msgstr "" "У програмуванні якщо ви накажете комп'ютеру намалювати червоне коло, а потім " "намалювати на ньому менше жовте коло, результатом буде перекриття жовтим " "колом червоного. Поміняйте команди малювання місцями, і ви не побачите " "жовтого кола взагалі: його було намальовано до червоного кола, а отже, воно " "опиниться «під» червоним колом." #: ../../tutorials/flat-coloring.rst:28 msgid "" "This is referred to as the “drawing order”. So like the traditional artist, " "the computer will first draw the images that are behind everything, and " "layer the subject and foreground on top of it. The layer docker is a way for " "you to control the drawing order of multiple images, so for example, you can " "have your line art drawn later than your colors, meaning that the lines will " "be drawn over the colors, making it easier to make it neat!" msgstr "" "Результат визначається тим, що ми називаємо «порядок малювання». Отже, " "подібно до традиційного художника, комп'ютер спершу малює зображення, які " "розташовуються на задньому плані, і накладає об'єкт і передній план на " "нього. За допомогою бічної панелі шарів ви можете керувати порядком " "малювання декількох зображень, зокрема, наприклад, ви можете намалювати " "графіку пізніше за кольори, тобто лінії буде намальовано над кольорами, що " "полегшує створення акуратних малюнків!" #: ../../tutorials/flat-coloring.rst:30 msgid "" "Other things that a layer stack can do are blending the colors of different " "layers differently with blending modes, using a filter in the layer stack, " "or using a mask that allows you to make parts transparent." msgstr "" "Серед інших речей, які можна робити за допомогою стосу шарів, є змішування " "кольорів різних шарів по-різному за допомогою режимів змішування, " "використання фільтра у стосі шарів та використання маски, яка уможливлює " "перетворення частин зображення на прозорі." #: ../../tutorials/flat-coloring.rst:32 msgid "" "Programmers talk about transparency as ''Alpha'', which is because the 'a' " "symbol is used to present transparency in the algorithms for painting one " "color on top of another. Usually when you see the word ''Alpha'' in a " "graphics program, just think of it as affecting the transparency." msgstr "" "Програмісти називають прозорість «альфою», оскільки символ «α» " "використовується для позначення прозорості у алгоритмах для малювання одного " "кольору над іншим. Зазвичай, якщо ви бачите слово «альфа» у графічній " "програмі, це щось, що впливає на прозорість." #: ../../tutorials/flat-coloring.rst:35 msgid "Preparing your line art" msgstr "Приготування вашої графіки" #: ../../tutorials/flat-coloring.rst:37 msgid "" "Put the new layer underneath the layer containing the line art (drag and " "drop or use the up/down arrows for that), and draw on it." msgstr "" "Розташуйте новий шар під шаром графіки (перетягуванням зі скиданням або за " "допомогою кнопок зі стрілками вгору-вниз) і малюйте на ньому." #: ../../tutorials/flat-coloring.rst:42 msgid "" "…And notice nothing happening. This is because the white isn’t transparent. " "You wouldn’t really want it to either, how else would you make convincing " "highlights? So what we first need to do to color in our drawing is prepare " "our line art. There’s several methods of doing so, each with varying " "qualities." msgstr "" "…І нічого не станеться. Причиною є те, що білий колір не є прозорим. І " "навряд чи нам потрібно робити його прозорим. Як же інакше можна створити " "переконливі виблиски на зображенні? Для розфарбовування нашого зображення " "нам спершу доведеться приготувати графіку. Існує декілька способів зробити " "це, і у кожного з цих способів є власні особливості." #: ../../tutorials/flat-coloring.rst:45 msgid "The Multiply Blending Mode" msgstr "Режим змішування «Множення»" #: ../../tutorials/flat-coloring.rst:47 msgid "" "So, typically, to get a black and white line art usable for coloring, you " "can set the blending mode of the line art layer to Multiply. You do this by " "selecting the layer and going to the drop-down that says **Normal** and " "setting that to **Multiply**." msgstr "" "Отже, типово, для того, щоб чорно-біла графіка стала придатною для " "розфарбовування, вам слід встановити режим змішування для шару графіки у " "значення «Множення». Для цього позначте шар у списку шарів і виберіть у " "спадному списку, не типовим значенням є **Звичайний** пункт **Множення**." #: ../../tutorials/flat-coloring.rst:52 msgid "And then you should be able to see your colors!" msgstr "І тепер ви маєте побачити ваші кольори!" #: ../../tutorials/flat-coloring.rst:54 msgid "" "Multiply is not a perfect solution however. For example, if through some " "image editing magic I make the line art blue, it results into this:" msgstr "" "Втім, множення не є ідеальним рішенням. Наприклад, якщо за допомогою певних " "трюків із редагування зображення вдасться зробити графіку синьою, результат " "виглядатиме так:" #: ../../tutorials/flat-coloring.rst:59 msgid "" "This is because multiply literally multiplies the colors. So it uses maths!" msgstr "" "Причиною є те, що множення буквально множить кольори між собою. Отже, маємо " "справу із математикою!" #: ../../tutorials/flat-coloring.rst:61 msgid "" "What it first does is take the values of the RGB channels, then divides them " "by the max (because we're in 8bit, this is 255), a process we call " "normalising. Then it multiplies the normalized values. Finally, it takes the " "result and multiplies it with 255 again to get the result values." msgstr "" "У цьому режимі програма спочатку визначає значення каналів RGB, потім ділить " "їх на максимальне значення (оскільки маємо справу із 8-бітовими каналами, це " "значення дорівнює 255), тобто виконує процедуру, яка називається " "нормалізацією. Потім програма множить нормалізовані значення. Нарешті, " "програма множить результат на 255 знову, щоб отримати остаточний результат." #: ../../tutorials/flat-coloring.rst:67 msgid "Pink" msgstr "Рожевий" #: ../../tutorials/flat-coloring.rst:68 msgid "Pink (normalized)" msgstr "Рожевий (нормалізований)" #: ../../tutorials/flat-coloring.rst:69 ../../tutorials/flat-coloring.rst:87 msgid "Blue" msgstr "Синій" #: ../../tutorials/flat-coloring.rst:70 msgid "Blue (normalized)" msgstr "Синій (нормалізований)" #: ../../tutorials/flat-coloring.rst:71 msgid "Normalized, multiplied" msgstr "Нормалізовано, множення" #: ../../tutorials/flat-coloring.rst:72 msgid "Result" msgstr "Результат" #: ../../tutorials/flat-coloring.rst:73 msgid "Red" msgstr "Червоний" #: ../../tutorials/flat-coloring.rst:74 msgid "222" msgstr "222" #: ../../tutorials/flat-coloring.rst:75 msgid "0.8705" msgstr "0.8705" #: ../../tutorials/flat-coloring.rst:76 msgid "92" msgstr "92" #: ../../tutorials/flat-coloring.rst:77 msgid "0.3607" msgstr "0.3607" #: ../../tutorials/flat-coloring.rst:78 msgid "0.3139" msgstr "0.3139" #: ../../tutorials/flat-coloring.rst:79 msgid "80" msgstr "80" #: ../../tutorials/flat-coloring.rst:80 msgid "Green" msgstr "Зелений" #: ../../tutorials/flat-coloring.rst:81 msgid "144" msgstr "144" #: ../../tutorials/flat-coloring.rst:82 msgid "0.5647" msgstr "0.5647" #: ../../tutorials/flat-coloring.rst:83 msgid "176" msgstr "176" #: ../../tutorials/flat-coloring.rst:84 msgid "0.6902" msgstr "0.6902" #: ../../tutorials/flat-coloring.rst:85 msgid "0.3897" msgstr "0.3897" #: ../../tutorials/flat-coloring.rst:86 msgid "99" msgstr "99" #: ../../tutorials/flat-coloring.rst:88 msgid "123" msgstr "123" #: ../../tutorials/flat-coloring.rst:89 msgid "0.4823" msgstr "0.4823" #: ../../tutorials/flat-coloring.rst:90 msgid "215" msgstr "215" #: ../../tutorials/flat-coloring.rst:91 msgid "0.8431" msgstr "0.8431" #: ../../tutorials/flat-coloring.rst:92 msgid "0.4066" msgstr "0.4066" #: ../../tutorials/flat-coloring.rst:93 msgid "103" msgstr "103" #: ../../tutorials/flat-coloring.rst:95 msgid "" "This isn't completely undesirable, and a lot of artists use this effect to " "add a little richness to their colors." msgstr "" "Цей ефект не є повністю небажаним. Багато художників використовують його для " "того, щоб дещо збагатити кольори зображення." #: ../../tutorials/flat-coloring.rst:98 ../../tutorials/flat-coloring.rst:127 #: ../../tutorials/flat-coloring.rst:154 ../../tutorials/flat-coloring.rst:173 #: ../../tutorials/flat-coloring.rst:210 ../../tutorials/flat-coloring.rst:247 #: ../../tutorials/flat-coloring.rst:275 ../../tutorials/flat-coloring.rst:317 msgid "Advantages" msgstr "Переваги" #: ../../tutorials/flat-coloring.rst:100 msgid "" "Easy, can work to your benefit even with colored lines by softening the look " "of the lines while keeping nice contrast." msgstr "" "Простий, може працювати з користю, навіть із кольоровими лініями, " "пом'якшуючи вигляд ліній і зберігаючи чудовий контраст." #: ../../tutorials/flat-coloring.rst:103 ../../tutorials/flat-coloring.rst:132 #: ../../tutorials/flat-coloring.rst:159 ../../tutorials/flat-coloring.rst:178 #: ../../tutorials/flat-coloring.rst:215 ../../tutorials/flat-coloring.rst:252 #: ../../tutorials/flat-coloring.rst:280 ../../tutorials/flat-coloring.rst:322 msgid "Disadvantages" msgstr "Недоліки" #: ../../tutorials/flat-coloring.rst:105 msgid "Not actually transparent. Is a little funny with colored lines." msgstr "Не є насправді прозорим. Не дуже добре працює із кольоровими лініями." #: ../../tutorials/flat-coloring.rst:108 msgid "Using Selections" msgstr "Користування позначенням" #: ../../tutorials/flat-coloring.rst:110 msgid "" "The second method is one where we'll make it actually transparent. In other " "programs this would be done via the channel docker, but Krita doesn't do " "custom channels, instead it uses Selection Masks to store custom selections." msgstr "" "Другий метод полягає у перетворенні тла графіки на справді прозоре. У інших " "програмах, це можна зробити за допомогою бічної панелі каналів, але Krita не " "працює із нетиповими каналами, замість цього програма використовує маски " "позначення для зберігання даних нетипових позначених ділянок." #: ../../tutorials/flat-coloring.rst:112 msgid "Duplicate your line art layer." msgstr "Здублюйте ваш шар графіки." #: ../../tutorials/flat-coloring.rst:114 msgid "" "Convert the duplicate to a selection mask. |mouseright| the layer, then :" "menuselection:`Convert --> to Selection Mask`." msgstr "" "Перетворіть дублікат на маску вибору. |mouseright| на пункті шару, далі :" "menuselection:`Перетворити --> на маску вибору`." #: ../../tutorials/flat-coloring.rst:118 msgid "" "Invert the selection mask. :menuselection:`Select --> Invert Selection`." msgstr "" "Інвертуйте маску позначення. :menuselection:`Вибір --> Інвертувати вибір`." #: ../../tutorials/flat-coloring.rst:120 msgid "" "Make a new layer, and do :menuselection:`Edit --> Fill with Foreground " "Color`." msgstr "" "Створіть шар і скористайтеся пунктом меню :menuselection:`Зміни --> " "Заповнити кольором переднього плану`." #: ../../tutorials/flat-coloring.rst:124 msgid "And you should now have the line art on a separate layer." msgstr "Тепер графіку має бути розташовано на окремому шарі." #: ../../tutorials/flat-coloring.rst:129 msgid "Actual transparency." msgstr "Справжня прозорість" #: ../../tutorials/flat-coloring.rst:134 msgid "Doesn't work when the line art is colored." msgstr "Не працює, якщо графіку розфарбовано." #: ../../tutorials/flat-coloring.rst:137 msgid "Using Masks" msgstr "Користування масками" #: ../../tutorials/flat-coloring.rst:139 msgid "This is a simpler variation of the above." msgstr "Це простіший різновид описаного вище." #: ../../tutorials/flat-coloring.rst:141 msgid "Make a filled layer underneath the line art layer." msgstr "Створіть заповнений шар під шаром графіки." #: ../../tutorials/flat-coloring.rst:145 msgid "" "Convert the line art layer to a transparency mask |mouseright| the layer, " "then :menuselection:`Convert --> to Transparency Mask`." msgstr "" "Перетворіть шар графіки на маску прозорості: клацніть |mouseright| на пункті " "шару, виберіть пункт :menuselection:`Перетворити --> на маску прозорості`." #: ../../tutorials/flat-coloring.rst:149 msgid "" "Invert the transparency mask by going to :menuselection:`Filter --> Adjust --" "> Invert`" msgstr "" "Оберніть маску прозорості за допомогою пункту меню :menuselection:`Фільтр --" "> Скоригувати --> Інвертувати`" #: ../../tutorials/flat-coloring.rst:156 msgid "" "Actual transparency. You can also very easily doodle a pattern on the filled " "layer where the mask is on without affecting the transparency." msgstr "" "Справжня прозорість. Крім того, ви можете дуже просто намалювати візерунок " "на заповненому шарі, де зберігається маска, без зміни прозорості." #: ../../tutorials/flat-coloring.rst:161 msgid "" "Doesn't work when the line art is colored already. We can still get faster." msgstr "Не працює, якщо графіку вже розфарбовано. Могло б працювати і швидше." #: ../../tutorials/flat-coloring.rst:164 msgid "Using Color to Alpha" msgstr "Перетворення кольору на альфу (канал прозорості)" #: ../../tutorials/flat-coloring.rst:166 msgid "By far the fastest way to get transparent line art." msgstr "У поточній версії, найшвидший спосіб створити прозору графіку." #: ../../tutorials/flat-coloring.rst:168 msgid "" "Select the line art layer and apply the color to alpha filter. :" "menuselection:`Filter --> Colors --> Color to Alpha`. The default values " "should be sufficient for line art." msgstr "" "Позначте пункт шару графіки і застосуйте фільтр перетворення кольору на " "прозорість. :menuselection:`Фільтр --> Колір --> Колір до альфи`. Типові " "значення мають бути достатніми для графіки." #: ../../tutorials/flat-coloring.rst:171 msgid "" ".. image:: images/flat-coloring/Krita_filling_lineart_color_to_alpha.png" msgstr "" ".. image:: images/flat-coloring/Krita_filling_lineart_color_to_alpha.png" #: ../../tutorials/flat-coloring.rst:175 msgid "" "Actual transparency. Works with colored line art as well, because it removes " "the white specifically." msgstr "" "Справжня прозорість. Працює із кольоровою графікою, оскільки вилучає лише " "білий колір." #: ../../tutorials/flat-coloring.rst:180 msgid "" "You'll have to lock the layer transparency or separate out the alpha via the " "right-click menu if you want to easily color it." msgstr "" "Вам слід заблокувати прозорість шару і відокремити альфу за допомогою " "контекстного меню, якщо хочете без проблем розфарбувати його." #: ../../tutorials/flat-coloring.rst:184 msgid "Coloring the image" msgstr "Розфарбовування зображення" #: ../../tutorials/flat-coloring.rst:186 msgid "" "Much like preparing the line art, there are many different ways of coloring " "a layer." msgstr "" "Дуже подібно до приготування графіки, існує багато різних способів " "розфарбовування шару." #: ../../tutorials/flat-coloring.rst:188 msgid "" "You could for example fill in everything by hand, but while that is very " "precise it also takes a lot of work. Let's take a look at the other options, " "shall we?" msgstr "" "Ви, наприклад, можете заповнити усе вручну, але хоча це дає надзвичайну " "точність, це потребує багато зусиль. Може розглянемо інші варіанти?" #: ../../tutorials/flat-coloring.rst:191 msgid "Fill Tool" msgstr "Інструмент «Заповнення»" #: ../../tutorials/flat-coloring.rst:196 msgid "" "In most cases the fill-tool can’t deal with the anti-aliasing (the soft edge " "in your line art to make it more smooth when zoomed out) In Krita you have " "the grow-shrink option. Setting that to say… 2 expands the color two pixels." msgstr "" "У більшості випадків інструмент заповнення кольором не може працювати зі " "згладженими ділянками (пом'якшенням меж графіки з метою зробити графіку " "плавнішою при зменшенні масштабу). У Krita ви можете скористатися дією " "розтягування-стискання. Встановімо, наприклад, значення… 2, щоб розтягнути " "колір на два пікселі." #: ../../tutorials/flat-coloring.rst:198 msgid "" "Threshold decides when the fill-tool should consider a different color pixel " "to be a border. And the feathering adds an extra soft border to the fill." msgstr "" "Поріг визначає значення, за якого інструмент заповнення кольором вважатиме " "колір відмінним від кольору межі. Згладжування додає додаткову м'яку межу " "ділянці заповнення." #: ../../tutorials/flat-coloring.rst:200 msgid "" "Now, if you click on a gapless-part of the image with your preferred color… " "(Remember to set the opacity to 1.0!)" msgstr "" "Тепер, якщо ви клацнете на частині зображення без прогалин, використовуючи " "пензель і бажаним кольором… (не забудьте встановити непрозорість у значення " "1.0!)" #: ../../tutorials/flat-coloring.rst:202 msgid "" "Depending on your line art, you can do flats pretty quickly. But setting the " "threshold low can result in little artifacts around where lines meet:" msgstr "" "Залежно від вашої графіки, ви зможете створювати заповнені ділянки доволі " "швидко. Але встановлення низького порогового значення може призвести до " "певних дефектів у місцях, де з'єднуються лінії:" #: ../../tutorials/flat-coloring.rst:207 msgid "" "However, setting the threshold high can end with the fill not recognizing " "some of the lighter lines. Besides these little artifacts can be removed " "with the brush easily." msgstr "" "Втім, встановлення надто високого порогового значення може призвести до " "того, що при заповненні не буде враховано деякі світлі лінії. Втім, ці " "невеличкі дефекти може бути без проблем усунуто за допомогою пензля." #: ../../tutorials/flat-coloring.rst:212 msgid "Pretty darn quick depending on the available settings." msgstr "Доволі швидко, залежно від доступних параметрів." #: ../../tutorials/flat-coloring.rst:217 msgid "" "Again, not great with gaps or details. And it works best with aliased line " "art." msgstr "" "Знову ж таки, не дуже добре працює із прогалинами або деталями. Найкраще " "працює із творами із незгладженими лініями." #: ../../tutorials/flat-coloring.rst:220 msgid "Selections" msgstr "Позначення" #: ../../tutorials/flat-coloring.rst:222 msgid "Selections work using the selection tools." msgstr "Позначення виконується за допомогою інструментів позначення." #: ../../tutorials/flat-coloring.rst:227 msgid "" "For example with the :ref:`bezier_curve_selection_tool` you can easily " "select a curved area, and the with :kbd:`Shift` + |mouseleft| (not |" "mouseleft| + :kbd:`Shift`, there's a difference!) you can easily add to an " "existing selection." msgstr "" "Наприклад, за допомогою :ref:`інструмента позначення кривою Безьє " "` ви можете без проблем позначити ділянку із " "криволінійною межею, а потім за допомогою комбінації :kbd:`Shift` + |" "mouseleft| (не |mouseleft| + :kbd:`Shift`, — це різні комбінації!) ви можете " "без проблем додати нові позначення до наявного позначення." #: ../../tutorials/flat-coloring.rst:232 msgid "" "You can also edit the selection if you have :menuselection:`Select --> Show " "Global Selection Mask` turned on. Then you can select the global selection " "mask, and paint on it. (Above with the alternative selection mode, activated " "in the lower-left corner of the stats bar)" msgstr "" "Ви також можете редагувати позначену ділянку, якщо позначено пункт меню :" "menuselection:`Вибір --> Показати маску загального вибору`. Потім ви можете " "вибрати маску загального вибору і малювати на ній. (Вище за допомогою " "альтернативного режиму вибору, який можна задіяти у нижньому лівому куті " "смужки стану.)" #: ../../tutorials/flat-coloring.rst:234 msgid "" "When done, select the color you want to fill it with and press :kbd:`Shift` " "+ `backspace`." msgstr "" "Коли справу буде зроблено, виберіть потрібний колір заповнення і натисніть " "комбінацію клавіш :kbd:`Shift` + `Backspace`." #: ../../tutorials/flat-coloring.rst:239 msgid "" "You can save selections in selection masks by |mouseright| a layer, and then " "going to :menuselection:`Add --> Local Selection`. You first need to " "deactivate a selection by pressing the circle before adding a new selection." msgstr "" "Ви можете зберегти позначені ділянки у масках позначення за допомогою " "клацання |mouseright| на шарі із наступним вибором пункту меню :" "menuselection:`Додати --> Локальне позначення`. Спочатку вам слід " "деактивувати позначене натисканням кола перед додаванням нового позначення." #: ../../tutorials/flat-coloring.rst:241 msgid "" "This can serve as an alternative way to split out different parts of the " "image, which is good for more painterly pieces:" msgstr "" "Це може слугувати альтернативним способом виділення частин на зображенні, а " "це добре для створення фрагментів, які імітуватимуть малювання олійною " "фарбою:" #: ../../tutorials/flat-coloring.rst:249 msgid "A bit more precise than filling." msgstr "Трохи точніше за заповнення." #: ../../tutorials/flat-coloring.rst:254 msgid "Previewing your color isn't as easy." msgstr "Попередній перегляд кольору не є таким простим." #: ../../tutorials/flat-coloring.rst:257 msgid "Geometric tools" msgstr "Геометричні інструменти" #: ../../tutorials/flat-coloring.rst:259 msgid "" "So you have a tool for making rectangles or circles. And in the case of " "Krita, a tool for bezier curves. Select the path tool (|path tool|), and set " "the tool options to fill=foreground and outline=none. Make sure that your " "opacity is set to 1.00 (fully opaque)." msgstr "" "Отже, у вашому розпорядженні є інструмент для створення прямокутників або " "кіл. І, у випадку Krita, ви маєте інструмент для створення кривих Безьє. " "Виберіть інструмент контурів (|path tool|) і встановіть для параметрів " "інструмента значення заповнення кольором переднього плану, а для контуру " "значення «Немає». Встановіть значення непрозорості 1.00 (повна непрозорість)." #: ../../tutorials/flat-coloring.rst:262 msgid "" ".. image:: images/icons/bezier_curve.svg\n" " :alt: path tool" msgstr "" ".. image:: images/icons/bezier_curve.svg\n" " :alt: Інструмент малювання контурів" #: ../../tutorials/flat-coloring.rst:264 msgid "" "By clicking and holding, you can influence how curvy a line draw with the " "path tool is going to be. Letting go of the mouse button confirms the " "action, and then you’re free to draw the next point." msgstr "" "Клацанням і утриманням натиснутою кнопки миші ви можете впливати на те, " "наскільки викривленою буде лінія контуру. Відпускання кнопки миші завершує " "дію, і ви можете переходити до малювання наступної точки." #: ../../tutorials/flat-coloring.rst:269 msgid "" "You can also erase with a geometric tool. Just press :kbd:`E` or the eraser " "button." msgstr "" "Ви також можете витирати геометричним інструментом. Просто натисніть " "клавішу :kbd:`E` або кнопку гумки." #: ../../tutorials/flat-coloring.rst:277 msgid "" "Quicker than using the brush or selections. Also decent with line art that " "contains gaps." msgstr "" "Швидше, ніж використання пензля або позначення ділянок. Крім того, добре " "працює із графікою, у якій є прогалини." #: ../../tutorials/flat-coloring.rst:282 msgid "" "Fiddly details aren’t easy to fill in with this. So I recommend skipping " "those and filling them in later with a brush." msgstr "" "Цим інструментом важко заповнювати малюсінькі деталі. Рекомендуємо не робити " "цього і заповнити їх згодом за допомогою пензля." #: ../../tutorials/flat-coloring.rst:285 msgid "Colorize Mask" msgstr "Маска розфарбовування" #: ../../tutorials/flat-coloring.rst:287 msgid "" "So, this is a bit of an odd one. In the original tutorial, you'll see I'm " "suggesting using G'Mic, but that was a few years ago, and G'Mic is a little " "unstable on windows. Therefore, the Krita developers have been attempting to " "make an internal tool doing the same." msgstr "" "Цей спосіб є дещо незвичним. У початковій версії підручника ви можете знайти " "рекомендацію щодо використання G'Mic. Але це було декілька років тому, а " "G'Mic працює дещо нестабільно у Windows. З цієї причини розробниками Krita " "було зроблено спробу створення вбудованого інструмента, який би виконував ті " "самі завдання." #: ../../tutorials/flat-coloring.rst:289 msgid "" "It is disabled in 3.1, but if you use 4.0 or later, it is in the toolbox. " "Check the Colorize Mask for more information." msgstr "" "Цю можливість вимкнено у 3.1, але якщо ви працюєте із версією 4.0 або " "новішою, відповідна кнопка є у наборі інструментів. Ознайомтеся із розділом " "щодо масок розфарбовування, щоб дізнатися більше." #: ../../tutorials/flat-coloring.rst:291 msgid "So it works like this:" msgstr "Отже, маска працює так:" #: ../../tutorials/flat-coloring.rst:293 msgid "Select the colorize mask tool." msgstr "Виберіть інструмент «Маска розфарбовування»" #: ../../tutorials/flat-coloring.rst:294 msgid "Tick the layer you're using." msgstr "Позначте пункт шару, яким ви користуйтеся." #: ../../tutorials/flat-coloring.rst:295 msgid "Paint the colors you want to use on the colorize mask" msgstr "" "Намалюйте щось кольорами, які ви використовуватимете для маски " "розфарбовування" #: ../../tutorials/flat-coloring.rst:296 msgid "Click update to see the results:" msgstr "Натисніть кнопку :guilabel:`Оновити`, щоб переглянути результати:" #: ../../tutorials/flat-coloring.rst:301 msgid "" "When you are satisfied, |mouseright| the colorize mask, and go to :" "menuselection:`Convert --> Paint Layer`. This will turn the colorize mask to " "a generic paint layer. Then, you can fix the last issues by making the line " "art semi-transparent and painting the flaws away with a pixel art brush." msgstr "" "Коли малювання буде завершено, клацніть |mouseright| на пункті маски " "розфарбовування і скористайтеся пунктом меню :menuselection:`Перетворити --> " "на шар малювання`. У результаті маску розфарбовування буде перетворено на " "звичайний шар малювання. Потім ви можете виправити залишкові дефекти, " "перетворивши графіку на напівпрозору і замалювавши дефекти за допомогою " "пензля для піксель-арту." #: ../../tutorials/flat-coloring.rst:306 msgid "" "Then, when you are done, split the layers via :menuselection:`Layer --> " "Split --> Split Layer`. There are a few options you can choose, but the " "following should be fine:" msgstr "" "Потім, коли виправлення буде завершено, поділіть шари за допомогою пункту " "меню :menuselection:`Шар --> Поділ --> Розділити шар`. Ви можете вибрати " "значення декількох параметрів, але вказаних нижче значень має вистачити:" #: ../../tutorials/flat-coloring.rst:311 msgid "" "Finally, press **Ok** and you should get the following. Each color patch it " "on a different layer, named by the palette in the menu and alpha locked, so " "you can start painting right away!" msgstr "" "Нарешті, натисніть кнопку **Гаразд** і матимете таке: кожен мазок кольору на " "своєму рівні, названому за палітрою у меню, із заблокованою прозорістю. " "Тепер можна починати малювати!" #: ../../tutorials/flat-coloring.rst:319 msgid "" "Works with anti-aliased line art. Really quick to get the base work done. " "Can auto-close gaps." msgstr "" "Працює зі згладженою графікою. Можна дуже швидко отримати базовий результат. " "Може автоматично закривати прогалини." #: ../../tutorials/flat-coloring.rst:324 msgid "" "No anti-aliasing of its own. You have to choose between getting details " "right or the gaps auto-closed." msgstr "" "Не має власних інструментів згладжування. Вам доведеться вибрати між " "належним відтворенням деталей та автоматичним заповненням прогалин." #: ../../tutorials/flat-coloring.rst:327 msgid "Conclusion" msgstr "Висновки" #: ../../tutorials/flat-coloring.rst:329 msgid "" "I hope this has given you a good idea of how to fill in flats using the " "various techniques, as well as getting a hand of different Krita features. " "Remember that a good flat filled line art is better than a badly shaded one, " "so keep practicing to get the best out of these techniques!" msgstr "" "Сподіваємося, ви зрозуміли базові способи зафарбовування за допомогою різних " "методик, а також дізналися більше про різні можливості Krita. Пам'ятайте, що " "якісно розфарбована простими кольорами графіка виглядає краще за абияк " "виконані тіні. Тому практикуйтеся і користуйтеся тією методикою, якою " "володієте краще!" diff --git a/locale/zh_CN/LC_MESSAGES/general_concepts/colors/color_managed_workflow.po b/locale/zh_CN/LC_MESSAGES/general_concepts/colors/color_managed_workflow.po index c1a1ef0cc..ed339c6e5 100644 --- a/locale/zh_CN/LC_MESSAGES/general_concepts/colors/color_managed_workflow.po +++ b/locale/zh_CN/LC_MESSAGES/general_concepts/colors/color_managed_workflow.po @@ -1,1348 +1,1348 @@ msgid "" msgstr "" "Project-Id-Version: kdeorg\n" "Report-Msgid-Bugs-To: \n" -"POT-Creation-Date: 2019-06-17 03:13+0200\n" +"POT-Creation-Date: 2019-06-23 13:49+0200\n" "PO-Revision-Date: 2019-06-02 12:01\n" "Last-Translator: Guo Yunhe (guoyunhe)\n" "Language-Team: Chinese Simplified\n" "Language: zh_CN\n" "MIME-Version: 1.0\n" "Content-Type: text/plain; charset=UTF-8\n" "Content-Transfer-Encoding: 8bit\n" "Plural-Forms: nplurals=1; plural=0;\n" "X-Generator: crowdin.com\n" "X-Crowdin-Project: kdeorg\n" "X-Crowdin-Language: zh-CN\n" "X-Crowdin-File: /kf5-trunk/messages/www/" "docs_krita_org_general_concepts___colors___color_managed_workflow.pot\n" -#: ../../general_concepts/colors/color_managed_workflow.rst:0 -msgid ".. image:: images/color_category/Kiki_matrix_profile.png" -msgstr "" - -#: ../../general_concepts/colors/color_managed_workflow.rst:0 -msgid ".. image:: images/color_category/Kiki_cLUTprofiles.png" -msgstr "" - #: ../../general_concepts/colors/color_managed_workflow.rst:None msgid ".. image:: images/color_category/Krita_2_9_colormanagement_group1.png" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:None msgid ".. image:: images/color_category/Krita_2_9_colormanagement_group2.png" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:None msgid ".. image:: images/color_category/Krita_2_9_colormanagement_group3.png" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:None msgid ".. image:: images/color_category/Krita_2_9_colormanagement_group4.png" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:None msgid ".. image:: images/dockers/LUT_Management_Docker.png" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:None msgid ".. image:: images/color_category/Krita_HDR_1.svg" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:None msgid ".. image:: images/color_category/Krita_HDR2.svg" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:None msgid "" ".. image:: images/color_category/Krita-colormanaged-workflow_webcomic.svg" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:None msgid ".. image:: images/color_category/Krita-colormanaged-workflow_print.svg" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:None msgid ".. image:: images/color_category/Krita-colormanaged-workflow_games.svg" msgstr "" +#: ../../general_concepts/colors/color_managed_workflow.rst:0 +msgid ".. image:: images/color_category/Kiki_matrix_profile.png" +msgstr "" + +#: ../../general_concepts/colors/color_managed_workflow.rst:0 +msgid ".. image:: images/color_category/Kiki_cLUTprofiles.png" +msgstr "" + #: ../../general_concepts/colors/color_managed_workflow.rst:1 msgid "How a color managed workflow works." msgstr "介绍色彩管理流程的原理。" #: ../../general_concepts/colors/color_managed_workflow.rst:12 msgid "Color" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:12 msgid "Color Management" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:12 msgid "ICC Profiles" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:12 msgid "OCIO" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:17 msgid "Color Managed Workflow" msgstr "色彩管理流程" #: ../../general_concepts/colors/color_managed_workflow.rst:19 msgid "" "You may have heard that Krita has something called color-management. Or " "maybe you just wondered what all these 'color model' and 'color profile' " "things you can find in the menus mean. Color management is pretty useful for " "people who work in digital imaging professionally, and hopefully this page " "will explain why." msgstr "" "你可能听说过 Krita 具备一种叫做色彩管理的功能，你也可能对“色彩模型”和“色彩特" "性文件”之类的选项感到好奇。色彩管理对于从事专业数字影像工作的人员来说非常有" "用，我们会在此页面介绍它的来龙去脉。" #: ../../general_concepts/colors/color_managed_workflow.rst:22 msgid "Basic Info" msgstr "导言" #: ../../general_concepts/colors/color_managed_workflow.rst:24 msgid "" "If you've never worked with color management before, and have no clue what " "it is, then know that you've probably been working in the 8bit RGB color " "space with the sRGB profile. This means you can choose for *sRGB built-in* " "or *sRGB-elle-v2-srgbtrc.icc*. With the new color space browser this profile " "is marked with *(default)* when using 8bit." msgstr "" "如果你从未使用过色彩管理进行作业，或者对此一无所知，那么你很可能正在使用一个 " "sRGB 色彩特性文件，在 8 位 RGB 色彩空间下进行作业。这意味着你可以为图像选用 " "*sRGB built-in* 或者 *sRGB-elle-v2-srgbtrc.icc* 特性文件。在 Krita 全新的色彩" "空间浏览器中，该色彩特性文件是在使用 8 位色彩通道时的默认值。" #: ../../general_concepts/colors/color_managed_workflow.rst:26 msgid "" "We'll go into what these terms mean in the theory, but if you're here only " "for trying to figure out which is the default, you now know it. Maybe, after " "reading this, you may feel like changing the default, to get new and " "interesting results from filters, blending modes, or just the color smudge " "brush." msgstr "" "如果你阅读本文的目的只是想知道哪个选项是默认值，你的目的已经达到了。但光知道" "默认值其实还远远不够。接下来我们将深入探讨色彩管理的理论知识，也许在阅读了这" "篇文章后，你可能会想要改变默认值，以便从滤镜、混合模式抑或是运用了颜色涂抹模" "型的笔刷中获得全新的结果。" #: ../../general_concepts/colors/color_managed_workflow.rst:29 msgid "What is the problem?" msgstr "色彩管理的目的" #: ../../general_concepts/colors/color_managed_workflow.rst:31 msgid "" "To explain the point of color management, you'd first need to learn which " "problem color management tries to solve." msgstr "要理解色彩管理的意义，我们首先要知道它是用来解决什么问题的。" #: ../../general_concepts/colors/color_managed_workflow.rst:33 msgid "Let us imagine a kinder garden:" msgstr "让我们想象一位老师正在给 4 个孩子上绘画课：" #: ../../general_concepts/colors/color_managed_workflow.rst:35 msgid "" "The class of 28 children is subdivided in groups of 7. Each group has its " "own table." msgstr "" "老师分给每个孩子几支水彩颜料，每个人分到的颜色都不同，然后让他们分开作画。" #: ../../general_concepts/colors/color_managed_workflow.rst:37 msgid "" "The teacher gives them a painting assignment: They need to paint a red " "triangle, a blue square, a green circle and put a yellow border around the " "three. The kids are very experienced with painting already, so the teacher " "can confidently leave the smarter ones to their own devices, and spent more " "time on those who need help." msgstr "" "老师给孩子们布置了一个绘画任务：画出一个红色的三角形、一个蓝色的正方形、一个" "绿色的圆形，然后用黄色框把这三个图形给围起来。孩子们只能使用手头上的颜料来作" "画。" #: ../../general_concepts/colors/color_managed_workflow.rst:40 msgid "The following results come from painting:" msgstr "下面就是孩子们交上来的结果：" #: ../../general_concepts/colors/color_managed_workflow.rst:42 msgid "" "Even though all groups had the same assignment, each group's result looks " "different." msgstr "尽管每个组的任务都是一样的，但是他们的成果看起来却不一样。" #: ../../general_concepts/colors/color_managed_workflow.rst:49 msgid "" "Group 1 had vermillion red, citron yellow and ultramarine blue to their " "disposal. This means their triangle looks nice and red, but their circle's " "green is muddy. This is because ultramarine is too dark of a blue to create " "nice greens with." msgstr "" "第一个孩子用的颜料是朱红、明黄和群青。三角形的红色很鲜明，但圆形的绿色却很浑" "浊。这是因为群青的颜色实在是太暗了，用它很难调出鲜艳的绿色系。" #: ../../general_concepts/colors/color_managed_workflow.rst:56 msgid "" "Group 2 had magenta red, citron yellow and cerulean blue. Magenta is a type " "of red that is closer to pink, opposed to vermillion, which is closer to " "orange. However, their green looks nice because cerulean is a much lighter " "blue." msgstr "" "第二个孩子用的颜料是品红、明黄和天蓝。品红是一种接近粉红的红，而第一个孩子用" "的朱红与之相反，更接近橙色。绿色在这张图中看起来更顺眼，因为天蓝比较浅，用它" "调配的绿色也相对明亮一些。" #: ../../general_concepts/colors/color_managed_workflow.rst:64 msgid "" "Group 3 had vermillion red, citron yellow, emerald green and cerulean blue. " "They didn't mix their green, and thus ended up with a purer color." msgstr "" "第三个孩子用的颜料是朱红、明黄、翠绿和天蓝。这张画中的绿色不是用两种颜色调配" "出来的，所以看上去鲜艳明亮。" #: ../../general_concepts/colors/color_managed_workflow.rst:71 msgid "" "Finally, group 4 has vermillion red, citron yellow and cerulean blue. Their " "colors probably look like what you imagined." msgstr "第四个孩子用的颜料是朱红、明黄和天蓝。最终画出来的几种颜色还算正常。" #: ../../general_concepts/colors/color_managed_workflow.rst:73 msgid "" "Now, these are kindergarteners, so this isn't the largest problem in the " "world. However, imagine that something like this happened at a printing " "company? Imagine four printers printing the same magazine with wildly " "different results? That would be disastrous!" msgstr "" "在这个例子里，4 个孩子试图使用不同的颜料来呈现同样的颜色，结果颜色发生了偏" "差。不过这只是孩子涂鸦而已，少许偏差没什么大不了的。但想象一下如果这样的事情" "发生在一家印刷公司里会怎样？车间里的四台打印机把同一本杂志印成 4 种截然不同的" "效果，那就是印刷事故啦！" #: ../../general_concepts/colors/color_managed_workflow.rst:75 msgid "For this purpose, we invented color management." msgstr "为了让颜色在不同的输出设备中能够保持一致，我们发明了色彩管理体系。" #: ../../general_concepts/colors/color_managed_workflow.rst:78 msgid "What is color management?" msgstr "色彩管理的原理" #: ../../general_concepts/colors/color_managed_workflow.rst:80 msgid "" "Color management is, dryly put, a set of systems that tries to have the same " "color translate properly between color devices." msgstr "色彩管理是一整套用于在不同的显色设备之间保持颜色转换一致性的系统。" #: ../../general_concepts/colors/color_managed_workflow.rst:82 msgid "" "It usually works by attempting to covert a color to the reference color " "space XYZ. XYZ is a coordinate system that has a spot for all colors that " "the average human eye can see." msgstr "" "这套系统一般会先把某种颜色转换到 XYZ 参考色彩空间。XYZ 是一个包含了人眼可以感" "知的一切颜色的坐标系。" #: ../../general_concepts/colors/color_managed_workflow.rst:84 msgid "" "From XYZ it can then be translated back into another device space, such as " "RGB (for screens), or CMYK (for printers)." msgstr "" "然后它会把该颜色从 XYZ 转换到其他设备的色彩空间，如 RGB (用于屏幕) 或 CMYK " "(用于打印)。" #: ../../general_concepts/colors/color_managed_workflow.rst:86 msgid "" "Krita has two systems dedicated to color management. On the one hand, we " "have **lcms2**, which deal with ICC profiles, and on the other, we have " "**OCIO**, which deal with LUT color management." msgstr "" "Krita 有两套专门用于色彩管理的系统。一个是 **lcms2**，负责处理 ICC 特性文件。" "另一个则是 **OCIO**，负责处理 LUT 色彩管理。" #: ../../general_concepts/colors/color_managed_workflow.rst:88 msgid "" "To give a crude estimate, ICC profiles deal with keeping colors consistent " "over many interpretations of devices (screens, printers) by using a " "reference space, and OCIO deals with manipulating the interpretation of said " "colors." msgstr "" "大致来说，ICC 特性文件通过一个参考色彩空间来保证在不同设备 (屏幕、打印机等) " "上呈现一致的颜色，而 OCIO 则可以对颜色的展现方式进行调整。" #: ../../general_concepts/colors/color_managed_workflow.rst:90 msgid "Within both we can identify the following color spaces:" msgstr "无论是哪个系统，我们都会按照用途把色彩空间识别为下面几类：" #: ../../general_concepts/colors/color_managed_workflow.rst:93 msgid "" "Device spaces are those describing your monitor, and have to be made using a " "little device that is called \"colorimeter\". This device, in combination " "with the right software, measures the strongest red, green and blue your " "screen can produce, as well as the white, black and gray it produces. Using " "these and several other measurements it creates an ICC profile unique to " "your screen. You set these in Krita's color management tab. By default we " "assume sRGB for screens, but it's very likely that your screen isn't exactly " "fitting sRGB, especially if you have a high quality screen, where it may be " "a bigger space instead. Device spaces are also why you should first consult " "with your printer what profile they expect. Many printing houses have their " "own device profiles for their printers, or may prefer doing color conversion " "themselves. You can read more about colorimeter usage :ref:`here " "`." msgstr "" "设备空间用于描述显示器和打印机等颜色输出设备的色彩空间。设备空间的制作需要使" "用一种叫做“色差计”的小型计算机外设。以显示器为例，色差计与配套软件会测量显示" "器能够显示的最纯的红、绿、蓝、白、黑和灰等颜色，外加一些其他测量，最终生成一" "组受测屏幕的 ICC 特性文件。你可以在 Krita 的色彩管理选项页面里指定该特性文" "件。默认状态下我们会假定显示器符合 sRGB 规范，但大多数屏幕并不能完全符合 " "sRGB，而高品质显示器的色域又往往比 sRGB 更宽。而如果讨论的是打印机，许多印刷" "公司会给自己的打印机准备设备空间，有些公司还会希望由他们进行色彩转换，所以事" "先要问清楚。想要了解色差计的用法，可以 :ref:`阅读此文 " "` 。" #: ../../general_concepts/colors/color_managed_workflow.rst:94 msgid "Device spaces" msgstr "设备空间" #: ../../general_concepts/colors/color_managed_workflow.rst:96 msgid "Working spaces" msgstr "工作空间" #: ../../general_concepts/colors/color_managed_workflow.rst:97 msgid "" "These are delivered alongside Krita for ICC, and downloadable from the OCIO " "website for OCIO. Working spaces are particularly nice to do color " "calculations in, which programs like Krita do often. It's therefore " "recommended to have a working space profile for your image." msgstr "" "工作空间是色彩管理流程的参考色彩空间，我们一般会使用几种常见的规范性空间。" "Krita 等图像软件需要进行大量与色彩相关的运算，而在工作色彩空间内部进行这种运" "算效果更好，因此我们建议为你的图像指定一个工作空间特性文件。Krita 已经自带了" "用于 ICC 的特性文件，而用于 OCIO 的配置文件则可以从 OCIO 网站下载。" #: ../../general_concepts/colors/color_managed_workflow.rst:99 msgid "Aesthetic or Look spaces" msgstr "审美或观察空间" #: ../../general_concepts/colors/color_managed_workflow.rst:99 msgid "" "These are special spaces that have been deformed to give a certain look to " "an image. Krita doesn't deliver Look profiles for ICC, nor does it yet " "support Look spaces for OCIO." msgstr "" "这些特殊的色彩空间经过人为扭曲，用来为图像呈现某些特殊的视觉效果。Krita 没有" "自带 ICC 观察空间，也未在 OCIO 中对其提供支持。" #: ../../general_concepts/colors/color_managed_workflow.rst:102 msgid "Color managed workflow" msgstr "色彩管理流程" #: ../../general_concepts/colors/color_managed_workflow.rst:104 msgid "" "Knowing this about these spaces of course doesn't give you an idea of how to " "use them, but it does make it easier to explain how to use them. So let us " "look at a typical color management workflow:" msgstr "" "现在让我们粗略介绍一下色彩管理流程的全过程，为后面更深入的学习打下基础。下图" "是一个典型的色彩管理流程：" #: ../../general_concepts/colors/color_managed_workflow.rst:110 msgid ".. image:: images/color_category/Krita-colormanaged-workflow_text.svg" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:110 msgid "" "A typical example of a color managed workflow. We have input from scanners " "and cameras, which we convert to a working space that can be used between " "different editing software, and is converted to an output space for viewing " "on screen or printing." msgstr "" "这是一个典型的色彩管理流程实例。我们先从扫描仪和数码相机输入图像，然后把这些" "图像转换到一个能够被各种编辑软件识别的工作空间，最后转换到用于屏幕观察或者打" "印输出的空间。" #: ../../general_concepts/colors/color_managed_workflow.rst:112 msgid "" "In a traditional color managed workflow, we usually think in terms of real " "world colors being converted to computer colors and the other way around. " "So, for example photos from a camera or scanned in images. If you have a " "device space of such a device, we first assign said device space to the " "image, and then convert it to a working space." msgstr "" "在一个传统的色彩管理流程里，我们通常关注的是现实世界色彩与计算机色彩之间的转" "换。例如数码相机的照片或者扫描到计算机的图像等。如果你的成像设备具有自己的设" "备空间，我们首先要把这台设备的空间指定给它生成的图像，然后再把图像转换到一个" "工作空间。" #: ../../general_concepts/colors/color_managed_workflow.rst:114 msgid "" "We then do all our editing in the working space, and use the working space " "to communicate between editing programs. In Krita's case, due to it having " "two color management systems, we use ICC profiles between programs like GIMP " "2.9+, Inkscape, digiKam and Scribus, and OCIO configuration between Blender " "and Natron." msgstr "" "我们接下来便要在该工作空间中完成所有的编辑作业，不同的编辑软件之间也通过该工" "作空间来相互配合。Krita 通过 ICC 特性文件与 GIMP 2.9 +、Inkscape、Digikam 和 " "Scribus 等软件对接，通过 OCIO 配置来与 Blender 和 Natron 等软件对接。" #: ../../general_concepts/colors/color_managed_workflow.rst:116 msgid "" "You also store your working files in the working space, just like how you " "have the layers unmerged in the working file, or have it at a very high " "resolution." msgstr "" "你的工作文件本身也是保存在工作空间下面的。工作文件在这里指的是用于作品编辑的" "高分辨率、图层分离的原文件。" #: ../../general_concepts/colors/color_managed_workflow.rst:118 msgid "" "Sometimes, we apply aesthetic or 'look' spaces to an image as part of the " "editing process. This is rather advanced, and probably not something to " "worry about in Krita's case." msgstr "" "在图像的编辑过程中，我们还可以把具有某种审美意趣“观察空间”应用到图像上，人为" "地扭曲图像的显示效果。这是一个相当高级的运用领域，在使用 Krita 的时候一般用不" "着关注这个。" #: ../../general_concepts/colors/color_managed_workflow.rst:120 msgid "" "Then, when we're done editing, we try to convert to an output space, which " "is another device space. This can be CMYK for printers or a special screen " "RGB profile. When you are dealing with professional printing houses, it is " "best to ask them about this step. They have a lot of experience with doing " "the best conversion, and may prefer to do the conversion from your working " "space to the device space of their printers." msgstr "" "图像在完成编辑之后便要进行输出，这就要求我们把图像转换到输出空间。输出空间是" "另一台设备的色彩空间，它可以是打印机的 CMYK 特性文件，也可以是某台显示器的 " "RGB 特性文件。如果是打印输出，家用和办公打印机会在设备内部完成输出空间转换，" "而印刷公司的情况会复杂一些。每家印刷公司的习惯不同，有些公司习惯让客户自行把" "图像的工作空间转换到他们打印机的设备空间，有些则习惯直接获取客户的原始图像代" "为转换。所以在联系印刷公司时，你应该询问对方关于图像输出的要求。" #: ../../general_concepts/colors/color_managed_workflow.rst:122 msgid "" "Another form of output is the way your screen displays the color. Unlike " "regular output, this one is done all the time during editing: After all, you " "need to be able to see what you are doing, but your screen is still a device " "with a device space, so it does distort how the image looks. In this manner, " "you can see your screen as a set of binoculars you have to look through to " "see your image at all." msgstr "" "屏幕显示本身也是一种输出方式。你可以把屏幕当成一个望远镜，你必须通过它才能看" "到图像，而它的镜片会影响你透过它看见的颜色。每台屏幕的颜色显示效果不同，所以" "在理想状态下它们应该配有自己的特性文件。和打印机只需要转换一次空间相比，图像" "输出到屏幕时必须持续不断地进行色彩空间转换。图像在编辑软件视图中发生的每一次" "变化，都会按照显示器的设备特性文件进行转换。" #: ../../general_concepts/colors/color_managed_workflow.rst:124 msgid "" "Therefore, without a profiled monitor, you actually don't know what the " "actual colors you are working with are like, because the computer doesn't " "know the relevant properties of your screen. So if you profiled your " "monitor, give Krita the profile in the settings, and select the sRGB space " "to draw in, you are for the first time seeing the actual colors of the sRGB " "space." msgstr "" "因此，如果你的显示器没有特性文件，计算机就无法得知你的屏幕的相对特性并进行相" "应的色彩转换，你也就无法确定它显示的颜色是否准确。你必须首先为你的显示器进行" "特性化，制作它的设备特性文件，然后在 Krita 的色彩管理选项中把该特性文件设为设" "备空间，最后还要把正在编辑的图像的工作空间设为 sRGB 空间。只有满足了这些条" "件，你的显示器才能在 sRGB 色彩空间下显示准确的颜色。" #: ../../general_concepts/colors/color_managed_workflow.rst:127 msgid "So what does this mean?" msgstr "色彩管理和数字绘画" #: ../../general_concepts/colors/color_managed_workflow.rst:133 msgid "" ".. image:: images/color_category/Krita-colormanaged-workflow_krita_text.svg" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:133 msgid "" "When we paint from scratch, we can see our screen profile as the input " "space, because we use it to determine what colors to pick. This somewhat " "simplifies the workflow, but makes the screen profile and viewing conditions " "more important." msgstr "" "如果我们使用计算机从头开始绘制作品，我们可以把显示器的特性文件作为输入空间，" "因为画面使用的颜色就是通过这台显示器选取的。虽然这可以简化色彩管理流程，但也" "意味着显示器特性文件和观察条件的作用更加重要了。" #: ../../general_concepts/colors/color_managed_workflow.rst:135 msgid "" "Now, photographers and people who do a tricky discipline of VFX called " "'color grading' will go completely mad over trying to get the colors they " "put in to come out 100% correctly, and will even count in factors like the " "time of day and the color they painted their walls. For example, if the wall " "behind your computer is pure red, your eyes will adjust to be less sensitive " "to red, which means that the colors they pick in the program could come out " "redder. We call these the *viewing conditions*." msgstr "" "为了让输入和输出的色彩完全一致，摄影师和特效行业负责颜色修正的人员需要考虑许" "多因素，这里面甚至包括了时间、天气和装修的颜色。这种讲究并不是在故弄玄虚。举" "个例子，如果显示器背后的墙壁是纯红色的，你的眼睛为了适应这个环境会降低对红色" "敏感程度，于是在程序里选择的颜色就会偏红。我们把观察颜色时所在环境的照明等因" "素称为 **观察条件** 。" #: ../../general_concepts/colors/color_managed_workflow.rst:137 msgid "" "Thankfully, artists have to worry a slight bit less about this. As " "illustrations are fully handmade, we are able to identify the important bits " "and make appropriate contrasts between colors. This means that even if our " "images turn out to be slightly redder than intended, it is less likely the " "whole image is ruined. If we look back at the kindergarten example above, we " "still understand what the image was supposed to look like, despite there " "being different colors on each image. Furthermore, because the colors in " "illustrations are deliberately picked, we can correct them more easily on a " "later date. Yet, at the same time, it is of course a big drag to do this, " "and we might have had much more flexibility had we taken viewing conditions " "under consideration." msgstr "" "观察条件对于画手的影响比摄影师要少一些。画作是全人工绘制的，我们主要靠明暗和" "颜色之间的反差来营造氛围和突出重点。即使成品比我们的原意要偏红，作品整体也不" "至于会因此毁掉。我们可以回顾本文开头孩子们画画的例子，虽然每张图的颜色存在偏" "差，但这并不妨碍我们理解图像想要表达的颜色是什么。我们还可以在后期对颜色进行" "修正，只是修正的过程会很麻烦。要是一开始就把观察条件考虑在内，我们日后的工作" "就可以更加轻松。" #: ../../general_concepts/colors/color_managed_workflow.rst:139 msgid "" "That said, for artists it is also very useful to understand the working " "spaces. Different working spaces give different results with filters and " "mixing, and only some working spaces can be used for advanced technology " "like HDR." msgstr "" "尽管如此，了解工作空间的相关知识对于画手来说还是相当有用的。不同的工作空间在" "使用滤镜和混合颜色时会给出不同的结果。如果要运用像 HDR 这样的高科技，也需要知" "道哪些工作空间与之兼容。" #: ../../general_concepts/colors/color_managed_workflow.rst:141 msgid "" "Similarly, Krita, as a program intended to make images from scratch, doesn't " "really worry about assigning workspaces after having made the image. But " "because you are using the screen as a binocular to look at your image, and " "to pick colors, you can see your screen's device space as an input space to " "the image. Hence why profiling your monitor and giving the profile to Krita " "in the settings can help with preparing your work for print and future " "ventures in the long run." msgstr "" "正如上文所说的那样，Krita 是一个专门为了从头开始绘制图像而设计的程序，它的工" "作空间不是在图像制作完成之后才去指定的。因为你必须通过显示器去观察正在制作的" "图像，在显示器对图像的影响下选取颜色，所以显示器的设备空间可被看作是图像的输" "入空间。这也是为什么你应该为你的显示器进行特性化，并把生成的特性文件指定给 " "Krita。这一步虽然麻烦，但从长远来看可以为你的绘画和印前准备带来极大的好处。" #: ../../general_concepts/colors/color_managed_workflow.rst:143 msgid "" "Overall, it is kinda useful to keep things like viewing conditions in the " "back of your mind. Many professional artists use a mid-gray color as their " "default canvas background because they find they create much more dynamic " "images due to having improved their viewing conditions. It is also why a lot " "of graphics programs, including Krita, come with a dark theme nowadays. " "(Though, of course this might also be because dark themes can be considered " "cool, who knows.)" msgstr "" "不管怎样，我们应该时刻留意观察条件带来的影响。许多专业的画手会选用中性灰作为" "画布背景色，因为他们发现这样可以画出光色更为明快的作品，而这背后的原理便是中" "性灰改善了他们的观察条件。这也是为什么包括 Krita 在内的众多影像软件都会自带一" "套暗色主题。(不过说不定也因为暗色主题看起来更高大上一些)" #: ../../general_concepts/colors/color_managed_workflow.rst:148 msgid "ICC profiles" msgstr "ICC 特性文件" #: ../../general_concepts/colors/color_managed_workflow.rst:150 msgid "" "An ICC profile is a set of coordinates describing the extremities of the " "device space within XYZ, and it is the color management data you use to " "communicate your working space to printers and applications that are " "designed for the print industry, such as GIMP, Scribus, Photoshop, " "Illustrator, Inkscape, Digikam, RawTheraphee, etc. You have two types of ICC " "profiles:" msgstr "" "ICC 特性文件是一组用于色彩管理的坐标数据，它描述了在 XYZ 坐标中设备空间的各个" "顶点。它用于在工作空间和打印机之间，或者在不同的印刷行业软件之间进行色彩转换" "和配合，如 GIMP、Scribus、Photoshop、Illustrator、Inkscape、Digikam、" "RawTheraphee 等。ICC 特性文件有两种：" #: ../../general_concepts/colors/color_managed_workflow.rst:153 msgid "" "These are delivered alongside Krita. Matrix shaper profiles are made by " "setting parameters and interpolating between these to get the exact size of " "the color space. Due to this, Krita's color space browser can give you a lot " "of information on these profiles. Such profiles are also preferable as " "working space." msgstr "" "这些特性文件是 Krita 自带的。阶调矩阵特性文件中包含了各个坐标点的参数和它们之" "间的插值，以此确定色彩空间的确切体积。Krita 的色彩空间浏览器已经为它们准备了" "详尽的介绍资料。这些特性文件适合用作工作空间。" #: ../../general_concepts/colors/color_managed_workflow.rst:159 msgid "Matrix Shaper profiles." msgstr "阶调矩阵特性文件" #: ../../general_concepts/colors/color_managed_workflow.rst:159 msgid "" "Matrix shaper profiles have a few parameters that describe the color space " "which are then interpolated between, this requires a lot of maths." msgstr "" "阶调矩阵特性文件包含了一些描述色彩空间的坐标参数，在这些参数之间的部分则是通" "过插值来填补的，这需要进行大量的数学运算。" #: ../../general_concepts/colors/color_managed_workflow.rst:162 msgid "" "These are fairly rare, and primarily used to describe printer profiles, such " "as CMYK. cLUT, or Color Look-up Table profiles store far more data than " "Matrix shaper profiles, so they can hold data of little particularities " "caused by, for example, unexpected results from mixing pigments. This is a " "far more organic approach to describing a color space, hence why a lot of " "programs that don't care for color management much don't support these." msgstr "" "这种特性文件并不常见，主要用于描述打印机设备空间，如 CMYK 等。cLUT 是 Color " "Look-up Table 即查找表的英文缩写，它们比阶调矩阵特性文件的数据量要大得多，这" "样才能能针对一些难以预见的情况，如某些颜料的混合特性等保存所需的数据。这是描" "述色彩空间的一种极为专业的手段，所以许多不关注色彩管理的程序不会支持它们。" #: ../../general_concepts/colors/color_managed_workflow.rst:168 msgid "" "cLUT profiles work by holding tables of each color in a color space and " "their respective coordinates in a reference space. For CMYK this is " "typically L\\*A\\*B\\* and for the rest XYZ. These tables are tricky to " "make, which means these profiles are a lot rarer." msgstr "" "cLUT 特性文件为处于该色彩空间中的每种颜色准备了表格以记录它们在参考空间中的坐" "标。对 CMYK 而言一般采用 L\\*A\\*B\\* 空间，而其他类型的特性文件通常使用 XYZ " "空间。这些表格的制作过程格外麻烦，所以它们也较为少见。 " #: ../../general_concepts/colors/color_managed_workflow.rst:169 msgid "cLUT profiles" msgstr "cLUT 特性文件" #: ../../general_concepts/colors/color_managed_workflow.rst:171 msgid "" "The interesting thing about ICC profiles is that your working space can be " "larger than your device space. This is generally not bad. However, when " "converting, you do end up with the question of how to translate the working " "space values." msgstr "" "ICC 特性文件的有趣之处是你可以使用一个比设备空间更宽广的工作空间。一般来说这" "不是坏事，可到了转换空间的时候你就得面对如何转换工作空间数值的问题。" #: ../../general_concepts/colors/color_managed_workflow.rst:174 msgid "Perceptual" msgstr "可感知" #: ../../general_concepts/colors/color_managed_workflow.rst:174 msgid "" "This just squishes the values of the working space into the space it's " "converted to. It's a nice method to see all possible values in this, but not " "so good if you want accurate color reproduction. Use this if you want to see " "all colors in an image, or want to express all possible contrasts. Doesn't " "work with Matrix Shaper profiles, defaults to relative colorimetric." msgstr "" "此模式把工作空间中的数值进行挤压，然后塞进要转换到的目标空间里。这种转换手段" "对于重现可感知的全部明度范围很有用，但不适合需要精确重现颜色的用途。如果你想" "分清一个图像中的各种颜色，或者想要完整表达原图各种光色之间的明暗关系，可以选" "用此模式。此模式不兼容阶调矩阵特性文件，它默认给相对比色模式使用。" #: ../../general_concepts/colors/color_managed_workflow.rst:177 msgid "Absolute Colorimetric." msgstr "绝对比色" #: ../../general_concepts/colors/color_managed_workflow.rst:177 msgid "" "The opposite to Perceptual, Absolute colorimetric will attempt to retain all " "the correct colors at whatever cost, which may result in awful looking " "colors. Recommended only for reproduction work. Doesn't work with Matrix " "Shaper profiles in Krita due to ICC v4 workflow standards." msgstr "" "与可感知模式相反，绝对比色模式会牺牲一切其他因素来保持正确的颜色数值，这样有" "可能产生难看的颜色。建议仅用于色彩重现工作。由于 ICC v4 色彩管理流程标准的限" "制，此模式不兼容阶调矩阵特性文件。" #: ../../general_concepts/colors/color_managed_workflow.rst:180 msgid "Relative Colorimetric" msgstr "相对比色" #: ../../general_concepts/colors/color_managed_workflow.rst:180 msgid "" "An in between solution between perceptual and absolute, relative will try to " "fit whatever colors it can match between color spaces. It does this by " "aligning the white and black points. It cuts off the rest to their " "respective borders. This is what all matrix shaper profiles default to " "during conversion, because the ICC v4 workflow specifies to only use " "Relative Colorimetric for matrix shaper profiles." msgstr "" "这是一个介于可感知模式和绝对比色模式之间的模式。相对比色模式会首先尝试匹配两" "个色彩空间中相同的颜色。要做到这一点，它首先对齐两个空间的白点和黑点，然后沿" "着两个空间的相对边界进行切除。由于 ICC v4 色彩管理流程规范只允许为阶调矩阵特" "性文件使用相对比色模式，因此所有阶调矩阵特性文件都默认使用此模式。" #: ../../general_concepts/colors/color_managed_workflow.rst:183 msgid "Saturation" msgstr "饱和度优先" #: ../../general_concepts/colors/color_managed_workflow.rst:183 msgid "" "Does anything to retain colorfulness, even hue will be sacrificed. Used in " "infographics. Doesn't work with Matrix Shaper profiles, defaults to relative " "colorimetric." msgstr "" "此模式会不惜一切代价来保持颜色的鲜艳程度，为此可以牺牲色相的一致性。用于信息" "图。此模式不兼容阶调矩阵特性文件，那些特性文件会默认使用相对比色模式。" #: ../../general_concepts/colors/color_managed_workflow.rst:185 msgid "" "*ICC profile version* is the last thing to keep in mind when dealing with " "ICC profiles. Krita delivers both Version 2 and Version 4 profiles, with the " "later giving better results in doing color maths, but the former being more " "widely supported (as seen below in 'Interaction with other applications'). " "This is also why Krita defaults to V2, and we recommend using V2 when you " "aren't certain if the other programs you are using support V4." msgstr "" "**ICC 特性文件版本** 是在与 ICC 特性文件打交道时最后一件需要留意的事情。" "Krita 同时预装了符合第 2 版 (V2) 和第 4 版 (V4) 规范的特性文件，后者进行颜色" "运算时效果更好，但前者的受支持范围更广 (参见下文“与其他应用程序配合”一节)，因" "此 Krita 默认使用 V2，我们也建议在无法确定其他程序是否支持 V4 的情况下选用 " "V2。" #: ../../general_concepts/colors/color_managed_workflow.rst:188 msgid "LUT docker and HDR imaging" msgstr "LUT 工具面板和 HDR 成像" #: ../../general_concepts/colors/color_managed_workflow.rst:196 msgid "" "The :ref:`lut_docker` is the second important bit of color management in " "Krita that is shared between Krita and programs like Blender, Natron and " "Nuke, and only uses Look Up Tables that are configured via a config file." msgstr "" ":ref:`lut_docker` 是 Krita 次要的色彩管理模块，它与 Blender、Natron 和 Nuke " "的色彩管理系统可以互通，它仅使用配置文件中定义的查找表。" #: ../../general_concepts/colors/color_managed_workflow.rst:198 msgid "" "You can set the workingspace of the image under input color space, and the " "display to sRGB or your own LUT if you have added it to the configuration. " "View in this case is for proofing transforms to a certain display device." msgstr "" "你可以在“输入色彩空间”处设置图像的工作空间，然后把“显示设备”设为 sRGB 或者你" "添加到配置中的自定义 LUT 文件。在此场景下的“查看”选单可以用来模拟某种显示设备" "进行软打样。" #: ../../general_concepts/colors/color_managed_workflow.rst:200 msgid "" "Component, exposure, gamma, whitepoint and blackpoint are knobs which allows " "you to modify the display filter." msgstr "颜色分量、曝光、gamma、白点和黑点滑动条用于对视图的显示滤镜进行调整。" #: ../../general_concepts/colors/color_managed_workflow.rst:208 msgid "" "As explained before, we can see our monitor as a telescope or binocular into " "the world of our picture. Which means it distorts our view of the image a " "little. But we can modify this binocular, or display filter to see our image " "in a different way. For example, to allow us to see the white in an image " "that are whiter than the white of our screen. To explain what that means, we " "need to think about what white is." msgstr "" "正如前面解释的那样，我们可以把显示器看作是用来观察图像的一个望远镜，它会对图" "像造成轻微的影响。我们也可以对这个望远镜进行改造，就好象插入了一片滤镜的方式" "来以另外一种方式去观察图像。例如我们可以通过某种改造让我们可以看见比我们的显" "示器的白点更亮的白。要说清楚这一点，我们要首先讨论一下白是什么。" #: ../../general_concepts/colors/color_managed_workflow.rst:210 msgid "" "For example, white, on our monitor is full red, full green and full blue. " "But it's certainly different from white on our paper, or the color of milk, " "white from the sun, or even the white of our cell-phone displays." msgstr "" "例如，我们显示器上的白是它能够显示的最亮的纯红、纯绿和纯蓝叠加而来的。这种白" "受显示器自身特性的影响，和白纸的白、牛奶的白、阳光的白，甚至是随便一台手机显" "示的白都是不一样的。" #: ../../general_concepts/colors/color_managed_workflow.rst:212 msgid "" "Black similarly, is brighter on a LCD display than a LED one, and " "incomparable with the black of a carefully sealed room." msgstr "" "黑也是同理，在 LCD 面板上的黑要比 LED 面板上的黑要更亮，这是因为 LCD 面板使用" "一组背光照亮整个面板，即使纯黑的画面也会漏出少许背光，而 LED 面板在纯黑的位置" "是不发光的。正因如此，LCD 面板的黑与一间被彻底密封起来的房间内部的黑根本没有" "可比性。" #: ../../general_concepts/colors/color_managed_workflow.rst:214 msgid "" "This means that there's potentially blacker blacks than screen black, and " "white whites than screen white. However, for simplicity's sake we still " "assign the black-point and the white-point to certain values. From there, we " "can determine whether a white is whiter than the white point, or a black " "blacker than the black-point." msgstr "" "这意味着可能存在比屏幕显示的黑更暗的黑，比屏幕显示的白更亮的白。不过为了方便" "起见，让我们先将黑点和白点指定成某个数值，然后比较某种黑是否比该黑点更暗，某" "种白是否比该白点更亮。" #: ../../general_concepts/colors/color_managed_workflow.rst:216 msgid "" "The LUT docker allows us to control this display-filter and modify the " "distortion. This is useful when we start modifying images that are made with " "scene referred values, such as HDR photos, or images coming out of a render " "engine." msgstr "" "LUT 工具面板让我们可以对视图显示滤镜对色彩施加的变化进行控制。这项功能用于修" "改那些为场景参照亮度而制作的图像，如 HDR 照片或者由渲染引擎输出的图像。" #: ../../general_concepts/colors/color_managed_workflow.rst:224 msgid "" "So, for example, we can choose to scale whiter-than-screen-white to our " "screen-white so we can see the contrasts there." msgstr "" "例如我们可以把比屏幕白更亮的白的范围按照我们的屏幕白进行等比挤压，这样就可以" "看清整体的明暗关系了。" #: ../../general_concepts/colors/color_managed_workflow.rst:226 msgid "" "The point of this is that you can take advantage of more lightness detail in " "an image. While you can't see the difference between screen white and whiter-" "than-screen-white (because your screen can't show the difference), graphics " "programs can certainly use it." msgstr "" "这么做的意义是让你看清楚图像亮部所包含的细节。尽管你无法分辨屏幕白和比它更亮" "的白的真实区别 (因为你的屏幕显示不出来)，图像程序依然能够照常处理其中的色彩数" "据。" #: ../../general_concepts/colors/color_managed_workflow.rst:228 msgid "" "A common example is matching the lighting between a 3d model and a real " "world scene. Others are advanced photo retouching, with much more contrast " "information available to the user. In painting itself, this allows you to " "create an image where you can be flippant with the contrast, and allow " "yourself to go as bright as you'd like." msgstr "" "一个常见的用例是在一个 3D 模型与现实场景之间匹配光照效果。另外一个用例是高级" "照片修图作业时通过这种手段呈现图像中尽可能多的色彩对比信息。对于绘画作业本身" "而言，这让你可以自如地控制整体的对比度和亮度。" #: ../../general_concepts/colors/color_managed_workflow.rst:230 msgid "" "LUT docker manipulations are per view, so you can create a new view and set " "it to luminosity. This way you can see the image in both color as well as " "grayscale and keep a good eye on your values." msgstr "" "LUT 面板可以对每个视图单独进行色彩控制，你可以创建一个新视图并设置为光度模" "式，这样你就可以同时看见彩色图和灰度图，便于把握图像整体的亮度。" #: ../../general_concepts/colors/color_managed_workflow.rst:232 msgid "" "Another example is to carefully watch the gradients in a certain section." msgstr "还有一个用例就是对某段色彩渐变的呈现效果进行仔细的监测。" #: ../../general_concepts/colors/color_managed_workflow.rst:234 msgid "" "Like ICC, the LUT Docker allows you to create a profile of sorts for your " "device. In this case it's the 'lut', which stands for 'Look Up Table', and " "which can be added to OCIO by modifying the configuration file. When OCIO is " "turned on, the configuration in :menuselection:`Settings --> Configure Krita " "--> Color Management` is turned off, unless you are using the :guilabel:" "`Internal` color engine." msgstr "" "你可以在 LUT 面板里创建一个类似 ICC 的特性文件。在这里我们要创建的" "是“LUT” (Look Up Table，查找表)，通过修改 OCIO 配置文件可将其添加进 OCIO。当 " "OCIO 启用时，菜单栏的 :menuselection:`设置 --> 配置 Krita --> 色彩管理` 选项" "页面将被停用。你只能在使用 :guilabel:`内建` 色彩引擎时才能使用该选项页面。" #: ../../general_concepts/colors/color_managed_workflow.rst:237 msgid "In summary" msgstr "总结" #: ../../general_concepts/colors/color_managed_workflow.rst:239 msgid "Krita has two modes of color management:" msgstr "Krita 具备两种色彩管理模式：" #: ../../general_concepts/colors/color_managed_workflow.rst:241 msgid "" "ICC works in terms of spaces relative to the CIEXYZ space, and requires an " "ICC profile." msgstr "ICC 基于 CIEXYZ 参考色彩空间工作，需要使用 ICC 特性文件。" #: ../../general_concepts/colors/color_managed_workflow.rst:242 msgid "OCIO works in terms of interpretation, and makes use of luts." msgstr "OCIO 用来调整视图的色彩呈现效果，使用 LUT 查找表。" #: ../../general_concepts/colors/color_managed_workflow.rst:243 msgid "both can be made with a colorimeter." msgstr "ICC 特性文件和 LUT 查找表都可以使用色差计进行制作。" #: ../../general_concepts/colors/color_managed_workflow.rst:244 msgid "" "If you want to have a properly color managed workflow, you have one made " "customary for the input device (your screen) and the output devices (your " "printer, or target screen). For web the output is always sRGB." msgstr "" "如果你想要组建一个正确的色彩管理流程，你必须自行为输入设备 (你的显示器) 和输" "出设备 (你的打印机或者目标显示器) 制作相应的 ICC 特性文件或者 LUT 查找表。面" "向网络用途的输出图像应该总是使用 sRGB 空间。" #: ../../general_concepts/colors/color_managed_workflow.rst:245 msgid "" "Set up your screen profiles under :menuselection:`Settings --> Configure " "Krita --> Color management`." msgstr "" "你可以在菜单栏的 :menuselection:`设置 --> 配置 Krita --> 色彩管理` 选项页面设" "置显示器的特性文件。" #: ../../general_concepts/colors/color_managed_workflow.rst:246 msgid "" "Do NOT use screen profiles or other device profiles to draw in. Use a " "working space profile such as any of the elle profiles for this, as the " "color maths will be much more predictable and pleasant. Krita will convert " "between your screen and working space on the fly, allowing you to pick the " "correct colors. This turns your screen into binoculars to view the image." msgstr "" "切勿在制作的图像中使用显示器或者其他设备特性文件作为工作空间。你应当为图像指" "定一个像 elle 系列这样的工作空间，这样色彩的运算效果不但更好，而且更易于预" "测。Krita 会持续地在显示器的设备空间和工作空间之间进行色彩转换，确保你可以看" "到并选取正确的颜色。" #: ../../general_concepts/colors/color_managed_workflow.rst:247 msgid "" "Use the appropriate color management for the appropriate workflow. If you " "are working with Blender, you will be better off using OCIO, than ICC. If " "you are working with Scribus or Photoshop, use ICC." msgstr "" "你应该按照色彩管理流程的具体情况选用合适的色彩管理方式。如果你要与 Blender 协" "同工作，你应该选用 OCIO 而不是 ICC。如果你要与 Scribus 或者 Photoshop 协同工" "作，你应该选用 ICC。" #: ../../general_concepts/colors/color_managed_workflow.rst:249 msgid "" "Krita does a lot of color maths, often concerning the blending of colors. " "This color maths works best in linear color space, and linear color space " "requires a bit depth of at the least 16bit to work correctly. The " "disadvantage is that linear space can be confusing to work in." msgstr "" "Krita 会进行大量的色彩运算，这常常与颜色的混合有关。此类运算在线性的色彩空间" "中效果最好，而线性的色彩空间要求至少 16 位的通道深度才能正常工作。线性空间纵" "然有诸多好处，但它的缺点是不好理解。" #: ../../general_concepts/colors/color_managed_workflow.rst:251 msgid "" "If you like painting, have a decent amount of RAM, and are looking to start " "your baby-steps in taking advantage of Krita's color management, try " "upgrading from having all your images in sRGB built-in to sRGB-v2-elle-g10." "icc or rec2020-v2-elle-g10.icc at 16bit float. This'll give you better color " "blending while opening up the possibility for you to start working in hdr!" msgstr "" "如果你喜欢绘画，又有足够的内存，现在想要迈出利用 Krita 色彩管理功能的第一步，" "那么首先你可以把你所有的图像的工作空间从 sRGB built-in 转换到 16 位浮点下的 " "sRGB-v2-elle-g10.icc 或者 rec2020-v2-elle-g10.icc 特性文件。这不但可以使得色" "彩的混合效果更好，而且也为你打开了通向 HDR 图像编辑的大门。" #: ../../general_concepts/colors/color_managed_workflow.rst:256 msgid "" "Some graphics cards, such as those of the NVidia-brand actually have the " "best performance under 16bit float, because NVidia cards convert to floating " "point internally. When it does not need to do that, it speeds up!" msgstr "" "某些显卡，如使用 Nvidia 芯片的显卡在使用 16 位浮点通道时性能最佳，这是因为 " "Nvidia 显卡会在内部将数据转换成浮点格式。如果图像本身就是使用浮点，这个转换过" "程就可以省略，处理速度也会因此提高。" #: ../../general_concepts/colors/color_managed_workflow.rst:260 msgid "" "No amount of color management in the world can make the image on your screen " "and the image out of the printer have 100% the same color." msgstr "" "在现实条件下，不管色彩管理手段如何先进，执行过程如何完善，也绝无可能在屏幕显" "示和打印输出之间保持 100% 一致的颜色。" #: ../../general_concepts/colors/color_managed_workflow.rst:263 msgid "Exporting" msgstr "导出图像时的相关技巧" #: ../../general_concepts/colors/color_managed_workflow.rst:265 msgid "" "When you have finished your image and are ready to export it, you can modify " "the color space to optimize it:" msgstr "在处理完一张图像并准备导出时，你可以修改它的色彩空间以优化输出效果：" #: ../../general_concepts/colors/color_managed_workflow.rst:267 msgid "If you are preparing an image for the web:" msgstr "如果你要为网络用途准备该图像：" #: ../../general_concepts/colors/color_managed_workflow.rst:269 msgid "" "If you use 16bit color depth or higher, convert the image to 8bit color " "depth. This will make the image much smaller." msgstr "" "如果你的工作空间色彩深度在 16 位或以上，你应该在导出时把图像转换为 8 位深度。" "这样会大大缩小图像的体积。" #: ../../general_concepts/colors/color_managed_workflow.rst:271 msgid "" "Krita doesn't have built-in dithering currently, which means that 16 to " "18bit conversions can come out a bit banded. But you can simulate it by " "adding a fill layer with a pattern, set this fill layer to overlay, and to " "5% opacity. Then flatten the whole image and convert it to 8bit. The pattern " "will function as dithering giving a smoother look to gradients." msgstr "" "Krita 目前尚不具备内建的抖动算法，这意味着从 16 位转换到 8 位深度时会产生轻微" "的颜色条纹。不过你可以通过下述手段来模拟颜色抖动：插入一个填充图层，在其中填" "充一个图案，将不透明度设为 5% 然后把图层的混合方式设成叠加。把整个图像平整为" "一层，然后再把它转换成 8 位。你刚才填充的图案便会如同抖动效果一样，让转换后的" "渐变色彩更为平滑。" #: ../../general_concepts/colors/color_managed_workflow.rst:273 msgid "If it's a gray-scale image, convert it to gray-scale." msgstr "如果图像只含有灰度，那就把它的色彩空间转换为灰阶。" #: ../../general_concepts/colors/color_managed_workflow.rst:274 msgid "" "If it's a color image, keep it in the working space profile: Many web " "browsers these days support color profiles embedded into images. Firefox, " "for example, will try to convert your image to fit the color profile of the " "other monitor (if they have one). That way, the image will look almost " "exactly the same on your screen and on other profiled monitors." msgstr "" "如果图像是彩色的，那就把它的工作空间特性文件保存到图像中。现在许多网页浏览器" "都能处理嵌入在图像中的色彩特性文件。以 Firefox 为例，如果对方的显示器具备一个" "色彩特性文件，Firefox 便会把你的图像按照该设备空间进行转换。这样一来该图像便" "可以在你的源显示器和已特性化的其他显示器上呈现几乎一致的效果。" #: ../../general_concepts/colors/color_managed_workflow.rst:279 msgid "" "In some versions of Firefox, the colors actually look strange: This is a bug " "in Firefox, which is because its `color management system is incomplete " "`_, save your png, jpg or tiff without an embedded profile to work " "around this." msgstr "" "嵌入了特性文件的图像在某些版本的 Firefox 里会呈现不正常的颜色。这是 Firefox " "的一个 bug，因为它的 `色彩管理系统并不完整 `_ 。要避免这种情况，可以在保" "存 png、jpg 或 tiff 图像时不嵌入特性文件。" #: ../../general_concepts/colors/color_managed_workflow.rst:281 msgid "If you are preparing for print:" msgstr "如果你在进行印前准备：" #: ../../general_concepts/colors/color_managed_workflow.rst:283 msgid "" "You hopefully made the picture in a working space profile instead of the " "actual custom profile of your screen, if not, convert it to something like " "adobe rgb, sRGB or rec2020." msgstr "" "在制作需要打印的图像时，应该为图像指定一个工作空间特性文件，最好不要为图像指" "定显示器的自定义设备空间特性文件。如果你的图像使用了显示器特性文件，你应该把" "它转换成例如 Adobe RGB、sRGB 或者 rec2020 这样的工作空间特性文件。" #: ../../general_concepts/colors/color_managed_workflow.rst:284 msgid "" "Check with the printer what kind of image they expect. Maybe they expect " "sRGB color space, or perhaps they have their own profile." msgstr "" "你要检查清楚打印机能够接受的图像色彩空间。有些打印机可以接受 sRGB 色彩空间，" "另外一些则要使用它们自己的特性文件。" #: ../../general_concepts/colors/color_managed_workflow.rst:287 msgid "Interaction with other applications" msgstr "与其他应用程序配合" #: ../../general_concepts/colors/color_managed_workflow.rst:290 msgid "Blender" msgstr "Blender" #: ../../general_concepts/colors/color_managed_workflow.rst:292 msgid "" "If you wish to use krita's OCIO functionality, and in particular in " "combination with Blender's color management, you can try to have it use " "Blender's OCIO config." msgstr "" "如果你想要使用 Krita 的 OCIO 功能，尤其是要与 Blender 的色彩管理协同工作时，" "你可以让它使用 Blender 的 OCIO 配置。" #: ../../general_concepts/colors/color_managed_workflow.rst:294 msgid "" "Blender's OCIO config is under ``/version number/datafiles/" "colormanagement``. Set the LUT docker to use the OCIO engine, and select the " "config from the above path. This will give you blender's input and screen " "spaces, but not the looks, as those aren't supported in Krita yet." msgstr "" "Blender 的 OCIO 配置可以在 ``/版本号/datafiles/" "colormanagement`` 下面找到。将 LUT 面板设为使用 OCIO 引擎，然后把配置指定为上" "述路径。这将让你可以使用 Blender 的输入和屏幕空间，但 Krita 尚不支持它的观察" "空间。" #: ../../general_concepts/colors/color_managed_workflow.rst:298 msgid "Windows Photo Viewer" msgstr "Windows 照片查看器" #: ../../general_concepts/colors/color_managed_workflow.rst:300 msgid "" "You might encounter some issues when using different applications together. " "One important thing to note is that the standard Windows Photo Viewer " "application does not handle modern ICC profiles. Krita uses version 4 " "profiles; Photo Viewer can only handle version 2 profiles. If you export to " "JPEG with an embedded profile, Photo Viewer will display your image much too " "dark." msgstr "" "Krita 生成的图像与某些应用程序之间存在兼容性问题。其中一个重要的问题发生在 " "Windows 自带的照片查看器上面，因为它无法处理新型的 ICC 特性文件。Krita 使用" "第 4 版的特性文件，而 Windows 照片查看器只能处理第 2 版的特性文件。如果你在导" "出成 JPEG 时嵌入了特性文件，Windows 照片查看器会把该图像显示得过于昏暗。" #: ../../general_concepts/colors/color_managed_workflow.rst:303 msgid "Example workflows" msgstr "色彩管理流程范例" #: ../../general_concepts/colors/color_managed_workflow.rst:305 msgid "" "Here are some example workflows to get a feeling of how your color " "management workflow may look like." msgstr "下面时一些色彩管理流程的范例，你可以参考它们来规划自己的色彩管理流程。" #: ../../general_concepts/colors/color_managed_workflow.rst:307 msgid "" "As mentioned before, input for your screen is set via :menuselection:" "`Settings --> Configure Krita --> Color management`, or via the LUT docker's " "'screen space'. Working space is set via new file per document, or in the " "LUT docker via 'input space'." msgstr "" "如前所述，显示器的输入空间是在菜单栏的 :menuselection:`设置 --> 配置 Krita --" "> 色彩管理` 选项页面或者在 LUT 面板的“显示设备”处设置的。工作空间既可以在新建" "文档时设置，也可以在 LUT 面板的“输入空间”处设置。" #: ../../general_concepts/colors/color_managed_workflow.rst:310 msgid "Webcomic" msgstr "网络漫画" #: ../../general_concepts/colors/color_managed_workflow.rst:317 #: ../../general_concepts/colors/color_managed_workflow.rst:339 #: ../../general_concepts/colors/color_managed_workflow.rst:357 msgid "Input" msgstr "输入空间" #: ../../general_concepts/colors/color_managed_workflow.rst:318 #: ../../general_concepts/colors/color_managed_workflow.rst:340 #: ../../general_concepts/colors/color_managed_workflow.rst:358 msgid "Your screen profile. (You pick colors via your screen)" msgstr "你的显示器特性文件，因为你在制作图像时通过这台显示器选取颜色。" #: ../../general_concepts/colors/color_managed_workflow.rst:319 #: ../../general_concepts/colors/color_managed_workflow.rst:341 #: ../../general_concepts/colors/color_managed_workflow.rst:359 msgid "Workingspace" msgstr "工作空间" #: ../../general_concepts/colors/color_managed_workflow.rst:320 msgid "" "sRGB (the default screen profile) or any larger profile if you can spare the " "bit depth and like working in them." msgstr "" "sRGB (默认显示器特性文件)，如果你喜欢也可以换用其他空间更大的特性文件，但前提" "是你的计算机能够流畅处理更高的位深度。" #: ../../general_concepts/colors/color_managed_workflow.rst:322 #: ../../general_concepts/colors/color_managed_workflow.rst:344 #: ../../general_concepts/colors/color_managed_workflow.rst:362 msgid "Output" msgstr "输出空间" #: ../../general_concepts/colors/color_managed_workflow.rst:322 msgid "" "sRGB, ICC version 2, sRGB TRC for the internet, and a specialized CMYK " "profile from the printing house for the printed images." msgstr "" "sRGB，ICC 第 2 版，为互联网用途而设的 sRGB TRC 空间，还有印刷公司提供的专供打" "印图像使用的 CMYK 特性文件。" #: ../../general_concepts/colors/color_managed_workflow.rst:324 msgid "" "Use the sRGB-elle-V2-srgbtrc.icc for going between Inkscape, Photoshop, " "Painttool Sai, Illustrator, GIMP, Manga Studio, Paintstorm Studio, MyPaint, " "Artrage, Scribus, etc. and Krita." msgstr "" "使用 sRGB-elle-V2-srgbtrc.icc 来在 Inkscape、Photoshop、Painttool SAI、" "Illustrator、Paintstorm Studio、Mypaint、Artrage、Scribus 和 Krita 之间交换图" "像。" #: ../../general_concepts/colors/color_managed_workflow.rst:326 msgid "" "If you are using a larger space via ICC, you will only be able to " "interchange it between Krita, Photoshop, Illustrator, GIMP 2.9, Manga Studio " "and Scribus. All others assume sRGB for your space, no matter what, because " "they don't have color management." msgstr "" "如果你在通过 ICC 运用比这更大的色彩空间，你将只能在 Krita、Photoshop、" "Illustrator、GIMP 2.9、Manga Studio 和 Scribus 之间进行互换。其他的软件会无条" "件地假定你的工作空间是 sRGB，因为它们并没有色彩管理功能。" #: ../../general_concepts/colors/color_managed_workflow.rst:328 msgid "" "If you are going between Krita and Blender, Nuke or Natron, use OCIO and set " "the input space to 'sRGB', but make sure to select the sRGB profile for ICC " "when creating a new file." msgstr "" "如果你在 Krita 与 Blender、Nuke、Natron 之间进行互换，使用 OCIO 并将输入空间" "设为 “sRGB”，但记得在创建新文档时为 ICC 选择 sRGB 色彩特性文件。" #: ../../general_concepts/colors/color_managed_workflow.rst:330 msgid "" "For the final for the web, convert the image to sRGB 8bit, srgbtrc, do not " "embed the ICC profile. Then, if using png, put it through something like " "pngcrush or other png optimizers. sRGB in this case is chosen because you " "can assume the vast majority of your audience hasn't profiled their screen, " "nor do they have screens that are advanced enough for the wide gamut stuff. " "So hence why we convert to the screen default for the internet, sRGB." msgstr "" "对于面向网络输出的最终图像，应把图像转换为 8 位的 sRGB，srgbtrc，不要嵌入 " "ICC 特性文件。如果你输出成 PNG，还可以用 PNGCrush 或者其他应用对其进行优化处" "理。在此场景中选用 sRGB 的理由是：你可以假设绝大多数受众都不会为他们的屏幕进" "行特性化，而他们的屏幕大概也不会高级到可以支持宽色域之类的特性。所以我们应该" "默认使用 sRGB 来转换用于互联网的图像。" #: ../../general_concepts/colors/color_managed_workflow.rst:333 msgid "Print" msgstr "打印" #: ../../general_concepts/colors/color_managed_workflow.rst:342 msgid "sRGB or rec2020 if you can afford the bit-depth being 16bit." msgstr "sRGB，如果你能使用 16 位深度，则使用 rec2020。" #: ../../general_concepts/colors/color_managed_workflow.rst:344 msgid "" "Specialized CMYK profile from the printing house for the printed images." msgstr "印刷公司为打印图像提供的专用 CMYK 特性文件。" #: ../../general_concepts/colors/color_managed_workflow.rst:346 msgid "" "The CMYK profiles are different per printer, and even per paper or ink-type " "so don't be presumptuous and ask ahead for them, instead of doing something " "like trying to paint in any random CMYK profile. As mentioned in the viewing " "conditions section, you want to keep your options open." msgstr "" "每台打印机的 CMYK 特性文件都是不同的，有些打印机甚至针对不同的纸张和油墨准备" "了不同的特性文件，因此不能随便找一个 CMYK 特性文件用于印刷。你应该直接向你的" "印刷公司索取专用的特性文件。" #: ../../general_concepts/colors/color_managed_workflow.rst:348 msgid "" "You can set the advanced color selector to transform to a given profile via :" "menuselection:`Settings --> Configure Krita --> Color Selector Settings`. " "There, tick :guilabel:`Color Selector Uses Different Color Space than Image` " "and select the CMYK profile you are aiming for. This will limit your colors " "a little bit, but keep all the nice filter and blending options from RGB." msgstr "" "你可以将高级拾色器设成匹配某个特性文件，首先到菜单栏的 :menuselection:`设置 " "--> 配置 Krita --> 高级拾色器设置` 。勾选 :guilabel:`拾色器使用与图像不同的色" "彩空间` 然后选取你的目标 CMYK 特性文件。这将略微限制你能够运用的颜色，但你依" "然可以在 RGB 空间下面使用所有滤镜和混色选项。" #: ../../general_concepts/colors/color_managed_workflow.rst:351 msgid "Games" msgstr "游戏" #: ../../general_concepts/colors/color_managed_workflow.rst:360 msgid "sRGB or grayscale linear for roughness and specular maps." msgstr "对于粗糙度和高光贴图，应选用线性 sRGB 或灰阶。" #: ../../general_concepts/colors/color_managed_workflow.rst:362 msgid "" "This one is tricky, but in the end it'll be sRGB for the regular player." msgstr "这个比较棘手，但一般情况下使用 sRGB。" #: ../../general_concepts/colors/color_managed_workflow.rst:364 msgid "" "So this one is tricky. You can use OCIO and ICC between programs, but " "recommended is to have your images to the engine in sRGB or grayscale. Many " "physically based renderers these days allow you to set whether an image " "should be read as a linear or srgbtrc image, and this is even vital to have " "the images being considered properly in the physically based calculations of " "the game renderer." msgstr "" "这一点比较棘手的原因是，虽然你可以在不同的程序之间使用 OCIO 和 ICC，但我们推" "荐把提供给引擎的图像设为 sRGB 或灰阶。许多较新的基于物理原理的渲染器允许指定" "一张图像被视作线性还是 srgbtrc 图像来进行处理。由于在这种游戏渲染器中图像空间" "的正确识别非常重要，所以设为 sRGB 是一种额外的保险。" #: ../../general_concepts/colors/color_managed_workflow.rst:366 msgid "" "While game engines need to have optimized content, and it's recommended to " "stay within 8bit, future screens may have higher bit depths, and when " "renderers will start supporting those, it may be beneficial to develop a " "workflow where the working-space files are rather unnecessarily big and you " "run some scripts to optimize them for your current render needs, making " "updating the game in the future for fancier screens less of a drag." msgstr "" "虽然游戏引擎需要加载为它们优化过的内容，一般推荐使用 8 位深度，但未来的屏幕可" "能会具备更高的位深度，而渲染器终有一天会支持这些特性。为了减少日后更新游戏素" "材时的痛苦，可以现在就打造一个采用更大色彩空间的色彩管理流程，然后编写一些脚" "本来满足当下的渲染需要。" #: ../../general_concepts/colors/color_managed_workflow.rst:368 msgid "" "Normal maps and heightmaps are officially supposed to be defined with a 'non-" "color data' working space, but you'll find that most engines will not care " "much for this. Instead, tell the game engine not to do any conversion on the " "file when importing." msgstr "" "法线贴图和高度贴图虽然是在一个“非彩色数据”的工作空间下进行定义的，但你会发现" "绝大多数引擎都不太在乎这个。你应该告诉游戏引擎在导入时不要进行任何转换操作。" #: ../../general_concepts/colors/color_managed_workflow.rst:370 msgid "" "Specular, glossiness, metalness and roughness maps are all based on linear " "calculations, and when you find that certain material has a metalness of " "0.3, this is 30% gray in a linear space. Therefore, make sure to tell the " "game engine renderer that this is a linear space image (or at the very " "least, should NOT be converted)." msgstr "" "高光、光泽度、金属度和粗糙度贴图全部基于线性运算，所以如果某种材质的金属度是 " "0.3，就意味着它是在一个线性空间中 30% 的灰。因此记得告诉游戏引擎的渲染器这是" "一个线性图像 (或者至少不要对其进行转换操作)。" #: ../../general_concepts/colors/color_managed_workflow.rst:374 msgid "" "`Visualizing the XYZ color space `_" msgstr "" "`对 XYZ 色彩空间的视觉化介绍 `_" #: ../../general_concepts/colors/color_managed_workflow.rst:375 msgid "" "`Basics of gamma correction `_" msgstr "" "`Gamma 校正的基础知识 `_" #: ../../general_concepts/colors/color_managed_workflow.rst:376 msgid "" "`Panda3d example of how an image that has gamma encoded without the 3d " "renderer being notified of it having gamma-encoding can result in too dark " "images `_" msgstr "" "`Panda3D 关于并非通过 3D 渲染器编码的图像会被提示其 gamma 编码将造成图像过暗" "的说明 `_" #: ../../general_concepts/colors/color_managed_workflow.rst:377 msgid "" "`2d examples of the effect of gamma-encoding on color maths `_" msgstr "" "`Gamma 编码方式对于色彩运算的影响的 2D 示例 `_" #: ../../general_concepts/colors/color_managed_workflow.rst:378 msgid "" "`Basic overview of color management from argylcms manual `_" msgstr "" "`ArgyllCMS 手册中关于色彩管理基础的概览章节 `_" diff --git a/locale/zh_CN/LC_MESSAGES/tutorials/flat-coloring.po b/locale/zh_CN/LC_MESSAGES/tutorials/flat-coloring.po index 322a4a85c..01c602bc9 100644 --- a/locale/zh_CN/LC_MESSAGES/tutorials/flat-coloring.po +++ b/locale/zh_CN/LC_MESSAGES/tutorials/flat-coloring.po @@ -1,761 +1,761 @@ msgid "" msgstr "" "Project-Id-Version: kdeorg\n" "Report-Msgid-Bugs-To: \n" -"POT-Creation-Date: 2019-06-23 03:14+0200\n" +"POT-Creation-Date: 2019-06-23 13:49+0200\n" "PO-Revision-Date: 2019-06-02 12:00\n" "Last-Translator: Guo Yunhe (guoyunhe)\n" "Language-Team: Chinese Simplified\n" "Language: zh_CN\n" "MIME-Version: 1.0\n" "Content-Type: text/plain; charset=UTF-8\n" "Content-Transfer-Encoding: 8bit\n" "Plural-Forms: nplurals=1; plural=0;\n" "X-Generator: crowdin.com\n" "X-Crowdin-Project: kdeorg\n" "X-Crowdin-Language: zh-CN\n" "X-Crowdin-File: /kf5-trunk/messages/www/docs_krita_org_tutorials___flat-" "coloring.pot\n" #: ../../:2 msgid "" ".. image:: images/icons/Krita_mouse_left.png\n" " :alt: mouseleft" msgstr "" ".. image:: images/icons/Krita_mouse_left.png\n" " :alt: mouseleft" #: ../../:4 msgid "" ".. image:: images/icons/Krita_mouse_right.png\n" " :alt: mouseright" msgstr "" ".. image:: images/icons/Krita_mouse_right.png\n" " :alt: mouseright" -#: ../../tutorials/flat-coloring.rst:0 -msgid ".. image:: images/flat-coloring/Krita_filling_lineart_selection_1.png" -msgstr "" - -#: ../../tutorials/flat-coloring.rst:0 -msgid ".. image:: images/flat-coloring/Krita_filling_lineart_selection_2.png" -msgstr "" - -#: ../../tutorials/flat-coloring.rst:0 -msgid ".. image:: images/flat-coloring/Krita_filling_lineart_mask_1.png" -msgstr "" - -#: ../../tutorials/flat-coloring.rst:0 -msgid ".. image:: images/flat-coloring/Krita_filling_lineart_mask_2.png" -msgstr "" - -#: ../../tutorials/flat-coloring.rst:0 -msgid ".. image:: images/flat-coloring/Krita_filling_lineart_mask_3.png" -msgstr "" - #: ../../tutorials/flat-coloring.rst:None msgid "" ".. image:: images/flat-coloring/Krita_filling_lineart14.png\n" " :alt: layer structure for flatting in krita" msgstr "" #: ../../tutorials/flat-coloring.rst:None msgid "" ".. image:: images/flat-coloring/Krita_filling_lineart1.png\n" " :alt: blend mode setup of line art flat coloring" msgstr "" #: ../../tutorials/flat-coloring.rst:None msgid "" ".. image:: images/flat-coloring/Krita_filling_lineart2.png\n" " :alt: effects of multiply blend mode" msgstr "" #: ../../tutorials/flat-coloring.rst:None msgid "" ".. image:: images/icons/fill_tool.svg\n" " :alt: fill-tool icon" msgstr "" #: ../../tutorials/flat-coloring.rst:None msgid "" ".. image:: images/flat-coloring/Krita_filling_lineart7.png\n" " :alt: colors filled with fill tool" msgstr "" #: ../../tutorials/flat-coloring.rst:None msgid "" ".. image:: images/flat-coloring/Krita_filling_lineart15.png\n" " :alt: selecting with selection tools for filling color" msgstr "" #: ../../tutorials/flat-coloring.rst:None msgid "" ".. image:: images/flat-coloring/Krita_filling_lineart16.png\n" " :alt: selection mask in Krita" msgstr "" #: ../../tutorials/flat-coloring.rst:None msgid "" ".. image:: images/flat-coloring/Krita_filling_lineart17.png\n" " :alt: filling color in selection" msgstr "" #: ../../tutorials/flat-coloring.rst:None msgid "" ".. image:: images/flat-coloring/Krita_filling_lineart18.png\n" " :alt: result of coloring made with the help of selection tools" msgstr "" #: ../../tutorials/flat-coloring.rst:None msgid "" ".. image:: images/flat-coloring/Krita_filling_lineart8.png\n" " :alt: filling color in line art using path tool" msgstr "" #: ../../tutorials/flat-coloring.rst:None msgid "" ".. image:: images/flat-coloring/Krita_filling_lineart9.png\n" " :alt: erasing with path tool" msgstr "" #: ../../tutorials/flat-coloring.rst:None msgid "" ".. image:: images/flat-coloring/Krita_filling_lineart10.png\n" " :alt: coloring with colorize mask" msgstr "" #: ../../tutorials/flat-coloring.rst:None msgid "" ".. image:: images/flat-coloring/Krita_filling_lineart11.png\n" " :alt: result from the colorize mask" msgstr "" #: ../../tutorials/flat-coloring.rst:None msgid "" ".. image:: images/flat-coloring/Krita_filling_lineart12.png\n" " :alt: slitting colors into islands" msgstr "" #: ../../tutorials/flat-coloring.rst:None msgid "" ".. image:: images/flat-coloring/Krita_filling_lineart13.png\n" " :alt: resulting color islands from split layers" msgstr "" +#: ../../tutorials/flat-coloring.rst:0 +msgid ".. image:: images/flat-coloring/Krita_filling_lineart_selection_1.png" +msgstr "" + +#: ../../tutorials/flat-coloring.rst:0 +msgid ".. image:: images/flat-coloring/Krita_filling_lineart_selection_2.png" +msgstr "" + +#: ../../tutorials/flat-coloring.rst:0 +msgid ".. image:: images/flat-coloring/Krita_filling_lineart_mask_1.png" +msgstr "" + +#: ../../tutorials/flat-coloring.rst:0 +msgid ".. image:: images/flat-coloring/Krita_filling_lineart_mask_2.png" +msgstr "" + +#: ../../tutorials/flat-coloring.rst:0 +msgid ".. image:: images/flat-coloring/Krita_filling_lineart_mask_3.png" +msgstr "" + #: ../../tutorials/flat-coloring.rst:1 msgid "Common workflows used in Krita" msgstr "" #: ../../tutorials/flat-coloring.rst:13 msgid "Flat Coloring" msgstr "平涂颜色" #: ../../tutorials/flat-coloring.rst:15 msgid "" "So you've got a cool black on white drawing, and now you want to color it! " "The thing we’ll aim for in this tutorial is to get your line art colored in " "with flat colors. So no shading just yet. We’ll be going through some " "techniques for preparing the line art, and we’ll be using the layer docker " "to put each color on a separate layer, so we can easily access each color " "when we add shading." msgstr "" #: ../../tutorials/flat-coloring.rst:17 msgid "" "This tutorial is adapted from this `tutorial `_ by " "the original author." msgstr "" #: ../../tutorials/flat-coloring.rst:20 msgid "Understanding Layers" msgstr "理解图层" #: ../../tutorials/flat-coloring.rst:22 msgid "" "To fill line art comfortably, it's best to take advantage of the layerstack. " "The layer stack is pretty awesome, and it's one of those features that make " "digital art super-convenient." msgstr "" #: ../../tutorials/flat-coloring.rst:24 msgid "" "In traditional art, it is not uncommon to first draw the full background " "before drawing the subject. Or to first draw a line art and then color it " "in. Computers have a similar way of working." msgstr "" #: ../../tutorials/flat-coloring.rst:26 msgid "" "In programming, if you tell a computer to draw a red circle, and then " "afterwards tell it to draw a smaller yellow circle, you will see the small " "yellow circle overlap the red circle. Switch the commands around, and you " "will not see the yellow circle at all: it was drawn before the red circle " "and thus ‘behind’ it." msgstr "" #: ../../tutorials/flat-coloring.rst:28 msgid "" "This is referred to as the “drawing order”. So like the traditional artist, " "the computer will first draw the images that are behind everything, and " "layer the subject and foreground on top of it. The layer docker is a way for " "you to control the drawing order of multiple images, so for example, you can " "have your line art drawn later than your colors, meaning that the lines will " "be drawn over the colors, making it easier to make it neat!" msgstr "" #: ../../tutorials/flat-coloring.rst:30 msgid "" "Other things that a layer stack can do are blending the colors of different " "layers differently with blending modes, using a filter in the layer stack, " "or using a mask that allows you to make parts transparent." msgstr "" #: ../../tutorials/flat-coloring.rst:32 msgid "" "Programmers talk about transparency as ''Alpha'', which is because the 'a' " "symbol is used to present transparency in the algorithms for painting one " "color on top of another. Usually when you see the word ''Alpha'' in a " "graphics program, just think of it as affecting the transparency." msgstr "" #: ../../tutorials/flat-coloring.rst:35 msgid "Preparing your line art" msgstr "" #: ../../tutorials/flat-coloring.rst:37 msgid "" "Put the new layer underneath the layer containing the line art (drag and " "drop or use the up/down arrows for that), and draw on it." msgstr "" #: ../../tutorials/flat-coloring.rst:42 msgid "" "…And notice nothing happening. This is because the white isn’t transparent. " "You wouldn’t really want it to either, how else would you make convincing " "highlights? So what we first need to do to color in our drawing is prepare " "our line art. There’s several methods of doing so, each with varying " "qualities." msgstr "" #: ../../tutorials/flat-coloring.rst:45 msgid "The Multiply Blending Mode" msgstr "相乘混色法" #: ../../tutorials/flat-coloring.rst:47 msgid "" "So, typically, to get a black and white line art usable for coloring, you " "can set the blending mode of the line art layer to Multiply. You do this by " "selecting the layer and going to the drop-down that says **Normal** and " "setting that to **Multiply**." msgstr "" #: ../../tutorials/flat-coloring.rst:52 msgid "And then you should be able to see your colors!" msgstr "" #: ../../tutorials/flat-coloring.rst:54 msgid "" "Multiply is not a perfect solution however. For example, if through some " "image editing magic I make the line art blue, it results into this:" msgstr "" #: ../../tutorials/flat-coloring.rst:59 msgid "" "This is because multiply literally multiplies the colors. So it uses maths!" msgstr "" #: ../../tutorials/flat-coloring.rst:61 msgid "" "What it first does is take the values of the RGB channels, then divides them " "by the max (because we're in 8bit, this is 255), a process we call " "normalising. Then it multiplies the normalized values. Finally, it takes the " "result and multiplies it with 255 again to get the result values." msgstr "" #: ../../tutorials/flat-coloring.rst:67 msgid "Pink" msgstr "粉" #: ../../tutorials/flat-coloring.rst:68 msgid "Pink (normalized)" msgstr "" #: ../../tutorials/flat-coloring.rst:69 ../../tutorials/flat-coloring.rst:87 msgid "Blue" msgstr "蓝色" #: ../../tutorials/flat-coloring.rst:70 msgid "Blue (normalized)" msgstr "" #: ../../tutorials/flat-coloring.rst:71 msgid "Normalized, multiplied" msgstr "" #: ../../tutorials/flat-coloring.rst:72 msgid "Result" msgstr "结果" #: ../../tutorials/flat-coloring.rst:73 msgid "Red" msgstr "红色" #: ../../tutorials/flat-coloring.rst:74 msgid "222" msgstr "" #: ../../tutorials/flat-coloring.rst:75 msgid "0.8705" msgstr "" #: ../../tutorials/flat-coloring.rst:76 msgid "92" msgstr "" #: ../../tutorials/flat-coloring.rst:77 msgid "0.3607" msgstr "" #: ../../tutorials/flat-coloring.rst:78 msgid "0.3139" msgstr "" #: ../../tutorials/flat-coloring.rst:79 msgid "80" msgstr "80" #: ../../tutorials/flat-coloring.rst:80 msgid "Green" msgstr "绿色" #: ../../tutorials/flat-coloring.rst:81 msgid "144" msgstr "" #: ../../tutorials/flat-coloring.rst:82 msgid "0.5647" msgstr "" #: ../../tutorials/flat-coloring.rst:83 msgid "176" msgstr "" #: ../../tutorials/flat-coloring.rst:84 msgid "0.6902" msgstr "" #: ../../tutorials/flat-coloring.rst:85 msgid "0.3897" msgstr "" #: ../../tutorials/flat-coloring.rst:86 msgid "99" msgstr "" #: ../../tutorials/flat-coloring.rst:88 msgid "123" msgstr "123" #: ../../tutorials/flat-coloring.rst:89 msgid "0.4823" msgstr "" #: ../../tutorials/flat-coloring.rst:90 msgid "215" msgstr "" #: ../../tutorials/flat-coloring.rst:91 msgid "0.8431" msgstr "" #: ../../tutorials/flat-coloring.rst:92 msgid "0.4066" msgstr "" #: ../../tutorials/flat-coloring.rst:93 msgid "103" msgstr "" #: ../../tutorials/flat-coloring.rst:95 msgid "" "This isn't completely undesirable, and a lot of artists use this effect to " "add a little richness to their colors." msgstr "" #: ../../tutorials/flat-coloring.rst:98 ../../tutorials/flat-coloring.rst:127 #: ../../tutorials/flat-coloring.rst:154 ../../tutorials/flat-coloring.rst:173 #: ../../tutorials/flat-coloring.rst:210 ../../tutorials/flat-coloring.rst:247 #: ../../tutorials/flat-coloring.rst:275 ../../tutorials/flat-coloring.rst:317 msgid "Advantages" msgstr "优点" #: ../../tutorials/flat-coloring.rst:100 msgid "" "Easy, can work to your benefit even with colored lines by softening the look " "of the lines while keeping nice contrast." msgstr "" #: ../../tutorials/flat-coloring.rst:103 ../../tutorials/flat-coloring.rst:132 #: ../../tutorials/flat-coloring.rst:159 ../../tutorials/flat-coloring.rst:178 #: ../../tutorials/flat-coloring.rst:215 ../../tutorials/flat-coloring.rst:252 #: ../../tutorials/flat-coloring.rst:280 ../../tutorials/flat-coloring.rst:322 msgid "Disadvantages" msgstr "缺点" #: ../../tutorials/flat-coloring.rst:105 msgid "Not actually transparent. Is a little funny with colored lines." msgstr "" #: ../../tutorials/flat-coloring.rst:108 msgid "Using Selections" msgstr "使用选区" #: ../../tutorials/flat-coloring.rst:110 msgid "" "The second method is one where we'll make it actually transparent. In other " "programs this would be done via the channel docker, but Krita doesn't do " "custom channels, instead it uses Selection Masks to store custom selections." msgstr "" #: ../../tutorials/flat-coloring.rst:112 msgid "Duplicate your line art layer." msgstr "" #: ../../tutorials/flat-coloring.rst:114 msgid "" "Convert the duplicate to a selection mask. |mouseright| the layer, then :" "menuselection:`Convert --> to Selection Mask`." msgstr "" #: ../../tutorials/flat-coloring.rst:118 msgid "" "Invert the selection mask. :menuselection:`Select --> Invert Selection`." msgstr "" #: ../../tutorials/flat-coloring.rst:120 msgid "" "Make a new layer, and do :menuselection:`Edit --> Fill with Foreground " "Color`." msgstr "" #: ../../tutorials/flat-coloring.rst:124 msgid "And you should now have the line art on a separate layer." msgstr "" #: ../../tutorials/flat-coloring.rst:129 msgid "Actual transparency." msgstr "" #: ../../tutorials/flat-coloring.rst:134 msgid "Doesn't work when the line art is colored." msgstr "" #: ../../tutorials/flat-coloring.rst:137 msgid "Using Masks" msgstr "使用蒙版" #: ../../tutorials/flat-coloring.rst:139 msgid "This is a simpler variation of the above." msgstr "" #: ../../tutorials/flat-coloring.rst:141 msgid "Make a filled layer underneath the line art layer." msgstr "" #: ../../tutorials/flat-coloring.rst:145 msgid "" "Convert the line art layer to a transparency mask |mouseright| the layer, " "then :menuselection:`Convert --> to Transparency Mask`." msgstr "" #: ../../tutorials/flat-coloring.rst:149 msgid "" "Invert the transparency mask by going to :menuselection:`Filter --> Adjust --" "> Invert`" msgstr "" #: ../../tutorials/flat-coloring.rst:156 msgid "" "Actual transparency. You can also very easily doodle a pattern on the filled " "layer where the mask is on without affecting the transparency." msgstr "" #: ../../tutorials/flat-coloring.rst:161 msgid "" "Doesn't work when the line art is colored already. We can still get faster." msgstr "" #: ../../tutorials/flat-coloring.rst:164 msgid "Using Color to Alpha" msgstr "使用颜色转为透明度滤镜" #: ../../tutorials/flat-coloring.rst:166 msgid "By far the fastest way to get transparent line art." msgstr "" #: ../../tutorials/flat-coloring.rst:168 msgid "" "Select the line art layer and apply the color to alpha filter. :" "menuselection:`Filter --> Colors --> Color to Alpha`. The default values " "should be sufficient for line art." msgstr "" #: ../../tutorials/flat-coloring.rst:171 msgid "" ".. image:: images/flat-coloring/Krita_filling_lineart_color_to_alpha.png" msgstr "" #: ../../tutorials/flat-coloring.rst:175 msgid "" "Actual transparency. Works with colored line art as well, because it removes " "the white specifically." msgstr "" #: ../../tutorials/flat-coloring.rst:180 msgid "" "You'll have to lock the layer transparency or separate out the alpha via the " "right-click menu if you want to easily color it." msgstr "" #: ../../tutorials/flat-coloring.rst:184 msgid "Coloring the image" msgstr "" #: ../../tutorials/flat-coloring.rst:186 msgid "" "Much like preparing the line art, there are many different ways of coloring " "a layer." msgstr "" #: ../../tutorials/flat-coloring.rst:188 msgid "" "You could for example fill in everything by hand, but while that is very " "precise it also takes a lot of work. Let's take a look at the other options, " "shall we?" msgstr "" #: ../../tutorials/flat-coloring.rst:191 msgid "Fill Tool" msgstr "填充工具" #: ../../tutorials/flat-coloring.rst:196 msgid "" "In most cases the fill-tool can’t deal with the anti-aliasing (the soft edge " "in your line art to make it more smooth when zoomed out) In Krita you have " "the grow-shrink option. Setting that to say… 2 expands the color two pixels." msgstr "" #: ../../tutorials/flat-coloring.rst:198 msgid "" "Threshold decides when the fill-tool should consider a different color pixel " "to be a border. And the feathering adds an extra soft border to the fill." msgstr "" #: ../../tutorials/flat-coloring.rst:200 msgid "" "Now, if you click on a gapless-part of the image with your preferred color… " "(Remember to set the opacity to 1.0!)" msgstr "" #: ../../tutorials/flat-coloring.rst:202 msgid "" "Depending on your line art, you can do flats pretty quickly. But setting the " "threshold low can result in little artifacts around where lines meet:" msgstr "" #: ../../tutorials/flat-coloring.rst:207 msgid "" "However, setting the threshold high can end with the fill not recognizing " "some of the lighter lines. Besides these little artifacts can be removed " "with the brush easily." msgstr "" #: ../../tutorials/flat-coloring.rst:212 msgid "Pretty darn quick depending on the available settings." msgstr "" #: ../../tutorials/flat-coloring.rst:217 msgid "" "Again, not great with gaps or details. And it works best with aliased line " "art." msgstr "" #: ../../tutorials/flat-coloring.rst:220 msgid "Selections" msgstr "选区" #: ../../tutorials/flat-coloring.rst:222 msgid "Selections work using the selection tools." msgstr "" #: ../../tutorials/flat-coloring.rst:227 msgid "" "For example with the :ref:`bezier_curve_selection_tool` you can easily " "select a curved area, and the with :kbd:`Shift` + |mouseleft| (not |" "mouseleft| + :kbd:`Shift`, there's a difference!) you can easily add to an " "existing selection." msgstr "" #: ../../tutorials/flat-coloring.rst:232 msgid "" "You can also edit the selection if you have :menuselection:`Select --> Show " "Global Selection Mask` turned on. Then you can select the global selection " "mask, and paint on it. (Above with the alternative selection mode, activated " "in the lower-left corner of the stats bar)" msgstr "" #: ../../tutorials/flat-coloring.rst:234 msgid "" "When done, select the color you want to fill it with and press :kbd:`Shift` " "+ `backspace`." msgstr "" #: ../../tutorials/flat-coloring.rst:239 msgid "" "You can save selections in selection masks by |mouseright| a layer, and then " "going to :menuselection:`Add --> Local Selection`. You first need to " "deactivate a selection by pressing the circle before adding a new selection." msgstr "" #: ../../tutorials/flat-coloring.rst:241 msgid "" "This can serve as an alternative way to split out different parts of the " "image, which is good for more painterly pieces:" msgstr "" #: ../../tutorials/flat-coloring.rst:249 msgid "A bit more precise than filling." msgstr "" #: ../../tutorials/flat-coloring.rst:254 msgid "Previewing your color isn't as easy." msgstr "" #: ../../tutorials/flat-coloring.rst:257 msgid "Geometric tools" msgstr "几何图形工具" #: ../../tutorials/flat-coloring.rst:259 msgid "" "So you have a tool for making rectangles or circles. And in the case of " "Krita, a tool for bezier curves. Select the path tool (|path tool|), and set " "the tool options to fill=foreground and outline=none. Make sure that your " "opacity is set to 1.00 (fully opaque)." msgstr "" #: ../../tutorials/flat-coloring.rst:262 msgid "" ".. image:: images/icons/bezier_curve.svg\n" " :alt: path tool" msgstr "" #: ../../tutorials/flat-coloring.rst:264 msgid "" "By clicking and holding, you can influence how curvy a line draw with the " "path tool is going to be. Letting go of the mouse button confirms the " "action, and then you’re free to draw the next point." msgstr "" #: ../../tutorials/flat-coloring.rst:269 msgid "" "You can also erase with a geometric tool. Just press :kbd:`E` or the eraser " "button." msgstr "" #: ../../tutorials/flat-coloring.rst:277 msgid "" "Quicker than using the brush or selections. Also decent with line art that " "contains gaps." msgstr "" #: ../../tutorials/flat-coloring.rst:282 msgid "" "Fiddly details aren’t easy to fill in with this. So I recommend skipping " "those and filling them in later with a brush." msgstr "" #: ../../tutorials/flat-coloring.rst:285 msgid "Colorize Mask" msgstr "着色蒙版" #: ../../tutorials/flat-coloring.rst:287 msgid "" "So, this is a bit of an odd one. In the original tutorial, you'll see I'm " "suggesting using G'Mic, but that was a few years ago, and G'Mic is a little " "unstable on windows. Therefore, the Krita developers have been attempting to " "make an internal tool doing the same." msgstr "" #: ../../tutorials/flat-coloring.rst:289 msgid "" "It is disabled in 3.1, but if you use 4.0 or later, it is in the toolbox. " "Check the Colorize Mask for more information." msgstr "" #: ../../tutorials/flat-coloring.rst:291 msgid "So it works like this:" msgstr "" #: ../../tutorials/flat-coloring.rst:293 msgid "Select the colorize mask tool." msgstr "" #: ../../tutorials/flat-coloring.rst:294 msgid "Tick the layer you're using." msgstr "" #: ../../tutorials/flat-coloring.rst:295 msgid "Paint the colors you want to use on the colorize mask" msgstr "" #: ../../tutorials/flat-coloring.rst:296 msgid "Click update to see the results:" msgstr "" #: ../../tutorials/flat-coloring.rst:301 msgid "" "When you are satisfied, |mouseright| the colorize mask, and go to :" "menuselection:`Convert --> Paint Layer`. This will turn the colorize mask to " "a generic paint layer. Then, you can fix the last issues by making the line " "art semi-transparent and painting the flaws away with a pixel art brush." msgstr "" #: ../../tutorials/flat-coloring.rst:306 msgid "" "Then, when you are done, split the layers via :menuselection:`Layer --> " "Split --> Split Layer`. There are a few options you can choose, but the " "following should be fine:" msgstr "" #: ../../tutorials/flat-coloring.rst:311 msgid "" "Finally, press **Ok** and you should get the following. Each color patch it " "on a different layer, named by the palette in the menu and alpha locked, so " "you can start painting right away!" msgstr "" #: ../../tutorials/flat-coloring.rst:319 msgid "" "Works with anti-aliased line art. Really quick to get the base work done. " "Can auto-close gaps." msgstr "" #: ../../tutorials/flat-coloring.rst:324 msgid "" "No anti-aliasing of its own. You have to choose between getting details " "right or the gaps auto-closed." msgstr "" #: ../../tutorials/flat-coloring.rst:327 msgid "Conclusion" msgstr "结语" #: ../../tutorials/flat-coloring.rst:329 msgid "" "I hope this has given you a good idea of how to fill in flats using the " "various techniques, as well as getting a hand of different Krita features. " "Remember that a good flat filled line art is better than a badly shaded one, " "so keep practicing to get the best out of these techniques!" msgstr "" diff --git a/locale/zh_TW/LC_MESSAGES/general_concepts/colors/color_managed_workflow.po b/locale/zh_TW/LC_MESSAGES/general_concepts/colors/color_managed_workflow.po index 62ba0c157..217cecd63 100644 --- a/locale/zh_TW/LC_MESSAGES/general_concepts/colors/color_managed_workflow.po +++ b/locale/zh_TW/LC_MESSAGES/general_concepts/colors/color_managed_workflow.po @@ -1,1065 +1,1065 @@ # SOME DESCRIPTIVE TITLE. # Copyright (C) licensed under the GNU Free Documentation License 1.3+ unless stated otherwise # This file is distributed under the same license as the Krita Manual package. # FIRST AUTHOR , YEAR. # msgid "" msgstr "" "Project-Id-Version: Krita Manual 4.1\n" "Report-Msgid-Bugs-To: \n" -"POT-Creation-Date: 2019-06-17 03:13+0200\n" +"POT-Creation-Date: 2019-06-23 13:49+0200\n" "PO-Revision-Date: YEAR-MO-DA HO:MI+ZONE\n" "Last-Translator: FULL NAME \n" "Language-Team: Chinese \n" "Language: zh\n" "MIME-Version: 1.0\n" "Content-Type: text/plain; charset=UTF-8\n" "Content-Transfer-Encoding: 8bit\n" "Plural-Forms: nplurals=1; plural=0;\n" -#: ../../general_concepts/colors/color_managed_workflow.rst:0 -msgid ".. image:: images/color_category/Kiki_matrix_profile.png" -msgstr "" - -#: ../../general_concepts/colors/color_managed_workflow.rst:0 -msgid ".. image:: images/color_category/Kiki_cLUTprofiles.png" -msgstr "" - #: ../../general_concepts/colors/color_managed_workflow.rst:None msgid ".. image:: images/color_category/Krita_2_9_colormanagement_group1.png" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:None msgid ".. image:: images/color_category/Krita_2_9_colormanagement_group2.png" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:None msgid ".. image:: images/color_category/Krita_2_9_colormanagement_group3.png" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:None msgid ".. image:: images/color_category/Krita_2_9_colormanagement_group4.png" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:None msgid ".. image:: images/dockers/LUT_Management_Docker.png" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:None msgid ".. image:: images/color_category/Krita_HDR_1.svg" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:None msgid ".. image:: images/color_category/Krita_HDR2.svg" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:None msgid "" ".. image:: images/color_category/Krita-colormanaged-workflow_webcomic.svg" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:None msgid ".. image:: images/color_category/Krita-colormanaged-workflow_print.svg" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:None msgid ".. image:: images/color_category/Krita-colormanaged-workflow_games.svg" msgstr "" +#: ../../general_concepts/colors/color_managed_workflow.rst:0 +msgid ".. image:: images/color_category/Kiki_matrix_profile.png" +msgstr "" + +#: ../../general_concepts/colors/color_managed_workflow.rst:0 +msgid ".. image:: images/color_category/Kiki_cLUTprofiles.png" +msgstr "" + #: ../../general_concepts/colors/color_managed_workflow.rst:1 msgid "How a color managed workflow works." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:12 msgid "Color" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:12 msgid "Color Management" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:12 msgid "ICC Profiles" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:12 msgid "OCIO" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:17 msgid "Color Managed Workflow" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:19 msgid "" "You may have heard that Krita has something called color-management. Or " "maybe you just wondered what all these 'color model' and 'color profile' " "things you can find in the menus mean. Color management is pretty useful for " "people who work in digital imaging professionally, and hopefully this page " "will explain why." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:22 msgid "Basic Info" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:24 msgid "" "If you've never worked with color management before, and have no clue what " "it is, then know that you've probably been working in the 8bit RGB color " "space with the sRGB profile. This means you can choose for *sRGB built-in* " "or *sRGB-elle-v2-srgbtrc.icc*. With the new color space browser this profile " "is marked with *(default)* when using 8bit." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:26 msgid "" "We'll go into what these terms mean in the theory, but if you're here only " "for trying to figure out which is the default, you now know it. Maybe, after " "reading this, you may feel like changing the default, to get new and " "interesting results from filters, blending modes, or just the color smudge " "brush." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:29 msgid "What is the problem?" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:31 msgid "" "To explain the point of color management, you'd first need to learn which " "problem color management tries to solve." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:33 msgid "Let us imagine a kinder garden:" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:35 msgid "" "The class of 28 children is subdivided in groups of 7. Each group has its " "own table." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:37 msgid "" "The teacher gives them a painting assignment: They need to paint a red " "triangle, a blue square, a green circle and put a yellow border around the " "three. The kids are very experienced with painting already, so the teacher " "can confidently leave the smarter ones to their own devices, and spent more " "time on those who need help." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:40 msgid "The following results come from painting:" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:42 msgid "" "Even though all groups had the same assignment, each group's result looks " "different." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:49 msgid "" "Group 1 had vermillion red, citron yellow and ultramarine blue to their " "disposal. This means their triangle looks nice and red, but their circle's " "green is muddy. This is because ultramarine is too dark of a blue to create " "nice greens with." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:56 msgid "" "Group 2 had magenta red, citron yellow and cerulean blue. Magenta is a type " "of red that is closer to pink, opposed to vermillion, which is closer to " "orange. However, their green looks nice because cerulean is a much lighter " "blue." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:64 msgid "" "Group 3 had vermillion red, citron yellow, emerald green and cerulean blue. " "They didn't mix their green, and thus ended up with a purer color." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:71 msgid "" "Finally, group 4 has vermillion red, citron yellow and cerulean blue. Their " "colors probably look like what you imagined." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:73 msgid "" "Now, these are kindergarteners, so this isn't the largest problem in the " "world. However, imagine that something like this happened at a printing " "company? Imagine four printers printing the same magazine with wildly " "different results? That would be disastrous!" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:75 msgid "For this purpose, we invented color management." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:78 msgid "What is color management?" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:80 msgid "" "Color management is, dryly put, a set of systems that tries to have the same " "color translate properly between color devices." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:82 msgid "" "It usually works by attempting to covert a color to the reference color " "space XYZ. XYZ is a coordinate system that has a spot for all colors that " "the average human eye can see." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:84 msgid "" "From XYZ it can then be translated back into another device space, such as " "RGB (for screens), or CMYK (for printers)." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:86 msgid "" "Krita has two systems dedicated to color management. On the one hand, we " "have **lcms2**, which deal with ICC profiles, and on the other, we have " "**OCIO**, which deal with LUT color management." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:88 msgid "" "To give a crude estimate, ICC profiles deal with keeping colors consistent " "over many interpretations of devices (screens, printers) by using a " "reference space, and OCIO deals with manipulating the interpretation of said " "colors." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:90 msgid "Within both we can identify the following color spaces:" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:93 msgid "" "Device spaces are those describing your monitor, and have to be made using a " "little device that is called \"colorimeter\". This device, in combination " "with the right software, measures the strongest red, green and blue your " "screen can produce, as well as the white, black and gray it produces. Using " "these and several other measurements it creates an ICC profile unique to " "your screen. You set these in Krita's color management tab. By default we " "assume sRGB for screens, but it's very likely that your screen isn't exactly " "fitting sRGB, especially if you have a high quality screen, where it may be " "a bigger space instead. Device spaces are also why you should first consult " "with your printer what profile they expect. Many printing houses have their " "own device profiles for their printers, or may prefer doing color conversion " "themselves. You can read more about colorimeter usage :ref:`here " "`." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:94 msgid "Device spaces" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:96 msgid "Working spaces" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:97 msgid "" "These are delivered alongside Krita for ICC, and downloadable from the OCIO " "website for OCIO. Working spaces are particularly nice to do color " "calculations in, which programs like Krita do often. It's therefore " "recommended to have a working space profile for your image." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:99 msgid "Aesthetic or Look spaces" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:99 msgid "" "These are special spaces that have been deformed to give a certain look to " "an image. Krita doesn't deliver Look profiles for ICC, nor does it yet " "support Look spaces for OCIO." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:102 msgid "Color managed workflow" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:104 msgid "" "Knowing this about these spaces of course doesn't give you an idea of how to " "use them, but it does make it easier to explain how to use them. So let us " "look at a typical color management workflow:" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:110 msgid ".. image:: images/color_category/Krita-colormanaged-workflow_text.svg" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:110 msgid "" "A typical example of a color managed workflow. We have input from scanners " "and cameras, which we convert to a working space that can be used between " "different editing software, and is converted to an output space for viewing " "on screen or printing." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:112 msgid "" "In a traditional color managed workflow, we usually think in terms of real " "world colors being converted to computer colors and the other way around. " "So, for example photos from a camera or scanned in images. If you have a " "device space of such a device, we first assign said device space to the " "image, and then convert it to a working space." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:114 msgid "" "We then do all our editing in the working space, and use the working space " "to communicate between editing programs. In Krita's case, due to it having " "two color management systems, we use ICC profiles between programs like GIMP " "2.9+, Inkscape, digiKam and Scribus, and OCIO configuration between Blender " "and Natron." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:116 msgid "" "You also store your working files in the working space, just like how you " "have the layers unmerged in the working file, or have it at a very high " "resolution." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:118 msgid "" "Sometimes, we apply aesthetic or 'look' spaces to an image as part of the " "editing process. This is rather advanced, and probably not something to " "worry about in Krita's case." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:120 msgid "" "Then, when we're done editing, we try to convert to an output space, which " "is another device space. This can be CMYK for printers or a special screen " "RGB profile. When you are dealing with professional printing houses, it is " "best to ask them about this step. They have a lot of experience with doing " "the best conversion, and may prefer to do the conversion from your working " "space to the device space of their printers." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:122 msgid "" "Another form of output is the way your screen displays the color. Unlike " "regular output, this one is done all the time during editing: After all, you " "need to be able to see what you are doing, but your screen is still a device " "with a device space, so it does distort how the image looks. In this manner, " "you can see your screen as a set of binoculars you have to look through to " "see your image at all." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:124 msgid "" "Therefore, without a profiled monitor, you actually don't know what the " "actual colors you are working with are like, because the computer doesn't " "know the relevant properties of your screen. So if you profiled your " "monitor, give Krita the profile in the settings, and select the sRGB space " "to draw in, you are for the first time seeing the actual colors of the sRGB " "space." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:127 msgid "So what does this mean?" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:133 msgid "" ".. image:: images/color_category/Krita-colormanaged-workflow_krita_text.svg" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:133 msgid "" "When we paint from scratch, we can see our screen profile as the input " "space, because we use it to determine what colors to pick. This somewhat " "simplifies the workflow, but makes the screen profile and viewing conditions " "more important." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:135 msgid "" "Now, photographers and people who do a tricky discipline of VFX called " "'color grading' will go completely mad over trying to get the colors they " "put in to come out 100% correctly, and will even count in factors like the " "time of day and the color they painted their walls. For example, if the wall " "behind your computer is pure red, your eyes will adjust to be less sensitive " "to red, which means that the colors they pick in the program could come out " "redder. We call these the *viewing conditions*." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:137 msgid "" "Thankfully, artists have to worry a slight bit less about this. As " "illustrations are fully handmade, we are able to identify the important bits " "and make appropriate contrasts between colors. This means that even if our " "images turn out to be slightly redder than intended, it is less likely the " "whole image is ruined. If we look back at the kindergarten example above, we " "still understand what the image was supposed to look like, despite there " "being different colors on each image. Furthermore, because the colors in " "illustrations are deliberately picked, we can correct them more easily on a " "later date. Yet, at the same time, it is of course a big drag to do this, " "and we might have had much more flexibility had we taken viewing conditions " "under consideration." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:139 msgid "" "That said, for artists it is also very useful to understand the working " "spaces. Different working spaces give different results with filters and " "mixing, and only some working spaces can be used for advanced technology " "like HDR." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:141 msgid "" "Similarly, Krita, as a program intended to make images from scratch, doesn't " "really worry about assigning workspaces after having made the image. But " "because you are using the screen as a binocular to look at your image, and " "to pick colors, you can see your screen's device space as an input space to " "the image. Hence why profiling your monitor and giving the profile to Krita " "in the settings can help with preparing your work for print and future " "ventures in the long run." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:143 msgid "" "Overall, it is kinda useful to keep things like viewing conditions in the " "back of your mind. Many professional artists use a mid-gray color as their " "default canvas background because they find they create much more dynamic " "images due to having improved their viewing conditions. It is also why a lot " "of graphics programs, including Krita, come with a dark theme nowadays. " "(Though, of course this might also be because dark themes can be considered " "cool, who knows.)" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:148 msgid "ICC profiles" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:150 msgid "" "An ICC profile is a set of coordinates describing the extremities of the " "device space within XYZ, and it is the color management data you use to " "communicate your working space to printers and applications that are " "designed for the print industry, such as GIMP, Scribus, Photoshop, " "Illustrator, Inkscape, Digikam, RawTheraphee, etc. You have two types of ICC " "profiles:" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:153 msgid "" "These are delivered alongside Krita. Matrix shaper profiles are made by " "setting parameters and interpolating between these to get the exact size of " "the color space. Due to this, Krita's color space browser can give you a lot " "of information on these profiles. Such profiles are also preferable as " "working space." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:159 msgid "Matrix Shaper profiles." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:159 msgid "" "Matrix shaper profiles have a few parameters that describe the color space " "which are then interpolated between, this requires a lot of maths." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:162 msgid "" "These are fairly rare, and primarily used to describe printer profiles, such " "as CMYK. cLUT, or Color Look-up Table profiles store far more data than " "Matrix shaper profiles, so they can hold data of little particularities " "caused by, for example, unexpected results from mixing pigments. This is a " "far more organic approach to describing a color space, hence why a lot of " "programs that don't care for color management much don't support these." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:168 msgid "" "cLUT profiles work by holding tables of each color in a color space and " "their respective coordinates in a reference space. For CMYK this is " "typically L\\*A\\*B\\* and for the rest XYZ. These tables are tricky to " "make, which means these profiles are a lot rarer." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:169 msgid "cLUT profiles" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:171 msgid "" "The interesting thing about ICC profiles is that your working space can be " "larger than your device space. This is generally not bad. However, when " "converting, you do end up with the question of how to translate the working " "space values." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:174 msgid "Perceptual" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:174 msgid "" "This just squishes the values of the working space into the space it's " "converted to. It's a nice method to see all possible values in this, but not " "so good if you want accurate color reproduction. Use this if you want to see " "all colors in an image, or want to express all possible contrasts. Doesn't " "work with Matrix Shaper profiles, defaults to relative colorimetric." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:177 msgid "Absolute Colorimetric." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:177 msgid "" "The opposite to Perceptual, Absolute colorimetric will attempt to retain all " "the correct colors at whatever cost, which may result in awful looking " "colors. Recommended only for reproduction work. Doesn't work with Matrix " "Shaper profiles in Krita due to ICC v4 workflow standards." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:180 msgid "Relative Colorimetric" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:180 msgid "" "An in between solution between perceptual and absolute, relative will try to " "fit whatever colors it can match between color spaces. It does this by " "aligning the white and black points. It cuts off the rest to their " "respective borders. This is what all matrix shaper profiles default to " "during conversion, because the ICC v4 workflow specifies to only use " "Relative Colorimetric for matrix shaper profiles." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:183 msgid "Saturation" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:183 msgid "" "Does anything to retain colorfulness, even hue will be sacrificed. Used in " "infographics. Doesn't work with Matrix Shaper profiles, defaults to relative " "colorimetric." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:185 msgid "" "*ICC profile version* is the last thing to keep in mind when dealing with " "ICC profiles. Krita delivers both Version 2 and Version 4 profiles, with the " "later giving better results in doing color maths, but the former being more " "widely supported (as seen below in 'Interaction with other applications'). " "This is also why Krita defaults to V2, and we recommend using V2 when you " "aren't certain if the other programs you are using support V4." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:188 msgid "LUT docker and HDR imaging" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:196 msgid "" "The :ref:`lut_docker` is the second important bit of color management in " "Krita that is shared between Krita and programs like Blender, Natron and " "Nuke, and only uses Look Up Tables that are configured via a config file." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:198 msgid "" "You can set the workingspace of the image under input color space, and the " "display to sRGB or your own LUT if you have added it to the configuration. " "View in this case is for proofing transforms to a certain display device." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:200 msgid "" "Component, exposure, gamma, whitepoint and blackpoint are knobs which allows " "you to modify the display filter." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:208 msgid "" "As explained before, we can see our monitor as a telescope or binocular into " "the world of our picture. Which means it distorts our view of the image a " "little. But we can modify this binocular, or display filter to see our image " "in a different way. For example, to allow us to see the white in an image " "that are whiter than the white of our screen. To explain what that means, we " "need to think about what white is." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:210 msgid "" "For example, white, on our monitor is full red, full green and full blue. " "But it's certainly different from white on our paper, or the color of milk, " "white from the sun, or even the white of our cell-phone displays." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:212 msgid "" "Black similarly, is brighter on a LCD display than a LED one, and " "incomparable with the black of a carefully sealed room." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:214 msgid "" "This means that there's potentially blacker blacks than screen black, and " "white whites than screen white. However, for simplicity's sake we still " "assign the black-point and the white-point to certain values. From there, we " "can determine whether a white is whiter than the white point, or a black " "blacker than the black-point." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:216 msgid "" "The LUT docker allows us to control this display-filter and modify the " "distortion. This is useful when we start modifying images that are made with " "scene referred values, such as HDR photos, or images coming out of a render " "engine." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:224 msgid "" "So, for example, we can choose to scale whiter-than-screen-white to our " "screen-white so we can see the contrasts there." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:226 msgid "" "The point of this is that you can take advantage of more lightness detail in " "an image. While you can't see the difference between screen white and whiter-" "than-screen-white (because your screen can't show the difference), graphics " "programs can certainly use it." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:228 msgid "" "A common example is matching the lighting between a 3d model and a real " "world scene. Others are advanced photo retouching, with much more contrast " "information available to the user. In painting itself, this allows you to " "create an image where you can be flippant with the contrast, and allow " "yourself to go as bright as you'd like." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:230 msgid "" "LUT docker manipulations are per view, so you can create a new view and set " "it to luminosity. This way you can see the image in both color as well as " "grayscale and keep a good eye on your values." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:232 msgid "" "Another example is to carefully watch the gradients in a certain section." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:234 msgid "" "Like ICC, the LUT Docker allows you to create a profile of sorts for your " "device. In this case it's the 'lut', which stands for 'Look Up Table', and " "which can be added to OCIO by modifying the configuration file. When OCIO is " "turned on, the configuration in :menuselection:`Settings --> Configure Krita " "--> Color Management` is turned off, unless you are using the :guilabel:" "`Internal` color engine." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:237 msgid "In summary" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:239 msgid "Krita has two modes of color management:" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:241 msgid "" "ICC works in terms of spaces relative to the CIEXYZ space, and requires an " "ICC profile." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:242 msgid "OCIO works in terms of interpretation, and makes use of luts." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:243 msgid "both can be made with a colorimeter." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:244 msgid "" "If you want to have a properly color managed workflow, you have one made " "customary for the input device (your screen) and the output devices (your " "printer, or target screen). For web the output is always sRGB." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:245 msgid "" "Set up your screen profiles under :menuselection:`Settings --> Configure " "Krita --> Color management`." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:246 msgid "" "Do NOT use screen profiles or other device profiles to draw in. Use a " "working space profile such as any of the elle profiles for this, as the " "color maths will be much more predictable and pleasant. Krita will convert " "between your screen and working space on the fly, allowing you to pick the " "correct colors. This turns your screen into binoculars to view the image." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:247 msgid "" "Use the appropriate color management for the appropriate workflow. If you " "are working with Blender, you will be better off using OCIO, than ICC. If " "you are working with Scribus or Photoshop, use ICC." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:249 msgid "" "Krita does a lot of color maths, often concerning the blending of colors. " "This color maths works best in linear color space, and linear color space " "requires a bit depth of at the least 16bit to work correctly. The " "disadvantage is that linear space can be confusing to work in." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:251 msgid "" "If you like painting, have a decent amount of RAM, and are looking to start " "your baby-steps in taking advantage of Krita's color management, try " "upgrading from having all your images in sRGB built-in to sRGB-v2-elle-g10." "icc or rec2020-v2-elle-g10.icc at 16bit float. This'll give you better color " "blending while opening up the possibility for you to start working in hdr!" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:256 msgid "" "Some graphics cards, such as those of the NVidia-brand actually have the " "best performance under 16bit float, because NVidia cards convert to floating " "point internally. When it does not need to do that, it speeds up!" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:260 msgid "" "No amount of color management in the world can make the image on your screen " "and the image out of the printer have 100% the same color." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:263 msgid "Exporting" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:265 msgid "" "When you have finished your image and are ready to export it, you can modify " "the color space to optimize it:" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:267 msgid "If you are preparing an image for the web:" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:269 msgid "" "If you use 16bit color depth or higher, convert the image to 8bit color " "depth. This will make the image much smaller." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:271 msgid "" "Krita doesn't have built-in dithering currently, which means that 16 to " "18bit conversions can come out a bit banded. But you can simulate it by " "adding a fill layer with a pattern, set this fill layer to overlay, and to " "5% opacity. Then flatten the whole image and convert it to 8bit. The pattern " "will function as dithering giving a smoother look to gradients." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:273 msgid "If it's a gray-scale image, convert it to gray-scale." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:274 msgid "" "If it's a color image, keep it in the working space profile: Many web " "browsers these days support color profiles embedded into images. Firefox, " "for example, will try to convert your image to fit the color profile of the " "other monitor (if they have one). That way, the image will look almost " "exactly the same on your screen and on other profiled monitors." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:279 msgid "" "In some versions of Firefox, the colors actually look strange: This is a bug " "in Firefox, which is because its `color management system is incomplete " "`_, save your png, jpg or tiff without an embedded profile to work " "around this." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:281 msgid "If you are preparing for print:" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:283 msgid "" "You hopefully made the picture in a working space profile instead of the " "actual custom profile of your screen, if not, convert it to something like " "adobe rgb, sRGB or rec2020." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:284 msgid "" "Check with the printer what kind of image they expect. Maybe they expect " "sRGB color space, or perhaps they have their own profile." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:287 msgid "Interaction with other applications" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:290 msgid "Blender" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:292 msgid "" "If you wish to use krita's OCIO functionality, and in particular in " "combination with Blender's color management, you can try to have it use " "Blender's OCIO config." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:294 msgid "" "Blender's OCIO config is under ``/version number/datafiles/" "colormanagement``. Set the LUT docker to use the OCIO engine, and select the " "config from the above path. This will give you blender's input and screen " "spaces, but not the looks, as those aren't supported in Krita yet." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:298 msgid "Windows Photo Viewer" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:300 msgid "" "You might encounter some issues when using different applications together. " "One important thing to note is that the standard Windows Photo Viewer " "application does not handle modern ICC profiles. Krita uses version 4 " "profiles; Photo Viewer can only handle version 2 profiles. If you export to " "JPEG with an embedded profile, Photo Viewer will display your image much too " "dark." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:303 msgid "Example workflows" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:305 msgid "" "Here are some example workflows to get a feeling of how your color " "management workflow may look like." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:307 msgid "" "As mentioned before, input for your screen is set via :menuselection:" "`Settings --> Configure Krita --> Color management`, or via the LUT docker's " "'screen space'. Working space is set via new file per document, or in the " "LUT docker via 'input space'." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:310 msgid "Webcomic" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:317 #: ../../general_concepts/colors/color_managed_workflow.rst:339 #: ../../general_concepts/colors/color_managed_workflow.rst:357 msgid "Input" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:318 #: ../../general_concepts/colors/color_managed_workflow.rst:340 #: ../../general_concepts/colors/color_managed_workflow.rst:358 msgid "Your screen profile. (You pick colors via your screen)" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:319 #: ../../general_concepts/colors/color_managed_workflow.rst:341 #: ../../general_concepts/colors/color_managed_workflow.rst:359 msgid "Workingspace" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:320 msgid "" "sRGB (the default screen profile) or any larger profile if you can spare the " "bit depth and like working in them." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:322 #: ../../general_concepts/colors/color_managed_workflow.rst:344 #: ../../general_concepts/colors/color_managed_workflow.rst:362 msgid "Output" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:322 msgid "" "sRGB, ICC version 2, sRGB TRC for the internet, and a specialized CMYK " "profile from the printing house for the printed images." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:324 msgid "" "Use the sRGB-elle-V2-srgbtrc.icc for going between Inkscape, Photoshop, " "Painttool Sai, Illustrator, GIMP, Manga Studio, Paintstorm Studio, MyPaint, " "Artrage, Scribus, etc. and Krita." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:326 msgid "" "If you are using a larger space via ICC, you will only be able to " "interchange it between Krita, Photoshop, Illustrator, GIMP 2.9, Manga Studio " "and Scribus. All others assume sRGB for your space, no matter what, because " "they don't have color management." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:328 msgid "" "If you are going between Krita and Blender, Nuke or Natron, use OCIO and set " "the input space to 'sRGB', but make sure to select the sRGB profile for ICC " "when creating a new file." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:330 msgid "" "For the final for the web, convert the image to sRGB 8bit, srgbtrc, do not " "embed the ICC profile. Then, if using png, put it through something like " "pngcrush or other png optimizers. sRGB in this case is chosen because you " "can assume the vast majority of your audience hasn't profiled their screen, " "nor do they have screens that are advanced enough for the wide gamut stuff. " "So hence why we convert to the screen default for the internet, sRGB." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:333 msgid "Print" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:342 msgid "sRGB or rec2020 if you can afford the bit-depth being 16bit." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:344 msgid "" "Specialized CMYK profile from the printing house for the printed images." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:346 msgid "" "The CMYK profiles are different per printer, and even per paper or ink-type " "so don't be presumptuous and ask ahead for them, instead of doing something " "like trying to paint in any random CMYK profile. As mentioned in the viewing " "conditions section, you want to keep your options open." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:348 msgid "" "You can set the advanced color selector to transform to a given profile via :" "menuselection:`Settings --> Configure Krita --> Color Selector Settings`. " "There, tick :guilabel:`Color Selector Uses Different Color Space than Image` " "and select the CMYK profile you are aiming for. This will limit your colors " "a little bit, but keep all the nice filter and blending options from RGB." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:351 msgid "Games" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:360 msgid "sRGB or grayscale linear for roughness and specular maps." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:362 msgid "" "This one is tricky, but in the end it'll be sRGB for the regular player." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:364 msgid "" "So this one is tricky. You can use OCIO and ICC between programs, but " "recommended is to have your images to the engine in sRGB or grayscale. Many " "physically based renderers these days allow you to set whether an image " "should be read as a linear or srgbtrc image, and this is even vital to have " "the images being considered properly in the physically based calculations of " "the game renderer." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:366 msgid "" "While game engines need to have optimized content, and it's recommended to " "stay within 8bit, future screens may have higher bit depths, and when " "renderers will start supporting those, it may be beneficial to develop a " "workflow where the working-space files are rather unnecessarily big and you " "run some scripts to optimize them for your current render needs, making " "updating the game in the future for fancier screens less of a drag." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:368 msgid "" "Normal maps and heightmaps are officially supposed to be defined with a 'non-" "color data' working space, but you'll find that most engines will not care " "much for this. Instead, tell the game engine not to do any conversion on the " "file when importing." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:370 msgid "" "Specular, glossiness, metalness and roughness maps are all based on linear " "calculations, and when you find that certain material has a metalness of " "0.3, this is 30% gray in a linear space. Therefore, make sure to tell the " "game engine renderer that this is a linear space image (or at the very " "least, should NOT be converted)." msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:374 msgid "" "`Visualizing the XYZ color space `_" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:375 msgid "" "`Basics of gamma correction `_" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:376 msgid "" "`Panda3d example of how an image that has gamma encoded without the 3d " "renderer being notified of it having gamma-encoding can result in too dark " "images `_" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:377 msgid "" "`2d examples of the effect of gamma-encoding on color maths `_" msgstr "" #: ../../general_concepts/colors/color_managed_workflow.rst:378 msgid "" "`Basic overview of color management from argylcms manual `_" msgstr "" diff --git a/locale/zh_TW/LC_MESSAGES/tutorials/flat-coloring.po b/locale/zh_TW/LC_MESSAGES/tutorials/flat-coloring.po index 5e0f9c5ac..a99b9b03d 100644 --- a/locale/zh_TW/LC_MESSAGES/tutorials/flat-coloring.po +++ b/locale/zh_TW/LC_MESSAGES/tutorials/flat-coloring.po @@ -1,757 +1,757 @@ # SOME DESCRIPTIVE TITLE. # Copyright (C) licensed under the GNU Free Documentation License 1.3+ unless stated otherwise # This file is distributed under the same license as the Krita Manual package. # FIRST AUTHOR , YEAR. # msgid "" msgstr "" "Project-Id-Version: Krita Manual 4.1\n" "Report-Msgid-Bugs-To: \n" -"POT-Creation-Date: 2019-06-23 03:14+0200\n" +"POT-Creation-Date: 2019-06-23 13:49+0200\n" "PO-Revision-Date: YEAR-MO-DA HO:MI+ZONE\n" "Last-Translator: FULL NAME \n" "Language-Team: Chinese \n" "Language: zh\n" "MIME-Version: 1.0\n" "Content-Type: text/plain; charset=UTF-8\n" "Content-Transfer-Encoding: 8bit\n" "Plural-Forms: nplurals=1; plural=0;\n" #: ../../:2 msgid "" ".. image:: images/icons/Krita_mouse_left.png\n" " :alt: mouseleft" msgstr "" #: ../../:4 msgid "" ".. image:: images/icons/Krita_mouse_right.png\n" " :alt: mouseright" msgstr "" -#: ../../tutorials/flat-coloring.rst:0 -msgid ".. image:: images/flat-coloring/Krita_filling_lineart_selection_1.png" -msgstr "" - -#: ../../tutorials/flat-coloring.rst:0 -msgid ".. image:: images/flat-coloring/Krita_filling_lineart_selection_2.png" -msgstr "" - -#: ../../tutorials/flat-coloring.rst:0 -msgid ".. image:: images/flat-coloring/Krita_filling_lineart_mask_1.png" -msgstr "" - -#: ../../tutorials/flat-coloring.rst:0 -msgid ".. image:: images/flat-coloring/Krita_filling_lineart_mask_2.png" -msgstr "" - -#: ../../tutorials/flat-coloring.rst:0 -msgid ".. image:: images/flat-coloring/Krita_filling_lineart_mask_3.png" -msgstr "" - #: ../../tutorials/flat-coloring.rst:None msgid "" ".. image:: images/flat-coloring/Krita_filling_lineart14.png\n" " :alt: layer structure for flatting in krita" msgstr "" #: ../../tutorials/flat-coloring.rst:None msgid "" ".. image:: images/flat-coloring/Krita_filling_lineart1.png\n" " :alt: blend mode setup of line art flat coloring" msgstr "" #: ../../tutorials/flat-coloring.rst:None msgid "" ".. image:: images/flat-coloring/Krita_filling_lineart2.png\n" " :alt: effects of multiply blend mode" msgstr "" #: ../../tutorials/flat-coloring.rst:None msgid "" ".. image:: images/icons/fill_tool.svg\n" " :alt: fill-tool icon" msgstr "" #: ../../tutorials/flat-coloring.rst:None msgid "" ".. image:: images/flat-coloring/Krita_filling_lineart7.png\n" " :alt: colors filled with fill tool" msgstr "" #: ../../tutorials/flat-coloring.rst:None msgid "" ".. image:: images/flat-coloring/Krita_filling_lineart15.png\n" " :alt: selecting with selection tools for filling color" msgstr "" #: ../../tutorials/flat-coloring.rst:None msgid "" ".. image:: images/flat-coloring/Krita_filling_lineart16.png\n" " :alt: selection mask in Krita" msgstr "" #: ../../tutorials/flat-coloring.rst:None msgid "" ".. image:: images/flat-coloring/Krita_filling_lineart17.png\n" " :alt: filling color in selection" msgstr "" #: ../../tutorials/flat-coloring.rst:None msgid "" ".. image:: images/flat-coloring/Krita_filling_lineart18.png\n" " :alt: result of coloring made with the help of selection tools" msgstr "" #: ../../tutorials/flat-coloring.rst:None msgid "" ".. image:: images/flat-coloring/Krita_filling_lineart8.png\n" " :alt: filling color in line art using path tool" msgstr "" #: ../../tutorials/flat-coloring.rst:None msgid "" ".. image:: images/flat-coloring/Krita_filling_lineart9.png\n" " :alt: erasing with path tool" msgstr "" #: ../../tutorials/flat-coloring.rst:None msgid "" ".. image:: images/flat-coloring/Krita_filling_lineart10.png\n" " :alt: coloring with colorize mask" msgstr "" #: ../../tutorials/flat-coloring.rst:None msgid "" ".. image:: images/flat-coloring/Krita_filling_lineart11.png\n" " :alt: result from the colorize mask" msgstr "" #: ../../tutorials/flat-coloring.rst:None msgid "" ".. image:: images/flat-coloring/Krita_filling_lineart12.png\n" " :alt: slitting colors into islands" msgstr "" #: ../../tutorials/flat-coloring.rst:None msgid "" ".. image:: images/flat-coloring/Krita_filling_lineart13.png\n" " :alt: resulting color islands from split layers" msgstr "" +#: ../../tutorials/flat-coloring.rst:0 +msgid ".. image:: images/flat-coloring/Krita_filling_lineart_selection_1.png" +msgstr "" + +#: ../../tutorials/flat-coloring.rst:0 +msgid ".. image:: images/flat-coloring/Krita_filling_lineart_selection_2.png" +msgstr "" + +#: ../../tutorials/flat-coloring.rst:0 +msgid ".. image:: images/flat-coloring/Krita_filling_lineart_mask_1.png" +msgstr "" + +#: ../../tutorials/flat-coloring.rst:0 +msgid ".. image:: images/flat-coloring/Krita_filling_lineart_mask_2.png" +msgstr "" + +#: ../../tutorials/flat-coloring.rst:0 +msgid ".. image:: images/flat-coloring/Krita_filling_lineart_mask_3.png" +msgstr "" + #: ../../tutorials/flat-coloring.rst:1 msgid "Common workflows used in Krita" msgstr "" #: ../../tutorials/flat-coloring.rst:13 msgid "Flat Coloring" msgstr "" #: ../../tutorials/flat-coloring.rst:15 msgid "" "So you've got a cool black on white drawing, and now you want to color it! " "The thing we’ll aim for in this tutorial is to get your line art colored in " "with flat colors. So no shading just yet. We’ll be going through some " "techniques for preparing the line art, and we’ll be using the layer docker " "to put each color on a separate layer, so we can easily access each color " "when we add shading." msgstr "" #: ../../tutorials/flat-coloring.rst:17 msgid "" "This tutorial is adapted from this `tutorial `_ by " "the original author." msgstr "" #: ../../tutorials/flat-coloring.rst:20 msgid "Understanding Layers" msgstr "" #: ../../tutorials/flat-coloring.rst:22 msgid "" "To fill line art comfortably, it's best to take advantage of the layerstack. " "The layer stack is pretty awesome, and it's one of those features that make " "digital art super-convenient." msgstr "" #: ../../tutorials/flat-coloring.rst:24 msgid "" "In traditional art, it is not uncommon to first draw the full background " "before drawing the subject. Or to first draw a line art and then color it " "in. Computers have a similar way of working." msgstr "" #: ../../tutorials/flat-coloring.rst:26 msgid "" "In programming, if you tell a computer to draw a red circle, and then " "afterwards tell it to draw a smaller yellow circle, you will see the small " "yellow circle overlap the red circle. Switch the commands around, and you " "will not see the yellow circle at all: it was drawn before the red circle " "and thus ‘behind’ it." msgstr "" #: ../../tutorials/flat-coloring.rst:28 msgid "" "This is referred to as the “drawing order”. So like the traditional artist, " "the computer will first draw the images that are behind everything, and " "layer the subject and foreground on top of it. The layer docker is a way for " "you to control the drawing order of multiple images, so for example, you can " "have your line art drawn later than your colors, meaning that the lines will " "be drawn over the colors, making it easier to make it neat!" msgstr "" #: ../../tutorials/flat-coloring.rst:30 msgid "" "Other things that a layer stack can do are blending the colors of different " "layers differently with blending modes, using a filter in the layer stack, " "or using a mask that allows you to make parts transparent." msgstr "" #: ../../tutorials/flat-coloring.rst:32 msgid "" "Programmers talk about transparency as ''Alpha'', which is because the 'a' " "symbol is used to present transparency in the algorithms for painting one " "color on top of another. Usually when you see the word ''Alpha'' in a " "graphics program, just think of it as affecting the transparency." msgstr "" #: ../../tutorials/flat-coloring.rst:35 msgid "Preparing your line art" msgstr "" #: ../../tutorials/flat-coloring.rst:37 msgid "" "Put the new layer underneath the layer containing the line art (drag and " "drop or use the up/down arrows for that), and draw on it." msgstr "" #: ../../tutorials/flat-coloring.rst:42 msgid "" "…And notice nothing happening. This is because the white isn’t transparent. " "You wouldn’t really want it to either, how else would you make convincing " "highlights? So what we first need to do to color in our drawing is prepare " "our line art. There’s several methods of doing so, each with varying " "qualities." msgstr "" #: ../../tutorials/flat-coloring.rst:45 msgid "The Multiply Blending Mode" msgstr "" #: ../../tutorials/flat-coloring.rst:47 msgid "" "So, typically, to get a black and white line art usable for coloring, you " "can set the blending mode of the line art layer to Multiply. You do this by " "selecting the layer and going to the drop-down that says **Normal** and " "setting that to **Multiply**." msgstr "" #: ../../tutorials/flat-coloring.rst:52 msgid "And then you should be able to see your colors!" msgstr "" #: ../../tutorials/flat-coloring.rst:54 msgid "" "Multiply is not a perfect solution however. For example, if through some " "image editing magic I make the line art blue, it results into this:" msgstr "" #: ../../tutorials/flat-coloring.rst:59 msgid "" "This is because multiply literally multiplies the colors. So it uses maths!" msgstr "" #: ../../tutorials/flat-coloring.rst:61 msgid "" "What it first does is take the values of the RGB channels, then divides them " "by the max (because we're in 8bit, this is 255), a process we call " "normalising. Then it multiplies the normalized values. Finally, it takes the " "result and multiplies it with 255 again to get the result values." msgstr "" #: ../../tutorials/flat-coloring.rst:67 msgid "Pink" msgstr "" #: ../../tutorials/flat-coloring.rst:68 msgid "Pink (normalized)" msgstr "" #: ../../tutorials/flat-coloring.rst:69 ../../tutorials/flat-coloring.rst:87 msgid "Blue" msgstr "" #: ../../tutorials/flat-coloring.rst:70 msgid "Blue (normalized)" msgstr "" #: ../../tutorials/flat-coloring.rst:71 msgid "Normalized, multiplied" msgstr "" #: ../../tutorials/flat-coloring.rst:72 msgid "Result" msgstr "" #: ../../tutorials/flat-coloring.rst:73 msgid "Red" msgstr "" #: ../../tutorials/flat-coloring.rst:74 msgid "222" msgstr "" #: ../../tutorials/flat-coloring.rst:75 msgid "0.8705" msgstr "" #: ../../tutorials/flat-coloring.rst:76 msgid "92" msgstr "" #: ../../tutorials/flat-coloring.rst:77 msgid "0.3607" msgstr "" #: ../../tutorials/flat-coloring.rst:78 msgid "0.3139" msgstr "" #: ../../tutorials/flat-coloring.rst:79 msgid "80" msgstr "" #: ../../tutorials/flat-coloring.rst:80 msgid "Green" msgstr "" #: ../../tutorials/flat-coloring.rst:81 msgid "144" msgstr "" #: ../../tutorials/flat-coloring.rst:82 msgid "0.5647" msgstr "" #: ../../tutorials/flat-coloring.rst:83 msgid "176" msgstr "" #: ../../tutorials/flat-coloring.rst:84 msgid "0.6902" msgstr "" #: ../../tutorials/flat-coloring.rst:85 msgid "0.3897" msgstr "" #: ../../tutorials/flat-coloring.rst:86 msgid "99" msgstr "" #: ../../tutorials/flat-coloring.rst:88 msgid "123" msgstr "" #: ../../tutorials/flat-coloring.rst:89 msgid "0.4823" msgstr "" #: ../../tutorials/flat-coloring.rst:90 msgid "215" msgstr "" #: ../../tutorials/flat-coloring.rst:91 msgid "0.8431" msgstr "" #: ../../tutorials/flat-coloring.rst:92 msgid "0.4066" msgstr "" #: ../../tutorials/flat-coloring.rst:93 msgid "103" msgstr "" #: ../../tutorials/flat-coloring.rst:95 msgid "" "This isn't completely undesirable, and a lot of artists use this effect to " "add a little richness to their colors." msgstr "" #: ../../tutorials/flat-coloring.rst:98 ../../tutorials/flat-coloring.rst:127 #: ../../tutorials/flat-coloring.rst:154 ../../tutorials/flat-coloring.rst:173 #: ../../tutorials/flat-coloring.rst:210 ../../tutorials/flat-coloring.rst:247 #: ../../tutorials/flat-coloring.rst:275 ../../tutorials/flat-coloring.rst:317 msgid "Advantages" msgstr "" #: ../../tutorials/flat-coloring.rst:100 msgid "" "Easy, can work to your benefit even with colored lines by softening the look " "of the lines while keeping nice contrast." msgstr "" #: ../../tutorials/flat-coloring.rst:103 ../../tutorials/flat-coloring.rst:132 #: ../../tutorials/flat-coloring.rst:159 ../../tutorials/flat-coloring.rst:178 #: ../../tutorials/flat-coloring.rst:215 ../../tutorials/flat-coloring.rst:252 #: ../../tutorials/flat-coloring.rst:280 ../../tutorials/flat-coloring.rst:322 msgid "Disadvantages" msgstr "" #: ../../tutorials/flat-coloring.rst:105 msgid "Not actually transparent. Is a little funny with colored lines." msgstr "" #: ../../tutorials/flat-coloring.rst:108 msgid "Using Selections" msgstr "" #: ../../tutorials/flat-coloring.rst:110 msgid "" "The second method is one where we'll make it actually transparent. In other " "programs this would be done via the channel docker, but Krita doesn't do " "custom channels, instead it uses Selection Masks to store custom selections." msgstr "" #: ../../tutorials/flat-coloring.rst:112 msgid "Duplicate your line art layer." msgstr "" #: ../../tutorials/flat-coloring.rst:114 msgid "" "Convert the duplicate to a selection mask. |mouseright| the layer, then :" "menuselection:`Convert --> to Selection Mask`." msgstr "" #: ../../tutorials/flat-coloring.rst:118 msgid "" "Invert the selection mask. :menuselection:`Select --> Invert Selection`." msgstr "" #: ../../tutorials/flat-coloring.rst:120 msgid "" "Make a new layer, and do :menuselection:`Edit --> Fill with Foreground " "Color`." msgstr "" #: ../../tutorials/flat-coloring.rst:124 msgid "And you should now have the line art on a separate layer." msgstr "" #: ../../tutorials/flat-coloring.rst:129 msgid "Actual transparency." msgstr "" #: ../../tutorials/flat-coloring.rst:134 msgid "Doesn't work when the line art is colored." msgstr "" #: ../../tutorials/flat-coloring.rst:137 msgid "Using Masks" msgstr "" #: ../../tutorials/flat-coloring.rst:139 msgid "This is a simpler variation of the above." msgstr "" #: ../../tutorials/flat-coloring.rst:141 msgid "Make a filled layer underneath the line art layer." msgstr "" #: ../../tutorials/flat-coloring.rst:145 msgid "" "Convert the line art layer to a transparency mask |mouseright| the layer, " "then :menuselection:`Convert --> to Transparency Mask`." msgstr "" #: ../../tutorials/flat-coloring.rst:149 msgid "" "Invert the transparency mask by going to :menuselection:`Filter --> Adjust --" "> Invert`" msgstr "" #: ../../tutorials/flat-coloring.rst:156 msgid "" "Actual transparency. You can also very easily doodle a pattern on the filled " "layer where the mask is on without affecting the transparency." msgstr "" #: ../../tutorials/flat-coloring.rst:161 msgid "" "Doesn't work when the line art is colored already. We can still get faster." msgstr "" #: ../../tutorials/flat-coloring.rst:164 msgid "Using Color to Alpha" msgstr "" #: ../../tutorials/flat-coloring.rst:166 msgid "By far the fastest way to get transparent line art." msgstr "" #: ../../tutorials/flat-coloring.rst:168 msgid "" "Select the line art layer and apply the color to alpha filter. :" "menuselection:`Filter --> Colors --> Color to Alpha`. The default values " "should be sufficient for line art." msgstr "" #: ../../tutorials/flat-coloring.rst:171 msgid "" ".. image:: images/flat-coloring/Krita_filling_lineart_color_to_alpha.png" msgstr "" #: ../../tutorials/flat-coloring.rst:175 msgid "" "Actual transparency. Works with colored line art as well, because it removes " "the white specifically." msgstr "" #: ../../tutorials/flat-coloring.rst:180 msgid "" "You'll have to lock the layer transparency or separate out the alpha via the " "right-click menu if you want to easily color it." msgstr "" #: ../../tutorials/flat-coloring.rst:184 msgid "Coloring the image" msgstr "" #: ../../tutorials/flat-coloring.rst:186 msgid "" "Much like preparing the line art, there are many different ways of coloring " "a layer." msgstr "" #: ../../tutorials/flat-coloring.rst:188 msgid "" "You could for example fill in everything by hand, but while that is very " "precise it also takes a lot of work. Let's take a look at the other options, " "shall we?" msgstr "" #: ../../tutorials/flat-coloring.rst:191 msgid "Fill Tool" msgstr "" #: ../../tutorials/flat-coloring.rst:196 msgid "" "In most cases the fill-tool can’t deal with the anti-aliasing (the soft edge " "in your line art to make it more smooth when zoomed out) In Krita you have " "the grow-shrink option. Setting that to say… 2 expands the color two pixels." msgstr "" #: ../../tutorials/flat-coloring.rst:198 msgid "" "Threshold decides when the fill-tool should consider a different color pixel " "to be a border. And the feathering adds an extra soft border to the fill." msgstr "" #: ../../tutorials/flat-coloring.rst:200 msgid "" "Now, if you click on a gapless-part of the image with your preferred color… " "(Remember to set the opacity to 1.0!)" msgstr "" #: ../../tutorials/flat-coloring.rst:202 msgid "" "Depending on your line art, you can do flats pretty quickly. But setting the " "threshold low can result in little artifacts around where lines meet:" msgstr "" #: ../../tutorials/flat-coloring.rst:207 msgid "" "However, setting the threshold high can end with the fill not recognizing " "some of the lighter lines. Besides these little artifacts can be removed " "with the brush easily." msgstr "" #: ../../tutorials/flat-coloring.rst:212 msgid "Pretty darn quick depending on the available settings." msgstr "" #: ../../tutorials/flat-coloring.rst:217 msgid "" "Again, not great with gaps or details. And it works best with aliased line " "art." msgstr "" #: ../../tutorials/flat-coloring.rst:220 msgid "Selections" msgstr "" #: ../../tutorials/flat-coloring.rst:222 msgid "Selections work using the selection tools." msgstr "" #: ../../tutorials/flat-coloring.rst:227 msgid "" "For example with the :ref:`bezier_curve_selection_tool` you can easily " "select a curved area, and the with :kbd:`Shift` + |mouseleft| (not |" "mouseleft| + :kbd:`Shift`, there's a difference!) you can easily add to an " "existing selection." msgstr "" #: ../../tutorials/flat-coloring.rst:232 msgid "" "You can also edit the selection if you have :menuselection:`Select --> Show " "Global Selection Mask` turned on. Then you can select the global selection " "mask, and paint on it. (Above with the alternative selection mode, activated " "in the lower-left corner of the stats bar)" msgstr "" #: ../../tutorials/flat-coloring.rst:234 msgid "" "When done, select the color you want to fill it with and press :kbd:`Shift` " "+ `backspace`." msgstr "" #: ../../tutorials/flat-coloring.rst:239 msgid "" "You can save selections in selection masks by |mouseright| a layer, and then " "going to :menuselection:`Add --> Local Selection`. You first need to " "deactivate a selection by pressing the circle before adding a new selection." msgstr "" #: ../../tutorials/flat-coloring.rst:241 msgid "" "This can serve as an alternative way to split out different parts of the " "image, which is good for more painterly pieces:" msgstr "" #: ../../tutorials/flat-coloring.rst:249 msgid "A bit more precise than filling." msgstr "" #: ../../tutorials/flat-coloring.rst:254 msgid "Previewing your color isn't as easy." msgstr "" #: ../../tutorials/flat-coloring.rst:257 msgid "Geometric tools" msgstr "" #: ../../tutorials/flat-coloring.rst:259 msgid "" "So you have a tool for making rectangles or circles. And in the case of " "Krita, a tool for bezier curves. Select the path tool (|path tool|), and set " "the tool options to fill=foreground and outline=none. Make sure that your " "opacity is set to 1.00 (fully opaque)." msgstr "" #: ../../tutorials/flat-coloring.rst:262 msgid "" ".. image:: images/icons/bezier_curve.svg\n" " :alt: path tool" msgstr "" #: ../../tutorials/flat-coloring.rst:264 msgid "" "By clicking and holding, you can influence how curvy a line draw with the " "path tool is going to be. Letting go of the mouse button confirms the " "action, and then you’re free to draw the next point." msgstr "" #: ../../tutorials/flat-coloring.rst:269 msgid "" "You can also erase with a geometric tool. Just press :kbd:`E` or the eraser " "button." msgstr "" #: ../../tutorials/flat-coloring.rst:277 msgid "" "Quicker than using the brush or selections. Also decent with line art that " "contains gaps." msgstr "" #: ../../tutorials/flat-coloring.rst:282 msgid "" "Fiddly details aren’t easy to fill in with this. So I recommend skipping " "those and filling them in later with a brush." msgstr "" #: ../../tutorials/flat-coloring.rst:285 msgid "Colorize Mask" msgstr "" #: ../../tutorials/flat-coloring.rst:287 msgid "" "So, this is a bit of an odd one. In the original tutorial, you'll see I'm " "suggesting using G'Mic, but that was a few years ago, and G'Mic is a little " "unstable on windows. Therefore, the Krita developers have been attempting to " "make an internal tool doing the same." msgstr "" #: ../../tutorials/flat-coloring.rst:289 msgid "" "It is disabled in 3.1, but if you use 4.0 or later, it is in the toolbox. " "Check the Colorize Mask for more information." msgstr "" #: ../../tutorials/flat-coloring.rst:291 msgid "So it works like this:" msgstr "" #: ../../tutorials/flat-coloring.rst:293 msgid "Select the colorize mask tool." msgstr "" #: ../../tutorials/flat-coloring.rst:294 msgid "Tick the layer you're using." msgstr "" #: ../../tutorials/flat-coloring.rst:295 msgid "Paint the colors you want to use on the colorize mask" msgstr "" #: ../../tutorials/flat-coloring.rst:296 msgid "Click update to see the results:" msgstr "" #: ../../tutorials/flat-coloring.rst:301 msgid "" "When you are satisfied, |mouseright| the colorize mask, and go to :" "menuselection:`Convert --> Paint Layer`. This will turn the colorize mask to " "a generic paint layer. Then, you can fix the last issues by making the line " "art semi-transparent and painting the flaws away with a pixel art brush." msgstr "" #: ../../tutorials/flat-coloring.rst:306 msgid "" "Then, when you are done, split the layers via :menuselection:`Layer --> " "Split --> Split Layer`. There are a few options you can choose, but the " "following should be fine:" msgstr "" #: ../../tutorials/flat-coloring.rst:311 msgid "" "Finally, press **Ok** and you should get the following. Each color patch it " "on a different layer, named by the palette in the menu and alpha locked, so " "you can start painting right away!" msgstr "" #: ../../tutorials/flat-coloring.rst:319 msgid "" "Works with anti-aliased line art. Really quick to get the base work done. " "Can auto-close gaps." msgstr "" #: ../../tutorials/flat-coloring.rst:324 msgid "" "No anti-aliasing of its own. You have to choose between getting details " "right or the gaps auto-closed." msgstr "" #: ../../tutorials/flat-coloring.rst:327 msgid "Conclusion" msgstr "" #: ../../tutorials/flat-coloring.rst:329 msgid "" "I hope this has given you a good idea of how to fill in flats using the " "various techniques, as well as getting a hand of different Krita features. " "Remember that a good flat filled line art is better than a badly shaded one, " "so keep practicing to get the best out of these techniques!" msgstr ""